"'Well, do you know what I got when I first rode out on the ranch? I got just about the once-over from every brute there, and that was all. If one of them ranch hands had ever ogled me a second time I'd have known it all right, but I never caught one of the scoundrels at it. First I said: "Now, ain't that fine and chivalrous?" Then I got wise. It wasn't none of this here boasted Western chivalry, but just plain lack of interest. I admit it made me mad at first. Any man on the place was only too glad to look me over when I had regular clothes on, but dress me like Lysander John and they didn't look at me any oftener than they did him. Not as often, of course, because as a plain human being and man's equal I wasn't near as interesting as he was.'

"'But then, too,' says Hetty, who had only been about half listening to my lecture, 'I thought it might be striking a blow at the same time for the freedom of woman.'

"Well, you know how that freedom-of-the-sex talk always gets me going. I was mad enough for a minute to spank her just as she stood there in them Non Plush Ultras she was so proud of. And I did let out some high talk. Mrs. Dutton told her afterward she thought sure we was having words.

"'Freedom from skirts,' I says, 'is the last thing your sex wants. Skirts is the final refuge of immodesty, to which women will cling like grim death. They will do any possible thing to a skirt—slit it, thin it, shorten it, hike it up one side—people are setting up nights right now thinking up some new thing to do to it—but women won't give it up and dress modestly as men do because it's the only unfair drag they got left with the men. I see one of our offended sex is daily asking right out in a newspaper: "Are women people?" I'd just like to whisper to her that no one yet knows.

"'If they'll quit their skirts, dress as decently as a man does so they won't have any but a legitimate pull with him, we'd have a chance to find out if they're good for anything else. As a matter of fact, they don't want to be people and dress modestly and wear hats you couldn't pay over eight dollars for. I believe there was one once, but the poor thing never got any notice from either sex after she became—a people, as you might say.'

"Well, I was going on to get off a few more things I'd got madded up to, but I caught the look in poor Hetty's face, and it would have melted a stone. Poor child! There she was, wanting a certain man and willing to wear or not wear anything on earth that would nail him, and not knowing what would do it, and complicating her ignorance with meaningless worries about modesty and daringness and the freedom of her poor sex, that ain't ever even deuce-low with one woman in a million.

"And right then, watching her distress, all at once I get my big inspiration—it just flooded me like the sun coming up. I don't know if I'm like other folks, but things do come to me that way. And not only was it a great truth, but it got me out of the hole of having to tell Hetty certain truths about herself that these Non Plush Ultras made all too glaring.

"'Listen,' I says: 'You believe I'm your friend, don't you? And you believe anything I tell you is from the heart out and will probably have a grain of sense in it. Well, here is an inspired thought: Women won't ever dress modestly like men do because men don't want 'em to. I never saw a man yet that did if he'd tell the truth, and so this here dark city stranger won't be any exception. Now, then, what do we see on Saturday next? Why, we see this here gay throng sally forth for Stender's Spring, the youth and beauty of Red Gap, including Mr. D., with his nice refined odour of Russia leather and bank bills of large size—from fifties up—that haven't been handled much. The crowd is of all sexes, technically, like you might say; a lot of nice, sweet girls along but dressed to be mere jolly young roughnecks, and just as interesting to the said stranger as the regular boys that will be present—hardly more so. And now, as for poor little meek you—you will look wild and Western, understand me, but feminine; exactly like the coloured cigarette picture that says under it "Rocky Mountain Cow Girl." You will be in your pretty tan skirt—be sure to have it pressed—and a blue-striped sport bloose that I just saw in the La Mode window, and you'll get some other rough Western stuff there, too: a blue silk neckerchief and a natty little cow-girl sombrero—the La Mode is showing a good one called the La Parisienne for four fifty-eight—and the daintiest pair of tan kid gauntlets you can find, and don't forget a pair of tan silk stockings—'

"'They won't show in my riding boots,' says Hetty, looking as if she was coming to life a little.

"'Tush for the great, coarse, commonsense riding boots,' I says firmly; 'you will wear precisely that neat little pair of almost new tan pumps with the yellow bows that you're standing in now. Do you get me?'

"'But that would be too dainty and absurd,' says Hetty.

"'Exactly!' I says, shutting my mouth hard.

"'Why, I almost believe I do get you,' says she, looking religiously up into the future like that lady saint playing the organ in the picture.

"'Another thing,' I says: 'You are deathly afraid of a horse and was hardly ever on one but once when you were a teeny girl, but you do love the open life, so you just nerved yourself up to come.'

"'I believe I see more clearly than ever,' says Hetty. She grew up on a ranch, knows more about a horse than the horse himself does, and would be a top rider most places, with the cheap help we get nowadays that can hardly set a saddle.

"'Also from time to time,' I goes on, 'you want to ask this Mr. D. little, timid, silly questions that will just tickle him to death and make him feel superior. Ask him to tell you which legs of a horse the chaps go on, and other things like that; ask him if the sash that holds the horrid old saddle on isn't so tight it's hurting your horse. After the lunch is et, go over to the horse all alone and stroke his nose and call him a dear and be found by the gent when he follows you over trying to feed the noble animal a hard-boiled egg and a couple of pickles or something. Take my word for it, he'll be over all right and have a hearty laugh at your confusion, and begin to wonder what it is about you.

"'How about falling off and spraining my ankle on the way back?' demands the awakening vestal with a gleam in her eye.

"'No good,' I says; 'pretty enough for a minute, but it would make trouble if you kept up the bluff, and if there's one thing a man hates more than another it's to have a woman round that makes any trouble.'

"'You have me started on a strange new train of thought,' says Hetty.

"'I think it's a good one,' I tells her, 'but remember there are risks. For one thing, you know how popular you have always been with all the girls. Well, after this day none of 'em will hardly speak to you because of your low-lifed, deceitful game, and the things they'll say of you—such things as only woman can say of woman!'

"'I shall not count the cost,' says she firmly. 'And now I must hurry down for that sport bloose—blue-striped, you said?'

"'Something on that order,' I says, 'that fits only too well. You can do almost anything you want to with your neck and arms, but remember strictly—a skirt is your one and only Non Plush Ultra.'

"So I went home all flushed and eager, thinking joyously how little men—the poor dubs—ever suspect how it's put over on 'em, and the next day, which was Friday, I thought of a few more underhand things she could do. So when she run in to see me that afternoon, the excitement of the chase in her eye, she wanted I should go along on this picnic. I says yes, I will, being that excited myself and wanting to see really if I was a double-faced genius or wasn't I? Henrietta Price couldn't go on account of being still lame from her ride of a week ago, so I could go as chaperone, and anyway I knew the dear girls would all be glad to have me because I would look so different from them—like a genial old ranch foreman going out on rodeo—and the boys was always glad to see me along anyway. 'I'll be there,' I says to Hetty. 'And here—don't forget at all times to-morrow to carry this little real lace handkerchief I'm giving you.'

"I was at the meeting-place next morning at nine. None of the other girls was on time, of course, but that was just as well, because Aggie Tuttle had got her father to come down to the sale yard to pack a mule with the hampers of lunch. Jeff Tuttle is a good packer all right, but too inflamed in the case of a mule, which he hates. They always know up and down that street when he's packing one; ladies drag their children by as fast as they can. But Jeff had the hitch all throwed before any of the girls showed up, and all began in a lovely manner, the crowd of about fifteen getting off not more than an hour late; Mr. Burchell in the lead and a bevy of these jolly young rascals in their Non Plush Ultras riding herd on him.

"Every girl cast cordial glances of pity at poor Hetty when she showed up in her neat skirt and silly tan pumps with the ridiculous silk stockings and the close-fitting blue-striped thing, free at the neck, and her pretty hair all neated under the La Parisienne cow-girl hat. Oh, they felt kinder than ever before to poor old Hetty when they saw her as little daring as that, cheering her with a hearty uproar, slapping their Non Plush Ultras with their caps or gloves, and then giggling confidentially to one another. Hetty accepted their applause with what they call a pretty show of confusion and gored her horse with her heel on the off side so it looked as if the vicious brute was running away and she might fall off any minute, but somehow she didn't, and got him soothed with frightened words and by taking the hidden heel out of his slats—though not until Mr. D. had noticed her good and then looked again once or twice.

"And so the party moved on for an hour or two, with the roguish young roughnecks cutting up merrily at all times, pretending to be cowboys coming to town on pay day, swinging their hats, giving the long yell, and doing roughriding to cut each other away from the side of Mr. D. every now and then, with a noisy laugh of good nature to hide the poisoned dagger. Daisy Estelle Maybury is an awful good rider, too, and got next to the hero about every time she wanted to. Poor thing, if she only knew that once she gets off a horse in 'em it makes all the difference in the world.

"The dark city stranger seemed to enjoy it fine, all this noise and cutting up and cowboy antics like they was just a lot of high-spirited young men together, but I never weakened in my faith for one minute. 'Laugh on, my proud beauties,' I says, 'but a time will come, just as sure as you look and act like a passel of healthy boys.' And you bet it did.

"We hadn't got halfway to Stender's Spring till Mr. D. got off to tighten his cinch, and then he sort of drifted back to where Hetty and I was. I dropped back still farther to where a good chaperone ought to be and he rode in beside Hetty. The trail was too narrow then for the rest to come back after their prey, so they had to carry on the rough work among themselves.

"Hetty acted perfect. She had a pensive, withdrawn look—'aloof,' I guess the word is—like she was too tender a flower, too fine for this rough stuff, and had ought to be in the home that minute telling a fairy story to the little ones gathered at her decently clad knee. I don't know how she done it, but she put that impression over. And she tells Mr. D. that in spite of her quiet, studious tastes she had resolved to come on this picnic because she loves Nature oh! so dearly, the birds and the wild flowers and the great rugged trees that have their message for man if he will but listen with an understanding heart—didn't Mr. D. think so, or did he? But not too much of this dear old Nature stuff, which can be easy overdone with a healthy man; just enough to show there was hidden depths in her nature that every one couldn't find.

"Then on to silly questions about does a horse lie down when it goes to sleep each night after its hard day's labour, and isn't her horse's sash too tight, and what a pretty fetlock he has, so long and thick and brown—Oh, do you call that the mane? How absurd of poor little me! Mr. Daggett knows just everything, doesn't he? He's perfectly terrifying. And where in the world did he ever learn to ride so stunningly, like one of those dare-devils in a Wild West entertainment? If her own naughty, naughty horse tries to throw her on the ground again where he can bite her she'll just have Mr. D. ride the nassy ole sing and teach him better manners, so she will. There now! He must have heard that—just see him move his funny ears—don't tell her that horses can't understand things that are said. And, seriously now, where did Mr. D. ever get his superb athletic training, because, oh! how all too rare it is to see a brain-worker of strong mentality and a splendid athlete in one and the same man. Oh, how pathetically she had wished and wished to be a man and take her place out in the world fighting its battles, instead of poor little me who could never be anything but a homebody to worship the great, strong, red-blooded men who did the fighting and carried on great industries—not even an athletic girl like those dear things up ahead—and this horse is bobbing up and down like that on purpose, just to make poor little me giddy, and so forth. Holding her bridle rein daintily she was with the lace handkerchief I'd give her that cost me twelve fifty.

"Mr. D. took it all like a real man. He said her ignorance of a horse was adorable and laughed heartily at it. And he smiled in a deeply modest and masterful way and said 'But, really, that's nothing—nothing at all, I assure you,' when she said about how he was a corking athlete—and then kept still to see if she was going on to say more about it. But she didn't, having the God-given wisdom to leave him wanting. And then he would be laughing again at her poor-little-me horse talk.

"I never had a minute's doubt after that, for it was the eyes of one fascinated to a finish that he turned back on me half an hour later as he says: 'Really, Mrs. Pettengill, our Miss Hester is feminine to her finger tips, is she not?' 'She is, she is,' I answers. 'If you only knew the trouble I had with the chit about that horrible old riding skirt of hers when all her girl friends are wearing a sensible costume!' Hetty blushed good and proper at this, not knowing how indecent I might become, and Mr. D. caught her at it. Aggie Tuttle and Stella Ballard at this minute is pretending to be shooting up a town with the couple of revolvers they'd brought along in their cunning little holsters. Mr. D. turns his glazed eyes to me once more. 'The real womanly woman,' says he in a hushed voice, 'is God's best gift to man.' Just like that.

"'Landed!' I says to myself. 'Throw him up on the bank and light a fire.'

"And mebbe you think this tet-a-tet had not been noticed by the merry throng up front. Not so. The shouting and songs had died a natural death, and the last three miles of that trail was covered in a gloomy silence, except for the low voices of Hetty and the male she had so neatly pronged. I could see puzzled glances cast back at them and catch mutterings of bewilderment where the trail would turn on itself. But the poor young things didn't yet realize that their prey was hanging back there for reasons over which he hadn't any control. They thought, of course, he was just being polite or something.

"When we got to the picnic place, though, they soon saw that all was not well. There was some resumption of the merrymaking as they dismounted and the girls put one stirrup over the saddle-horn and eased the cinch like the boys did, and proud of their knowledge, but the glances they now shot at Hetty wasn't bewildered any more. They was glances of pure fright. Hetty, in the first place, had to be lifted off her horse, and Mr. D. done it in a masterly way to show her what a mere feather she was in his giant's grasp. Then with her feet on the ground she reeled a mite, so he had to support her. She grasped his great strong arm firmly and says: 'It's nothing—I shall be right presently—leave me please, go and help those other girls.' They had some low, heated language about his leaving her at such a crisis, with her gripping his arm till I bet it showed for an hour. But finally they broke and he loosened her horse's sash, as she kept quaintly calling it, and she recovered completely and said it had been but a moment's giddiness anyway, and what strength he had in those arms, and yet could use it so gently, and he said she was a brave, game little woman, and the picnic was served to one and all, with looks of hearty suspicion and rage now being shot at Hetty from every other girl there.

"And now I see that my hunch has been even better than I thought. Not only does the star male hover about Hetty, cutely perched on a fallen log with her dainty, gleaming ankles crossed, and looking so fresh and nifty and feminine, but I'm darned if three or four of the other males don't catch the contagion of her woman's presence and hang round her, too, fetching her food of every kind there, feeding her spoonfuls of Aggie Tuttle's plum preserves, and all like that, one comical thing after another. Yes, sir; here was Mac Gordon and Riley Hardin and Charlie Dickman and Roth Hyde, men about town of the younger dancing set, that had knowed Hetty for years and hardly ever looked at her—here they was paying attentions to her now like she was some prize beauty, come down from Spokane for over Sunday, to say nothing of Mr. D., who hardly ever left her side except to get her another sardine sandwich or a paper cup of coffee. It was then I see the scientific explanation of it, like these high-school professors always say that science is at the bottom of everything. The science of this here was that they was all devoting themselves to Hetty for the simple reason that she was the one and only woman there present.

"Of course these girls in their modest Non Plush Ultras didn't get the scientific secret of this fact. They was still too obsessed with the idea that they ought to be ogled on account of them by any male beast in his right senses. But they knew they'd got in wrong somehow. By this time they was kind of bunching together and telling each other things in low tones, while not seeming to look at Hetty and her dupes, at which all would giggle in the most venemous manner. Daisy Estelle left the bunch once and made a coy bid for the notice of Mr. D. by snatching his cap and running merrily off with it about six feet. If there was any one in the world—except Hetty—could make a man hate the idea of riding pants for women, she was it. I could see the cold, flinty look come into his eyes as he turned away from her to Hetty with the pitcher of lemonade. And then Beryl Mae Macomber, she gets over close enough for Mr. D. to hear it, and says conditions is made very inharmonious at home for a girl of her temperament, and she's just liable any minute to chuck everything and either take up literary work or go into the movies, she don't know which and don't care—all kind of desperate so Mr. D. will feel alarmed about a beautiful young thing like that out in the world alone and unprotected and at the mercy of every designing scoundrel. But I don't think Mr. D. hears a word of it, he's so intently listening to Hetty who says here in this beautiful mountain glade where all is peace how one can't scarcely believe that there is any evil in the world anywhere, and what a difference it does make when one comes to see life truly. Then she crossed and recrossed her silken ankles, slightly adjusted her daring tan skirt, and raised her eyes wistfully to the treetops, and I bet there wasn't a man there didn't feel that she belonged in the home circle with the little ones gathered about, telling 'em an awfully exciting story about the naughty, naughty, bad little white kitten and the ball of mamma's yarn.

"Yes, sir; Hetty was as much of a revelation to me in one way as she would of been to that party in another if I hadn't saved her from it. She must have had the correct female instinct all these years, only no one had ever started her before on a track where there was no other entries. With those other girls dressed like she was Hetty would of been leaning over some one's shoulder to fork up her own sandwiches, and no one taking hardly any notice whether she'd had some of the hot coffee or whether she hadn't. And the looks she got throughout the afternoon! Say, I wouldn't of trusted that girl at the edge of a cliff with a single pair of those No. 9872's anywhere near.

"After the lunch things was packed up there was faint attempts at fun and frolic with songs and chorus—Riley Hardin has a magnificent bass voice at times and Mac Gordon and Charlie Dickman and Roth Hyde wouldn't be so bad if they'd let these Turkish cigarettes alone—and the boys got together and sung some of their good old business-college songs, with the girls coming in while they murdered Hetty with their beautiful eyes. But Hetty and Mr. D. sort of withdrew from the noisy enjoyment and talked about the serious aspects of life and how one could get along almost any place if only they had their favourite authors. And Mr. D. says doesn't she sing at all, and she says, Oh! in a way; that her voice has a certain parlour charm, she has been told, and she sings at—you can't really call it singing—two or three of the old Scotch songs of homely sentiment like the Scotch seem to get into their songs as no other nation can, or doesn't he think so, and he does, indeed. And he's reading a wonderful new novel in which there is much of Nature with its lessons for each of us, but in which love conquers all at the end, and the girl in it reminds him strongly of her, and perhaps she'll be good enough to sing for him—just for him alone in the dusk—if he brings this book up to-morrow night so he can show her some good places in it.

"At first she is sure she has a horrid old engagement for to-morrow night and is so sorry, but another time, perhaps—Ain't it a marvel the crooked tricks that girl had learned in one day! And then she remembers that her engagement is for Tuesday night—what could she have been thinking of!—and come by all means—only too charmed—and how rarely nowadays does one meet one on one's own level of culture, or perhaps that is too awful a word to use—so hackneyed—but anyway he knows what she means, or doesn't he? He does.

"Pretty soon she gets up and goes over to her horse, picking her way daintily in the silly little tan pumps, and seems to be offering the beast something. The stricken man follows her the second he can without being too raw about it, and there is the adorably feminine thing with a big dill pickle, two deviled eggs, and a half of one of these Camelbert cheeses for her horse. Mr. D. has a good masterly laugh at her idea of horse fodder and calls her 'But, my dear child!' and she looks prettily offended and offers this chuck to the horse and he gulps it all down and noses round for more of the same. It was an old horse named Croppy that she'd known from childhood and would eat anything on earth. She rode him up here once and he nabbed a bar of laundry soap off the back porch and chewed the whole thing down with tears of ecstasy in his eyes and frothing at the mouth like a mad dog. Well, so Hetty gives mister man a look of dainty superiority as she flicks crumbs from her white fingers with my real lace handkerchief, and he stops his hearty laughter and just stares, and she says what nonsense to think the poor horses don't like food as well as any one. Them little moments have their effect on a man in a certain condition. He knew there probably wasn't another horse in the world would touch that truck, but he couldn't help feeling a strange new respect for her in addition to that glorious masculine protection she'd had him wallowing in all day.

"The ride home, at least on the part of the Non Plush Ultra cut-ups, was like they had laid a loved one to final rest out there on the lone mountainside. The handsome stranger and Hetty brought up the rear, conversing eagerly about themselves and other serious topics. I believe he give her to understand that he'd been pretty wild at one time in his life and wasn't any too darned well over it yet, but that some good womanly woman who would study his ways could still take him and make a man of him; and her answering that she knew he must have suffered beyond human endurance in that horrible conflict with his lower nature. He said he had.

"Of course the rabid young hoydens up ahead made a feeble effort now and then to carry it off lightly, and from time to time sang 'My Bonnie Lies Over the Ocean,' or 'Merrily We Roll Along,' with the high, squeaky tenor of Roth Hyde sounding above the others very pretty in the moonlight, but it was poor work as far as these enraged vestals was concerned. If I'd been Hetty and had got a strange box of candy through the mail the next week, directed in a disguised woman's hand, I'd of rushed right off to the police with it, not waiting for any analysis. And she, poor thing, would get so frightened at bad spots, with the fierce old horse bobbing about so dangerous, that she just has to be held on. And once she wrenched her ankle against a horrid old tree on the trail—she hadn't been able to resist a little one—and bit her under lip as the spasm of pain passed over her refined features. But she was all right in a minute and begged Mr. D. not to think of bathing it in cold water because it was nothing—nothing at all, really now—and he would embarrass her frightfully if he said one more word about it. And Mr. D. again remarked that she was feminine to her finger tips, a brave, game little woman, one of the gamest he ever knew. And pretty soon—what was she thinking about now? Why, she was merely wondering if horses think in the true sense of the word or only have animal instinct, as it is called. And wasn't she a strange, puzzling creature to be thinking on deep subjects like that at such a time! Yes, she had been called puzzling as a child, but she didn't like it one bit. She wanted to be like other girls, if he knew what she meant. He seemed to.

"They took Hetty home first on account of her poor little ankle and sung 'Good Night, Ladies,' at the gate. And so ended a day that was wreck and ruin for most of our sex there present.

"And to show you what a good, deep, scientific cause I had discovered, the next night at Hetty's who shows up one by one but these four men about town, each with a pound of mixed from the Bon Ton Handy Kitchen, and there they're all setting at the feet of Hetty, as it were, in her new light summer gown with the blue bows, when Mr. D. blows in with a two-pound box and the novel in which love conquered all. So excited she was when she tells me about it next day. The luck of that girl! But after all it wasn't luck, because she'd laid her foundations the day before, hadn't she? Always look a little bit back of anything that seems to be luck, say I.

"And Hetty with shining eyes entertained one and all with the wit and sparkle a woman can show only when there's four or five men at her at once—it's the only time we ever rise to our best. But she got a chance for a few words alone with Mr. D., who took his hat finally when he sees the other four was going to set him out; enough words to confide to him how she loathed this continual social racket to which she was constantly subjected, with never a let-up so one could get to one's books and to one's real thoughts. But perhaps he would venture up again some time next week or the week after—not getting coarse in her work, understand, even with him flopping around there out on the bank—and he give her one long, meaning look and said why not to-morrow night, and she carelessly said that would be charming, she was sure—she didn't think of any engagement at this minute—and it was ever so nice of him to think of poor little me.

"Then she went back and gave the social evening of their life to them four boys that had stayed. She said she couldn't thank them enough for coming this evening—which is probably the only time she had told the truth in thirty-six hours—and they all made merry. Roth Hyde sang 'Sally in Our Alley' so good on the high notes that the Duttons was all out in the hall listening; and Riley Hardin singing 'Down, Diver, Down, 'Neath the Deep Blue Waves!' and Mac Gordon singing his everlasting German songs in their native language, and Charlie Dickman singing a new sentimental one called 'Ain't There at Least One Gentleman Here?' about a fair young lady dancer being insulted in a gilded cafe in some large city; and one and all voted it was a jolly evening and said how about coming back to-morrow night, but Hetty said no, it was her one evening for study and she couldn't be bothered with them, which was a plain, downright so-and-so and well she knew it, because that girl's study was over for good and all.

"Well, why string it out? I've give you the facts. And my lands! Will you look at that clock now? Here's the morning gone and this room still looking like the inside of a sheep-herder's wagon! Oh, yes, and when Hetty was up here this time that she wouldn't wear my riding pants down, she says. 'Not only that, but I'm scrupulously careful in all ways. Why, I never even allow dear Burchell to observe me in one of those lace boudoir caps that so many women cover up their hair with when it's their best feature but they won't take time to do it.'

"Now was that spoken like a wise woman or like the two-horned Galumpsis Caladensis of East India, whose habits are little known to man? My Lord! Won't I ever learn to stop? Where did I put that dusting cloth?"



VI

COUSIN EGBERT INTERVENES

"It takes all kinds of foreigners to make a world," said Ma Pettengill—irrelevantly I thought, because the remark seemed to be inspired merely by the announcement of Sandy Sawtelle that the mule Jerry's hip had been laid open by a kick from the mule Alice, and that the bearer of the news had found fourteen stitches needed to mend the rent.

Sandy brought his news to the owner of the Arrowhead as she relaxed in my company on the west veranda of the ranch house and scented the golden dusk with burning tobacco of an inferior but popular brand. I listened but idly to the minute details of the catastrophe, discovering more entertainment in the solemn wake of light a dulled sun was leaving as it slipped over the sagging rim of Arrowhead Pass. And yet, through my absorption with the shadows that now played far off among the folded hills, there did come sharply the impression that this Sawtelle person was dwelling too insistently upon the precise number of stitches required by the breach in Jerry's hide.

"Fourteen—yes, ma'am; fourteen stitches. That there Alice mule sure needs handling. Fourteen regular ones. I'd certainly show her where to head in at, like now she was my personal property. Me, I'd abuse her shamefully. Only eleven I took last time in poor old Jerry; and here now it's plumb fourteen—yes, ma'am; fourteen good ones. Say, you get fourteen of them stitches in your hide, and I bet—thought, at first, I could make twelve do, but it takes full fourteen, with old Jerry nearly tearing the chute down while I was taking these fourteen—"

I began to see numbers black against that glowing panorama in the west. A monstrous 14 repeated itself stubbornly along the gorgeous reach of it.

"Yes, ma'am—fourteen; you can go out right now and count 'em yourself. And like mebbe I'll have to go down to town to-morrow for some more of that King of Pain Liniment, on account of Lazarus and Bryan getting good and lamed in this same mix-up, and me letting fall the last bottle we had on the place and busting her wide open—"

"Don't you bother to bust any more!" broke in his employer in a tone that I found crisp with warning. "There's a whole new case of King of Pain in the storeroom."

"Huh!" exclaimed the surgeon, ably conveying disappointment thereby. "And like now if I did go down I could get the new parts for that there mower—"

"That's something for me to worry about exclusively. I'll begin when we got something to mow." There was finished coldness in this.

"Huh!" The primitive vocable now conveyed a lively resentment, but there was the pleading of a patient sufferer in what followed. "And like at the same time, having to make the trip anyway for these here supplies and things, I could stop just a minute at Doc Martingale's and have this old tooth of mine took out, that's been achin' like a knife stuck in me fur the last fourteen—well, fur about a week now—achin' night and day—no sleep at all now fur seven, eight nights; so painful I get regular delirious, let me tell you. And, of course, all wore out the way I am, I won't be any good on the place till my agony's relieved. Why, what with me suffering so horrible, I just wouldn't hardly know my own name sometimes if you was to come up and ask me!"

The woman's tone became more than ever repellent.

"Never you mind about not knowing your own name. I got it on the pay roll, and it'll still be there to-morrow if you're helping Buck get out the rest of them fence posts like I told you. If you happen to get stuck for your name when I ain't round, and the inquiring parties won't wait, just ask the Chinaman; he never forgets anything he's learned once. Or I'll write it out on a card, so you can show it to anybody who rides up and wants to know it in a hurry!"

"Huh!"

The powers of this brief utterance had not yet been exhausted. It now conveyed despair. With bowed head the speaker dully turned and withdrew from our presence. As he went I distinctly heard him mutter:

"Huh! Four-teen! Four-teen! And seven! And twenty-eight!"

"Say, there!" his callous employer called after him. "Why don't you get Boogles to embroider that name of yours on the front of your shirt? He'd adore to do it. And you can still read, can't you, in the midst of your agonies?"

There was no response to this taunt. The suffering one faded slowly down the path to the bunk house and was lost in its blackness. A light shone out and presently came sombre chords from a guitar, followed by the voice of Sandy in gloomy song: "There's a broken heart for every light on Broadway—"

I was not a little pained to discover this unsuspected vein of cruelty in a woman I had long admired. And the woman merely became irrelevant with her apothegm about foreigners. I ignored it.

"What about that sufferer down there in the bunk house?" I demanded. "Didn't you ever have toothache?"

"No; neither did Sandy Sawtelle. He ain't a sufferer; he's just a liar."

"Why?"

"So I'll let him go to town and play the number of them stitches on the wheel. Sure! He'd run a horse to death getting there, make for the back room of the Turf Club Saloon, where they run games whenever the town ain't lidded too tight, and play roulette till either him or the game had to close down. Yes, sir; he'd string his bets along on fourteen and seven and twenty-eight and thirty-five, and if he didn't make a killing he'd believe all his life that the wheel was crooked. Stitches in a mule's hide is his bug. He could stitch up any horse on the place and never have the least hunch; but let it be a mule—Say! Down there right now he's thinking about the thousand dollars or so I'm keeping him out of. I judge from his song that he'd figured on a trip East to New York City or Denver. At that, I don't know as I blame him. Yes, sir; that's what reminded me of foreigners and bazaars and vice, and so on—and poor Egbert Floud."

My hostess drew about her impressive shoulders a blanket of Indian weave that dulled the splendours of the western sky, and rolled a slender cigarette from the tobacco and papers at her side. By the ensuing flame of a match I saw that her eyes gleamed with the light of pure narration.

"Foreigners, bazaars, vice, and Egbert Floud?" I murmured, wishing these to be related more plausibly one to another.

"I'm coming to it," said the lady; and, after two sustaining inhalations from the new cigarette, forthwith she did:

* * * * *

It was late last winter, while I was still in Red Gap. The talk went round that we'd ought to have another something for the Belgians. We'd had a concert, the proceeds of which run up into two figures after all expenses was paid; but it was felt something more could be done—something in the nature of a bazaar, where all could get together. The Mes-dames Henrietta Templeton Price and Judge Ballard were appointed a committee to do some advance scouting.

That was where Egbert Floud come in, though after it was all over any one could see that he was more to be pitied than censured. These well-known leaders consulted him among others, and Cousin Egbert says right off that, sure, he'll help 'em get up something if they'll agree to spend a third of the loot for tobacco for the poor soldiers, because a Belgian or any one else don't worry so much about going hungry if they can have a smoke from time to time, and he's been reading about where tobacco is sorely needed in the trenches. He felt strong about it, because one time out on the trail he lost all his own and had to smoke poplar bark or something for two weeks, nearly burning his flues out.

The two Mes-dames agreed to this, knowing from their menfolk that tobacco is one of the great human needs, both in war and in peace, and knowing that Cousin Egbert will be sure to donate handsomely himself, he always having been the easiest mark in town; so they said they was much obliged for his timely suggestion and would he think up some novel feature for the bazaar; and he said he would if he could, and they went on to other men of influence.

Henrietta's husband, when he heard the money wouldn't all be spent for mere food, said he'd put up a choice lot in Price's Addition to be raffled off—a lot that would at some future date be worth five thousand dollars of anybody's money, and that was all right; and some of the merchants come through liberal with articles of use and adornment to be took chances on.

Even old Proctor Knapp, the richest man in town, actually give up something after they pestered him for an hour. He owns the People's Traction Company and he turned over a dollar's worth of street-car tickets to be raffled for, though saying he regarded gambling as a very objectionable and uncertain vice, and a person shouldn't go into anything without being sure they was dead certain to make something out of it, war or no war, he knowing all about it. Why wouldn't he, having started life as a poor, ragged boy and working his way up to where parties that know him is always very careful indeed when they do any business with him?

Some of the ladies they consulted was hostile about the tobacco end of it. Mrs. Tracy Bangs said that no victim of the weed could keep up his mentality, and that she, for one, would rather see her Tracy lying in his casket than smoking vile tobacco that would destroy his intellect and make him a loathsome object in the home. She said she knew perfectly well that if the countries at war had picked their soldiers from non-smokers it would have been all over in just a few days—and didn't that show you that the tobacco demon was as bad as the rum demon?

Mrs. Leonard Wales was not only bitter about tobacco but about any help at all. She said our hard storms of that winter had been caused by the general hatred in Europe which created evil waves of malignity; so let 'em shoot each other till they got sense enough to dwell together in love and amity—only we shouldn't prolong the war by sending 'em soup and cigarettes, and so on. Her idea seemed to be that if Red Gap would just stand firm in the matter the war would die a natural death. Still, if a bazaar was really going to be held, she would consent to pose in a tableau if they insisted on it, and mebbe she could thus inject into the evil atmosphere of Europe some of the peace and good will that sets the United States apart from other nations.

Trust Cora Wales not to overlook a bet like that. She's a tall, sandy-haired party, with very extravagant contours, and the thing she loves best on earth is to get under a pasteboard crown, with gilt stars on it, and drape herself in the flag of her country, with one fat arm bare, while Maine, New Hampshire, Vermont, Massachusetts, and the rest is gathered about and looking up to her for protection. Mebbe she don't look so bad as the Goddess of Liberty on a float in the middle of one of our wide streets when the Chamber of Commerce is giving a Greater Red Gap pageant; but take her in a hall, where you set close up to the platform, and she looks more like our boasted liberty has degenerated into license, or something like that. Anyway, the committee had to promise her she could do something in her flag and crown and talcum powder, because they knew she'd knock the show if they didn't.

This reminded 'em they had to have a program of entertainment; so they got me on the committee with the other Mes-dames to think up things, me always being an easy mark. I find out right off that we're a lot of foreigners and you got to be darned careful not to hurt anybody's feelings. Little Bertha Lehman's pa would let her be a state—Colorado or Nebraska, or something—but he wouldn't let her sing unless it would be a German song in the original; and Hobbs, the English baker, said his Tillie would have to sing "Britannia Rules the Waves," or nothing; and two or three others said what they would and wouldn't do, and it looked like Red Gap itself was going to be dug up into trenches. I had to get little Magnesia Waterman, daughter of the coons that work in the U.S. Grill, to do the main singing. She seemed to be about the only American child soprano we had. She sings right well for a kid, mostly these sad songs about heaven; but we picked out a good live one for her that seemed to be neutral.

It was delicate work, let me tell you, turning down folks that wanted to sing patriotic songs or recite war poetry that would be sure to start something, with Professor Gluckstein wishing to get up and tell how the cowardly British had left the crew of a German submarine to perish after shooting it up when it was only trying to sink their cruiser by fair and lawful methods; and Henry Lehman wanting to read a piece from a German newspaper about how the United States was a nation of vile money-grubbers that would sell ammunition to the enemy just because they had the ships to take it away, and wouldn't sell a dollar's worth to the Fatherland, showing we had been bought up by British gold—and so on.

But I kept neutral. I even turned down an Englishman named Ruggles, that keeps the U.S. Grill and is well thought of, though he swore that all he would do was to get off a few comical riddles, and such. He'd just got a new one that goes: "Why is an elephant like a corkscrew? Because there's a 'b' in both." I didn't see it at first, till he explained with hearty laughter—because there's a "b" in both—the word "both." See? Of course there's no sense to it. He admitted there wasn't, but said it was a jolly wheeze just the same. I might have took a chance with him, but he went on to say that he'd sent this wheeze to the brave lads in the trenches, along with a lot of cigars and tobacco, and had got about fifty postcards from 'em saying it was the funniest thing they'd heard since the war begun. And in a minute more he was explaining, with much feeling, just what low-down nation it was that started the war—it not being England, by any means—and I saw he wasn't to be trusted on his feet.

So I smoothed him down till he promised to donate all the lemonade for Aggie Tuttle, who was to be Rebekkah at the Well; and I smoothed Henry Lehman till he said he'd let his folks come and buy chances on things, even if the country was getting overrun by foreigners, with an Italian barber shop just opened in the same block with his sanitary shaving parlour; though—thank goodness—the Italian hadn't had much to do yet but play on a mandolin. And I smoothed Professor Gluckstein down till he agreed to furnish the music for us and let the war take care of itself.

The Prof's a good old scout when he ain't got his war bonnet on. He was darned near crying into his meerschaum pipe with a carved fat lady on it when I got through telling him about the poor soldiers in the wet and cold without a thing to smoke. He says: "You're right, madam; with Jake Frost in the trenches and no tobacco, all men should be brothers under their hides." And I got that printed in the Recorder for a slogan, and other foreigners come into line; and things looked pretty good.

Also, I got Doc Sulloway, who happened to be in town, to promise he'd come and tell some funny anecdotes. He ain't a regular doctor—he just took it up; a guy with long black curls and a big moustache and a big hat and diamond pin, that goes round selling Indian Snake Oil off a wagon. Doc said he'd have his musician, Ed Bemis, come, too. He said Ed was known far and wide as the world's challenge cornetist. I says all right, if he'll play something neutral; and Doc says he'll play "Listen to the Mocking Bird," with variations, and play it so swell you'll think you're perched right up in the treetops listening to Nature's own feathered songsters.

That about made up my show, including, of course, the Spanish dance by Beryl Mae Macomber. Red Gap always expects that and Beryl Mae never disappoints 'em—makes no difference what the occasion is. Mebbe it's an Evening with Shakespeare, or the Landing of the Pilgrim Fathers, or that Oratorio by Elijah somebody, but Beryl Mae is right there with her girlish young beauty and her tambourine. You see, I didn't want it a long show—just enough to make the two-bits admission seem a little short of robbery. Our real graft, of course, was to be where the young society debutantes and heiresses in charge of the booths would wheedle money out of the dazed throng for chances on the junk that would be donated.



Well, about three days before the show I went up to Masonic Hall to see about the stage decorations, and I was waiting while some one went down to the Turf Exchange to get the key off Tim Mahoney, the janitor—Tim had lately had to do janitor work for a B'nai B'rith lodge that was holding meetings there, and it had made him gloomy and dissolute—and, while I was waiting, who should come tripping along but Egbert Floud, all sunned up like a man that knows the world is his oyster and every month's got an "r" in it. Usually he's a kind of sad, meek coot, looking neglected and put upon; but now he was actually giggling to himself as he come up the stairs two at a time.

"Well, Old-Timer, what has took the droop out of your face?" I ask him.

"Why," he says, twinkling all over the place, "I'm aiming to keep it a secret, but I don't mind hinting to an old friend that my part of the evening's entertainment is going to be so good it'll make the whole show top-heavy. Them ladies said they'd rely on me to think up something novel, and I said I would if I could, and I did—that's all. I'd seen enough of these shows where you ladies pike along with pincushions and fancy lemonade and infants' wear—and mebbe a red plush chair, with gold legs, that plays 'Alice, Where Art Thou?' when a person sets down on it—with little girls speaking a few pieces about the flowers and lambs, and so on, and cleaning up about eleven-twenty-nine on the evening's revel—or it would be that, only you find you forgot to pay the Golden Rule Cash Store for the red-and-blue bunting, and they're howling for their money like a wild-cat. Yes, sir; that's been the way of it with woman at the helium. I wouldn't wish to be a Belgian at all under present circumstances; but if I did have to be one I'd hate to think my regular meals was depending on any crooked work you ladies has done up to date."

"You'd cheer me strangely," I says, "only I been a diligent reader of history, and somehow I can't just recall your name being connected up with any cataclysms of finance. I don't remember you ever starting one of these here panics—or stopping one, for that matter. I did hear that you'd had your pocket picked down to the San Francisco Fair."

I was prodding him along, understand, so he'd flare up and tell me what his secret enterprise was that would make women's operations look silly and feminine. I seen his eyes kind of glisten when I said this about him being touched.

"That's right," he says. "Some lad nicked me for my roll and my return ticket, and my gold watch and chain, and my horseshoe scarfpin with the diamonds in it."

"You stood a lot of pawing over," I says, "for a man that's the keen financial genius you tell about being. This lad must of been a new hand at it. Likely he'd took lessons from a correspondence school. At least, with you standing tied and blinded that way, a good professional one would have tried for your gold tooth—or, anyway, your collar button. I see your secret though," I go on as sarcastically as possible: "You got the lad's address and you're going to have him here Saturday night to glide among the throng and ply his evil trade. Am I right or wrong?"

"You are not," he says. "I never thought of that. But I won't say you ain't warm in your guess. Yes, you certainly are warm, because what I'm going to do is just as dastardly, without being so darned illegal, except to an extent."

Well, it was very exasperating, but that was all I could get out of him. When I ask for details he just clams up.

"But, mark my words," says the old smarty, "I'll show you it takes brains in addition to woman's wiles and artwork to make a decent clean-up in this little one-cylinder town."

"If you just had a little more self-confidence," I says, "you might of gone to the top; lack of faith in yourself is all that's kept you back. Too bad!"

"All right for you to kid me," he says; "but I'd be almost willing to give you two dollars for every dollar that goes out of this hall Saturday night."

Well, it was kind of pathetic and disgusting the way this poor old dub was leaning on his certainty; so I let him alone and went on about my work, thinking mebbe he really had framed up something crooked that would bring at least a few dollars to the cause.

Every time I met him for the next three days after that he'd be so puffed up, like a toad, with importance and low remarks about woman that, at last, I just ignored him, pretending I hadn't the least curiosity about his evil secret. It hurt his feelings when I quit pestering him about it, but he'd been outraging mine right along; so we split even.

He'd had a good-sized room just down the hall turned over to him, and a lot of stuff of some kind carried in there in the night, and men working, with the door locked all the time; so I and the other ladies went calmly on about our own business, decorating the main hall with the flags of all nations, fixing up the platform and the booths very pretty, and giving Mr. Smarty Egbert Floud nothing but haughty glances about his hidden novelty. Even when his men was hammering away in there at their work he'd have something hung over the keyhole—as insulting to us as only a man can be.

Saturday night come and we had a good crowd. Cousin Egbert was after me the minute I got my things off to come and see his dastardly secret; but I had my revenge. I told him I had no curiosity about it and was going to be awful busy with my show, but I'd try as a personal favour to give him a look over before I went home. Yes, sir; I just turned him down with one superior look, and got my curtains slid back on Mrs. Leonard Wales, dressed up like a superdreadnought in a naval parade and surrounded by every little girl in town that had a white dress. They wasn't states this time, but Columbia's Choicest Heritage, with a second line on the program saying, "Future Buds and Debutantes From Society's Home Galleries." It was a line we found under some babies' photos on the society page of a great newspaper printed in New York City. Professor Gluckstein and his son Rudolph played the "Star-Spangled Banner" on the piano and fiddle during this feature.

Then little Magnesia Waterman, dressed to represent the Queen of Sheba, come forward and sung the song we'd picked out for her, with the people joining in the chorus:

We're for you, Woodrow Wilson, One Hundred Million Strong! We put you in the White House And we know you can't do wrong.

It was very successful, barring hisses from all the Germans and English present; but they was soon hushed up. Then Doc Sulloway come out and told some funny anecdotes about two Irishmen named Pat and Mike, lately landed in this country and looking for work, and imitated two cats in a backyard, and drawing a glass of soda water, and sawing a plank in two; and winding up with the announcement that he had donated a dozen bottles of the great Indian Snake Oil Remedy for man and beast that had been imparted to him in secret by old Rumpatunk, the celebrated medicine man, who is supposed to have had it from the Great Spirit; and Ed Bemis, the World's Challenge Cornetist, entertained one and all; and Beryl Mae done her Spanish dance that I'd last seen her give at the Queen Esther Cantata in the M.E. Church. And that was the end of the show; just enough to start 'em buying things at the booths.

At least, we thought it would be. But what does a lot of the crowd do, after looking round a little, but drift out into the hall and down to this room where Cousin Egbert had his foul enterprise, whatever it was. I didn't know yet, having held aloof, as you might say, owing to the old hound's offensive manner. But I had heard three or four parties kind of gasping to each other, had they seen what that Egbert Floud was doing in the other room?—with looks of horror and delight on their faces. That made me feel more superior than ever to the old smarty; so I didn't go near the place yet, but herded people back to the raffles wherever I could.

The first thing was Lon Price's corner lot, for which a hundred chances had been sold. Lon had a blueprint showing the very lot; also a picture of a choice dwelling or bungalow, like the one he has painted on the drop curtain of Knapp's Opera House, under the line, "Price's Addition to Red Gap; Big Lots, Little Payments." It's a very fancy house with porches and bay windows and towers and front steps, and everything, painted blue and green and yellow; and a blond lady in a purple gown, with two golden-haired tots at her side, is waving good-bye to a tall, handsome man with brown whiskers as he hurries out to the waiting street car—though the car line ain't built out there yet by any means.

However, Lon got up and said it was a Paradise on earth, a Heaven of Homes; that in future he would sell lots there to any native Belgian at a 20 per cent. discount; and he hoped the lucky winner of this lot would at once erect a handsome and commodious mansion on it, such as the artist had here depicted; and it would be only nine blocks from the swell little Carnegie Library when that, also, had been built, the plans for it now being in his office safe.

Quite a few of the crowd had stayed for this, and they cheered Lon and voted that little Magnesia Waterman was honest enough to draw the numbers out of a hat. They was then drawn and read by Lon in an exciting silence—except for Mrs. Leonard Wales, who was breathing heavily and talking to herself after each number. She and Leonard had took a chance for a dollar and everybody there knew it by now. She was dead sure they would get the lot. She kept telling people so, right and left. She said they was bound to get it if the drawing was honest. As near as I could make out, she'd been taking a course of lessons from a professor in Chicago about how to control your destiny by the psychic force that dwells within you. It seems all you got to do is to will things to come your way and they have to come. No way out of it. You step on this here psychic gas and get what you ask for.

"I already see our little home," says Mrs. Wales in a hoarse whisper. "I see it objectively. It is mine. I claim it out of the boundless all-good. I have put myself in the correct mental attitude of reception; I am holding to the perfect All. My own will come to me."

And so on, till parties round her begun to get nervous. Yes, sir; she kept this stuff going in low, tense tones till she had every one in hearing buffaloed; they was ready to give her the lot right there and tear up their own tickets. She was like a crapshooter when he keeps calling to the dice: "Come, seven—come on, come on!" All right for the psychics, but that's what she reminded me of.

And in just another minute everybody there thought she'd cheated by taking these here lessons that she got from Chicago for twelve dollars; for you can believe it or not but her number won the lot. Yes, sir; thirty-three took the deed and Lon filled in her name on it right there. Many a cold look was shot at her as she rushed over to embrace her husband, a big lump of a man that's all right as far up as his Adam's apple, and has been clerking in the Owl Cigar Store ever since he can remember. He tells her she is certainly a wonder and she calls him a silly boy; says it's just a power she has developed through concentration, and now she must claim from the all-good a dear little home of seven rooms and bath, to be built on this lot; and she knows it will come if she goes into the silence and demands it. Say! People with any valuables on 'em begun to edge off, not knowing just how this strange power of hers might work.

Then I look round and see the other booths ain't creating near the excitement they had ought to be, only a few here and there taking two-bit chances on things if Mrs. Wales ain't going in on 'em, too; several of the most attractive booths was plumb deserted, with the girls in charge looking mad or chagrined, as you might say. So I remember this hidden evil of Egbert Floud's and that the crowd has gone there; and while I'm deciding to give in and gratify my morbid curiosity, here comes Cousin Egbert himself, romping along in his dinner-jacket suit and tan shoes, like a wild mustang.

"What was I telling you?" he demands. "Didn't I tell you the rest of this show was going to die standing up? Yes, sir; she's going to pass out on her feet." And he waved a sneering arm round at the deserted booths. "What does parties want of this truck when they can come down to my joint and get real entertainment for their money? Why, they're breaking their ankles now to get in there!"

It sure looked like he was right for once in his life; so I says:

"What is it you've done?"

"Simple enough," says he, "to a thinking man. It comes to me like a flash or inspiration, or something, from being down to that fair in San Francisco, California. Yes, sir; they had a deadfall there, with every kind of vice rampant that has ever been legalized any place, and several kinds that ain't ever been; they done everything, from strong-arm work to short changing, and they was getting by with it by reason of calling it Ye Olde Tyme Mining Camp of '49, or something poetical like that. That was where I got nicked for my roll, in addition to about fifty I lost at a crooked wheel. I think the workers was mostly ex-convicts, and not so darned ex- at that. Anyway, their stuff got too raw even for the managers of an exposition, so they had to close down in spite of their name. That's where I get my idee when these ladies said think up something novel and pleasing. Just come and see how I'm taking it off of 'em." And, with that, he grabs me by the arm and rushes me down to this joint of his.

At the side of the doorway he had two signs stuck up. One says, Ye Olde Tyme Saloone; and the other says, Ye Olde Tyme Gambling Denne. You could of pushed me over with one finger when I looked in. He'd drew the crowd, all right. I knew then that Aggie Tuttle might just as well close down her Rebekkah-at-the-Well dive, and that no one was going to take any more chances on pincushions and tidies and knitted bed slippers.

About a third of the crowd was edged up to the bar and keeping Louis Meyer and his father busy with drink orders, and the other two-thirds was huddled round a roulette layout across the room. They was wedged in so tight I couldn't see the table, but I could hear the little ball click when it slowed up, and the rattle of chips, and squeals from them that won, and hoarse mutters from the losers.

Cousin Egbert rubbed his hands and giggled, waiting for me to bedeck him with floral tributes.

"I suppose you got a crooked wheel," I says.

"Shucks, no!" says he. "I did think of it, but I'd of had to send out of town for one and they're a lot of trouble to put in, what with the electric wiring and all; and besides, the straightest roulette wheel ever made is crooked enough for any man of decent instincts. I don't begrudge 'em a little excitement for their money. I got these old bar fixings out of the Spilmer place that was being tore down, and we're charging two bits a drink for whatever, and that'll be a help; and it looks to me like you ladies would of thought you needed a man's brain in these shows long before this. Come on in and have a shot. I'll buy."

So we squeezed in and had one. It was an old-time saloon, all right—that is, fairly old; about 1889, with a brass foot rail, and back of the bar a stuffed eagle and a cash register. A gang of ladies was taking claret lemonades and saying how delightfully Bohemian it all was; and Miss Metta Bigler, that gives lessons in oil painting and burnt wood, said it brought back very forcibly to her the Latin Quarter of Chicago, where she finished her art course. Henrietta Templeton Price, with one foot on the railing, was shaking dice with three other prominent society matrons for the next round, and saying she had always been a Bohemian at heart, only you couldn't go very far in a small town like this without causing unfavourable comment among a certain element.

It was a merry scene, with the cash register playing like the Swiss Family Bellringers. Even the new Episcopalian minister come along, with old Proctor Knapp, and read the signs and said they was undeniably quaint, and took a slug of rye and said it was undeniably delightful; though old Proctor roared like a maddened bull when he found what the price was. I guess you can be an Episcopalian one without its interfering much with man's natural habits and innocent recreations. Then he went over and lost a two-bit piece on the double-o, and laughed heartily over the occurrence, saying it was undeniably piquant with old Proctor plunging ten cents on the red and losing it quick, and saying a fool and his money was soon parted—yes, and I wish I had as much money as that old crook ain't foolish; but no matter.

Beryl Mae Macomber was aiding the Belgians by running out in the big room to drum up the stragglers. She was now being Little Nugget, the Miners' Pet; and when she wasn't chasing in easy money she'd loll at one end of the bar with a leer on her flowerlike features to entice honest workingmen in to lose their all at the gaming tables. There was chuck-a-luck and a crap game going, and going every minute, too, with Cousin Egbert trying to start three-card monte at another table—only they all seemed wise to that. Even the little innocent children give him the laugh.

I went over to the roulette table and lost a few dollars, not being able to stick long, because other women would keep goring me with their elbows. Yes, sir; that layout was ringed with women four deep. All that the men could do was stand on the outside and pass over their loose silver to the fair ones. Sure! Women are the only real natural-born gamblers in the world. Take a man that seems to be one and it's only because he's got a big streak of woman in him, even if it don't show any other way. Men, of course, will gamble for the fun of it; but it ain't ever funny to a woman, not even when she wins. It brings out the natural wolf in her like nothing else does. It was being proved this night all you'd want to see anything proved. If the men got near enough and won a bet they'd think it was a good joke and stick round till they lost it. Not so my own sex. Every last one of 'em saw herself growing rich on Cousin Egbert's money—and let the Belgians look out for themselves.

Mrs. Tracy Bangs, for instance, fought her way out of the mob, looking as wild as any person in a crazy house, choking twenty-eight dollars to death in her two fists that she win off two bits. She crowds this onto Tracy and makes him swear by the sacred memory of his mother that he will positively not give her back a cent of it to gamble with if the fever comes on her again—not even if she begs him to on her bended knees. And fifteen minutes later the poor little shark nearly has hysterics because Tracy won't give her back just five of it to gamble again with. Sure! A very feminine woman she is.

Tracy is a pretty good little sport himself. He says, No, and that'll be all, please, not only on account of the sacred memory of his mother but because the poor Belgians has got to catch it going if they don't catch it coming; and he's beat it out to a booth and bought the twenty-five-dollar gold clock with chimes, with the other three dollars going for the dozen bottles of Snake Oil and the twenty street-car tickets.

And now let there be no further words about it, but there was when she hears this horrible disclosure—lots of words, and the brute won't even give her the street-car tickets, which she could play in for a dollar, and she has to go to the retiring room to bathe her temples, and treats Tracy all the rest of the evening like a crippled stepchild, thinking of all she could of won if he hadn't acted like a snake in the grass toward her!

Right after this Mrs. Leonard Wales, in her flag and powder, begun to stick up out of the scene, though not risking any money as yet. She'd just stand there like one petrified while cash was being paid in and out, keeping away about three women of regular size that would like to get their silver down. I caught the gleam in her eye, and the way she drawed in her breath when the lucky number was called out, kind of shrinking her upper lip every time in a bloodthirsty manner. Yes, sir; in the presence of actual money that dame reminded me of the great saber-toothed tiger that you see terrible pictures of in the animal books.

Pretty soon she mowed down a lot of her sister gamblers and got out to where Leonard was standing, to tell him all about how she'd have won a lot of money if she'd only put some chips down at the right time, the way she would of done if she'd had any; and Leonard said what a shame! And they drifted into a corner, talking low. I bet she was asking him if she couldn't make a claim to these here bets she'd won in her mind, and if this wasn't the magic time to get the little home or bungalow on the new lot she'd won by finding out from the Chicago professor how to mould her destiny.

Then I lose track of the two for a minute, because Judge Ballard comes in escorting his sister from South Carolina, that's visiting them, and invites every one to take something in her honour. She was a frail little old lady, very old-fashioned indeed, with white hair built up in a waterfall and curls over both ears, and a flowered silk dress that I bet was made in Civil War times, and black lace mitts. Say! She looked like one of the ladies that would of been setting in the front of a box at Ford's Theatre the night President Lincoln was shot up!

She seemed a mite rattled when she found herself in a common barroom, having failed to read Cousin Egbert's undeniably quaint signs; but the Judge introduced her to some that hadn't met her yet, and when he asked her what her refreshment would be she said in a very brazen way that she would take a drop of anisette cordial. Louis Meyer says they ain't keeping that, and she says, Oh, dear! she's too old-fashioned! So Cousin Egbert says, why, then she should take an old-fashioned cocktail, which she does and sips it with no sign of relish. Then she says she will help the cause by wagering a coin on yonder game of chance.

The Judge paws out a place for her and I go along to watch. She pries open a bead reticule that my mother had one like and gets out a knitted silk purse, and takes a five-dollar gold piece into her little bony white fingers and drops it on a number, and says: "Now that is well over!" But it wasn't over. There was excitement right off, because, outside of some silver dollars I'd lost myself, I hadn't seen anything bigger than a two-bit piece played there that night. Right over my shoulder I heard heavy breathing and I didn't have to turn round to know it was Cora Wales. When the ball slowed up she quit breathing entirely till it settled.

It must of been a horrible strain on her, for the man was raking in all the little bets and leaving the five-dollar one that win. Say! That woman gripped an arm of mine till I thought it was caught in machinery of some kind! And Mrs. Doc Martingale, that she gripped on the other side, let out a yell of agony. But that wasn't the worst of Cora Wales' torture. No, sir! She had to stand there and watch this little old-fashioned sport from South Carolina refuse the money!

"But I can't accept it from you good people," says she in her thin little voice. "I intended to help the cause of those poor sufferers, and to profit by the mere inadvertence of your toy there would be unspeakable—really no!"

And she pushed back the five and the hundred and seventy-five that the dealer had counted out for her, dusted her little fingers with a little lace handkerchief smelling of lavender, and asked the Judge to show her a game that wasn't so noisy.

I guess Cora Wales was lost from that moment. She had Len over in a corner again, telling him how easy it was to win, and how this poor demented creature had left all hers there because Judge Ballard probably didn't want to create a scene by making her take it; and mustn't they have a lot of trouble looking after the weak-minded thing all the time! And I could hear her say if one person could do it another could, especially if they had learned how to get in tune with the Infinite. Len says all right, how much does she want to risk? And that scares her plumb stiff again, in spite of her uncanny powers. She says it wouldn't be right to risk one cent unless she could be sure the number was going to win.

Of course if you made your claim on the Universal, your own was bound to come to you; still, you couldn't be so sure as you ought to be with a roulette wheel, because several times the ball had gone into numbers that she wasn't holding for with her psychic grip, and the uncertainty was killing her; and why didn't he say something to help her, instead of standing there silent and letting their little home slip from her grasp?

Cousin Egbert comes up just then, still happy and puffed up; so I put him wise to this Wales conspiracy against his game.

"Mebbe you can win back that lot from her," I says, "and raffle it over again for the fund. She's getting worked up to where she'll take a chance."

"Good work!" says he. "I'll approach her in the matter."

So over he goes and tries to interest her in the dice games; but no, she thinks dice is low and a mere coloured person's game. So then he says to set down to the card table and play this here Canfield solitaire; she's to be paid five dollars for every card she gets up and a whole thousand if she gets 'em all up. That listens good to her till she finds she has to give fifty-two dollars for the deck first. She says she knew there must be some catch about it. Still, she tries out a couple of deals just to see what would happen, and on the first she would have won thirteen dollars and on the second eight dollars. She figures then that by all moral rights Cousin Egbert owes her twenty-one dollars, and at least eight dollars to a certainty, because she was really playing for money the second time and merely forgot to mention it to him.

And while they sort of squabble about this, with Cousin Egbert very pig-headed or adamant, who should come in but this Sandy Sawtelle, that's now sobbing out his heart in song down there; and with him is Buck Devine. It seems they been looking for a game, and they give squeals of joy when they see this one. In just two minutes Sandy is collecting thirty-five dollars for one that he had carefully placed on No. 11. He gives a glad shout at this, and Leonard Wales and lady move over to see what it's all about. Sandy is neatly stacking his red chips and plays No. 11 once more, but No. 22 comes up.

"Gee!" says Sandy. "I forgot. Twenty-two, of course, and likewise thirty-three."

So he now puts dollar bets on all three numbers, and after a couple more turns he's collecting on 33, and the next time 22 comes again. He don't hardly have time to stack his chips, they come so fast; and then it's No. 11 once more, amid rising excitement from all present. Cora Wales is panting like the Dying Gamekeeper I once saw in the Eden Musee in New York City. Sandy quits now for a moment.

"Let every man, woman, and child, come one, come all, across the room and crook the convivial elbow on my ill-gotten gains!" he calls out.

So everybody orders something; Tim Mahoney going in behind the bar to help out. Even Cora Wales come over when she understood no expense was attached to so doing, though taking a plain lemonade, because she said alcohol would get one's vibrations all fussed up, or something like that.

Cousin Egbert was still chipper after this reverse, though it had swept away about all he was to the good up to that time.

"Three rousing cheers!" says he. "And remember the little ball still rolls for any sport that thinks he can Dutch up the game!"

While this drink is going on amid the general glad feeling that always prevails when some spendthrift has ordered for the house, Leonard Wales gets Buck Devine to one side and says how did Sandy do it? So Buck tells him and Cora that Sandy took eleven stitches in Jerry's hide yesterday afternoon and he was playing this hunch, which he had reason to feel was a first-class one.

"If I could only feel it was a cosmic certainty—" says Cora.

"Oh, she's cosmic, all right!" says Buck. "I never seen anything cosmicker. Look what she's done already, and Sandy only begun! Just watch him! He'll cosmic this here game to a standstill. He'll have Sour Dough there touching him for two-bits breakfast money—see if he don't."

"But eleven came only twice," says the conservative Cora.

"Sure! But did you notice Nos. 22 and 33?" says Buck. "You got to humour any good hunch to a certain extent, cosmic or no cosmic."

"I see," says Cora with gleaming eyes; "and No. 33 is not only what drew our beautiful building lot but it is also the precise number of my years on the earth plane."

Cousin Egbert overheard this and snorted like no gentleman had ought to, even in the lowest gambling den.

"Thirty-three!" says he to me. "Did you hear the big cheat? Say! No gambling house on earth would have the nerve to put her right age on a wheel! The chances is ruinous enough now without running 'em up to forty-eight or so. I bet that's about what you'd find if you was to tooth her."

Sandy has now gone back, followed by the crowd, and wins another bet on No. 11. This is too much for Cora's Standard Oil instincts. She never trusts Leonard with any money, but she goes over into a corner, hikes the flag of her country up over one red stocking for a minute, and comes back with a two-dollar bill, which she splits on 22 and 33; and when 33 wins she's mad clean through because 22 didn't also win, and she's wasted a whole dollar, like throwing it into the Atlantic Ocean.

"Too bad, Pettie!" says Leonard, who was crowded in by her. "But you mustn't expect to have all the luck"—which is about the height of Leonard's mental reach.

"It was not luck; it was simple lack of faith," says Cora. "I put myself in tune with the Infinite and make my claim upon the all-good—and then I waver. The loss of that dollar was a punishment to me."

Now she stakes a dollar on No. 33 alone, and when it comes double-o she cries out that the man had leaned his hand on the edge of the table while the ball was rolling and thereby mushed up her cosmic vibrations, even if he didn't do something a good deal more crooked. Then she switches to No. 22, and that wins.

She now gets suspicious of the chips and has 'em turned into real money, which she stuffs into her consort's pockets for the time being, all but two dollars that go on Nos. 11 and 33. And No. 22 comes up again. She nearly fainted and didn't recover in time to get anything down for the next roll—and I'm darned if 11 don't show! She turns savagely on her husband at this. The poor hulk only says:

"But, Pettie, you're playing the game—I ain't."

She replies bitterly:

"Oh, ain't that just like a man! I knew you were going to say that!"—and seemed to think she had him well licked.

Then the single-o come. She says:

"Oh, dear! It seems that, even with the higher consciousness, one can't be always certain of one's numbers at this dreadful game."

And while she was further reproaching her husband, taking time to do it good and keeping one very damp dollar safe in her hand, what comes up but old 33 again!

It looked like hysterics then, especially when she noticed Buck Devine helping pile Sandy's chips up in front of him till they looked like a great old English castle, with towers and minarets, and so on, Sandy having played his hunch strong and steady. She waited for another turn that come nothing important to any of 'em; then she drew Leonard out and made him take her for a glass of lemonade out where Aggie Tuttle was being Rebekkah at the Well, because they charged two bits for it at the bar and Aggie's was only a dime. The sale made forty cents Aggie had took in on the evening.

Racing back to Ye Olde Tyme Gambling Denne, she gets another hard blow; for Sandy has not only win another of his magic numbers but has bought up the bar for the evening, inviting all hands to brim a cup at his expense, whenever they crave it—nobody's money good but his; so Cora is not only out what she would of made by following his play but the ten cents cash she has paid Aggie Tuttle. She was not a woman to be trifled with then. She took another lemonade because it was free, and made Len take one that he didn't want. Then she draws three dollars from him and covers the three numbers with reckless and noble sweeps of her powerful arms. The game was on again.

Cousin Egbert by now was looking slightly disturbed, or outre, as the French put it, but tries to conceal same under an air of sparkling gayety, laughing freely at every little thing in a girlish or painful manner.

"Yes," says he coquettishly; "that Sandy scoundrel is taking it fast out of one pocket, but he's putting it right back into the other. The wheel's loss is the bar's gain."

I looked over to size Sandy's chips and I could see four or five markers that go a hundred apiece.

"I admire your roguish manner that don't fool any one," I says; "but if we was to drink the half of Sandy's winnings, even at your robber prices, we'd all be submerged to the periscope. It looks to me," I goes on, "like the bazaar-robbing genius is not exclusively a male attribute or tendency."

"How many of them knitted crawdabs you sold out there at your booths?" he demands. "Not enough to buy a single Belgian a T-bone steak and fried potatoes."

"Is that so, indeed?" I says. "Excuse me a minute. Standing here in the blinding light of your triumph, I forgot a little matter of detail such as our sex is always wasting its energies on."

So I call Sandy and Buck away from their Belgian atrocities and speak sharply to 'em.

"You boys ought to be ashamed of yourselves," I says—"winning all that money and then acting like old Gaspard the Miser in the Chimes of Normandy! Can't you forget your natural avarice and loosen up some?"

"I bought the bar, didn't I?" asks Sandy. "I can't do no more, can I?"

"You can," I says. "Out in that big room is about eighteen tired maids and matrons of Red Gap's most exclusive inner circles yawning their heads off over goods, wares, and merchandise that no one will look at while this sinful game is running. If you got a spark of manhood in you go on out and trade a little with 'em, just to take the curse off your depredations in here."

"Why, sure!" says Sandy. He goes back to the layout and loads Buck's hat full of red and blue chips at one and two dollars each. "Go buy the place clean," he says to Buck. "Do it good; don't leave a single object of use or luxury. My instructions is sweeping, understand. And if there's a harness booth there you order a solid gold collar for old Jerry, heavily incrusted with jewels and his initials and mine surrounded by a wreath. Also, send out a pint of wine for every one of these here maids and matrons. Meantime, I shall stick here and keep an eye on my large financial interests."

So Buck romps off on his joyous mission, singing a little ballad that goes: "To hell with the man that works!" And Sandy moves quickly back to the wheel.

I followed and found Cora barely surviving because she's lost nine of her three-dollar bets while Sandy was away, leaving her only about a hundred winner. Len was telling her to "be brave, Pettie!" and she was saying it was entirely his fault that they hadn't already got their neat little home; but she would have it before she left the place or know the reason why.

It just did seem as if them three numbers had been resting while Sandy was away talking to me. They begin to show up again the minute he resumed his bets, and Cora was crowding onto the same with a rising temperature. Yes, sir, it seemed downright uncanny or miraculous the way one or the other of 'em showed up, with Sandy saying it was a shame to take the money, and Cora saying it was a shame she had to bet on all three numbers and get paid only on one.

Of course others was also crowding these numbers, though not so many as you'd think, because every one said the run must be at an end, and they'd be a fool to play 'em any farther; and them that did play 'em was mostly making ten-cent bets to be on the safe side. Only Sandy and Cora kept right on showing up one Egbert Floud as a party that had much to learn about pulling off a good bazaar.

It's a sad tale. Cousin Egbert had to send out twice for more cash, Cora Wales refusing to take his check on the Farmers and Merchants National for hers. She said she was afraid there would be some catch about it. I met Egbert out in the hall after the second time she'd made him send and he'd lost much of his sparkle.

"I never thought it was right to strike a lady without cause," he says bitterly; "but I'd certainly hate to trust myself with that frail out in some lonely spot, like Price's Addition, where her screams couldn't be heard."

"That's right," I says; "take it out on the poor woman that's trying to win a nice bungalow with big sawed corners sticking out all over it, when that cut-throat Sandy Sawtelle has win about twice as much! That ain't the light of pure reason I had the right to expect from the Bazaar King of Red Gap."

"That's neither here nor there," says he with petulance. "Sandy would of been just as happy if he'd lost the whole eighteen dollars him and Buck come in here with."

"Well," I warns him, "it looks to me like you'd have to apply them other drastic methods you met with in this deadfall at the San Francisco Fair—strong-arm work or medicine in the drinks of the winners, or something like that—if you want to keep a mortgage off the old home. Of course I won't crowd you for that two dollars you promised me for every one that goes out of the hall. You can have any reasonable time you want to pay that," I says.

"That's neither here nor there," he says. "Luck's got to turn. The wheel ain't ever been made that could stand that strain much longer."

And here Luella Stultz comes up and says Mrs. Wales wants to know how much she could bet all at once if she happened to want to. I could just see Cora having a sharp pain in the heart like a knife thrust when she thought what she would of win by betting ten dollars instead of one. Cousin Egbert answers Luella quite viciously.

"Tell that dame the ceiling sets the limit now," says he; "but if that ain't lofty enough I'll have a skylight sawed into it for her."

Then he goes over to watch, himself, being all ruined up by these plungers. Leonard was saying: "Now don't be rash, Pettie!" And Pettie was telling him it was his negative mind that had kept her from betting five dollars every clip, and look what that would mean to their pile!

Cousin Egbert give 'em one look and says, right out loud, Leonard Wales is the biggest ham that was ever smoked, and he'd like to meet him, man to man, outside; then he goes off muttering that he can be pushed so far, but in the excitement of the play no one pays the least attention to him. A little later I see him all alone out in the hall again. He was scrunched painfully up in a chair till he looked just like this here French metal statue called Lee Penser, which in our language means "The Thinker." I let him think, not having the heart to prong him again so quick.

And the game goes merrily on, with Sandy collecting steadily on his hunch and Cora Wales telling her husband the truth about himself every time one of these three numbers didn't win; she exposed some very distressing facts about his nature the time she put five apiece on the three numbers and the single-o come up. It was a mad life, that last hour, with a lot of other enraged ladies round the layout, some being mad because they hadn't had money to play the hunch with, and others because they hadn't had the nerve.

Then somebody found it was near midnight and the crowd begun to fall away. Cousin Egbert strolls by and says don't quit on his account—that they can stick there and play their hunch till the bad place freezes over, for all he cares; and he goes over to the bar and takes a drink all by himself, which in him is a sign of great mental disturbance.

Then, for about twenty minutes, I was chatting with the Mes-dames Ballard and Price about what a grand success our part had been, owing to Sandy acting the fool with Cousin Egbert's money, which the latter ain't wise to yet. When I next notice the game a halt has been called by Cora Wales. It seems the hunch has quit working. Neither of 'em has won a bet for twenty minutes and Cora is calling the game crooked.

"It looks very, very queer," says she, "that our numbers should so suddenly stop winning; very queer and suspicious indeed!" And she glared at Cousin Egbert with rage and distrust splitting fifty-fifty in her fevered eyes.

Cousin Egbert replied quickly, but he kind of sputtered and so couldn't have been arrested for it.

"Oh, I've no doubt you can explain it very glibly," says Cora; "but it seems very queer indeed to Leonard and I, especially coming at this peculiar time, when our little home is almost within my grasp."

Cousin Egbert just walked off, though opening and shutting his hands in a nervous way, like, in fancy free, he had her out on her own lot in Price's Addition and was there abusing her fatally.

"Very well!" says Cora with great majesty. "He may evade giving me a satisfactory explanation of this extraordinary change, but I shall certainly not remain in this place and permit myself to be fleeced. Here, darling!"

And she stuffs some loose silver into darling's last pocket that will hold any more. He was already wadded with bills and sagging with coin, till it didn't look like the same suit of clothes. Then she stood there with a cynical smile and watched Sandy still playing his hunch, ten dollars to a number, and never winning a bet.

"You poor dupe!" says she when Sandy himself finally got tired and quit. "It's especially awkward," she adds, "because while we have saved enough to start our little nook, it will have to be far less pretentious than I was planning to make it while the game seemed to be played honestly."

Cousin Egbert gets this and says, as polite as a stinging lizard, that he stands ready to give her a chance at any game she can think of, from mumblety-peg up. He says if she'll turn him and Leonard loose in a cellar that he'll give her fifty dollars for every one she's winner if he don't have Len screaming for help inside of one minute—or make it fifteen seconds. Len, who's about the size of a freight car, smiles kind of sickish at this, and says he hopes there's no hard feelings among old friends and lodge brothers; and Egbert says, Oh, no! It would just be in the nature of a friendly contest, which he feels very much like having one, since he can be pushed just so far; but Cora says gambling has brutalized him.

Then she sees the cards on the table and asks again about this game where you play cards with yourself and mebbe win a thousand dollars cold. She wants to know if you actually get the thousand in cash, and Egbert says: