"No, it was not that, Sister, only the sun came out and the warmth was so delicious; I am afraid I am easily beguiled."

"We are all easily beguiled," Sister Mary John answered somewhat sharply. "Now we must try to get on with our digging. You can help me a little with it, can't you?" And looking up and down a plot about ten yards long and twenty feet wide, protected by a yew-hedge, she said, "This is the rhubarb-bed. And this piece," she said, walking to another plot between the yew-hedge and the gooseberry bushes, "will have to be dug up. We were short of vegetables last year."

"You speak very lightly, Sister, of so much digging. Do you never get tired?" So that she might not lose heart altogether, Sister Mary John told her one of these beds had been dug up in autumn, and that no more would be required than the hoeing out of the weeds.

"Is hoeing lighter work than digging?"

"You will find out soon." Evelyn set to work; but when she had cleared a large piece of weeds she had to go over the ground again, having missed a great many. "But you will soon get used to the work. Now, there's the dinner bell. Are you so tired as all that?"

"Well, you see, I have never done any digging before."

After dinner Sister Mary John without further words told her she was to go in front with the dibble and make holes for the potatoes, for an absent-minded person could not be trusted with the seed potatoes— she would be sure to break the shoots. The next week they were engaged in sowing French beans and scarlet runners, and Evelyn thought it rather unreasonable of the sister to expect her to know by instinct that French beans should not be set as closely together as the scarlet runners, and she laughed outright when the sister said, "But surely you know that broad beans must be trodden firmly into the ground?" Sister Mary John noticed her laugh. "Work in the garden suits her," she said to herself, "she is getting better; only we must be careful against a relapse. Now, Evelyn, we must weed the flower beds, or there will be no flowers for the Virgin in May." And they weeded and weeded, day after day, filling in the gaps with plants from the nursery. A few days later came the seed sowing, the mignonette, sweet pea, stocks, larkspur, poppies, and nasturtiums— all of which should have been sown earlier, the nun said, only the season was so late, and the vegetables had taken all their time.

"They all like to see flowers on the altar, but not one of them will tie up her habit and dig, and they are as ignorant as you are, dear."

"Sister, that is unkind. I have learned as much as can be expected in a month."

"You aren't so careless as you were." The two women walked a little way, and then they sat for a long time looking into the distant park, enjoying the soft south wind blowing over it. Evelyn would have liked to have sat there indefinitely, and far too soon did the nun remind her that time was going by and they must return to their work. "We have had some warm nights lately and the wallflowers are out; come and look at them, dear." And forgetful of her, Sister Mary John rose and went towards the flower garden. Evelyn was too tired to follow, and she sat watching Sister Mary John, who seemed as much part of the garden as the wind, or the rain, or the sun.



XXII

A cold shower struck the windows of the novitiate.

"Was there ever such weather? Will it never cease raining and blowing?" the novices cried, and they looked through the panes into the windy garden. Next day the same dark clouds rolled overhead, with gleams of sunshine now and then lighting up the garden and the distant common, where sometimes a horseman was seen galloping at the close of day, just as in a picture.

"How wet he will be when he gets home!" a novice would sometimes say, and the conversation was not continued.

"I wonder if we shall ever have fine weather again?" broke in another.

"One of these days it will cease raining," Mother Hilda said, for she was an optimist; and very soon she began to be looked upon as a prophetess, for the weather mended imperceptibly, and one afternoon the sky was in gala toilette, in veils and laces: a great lady stepping into her carriage going to a ball could not be more beautifully attired. An immense sky brushed over with faint wreathing clouds with blue colour showing through, a blue brilliant as any enamel worn by a great lady on her bosom; and the likeness of the clouds to plumes passed through Evelyn's mind, and her eyes wandering westward, noticed how the sky down there was a rich, almost sulphurous, yellow; it set off the white and blue aerial extravagances of the zenith. The garden was still wet and cold, but a warm air was coming in, and the voices of the nuns and novices sounded so innocent and free that Evelyn was moved by a sudden sympathy to join them.

Under yonder trees the three Mothers were walking, looking towards Evelyn now and then; she was the subject of their conversation, the Prioress maintaining it would be a great benefit to her to take the veil.

"But, dear Mother, do you think she will ever recover her health sufficiently for her to decide, and for us to decide, whether she has a vocation?" Mother Hilda asked.

"It seems to me that Evelyn is recovering every day. Do you remember at first whole days passed without her speaking? Now there are times when she joins in the conversation."

Mother Mary Hilda did not answer, and a little aggressive glance shot out of the Prioress's eyes.

"You don't like to have her in the novitiate. I remember when she returned from Rome—"

"It seems to me that it would be just as well for her to live in the convent as an oblate, occupying the guest-room as before."

"Now, why do you think that, Hilda? Let us have things precise."

"Her life as an opera singer clings about her."

"On the contrary, I cannot discover any trace of her past life in her. In the chapel she seems very often overcome, and for piety seems to set an example to us all."

"You see, dear Mother, I am responsible for the religious education of some half-dozen young and innocent girls, and, though I like Evelyn herself very much, her influence—"

"But what influence? She doesn't speak."

"No matter; it is known to every one in the convent that she has once been a singer, though they don't know, perhaps, she was on the stage; and she creates an atmosphere which I assure you—"

"Of course, Hilda, you can oppose me; you always oppose. Nothing is easier than opposition. Your responsibilities, I would not attempt to deny that they exist, but you seem to forget that I, too, have responsibilities. The debts of the convent are very pressing. And Mother Philippa, too, has responsibilities."

"It would be a great advantage if Evelyn could discover she had a vocation. Four or five, perhaps six hundred a year—she must have at least that, for opera singers are very well paid, so I have always heard—would—"

"But, Mother Philippa, the whole question is whether Evelyn has a vocation. We know what the advantages would be," said Mother Hilda in a low, insinuating voice which always exasperated the Reverend Mother.

"I think it would be better to wait," Mother Philippa answered. "You see, she is suffering from a great mental breakdown; I think she should have her chance like another." And, turning to the Prioress, she said, "Dear Mother, do you think when Evelyn recovers her health sufficiently to arrive at a decision that she will stay with us?"

"Not if a dead set is made against her, and if she is made to feel she has no vocation, and that her influence is a pernicious one."

"Dear Mother, I never said—"

"Well, don't let us discuss the matter any more for the moment. Of course, if you decide that Evelyn is not to remain in the novitiate—"

"It is for you to decide the matter. You are Reverend Mother here, it is for us to obey; only since you ask me—"

"Ask you, Hilda? But you tell me nothing. You merely oppose. What is your dislike to Evelyn?"

"Dislike!"

"I am sure there is no dislike on Mother Hilda's part," Mother Philippa said; "I am quite sure of that, Reverend Mother. Evelyn's health is certainly improving, and I hope she will soon be able to sing for us again at Benediction. Haven't you noticed that our congregation is beginning to fall away? And you won't deny that the fact that an opera singer wishes to enter our convent gives a distinction—"

"It depends, Mother Philippa, in what sense you use the word 'distinction.' But I see you don't agree with me; you think with the Prioress that Evelyn is—"

"Don't let us argue this question any more. Hilda, go and tell Evelyn I want her."

"How Hilda does try to thwart me, to make things more difficult than they are!"

"Evelyn, my dear child, I have sent for you to ask if you feel well enough to-day to sing for us at Benediction?"

"Oh, yes, dear Mother, why shouldn't I sing for you? What would you like me to sing?"' The Prioress hesitated, and then asked Evelyn to suggest some pieces, and after several suggestions Evelyn said:

"Perhaps it would be better if I were to call Sister Mary John, if you will allow me, Mother." And she went away, calling to the other nun, who came quickly from the kitchen garden in her big boots and her habit tucked up nearly to her knees, looking very much more like a labouring woman than a musician.

"We were talking just now of what Evelyn would sing for us at Benediction; perhaps you had better go away and discuss the matter between you."

"Will you sing Stradella's 'Chanson d'Eglise' or will you sing Schubert's 'Ave Maria'? Nothing is more beautiful than that."

"I will sing the 'Ave Maria.'"

The nun sat down to play it, but she had not played many bars when Evelyn interrupted her. "The intention of the single note, dear Sister, the octave you are striking now, has always seemed to me like a distant bell heard in the evening. Will you play it so."



XXIII

And the idea of a bell sounding across the evening landscape was in the mind of the congregation when Sister Mary John played the octave; and the broken chords she played with her right hand awoke a sensation of lights dying behind distant hills.

It is almost night, and amid a lonely landscape a harsh rock appears, and by it a forlorn woman stands—a woman who is without friend or any mortal hope—and she commends herself to the care of the Virgin. She begins to sing softly, tremulous, like one in pain and doubt, "Ave Maria, hearken to the Virgin's cry." The melody she sings is rich, even ornate, but the richness of the phrase, with its two little grace notes, does not mitigate the sorrow at the core; the rich garb in which the idea is clothed does not rob the song of its humanity.

Evelyn's voice filled with the beauty of the melody, and she sang the phrase which closes the stanza—a phrase which dances like a puff of wind in an evening bough—so tenderly, so lovingly, that acute tears trembled under the eyelids. And all her soul was in her voice when she sang the phrase of passionate faith which the lonely, disheartened woman sings, looking up from the desert rock. Then her voice sank into the calm beauty of the "Ave Maria," now given with confidence in the Virgin's intercession, and the broken chords passed down the keyboard, uniting with the last note of the solemn octaves, which had sounded through the song like bells heard across an evening landscape.

"How beautifully she sings it!" a man said out loud, and his neighbour looked and wondered, for the man's eyes were full of tears.

"You have a beautiful voice, child," said the Prioress when they came out of church, "and it is a real pleasure to me to hear you sing, and it will be a greater pleasure when I know that for the future your great gift will be devoted to the service of God. Shall we go into the garden for a little walk before supper? We shall have it to ourselves, and the air will do you good."

It was the month of June, and the convent garden was in all the colour of its summer—crimson and pink; and all the scents of the month, stocks and sweetbriar, were blown up from St. Peter's Walk. In the long mixed borders the blue larkspurs stood erect between Canterbury bells and the bush peonies, crimson and pink, and here and there amid furred leaves, at the end of a long furred stalk, flared the foolish poppy, roses like pale porcelain clustered along the low terraced walk and up the house itself, over the stucco walls; but more beautiful than the roses were the delicate petals of the clematis, stretched out like fingers upon the walls.

An old nun was being wheeled up and down the terrace in a bath-chair by one of the lay sisters, that she might enjoy the sweet air.

"I must say a word to Sister Lawrence," the Prioress said, "she will never forgive me if I don't. She is the eldest member of our community; if she lives another two years, she will complete half a century of convent life."

As they drew near Evelyn saw two black eyes in a white, almost fleshless face. The eyes alone seemed to live, and the shrunken figure, huddled in many shawls, gave an impression of patriarchal age. Evelyn saw by her veil that Sister Lawrence was a lay sister, and the old nun tried to draw herself up in her chair as they approached, and kissed the hand of the Prioress.

"Well, Sister, how are you feeling? I have brought you our new musical postulant to look at. I want to know what you think of her. You must know, Evelyn," said the Prioress, "that Sister Lawrence is a great judge of people's vocations; I always consult her about my new postulants."

Sister Lawrence took Evelyn's hands between hers and gazed into her face so earnestly that Evelyn feared her innermost thoughts were being read. Then, with a little touch of wilfulness, that came oddly from one so old and venerable, the Sister said:

"Well, Reverend Mother, she is pretty anyhow, and it is a long time since we had a pretty postulant."

"Really, Sister Lawrence, I am ashamed of you," said the Prioress with playful severity; "Sister Evelyn will be quite disedified."

"Mother, if I like them to be pretty it is only because they have one more gift to bring to the feet of our dear Lord. I see in Sister Evelyn's face that she has a vocation. I believe she is the providence that God has sent to help us through our difficulties."

"We are all praying," said the Prioress, "that it may be so."

"Well, Hilda, you'll agree with me now, I think, that we have every reason to hope."

"Hope for what, dear Mother?"

"That we shall discover a vocation in Evelyn. You heard what Sister Lawrence said, and she has had great experience."

"It is possible to God, of course, that an opera singer may find a vocation for the religious life, and live happily in a community of nuns devoted to Perpetual Adoration."

"But you don't believe God desires that such a thing should come to pass?"

"I shouldn't like to say that, it would be too presumptuous; but it would be entirely out of the ordinary course."

The Prioress began to wonder if Mother Hilda suspected that some great sin committed while she was in Rome was the cause of Evelyn's nervous breakdown; and the Mistress of the Novices, as she walked by the side of the Prioress, began to wonder why the Prioress wished that Evelyn should become a nun. It might be that the Prioress, who was a widow, was interested in the miracle of the great shock which had caused Evelyn to relinquish her career and to turn to the Church! That might be her motive, she reflected. Those who have lived in the world are attracted and are interested in each other, and are to some extent alien to the real nun, to her who never doubts her vocation from the first and resolves from the first to bring her virginity to God—it being what is most pleasing to him. It might be that the Prioress was influenced, unconsciously, of course, by some such motive; yet it was strange that she should be able to close her eyes to Evelyn's state of mind. The poor woman was still distracted and perplexed by a great shock which had happened before she came to the convent and which had been aggravated by another when she went to Rome; she had returned to them as to a refuge from herself. Such mental crises often happened to women of the world, to naturally pious women; but natural piety did not in the least mean a vocation, and Mother Hilda had to admit to herself that she could discover no sign of a vocation in Evelyn. How were it possible to discover one? She was not herself, and would not be for a long while, if she ever recovered herself. Mother Prioress had chosen to admit her as a postulant.... Even that concession Mother Hilda did not look upon with favour. Why not go one step farther and make Miss Dingle a postulant? It seemed to her that if Mother Prioress insisted that Evelyn should take the white veil at present, a very serious step would be taken. It was the Mistress of the Novices who would be responsible for Evelyn's instruction, and Evelyn was hardly ever in the novitiate; she was always singing, or working in the garden.



XXIV

"I am afraid, dear Mother, her progress towards recovery is slow."

"I don't agree with you. A great nervous breakdown! That journey to Rome, only to see her father die before her eyes, was a great shock— such a one as it would take anybody a long time to recover from. Evelyn is very highly-strung, there can be no doubt of that. I wonder how it is that you don't understand?"

"But I do understand, dear Mother, only I find it hard to believe that the time has come for her to take the white veil."

"Or that it will ever come?"

"The other day she said in the novitiate she was sure she would go to hell, and that she wouldn't be able to bear the uncertainty much longer...."

"What ever did she mean? You must have misunderstood her, Mother Hilda." And the Prioress determined to talk to Evelyn "on the first occasion"—the first occasion with the Prioress meant the very next minute. So she went in search of her, and finding her by the fishpond, quite unaware that any one was watching her, the thought crossed the Prioress's mind that Hilda might be right after all: Evelyn might be sitting there thinking how, after a short struggle, the water would end the misery that was consuming her.

"Evelyn, dear, of what are you thinking?"

"Only of the fish, dear Mother. You know they are quite deaf; fish haven't ears. There is a legend, however, of a boy playing the flute and the fish leaping to listen."

"If her health doesn't improve," the Prioress said to herself, "we shall not be able to keep her.

"Evelyn, dear, you are not looking very well; I am afraid you haven't been sleeping lately."

"Last night I hardly closed my eyes, dear Mother, and to-day there is no reality anywhere. One begins to hate everything—the shapes of the trees, the colour of the sky."

"It is just what I suspected," the Prioress said to herself, "she was thinking of suicide. Suicide in a convent—such a thing has never happened. Yet why shouldn't such a thing happen? Everything happens in this world."

But, notwithstanding some alarming relapses, Evelyn's health continued to improve, slowly, but it continued to improve; and after a long day's work in the garden she would talk quite cheerfully, saying that that night for sure she would get some hours of sleep. The Prioress listened, saying to herself, "There is no doubt that manual work is the real remedy, the only remedy." Sister Mary John was of the same opinion, and the Prioress relied on Sister Mary John to keep Evelyn hoeing and digging when it was fine, and making nets in the work-shop when it was wet. She was encouraged to look after the different pets; and there were a good many to look after; her three cats occupied a good deal of her time, for the cats were always anxious to kill her tame birds. One cat had killed several, so the question had arisen whether he should be drowned in the fishpond or trained to respect caged birds. The way to do this, Evelyn had been told, was to put a caged bird on the ground in front of the cat, and, standing over him with a cane, strike swiftly and severely the moment the cat crouched to spring. A cat above all other animals hates to be beaten, for a cat is probably one of the most sagacious animals, more even than a dog, though he does not care to show it. The beating of the cat was repellent to Evelyn, but Sister Mary John had no such scruples, and the beatings proved so efficient that the cat would run away the moment he was shown a bird in a cage. In turn each of the cats received its lesson, and henceforth Evelyn's last presents— blackbirds, thrushes, linnets, and bull-finches—lived in safety.

The feeding of these birds and the cleaning of the aviary occupied two hours a day during the winter. She had also her greenhouse to attend to; herself and Sister Mary John, with some help from the outside, had built one, and hot-water pipes had been put in; and her love of flowers was so great that she would run down the garden even when the ground was covered with snow to stoke up the fire, if she thought she had forgotten to do so, saying that they would have no tulips, or lily of the valley, or azaleas for the altar, if the temperature were allowed to drop. Her talk was all about her garden, and when the spring returned she was working there constantly with Sister Mary John in the morning till the Angelus rang at twelve; then they went into dinner, and as soon as dinner was over Evelyn returned with Sister Mary John to the garden and worked till it was time to go into church for Benediction. Or sometimes they left the garden when the other nuns went there for recreation, having music to try over, for now, since she had recovered her health, Evelyn sang every day at Benediction.

"There is no reason why she should remain any longer with us," the Prioress often said, "unless there is some hope of her staying altogether. You will admit, Hilda, that her health is much improved, and that she is capable now of arriving at some decision."

"There is no doubt her health is improving."

"And her piety—have you noticed it? She almost sets us an example."

Mother Hilda did not answer, and the Prioress understood her silence to mean that she would hardly look upon Evelyn as an example for the convent to follow.

"Well, something will have to be decided." And one evening the Prioress asked Mother Philippa and Mother Hilda to her room after evening prayers.

"We were talking of Evelyn the other day in the garden, Hilda, and you admitted that she was in a state now to decide whether she should go or stay."

"You mean, dear Mother, that Evelyn must either leave us or join the community?"

"Or show some signs that she wishes to join it. Her postulancy has been unduly prolonged; it is nearly a year since she returned from Rome, and she was a postulant for six months before that."

"You think that if she hadn't a vocation she would have left us before? But are you not forgetting that she was suffering from a nervous breakdown, and came here with the intention of seeking rest rather than becoming one of us?"

"Her health has been mending this long while. Really, Hilda—"

"I am sorry, Mother, if I seem stubborn."

"Not stubborn, but I should like to hear you explain your reasons for thinking Evelyn has not a vocation. And Mother Philippa is most anxious to hear them, too."

Mother Philippa listened, thinking of her bed, wondering why Mother Mary Hilda kept them up by refusing to agree with the Prioress.

"I am afraid I shall not be able to say anything that will convince you. I have had some experience—"

"We know that you are very experienced, otherwise you would not be the Mistress of the Novices. You don't believe in Evelyn's vocation?"

"I'm afraid I don't, and—"

"And what, Mother Hilda? We are here for the purpose of listening to you. We shall be influenced by everything you say, so pray speak your mind fully."

"About Evelyn? But that is just my point; there is nothing for me to say about her. I hardly know her; she has hardly been in the novitiate since she returned from Rome." "You think before taking the veil she should receive more religious instruction from you?"

"She certainly should. I grant you Evelyn is a naturally pious woman, and that counts for a great deal; but what I attach importance to is that she is still alien to the convent, knowing hardly anything of our rule, of our observances. A novice spends six months in the novitiate with me learning obedience, how to forget herself, how she is merely an instrument, and how the greatest purpose of her life is to obey."

"It is impossible to overestimate the value of obedience, but there are some—I will not say who can dispense with obedience, of course not, but who cannot put off their individualities, who cannot become the merely typical novice—that one who would tell you, if she were asked to describe the first six months of her life in the convent, that all she remembered was a great deal of running up and down stairs. There are some who may not be moulded, but who mould themselves; and they are not the worst, sometimes they are the best nuns. For instance, Sister Mary John—who will doubt her vocation? And yet there is not a more headstrong nun in our community. I don't wish to say one word against Sister Mary John, who is an example to us all; it is only to answer your objection that I mentioned her."

"Sister Mary John is quite different," Mother Hilda answered. And, after waiting some moments for Mother Hilda to continue, the Prioress said:

"You would wish her, then, to spend some time longer with you in the novitiate?"

"I am not sure it would be of any use. There is another matter about which I hardly like to speak; still, I must remind you that the convent has never been the same since she came here. She has not been herself since she came back from Rome, but now she is regaining herself, and you cannot have failed to notice that both Sister Mary John and Veronica are drawn towards her. I am sure they are not aware of it, and would resent my criticism as unjust. Not only Sister Mary John and Veronica, but all of us; it seems to me that we all talk too much about her... I am sometimes almost glad that she is so little in the novitiate. Her influence on such simple-minded young women as Sister Jerome and Sister Barbara must be harmful—how could it be otherwise, coming out of another world? and her voice, too—you don't agree with me?" And Mother Hilda turned to Mother Philippa. Mother Philippa shook her head, and confessed she had not the slightest notion of what Mother Hilda meant.

"But you have, dear Mother?"

"Yes, I know very well what you mean, only I don't agree with you. Her singing, of course, gives her an exceptional position in the convent, but I don't think she avails herself of it; indeed, her humility has often seemed to me most striking."

"In that I agree with you," Mother Hilda answered; "so I feel that perhaps, after all, I may be misjudging her."

At this concession the Prioress's manner softened at once towards the Mistress of the Novices.

"Well, Hilda, come, tell me, have you said everything you have to say? Have you given us your full reasons for not wishing Evelyn to take the veil if she should decide to do so? I see you hesitate. I asked you here to-night so that you might speak your mind. Let everything be said. There is no use telling me afterwards that you didn't say things because you thought I wouldn't like to hear them. Say everything."

Pressed by the Prioress, Mother Hilda admitted that she was concerned regarding the motive which actuated the Prioress and Mother Philippa.

"I include her."

Mother Philippa looked up suddenly. The Prioress smiled.

"My motive!" said Mother Philippa.

"Nothing is farther from my thought than to attribute a wrong motive to anybody, but I am not quite sure, dear Mother, that you would be as anxious for Evelyn to join our community if she had no money... and no voice."

"Situated as we are, we cannot accept penniless women as choir sisters. You know that well enough—am I not right, Mother Philippa?"

And Mother Philippa agreed that no one could be admitted into the convent as a choir sister unless she brought some money with her.

"But you hold a different opinion, Hilda?"

"I understand that we cannot admit as a choir sister a woman who has no money; but that is quite different from admitting an opera singer because she has money and can sing for us. It seems to me that nuns devoted to Perpetual Adoration should not yield themselves to money considerations."

"Yield to money considerations—no; but as long as we live upon earth, we shall live dependent upon money in some form or another. Our pecuniary embarrassments—you know all about them. I need not refer to the mortgagee, who, at any moment, may foreclose. Think of what it would be if this house were to be put up for sale, and we had all to return to our relations. How many are there who have relations who would take them in? And the lay sisters—what would become of them and our duties towards them—they who have worked for us all these years? Sister Lawrence—would you like to see her on the roadside, or carried to the workhouse? Spiritual considerations come first, of course, but we must have a house to live in and a chapel to pray in. Do you never think of these things, Hilda?"

"Yes, and I appreciate the anxiety our pecuniary difficulties cause you, dear Mother. I am not indifferent, I assure you, but I cannot help feeling that anything were better than we should stop, instead of going forward, towards the high ideal—"

"Well, Hilda, are you prepared to risk it? We have a chance of redeeming the convent from debt—will you accept the responsibility?"

"Of what, dear Mother?"

"Of refusing to agree that Evelyn shall be allowed to take the white veil, if she wishes to take it."

"But taking the white veil will not enable us to get hold of her money. We shall have to wait till she is professed."

"But if she is given the white veil," the Prioress answered sternly, "she will be induced to remain. The fact of her taking the white veil is a great inducement, and a year hence who knows—"

"Well, dear Mother, you will act, I am sure, for the best. Perhaps it would have been better if you had not consulted me; but, having consulted me, I had to tell you what I think. I am aware that in practical matters I am but a very poor judge. Remember, I passed, like Veronica, from the schoolroom to the convent. But you know the world."

"It is very kind of you to admit so much; but it seems to me, Hilda, you are only admitting that much so as to give a point to your contention, or what I suppose is your contention—that those who never knew the world may attain to a more intense spirituality than poor women such as myself and Mother Philippa here, who did not enter the convent as early in life as you did... but who renounced the world."

The sharp tone of the Prioress's voice, when she mentioned Mother Philippa's name, awoke the nun, who had been dozing.

"Well, Mother Philippa, what is your opinion?"

"It seems to me," the nun answered, now wide awake, "that it is a matter for Evelyn to decide. You think I was asleep, but I wasn't; I heard everything you said. You were discussing your own scruples of conscience, which seem to me quite beside the question. Our conscience has nothing to do with the matter; it is all a question for Evelyn to decide herself... as soon as she is well, of course."

"And she is now quite well. I will see her to-morrow on the subject."

On this the Prioress rose to her feet, and the other two nuns understood that the interview was at an end.

"Dear Mother, I know how great your difficulties are," said Mother Hilda, "and I am loth to oppose your wishes in anything. I know how wise you are, how much wiser than we—but however foolishly I may appear to be acting, you will understand that I cannot act differently, feeling as I do."

"I understand that, Hilda; we all must act according to our lights. And now we must go to bed, we are breaking all the rules of the house."



XXV

After breakfast Veronica came to Evelyn, saying that dear Mother would like to speak to her. Evelyn nodded, and went gaily to see the Prioress in her room on the ground-floor. Its long French windows, opening on to the terrace-walk, appealed to her taste; and the crowded writing-table, on which stood a beautiful crucifix in yellow ivory. Papers and tin boxes were piled in one corner. But there was no carpet, and only one armchair, over-worn and shabby. There were flowers in vases and bowls, and, in a large cage, canaries uttered their piercing songs.

"I like your room, dear Mother, and wish you would send for me a little oftener. All your writing—now couldn't I do some of it for you?"

"Yes, Evelyn, I should like to use you sometimes as a secretary... if you are going to remain with us."

"I don't know what you mean, Mother."

"Well, sit down. I have sent for you because I want to have a little talk with you on this subject." And she spoke of Evelyn's postulancy; of how long it had lasted. It seemed to the Prioress that it would be better, supposing Evelyn did not intend to remain with them, for her to live with them as an oblate, occupying the guest-chamber.

"Your health doesn't permit much religious instruction; but one of these days you will realise better than you do now what our life is, and what its objects are."

So did the Prioress talk, getting nearer the point towards which she was making, without, however, pressing Evelyn to answer any direct question, leading her towards an involuntary decision.

"But, dear Mother, I am safe here, you know."

"And yet you fear, my dear child, you have no vocation?"

"Well, it seems extraordinary that I—"

"More extraordinary things have happened in the world than that; besides, there is much time for you to decide. No one proposes that you should be admitted to the Order to-morrow; such a thing, you know, is impossible, but the white veil is a great help. Evelyn, dear, this question has been running in my mind some time back—is it well for you to remain a postulant any longer? The white veil, again I say, is such a help."

"A help for what, dear Mother?"

"Well, it will tell you if you have a vocation; at the end of the year you will know much better than you know now."

"I a nun!" Evelyn repeated.

"In a year you will be better able to decide. Extraordinary things have happened."

"But it would be extraordinary," Evelyn said, speaking to herself rather than to the nun.

"I have spoken to Mother Hilda and Mother Philippa on the subject, and they are agreed that if you are to remain in the convent it would be better for you to take the white veil."

"Or do they think that it would be better for me to leave the convent?"

"It would be impossible for us to think such a thing, my dear child."

"But what I would wish to understand, dear Mother, is this—have I to decide either to leave the convent or to take the white veil?"

"Oh, no; but you have been so long a postulant."

"But when I went to Rome my postulancy—"

"Even so, you have been a postulant for over a year; and, should you discover that you have no vocation, the fact of having been a novice, of having worn the white veil, will be a protection to you ever afterwards, should you return to the world."

"You think so, dear Mother?"

And the Prioress read in Evelyn's face that she had touched the right note.

"Yes, to have a name, for instance—not only the veil, but the name. I have been thinking of a name for you—what do you think of 'Teresa'?"

"Teresa!" Evelyn answered. And her thoughts went to the great nun whose literature she had first read in the garden outside, when she walked there as a visitor. It was under a certain tree, where she had often sat since with Mother Hilda and the novices, that she had first read the "Autobiography" and "The Way of Perfection." There were the saints' poems, too; and, thinking of them, a pride awoke in her that for a time, at least, she should bear the saint's name. The Prioress was right, the saint's name would fortify her against her enemy; and her noviceship would be something to look back upon, and the memory of it would protect her when she left the convent.

"I am glad that we shall have you, at all events, for some months more with us—some months more for sure, perhaps always. But take time to consider it."

"Dear Mother, I am quite decided."

"Think it over. You can tell me your decision some time in the afternoon, or to-morrow."

It was a few days after that the Prioress took Evelyn up to the novitiate, where the novices were making the dress that Evelyn was to wear when she received the white veil.

"You see, Teresa, we spare no expense or trouble on your dress," said the Prioress.

"Oh, it is no trouble, dear Mother." And Sister Angela rose from her chair and turned the dress right side out and shook it, so that Evelyn might admire the handsome folds into which the silk fell.

"And see, here is the wreath," said Sister Jerome, picking up a wreath of orange-blossoms from a chair.

"And what do you think of your veil, Sister Teresa? Sister Rufina did this feather-stitch. Hasn't she done it beautifully?"

"And Sister Rufina is making your wedding-cake. Mother Philippa has told her to put in as many raisins and currants as she pleases. Yours will be the richest cake we have ever had in the convent." Sister Angela spoke very demurely, for she was thinking of the portion of the cake that would come to her, and there was a little gluttony in her voice as she spoke of the almond paste it would have upon it.

"It is indeed a pity," said Sister Jerome, "that Sister Teresa's clothing takes place so early in the year."

"How so, Sister Jerome?" Evelyn asked incautiously.

"Because if it had been a little later, or if Monsignor had not been delayed in Rome—I only thought," she added, stopping short, "that you would like Monsignor to give you the white veil—it would be nicer for you; or if the Bishop gave it," she added, "or Father Ambrose. I am sure Sister Veronica never would have been a nun at all if Father Ambrose had not professed her. Father Daly is such a little frump."

"That will do, children; I cannot really allow our chaplain to be spoken of in that manner." And Mother Hilda looked at Evelyn, thinking, "Well, the Prioress has had her way with her."

The recreation-bell rang, and the novices clattered down the stairs of the novitiate, their childish eagerness rousing Evelyn from the mild stupor which still seemed to hang about her mind; and she smiled at the novices and at herself, for suddenly it had all begun to seem to her like a scene in a play, herself going to take the white veil and to become a nun, at all events, for a while. "Now, how is all this to end?" she asked herself. "But what does it matter?" Clouds seemed to envelop her mind again, and she acquiesced when the Prioress said:

"I think your retreat had better begin to-day."

"When, Mother?"

"Well, from this moment."

"If Teresa will come into the garden with me," said Mother Hilda.

It was impossible for the Prioress to say no, and a slaty blush of anger came into her cheek. "Hilda will do all she can to prevent her." Nor was the Prioress wholly wrong in her surmise, for they had not walked very far before Evelyn admitted that the idea of the white veil frightened her a great deal.

"Frightens you, my dear child?"

"But if I had a vocation I should not feel frightened. Isn't that so, Mother Hilda?"

"I shouldn't like to say that, Teresa. One can feel frightened and yet desire a thing very much; desire and fear are not incompatible."

Tears glistened in her eyes, and she appealed to Mother Hilda, saying:

"Dear Mother, I don't know why I am crying, but I am very unhappy. There is no reason why I should be, for here I am safe."

"Will she ever recover her mind sufficiently to know what she is doing?" Mother Hilda asked herself.

"It is always," Evelyn said, "as if I were trying to escape from something." Mother Hilda pressed her to explain. "I cannot explain myself better than by telling that it is as if the house were burning behind me, and I were trying to get away."

That evening Mother Hilda consulted the Prioress, telling her of Evelyn's tears and confusion.

"But, Hilda, why do you trouble her with questions as to whether she would like to be a nun or not? As I have said repeatedly, the veil is a great help, and, in a year hence, Teresa will know whether she'd like to join our community. In the meantime, pray let her be in peace and recover herself." The Prioress's voice was stern.

"Only this, dear Mother—"

"The mistake you make, Hilda, seems to me to be that you imagine every one turns to religion and to the convent for the same reason, whereas the reasons that bring us to God are widely different. You are disappointed in Teresa, not because she lacks piety, but because she is not like Jerome or Angela or Veronica, whom we both know very well. Each seeks her need in religion, and you are not acquainted with Teresa's, that is all. Now, Hilda, obedience is the first of all the virtues, and I claim yours in all that regards Teresa." Mother Hilda raised her quiet eyes and looked into the Prioress's face, and then lowered them again. "We should be lacking in our duty," the Prioress continued, "if we don't try to keep her by all legitimate means. She will receive the white veil at the end of the week; try to prepare her for her clothing, instruct her in the rule of our house; no one can do that as well as you."

Lifting her eyes again for a moment, Mother Hilda answered that it should be as the Prioress wished—that she would do her best to instruct Teresa; and she moved away slowly, the Prioress not seeking to detain her any longer in her room.



XXVI

Next day in the novitiate Mother Hilda explained to Evelyn how the centre of their life was the perpetual adoration of the Blessed Sacrament exposed on the altar.

"Our life is a life of expiation; we expiate by our prayers and our penances and our acts of adoration the many insults which are daily flung at our divine Lord by those who not only disobey His commandments, but deny His very presence on our altars. To our prayers of expiation we add prayers of intercession; we pray for the many people in this country outside the faith who offend our Lord Jesus Christ more from ignorance than from malice. All our little acts of mortification are offered with this intention. From morning Mass until Benediction our chapel, as you know, is never left empty for a single instant of the day; two silent watchers kneel before the Blessed Sacrament, offering themselves in expiation of the sins of others. This watch before the Blessed Sacrament is the chief duty laid upon the members of our community. Nothing is ever allowed to interfere with it. Unfailing punctuality is asked from every one in being in the chapel at the moment her watch begins, and no excuse is accepted from those who fail in this respect. Our idea is that all through the day a ceaseless stream of supplication should mount to heaven, that not for a single instant should there be a break in the work of prayer. If our numbers permitted it we should have Perpetual Adoration by day and night, as in the mother house in France; but here the bishop only allows us to have exposition once a month throughout the night, and all our Sisters look forward to this as their greatest privilege."

"It is a very beautiful life, Mother Hilda; but I wonder if I have a vocation?"

"That is the great question, my dear," and a cloud gathered in Mother Hilda's face, for it had come into her mind to tell Evelyn that she hardly knew anything of the religious life as yet; but remembering her promise to the Prioress, she said: "Obedience is the beginning of the religious life, and you must try to think that you are a child in school, with nothing to teach and everything to learn. The experience of your past life, which you may think entitles you to consideration—"

"But, dear Mother, I think nothing of the kind; my whole concern is to try to forget my past life. Ah, if I could only—" Mother Hilda wondered what it must be to bring that look of fear into Evelyn's eyes, but she refrained from questioning her, saying:

"I beg of you to put all the teachings of the world as far from your mind as possible. It will only confuse you. What we think wise the world thinks foolish, and the wisdom of the world is to us a vanity."

"If it were only a vanity," Evelyn answered. And her thoughts moved away from the Mother Mistress to herself, wondering how it was that this conventual life was so sympathetic to her, finding a reason in the fact that her idea had alienated her from the world; she had come here in quest of herself, and had found something, not exactly herself, perhaps, but at all events a refuge from one side of herself, and many other things—a group of women who thought as she did. But would the convent always be as necessary to her as it was to-day? And what a grief it would be to the nuns when the term of her noviceship ended. Would she find courage to tell them that she did not wish to take final vows? But she must listen to Mother Hilda who was instructing her in the virtue of obedience. After obedience came the rule of silence.

"But I don't know how the work in the garden will be done if one isn't allowed to speak."

"The work in the garden must wait until your retreat is over. Now go, my dear; I am waiting for Sisters Winifred and Veronica, who are coming to me for their Latin lesson."

"May I go into the garden?"

It amused Evelyn to ask the question, so strange did it seem that she should ask, like a little child, permission to go into the garden; and as she went along the passages she began to fear that the old Evelyn was on her way back, the woman who had disappeared for so many months. Be that as it may, she was not altogether Sister Teresa on the day of her clothing, though she tried to imitate the infantile glee of the novices, and of the nuns too; for they were nearly as childish as the novices. In spite of herself she wearied of the babble and the laughter over orange-blossoms and wedding-cake, especially of Sister Jerome's babble. She was particularly noisy that afternoon; her unceasing humour had begun to jar, and Evelyn had begun to feel that she must get away from it all, and she asked leave to go into the garden.

Ah, the deep breath she drew! How refreshing it was after the long time spent in church in the smell of burning wax and incense. "The incense of the earth is sweeter," she said; and the sound of the wind in the boughs reminded her of the voice of the priest intoning the "Veni Creator." "Nature is more musical," and her eyes strayed over the great park to its rim miles away, indistinct, though the sky was white as white linen above it, only here and there a weaving of some faint cream tones amid clouds rising very slowly; a delicious warmth fell out of the noonday sky, enfolding the earth; and, discomforted by her habit—a voluminous trailing habit with wide hanging sleeves— she stood on the edge of the terrace thinking that the stiff white head-dress made her feel more like a nun than her vows.

"Of what am I thinking?" she asked herself, for her thoughts seemed to go out faintly, like the clouds; she seemed more conscious of the spring-time than she had ever been before, of a sense of delight going through her when, before her eyes, the sun came out, lighting up the distant inter-spaces and the stems of the trees close by. The ash was coming into leaf, but among the green tufts, every bough could still be traced. The poplars looked like great brooms, but they were reddening, and in another week or two would be dark green again. The season being a little late, the lilacs and laburnums were out together; pink and white blossoms had begun to light up the close leafage of the hawthorns, and under the flowering trees grass was springing up, beautiful silky grass. "There is nothing so beautiful in the world as grabs," Evelyn thought, "fair spring grass." The gardener was mowing it between the flower beds, and it lay behind his hissing scythe along the lawn in irregular lines.

"There is the first swallow, just come in time to see the tulips, the tall May tulips which the Dutchmen used to paint."

So did Evelyn think, and her eyes followed Sister Mary John's jackdaw. He seemed to know the hour of the day, and was looking out for his mistress, who generally came out after dinner with food for him, and speech—the bird seemed to like being spoken to, and always put his head on one side so that he might listen more attentively. A little further on Evelyn met three goslings straying under the flowering laburnums, and she returned them to their mother in the orchard. Something was moving among the potato ridges, and wondering what it could be, she discovered the cat playing with the long-lost tortoise. How funny her great fluffy tom-cat looked, as he sat in front of the tortoise, tapping its black head whenever it appeared beyond the shell. All cats are a beautiful shape, but this one was a beautiful colour, "grey as a cloud at even"; but to leave him playing with the tortoise would be cruel to the tortoise, so she decided to carry the cat to the other end of the garden, where the sparrows were picking up the green peas.

The pear blossom had disappeared some weeks ago, and now the apple was in bloom. Some trees were later than others, and there were still tight pink knots amid the brown boughs. Evelyn sat down and closed her eyes, so that she might enjoy more intensely the magic of this Maytime. Every now and again a breeze shook the branches, shedding white blossom over the bright grass, and faint shadows rushed out and retreated The sun was swallowed up in a sudden cloud. A dimness came and a chill, but not for long enduring; the world was lit up, all the lilac leaves were catching the light and dancing in the breeze. "How living the world is, no death anywhere." Then her eyes turned to the convent, for at that moment she caught sight of one of the lay sisters coming towards her, evidently the bearer of a message. Sister Agnes had come to tell her that a lady had called to see her.

"The lady is in the parlour. Mother Hilda is with her"

"But her name?"

Sister Agnes could not give Evelyn her visitor's name; but on the way to the parlour they were met by the Prioress, who told Evelyn that the lady who had come to see her was a French lady, Mademoiselle Helbrun.

"Louise! Dear Mother, she is an actress, one of the women I used to sing with."

"Perhaps you had better not see her, and you may count upon me not to offend her; she will understand that on the day of your clothing—"

"No, no, dear Mother, I must see her."

"Teresa, one never uses the word 'must' to the Prioress, nor to any one in the convent; and on the day of your clothing it seems to me you might have remembered this first rule of our life."

"Of course I am very sorry, Mother; but now that she has come I am afraid it would agitate me more not to see her than to see her. It was the surprise of hearing her name after such a long while—there is no reason I can think of—"

"Teresa, it is for me to think, it is for you to obey."

"Well, Mother, if you will allow me."

"Ah, that is better. Of course she has come here to oppose your being here. How will you answer her?"

"Louise is an old friend, and knows me well, and will not argue with me, so it seems to me; and if she should ask me why I'm here and if I intend to remain, it will be easy for me to answer her, "I am here because I am not safe in the world."

"But she'll not understand."

"Yes she will, Mother. Let me see her."

"Perhaps you are fight, Teresa; it will be better for you to see her. But it is strange she should have come this afternoon."

"Some intuition, some voice must have told her."

"Teresa, those are fancies; you mustn't let your mind run on such things."

They were at the door of the parlour. Evelyn opened it for the Prioress, allowing her to pass in first.

"Louise, how good of you to come to see me. How did you find my address? Did Merat give it to you?"

"No, but I have heard—we all know you are thinking of becoming a nun."

"If you had been here a little earlier," the Prioress said, "you would have been in time for Teresa's clothing." And there was an appeal in the Prioress's voice, the appeal that one Catholic makes to another. The Prioress, of course, assumed that Louise had been brought up a Catholic, though very likely she did not practise her religion; few actresses did. So did the Prioress's thoughts run as she leaned forward; her voice became winning, and she led Louise to ask her questions regarding the Order. And she told Louise that it was a French Order originally, wearying her with the story of the arrival of the first nuns. "How can Evelyn stop here listening to such nonsense?" she thought. And then Mother Hilda told Louise about Evelyn's singing at Benediction, and the number of converts she had won to the Church of Rome.

"As no doubt you know. Mademoiselle Helbrun, once people are drawn into a Catholic atmosphere—"

"Yes, I quite understand. So you sing every day at Benediction, do you, Evelyn? You are singing to-day? It will be strange to hear you singing an 'Ave Maria.'"

"But, Louise, if I sing an 'O Salutaris,' will you sing Schubert's 'Ave Maria'?"

"No, you sing Schubert's 'Ave Maria' and I will sing an 'O Salutaris.'"

Evelyn turned to the Prioress.

"Of course, we shall be only too glad if Mademoiselle Helbrun will sing for us."

"The last time we saw each other, Louise, was the day of your party in the Savoy Hotel."

"Yes, didn't we have fun that day? We were like a lot of children. But you went away early."

"Yes, that day I went to Confession to Monsignor."

"Was it that day? We noticed something strange in you. You seemed to care less for the stage, to have lost your vocation."

"We hope she has begun to find her vocation," Mother Hilda answered.

"But that is just what I mean—in losing her vocation for the stage she has gained, perhaps, her vocation for the religious life."

"Vocation for the stage?"

"Yes, Mother Hilda," the Prioress said, turning to the Mistress of the Novices, "the word vocation isn't used in our limited sense, but for anything for which a person may have a special aptitude."

"That day of your party—dear me, how long ago it seems, Louise! How much has happened since then? You have sung how many operas? In whose company are you now?" Before they were aware of it the two singers had begun to chatter of opera companies and operas. Ulick Dean was secretary of the opera company with which Louise was travelling. They were going to America in the autumn. The conversation was taking too theatrical a turn, and the Prioress judged it necessary to intervene. And without anybody being able to detect the transition, the talk was led from America to the Pope and the Papal Choir.

"May we go into the garden, dear Mother?" Evelyn said, interrupting. Her interruption was a welcome one; the Prioress in her anxiety to change the subject had forgotten Mr. Innes's death and Evelyn's return to Rome. She gave the required permission, and the four women went out together.

"Do you think we shall be able to talk alone?"

"Yes, presently," Evelyn whispered. Soon after, in St. Peter's Walk, an opportunity occurred. The nuns had dropped behind, and Evelyn led her friend through the hazels, round by the fish-pond, where they would be able to talk undisturbed. Evelyn took her friend's arm. "Dear Louise, how kind of you to come to see me. I thought I was forgotten. But how did you find me out?"

"Sir Owen Asher, whom I met in London, told me I would probably get news of you here."

Evelyn did not answer.

"Aren't you glad to see me?"

"Of course I am. Haven't I said so? Don't you see I am? And you have brought beautiful weather with you, Louise. Was there ever a more beautiful day? White clouds rising up in the blue sky like great ships, sail over sail."

"My dear Evelyn, I have not come to talk to you about clouds, nor green trees, though the birds are singing beautifully here, and it would be pleasant to talk about them if we were going to be alone the whole afternoon. But as the nuns may come round the corner at any minute I had better ask you at once if you are going to stop here?"

"Is that what you have come to ask me?"

Evelyn got up, though they had only just sat down.

"Evelyn, dear, sit down. You are not angry with me for asking you these questions? What do you think I came here for?"

"You came here, then, as Reverend Mother suspected, to try to persuade me away? You would like to have me back on the stage?"

"Of course we should like to have you back among us again. Owen Asher—"

"Louise, you mustn't speak to me of my past life."

"Ulick—"

"Still less of him. You have come here, sent by Owen Asher or by Ulick Dean—which is it?"

"My dear Evelyn, I came here because we have always been friends and for old friendship's sake—by nobody."

These words seemed to reassure her, and she sat down by her friend, saying that if Louise only knew the trouble she had been through.

"But all that is forgotten... if it can be forgotten. Do you know if our sins are ever forgotten, Louise?"

"Sins, Evelyn? What sins? The sin of liking one man a little better than another?"

"That is exactly it, Louise. The sin and the shame are in just what you have said—liking one man better than another. But I wish, Louise, you wouldn't speak to me of these things, for I'll have to get up and go back to the convent."

"Well, Evelyn, let us talk about the white clouds going by, and how beautiful the wood is when the sun is shining, flecking the ground with spots of light; birds are singing in the branches, and that thrush! I have never heard a better one." Louise walked a little way. Returning to Evelyn quickly, she said, "There are all kinds of birds here—linnets, robins, yes, and a blackbird. A fine contralto!"

"But why, Louise, do you begin to talk about clouds and birds?"

"Well, dear, because you won't talk about our friends."

"Or is it because you think I must be mad to stay here and to wear this dress? You are quite wrong if you think such a thing, for it was to save myself from going mad that I came here."

"My dear Evelyn, what could have put such ideas into your head?"

"Louise, we mustn't talk of the past. I can see you are astonished at this dress, yet you are a Catholic of a sort, but still a Catholic. I was like you once, only a change came. One day perhaps you will be like me."

"You think I shall end in a convent, Evelyn?"

Evelyn did not answer, and; not knowing exactly what to say next, Louise spoke of the convent garden.

"You always used to be fond of flowers. I suppose a great part of your time is spent in gardening?"

An angry colour rose into Evelyn's cheek.

"You don't wish me," she said, "to talk about myself? You think— Never mind, I don't care what you think about me."

Louise assured her that she was mistaken; and in the middle of a long discourse Evelyn's thoughts seemed suddenly to break away, and she spoke to Louise of the greenhouse which she had made that winter, asking her if she would like to come to see it with her.

"A great deal of it was built with my own hands, Sister Mary John and I. You don't know her yet; she is our organist, and an excellent one."

At that moment Evelyn laid her hand on Louise's arm, and a light seemed to burst into her face.

"Listen!" she said, "listen to the bird! Don't you hear him?"

"Hear what, dear?"

"The bird in the branches singing the song that leads Siegfried to Brunnhilde."

"A bird singing Wagner?"

"Well, what more natural than that a bird should sing his own song?"

"But no bird—" A look of wonder, mingled with fear, came into Louise's face.

"If you listen, Louise." In the silence of the wood Louise heard somebody whistling Wagner's music. "Don't you hear it?"

Louise did not answer at once. Had she caught some of Evelyn's madness... or was she in an enchanted garden?

"It is a boy in the park, or one of the nuns."

"Nuns don't whistle, and the common is hundreds of yards away. And no boy on the common knows the bird music from 'Siegfried'? Listen, Louise, listen! There it goes, note for note. Francis is singing well to-day."

"Francis!"

"Look, look, you can see him! Now are you convinced?"

And the wonder in Louise's face passed into a look of real fear, and she said:

"Let us go away."

"But why won't you listen to Francis? None of my birds sings as he does. Let me tell you, Louise—"

But Louise's step hastened.

"Stop! Don't you hear the Sword motive? That is Aloysius."

Louise stopped for a moment, and, true enough, there was the Sword motive whistled from the branches of a sycamore. And Louise began to doubt her own sanity.

"You do hear him, I can see you do."

"What does all this mean?" Louise said to the Reverend Mother, drawing her aside. "The birds, the birds, Mother Superior, the birds!"

"What birds?"

"The birds singing the motives of 'The Ring.'"

"You mean Teresa's bullfinches, Mademoiselle Helbrun? Yes, they whistle very well."

"But they whistle the motives of 'The Ring!'"

"Ah! she taught them."

"Is that all? I thought she and I were mad. You'll excuse me, Mother Superior? May I ask her about them?"

"Of course, Mademoiselle Helbrun, you can." And Louise walked on in front with Evelyn.

"Mother Superior tells me you have taught bullfinches the motives of 'The Ring,' is it true?"

"Of course. How could they have learned the motives unless from me?"

"But why the motives of 'The Ring'?"

"Why not, Louise? Short little phrases, just suited to a bird."

"But, dear, you must have spent hours teaching them."

"It requires a great deal of patience, but when there is a great whirl in one's head—"

Evelyn stopped speaking, and Louise understood that she shrank from the confession that to retain her sanity she had taught bullfinches to whistle,

"So she is sane, saner than any of us, for she has kept herself sane by an effort of her own will," Louise said to herself.

"Some birds learn much quicker than others; they vary a great deal."

"My dear Evelyn, it is ever so nice of you. Just fancy teaching bullfinches to sing the motives of 'The Ring,' It seemed to me I was in an enchanted garden. But tell me, why, when you had taught them, did you let them fly away?"

"Well, you see, they can only remember two tunes. If you teach them a third they forget the first two, and it seemed a pity to confuse them."

"So when a bullfinch knows two motives you let him go? Well, it is all very simple now you have explained it. They find everything they want in the garden. The bullfinch is a homely little bird, almost as domestic as the robin; they just stay here, isn't that it?"

"Sometimes they go into the park, but they come every morning to be fed. On the whole, Francis is my best bird; but there is another who in a way excels him—Timothy. I don't know why we call him Timothy; it isn't a pretty name, but it seems suited to him because I taught him 'The Shepherd's Pipe'; and you know how difficult it is, dropping half a note each time? Yet he knows it nearly all; sometimes he will whistle it through without a mistake. We could have got a great deal of money for him if he had been sold, and Reverend Mother wanted me to sell him, but I wouldn't."

And Evelyn led Louise away to a far corner.

"He is generally in this corner; these are his trees." And Evelyn began to whistle.

"Does he answer you when you whistle?"

"No; scraping one's feet against the gravel, some little material noise, will set him whistling." And Evelyn scraped her feet. "I'm afraid he isn't here to-day. But there is the bell for Benediction. We must not keep the nuns waiting." And the singers hurried towards the convent, where they met the Prioress and the Mistress of the Novices and Sister Mary John.

"Dear me, how late you are, Sister!" said Sister Mary John. "I suppose you were listening to the bullfinches. Aren't they wonderful? But won't you introduce me to Mademoiselle Helbrun? It would be delightful, mademoiselle, if you would only sing for us."

"I shall be very pleased indeed."

"Well, we have only got two or three minutes to decide what it is to be. Will you come up to the organ loft?"

And that afternoon the Wimbledon laity had the pleasure of hearing two prima donne at Benediction.



XXVII

One day in the last month of Evelyn's noviceship—for it was the Reverend Mother's plans to put up Evelyn for election, provided she could persuade Evelyn to take her final vows—Sister Mary John sat at the harmonium, her eyes fixed, following Evelyn's voice like one in a dream. Evelyn was singing Stradella's "Chanson d'Eglise," and when she, had finished the nun rose from her seat, clasping her friend's hand, thanking her for her singing with such effusion that the thought crossed Evelyn's mind that perhaps her friend was giving to her some part of that love which it was essential to the nun to believe belonged to God alone; and knowing Sister Mary John so well, she could not doubt that, as soon as the nun discovered her infidelity to the celestial Bridegroom, she would separate herself at once from her. A tenderness in the touch of the hand, an ardour in the eye, might reveal the secret to her, or very likely a casual remark from some other nun would awaken her conscience to the danger —an imaginary danger, of course—but that would not be her idea. Formal relations would be impossible between them, one of them would have to leave; and, without this friendship, Evelyn felt she could not live in the convent.

The accident she foresaw happened two days after, when sitting in the library writing. Veronica came in. Evelyn had seen very little of her lately, and at one time Evelyn, Veronica, and Sister Mary John had formed a little group, each possessing a quality which attracted the others; but, insensibly, musical interests and literary interests— Sister Mary John had begun to teach Evelyn Latin—had drawn Evelyn and Sister Mary John together, excluding Veronica a little. This exclusion was more imaginary than real. But some jealousy of Sister Mary John had entered her mind; and Evelyn had noticed, though Sister Mary John had failed to notice, that Veronica had, for some time past, treated them with little disdainful airs. And now, when she opened the door, she did not answer Evelyn at once, though Evelyn welcomed her with a pretty smile, asking her whom she was seeking. There was an accent of concentrated dislike in Veronica's voice when Evelyn said she was looking for Sister Mary John.

"I heard her trampling about the passage just now; she is on her way here, no doubt, and won't keep you waiting."

The word "trampling" was understood by Evelyn as an allusion to the hobnails which Sister Mary John wore in the garden. Veronica often dropped a rude word, which seemed ruder than it was owing to the refinement and distinction of her face and her voice. A rude word seemed incongruous on the lips of this mediaeval virgin; and Evelyn sat nibbling the end of the pen, thinking this jealousy was dangerous. Sister Mary John only had to hear of it. The door opened again; this time it was Sister Mary John, who had come to ask Evelyn what was the matter with Veronica.

"I passed her in the passage just now, and when I asked her if she had seen you, she said she really was too busy to speak to me; and, a moment after, she stood a long while to play with the black kitten, who was catching flies in the window."

"There is no doubt that Veronica has changed; lately she has been rather rude to me."

"To you, Teresa? Now, what could she be rude about to you?" The nun's face changed expression, and Evelyn sat reading it, "Do you think she is jealous of the time we spend together? We have been together a great deal lately."

"But it is necessary that we should be—our music."

"Yes, our music, of course; but I was thinking of other times."

Evelyn knew that Sister Mary John was thinking of the time they had spent reading the Breviary together—four great volumes, one for every season of the year. It was Sister Mary John who had taught her to appreciate the rich, mysterious tradition of the Church, and how these books of ritual and observances could satisfy the mind more than any secular literature. There was always something in the Office to talk about, something new amid much that remained the same—the reappearance of a favourite hymn.

"All the same, Sister, we should not take so much pleasure in each other's society. Veronica is quite right."

At that moment Evelyn was called away by the portress, who had come to tell her that Mother Hilda wanted her in the novitiate, and Sister Mary John was left thinking in the library that Veronica was certainly right, and every moment the conviction grew clearer. It must have been forming in her mind for a long time past, for, within five minutes after Evelyn had left the room, the nun determined to go straight to the Prioress and tell her that her life was being absorbed by Evelyn and beg her to transfer her to the Mother House in France. Never to see Evelyn again! Her strength almost failed her as she went towards the door. But what would it profit her to see Evelyn for a few years if she should lose her for eternity? A little courage, and they would meet to part no more. In a few years both would be in heaven. A confusion of thought began in her; she remembered many things, that she no longer loved Christ as she used to love him. She no longer stood before the picture in which Christ took St. Francis in His arms, saying to Christ, "My embrace will be warmer than his when thou takest me in thy arms." She had often thought of herself and Evelyn in heaven, walking hand in hand. Once they had sat enfolded in each other's arms under a flowering oleander. Christ was watching them! And all this could only point to one thing, that her love of Evelyn was infringing upon her love of God. And Evelyn, too, had questioned her love of God as if she were jealous of it, but she had answered Evelyn that nuns were the brides of Christ, and must set no measure on their love of God. "There is no lover," she had said, "like God; He is always by you, you can turn to Him at any moment. God wishes us to keep all our love for Him." She had said these things, but how differently she had acted, forgetful of God, thinking only of Evelyn, and her vows, and not a little of the woman herself.

The revelation was very sudden.... Sister Mary John seemed to find somebody in herself of whom she knew nothing, and a passion in herself unknown to her before. Therefore, to the Prioress she went at once to tell her everything.

"Mother, I have come to ask you if you will transfer me to the Mother House in France."

The Reverend Mother repeated the words in astonishment, and listened to Sister Mary John, who was telling her that she had found herself in sin.

"My life is falling to pieces, Mother, and I can only save myself by going away."

A shipwreck this was, indeed, for all the Prioress's plans! If Sister Mary John left, how was Evelyn to be persuaded to take the veil? "At every moment I am confronted with some unexpected obstacle." She tried to argue with Sister Mary John; but the nun was convinced she must go. So the only thing to do was to make terms.

"Teresa must know nothing of what has happened, on that I insist. There is too much of this kind of thing going on in my convent; I have heard of it among the younger nuns, all are thinking of visions. But among you women, who have been in the convent for many years, I had thought—"

"Mother, we are all weak; the flesh errs, and all we can do is to check ourselves, to pray, and take such measures as will save us from falling into sin again. Of what you said just now about the younger nuns I know nothing, nor has any vision been vouchsafed to me, only I have stumbled."

The Prioress did not answer; she was thinking how Sister Mary John might be transferred.

"Mrs. Cater is going to France next month, you can travel with her."

"So a month must pass! I thought of leaving to-day or to-morrow, but I see that is impossible. A month! How shall I endure it?"

"No one will know," the Prioress answered, with a little vehemence. "It is a secret between us, I repeat, and I forbid you to tell any one the reason of your leaving. Teresa will be professed in a few weeks, I hope; she has reached the critical moment of her life, and her mind must not be disturbed. The raising of such a question, at such a time, might be fatal to her vocation."

The Prioress rose from her chair, and, following Sister Mary John to the door, impressed upon her again that it was essential that no one should ever know why she had left the convent.

"You can tell Teresa before you leave, but she must hear nothing of it till the moment of your leaving. I give you permission merely to say goodbye to her on the day you leave, and in the interval you will see as little of each other as possible."

But when Sister Mary John said that Sister Elizabeth could accompany Evelyn as well as she could, the Prioress interrupted her.

"You must always accompany her when she sings at Benediction; you must do nothing to let her suspect that you are leaving the convent on her account. You promise me this? You can tell her what you like, of course when you are leaving, but not before. Of course, there is no use arguing with you again, Sister Mary John. You are determined, I can see that; but I do assure you that your leaving us is a sore trial to us, more than you think for."

In the passage Sister Mary John came unexpectedly upon Evelyn returning from the novitiate.

"Well, I have got through my Latin lesson, and Mother Hilda is delighted at my progress. She flatters herself on her instruction, but any progress I have made is owing to you.... But what is the matter, Sister? Why do you move away?" Evelyn put her hand on the nun's shoulder.

"Don't, Sister; I must go."

"Why must you go?"

"Teresa, try to think—" She was about to say "of God, and not of me," but her senses seemed to swoon a little at that moment, and she fell into Evelyn's arms.

"Teresa! Teresa! What is this?"

It was the Prioress coming from her room.

"A sudden giddiness, Mother," the nun answered.

"Just as I was telling her of my Latin lesson in the novitiate, that I could learn Latin with her better than with Mother Hilda."

"We met in the passage," Sister Mary John said, moving away.

"And a sudden giddiness came over her," Evelyn explained.

"Teresa, Sister Cecilia, who is our sacristan, is a little slow; she wants help, you are just the one to help her, and come with me."



XXVIII

And Evelyn followed the Prioress into a fragrance of lavender and orris-root; she was shown the vestments laid out on shelves, with tissue-paper between them. The most expensive were the white satin vestments, and these dated from prosperous times; and she was told how once poverty had become so severe in the convent that the question had arisen whether these vestments should be sold, but the nuns had declared that they preferred bread and water, or even starvation, to parting with their vestments.

"These are for the priest," the Prioress said, "these are for the deacon and subdeacon, and they are used on Easter Sundays, the professed days of the Sisters, and the visits of the Bishop; and these vestments with the figure of Our Lady, with a blue medallion in the centre of the cross, are used for all feasts of the Virgin."

On another shelf were the great copes, in satin and brocade, gold and white, with embroidered hoods and orphries, and veils to match; and the processional banners were stored in tall presses, and with them, hanging on wire hooks, were the altar-curtains, thick with gold thread; for the high altar there were curtains and embroidered frontals, and tabernacle hangings, and these, the Prioress explained, had to harmonise with the vestments; and the day before Mass for the Dead the whole altar would have to be stripped after Benediction and black hangings put up.

"Cecilia will tell you about the candles. They have all to be of equal length, Teresa, and it should be your ambition to be economical, with as splendid a show as possible. No candle should ever be allowed to burn into its socket, leaving less than the twelve ordained by the Church for Exposition."

As soon as the Prioress left them, Sister Cecilia told Evelyn that she would have to work very hard indeed, for it was the Prioress's whim not to use the ordinary altar cloths with an embroidered hem, but always cloths on which lace frontals were lightly tacked; and Evelyn was warned that the sewing on of the lace, without creasing the white linen, required great care; and the spilling of a little wax could not be passed over, the cloth would have to go to the wash.

It was as she said; they had to work hard, and they were always behindhand with their work. She learned from Cecilia that, apart from the canonical directions for Divine Service, there existed an unwritten code for pious observances—some saints were honoured by having their banner exhibited during the octave of the feast, while others were allowed little temporary altars on which some relic could be exposed. The Sisters themselves were often mistaken regarding what had been done on previous anniversaries; but the Prioress's memory was unfailing, and one of the strictest rules of the house was that the sacristan took orders from none but the Prioress. And when a discussion arose between Cecilia and Evelyn, one of them went to the Prioress to ask her to say which was right.

Sister Cecilia was stupid and slow, and very soon Evelyn had absorbed most of the work of the sacristy doing it as she pleased, until one day, the Prioress coming in to see what progress had been made, found St. Joseph's altar stripped, save for a single pair of candlesticks and two flower vases filled with artificial flowers. Evelyn was admonished, but she dared to answer that she was not interested in St. Joseph, though, of course, he was a worthy man.

"My dear Teresa, I cannot allow you to speak in this way of St. Joseph; he is one of the patrons of the convent. Nor can I allow his altar to be robbed in this fashion. Have you not thought that we are looking forward to the time when you should be one of us?"

Behind them stood Sister Cecilia, overcome with astonishment that a mere novice should dare to speak to the Prioress on terms of equality. When the Prioress left the room she said:

"You didn't answer the Prioress just now when she asked if you had forgotten that you were soon to become one of us."

"How could I answer... I don't know."

This answer seemed to exhaust Sister Cecilia's interest in the question, and, handing Evelyn two more candles, she asked, "Do you want me any more?"

On Evelyn saying she did not, she said:

"Well, then, I may go and meditate in the chapel."

"On what is she going to meditate?" Evelyn wondered; and from time to time her eyes went towards the nun, who sat crouched on her haunches, now and again beating her ears with both hands—a little trick of hers to scatter casual thoughts, for even sacred things sometimes suggested thoughts of evil to Sister Cecilia, and her plan to reduce her thoughts to order was to slap her ears. Evelyn watched her, wondering what her thoughts might be. Whatever they were, they led poor Cecilia into disgrace, for that evening she forgot to fill the lamp which burnt always before the tabernacle, it being the rule that the Easter light struck on Holy Saturday should be preserved through the year, each new wick being lighted upon the dying one. And Sister Cecilia's carelessness had broken the continuity. She was severely reprimanded, ate her meals that day kneeling on the refectory floor, and for many a day the shameful occurrence was remembered. And her place was taken by Veronica, who, delighted at her promotion, wore a quaint air of importance, hurrying away with a bundle of keys hanging from her belt by a long chain, amusing Evelyn, who was now under Veronica's orders.

"Yes, it is rather strange, isn't it, Sister? But I can't help it. Of course you ought to be in my place, and I can't think why dear Mother has arranged it like this."

Nuns employed in the sacristy might talk, and in a few days Veronica's nature revealed itself in many little questions.

"It is strange you should wish to be a nun."

"But why is it strange, Veronica?"

"For you are not like any of us, nor has the convent been the same since you came."

"Are you sorry that I wish to be a nun?"

"Sorry, Sister Teresa? No, indeed. God has chosen you from the beginning as the means He would employ to save us; only I can't see you as a nun, always satisfied with the life here."

"Every one doesn't know from childhood what she is going to do. But you always knew your vocation, Veronica."

"I cannot imagine myself anything but a nun, and yet I am not always satisfied. Sometimes I am filled with longings for something which I cannot live without, yet I do not know what I want. It is an extraordinary feeling. Do you know what I mean, Sister?"

"Yes, dear, I think I do."

"It makes me feel quite faint, and it seizes me so suddenly. I have wanted to tell you for a long time, only I have not liked to. There are days when it makes me so restless that I cannot say my prayers, so I know the feeling must be wrong. Something in the quality of your voice stirs this feeling in me; your trill brings on this feeling worse than anything. You don't know what I mean?"

"Perhaps I do. But why do you ask?"

"Because your singing seems to affect no one as it does me.... I thought it might affect you in the same way—what is it?"

"I wouldn't worry, Veronica, you will get over it; it will pass."

"I hope it will." Evelyn felt that Veronica had not spoken all her mind, and that the incident was not closed. The novice's eyes were full of reverie, and behind her the open press exhaled a fragrance of lavender. "You see," she said, turning, "Father Ambrose is coming to-morrow. I wonder what he will think of you? He'll know if you have a vocation."

Father Ambrose, an old Carmelite monk and the spiritual adviser of the Prioress, was known to be a great friend of Veronica's, and whenever he came to the convent Veronica's excitement started many little pleasantries among the novices. Next day Evelyn waited for one of these to arise. She had not long to wait; all the novices and postulants with Mother Hilda were sitting under the great tree. The air was warm, and Mother Hilda guided the conversation occasionally. Every one was anxious to talk, but every one was anxious to think too, for every one knew she would be questioned by the aged monk, and that the chance of being accepted as a nun depended, in no small measure, on his opinion of her vocation.

"Have you noticed, Sister Teresa, how beaming Sister Veronica has looked for the last day or two? I can't think what has come to her."

"Can't you, indeed? You must be very slow. Hasn't she been put into the sacristy just before Father Ambrose's visit; now she will be able to put out his vestments herself. You may be sure we shall have the best vestments out every day, and she will be able to have any amount of private interviews behind our backs."

"Now, children, that will do," said Mother Hilda, noticing Veronica's crimson cheeks as she bent over her work.

Evelyn wondered, and that evening in the sacristy Veronica broke into expostulations with an excitement that took Evelyn by surprise.

"How could I not care for Father Ambrose! I have known him all my life. Once I was very ill with pleurisy. I nearly died, and Father Ambrose anointed me, and gave me the last Sacraments. I had not made my first Communion then. I was only eleven, but they gave me the Sacrament, for they thought I was dying, and I thought so too, and I promised our Lord I would be a nun if I got well. I never told any one except Father Ambrose, and he has helped me all through to keep my vow, so you see he has been everything to me; I have never loved any one as I love Father Ambrose. When he comes here I always ask him for some rule or direction, so that I may have the happiness of obeying him till his next visit; and it is so trying, is it not, Sister Teresa, when the novices make their silly little jokes about it? Of course, they don't understand, they can't; but to me Father Ambrose means everything I care for; besides, he is really a saint. I believe he would have been canonised if he had lived in the Middle Ages. He has promised to profess me. It is wrong, I know, but really I should hardly care to be professed if Father Ambrose could not be by. We must have these vestments for him." Evelyn was about to take them out. "No, allow me."

Veronica took the vestments out of her hand, a pretty colour coming into her cheeks as she did so. And Evelyn understood her jealousy, lest any other hands but hers should lay the vestments out that he was to wear, and she turned her head so that Veronica might not think she was being watched. And the little nun was happy in the corner of the sacristy laying out the vestments, putting the gold chalice for him to use, and the gold cruets, which Evelyn had never seen used before."

"You see, being a monk, he has a larger amice than the ordinary priest." And Veronica produced a strip of embroidery which she tacked on the edge of the amice, so that it might give the desired appearance when the monk drew it over his head on entering or leaving the sacristy.

A few days after Evelyn came upon this amice with the embroidery edge put away in a secret corner, so that it should not be used in the ordinary way; and, as she stood wondering at the child's love for the aged monk, Sister Agnes came to tell her she was wanted to bid Sister Mary John goodbye.

"To bid Sister Mary John goodbye!"

"Yes, Sister Teresa, that is what the Prioress told me to tell you."

Evelyn hurried to the library. Sister Mary John was standing near the window, and she wore a long black cloak over her habit, and had a bird-cage in her hand. Evelyn saw the sly jackdaw, with his head on one side, looking at her.

"What is the meaning of this, Sister? You don't tell me you are going away? And for how long?"

"For ever, Sister; we shall never see each other again. I promised the Prioress not to tell you before. It was a great hardship, but I gave my promise, she allowing us to see each other for a few minutes before I left."

"I can't take in what you're saying. Going away for ever? Oh, Sister, this cannot be true!" And Evelyn stood looking at the nun, her eyes dilated, her fingers crisped as if she would hold Sister Mary John back. "But what is taking you away?"

"That is a long story, too long for telling now; besides, you know it. You know I have been very fond of you, Teresa; too fond of you."

"So that's it. And how shall I live here without you?"

"You are going to enter the convent, and as a nun you will learn to live without me; you will learn to love God better than you do now."

"One moment; tell me, it is only fair you should tell me, how our love of each other has altered your love of God?"

"I can never tell you, Teresa, I can only say that I never understood, perhaps, as I do now, that nothing must come between the soul and God, and that there is no room for any other love in our hearts. We must remember always we are the brides of Christ, you and I, Sister."

"But I am not professed, and never shall be."

"I hope you will, Sister, and that all your love will go to our crucified Lord."

They stood holding each other's hands.

"Won't you let me kiss you before you go?"

"Please let me go; it will be better not. The carriage is waiting; I must go."

"But never, never to see you again!"

"Never is a long while; too long. We shall meet in heaven, and it would be unwise to forfeit that meeting for a moment of time on this earth."

"A moment of time on this earth," Evelyn answered. She stood looking out of the window like one dazed; and taking advantage of her abstraction Sister Mary John left the room. The Prioress came into the library.

"Mother, what does this mean? Why did you let her go?"

The Prioress sat down slowly and looked at Evelyn without speaking.

"Mother, you might have let her stay, for my sake."

"I allowed her to see you before she left, and that was the most I could do, under the circumstances."

"The most you could do under the circumstances? I don't understand. Mother, you might have asked her to wait. She acted on impulse."

"No, Teresa, she came to me some weeks ago to tell me of her scruples."

"Scruples! Her love of me, you mean?"

"I see she has told you. Yes."

The Prioress was about to ask her about her vows; but the present was not the moment to do so, and she allowed Evelyn to go back to the sacristy.



XXIX

"Veronica, she has gone away for good—gone away to France. All I could do—Now I am alone here, with nobody."

"But, Teresa, I don't understand. What are you speaking about?" Evelyn told her of Sister Miry John's departure. "You cared for her a great deal, one could see that."

"Well, she was the one whom I have seen most of since I have been here... except you, Veronica." A look appeared in the girl's face which suggested, very vaguely, of course, but still suggested, that Veronica was jealous of the nun who had gone. Evelyn looked into the girl's face, trying to read the dream in it, until she forgot Veronica, and remembered the nun who had gone; and when she awoke from her dream she saw Veronica still standing before her with a half-cleaned candlestick in her hand.

"She seemed so determined, and all I could say only made her more so; yet I told her I was very fond of her... and she always seemed to like me. Why should she be so determined?"

"I should have thought you would have guessed, Teresa."

Evelyn begged Veronica to explain, but the girl hesitated, looking at her curiously all the time saying at last:

"It seems to me there can be only one reason for her leaving, and that was because she believed you to be her counterpart."

"Her counterpart—what's that?"

"Have you been so long in the convent without knowing what a counterpart is, Teresa? The convent is full of counterparts. Did you never see one in the garden, in a shady corner? You spent many hours in the garden. I am surprised. Are you telling the truth, Sister?"

Evelyn opened her eyes.

"Telling the truth! But do they come in the summer-time in the garden, while the sun is out?"

"Yes, they do; and very often they come to one in the evening... but more often at night."

Evelyn stood looking into Veronica's face without speaking, and at that moment the bell rang.

"We have only just got time," Veronica said, "to get into chapel."

"What can she mean? Counterparts visiting the nuns in the twilight... at night! Who are these counterparts?" Evelyn asked herself. "The idle fancies of young girls, of course." But she was curious to hear what these were, and on the first favourable opportunity she introduced the subject, saying:

"What did you mean, Veronica, when you said that it was strange I had been in the convent so long without finding my counterpart?"

"I didn't say that, Teresa. I said without a counterpart finding you out, or that is what I meant to say. It is the counterpart which seeks us, not we the counterpart. It would be wrong for us to seek one. You know what I said about your singing, how it disturbed me and prevented me from praying? Well, sometimes a memory of your singing precedes the arrival of my counterpart."

"But did you not say that Sister Mary John was my counterpart?"

Veronica answered that Sister Mary John may have thought so.

"But she is a choir sister." And to this Veronica did not know what answer to make. The silence was not broken for a long while, each continuing her work, wondering when the other would speak. "Have all the nuns counterparts?"

"I don't know anything about the choir sisters, but Rufina and Jerome have. Cecilia is too stupid, and no counterpart ever seems to come to her. Sister Angela has the most beautiful counterpart in the world, except mine!" And the girl's eyes lit up.

Evelyn was on the point of asking her to describe her visitor, but, fearing to be indiscreet, she asked Veronica to tell her who were the counterparts, and whence they came. Veronica could tell her nothing, and, untroubled by theory or scruple, she seemed to drift away— perhaps into the arms of her spiritual lover. On rousing her from her dream Evelyn learnt that Sister Angela, who was fond of reading the Bible, had discovered many texts anent counter-partial love. Which these could be Evelyn wondered, and Veronica quoted the words of the Creed, "Christ descended into hell."

"But the counterpart doesn't emanate out of hell?"

A look of pain came into the nun's face, and she reminded Evelyn that Christ was away for three days between his death and his resurrection, and there were passages she remembered in Paul, in the Epistle to the Romans, which seemed to point to the belief that he descended into hell, at all events that he had gone underground; but of this Veronica had no knowledge, she could only repeat what Sister Angela had said—that when Christ descended into hell, the warders of the gates covered their faces, so frightened were they, not having had time to lock the gates against him, and all hell was harrowed. But Christ had walked on, preaching to those men and women who had been drowned in the Flood, and they had gone up to heaven with him.

"But, Veronica, those who are in hell never come out of it."

"No, they never come out of it; only Christ can do all things, and He descended into hell, not to watch the tortures of the damned—you couldn't think that, Sister Teresa?—but to save those who had died before His coming. Once we had a meditation on a subject given to us by Mother Hilda from one of the Gospels: Three men were seen coming from a tomb, two supporting a man standing between them, the shadow of the Cross came from behind; and the heads of two men touched the sky, but the head of the man they supported passed through the sky, and far beyond it, for the third man was our Lord coming out of hell."

"But, Veronica, you were telling me about the counterparts."

"Well, Sister Teresa, the counterparts are those whom Christ redeemed in those three days, and they come and visit every convent."

"In what guise do they come?" Evelyn asked. And she heard that the arrival of the counterpart was always unexpected, but was preceded by an especially happy state of quiet exaltation.

"Have you never felt that feeling, Sister Teresa? As if one were detached from everything, and ready to take flight."

"Yes, dear, I think I know what you mean. But the counterpart is a sort of marriage, and you know Christ says that there is neither marriage, nor giving in marriage, when the kingdom of God shall come to pass."

"Not giving in marriage," the girl answered, "as is understood in the world, but we shall all meet in heaven; and the meeting of our counterpart on earth is but a faint shadow of the joy we shall experience after death—an indwelling, spirit within spirit, and nothing external. That is how Mother Hilda teaches St. Teresa when we read her in the novitiate."

"Sister Teresa is wonderful—her ravishments when God descended upon her and she seemed to be borne away. But I didn't think that any one among you experienced anything like that. It doesn't seem to me that a counterpart is quite the same; there is something earthly."