The girl's capacity for emotion seemed to be quite exhausted, for she answered nothing to this quaint valedictory beyond a faint, "Good-by, Mr. Harrison, I hope you——" but she did not finish the sentence.



FRANCIS BRET HARTE

Chu Chu

I do not believe that the most enthusiastic lover of that "useful and noble animal," the horse, will claim for him the charm of geniality, humor, or expansive confidence. Any creature who will not look you squarely in the eye—whose only oblique glances are inspired by fear, distrust, or a view to attack, who has no way of returning caresses, and whose favorite expression is one of head-lifting disdain, may be "noble" or "useful," but can be hardly said to add to the gayety of nations. Indeed it may be broadly stated that, with the single exception of gold-fish, of all animals kept for the recreation of mankind the horse is alone capable of exciting a passion that shall be absolutely hopeless. I deem these general remarks necessary to prove that my unreciprocated affection for Chu Chu was not purely individual or singular. And I may add that to these general characteristics she brought the waywardness of her capricious sex.

She came to me out of the rolling dust of an emigrant wagon, behind whose tailboard she was gravely trotting. She was a half-broken colt—in which character she had at different times unseated everybody in the train—and, although covered with dust, she had a beautiful coat and the most lambent gazelle-like eyes I had ever seen. I think she kept these latter organs purely for ornament—apparently looking at things with her nose, her sensitive ears, and sometimes even a slight lifting of her slim near foreleg. On our first interview I thought she favored me with a coy glance, but as it was accompanied by an irrelevant "Look out!" from her owner, the teamster, I was not certain. I only know that after some conversation, a good deal of mental reservation, and the disbursement of considerable coin, I found myself standing in the dust of the departing emigrant wagon with one end of a forty-foot riata in my hand and Chu Chu at the other.

I pulled invitingly at my own end and even advanced a step or two towards her. She then broke into a long disdainful pace and began to circle round me at the extreme limit of her tether. I stood admiring her free action for some moments—not always turning with her, which was tiring—until I found that she was gradually winding herself up on me! Her frantic astonishment when she suddenly found herself thus brought up against me was one of the most remarkable things I ever saw and nearly took me off my legs. Then when she had pulled against the riata until her narrow head and prettily arched neck were on a perfectly straight line with it, she as suddenly slackened the tension and condescended to follow me, at an angle of her own choosing. Sometimes it was on one side of me, sometimes on the other. Even then the sense of my dreadful contiguity apparently would come upon her like a fresh discovery, and she would become hysterical. But I do not think that she really saw me. She looked at the riata and sniffed it disparagingly; she pawed some pebbles that were near me tentatively with her small hoof; she started back with a Robinson-Crusoe-like horror of my footprints in the wet gully, but my actual personal presence she ignored. She would sometimes pause, with her head thoughtfully between her forelegs, and apparently say, "There is some extraordinary presence here: animal, vegetable, or mineral—I can't make out which—but it's not good to eat, and I loathe and detest it."

When I reached my house in the suburbs, before entering the "fifty vara" lot inclosure, I deemed it prudent to leave her outside while I informed the household of my purchase; and with this object I tethered her by the long riata to a solitary sycamore which stood in the centre of the road, the crossing of two frequented thoroughfares. It was not long, however, before I was interrupted by shouts and screams from that vicinity and on returning thither I found that Chu Chu, with the assistance of her riata, had securely wound up two of my neighbors to the tree, where they presented the appearance of early Christian martyrs. When I released them, it appeared that they had been attracted by Chu Chu's graces, and had offered her overtures of affection, to which she had characteristically rotated with this miserable result.

I led her, with some difficulty, warily keeping clear of the riata, to the inclosure, from whose fence I had previously removed several bars. Although the space was wide enough to have admitted a troop of cavalry, she affected not to notice it and managed to kick away part of another section on entering. She resisted the stable for some time, but after carefully examining it with her hoofs and an affectedly meek outstretching of her nose, she consented to recognize some oats in the feed-box—without looking at them—and was formally installed. All this while she had resolutely ignored my presence. As I stood watching her, she suddenly stopped eating; the same reflective look came over her. "Surely I am not mistaken, but that same obnoxious creature is somewhere about here!" she seemed to say, and shivered at the possibility.

It was probably this which made me confide my unreciprocated affection to one of my neighbors—a man supposed to be an authority on horses, and particularly of that wild species to which Chu Chu belonged. It was he who, leaning over the edge of the stall where she was complacently and, as usual, obliviously munching, absolutely dared to toy with a pet lock of hair which she wore over the pretty star on her forehead. "Ye see, captain," he said with jaunty easiness, "hosses is like wimmen; ye don't want ter use any standoffishness or shyness with them; a stiddy but keerless sort o' familiarity, a kind o' free but firm handlin', jess like this, to let her see who's master——"

We never clearly knew how it happened; but when I picked up my neighbor from the doorway, amid the broken splinters of the stall rail and a quantity of oats that mysteriously filled his hair and pockets, Chu Chu was found to have faced around the other way and was contemplating her forelegs, with her hind ones in the other stall. My neighbor spoke of damages while he was in the stall, and of physical coercion when he was out of it again. But here Chu Chu, in some marvelous way, righted herself, and my neighbor departed hurriedly with a brimless hat and an unfinished sentence.

My next intermediary was Enriquez Saltello—a youth of my age, and the brother of Consuelo Saltello, whom I adored. As a Spanish Californian he was presumed, on account of Chu Chu's half-Spanish origin, to have superior knowledge of her character, and I even vaguely believed that his language and accent would fall familiarly on her ear. There was the drawback, however, that he always preferred to talk in a marvelous English, combining Castilian[145-1] precision with what he fondly believed to be Californian slang.

"To confer then as to thees horse, which is not—observe me—a Mexican plug![145-2] Ah, no! you can your boots bet on that. She is of Castilian stock—believe me and strike me dead! I will myself at different times overlook and affront her in the stable, examine her as to the assault, and why she should do thees thing. When she is of the exercise, I will also accost and restrain her. Remain tranquil, my friend! When a few days shall pass, much shall be changed, and she will be as another. Trust your oncle do thees thing! Comprehend me! Everything shall be lovely, and the goose hang high!"

Conformably with this, he "overlooked" her the next day, with a cigarette between his yellow-stained finger tips, which made her sneeze in a silent pantomimic way, and certain blandishments of speech which she received with more complacency. But I don't think she ever even looked at him. In vain he protested that she was the "dearest" and "littlest" of his "little loves"—in vain he asserted that she was his patron saint, and that it was his soul's delight to pray to her; she accepted the compliment with her eyes fixed upon the manger. When he had exhausted his whole stock of endearing diminutives, adding a few playful and more audacious sallies, she remained with her head down, as if inclined to meditate upon them. This he declared was at least an improvement on her former performances. It may have been my own jealousy, but I fancied she was only saying to herself, "Gracious! can there be two of them?"

"Courage and patience, my friend," he said, as we were slowly quitting the stable. "Thees horse is yonge, and has not yet the habitude of the person. To-morrow, at another season, I shall give to her a foundling" ("fondling," I have reason to believe, was the word intended by Enriquez)—"and we shall see. It shall be as easy as to fall away from a log. A leetle more of this chin music which your friend Enriquez possesses, and some tapping of the head and neck, and you are there. You are ever the right side up. Houp la! But let us not precipitate this thing. The more haste, we do not so much accelerate ourselves."

He appeared to be suiting the action to the word as he lingered in the doorway of the stable. "Come on," I said.

"Pardon," he returned, with a bow that was both elaborate and evasive, "but you shall yourself precede me—the stable is yours."

"Oh, come along!" I continued impatiently. To my surprise, he seemed to dodge back into the stable again. After an instant he reappeared.

"Pardon! but I am re-strain! Of a truth, in this instant I am grasp by the mouth of thees horse in the coat-tail of my dress! She will that I should remain. It would seem"—he disappeared again—"that"—he was out once more—"the experiment is a sooccess! She reciprocate! She is, of a truth, gone on me. It is lofe!"—a stronger pull from Chu Chu here sent him in again—"but"—he was out now triumphantly with half his garment torn away—"I shall coquet."

Nothing daunted, however, the gallant fellow was back next day with a Mexican saddle and attired in the complete outfit of a vaquero.[147-1] Overcome though he was by heavy deerskin trousers, open at the side from the knees down, and fringed with bullion buttons, an enormous flat sombrero,[147-2] and stiff, short embroidered velvet jacket, I was more concerned at the ponderous saddle and equipments intended for the slim Chu Chu. That these would hide and conceal her beautiful curves and contour, as well as overweight her, seemed certain; that she would resist them all to the last seemed equally clear. Nevertheless, to my surprise, when she was led out, and the saddle thrown deftly across her back, she was passive. Was it possible that some drop of her old Spanish blood responded to its clinging embrace? She did not either look at it nor smell it. But when Enriquez began to tighten the "cinch" or girth, a more singular thing occurred. Chu Chu visibly distended her slender barrel to twice its dimensions; the more he pulled the more she swelled, until I was actually ashamed of her. Not so Enriquez. He smiled at us, and complacently stroked his thin moustache.

"Eet is ever so! She is the child of her grandmother! Even when you shall make saddle thees old Castilian stock, it will make large—it will become a balloon! Eet is trick—eet is a leetle game—believe me. For why?"

I had not listened, as I was at that moment astonished to see the saddle slowly slide under Chu Chu's belly, and her figure resume, as if by magic, its former slim proportions. Enriquez followed my eyes, lifted his shoulders, shrugged them, and said smilingly, "Ah, you see!"

When the girths were drawn in again with an extra pull or two from the indefatigable Enriquez, I fancied that Chu Chu nevertheless secretly enjoyed it, as her sex is said to appreciate tight-lacing. She drew a deep sigh, possibly of satisfaction, turned her neck, and apparently tried to glance at her own figure—Enriquez promptly withdrawing to enable her to do so easily. Then the dread moment arrived. Enriquez, with his hand on her mane, suddenly paused and, with exaggerated courtesy, lifted his hat and made an inviting gesture.

"You will honor me to precede."

I shook my head laughingly.

"I see," responded Enriquez gravely. "You have to attend the obsequies of your aunt who is dead, at two of the clock. You have to meet your broker who has bought you feefty share of the Comstock lode[149-1]—at thees moment—or you are loss! You are excuse! Attend! Gentlemen, make your bets! The band has arrived to play! 'Ere we are!"

With a quick movement the alert young fellow had vaulted into the saddle. But, to the astonishment of both of us, the mare remained perfectly still. There was Enriquez bolt upright in the stirrups, completely overshadowing by his saddle-flaps, leggings, and gigantic spurs the fine proportions of Chu Chu, until she might have been a placid Rosinante,[149-2] bestridden by some youthful Quixote. She closed her eyes, she was going to sleep! We were dreadfully disappointed. This clearly would not do. Enriquez lifted the reins cautiously! Chu Chu moved forward slowly—then stopped, apparently lost in reflection.

"Affront her on thees side."

I approached her gently. She shot suddenly into the air, coming down again on perfectly stiff legs with a springless jolt. This she instantly followed by a succession of other rocket-like propulsions, utterly unlike a leap, all over the inclosure. The movements of the unfortunate Enriquez were equally unlike any equitation I ever saw. He appeared occasionally over Chu Chu's head, astride her neck and tail, or in the free air, but never in the saddle. His rigid legs, however, never lost the stirrups, but came down regularly, accentuating her springless hops. More than that, the disproportionate excess of rider, saddle, and accoutrements was so great that he had, at times, the appearance of lifting Chu Chu forcibly from the ground by superior strength, and of actually contributing to her exercise! As they came towards me, a wild tossing and flying mass of hoofs and spurs, it was not only difficult to distinguish them apart, but to ascertain how much of the jumping was done by Enriquez separately. At last Chu Chu brought matters to a close by making for the low-stretching branches of an oak-tree which stood at the corner of the lot. In a few moments she emerged from it—but without Enriquez.

I found the gallant fellow disengaging himself from the fork of a branch in which he had been firmly wedged, but still smiling and confident, and his cigarette between his teeth. Then for the first time he removed it, and seating himself easily on the branch with his legs dangling down, he blandly waved aside my anxious queries with a gentle reassuring gesture.

"Remain tranquil, my friend. Thees does not count! I have conquer—you observe—for why? I have never for once arrive at the ground! Consequent she is disappoint! She will ever that I should! But I have got her when the hair is not long! Your oncle Henry"—with an angelic wink—"is fly! He is ever a bully boy, with the eye of glass! Believe me. Behold! I am here! Big Injun! Whoop!"

He leaped lightly to the ground. Chu Chu, standing watchfully at a little distance, was evidently astonished at his appearance. She threw out her hind hoofs violently, shot up into the air until the stirrups crossed each other high above the saddle, and made for the stable in a succession of rabbit-like bounds—taking the precaution to remove the saddle, on entering, by striking it against the lintel of the door. "You observe," said Enriquez blandly, "she would make that thing of me. Not having the good occasion, she ees dissatisfied. Where are you now?"

Two or three days afterwards he rode her again with the same result—accepted by him with the same heroic complacency. As we did not, for certain reasons, care to use the open road for this exercise and as it was impossible to remove the tree, we were obliged to submit to the inevitable. On the following day I mounted her—undergoing the same experience as Enriquez, with the individual sensation of falling from a third-story window on top of a counting-house stool, and the variation of being projected over the fence. When I found that Chu Chu had not accompanied me, I saw Enriquez at my side. "More than ever it is become necessary that we should do thees things again," he said gravely, as he assisted me to my feet. "Courage, my noble General! God and Liberty! Once more on to the breach! Charge, Chestare, charge! Come on, Don Stanley! 'Ere we are!"

He helped me none too quickly to catch my seat again, for it apparently had the effect of the turned peg on the enchanted horse in the Arabian Nights,[152-1] and Chu Chu instantly rose into the air. But she came down this time before the open window of the kitchen, and I alighted easily on the dresser. The indefatigable Enriquez followed me.

"Won't this do?" I asked meekly.

"It ees better—for you arrive not on the ground," he said cheerfully; "but you should not once but a thousand times make trial! Ha! Go and win! Nevare die and say so! 'Eave ahead! 'Eave! There you are!"

Luckily, this time I managed to lock the rowels of my long spurs under her girth, and she could not unseat me. She seemed to recognize the fact after one or two plunges, when to my great surprise, she suddenly sank to the ground and quietly rolled over me. The action disengaged my spurs, but righting herself without getting up, she turned her beautiful head and absolutely looked at me!—still in the saddle. I felt myself blushing! But the voice of Enriquez was at my side.

"Errise, my friend; you have conquer! It is she who has arrive at the ground! You are all right. It is done; believe me, it is feenish! No more shall she make thees think. From thees instant you shall ride her as the cow—as the rail of thees fence—and remain tranquil. For she is a-broke! Ta-ta! Regain your hats, gentlemen! Pass in your checks! It is ovar! How are you now?" He lit a fresh cigarette, put his hands in his pockets, and smiled at me blandly.

For all that, I ventured to point out that the habit of alighting in the fork of a tree, or the disengaging of one's self from the saddle on the ground, was attended with inconvenience, and even ostentatious display. But Enriquez swept the objections away with a single gesture. "It is the preencipal—the bottom fact—at which you arrive. The next come of himself! Many horse have achieve to mount the rider by the knees, and relinquish after thees same fashion. My grandfather had a barb of thees kind—but she has gone dead, and so have my grandfather. Which is sad and strange! Otherwise I shall make of them both an instant example!"

I ought to have said that although these performances were never actually witnessed by Enriquez's sister—for reasons which he and I thought sufficient—the dear girl displayed the greatest interest in them and, perhaps aided by our mutually complimentary accounts of each other, looked upon us both as invincible heroes. It is possible also that she over-estimated our success, for she suddenly demanded that I should ride Chu Chu to her house, that she might see her. It was not far; by going through a back lane I could avoid the trees which exercised such a fatal fascination for Chu Chu. There was a pleading, childlike entreaty in Consuelo's voice that I could not resist, with a slight flash from her lustrous dark eyes that I did not care to encourage. So I resolved to try it at all hazards.

My equipment for the performance was modeled after Enriquez's previous costume, with the addition of a few fripperies of silver and stamped leather out of compliment to Consuelo, and even with a faint hope that it might appease Chu Chu. She certainly looked beautiful in her glittering accoutrements, set off by her jet-black shining coat. With an air of demure abstraction she permitted me to mount her, and even for a hundred yards or so indulged in a mincing maidenly amble that was not without a touch of coquetry. Encouraged by this, I addressed a few terms of endearment to her, and in the exuberance of my youthful enthusiasm I even confided to her my love for Consuelo and begged her to be "good" and not disgrace herself and me before my Dulcinea.[154-1] In my foolish trustfulness I was rash enough to add a caress and to pat her soft neck. She stopped instantly with a hysteric shudder. I knew what was passing through her mind: she had suddenly become aware of my baleful existence.

The saddle and bridle Chu Chu was becoming accustomed to, but who was this living, breathing object that had actually touched her? Presently her oblique vision was attracted by the fluttering movement of a fallen oak leaf in the road before her. She had probably seen many oak leaves many times before; her ancestors had no doubt been familiar with them on the trackless hills and in field and paddock, but this did not alter her profound conviction that I and the leaf were identical, that our baleful touch was something indissolubly connected. She reared before that innocent leaf, she revolved round it, and then fled from it at the top of her speed.

The lane passed before the rear wall of Saltello's garden. Unfortunately, at the angle of the fence stood a beautiful Madrono-tree, brilliant with its scarlet berries, and endeared to me as Consuelo's favorite haunt, under whose protecting shade I had more than once avowed my youthful passion. By the irony of fate Chu Chu caught sight of it, and with a succession of spirited bounds instantly made for it. In another moment I was beneath it, and Chu Chu shot like a rocket into the air. I had barely time to withdraw my feet from the stirrups, to throw up one arm to protect my glazed sombrero and grasp an over-hanging branch with the other, before Chu Chu darted off. But to my consternation, as I gained a secure perch on the tree and looked about me, I saw her—instead of running away—quietly trot through the open gate into Saltello's garden.

Need I say that it was to the beneficent Enriquez that I again owed my salvation? Scarcely a moment elapsed before his bland voice rose in a concentrated whisper from the corner of the garden below me. He had divined the dreadful truth!

"For the love of God, collect to yourself many kinds of thees berry! All you can! Your full arms round! Rest tranquil. Leave to your ole oncle to make for you a delicate exposure. At the instant!"

He was gone again. I gathered, wonderingly, a few of the larger clusters of parti-colored fruit and patiently waited. Presently he reappeared, and with him the lovely Consuelo—her dear eyes filled with an adorable anxiety.

"Yes," continued Enriquez to his sister, with a confidential lowering of tone but great distinctness of utterance, "it is ever so with the American! He will ever make first the salutation of the flower or the fruit, picked to himself by his own hand, to the lady where he call. It is the custom of the American hidalgo![156-1] My God—what will you? I make it not—it is so! Without doubt he is in this instant doing thees thing. That is why we have let go his horse to precede him here; it is always the etiquette to offer these things on the feet. Ah! Behold! it is he!—Don Francisco! Even now he will descend from thees tree! Ah! You make the blush, little sister (archly)! I will retire! I am discreet; two is not company for the one! I make tracks! I am gone!"

How far Consuelo entirely believed and trusted her ingenious brother I do not know, nor even then cared to inquire. For there was a pretty mantling of her olive cheek, as I came forward with my offering, and a certain significant shyness in her manner that were enough to throw me into a state of hopeless imbecility. And I was always miserably conscious that Consuelo possessed an exalted sentimentality, and a predilection for the highest mediaeval romance, in which I knew I was lamentably deficient. Even in our most confidential moments I was always aware that I weakly lagged behind this daughter of a gloomily distinguished ancestry, in her frequent incursions into a vague but poetic past. There was something of the dignity of the Spanish chatelaine[157-1] in the sweetly grave little figure that advanced to accept my specious offering. I think I should have fallen on my knees to present it, but for the presence of the all seeing Enriquez. But why did I even at that moment remember that he had early bestowed upon her the nickname of "Pomposa"? This, as Enriquez himself might have observed, was "sad and strange."

I managed to stammer out something about the Madrono berries being at her "disposition" (the tree was in her own garden!), and she took the branches in her little brown hand with a soft response to my unutterable glances.

But here Chu Chu, momentarily forgotten, executed a happy diversion. To our astonishment she gravely walked up to Consuelo and, stretching out her long slim neck, not only sniffed curiously at the berries, but even protruded a black underlip towards the young girl herself. In another instant Consuelo's dignity melted. Throwing her arms around Chu Chu's neck she embraced and kissed her. Young as I was, I understood the divine significance of a girl's vicarious effusiveness at such a moment, and felt delighted. But I was the more astonished that the usually sensitive horse not only submitted to these caresses, but actually responded to the extent of affecting to nip my mistress's little right ear.

This was enough for the impulsive Consuelo. She ran hastily into the house and in a few moments reappeared in a bewitching riding-shirt. In vain Enriquez and myself joined in earnest entreaty: the horse was hardly broken for even a man's riding yet; the saints alone could tell what the nervous creature might do with a woman's skirt flipping at her side! We begged for delay, for reflection, for at least time to change the saddle—but with no avail! Consuelo was determined, indignant, distressingly reproachful! Ah, well! if Don Pancho (an ingenious diminutive of my Christian name) valued his horse so highly—if he were jealous of the evident devotion of the animal to herself, he would—but here I succumbed! And then I had the felicity of holding that little foot for one brief moment in the hollow of my hand, of readjusting the skirt as she threw her knee over the saddle-horn, of clasping her tightly—only half in fear—as I surrendered the reins to her grasp. And to tell the truth, as Enriquez and I fell back, although I had insisted upon still keeping hold of the end of the riata, it was a picture to admire. The petite[158-1] figure of the young girl and the graceful folds of her skirt admirably harmonized with Chu Chu's lithe contour, and as the mare arched her slim neck and raised her slender head under the pressure of the reins, it was so like the lifted velvet-capped toreador[159-1] crest of Consuelo herself, that they seemed of one race.

"I would not that you should hold the riata," said Consuelo petulantly.

I hesitated—Chu Chu looked certainly very amiable—I let go. She began to amble towards the gate, not mincingly as before, but with a freer and fuller stride. In spite of the incongruous saddle, the young girl's seat was admirable. As they neared the gate, she cast a single mischievous glance at me, jerked at the rein, and Chu Chu sprang into the road at a rapid canter. I watched them fearfully and breathlessly, until at the end of the lane I saw Consuelo rein in slightly, wheel easily, and come flying back. There was no doubt about it; the horse was under perfect control. Her second subjugation was complete and final!

Overjoyed and bewildered, I overwhelmed them with congratulations; Enriquez alone retaining the usual brotherly attitude of criticism and a superior toleration of a lover's enthusiasm. I ventured to hint to Consuelo (in what I believed was a safe whisper) that Chu Chu only showed my own feelings towards her. "Without doubt," responded Enriquez gravely. "She have of herself assist you to climb to the tree to pull to yourself the berry for my sister." But I felt Consuelo's little hand return my pressure, and I forgave and even pitied him.

From that day forward, Chu Chu and Consuelo were not only firm friends but daily companions. In my devotion I would have presented the horse to the young girl, but with flattering delicacy she preferred to call it mine. "I shall erride it for you, Pancho," she said; "I shall feel," she continued with exalted although somewhat vague poetry, "That it is of you! You lofe the beast—it is therefore of a necessity you, my Pancho! It is your soul I shall erride like the wings of the wind—your lofe in this beast shall be my only cavalier for ever." I would have preferred something whose vicarious qualities were less uncertain than I still felt Chu Chu's to be, but I kissed the girl's hand submissively.

It was only when I attempted to accompany her in the flesh, on another horse, that I felt the full truth of my instinctive fears. Chu Chu would not permit any one to approach her mistress's side. My mounted presence revived in her all her old blind astonishment and disbelief in my existence; she would start suddenly, face about, and back away from me in utter amazement as if I had been only recently created, or with an affected modesty as if I had been just guilty of some grave indecorum towards her sex which she really could not stand. The frequency of these exhibitions in the public highway were not only distressing to me as a simple escort, but as it had the effect on the casual spectators of making Consuelo seem to participate in Chu Chu's objections, I felt that, as a lover, it could not be borne. An attempt to coerce Chu Chu ended in her running away. And my frantic pursuit of her was open to equal misconstruction. "Go it, Miss, the little dude is gainin' on you!" shouted by a drunken teamster to the frightened Consuelo, once checked me in mid-career. Even the dear girl herself saw the uselessness of my real presence, and after a while was content to ride with "my soul."

Notwithstanding this, I am not ashamed to say that it was my custom, whenever she rode out, to keep a slinking and distant surveillance of Chu Chu on another horse, until she had fairly settled down to her pace. A little nod of Consuelo's round black-and-red toreador hat or a kiss tossed from her riding-whip was reward enough!

I remember a pleasant afternoon when I was thus awaiting her in the village. The eternal smile of the Californian summer had begun to waver and grow less fixed; dust lay thick on leaf and blade; the dry hills were clothed in russet leather; the trade winds were shifting to the south with an ominous warm humidity; a few days longer and the rains would be here. It so chanced that this afternoon my seclusion on the roadside was accidentally invaded by a village belle—a Western young lady somewhat older than myself, and of flirtatious reputation. As she persistently and—as I now have reason to believe—mischievously lingered, I had only a passing glimpse of Consuelo riding past at an unaccustomed speed which surprised me at the moment. But as I reasoned later that she was only trying to avoid a merely formal meeting, I thought no more about it.

It was not until I called at the house to fetch Chu Chu at the usual hour, and found that Consuelo had not yet returned, that a recollection of Chu Chu's furious pace again troubled me. An hour passed—it was getting towards sunset, but there were no signs of Chu Chu nor her mistress. I became seriously alarmed. I did not care to reveal my fears to the family, for I felt myself responsible for Chu Chu. At last I desperately saddled my horse and galloped off in the direction she had taken. It was the road to Rosario and the hacienda[162-1] of one of her relations, where she sometimes halted.

The road was a very unfrequented one, twisting like a mountain river—indeed, it was the bed of an old watercourse—between brown hills of wild oats, and debouching at last into a broad blue lake-like expanse of alfalfa[162-2] meadows. In vain I strained my eyes over the monotonous level; nothing appeared to rise above or move across it. In the faint hope that she might have lingered at the hacienda, I was spurring on again when I heard a slight splashing on my left. I looked around. A broad patch of fresher-colored herbage and a cluster of dwarfed alders indicated a hidden spring. I cautiously approached its quaggy edges, when I was shocked by what appeared to be a sudden vision! Mid-leg deep in the center of a greenish pool stood Chu Chu! But without a strap or buckle of harness upon her—as naked as when she was foaled!

For a moment I could only stare at her in bewildered terror. Far from recognizing me, she seemed to be absorbed in a nymph-like contemplation of her own graces in the pool. Then I called "Consuelo!" and galloped frantically around the spring. But there was no response, nor was there anything to be seen but the all-unconscious Chu Chu. The pool, thank Heaven! was not deep enough to have drowned any one; there were no signs of a struggle on its quaggy edges. The horse might have come from a distance! I galloped on, still calling. A few hundred yards further I detected the vivid glow of Chu Chu's scarlet saddle-blanket in the brush near the trail. My heart leaped—I was on the track. I called again; this time a faint reply, in accents I knew too well, came from the field beside me!

Consuelo was there! reclining beside a manzanita bush which screened her from the road, in what struck me, even at that supreme moment, as a judicious and picturesquely selected couch of scented Indian grass and dry tussocks. The velvet hat with its balls of scarlet plush was laid carefully aside; her lovely blue-black hair retained its tight coils undisheveled, her eyes were luminous and tender. Shocked as I was at her apparent helplessness, I remember being impressed with the fact that it gave so little indication of violent usage or disaster.

I threw myself frantically on the ground beside her.

"You are hurt, Consita! For Heaven's sake, what has happened?"

She pushed my hat back with her little hand, and tumbled my hair gently.

"Nothing. You are here, Pancho—eet is enofe! What shall come after thees—when I am perhaps gone among the grave—make nothing! You are here—I am happy. For a little, perhaps—not mooch."

"But," I went on desperately, "was it an accident? Were you thrown? Was it Chu Chu?"—for somehow, in spite of her languid posture and voice, I could not, even in my fears, believe her seriously hurt.

"Beat not the poor beast, Pancho. It is not from her comes thees thing. She have make nothing—believe me! I have come upon your assignation with Miss Essmith! I make but to pass you—to fly—to never come back! I have say to Chu Chu, 'Fly!' We fly many miles. Sometimes together, sometimes not so mooch! Sometimes in the saddle, sometimes on the neck! Many things remain in the road; at the end, I myself remain! I have say, 'Courage, Pancho will come!' Then I say, 'No, he is talk with Miss Essmith!' I remember not more. I have creep here on the hands. Eet is feenish!"

I looked at her distractedly. She smiled tenderly and slightly smoothed down and rearranged a fold of her dress to cover her delicate little boot.

"But," I protested, "you are not much hurt, dearest. You have broken no bones. Perhaps," I added, looking at the boot, "only a slight sprain. Let me carry you to my horse; I will walk beside you, home. Do, dearest Consita!"

She turned her lovely eyes towards me sadly. "You comprehend not, my poor Pancho! It is not of the foot, the ankle, the arm, or the head that I can say, 'She is broke.' I would it were even so. But"—she lifted her sweet lashes slowly—"I have derrange my inside. It is an affair of my family. My grandfather have once toomble over the bull at a rodeo.[165-1] He speak no more; he is dead. For why? He has derrange his inside. Believe me, it is of the family. You comprehend? The Saltellos are not as the other peoples for this. When I am gone, you will bring to me the berry to grow upon my tomb, Pancho; the berry you have picked for me. The little flower will come too, the little star will arrive, but Consuelo, who lofe you, she will come not more!

"When you are happy and talk in the road to the Essmith, you will not think of me. You will not see my eyes, Pancho; thees little grass"—she ran her plump little fingers through a tussock—"will hide them; and the small animals in the black coats that lif here will have much sorrow—but you will not. It ees better so! My father will not that I, a Catholique, should marry into a camp-meeting and lif in a tent." (It was one of Consuelo's bewildering beliefs that there was only one form of dissent—Methodism!) "He will not that I should marry a man who possess not the many horses, ox, and cow, like him. But I care not. You are my only religion, Pancho! I have enofe of the horse, and ox, and cow when you are with me! Kiss me, Pancho. Perhaps it is for the last time—the feenish! Who knows?"

There were tears in her lovely eyes; I felt that my own were growing dim; the sun was sinking over the dreary plain to the slow rising of the wind; and infinite loneliness had fallen upon us, and yet I was miserably conscious of some dreadful unreality in it all. A desire to laugh, which I felt must be hysterical, was creeping over me; I dared not speak. But her dear head was on my shoulder, and the situation was not unpleasant.

Nevertheless, something must be done! This was the more difficult as it was by no means clear what had already been done. Even while I supported her drooping figure, I was straining my eyes across her shoulder for succor of some kind. Suddenly the figure of a rapid rider appeared upon the road. It seemed familiar. I looked again—it was the blessed Enriquez! A sense of deep relief came over me. I loved Consuelo; but never before had lover ever hailed the irruption of one of his beloved's family with such complacency.

"You are safe, dearest; it is Enriquez!"

I thought she received the information coldly. Suddenly she turned upon me her eyes, now bright and glittering. "Swear to me at the instant, Pancho, that you will not again look upon Miss Essmith, even for once."

I was simple and literal. Miss Smith was my nearest neighbor, and unless I was stricken with blindness, compliance was impossible. I hesitated—but swore.

"Enofe—you have hesitate—I will no more."

She rose to her feet with grave deliberation. For an instant, with the recollection of the delicate internal organization of the Saltellos on my mind, I was in agony lest she should totter and fall, even then, yielding up her gentle spirit on the spot. But when I looked again, she had a hairpin between her white teeth and was carefully adjusting her toreador hat. And beside us was Enriquez—cheerful, alert, voluble, and undaunted.

"Eureka! I have found! We are all here! Eet is a leetle public—eh! A leetle too much of a front seat for a tete-a-tete,[167-1] my yonge friends," he said, glancing at the remains of Consuelo's bower, "but for the accounting of taste there is none. What will you? The meat of the one man shall envenom the meat of the other. But" (in a whisper to me) "as to thees horse—thees Chu Chu, which I have just pass—why is she undress? Surely you would no make an exposition of her to the traveler to suspect! And if not, why so?"

I tried to explain, looking at Consuelo, that Chu Chu had run away, that Consuelo had met with a terrible accident, had been thrown, and I feared had suffered serious internal injury. But to my embarrassment Consuelo maintained a half scornful silence, and an inconsistent freshness of healthful indifference, as Enriquez approached her with an engaging smile. "Ah, yes, she have the headache, and the molligrubs. She will sit on the damp stone when the gentle dew is falling. I comprehend. Meet me in the lane when the clock strike nine! But," in a lower voice, "of thees undress horse I comprehend nothing! Look you—it is sad and strange."

He went off to fetch Chu Chu, leaving me and Consuelo alone. I do not think I ever felt so utterly abject and bewildered before in my life. Without knowing why, I was miserably conscious of having in some way offended the girl for whom I believed I would have given my life, and I had made her and myself ridiculous in the eyes of her brother. I had again failed in my slower Western nature to understand her high romantic Spanish soul! Meantime she was smoothing out her riding habit, and looking as fresh and pretty as when she first left her house.

"Consita," I said hesitatingly, "you are not angry with me?"

"Angry?" she repeated haughtily, without looking at me. "Oh, no! Of a possibility eet is Mees Essmith who is angry that I have interroopt her tete-a-tete with you, and have send here my brother to make the same with me."

"But," I said eagerly, "Miss Smith does not even know Enriquez!"

Consuelo turned on me a glance of unutterable significance. "Ah!" she said darkly, "you tink!"

Indeed I knew. But here I believed I understood Consuelo and was relieved. I even ventured to say gently, "And you are better?"

She drew herself up to her full height, which was not much. "Of my health, what is it? A nothing. Yes! Of my soul let us not speak."

Nevertheless, when Enriquez appeared with Chu Chu she ran towards her with outstretched arms. Chu Chu protruded about six inches of upper lip in response—apparently under the impression, which I could quite understand, that her mistress was edible. And, I may have been mistaken, but their beautiful eyes met in an absolute and distinct glance of intelligence!

During the home journey Consuelo recovered her spirits and parted from me with a magnanimous and forgiving pressure of the hand. I do not know what explanation of Chu Chu's original escapade was given to Enriquez and the rest of the family; the inscrutable forgiveness extended to me by Consuelo precluded any further inquiry on my part. I was willing to leave it a secret between her and Chu Chu. But strange to say, it seemed to complete our own understanding, and precipitated, not only our love-making, but the final catastrophe which culminated that romance. For we had resolved to elope. I do not know that this heroic remedy was absolutely necessary from the attitude of either Consuelo's family or my own; I am inclined to think we preferred it because it involved no previous explanation or advice.

Need I say that our confidant and firm ally was Consuelo's brother—the alert, the linguistic, the ever-happy, ever-ready Enriquez? It was understood that his presence would not only give a certain mature respectability to our performance—but I do not think we would have contemplated this step without it. During one of our riding excursions we were to secure the services of a Methodist minister in the adjoining county, and later that of the Mission padre[169-1]—when the secret was out. "I will gif her away," said Enriquez confidently, "it will on the instant propitiate the old fellow who shall perform the affair and withhold his jaw. A little chin-music from your oncle 'Arry shall finish it! Remain tranquil and forget not a ring! One does not always, in the agony and dissatisfaction of the moment, a ring remember. I shall bring two in the pocket of my dress."

If I did not entirely participate in this roseate view, it may have been because Enriquez, although a few years my senior, was much younger-looking, and with his demure deviltry of eye and his upper lip close shaven for this occasion, he suggested a depraved acolyte rather than a responsible member of a family. Consuelo had also confided to me that her father—possibly owing to some rumors of our previous escapade—had forbidden any further excursions with me alone. The innocent man did not know that Chu Chu had forbidden it also, and that even on this momentous occasion both Enriquez and myself were obliged to ride in opposite fields like out-flankers. But we nevertheless felt the full guilt of disobedience added to our desperate enterprise. Meanwhile, although pressed for time and subject to discovery at any moment, I managed at certain points of the road to dismount and walk beside Chu Chu (who did not seem to recognize me on foot), holding Consuelo's hand in my own, with the discreet Enriquez leading my horse in the distant field. I retain a very vivid picture of that walk—the ascent of a gentle slope towards a prospect as yet unknown but full of glorious possibilities; the tender dropping light of an autumn sky, slightly filmed with the promise of the future rains, like foreshadowed tears, and the half-frightened, half-serious talk into which Consuelo and I had insensibly fallen.

And then, I don't know how it happened, but as we reached the summit Chu Chu suddenly reared, wheeled, and the next moment was flying back along the road we had just traveled, at the top of her speed! It might have been that, after her abstracted fashion, she only at that moment detected my presence; but so sudden and complete was her evolution that before I could regain my horse from the astonished Enriquez she was already a quarter of a mile on the homeward stretch, with the frantic Consuelo pulling hopelessly at the bridle.

We started in pursuit. But a horrible despair seized us. To attempt to overtake her, even to follow at the same rate of speed would only excite Chu Chu and endanger Consuelo's life. There was absolutely no help for it, nothing could be done; the mare had taken her determined, long, continuous stride, the road was a straight, steady descent all the way back to the village, Chu Chu had the bit between her teeth, and there was no prospect of swerving her. We could only follow hopelessly, idiotically, furiously, until Chu Chu dashed triumphantly into the Saltellos' courtyard, carrying the half-fainting Consuelo back to the arms of her assembled and astonished family.

It was our last ride together. It was the last I ever saw of Consuelo before her transfer to the safe seclusion of a convent in Southern California. It was the last I ever saw of Chu Chu, who in the confusion of that rencontre[172-1] was overlooked in her half-loosed harness and allowed to escape through the back gate to the fields. Months afterwards it was said that she had been identified among a band of wild horses in the Coast Range, as a strange and beautiful creature who had escaped the brand of the rodeo and had become a myth. There was another legend that she had been seen, sleek, fat, and gorgeously caparisoned, issuing from the gateway of the Rosario patio,[172-2] before a lumbering Spanish cabriole[172-3] in which a short, stout matron was seated—but I will have none of it. For there are days when she still lives, and I can see her plainly still climbing the gentle slope towards the summit, with Consuelo on her back and myself at her side, pressing eagerly forward towards the illimitable prospect that opens in the distance.



NATHANIEL HAWTHORNE

Feathertop

A MORALIZED LEGEND

"Dickon," cried Mother Rigby, "a coal for my pipe!"

The pipe was in the old dame's mouth when she said these words. She had thrust it there after filling it with tobacco but without stooping to light it at the hearth where, indeed, there was no appearance of a fire having been kindled that morning. Forthwith, however, as soon as the order was given, there was an intense red glow out of the bowl of the pipe and a whiff of smoke from Mother Rigby's lips. Whence the coal came and how brought hither by an invisible hand, I have never been able to discover.

"Good!" quoth Mother Rigby, with a nod of her head. "Thank ye, Dickon! And now for making this scarecrow. Be within call, Dickon, in case I need you again."

The good woman had risen thus early (for as yet it was scarcely sunrise) in order to set about making a scarecrow, which she intended to put in the middle of her corn-patch. It was now the latter week of May, and the crows and blackbirds had already discovered the little green, rolled-up leaf of the Indian corn just peeping out of the soil. She was determined, therefore, to contrive as lifelike a scarecrow as ever was seen, and to finish it immediately from top to toe, so that it should begin its sentinel's duty that very morning. Now Mother Rigby (as everybody must have heard) was one of the most cunning and potent witches in New England, and might with very little trouble have made a scarecrow ugly enough to frighten the minister himself. But on this occasion, as she had awakened in an uncommonly pleasant humor, and was further dulcified by her pipe of tobacco, she resolved to produce something fine, beautiful, and splendid rather than hideous and horrible.

"I don't want to set up a hobgoblin in my own corn-patch, and almost at my own doorstep," said Mother Rigby to herself, puffing out a whiff of smoke. "I could do it if I pleased, but I'm tired of doing marvelous things, and so I'll keep within the bounds of everyday business just for variety's sake. Besides, there is no use in scaring the little children for a mile roundabout, though 'tis true I'm a witch." It was settled, therefore, in her own mind that the scarecrow should represent a fine gentleman of the period so far as the materials at hand would allow.

Perhaps it may be as well to enumerate the chief of the articles that went to the composition of this figure. The most important item of all, probably, although it made so little show, was a certain broomstick on which Mother Rigby had taken many an airy gallop at mid-night, and which now served the scarecrow by way of a spinal column or, as the unlearned phrase it, a backbone. One of its arms was a disabled flail which used to be wielded by Goodman Rigby before his spouse worried him out of this troublesome world; the other, if I mistake not, was composed of the pudding-stick and a broken rung of a chair, tied loosely together at the elbow. As for its legs, the right was a hoe-handle, and the left an undistinguished and miscellaneous stick from the wood-pile. Its lungs, stomach, and other affairs of that kind, were nothing better than a meal-bag stuffed with straw. Thus we have made out the skeleton and entire corporosity of the scarecrow, with the exception of its head, and this was admirably supplied by a somewhat withered and shriveled pumpkin, in which Mother Rigby cut two holes for the eyes and a slit for the mouth, leaving a bluish-colored knob in the middle to pass for a nose. It was really quite a respectable face.

"I've seen worse ones on human shoulders, at any rate," said Mother Rigby. "And many a fine gentleman has a pumpkin head, as well as my scarecrow."

But the clothes in this case were to be the making of the man; so the good old woman took down from a peg an ancient plum-colored coat of London make and with relics of embroidery on its seams, cuffs, pocket-flaps, and buttonholes, but lamentably worn and faded, patched at the elbows, tattered at the skirts, and threadbare all over. On the left breast was a round hole whence either a star of nobility had been rent away or else the hot heart of some former wearer had scorched it through and through. The neighbors said that this rich garment belonged to the Black Man's wardrobe, and that he kept it at Mother Rigby's cottage for the convenience of slipping it on whenever he wished to make a grand appearance at the governor's table. To match the coat there was a velvet waist-coat of very ample size, and formerly embroidered with foliage that had been as brightly golden as the maple-leaves in October, but which had now quite vanished out of the substance of the velvet. Next came a pair of scarlet breeches once worn by the French governor of Louisbourg, and the knees of which had touched the lower step of the throne of Louis le Grand.[176-1] The Frenchman had given these small-clothes to an Indian pow-wow, who parted with them to the old witch for a gill of strong waters at one of their dances in the forest. Furthermore, Mother Rigby produced a pair of silk stockings and put them on the figure's legs, where they showed as unsubstantial as a dream, with the wooden reality of the two sticks making itself miserably apparent through the holes. Lastly, she put her dead husband's wig on the bare scalp of the pumpkin, and surmounted the whole with a dusty three-cornered hat, in which was stuck the longest tail-feather of a rooster.

Then the old dame stood the figure up in a corner of her cottage and chuckled to behold its yellow semblance of a visage, with its nobby little nose thrust into the air. It had a strangely self-satisfied aspect, and seemed to say, "Come, look at me!"

"And you are well worth looking at, that's a fact!" quoth Mother Rigby, in admiration at her own handiwork. "I've made many a puppet since I've been a witch but methinks this the finest of them all. 'Tis almost too good for a scarecrow. And, by the by, I'll just fill a fresh pipe of tobacco, and then take him out to the corn-patch."

While filling her pipe the old woman continued to gaze with almost motherly affection at the figure in the corner. To say the truth, whether it were chance or skill or downright witchcraft, there was something wonderfully human in this ridiculous shape bedizened with its tattered finery, and, as for the countenance, it appeared to shrivel its yellow surface into a grin—a funny kind of expression betwixt scorn and merriment, as if it understood itself to be a jest at mankind. The more Mother Rigby looked, the better she was pleased.

"Dickon," cried she, sharply, "another coal for my pipe!"

Hardly had she spoken than, just as before, there was a red-glowing coal on the top of the tobacco. She drew in a long whiff, and puffed it forth again into the bar of morning sunshine which struggled through the one dusty pane of her cottage window. Mother Rigby always liked to flavor her pipe with a coal of fire from the particular chimney-corner whence this had been brought. But where that chimney-corner might be or who brought the coal from it—further than that the invisible messenger seemed to respond to the name of Dickon—I cannot tell.

"That puppet yonder," thought Mother Rigby, still with her eyes fixed on the scarecrow, "is too good a piece of work to stand all summer in a corn-patch frightening away the crows and blackbirds. He's capable of better things. Why, I've danced with a worse one when partners happened to be scarce at our witch-meetings in the forests! What if I should let him take his chance among the other men of straw and empty fellows who go bustling about the world?"

The old witch took three or four more whiffs of her pipe and smiled.

"He'll meet plenty of his brethren at every street-corner," continued she. "Well, I didn't mean to dabble in witchcraft to-day further than the lighting of my pipe, but a witch I am and a witch I'm likely to be and there's no use trying to shirk it. I'll make a man of my scarecrow, were it only for the joke's sake."

While muttering these words Mother Rigby took the pipe from her own mouth and thrust it into the crevice which represented the same feature in the pumpkin-visage of the scarecrow.

"Puff, darling, puff!" she said. "Puff away, my fine fellow! Your life depends on it!"

This was a strange exhortation, undoubtedly, to be addressed to a mere thing of sticks, straw, and old clothes, with nothing better than a shriveled pumpkin for a head, as we know to have been the scarecrow's case. Nevertheless, as we must carefully hold in remembrance, Mother Rigby was a witch of singular power and dexterity; and, keeping this fact duly before our minds, we shall see nothing beyond credibility in the remarkable incidents of our story. Indeed, the great difficulty will be at once got over if we can only bring ourselves to believe that as soon as the old dame bade him puff there came a whiff of smoke from the scarecrow's mouth. It was the very feeblest of whiffs, to be sure, but it was followed by another and another, each more decided than the preceding one.

"Puff away, my pet! Puff away, my pretty one!" Mother Rigby kept repeating, with her pleasantest smile. "It is the breath of life to ye and that you may take my word for."

Beyond all question, the pipe was bewitched. There must have been a spell either in the tobacco or in the fiercely glowing coal that so mysteriously burned on top of it, or in the pungently aromatic smoke which exhaled from the kindled weed. The figure, after a few doubtful attempts, at length blew forth a volley of smoke extending all the way from the obscure corner into the bar of sunshine. There it eddied and melted away among the motes of dust. It seemed a convulsive effort, for the two or three next whiffs were fainter, although the coal still glowed and threw a gleam over the scarecrow's visage. The old witch clapped her skinny hands together, and smiled encouragingly upon her handiwork. She saw that the charm had worked well. The shriveled yellow face, which heretofore had been no face at all, had already a thin fantastic haze, as it were, of human likeness shifting to and fro across it, sometimes vanishing entirely, but growing more perceptible than ever with the next whiff from the pipe. The whole figure, in like manner, assumed a show of life such as we impart to ill-defined shapes among the clouds and half deceive ourselves with the pastime of our own fancy.

If we must needs pry closely into the matter, it may be doubted whether there was any real change, after all, in the sordid, worn-out, worthless and ill-jointed substance of the scarecrow, but merely a spectral illusion and a cunning effect of light and shade, so colored and contrived as to delude the eyes of most men. The miracles of witchcraft seem always to have had a very shallow subtlety and at least, if the above explanations do not hit the truth of the process, I can suggest no better.

"Well puffed, my pretty lad!" still cried old Mother Rigby. "Come! another good, stout whiff, and let it be with might and main. Puff for thy life, I tell thee! Puff out of the very bottom of thy heart, if any heart thou hast, or any bottom to it. Well done, again! Thou didst suck in that mouthful as if for the pure love of it."

And then the witch beckoned to the scarecrow, throwing so much magnetic potency into her gesture that it seemed as if it must inevitably be obeyed, like the mystic call of the lodestone when it summons the iron.

"Why lurkest thou in the corner, lazy one?" said she. "Step forth! Thou hast the world before thee!"

Upon my word, if the legend were not one which I heard on my grandmother's knee, and which had established its place among things credible before my childish judgment could analyze its probability, I question whether I should have the face to tell it now.

In obedience to Mother Rigby's word and extending its arm as if to reach her outstretched hand, the figure made a step forward—a kind of hitch and jerk, however, rather than a step—then tottered and almost lost its balance. What could the witch expect? It was nothing, after all, but a scarecrow stuck upon two sticks. But the strong-willed old Beldam scowled and beckoned and flung the energy of her purpose so forcibly at this poor combination of rotten wood and musty straw and ragged garments that it was compelled to show itself a man, in spite of the reality of things; so it stepped into the bar of sunshine. There it stood, poor devil of a contrivance that it was, with only the thinnest vesture of human similitude about it, through which was evident the stiff, rickety, incongruous, faded, tattered, good-for-nothing patchwork of its substance, ready to sink in a heap upon the floor, as conscious of its own unworthiness to be erect. Shall I confess the truth? At its present point of vivification the scarecrow reminds me of some of the lukewarm and abortive characters composed of heterogeneous materials used for the thousandth time, and never worth using, with which romance writers (and myself, no doubt, among the rest) have so overpeopled the world of fiction.

But the fierce old hag began to get angry and show a glimpse of her diabolic nature, like a snake's head peeping with a hiss out of her bosom, at this pusillanimous behavior of the thing which she had taken the trouble to put together.

"Puff away, wretch!" cried she, wrathfully. "Puff puff, puff, thou thing of straw and emptiness! thou rag or two! thou meal-bag! thou pumpkin-head! thou nothing! Where shall I find a name vile enough to call thee by? Puff, I say, and suck in thy fantastic life along with the smoke, else I snatch the pipe from thy mouth and hurl thee where that red coal came from."

Thus threatened, the unhappy scarecrow had nothing for it but to puff away for dear life. As need was, therefore, it applied itself lustily to the pipe, and sent forth such abundant volleys of tobacco-smoke that the small cottage-kitchen became all-vaporous. The one sunbeam struggled mistily through, and could but imperfectly define the image of the cracked and dusty window-pane on the opposite wall.

Mother Rigby, meanwhile, with one brown arm akimbo and the other stretched toward the figure, loomed grimly amid the obscurity with such port and expression as when she was wont to heave a ponderous nightmare on her victims and stand at the bedside to enjoy their agony.

In fear and trembling did this poor scarecrow puff. But its efforts, it must be acknowledged, served an excellent purpose, for with each successive whiff the figure lost more and more of its dizzy and perplexing tenuity and seemed to take denser substance. Its very garments, moreover, partook of the magical change, and shone with the gloss of novelty, and glistened with the skilfully embroidered gold that had long ago been rent away, and, half revealed among the smoke, a yellow visage bent its lustreless eyes on Mother Rigby.

At last the old witch clenched her fist and shook it at the figure. Not that she was positively angry but merely acting on the principle—perhaps untrue or not the only truth, though as high a one as Mother Rigby could be expected to attain—that feeble and torpid natures, being incapable of better inspiration, must be stirred up by fear. But here was the crisis. Should she fail in what she now sought to affect, it was her ruthless purpose to scatter the miserable simulacre into its original elements.

"Thou hast a man's aspect," said she, sternly, "have also the echo and mockery of a voice. I bid thee speak!"

The scarecrow gasped, struggled, and at length emitted a murmur which was so incorporated with its smoky breath that you could scarcely tell whether it were indeed a voice or only a whiff of tobacco. Some narrators of this legend held the opinion that Mother Rigby's conjurations and the fierceness of her will had compelled a familiar spirit into the figure, and that the voice was his.

"Mother," mumbled the poor stifled voice, "be not so awful with me! I would fain speak, but, being without wits, what can I say?"

"Thou canst speak, darling, canst thou?" cried Mother Rigby, relaxing her grim countenance into a smile. "And what shalt thou say, quotha? Say, indeed! Art thou of the brotherhood of the empty skull and demandest of me what thou shalt say? Thou shalt say a thousand things, and saying them a thousand times over, thou shalt still have said nothing. Be not afraid, I tell thee! When thou comest into the world—whither I purpose sending thee forthwith—thou shalt not lack the wherewithal to talk. Talk. Why, thou shalt babble like a mill-stream, if thou wilt. Thou hast brains enough for that, I trow."

"At your service, mother," responded the figure.

"And that was well said, my pretty one!" answered Mother Rigby. "Then thou spakest like thyself and meant nothing. Thou shalt have a hundred such set phrases and five hundred to the boot of them. And now, darling, I have taken so much pains with thee and thou art so beautiful that, by my troth, I love thee better than any witch's puppet in the world; and I've made them of all sorts—clay, wax, straw, sticks, night fog, morning mist, sea-foam, and chimney-smoke. But thou art the very best; so give heed to what I say."

"Yes, kind mother," said the figure, "with all my heart!"

"With all thy heart!" cried the old witch, setting her hands to her sides, and laughing loudly. "Thou hast such a pretty way of speaking! With all thy heart! And thou didst put thy hand to the left side of thy waistcoat, as if thou really hadst one!"

So now in high good-humor with this fantastic contrivance of hers, Mother Rigby told the scarecrow that it must go and play its part in the great world, where not one man in a hundred, she affirmed, was gifted with more real substance than itself. And that he might hold up his head with the best of them, she endowed him on the spot with an unreckonable amount of wealth. It consisted partly of a gold-mine in Eldorado,[185-1] and of ten thousand shares in a broken bubble, and of half a million acres of vineyard at the North Pole, and of a castle in the air and a chateau in Spain, together with all the rents and income therefrom accruing. She further made over to him the cargo of a certain ship laden with salt of Cadiz which she herself by her necromantic arts had caused to founder ten years before in the deepest part of mid-ocean. If the salt were not dissolved and could be brought to market, it would fetch a pretty penny among the fishermen. That he might not lack ready money, she gave him a copper farthing of Birmingham manufacture, being all the coin she had about her, and likewise a great deal of brass, which she applied to his forehead, thus making it yellower than ever.

"With that brass alone," quoth Mother Rigby, "thou canst pay thy way all over the earth. Kiss me, pretty darling! I have done my best for thee."

Furthermore, that the adventurer might lack no possible advantage toward a fair start in life, this excellent old dame gave him a token by which he was to introduce himself to a certain magistrate, member of the council, merchant, and elder of the church (the four capacities constituting but one man) who stood at the head of society in the neighboring metropolis. The token was neither more nor less than a single word, which Mother Rigby whispered to the scarecrow and which the scarecrow was to whisper to the merchant.

"Gouty as the old fellow is, he'll run thy errands for thee when once thou hast given him that word in his ear," said the old witch. "Mother Rigby knows the worshipful justice Gookin, and the worshipful justice knows Mother Rigby!"

Here the witch thrust her wrinkled face close to the puppet's, chuckling irrepressibly, and fidgeting all through her system with delight at the idea which she meant to communicate.

"The worshipful Master Gookin," whispered she, "hath a comely maiden to his daughter. And hark ye, my pet. Thou hast a fair outside and a pretty wit enough of thine own. Yea, a pretty wit enough! Thou wilt think better of it when thou hast seen more of other people's wits. Now with thy outside and thy inside thou art the very man to win a young girl's heart. Never doubt it; I tell thee it shall be so. Put but a bold face on the matter, sigh, smile, flourish thy hat, thrust forth thy leg like a dancing-master, put thy right hand to the left side of thy waistcoat, and pretty Polly Gookin is thine own."

All this while the new creature had been sucking in and exhaling the vapory fragrance of his pipe and seemed now to continue this occupation as much for the enjoyment it afforded as because it was an essential condition of his existence. It was wonderful to see how exceedingly like a human being it behaved. Its eyes (for it appeared to possess a pair) were bent on Mother Rigby, and at suitable junctures it nodded or shook its head. Neither did it lack words proper for the occasion—"Really!"—"Indeed!"—"Pray tell me!"—"Is it possible!"—"Upon my word!"—"By no means!"—"Oh!"—"Ah!"—"Hem!" and other such weighty utterances as imply attention, inquiry, acquiescence, or dissent on the part of the auditor. Even had you stood by and seen the scarecrow made, you could scarcely have resisted the conviction that it perfectly understood the cunning counsels which the old witch poured into its counterfeit of an ear. The more earnestly it applied its lips to the pipe, the more distinctly was its human likeness stamped among visible realities, the more sagacious grew its expression, the more lifelike its gestures and movements, and the more intelligibly audible its voice. Its garments too glistened so much the brighter with an illusory magnificence. The very pipe in which burned the spell of all this wonder-work ceased to appear as a smoke-blackened earthern stump, and became a meerschaum with painted bowl and amber mouthpiece.

It might be apprehended, however, that, as the life of the illusion seemed identical with the vapor of the pipe, it would terminate simultaneously with the reduction of the tobacco to ashes. But the beldam foresaw the difficulty.

"Hold thou the pipe, my precious one," said she, "while I fill it for thee again."

It was sorrowful to behold how the fine gentleman began to fade back into a scarecrow while Mother Rigby shook the ashes out of the pipe and proceeded to replenish it from her tobacco-box.

"Dickon," cried she, in her high, sharp tone, "another coal for this pipe."

No sooner said than the intensely red speck of fire was glowing within the pipe-bowl and the scarecrow, without waiting for the witch's bidding, applied the tube to his lips and drew in a few short, convulsive whiffs, which soon however became regular and equable.

"Now, mine own heart's darling," quoth Mother Rigby, "whatever may happen to thee, thou must stick to thy pipe. Thy life is in it; and that, at least, thou knowest well, if thou knowest nought besides. Stick to thy pipe, I say! Smoke, puff, blow thy cloud, and tell the people, if any question be made, that it is for thy health and that so the physician orders thee to do. And, sweet one, when thou shalt find thy pipe getting low, go apart into some corner, and—first filling thyself with smoke—cry sharply, 'Dickon, a fresh pipe of tobacco!' and 'Dickon, another coal for my pipe!' and have it into thy pretty mouth as speedily as may be, else instead of a gallant gentleman in a gold-laced coat, thou wilt be but a jumble of sticks, and tattered clothes, and a bag of straw, and a withered pumpkin. Now depart, my treasure, and good luck go with thee!"

"Never fear, mother," said the figure, in a stout voice, and sending forth a courageous whiff of smoke. "I will thrive if an honest man and a gentleman may."

"Oh, thou wilt be the death of me!" cried the old witch, convulsed with laughter. "That was well said! If an honest man and a gentleman may! Thou playest thy part to perfection. Get along with thee for a smart fellow and I will wager on thy head, as a man of pith and substance, with a brain and what they call a heart, and all else that a man should have against any other thing on two legs. I hold myself a better witch than yesterday for thy sake. Did I not make thee? And I defy any witch in New England to make such another! Here! take my staff along with thee."

The staff, though it was but a plain oaken stick, immediately took the aspect of a gold-headed cane.

"That gold head has as much sense in it as thine own," said Mother Rigby, "and it will guide thee straight to worshipful Master Gookin's door. Get thee gone, my pretty pet, my darling, my precious one, my treasure; and if any ask thy name, it is 'Feathertop,' for thou hast a feather in thy hat and I have thrust a handful of feathers into the hollow of thy head. And thy wig, too, is of the fashion they call 'feathertop'; so be 'Feathertop' thy name."

And issuing from the cottage, Feathertop strode manfully towards town. Mother Rigby stood at the threshold, well pleased to see how the sunbeams glistened on him, as if all his magnificence were real, and how diligently and lovingly he smoked his pipe, and how handsomely he walked in spite of a little stiffness of his legs. She watched him until out of sight and threw a witch-benediction after her darling when a turn of the road snatched him from her view.

Betimes in the forenoon, when the principal street of the neighboring town was just at its acme of life and bustle, a stranger of very distinguished figure was seen on the sidewalk. His port as well as his garments betokened nothing short of nobility. He wore a richly embroidered plum-colored coat, a waistcoat of costly velvet magnificently adorned with golden foliage, a pair of splendid scarlet breeches and the finest and glossiest of white silk stockings. His head was covered with a peruke so daintily powdered and adjusted that it would have been sacrilege to disorder it with a hat, which, therefore (and it was a gold-laced hat set off with a snowy feather), he carried beneath his arm. On the breast of his coat glistened a star. He managed his gold-headed cane with an airy grace peculiar to the fine gentlemen of the period and, to give the highest possible finish to his equipment, he had lace ruffles at his wrist of a most ethereal delicacy, sufficiently avouching how idle and aristocratic must be the hands which they half-concealed.

It was a remarkable point in the accoutrement of this brilliant personage that he held in his left hand a fantastic kind of pipe with an exquisitely painted bow and an amber mouthpiece. This he applied to his lips as often as every five or six paces and inhaled a deep whiff of smoke, which after being retained a moment in his lungs might be seen to eddy gracefully from his mouth and nostrils.

As may well be supposed, the street was all astir to find out the stranger's name.

"It is some great nobleman, beyond question," said one of the townspeople. "Do you see the star at his breast?"

"Nay, it is too bright to be seen," said another. "Yes, he must needs be a nobleman, as you say. But by what conveyance, think you, can his Lordship have voyaged or traveled hither? There has been no vessel from the old country for a month past; and if he have arrived overland from the southward, pray where are his attendants and equipage?"

"He needs no equipage to set off his rank," remarked a third. "If he came among us in rags, nobility would shine through a hole in his elbow. I never saw such dignity of aspect. He has the old Norman blood[191-1] in his veins, I warrant him."

"I rather take him to be a Dutchman or one of your High Germans," said another citizen. "The men of those countries have always the pipe at their mouths."

"And so has a Turk," answered his companion. "But in my judgment, this stranger hath been bred at the French court and hath there learned politeness and grace of manner which none understand so well as the nobility of France. That gait, now! A vulgar spectator might deem it stiff—he might call it a hitch and jerk—but, to my eye, it hath an unspeakable majesty and must have been acquired by constant observation of the deportment of the Grand Monarque. The stranger's character and office are evident enough. He is a French ambassador come to treat with our rulers about the cession of Canada."

"More probably a Spaniard," said another, "and hence his yellow complexion. Or most likely he is from the Havana or from some port on the Spanish main and comes to make investigation about the piracies which our governor is thought to connive at. Those settlers in Peru and Mexico have skins as yellow as the gold which they dig out of their mines."

"Yellow or not," cried a lady, "he is a beautiful man! So tall, so slender! Such a fine, noble face, with so well shaped a nose and all that delicacy of expression about the mouth! And, bless me! how bright his star is! It positively shoots out flames."

"So do your eyes, fair lady," said the stranger, with a bow and a flourish of his pipe, for he was just passing at the instant. "Upon my honor, they have quite dazzled me!"

"Was ever so original and exquisite a compliment?" murmured the lady, in an ecstasy of delight.

Amid the general admiration excited by the stranger's appearance there were only two dissenting voices. One was that of an impertinent cur which, after sniffing at the heels of the glistening figure, put its tail between its legs and skulked into its master's backyard, vociferating an execrable howl. The other dissentient was a young child who squalled at the fullest stretch of his lungs and babbled some unintelligible nonsense about a pumpkin.

Feathertop, meanwhile, pursued his way along the street. Except for the few complimentary words to the lady, and now and then a slight inclination of the head in requital of the profound reverences of the bystanders, he seemed wholly absorbed in his pipe. There needed no other proof of his rank and consequence than the perfect equanimity with which he comported himself, while the curiosity and admiration of the town swelled almost into a clamor around him. With a crowd gathering behind his footsteps, he finally reached the mansion-house of the worshipful Justice Gookin, entered the gate, ascended the steps of the front door and knocked. In the interim before his summons was answered the stranger was observed to shake the ashes out of his pipe.

"What did he say in that sharp voice?" inquired one of the spectators.

"Nay, I know not," answered his friend. "But the sun dazzles my eyes strangely. How dim and faded His Lordship looks all of a sudden! Bless my wits, what is the matter with me?"

"The wonder is," said the other, "that his pipe, which was out an instant ago, should be all alight again and with the reddest coal I ever saw. There is something mysterious about this stranger. What a whiff of smoke was that! 'Dim and faded,' did you call him? Why, as he turns about the star on his breast is all ablaze."

"It is, indeed," said his companion, "and it will go near to dazzle pretty Polly Gookin, whom I see peeping at it out of the chamber window."

The door being now opened, Feathertop turned to the crowd, made a stately bend of his body, like a great man acknowledging the reverence of the meaner sort, and vanished into the house. There was a mysterious kind of a smile—if it might not better be called a grin or grimace—upon his visage, but of all the throng that beheld him not an individual appears to have possessed insight enough to detect the illusive character of the stranger, except a little child and a cur-dog.

Our legend here loses somewhat of its continuity, and, passing over the preliminary explanation between Feathertop and the merchant, goes in quest of the pretty Polly Gookin. She was a damsel of a soft, round figure with light hair and blue eyes, and a fair rosy face which seemed neither very shrewd nor very simple. This young lady had caught a glimpse of the glistening stranger while standing at the threshold and had forthwith put on a laced cap, a string of beads, her finest kerchief and her stiffest damask petticoat, in preparation for the interview. Hurrying from her chamber to the parlor, she had ever since been viewing herself in the large looking-glass and practising pretty airs—now a smile, now a ceremonious dignity of aspect, and now a softer smile than the former, kissing her hand likewise, tossing her head and managing her fan, while within the mirror an unsubstantial little maid repeated every gesture and did all the foolish things that Polly did, but without making her ashamed of them. In short, it was the fault of pretty Polly's ability, rather than her will, if she failed to be as complete an artifice as the illustrious Feathertop himself; and when she thus tampered with her own simplicity, the witch's phantom might well hope to win her.

No sooner did Polly hear her father's gouty footsteps approaching the parlor door, accompanied with the stiff clatter of Feathertop's high-heeled shoes, than she seated herself bolt upright and innocently began warbling a song.

"Polly! Daughter Polly!" cried the old merchant. "Come hither, child."

Master Gookin's aspect, as he opened the door, was doubtful and troubled.

"This gentleman," continued he, presenting the stranger, "is the chevalier Feathertop—nay, I beg his pardon, My Lord Feathertop—who hath brought me a token of remembrance from an ancient friend of mine. Pay your duty to His Lordship, child, and honor him as his quality deserves."

After these few words of introduction the worshipful magistrate immediately quitted the room. But even in that brief moment, had the fair Polly glanced aside at her father instead of devoting herself wholly to the brilliant guest, she might have taken warning of some mischief nigh at hand. The old man was nervous, fidgety and very pale. Purposing a smile of courtesy, he had deformed his face with a sort of galvanic grin which, when Feathertop's back was turned, he exchanged for a scowl, at the same time shaking his fist and stamping his gouty foot—an incivility which brought its retribution along with it. The truth appears to have been that Mother Rigby's word of introduction, whatever it might be, had operated far more on the rich merchant's fears than on his good-will. Moreover, being a man of wonderfully acute observation, he had noticed that the painted figures on the bowl of Feathertop's pipe were in motion. Looking more closely, he became convinced that these figures were a party of little demons, each duly provided with horns and a tail, and dancing hand in hand with gestures of diabolical merriment round the circumference of the pipe-bowl. As if to confirm his suspicions, while Master Gookin ushered his guest along a dusky passage from his private room to the parlor, the star on Feathertop's breast had scintillated actual flames, and threw a flickering gleam upon the wall, the ceiling and the door.

With such sinister prognostics manifesting themselves on all hands, it is not to be marveled at that the merchant should have felt that he was committing his daughter to a very questionable acquaintance. He cursed in his secret soul the insinuating elegance of Feathertop's manners as this brilliant personage bowed, smiled, put his hand on his heart, inhaled a long whiff from his pipe, and enriched the atmosphere with the smoky vapor of a fragrant and visible sigh. Gladly would poor Master Gookin have thrust his dangerous guest into the street, but there was a restraint and terror within him. This respectable old gentleman, we fear, at an earlier period of life had given some pledge or other to the Evil Principle, and perhaps was now to redeem it by the sacrifice of his daughter.

It so happened that the parlor door was partly of glass shaded by a silken curtain the folds of which hung a little awry. So strong was the merchant's interest in witnessing what was to ensue between the fair Polly and the gallant Feathertop that after quitting the room he could by no means refrain from peeping through the crevice of the curtain. But there was nothing very miraculous to be seen—nothing except the trifles previously noticed, to confirm the idea of a supernatural peril environing the pretty Polly. The stranger, it is true, was evidently a thorough and practised man of the world, systematic and self-possessed, and therefore the sort of person to whom a parent ought not to confide a simple young girl without due watchfulness for the result. The worthy magistrate, who had been conversant with all degrees and qualities of mankind, could not but perceive every motion and gesture of the distinguished Feathertop came in its proper place. Nothing had been left rude or native in him; a well-digested conventionalism had incorporated itself thoroughly with his substance and transformed him into a work of art. Perhaps it was this peculiarity that invested him with a species of ghastliness and awe. It is the effect of anything completely and consummately artificial in human shape that the person impresses us as an unreality, and as having hardly pith enough to cast a shadow upon the floor. As regarded Feathertop, all this resulted in a wild, extravagant, and fantastical impression, as if his life and being were akin to the smoke that curled upward from his pipe.

But pretty Polly Gookin felt not thus. The pair were now promenading the room—Feathertop with his dainty stride, and no less dainty grimace, the girl with a native maidenly grace just touched, not spoiled, by a slightly affected manner which seemed caught from the perfect artifice of her companion. The longer the interview continued, the more charmed was pretty Polly, until within the first quarter of an hour (as the old magistrate noted by his watch) she was evidently beginning to be in love. Nor need it have been witchcraft that subdued her in such a hurry: the poor child's heart, it may be, was so very fervent that it melted her with its own warmth, as reflected from the hollow semblance of a lover. No matter what Feathertop said, his words found depth and reverberation in her ear; no matter what he did, his action was very heroic to her eye. And by this time, it is to be supposed, there was a blush on Polly's cheek, a tender smile about her mouth, and a liquid softness in her glance, while the star kept coruscating on Feathertop's breast, and the little demons careered with more frantic merriment than ever about the circumference of his pipe-bowl. Oh, pretty Polly Gookin! Why should these imps rejoice so madly that a silly maiden's heart was about to be given to a shadow? Is it so unusual a misfortune—so rare a triumph?

By and by Feathertop paused and, throwing himself into an imposing attitude, seemed to summon the fair girl to survey his figure and resist him longer if she could. His star, his embroidery, his buckles, glowed at that instant with unutterable splendor; the picturesque hues of his attire took a richer depth of coloring; there was a gleam and polish over his whole presence betokening the perfect witchery of well-ordered manners. The maiden raised her eyes and suffered them to linger upon her companion with a bashful and admiring gaze. Then, as if desirous of judging what value her own simple comeliness might have side by side with so much brilliancy, she cast a glance toward the full-length looking glass in front of which they happened to be standing. It was one of the truest plates in the world and incapable of flattery. No sooner did the images therein reflected meet Polly's eye than she shrieked, shrank from the stranger's side, gazed at him a moment in the wildest dismay, and sank insensible upon the floor. Feathertop, likewise, had looked toward the mirror, and there beheld, not the glittering mockery of his outside show, but a picture of the sordid patchwork of his real composition stripped of all witchcraft.

The wretched simulacrum! We almost pity him. He threw up his arms with an expression of despair that went farther than any of his previous manifestations toward vindicating his claims to be reckoned human. For perchance the only time since this so often empty and deceptive life of mortals began its course, an illusion had seen and fully recognized itself.

Mother Rigby was seated by her kitchen hearth in the twilight of this eventful day and had just shaken the ashes out of a new pipe, when she heard a hurried tramp along the road. Yet it did not seem so much the tramp of human footsteps as the clatter of sticks or the rattling of dry bones.

"Ha!" thought the old witch, "what step is that? Whose skeleton is out of its grave now, I wonder?"

A figure burst headlong into the cottage door. It was Feathertop. His pipe was still alight, the star still flamed upon his breast, the embroidery still glowed upon his garments, nor had he lost in any degree or manner that could be estimated the aspect that assimilated him with our mortal brotherhood. But yet, in some indescribable way (as is the case with all that has deluded us when once found out), the poor reality was felt beneath the cunning artifice.

"What has gone wrong?" demanded the witch. "Did yonder sniffling hypocrite thrust my darling from his door? The villain! I'll set twenty fiends to torture him till he offer thee his daughter on his bended knees!"

"No, mother," said Feathertop, despondingly; "it was not that."

"Did the girl scorn my precious one?" asked Mother Rigby, her fierce eyes glowing like two coals of Tophet. "I'll cover her face with pimples! Her nose shall be as red as the coal in thy pipe! Her front teeth shall drop out! In a week hence she shall not be worth thy having."

"Let her alone, mother," answered poor Feathertop. "The girl was half won, and methinks a kiss from her sweet lips might have made me altogether human. But," he added after a brief pause and then a howl of self-contempt, "I've seen myself, mother! I've seen myself for the wretched, ragged, empty thing I am. I'll exist no longer."

Snatching the pipe from his mouth, he flung it with all his might against the chimney, and at the same instant sank upon the floor, a medley of straw and tattered garments, with some sticks protruding from the heap and a shriveled pumpkin in the midst. The eyeholes were now lustreless but the rudely carved gap that just before had been a mouth still seemed to twist itself into a despairing grin, and was so far human.

"Poor fellow!" quoth Mother Rigby, with a rueful glance at the relics of her ill-fated contrivance. "My poor, dear, pretty Feathertop! There are thousands upon thousands of coxcombs and charlatans in the world made up of just such a jumble of worn-out, forgotten and good-for-nothing trash as he was, yet they live in fair repute, and never see themselves for what they are. And why should my poor puppet be the only one to know himself and perish for it?"

While thus muttering the witch had filled a fresh pipe of tobacco, and held the stem between her fingers, as doubtful whether to thrust it into her own mouth or Feathertop's.

"Poor Feathertop!" she continued. "I could easily give him another chance, and send him forth again to-morrow. But no! His feelings are too tender—his sensibilities too deep. He seems to have too much heart to bustle for his own advantage in such an empty and heartless world. Well, well! I'll make a scarecrow of him, after all. 'Tis an innocent and useful vocation, and will suit my darling well; and if each of his human brethren had as fit a one, 'twould be the better for mankind. And as for his pipe of tobacco, I need it more than he."

So saying, Mother Rigby put the stem between her lips.

"Dickon," cried she, in her high, sharp tone, "another coal for my pipe!"



ARTHUR CONAN DOYLE

The Red-Headed League

I had called upon my friend, Mr. Sherlock Holmes,[203-1] one day in the autumn of last year, and found him in deep conversation with a very stout, florid-faced, elderly gentleman, with fiery red hair. With an apology for my intrusion, I was about to withdraw, when Holmes pulled me abruptly into the room, and closed the door behind me.

"You could not possibly have come at a better time, my dear Watson," he said, cordially.

"I was afraid that you were engaged."

"So I am. Very much so."

"Then I can wait in the next room."

"Not at all. This gentleman, Mr. Wilson, has been my partner and helper in many of my most successful cases, and I have no doubt that he will be of the utmost use to me in yours also."

The stout gentleman half rose from his chair and gave a bob of greeting, with a quick, little, questioning glance from his small, fat-encircled eyes.

"Try the settee," said Holmes, relapsing into his arm-chair and putting his finger-tips together, as was his custom when in judicial moods. "I know, my dear Watson, that you share my love of all that is bizarre and outside the conventions and humdrum routine of everyday life. You have shown your relish for it by the enthusiasm which has prompted you to chronicle, and, if you will excuse my saying so, somewhat to embellish so many of my own little adventures."

"Your cases have indeed been of the greatest interest to me," I observed.

"You will remember that I remarked the other day, just before we went into the very simple problem presented by Miss Mary Sutherland, that for strange effects and extraordinary combinations we must go to life itself, which is always far more daring than any effort of the imagination."

"A proposition which I took the liberty of doubting."

"You did, doctor, but none the less you must come round to my view, for otherwise I shall keep on piling fact upon fact on you, until your reason breaks down under them and acknowledges me to be right. Now, Mr. Jabez Wilson here has been good enough to call upon me this morning, and to begin a narrative which promises to be one of the most singular which I have listened to for some time. You have heard me remark that the strangest and most unique things are very often connected not with the larger but with the smaller crimes, and occasionally, indeed, where there is room for doubt whether any positive crime has been committed. As far as I have heard, it is impossible for me to say whether the present case is an instance of crime or not, but the course of events is certainly among the most singular that I have ever listened to. Perhaps, Mr. Wilson, you would have the great kindness to recommence your narrative. I ask you, not merely because my friend, Dr. Watson, has not heard the opening part, but also because the peculiar nature of the story makes me anxious to have every possible detail from your lips. As a rule, when I have heard some slight indication of the course of events, I am able to guide myself by the thousands of other similar cases which occur to my memory. In the present instance I am forced to admit that the facts are, to the best of my belief, unique."

The portly client puffed out his chest with an appearance of some little pride, and pulled a dirty and wrinkled newspaper from the inside pocket of his great-coat. As he glanced down the advertising column, with his head thrust forward, and the paper flattened out upon his knee, I took a good look at the man, and endeavored, after the fashion of my companion, to read the indications which might be presented by his dress or appearance.

I did not gain very much, however, by my inspection. Our visitor bore every mark of being an average commonplace British tradesman, obese, pompous, and slow. He wore rather baggy gray shepherd's check trousers, a not over-clean black frock-coat, unbuttoned in the front, and a drab waistcoat with a heavy brassy Albert chain, and a square pierced bit of metal dangling down as an ornament. A frayed top-hat and a faded brown overcoat with a wrinkled velvet collar lay upon a chair beside him. Altogether, look as I would, there was nothing remarkable about the man save his blazing red head, and the expression of extreme chagrin and discontent upon his features.

Sherlock Holmes's quick eye took in my occupation, and he shook his head with a smile as he noticed my questioning glances, "Beyond the obvious facts that he has at some time done manual labor, that he takes snuff, that he is a Freemason,[206-1] that he has been in China, and that he has done a considerable amount of writing lately, I can deduce nothing else."

Mr. Jabez Wilson started up in his chair, with his forefinger upon the paper, but with his eyes upon my companion.

"How, in the name of good fortune, did you know all that, Mr. Holmes?" he asked. "How did you know, for example, that I did manual labor? It's as true as gospel, for I began as a ship's carpenter."

"Your hands, my dear sir. Your right hand is quite a size larger than your left. You have worked with it, and the muscles are more developed."

"Well, the snuff, then, and the Freemasonry?"

"I won't insult your intelligence by telling you how I read that, especially as, rather against the strict rules of your order, you use an arc-and-compass breastpin."

"Ah, of course, I forgot that. But the writing?"

"What else can be indicated by that right cuff so very shiny for five inches, and the left one with the smooth patch near the elbow where you rest it upon the desk?"

"Well, but China?"

"The fish that you have tattooed immediately above your right wrist could only have been done in China. I have made a small study of tattoo marks, and have even contributed to the literature of the subject. That trick of staining the fishes' scales of a delicate pink is quite peculiar to China. When, in addition, I see a Chinese coin hanging from your watch-chain, the matter becomes even more simple."

Mr. Jabez Wilson laughed heavily. "Well, I never!" said he. "I thought at first that you had done something clever, but I see that there was nothing in it, after all."

"I begin to think, Watson," said Holmes, "that I make a mistake in explaining. 'Omne ignotum pro magnifico,'[207-1] you know, and my poor little reputation, such as it is, will suffer shipwreck if I am so candid. Can you not find the advertisement, Mr. Wilson?"