But on Friday William disappeared after breakfast and did not return to lunch.



XXIV

CLOTHES MAKE THE MAN

Mrs. Baxter was troubled. During the afternoon she glanced often from the open window of the room where she had gone to sew, but the peaceful neighborhood continued to be peaceful, and no sound of the harassed footsteps of William echoed from the pavement. However, she saw Genesis arrive (in his weekday costume) to do some weeding, and Jane immediately skip forth for mingled purposes of observation and conversation.

"What DO they say?" thought Mrs. Baxter, observing that both Jane and Genesis were unusually animated. But for once that perplexity was to be dispersed. After an exciting half-hour Jane came flying to her mother, breathless.

"Mamma," she cried, "I know where Willie is! Genesis told me, 'cause he saw him, an' he talked to him while he was doin' it."

"Doing what? Where?"

"Mamma, listen! What you think Willie's doin'? I bet you can't g—"

"Jane!" Mrs Baxter spoke sharply. "Tell me what Genesis said, at once."

"Yes'm. Willie's sittin' in a lumber-yard that Genesis comes by on his way from over on the avynoo where all the colored people live—an' he's countin' knot-holes in shingles."

"He is WHAT?"

"Yes'm. Genesis knows all about it, because he was thinkin' of doin' it himself, only he says it would be too slow. This is the way it is, mamma. Listen, mamma, because this is just exackly the way it is. Well, this lumber-yard man got into some sort of a fuss because he bought millions an' millions of shingles, mamma, that had too many knots in, an' the man don't want to pay for 'em, or else the store where he bought 'em won't take 'em back, an' they got to prove how many shingles are bad shingles, or somep'm, an' anyway, mamma, that's what Willie's doin'. Every time he comes to a bad shingle, mamma, he puts it somewheres else, or somep'm like that, mamma, an' every time he's put a thousand bad shingles in this other place they give him six cents. He gets the six cents to keep, mamma—an' that's what he's been doin' all day!"

"Good gracious!"

"Oh, but that's nothing, mamma—just you wait till you hear the rest. THAT part of it isn't anything a TALL, mamma! You wouldn't hardly notice that part of it if you knew the other part of it, mamma. Why, that isn't ANYTHING!" Jane made demonstrations of scorn for the insignificant information already imparted.

"Jane!"

"Yes'm?"

"I want to know everything Genesis told you," said her mother, "and I want you to tell it as quickly as you can."

"Well, I AM tellin' it, mamma!" Jane protested. "I'm just BEGINNING to tell it. I can't tell it unless there's a beginning, can I? How could there be ANYTHING unless you had to begin it, mamma?"

"Try your best to go on, Jane!"

"Yes'm. Well, Genesis says—Mamma!" Jane interrupted herself with a little outcry. "Oh! I bet THAT'S what he had those two market-baskets for! Yes, sir! That's just what he did! An' then he needed the rest o' the money an' you an' papa wouldn't give him any, an' so he began countin' shingles to-day 'cause to-night's the night of the party an' he just HASS to have it!"

Mrs. Baxter, who had risen to her feet, recalled the episode of the baskets and sank into a chair. "How did Genesis know Willie wanted forty dollars, and if Willie's pawned something how did Genesis know THAT? Did Willie tell Gen—"

"Oh no, mamma, Willie didn't want forty dollars—only fourteen!"

"But he couldn't get even the cheapest readymade dress-suit for fourteen dollars."

"Mamma, you're gettin' it all mixed up!" Jane cried. "Listen, mamma! Genesis knows all about a second-hand store over on the avynoo; an' it keeps 'most everything, an' Genesis says it's the nicest store! It keeps waiter suits all the way up to nineteen dollars and ninety-nine cents. Well, an' Genesis wants to get one of those suits, so he goes in there all the time, an' talks to the man an' bargains an' bargains with him, 'cause Genesis says this man is the bargainest man in the wide worl', mamma! That's what Genesis says. Well, an' so this man's name is One-eye Beljus, mamma. That's his name, an' Genesis says so. Well, an' so this man that Genesis told me about, that keeps the store—I mean One-eye Beljus, mamma—well, One-eye Beljus had Willie's name written down in a book, an' he knew Genesis worked for fam'lies that have boys like Willie in 'em, an' this morning One-eye Beljus showed Genesis Willie's name written down in this book, an' One-eye Beljus asked Genesis if he knew anybody by that name an' all about him. Well, an' so at first Genesis pretended he was tryin' to remember, because he wanted to find out what Willie went there for. Genesis didn't tell any stories, mamma; he just pretended he couldn't remember, an' so, well, One-eye Beljus kept talkin' an' pretty soon Genesis found out all about it. One-eye Beljus said Willie came in there an' tried on the coat of one of those waiter suits—"

"Oh no!" gasped Mrs. Baxter.

"Yes'm, an' One-eye Beljus said it was the only one that would fit Willie, an' One-eye Beljus told Willie that suit was worth fourteen dollars, an' Willie said he didn't have any money, but he'd like to trade something else for it. Well, an' so One-eye Beljus said this was an awful fine suit an' the only one he had that had b'longed to a white gentleman. Well, an' so they bargained, an' bargained, an' bargained, an' BARGAINED! An' then, well, an' so at last Willie said he'd go an' get everything that b'longed to him, an' One-eye Beljus could pick out enough to make fourteen dollars' worth, an' then Willie could have the suit. Well, an' so Willie came home an' put everything he had that b'longed to him into those two baskets, mamma—that's just what he did, 'cause Genesis says he told One-eye Beljus it was everything that b'longed to him, an' that would take two baskets, mamma. Well, then, an' so he told One-eye Beljus to pick out fourteen dollars' worth, an' One-eye Beljus ast Willie if he didn't have a watch. Well, Willie took out his watch an' One-eye Beljus said it was an awful bad watch, but he would put it in for a dollar; an' he said, 'I'll put your necktie pin in for forty cents more,' so Willie took it out of his necktie an' then One-eye Beljus said it would take all the things in the baskets to make I forget how much, mamma, an' the watch would be a dollar more, an' the pin forty cents, an' that would leave just three dollars an' sixty cents more for Willie to pay before he could get the suit."

Mrs. Baxter's face had become suffused with high color, but she wished to know all that Genesis had said, and, mastering her feelings with an effort, she told Jane to proceed—a command obeyed after Jane had taken several long breaths.

"Well, an' so the worst part of it is, Genesis says, it's because that suit is haunted."

"What!"

"Yes'm," said Jane, solemnly; "Genesis says it's haunted. Genesis says everybody over on the avynoo knows all about that suit, an' he says that's why One-eye Beljus never could sell it before. Genesis says One-eye Beljus tried to sell it to a colored man for three dollars, but the man said he wouldn't put in on for three hunderd dollars, an' Genesis says HE wouldn't, either, because it belonged to a Dago waiter that—that—" Jane's voice sank to a whisper of unctuous horror. She was having a wonderful time! "Mamma, this Dago waiter, he lived over on the avynoo, an' he took a case-knife he'd sharpened—AN' HE CUT A LADY'S HEAD OFF WITH IT!"

Mrs. Baxter screamed faintly.

"An' he got hung, mamma! If you don't believe it, you can ask One-eye Beljus—I guess HE knows! An' you can ask—"

"Hush!"

"An' he sold this suit to One-eye Beljus when he was in jail, mamma. He sold it to him before he got hung, mamma."

"Hush, Jane!"

But Jane couldn't hush now. "An' he had that suit on when he cut the lady's head off, mamma, an' that's why it's haunted. They cleaned it all up excep' a few little spots of bl—"

"JANE!" shouted her mother. "You must not talk about such things, and Genesis mustn't tell, you stories of that sort!"

"Well, how could he help it, if he told me about Willie?" Jane urged, reasonably.

"Never mind! Did that crazy ch—Did Willie LEAVE the baskets in that dreadful place?"

"Yes'm—an' his watch an' pin," Jane informed her, impressively. "An' One-eye Beljus wanted to know if Genesis knew Willie, because One-eye Beljus wanted to know if Genesis thought Willie could get the three dollars an; sixty cents, an' One-eye Beljus wanted to know if Genesis thought he could get anything more out of him besides that. He told Genesis he hadn't told Willie he COULD have the suit, after all; he just told him he THOUGHT he could, but he wouldn't say for certain till he brought him the three dollars an' sixty cents. So Willie left all his things there, an' his watch an—"

"That will do!" Mrs. Baxter's voice was sharper than it had ever been in Jane's recollection. "I don't need to hear any more—and I don't WANT to hear any more!"

Jane was justly aggrieved. "But, mamma, it isn't MY fault!"

Mrs. Baxter's lips parted to speak, but she checked herself. "Fault?" she said, gravely. "I wonder whose fault it really is!"

And with that she went hurriedly into William's room and made a brief inspection of his clothes-closet and dressing-table. Then, as Jane watched her in awed silence, she strode to the window, and called, loudly:

"Genesis!"

"Yes'm?" came the voice from below.

"Go to that lumber-yard where Mr. William is at work and bring him here to me at once. If he declines to come, tell him—" Her voice broke oddly; she choked, but Jane could not decide with what emotion. "Tell him—tell him I ordered you to use force if necessary! Hurry!"

"YES'M!"

Jane ran to the window in time to see Genesis departing seriously through the back gate.

"Mamma—"

"Don't talk to me now, Jane," Mrs. Baxter said, crisply. "I want you to go down in the yard, and when Willie comes tell him I'm waiting for him here in his own room. And don't come with him, Jane. Run!"

"Yes, mamma." Jane was pleased with this appointment; she anxiously desired to be the first to see how Willie "looked."

... He looked flurried and flustered and breathless, and there were blisters upon the reddened palms of his hands. "What on earth's the matter, mother?" he asked, as he stood panting before her. "Genesis said something was wrong, and he said you told him to hit me if I wouldn't come."

"Oh NO!" she cried. "I only meant I thought perhaps you wouldn't obey any ordinary message—"

"Well, well, it doesn't matter, but please hurry and say what you want to, because I got to get back and—"

"No," Mrs. Baxter said, quietly, "you're not going back to count any more shingles, Willie. How much have you earned?"

He swallowed, but spoke bravely. "Thirty-six cents. But I've been getting lots faster the last two hours and there's a good deal of time before six o'clock. Mother—"

"No," she said. "You're going over to that horrible place where you've left your clothes and your watch and all those other things in the two baskets, and you're going to bring them home at once."

"Mother!" he cried, aghast. "Who told you?"

"It doesn't matter. You don't want your father to find out, do you? Then get those things back here as quickly as you can. They'll have to be fumigated after being in that den."

"They've never been out of the baskets," he protested, hotly, "except just to be looked at. They're MY things, mother, and I had a right to do what I needed to with 'em, didn't I?" His utterance became difficult. "You and father just CAN'T understand—and you won't do anything to help me—"

"Willie, you can go to the party," she said, gently. "You didn't need those frightful clothes at all."

"I do!" he cried. "I GOT to have 'em! I CAN'T go in my day clo'es! There's a reason you wouldn't understand why I can't. I just CAN'T!"

"Yes," she said, "you can go to the party."

"I can't, either! Not unless you give me three dollars and twenty-four cents, or unless I can get back to the lumber-yard and earn the rest before—"

"No!" And the warm color that had rushed over Mrs. Baxter during Jane's sensational recital returned with a vengeance. Her eyes flashed. "If you'd rather I sent a policeman for those baskets, I'll send one. I should prefer to do it—much! And to have that rascal arrested. If you don't want me to send a policeman you can go for them yourself, but you must start within ten minutes, because if you don't I'll telephone headquarters. Ten minutes, Willie, and I mean it!"

He cried out, protesting. She would make him a thing of scorn forever and soil his honor, if she sent a policeman. Mr. Beljus was a fair and honest tradesman, he explained, passionately, and had not made the approaches in this matter. Also, the garments in question, though not entirely new, nor of the highest mode, were of good material and in splendid condition. Unmistakably they were evening clothes, and such a bargain at fourteen dollars that William would guarantee to sell them for twenty after he had worn them this one evening. Mr. Beljus himself had said that he would not even think of letting them go at fourteen to anybody else, and as for the two poor baskets of worn and useless articles offered in exchange, and a bent scarfpin and a worn-out old silver watch that had belonged to great-uncle Ben—why, the ten dollars and forty cents allowed upon them was beyond all ordinary liberality; it was almost charity. There was only one place in town where evening clothes were rented, and the suspicious persons in charge had insisted that William obtain from his father a guarantee to insure the return of the garments in perfect condition. So that was hopeless. And wasn't it better, also, to wear clothes which had known only one previous occupant (as was the case with Mr. Beljus's offering) than to hire what chance hundreds had hired? Finally, there was only one thing to be considered and this was the fact that William HAD to have those clothes!

"Six minutes," said Mrs. Baxter, glancing implacably at her watch. "When it's ten I'll telephone."

And the end of it was, of course, victory for the woman—victory both moral and physical. Three-quarters of an hour later she was unburdening the contents of the two baskets and putting the things back in place, illuminating these actions with an expression of strong distaste—in spite of broken assurances that Mr. Beljus had not more than touched any of the articles offered to him for valuation.

... At dinner, which was unusually early that evening, Mrs. Baxter did not often glance toward her son; she kept her eyes from that white face and spent most of her time in urging upon Mr. Baxter that he should be prompt in dressing for a card-club meeting which he and she were to attend that evening. These admonitions of hers were continued so pressingly that Mr. Baxter, after protesting that there was no use in being a whole hour too early, groaningly went to dress without even reading his paper.

William had retired to his own room, where he lay upon his bed in the darkness. He heard the evening noises of the house faintly through the closed door: voices and the clatter of metal and china from the far-away kitchen, Jane's laugh in the hall, the opening and closing of the doors. Then his father seemed to be in distress about something. William heard him complaining to Mrs. Baxter, and though the words were indistinct, the tone was vigorously plaintive. Mrs. Baxter laughed and appeared to make light of his troubles, whatever they were—and presently their footsteps were audible from the stairway; the front door closed emphatically, and they were gone.

Everything was quiet now. The open window showed as a greenish oblong set in black, and William knew that in a little while there would come through the stillness of that window the distant sound of violins. That was a moment he dreaded with a dread that ached. And as he lay on his dreary bed he thought of brightly lighted rooms where other boys were dressing eagerly faces and hair shining, hearts beating high—boys who would possess this last evening and the "last waltz together," the last smile and the last sigh.

It did not once enter his mind that he could go to the dance in his "best suit," or that possibly the other young people at the party would be too busy with their own affairs to notice particularly what he wore. It was the unquestionable and granite fact, to his mind, that the whole derisive World would know the truth about his earlier appearances in his father's clothes. And that was a form of ruin not to be faced. In the protective darkness and seclusion of William's bedroom, it is possible that smarting eyes relieved themselves by blinking rather energetically; it is even possible that there was a minute damp spot upon the pillow. Seventeen cannot always manage the little boy yet alive under all the coverings.

Now arrived that moment he had most painfully anticipated, and dance-music drifted on the night;—but there came a tapping upon his door and a soft voice spoke.

"Will-ee?"

With a sharp exclamation William swung his legs over the edge of the bed and sat up. Of all things he desired not, he desired no conversation with, or on the part of, Jane. But he had forgotten to lock his door—the handle turned, and a dim little figure marched in.

"Willie, Adelia's goin' to put me to bed."

"You g'way from here," he said, huskily. "I haven't got time to talk to you. I'm busy."

"Well, you can wait a minute, can't you?" she asked, reasonably. "I haf to tell you a joke on mamma."

"I don't want to hear any jokes!"

"Well, I HAF to tell you this one 'cause she told me to! Oh!" Jane clapped her hand over her mouth and jumped up and down, offering a fantastic silhouette against the light of the Open door. "Oh, oh, OH!"

"What's matter?"

"She said I mustn't, MUSTN'T tell that she told me to tell! My goodness! I forgot that! Mamma took me off alone right after dinner, an' she told me to tell you this joke on her a little after she an' papa had left the house, but she said, 'Above all THINGS,' she said, 'DON'T let Willie know I said to tell him.' That's just what she said, an' here that's the very first thing I had to go an' do!"

"Well, what of it?"

Jane quieted down. The pangs of her remorse were lost in her love of sensationalism, and her voice sank to the thrilling whisper which it was one of her greatest pleasures to use. "Did you hear what a fuss papa was makin' when he was dressin' for the card-party?"

"I don't care if—"

"He had to go in his reg'lar clo'es!" whispered Jane, triumphantly. "An' this is the joke on mamma: you know that tailor that let papa's dress-suit 'way, 'way out; well, Mamma thinks that tailor must think she's crazy, or somep'm 'cause she took papa's dress-suit to him last Monday to get it pressed for this card-party, an she guesses he must of understood her to tell him to do lots besides just pressin' it. Anyway, he went an' altered it, an' he took it 'way, 'way IN again; an' this afternoon when it came back it was even tighter 'n what it was in the first place, an' papa couldn't BEGIN to get into it! Well, an' so it's all pressed an' ev'ything, an' she stopped on the way out, an' whispered to me that she'd got so upset over the joke on her that she couldn't remember where she put it when she took it out o' papa's room after he gave up tryin' to get inside of it. An' that," cried Jane—"that's the funniest thing of all! Why, it's layin' right on her bed this very minute!"

In one bound William leaped through the open door. Two seconds sufficed for his passage through the hall to his mother's bedroom—and there, neatly spread upon the lace coverlet and brighter than coronation robes, fairer than Joseph's holy coat, It lay!



XXV

YOUTH AND MR. PARCHER

As a hurried worldling, in almost perfectly fitting evening clothes, passed out of his father's gateway and hurried toward the place whence faintly came the sound of dance-music, a child's voice called sweetly from an unidentified window of the darkened house behind him:

"Well, ANYWAY, you try and have a good time, Willie!"

William made no reply; he paused not in his stride. Jane's farewell injunction, though obviously not ill-intended, seemed in poor taste, and a reply might have encouraged her to believe that, in some measure at least, he condescended to discuss his inner life with her. He departed rapidly, but with hauteur. The moon was up, but shade-trees were thick along the sidewalk, and the hauteur was invisible to any human eye; nevertheless, William considered it necessary.

Jane's friendly but ill-chosen "ANYWAY" had touched doubts already annoying him. He was certain to be late to the party—so late, indeed, that it might prove difficult to obtain a proper number of dances with the sacred girl in whose honor the celebration was being held. Too many were steeped in a sense of her sacredness, well he wot! and he was unable to find room in his apprehensive mind for any doubt that these others would be accursedly diligent.

But as he hastened onward his spirits rose, and he did reply to Jane, after all, though he had placed a hundred yards between them.

"Yes, and you can bet your bottom dollar I will, too!" he muttered, between his determined teeth.

The very utterance of the words increased the firmness of his decision, and at the same time cheered him. His apprehensions fell away, and a glamorous excitement took their place, as he turned a corner and the music burst more loudly upon his tingling ear. For there, not half-way to the next street, the fairy scene lay spread before him.

Spellbound groups of uninvited persons, most of them colored, rested their forearms upon the upper rail of the Parchers' picket fence, offering to William's view a silhouette like that of a crowd at a fire. Beyond the fence, bright forms went skimming, shimmering, wavering over a white platform, while high overhead the young moon sprayed a thinner light down through the maple leaves, to where processions of rosy globes hung floating in the blue night. The mild breeze trembled to the silver patterings of a harp, to the sweet, barbaric chirping of plucked strings of violin and 'cello—and swooned among the maple leaves to the rhythmic crooning of a flute. And, all the while, from the platform came the sounds of little cries in girlish voices, and the cadenced shuffling of young feet, where the witching dancemusic had its way, as ever and forever, with big and little slippers.

The heart of William had behaved tumultuously the summer long, whenever his eyes beheld those pickets of the Parchers' fence, but now it outdid all its previous riotings. He was forced to open his mouth and gasp for breath, so deep was his draught of that young wine, romance. Yonder—somewhere in the breath-taking radiance—danced his Queen with all her Court about her. Queen and Court, thought William, and nothing less exorbitant could have expressed his feeling. For seventeen needs only some paper lanterns, a fiddle, and a pretty girl—and Versailles is all there!

The moment was so rich that William crossed the street with a slower step. His mood changed: an exaltation had come upon him, though he was never for an instant unaware of the tragedy beneath all this worldly show and glamor. It was the last night of the divine visit; to-morrow the town would lie desolate, a hollow shell in the dust, without her. Miss Pratt would be gone—gone utterly—gone away on the TRAIN! But to-night was just beginning, and to-night he would dance with her; he would dance and dance with her—he would dance and dance like mad! He and she, poetic and fated pair, would dance on and on! They would be intoxicated by the lights—the lights, the flowers, and the music. Nay, the flowers might droop, the lights might go out, the music cease and dawn come—she and he would dance recklessly on—on—on!

A sense of picturesqueness—his own picturesqueness—made him walk rather theatrically as he passed through the groups of humble onlookers outside the picket fence. Many of these turned to stare at the belated guest, and William was unconscious of neither their low estate nor his own quality as a patrician man-about-town in almost perfectly fitting evening dress. A faint, cold smile was allowed to appear upon his lips, and a fragment from a story he had read came momentarily to his mind.... "Through the gaping crowds the young Augustan noble was borne down from the Palatine, scornful in his jeweled litter...."

An admiring murmur reached William's ear.

"OH, oh, honey! Look attem long-tail suit! 'At's a rich boy, honey!"

"Yessum, SO! Bet he got his pockets pack' full o' twenty-dolluh gol' pieces right iss minute!"

"You right, honey!"

William allowed the coldness of his faint smile to increase to become scornful. These poor sidewalk creatures little knew what seethed inside the alabaster of the young Augustan noble! What was it to THEM that this was Miss Pratt's last night and that he intended to dance and dance with her, on and on?

Almost sternly he left these squalid lives behind him and passed to the festal gateway.

Upon one of the posts of that gateway there rested the elbow of a contemplative man, middleaged or a little worse. Of all persons having pleasure or business within the bright inclosure, he was, that evening, the least important; being merely the background parent who paid the bills. However, even this unconsidered elder shared a thought in common with the Augustan now approaching: Mr. Parcher had just been thinking that there was true romance in the scene before him.

But what Mr. Parcher contemplated as romance arose from the fact that these young people were dancing on a spot where their great-grandfathers had scalped Indians. Music was made for them by descendants, it might well be, of Romulus, of Messalina, of Benvenuto Cellini, and, around behind the house, waiting to serve the dancers with light food and drink, lounged and gossiped grandchildren of the Congo, only a generation or so removed from dances for which a chance stranger furnished both the occasion and the refreshments. Such, in brief, was Mr. Parcher's peculiar view of what constituted the romantic element.

And upon another subject preoccupying both Mr. Parcher and William, their two views, though again founded upon one thought, had no real congeniality. The preoccupying subject was the imminence of Miss Pratt's departure;—neither Mr. Parcher nor William forgot it for an instant. No matter what else played upon the surface of their attention, each kept saying to himself, underneath: "This is the last night—the last night! Miss Pratt is going away—going away to-morrow!"

Mr. Parcher's expression was peaceful. It was more peaceful than it had been for a long time. In fact, he wore the look of a man who had been through the mill but now contemplated a restful and health-restoring vacation. For there are people in this world who have no respect for the memory of Ponce de Leon, and Mr. Parcher had come to be of their number. The elimination of William from his evenings had lightened the burden; nevertheless, Mr. Parcher would have stated freely and openly to any responsible party that a yearning for the renewal of his youth had not been intensified by his daughter's having as a visitor, all summer long, a howling belle of eighteen who talked baby-talk even at breakfast and spread her suitors all over the small house—and its one veranda—from eight in the morning until hours of the night long after their mothers (in Mr. Parcher's opinion) should have sent their fathers to march them home. Upon Mr. Parcher's optimism the effect of so much unavoidable observation of young love had been fatal; he declared repeatedly that his faith in the human race was about gone. Furthermore, his physical constitution had proved pathetically vulnerable to nightly quartets, quintets, and even octets, on the porch below his bedchamber window, so that he was wont to tell his wife that never, never could he expect to be again the man he had been in the spring before Miss Pratt came to visit May. And, referring to conversations which he almost continuously overheard, perforce, Mr. Parcher said that if this was the way HE talked at that age, he would far prefer to drown in an ordinary fountain, and be dead and done with it, than to bathe in Ponce de Leon's.

Altogether, the summer had been a severe one; he doubted that he could have survived much more of it. And now that it was virtually over, at last, he was so resigned to the departure of his daughter's lovely little friend that he felt no regret for the splurge with which her visit was closing. Nay, to speed the parting guest—such was his lavish mood—twice and thrice over would he have paid for the lights, the flowers, the music, the sandwiches, the coffee, the chicken salad, the cake, the lemonade-punch, and the ice-cream.

Thus did the one thought divide itself between William and Mr. Parcher, keeping itself deep and pure under all their other thoughts. "Miss Pratt is going away!" thought William and Mr. Parcher. "Miss PRATT is going away—to-morrow!"

The unuttered words advanced tragically toward the gate in the head of William at the same time that they moved contentedly away in the head of Mr. Parcher; for Mr. Parcher caught sight of his wife just then, and went to join her as she sank wearily upon the front steps.

"Taking a rest for a minute?" he inquired. "By George! we're both entitled to a good LONG rest, after to-night! If we could afford it, we'd go away to a quiet little sanitarium in the hills, somewhere, and—" He ceased to speak and there was the renewal of an old bitterness in his expression as his staring eyes followed the movements of a stately young form entering the gateway. "Look at it!" said Mr. Parcher in a whisper. "Just look at it!"

"Look at what?" asked his wife.

"That Baxter boy!" said Mr. Parcher, as William passed on toward the dancers. "What's he think he's imitating—Henry Irving? Look at his walk!"

"He walks that way a good deal, lately, I've noticed," said Mrs. Parcher in a tired voice. "So do Joe Bullitt and—"

"He didn't even come to say good evening to you," Mr. Parcher interrupted. "Talk about MANNERS, nowadays! These young—"

"He didn't see us."

"Well, we're used to that," said Mr. Parcher. "None of 'em see us. They've worn holes in all the cane-seated chairs, they've scuffed up the whole house, and I haven't been able to sit down anywhere down-stairs for three months without sitting on some dam boy; but they don't even know we're alive! Well, thank the Lord, it's over—after to-night!" His voice became reflective. "That Baxter boy was the worst, until he took to coming in the daytime when I was down-town. I COULDN'T have stood it if he'd kept on coming in the evening. If I'd had to listen to any more of his talking or singing, either the embalmer or the lunatic-asylum would have had me, sure! I see he's got hold of his daddy's dress-suit again for to-night."

"Is it Mr. Baxter's dress-suit?" Mrs. Parcher inquired. "How do you know?"

Mr. Parcher smiled. "How I happen to know is a secret," he said. "I forgot about that. His little sister, Jane, told me that Mrs. Baxter had hidden it, or something, so that Willie couldn't wear it, but I guess Jane wouldn't mind my telling YOU that she told me especially as they're letting him use it again to-night. I suppose he feels grander 'n the King o' Siam!"

"No," Mrs. Parcher returned, thoughtfully. "I don't think he does, just now." Her gaze was fixed upon the dancing-platform, which most of the dancers were abandoning as the music fell away to an interval of silence. In the center of the platform there remained one group, consisting of Miss Pratt and five orators, and of the orators the most impassioned and gesticulative was William.

"They all seem to want to dance with her all the time," said Mrs. Parcher. "I heard her telling one of the boys, half an hour ago, that all she could give him was either the twenty-eighth regular dance or the sixteenth 'extra.'"

"The what?" Mr. Parcher demanded, whirling to face her. "Do they think this party's going to keep running till day after to-morrow?" And then, as his eyes returned to the group on the platform, "That boy seems to have quite a touch of emotional insanity," he remarked, referring to William. "What IS the matter with him?"

"Oh, nothing," his wife returned. "Only trying to arrange a dance with her. He seems to be in difficulties."



XXVI

MISS BOKE

Nothing could have been more evident than William's difficulties. They continued to exist, with equal obviousness, when the group broke up in some confusion, after a few minutes of animated discussion; Mr. Wallace Banks, that busy and executive youth, bearing Miss Pratt triumphantly off to the lemonade-punch-bowl, while William pursued Johnnie Watson and Joe Bullitt. He sought to detain them near the edge of the platform, though they appeared far from anxious to linger in his company; and he was able to arrest their attention only by clutching an arm of each. In fact, the good feeling which had latterly prevailed among these three appeared to be in danger of disintegrating. The occasion was too vital; and the watchword for "Miss Pratt's last night" was Devil-Take-the-Hindmost!

"Now you look here, Johnnie," William said, vehemently, "and you listen, too, Joe! You both got seven dances apiece with her, anyway, all on account of my not getting here early enough, and you got to—"

"It wasn't because of any such reason," young Mr. Watson protested. "I asked her for mine two days ago."

"Well, THAT wasn't fair, was it?" William cried. "Just because I never thought of sneaking in ahead like that, you go and—"

"Well, you ought to thought of it," Johnnie retorted, jerking his arm free of William's grasp. "I can't stand here GABBIN' all night!" And he hurried away.

"Joe," William began, fastening more securely upon Mr. Bullitt—"Joe, I've done a good many favors for you, and—"

"I've got to see a man," Mr. Bullitt interrupted. "Lemme go, Silly Bill. There's some body I got to see right away before the next dance begins. I GOT to! Honest I have!"

William seized him passionately by the lapels of his coat. "Listen, Joe. For goodness' sake can't you listen a MINUTE? You GOT to give me—"

"Honest, Bill," his friend expostulated, backing away as forcefully as possible, "I got to find a fellow that's here to-night and ask him about something important before—"

"Ye gods! Can't you wait a MINUTE?" William cried, keeping his grip upon Joe's lapels. "You GOT to give me anyway TWO out of all your dances with her! You heard her tell me, yourself, that she'd be willing if you or Johnnie or—"

"Well, I only got five or six with her, and a couple extras. Johnnie's got seven. Whyn't you go after Johnnie? I bet he'd help you out, all right, if you kept after him. What you want to pester ME for, Bill?"

The brutal selfishness of this speech, as well as its cold-blooded insincerity, produced in William the impulse to smite. Fortunately, his only hope lay in persuasion, and after a momentary struggle with his own features he was able to conceal what he desired to do to Joe's.

He swallowed, and, increasing the affectionate desperation of his clutch upon Mr. Bullitt's lapels, "Joe," he began, huskily—"Joe, if I'd got six reg'lar and two extras with Miss Pratt her last night here, and you got here late, and it wasn't your fault—I couldn't help being late, could I? It wasn't my fault I was late, I guess, was it? Well, if I was in YOUR place I wouldn't act the way you and Johnnie do—not in a thousand years I wouldn't! I'd say, 'You want a couple o' my dances with Miss Pratt, ole man? Why, CERTAINLY—'"

"Yes, you would!" was the cynical comment of Mr. Bullitt, whose averted face and reluctant shoulders indicated a strong desire to conclude the interview. "To-night, especially!" he added.

"Look here, Joe," said William, desperately, "don't you realize that this is the very last night Miss Pratt's going to be in this town?"

"You bet I do!" These words, though vehement, were inaudible; being formed in the mind of Mr. Bullitt, but, for diplomatic reasons, not projected upon the air by his vocal organs.

William continued: "Joe, you and I have been friends ever since you and I were boys." He spoke with emotion, but Joe had no appearance of being favorably impressed. "And when I look back," said William, "I expect I've done more favors for you than I ever have for any oth—"

But Mr. Bullitt briskly interrupted this appealing reminiscence. "Listen here, Silly Bill," he said, becoming all at once friendly and encouraging—"Bill, there's other girls here you can get dances with. There's one or two of 'em sittin' around in the yard. You can have a bully time, even if you did come late." And, with the air of discharging happily all the obligations of which William had reminded him, he added, "I'll tell you THAT much, Bill!"

"Joe, you got to give me anyway ONE da—"

"Look!" said Mr. Bullitt, eagerly. "Look sittin' yonder, over under that tree all by herself! That's a visiting girl named Miss Boke; she's visiting some old uncle or something she's got livin' here, and I bet you could—"

"Joe, you GOT to—"

"I bet that Miss Boke's a good dancer, Bill," Joe continued, warmly. "May Parcher says so. She was tryin' to get me to dance with her myself, but I couldn't, or I would of. Honest, Bill, I would of! Bill, if I was you I'd sail right in there before anybody else got a start, and I'd—"

"Ole man," said William, gently, "you remember the time Miss Pratt and I had an engagement to go walkin', and you wouldn't of seen her for a week on account of your aunt dyin' in Kansas City, if I hadn't let you go along with us? Ole man, if you—"

But the music sounded for the next dance, and Joe felt that it was indeed time to end this uncomfortable conversation. "I got to go, Bill," he said. "I GOT to!"

"Wait just one minute," William implored. "I want to say just this: if—"

"Here!" exclaimed Mr. Bullitt. "I got to GO!"

"I know it. That's why—"

Heedless of remonstrance, Joe wrenched himself free, for it would have taken a powerful and ruthless man to detain him longer. "What you take me for?" he demanded, indignantly. "I got this with Miss PRATT!"

And evading a hand which still sought to clutch him, he departed hotly.

... Mr. Parcher's voice expressed wonder, a little later, as he recommended his wife to turn her gaze in the direction of "that Baxter boy" again. "Just look at him!" said Mr. Parcher. "His face has got more genuine idiocy in it than I've seen around here yet, and God knows I've been seeing some miracles in that line this summer!"

"He's looking at Lola Pratt," said Mrs. Parcher.

"Don't you suppose I can see that?" Mr. Parcher returned, with some irritation. "That's what's the trouble with him. Why don't he QUIT looking at her?"

"I think probably he feels badly because she's dancing with one of the other boys," said his wife, mildly.

"Then why can't he dance with somebody else himself?" Mr. Parcher inquired, testily. "Instead of standing around like a calf looking out of the butcher's wagon! By George! he looks as if he was just going to MOO!"

"Of course he ought to be dancing with somebody," Mrs. Parcher remarked, thoughtfully. "There are one or two more girls than boys here, and he's the only boy not dancing. I believe I'll—" And, not stopping to complete the sentence, she rose and walked across the interval of grass to William. "Good evening, William," she said, pleasantly. "Don't you want to dance?"

"Ma'am?" said William, blankly, and the eyes he turned upon here were glassy with anxiety. He was still determined to dance on and on and on with Miss Pratt, but he realized that there were great obstacles to be overcome before he could begin the process. He was feverishly awaiting the next interregnum between dances—then he would show Joe Bullitt and Johnnie Watson and Wallace Banks, and some others who had set themselves in his way, that he was "abs'lutely not goin' to stand it!"

He couldn't stand it, he told himself, even if he wanted to—not to-night! He had "been through enough" in order to get to the party, he thought, thus defining sufferings connected with his costume, and now that he was here he WOULD dance and dance, on and on, with Miss Pratt. Anything else was unthinkable.

He HAD to!

"Don't you want to dance?" Mrs. Parcher repeated. "Have you looked around for a girl without a partner?"

He continued to stare at her, plainly having no comprehension of her meaning.

"Girl?" he echoed, in a tone of feeble inquiry.

She smiled and nodded, taking his arm. "You come with me," she said. "I'LL fix you up!"

William suffered her to conduct him across the yard. Intensely preoccupied with what he meant to do as soon as the music paused, he was somewhat hazy, but when he perceived that he was being led in the direction of a girl, sitting solitary under one of the maple-trees, the sudden shock of fear aroused his faculties.

"What—where—" he stammered, halting and seeking to detach himself from his hostess.

"What is it?" she asked.

"I got—I got to—" William began, uneasily. "I got to—"

His purpose was to excuse himself on the ground that he had to find a man and tell him something important before the next dance, for in the confusion of the moment his powers refused him greater originality. But the vital part of his intended excuse remained unspoken, being disregarded and cut short, as millions of other masculine diplomacies have been, throughout the centuries, by the decisive action of ladies.

Miss Boke had been sitting under the mapletree for a long time—so long, indeed, that she was acquiring a profound distaste for forestry and even for maple syrup. In fact, her state of mind was as desperate, in its way, as William's; and when a hostess leads a youth (in almost perfectly fitting conventional black) toward a girl who has been sitting alone through dance after dance, that girl knows what that youth is going to have to do.

It must be confessed for Miss Boke that her eyes had been upon William from the moment Mrs. Parcher addressed him. Nevertheless, as the pair came toward her she looked casually away in an indifferent manner. And yet this may have been but a seeming unconsciousness, for upon the very instant of William's halting, and before he had managed to stammer "I got to—" for the fourth time, Miss Boke sprang to her feet and met Mrs. Parcher more than halfway.

"Oh, Mrs. Parcher!" she called, coming forward.

"I got—" the panic-stricken William again hastily began. "I got to—"

"Oh, Mrs. Parcher," cried Miss Boke, "I've been SO worried! There's a candle in that Japanese lantern just over your head, and I think it's going out."

"I'll run and get a fresh one in a minute," said Mrs. Parcher, smiling benevolently and retaining William's arm with a little difficulty. "We were just coming to find you. I've brought—"

"I got to—I got to find a m—" William made a last, stricken effort.

"Miss Boke, this is Mr. Baxter," said Mrs. Parcher, and she added, with what seemed to William hideous garrulity, "He and you both came late, dear, and he hasn't any dances engaged, either. So run and dance, and have a nice time together."

Thereupon this disastrous woman returned to her husband. Her look was conscientious; she thought she had done something pleasant!

The full horror of his position was revealed to William in the relieved, confident, proprietor's smile of Miss Boke. For William lived by a code from which no previous experience had taught him any means of escape. Mrs. Parcher had made the statement—so needless and so ruinous—that he had no engagements; and in his dismay he had been unable to deny this fatal truth; he had been obliged to let it stand. Henceforth, he was committed absolutely to Miss Boke until either some one else asked her to dance, or (while yet in her close company) William could obtain an engagement with another girl. The latter alternative presented certain grave difficulties, also contracting William to dance with the other girl before once more obtaining his freedom, but undeniably he regarded it from the first as the more hopeful.

He had to give form to the fatal invitation. "M'av this dance 'thyou?" he muttered, doggedly.

"Vurry pleased to!" Miss Boke responded, whereupon they walked in silence to the platform, stepped upon its surface, and embraced.

They made a false start.

They made another.

They stood swaying to catch the time; then made another. After that they tried again, and were saved from a fall only by spasmodic and noticeable contortions.

Miss Boke laughed tolerantly, as if forgiving William for his awkwardness, and his hot heart grew hotter with that injustice. She was a large, ample girl, weighing more than William (this must be definitely claimed in his behalf), and she had been spending the summer at a lakeside hotel where she had constantly danced "man's part." To paint William's predicament at a stroke, his partner was a determined rather than a graceful dancer—and their efforts to attune themselves to each other and to the music were in a fair way to attract general attention.

A coarse chuckle, a half-suppressed snort, assailed William's scarlet ear, and from the corner of his eye he caught a glimpse of Joe Bullitt gliding by, suffused; while over Joe's detested shoulder could be seen the adorable and piquant face of the One girl—also suffused.

"Doggone it!" William panted.

"Oh, you mustn't be discouraged with yourself," said Miss Boke, genially. "I've met lots of Men that had trouble to get started and turned out to be right good dancers, after all. It seems to me we're kind of workin' against each other. I'll tell you—you kind of let me do the guiding and I'll get you going fine. Now! ONE, two, ONE, two! There!"

William ceased to struggle for dominance, and their efforts to "get started" were at once successful. With a muscular power that was surprising, Miss Boke bore him out into the circling current, swung him round and round, walked him backward half across the platform, then swung him round and round and round again. For a girl, she "guided" remarkably well; nevertheless, a series of collisions, varying in intensity, marked the path of the pair upon the rather crowded platform. In such emergencies Miss Boke proved herself deft in swinging William to act as a buffer, and he several times found himself heavily stricken from the rear; anon his face would be pressed suffocatingly into Miss Boke's hair, without the slightest wish on his part for such intimacy. He had a helpless feeling, fully warranted by the circumstances. Also, he soon became aware that Miss Boke's powerful "guiding" was observed by the public; for, after one collision, more severe than others, a low voice hissed in his ear:

"SHE WON'T HURT YOU MUCH, SILLY BILL. SHE'S ONLY IN FUN!"

This voice belonged to the dancer with whom he had just been in painful contact, Johnnie Watson. However, Johnnie had whirled far upon another orbit before William found a retort, and then it was a feeble one.

"I wish YOU'D try a few dances with her!" he whispered, inaudibly, but with unprecedented bitterness, as the masterly arm of his partner just saved him from going over the edge of the platform. "I bet she'd kill you!"

More than once he tried to assert himself and resume his natural place as guide, but each time he did so he immediately got out of step with his partner, their knees collided embarrassingly, they staggered and walked upon each other's insteps—and William was forced to abandon the unequal contest.

"I just love dancing," said Miss Boke, serenely. "Don't you, Mr. Baxter?"

"What?" he gulped. "Yeh."

"It's a beautiful floor for dancing, isn't it?"

"Yeh."

"I just love dancing," Miss Boke thought proper to declare again. "Don't you love it, Mr. Baxter?"

This time he considered his enthusiasm to be sufficiently indicated by a nod. He needed all his breath.

"It's lovely," she murmured. "I hope they don't play 'Home, Sweet Home' very early at parties in this town. I could keep on like this all night!"

To the gasping William it seemed that she already had kept on like this all night, and he expressed himself in one great, frank, agonized moan of relief when the music stopped. "I sh' think those musicians 'd be dead!" he said, as he wiped his brow. And then discovering that May Parcher stood at his elbow, he spoke hastily to her. "M'av the next 'thyou?"

But Miss Parcher had begun to applaud the musicians for an encore. She shook her head. "Next's the third extra," she said. "And, anyhow, this one's going to be encored now. You can have the twenty-second—if there IS any!" William threw a wild glance about him, looking for other girls, but the tireless orchestra began to play the encore, and Miss Boke, who had been applauding, instantly cast herself upon his bosom. "Come on!" she cried. "Don't let's miss a second of it; It's just glorious!"

When the encore was finished she seized William's arm, and, mentioning that she'd left her fan upon the chair under the maple-tree, added, "Come on! Let's go get it QUICK!"

Under the maple-tree she fanned herself and talked of her love for dancing until the music sounded again. "Come on!" she cried, then. "Don't let's miss a second of it! It's just glorious!"

And grasping his arm, she propelled him toward the platform with a merry little rush.

So passed five dances. Long, long dances.

Likewise five encores. Long encores.



XXVII

MAROONED

At every possible opportunity William hailed other girls with a hasty "M'av the next 'thyou?" but he was indeed unfortunate to have arrived so late.

The best he got was a promise of "the nineteenth—if there IS any!"

After each dance Miss Boke conducted him back to the maple-tree, aloof from the general throng, and William found the intermissions almost equal to his martyrdoms upon the platform. But, as there was a barely perceptible balance in their favor, he collected some fragments of his broken spirit, when Miss Boke would have borne him to the platform for the sixth time, and begged to "sit this one out," alleging that he had "kind of turned his ankle, or something," he believed.

The cordial girl at once placed him upon the chair and gallantly procured another for herself. In her solicitude she sat close to him, looking fondly at his face, while William, though now and then rubbing his ankle for plausibility's sake, gazed at the platform with an expression which Gustave Dore would gratefully have found suggestive. William was conscious of a voice continually in action near him, but not of what it said. Miss Boke was telling him of the dancing "up at the lake" where she had spent the summer, and how much she had loved it, but William missed all that. Upon the many-colored platform the ineffable One drifted to and fro, back and forth; her little blonde head, in a golden net, glinting here and there like a bit of tinsel blowing across a flower-garden.

And when that dance and its encore were over she went to lean against a tree, while Wallace Banks fanned her, but she was so busy with Wallace that she did not notice William, though she passed near enough to waft a breath of violet scent to his wan nose. A fragment of her silver speech tinkled in his ear:

"Oh, Wallie Banks! Bid pid s'ant have Bruvva Josie-Joe's dance 'less Joe say so. Lola MUS' be fair. Wallie mustn't—"

"That's that Miss Pratt," observed Miss Boke, following William's gaze with some interest. "You met her yet?"

"Yeh," said William.

"She's been visiting here all summer," Miss Boke informed him. "I was at a little tea this afternoon, and some of the girls said this Miss Pratt said she'd never DREAM of getting engaged to any man that didn't have seven hundred and fifty thousand dollars. I don't know if it's true or not, but I expect so. Anyway, they said they heard her say so."

William lifted his right hand from his ankle and passed it, time after time, across his damp forehead. He did not believe that Miss Pratt could have expressed herself in so mercenary a manner, but if she HAD—well, one fact in British history had so impressed him that he remembered it even after Examination: William Pitt, the younger, had been Prime Minister of England at twenty-one.

If an Englishman could do a thing like that, surely a bright, energetic young American needn't feel worried about seven hundred and fifty thousand dollars! And although William, at seventeen, had seldom possessed more than seven hundred and fifty cents, four long years must pass, and much could be done, before he would reach the age at which William Pitt attained the premiership—coincidentally a good, ripe, marriageable age. Still, seven hundred and fifty thousand dollars is a stiffish order, even allowing four long years to fill it; and undoubtedly Miss Boke's bit of gossip added somewhat to the already sufficient anxieties of William's evening.

"Up at the lake," Miss Boke chattered on, "we got to use the hotel dining-room for the hops. It's a floor a good deal like this floor is to-night—just about oily enough and as nice a floor as ever I danced on. We have awf'ly good times up at the lake. 'Course there aren't so many Men up there, like there are here to-night, and I MUST say I AM glad to get a chance to dance with a Man again! I told you you'd dance all right, once we got started, and look at the way it's turned out: our steps just suit exactly! If I must say it, I could scarcely think of anybody I EVER met I'd rather dance with. When anybody's step suits in with mine, that way, why, I LOVE to dance straight through an evening with one person, the way we're doing."

Dimly, yet with strong repulsion, William perceived that their interminable companionship had begun to affect Miss Boke with a liking for him. And as she chattered chummily on, revealing this increasing cordiality all the while—though her more obvious topics were dancing, dancing-floors, and "the lake"—the reciprocal sentiment roused in his breast was that of Sindbad the Sailor for the Old Man of the Sea.

He was unable to foresee a future apart from her; and when she informed him that she preferred his style of dancing to all other styles shown by the Men at this party, her thus singling him out for praise only emphasized, in his mind, that point upon which he was the most embittered.

"Yes!" he reflected. "It had to be ME!" With all the crowd to choose from, Mrs. Parcher had to go and pick on HIM! All, all the others went about, free as air, flitting from girl to girl—girls that danced like girls! All, all except William, danced with Miss PRATT! What Miss Pratt had offered HIM was a choice between the thirty-second dance and the twenty-first extra. THAT was what he had to look forward to: the thirty-second reg'lar or the twenty-first extra!

Meanwhile, merely through eternity, he was sealed unto Miss Boke.

The tie that bound them oppressed him as if it had been an ill-omened matrimony, and he sat beside her like an unwilling old husband. All the while, Miss Boke had no appreciation whatever of her companion's real condition, and, when little, spasmodic, sinister changes appeared in his face (as they certainly did from time to time) she attributed them to pains in his ankle. However, William decided to discard his ankle, after they had "sat out" two dances on account of it. He decided that he preferred dancing, and said he guessed he must be better.

So they danced again—and again.

When the fourteenth dance came, about half an hour before midnight, they were still dancing together.

It was upon the conclusion of this fourteenth dance that Mr. Parcher mentioned to his wife a change in his feelings toward William. "I've been watching him," said Mr. Parcher, "and I never saw true misery show plainer. He's having a really horrible time. By George! I hate him, but I've begun to feel kind of sorry for him! Can't you trot up somebody else, so he can get away from that fat girl?"

Mrs. Parcher shook her head in a discouraged way. "I've tried, and I've tried, and I've tried!" she said.

"Well, try again."

"I can't now." She waved her hand toward the rear of the house. Round the corner marched a short procession of negroes, bearing trays; and the dancers were dispersing themselves to chairs upon the lawn "for refreshments."

"Well, do something," Mr. Parcher urged. "We don't want to find him in the cistern in the morning!"

Mrs. Parcher looked thoughtful, then brightened. "I know!" she said. "I'll make May and Lola and their partners come sit in this little circle of chairs here, and then I'll go and bring Willie and Miss Boke to sit with them. I'll give Willie the seat at Lola's left. You keep the chairs."

Straightway she sped upon her kindly errand. It proved successful, so successful, indeed, that without the slightest effort—without even a hint on her part—she brought not only William and his constant friend to sit in the circle with Miss Pratt, Miss Parcher and their escorts, but Mr. Bullitt, Mr. Watson, Mr. Banks, and three other young gentlemen as well. Nevertheless, Mrs. Parcher managed to carry out her plan, and after a little display of firmness, saw William satisfactorily established in the chair at Miss Pratt's left.

At last, at last, he sat beside the fairy-like creature, and filled his lungs with infinitesimal particles of violet scent. More: he was no sooner seated than the little blonde head bent close to his; the golden net brushed his cheek. She whispered:

"No'ty ickle boy Batster! Lola's last night, an' ickle boy Batster fluttin'! Flut all night wif dray bid dirl!"

William made no reply.

There are occasions, infrequent, of course, when even a bachelor is not flattered by being accused of flirting. William's feelings toward Miss Boke had by this time come to such a pass that he, regarded the charge of flirting with her as little less than an implication of grave mental deficiency. And well he remembered how Miss Pratt, beholding his subjugated gymnastics in the dance, had grown pink with laughter! But still the rose-leaf lips whispered:

"Lola saw! Lola saw bad boy Batster under dray bid tree fluttin' wif dray bid dirl. Fluttin' all night wif dray bid 'normous dirl!"

Her cruelty was all unwitting; she intended to rally him sweetly. But seventeen is deathly serious at such junctures, and William was in a sensitive condition. He made no reply in words. Instead, he drew himself up (from the waist, that is, because he was sitting) with a kind of proud dignity. And that was all.

"Oo tross?" whispered Lola.

He spake not.

"'Twasn't my fault about dancing," she said. "Bad boy! What made you come so late?"

He maintained his silence and the accompanying icy dignity, whereupon she made a charming little pout.

"Oo be so tross," she said, "Lola talk to nice Man uvver side of her!"

With that she turned her back upon him and prattled merrily to the gentleman of sixteen upon her right.

Still and cold sat William. Let her talk to the Man at the other side of her as she would, and never so gaily, William knew that she was conscious every instant of the reproachful presence upon her left. And somehow these moments of quiet and melancholy dignity became the most satisfactory he had known that evening. For as he sat, so silent, so austere, and not yet eating, though a plate of chicken salad had been placed upon his lap, he began to feel that there was somewhere about him a mysterious superiority which set him apart from other people—and above them. This quality, indefinable and lofty, had carried him through troubles, that very night, which would have wrecked the lives of such simple fellows as Joe Bullitt and Johnnie Watson. And although Miss Pratt continued to make merry with the Man upon her right, it seemed to William that this was but outward show. He had a strange, subtle impression that the mysterious superiority which set him apart from others was becoming perceptible to her—that she was feeling it, too.

Alas! Such are the moments Fate seizes upon to play the clown!

Over the chatter and laughter of the guests rose a too familiar voice. "Lemme he'p you to nice tongue samwich, lady. No'm? Nice green lettuce samwich, lady?"

Genesis!

"Nice tongue samwich, suh? Nice lettuce samwich, lady?" he could be heard vociferating—perhaps a little too much as if he had sandwiches for sale. "Lemme jes' lay this nice green lettuce samwich on you' plate fer you."

His wide-spread hand bore the tray of sandwiches high overhead, for his style in waiting was florid, though polished. He walked with a faint, shuffling suggestion of a prance, a lissome pomposity adopted in obedience to the art-sense within him which bade him harmonize himself with occasions of state and fashion. His manner was the super-supreme expression of graciousness, but the graciousness was innocent, being but an affectation and nothing inward—for inwardly Genesis was humble. He was only pretending to be the kind of waiter he would like to be.

And because he was a new waiter he strongly wished to show familiarity with his duties—familiarity, in fact, with everything and everybody. This yearning, born of self-doubt, and intensified by a slight touch of gin, was beyond question the inspiration of his painful behavior when he came near the circle of chairs where sat Mr. and Mrs. Parcher, Miss Parcher, Miss Pratt, Miss Boke, Mr. Watson, Mr. Bullitt, others—and William.

"Nice tongue samwich, lady!" he announced, semi-cake-walking beneath his high-borne tray.

"Nice green lettuce sam—" He came suddenly to a dramatic dead-stop as he beheld William sitting before him, wearing that strange new dignity and Mr. Baxter's evening clothes. "Name o' goo'ness!" Genesis exclaimed, so loudly that every one looked up. "How in the livin' worl' you evuh come to git here? You' daddy sut'ny mus' 'a' weakened 'way down 'fo' he let you wear his low-cut ves' an' pants an' long-tail coat! I bet any man fifty cents you gone an' stole 'em out aftuh he done went to bed!"

And he burst into a wild, free African laugh.

At seventeen such things are not embarrassing; they are catastrophical. But, mercifully, catastrophes often produce a numbness in the victims. More as in a trance than actually William heard the outbreak of his young companions; and, during the quarter of an hour subsequent to Genesis's performance, the oft-renewed explosions of their mirth made but a kind of horrid buzzing in his ears. Like sounds borne from far away were the gaspings of Mr. and Mrs. Parcher, striving with all their strength to obtain mastery of themselves once more.

... A flourish of music challenged the dancers. Couples appeared upon the platform.

The dreadful supper was over.

The ineffable One, supremely pink, rose from her seat at William's side and moved toward the platform with the glowing Joe Bullitt. Then William, roused to action by this sight, sprang to his feet and took a step toward them. But it was only one weak step.

A warm and ample hand placed itself firmly inside the crook of his elbow. "Let's get started for this one before the floor gets all crowded up," said Miss Boke.

Miss Boke danced and danced with him; she danced him on—and on—and on——

At half past one the orchestra played "Home, Sweet Home." As the last bars sounded, a group of earnest young men who had surrounded the lovely guest of honor, talking vehemently, broke into loud shouts, embraced one another and capered variously over the lawn. Mr. Parcher beheld from a distance these manifestations, and then, with an astonishment even more profound, took note of the tragic William, who was running toward him, radiant—Miss Boke hovering futilely in the far background.

"What's all the hullabaloo?" Mr. Parcher inquired.

"Miss Pratt!" gasped William. "Miss Pratt!"

"Well, what about her?"

And upon receiving William's reply, Mr. Parcher might well have discerned behind it the invisible hand of an ironic but recompensing Providence making things even—taking from the one to give to the other.

"She's going to stay!" shouted the happy William. "She's promised to stay another week!"

And then, mingling with the sounds of rejoicing, there ascended to heaven the stricken cry of an elderly man plunging blindly into the house in search of his wife.



XXVIII

RANNIE KIRSTED

Observing the monotonously proper behavior of the sun, man had an absurd idea and invented Time. Becoming still more absurd, man said, "So much shall be a day; such and such shall be a week. All weeks shall be the same length." Yet every baby knows better! How long for Johnnie Watson, for Joe Bullitt, for Wallace Banks—how long for William Sylvanus Baxter was the last week of Miss Pratt? No one can answer. How long was that week for Mr. Parcher? Again the mind is staggered.

Many people, of course, considered it to be a week of average size. Among these was Jane.

Throughout seven days which brought some tense moments to the Baxter household, Jane remained calm; and she was still calm upon the eighth morning as she stood in the front yard of her own place of residence, gazing steadily across the street. The object of her grave attention was an ample brick house, newly painted white after repairs and enlargements so inspiring to Jane's faculty for suggesting better ways of doing things, that the workmen had learned to address her, with a slight bitterness, as "Madam President."

Throughout the process of repair, and until the very last of the painting, Jane had considered this house to be as much her property as anybody's; for children regard as ownerless all vacant houses and all houses in course of construction or radical alteration. Nothing short of furniture—intimate furniture in considerable quantity—hints that the public is not expected. However, such a hint, or warning, was conveyed to Jane this morning, for two "express wagons" were standing at the curb with their backs impolitely toward the brick house; and powerful-voiced men went surging to and fro under fat arm-chairs, mahogany tables, disarticulated bedsteads, and baskets of china and glassware; while a harassed lady appeared in the outer doorway, from time to time, with gestures of lamentation and entreaty. Upon the sidewalk, between the wagons and the gate, was a broad wet spot, vaguely circular, with a partial circumference of broken glass and extinct goldfish.

Jane was forced to conclude that the brick house did belong to somebody, after all. Wherefore, she remained in her own yard, a steadfast spectator, taking nourishment into her system at regular intervals. This was beautifully automatic: in each hand she held a slice of bread, freely plastered over with butter, apple sauce, and powdered sugar; and when she had taken somewhat from the right hand, that hand slowly descended with its burden, while, simultaneously, the left began to rise, reaching the level of her mouth precisely at the moment when a little wave passed down her neck, indicating that the route was clear. Then, having made delivery, the left hand sank, while the right began to rise again. And, so well had custom trained Jane's members, never once did she glance toward either of these faithful hands or the food that it supported; her gaze was all the while free to remain upon the house across the way and the great doings before it.

After a while, something made her wide eyes grow wider almost to their utmost. Nay, the event was of that importance her mechanical hands ceased to move and stopped stock-still, the right half-way up, the left half-way down, as if because of sudden motor trouble within Jane. Her mouth was equally affected, remaining open at a visible crisis in the performance of its duty. These were the tokens of her agitation upon beholding the removal of a dolls' house from one of the wagons. This dolls' house was at least five feet high, of proportionate breadth and depths the customary absence of a facade disclosing an interior of four luxurious floors, with stairways, fireplaces, and wall-paper. Here was a mansion wherein doll-duchesses, no less, must dwell.

Straightway, a little girl ran out of the open doorway of the brick house and, with a self-importance concentrated to the point of shrewishness, began to give orders concerning the disposal of her personal property, which included (as she made clear) not only the dolls' mansion, but also three dolls' trunks and a packing-case of fair size. She was a thin little girl, perhaps half a year younger than Jane; and she was as soiled, particularly in respect to hands, brow, chin, and the knees of white stockings, as could be expected of any busybodyish person of nine or ten whose mother is house-moving. But she was gifted—if we choose to put the matter in the hopeful, sweeter way—she was gifted with an unusually loud and shrill voice, and she made herself heard over the strong-voiced men to such emphatic effect that one of the latter, with the dolls' mansion upon his back, paused in the gateway to acquaint her with his opinion that of all the bossy little girls he had ever seen, heard, or heard of, she was the bossiest.

"THE worst!" he added.

The little girl across the street was of course instantly aware of Jane, though she pretended not to be; and from the first her self-importance was in large part assumed for the benefit of the observer. After a momentary silence, due to her failure to think of any proper response to the workman who so pointedly criticized her, she resumed the peremptory direction of her affairs. She ran in and out of the house, her brow dark with frowns, her shoulders elevated; and by every means at her disposal she urged her audience to behold the frightful responsibilities of one who must keep a thousand things in her head at once, and yet be ready for decisive action at any instant.

There may have been one weakness in this strong performance: the artistic sincerity of it was a little discredited by the increasing frequency with which the artist took note of her effect. During each of her most impressive moments, she flashed, from the far corner of her eye, two questions at Jane: "How about THAT one? Are you still watching Me?"

Then, apparently in the very midst of her cares, she suddenly and without warning ceased to boss, walked out into the street, halted, and stared frankly at Jane.

Jane had begun her automatic feeding again. She continued it, meanwhile seriously returning the stare of the new neighbor. For several minutes this mutual calm and inoffensive gaze was protracted; then Jane, after swallowing the last morsel of her supplies, turned her head away and looked at a tree. The little girl, into whose eyes some wistfulness had crept, also turned her head and looked at a tree. After a while, she advanced to the curb on Jane's side of the street, and, swinging her right foot, allowed it to kick the curbstone repeatedly.

Jane came out to the sidewalk and began to kick one of the fence-pickets.

"You see that ole fatty?" asked the little girl, pointing to one of the workmen, thus sufficiently identified.

"Yes."

"That's the one broke the goldfish," said the little girl. There was a pause during which she continued to scuff the curbstone with her shoe, Jane likewise scuffing the fence-picket. "I'm goin' to have papa get him arrested," added the stranger.

"My papa got two men arrested once," Jane said, calmly. "Two or three."

The little girl's eyes, wandering upward, took note of Jane's papa's house, and of a fierce young gentleman framed in an open window up-stairs. He was seated, wore ink upon his forehead, and tapped his teeth with a red penholder.

"Who is that?" she asked.

"It's Willie."

"Is it your papa?"

"NO-O-O-O!" Jane exclaimed. "It's WILLIE!"

"Oh," said the little girl, apparently satisfied.

Each now scuffed less energetically with her shoe; feet slowed down; so did conversation, and, for a time, Jane and the stranger wrapped themselves in stillness, though there may have been some silent communing between them. Then the new neighbor placed her feet far apart and leaned backward upon nothing, curving her front outward and her remarkably flexible spine inward until a profile view of her was grandly semicircular.

Jane watched her attentively, but without comment. However, no one could have doubted that the processes of acquaintance were progressing favorably.

"Let's go in our yard," said Jane.

The little girl straightened herself with a slight gasp, and accepted the invitation. Side by side, the two passed through the open gate, walked gravely forth upon the lawn, and halted, as by common consent. Jane thereupon placed her feet wide apart and leaned backward upon nothing, attempting the feat in contortion just performed by the stranger.

"Look," she said. "Look at ME!"

But she lacked the other's genius, lost her balance, and fell. Born persistent, she immediately got to her feet and made fresh efforts.

"No! Look at ME!" the little girl cried, becoming semicircular again. "This is the way. I call it 'puttin' your stummick out o' joint.' You haven't got yours out far enough."

"Yes, I have," said Jane, gasping.

"Well, to do it right, you must WALK that way. As soon as you get your stummick out o' joint, you must begin an' walk. Look! Like this." And the little girl, having achieved a state of such convexity that her braided hair almost touched the ground behind her, walked successfully in that singular attitude.

"I'm walkin'," Jane protested, her face not quite upside down. "Look! I'M walkin' that way, too. My stummick—"

There came an outraged shout from above, and a fierce countenance, stained with ink, protruded from the window.

"Jane!"

"What?"

"Stop that! Stop putting your stomach out in front of you like that! It's disgraceful!"

Both young ladies, looking rather oppressed, resumed the perpendicular. "Why doesn't he like it?" the stranger asked in a tone of pure wonder.

"I don't know," said Jane. "He doesn't like much of anything. He's seventeen years old."

After that, the two stared moodily at the ground for a little while, chastened by the severe presence above; then Jane brightened.

"I know!" she exclaimed, cozily. "Let's play callers. Right here by this bush 'll be my house. You come to call on me, an' we'll talk about our chuldren. You be Mrs. Smith an' I'm Mrs. Jones." And in the character of a hospitable matron she advanced graciously toward the new neighbor. "Why, my dear Mrs. SMITH, come right IN! I THOUGHT you'd call this morning. I want to tell you about my lovely little daughter. She's only ten years old, an' says the brightest THINGS! You really must—"

But here Jane interrupted herself abruptly, and, hopping behind the residential bush, peeped over it, not at Mrs. Smith, but at a boy of ten or eleven who was passing along the sidewalk. Her expression was gravely interested, somewhat complacent; and Mrs. Smith was not so lacking in perception that she failed to understand how completely—for the time being, at least—calling was suspended.

The boy whistled briskly, "My country, 'tis of thee," and though his knowledge of the air failed him when he finished the second line, he was not disheartened, but began at the beginning again, continuing repeatedly after this fashion to offset monotony by patriotism. He whistled loudly; he walked with ostentatious intent to be at some heavy affair in the distance; his ears were red. He looked neither to the right nor to the left.

That is, he looked neither to the right nor to the left until he had passed the Baxters' fence. But when he had gone as far as the upper corner of the fence beyond, he turned his head and looked back, without any expression—except that of a whistler—at Jane. And thus, still whistling "My country, 'tis of thee," and with blank pink face over his shoulder, he proceeded until he was out of sight.

"Who was that boy?" the new neighbor then inquired.

"It's Freddie," said Jane, placidly. "He's in our Sunday-school. He's in love of me."

"JANE!"

Again the outraged and ink-stained countenance glared down from the window.

"What you want?" Jane asked.

"What you MEAN talking about such things?" William demanded. "In all my life I never heard anything as disgusting! Shame on you!"

The little girl from across the street looked upward thoughtfully. "He's mad," she remarked, and, regardless of Jane's previous information, "It IS your papa, isn't it?" she insisted.

"No!" said Jane, testily. "I told you five times it's my brother Willie."

"Oh!" said the little girl, and, grasping the fact that William's position was, in dignity and authority, negligible, compared with that which she had persisted in imagining, she felt it safe to tint her upward gaze with disfavor. "He acts kind of crazy," she murmured.

"He's in love of Miss Pratt," said Jane. "She's goin' away to-day. She said she'd go before, but to-day she IS! Mr. Parcher, where she visits, he's almost dead, she's stayed so long. She's awful, I think."

William, to whom all was audible, shouted, hoarsely, "I'll see to YOU!" and disappeared from the window.

"Will he come down here?" the little girl asked, taking a step toward the gate.

"No. He's just gone to call mamma. All she'll do' ll be to tell us to go play somewheres else. Then we can go talk to Genesis."

"Who?"

"Genesis. He's puttin' a load of coal in the cellar window with a shovel. He's nice."

"What's he put the coal in the window for?"

"He's a colored man," said Jane.

"Shall we go talk to him now?"

"No," Jane said, thoughtfully. "Let's be playin' callers when mamma comes to tell us to go 'way. What was your name?"

"Rannie."

"No, it wasn't."

"It is too, Rannie," the little girl insisted. "My whole name's Mary Randolph Kirsted, but my short name's Rannie."

Jane laughed. "What a funny name!" she said. "I didn't mean your real name; I meant your callers' name. One of us was Mrs. Jones, and one was—"

"I want to be Mrs. Jones," said Rannie.

"Oh, my DEAR Mrs. Jones," Jane began at once, "I want to tell you about my lovely chuldren. I have two, one only seven years old, and the other—"

"Jane!" called Mrs. Baxter from William's window.

"Yes'm?"

"You must go somewhere else to play. Willie's trying to work at his studies up here, and he says you've disturbed him very much."

"Yes'm."

The obedient Jane and her friend turned to go, and as they went, Miss Mary Randolph Kirsted allowed her uplifted eyes to linger with increased disfavor upon William, who appeared beside Mrs. Baxter at the window.

"I tell you what let's do," Rannie suggested in a lowered voice. "He got so fresh with us, an' made your mother come, an' all, let's—let's—"

She hesitated.

"Let's what?" Jane urged her, in an eager whisper.

"Let's think up somep'n he won't like—an' DO it!"

They disappeared round a corner of the house, their heads close together.



XXIX

"DON'T FORGET!"

Up-stairs, Mrs. Baxter moved to the door of her son's room, pretending to be unconscious of the gaze he maintained upon her. Mustering courage to hum a little tune and affecting inconsequence, she had nearly crossed the threshold when he said, sternly:

"And this is all you intend to say to that child?"

"Why, yes, Willie."

"And yet I told you what she said!" he cried. "I told you I HEARD her stand there and tell that dirty-faced little girl how that idiot boy that's always walkin' past here four or five times a day, whistling and looking back, was in 'love of' her! Ye gods! What kind of a person will she grow up into if you don't punish her for havin' ideas like that at her age?"

Mrs. Baxter regarded him mildly, not replying, and he went on, with loud indignation:

"I never heard of such a thing! That Worm walkin' past here four or five times a day just to look at JANE! And her standing there, calmly tellin' that sooty-faced little girl, 'He's in love of me'! Why, it's enough to sicken a man! Honestly, if I had my way, I'd see that both she and that little Freddie Banks got a first-class whipping!"

"Don't you think, Willie," said Mrs. Baxter—"don't you think that, considering the rather noncommittal method of Freddie's courtship, you are suggesting extreme measures?"

"Well, SHE certainly ought to be punished!" he insisted, and then, with a reversal to agony, he shuddered. "That's the least of it!" he cried. "It's the insulting things you always allow her to say of one of the noblest girls in the United States—THAT'S what counts! On the very last day—yes, almost the last hour—that Miss Pratt's in this town, you let your only daughter stand there and speak disrespectfully of her—and then all you do is tell her to 'go and play somewhere else'! I don't understand your way of bringing up a child," he declared, passionately. "I do NOT!"

"There, there, Willie," Mrs. Baxter said. "You're all wrought up—"

"I am NOT wrought up!" shouted William. "Why should I be charged with—"

"Now, now!" she said. "You'll feel better to-morrow."

"What do you mean by that?" he demanded, breathing deeply.

For reply she only shook her head in an odd little way, and in her parting look at him there was something at once compassionate, amused, and reassuring.

"You'll be all right, Willie," she said, softly, and closed the door.

Alone, William lifted clenched hands in a series of tumultuous gestures at the ceiling; then he moaned and sank into a chair at his writing-table. Presently a comparative calm was restored to him, and with reverent fingers he took from a drawer a one-pound box of candy, covered with white tissue-paper, girdled with blue ribbon. He set the box gently beside him upon the table; then from beneath a large, green blotter drew forth some scribbled sheets. These he placed before him, and, taking infinite pains with his handwriting, slowly copied:

DEAR LOLA—I presume when you are reading these lines it will be this afternoon and you will be on the train moving rapidly away from this old place here farther and farther from it all. As I sit here at my old desk and look back upon it all while I am writing this farewell letter I hope when you are reading it you also will look back upon it all and think of one you called (Alias) Little Boy Baxter. As I sit here this morning that you are going away at last I look back and I cannot rember any summer in my whole life which has been like this summer, because a great change has come over me this summer. If you would like to know what this means it was something like I said when John Watson got there yesterday afternoon and interrupted what I said. May you enjoy this candy and think of the giver. I will put something in with this letter. It is something maybe you would like to have and in exchange I would give all I possess for one of you if you would send it to me when you get home. Please do this for now my heart is braking. Yours sincerely, WILLIAM S. BAXTER (ALIAS) LITTLE BOY BAXTER.

William opened the box of candy and placed the letter upon the top layer of chocolates. Upon the letter he placed a small photograph (wrapped in tissue-paper) of himself. Then, with a pair of scissors, he trimmed an oblong of white cardboard to fit into the box. Upon this piece of cardboard he laboriously wrote, copying from a tortured, inky sheet before him:

IN DREAM BY WILLIAM S. BAXTER

The sunset light Fades into night But never will I forget The smile that haunts me yet Through the future four long years I hope you will remember with tears Whate'er my rank or station Whilst receiving my education Though far away you seem I will see thee in dream.

He placed his poem between the photograph and the letter, closed the box, and tied the tissue-paper about it again with the blue ribbon. Throughout these rites (they were rites both in spirit and in manner) he was subject to little catchings of the breath, half gulp, half sigh. But the dolorous tokens passed, and he sat with elbows upon the table, his chin upon his hands, reverie in his eyes. Tragedy had given way to gentler pathos;—beyond question, something had measurably soothed him. Possibly, even in this hour preceding the hour of parting, he knew a little of that proud amazement which any poet is entitled to feel over each new lyric miracle just wrought.

Perhaps he was helped, too, by wondering what Miss Pratt would think of him when she read "In Dream," on the train that afternoon. For reasons purely intuitive, and decidedly without foundation in fact, he was satisfied that no rival farewell poem would be offered her, and so it may be that he thought "In Dream" might show her at last, in one blaze of light, what her eyes had sometimes fleetingly intimated she did perceive in part—the difference between William and such every-day, rather well-meaning, fairly good-hearted people as Joe Bullitt, Wallace Banks, Johnnie Watson, and others. Yes, when she came to read "In Dream," and to "look back upon it all," she would surely know—at last!

And then, when the future four long years (while receiving his education) had passed, he would go to her. He would go to her, and she would take him by the hand, and lead him to her father, and say, "Father, this is William."

But William would turn to her, and, with the old, dancing light in his eyes, "No, Lola," he would say, "not William, but Ickle Boy Baxter! Always and always, just that for you; oh, my dear!"

And then, as in story and film and farce and the pleasanter kinds of drama, her father would say, with kindly raillery, "Well, when you two young people get through, you'll find me in the library, where I have a pretty good BUSINESS proposition to lay before YOU, young man!"