THE COLISEUM

Type of the antique Rome! Rich reliquary Of lofty contemplation left to Time By bunted centuries of pomp and power! At length—at length—after so many days Of weary pilgrimage and burning thirst, (Thirst for the springs of lore that in thee lie,) I kneel, an altered and an humble man, Amid thy shadows, and so drink within My very soul thy grandeur, gloom, and glory!

Vastness! and Age! and Memories of Eld! Silence! and Desolation! and dim Night! I feel ye now—I feel ye in your strength— O spells more sure than e'er Judaean king Taught in the gardens of Gethsemane! O charms more potent than the rapt Chaldee Ever drew down from out the quiet stars!

Here, where a hero fell, a column falls! Here, where the mimic eagle glared in gold, A midnight vigil holds the swarthy bat! Here, where the dames of Rome their gilded hair Waved to the wind, now wave the reed and thistle! Here, where on golden throne the monarch lolled, Glides, spectre-like, unto his marble home, Lit by the wan light of the horned moon, The swift and silent lizard of the stones!

But stay! these walls—these ivy-clad arcades— These mouldering plinths—these sad and blackened shafts— These vague entablatures—this crumbling frieze— These shattered cornices—this wreck—this ruin— These stones—alas! these gray stones—are they all— All of the famed, and the colossal left By the corrosive Hours to Fate and me?

"Not all"—the Echoes answer me—"not all! "Prophetic sounds and loud, arise forever "From us, and from all Ruin, unto the wise, "As melody from Memnon to the Sun. "We rule the hearts of mightiest men—we rule "With a despotic sway all giant minds. "We are not impotent—we pallid stones. "Not all our power is gone—not all our fame— "Not all the magic of our high renown— "Not all the wonder that encircles us— "Not all the mysteries that in us lie— "Not all the memories that hang upon "And cling around about us as a garment, "Clothing us in a robe of more than glory."



THE HAUNTED PALACE

In the greenest of our valleys By good angels tenanted, Once a fair and stately palace— Radiant palace—reared its head. In the monarch Thought's dominion— It stood there! Never seraph spread a pinion Over fabric half so fair!

Banners yellow, glorious, golden, On its roof did float and flow, (This—all this—was in the olden Time long ago,) And every gentle air that dallied; In that sweet day, Along the ramparts plumed and pallid, A winged odor went away.

Wanderers in that happy valley, Through two luminous windows, saw Spirits moving musically, To a lute's well-tuned law, Round about a throne where, sitting, (Porphyrogene!) In state his glory well befitting, The ruler of the realm was seen.

And all with pearl and ruby glowing Was the fair palace door, Through which came flowing, flowing, flowing And sparkling evermore, A troop of Echoes, whose sweet duty Was but to sing, In voices of surpassing beauty, The wit and wisdom of their king.

But evil things, in robes of sorrow, Assailed the monarch's high estate. (Ah, let us mourn!—for never morrow Shall dawn upon him desolate!) And round about his home the glory That blushed and bloomed, Is but a dim-remembered story Of the old time entombed.

And travellers, now, within that valley, Through the red-litten windows see Vast forms, that move fantastically To a discordant melody, While, like a ghastly rapid river, Through the pale door A hideous throng rush out forever And laugh—but smile no more.



TO ONE IN PARADISE

Thou wast all that to me, love, For which my soul did pine— A green isle in the sea, love, A fountain and a shrine All wreathed with fairy fruits and flowers, And all the flowers were mine.

Ah, dream too bright to last! Ah, starry Hope! that didst arise But to be overcast! A voice from out the Future cries, "On! on!"—but o'er the Past (Dim gulf!) my spirit hovering lies Mute, motionless, aghast!

For, alas! alas! with me The light of Life is o'er! "No more—no more—no more—" (Such language holds the solemn sea To the sands upon the shore) Shall bloom the thunder-blasted tree, Or the stricken eagle soar!

And all my days are trances, And all my nightly dreams Are where thy grey eye glances, And where thy footstep gleams— In what ethereal dances, By what eternal streams.



EULALIE.—A SONG

I dwelt alone In a world of moan, And my soul was a stagnant tide, Till the fair and gentle Eulalie became my blushing bride— Till the yellow-haired young Eulalie became my smiling bride.

Ah, less—less bright The stars of the night Than the eyes of the radiant girl! And never a flake That the vapor can make With the moon-tints of purple and pearl, Can vie with the modest Eulalie's most unregarded curl— Can compare with the bright-eyed Eulalie's most humble and careless curl.

Now Doubt—now Pain Come never again, For her soul gives me sigh for sigh, And all day long Shines, bright and strong, Astarte within the sky, While ever to her dear Eulalie upturns her matron eye— While ever to her young Eulalie upturns her violet eye.



THE RAVEN

Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door "'Tis some visitor," I muttered, "tapping at my chamber door— Only this and nothing more."

Ah, distinctly I remember it was in the bleak December; And each separate dying ember wrought its ghost upon the floor— Eagerly I wished the morrow;—vainly I had sought to borrow From my books surcease of sorrow—sorrow for the lost Lenore— For the rare and radiant maiden whom the angels name Lenore— Nameless here for evermore.

And the silken, sad, uncertain rustling of each purple curtain Thrilled me—filled me with fantastic terrors never felt before; So that now, to still the beating of my heart, I stood repeating

"'Tis some visitor entreating entrance at my chamber door— Some late visitor entreating entrance at my chamber door;— This it is and nothing more."

Presently my soul grew stronger; hesitating then no longer, "Sir," said I, "or Madam, truly your forgiveness I implore; But the fact is I was napping, and so gently you came rapping And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you"—here I opened wide the door;— Darkness there and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortal ever dared to dream before; But the silence was unbroken, and the stillness gave no token, And the only word there spoken was the whispered word, "Lenore!" This I whispered, and an echo murmured back the word "Lenore!" Merely this and nothing more.

Back into the chamber turning, all my soul within me burning, Soon again I heard a tapping somewhat louder than before. "Surely," said I, "surely that is something at my window lattice; Let me see, then, what thereat is, and this mystery explore— Let my heart be still a moment and this mystery explore;— 'Tis the wind and nothing more!"

Open here I flung the shutter, when, with many a flirt and flutter In there stepped a stately Raven of the saintly days of yore. Not the least obeisance made he; not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door— Perched upon a bust of Pallas just above my chamber door— Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance it wore, "Though thy crest be shorn and shaven, thou," I said, "art sure no craven, Ghastly grim and ancient Raven wandering from the Nightly shore— Tell me what thy lordly name is on the Night's Plutonian shore!" Quoth the Raven, "Nevermore."

Much I marvelled this ungainly fowl to hear discourse so plainly, Though its answer little meaning—little relevancy bore; For we cannot help agreeing that no living human being Ever yet was blessed with seeing bird above his chamber door— Bird or beast upon the sculptured bust above his chamber door, With such name as "Nevermore."

But the Raven, sitting lonely on the placid bust, spoke only That one word, as if his soul in that one word he did outpour. Nothing farther then he uttered—not a feather then he fluttered— Till I scarcely more than muttered "Other friends have flown before— On the morrow he will leave me, as my hopes have flown before." Then the bird said "Nevermore."

Startled at the stillness broken by reply so aptly spoken, "Doubtless," said I, "what it utters is its only stock and store, Caught from some unhappy master whom unmerciful Disaster Followed fast and followed faster till his songs one burden bore Till the dirges of his Hope that melancholy burden bore— Of 'Never—nevermore.'"

But the Raven still beguiling all my fancy into smiling, Straight I wheeled a cushioned seat in front of bird, and bust and door; Then, upon the velvet sinking, I betook myself to linking Fancy unto fancy, thinking what this ominous bird of yore— What this grim, ungainly, ghastly, gaunt, and ominous bird of yore Meant in croaking "Nevermore."

Thus I sat engaged in guessing, but no syllable expressing To the fowl whose fiery eyes now burned into my bosom's core; This and more I sat divining, with my head at ease reclining On the cushion's velvet lining that the lamp-light gloated o'er, But whose velvet violet lining with the lamp-light gloating o'er, She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer Swung by Seraphim whose foot-falls tinkled on the tufted floor. "Wretch," I cried, "thy God hath lent thee—by these angels he hath sent thee

Respite—respite and nepenthe from thy memories of Lenore; Quaff, oh quaff this kind nepenthe and forget this lost Lenore!" Quoth the Raven, "Nevermore."

"Prophet!" said I, "thing of evil! prophet still, if bird or devil!- Whether Tempter sent, or whether tempest tossed thee here ashore, Desolate yet all undaunted, on this desert land enchanted On this home by Horror haunted—tell me truly, I implore— Is there—is there balm in Gilead?—tell me—tell me, I implore!" Quoth the Raven, "Nevermore."

"Prophet!" said I, "thing of evil—prophet still, if bird or devil! By that Heaven that bends above us—by that God we both adore— Tell this soul with sorrow laden if, within the distant Aidenn, It shall clasp a sainted maiden whom the angels name Lenore: Clasp a rare and radiant maiden whom the angels name Lenore." Quoth the Raven, "Nevermore."

"Be that word our sign of parting, bird or fiend!" I shrieked, upstarting— "Get thee back into the tempest and the Night's Plutonian shore! Leave no black plume as a token of that lie thy soul hath spoken! Leave my loneliness unbroken!—quit the bust above my door! Take thy beak from out my heart, and take thy form from off my door!" Quoth the Raven, "Nevermore."

And the Raven, never flitting, still is sitting, still is sitting On the pallid bust of Pallas dust above my chamber door; And his eyes have all the seeming of a demon's that is dreaming, And the lamp-light o'er him streaming throws his shadow on the floor And my soul from out that shadow that lies floating on the floor Shall be lifted—nevermore!



TO HELEN

I saw thee once—once only—years ago I must not say how many—but not many. It was a July midnight; and from out A full-orbed moon, that, like thine own soul, soaring, Sought a precipitate pathway up through heaven, There fell a silvery-silken veil of light, With quietude and sultriness and slumber, Upon the upturn'd faces of a thousand Roses that grew in an enchanted garden, Where no wind dared to stir, unless on tiptoe— Fell on the upturn'd faces of these roses That gave out, in return for the love-light, Their odorous souls in an ecstatic death— Fell on the upturn'd faces of these roses That smiled and died in this parterre, enchanted By thee, and by the poetry of thy presence.

Clad all in white, upon a violet bank I saw thee half reclining; while the moon Fell on the upturn'd faces of the roses, And on throe own, upturn'd—alas, in sorrow!

Was it not Fate, that, on this July midnight— Was it not Fate, (whose name is also Sorrow), That bade me pause before that garden-gate, To breathe the incense of those slumbering roses? No footstep stirred: the hated world all slept, Save only thee and me. (Oh, heaven!—oh, God! How my heart beats in coupling those two words!) Save only thee and me. I paused—I looked— And in an instant all things disappeared. (Ah, bear in mind this garden was enchanted!) The pearly lustre of the moon went out: The mossy banks and the meandering paths, The happy flowers and the repining trees, Were seen no more: the very roses' odors Died in the arms of the adoring airs. All—all expired save thee—save less than thou: Save only the divine light in throe eyes— Save but the soul in throe uplifted eyes. I saw but them—they were the world to me. I saw but them—saw only them for hours— Saw only there until the moon went down. What wild heart-histories seemed to lie enwritten

Upon those crystalline, celestial spheres! How dark a wo! yet how sublime a hope! How silently serene a sea of pride! How daring an ambition! yet how deep— How fathomless a capacity for love!

But now, at length, dear Dian sank from sight, Into a western couch of thunder-cloud; And thou, a ghost, amid the entombing trees Didst glide away. Only thine eyes remained. They would not go—they never yet have gone. Lighting my lonely pathway home that night, They have not left me (as my hopes have) since. They follow me—they lead me through the years— They are my ministers—yet I their slave. Their office is to illumine and enkindle— My duty, to be saved by their bright light, And purified in their electric fire, And sanctified in their elysian fire. They fill my soul with Beauty (which is Hope), And are far up in Heaven—the stars I kneel to In the sad, silent watches of my night; While even in the meridian glare of day I see them still—two sweetly scintillant Venuses, unextinguished by the sun!



ANNABEL LEE

It was many and many a year ago, In a kingdom by the sea That a maiden there lived whom you may know By the name of ANNABEL LEE; And this maiden she lived with no other thought Than to love and be loved by me.

I was a child and she was a child, In this kingdom by the sea, But we loved with a love that was more than love— I and my ANNABEL LEE— With a love that the winged seraphs of heaven Coveted her and me.

And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful ANNABEL LEE; So that her highborn kinsmen came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea.

The angels, not half so happy in heaven, Went envying her and me— Yes!—that was the reason (as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling and killing my ANNABEL LEE.

But our love it was stronger by far than the love Of those who were older than we— Of many far wiser than we— And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful ANNABEL LEE:

For the moon never beams, without bringing me dreams Of the beautiful ANNABEL LEE; And the stars never rise, but I feel the bright eyes Of the beautiful ANNABEL LEE: And so, all the night-tide, I lie down by the side Of my darling—my darling—my life and my bride In the sepulchre there by the sea— In her tomb by the sounding sea.



THE BELLS

Hear the sledges with the bells— Silver bells! What a world of merriment their melody foretells! How they tinkle, tinkle, tinkle, In the icy air of night! While the stars that oversprinkle All the heavens, seem to twinkle With a crystalline delight Keeping time, time, time, In a sort of Runic rhyme, To the tintinnabulation that so musically wells From the bells, bells, bells, bells, Bells, bells, bells— From the jingling and the tinkling of the bells.

Hear the mellow wedding bells, Golden bells! What a world of happiness their harmony foretell: Through the balmy air of night How they ring out their delight! From the molten-golden notes, And all in tune, What a liquid ditty floats, To the turtle-dove that listens, while she gloats On the moon!

Oh, from out the sounding cells, What a gush of euphony voluminously wells! How it swells! How it dwells On the Future!—how it tells Of the rapture that impels To the swinging and the ringing Of the bells, bells, bells— Of the bells, bells, bells, bells, Bells, bells, bells— To the rhyming and the chiming of the bells!

Hear the loud alarum bells— Brazen bells! What a tale of terror, now their turbulency tells! In the startled ear of night How they scream out their affright! Too much horrified to speak, They can only shriek, shriek, Out of tune, In a clamorous appealing to the mercy of the fire, In a mad expostulation with the deaf and frantic fire, Leaping higher, higher, higher, With a desperate desire, And a resolute endeavor Now—now to sit, or never, By the side of the pale-faced moon. Oh, the bells, bells, bells! What a tale their terror tells Of Despair! How they clang, and clash, and roar! What a horror they outpour On the bosom of the palpitating air!

Yet, the ear, it fully knows, By the twanging, And the clanging, How the danger ebbs and flows; Yet the ear distinctly tells, In the jangling, And the wrangling, How the danger sinks and swells,

By the sinking or the swelling in the anger of the bells Of the bells— Of the bells, bells, bells, bells, Bells, belts, bells— In the clamor and the clangor of the bells!

Hear the tolling of the bells— Iron bells What a world of solemn thought their monody compels! In the silence of the night, How we shiver with affright At the melancholy menace of their tone:

For every sound that floats From the rust within their throats Is a groan. And the people—ah, the people— They that dwell up in the steeple, All alone, And who, tolling, tolling, tolling, In that muffled monotone, Feel a glory in so rolling,

On the human heart a stone— They are neither man or woman— They are neither brute nor human— They are Ghouls:— And their king it is who tolls:— And he rolls, rolls, rolls, Rolls A paean from the bells! And his merry bosom swells With the paean of the bells! And he dances, and he yells; Keeping time, time, time, In a sort of Runic rhyme, To the paean of the bells:— Of the bells Keeping time, time, time, In a sort of Runic rhyme, To the throbbing of the bells— Of the bells, bells, bells— To the sobbing of the bells:— Keeping time, time, time, As he knells, knells, knells, In a happy Runic rhyme, To the rolling of the bells— Of the bells, bells, bells:— To the tolling of the bells— Of the bells, bells, bells, bells, Bells, bells, bells To the moaning and the groaning of the bells.



ELDORADO

Gaily bedight, A gallant knight, In sunshine and in shadow, Had journeyed long, Singing a song, In search of Eldorado.

But he grew old— This knight so bold— And o'er his heart a shadow Fell as he found No spot of ground That looked like Eldorado.

And, as his strength Failed him at length, He met a pilgrim shadow— "Shadow," said he, "Where can it be— This land of Eldorado?"

"Over the Mountains Of the Moon, Down the Valley of the Shadow, Ride, boldly ride," The shade replied, "If you seek for Eldorado."



HENRY WADSWORTH LONGFELLOW



HYMN TO THE NIGHT

I heard the trailing garments of the Night Sweep through her marble halls! I saw her sable skirts all fringed with light From the celestial walls!

I felt her presence, by its spell of might, Stoop o'er me from above; The calm, majestic presence of the Night, As of the one I love.

I heard the sounds of sorrow and delight, The manifold, soft chimes, That fill the haunted chambers of the Night, Like some old poet's rhymes.

From the cool cisterns of the midnight air My spirit drank repose; The fountain of perpetual peace flows there— From those deep cisterns flows.

O holy Night! from thee I learn to bear What man has borne before! Thou layest thy finger on the lips of Care, And they complain no more.

Peace! Peace! Orestes-like I breathe this prayer! Descend with broad-winged flight, The welcome, the thrice-prayed for, the most fair, The best-beloved Night!



A PSALM OF LIFE

WHAT THE HEART OF THE YOUNG MAN SAID TO THE PSALMIST

Tell me not, in mournful numbers, "Life is but an empty dream!" For the soul is dead that slumbers, And things are not what they seem.

Life is real! Life is earnest! And the grave is not its goal; "Dust thou art, to dust returnest," Was not spoken of the soul.

Not enjoyment, and not sorrow, Is our destined end or way; But to act, that each to-morrow Find us farther than to-day.

Art is long, and Time is fleeting, And our hearts, though stout and brave, Still, like muffled drums, are beating Funeral marches to the grave.

In the world's broad field of battle, In the bivouac of Life, Be not like dumb, driven cattle; Be a hero in the strife!

Trust no Future, howe'er pleasant Let the dead Past bury its dead! Act,—act in the living Present! Heart within, and God o'erhead!

Lives of great men all remind us We can make our lives sublime, And, departing, leave behind us Footprints on the sands of time;

Footprints, that perhaps another, Sailing o'er life's solemn main, A forlorn and shipwrecked brother, Seeing, shall take heart again.

Let us, then, be up and doing, With a heart for any fate; Still achieving, still pursuing, Learn to labor and to wait.



THE SKELETON IN ARMOR

"Speak! speak! thou fearful guest! Who, with thy hollow breast Still in rude armor drest, Comest to daunt me!

Wrapt not in Eastern balms, But with thy fleshless palms Stretched, as if asking alms, Why dost thou haunt me?"

Then, from those cavernous eyes Pale flashes seemed to rise, As when the Northern skies Gleam in December; And, like the water's flow Under December's snow, Came a dull voice of woe From the heart's chamber.

"I was a Viking old! My deeds, though manifold, No Skald in song has told, No Saga taught thee! Take heed, that in thy verse Thou dost the tale rehearse, Else dread a dead man's curse; For this I sought thee.

"Far in the Northern Land, By the wild Baltic's strand, I, with my childish hand, Tamed the ger-falcon; And, with my skates fast-bound, Skimmed the half-frozen Sound, That the poor whimpering hound Trembled to walk on.

"Oft to his frozen lair Tracked I the grisly bear, While from my path the hare Fled like a shadow; Oft through the forest dark Followed the were-wolf's bark, Until the soaring lark Sang from the meadow.

"But when I older grew, Joining a corsair's crew, O'er the dark sea I flew With the marauders. Wild was the life we led; Many the souls that sped, Many the hearts that bled, By our stern orders.

"Many a wassail-bout Wore the long Winter out; Often our midnight shout Set the cocks crowing, As we the Berserk's tale Measured in cups of ale, Draining the oaken pail, Filled to o'erflowing.

"Once as I told in glee Tales of the stormy sea, Soft eyes did gaze on me, Burning yet tender; And as the white stars shine On the dark Norway pine, On that dark heart of mine Fell their soft splendor.

"I wooed the blue-eyed maid, Yielding, yet half afraid, And in the forest's shade Our vows were plighted. Under its loosened vest Fluttered her little breast, Like birds within their nest By the hawk frighted.

"Bright in her father's hall Shields gleamed upon the wall, Loud sang the minstrels all, Chaunting his glory; When of old Hildebrand I asked his daughter's hand, Mute did the minstrels stand To hear my story.

"While the brown ale he quaffed, Loud then the champion laughed, And as the wind-gusts waft The sea-foam brightly, So the loud laugh of scorn, Out of those lips unshorn, From the deep drinking-horn Blew the foam lightly.

"She was a Prince's child, I but a Viking wild, And though she blushed and smiled, I was discarded! Should not the dove so white Follow the sea-mew's flight, Why did they leave that night Her nest unguarded?

"Scarce had I put to sea, Bearing the maid with me,— Fairest of all was she Among the Norsemen!— When on the white sea-strand, Waving his armed hand, Saw we old Hildebrand, With twenty horsemen.

"Then launched they to the blast, Bent like a reed each mast, Yet we were gaining fast, When the wind failed us; And with a sudden flaw Come round the gusty Skaw, So that our foe we saw Laugh as he hailed us.

"And as to catch the gale Round veered the flapping sail, Death! was the helmsman's hail Death without quarter! Mid-ships with iron keel Struck we her ribs of steel; Down her black hulk did reel Through the black water!

"As with his wings aslant, Sails the fierce cormorant, Seeking some rocky haunt, With his prey laden, So toward the open main, Beating to sea again, Through the wild hurricane, Bore I the maiden.

"Three weeks we westward bore, And when the storm was o'er, Cloud-like we saw the shore Stretching to lee-ward; There for my lady's bower Built I the lofty tower, Which to this very hour, Stands looking sea-ward.

"There lived we many years; Time dried the maiden's tears; She had forgot her fears, She was a mother; Death closed her mild blue eyes, Under that tower she lies; Ne'er shall the sun arise On such another!

"Still grew my bosom then, Still as a stagnant fen! Hateful to me were men, The sun-light hateful. In the vast forest here, Clad in my warlike gear, Fell I upon my spear, O, death was grateful!

"Thus, seamed with many scars Bursting these prison bars, Up to its native stars My soul ascended! There from the flowing bowl Deep drinks the warrior's soul, Skoal! to the Northland! skoal!" —Thus the tale ended.



THE WRECK OF THE HESPERUS

It was the schooner Hesperus, That sailed the wintry sea: And the skipper had taken his little daughter, To bear him company.

Blue were her eyes as the fairy-flax, Her cheeks like the dawn of day, And her bosom white as the hawthorn buds, That ope in the month of May.

The skipper he stood beside the helm, His pipe was in his mouth, And he watched how the veering flaw did blow The smoke now West, now South.

Then up and spake an old Sailor, Had sailed the Spanish Main, "I pray thee, put into yonder port For I fear a hurricane.

"Last night, the moon had a golden ring, And to-night no moon we see!" The skipper, he blew a whiff from his pipe, And a scornful laugh laughed he.

Colder and louder blew the wind, A gale from the Northeast; The snow fell hissing in the brine, And the billows frothed like yeast.

Down came the storm, and smote amain, The vessel in its strength; She shuddered and paused, like a frighted steed, Then leaped her cable's length,

"Come hither! come hither! my little daughter, And do not tremble so; For I can weather the roughest gale, That ever wind did blow."

He wrapped her warm in his seaman's coat Against the stinging blast; He cut a rope from a broken spar, And bound her to the mast.

"O father! I hear the church-bells ring, O say, what may it be?" "'Tis a fog-bell on a rock-bound coast!" And he steered for the open sea.

"O father! I hear the sound of guns, O say, what may it be?" "Some ship in distress, that cannot live In such an angry sea!"

"O father! I see a gleaming light, O say, what may it be?" But the father answered never a word, A frozen corpse was he.

Lashed to the helm, all stiff and stark, With his face turned to the skies, The lantern gleamed through the gleaming snow On his fixed and glassy eyes.

Then the maiden clasped her hands and prayed That saved she might be; And she thought of Christ, who stilled the wave, On the Lake of Galilee.

And fast through the midnight dark and drear, Through the whistling sleet and snow, Like a sheeted ghost, the vessel swept Towards the reef of Norman's Woe.

And ever the fitful gusts between, A sound came from the land; It was the sound of the trampling surf, On the rocks and the hard sea-sand.

The breakers were right beneath her bows, She drifted a dreary wreck, And a whooping billow swept the crew Like icicles from her deck.

She struck where the white and fleecy waves Looked soft as carded wool, But the cruel rocks, they gored her side Like the horns of an angry bull.

Her rattling shrouds, all sheathed in ice, With the masts went by the board; Like a vessel of glass, she stove and sank, Ho! ho! the breakers roared!

At daybreak, on the bleak sea-beach, A fisherman stood aghast, To see the form of a maiden fair, Lashed close to a drifting mast.

The salt sea was frozen on her breast, The salt tears in her eyes; And he saw her hair, like the brown sea-weed, On the billows fall and rise.

Such was the wreck of the Hesperus, In the midnight and the snow! Christ save us all from a death like this, On the reef of Norman's Woe!



THE VILLAGE BLACKSMITH

Under a spreading chestnut tree The village smithy stands; The smith, a mighty man is he, With large and sinewy hands; And the muscles of his brawny arms Are strong as iron bands.

His hair is crisp, and black, and long, His face is like the tan; His brow is wet with honest sweat, He earns whate'er he can, And looks the whole world in the face, For he owes not any man.

Week in, week out, from morn till night, You can hear his bellows blow; You can hear him swing his heavy sledge, With measured beat and slow, Like a sexton ringing the village bell, When the evening sun is low.

And children coming home from school Look in at the open door; They love to see the flaming forge, And hear the bellows roar, And catch the burning sparks that fly Like chaff from a threshing-floor.

He goes on Sunday to the church, And sits among his boys He hears the parson pray and preach, He hears his daughter's voice, Singing in the village choir, And it makes his heart rejoice.

It sounds to him like her mother's voice, Singing in Paradise! He needs must think of her once more, How in the grave she lies; And with his hard, rough hand he wipe A tear out of his eyes.

Toiling,—rejoicing,—sorrowing, Onward through life he goes; Each morning sees some task begin, Each evening sees it close; Something attempted, something done, Has earned a night's repose.

Thanks, thanks to thee, my worthy friend, For the lesson thou hast taught! Thus at the flaming forge of life Our fortunes must be wrought; Thus on its sounding anvil shaped Each burning deed and thought!



IT IS NOT ALWAYS MAY

NO HAY PAJAROS EN LOS NIDOS DE ANTANO

Spanish Proverb,

The sun is bright,—the air is clear, The darting swallows soar and sing, And from the stately elms I hear The bluebird prophesying Spring.

So blue yon winding river flows, It seems an outlet from the sky, Where, waiting till the west wind blows, The freighted clouds at anchor lie.

All things are new;—the buds, the leaves, That gild the elm tree's nodding crest. And even the nest beneath the eaves; There are no birds in last year's nest!

All things rejoice in youth and love, The fulness of their first delight! And learn from the soft heavens above The melting tenderness of night.

Maiden, that read'st this simple rhyme, Enjoy thy youth, it will not stay; Enjoy the fragrance of thy prime, For O! it is not always May!

Enjoy the Spring of Love and Youth, To some good angel leave the rest; For Time will teach thee soon the truth, There are no birds in last year's nest!



EXCELSIOR

The shades of night were falling fast, As through an Alpine village passed A youth, who bore, 'mid snow and ice, A banner with the strange device, Excelsior!

His brow was sad; his eye beneath, Flashed like a falchion from its sheath, And like a silver clarion rung The accents of that unknown tongue, Excelsior!

In happy homes he saw the light Of household fires gleam warm and bright; Above, the spectral glaciers shone, And from his lips escaped a groan, Excelsior!

"Try not the Pass!" the old man said; "Dark lowers the tempest overhead, The roaring torrent is deep and wide!" And loud that clarion voice replied, Excelsior!

"O stay," the maiden said, "and rest Thy weary head upon this breast!" A tear stood in his bright blue eye, But still he answered, with a sigh, Excelsior!

"Beware the pine tree's withered branch! Beware the awful avalanche!" This was the peasant's last Good-night, A voice replied, far up the height, Excelsior!

At break of day, as heavenward The pious monks of Saint Bernard Uttered the oft-repeated prayer, A voice cried through the startled air, Excelsior!

A traveller, by the faithful hound, Half-buried in the snow was found, Still grasping in his hand of ice That banner with the strange device, Excelsior!

There in the twilight cold and gray, Lifeless, but beautiful, he lay, And from the sky, serene and far, A voice fell, like a falling star, Excelsior!



THE RAINY DAY

The day is cold, and dark, and dreary; It rains, and the wind is never weary; The vine still clings to the mouldering wall, But at every gust the dead leaves fall, And the day is dark and dreary.

My life is cold, and dark, and dreary; It rains, and the wind is never weary; My thoughts still cling to the mouldering Past, But the hopes of youth fall thick in the blast, And the days are dark and dreary.

Be still, sad heart! and cease repining; Behind the clouds is the sun still shining; Thy fate is the common fate of all, Into each life some rain must fall, Some days must be dark and dreary.



THE ARROW AND THE SONG

I shot an arrow into the air, It fell to earth, I knew not where; For, so swiftly it flew, the sight Could not follow it in its flight.

I breathed a song into the air, It fell to earth, I knew not where; For who has sight so keen and strong, That it can follow the flight of song?

Long, long afterward, in an oak I found the arrow, still unbroke; And the song, from beginning to end, I found again in the heart of a friend.



THE DAY IS DONE

The day is done, and the darkness Falls from the wings of Night, As a feather is wafted downward From an eagle in his flight.

I see the lights of the village Gleam through the rain and the mist, And a feeling of sadness comes o'er me, That my soul cannot resist:

A feeling of sadness and longing, That is not akin to pain, And resembles sorrow only As the mist resembles the rain.

Come, read to me some poem, Some simple and heartfelt lay, That shall soothe this restless feeling, And banish the thoughts of day.

Not from the grand old masters, Not from the bards sublime, Whose distant footsteps echo Through the corridors of Time.

For, like strains of martial music, Their mighty thoughts suggest Life's endless toil and endeavor; And to-night I long for rest.

Read from some humbler poet, Whose songs gushed from his heart, As showers from the clouds of summer, Or tears from the eyelids start;

Who, through long days of labor, And nights devoid of ease, Still heard in his soul the music Of wonderful melodies.

Such songs have power to quiet The restless pulse of care, And come like the benediction That follows after prayer.

Then read from the treasured volume The poem of thy choice, And lend to the rhyme of the poet The beauty of thy voice.

And the night shall be filled with music, And the cares, that infest the day, Shall fold their tents, like the Arabs, And as silently steal away.



WALTER VON DER VOGELWEIDE

VOGELWEID, the Minnesinger, When he left this world of ours, Laid his body in the cloister, Under Wurtzburg's minster towers.

And he gave the monks his treasures, Gave them all with this behest They should feed the birds at noontide Daily on his place of rest;

Saying, "From these wandering minstrels I have learned the art of song; Let me now repay the lessons They have taught so well and long."

Thus the bard of love departed; And, fulfilling his desire, On his tomb the birds were feasted By the children of the choir.

Day by day, o'er tower and turret, In foul weather and in fair, Day by day, in vaster numbers, Flocked the poets of the air.

On the tree whose heavy branches Overshadowed all the place, On the pavement, on the tombstone; On the poet's sculptured face,

On the cross-bars of each window, On the lintel of each door, They renewed the War of Wartburg, Which the bard had fought before.

There they sang their merry carols, Sang their lauds on every side; And the name their voices uttered Was the name of Vogelweid.

Till at length the portly abbot Murmured, "Why this waste of food? Be it changed to loaves henceforward For our fasting brotherhood."

Then in vain o'er tower and turret, From the walls and woodland nests, When the minster bells rang noontide, Gathered the unwelcome guests.

Then in vain, with cries discordant, Clamorous round the Gothic spire, Screamed the feathered Minnesingers For the children of the choir.

Time has long effaced the inscriptions On the cloister's funeral stones, And tradition only tells us Where repose the poet's bones.

But around the vast cathedral, By sweet echoes multiplied, Still the birds repeat the legend, And the name of Vogelweid.



THE BUILDERS

All are architects of Fate, Working in these walls of Time; Some with massive deeds and great, Some with ornaments of rhyme.

Nothing useless is, or low: Each thing in its place is best; And what seems but idle show Strengthens and supports the rest.

For the structure that we raise, Time is with materials filled; Our to-days and yesterdays Are the blocks with which we build.

Truly shape and fashion these; Leave no yawning gaps between Think not, because no man sees, Such things will remain unseen.

In the elder days of Art, Builders wrought with greatest care Each minute and unseen part! For the Gods see everywhere.

Let us do our work as well, Both the unseen and the seen; Make the house, where Gods may dwell, Beautiful, entire, and clean.

Else our lives are incomplete, Standing in these walls of Time, Broken stairways, where the feet Stumble as they seek to climb.

Build to-day, then, strong and sure, With a firm and ample base And ascending and secure Shall to-morrow find its place.

Thus alone can we attain To those turrets, where the eye Sees the world as one vast plain, And one boundless reach of sky.



SANTA FILOMENA

Whene'er a noble deed is wrought, Whene'er is spoken a noble thought, Our hearts, in glad surprise, To higher levels rise.

The tidal wave of deeper souls Into our inmost being rolls, And lifts us unawares Out of all meaner cares.

Honor to those whose words or deeds Thus help us in our daily needs, And by their overflow Raise us from what is low!

Thus thought I, as by night I read Of the great army of the dead, The trenches cold and damp, The starved and frozen camp,

The wounded from the battle-plain, In dreary hospitals of pain, The cheerless corridors, The cold and stony floors.

Lo! in that house of misery A lady with a lamp I see Pass through the glimmering gloom, And flit from room to room.

And slow, as in a dream of bliss, The speechless sufferer turns to kiss Her shadow, as it falls Upon the darkening walls.

As if a door in heaven should be Opened and then closed suddenly, The vision came and went, The light shone and was spent.

On England's annals, through the long Hereafter of her speech and song, That light its rays shall cast From portals of the past.

A Lady with a Lamp shall stand In the great history of the land, A noble type of good, Heroic womanhood.

Nor even shall be wanting here The palm, the lily, and the spear, The symbols that of yore Saint Filomena bore.



THE DISCOVERER OF THE NORTH CAPE

A LEAF FROM KING ALFRED'S OROSIUS

Othere, the old sea-captain, Who dwelt in Helgoland, To King Alfred, the Lover of Truth, Brought a snow-white walrus-tooth, Which he held in his brown right hand.

His figure was tall and stately, Like a boy's his eye appeared; His hair was yellow as hay, But threads of a silvery gray Gleamed in his tawny beard.

Hearty and hale was Othere, His cheek had the color of oak; With a kind of laugh in his speech, Like the sea-tide on a beach, As unto the King he spoke.

And Alfred, King of the Saxons, Had a book upon his knees, And wrote down the wondrous tale Of him who was first to sail Into the Arctic seas.

"So far I live to the northward, No man lives north of me; To the east are wild mountain-chains, And beyond them meres and plains; To the westward all is sea.

"So far I live to the northward, From the harbor of Skeringes-hale, If you only sailed by day, With a fair wind all the way, More than a month would you sail.

"I own six hundred reindeer, With sheep and swine beside; I have tribute from the Finns, Whalebone and reindeer-skins, And ropes of walrus-hide.

"I ploughed the land with horses, But my heart was ill at ease, For the old seafaring men Came to me now and then, With their sagas of the seas;

"Of Iceland and of Greenland And the stormy Hebrides, And the undiscovered deep;— I could not eat nor sleep For thinking of those seas.

"To the northward stretched the desert, How far I fain would know; So at last I sallied forth, And three days sailed due north, As far as the whale-ships go.

"To the west of me was the ocean, To the right the desolate shore, But I did not slacken sail For the walrus or the whale, Till after three days more,

"The days grew longer and longer, Till they became as one, And southward through the haze I saw the sullen blaze Of the red midnight sun.

"And then uprose before me, Upon the water's edge, The huge and haggard shape Of that unknown North Cape, Whose form is like a wedge.

"The sea was rough and stormy, The tempest howled and wailed, And the sea-fog, like a ghost, Haunted that dreary coast, But onward still I sailed.

"Four days I steered to eastward, Four days without a night Round in a fiery ring Went the great sun, O King, With red and lurid light."

Here Alfred, King of the Saxons, Ceased writing for a while; And raised his eyes from his book, With a strange and puzzled look, And an incredulous smile.

But Othere, the old sea-captain, He neither paused nor stirred, Till the King listened, and then Once more took up his pen, And wrote down every word.

"And now the land," said Othere, "Bent southward suddenly, And I followed the curving shore And ever southward bore Into a nameless sea.

"And there we hunted the walrus, The narwhale, and the seal; Ha! 't was a noble game! And like the lightning's flame Flew our harpoons of steel.

"There were six of us all together, Norsemen of Helgoland; In two days and no more We killed of them threescore, And dragged them to the strand!

Here Alfred the Truth-Teller Suddenly closed his book, And lifted his blue eyes, with doubt and strange surmise Depicted in their look.

And Othere the old sea-captain Stared at him wild and weird, Then smiled, till his shining teeth Gleamed white from underneath His tawny, quivering beard.

And to the King of the Saxons, In witness of the truth, Raising his noble head, He stretched his brown hand, and said, "Behold this walrus-tooth!"



SANDALPHON

Have you read in the Talmud of old, In the Legends the Rabbins have told Of the limitless realms of the air,— Have you read it.—the marvellous story Of Sandalphon, te Angel of Glory, Sandalphon, the Angel of Prayer?

How, erect, at the outermost gates Of the City Celestial he waits, With his feet on the ladder of light, That, crowded with angels unnumbered, By Jacob was seen as he slumbered Alone in the desert at night?

The Angels of Wind and of Fire, Chant only one hymn, and expire With the song's irresistible stress; Expire in their rapture and wonder, As harp-strings are broken asunder By music they throb to express.

But serene in the rapturous throng, Unmoved by the rush of the song, With eyes unimpassioned and slow, Among the dead angels, the deathless Sandalphon stands listening breathless To sounds that ascend from below;—

From the spirits on earth that adore, From the souls that entreat and implore In the fervor and passion of prayer; From the hearts that are broken with losses, And weary with dragging the crosses Too heavy for mortals to bear.

And he gathers the prayers as he stands, And they change into flowers in his hands, Into garlands of purple and red; And beneath the great arch of the portal, Through the streets of the City Immortal Is wafted the fragrance they shed.

It is but a legend, I know,— A fable, a phantom, a show, Of the ancient Rabbinical lore; Yet the old mediaeval tradition, The beautiful, strange superstition But haunts me and holds me the more.

When I look from my window at night, And the welkin above is all white, All throbbing and panting with stars, Among them majestic is standing Sandalphon the angel, expanding His pinions in nebulous bars.

And the legend, I feel, is a part Of the hunger and thirst of the heart, The frenzy and fire of the brain, That grasps at the fruitage forbidden, The golden pomegranates of Eden, To quiet its fever and pain.



THE LANDLORD'S TALE

PAUL REVERES RIDE

Listen, my children, and you shall hear Of the midnight ride of Paul Revere, On the eighteenth of April, in Seventy-five; Hardly a man is now alive Who remembers that famous day and year.

He said to his friend, "If the British march By land or sea from the town to-night, Hang a lantern aloft in the belfry arch Of the North Church tower as a signal light,— One, if by land, and two, if by sea; And I on the opposite shore will be, Ready to ride and spread the alarm Through every Middlesex village and farm, For the country-folk to be up and to arm."

Then he said, "Good night!" and with muffled oar Silently rowed to the Charlestown shore, Just as the moon rose over the bay, Where swinging wide at her moorings lay The Somerset, British man-of-war; A phantom ship, with each mast and spar Across the moon like a prison bar, And a huge black hulk that was magnified By its own reflection in the tide.

Meanwhile, his friend, through alley and street, Wanders and watches with eager ears, Till in the silence around him he hears The muster of men at the barrack door, The sound of arms, and the tramp of feet, And the measured tread of the grenadiers, Marching down to their boats on the shore.

Then he climbed to the tower of the church, Up the wooden stairs, with stealthy tread, To the belfry-chamber overhead, And startled the pigeons from their perch On the sombre rafters, that round him made Masses and moving shapes of shade,— Up the trembling ladder, steep and tall, To the highest window in the wall, Where he paused to listen and look down A moment on the roofs of the town, And the moonlight flowing over all. Beneath, in the churchyard, lay the dead, In their night-encampment on the hill, Wrapped in silence so deep and still That he could hear, like a sentinel's tread, The watchful night-wind, as it went Creeping along from tent to tent, And seeming to whisper, "All is well!" A moment only he feels the spell Of the place and the hour, and the secret dread Of the lonely belfry and the dead; For suddenly all his thoughts are bent On a shadowy something far away, Where the river widens to meet the bay, A line of black that bends and floats On the rising tide, like a bridge of boats.

Meanwhile, impatient to mount and ride, Booted and spurred, with a heavy stride On the opposite shore walked Paul Revere. Now he patted his horse's side, Now gazed at the landscape far and near, Then, impetuous, stamped the earth, And turned and tightened his saddlegirth; But mostly he watched with eager search The belfry-tower of the Old North Church, As it rose above the graves on the hill, Lonely and spectral and sombre and still. And lo! as he looks, on the belfry's height A glimmer, and then a gleam of light! He springs to the saddle, the bridle he turns, But lingers and gazes, till full on his sight A second lamp in the belfry burns!

A hurry of hoofs in a village street, A shape in the moonlight, a bulk in the dark, And beneath, from the pebbles, in passing, a spark Struck out by a steed flying fearless and fleet; That was all! And yet, through the gloom and the light, The fate of a nation was riding that night; And the spark struck out by that steed, in his flight, Kindled the land into flame with its heat.

He has left the village and mounted the steep, And beneath him, tranquil and broad and deep, Is the Mystic, meeting the ocean tides; And under the alders, that skirt its edge, Now soft on the sand, now loud on the ledge, Is heard the tramp of his steed as he rides. It was twelve by the village clock When he crossed the bridge into Medford town. He heard the crowing of the cock, And the barking of the farmer's dog, And felt the damp of the river fog, That rises after the sun goes down.

It was one by the village clock, When he galloped into Lexington. He saw the gilded weathercock Swim in the moonlight as he passed, And the meeting-house windows, blank and bare, Gaze at him with a spectral glare, As if they already stood aghast At the bloody work they would look upon.

It was two by the village clock, When he came to the bridge in Concord town. He heard the bleating of the flock, And the twitter of birds among the trees, And felt the breath of the morning breeze Blowing over the meadows brown. And one was safe and asleep in his bed Who at the bridge would be first to fall, Who that day would be lying dead, Pierced by a British musket-ball.

You know the rest. In the books you have read, How the British Regulars fired and fled,— How the farmers gave them ball for ball, From behind each fence and farmyard wall, Chasing the red-coats down the lane, Then crossing the fields to emerge again Under the trees at the turn of the road, And only pausing to fire and load.

So through the night rode Paul Revere; And so through the night went his cry of alarm To every Middlesex village and farm, A cry of defiance and not of fear, A voice in the darkness, a knock at the door, And a word that shall echo forevermore! For, borne on the night-wind of the Past, Through all our history, to the last, In the hour of darkness and peril and need, The people will waken and listen to hear The hurrying hoof-beats of that steed, And the midnight message of Paul Revere.



THE SICILIAN'S TALE

KING ROBERT OF SICILY

Robert of Sicily, brother of Pope Urbane And Valmond, Emperor of Allemaine, Apparelled in magnificent attire, With retinue of many a knight and squire, On St. John's eve, at vespers, proudly sat And heard the priests chant the Magnificat. And as he listened, o'er and o'er again Repeated, like a burden or refrain, He caught the words, "Deposuit potentes De sede, et exaltavit humiles;" And slowly lifting up his kingly head He to a learned clerk beside him said, "What mean these words?" The clerk made answer meet, "He has put down the mighty from their seat, And has exalted them of low degree." Thereat King Robert muttered scornfully, "'Tis well that such seditious words are sung Only by priests and in the Latin tongue; For unto priests and people be it known, There is no power can push me from my throne!" And leaning back, he yawned and fell asleep, Lulled by the chant monotonous and deep.

When he awoke, it was already night; The church was empty, and there was no light, Save where the lamps, that glimmered few and faint, Lighted a little space before some saint. He started from his seat and gazed around, But saw no living thing and heard no sound. He groped towards the door, but it was locked; He cried aloud, and listened, and then knocked, And uttered awful threatenings and complaints, And imprecations upon men and saints. The sounds re-echoed from the roof and walls As if dead priests were laughing in their stalls!

At length the sexton, hearing from without The tumult of the knocking and the shout, And thinking thieves were in the house of prayer, Came with his lantern, asking, "Who is there?" Half choked with rage, King Robert fiercely said, "Open: 'tis I, the King! Art thou afraid?" The frightened sexton, muttering, with a curse, "This is some drunken vagabond, or worse!" Turned the great key and flung the portal wide; A man rushed by him at a single stride, Haggard, half naked, without hat or cloak, Who neither turned, nor looked at him, nor spoke, But leaped into the blackness of the night, And vanished like a spectre from his sight.

Robert of Sicily, brother of Pope Urbane And Valmond, Emperor of Allemaine, Despoiled of his magnificent attire, Bare-headed, breathless, and besprent with mire, With sense of wrong and outrage desperate, Strode on and thundered at the palace gate; Rushed through the court-yard, thrusting in his rage To right and left each seneschal and page, And hurried up the broad and sounding stair, His white face ghastly in the torches' glare. From hall to hall he passed with breathless speed; Voices and cries he heard, but did not heed, Until at last he reached the banquet—room, Blazing with light, and breathing with perfume.

There on the dais sat another king, Wearing his robes, his crown, his signet-ring, King Robert's self in features, form, and height, But all transfigured with angelic light! It was an Angel; and his presence there With a divine effulgence filled the air, An exaltation, piercing the disguise, Though none the hidden Angel recognize.

A moment speechless, motionless, amazed, The throneless monarch on the Angel gazed, Who met his looks of anger and surprise With the divine compassion of his eves; Then said, "Who art thou? and why com'st thou here?" To which King Robert answered with a sneer, "I am the King, and come to claim my own From an impostor, who usurps my throne!" And suddenly, at these audacious words, Up sprang the angry guests, and drew their swords; The Angel answered, with unruffled brow, "Nay, not the King, but the King's Jester, thou Henceforth shalt wear the bells and scalloped cape, And for thy counsellor shaft lead an ape; Thou shalt obey my servants when they call, And wait upon my henchmen in the hall!"

Deaf to King Robert's threats and cries and prayers, They thrust him from the hall and down the stairs; A group of tittering pages ran before, And as they opened wide the folding-door, His heart failed, for he heard, with strange alarms, The boisterous laughter of the men-at-arms, And all the vaulted chamber roar and ring With the mock plaudits of "Long live the King!

Next morning, waking with the day's first beam, He said within himself, "It was a dream!" But the straw rustled as he turned his head, There were the cap and bells beside his bed, Around him rose the bare, discolored walls, Close by, the steeds were champing in their stalls, And in the corner, a revolting shape, Shivering and chattering sat the wretched ape. It was no dream; the world he loved so much Had turned to dust and ashes at his touch!

Days came and went; and now returned again To Sicily the old Saturnian reign Under the Angel's governance benign The happy island danced with corn and wine, And deep within the mountain's burning breast Enceladus, the giant, was at rest.

Meanwhile King Robert yielded to his fate, Sullen and silent and disconsolate. Dressed in the motley garb that Jesters wear, With looks bewildered and a vacant stare, Close shaven above the ears, as monks are shorn, By courtiers mocked, by pages laughed to scorn, His only friend the ape, his only food What others left,—he still was unsubdued. And when the Angel met him on his way, And half in earnest, half in jest, would say, Sternly, though tenderly, that he might feel The velvet scabbard held a sword of steel, "Art thou the King?" the passion of his woe Burst from him in resistless overflow, And, lifting high his forehead, he would fling The haughty answer back, "I am, I am the King!"

Almost three years were ended; when there came Ambassadors of great repute and name From Valmond, Emperor of Allemaine. Unto King Robert, saying that Pope Urbane By letter summoned them forthwith to come On Holy Thursday to his city of Rome. The Angel with great joy received his guests, And gave them presents of embroidered vests, And velvet mantles with rich ermine lined, And rings and jewels of the rarest kind. Then he departed with them o'er the sea Into the lovely land of Italy, Whose loveliness was more resplendent made By the mere passing of that cavalcade, With plumes, and cloaks, and housings, and the stir Of jewelled bridle and of golden spur. And lo! among the menials, in mock state, Upon a piebald steed, with shambling gait, His cloak of fox-tails flapping in the wind, The solemn ape demurely perched behind, King Robert rode, making huge merriment In all the country towns through which they went.

The Pope received them with great pomp and blare Of bannered trumpets, on Saint Peter's square, Giving his benediction and embrace, Fervent, and full of apostolic grace. While with congratulations and with prayers He entertained the Angel unawares, Robert, the Jester, bursting through the crowd, Into their presence rushed, and cried aloud, "I am the King! Look, and behold in me Robert, your brother, King of Sicily! This man, who wears my semblance to your eyes, Is an impostor in a king's disguise.

Do you not know me? does no voice within Answer my cry, and say we are akin?" The Pope in silence, but with troubled mien, Gazed at the Angel's countenance serene; The Emperor, laughing, said, "It is strange sport To keep a madman for thy Fool at court!" And the poor, baffled Jester in disgrace Was hustled back among the populace.

In solemn state the Holy Week went by, And Easter Sunday gleamed upon the sky; The presence of the Angel, with its light, Before the sun rose, made the city bright, And with new fervor filled the hearts of men, Who felt that Christ indeed had risen again. Even the Jester, on his bed of straw, With haggard eyes the unwonted splendor saw, He felt within a power unfelt before, And, kneeling humbly on his chamber floor, He heard the rushing garments of the Lord Sweep through the silent air, ascending heavenward.

And now the visit ending, and once more Valmond returning to the Danube's shore, Homeward the Angel journeyed, and again The land was made resplendent with his train, Flashing along the towns of Italy Unto Salerno, and from there by sea. And when once more within Palermo's wall, And, seated on the throne in his great hall, He heard the Angelus from convent towers, As if the better world conversed with ours, He beckoned to King Robert to draw nigher, And with a gesture bade the rest retire; And when they were alone, the Angel said, "Art thou the King?" Then bowing down his head, King Robert crossed both hands upon his breast, And meekly answered him: "Thou knowest best! My sins as scarlet are; let me go hence, And in some cloister's school of penitence, Across those stones, that pave the way to heaven, Walk barefoot, till my guilty soul is shriven!"

The Angel smiled, and from his radiant face A holy light illumined all the place, And through the open window, loud and clear, They heard the monks chant in the chapel near, Above the stir and tumult of the street "He has put down the mighty from their seat, And has exalted them of low degree!" And through the chant a second melody Rose like the throbbing of a single string "I am an Angel, and thou art the King!"

King Robert, who was standing near the throne, Lifted his eyes, and lo! he was alone! But all apparelled as in days of old, With ermined mantle and with cloth of gold; And when his courtiers came, they found him there Kneeling upon the floor, absorbed in silent prayer.



THE THEOLOGIAN'S TALE

THE LEGEND BEAUTIFUL

"HADST thou stayed, I must have fled!" That is what the Vision said.

In his chamber all alone, Kneeling on the floor of stone, Prayed the Monk in deep contrition For his sins of indecision, Prayed for greater self-denial In temptation and in trial; It was noonday by the dial, And the Monk was all alone.

Suddenly, as if it lightened, An unwonted splendor brightened All within him and without him In that narrow cell of stone; And he saw the Blessed Vision Of our Lord, with light Elysian Like a vesture wrapped about Him, Like a garment round Him thrown.

Not as crucified and slain, Not in agonies of pain, Not with bleeding hands and feet, Did the Monk his Master see; But as in the village street, In the house or harvest-field, Halt and lame and blind He healed, When He walked in Galilee.

In an attitude imploring, Hands upon his bosom crossed, Wondering, worshipping, adoring, Knelt the Monk in rapture lost. Lord, he thought, in heaven that reignest, Who am I, that thus thou deignest To reveal thyself to me? Who am I, that from the centre Of thy glory thou shouldst enter This poor cell, my guest to be?

Then amid his exaltation, Loud the convent bell appalling, From its belfry calling, calling, Rang through court and corridor With persistent iteration He had never heard before. It was now the appointed hour When alike in shine or shower, Winter's cold or summer's heat, To the convent portals came All the blind and halt and lame, All the beggars of the street, For their daily dole of food Dealt them by the brotherhood; And their almoner was he Who upon his bended knee, Rapt in silent ecstasy Of divinest self-surrender, Saw the Vision and the Splendor. Deep distress and hesitation Mingled with his adoration; Should he go or should he stay? Should he leave the poor to wait Hungry at the convent gate, Till the Vision passed away? Should he slight his radiant guest, Slight this visitant celestial, For a crowd of ragged, bestial Beggars at the convent gate? Would the Vision there remain? Would the Vision come again? Then a voice within his breast Whispered, audible and clear As if to the outward ear "Do thy duty; that is best; Leave unto thy Lord the rest!"

Straightway to his feet he started, And with longing look intent On the Blessed Vision bent, Slowly from his cell departed, Slowly on his errand went.

At the gate the poor were waiting, Looking through the iron grating, With that terror in the eye That is only seen in those Who amid their wants and woes Hear the sound of doors that close, And of feet that pass them by; Grown familiar with disfavor, Grown familiar with the savor Of the bread by which men die!

But to-day, they know not why, Like the gate of Paradise Seemed the convent gate to rise, Like a sacrament divine Seemed to them the bread and wine. In his heart the Monk was praying, Thinking of the homeless poor, What they suffer and endure; What we see not, what we see; And the inward voice was saying "Whatsoever thing thou doest To the least of mine and lowest, That thou doest unto me!"

Unto me! but had the Vision Come to him in beggar's clothing, Come a mendicant imploring. Would he then have knelt adoring, Or have listened with derision, And have turned away with loathing?

Thus his conscience put the question, Full of troublesome suggestion, As at length, with hurried pace, Towards his cell he turned his face, And beheld the convent bright With a supernatural light, Like a luminous cloud expanding Over floor and wall and ceiling.

But he paused with awe-struck feeling At the threshold of his door, For the Vision still was standing As he left it there before, When the convent bell appalling, From its belfry calling, calling, Summoned him to feed the poor. Through the long hour intervening It had waited his return, And he felt his bosom burn, Comprehending all the meaning, When the Blessed Vision said, "Hadst thou stayed, I must have fled!"



JOHN GREENLEAF WHITTIER



PROEM To EDITION of 1847

I love the old melodious lays Which softly melt the ages through, The songs of Spenser's golden days, Arcadian Sidney's silvery phrase, Sprinkling our noon of time with freshest morning dew.

Yet, vainly in my quiet hours To breathe their marvellous notes I try; I feel them, as the leaves and flowers In silence feel the dewy showers, And drink with glad, still lips the blessing of the sky.

The rigor of a frozen clime, The harshness of an untaught ear, The jarring words of one whose rhyme Beat often Labor's hurried time, Or Duty's rugged march through storm and strife, are here.

Of mystic beauty, dreamy grace, No rounded art the lack supplies; Unskilled the subtle lines to trace, Or softer shades of Nature's face, I view her common forms with unanointed eyes.

Nor mine the seer-like power to show The secrets of the hear and mind; To drop the plummet-line below Our common world of joy and woe, A more intense despair or brighter hope to find.

Yet here at least an earnest sense Of human right and weal is shown; A hate of tyranny intense, And hearty in its vehemence, As if my brother's pain and sorrow were my own.

O Freedom! if to me belong Nor mighty Milton's gift divine, Nor Marvell's wit and graceful song, Still with a love as deep and strong As theirs, I lay, like them, my best gifts on thy shrine!



THE FROST SPIRIT

He comes,—he comes,—the Frost Spirit comes! You may trace his footsteps now On the naked woods and the blasted fields and the brown hill's withered brow. He has smitten the leaves of the gray old trees where their pleasant green came forth, And the winds, which follow wherever he goes, have shaken them down to earth.

He comes,—he comes,—the Frost Spirit comes!—from the frozen Labrador,— From the icy bridge of the Northern seas, which the white bear wanders o'er,— Where the fisherman's sail is stiff with ice, and the luckless forms below In the sunless cold of the lingering night into marble statues grow!

He comes,—he comes,—the Frost Spirit comes!—on the rushing Northern blast, And the dark Norwegian pines have bowed as his fearful breath went past. With an unscorched wing he has hurried on, where the fires of Hecla glow On the darkly beautiful sky above and the ancient ice below.

He comes,—he comes,—the Frost Spirit comes!—and the quiet lake shall feel The torpid touch of his glazing breath, and ring to the skater's heel; And the streams which danced on the broken rocks, or sang to the leaning grass, Shall bow again to their winter chain, and in mournful silence pass.

He comes,—he comes,—the Frost Spirit comes!—let us meet him as we may, And turn with the light of the parlor-fire his evil power away; And gather closer the circle round, when that fire-light dances high, And laugh at the shriek of the baffled Fiend as his sounding wing goes by!



SONGS OF LABOR

DEDICATION

I would the gift I offer here Might graces from thy favor take, And, seen through Friendship's atmosphere, On softened lines and coloring, wear The unaccustomed light of beauty, for thy sake.

Few leaves of Fancy's spring remain But what I have I give to thee,— The o'er-sunned bloom of summer's plain, And paler flowers, the latter rain Calls from the weltering slope of life's autumnal

Above the fallen groves of green, Where youth's enchanted forest stood, Dry root and mossed trunk between, A sober after-growth is seen, As springs the pine where falls the gay-leafed maple wood!

Yet birds will sing, and breezes play Their leaf-harps in the sombre tree, And through the bleak and wintry day It keeps its steady green alway,— So, even my after-thoughts may have a charm for thee.

Art's perfect forms no moral need, And beauty is its own excuse; But for the dull and flowerless weed Some healing virtue still must plead, And the rough ore must find its honors in its use.

So haply these, my simple lays Of homely toil, may serve to show The orchard bloom and tasseled maize That skirt and gladden duty's ways, The unsung beauty hid life's common things below.

Haply from them the toiler, bent Above his forge or plough, may gain A manlier spirit of content, And feel that life is wisest spent Where the strong working hand makes strong the working brain.

The doom which to the guilty pair Without the walls of Eden came, Transforming sinless ease to care And rugged toil, no more shall bear The burden of old crime, or mark of primal shame.

A blessing now,—a curse no more; Since He whose name we breathe with awe. The coarse mechanic vesture wore, A poor man toiling with the poor, In labor, as in prayer, fulfilling the same law.



THE LUMBERMEN

Wildly round our woodland quarters, Sad-voiced Autumn grieves; Thickly down these swelling waters Float his fallen leaves. Through the tall and naked timber, Column-like and old, Gleam the sunsets of November, From their skies of gold.

O'er us, to the southland heading, Screams the gray wild-goose; On the night-frost sounds the treading Of the brindled moose. Noiseless creeping, while we're sleeping, Frost his task-work plies; Soon, his icy bridges heaping, Shall our log-piles rise.

When, with sounds of smothered thunder, On some night of rain, Lake and river break asunder Winter's weakened chain, Down the wild March flood shall bear them To the saw-mill's wheel, Or where Steam, the slave, shall tear them With his teeth of steel.

Be it starlight, be it moonlight, In these vales below, When the earliest beams of sunlight Streak the mountain's snow, Crisps the hoar-frost, keen and early, To our hurrying feet, And the forest echoes clearly All our blows repeat.

Where the crystal Ambijejis Stretches broad and clear, And Millnoket's pine-black ridges Hide the browsing deer: Where, through lakes and wide morasses, Or through rocky walls, Swift and strong, Penobscot passes White with foamy falls;

Where, through clouds, are glimpses given Of Katahdin's sides,— Rock and forest piled to heaven, Torn and ploughed by slides! Far below, the Indian trapping, In the sunshine warm; Far above, the snow-cloud wrapping Half the peak in storm!

Where are mossy carpets better Than the Persian weaves, And than Eastern perfumes sweeter Seem the fading leaves; And a music wild and solemn From the pine-tree's height, Rolls its vast and sea-like volumes On the wind of night;

Not for us the measured ringing From the village spire, Not for us the Sabbath singing Of the sweet-voiced choir Ours the old, majestic temple, Where God's brightness shines Down the dome so grand and ample, Propped by lofty pines!

Keep who will the city's alleys, Take the smooth-shorn plain,— Give to us the cedar valleys, Rocks and hills of Maine! In our North-land, wild and woody, Let us still have part: Rugged nurse and mother sturdy, Hold us to thy heart!

O, our free hearts beat the warmer For thy breath of snow; And our tread is all the firmer For thy rocks below. Freedom, hand in hand with labor, Walketh strong and brave; On the forehead of his neighbor No man writeth Slave!

Lo, the day breaks! old Katahdin's Pine-trees show its fires, While from these dim forest gardens Rise their blackened spires. Up, my comrades! up and doing! Manhood's rugged play Still renewing, bravely hewing Through the world our way!



BARCLAY OF URY

Up the streets of Aberdeen, By the kick and college green, Rode the Laird of Ury; Close behind him, close beside, Foul of mouth and evil-eyed, Pressed the mob in fury.

Flouted him the drunken churl, Jeered at him the serving-girl, Prompt to please her master; And the begging carlin, late Fed and clothed at Ury's gate, Cursed him as he passed her.

Yet, with calm and stately mien, Up the streets of Aberdeen Came he slowly riding; And, to all he saw and heard, Answering not with bitter word, Turning not for chiding.

Came a troop with broadswords swinging, Bits and bridles sharply ringing, Loose and free and froward; Quoth the foremost, "Ride him down! Push him! prick him! through the town Drive the Quaker coward!"

But from out the thickening crowd Cried a sudden voice and loud "Barclay! Ho! a Barclay!" And the old man at his side Saw a comrade, battle tried, Scarred and sunburned darkly;

Who with ready weapon bare, Fronting to the troopers there, Cried aloud: "God save us, Call ye coward him who stood Ankle deep in Lutzen's blood, With the brave Gustavus?"

"Nay, I do not need thy sword, Comrade mine," said Ury's lord; "Put it up, I pray thee: Passive to His holy will, Trust I in my Master still, Even though He slay me.

"Pledges of thy love and faith, Proved on many a field of death, Not, by me are needed." Marvelled much that henchman bold, That his laud, so stout of old, Now so meekly pleaded.

"Woe's the day!" he sadly said, With a slowly shaking head, And a look of pity; "Ury's honest lord reviled, Mock of knave and sport of child, In his own good city!

"Speak the word, and, master mine, As we charged on Tilly's line, And his Walloon lancers, Smiting through their midst we'll teach Civil look and decent speech To these boyish prancers!"

"Marvel not, mine ancient friend, Like beginning, like the end:" Quoth the Laird of Ury, "Is the sinful servant more Than his gracious Lord who bore Bonds and stripes in Jewry?

"Give me joy that in His name I can bear, with patient frame, All these vain ones offer; While for them He suffereth long, Shall I answer wrong with wrong, Scoffing with the scoffer?

"Happier I, with loss of all, Hunted, outlawed, held in thrall, With few friends to greet me, Than when reeve and squire were seen, Riding out from Aberdeen, With bared heads to meet me.

"When each goodwife, o'er and o'er, Blessed me as I passed her door; And the snooded daughter, Through her casement glancing down, Smiled on him who bore renown From red fields of slaughter.

"Hard to feel the stranger's scoff, Hard the old friend's falling off, Hard to learn forgiving; But the Lord His own rewards, And His love with theirs accords, Warm and fresh and living.

"Through this dark and stormy night Faith beholds a feeble light Up the blackness streaking; Knowing God's own time is best, In a patient hope I rest For the full day-breaking!"

So the Laird of Ury said, Turning slow his horse's head Toward the Tolbooth prison, Where, through iron grates, he heard Poor disciples of the Word Preach of Christ arisen!

Plot in vain, Confessor old, Unto us the tale is told Of thy day of trial; Every age on him who strays From its broad and beaten ways Pours its sevenfold vial.

Happy he whose inward ear Angel comfortings can hear, O'er the rabble's laughter; And, while Hatred's fagots burn, Glimpses through the smoke discern Of the good hereafter.

Knowing this, that never yet Share of Truth was vainly set In the world's wide fallow; After hands shall sow the seed, After hands from hill and mead Reap the harvest yellow.

Thus, with somewhat of the Seer, Must the moral pioneer From the Future borrow; Clothe the waste with dreams of grain, And, on midnight's sky of rain, Paint the golden morrow!



ALL'S WELL

The clouds, which rise with thunder, slake Our thirsty souls with rain; The blow most dreaded falls to break From off our limbs a chain; And wrongs of man to man but make The love of God more plain. As through the shadowy lens of even The eye looks farthest into heaven On gleams of star and depths of blue The glaring sunshine never knew!



RAPHAEL

I shall not soon forget that sight: The glow of autumn's westering day, A hazy warmth, a dreamy light, On Raphael's picture lay.

It was a simple print I saw, The fair face of a musing boy; Yet, while I gazed, a sense of awe Seemed blending with my joy.

A simple print:—the graceful flow Of boyhood's soft and wavy hair, And fresh young lip and cheek, and brow Unmarked and clear, were there.

Yet through its sweet and calm repose I saw the inward spirit shine; It was as if before me rose The white veil of a shrine.

As if, as Gothland's sage has told, The hidden life, the man within, Dissevered from its frame and mould, By mortal eye were seen.

Was it the lifting of that eye, The waving of that pictured hand? Loose as a cloud-wreath on the sky, I saw the walls expand.

The narrow room had vanished,—space, Broad, luminous, remained alone, Through which all hues and shapes of grace And beauty looked or shone.

Around the mighty master came The marvels which his pencil wrought, Those miracles of power whose fame Is wide as human thought.

There drooped thy more than mortal face, O Mother, beautiful and mild! Enfolding in one dear embrace Thy Saviour and thy Child!

The rapt brow of the Desert John; The awful glory of that day When all the Father's brightness shone Through manhood's veil of clay.

And, midst gray prophet forms, and wild Dark visions of the days of old, How sweetly woman's beauty smiled Through locks of brown and gold!

There Fornarina's fair young face Once more upon her lover shone, Whose model of an angel's grace He borrowed from her own.

Slow passed that vision from my view, But not the lesson which it taught; The soft, calm shadows which it threw Still rested on my thought

The truth, that painter, bard, and sage, Even in Earth's cold and changeful clime, Plant for their deathless heritage The fruits and flowers of time.

We shape ourselves the joy or fear Of which the coming life is made, And fill our Future's atmosphere With sunshine or with shade.

The tissue of the Life to be We weave with colors all our own, And in the field of Destiny We reap as we have sown.

Still shall the soul around it call The shadows which it gathered here, And, painted on the eternal wall, The Past shall reappear.

Think ye the notes of holy song On Milton's tuneful ear have died? Think ye that Raphael's angel throng Has vanished from his side?

O no!—We live our life again Or warmly touched, or coldly dim, The pictures of the Past remain,— Man's works shall follow him!



SEED-TIME AND HARVEST

As o'er his furrowed fields which lie Beneath a coldly-dropping sky, Yet chill with winter's melted snow, The husbandman goes forth to sow,

Thus, Freedom, on the bitter blast The ventures of thy seed we cast, And trust to warmer sun and rain To swell the germ, and fill the grain.

Who calls thy glorious service hard? Who deems it not its own reward? Who, for its trials, counts it less A cause of praise and thankfulness?

It may not be our lot to wield The sickle in the ripened field; Nor ours to hear, on summer eves, The reaper's song among the sheaves.

Yet where our duty's task is wrought In unison with God's great thought, The near and future blend in one, And whatsoe'er is willed, is done!

And ours the grateful service whence Comes, day by day, the recompense; The hope, the trust, the purpose stayed, The fountain and the noonday shade.

And were this life the utmost span, The only end and aim of man, Better the toil of fields like these Than waking dream and slothful ease.

But life, though falling like our grain, Like that revives and springs again; And, early called, how blest are they Who wait in heaven their harvest-day!



THE PROPHECY OF SAMUEL SEWALL

1697

Up and gown the village streets Strange are the forms my fancy meets, For the thoughts and things of to-day are hid, And through the veil of a closed lid The ancient worthies I see again: I hear the tap of the elder's cane, And his awful periwig I see, And the silver buckles of shoe and knee. Stately and slow, with thoughtful air, His black cap hiding his whitened hair, Walks the Judge of the great Assize, Samuel Sewall the good and wise. His face with lines of firmness wrought, He wears the look of a man unbought, Who swears to his hurt and changes not; Yet, touched and softened nevertheless With the grace of Christian gentleness, The face that a child would climb to kiss! True and tender and brave and just, That man might honor and woman trust.

Touching and sad, a tale is told, Like a penitent hymn of the Psalmist old, Of the fast which the good man lifelong kept With a haunting sorrow that never slept, As the circling year brought round the time Of an error that left the sting of crime, When he sat on the bunch of the witchcraft courts, With the laws of Moses and Hales Reports, And spake, in the name of both, the word That gave the witch's neck to the cord, And piled the oaken planks that pressed The feeble life from the warlock's breast! All the day long, from dawn to dawn, His door was bolted, his curtain drawn; No foot on his silent threshold trod, No eye looked on him save that of God, As he baffled the ghosts of the dead with charms Of penitent tears, and prayers, and psalms, And, with precious proofs from the sacred word Of the boundless pity and love of the Lord, His faith confirmed and his trust renewed That the sin of his ignorance, sorely rued, Might be washed away in the mingled flood Of his human sorrow and Christ's dear blood!

Green forever the memory be Of the Judge of the old Theocracy, Whom even his errors glorified, Like a far-seen, sunlit mountain-side By the cloudy shadows which o'er it glide! Honor and praise to the Puritan Who the halting step of his age outran, And, seeing the infinite worth of man In the priceless gift the Father gave, In the infinite love that stooped to save, Dared not brand his brother a slave! "Who doth such wrong," he was wont to say, In his own quaint, picture-loving way, "Flings up to Heaven a hand-grenade Which God shall cast down upon his head!"

Widely as heaven and hell, contrast That brave old jurist of the past And the cunning trickster and knave of courts Who the holy features of Truth distorts,— Ruling as right the will of the strong, Poverty, crime, and weakness wrong; Wide-eared to power, to the wronged and weak Deaf as Egypt's gods of leek; Scoffing aside at party's nod, Order of nature and law of God; For whose dabbled ermine respect were waste, Reverence folly, and awe misplaced; Justice of whom 't were vain to seek As from Koordish robber or Syrian Sheik! O, leave the wretch to his bribes and sins; Let him rot in the web of lies he spins! To the saintly soul of the early day, To the Christian judge, let us turn and say "Praise and thanks for an honest man!— Glory to God for the Puritan!"

I see, far southward, this quiet day, The hills of Newbury rolling away, With the many tints of the season gay, Dreamily blending in autumn mist Crimson, and gold, and amethyst. Long and low, with dwarf trees crowned, Plum Island lies, like a whale aground, A stone's toss over the narrow sound. Inland, as far as the eye can go, The hills curve round like a bonded bow; A silver arrow from out them sprung, I see the shine of the Quasycung; And, round and round, over valley and hill, Old roads winding, as old roads will, Here to a ferry, and there to a mill; And glimpses of chimneys and gabled eaves, Through green elm arches and maple leaves,— Old homesteads sacred to all that can Gladden or sadden the heart of man,— Over whose thresholds of oak and stone Life and Death have come and gone! There pictured tiles in the fireplace show, Great beams sag from the ceiling low, The dresser glitters with polished wares, The long clock ticks on the foot-worn stairs, And the low, broad chimney shows the crack By the earthquake made a century back. Lip from their midst springs the collage spire With the crest of its cock in the sun afire; Beyond are orchards and planting lands, And great salt marshes and glimmering sands, And, where north and south the coast-lines run, The blink of the sea in breeze and sun!

I see it all like a chart unrolled, But my thoughts are full of the past and old, I hear the tales of my boyhood told; And the shadows and shapes of early days Flit dimly by in the veiling haze, With measured movement and rhythmic chime Weaving like shuttles my web of rhyme. I think of the old man wise and good Who once on yon misty hillsides stood, (A poet who never measured rhyme, A seer unknown to his dull-eared time,) And, propped on his staff of age, looked down, With his boyhood's love, on his native town, Where, written, as if on its hills and plains, His burden of prophecy yet remains, For the voices of wood, and wave, and wind To read in the ear of the musing mind:—

"As long as Plum Island, to guard the coast As God appointed, shall keep its post; As long as a salmon shall haunt the deep Of Merrimack River, or sturgeon leap; As long as pickerel swift and slim, Or red-backed perch, in Crane Pond swim; As long as the annual sea-fowl know Their time to come and their time to go; As long as cattle shall roam at will The green, grass meadows by Turkey Hill; As long as sheep shall look from the side Of Oldtown Hill on marishes wide, And Parker River, and salt-sea tide; As long as a wandering pigeon shall search The fields below from his white-oak perch, When the barley-harvest is ripe and shorn, And the dry husks fall from the standing corn; As long as Nature shall not grow old, Nor drop her work from her doting hold, And her care for the Indian corn forget, And the yellow rows in pairs to set;— So long shall Christians here be born, Grow up and ripen as God's sweet corn!— By the beak of bird, by the breath of frost Shall never a holy ear be lost, But husked by Death in the Planter's sight, Be sown again m the fields of light!"

The Island still is purple with plums, Up the river the salmon comes, The sturgeon leaps, and the wild-fowl feeds On hillside berries and marish seeds,— All the beautiful signs remain, From spring-time sowing to autumn rain The good man's vision returns again! And let us hope, as well we can, That the Silent Angel who garners man May find some grain as of old he found In the human cornfield ripe and sound, And the Lord of the Harvest deign to own The precious seed by the fathers sown!



SKIPPER IRESON'S RIDE

Of all the rides since the birth of time, Told in story or sung in rhyme,— On Apuleius's Golden Ass, Or one-eyed Calendar's horse of brass, Witch astride of a human back, Islam's prophet on Al-Borak,— The strangest ride that ever was sped Was Ireson's, out from Marblehead! Old Floyd Ireson, for his hard heart, Tarred and feathered and carried in a cart By the women of Marblehead!

Body of turkey, head of owl, Wings a-droop like a rained-on fowl, Feathered and ruffled in every part, Skipper Ireson stood in the cart. Scores of women, old and young, Strong of muscle, and glib of tongue, Pushed and pulled up the rocky lane, Shouting and singing the shrill refrain "Here's Flud Oirson, for his horrd horrt, Torr'd an' futherr'd an' corr'd in a corrt By the women o' Morble'ead!"

Wrinkled scolds with hands on hips, Girls in bloom of cheek and lips, Wild-eyed, free-limbed, such as chase Bacchus round some antique vase, Brief of skirt, with ankles bare, Loose of kerchief and loose of hair,

With conch-shells blowing and fish-horns' twang. Over and over the Maenads sang: "Here's Flud Oirson, fur his horrd horrt, Torr'd an' futherr'd an' corr'd in a corrt By the women o' Morble'ead!"

Small pity for him!—He sailed away From a leaking ship, in Chaleur Bay,— Sailed away from a sinking wreck, With his own town's-people on her deck! "Lay by! lay by!" they called to him. Back he answered, "Sink or swim! Brag of your catch of fish again!" And off he sailed through the fog and rain! Old Floyd Ireson, for his hard heart, Tarred and feathered and carried in a cart By the women of Marblehead!

Fathoms deep in dark Chaleur That wreck shall lie forevermore. Mother and sister, wife and maid, Looked from the rocks of Marblehead Over the moaning and rainy sea,— Looked for the coming that might not be! What did the winds and the sea-birds say Of the cruel captain who sailed away?— Old Floyd Ireson, for his hard heart, Tarred and feathered and carried in a cart By the women of Marblehead!

Through the street, on either side, Up flew windows, doors swung wide; Sharp-tongued spinsters, old wives gray, Treble lent the fish-horn's bray. Sea-worn grandsires, cripple-bound, Hulks of old sailors run aground, Shook head, and fist, and hat, and cane, And cracked with curses the old refrain: "Here's Flud Oirson, fur his horrd horrt, Torr'd an' futherr'd an' corr'd in a corrt By the women o' Morble'ead!

Sweetly along the Salem road Bloom of orchard and lilac showed. Little the wicked skipper knew Of the fields so green and the sky so blue. Riding there in his sorry trim, Like an Indian idol glum and grim, Scarcely he seemed the sound to hear Of voices shouting, far and near: "Here's Flud Oirson, fur his horrd horrt, Torr'd an' futherr'd an' corr'd in a corrt By the women o' Morble'ead!"

"Hear me, neighbors!" at last he cried,"— What to me is this noisy ride? What is the shame that clothes the skin To the nameless horror that lives within? Waking or sleeping, I see a wreck, And hear a cry from a reeling deck! Hate me and curse me,—I only dread The hand of God and the face of the dead!" Said old Floyd Ireson, for his hard heart, Tarred and feathered and carried in a cart By the women of Marblehead!

Then the wife of the skipper lost at sea Said, God has touched him! why should we?" Said an old wife mourning her only son, "Cut the rogue's tether and let him run!" So with soft relentings and rude excuse, Half scorn, half pity, they cut him loose, And gave him a cloak to hide him in, And left him alone with his shame and sin. Poor Floyd Ireson, for his hard heart, Tarred and feathered and carried in a cart By the women of Marblehead!



THE DOUBLE-HEADED SNAKE OF NEWBURY

Far away in the twilight time Of every people, in every clime, Dragons and griffins and monsters dire, Born of water, and air, and fire, Or nursed, like the Python, in the mud And ooze of the old Deucalion flood, Crawl and wriggle and foam with rage, Through dusk tradition and ballad age. So from the childhood of Newbury town And its time of fable the tale comes down Of a terror which haunted bush and brake, The Amphisbaena, the Double Snake!

Thou who makest the tale thy mirth, Consider that strip of Christian earth On the desolate shore of a sailless sea, Full of terror and mystery, Half-redeemed from the evil hold Of the wood so dreary, and dark, and old, Which drank with its lips of leaves the dew When Time was young, and the world was new, And wove its shadows with sun and moon, Ere the stones of Cheops were squared and hewn.

Think of the sea's dread monotone, Of the mournful wail from the pine-wood blown, Of the strange, vast splendors that lit the North, Of the troubled throes of the quaking earth, And the dismal tales the Indian told, Till the settler's heart at his hearth grew cold, And he shrank from the tawny wizard's boasts, And the hovering shadows seemed full of ghosts, And above, below, and on every side, The fear of his creed seemed verified;— And think, if his lot were now thine own, To grope with terrors nor named nor known, How laxer muscle and weaker nerve And a feebler faith thy need might serve; And own to thyself the wonder more That the snake had two heads, and not a score!

Whether he lurked in the Oldtown fen Or the gray earth-flax of the Devil's Den, Or swam in the wooded Artichoke, Or coiled by the Northman's Written Rock, Nothing on record is left to show; Only the fact that he lived, we know, And left the cast of a double head in the scaly mask which he yearly shed. For he earned a head where his tail should be, And the two, of course, could never agree, But wriggled about with main and might, Now to the left and now to the right; Pulling and twisting this way and that, Neither knew what the other was at.

A snake with two heads, lurking so near!— Judge of the wonder, guess at the fear! Think what ancient gossips might say, Shaking their heads in their dreary way, Between the meetings on Sabbath-day! How urchins, searching at day's decline The Common Pasture for sheep or kine, The terrible double-ganger heard In the leafy rustle or whir of bird! Think what a zest it gave to the sport, In berry-time, of the younger sort, As over pastures blackberry-twined, Reuben and Dorothy lagged behind, And closer and closer, for fear of harm, The maiden clung to her lover's arm; And how the spark, who was forced to stay, By his sweetheart's fears, till the break of day, Thanked the snake for the fond delay!

Far and wide the tale was told, Like a snowball growing while it rolled. The nurse hushed with it the baby's cry; And it served, in the worthy minister's eye, To paint the primitive serpent by. Cotton Mather came galloping down All the way to Newbury town, With his eyes agog and his ears set wide, And his marvellous inkhorn at his side; Stirring the while in the shallow pool Of his brains for the lore he learned at school, To garnish the story, with here a streak Of Latin, and there another of Greek: And the tales he heard and the notes he took, Behold! are they not in his Wonder-Book?

Stories, like dragons, are hard to kill. If the snake does not, the tale runs still In Byfield Meadows, on Pipestave Hill. And still, whenever husband and wife Publish the shame of their daily strife, And, with mid cross-purpose, tug and strain At either end of the marriage-chain, The gossips say, with a knowing shake Of their gray heads, "Look at the Double Snake! One in body and two in will, The Amphisbaena is living still!"



MAUD MULLER

MAUD MULLER, on a summer's day, Raked the meadow sweet with hay.

Beneath her torn hat glowed the wealth Of simple beauty and rustic health.

Singing, she wrought, and her merry glee The mock-bird echoed from his tree.

But when she glanced to the far-off town, White from its hill-slope looking down,

The sweet song died, and a vague unrest And a nameless longing filled her breast,

A wish, that she hardly dared to own, For something better than she had known.

The Judge rode slowly down the lane, Smoothing his horse's chestnut mane.

He drew his bridle in the shade Of the apple-trees, to greet the maid,

And ask a draught from the spring that flowed Through the meadow across the road.

She stooped where the cool spring bubbled up, And filled for him her small tin cup,

And blushed as she gave it, looking down On her feet so bare, and her tattered gown.

"Thanks!" said the Judge; "a sweeter draught From a fairer hand was never quaffed."

He spoke of the grass and flowers and trees, Of the singing birds and the humming bees;

Then talked of the haying, and wondered whether The cloud in the west would bring foul weather.