The master then, leaning over her, told her as well as he could what you or I might have said after hearing such unnatural theories from childish lips; only bearing in mind perhaps better than you or I the unnatural facts of her ragged dress, her bleeding feet, and the omnipresent shadow of her drunken father. Then, raising her to her feet, he wrapped his shawl around her, and, bidding her come early in the morning, he walked with her down the road. There he bade her "good night." The moon shone brightly on the narrow path before them. He stood and watched the bent little figure as it staggered down the road, and waited until it had passed the little graveyard and reached the curve of the hill, where it turned and stood for a moment, a mere atom of suffering outlined against the far-off patient stars. Then he went back to his work. But the lines of the copybook thereafter faded into long parallels of never-ending road, over which childish figures seemed to pass sobbing and crying into the night. Then, the little schoolhouse seeming lonelier than before, he shut the door and went home.

The next morning Mliss came to school. Her face had been washed, and her coarse black hair bore evidence of recent struggles with the comb, in which both had evidently suffered. The old defiant look shone occasionally in her eyes, but her manner was tamer and more subdued. Then began a series of little trials and self-sacrifices, in which master and pupil bore an equal part, and which increased the confidence and sympathy between them. Although obedient under the master's eye, at times during recess, if thwarted or stung by a fancied slight, Mliss would rage in ungovernable fury, and many a palpitating young savage, finding himself matched with his own weapons of torment, would seek the master with torn jacket and scratched face and complaints of the dreadful Mliss. There was a serious division among the townspeople on the subject, some threatening to withdraw their children from such evil companionship, and others as warmly upholding the course of the master in his work of reclamation. Meanwhile, with a steady persistence that seemed quite astonishing to him on looking back afterward, the master drew Mliss gradually out of the shadow of her past life, as though it were but her natural progress down the narrow path on which he had set her feet the moonlit night of their first meeting. Remembering the experience of the evangelical McSnagley, he carefully avoided that Rock of Ages on which that unskillful pilot had shipwrecked her young faith. But if, in the course of her reading, she chanced to stumble upon those few words which have lifted such as she above the level of the older, the wiser, and the more prudent—if she learned something of a faith that is symbolized by suffering, and the old light softened in her eyes, it did not take the shape of a lesson. A few of the plainer people had made up a little sum by which the ragged Mliss was enabled to assume the garments of respect and civilization; and often a rough shake of the hand, and words of homely commendation from a red-shirted and burly figure, sent a glow to the cheek of the young master, and set him to thinking if it was altogether deserved.

Three months had passed from the time of their first meeting, and the master was sitting late one evening over the moral and sententious copies, when there came a tap at the door and again Mliss stood before him. She was neatly clad and clean-faced, and there was nothing perhaps but the long black hair and bright black eyes to remind him of his former apparition. "Are you busy?" she asked. "Can you come with me?"—and on his signifying his readiness, in her old willful way she said, "Come, then, quick!"

They passed out of the door together and into the dark road. As they entered the town the master asked her whither she was going. She replied, "To see my father."

It was the first time he had heard her call him by that filial title, or indeed anything more than "Old Smith" or the "Old Man." It was the first time in three months that she had spoken of him at all, and the master knew she had kept resolutely aloof from him since her great change. Satisfied from her manner that it was fruitless to question her purpose, he passively followed. In out-of-the-way places, low groggeries, restaurants, and saloons; in gambling hells and dance houses, the master, preceded by Mliss, came and went. In the reeking smoke and blasphemous outcries of low dens, the child, holding the master's hand, stood and anxiously gazed, seemingly unconscious of all in the one absorbing nature of her pursuit. Some of the revelers, recognizing Mliss, called to the child to sing and dance for them, and would have forced liquor upon her but for the interference of the master. Others, recognizing him mutely, made way for them to pass. So an hour slipped by. Then the child whispered in his ear that there was a cabin on the other side of the creek crossed by the long flume, where she thought he still might be. Thither they crossed—a toilsome half-hour's walk—but in vain. They were returning by the ditch at the abutment of the flume, gazing at the lights of the town on the opposite bank, when, suddenly, sharply, a quick report rang out on the clear night air. The echoes caught it, and carried it round and round Red Mountain, and set the dogs to barking all along the streams. Lights seemed to dance and move quickly on the outskirts of the town for a few moments, the stream rippled quite audibly beside them, a few stones loosened themselves from the hillside and splashed into the stream, a heavy wind seemed to surge the branches of the funereal pines, and then the silence seemed to fall thicker, heavier, and deadlier. The master turned toward Mliss with an unconscious gesture of protection, but the child had gone. Oppressed by a strange fear, he ran quickly down the trail to the river's bed, and, jumping from boulder to boulder, reached the base of Red Mountain and the outskirts of the village. Midway of the crossing he looked up and held his breath in awe. For high above him on the narrow flume he saw the fluttering little figure of his late companion crossing swiftly in the darkness.

He climbed the bank, and, guided by a few lights moving about a central point on the mountain, soon found himself breathless among a crowd of awe-stricken and sorrowful men. Out from among them the child appeared, and, taking the master's hand, led him silently before what seemed a ragged hole in the mountain. Her face was quite white, but her excited manner gone, and her look that of one to whom some long-expected event had at last happened—an expression that to the master in his bewilderment seemed almost like relief. The walls of the cavern were partly propped by decaying timbers. The child pointed to what appeared to be some ragged, castoff clothes left in the hole by the late occupant. The master approached nearer with his flaming dip, and bent over them. It was Smith, already cold, with a pistol in his hand and a bullet in his heart, lying beside his empty pocket.

CHAPTER II

The opinion which McSnagley expressed in reference to a "change of heart" supposed to be experienced by Mliss was more forcibly described in the gulches and tunnels. It was thought there that Mliss had "struck a good lead." So when there was a new grave added to the little enclosure, and at the expense of the master a little board and inscription put above it, the RED MOUNTAIN BANNER came out quite handsomely, and did the fair thing to the memory of one of "our oldest Pioneers," alluding gracefully to that "bane of noble intellects," and otherwise genteelly shelving our dear brother with the past. "He leaves an only child to mourn his loss," says the BANNER, "who is now an exemplary scholar, thanks to the efforts of the Rev. Mr. McSnagley." The Rev. McSnagley, in fact, made a strong point of Mliss's conversion, and, indirectly attributing to the unfortunate child the suicide of her father, made affecting allusions in Sunday school to the beneficial effects of the "silent tomb," and in this cheerful contemplation drove most of the children into speechless horror, and caused the pink-and-white scions of the first families to howl dismally and refuse to be comforted.

The long dry summer came. As each fierce day burned itself out in little whiffs of pearl-gray smoke on the mountain summits, and the upspringing breeze scattered its red embers over the landscape, the green wave which in early spring upheaved above Smith's grave grew sere and dry and hard. In those days the master, strolling in the little churchyard of a Sabbath afternoon, was sometimes surprised to find a few wild flowers plucked from the damp pine forests scattered there, and oftener rude wreaths hung upon the little pine cross. Most of these wreaths were formed of a sweet-scented grass, which the children loved to keep in their desks, intertwined with the plumes of the buckeye, the syringa, and the wood anemone, and here and there the master noticed the dark-blue cowl of the monkshood, or deadly aconite. There was something in the odd association of this noxious plant with these memorials which occasioned a painful sensation to the master deeper than his esthetic sense. One day, during a long walk, in crossing a wooded ridge he came upon Mliss in the heart of the forest, perched upon a prostrate pine on a fantastic throne formed by the hanging plumes of lifeless branches, her lap full of grasses and pine burrs, and crooning to herself one of the Negro melodies of her younger life. Recognizing him at a distance, she made room for him on her elevated throne, and with a grave assumption of hospitality and patronage that would have been ridiculous had it not been so terribly earnest, she fed him with pine nuts and crab apples. The master took that opportunity to point out to her the noxious and deadly qualities of the monkshood, whose dark blossoms he saw in her lap, and extorted from her a promise not to meddle with it as long as she remained his pupil. This done—as the master had tested her integrity before—he rested satisfied, and the strange feeling which had overcome him on seeing them died away.

Of the homes that were offered Mliss when her conversion became known, the master preferred that of Mrs. Morpher, a womanly and kindhearted specimen of Southwestern efflorescence, known in her maidenhood as the "Per-rairie Rose." Being one of those who contend resolutely against their own natures, Mrs. Morpher, by a long series of self-sacrifices and struggles, had at last subjugated her naturally careless disposition to principles of "order," which she considered, in common with Mr. Pope, as "Heaven's first law." But she could not entirely govern the orbits of her satellites, however regular her own movements, and even her own "Jeemes" sometimes collided with her. Again her old nature asserted itself in her children. Lycurgus dipped into the cupboard "between meals," and Aristides came home from school without shoes, leaving those important articles on the threshold, for the delight of a barefooted walk down the ditches. Octavia and Cassandra were "keerless" of their clothes. So with but one exception, however much the "Prairie Rose" might have trimmed and pruned and trained her own matured luxuriance, the little shoots came up defiantly wild and straggling. That one exception was Clytemnestra Morpher, aged fifteen. She was the realization of her mother's immaculate conception—neat, orderly, and dull.

It was an amiable weakness of Mrs. Morpher to imagine that "Clytie" was a consolation and model for Mliss. Following this fallacy, Mrs. Morpher threw Clytie at the head of Mliss when she was "bad," and set her up before the child for adoration in her penitential moments. It was not, therefore, surprising to the master to hear that Clytie was coming to school, obviously as a favor to the master and as an example for Mliss and others. For "Clytie" was quite a young lady. Inheriting her mother's physical peculiarities, and in obedience to the climatic laws of the Red Mountain region, she was an early bloomer. The youth of Smith's Pocket, to whom this kind of flower was rare, sighed for her in April and languished in May. Enamored swains haunted the schoolhouse at the hour of dismissal. A few were jealous of the master.

Perhaps it was this latter circumstance that opened the master's eyes to another. He could not help noticing that Clytie was romantic; that in school she required a great deal of attention; that her pens were uniformly bad and wanted fixing; that she usually accompanied the request with a certain expectation in her eye that was somewhat disproportionate to the quality of service she verbally required; that she sometimes allowed the curves of a round, plump white arm to rest on his when he was writing her copies; that she always blushed and flung back her blond curls when she did so. I don't remember whether I have stated that the master was a young man—it's of little consequence, however; he had been severely educated in the school in which Clytie was taking her first lesson, and, on the whole, withstood the flexible curves and factitious glance like the fine young Spartan that he was. Perhaps an insufficient quality of food may have tended to this asceticism. He generally avoided Clytie; but one evening, when she returned to the schoolhouse after something she had forgotten, and did not find it until the master walked home with her, I hear that he endeavored to make himself particularly agreeable—partly from the fact, I imagine, that his conduct was adding gall and bitterness to the already overcharged hearts of Clytemnestra's admirers.

The morning after this affecting episode Mliss did not come to school. Noon came, but not Mliss. Questioning Clytie on the subject, it appeared that they had left the school together, but the willful Mliss had taken another road. The afternoon brought her not. In the evening he called on Mrs. Morpher, whose motherly heart was really alarmed. Mr. Morpher had spent all day in search of her, without discovering a trace that might lead to her discovery. Aristides was summoned as a probable accomplice, but that equitable infant succeeded in impressing the household with his innocence. Mrs. Morpher entertained a vivid impression that the child would yet be found drowned in a ditch, or, what was almost as terrible, muddied and soiled beyond the redemption of soap and water. Sick at heart, the master returned to the schoolhouse. As he lit his lamp and seated himself at his desk, he found a note lying before him addressed to himself, in Mliss's handwriting. It seemed to be written on a leaf torn from some old memorandum book, and, to prevent sacrilegious trifling, had been sealed with six broken wafers. Opening it almost tenderly, the master read as follows:

RESPECTED SIR—When you read this, I am run away. Never to come back. NEVER, NEVER, NEVER. You can give my beeds to Mary Jennings, and my Amerika's Pride [a highly colored lithograph from a tobacco-box] to Sally Flanders. But don't you give anything to Clytie Morpher. Don't you dare to. Do you know what my opinion is of her, it is this, she is perfekly disgustin. That is all and no more at present from

Yours respectfully,

MELISSA SMITH.

The master sat pondering on this strange epistle till the moon lifted its bright face above the distant hills, and illuminated the trail that led to the schoolhouse, beaten quite hard with the coming and going of little feet. Then, more satisfied in mind, he tore the missive into fragments and scattered them along the road.

At sunrise the next morning he was picking his way through the palmlike fern and thick underbrush of the pine forest, starting the hare from its form, and awakening a querulous protest from a few dissipated crows, who had evidently been making a night of it, and so came to the wooded ridge where he had once found Mliss. There he found the prostrate pine and tasseled branches, but the throne was vacant. As he drew nearer, what might have been some frightened animal started through the crackling limbs. It ran up the tossed arms of the fallen monarch and sheltered itself in some friendly foliage. The master, reaching the old seat, found the nest still warm; looking up in the intertwining branches, he met the black eyes of the errant Mliss. They gazed at each other without speaking. She was first to break the silence.

"What do you want?" she asked curtly.

The master had decided on a course of action. "I want some crab apples," he said humbly.

"Sha'n't have 'em! go away. Why don't you get 'em of Clytemnerestera?" (It seemed to be a relief to Mliss to express her contempt in additional syllables to that classical young woman's already long-drawn title.) "O you wicked thing!"

"I am hungry, Lissy. I have eaten nothing since dinner yesterday. I am famished!" and the young man in a state of remarkable exhaustion leaned against the tree.

Melissa's heart was touched. In the bitter days of her gypsy life she had known the sensation he so artfully simulated. Overcome by his heartbroken tone, but not entirely divested of suspicion, she said:

"Dig under the tree near the roots, and you'll find lots; but mind you don't tell," for Mliss had HER hoards as well as the rats and squirrels.

But the master, of course, was unable to find them; the effects of hunger probably blinding his senses. Mliss grew uneasy. At length she peered at him through the leaves in an elfish way, and questioned:

"If I come down and give you some, you'll promise you won't touch me?"

The master promised.

"Hope you'll die if you do!"

The master accepted instant dissolution as a forfeit. Mliss slid down the tree. For a few moments nothing transpired but the munching of the pine nuts. "Do you feel better?" she asked, with some solicitude. The master confessed to a recuperated feeling, and then, gravely thanking her, proceeded to retrace his steps. As he expected, he had not gone far before she called him. He turned. She was standing there quite white, with tears in her widely opened orbs. The master felt that the right moment had come. Going up to her, he took both her hands, and looking in her tearful eyes, said, gravely, "Lissy, do you remember the first evening you came to see me?"

Lissy remembered.

"You asked me if you might come to school, for you wanted to learn something and be better, and I said—"

"Come," responded the child, promptly.

"What would YOU say if the master now came to you and said that he was lonely without his little scholar, and that he wanted her to come and teach him to be better?"

The child hung her head for a few moments in silence. The master waited patiently. Tempted by the quiet, a hare ran close to the couple, and raising her bright eyes and velvet forepaws, sat and gazed at them. A squirrel ran halfway down the furrowed bark of the fallen tree, and there stopped.

"We are waiting, Lissy," said the master, in a whisper, and the child smiled. Stirred by a passing breeze, the treetops rocked, and a long pencil of light stole through their interlaced boughs full on the doubting face and irresolute little figure. Suddenly she took the master's hand in her quick way. What she said was scarcely audible, but the master, putting the black hair back from her forehead, kissed her; and so, hand in hand, they passed out of the damp aisles and forest odors into the open sunlit road.

CHAPTER III

Somewhat less spiteful in her intercourse with other scholars, Mliss still retained an offensive attitude in regard to Clytemnestra. Perhaps the jealous element was not entirely lulled in her passionate little breast. Perhaps it was only that the round curves and plump outline offered more extended pinching surface. But while such ebullitions were under the master's control, her enmity occasionally took a new and irrepressible form.

The master in his first estimate of the child's character could not conceive that she had ever possessed a doll. But the master, like many other professed readers of character, was safer in a posteriori than a priori reasoning. Mliss had a doll, but then it was emphatically Mliss's doll—a smaller copy of herself. Its unhappy existence had been a secret discovered accidentally by Mrs. Morpher. It had been the old-time companion of Mliss's wanderings, and bore evident marks of suffering. Its original complexion was long since washed away by the weather and anointed by the slime of ditches. It looked very much as Mliss had in days past. Its one gown of faded stuff was dirty and ragged, as hers had been. Mliss had never been known to apply to it any childish term of endearment. She never exhibited it in the presence of other children. It was put severely to bed in a hollow tree near the schoolhouse, and only allowed exercise during Mliss's rambles. Fulfilling a stern duty to her doll, as she would to herself, it knew no luxuries.

Now Mrs. Morpher, obeying a commendable impulse, bought another doll and gave it to Mliss. The child received it gravely and curiously. The master on looking at it one day fancied he saw a slight resemblance in its round red cheeks and mild blue eyes to Clytemnestra. It became evident before long that Mliss had also noticed the same resemblance. Accordingly she hammered its waxen head on the rocks when she was alone, and sometimes dragged it with a string round its neck to and from school. At other times, setting it up on her desk, she made a pincushion of its patient and inoffensive body. Whether this was done in revenge of what she considered a second figurative obtrusion of Clytie's excellences upon her, or whether she had an intuitive appreciation of the rites of certain other heathens, and, indulging in that "fetish" ceremony, imagined that the original of her wax model would pine away and finally die, is a metaphysical question I shall not now consider.

In spite of these moral vagaries, the master could not help noticing in her different tasks the working of a quick, restless, and vigorous perception. She knew neither the hesitancy nor the doubts of childhood. Her answers in class were always slightly dashed with audacity. Of course she was not infallible. But her courage and daring in passing beyond her own depth and that of the floundering little swimmers around her, in their minds outweighed all errors of judgment. Children are not better than grown people in this respect, I fancy; and whenever the little red hand flashed above her desk, there was a wondering silence, and even the master was sometimes oppressed with a doubt of his own experience and judgment.

Nevertheless, certain attributes which at first amused and entertained his fancy began to afflict him with grave doubts. He could not but see that Mliss was revengeful, irreverent, and willful. That there was but one better quality which pertained to her semisavage disposition—the faculty of physical fortitude and self-sacrifice, and another, though not always an attribute of the noble savage—Truth. Mliss was both fearless and sincere; perhaps in such a character the adjectives were synonymous.

The master had been doing some hard thinking on this subject, and had arrived at that conclusion quite common to all who think sincerely, that he was generally the slave of his own prejudices, when he determined to call on the Rev. McSnagley for advice. This decision was somewhat humiliating to his pride, as he and McSnagley were not friends. But he thought of Mliss, and the evening of their first meeting; and perhaps with a pardonable superstition that it was not chance alone that had guided her willful feet to the schoolhouse, and perhaps with a complacent consciousness of the rare magnanimity of the act, he choked back his dislike and went to McSnagley.

The reverend gentleman was glad to see him. Moreover, he observed that the master was looking "peartish," and hoped he had got over the "neuralgy" and "rheumatiz." He himself had been troubled with a dumb "ager" since last conference. But he had learned to "rastle and pray."

Pausing a moment to enable the master to write his certain method of curing the dumb "ager" upon the book and volume of his brain, Mr. McSnagley proceeded to inquire after Sister Morpher. "She is an adornment to ChrisTEWanity, and has a likely growin' young family," added Mr. McSnagley; "and there's that mannerly young gal—so well behaved—Miss Clytie." In fact, Clytie's perfections seemed to affect him to such an extent that he dwelt for several minutes upon them. The master was doubly embarrassed. In the first place, there was an enforced contrast with poor Mliss in all this praise of Clytie. Secondly, there was something unpleasantly confidential in his tone of speaking of Mrs. Morpher's earliest born. So that the master, after a few futile efforts to say something natural, found it convenient to recall another engagement, and left without asking the information required, but in his after reflections somewhat unjustly giving the Rev. Mr. McSnagley the full benefit of having refused it.

Perhaps this rebuff placed the master and pupil once more in the close communion of old. The child seemed to notice the change in the master's manner, which had of late been constrained, and in one of their long postprandial walks she stopped suddenly, and mounting a stump, looked full in his face with big, searching eyes. "You ain't mad?" said she, with an interrogative shake of the black braids. "No." "Nor bothered?" "No." "Nor hungry?" (Hunger was to Mliss a sickness that might attack a person at any moment.) "No." "Nor thinking of her?" "Of whom, Lissy?" "That white girl." (This was the latest epithet invented by Mliss, who was a very dark brunette, to express Clytemnestra.) "No." "Upon your word?" (A substitute for "Hope you'll die!" proposed by the master.) "Yes." "And sacred honor?" "Yes." Then Mliss gave him a fierce little kiss, and, hopping down, fluttered off. For two or three days after that she condescended to appear more like other children, and be, as she expressed it, "good."

Two years had passed since the master's advent at Smith's Pocket, and as his salary was not large, and the prospects of Smith's Pocket eventually becoming the capital of the State not entirely definite, he contemplated a change. He had informed the school trustees privately of his intentions, but educated young men of unblemished moral character being scarce at that time, he consented to continue his school term through the winter to early spring. None else knew of his intention except his one friend, a Dr. Duchesne, a young Creole physician known to the people of Wingdam as "Duchesny." He never mentioned it to Mrs. Morpher, Clytie, or any of his scholars. His reticence was partly the result of a constitutional indisposition to fuss, partly a desire to be spared the questions and surmises of vulgar curiosity, and partly that he never really believed he was going to do anything before it was done.

He did not like to think of Mliss. It was a selfish instinct, perhaps, which made him try to fancy his feeling for the child was foolish, romantic, and unpractical. He even tried to imagine that she would do better under the control of an older and sterner teacher. Then she was nearly eleven, and in a few years, by the rules of Red Mountain, would be a woman. He had done his duty. After Smith's death he addressed letters to Smith's relatives, and received one answer from a sister of Melissa's mother. Thanking the master, she stated her intention of leaving the Atlantic States for California with her husband in a few months. This was a slight superstructure for the airy castle which the master pictured for Mliss's home, but it was easy to fancy that some loving, sympathetic woman, with the claims of kindred, might better guide her wayward nature. Yet, when the master had read the letter, Mliss listened to it carelessly, received it submissively, and afterward cut figures out of it with her scissors, supposed to represent Clytemnestra, labeled "the white girl," to prevent mistakes, and impaled them upon the outer walls of the schoolhouse.

When the summer was about spent, and the last harvest had been gathered in the valleys, the master bethought him of gathering in a few ripened shoots of the young idea, and of having his Harvest Home, or Examination. So the savants and professionals of Smith's Pocket were gathered to witness that time-honored custom of placing timid children in a constrained positions and bullying them as in a witness box. As usual in such cases, the most audacious and self-possessed were the lucky recipients of the honors. The reader will imagine that in the present instance Mliss and Clytie were preeminent, and divided public attention; Mliss with her clearness of material perception and self-reliance, Clytie with her placid self-esteem and saintlike correctness of deportment. The other little ones were timid and blundering. Mliss's readiness and brilliancy, of course, captivated the greatest number and provoked the greatest applause. Mliss's antecedents had unconsciously awakened the strongest sympathies of a class whose athletic forms were ranged against the walls, or whose handsome bearded faces looked in at the windows. But Mliss's popularity was overthrown by an unexpected circumstance.

McSnagley had invited himself, and had been going through the pleasing entertainment of frightening the more timid pupils by the vaguest and most ambiguous questions delivered in an impressive funereal tone; and Mliss had soared into astronomy, and was tracking the course of our spotted ball through space, and keeping time with the music of the spheres, and defining the tethered orbits of the planets, when McSnagley impressively arose. "Meelissy! ye were speaking of the revolutions of this yere yearth and the move-MENTS of the sun, and I think ye said it had been a doing of it since the creashun, eh?" Mliss nodded a scornful affirmative. "Well, war that the truth?" said McSnagley, folding his arms. "Yes," said Mliss, shutting up her little red lips tightly. The handsome outlines at the windows peered further in the schoolroom, and a saintly Raphael face, with blond beard and soft blue eyes, belonging to the biggest scamp in the diggings, turned toward the child and whispered, "Stick to it, Mliss!" The reverend gentleman heaved a deep sigh, and cast a compassionate glance at the master, then at the children, and then rested his look on Clytie. That young woman softly elevated her round, white arm. Its seductive curves were enhanced by a gorgeous and massive specimen bracelet, the gift of one of her humblest worshipers, worn in honor of the occasion. There was a momentary silence. Clytie's round cheeks were very pink and soft. Clytie's big eyes were very bright and blue. Clytie's low-necked white book muslin rested softly on Clytie's white, plump shoulders. Clytie looked at the master, and the master nodded. Then Clytie spoke softly:

"Joshua commanded the sun to stand still, and it obeyed him!" There was a low hum of applause in the schoolroom, a triumphant expression on McSnagley's face, a grave shadow on the master's, and a comical look of disappointment reflected from the windows. Mliss skimmed rapidly over her astronomy, and then shut the book with a loud snap. A groan burst from McSnagley, an expression of astonishment from the schoolroom, a yell from the windows, as Mliss brought her red fist down on the desk, with the emphatic declaration:

"It's a damn lie. I don't believe it!"

CHAPTER IV

The long wet season had drawn near its close. Signs of spring were visible in the swelling buds and rushing torrents. The pine forests exhaled the fresher spicery. The azaleas were already budding, the ceanothus getting ready its lilac livery for spring. On the green upland which climbed Red Mountain at its southern aspect the long spike of the monkshood shot up from its broad-leaved stool, and once more shook its dark-blue bells. Again the billow above Smith's grave was soft and green, its crest just tossed with the foam of daisies and buttercups. The little graveyard had gathered a few new dwellers in the past year, and the mounds were placed two by two by the little paling until they reached Smith's grave, and there there was but one. General superstition had shunned it, and the plot beside Smith was vacant.

There had been several placards posted about the town, intimating that, at a certain period, a celebrated dramatic company would perform, for a few days, a series of "side-splitting" and "screaming farces"; that, alternating pleasantly with this, there would be some melodrama and a grand divertisement which would include singing, dancing, etc. These announcements occasioned a great fluttering among the little folk, and were the theme of much excitement and great speculation among the master's scholars. The master had promised Mliss, to whom this sort of thing was sacred and rare, that she should go, and on that momentous evening the master and Mliss "assisted."

The performance was the prevalent style of heavy mediocrity; the melodrama was not bad enough to laugh at nor good enough to excite. But the master, turning wearily to the child, was astonished and felt something like self-accusation in noticing the peculiar effect upon her excitable nature. The red blood flushed in her cheeks at each stroke of her panting little heart. Her small passionate lips were slightly parted to give vent to her hurried breath. Her widely opened lids threw up and arched her black eyebrows. She did not laugh at the dismal comicalities of the funny man, for Mliss seldom laughed. Nor was she discreetly affected to the delicate extremes of the corner of a white handkerchief, as was the tender-hearted "Clytie," who was talking with her "feller" and ogling the master at the same moment. But when the performance was over, and the green curtain fell on the little stage, Mliss drew a long deep breath, and turned to the master's grave face with a half-apologetic smile and wearied gesture. Then she said, "Now take me home!" and dropped the lids of her black eyes, as if to dwell once more in fancy on the mimic stage.

On their way to Mrs. Morpher's the master thought proper to ridicule the whole performance. Now he shouldn't wonder if Mliss thought that the young lady who acted so beautifully was really in earnest, and in love with the gentleman who wore such fine clothes. Well, if she were in love with him it was a very unfortunate thing! "Why?" said Mliss, with an upward sweep of the drooping lid. "Oh! well, he couldn't support his wife at his present salary, and pay so much a week for his fine clothes, and then they wouldn't receive as much wages if they were married as if they were merely lovers—that is," added the master, "if they are not already married to somebody else; but I think the husband of the pretty young countess takes the tickets at the door, or pulls up the curtain, or snuffs the candles, or does something equally refined and elegant. As to the young man with nice clothes, which are really nice now, and must cost at least two and a half or three dollars, not to speak of that mantle of red drugget which I happen to know the price of, for I bought some of it for my room once—as to this young man, Lissy, he is a pretty good fellow, and if he does drink occasionally, I don't think people ought to take advantage of it and give him black eyes and throw him in the mud. Do you? I am sure he might owe me two dollars and a half a long time, before I would throw it up in his face, as the fellow did the other night at Wingdam."

Mliss had taken his hand in both of hers and was trying to look in his eyes, which the young man kept as resolutely averted. Mliss had a faint idea of irony, indulging herself sometimes in a species of sardonic humor, which was equally visible in her actions and her speech. But the young man continued in this strain until they had reached Mrs. Morpher's, and he had deposited Mliss in her maternal charge. Waiving the invitation of Mrs. Morpher to refreshment and rest, and shading his eyes with his hand to keep out the blue-eyed Clytemnestra's siren glances, he excused himself, and went home.

For two or three days after the advent of the dramatic company, Mliss was late at school, and the master's usual Friday afternoon ramble was for once omitted, owing to the absence of his trustworthy guide. As he was putting away his books and preparing to leave the schoolhouse, a small voice piped at his side, "Please, sir?" The master turned and there stood Aristides Morpher.

"Well, my little man," said the master, impatiently, "what is it? quick!"

"Please, sir, me and 'Kerg' thinks that Mliss is going to run away agin."

"What's that, sir?" said the master, with that unjust testiness with which we always receive disagreeable news.

"Why, sir, she don't stay home any more, and 'Kerg' and me see her talking with one of those actor fellers, and she's with him now; and please, sir, yesterday she told 'Kerg' and me she could make a speech as well as Miss Cellerstina Montmoressy, and she spouted right off by heart," and the little fellow paused in a collapsed condition.

"What actor?" asked the master.

"Him as wears the shiny hat. And hair. And gold pin. And gold chain," said the just Aristides, putting periods for commas to eke out his breath.

The master put on his gloves and hat, feeling an unpleasant tightness in his chest and thorax, and walked out in the road. Aristides trotted along by his side, endeavoring to keep pace with his short legs to the master's strides, when the master stopped suddenly, and Aristides bumped up against him. "Where were they talking?" asked the master, as if continuing the conversation.

"At the Arcade," said Aristides.

When they reached the main street the master paused. "Run down home," said he to the boy. "If Mliss is there, come to the Arcade and tell me. If she isn't there, stay home; run!" And off trotted the short-legged Aristides.

The Arcade was just across the way—a long, rambling building containing a barroom, billiard room, and restaurant. As the young man crossed the plaza he noticed that two or three of the passers-by turned and looked after him. He looked at his clothes, took out his handkerchief, and wiped his face before he entered the barroom. It contained the usual number of loungers, who stared at him as he entered. One of them looked at him so fixedly and with such a strange expression that the master stopped and looked again, and then saw it was only his own reflection in a large mirror. This made the master think that perhaps he was a little excited, and so he took up a copy of the RED MOUNTAIN BANNER from one of the tables, and tried to recover his composure by reading the column of advertisements.

He then walked through the barroom, through the restaurant, and into the billiard room. The child was not there. In the latter apartment a person was standing by one of the tables with a broad-brimmed glazed hat on his head. The master recognized him as the agent of the dramatic company; he had taken a dislike to him at their first meeting, from the peculiar fashion of wearing his beard and hair. Satisfied that the object of his search was not there, he turned to the man with a glazed hat. He had noticed the master, but tried that common trick of unconsciousness in which vulgar natures always fail. Balancing a billiard cue in his hand, he pretended to play with a ball in the center of the table. The master stood opposite to him until he raised his eyes; when their glances met, the master walked up to him.

He had intended to avoid a scene or quarrel, but when he began to speak, something kept rising in his throat and retarded his utterance, and his own voice frightened him, it sounded so distant, low, and resonant. "I understand," he began, "that Melissa Smith, an orphan, and one of my scholars, has talked with you about adopting your profession. Is that so?"

The man with the glazed hat leaned over the table and made an imaginary shot that sent the ball spinning round the cushions. Then, walking round the table, he recovered the ball and placed it upon the spot. This duty discharged, getting ready for another shot, he said:

"S'pose she has?"

The master choked up again, but, squeezing the cushion of the table in his gloved hand, he went on:

"If you are a gentleman, I have only to tell you that I am her guardian, and responsible for her career. You know as well as I do the kind of life you offer her. As you may learn of anyone here, I have already brought her out of an existence worse than death—out of the streets and the contamination of vice. I am trying to do so again. Let us talk like men. She has neither father, mother, sister, or brother. Are you seeking to give her an equivalent for these?"

The man with the glazed hat examined the point of his cue, and then looked around for somebody to enjoy the joke with him.

"I know that she is a strange, willful girl," continued the master, "but she is better than she was. I believe that I have some influence over her still. I beg and hope, therefore, that you will take no further steps in this matter, but as a man, as a gentleman, leave her to me. I am willing—" But here something rose again in the master's throat, and the sentence remained unfinished.

The man with the glazed hat, mistaking the master's silence, raised his head with a coarse, brutal laugh, and said in a loud voice:

"Want her yourself, do you? That cock won't fight here, young man!"

The insult was more in the tone than in the words, more in the glance than tone, and more in the man's instinctive nature than all these. The best appreciable rhetoric to this kind of animal is a blow. The master felt this, and, with his pent-up, nervous energy finding expression in the one act, he struck the brute full in his grinning face. The blow sent the glazed hat one way and the cue another, and tore the glove and skin from the master's hand from knuckle to joint. It opened up the corners of the fellow's mouth, and spoilt the peculiar shape of his beard for some time to come.

There was a shout, an imprecation, a scuffle, and the trampling of many feet. Then the crowd parted right and left, and two sharp quick reports followed each other in rapid succession. Then they closed again about his opponent, and the master was standing alone. He remembered picking bits of burning wadding from his coat sleeve with his left hand. Someone was holding his other hand. Looking at it, he saw it was still bleeding from the blow, but his fingers were clenched around the handle of a glittering knife. He could not remember when or how he got it.

The man who was holding his hand was Mr. Morpher. He hurried the master to the door, but the master held back, and tried to tell him as well as he could with his parched throat about "Mliss." "It's all right, my boy," said Mr. Morpher. "She's home!" And they passed out into the street together. As they walked along Mr. Morpher said that Mliss had come running into the house a few moments before, and had dragged him out, saying that somebody was trying to kill the master at the Arcade. Wishing to be alone, the master promised Mr. Morpher that he would not seek the agent again that night, and parted from him, taking the road toward the schoolhouse. He was surprised in nearing it to find the door open—still more surprised to find Mliss sitting there.

The master's nature, as I have hinted before, had, like most sensitive organizations, a selfish basis. The brutal taunt thrown out by his late adversary still rankled in his heart. It was possible, he thought, that such a construction might be put upon his affection for the child, which at best was foolish and Quixotic. Besides, had she not voluntarily abnegated his authority and affection? And what had everybody else said about her? Why should he alone combat the opinion of all, and be at last obliged tacitly to confess the truth of all they predicted? And he had been a participant in a low barroom fight with a common boor, and risked his life, to prove what? What had he proved? Nothing? What would the people say? What would his friends say? What would McSnagley say?

In his self-accusation the last person he should have wished to meet was Mliss. He entered the door, and going up to his desk, told the child, in a few cold words, that he was busy, and wished to be alone. As she rose he took her vacant seat, and, sitting down, buried his head in his hands. When he looked up again she was still standing there. She was looking at his face with an anxious expression.

"Did you kill him?" she asked.

"No!" said the master.

"That's what I gave you the knife for!" said the child, quickly.

"Gave me the knife?" repeated the master, in bewilderment.

"Yes, gave you the knife. I was there under the bar. Saw you hit him. Saw you both fall. He dropped his old knife. I gave it to you. Why didn't you stick him?" said Mliss rapidly, with an expressive twinkle of the black eyes and a gesture of the little red hand.

The master could only look his astonishment.

"Yes," said Mliss. "If you'd asked me, I'd told you I was off with the play-actors. Why was I off with the play-actors? Because you wouldn't tell me you was going away. I knew it. I heard you tell the Doctor so. I wasn't a goin' to stay here alone with those Morphers. I'd rather die first."

With a dramatic gesture which was perfectly consistent with her character, she drew from her bosom a few limp green leaves, and, holding them out at arm's length, said in her quick vivid way, and in the queer pronunciation of her old life, which she fell into when unduly excited:

"That's the poison plant you said would kill me. I'll go with the play-actors, or I'll eat this and die here. I don't care which. I won't stay here, where they hate and despise me! Neither would you let me, if you didn't hate and despise me too!"

The passionate little breast heaved, and two big tears peeped over the edge of Mliss's eyelids, but she whisked them away with the corner of her apron as if they had been wasps.

"If you lock me up in jail," said Mliss, fiercely, "to keep me from the play-actors, I'll poison myself. Father killed himself—why shouldn't I? You said a mouthful of that root would kill me, and I always carry it here," and she struck her breast with her clenched fist.

The master thought of the vacant plot beside Smith's grave, and of the passionate little figure before him. Seizing her hands in his and looking full into her truthful eyes, he said:

"Lissy, will you go with ME?"

The child put her arms around his neck, and said joyfully, "Yes."

"But now—tonight?"

"Tonight."

And, hand in hand, they passed into the road—the narrow road that had once brought her weary feet to the master's door, and which it seemed she should not tread again alone. The stars glittered brightly above them. For good or ill the lesson had been learned, and behind them the school of Red Mountain closed upon them forever.



THE RIGHT EYE OF THE COMMANDER

The year of grace 1797 passed away on the coast of California in a southwesterly gale. The little bay of San Carlos, albeit sheltered by the headlands of the blessed Trinity, was rough and turbulent; its foam clung quivering to the seaward wall of the Mission garden; the air was filled with flying sand and spume, and as the Senor Commandante, Hermenegildo Salvatierra, looked from the deep embrasured window of the Presidio guardroom, he felt the salt breath of the distant sea buffet a color into his smoke-dried cheeks.

The Commander, I have said, was gazing thoughtfully from the window of the guardroom. He may have been reviewing the events of the year now about to pass away. But, like the garrison at the Presidio, there was little to review; the year, like its predecessors, had been uneventful—the days had slipped by in a delicious monotony of simple duties, unbroken by incident or interruption. The regularly recurring feasts and saints' days, the half-yearly courier from San Diego, the rare transport ship and rarer foreign vessel, were the mere details of his patriarchal life. If there was no achievement, there was certainly no failure. Abundant harvests and patient industry amply supplied the wants of Presidio and Mission. Isolated from the family of nations, the wars which shook the world concerned them not so much as the last earthquake; the struggle that emancipated their sister colonies on the other side of the continent to them had no suggestiveness. In short, it was that glorious Indian summer of California history around which so much poetical haze still lingers—that bland, indolent autumn of Spanish rule, so soon to be followed by the wintry storms of Mexican independence and the reviving spring of American conquest.

The Commander turned from the window and walked toward the fire that burned brightly on the deep ovenlike hearth. A pile of copybooks, the work of the Presidio school, lay on the table. As he turned over the leaves with a paternal interest, and surveyed the fair round Scripture text—the first pious pothooks of the pupils of San Carlos—an audible commentary fell from his lips: "'Abimelech took her from Abraham'—ah, little one, excellent!—'Jacob sent to see his brother'—body of Christ! that upstroke of thine, Paquita, is marvelous; the Governor shall see it!" A film of honest pride dimmed the Commander's left eye—the right, alas! twenty years before had been sealed by an Indian arrow. He rubbed it softly with the sleeve of his leather jacket, and continued: "'The Ishmaelites having arrived—'"

He stopped, for there was a step in the courtyard, a foot upon the threshold, and a stranger entered. With the instinct of an old soldier, the Commander, after one glance at the intruder, turned quickly toward the wall, where his trusty Toledo hung, or should have been hanging. But it was not there, and as he recalled that the last time he had seen that weapon it was being ridden up and down the gallery by Pepito, the infant son of Bautista, the tortilla-maker, he blushed and then contented himself with frowning upon the intruder.

But the stranger's air, though irreverent, was decidedly peaceful. He was unarmed, and wore the ordinary cape of tarpaulin and sea boots of a mariner. Except a villainous smell of codfish, there was little about him that was peculiar.

His name, as he informed the Commander, in Spanish that was more fluent than elegant or precise—his name was Peleg Scudder. He was master of the schooner GENERAL COURT, of the port of Salem in Massachusetts, on a trading voyage to the South Seas, but now driven by stress of weather into the bay of San Carlos. He begged permission to ride out the gale under the headlands of the blessed Trinity, and no more. Water he did not need, having taken in a supply at Bodega. He knew the strict surveillance of the Spanish port regulations in regard to foreign vessels, and would do nothing against the severe discipline and good order of the settlement. There was a slight tinge of sarcasm in his tone as he glanced toward the desolate parade ground of the Presidio and the open unguarded gate. The fact was that the sentry, Felipe Gomez, had discreetly retired to shelter at the beginning of the storm, and was then sound asleep in the corridor.

The Commander hesitated. The port regulations were severe, but he was accustomed to exercise individual authority, and beyond an old order issued ten years before, regarding the American ship COLUMBIA, there was no precedent to guide him. The storm was severe, and a sentiment of humanity urged him to grant the stranger's request. It is but just to the Commander to say that his inability to enforce a refusal did not weigh with his decision. He would have denied with equal disregard of consequences that right to a seventy-four-gun ship which he now yielded so gracefully to this Yankee trading schooner. He stipulated only that there should be no communication between the ship and shore. "For yourself, Senor Captain," he continued, "accept my hospitality. The fort is yours as long as you shall grace it with your distinguished presence"; and with old-fashioned courtesy, he made the semblance of withdrawing from the guardroom.

Master Peleg Scudder smiled as he thought of the half-dismantled fort, the two moldy brass cannon, cast in Manila a century previous, and the shiftless garrison. A wild thought of accepting the Commander's offer literally, conceived in the reckless spirit of a man who never let slip an offer for trade, for a moment filled his brain, but a timely reflection of the commercial unimportance of the transaction checked him. He only took a capacious quid of tobacco as the Commander gravely drew a settle before the fire, and in honor of his guest untied the black-silk handkerchief that bound his grizzled brows.

What passed between Salvatierra and his guest that night it becomes me not, as a grave chronicler of the salient points of history, to relate. I have said that Master Peleg Scudder was a fluent talker, and under the influence of divers strong waters, furnished by his host, he became still more loquacious. And think of a man with a twenty years' budget of gossip! The Commander learned, for the first time, how Great Britain lost her colonies; of the French Revolution; of the great Napoleon, whose achievements, perhaps, Peleg colored more highly than the Commander's superiors would have liked. And when Peleg turned questioner, the Commander was at his mercy. He gradually made himself master of the gossip of the Mission and Presidio, the "small-beer" chronicles of that pastoral age, the conversion of the heathen, the Presidio schools, and even asked the Commander how he had lost his eye! It is said that at this point of the conversation Master Peleg produced from about his person divers small trinkets, kickshaws, and newfangled trifles, and even forced some of them upon his host. It is further alleged that under the malign influence of Peleg and several glasses of aguardiente, the Commander lost somewhat of his decorum, and behaved in a manner unseemly for one in his position, reciting high-flown Spanish poetry, and even piping in a thin, high voice divers madrigals and heathen canzonets of an amorous complexion; chiefly in regard to a "little one" who was his, the Commander's, "soul"! These allegations, perhaps unworthy the notice of a serious chronicler, should be received with great caution, and are introduced here as simple hearsay. That the Commander, however, took a handkerchief and attempted to show his guest the mysteries of the SEMICUACUA, capering in an agile but indecorous manner about the apartment, has been denied. Enough for the purposes of this narrative that at midnight Peleg assisted his host to bed with many protestations of undying friendship, and then, as the gale had abated, took his leave of the Presidio and hurried aboard the GENERAL COURT. When the day broke the ship was gone.

I know not if Peleg kept his word with his host. It is said that the holy fathers at the Mission that night heard a loud chanting in the plaza, as of the heathens singing psalms through their noses; that for many days after an odor of salt codfish prevailed in the settlement; that a dozen hard nutmegs, which were unfit for spice or seed, were found in the possession of the wife of the baker, and that several bushels of shoe pegs, which bore a pleasing resemblance to oats, but were quite inadequate to the purposes of provender, were discovered in the stable of the blacksmith. But when the reader reflects upon the sacredness of a Yankee trader's word, the stringent discipline of the Spanish port regulations, and the proverbial indisposition of my countrymen to impose upon the confidence of a simple people, he will at once reject this part of the story.

A roll of drums, ushering in the year 1798, awoke the Commander. The sun was shining brightly, and the storm had ceased. He sat up in bed, and through the force of habit rubbed his left eye. As the remembrance of the previous night came back to him, he jumped from his couch and ran to the window. There was no ship in the bay. A sudden thought seemed to strike him, and he rubbed both of his eyes. Not content with this, he consulted the metallic mirror which hung beside his crucifix. There was no mistake; the Commander had a visible second eye—a right one—as good, save for the purposes of vision, as the left.

Whatever might have been the true secret of this transformation, but one opinion prevailed at San Carlos. It was one of those rare miracles vouchsafed a pious Catholic community as an evidence to the heathen, through the intercession of the blessed San Carlos himself. That their beloved Commander, the temporal defender of the Faith, should be the recipient of this miraculous manifestation was most fit and seemly. The Commander himself was reticent; he could not tell a falsehood—he dared not tell the truth. After all, if the good folk of San Carlos believed that the powers of his right eye were actually restored, was it wise and discreet for him to undeceive them? For the first time in his life the Commander thought of policy—for the first time he quoted that text which has been the lure of so many well-meaning but easy Christians, of being "all things to all men." Infeliz Hermenegildo Salvatierra!

For by degrees an ominous whisper crept though the little settlement. The Right Eye of the Commander, although miraculous, seemed to exercise a baleful effect upon the beholder. No one could look at it without winking. It was cold, hard, relentless, and unflinching. More than that, it seemed to be endowed with a dreadful prescience—a faculty of seeing through and into the inarticulate thoughts of those it looked upon. The soldiers of the garrison obeyed the eye rather than the voice of their commander, and answered his glance rather than his lips in questioning. The servants could not evade the ever watchful but cold attention that seemed to pursue them. The children of the Presidio school smirched their copybooks under the awful supervision, and poor Paquita, the prize pupil, failed utterly in that marvelous upstroke when her patron stood beside her. Gradually distrust, suspicion, self-accusation, and timidity took the place of trust, confidence, and security throughout San Carlos. Whenever the Right Eye of the Commander fell, a shadow fell with it.

Nor was Salvatierra entirely free from the baleful influence of his miraculous acquisition. Unconscious of its effect upon others, he only saw in their actions evidence of certain things that the crafty Peleg had hinted on that eventful New Year's eve. His most trusty retainers stammered, blushed, and faltered before him. Self-accusations, confessions of minor faults and delinquencies, or extravagant excuses and apologies met his mildest inquiries. The very children that he loved—his pet pupil, Paquita—seemed to be conscious of some hidden sin. The result of this constant irritation showed itself more plainly. For the first half-year the Commander's voice and eye were at variance. He was still kind, tender, and thoughtful in speech. Gradually, however, his voice took upon itself the hardness of his glance and its skeptical, impassive quality, and as the year again neared its close it was plain that the Commander had fitted himself to the eye, and not the eye to the Commander.

It may be surmised that these changes did not escape the watchful solicitude of the Fathers. Indeed, the few who were first to ascribe the right eye of Salvatierra to miraculous origin and the special grace of the blessed San Carlos, now talked openly of witchcraft and the agency of Luzbel, the evil one. It would have fared ill with Hermenegildo Salvatierra had he been aught but Commander or amenable to local authority. But the reverend father, Friar Manuel de Cortes, had no power over the political executive, and all attempts at spiritual advice failed signally. He retired baffled and confused from his first interview with the Commander, who seemed now to take a grim satisfaction in the fateful power of his glance. The holy Father contradicted himself, exposed the fallacies of his own arguments, and even, it is asserted, committed himself to several undoubted heresies. When the Commander stood up at mass, if the officiating priest caught that skeptical and searching eye, the service was inevitably ruined. Even the power of the Holy Church seemed to be lost, and the last hold upon the affections of the people and the good order of the settlement departed from San Carlos.

As the long dry summer passed, the low hills that surrounded the white walls of the Presidio grew more and more to resemble in hue the leathern jacket of the Commander, and Nature herself seemed to have borrowed his dry, hard glare. The earth was cracked and seamed with drought; a blight had fallen upon the orchards and vineyards, and the rain, long-delayed and ardently prayed for, came not. The sky was as tearless as the right eye of the Commander. Murmurs of discontent, insubordination, and plotting among the Indians reached his ears; he only set his teeth the more firmly, tightened the knot of his black-silk handkerchief, and looked up his Toledo.

The last day of the year 1798 found the Commander sitting, at the hour of evening prayers, alone in the guardroom. He no longer attended the services of the Holy Church, but crept away at such times to some solitary spot, where he spent the interval in silent meditation. The firelight played upon the low beams and rafters, but left the bowed figure of Salvatierra in darkness. Sitting thus, he felt a small hand touch his arm, and looking down, saw the figure of Paquita, his little Indian pupil, at his knee. "Ah, littlest of all," said the Commander, with something of his old tenderness, lingering over the endearing diminutives of his native speech—"sweet one, what doest thou here? Art thou not afraid of him whom everyone shuns and fears?"

"No," said the little Indian, readily, "not in the dark. I hear your voice—the old voice; I feel your touch—the old touch; but I see not your eye, Senor Commandante. That only I fear—and that, O senor, O my father," said the child, lifting her little arms towards his—"that I know is not thine own!"

The Commander shuddered and turned away. Then, recovering himself, he kissed Paquita gravely on the forehead and bade her retire. A few hours later, when silence had fallen upon the Presidio, he sought his own couch and slept peacefully.

At about the middle watch of the night a dusky figure crept through the low embrasure of the Commander's apartment. Other figures were flitting through the parade ground, which the Commander might have seen had he not slept so quietly. The intruder stepped noiselessly to the couch and listened to the sleeper's deep-drawn inspiration. Something glittered in the firelight as the savage lifted his arm; another moment and the sore perplexities of Hermenegildo Salvatierra would have been over, when suddenly the savage started and fell back in a paroxysm of terror. The Commander slept peacefully, but his right eye, widely opened, fixed and unaltered, glared coldly on the would-be assassin. The man fell to the earth in a fit, and the noise awoke the sleeper.

To rise to his feet, grasp his sword, and deal blows thick and fast upon the mutinous savages who now thronged the room was the work of a moment. Help opportunely arrived, and the undisciplined Indians were speedily driven beyond the walls, but in the scuffle the Commander received a blow upon his right eye, and, lifting his hand to that mysterious organ, it was gone. Never again was it found, and never again, for bale or bliss, did it adorn the right orbit of the Commander.

With it passed away the spell that had fallen upon San Carlos. The rain returned to invigorate the languid soil, harmony was restored between priest and soldier, the green grass presently waved over the sere hillsides, the children flocked again to the side of their martial preceptor, a TE DEUM was sung in the Mission Church, and pastoral content once more smiled upon the gentle valleys of San Carlos. And far southward crept the GENERAL COURT with its master, Peleg Scudder, trafficking in beads and peltries with the Indians, and offering glass eyes, wooden legs, and other Boston notions to the chiefs.



NOTES BY FLOOD AND FIELD

PART I—IN THE FIELD

It was near the close of an October day that I began to be disagreeably conscious of the Sacramento Valley. I had been riding since sunrise, and my course through the depressing monotony of the long level landscape affected me more like a dull dyspeptic dream than a business journey, performed under that sincerest of natural phenomena—a California sky. The recurring stretches of brown and baked fields, the gaping fissures in the dusty trail, the hard outline of the distant hills, and the herds of slowly moving cattle, seemed like features of some glittering stereoscopic picture that never changed. Active exercise might have removed this feeling, but my horse by some subtle instinct had long since given up all ambitious effort, and had lapsed into a dogged trot.

It was autumn, but not the season suggested to the Atlantic reader under that title. The sharply defined boundaries of the wet and dry seasons were prefigured in the clear outlines of the distant hills. In the dry atmosphere the decay of vegetation was too rapid for the slow hectic which overtakes an Eastern landscape, or else Nature was too practical for such thin disguises. She merely turned the Hippocratic face to the spectator, with the old diagnosis of Death in her sharp, contracted features.

In the contemplation of such a prospect there was little to excite any but a morbid fancy. There were no clouds in the flinty blue heavens, and the setting of the sun was accompanied with as little ostentation as was consistent with the dryly practical atmosphere. Darkness soon followed, with a rising wind, which increased as the shadows deepened on the plain. The fringe of alder by the watercourse began to loom up as I urged my horse forward. A half-hour's active spurring brought me to a corral, and a little beyond a house, so low and broad it seemed at first sight to be half-buried in the earth.

My second impression was that it had grown out of the soil, like some monstrous vegetable, its dreary proportions were so in keeping with the vast prospect. There were no recesses along its roughly boarded walls for vagrant and unprofitable shadows to lurk in the daily sunshine. No projection for the wind by night to grow musical over, to wail, whistle, or whisper to; only a long wooden shelf containing a chilly-looking tin basin and a bar of soap. Its uncurtained windows were red with the sinking sun, as though bloodshot and inflamed from a too-long unlidded existence. The tracks of cattle led to its front door, firmly closed against the rattling wind.

To avoid being confounded with this familiar element, I walked to the rear of the house, which was connected with a smaller building by a slight platform. A grizzled, hard-faced old man was standing there, and met my salutation with a look of inquiry, and, without speaking, led the way to the principal room. As I entered, four young men who were reclining by the fire slightly altered their attitudes of perfect repose, but beyond that betrayed neither curiosity nor interest. A hound started from a dark corner with a growl, but was immediately kicked by the old man into obscurity, and silenced again. I can't tell why, but I instantly received the impression that for a long time the group by the fire had not uttered a word or moved a muscle. Taking a seat, I briefly stated my business.

Was a United States surveyor. Had come on account of the Espiritu Santo Rancho. Wanted to correct the exterior boundaries of township lines, so as to connect with the near exteriors of private grants. There had been some intervention to the old survey by a Mr. Tryan who had preempted adjacent—"settled land warrants," interrupted the old man. "Ah, yes! Land warrants—and then this was Mr. Tryan?"

I had spoken mechanically, for I was preoccupied in connecting other public lines with private surveys as I looked in his face. It was certainly a hard face, and reminded me of the singular effect of that mining operation known as "ground sluicing"; the harder lines of underlying character were exposed, and what were once plastic curves and soft outlines were obliterated by some powerful agency.

There was a dryness in his voice not unlike the prevailing atmosphere of the valley, as he launched into an EX PARTE statement of the contest, with a fluency, which, like the wind without, showed frequent and unrestrained expression. He told me—what I had already learned—that the boundary line of the old Spanish grant was a creek, described in the loose phraseology of the DESENO as beginning in the VALDA or skirt of the hill, its precise location long the subject of litigation. I listened and answered with little interest, for my mind was still distracted by the wind which swept violently by the house, as well as by his odd face, which was again reflected in the resemblance that the silent group by the fire bore toward him. He was still talking, and the wind was yet blowing, when my confused attention was aroused by a remark addressed to the recumbent figures.

"Now, then, which on ye'll see the stranger up the creek to Altascar's, tomorrow?"

There was a general movement of opposition in the group, but no decided answer.

"Kin you go, Kerg?"

"Who's to look up stock in Strarberry perar-ie?"

This seemed to imply a negative, and the old man turned to another hopeful, who was pulling the fur from a mangy bearskin on which he was lying, with an expression as though it were somebody's hair.

"Well, Tom, wot's to hinder you from goin'?"

"Mam's goin' to Brown's store at sunup, and I s'pose I've got to pack her and the baby agin."

I think the expression of scorn this unfortunate youth exhibited for the filial duty into which he had been evidently beguiled was one of the finest things I had ever seen.

"Wise?"

Wise deigned no verbal reply, but figuratively thrust a worn and patched boot into the discourse. The old man flushed quickly.

"I told ye to get Brown to give you a pair the last time you war down the river."

"Said he wouldn't without'en order. Said it was like pulling gum teeth to get the money from you even then."

There was a grim smile at this local hit at the old man's parsimony, and Wise, who was clearly the privileged wit of the family, sank back in honorable retirement.

"Well, Joe, ef your boots are new, and you aren't pestered with wimmin and children, p'r'aps you'll go," said Tryan, with a nervous twitching, intended for a smile, about a mouth not remarkably mirthful.

Tom lifted a pair of bushy eyebrows, and said shortly:

"Got no saddle."

"Wot's gone of your saddle?"

"Kerg, there"—indicating his brother with a look such as Cain might have worn at the sacrifice.

"You lie!" returned Kerg, cheerfully.

Tryan sprang to his feet, seizing the chair, flourishing it around his head and gazing furiously in the hard young faces which fearlessly met his own. But it was only for a moment; his arm soon dropped by his side, and a look of hopeless fatality crossed his face. He allowed me to take the chair from his hand, and I was trying to pacify him by the assurance that I required no guide when the irrepressible Wise again lifted his voice:

"Theer's George comin'! why don't ye ask him? He'll go and introduce you to Don Fernandy's darter, too, ef you ain't pertickler."

The laugh which followed this joke, which evidently had some domestic allusion (the general tendency of rural pleasantry), was followed by a light step on the platform, and the young man entered. Seeing a stranger present, he stopped and colored, made a shy salute and colored again, and then, drawing a box from the corner, sat down, his hands clasped lightly together and his very handsome bright blue eyes turned frankly on mine.

Perhaps I was in a condition to receive the romantic impression he made upon me, and I took it upon myself to ask his company as guide, and he cheerfully assented. But some domestic duty called him presently away.

The fire gleamed brightly on the hearth, and, no longer resisting the prevailing influence, I silently watched the spurting flame, listening to the wind which continually shook the tenement. Besides the one chair which had acquired a new importance in my eyes, I presently discovered a crazy table in one corner, with an ink bottle and pen; the latter in that greasy state of decomposition peculiar to country taverns and farmhouses. A goodly array of rifles and double-barreled guns stocked the corner; half a dozen saddles and blankets lay near, with a mild flavor of the horse about them. Some deer and bear skins completed the inventory. As I sat there, with the silent group around me, the shadowy gloom within and the dominant wind without, I found it difficult to believe I had ever known a different existence. My profession had often led me to wilder scenes, but rarely among those whose unrestrained habits and easy unconsciousness made me feel so lonely and uncomfortable I shrank closer to myself, not without grave doubts—which I think occur naturally to people in like situations—that this was the general rule of humanity and I was a solitary and somewhat gratuitous exception. It was a relief when a laconic announcement of supper by a weak-eyed girl caused a general movement in the family. We walked across the dark platform, which led to another low-ceiled room. Its entire length was occupied by a table, at the farther end of which a weak-eyed woman was already taking her repast as she at the same time gave nourishment to a weak-eyed baby. As the formalities of introduction had been dispensed with, and as she took no notice of me, I was enabled to slip into a seat without discomposing or interrupting her. Tryan extemporized a grace, and the attention of the family became absorbed in bacon, potatoes, and dried apples.

The meal was a sincere one. Gentle gurglings at the upper end of the table often betrayed the presence of the "wellspring of pleasure." The conversation generally referred to the labors of the day, and comparing notes as to the whereabouts of missing stock. Yet the supper was such a vast improvement upon the previous intellectual feast that when a chance allusion of mine to the business of my visit brought out the elder Tryan, the interest grew quite exciting. I remember he inveighed bitterly against the system of ranch-holding by the "greasers," as he was pleased to term the native Californians. As the same ideas have been sometimes advanced under more pretentious circumstances they may be worthy of record.

"Look at 'em holdin' the finest grazin' land that ever lay outer doors. Whar's the papers for it? Was it grants? Mighty fine grants—most of 'em made arter the 'Merrikans got possession. More fools the 'Merrikans for lettin' 'em hold 'em. Wat paid for 'em? 'Merrikan and blood money.

"Didn't they oughter have suthin' out of their native country? Wot for? Did they ever improve? Got a lot of yaller-skinned diggers, not so sensible as niggers to look arter stock, and they a sittin' home and smokin'. With their gold and silver candlesticks, and missions, and crucifixens, priests and graven idols, and sich? Them sort things wurent allowed in Mizzoori."

At the mention of improvements, I involuntarily lifted my eyes, and met the half laughing, half embarrassed look of George. The act did not escape detection, and I had at once the satisfaction of seeing that the rest of the family had formed an offensive alliance against us.

"It was agin Nater, and agin God," added Tryan. "God never intended gold in the rocks to be made into heathen candlesticks and crucifixens. That's why he sent 'Merrikans here. Nater never intended such a climate for lazy lopers. She never gin six months' sunshine to be slept and smoked away."

How long he continued and with what further illustration I could not say, for I took an early opportunity to escape to the sitting-room. I was soon followed by George, who called me to an open door leading to a smaller room, and pointed to a bed.

"You'd better sleep there tonight," he said; "you'll be more comfortable, and I'll call you early."

I thanked him, and would have asked him several questions which were then troubling me, but he shyly slipped to the door and vanished.

A shadow seemed to fall on the room when he had gone. The "boys" returned, one by one, and shuffled to their old places. A larger log was thrown on the fire, and the huge chimney glowed like a furnace, but it did not seem to melt or subdue a single line of the hard faces that it lit. In half an hour later, the furs which had served as chairs by day undertook the nightly office of mattresses, and each received its owner's full-length figure. Mr. Tryan had not returned, and I missed George. I sat there until, wakeful and nervous, I saw the fire fall and shadows mount the wall. There was no sound but the rushing of the wind and the snoring of the sleepers. At last, feeling the place insupportable, I seized my hat and opening the door, ran out briskly into the night.

The acceleration of my torpid pulse in the keen fight with the wind, whose violence was almost equal to that of a tornado, and the familiar faces of the bright stars above me, I felt as a blessed relief. I ran not knowing whither, and when I halted, the square outline of the house was lost in the alder bushes. An uninterrupted plain stretched before me, like a vast sea beaten flat by the force of the gale. As I kept on I noticed a slight elevation toward the horizon, and presently my progress was impeded by the ascent of an Indian mound. It struck me forcibly as resembling an island in the sea. Its height gave me a better view of the expanding plain. But even here I found no rest. The ridiculous interpretation Tryan had given the climate was somehow sung in my ears, and echoed in my throbbing pulse as, guided by the star, I sought the house again.

But I felt fresher and more natural as I stepped upon the platform. The door of the lower building was open, and the old man was sitting beside the table, thumbing the leaves of a Bible with a look in his face as though he were hunting up prophecies against the "Greaser." I turned to enter, but my attention was attracted by a blanketed figure lying beside the house, on the platform. The broad chest heaving with healthy slumber, and the open, honest face were familiar. It was George, who had given up his bed to the stranger among his people. I was about to wake him, but he lay so peaceful and quiet, I felt awed and hushed. And I went to bed with a pleasant impression of his handsome face and tranquil figure soothing me to sleep.

I was awakened the next morning from a sense of lulled repose and grateful silence by the cheery voice of George, who stood beside my bed, ostentatiously twirling a riata, as if to recall the duties of the day to my sleep-bewildered eyes. I looked around me. The wind had been magically laid, and the sun shone warmly through the windows. A dash of cold water, with an extra chill on from the tin basin, helped to brighten me. It was still early, but the family had already breakfasted and dispersed, and a wagon winding far in the distance showed that the unfortunate Tom had already "packed" his relatives away. I felt more cheerful—there are few troubles Youth cannot distance with the start of a good night's rest. After a substantial breakfast, prepared by George, in a few moments we were mounted and dashing down the plain.

We followed the line of alder that defined the creek, now dry and baked with summer's heat, but which in winter, George told me, overflowed its banks. I still retain a vivid impression of that morning's ride, the far-off mountains, like silhouettes, against the steel-blue sky, the crisp dry air, and the expanding track before me, animated often by the well-knit figure of George Tryan, musical with jingling spurs and picturesque with flying riata. He rode powerful native roan, wild-eyed, untiring in stride and unbroken in nature. Alas! the curves of beauty were concealed by the cumbrous MACHILLAS of the Spanish saddle, which levels all equine distinctions. The single rein lay loosely on the cruel bit that can gripe, and if need be, crush the jaw it controls.

Again the illimitable freedom of the valley rises before me, as we again bear down into sunlit space. Can this be "Chu Chu," staid and respectable filly of American pedigree—Chu Chu, forgetful of plank roads and cobblestones, wild with excitement, twinkling her small white feet beneath me? George laughs out of a cloud of dust. "Give her her head; don't you see she likes it?" and Chu Chu seems to like it, and whether bitten by native tarantula into native barbarism or emulous of the roan, "blood" asserts itself, and in a moment the peaceful servitude of years is beaten out in the music of her clattering hoofs. The creek widens to a deep gully. We dive into it and up on the opposite side, carrying a moving cloud of impalpable powder with us. Cattle are scattered over the plain, grazing quietly or banded together in vast restless herds. George makes a wide, indefinite sweep with the riata, as if to include them all in his vaquero's loop, and says, "Ours!"

"About how many, George?"

"Don't know."

"How many?"

"'Well, p'r'aps three thousand head," says George, reflecting. "We don't know, takes five men to look 'em up and keep run."

"What are they worth?"

"About thirty dollars a head."

I make a rapid calculation, and look my astonishment at the laughing George. Perhaps a recollection of the domestic economy of the Tryan household is expressed in that look, for George averts his eye and says, apologetically:

"I've tried to get the old man to sell and build, but you know he says it ain't no use to settle down, just yet. We must keep movin'. In fact, he built the shanty for that purpose, lest titles should fall through, and we'd have to get up and move stakes further down."

Suddenly his quick eye detects some unusual sight in a herd we are passing, and with an exclamation he puts his roan into the center of the mass. I follow, or rather Chu Chu darts after the roan, and in a few moments we are in the midst of apparently inextricable horns and hoofs. "TORO!" shouts George, with vaquero enthusiasm, and the band opens a way for the swinging riata. I can feel their steaming breaths, and their spume is cast on Chu Chu's quivering flank.

Wild, devilish-looking beasts are they; not such shapes as Jove might have chosen to woo a goddess, nor such as peacefully range the downs of Devon, but lean and hungry Cassius-like bovines, economically got up to meet the exigencies of a six months' rainless climate, and accustomed to wrestle with the distracting wind and the blinding dust.

"That's not our brand," says George; "they're strange stock," and he points to what my scientific eye recognizes as the astrological sign of Venus deeply seared in the brown flanks of the bull he is chasing. But the herd are closing round us with low mutterings, and George has again recourse to the authoritative "TORO," and with swinging riata divides the "bossy bucklers" on either side. When we are free, and breathing somewhat more easily, I venture to ask George if they ever attack anyone.

"Never horsemen—sometimes footmen. Not through rage, you know, but curiosity. They think a man and his horse are one, and if they meet a chap afoot, they run him down and trample him under hoof, in the pursuit of knowledge. But," adds George, "here's the lower bench of the foothills, and here's Altascar's corral, and that White building you see yonder is the casa."

A whitewashed wall enclosed a court containing another adobe building, baked with the solar beams of many summers. Leaving our horses in the charge of a few peons in the courtyard, who were basking lazily in the sun, we entered a low doorway, where a deep shadow and an agreeable coolness fell upon us, as sudden and grateful as a plunge in cool water, from its contrast with the external glare and heat. In the center of a low-ceiled apartment sat an old man with a black-silk handkerchief tied about his head, the few gray hairs that escaped from its folds relieving his gamboge-colored face. The odor of CIGARRITOS was as incense added to the cathedral gloom of the building.

As Senor Altascar rose with well-bred gravity to receive us, George advanced with such a heightened color, and such a blending of tenderness and respect in his manner, that I was touched to the heart by so much devotion in the careless youth. In fact, my eyes were still dazzled by the effect of the outer sunshine, and at first I did not see the white teeth and black eyes of Pepita, who slipped into the corridor as we entered.

It was no pleasant matter to disclose particulars of business which would deprive the old senor of the greater part of that land we had just ridden over, and I did it with great embarrassment. But he listened calmly—not a muscle of his dark face stirring—and the smoke curling placidly from his lips showed his regular respiration. When I had finished, he offered quietly to accompany us to the line of demarcation. George had meanwhile disappeared, but a suspicious conversation in broken Spanish and English, in the corridor, betrayed his vicinity. When he returned again, a little absent-minded, the old man, by far the coolest and most self-possessed of the party, extinguished his black-silk cap beneath that stiff, uncomely sombrero which all native Californians affect. A serape thrown over his shoulders hinted that he was waiting. Horses are always ready saddled in Spanish ranchos, and in half an hour from the time of our arrival we were again "loping" in the staring sunlight.

But not as cheerfully as before. George and myself were weighed down by restraint, and Altascar was gravely quiet. To break the silence, and by way of a consolatory essay, I hinted to him that there might be further intervention or appeal, but the proffered oil and wine were returned with a careless shrug of the shoulders and a sententious "QUE BUENO?—Your courts are always just."

The Indian mound of the previous night's discovery was a bearing monument of the new line, and there we halted. We were surprised to find the old man Tryan waiting us. For the first time during our interview the old Spaniard seemed moved, and the blood rose in his yellow cheek. I was anxious to close the scene, and pointed out the corner boundaries as clearly as my recollection served.

"The deputies will be here tomorrow to run the lines from this initial point, and there will be no further trouble, I believe, gentlemen."

Senor Altascar had dismounted and was gathering a few tufts of dried grass in his hands. George and I exchanged glances. He presently arose from his stooping posture, and advancing to within a few paces of Joseph Tryan, said, in a voice broken with passion:

"And I, Fernando Jesus Maria Altascar, put you in possession of my land in the fashion of my country."

He threw a sod to each of the cardinal points.

"I don't know your courts, your judges, or your CORREGIDORES. Take the LLANO!—and take this with it. May the drought seize your cattle till their tongues hang down as long as those of your lying lawyers! May it be the curse and torment of your old age, as you and yours have made it of mine!"

We stepped between the principal actors in this scene, which only the passion of Altascar made tragical, but Tryan, with a humility but ill concealing his triumph, interrupted:

"Let him curse on. He'll find 'em coming home to him sooner than the cattle he has lost through his sloth and pride. The Lord is on the side of the just, as well as agin all slanderers and revilers."

Altascar but half guessed the meaning of the Missourian, yet sufficiently to drive from his mind all but the extravagant power of his native invective.

"Stealer of the Sacrament! Open not!—open not, I say, your lying, Judas lips to me! Ah! half-breed, with the soul of a coyote!—car-r-r-ramba!"

With his passion reverberating among the consonants like distant thunder, he laid his hand upon the mane of his horse as though it had been the gray locks of his adversary, swung himself into the saddle and galloped away.

George turned to me:

"Will you go back with us tonight?"

I thought of the cheerless walls, the silent figures by the fire, and the roaring wind, and hesitated.

"Well then, goodby."

"Goodby, George."

Another wring of the hands, and we parted. I had not ridden far when I turned and looked back. The wind had risen early that afternoon, and was already sweeping across the plain. A cloud of dust traveled before it, and a picturesque figure occasionally emerging therefrom was my last indistinct impression of George Tryan.

PART II—IN THE FLOOD

Three months after the survey of the Espiritu Santo Rancho, I was again in the valley of the Sacramento. But a general and terrible visitation had erased the memory of that event as completely as I supposed it had obliterated the boundary monuments I had planted. The great flood of 1861-62 was at its height when, obeying some indefinite yearning, I took my carpetbag and embarked for the inundated valley.

There was nothing to be seen from the bright cabin windows of the GOLDEN CITY but night deepening over the water. The only sound was the pattering rain, and that had grown monotonous for the past two weeks, and did not disturb the national gravity of my countrymen as they silently sat around the cabin stove. Some on errands of relief to friends and relatives wore anxious faces, and conversed soberly on the one absorbing topic. Others, like myself, attracted by curiosity listened eagerly to newer details. But with that human disposition to seize upon any circumstance that might give chance event the exaggerated importance of instinct, I was half-conscious of something more than curiosity as an impelling motive.

The dripping of rain, the low gurgle of water, and a leaden sky greeted us the next morning as we lay beside the half-submerged levee of Sacramento. Here, however, the novelty of boats to convey us to the hotels was an appeal that was irresistible. I resigned myself to a dripping rubber-cased mariner called "Joe," and, wrapping myself in a shining cloak of the like material, about as suggestive of warmth as court plaster might have been, took my seat in the stern sheets of his boat. It was no slight inward struggle to part from the steamer that to most of the passengers was the only visible connecting link between us and the dry and habitable earth, but we pulled away and entered the city, stemming a rapid current as we shot the levee.

We glided up the long level of K Street—once a cheerful, busy thoroughfare, now distressing in its silent desolation. The turbid water which seemed to meet the horizon edge before us flowed at right angles in sluggish rivers through the streets. Nature had revenged herself on the local taste by disarraying the regular rectangles by huddling houses on street corners, where they presented abrupt gables to the current, or by capsizing them in compact ruin. Crafts of all kinds were gliding in and out of low-arched doorways. The water was over the top of the fences surrounding well-kept gardens, in the first stories of hotels and private dwellings, trailing its slime on velvet carpets as well as roughly boarded floors. And a silence quite as suggestive as the visible desolation was in the voiceless streets that no longer echoed to carriage wheel or footfall. The low ripple of water, the occasional splash of oars, or the warning cry of boatmen were the few signs of life and habitation.

With such scenes before my eyes and such sounds in my ears, as I lie lazily in the boat, is mingled the song of my gondolier who sings to the music of his oars. It is not quite as romantic as his brother of the Lido might improvise, but my Yankee "Giuseppe" has the advantage of earnestness and energy, and gives a graphic description of the terrors of the past week and of noble deeds of self-sacrifice and devotion, occasionally pointing out a balcony from which some California Bianca or Laura had been snatched, half-clothed and famished. Giuseppe is otherwise peculiar, and refuses the proffered fare, for—am I not a citizen of San Francisco, which was first to respond to the suffering cry of Sacramento? and is not he, Giuseppe, a member of the Howard Society? No! Giuseppe is poor, but cannot take my money. Still, if I must spend it, there is the Howard Society, and the women and children without food and clothes at the Agricultural Hall.

I thank the generous gondolier, and we go to the Hall—a dismal, bleak place, ghastly with the memories of last year's opulence and plenty, and here Giuseppe's fare is swelled by the stranger's mite. But here Giuseppe tells me of the "Relief Boat" which leaves for the flooded district in the interior, and here, profiting by the lesson he has taught me, I make the resolve to turn my curiosity to the account of others, and am accepted of those who go forth to succor and help the afflicted. Giuseppe takes charge of my carpetbag, and does not part from me until I stand on the slippery deck of "Relief Boat No. 3."

An hour later I am in the pilothouse, looking down upon what was once the channel of a peaceful river. But its banks are only defined by tossing tufts of willow washed by the long swell that breaks over a vast inland sea. Stretches of "tule" land fertilized by its once regular channel and dotted by flourishing ranchos are now cleanly erased. The cultivated profile of the old landscape had faded. Dotted lines in symmetrical perspective mark orchards that are buried and chilled in the turbid flood. The roofs of a few farmhouses are visible, and here and there the smoke curling from chimneys of half-submerged tenements shows an undaunted life within. Cattle and sheep are gathered on Indian mounds waiting the fate of their companions whose carcasses drift by us, or swing in eddies with the wrecks of barns and outhouses. Wagons are stranded everywhere where the tide could carry them. As I wipe the moistened glass, I see nothing but water, pattering on the deck from the lowering clouds, dashing against the window, dripping from the willows, hissing by the wheels, everywhere washing, coiling, sapping, hurrying in rapids, or swelling at last into deeper and vaster lakes, awful in their suggestive quiet and concealment.

As day fades into night the monotony of this strange prospect grows oppressive. I seek the engine room, and in the company of some of the few half-drowned sufferers we have already picked up from temporary rafts, I forget the general aspect of desolation in their individual misery. Later we meet the San Francisco packet, and transfer a number of our passengers. From them we learn how inward-bound vessels report to have struck the well-defined channel of the Sacramento, fifty miles beyond the bar. There is a voluntary contribution taken among the generous travelers for the use of our afflicted, and we part company with a hearty "Godspeed" on either side. But our signal lights are not far distant before a familiar sound comes back to us—an indomitable Yankee cheer—which scatters the gloom.

Our course is altered, and we are steaming over the obliterated banks far in the interior. Once or twice black objects loom up near us—the wrecks of houses floating by. There is a slight rift in the sky toward the north, and a few bearing stars to guide us over the waste. As we penetrate into shallower water, it is deemed advisable to divide our party into smaller boats, and diverge over the submerged prairie. I borrow a peacoat of one of the crew, and in that practical disguise am doubtfully permitted to pass into one of the boats. We give way northerly. It is quite dark yet, although the rift of cloud has widened.

It must have been about three o'clock, and we were lying upon our oars in an eddy formed by a clump of cottonwood, and the light of the steamer is a solitary, bright star in the distance, when the silence is broken by the "bow oar":

"Light ahead."

All eyes are turned in that direction. In a few seconds a twinkling light appears, shines steadily, and again disappears as if by the shifting position of some black object apparently drifting close upon us.

"Stern, all; a steamer!"

"Hold hard there! Steamer be damned!" is the reply of the coxswain. "It's a house, and a big one too."

It is a big one, looming in the starlight like a huge fragment of the darkness. The light comes from a single candle, which shines through a window as the great shape swings by. Some recollection is drifting back to me with it as I listen with beating heart.

"There's someone in it, by heavens! Give way, boys—lay her alongside. Handsomely, now! The door's fastened; try the window; no! here's another!"

In another moment we are trampling in the water which washes the floor to the depth of several inches. It is a large room, at the farther end of which an old man is sitting wrapped in a blanket, holding a candle in one hand, and apparently absorbed in the book he holds with the other. I spring toward him with an exclamation: