"Half-past eleven," said Corentin.

"I escaped at nightfall," said Lydie. "I have been walking for five hours."

"Well, come along; you can rest now; you will find your good Katt."

"Oh, monsieur, there is no rest for me! I only want to rest in the grave, and I will go and wait for death in a convent if I am worthy to be admitted——"

"Poor little girl!—But you struggled?"

"Oh yes! Oh! if you could only imagine the abject creatures they placed me with——!"

"They sent you to sleep, no doubt?"

"Ah! that is it" cried poor Lydie. "A little more strength and I should be at home. I feel that I am dropping, and my brain is not quite clear.—Just now I fancied I was in a garden——"

Corentin took Lydie in his arms, and she lost consciousness; he carried her upstairs.

"Katt!" he called.

Katt came out with exclamations of joy.

"Don't be in too great a hurry to be glad!" said Corentin gravely; "the girl is very ill."

When Lydie was laid on her bed and recognized her own room by the light of two candles that Katt lighted, she became delirious. She sang scraps of pretty airs, broken by vociferations of horrible sentences she had heard. Her pretty face was mottled with purple patches. She mixed up the reminiscences of her pure childhood with those of these ten days of infamy. Katt sat weeping; Corentin paced the room, stopping now and again to gaze at Lydie.

"She is paying her father's debt," said he. "Is there a Providence above? Oh, I was wise not to have a family. On my word of honor, a child is indeed a hostage given to misfortune, as some philosopher has said."

"Oh!" cried the poor child, sitting up in bed and throwing back her fine long hair, "instead of lying here, Katt, I ought to be stretched in the sand at the bottom of the Seine!"

"Katt, instead of crying and looking at your child, which will never cure her, you ought to go for a doctor; the medical officer in the first instance, and then Monsieur Desplein and Monsieur Bianchon——We must save this innocent creature."

And Corentin wrote down the addresses of these two famous physicians.

At this moment, up the stairs came some one to whom they were familiar, and the door was opened. Peyrade, in a violent sweat, his face purple, his eyes almost blood-stained, and gasping like a dolphin, rushed from the outer door to Lydie's room, exclaiming:

"Where is my child?"

He saw a melancholy sign from Corentin, and his eyes followed his friend's hand. Lydie's condition can only be compared to that of a flower tenderly cherished by a gardener, now fallen from its stem, and crushed by the iron-clamped shoes of some peasant. Ascribe this simile to a father's heart, and you will understand the blow that fell on Peyrade; the tears started to his eyes.

"You are crying!—It is my father!" said the girl.

She could still recognize her father; she got out of bed and fell on her knees at the old man's side as he sank into a chair.

"Forgive me, papa," said she in a tone that pierced Peyrade's heart, and at the same moment he was conscious of what felt like a tremendous blow on his head.

"I am dying!—the villains!" were his last words.

Corentin tried to help his friend, and received his latest breath.

"Dead! Poisoned!" said he to himself. "Ah! here is the doctor!" he exclaimed, hearing the sound of wheels.

Contenson, who came with his mulatto disguise removed, stood like a bronze statue as he heard Lydie say:

"Then you do not forgive me, father?—But it was not my fault!"

She did not understand that her father was dead.

"Oh, how he stares at me!" cried the poor crazy girl.

"We must close his eyes," said Contenson, lifting Peyrade on to the bed.

"We are doing a stupid thing," said Corentin. "Let us carry him into his own room. His daughter is half demented, and she will go quite mad when she sees that he is dead; she will fancy that she has killed him."

Lydie, seeing them carry away her father, looked quite stupefied.

"There lies my only friend!" said Corentin, seeming much moved when Peyrade was laid out on the bed in his own room. "In all his life he never had but one impulse of cupidity, and that was for his daughter!—Let him be an example to you, Contenson. Every line of life has its code of honor. Peyrade did wrong when he mixed himself up with private concerns; we have no business to meddle with any but public cases.

"But come what may, I swear," said he with a voice, an emphasis, a look that struck horror into Contenson, "to avenge my poor Peyrade! I will discover the men who are guilty of his death and of his daughter's ruin. And as sure as I am myself, as I have yet a few days to live, which I will risk to accomplish that vengeance, every man of them shall die at four o'clock, in good health, by a clean shave on the Place de Greve."

"And I will help you," said Contenson with feeling.

Nothing, in fact, is more heart-stirring than the spectacle of passion in a cold, self-contained, and methodical man, in whom, for twenty years, no one has ever detected the smallest impulse of sentiment. It is like a molten bar of iron which melts everything it touches. And Contenson was moved to his depths.

"Poor old Canquoelle!" said he, looking at Corentin. "He has treated me many a time.—And, I tell you, only your bad sort know how to do such things—but often has he given me ten francs to go and gamble with..."

After this funeral oration, Peyrade's two avengers went back to Lydie's room, hearing Katt and the medical officer from the Mairie on the stairs.

"Go and fetch the Chief of Police," said Corentin. "The public prosecutor will not find grounds for a prosecution in the case; still, we will report it to the Prefecture; it may, perhaps, be of some use.

"Monsieur," he went on to the medical officer, "in this room you will see a dead man. I do not believe that he died from natural causes; you will be good enough to make a post-mortem in the presence of the Chief of the Police, who will come at my request. Try to discover some traces of poison. You will, in a few minutes, have the opinion of Monsieur Desplein and Monsieur Bianchon, for whom I have sent to examine the daughter of my best friend; she is in a worse plight than he, though he is dead."

"I have no need of those gentlemen's assistance in the exercise of my duty," said the medical officer.

"Well, well," thought Corentin. "Let us have no clashing, monsieur," he said. "In a few words I give you my opinion—Those who have just murdered the father have also ruined the daughter."

By daylight Lydie had yielded to fatigue; when the great surgeon and the young physician arrived she was asleep.

The doctor, whose duty it was to sign the death certificate, had now opened Peyrade's body, and was seeking the cause of death.

"While waiting for your patient to awake," said Corentin to the two famous doctors, "would you join one of your professional brethren in an examination which cannot fail to interest you, and your opinion will be valuable in case of an inquiry."

"Your relations died of apoplexy," said the official. "There are all the symptoms of violent congestion of the brain."

"Examine him, gentlemen, and see if there is no poison capable of producing similar symptoms."

"The stomach is, in fact, full of food substances; but short of chemical analysis, I find no evidence of poison.

"If the characters of cerebral congestion are well ascertained, we have here, considering the patient's age, a sufficient cause of death," observed Desplein, looking at the enormous mass of material.

"Did he sup here?" asked Bianchon.

"No," said Corentin; "he came here in great haste from the Boulevard, and found his daughter ruined——"

"That was the poison if he loved his daughter," said Bianchon.

"What known poison could produce a similar effect?" asked Corentin, clinging to his idea.

"There is but one," said Desplein, after a careful examination. "It is a poison found in the Malayan Archipelago, and derived from trees, as yet but little known, of the strychnos family; it is used to poison that dangerous weapon, the Malay kris.—At least, so it is reported."

The Police Commissioner presently arrived; Corentin told him his suspicions, and begged him to draw up a report, telling him where and with whom Peyrade had supped, and the causes of the state in which he found Lydie.

Corentin then went to Lydie's rooms; Desplein and Bianchon had been examining the poor child. He met them at the door.

"Well, gentlemen?" asked Corentin.

"Place the girl under medical care; unless she recovers her wits when her child is born—if indeed she should have a child—she will end her days melancholy-mad. There is no hope of a cure but in the maternal instinct, if it can be aroused."

Corentin paid each of the physicians forty francs in gold, and then turned to the Police Commissioner, who had pulled him by the sleeve.

"The medical officer insists on it that death was natural," said this functionary, "and I can hardly report the case, especially as the dead man was old Canquoelle; he had his finger in too many pies, and we should not be sure whom we might run foul of. Men like that die to order very often——"

"And my name is Corentin," said Corentin in the man's ear.

The Commissioner started with surprise.

"So just make a note of all this," Corentin went on; "it will be very useful by and by; send it up only as confidential information. The crime cannot be proved, and I know that any inquiry would be checked at the very outset.—But I will catch the criminals some day yet. I will watch them and take them red-handed."

The police official bowed to Corentin and left.

"Monsieur," said Katt. "Mademoiselle does nothing but dance and sing. What can I do?"

"Has any change occurred then?"

"She has understood that her father is just dead."

"Put her into a hackney coach, and simply take her to Charenton; I will write a note to the Commissioner-General of Police to secure her being suitably provided for.—The daughter in Charenton, the father in a pauper's grave!" said Corentin—"Contenson, go and fetch the parish hearse. And now, Don Carlos Herrera, you and I will fight it out!"

"Carlos?" said Contenson, "he is in Spain."

"He is in Paris," said Corentin positively. "There is a touch of Spanish genius of the Philip II. type in all this; but I have pitfalls for everybody, even for kings."



Five days after the nabob's disappearance, Madame du Val-Noble was sitting by Esther's bedside weeping, for she felt herself on one of the slopes down to poverty.

"If I only had at least a hundred louis a year! With that sum, my dear, a woman can retire to some little town and find a husband——"

"I can get you as much as that," said Esther.

"How?" cried Madame du Val-Noble.

"Oh, in a very simple way. Listen. You must plan to kill yourself; play your part well. Send for Asie and offer her ten thousand francs for two black beads of very thin glass containing a poison which kills you in a second. Bring them to me, and I will give you fifty thousand francs for them."

"Why do you not ask her for them yourself?" said her friend.

"Asie would not sell them to me."

"They are not for yourself?" asked Madame du Val-Noble.

"Perhaps."

"You! who live in the midst of pleasure and luxury, in a house of your own? And on the eve of an entertainment which will be the talk of Paris for ten years—which is to cost Nucingen twenty thousand francs! There are to be strawberries in mid-February, they say, asparagus, grapes, melons!—and a thousand crowns' worth of flowers in the rooms."

"What are you talking about? There are a thousand crowns' worth of roses on the stairs alone."

"And your gown is said to have cost ten thousand francs?"

"Yes, it is of Brussels point, and Delphine, his wife, is furious. But I had a fancy to be disguised as a bride."

"Where are the ten thousand francs?" asked Madame du Val-Noble.

"It is all the ready money I have," said Esther, smiling. "Open my table drawer; it is under the curl-papers."

"People who talk of dying never kill themselves," said Madame du Val-Noble. "If it were to commit——"

"A crime? For shame!" said Esther, finishing her friend's thought, as she hesitated. "Be quite easy, I have no intention of killing anybody. I had a friend—a very happy woman; she is dead, I must follow her—that is all."

"How foolish!"

"How can I help it? I promised her I would."

"I should let that bill go dishonored," said her friend, smiling.

"Do as I tell you, and go at once. I hear a carriage coming. It is Nucingen, a man who will go mad with joy! Yes, he loves me!—Why do we not love those who love us, for indeed they do all they can to please us?"

"Ah, that is the question!" said Madame du Val-Noble. "It is the old story of the herring, which is the most puzzling fish that swims."

"Why?"

"Well, no one could ever find out."

"Get along, my dear!—I must ask for your fifty thousand francs."

"Good-bye then."

For three days past, Esther's ways with the Baron de Nucingen had completely changed. The monkey had become a cat, the cat had become a woman. Esther poured out treasures of affection on the old man; she was quite charming. Her way of addressing him, with a total absence of mischief or bitterness, and all sorts of tender insinuation, had carried conviction to the banker's slow wit; she called him Fritz, and he believed that she loved him.

"My poor Fritz, I have tried you sorely," said she. "I have teased you shamefully. Your patience has been sublime. You loved me, I see, and I will reward you. I like you now, I do not know how it is, but I should prefer you to a young man. It is the result of experience perhaps.—In the long run we discover at last that pleasure is the coin of the soul; and it is not more flattering to be loved for the sake of pleasure than it is to be loved for the sake of money.

"Besides, young men are too selfish; they think more of themselves than of us; while you, now, think only of me. I am all your life to you. And I will take nothing more from you. I want to prove to you how disinterested I am."

"Vy, I hafe gifen you notink," cried the Baron, enchanted. "I propose to gife you to-morrow tirty tousant francs a year in a Government bond. Dat is mein vedding gift."

Esther kissed the Baron so sweetly that he turned pale without any pills.

"Oh!" cried she, "do not suppose that I am sweet to you only for your thirty thousand francs! It is because—now—I love you, my good, fat Frederic."

"Ach, mein Gott! Vy hafe you kept me vaiting? I might hafe been so happy all dese tree monts."

"In three or in five per cents, my pet?" said Esther, passing her fingers through Nucingen's hair, and arranging it in a fashion of her own.

"In trees—I hat a quantity."

So next morning the Baron brought the certificate of shares; he came to breakfast with his dear little girl, and to take her orders for the following evening, the famous Saturday, the great day!

"Here, my little vife, my only vife," said the banker gleefully, his face radiant with happiness. "Here is enough money to pay for your keep for de rest of your days."

Esther took the paper without the slightest excitement, folded it up, and put it in her dressing-table drawer.

"So now you are quite happy, you monster of iniquity!" said she, giving Nucingen a little slap on the cheek, "now that I have at last accepted a present from you. I can no longer tell you home-truths, for I share the fruit of what you call your labors. This is not a gift, my poor old boy, it is restitution.—Come, do not put on your Bourse face. You know that I love you."

"My lofely Esther, mein anchel of lofe," said the banker, "do not speak to me like dat. I tell you, I should not care ven all de vorld took me for a tief, if you should tink me ein honest man.—I lofe you every day more and more."

"That is my intention," said Esther. "And I will never again say anything to distress you, my pet elephant, for you are grown as artless as a baby. Bless me, you old rascal, you have never known any innocence; the allowance bestowed on you when you came into the world was bound to come to the top some day; but it was buried so deep that it is only now reappearing at the age of sixty-six. Fished up by love's barbed hook.—This phenomenon is seen in old men.

"And this is why I have learned to love you, you are young—so young! No one but I would ever have known this, Frederic—I alone. For you were a banker at fifteen; even at college you must have lent your school-fellows one marble on condition of their returning two."

Seeing him laugh, she sprang on to his knee.

"Well, you must do as you please! Bless me! plunder the men—go ahead, and I will help. Men are not worth loving; Napoleon killed them off like flies. Whether they pay taxes to you or to the Government, what difference does it make to them? You don't make love over the budget, and on my honor!—go ahead, I have thought it over, and you are right. Shear the sheep! you will find it in the gospel according to Beranger.

"Now, kiss your Esther.—I say, you will give that poor Val-Noble all the furniture in the Rue Taitbout? And to-morrow I wish you would give her fifty thousand francs—it would look handsome, my duck. You see, you killed Falleix; people are beginning to cry out upon you, and this liberality will look Babylonian—all the women will talk about it! Oh! there will be no one in Paris so grand, so noble as you; and as the world is constituted, Falleix will be forgotten. So, after all, it will be money deposited at interest."

"You are right, mein anchel; you know the vorld," he replied. "You shall be mein adfiser."

"Well, you see," said Esther, "how I study my man's interest, his position and honor.—Go at once and bring those fifty thousand francs."

She wanted to get rid of Monsieur de Nucingen so as to get a stockbroker to sell the bond that very afternoon.

"But vy dis minute?" asked he.

"Bless me, my sweetheart, you must give it to her in a little satin box wrapped round a fan. You must say, 'Here, madame, is a fan which I hope may be to your taste.'—You are supposed to be a Turcaret, and you will become a Beaujon."

"Charming, charming!" cried the Baron. "I shall be so clever henceforth.—Yes, I shall repeat your vorts."

Just as Esther had sat down, tired with the effort of playing her part, Europe came in.

"Madame," said she, "here is a messenger sent from the Quai Malaquais by Celestin, M. Lucien's servant——"

"Bring him in—no, I will go into the ante-room."

"He has a letter for you, madame, from Celestin."

Esther rushed into the ante-room, looked at the messenger, and saw that he looked like the genuine thing.

"Tell him to come down," said Esther, in a feeble voice and dropping into a chair after reading the letter. "Lucien means to kill himself," she added in a whisper to Europe. "No, take the letter up to him."

Carlos Herrera, still in his disguise as a bagman, came downstairs at once, and keenly scrutinized the messenger on seeing a stranger in the ante-room.

"You said there was no one here," said he in a whisper to Europe.

And with an excess of prudence, after looking at the messenger, he went straight into the drawing-room. Trompe-la-Mort did not know that for some time past the famous constable of the detective force who had arrested him at the Maison Vauquer had a rival, who, it was supposed, would replace him. This rival was the messenger.

"They are right," said the sham messenger to Contenson, who was waiting for him in the street. "The man you describe is in the house; but he is not a Spaniard, and I will burn my hand off if there is not a bird for our net under that priest's gown."

"He is no more a priest than he is a Spaniard," said Contenson.

"I am sure of that," said the detective.

"Oh, if only we were right!" said Contenson.

Lucien had been away for two days, and advantage had been taken of his absence to lay this snare, but he returned this evening, and the courtesan's anxieties were allayed. Next morning, at the hour when Esther, having taken a bath, was getting into bed again, Madame du Val-Noble arrived.

"I have the two pills!" said her friend.

"Let me see," said Esther, raising herself with her pretty elbow buried in a pillow trimmed with lace.

Madame du Val-Noble held out to her what looked like two black currants.

The Baron had given Esther a pair of greyhounds of famous pedigree, which will be always known by the name of the great contemporary poet who made them fashionable; and Esther, proud of owning them, had called them by the names of their parents, Romeo and Juliet. No need here to describe the whiteness and grace of these beasts, trained for the drawing-room, with manners suggestive of English propriety. Esther called Romeo; Romeo ran up on legs so supple and thin, so strong and sinewy, that they seemed like steel springs, and looked up at his mistress. Esther, to attract his attention, pretended to throw one of the pills.

"He is doomed by his nature to die thus," said she, as she threw the pill, which Romeo crushed between his teeth.

The dog made no sound, he rolled over, and was stark dead. It was all over while Esther spoke these words of epitaph.

"Good God!" shrieked Madame du Val-Noble.

"You have a cab waiting. Carry away the departed Romeo," said Esther. "His death would make a commotion here. I have given him to you, and you have lost him—advertise for him. Make haste; you will have your fifty thousand francs this evening."

She spoke so calmly, so entirely with the cold indifference of a courtesan, that Madame du Val-Noble exclaimed:

"You are the Queen of us all!"

"Come early, and look very well——"

At five o'clock Esther dressed herself as a bride. She put on her lace dress over white satin, she had a white sash, white satin shoes, and a scarf of English point lace over her beautiful shoulders. In her hair she placed white camellia flowers, the simple ornament of an innocent girl. On her bosom lay a pearl necklace worth thirty thousand francs, a gift from Nucingen.

Though she was dressed by six, she refused to see anybody, even the banker. Europe knew that Lucien was to be admitted to her room. Lucien came at about seven, and Europe managed to get him up to her mistress without anybody knowing of his arrival.

Lucien, as he looked at her, said to himself, "Why not go and live with her at Rubempre, far from the world, and never see Paris again? I have an earnest of five years of her life, and the dear creature is one of those who never belie themselves! Where can I find such another perfect masterpiece?"

"My dear, you whom I have made my God," said Esther, kneeling down on a cushion in front of Lucien, "give me your blessing."

Lucien tried to raise her and kiss her, saying, "What is this jest, my dear love?" And he would have put his arm round her, but she freed herself with a gesture as much of respect as of horror.

"I am no longer worthy of you, Lucien," said she, letting the tears rise to her eyes. "I implore you, give me your blessing, and swear to me that you will found two beds at the Hotel-Dieu—for, as to prayers in church, God will never forgive me unless I pray myself.

"I have loved you too well, my dear. Tell me that I made you happy, and that you will sometimes think of me.—Tell me that!"

Lucien saw that Esther was solemnly in earnest, and he sat thinking.

"You mean to kill yourself," said he at last, in a tone of voice that revealed deep reflection.

"No," said she. "But to-day, my dear, the woman dies, the pure, chaste, and loving woman who once was yours.—And I am very much afraid that I shall die of grief."

"Poor child," said Lucien, "wait! I have worked hard these two days. I have succeeded in seeing Clotilde——"

"Always Clotilde!" cried Esther, in a tone of concentrated rage.

"Yes," said he, "we have written to each other.—On Tuesday morning she is to set out for Italy, but I shall meet her on the road for an interview at Fontainebleau."

"Bless me! what is it that you men want for wives? Wooden laths?" cried poor Esther. "If I had seven or eight millions, would you not marry me—come now?"

"Child! I was going to say that if all is over for me, I will have no wife but you."

Esther bent her head to hide her sudden pallor and the tears she wiped away.

"You love me?" said she, looking at Lucien with the deepest melancholy. "Well, that is my sufficient blessing.—Do not compromise yourself. Go away by the side door, and come in to the drawing-room through the ante-room. Kiss me on the forehead."

She threw her arms round Lucien, clasped him to her heart with frenzy, and said again:

"Go, only go—or I must live."

When the doomed woman appeared in the drawing-room, there was a cry of admiration. Esther's eyes expressed infinitude in which the soul sank as it looked into them. Her blue-black and beautiful hair set off the camellias. In short, this exquisite creature achieved all the effects she had intended. She had no rival. She looked like the supreme expression of that unbridled luxury which surrounded her in every form. Then she was brilliantly witty. She ruled the orgy with the cold, calm power that Habeneck displays when conducting at the Conservatoire, at those concerts where the first musicians in Europe rise to the sublime in interpreting Mozart and Beethoven.

But she observed with terror that Nucingen ate little, drank nothing, and was quite the master of the house.

By midnight everybody was crazy. The glasses were broken that they might never be used again; two of the Chinese curtains were torn; Bixiou was drunk, for the second time in his life. No one could keep his feet, the women were asleep on the sofas, and the guests were incapable of carrying out the practical joke they had planned of escorting Esther and Nucingen to the bedroom, standing in two lines with candles in their hands, and singing Buona sera from the Barber of Seville.

Nucingen simply gave Esther his hand. Bixiou, who saw them, though tipsy, was still able to say, like Rivarol, on the occasion of the Duc de Richelieu's last marriage, "The police must be warned; there is mischief brewing here."

The jester thought he was jesting; he was a prophet.



Monsieur de Nucingen did not go home till Monday at about noon. But at one o'clock his broker informed him that Mademoiselle Esther van Bogseck had sold the bond bearing thirty thousand francs interest on Friday last, and had just received the money.

"But, Monsieur le Baron, Derville's head-clerk called on me just as I was settling this transfer; and after seeing Mademoiselle Esther's real names, he told me she had come into a fortune of seven millions."

"Pooh!"

"Yes, she is the only heir to the old bill-discounter Gobseck.—Derville will verify the facts. If your mistress' mother was the handsome Dutch woman, la Belle Hollandaise, as they called her, she comes in for——"

"I know dat she is," cried the banker. "She tolt me all her life. I shall write ein vort to Derville."

The Baron at down at his desk, wrote a line to Derville, and sent it by one of his servants. Then, after going to the Bourse, he went back to Esther's house at about three o'clock.

"Madame forbade our waking her on any pretence whatever. She is in bed—asleep——"

"Ach der Teufel!" said the Baron. "But, Europe, she shall not be angry to be tolt that she is fery, fery rich. She shall inherit seven millions. Old Gobseck is deat, and your mis'ess is his sole heir, for her moter vas Gobseck's own niece; and besides, he shall hafe left a vill. I could never hafe tought that a millionaire like dat man should hafe left Esther in misery!"

"Ah, ha! Then your reign is over, old pantaloon!" said Europe, looking at the Baron with an effrontery worthy of one of Moliere's waiting-maids. "Shooh! you old Alsatian crow! She loves you as we love the plague! Heavens above us! Millions!—Why, she may marry her lover; won't she be glad!"

And Prudence Servien left the Baron simply thunder-stricken, to be the first to announce to her mistress this great stroke of luck. The old man, intoxicated with superhuman enjoyment, and believing himself happy, had just received a cold shower-bath on his passion at the moment when it had risen to the intensest white heat.

"She vas deceiving me!" cried he, with tears in his eyes. "Yes, she vas cheating me. Oh, Esther, my life! Vas a fool hafe I been! Can such flowers ever bloom for de old men! I can buy all vat I vill except only yout!—Ach Gott, ach Gott! Vat shall I do! Vat shall become of me!—She is right, dat cruel Europe. Esther, if she is rich, shall not be for me. Shall I go hank myself? Vat is life midout de divine flame of joy dat I have known? Mein Gott, mein Gott!"

The old man snatched off the false hair he had combed in with his gray hairs these three months past.

A piercing shriek from Europe made Nucingen quail to his very bowels. The poor banker rose and walked upstairs on legs that were drunk with the bowl of disenchantment he had just swallowed to the dregs, for nothing is more intoxicating than the wine of disaster.

At the door of her room he could see Esther stiff on her bed, blue with poison—dead!

He went up to the bed and dropped on his knees.

"You are right! She tolt me so!—She is dead—of me——"

Paccard, Asie, every one hurried in. It was a spectacle, a shock, but not despair. Every one had their doubts. The Baron was a banker again. A suspicion crossed his mind, and he was so imprudent as to ask what had become of the seven hundred and fifty thousand francs, the price of the bond. Paccard, Asie, and Europe looked at each other so strangely that Monsieur de Nucingen left the house at once, believing that robbery and murder had been committed. Europe, detecting a packet of soft consistency, betraying the contents to be banknotes, under her mistress' pillow, proceeded at once to "lay her out," as she said.

"Go and tell monsieur, Asie!—Oh, to die before she knew that she had seven millions! Gobseck was poor madame's uncle!" said she.

Europe's stratagem was understood by Paccard. As soon as Asie's back was turned, Europe opened the packet, on which the hapless courtesan had written: "To be delivered to Monsieur Lucien de Rubempre."

Seven hundred and fifty thousand-franc notes shone in the eyes of Prudence Servien, who exclaimed:

"Won't we be happy and honest for the rest of our lives!"

Paccard made no objection. His instincts as a thief were stronger than his attachment to Trompe-la-Mort.

"Durut is dead," he said at length; "my shoulder is still a proof before letters. Let us be off together; divide the money, so as not to have all our eggs in one basket, and then get married."

"But where can we hide?" said Prudence.

"In Paris," replied Paccard.

Prudence and Paccard went off at once, with the promptitude of two honest folks transformed into robbers.

"My child," said Carlos to Asie, as soon as she had said three words, "find some letter of Esther's while I write a formal will, and then take the copy and the letter to Girard; but he must be quick. The will must be under Esther's pillow before the lawyers affix the seals here."

And he wrote out the following will:—

"Never having loved any one on earth but Monsieur Lucien Chardon de Rubempre, and being resolved to end my life rather than relapse into vice and the life of infamy from which he rescued me, I give and bequeath to the said Lucien Chardon de Rubempre all I may possess at the time of my decease, on condition of his founding a mass in perpetuity in the parish church of Saint-Roch for the repose of her who gave him her all, to her last thought.

"ESTHER GOBSECK."

"That is quite in her style," thought Trompe-la-Mort.

By seven in the evening this document, written and sealed, was placed by Asie under Esther's bolster.

"Jacques," said she, flying upstairs again, "just as I came out of the room justice marched in——"

"The justice of the peace you mean?"

"No, my son. The justice of the peace was there, but he had gendarmes with him. The public prosecutor and the examining judge are there too, and the doors are guarded."

"This death has made a stir very quickly," remarked Jacques Collin.

"Ay, and Paccard and Europe have vanished; I am afraid they may have scared away the seven hundred and fifty thousand francs," said Asie.

"The low villains!" said Collin. "They have done for us by their swindling game."

Human justice, and Paris justice, that is to say, the most suspicious, keenest, cleverest, and omniscient type of justice—too clever, indeed, for it insists on interpreting the law at every turn—was at last on the point of laying its hand on the agents of this horrible intrigue.

The Baron of Nucingen, on recognizing the evidence of poison, and failing to find his seven hundred and fifty thousand francs, imagined that one of two persons whom he greatly disliked—either Paccard or Europe—was guilty of the crime. In his first impulse of rage he flew to the prefecture of police. This was a stroke of a bell that called up all Corentin's men. The officials of the prefecture, the legal profession, the chief of the police, the justice of the peace, the examining judge,—all were astir. By nine in the evening three medical men were called in to perform an autopsy on poor Esther, and inquiries were set on foot.

Trompe-la-Mort, warned by Asie, exclaimed:

"No one knows that I am here; I may take an airing." He pulled himself up by the skylight of his garret, and with marvelous agility was standing in an instant on the roof, whence he surveyed the surroundings with the coolness of a tiler.

"Good!" said he, discerning a garden five houses off in the Rue de Provence, "that will just do for me."

"You are paid out, Trompe-la-Mort," said Contenson, suddenly emerging from behind a stack of chimneys. "You may explain to Monsieur Camusot what mass you were performing on the roof, Monsieur l'Abbe, and, above all, why you were escaping——"

"I have enemies in Spain," said Carlos Herrera.

"We can go there by way of your attic," said Contenson.

The sham Spaniard pretended to yield; but, having set his back and feet across the opening of the skylight, he gripped Contenson and flung him off with such violence that the spy fell in the gutter of the Rue Saint-Georges.

Contenson was dead on his field of honor; Jacques Collin quietly dropped into the room again and went to bed.

"Give me something that will make me very sick without killing me," said he to Asie; "for I must be at death's door, to avoid answering inquisitive persons. I have just got rid of a man in the most natural way, who might have unmasked me."



At seven o'clock on the previous evening Lucien had set out in his own chaise to post to Fontainebleau with a passport he had procured in the morning; he slept in the nearest inn on the Nemours side. At six in the morning he went alone, and on foot, through the forest as far as Bouron.

"This," said he to himself, as he sat down on one of the rocks that command the fine landscape of Bouron, "is the fatal spot where Napoleon dreamed of making a final tremendous effort on the eve of his abdication."

At daybreak he heard the approach of post-horses and saw a britska drive past, in which sat the servants of the Duchesse de Lenoncourt-Chaulieu and Clotilde de Grandlieu's maid.

"Here they are!" thought Lucien. "Now, to play the farce well, and I shall be saved!—the Duc de Grandlieu's son-in-law in spite of him!"

It was an hour later when he heard the peculiar sound made by a superior traveling carriage, as the berline came near in which two ladies were sitting. They had given orders that the drag should be put on for the hill down to Bouron, and the man-servant behind the carriage had it stopped.

At this instant Lucien came forward.

"Clotilde!" said he, tapping on the window.

"No," said the young Duchess to her friend, "he shall not get into the carriage, and we will not be alone with him, my dear. Speak to him for the last time—to that I consent; but on the road, where we will walk on, and where Baptiste can escort us.—The morning is fine, we are well wrapped up, and have no fear of the cold. The carriage can follow."

The two women got out.

"Baptiste," said the Duchess, "the post-boy can follow slowly; we want to walk a little way. You must keep near us."

Madeleine de Mortsauf took Clotilde by the arm and allowed Lucien to talk. They thus walked on as far as the village of Grez. It was now eight o'clock, and there Clotilde dismissed Lucien.

"Well, my friend," said she, closing this long interview with much dignity, "I never shall marry any one but you. I would rather believe in you than in other men, in my father and mother—no woman ever gave greater proof of attachment surely?—Now, try to counteract the fatal prejudices which militate against you."

Just then the tramp of galloping horses was heard, and, to the great amazement of the ladies, a force of gendarmes surrounded the little party.

"What do you want?" said Lucien, with the arrogance of a dandy.

"Are you Monsieur Lucien de Rubempre?" asked the public prosecutor of Fontainebleau.

"Yes, monsieur."

"You will spend to-night in La Force," said he. "I have a warrant for the detention of your person."

"Who are these ladies?" asked the sergeant.

"To be sure.—Excuse me, ladies—your passports? For Monsieur Lucien, as I am instructed, had acquaintances among the fair sex, who for him would——"

"Do you take the Duchesse de Lenoncourt-Chaulieu for a prostitute?" said Madeleine, with a magnificent flash at the public prosecutor.

"You are handsome enough to excuse the error," the magistrate very cleverly retorted.

"Baptiste, produce the passports," said the young Duchess with a smile.

"And with what crime is Monsieur de Rubempre charged?" asked Clotilde, whom the Duchess wished to see safe in the carriage.

"Of being accessory to a robbery and murder," replied the sergeant of gendarmes.

Baptiste lifted Mademoiselle de Grandlieu into the chaise in a dead faint.



By midnight Lucien was entering La Force, a prison situated between the Rue Payenne and the Rue des Ballets, where he was placed in solitary confinement.

The Abbe Carlos Herrera was also there, having been arrested that evening.



THE END OF EVIL WAYS

At six o'clock next morning two vehicles with postilions, prison vans, called in the vigorous language of the populace, paniers a salade, came out of La Force to drive to the Conciergerie by the Palais de Justice.

Few loafers in Paris can have failed to meet this prison cell on wheels; still, though most stories are written for Parisian readers, strangers will no doubt be satisfied to have a description of this formidable machine. Who knows? A police of Russia, Germany, or Austria, the legal body of countries to whom the "Salad-basket" is an unknown machine, may profit by it; and in several foreign countries there can be no doubt that an imitation of this vehicle would be a boon to prisoners.

This ignominious conveyance, yellow-bodied, on high wheels, and lined with sheet-iron, is divided into two compartments. In front is a box-seat, with leather cushions and an apron. This is the free seat of the van, and accommodates a sheriff's officer and a gendarme. A strong iron trellis, reaching to the top, separates this sort of cab-front from the back division, in which there are two wooden seats placed sideways, as in an omnibus, on which the prisoners sit. They get in by a step behind and a door, with no window. The nickname of Salad-basket arose from the fact that the vehicle was originally made entirely of lattice, and the prisoners were shaken in it just as a salad is shaken to dry it.

For further security, in case of accident, a mounted gendarme follows the machine, especially when it conveys criminals condemned to death to the place of execution. Thus escape is impossible. The vehicle, lined with sheet-iron, is impervious to any tool. The prisoners, carefully searched when they are arrested or locked up, can have nothing but watch-springs, perhaps, to file through bars, and useless on a smooth surface.

So the panier a salade, improved by the genius of the Paris police, became the model for the prison omnibus (known in London as "Black Maria") in which convicts are transported to the hulks, instead of the horrible tumbril which formerly disgraced civilization, though Manon Lescaut had made it famous.

The accused are, in the first instance, despatched in the prison van from the various prisons in Paris to the Palais de Justice, to be questioned by the examining judge. This, in prison slang, is called "going up for examination." Then the accused are again conveyed from prison to the Court to be sentenced when their case is only a misdemeanor; or if, in legal parlance, the case is one for the Upper Court, they are transferred from the house of detention to the Conciergerie, the "Newgate" of the Department of the Seine.

Finally, the prison van carries the criminal condemned to death from Bicetre to the Barriere Saint-Jacques, where executions are carried out, and have been ever since the Revolution of July. Thanks to philanthropic interference, the poor wretches no longer have to face the horrors of the drive from the Conciergerie to the Place de Greve in a cart exactly like that used by wood merchants. This cart is no longer used but to bring the body back from the scaffold.

Without this explanation the words of a famous convict to his accomplice, "It is now the horse's business!" as he got into the van, would be unintelligible. It is impossible to be carried to execution more comfortably than in Paris nowadays.

At this moment the two vans, setting out at such an early hour, were employed on the unwonted service of conveying two accused prisoners from the jail of La Force to the Conciergerie, and each man had a "Salad-basket" to himself.

Nine-tenths of my readers, ay, and nine-tenths of the remaining tenth, are certainly ignorant of the vast difference of meaning in the words incriminated, suspected, accused, and committed for trial—jail, house of detention, and penitentiary; and they may be surprised to learn here that it involves all our criminal procedure, of which a clear and brief outline will presently be sketched, as much for their information as for the elucidation of this history. However, when it is said that the first van contained Jacques Collin and the second Lucien, who in a few hours had fallen from the summit of social splendor to the depths of a prison cell, curiosity will for the moment be satisfied.

The conduct of the two accomplices was characteristic; Lucien de Rubempre shrank back to avoid the gaze of the passers-by, who looked at the grated window of the gloomy and fateful vehicle on its road along the Rue Saint-Antoine and the Rue du Martroi to reach the quay and the Arch of Saint-Jean, the way, at that time, across the Place de l'Hotel de Ville. This archway now forms the entrance gate to the residence of the Prefet de la Seine in the huge municipal palace. The daring convict, on the contrary, stuck his face against the barred grating, between the officer and the gendarme, who, sure of their van, were chatting together.

The great days of July 1830, and the tremendous storm that then burst, have so completely wiped out the memory of all previous events, and politics so entirely absorbed the French during the last six months of that year, that no one remembers—or a few scarcely remember—the various private, judicial, and financial catastrophes, strange as they were, which, forming the annual flood of Parisian curiosity, were not lacking during the first six months of the year. It is, therefore, needful to mention how Paris was, for the moment, excited by the news of the arrest of a Spanish priest, discovered in a courtesan's house, and that of the elegant Lucien de Rubempre, who had been engaged to Mademoiselle Clotilde de Grandlieu, taken on the highroad to Italy, close to the little village of Grez. Both were charged as being concerned in a murder, of which the profits were stated at seven millions of francs; and for some days the scandal of this trial preponderated over the absorbing importance of the last elections held under Charles X.

In the first place, the charge had been based on an application by the Baron de Nucingen; then, Lucien's apprehension, just as he was about to be appointed private secretary to the Prime Minister, made a stir in the very highest circles of society. In every drawing-room in Paris more than one young man could recollect having envied Lucien when he was honored by the notice of the beautiful Duchesse de Maufrigneuse; and every woman knew that he was the favored attache of Madame de Serizy, the wife of one of the Government bigwigs. And finally, his handsome person gave him a singular notoriety in the various worlds that make up Paris—the world of fashion, the financial world, the world of courtesans, the young men's world, the literary world. So for two days past all Paris had been talking of these two arrests. The examining judge in whose hands the case was put regarded it as a chance for promotion; and, to proceed with the utmost rapidity, he had given orders that both the accused should be transferred from La Force to the Conciergerie as soon as Lucien de Rubempre could be brought from Fontainebleau.

As the Abbe Carlos had spent but twelve hours in La Force, and Lucien only half a night, it is useless to describe that prison, which has since been entirely remodeled; and as to the details of their consignment, it would be only a repetition of the same story at the Conciergerie.



But before setting forth the terrible drama of a criminal inquiry, it is indispensable, as I have said, that an account should be given of the ordinary proceedings in a case of this kind. To begin with, its various phases will be better understood at home and abroad, and, besides, those who are ignorant of the action of the criminal law, as conceived of by the lawgivers under Napoleon, will appreciate it better. This is all the more important as, at this moment, this great and noble institution is in danger of destruction by the system known as penitentiary.

A crime is committed; if it is flagrant, the persons incriminated (inculpes) are taken to the nearest lock-up and placed in the cell known to the vulgar as the Violon—perhaps because they make a noise there, shrieking or crying. From thence the suspected persons (inculpes) are taken before the police commissioner or magistrate, who holds a preliminary inquiry, and can dismiss the case if there is any mistake; finally, they are conveyed to the Depot of the Prefecture, where the police detains them pending the convenience of the public prosecutor and the examining judge. They, being served with due notice, more or less quickly, according to the gravity of the case, come and examine the prisoners who are still provisionally detained. Having due regard to the presumptive evidence, the examining judge then issues a warrant for their imprisonment, and sends the suspected persons to be confined in a jail. There are three such jails (Maisons d'Arret) in Paris—Sainte-Pelagie, La Force, and les Madelonettes.

Observe the word inculpe, incriminated, or suspected of crime. The French Code has created three essential degrees of criminality—inculpe, first degree of suspicion; prevenu, under examination; accuse, fully committed for trial. So long as the warrant for committal remains unsigned, the supposed criminal is regarded as merely under suspicion, inculpe of the crime or felony; when the warrant has been issued, he becomes "the accused" (prevenu), and is regarded as such so long as the inquiry is proceeding; when the inquiry is closed, and as soon as the Court has decided that the accused is to be committed for trial, he becomes "the prisoner at the bar" (accuse) as soon as the superior court, at the instance of the public prosecutor, has pronounced that the charge is so far proved as to be carried to the Assizes.

Thus, persons suspected of crime go through three different stages, three siftings, before coming up for trial before the judges of the upper Court—the High Justice of the realm.

At the first stage, innocent persons have abundant means of exculpating themselves—the public, the town watch, the police. At the second state they appear before a magistrate face to face with the witnesses, and are judged by a tribunal in Paris, or by the Collective Court of the departments. At the third stage they are brought before a bench of twelve councillors, and in case of any error or informality the prisoner committed for trial at the Assizes may appeal for protection to the Supreme court. The jury do not know what a slap in the face they give to popular authority, to administrative and judicial functionaries, when they acquit a prisoner. And so, in my opinion, it is hardly possible that an innocent man should ever find himself at the bar of an Assize Court in Paris—I say nothing of other seats of justice.

The detenu is the convict. French criminal law recognizes imprisonment of three degrees, corresponding in legal distinction to these three degrees of suspicion, inquiry, and conviction. Mere imprisonment is a light penalty for misdemeanor, but detention is imprisonment with hard labor, a severe and sometimes degrading punishment. Hence, those persons who nowadays are in favor of the penitentiary system would upset an admirable scheme of criminal law in which the penalties are judiciously graduated, and they will end by punishing the lightest peccadilloes as severely as the greatest crimes.

The reader may compare in the Scenes of Political Life (for instance, in Une Tenebreuse affaire) the curious differences subsisting between the criminal law of Brumaire in the year IV., and that of the Code Napoleon which has taken its place.

In most trials, as in this one, the suspected persons are at once examined (and from inculpes become prevenus); justice immediately issues a warrant for their arrest and imprisonment. In point of fact, in most of such cases the criminals have either fled, or have been instantly apprehended. Indeed, as we have seen the police, which is but an instrument, and the officers of justice had descended on Esther's house with the swiftness of a thunderbolt. Even if there had not been the reasons for revenge suggested to the superior police by Corentin, there was a robbery to be investigated of seven hundred and fifty thousand francs from the Baron de Nucingen.



Just as the first prison van, conveying Jacques Collin, reached the archway of Saint-Jean—a narrow, dark passage, some block ahead compelled the postilion to stop under the vault. The prisoner's eyes shone like carbuncles through the grating, in spite of his aspect as of a dying man, which, the day before, had led the governor of La Force to believe that the doctor must be called in. These flaming eyes, free to rove at this moment, for neither the officer nor the gendarme looked round at their "customer," spoke so plain a language that a clever examining judge, M. Popinot, for instance, would have identified the man convicted for sacrilege.

In fact, ever since the "salad-basket" had turned out of the gate of La Force, Jacques Collin had studied everything on his way. Notwithstanding the pace they had made, he took in the houses with an eager and comprehensive glance from the ground floor to the attics. He saw and noted every passer-by. God Himself is not more clear-seeing as to the means and ends of His creatures than this man in observing the slightest differences in the medley of things and people. Armed with hope, as the last of the Horatii was armed with his sword, he expected help. To anybody but this Machiavelli of the hulks, this hope would have seemed so absolutely impossible to realize that he would have gone on mechanically, as all guilty men do. Not one of them ever dreams of resistance when he finds himself in the position to which justice and the Paris police bring suspected persons, especially those who, like Collin and Lucien, are in solitary confinement.

It is impossible to conceive of the sudden isolation in which a suspected criminal is placed. The gendarmes who apprehend him, the commissioner who questions him, those who take him to prison, the warders who lead him to his cell—which is actually called a cachot, a dungeon or hiding-place, those again who take him by the arms to put him into a prison-van—every being that comes near him from the moment of his arrest is either speechless, or takes note of all he says, to be repeated to the police or to the judge. This total severance, so simply effected between the prisoner and the world, gives rise to a complete overthrow of his faculties and a terrible prostration of mind, especially when the man has not been familiarized by his antecedents with the processes of justice. The duel between the judge and the criminal is all the more appalling because justice has on its side the dumbness of blank walls and the incorruptible coldness of its agents.

But Jacques Collin, or Carlos Herrera—it will be necessary to speak of him by one or the other of these names according to the circumstances of the case—had long been familiar with the methods of the police, of the jail, and of justice. This colossus of cunning and corruption had employed all his powers of mind, and all the resources of mimicry, to affect the surprise and anility of an innocent man, while giving the lawyers the spectacle of his sufferings. As has been told, Asie, that skilled Locusta, had given him a dose of poison so qualified as to produce the effects of a dreadful illness.

Thus Monsieur Camusot, the police commissioner, and the public prosecutor had been baffled in their proceedings and inquiries by the effects apparently of an apoplectic attack.

"He has taken poison!" cried Monsieur Camusot, horrified by the sufferings of the self-styled priest when he had been carried down from the attic writhing in convulsions.

Four constables had with great difficulty brought the Abbe Carlos downstairs to Esther's room, where the lawyers and the gendarmes were assembled.

"That was the best thing he could do if he should be guilty," replied the public prosecutor.

"Do you believe that he is ill?" the police commissioner asked.

The police is always incredulous.

The three lawyers had spoken, as may be imagined, in a whisper; but Jacques Collin had guessed from their faces the subject under discussion, and had taken advantage of it to make the first brief examination which is gone through on arrest absolutely impossible and useless; he had stammered out sentences in which Spanish and French were so mingled as to make nonsense.

At La Force this farce had been all the more successful in the first instance because the head of the "safety" force—an abbreviation of the title "Head of the brigade of the guardians of public safety"—Bibi-Lupin, who had long since taken Jacques Collin into custody at Madame Vauquer's boarding-house, had been sent on special business into the country, and his deputy was a man who hoped to succeed him, but to whom the convict was unknown.

Bibi-Lupin, himself formerly a convict, and a comrade of Jacques Collin's on the hulks, was his personal enemy. This hostility had its rise in quarrels in which Jacques Collin had always got the upper hand, and in the supremacy over his fellow-prisoners which Trompe-la-Mort had always assumed. And then, for ten years now, Jacques Collin had been the ruling providence of released convicts in Paris, their head, their adviser, and their banker, and consequently Bibi-Lupin's antagonist.

Thus, though placed in solitary confinement, he trusted to the intelligent and unreserved devotion of Asie, his right hand, and perhaps, too, to Paccard, his left hand, who, as he flattered himself, might return to his allegiance when once that thrifty subaltern had safely bestowed the seven hundred and fifty thousand francs that he had stolen. This was the reason why his attention had been so superhumanly alert all along the road. And, strange to say! his hopes were about to be amply fulfilled.

The two solid side-walls of the archway were covered, to a height of six feet, with a permanent dado of mud formed of the splashes from the gutter; for, in those days, the foot passenger had no protection from the constant traffic of vehicles and from what was called the kicking of the carts, but curbstones placed upright at intervals, and much ground away by the naves of the wheels. More than once a heavy truck had crushed a heedless foot-passenger under that arch-way. Such indeed Paris remained in many districts and till long after. This circumstance may give some idea of the narrowness of the Saint-Jean gate and the ease with which it could be blocked. If a cab should be coming through from the Place de Greve while a costermonger-woman was pushing her little truck of apples in from the Rue du Martroi, a third vehicle of any kind produced difficulties. The foot-passengers fled in alarm, seeking a corner-stone to protect them from the old-fashioned axles, which had attained such prominence that a law was passed at last to reduce their length.

When the prison van came in, this passage was blocked by a market woman with a costermonger's vegetable cart—one of a type which is all the more strange because specimens still exist in Paris in spite of the increasing number of green-grocers' shops. She was so thoroughly a street hawker that a Sergeant de Ville, if that particular class of police had been then in existence, would have allowed her to ply her trade without inspecting her permit, in spite of a sinister countenance that reeked of crime. Her head, wrapped in a cheap and ragged checked cotton kerchief, was horrid with rebellious locks of hair, like the bristles of a wild boar. Her red and wrinkled neck was disgusting, and her little shawl failed entirely to conceal a chest tanned brown by the sun, dust, and mud. Her gown was patchwork; her shoes gaped as though they were grinning at a face as full of holes as the gown. And what an apron! a plaster would have been less filthy. This moving and fetid rag must have stunk in the nostrils of dainty folks ten yards away. Those hands had gleaned a hundred harvest fields. Either the woman had returned from a German witches' Sabbath, or she had come out of a mendicity asylum. But what eyes! what audacious intelligence, what repressed vitality when the magnetic flash of her look and of Jacques Collin's met to exchange a thought!

"Get out of the way, you old vermin-trap!" cried the postilion in harsh tones.

"Mind you don't crush me, you hangman's apprentice!" she retorted. "Your cartful is not worth as much as mine."

And by trying to squeeze in between two corner-stones to make way, the hawker managed to block the passage long enough to achieve her purpose.

"Oh! Asie!" said Jacques Collin to himself, at once recognizing his accomplice. "Then all is well."

The post-boy was still exchanging amenities with Asie, and vehicles were collecting in the Rue du Martroi.

"Look out, there—Pecaire fermati. Souni la—Vedrem," shrieked old Asie, with the Red-Indian intonations peculiar to these female costermongers, who disfigure their words in such a way that they are transformed into a sort onomatopoeia incomprehensible to any but Parisians.

In the confusion in the alley, and among the outcries of all the waiting drivers, no one paid any heed to this wild yell, which might have been the woman's usual cry. But this gibberish, intelligible to Jacques Collin, sent to his ear in a mongrel language of their own—a mixture of bad Italian and Provencal—this important news:

"Your poor boy is nabbed. I am here to keep an eye on you. We shall meet again."

In the midst of his joy at having thus triumphed over the police, for he hoped to be able to keep up communications, Jacques Collin had a blow which might have killed any other man.

"Lucien in custody!" said he to himself.

He almost fainted. This news was to him more terrible than the rejection of his appeal could have been if he had been condemned to death.

Now that both the prison vans are rolling along the Quai, the interest of this story requires that I should add a few words about the Conciergerie, while they are making their way thither. The Conciergerie, a historical name—a terrible name,—a still more terrible thing, is inseparable from the Revolutions of France, and especially those of Paris. It has known most of our great criminals. But if it is the most interesting of the buildings of Paris, it is also the least known—least known to persons of the upper classes; still, in spite of the interest of this historical digression, it should be as short as the journey of the prison vans.

What Parisian, what foreigner, or what provincial can have failed to observe the gloomy and mysterious features of the Quai des Lunettes—a structure of black walls flanked by three round towers with conical roofs, two of them almost touching each other? This quay, beginning at the Pont du Change, ends at the Pont Neuf. A square tower—the Clock Tower, or Tour de l'Horloge, whence the signal was given for the massacre of Saint-Bartholomew—a tower almost as tall as that of Saint-Jacques de la Boucherie, shows where the Palais de Justice stands, and forms the corner of the quay.

These four towers and these walls are shrouded in the black winding sheet which, in Paris, falls on every facade to the north. About half-way along the quay at a gloomy archway we see the beginning of the private houses which were built in consequence of the construction of the Pont Neuf in the reign of Henry IV. The Place Royale was a replica of the Place Dauphine. The style of architecture is the same, of brick with binding courses of hewn stone. This archway and the Rue de Harlay are the limit line of the Palais de Justice on the west. Formerly the Prefecture de Police, once the residence of the Presidents of Parlement, was a dependency of the Palace. The Court of Exchequer and Court of Subsidies completed the Supreme Court of Justice, the Sovereign's Court. It will be seen that before the Revolution the Palace enjoyed that isolation which now again is aimed at.

This block, this island of residences and official buildings, in their midst the Sainte-Chapelle—that priceless jewel of Saint-Louis' chaplet—is the sanctuary of Paris, its holy place, its sacred ark.

For one thing, this island was at first the whole of the city, for the plot now forming the Place Dauphine was a meadow attached to the Royal demesne, where stood a stamping mill for coining money. Hence the name of Rue de la Monnaie—the street leading to the Pont Neuf. Hence, too, the name of one of the round towers—the middle one—called the Tour d'Argent, which would seem to show that money was originally coined there. The famous mill, to be seen marked in old maps of Paris, may very likely be more recent than the time when money was coined in the Palace itself, and was erected, no doubt, for the practice of improved methods in the art of coining.

The first tower, hardly detached from the Tour d'Argent, is the Tour de Montgomery; the third, and smallest, but the best preserved of the three, for it still has its battlements, is the Tour Bonbec.

The Sainte-Chapelle and its four towers—counting the clock tower as one—clearly define the precincts; or, as a surveyor would say, the perimeter of the Palace, as it was from the time of the Merovingians till the accession of the first race of Valois; but to us, as a result of certain alterations, this Palace is more especially representative of the period of Saint-Louis.

Charles V. was the first to give the Palace up to the Parlement, then a new institution, and went to reside in the famous Hotel Saint-Pol, under the protection of the Bastille. The Palais des Tournelles was subsequently erected backing on to the Hotel Saint-Pol. Thus, under the later Valois, the kings came back from the Bastille to the Louvre, which had been their first stronghold.

The original residence of the French kings, the Palace of Saint-Louis, which has preserved the designation of Le Palais, to indicate the Palace of palaces, is entirely buried under the Palais de Justice; it forms the cellars, for it was built, like the Cathedral, in the Seine, and with such care that the highest floods in the river scarcely cover the lowest steps. The Quai de l'Horloge covers, twenty feet below the surface, its foundations of a thousand years old. Carriages run on the level of the capitals of the solid columns under these towers, and formerly their appearance must have harmonized with the elegance of the Palace, and have had a picturesque effect over the water, since to this day those towers vie in height with the loftiest buildings in Paris.

As we look down on this vast capital from the lantern of the Pantheon, the Palace with the Sainte-Chapelle is still the most monumental of many monumental buildings. The home of our kings, over which you tread as you pace the immense hall known as the Salle des Pas-Perdus, was a miracle of architecture; and it is so still to the intelligent eye of the poet who happens to study it when inspecting the Conciergerie. Alas! for the Conciergerie has invaded the home of kings. One's heart bleeds to see the way in which cells, cupboards, corridors, warders' rooms, and halls devoid of light or air, have been hewn out of that beautiful structure in which Byzantine, Gothic, and Romanesque—the three phases of ancient art—were harmonized in one building by the architecture of the twelfth century.

This palace is a monumental history of France in the earliest times, just as Blois is that of a later period. As at Blois you may admire in a single courtyard the chateau of the Counts of Blois, that of Louis XII., that of Francis I., that of Gaston; so at the Conciergerie you will find within the same precincts the stamp of the early races, and, in the Sainte-Chapelle, the architecture of Saint-Louis.

Municipal Council (to you I speak), if you bestow millions, get a poet or two to assist your architects if you wish to save the cradle of Paris, the cradle of kings, while endeavoring to endow Paris and the Supreme Court with a palace worthy of France. It is a matter for study for some years before beginning the work. Another new prison or two like that of La Roquette, and the palace of Saint-Louis will be safe.

In these days many grievances afflict this vast mass of buildings, buried under the Palais de Justice and the quay, like some antediluvian creature in the soil of Montmartre; but the worst affliction is that it is the Conciergerie. This epigram is intelligible. In the early days of the monarchy, noble criminals—for the villeins (a word signifying the peasantry in French and English alike) and the citizens came under the jurisdiction of the municipality or of their liege lord—the lords of the greater or the lesser fiefs, were brought before the king and guarded in the Conciergerie. And as these noble criminals were few, the Conciergerie was large enough for the king's prisoners.

It is difficult now to be quite certain of the exact site of the original Conciergerie. However, the kitchens built by Saint-Louis still exist, forming what is now called the mousetrap; and it is probable that the original Conciergerie was situated in the place where, till 1825, the Conciergerie prisons of the Parlement were still in use, under the archway to the right of the wide outside steps leading to the supreme Court. From thence, until 1825, condemned criminals were taken to execution. From that gate came forth all the great criminals, all the victims of political feeling—the Marechale d'Ancre and the Queen of France, Semblancay and Malesherbes, Damien and Danton, Desrues and Castaing. Fouquier-Tinville's private room, like that of the public prosecutor now, was so placed that he could see the procession of carts containing the persons whom the Revolutionary tribunal had sentenced to death. Thus this man, who had become a sword, could give a last glance at each batch.

After 1825, when Monsieur de Peyronnet was Minister, a great change was made in the Palais. The old entrance to the Conciergerie, where the ceremonies of registering the criminal and of the last toilet were performed, was closed and removed to where it now is, between the Tour de l'Horloge and the Tour de Montgomery, in an inner court entered through an arched passage. To the left is the "mousetrap," to the right the prison gates. The "salad-baskets" can drive into this irregularly shaped courtyard, can stand there and turn with ease, and in case of a riot find some protection behind the strong grating of the gate under the arch; whereas they formerly had no room to move in the narrow space dividing the outside steps from the right wing of the palace.

In our day the Conciergerie, hardly large enough for the prisoners committed for trial—room being needed for about three hundred, men and women—no longer receives either suspected or remanded criminals excepting in rare cases, as, for instance, in these of Jacques Collin and Lucien. All who are imprisoned there are committed for trial before the Bench. As an exception criminals of the higher ranks are allowed to sojourn there, since, being already disgraced by a sentence in open court, their punishment would be too severe if they served their term of imprisonment at Melun or at Poissy. Ouvrard preferred to be imprisoned at the Conciergerie rather than at Sainte-Pelagie. At this moment of writing Lehon the notary and the Prince de Bergues are serving their time there by an exercise of leniency which, though arbitrary, is humane.

As a rule, suspected criminals, whether they are to be subjected to a preliminary examination—to "go up," in the slang of the Courts—or to appear before the magistrate of the lower Court, are transferred in prison vans direct to the "mousetraps."

The "mousetraps," opposite the gate, consist of a certain number of old cells constructed in the old kitchens of Saint-Louis' building, whither prisoners not yet fully committed are brought to await the hour when the Court sits, or the arrival of the examining judge. The "mousetraps" end on the north at the quay, on the east at the headquarters of the Municipal Guard, on the west at the courtyard of the Conciergerie, and on the south they adjoin a large vaulted hall, formerly, no doubt, the banqueting-room, but at present disused.

Above the "mousetraps" is an inner guardroom with a window commanding the court of the Conciergerie; this is used by the gendarmerie of the department, and the stairs lead up to it. When the hour of trial strikes the sheriffs call the roll of the prisoners, the gendarmes go down, one for each prisoner, and each gendarme takes a criminal by the arm; and thus, in couples, they mount the stairs, cross the guardroom, and are led along the passages to a room contiguous to the hall where sits the famous sixth chamber of the law (whose functions are those of an English county court). The same road is trodden by the prisoners committed for trial on their way to and from the Conciergerie and the Assize Court.

In the Salle des Pas-Perdus, between the door into the first court of the inferior class and the steps leading to the sixth, the visitor must observe the first time he goes there a doorway without a door or any architectural adornment, a square hole of the meanest type. Through this the judges and barristers find their way into the passages, into the guardhouse, down into the prison cells, and to the entrance to the Conciergerie.

The private chambers of all the examining judges are on different floors in this part of the building. They are reached by squalid staircases, a maze in which those to whom the place is unfamiliar inevitably lose themselves. The windows of some look out on the quay, others on the yard of the Conciergerie. In 1830 a few of these rooms commanded the Rue de la Barillerie.

Thus, when a prison van turns to the left in this yard, it has brought prisoners to be examined to the "mousetrap"; when it turns to the right, it conveys prisoners committed for trial, to the Conciergerie. Now it was to the right that the vehicle turned which conveyed Jacques Collin to set him down at the prison gate. Nothing can be more sinister. Prisoners and visitors see two barred gates of wrought iron, with a space between them of about six feet. These are never both opened at once, and through them everything is so cautiously scrutinized that persons who have a visiting ticket pass the permit through the bars before the key grinds in the lock. The examining judges, or even the supreme judges, are not admitted without being identified. Imagine, then, the chances of communications or escape!—The governor of the Conciergerie would smile with an expression on his lips that would freeze the mere suggestion in the most daring of romancers who defy probability.

In all the annals of the Conciergerie no escape has been known but that of Lavalette; but the certain fact of august connivance, now amply proven, if it does not detract from the wife's devotion, certainly diminished the risk of failure.

The most ardent lover of the marvelous, judging on the spot of the nature of the difficulties, must admit that at all times the obstacles must have been, as they still are, insurmountable. No words can do justice to the strength of the walls and vaulting; they must be seen.

Though the pavement of the yard is on a lower level than that of the quay, in crossing this Barbican you go down several steps to enter an immense vaulted hall, with solid walls graced with magnificent columns. This hall abuts on the Tour de Montgomery—which is now part of the governor's residence—and on the Tour d'Argent, serving as a dormitory for the warders, or porters, or turnkeys, as you may prefer to call them. The number of the officials is less than might be supposed; there are but twenty; their sleeping quarters, like their beds, are in no respect different from those of the pistoles or private cells. The name pistole originated, no doubt, in the fact that the prisoners formerly paid a pistole (about ten francs) a week for this accommodation, its bareness resembling that of the empty garrets in which great men in poverty begin their career in Paris.

To the left, in the vast entrance hall, sits the Governor of the Conciergerie, in a sort of office constructed of glass panes, where he and his clerk keep the prison-registers. Here the prisoners for examination, or committed for trial, have their names entered with a full description, and are then searched. The question of their lodging is also settled, this depending on the prisoner's means.

Opposite the entrance to this hall there is a glass door. This opens into a parlor where the prisoner's relations and his counsel may speak with him across a double grating of wood. The parlor window opens on to the prison yard, the inner court where prisoners committed for trial take air and exercise at certain fixed hours.

This large hall, only lighted by the doubtful daylight that comes in through the gates—for the single window to the front court is screened by the glass office built out in front of it—has an atmosphere and a gloom that strike the eye in perfect harmony with the pictures that force themselves on the imagination. Its aspect is all the more sinister because, parallel with the Tours d'Argent and de Montgomery, you discover those mysterious vaulted and overwhelming crypts which lead to the cells occupied by the Queen and Madame Elizabeth, and to those known as the secret cells. This maze of masonry, after being of old the scene of royal festivities, is now the basement of the Palais de Justice.

Between 1825 and 1832 the operation of the last toilet was performed in this enormous hall, between a large stove which heats it and the inner gate. It is impossible even now to tread without a shudder on the paved floor that has received the shock and the confidences of so many last glances.



The apparently dying victim on this occasion could not get out of the horrible vehicle without the assistance of two gendarmes, who took him under the arms to support him, and led him half unconscious into the office. Thus dragged along, the dying man raised his eyes to heaven in such a way as to suggest a resemblance to the Saviour taken down from the Cross. And certainly in no picture does Jesus present a more cadaverous or tortured countenance than this of the sham Spaniard; he looked ready to breathe his last sigh. As soon as he was seated in the office, he repeated in a weak voice the speech he had made to everybody since he was arrested:

"I appeal to His Excellency the Spanish Ambassador."

"You can say that to the examining judge," replied the Governor.

"Oh Lord!" said Jacques Collin, with a sigh. "But cannot I have a breviary! Shall I never be allowed to see a doctor? I have not two hours to live."

As Carlos Herrera was to be placed in close confinement in the secret cells, it was needless to ask him whether he claimed the benefits of the pistole (as above described), that is to say, the right of having one of the rooms where the prisoner enjoys such comfort as the law permits. These rooms are on the other side of the prison-yard, of which mention will presently be made. The sheriff and the clerk calmly carried out the formalities of the consignment to prison.

"Monsieur," said Jacques Collin to the Governor in broken French, "I am, as you see, a dying man. Pray, if you can, tell that examining judge as soon as possible that I crave as a favor what a criminal must most dread, namely, to be brought before him as soon as he arrives; for my sufferings are really unbearable, and as soon as I see him the mistake will be cleared up——"

As an universal rule every criminal talks of a mistake. Go to the hulks and question the convicts; they are almost all victims of a miscarriage of justice. So this speech raises a faint smile in all who come into contact with the suspected, accused, or condemned criminal.

"I will mention your request to the examining judge," replied the Governor.

"And I shall bless you, monsieur!" replied the false Abbe, raising his eyes to heaven.

As soon as his name was entered on the calendar, Carlos Herrera, supported under each arm by a man of the municipal guard, and followed by a turnkey instructed by the Governor as to the number of the cell in which the prisoner was to be placed, was led through the subterranean maze of the Conciergerie into a perfectly wholesome room, whatever certain philanthropists may say to the contrary, but cut off from all possible communication with the outer world.

As soon as he was removed, the warders, the Governor, and his clerk looked at each other as though asking each other's opinion, and suspicion was legible on every face; but at the appearance of the second man in custody the spectators relapsed into their usual doubting frame of mind, concealed under the air of indifference. Only in very extraordinary cases do the functionaries of the Conciergerie feel any curiosity; the prisoners are no more to them than a barber's customers are to him. Hence all the formalities which appall the imagination are carried out with less fuss than a money transaction at a banker's, and often with greater civility.

Lucien's expression was that of a dejected criminal. He submitted to everything, and obeyed like a machine. All the way from Fontainebleau the poet had been facing his ruin, and telling himself that the hour of expiation had tolled. Pale and exhausted, knowing nothing of what had happened at Esther's house during his absence, he only knew that he was the intimate ally of an escaped convict, a situation which enabled him to guess at disaster worse than death. When his mind could command a thought, it was that of suicide. He must, at any cost, escape the ignominy that loomed before him like the phantasm of a dreadful dream.

Jacques Collin, as the more dangerous of the two culprits, was placed in a cell of solid masonry, deriving its light from one of the narrow yards, of which there are several in the interior of the Palace, in the wing where the public prosecutor's chambers are. This little yard is the airing-ground for the female prisoners. Lucien was taken to the same part of the building, to a cell adjoining the rooms let to misdemeanants; for, by orders from the examining judge, the Governor treated him with some consideration.

Persons who have never had anything to do with the action of the law usually have the darkest notions as to the meaning of solitary or secret confinement. Ideas as to the treatment of criminals have not yet become disentangled from the old pictures of torture chambers, of the unhealthiness of a prison, the chill of stone walls sweating tears, the coarseness of the jailers and of the food—inevitable accessories of the drama; but it is not unnecessary to explain here that these exaggerations exist only on the stage, and only make lawyers and judges smile, as well as those who visit prisons out of curiosity, or who come to study them.

For a long time, no doubt, they were terrible. In the days of the old Parlement, of Louis XIII. and Louis XIV., the accused were, no doubt, flung pell-mell into a low room underneath the old gateway. The prisons were among the crimes of 1789, and it is enough only to see the cells where the Queen and Madame Elizabeth were incarcerated to conceive a horror of old judicial proceedings.

In our day, though philanthropy has brought incalculable mischief on society, it has produced some good for the individual. It is to Napoleon that we owe our Criminal Code; and this, even more than the Civil Code—which still urgently needs reform on some points—will remain one of the greatest monuments of his short reign. This new view of criminal law put an end to a perfect abyss of misery. Indeed, it may be said that, apart from the terrible moral torture which men of the better classes must suffer when they find themselves in the power of the law, the action of that power is simple and mild to a degree that would hardly be expected. Suspected or accused criminals are certainly not lodged as if they were at home; but every necessary is supplied to them in the prisons of Paris. Besides, the burden of feelings that weighs on them deprives the details of daily life of their customary value. It is never the body that suffers. The mind is in such a phase of violence that every form of discomfort or of brutal treatment, if such there were, would be easily endured in such a frame of mind. And it must be admitted that an innocent man is quickly released, especially in Paris.

So Lucien, on entering his cell, saw an exact reproduction of the first room he had occupied in Paris at the Hotel Cluny. A bed to compare with those in the worst furnished apartments of the Quartier Latin, straw chairs with the bottoms out, a table and a few utensils, compose the furniture of such a room, in which two accused prisoners are not unfrequently placed together when they are quiet in their ways, and their misdeeds are not crimes of violence, but such as forgery or bankruptcy.

This resemblance between his starting-point, in the days of his innocency, and his goal, the lowest depths of degradation and sham, was so direct an appeal to his last chord of poetic feeling, that the unhappy fellow melted into tears. For four hours he wept, as rigid in appearance as a figure of stone, but enduring the subversion of all his hopes, the crushing of all his social vanity, and the utter overthrow of his pride, smarting in each separate I that exists in an ambitious man—a lover, a success, a dandy, a Parisian, a poet, a libertine, and a favorite. Everything in him was broken by this fall as of Icarus.

Carlos Herrera, on the other hand, as soon as he was locked into his cell and found himself alone, began pacing it to and fro like the polar bear in his cage. He carefully examined the door and assured himself that, with the exception of the peephole, there was not a crack in it. He sounded all the walls, he looked up the funnel down which a dim light came, and he said to himself, "I am safe enough!"

He sat down in a corner where the eye of a prying warder at the grating of the peephole could not see him. Then he took off his wig, and hastily ungummed a piece of paper that did duty as lining. The side of the paper next his head was so greasy that it looked like the very texture of the wig. If it had occurred to Bibi-Lupin to snatch off the wig to establish the identity of the Spaniard with Jacques Collin, he would never have thought twice about the paper, it looked so exactly like part of the wigmaker's work. The other side was still fairly white, and clean enough to have a few lines written on it. The delicate and tiresome task of unsticking it had been begun in La Force; two hours would not have been long enough; it had taken him half of the day before. The prisoner began by tearing this precious scrap of paper so as to have a strip four or five lines wide, which he divided into several bits; he then replaced his store of paper in the same strange hiding-place, after damping the gummed side so as to make it stick again. He felt in a lock of his hair for one of those pencil leads as thin as a stout pin, then recently invented by Susse, and which he had put in with some gum; he broke off a scrap long enough to write with and small enough to hide in his ear. Having made these preparations with the rapidity and certainty of hand peculiar to old convicts, who are as light-fingered as monkeys, Jacques Collin sat down on the edge of his bed to meditate on his instructions to Asie, in perfect confidence that he should come across her, so entirely did he rely on the woman's genius.

"During the preliminary examination," he reflected, "I pretended to be a Spaniard and spoke broken French, appealed to my Ambassador, and alleged diplomatic privilege, not understanding anything I was asked, the whole performance varied by fainting, pauses, sighs—in short, all the vagaries of a dying man. I must stick to that. My papers are all regular. Asie and I can eat up Monsieur Camusot; he is no great shakes!

"Now I must think of Lucien; he must be made to pull himself together. I must get at the boy at whatever cost, and show him some plan of conduct, otherwise he will give himself up, give me up, lose all! He must be taught his lesson before he is examined. And besides, I must find some witnesses to swear to my being a priest!"

Such was the position, moral and physical, of these two prisoners, whose fate at the moment depended on Monsieur Camusot, examining judge to the Inferior Court of the Seine, and sovereign master, during the time granted to him by the Code, of the smallest details of their existence, since he alone could grant leave for them to be visited by the chaplains, the doctor, or any one else in the world.

No human authority—neither the King, nor the Keeper of the Seals, nor the Prime Minister, can encroach on the power of an examining judge; nothing can stop him, no one can control him. He is a monarch, subject only to his conscience and the Law. At the present time, when philosophers, philanthropists, and politicians are constantly endeavoring to reduce every social power, the rights conferred on the examining judges have become the object of attacks that are all the more serious because they are almost justified by those rights, which, it must be owned, are enormous. And yet, as every man of sense will own, that power ought to remain unimpaired; in certain cases, its exercise can be mitigated by a strong infusion of caution; but society is already threatened by the ineptitude and weakness of the jury—which is, in fact, the really supreme bench, and which ought to be composed only of choice and elected men—and it would be in danger of ruin if this pillar were broken which now upholds our criminal procedure.

Arrest on suspicion is one of the terrible but necessary powers of which the risk to society is counterbalanced by its immense importance. And besides, distrust of the magistracy in general is a beginning of social dissolution. Destroy that institution, and reconstruct it on another basis; insist—as was the case before the Revolution—that judges should show a large guarantee of fortune; but, at any cost, believe in it! Do not make it an image of society to be insulted!

In these days a judge, paid as a functionary, and generally a poor man, has in the place of his dignity of old a haughtiness of demeanor that seems odious to the men raised to be his equals; for haughtiness is dignity without a solid basis. That is the vicious element in the present system. If France were divided into ten circuits, the magistracy might be reinstated by conferring its dignities on men of fortune; but with six-and-twenty circuits this is impossible.

The only real improvement to be insisted on in the exercise of the power intrusted to the examining judge, is an alteration in the conditions of preliminary imprisonment. The mere fact of suspicion ought to make no difference in the habits of life of the suspected parties. Houses of detention for them ought to be constructed in Paris, furnished and arranged in such a way as greatly to modify the feeling of the public with regard to suspected persons. The law is good, and is necessary; its application is in fault, and public feeling judges the laws from the way in which they are carried out. And public opinion in France condemns persons under suspicion, while, by an inexplicable reaction, it justifies those committed for trial. This, perhaps, is a result of the essentially refractory nature of the French.

This illogical temper of the Parisian people was one of the factors which contributed to the climax of this drama; nay, as may be seen, it was one of the most important.

To enter into the secret of the terrible scenes which are acted out in the examining judge's chambers; to understand the respective positions of the two belligerent powers, the Law and the examinee, the object of whose contest is a certain secret kept by the prisoner from the inquisition of the magistrate—well named in prison slang, "the curious man"—it must always be remembered that persons imprisoned under suspicion know nothing of what is being said by the seven or eight publics that compose the Public, nothing of how much the police know, or the authorities, or the little that newspapers can publish as to the circumstances of the crime.

Thus, to give a man in custody such information as Jacques Collin had just received from Asie as to Lucien's arrest, is throwing a rope to a drowning man. As will be seen, in consequence of this ignorance, a stratagem which, without this warning, must certainly have been equally fatal to the convict, was doomed to failure.



Monsieur Camusot, the son-in-law of one of the clerks of the cabinet, too well known for any account of his position and connection to be necessary here, was at this moment almost as much perplexed as Carlos Herrera in view of the examination he was to conduct. He had formerly been President of a Court of the Paris circuit; he had been raised from that position and called to be a judge in Paris—one of the most coveted posts in the magistracy—by the influence of the celebrated Duchesse de Maufrigneuse, whose husband, attached to the Dauphin's person, and Colonel of a cavalry regiment of the Guards, was as much in favor with the King as she was with MADAME. In return for a very small service which he had done the Duchess—an important matter to her—on occasion of a charge of forgery brought against the young Comte d'Esgrignon by a banker of Alencon (see La Cabinet des Antiques; Scenes de la vie de Province), he was promoted from being a provincial judge to be president of his Court, and from being president to being an examining judge in Paris.