"You have told me a very strange story," he said.

"Less strange than the one your Eminence has believed since last night," returned Giovanni calmly.

"I do not know. It is more easy for me to believe that the girl was momentarily out of her mind than that you, whom I have known all my life, should have done such a thing. Besides, in telling me your story, you have never once positively asserted that you did it. You have only explained that it would have been possible for a man so disposed to accomplish the murder unsuspected."

"Is a man obliged to incriminate himself directly? It seems to me that in giving myself up I have done all that a man's conscience can possibly require—outside of the confessional. I shall be tried, and my lawyer will do what he can to obtain my acquittal."

"That is poor logic. Whether you confess or not, you have accused yourself in a way that must tell against you very strongly. You really leave me no choice."

"Your Eminence has only to do what I request, to liberate Donna Faustina and to send me to prison."

"You are a very strange man," said the cardinal in a musing tone, as he leaned back in his chair and scrutinised Giovanni's pale, impenetrable face.

"I am a desperate man, that is all."

"Will you give me your word of honour that Faustina Montevarchi is innocent?"

"Yes," answered Giovanni without the slightest hesitation, and meeting the gaze of the cardinal's bright eyes unflinchingly.

The latter paused a moment, and then turned in his chair, and taking a piece of paper wrote a few words upon it. Then he rang a little hand-bell that stood beside him. His servant entered, as he was folding and sealing the note.

"To the Termini prison," he said.

"The messenger had better take my carriage," observed Giovanni. "I shall not need it again."

"Take Prince Sant' Ilario's carriage," added the cardinal, and the man left the room. "And now," he continued, "will you be good enough to tell me what I am to do with you?"

"Send me to the Carceri Nuove, or to any convenient place."

"I will do nothing that can be an injury to you hereafter," answered the statesman. "Something tells me that you have had nothing to do with this dreadful murder. But you must know that though you may deceive me—I am not omniscient—I will not tolerate any contempt of the ways of justice. You have surrendered yourself as the criminal, and I intend to take you at your word."

"I ask for nothing else. Put me where you please, do what you please with me. It matters very little."

"You act like a man who has had an unfortunate love affair," remarked the cardinal. "It is true that you have just lost your fortune, and that may account for it. But I repeat that, whatever your motives may be, you shall not trifle with the law. You wish to be a prisoner. The law will oblige you so far as to comply with your request. I warn you that, after this, you can only obtain your freedom through a proper trial."

"Pray let it be so. My motives can be of no importance. The law shall judge the facts and give its verdict."

"The law will certainly do so. In the meantime, you will spend the day in a room of my apartments, and this evening, when it is dark, you will be quietly transferred to a place of safety—and secrecy. If the real murderer is ever found, I do not wish your life to have been ruined by such a piece of folly as I believe you are committing. You say you are a desperate man, and you are acting, I think, as though you were. Your family affairs may have led to this state, but they do not concern me. You will, however, be good enough to swear, here, solemnly, laying your hand upon this book, that you will not attempt to destroy yourself."

"I swear," said Giovanni, touching the volume which the cardinal presented to him.

"Very good. Now follow me, if you please, to the room where you must spend the day."

Giovanni found himself in a small chamber which contained only a large writing-table and a couple of chairs, and which seemed to have been destined for some sort of office. The cardinal closed the door, and Giovanni heard him turn the key and remove it from the lock. Then, for the first time, he reflected upon what he had done. He had spoken the truth when he had said that he was desperate. No other word could describe his state. A sort of madness had taken possession of him while he was talking with Corona, and he was still under its influence. There had been something in her manner which had seemed to imply that he was not doing his best to liberate Faustina, and indeed, when he remembered that the girl's innocence was by no means clear to him, he ought not to have been surprised at Corona's imputation. And yet, he had now pledged his word to the cardinal that Faustina had not done the deed. Corona's unwillingness to admit that it was for her own sake she asked his help had driven him nearly out of his mind, and when she had at last said it, even reluctantly, he had immediately resolved to show her what he was willing to do for one word of hers when she chose to speak it. He had from that moment but one thought, to free Faustina at any cost, and no plan suggested itself to him but to surrender himself in the girl's place. As a matter of fact, he could not have accomplished his purpose so quickly or surely in any other way, and perhaps he could not have otherwise accomplished it at all. It had been quite clear to him from the first that the cardinal was prejudiced against Faustina, owing, no doubt, to the representations of the prefect of police. Giovanni had carried the evidence against her clearly in his mind, and as soon as he thought of the expedient he saw how it would have been quite possible for himself, or for any other man who knew the house, to commit the murder. As for the detail concerning the doors being open, there was nothing improbable in it, seeing that there were many servants in the establishment, and that each one would suspect and accuse one of his companions of the carelessness. Nothing was easier than to construct the story, and he had supposed that nothing would be simpler than to make the cardinal believe it. He had been surprised to find himself mistaken upon this point, but he felt a thrill of triumph that more than repaid him for what he had done, when he saw the messenger leave the room with the order to liberate Faustina. Corona had spoken, had asked him to do a hard thing for her sake, and her caprice was satisfied, it mattered little at what cost. She had given him an opportunity of showing what he would do for her, and that opportunity had not been thrown away.

But as he sat alone in the little room the cardinal had assigned to him, he began to realise the magnitude of what he had been doing, and to see how his actions would be judged by others. He had surrendered himself as a murderer, and was to be treated as one. When the time came for the trial, might it not happen with him as with many another innocent man who has put himself into a false position? Might he not be condemned? Nothing that he could say hereafter could remove the impression created by his giving himself up to justice. Any denial hereafter would be supposed to proceed from fear and not from innocence. And if he were condemned, what would become of Corona, of his father, of little Orsino? He shuddered at the thought.

What, he asked himself, would be the defence? Yesterday afternoon he had been out of the house during several hours, and had walked alone, he hardly remembered where. Since the crisis in his life which had separated him from Corona in fact, if not in appearance, he often walked alone, wandering aimlessly through the streets. Would any of his acquaintance come forward and swear to having seen him at the time Montevarchi was murdered? Probably not. And if not, how could it be proved, in the face of his own statement to the cardinal, that he might not have gone to the palace, seeking an opportunity of expending his wrath on the old prince, that he might not have lost his self-control in a fit of anger and strangled the old man as he sat in his chair? As he himself had said, there was far more reason to believe that the Saracinesca had killed Montevarchi out of revenge, than that a girl like Faustina should have strangled her own father because he had interfered in her love affairs. If the judges took this view of the case, it was clear that Giovanni would have little chance of an acquittal. The thing looked so possible that even Corona might believe it—even Corona, for whose sake he had rushed madly into such desperate danger.

And to-day she would not see him; very possibly she would not know where he was. And to-morrow? And the next day? And all the days after that? He supposed that he would be allowed to write to her, perhaps to see her, but it would be hard to explain his position. She did not love him any longer, and she would not understand. He wondered how much she would care, if she really cared at all, beyond a discreet anxiety for his safety. She would certainly not comprehend a love like his, which had chosen such a sacrifice, rather than allow her wish to remain ungratified. How could she, since she did not love him? And yet, it was imperatively necessary that she should be informed of what had happened. She might otherwise suppose, naturally enough, that some accident had befallen him, and she would in that case apply to the police, perhaps to the cardinal himself, to find out where he was. Such a contingency must be prevented, by some means, before night. Until then, she would not be frightened by his absence. There would be time, perhaps, when he was removed to the prison—to the place of safety and secrecy, of which the cardinal had spoken, and which in all probability was the Holy Office. No questions were asked there.

There were writing materials on the broad table, and Giovanni began a letter to his wife. After a few minutes, however, he stopped, for he saw from what he had written that he was in no condition to attempt such a task. The words came quickly and fluently, but they expressed what he had no intention of telling Corona again. His love for her was still uppermost in his mind, and instead of trying to explain what had occurred, he found himself setting down phrases that told of nothing but a mad passion. The thought of her cold face when she should read the lines arrested his hand, and he threw down the pen impatiently, and returned to his meditations for a while. What he wanted to do was to tell her in the fewest possible words that he was alive and well. What else should he tell her? The statement would allay any anxiety she might feel, and his absence would doubtless be a relief to her. The thought was bitter, but he knew that nothing exasperates a woman like the constant presence of a man she has loved, who loves her more than ever, and for whom she no longer feels anything. At last he took another sheet of paper and tried again.

"Dear Corona—When you get this, Faustina will be at liberty, according to your wish. Do not be anxious if you do not see me for a few days, as I am called away on urgent business. Tell my father, and any of our friends who ask about me, that I am at Saracinesca, superintending the removal of such effects as are not to go to San Giacinto. I will let you know when I am coming back—Your affectionate GIOVANNI."

He read the note over twice, and then folded it, addressing it to his wife. His face expressed the most profound dejection when he had finished his task, and for a long time he leaned back in his chair, gazing at the morning sunlight that slowly crept across the floor, while his hands lay folded passively upon the table. The end of his love seemed very bitter as he thought of the words he had written. A few weeks ago to leave Corona thus unexpectedly would have caused her the greatest pain. Now, he felt that he need say nothing, that it would be useless to say anything, more than he had said. It was nothing to her, whether he stayed in Rome or went to the ends of the earth; indeed, he suspected that she would be glad to be left alone—unless she should discover why he had gone, and whither. This last consideration recalled to him his situation, and for a moment he was horrified at his own rashness. But the thought did not hold him long, and presently he asked himself apathetically what it could matter in the end. The hours passed slowly, and still he sat motionless by the table, the folded letter lying before him.

The cardinal had scarcely returned to his study when a second card was brought to him. The gentleman, said the servant, had assured him that his Eminence would receive him, as he had important information to give concerning the murder of Prince Montevarchi. The cardinal could not repress a smile as he read the name of Anastase Gouache.

The young man entered the room, and advanced in obedience to the cardinal's friendly gesture. He was as pale as death, and his soft dark eyes had an expression of despair in them such as the great man had rarely seen. For the rest, he wore his uniform, and was as carefully dressed as usual.

"Your Eminence has doubtless heard of this dreadful murder?" began Gouache, forgetting all formality in the extremity of his excitement.

"Yes," said the cardinal, sitting down. "You have something to communicate concerning it, I understand."

"Donna Faustina Montevarchi has been charged with the crime, and is in the prison of the Termini," answered the Zouave, speaking hurriedly. "I am here to ask your Eminence to order her release without delay—-"

"On what grounds?" inquired the statesman, raising his eyebrows a little as though surprised by the way in which the request was made.

"Because she is innocent, because her arrest was due to the mistake of the prefect of police—the evidence was against her, but it was absurd to suppose that she could have done it—-"

"The prefect of police received my approval. Have you any means of showing that she is innocent?"

"Showing it?" repeated Gouache, who looked dazed for a moment, but recovered himself immediately, turning white to the lips. "What could be easier?" he exclaimed. "The murderer is before you—I saw the prince, I asked him for his daughter's hand in marriage, he insulted me. I left the room, but I returned soon afterwards. I found him alone, and I killed him—I do not know how I did it—-"

"With Donna Faustina's handkerchief," suggested the cardinal. "Perhaps you do not remember that it was lying on the floor and that you picked it up and knotted it—-"

"Yes, yes! Round his neck," cried Gouache nervously. "I remember. But I saw red, everything swam, the details are gone. Here I am— your Eminence's prisoner—I implore you to send the order at once!"

The cardinal had hitherto maintained a grave expression. His features suddenly relaxed and he put out his hand.

"My dear Monsieur Gouache, I like you exceedingly," he said. "You are a man of heart."

"I do not understand—-" Anastase was very much bewildered, but he saw that his plan for freeing Faustina was on the point of failure.

"I appreciate your motives," continued the statesman. "You love the young lady to distraction, she is arrested on a capital charge, you conceive the idea of presenting yourself as the murderer in her place—"

"But I assure your Eminence, I swear—"

"No," interrupted the other, raising his hand. "Do not swear. You are incapable of such a crime. Besides, Donna Faustina is already at liberty, and the author of the deed has already confessed his guilt."

Anastase staggered against the projecting shelf of the bookcase. The blood rushed to his face and for a moment he was almost unconscious of where he was. The cardinal's voice recalled him to himself.

"If you doubt what I tell you, you need only go to the Palazzo Montevarchi and inquire. Donna Faustina will return with the Princess Sant' Ilario. I am sorry that circumstances prevent me from showing you the man who has confessed the crime. He is in my apartments at the present moment, separated from us only by two or three rooms."

"His name, Eminence?" asked Gouache, whose whole nature seemed to have changed in a moment.

"Ah, his name must for the present remain a secret in my keeping, unless, indeed, you have reason to believe that some one else did the murder. Have you no suspicions? You know the family intimately, it seems. You would probably have heard the matter mentioned, if the deceased prince had been concerned in any quarrel—in any transaction which might have made him an object of hatred to any one we know. Do you recall anything of the kind? Sit down, Monsieur Gouache. You are acquitted, you see. Instead of being a murderer you are the good friend who once painted my portrait in this very room. Do you remember our charming conversations about Christianity and the universal republic?"

"I shall always remember your Eminence's kindness," answered Gouache, seating himself and trying to speak as quietly as possible. His nervous nature was very much unsettled by what had occurred. He had come determined that Faustina should be liberated at any cost, overcome by the horror of her situation, ready to lay down his life for her in the sincerity of his devotion. His conduct had been much more rational than Giovanni's. He had nothing to lose but himself, no relations to be disgraced by his condemnation, none to suffer by his loss. He had only to sacrifice himself to set free for ever the woman he loved, and he had not hesitated a moment in the accomplishment of his purpose. But the revulsion of feeling, when he discovered that Faustina was already known to be innocent, and that there was no need for his intervention, was almost more than he could bear. The tears of joy stood in his eyes while he tried to be calm.

"Have you any suspicions?" asked the cardinal again, in his gentle voice.

"None, Eminence. The only thing approaching to a quarrel, of which I have heard, is the suit about the title of the Saracinesca. But of course that can have nothing to do with the matter. It was decided yesterday without opposition."

"It could have nothing to do with the murder, you think?" inquired the statesman with an air of interest.

"No. How could it?" Gouache laughed at the idea. "The Saracinesca could not murder their enemies as they used to do five hundred years ago. Besides, your Eminence has got the murderer and must be able to guess better than I what were the incentives to the crime."

"That does not follow, my friend. A man who confesses a misdeed is not bound to incriminate any one else, and a man whose conscience is sensitive enough to make him surrender himself naturally assumes the blame. He suffers remorse, and does not attempt any defence, excepting such as you yourself just now gave me, when you said that the prince had insulted you. Enough to give a semblance of truth to the story. By the bye, is that true?"

"It is and it is not," answered Gouache, blushing a little. "The poor man, when I began to explain my position, thought—how shall I say? He thought I wanted to sell him a picture. It was not his fault."

"Poor man!" sighed the cardinal. "He had not much tact. And so, Monsieur Gouache, you think that the great Saracinesca suit has had nothing to do with the murder?"

"It seems to me impossible. It looks rather as though he had been murdered by a servant, out of spite. It is hard to believe that any one not belonging to the house could have done it."

"I think the public will agree with you. I will occupy myself with the matter. Perhaps I have got the man safe in that room, but who knows? If you had come first, you might have gone to the Carceri Nuove instead of him. After all, he may be in love too."

The cardinal smiled, but Gouache started at the suggestion, as though it hurt him.

"I doubt that," he said quickly.

"So do I. It would be a strange coincidence, if two innocent men had accused themselves of the same crime, out of love, within twenty-four hours of its being committed. But now that you are calm—yes, you were beside yourself with excitement—I must tell you that you have done a very rash thing indeed. If I had not chanced to be a friend of yours, what would have become of you? I cannot help liking your courage and devotion—you have shown it in sterner matters, and in the face of the enemy—but you might have destroyed yourself. That would have been a great sin."

"Is there no case in which a man may destroy himself deliberately?"

"You speak of suicide? It was almost that you contemplated. No. The church teaches that a man who takes his own life goes straight to hell. So does Mohammed, for that matter."

"In any case?"

"In any case. It is a mortal sin."

"But," objected Gouache, "let us suppose me a very bad man, exercising a destroying influence on many other people. Suppose, in short, for the sake of argument, that my life caused others to lose their own souls, and that by killing myself I knew that they would all become good again. Suppose then, that I suddenly repented and that there was no way of saving these people but by my own suicide. Would it not be more honourable in me to say, 'Very well, I will submit to damnation rather than send all those others to eternal flames?' Should I not be justified in blowing out my brains?"

The cardinal did not know whether to smile or to look grave. He was neither a priest nor a theologian, but a statesman.

"My dear friend," he answered at last. "The ingenuity of your suppositions passes belief. I can only say that, when you find yourself in such a bad case as you describe, I will submit the matter for you to the Holy Father himself. But I would strongly advise you to avoid the situation if you possibly can."

Gouache took his leave with a light heart, little guessing as he descended the great marble staircase that Giovanni Saracinesca was the prisoner of whom the cardinal had spoken so mysteriously, still less that he, too, had falsely accused himself of having killed poor old Montevarchi. He wondered, as he walked rapidly along the streets in the bright morning sunshine, who the man was, and why he had done such a thing, but his thoughts were really with Faustina, and he longed to see her and to hear from her own lips the true version of what had happened.



CHAPTER XXIV.

Arnoldo Meschini was fully conscious of what he had done when he softly closed the door of the study behind him and returned to the library; but although he knew and realised that he had murdered his employer, he could not explain the act to himself. His temples throbbed painfully and there was a bright red spot in each of his sallow cheeks. He shuffled about from one bookcase to another, and his hands trembled violently as he touched the big volumes. Now and then he glanced towards one or the other of the doors expecting at every moment that some one would enter to tell him the news, if indeed any one at such a time should chance to remember the existence of the humble librarian. His brain was on fire and seemed to burn the sockets of his eyes. And yet the time passed, and no one came. The suspense grew to be unbearable, and he felt that he would do anything to escape from it. He went to the door and laid his hand upon the latch.

For an instant the flush disappeared from his cheeks, as a great fear took possession of him. He was not able to face the sight of Montevarchi's body lying across that table in the silent study. His hand fell to his side and he almost ran to the other side of the library; then, as though ashamed of his weakness he came back slowly and listened at the door. It was scarcely possible that any distant echo could reach his ears, if the household had been already roused, for the passage was long and tortuous, interrupted by other doors and by a winding staircase. But in his present state he fancied that his senses must be preternaturally sharpened and he listened eagerly. All was still. He went back to the books.

There was nothing to be done but to make a desperate effort to occupy himself and to steady his nerves. If any one came now, he thought, his face would betray him. There must be a light in his eyes, an uncertainty in his manner which would speak plainly enough to his guilt. He tried to imagine what would take place when the body was found. Some one would enter the room and would see the body. He, or she, would perhaps think that the prince was in a fit, or asleep—who could tell? But he would not answer the voice that called him. Then the person would come forward and touch him—Meschini forced himself to think of it—would touch the dead hand and would feel that it was cold. With a cry of horror the person would hasten from the room. He might hear that cry, if he left the door open. Again he laid his hand upon the latch. His fingers seemed paralysed and the cold sweat stood on his face, but he succeeded in mastering himself enough to turn the handle and look out. The cry came, but it was from his own lips. He reeled back from the entrance in horror, his eyes starting from his head. There stood the dead man, in the dusky passage, shaking at him the handkerchief.

It was only his fancy. He passed his hand across his forehead and a sickly look of relief crept over his face. He had been frightened by his own coat, that hung on a peg outside, long and thin and limp, a white handkerchief depending from the wide pocket. There was not much light in the corridor. He crept cautiously out and took the garment from its place with a nervous, frightened gesture. Dragging it after him, he hastily re-entered the library and rolled up the coat into a shape that could not possibly resemble anything which might frighten him. He laid it upon the table in the brightest place, where the afternoon sun fell upon it. There was a sort of relief in making sure that the thing could not again look like the dead man. He looked up and saw with renewed terror that he had left the door open. There was nothing but air between him and the place where that awful shadow had been conjured up by his imagination. The door must be shut. If it remained open he should go mad. He tried to think calmly, but it was beyond his power. He attempted to say that there was nothing there and that the door might as well remain open as be shut. But even while making the effort to reason with himself, he was creeping cautiously along the wall, in the direction of the entrance. By keeping his eyes close to the wooden panelling he could advance without seeing into the corridor. He was within a foot of the opening. Convulsed with fear, he put out his hand quickly and tried to pull the heavy oak on its hinges by the projecting bevel, but it was too heavy—he must look out in order to grasp the handle. The cold drops trickled down from his brow and he breathed hard, but he could not go back and leave the door unclosed. With a suppressed sob of agony he thrust out his head and arm. In a moment it was over, but the moral effort had been terrible, and his strength failed him, so that he staggered against the wainscot and would have fallen but for its support.

Some moments elapsed before he could get to a chair, and when he at last sat down in a ray of sunshine to rest, his eyes remained fixed upon the sculptured brass handle of the latch. He almost expected that it would turn mysteriously of itself and that the dead prince would enter the room. He realised that in his present condition he could not possibly face the person who before long would certainly bring him the news. He must have something to stimulate him and deaden his nerves. He had no idea how long a time had elapsed since he had done the deed, but it seemed that three or four hours must certainly have passed. In reality it was scarcely five and twenty minutes since he had left the study. He remembered suddenly that he had some spirits in his room at the top of the palace. Slowly and painfully he rose to his feet and went towards the other exit from the library, which, as in many ancient houses, opened upon the grand staircase, so as to give free access to visitors from without. He had to cross the broad marble landing, whence a masked door led to the narrow winding steps by which he ascended to the upper story. He listened to hear whether any one was passing, and then went out. Once on his way he moved more quickly than seemed possible for a man so bent and mis- shapen.

The bright afternoon sun streamed in through the window of his little chamber, a relief from the sombre gloominess of the lofty library, where the straggling rays seemed to make the great hall more shadowy by contrast. But Meschini did not stop to look about him. In a closet in the wall he kept his stores, his chemicals, his carefully-composed inks, his bits of prepared parchment, and, together with many other articles belonging to his illicit business, he had a bottle of old brandy, which the butler had once given him out of the prince's cellar, in return for a bit of legal advice which had saved the servant a lawyer's fee. Arnoldo Meschini had always been a sober man, like most Italians, and the bottle had stood for years unopened in the cupboard. He had never thought of it, but, having been once placed there, it had been safe. The moment had come when the stimulant was precious. His fingers shook as he put the bottle to his lips; when he set it down they were steady. The liquor acted like an enchantment, and the sallow-faced man smiled as he sat alone by his little table and looked at the thing that had restored him. The bottle had been full when he began to drink; the level of the liquid was now a good hand's breadth below the neck. The quantity he had swallowed would have made a temperate man, in his normal state, almost half drunk.

He sat still for a long time, waiting to see whether the draught would produce any other effect. He felt a pleasant warmth in his face and hands, the perspiration had disappeared from his brow, and he was conscious that he could now look out of the open door of the library without fear, even if his coat were hanging on the peg. It was incredible to him that he should have been so really terrified by a mere shadow. He had killed Prince Montevarchi, and the body was lying in the study. Yes, he could think of it without shuddering, almost without an unpleasant sensation. In the dead man's own words, it had been an act of divine justice and retribution, and since nobody could possibly discover the murderer, there was matter for satisfaction in the idea that the wicked old man no longer cumbered the earth with his presence. Strange, that he should have suffered such an agony of fear half an hour earlier. Was it half an hour? How pleasantly the sun shone in to the little room where he had laboured during so many years, and so profitably! Now that the prince was dead it would be amusing to look at those original documents for which he had made such skilfully-constructed substitutes. He would like to assure himself, however, that the deed had been well done. There was magic in that old liquor. Another little draught and he would go down to the study as though nothing had happened. If he should meet anybody his easy manner would disarm suspicion. Besides, he could take the bottle with him in the pocket of his long coat—the bottle of courage, he said to himself with a smile, as he set it to his lips. This time he drank but little, and very slowly. He was too cautious a man to throw away his ammunition uselessly.

With a light heart he descended the winding stair and crossed the landing. One of Ascanio Bellegra's servants passed at that moment. Meschini looked at the fellow quietly, and even gave him a friendly smile, to test his own coolness, a civility which was acknowledged by a familiar nod. The librarian's spirits rose. He did not resent the familiarity of the footman, for, with all his learning, he was little more than a servant himself, and the accident had come conveniently as a trial of his strength. The man evidently saw nothing unusual in his appearance. Moreover, as he walked, the brandy bottle in his coat tail pocket beat reassuringly against the calves of his legs. He opened the door of the library and found himself in the scene of his terror.

There lay the old coat, wrapped together on the table, as he had left it. The sun had moved a little farther during his absence, and the heap of cloth looked innocent enough. Meschini could not understand how it had frightened him so terribly. He still felt that pleasant warmth about his face and hands. That was the door before which he had been such a coward. What was beyond it? The empty passage. He would go and hang the coat where it had hung always, where he always left it when he came in the morning, unless he needed it to keep himself warm. What could be simpler, or easier? He took the thing in one hand, turned the handle and looked out. He was not afraid. The long, silent corridor stretched away into the distance, lighted at intervals by narrow windows that opened upon an inner court of the palace. Meschini suspended the coat upon the peg and stood looking before him, a contemptuous smile upon his face, as though he despised himself for his former fears. Then he resolutely walked towards the study, along the familiar way, down a flight of steps, then to the right—he stood before the door and the dead man was on the other side of it. He paused and listened. All was silent.

It was clear to him, as he stood before the table and looked at the body, that no one had been there. Indeed, Meschini now remembered that it was a rule in the house never to disturb the prince unless a visitor came. He had always liked to spend the afternoon in solitude over his accounts and his plans. The librarian, paused opposite his victim and gazed at the fallen head and the twisted, whitened fingers. He put out his hand timidly and touched them, and was surprised to find that they were not quite cold. The touch, however, sent a very unpleasant thrill through his own frame, and he drew back quickly with a slight shiver. But he was not terrified as he had been before. The touch, only, was disagreeable to him. He took a book that lay at hand and pushed it against the dead man's arm. There was no sign, no movement. He would have liked to go behind the chair and untie the handkerchief, but his courage was not quite equal to that. Besides, the handkerchief was Faustina's. He had seen her father snatch it from her and throw it upon the floor, as he watched the pair through the keyhole. A strange fascination kept him in the study, and he would have yielded to it had he not been fortified against any such morbid folly by the brandy he had swallowed. He thought, as he turned to go, that it was a pity the prince never kept money in the house, for, in that case, he might have helped himself before leaving. To steal a small value was not worth while, considering the danger of discovery.

He moved on tiptoe, as though afraid of disturbing the rest of his old employer, and once or twice he looked back. Then at last he closed the door and retraced his steps through the corridor till he gained the library. He was surprised at his own boldness as he went, and at the indifference with which he passed by the coat that hung, limp as ever, upon its peg. He was satisfied, too, with the result of his investigations. The prince was certainly dead. As a direct consequence of his death, the secret of the Saracinesca suit was now his own, no one had a share in it, and it was worth money. He pulled out a number of volumes from the shelves and began to make a pretence of working upon the catalogue. But though he surrounded himself with the implements and necessaries for his task, his mind was busy with the new scheme that unfolded itself to his imagination.

He and he alone, knew that San Giacinto's possession of the Saracinesca inheritance rested upon a forgery. The fact that this forgery must be revealed, in order to reinstate the lawful possessors in their right, did not detract in the least from the value of the secret. Two courses were open to him. He might go to old Leone Saracinesca and offer the original documents for sale, on receiving a guarantee for his own safety. Or he might offer them to San Giacinto, who was the person endangered by their existence. Montevarchi had promised him twenty thousand scudi for the job, and had never paid the money. He had cancelled his debt with his life, however, and had left the secret behind him. Either Saracinesca or San Giacinto would give five times twenty thousand, ten times as much, perhaps, for the original documents, the one in order to recover what was his own, the other to keep what did not belong to him. The great question to be considered was the way of making the offer. Meschini sat staring at the opposite row of books, engaged in solving the problem. Just then, one of the open volumes before him slipped a little upon another and the page turned slowly over. The librarian started slightly and glanced at the old-fashioned type. The work was a rare one, which he had often examined, and he knew it to be of great value. A new thought struck him. Why should he not sell this and many other volumes out of the collection, as well as realise money by disposing of his secret? He might as well be rich as possess a mere competence.

He looked about him. With a little care and ingenuity, by working at night and by visiting the sellers of old books during the day he might soon put together four or five hundred works which would fetch a high price, and replace them by so many feet of old trash which would look as well. With his enormous industry it would be a simple matter to tamper with the catalogue and to insert new pages which should correspond with the changes he contemplated. The old prince was dead, and little as he had really known about the library, his sons knew even less. Meschini could remove the stolen volumes to a safe place, and when he had realised the value of his secret, he would go to Paris, to Berlin, even to London, and dispose of his treasures one by one. He was amazed at the delights the future unfolded to him, everything seemed gilded, everything seemed ready to turn into gold. His brain dwelt with an enthusiasm wholly new to him upon the dreams it conjured up. He felt twenty years younger. His fears had gone, and with them his humility. He saw himself no longer the poor librarian in his slippers and shabby clothes, cringing to his employer, spending his days in studying the forgeries he afterwards executed during the night, hoarding his ill-gotten gains with jealous secrecy, afraid to show to his few associates that he had accumulated a little wealth, timid by force of long habit and by the remembrance of the shame in his early life. All that had disappeared under the potent spell of his new-found courage. He fancied himself living in some distant capital, rich and respected, married, perhaps, having servants of his own, astonishing the learned men of some great centre by the extent of his knowledge and erudition. All the vanity of his nature was roused from its long sleep by a new set of emotions, till he could scarcely contain his inexplicable happiness. And how had all this come to him so suddenly in the midst of his obscure life? Simply by squeezing the breath out of an old man's throat. How easy it had been.

The unaccustomed energy which had been awakened in him by the spirits brought with it a pleasant restlessness. He felt that he must go again to his little room upstairs, and take out the deeds and read them over. The sight of them would give an increased reality and vividness to his anticipations. Besides, too, it was just barely possible that there might be some word, some expression which he could change, and which should increase their value. To sit still, poring over the catalogue in the library was impossible. Once more he climbed to his attic, but he could not comprehend why he felt a nervous desire to look behind him, as though he were followed by some person whose tread was noiseless. It was not possible, he thought, that the effects of his draught were already passing off. Such courage as he felt in him could not leave him suddenly. He reached his room and took the deeds from the secret place in which he had hidden them, spreading them out lovingly before him. As he sat down the bottle in his long coat touched the floor behind him with a short, dull thud. It was as though a footstep had sounded in the silent room, and he sprang to his feet before he realised whence the noise came, looking behind him with startled eyes. In a moment he understood, and withdrawing the bottle from his pocket he set it beside him on the table. He looked at it for a few seconds as though in hesitation, but he determined not to have recourse to its contents so soon. He had undoubtedly been frightened again, but the sound that had scared him had been real and not imaginary. Besides, he had but this one bottle and he knew that good brandy was dear. He pushed it away, his avarice helping him to resist the temptation.

The old documents were agreeably familiar to his eye, and he read and re-read them with increasing satisfaction, comparing them carefully, and chuckling to himself each time that he reached the bottom of the sheet upon the copy, where there had been no room to introduce that famous clause. But for that accident, he reflected, he would have undoubtedly made the insertion upon the originals, and the latter would be now no longer in his possession. He did not quite understand why he derived such pleasure from reading the writing so often, nor why, when the surrounding objects in the room were clear and distinct to his eyes, the crabbed characters should every now and then seem to move of themselves and to run into each other from right to left. Possibly the emotions of the day had strained his vision. He looked up and saw the bottle. An irresistible desire seized him to taste the liquor again, even if he drank but a drop. The spirits wet his lips while he was still inwardly debating whether it were wise to drink or not. As he returned the cork to its place he felt a sudden revival within him of all he had experienced before. His face was warm, his fingers tingled. He took up one of the deeds with a firm hand and settled himself comfortably in his chair. But he could not read it through again. He laughed quietly at his folly. Did he not know every word by heart? He must occupy himself with planning, with arranging the details of his future. When that was done he could revel in the thought of wealth and rest and satisfied vanity.

To his surprise, his thoughts did not flow as connectedly as he had expected. He could not help thinking of the dead man downstairs, not indeed with any terror, not fearing discovery for himself, but with a vague wonderment that made his mind feel empty. Turn over the matter as he would, he could not foresee connectedly what was likely to happen when the murder was known. There was no sequence in his imaginings, and he longed nervously for the moment when everything should be settled. The restlessness that had brought him up to his room demanded some sort of action to quiet it. He would willingly have gone out to see his friend, the little apothecary who lived near the Ponte Quattro Capi. It would be a relief to talk to some one, to hear the sound of a human voice. But a remnant of prudence restrained him. It was not very likely that he should be suspected; indeed, if he behaved prudently nothing was more improbable. To leave the house at such a time, however, would be the height of folly, unless it could be proved that he had gone out some time before the deed could have been done. The porter was vigilant, and Meschini almost always exchanged a few words with him as he passed through the gates. He would certainly note the time of the librarian's exit more or less accurately. Moreover, the body might have been found already, and even now the gendarmes might be downstairs. The latter consideration determined him to descend once more to the library. A slight chill passed over him as he closed the door of his room behind him.

The great hall now seemed very gloomy and cold, and the solitude was oppressive. He felt the necessity for movement, and began to walk quickly up and down the length of the library between the broad tables, from one door to the other. At first, as he reached the one that separated him from the passage he experienced no disagreeable sensation, but turned his back upon it at the end of his walk and retraced his steps. Very gradually, however, he began to feel uncomfortable as he reached that extremity of the room, and the vision of the dead prince rose before his eyes. The coat was there again, on the other side of the door. No doubt it would take the same shape again if he looked at it. His varying courage was just at the point when he was able to look out in order to assure himself that the limp garment had not assumed the appearance of a ghost. He felt a painful thrill in his back as he turned the handle, and the cold air that rushed in as he opened the door seemed to come from a tomb. Although his eyes were satisfied when he had seen the coat in the corner, he drew back quickly, and the thrill was repeated with greater distinctness as he heard the bolt of the latch slip into its socket. He walked away again, but the next time he came back he turned at some distance from the threshold, and, as he turned, he felt the thrill a third time, almost like an electric shock. He could not bear it and sat down before the catalogue. His eyes refused to read, and after a lengthened struggle between his fears, his prudence and his economy, he once more drew the bottle from his pocket and fortified himself with a draught. This time he drank more, and the effect was different. For some seconds he felt no change in his condition. Presently, however, his nervousness disappeared, giving place now to a sort of stupid indifference. The light was fading from the clerestory windows of the library, and, within, the corners and recesses were already dark. But Meschini was past imagining ghosts or apparitions. He sat quite still, his chin leaning on his hand and his elbow on the table, wondering vaguely how long it would be before they came to tell him that the prince was dead. He did not sleep, but he fell into a state of torpor which was restful to his nerves. Sleep would certainly come in half an hour if he were left to himself as long as that. His breathing was heavy, and the silence around him was intense. At last the much-dreaded moment came, and found him dull and apathetic.

The door opened and a ray of light from a candle entered the room, which was now almost dark. A foot-man and a housemaid thrust in their heads cautiously and peered into the broad gloom, holding the candle high before them. Either would have been afraid to come alone.

"Sor Arnoldo, Sor Arnoldo!" the man called out timidly, as though frightened by the sound of his own voice.

"Here I am," answered Meschini, affecting a cheerful tone as well as he could. Once more and very quickly he took a mouthful from the bottle, behind the table where they could not see him. "What is the matter?" he asked.

"The prince is murdered!" cried the two servants in a breath. They were very pale as they came towards him.

If the cry he uttered was forced they were too much terrified to notice it. As they told their tale with every species of exaggeration, interspersed with expressions of horror and amazement, he struck his hands to his head, moaned, cried aloud, and, being half hysterical with drink, shed real tears in their presence. Then they led him away, saying that the prefect of police was in the study and that all the household had been summoned to be examined by him. He was now launched in his part, and could play it to the end without breaking down. He had afterwards very little recollection of what had occurred. He remembered that the stillness of the study and the white faces of those present had impressed him by contrast with the noisy grief of the servants who had summoned him. He remembered that he had sworn, and others had corroborated his oath, to the effect that he had spent the afternoon between the library and his room. Ascanio Bellegra's footman remembered meeting him on the landing, and said that he had smiled pleasantly in an unconcerned way, as usual, and had passed on. For the rest, no one seemed even to imagine that he could have done the deed, for no one had ever heard anything but friendly words between him and the prince. He remembered, too, having seen the dead body extended upon the great table of the study, and he recalled Donna Faustina's tone of voice indistinctly as in a dream. Then, before the prefect announced his decision, he was dismissed with the other servants.

After that moment all was a blank in his mind. In reality he returned to his room and sat down by his table with a candle before him. He never knew that after the examination he had begged another bottle of liquor of the butler on the ground that his nerves were upset by the terrible event. About midnight the candle burned down into the socket. Profiting by the last ray of light he drank a final draught and reeled to his bed, dressed as he was. One bottle was empty, and a third of the second was gone. Arnoldo Meschini was dead drunk.



CHAPTER XXV.

Corona was not much surprised when the messenger brought her carriage and presented the order for Faustina's liberation. When Giovanni had left her she had felt that he would find means to procure the young girl's liberty, and the only thing which seemed strange to her was the fact that Giovanni did not return himself. The messenger said he had seen him with the cardinal and that Sant' Ilario had given the order to use the carriage. Beyond that, he knew nothing. Corona at once took Faustina to the Palazzo Montevarchi, and then, with a promise to come back in the course of the day, she went home to rest.

She needed repose even more than Faustina, who, after all, had slept soundly on her prison bed, trusting with childlike faith in her friend's promise that she should be free in the morning. Corona, on the contrary, had passed a wakeful night, and was almost worn out with fatigue. She remained in her room until twelve o'clock, the hour when the members of the family met at the midday breakfast. She found her father-in-law waiting for her, and at a glance she saw that he was in a savage humour. His bronzed face was paler than usual and his movements more sudden and nervous, while his dark eyes gleamed angrily beneath his bent and shaggy brows. Corona, on her part, was silent and preoccupied. In spite of the tragic events of the night, which, after all, only affected her indirectly at present, and in spite of the constant moral suffering which now played so important a part in her life, she could not but be disturbed by the tremendous loss sustained by her husband and by his father. It fell most heavily upon the latter, who was an old man, and whose mind was not engaged by any other absorbing consideration, but the blow was a terrible one to the other also.

"Where is Giovanni?" asked Saracinesca brusquely, as they sat down to the table.

"I do not know," answered Corona. "The last I heard of him was that he was with Cardinal Antonelli. I suppose that after getting the order to release Faustina he stayed there."

"So his Eminence suffered himself to be persuaded that a little girl did not strangle that old tanner," remarked the prince.

"Apparently"

"If they had taken Flavia it would have been more natural. She would have inaugurated her reign as Princess Saracinesca by a night in the Termini. Delightful contrast! I suppose you know who did it?"

"No. Probably a servant, though they say that nothing was stolen."

"San Giacinto did it. I have thought the whole matter out, and I am convinced of it. Look at his hands. He could strangle an elephant. Not that he could have had any particular reason for liquidating his father-in-law. He is rich enough without Flavia's share, but I always thought he would kill somebody one of these days, ever since I met him at Aquila."

"Without any reason, why should he have done it?"

"My dear child, when one has no reason to give, it is very hard to say why a thing occurs. He looks like the man."

"Is it conceivable that after getting all he could desire he should endanger his happiness in such a way?"

"Perhaps not. I believe he did it. What an abominable omelet—a glass of water, Pasquale. Abominable, is it not, Corona? Perfectly uneatable. I suppose the cook has heard of our misfortunes and wants to leave."

"I fancy we are not very hungry," remarked Corona, in order to say something.

"I would like to know whether the murderer is eating his breakfast at this moment, and whether he has any appetite. It would be interesting from a psychological point of view. By the bye, all this is very like a jettatura."

"What?"

"Montevarchi coming to his end on the very day he had won the suit. In good old times it would have been Giovanni who would have cut his throat, after which we should have all retired to Saracinesca and prepared for a siege. Less civilised but twice as human. No doubt they will say now—even now—that we paid a man to do the work."

"But it was San Giacinto who brought the suit—"

"It was Montevarchi. I have seen my lawyer this morning. He says that Montevarchi sent the people out to Frascati to see San Giacinto and explained the whole matter to them beforehand. He discovered the clause in the deeds first. San Giacinto never even saw them until everything was ready. And on the evening of the very day when it was settled, Montevarchi is murdered. I wonder that it has not struck any one to say we did it."

"You did not oppose the suit. If you had, it would have been different."

"How could I oppose the action? It was clear from the beginning that we had no chance of winning it. The fact remains that we are turned out of our home. The sooner we leave this the better. It will only be harder to go if we stay here."

"Yes," answered Corona sadly. "It will be harder."

"I believe it is a judgment of heaven on Giovanni for his outrageous conduct," growled the prince, suddenly running away with a new idea.

"On Giovanni?" Corona was roused immediately by the mention of her husband in such a connection.

"Yes, for his behaviour to you, the young scoundrel! I ought to have disinherited him at once."

"Please do not talk in that way. I cannot let you say—"

"He is my own son, and I will say what I please," interrupted Saracinesca fiercely. "He treated you outrageously, I say. It is just like a woman to deny it and defend her husband."

"Since there is no one else to defend him, I must. He was misled, and naturally enough, considering the appearances. I did not know that you knew about it all."

"I do not know all, nor half. But I know enough. A man who suspects such, a woman as you deserves to be hanged. Besides," he added irrelevantly, but with an intuitive keenness that startled Corona, "besides, you have not forgiven him."

"Indeed I have—"

"In a Christian spirit, no doubt. I know you are good. But you do not love him as you did. It is useless to deny it. Why should you? I do not blame you, I am sure."

The prince fixed his bright eyes on her face and waited for her answer. She turned a little paler and said nothing for several moments. Then as he watched her he saw the colour mount slowly to her olive cheeks. She herself could hardly have accounted for the unwonted blush, and a man capable of more complicated reasoning than her father-in-law would have misinterpreted it. Corona had at first been angry at the thought that he could speak as he did of Giovanni, saying things she would not say to herself concerning him. Then she felt a curious sensation of shame at being discovered. It was true that she did not love her husband, or at least that she believed herself unable to love him; but she was ashamed that any one else should know it.

"Why will you persist in talking about the matter?" she asked at length. "It is between us two."

"It seems to me that it concerns me," returned Saracinesca, who was naturally pertinacious. "I am not inquisitive. I ask no questions. Giovanni has said very little about it to me. But I am not blind. He came to me one evening and said he was going to take you away to the mountains. He seemed very much disturbed, and I saw that there had been trouble between you, and that he suspected you of something. He did not say so, but I knew what he meant. If it had turned out true I think I would have—well, I would not have answered for my conduct. Of course I took his part, but you fell ill, and did not know that. When he came and told me that he had been mistaken I abused him like a thief. I have abused him ever since whenever I have had a chance. It was a vile, dastardly, foolish, ridiculous—"

"For heaven's sake!" cried Corona, interrupting him. "Pray, pray leave the question in peace! I am so unhappy!"

"So am I," answered Saracinesca bluntly. "It does not add to my happiness to know that my son has made an ass of himself. Worse than that. You do not seem to realise that I am very fond of you. If I had not been such an old man I should have fallen in love with you as well as Giovanni. Do you remember when I rode over to Astrardente, and asked you to marry him? I would have given all I am—all I was worth, I mean, to be in Giovanni's shoes when I brought back your answer. Bah! I am an old fellow and no Apollo either! But you have been a good daughter to me, Corona, and I will not let any one behave badly to you."

"And you have been good to me—so good! But you must not be angry with Giovanni. He was misled. He loved me even then."

"I wish I were as charitable as you."

"Do not call me charitable. I am anything but that. If I were I would—" She stopped short.

"Yes, I know, you would love him as you did before. Then you would not be Corona, but some one else. I know that sort of argument. But you cannot be two persons at one time. The other woman, whom you have got in your mind, and who would love Giovanni, is a weak- minded kind of creature who bears anything and everything, who will accept any sort of excuse for an insult, and will take credit to herself for being long-suffering because she has not the spirit to be justly angry. Thank heaven you are not like that. If you were, Giovanni would not have had you for a wife nor I for a daughter."

"I think it is my fault. I would do anything in the world to make it otherwise."

"You admit the fact then? Of course. It is a misfortune, and not your fault. It is one more misfortune among so many. You may forgive him, if you please. I will not. By the bye, I wonder why he does not come back. I would like to hear the news."

"The cardinal may have kept him to breakfast."

"Since seven o'clock this morning? That is impossible. Unless his Eminence has arrested him on charge of the murder." The old gentleman laughed gruffly, little guessing how near his jest lay to the truth. But Corona looked up quickly. The mere idea of such a horrible contingency was painful to her, absurd and wildly improbable as it appeared.

"I was going to ask him to go up to Saracinesca to-morrow and see to the changes," continued the prince.

"Must it be so soon?" asked Corona regretfully. "Is it absolutely decided? Have you not yielded too easily?"

"I cannot go over all the arguments again." returned her father- in-law with some impatience. "There is no doubt about it. I expended all my coolness and civility on San Giacinto when he came to see me about it. It is of no use to complain, and we cannot draw back. I suppose I might go down on my knees to the Pope and ask his Holiness for another title—for the privilege of being called something, Principe di Cavolfiore, if you like. But I will not do it. I will die as Leone Saracinesca. You can give Giovanni your old title, if you please—it is yours to give."

"He shall have it if he wants it. What does it matter? I can be Donna Corona."

"Ay, what does it matter, provided we have peace? What does anything matter in this unutterably ridiculous world—except your happiness, poor child! Yes. Everything must be got ready. I will not stay in this house another week."

"But in a week it will be impossible to do all there is to be done!" exclaimed Corona, whose feminine mind foresaw infinite difficulties in moving.

"Possible, or impossible, it must be accomplished. I have appointed this day week for handing over the property. The lawyers said, as you say, that it would need more time. I told them that there was no time, and that if they could not do it, I would employ some one else. They talked of sitting up all night—as if I cared whether they lost their beauty sleep or not! A week from to- day everything must be settled, so that I have not in my possession a penny that does not belong to me."

"And then—what will you do?" asked Corona, who saw in spite of his vehemence how much he was affected by the prospect.

"And then? What then? Live somewhere else, I suppose, and pray for an easy death."

No one had ever heard Leone Saracinesca say before now that he desired to die, and the wish seemed so contrary to the nature of his character that Corona looked earnestly at him. His face was discomposed, and his voice had trembled. He was a brave man, and a very honourable one, but he was very far from being a philosopher. As he had said, he had expended all his calmness in that one meeting with San Giacinto when he had been persuaded of the justice of the latter's claims. Since then he had felt nothing but bitterness, and the outward expression of it was either an unreasonable irritation concerning small matters, or some passionate outburst like the present against life, against the world in which he lived, against everything. It is scarcely to be wondered at that he should have felt the loss so deeply, more deeply even than Giovanni. He had been for many years the sole head and master of his house, and had borne all the hereditary dignities that belonged to his station, some of which were of a kind that pleased his love of feudal traditions. For the money he cared little. The loss that hurt him most touched his pride, and that generous vanity which was a part of his nature, which delighted in the honour accorded to his name, to his son, to his son's wife, in the perpetuation of his race and in a certain dominating independence, that injured no one and gave himself immense satisfaction. At his age he was not to be blamed for such feelings. They proceeded in reality far more from habit than from a vain disposition, and it seemed to him that if he bore the calamity bravely he had a right to abuse his fate in his own language. But he could not always keep himself from betraying more emotion than he cared to show.

"Do not talk of death," said Corona. "Giovanni and I will make your life happy and worth living." She sighed as she spoke, in spite of herself.

"Giovanni and you!" repeated the prince gloomily. "But for his folly—what is the use of talking? I have much to do. If he comes to you this afternoon please tell him that I want him."

Corona was glad when the meal was ended, and she went back to her own room. She had promised to go and see Faustina again, but otherwise she did not know how to occupy herself. A vague uneasiness beset her as the time passed and her husband did not come home. It was unlike him to stay away all day without warning her, though she was obliged to confess to herself that she had of late shown very little interest in his doings, and that it would not be very surprising if he began to do as he pleased without informing her of his intentions. Nevertheless she wished he would show himself before evening. The force of habit was still strong, and she missed him without quite knowing it. At last she made an effort against her apathy, and went out to pay the promised visit.

The Montevarchi household was subdued under all the outward pomp of a ponderous mourning. The gates and staircases were hung with black. In the vast antechamher the canopy was completely hidden by an enormous hatchment before which the dead prince had lain in state during the previous night and a part of the day. According to the Roman custom the body had been already removed, the regulations of the city requiring that this should be done within twenty-four hours. The great black pedestals on which the lights had been placed were still standing, and lent a ghastly and sepulchral appearance to the whole. Numbers of servants in mourning liveries stood around an immense copper brazier in a corner, talking together in low tones, their voices dying away altogether as the Princess Sant' Ilario entered the open door of the hall. The man who came forward appeared to be the person in charge of the funeral, for Corona had not seen him in the house before.

"Donna Faustina expects me," she said, continuing to walk towards the entrance to the apartments.

"Your Excellency's name?" inquired the man. Corona was surprised that he should ask, and wondered whether even the people of his class already knew the result of the suit.

"Donna Corona Saracinesca," she answered in distinct tones. The appellation sounded strange and unfamiliar.

"Donna Corona Saracinesca," the man repeated in a loud voice a second later. He had almost run into San Giacinto, who was coming out at that moment. Corona found herself face to face with her cousin.

"You—princess!" he exclaimed, putting out his hand. In spite of the relationship he was not privileged to call her by her name. "You—why does the man announce you in that way?"

Corona took his hand and looked quietly into his face. They had not met since the decision.

"I told him to do so. I shall be known by that name in future. I have come to see Faustina." She would have passed on.

"Allow me to say," said San Giacinto, in his deep, calm voice, "that as far as I am concerned you are, and always shall be, Princess Sant' Ilario. No one can regret more than I the position in which I am placed towards you and yours, and I shall certainly do all in my power to prevent any such unnecessary changes."

"We cannot discuss that matter here," answered Corona, speaking more coldly than she meant to do.

"I trust there need be no discussion. I even hope that you will bear me no ill will."

"I bear you none. You have acted honestly and openly. You had right on your side. But neither my husband nor I will live under a borrowed name."

San Giacinto seemed hurt by her answer. He stood aside to allow her to pass, and there was something dignified in his demeanour that pleased Corona.

"The settlement is not made yet," he said gravely. "Until then the name is yours."

When she was gone he looked after her with an expression of annoyance upon his face. He understood well enough what she felt, but he was very far from wishing to let any unpleasantness arise between him and her family. Even in the position to which he had now attained he felt that there was an element of uncertainty, and he did not feel able to dispense with the good-will of his relations, merely because he was Prince Saracinesca and master of a great fortune. His early life had made him a cautious man, and he did not underestimate the value of personal influence. Moreover, he had not a bad heart, and preferred if possible to be on good terms with everybody. According to his own view he had done nothing more than claim what was legitimately his, but he did not want the enmity of those who had resigned all into his hands.

Corona went on her way and found Faustina and Flavia together. Their mother was not able to see any one. The rest of the family had gone to the country as soon as the body had been taken away, yielding without any great resistance to the entreaties of their best friends who, according to Roman custom, thought it necessary to "divert" the mourners. That is the consecrated phrase, and people of other countries may open their eyes in astonishment at the state of domestic relations as revealed by this practice. It is not an uncommon thing for the majority of the family to go away even before death has actually taken place. Speaking of a person who is dying, it is not unusual to say, "You may imagine how ill he is, for the family has left him!" The servants attend the Requiem Mass, the empty carriages follow the hearse to the gates of the city, but the family is already in the country, trying to "divert" itself.

Flavia and Faustina, however, had stayed at home, partly because the old princess was really too deeply moved and profoundly shocked to go away, and partly because San Giacinto refused to leave Rome. Faustina, too, was eccentric enough to think such haste after "diversion" altogether indecent, and she herself had been through such a series of emotions during the twenty-four hours that she found rest needful. As for Flavia, she took matters very calmly, but would have preferred very much to be with her brothers and their wives. The calamity had for the time subdued her vivacity, though it was easy to see that it had made no deep impression upon her nature. If the truth were told, she was more unpleasantly affected by thus suddenly meeting Corona than by her father's tragic death. She thought it necessary to be more than usually affectionate, not out of calculation, but rather to get rid of a disagreeable impression. She sprang forward and kissed Corona on both cheeks.

"I was longing to see you!" she said enthusiastically. "You have been so kind to Faustina. I am sure we can never thank you enough. Imagine, if she had been obliged to spend the night alone in prison! Such an abominable mistake, too. I hope that dreadful man will be sent to the galleys. Poor little Faustina! How could any one think she could do such a thing!"

Corona was not prepared for Flavia's manner, and it grated disagreeably on her sensibilities. But she said nothing, only returning her salutation with becoming cordiality before sitting down between the two sisters. Faustina looked on coldly, disgusted with such indifference. It struck her that if Corona had not accompanied her to the Termini, it would have been very hard to induce any of her own family to do so.

"And poor papa!" continued Flavia volubly. "Is it not too dreadful, too horrible? To think of any one daring! I shall never get over the impression it made on me—never. Without a priest, without any one—poor dear!"

"Heaven is very merciful," said Corona, thinking it necessary to make some such remark.

"Oh, I know," answered Flavia, with sudden seriousness. "I know. But poor papa—you see—I am afraid—"

She stopped significantly and shook her head, evidently implying that Prince Montevarchi's chances of blessedness were but slender.

"Flavia!" cried Faustina indignantly, "how can you say such things!"

"Oh, I say nothing, and besides, I daresay—you see he was sometimes very kind. It was only yesterday, for instance, that he actually promised me those earrings—you know, Faustina, the pearl drops at Civilotti's—it is true, they were not so very big after all. He really said he would give them to me as a souvenir if—oh! I forgot."

She stopped with some embarrassment, for she had been on the point of saying that the earrings were to be a remembrance if the suit were won, when she recollected that she was speaking to Corona.

"Well—it would have been very kind of him if he had," she added. "Perhaps that is something. Poor papa! One would feel more sure about it, if he had got some kind of absolution."

"I do not believe you cared for him at all!" exclaimed Faustina. Corona evidently shared this belief, for she looked very grave and was silent.

"Oh, Faustina, how unkind you are!" cried Flavia in great astonishment and some anger. "I am sure I loved poor papa as much as any of you, and perhaps a great deal better. We were always such good friends!"

Faustina raised her eyebrows a little and looked at Corona as though to say that her sister was hopeless, and for some minutes no one spoke.

"You are quite rested now?" asked Corona at last, turning to the young girl. "Poor child! what you must have suffered!"

"It is strange, but I am not tired. I slept, you know, for I was worn out."

"Faustina's grief did not keep her awake," observed Flavia, willing to say something disagreeable.

"I only came to see how you were," said Corona, who did not care to prolong the interview. "I hope to hear that your mother is better to-morrow. I met Saracinesca as I came in, but I did not ask him."

"Your father-in-law?" asked Faustina innocently. "I did not know he had been here."

"No; your husband, my dear," answered Corona, looking at Flavia as she spoke. She was curious to see what effect the change had produced upon her. Flavia's cheeks flushed quickly, evidently with pleasure, if also with some embarrassment. But Corona was calm and unmoved as usual.

"I did not know you already called him so," said Flavia. "How strange it will be!"

"We shall soon get used to it," replied Corona, with a smile, as she rose to go. "I wish you many years of happiness with your new name. Good-bye." Faustina went with her into one of the outer rooms.

"Tell me," she said, when they were alone, "how did your husband manage it so quickly? They told me to-day that the cardinal had at first refused. I cannot understand it. I could not ask you before Flavia—she is so inquisitive!"

"I do not know—I have not seen Giovanni yet. He stayed with the cardinal when the carriage came for us. It was managed in some way, and quickly. I shall hear all about it this evening. What is it, dear?"

There were tears in Faustina's soft eyes, followed quickly by a little sob.

"I miss him dreadfully!" she exclaimed, laying her head on her friend's shoulder. "And I am so unhappy! We parted angrily, and I can never tell him how sorry I am. You do not think it could have had anything to do with it, do you?"

"Your little quarrel? No, child. What could it have changed? We do not know what happened."

"I shall never forget his face. I was dreadfully undutiful—oh! I could almost marry that man if it would do any good!"

Corona smiled sadly. The young girl's sorrow was genuine, in strange contrast to Flavia's voluble flippancy. She laid her hand affectionately on the thick chestnut hair.

"Perhaps he sees now that you should not marry against your heart."

"Oh, do you think so? I wish it were possible. I should not feel as though I were so bad if I thought he understood now. I could bear it better. I should not feel as though it were almost a duty to marry Frangipani."

Corona turned quickly with an expression that was almost fierce in its intensity. She took Faustina's hands in hers.

"Never do that, Faustina. Whatever comes to you, do not do that! You do not know what it is to live with a man you do not love, even if you do not hate him. It is worse than death."

Corona kissed her and left her standing by the door. Was it possible, Faustina asked, that Corona did not love her husband? Or was she speaking of her former life with old Astrardente? Of course, it must be that. Giovanni and Corona were a proverbially happy couple.

When Corona again entered her own room, there was a note lying upon the table, the one her husband had written that morning from his place of confinement. She tore the envelope open with an anxiety of which she had not believed herself capable. She had asked for him when she returned and he had not been heard of yet. The vague uneasiness she had felt at his absence suddenly increased, until she felt that unless she saw him at once she must go in search of him. She read the note through again and again, without clearly understanding the contents.

It was evident that he had left Rome suddenly and had not cared to tell her whither he was going, since the instructions as to what she was to say were put in such a manner as to make it evident that they were only to serve as an excuse for his absence to others, and not as an explanation to herself. The note was enigmatical and might mean almost anything. At last Corona tossed the bit of paper into the fire, and tapped the thick carpet impatiently with her foot.

"How coldly he writes!" she exclaimed aloud.

The door opened and her maid appeared.

"Will your Excellency receive Monsieur Gouache?" asked the woman from the threshold.

"No! certainly not!" answered Corona, in a voice that frightened the servant. "I am not at home."

"Yes, your Excellency."



CHAPTER XXVI.

The amount of work which Arnoldo Meschini did in the twenty-four hours of the day depended almost entirely upon his inclinations. The library had always been open to the public once a week, on Mondays, and on those occasions the librarian was obliged to be present. The rest of his time was supposed to be devoted to the incessant labour connected with so important a collection of books, and, on the whole, he had done far more than was expected of him. Prince Montevarchi had never proposed to give him an assistant, and he would have rejected any such offer, since the presence of another person would have made it almost impossible for him to carry on his business of forging ancient manuscripts. The manual labour of his illicit craft was of course performed in his own room, but a second librarian could not have failed to discover that there was something wrong. Night after night he carried the precious manuscripts to his chamber, bringing them back and restoring them to their places every morning. During the day he studied attentively what he afterwards executed in the quiet hours when he could be alone. Of the household none but the prince himself ever came to the library, no other member of the family cared for the books or knew anything about them. His employer being dead, Meschini was practically master of all the shelves contained. No one disturbed him, no one asked what he was doing. His salary would be paid regularly by the steward, and he would in all probability be left to vegetate unheeded for the rest of his natural lifetime. When he died some one else would be engaged in his place. In the ordinary course of events no other future would have been open to him.

He awoke very late in the morning on the day after the murder, and lay for some time wondering why he was so very uncomfortable, why his head hurt him, why his vision was indistinct, why he could remember nothing he had done before going to bed. The enormous quantity of liquor he had drunk hid temporarily destroyed his faculties, which were not hardened by the habitual use of alcohol. He turned his head uneasily upon the pillow and saw the bottles on the table, the candle burnt down in the brass candlestick and the general disorder in the room. He glanced at his own body and saw that he was lying dressed upon his bed. Then the whole truth flashed upon his mind with appalling vividness. A shock went through his system as though some one had struck him violently on the back of the head, while the light in the room was momentarily broken into flashes that pained his eyes. He got upon his feet with difficulty, and steadied himself by the bed-post, hardly able to stand alone.

He had murdered his master. The first moment in which he realised the fact was the most horrible he remembered to have passed. He had killed the prince and could recall nothing, or next to nothing, that had occurred since the deed. Almost before he knew what he was doing he had locked his door with a double turn of the key and was pushing the furniture against it, the table, the chairs, everything that he could move. It seemed to him that he could already hear upon the winding stair the clank of the gens d'armes' sabres as they came to get him. He looked wildly round the room to see whether there was anything that could lead to discovery. The unwonted exertion, however, had restored the circulation of his blood, and with it arose an indistinct memory of the sense of triumph he had felt when he had last entered the chamber. He asked himself how he could have rejoiced over the deed, unless he had unconsciously taken steps for his own safety. The body must have been found long ago.

Very gradually there rose before him the vision of the scene in the study, when he had been summoned thither by the two servants, the dead prince stretched on the table, the pale faces, the prefect, Donna Faustina's voice, a series of questions asked in a metallic, pitiless tone. He had not been drunk, therefore, when they had sent for him. And yet, he knew that he had not been sober. In what state, then, had he found himself? With a shudder, he remembered his terror in the library, his fright at the ghost which had turned out to be only his own coat, his visit to his room, and the first draught he had swallowed. From that point onwards his memory grew less and less clear. He found that he could not remember at all how he had come upstairs the last time.

One thing was evident, however. He had not been arrested, since he found himself in his chamber unmolested. Who, then, had been taken in his place? He was amazed to find that he did not know. Surely, at the first inquest, something must have been said which would have led to the arrest of some one. The law never went away empty- handed. He racked his aching brain to bring back the incident, but it would not be recalled—for the excellent reason that he really knew nothing about the matter. It was a relief at all events to find that he had actually been examined with the rest and had not been suspected. Nevertheless, he had undoubtedly done the deed, of which the mere thought made him tremble in every joint. Or was it all a part of his drunken dreams? No, that, at least, could not be explained away. For a long time he moved uneasily from his barricade at the door to the window, from which he tried to see the street below. But his room was in the attic, and the broad stone cornice of the palace cut off the view effectually. At last he began to pull the furniture away from the entrance, slowly at first, as he merely thought of its uselessness, then with feverish haste, as he realised that the fact of his trying to entrench himself in his quarters would seem suspicious. In a few seconds he had restored everything to its place. The brandy bottles disappeared into the cupboard in the wall; a bit of candle filled the empty candlestick. He tore off his clothes and jumped into bed, tossing himself about to give it the appearance of having been slept in. Then he got up again and proceeded to make his toilet. All his clothes were black, and he had but a slender choice. He understood vaguely, however, that there would be a funeral or some sort of ceremony in which all the members of the household would be expected to join, and he arrayed himself in the best he had—a decent suit of broadcloth, a clean shirt, a black tie. He looked at himself in the cracked mirror. His face was ghastly yellow, the whites of his eyes injected with blood, the veins at the temples swollen and congested. He was afraid that his appearance might excite remark, though it was in reality not very much changed.