"Yes!" She was willing at the instant to confess how much.

"And if I speak now, I shall not be misinterpreted?"

"You never would have been, by me."

"Cornelia!"

Though she knew what was behind the door, this flinging of it open with her name startled the lady; and if he had faltered, it would not have been well for him. But, plainly, he claimed the right to call her by her Christian name. She admitted it; and thenceforward they were equals.

It was an odd story that he told of himself. She could not have repeated it to make it comprehensible. She drank at every sentence, getting no more from it than the gratification of her thirst. His father, at least, was a man of title, a baronet. What was meant by estates not entailed? What wild freak of fate put this noble young man in the power of an eccentric parent, who now caressed him, now made him an outcast? She heard of the sum that was his, coming from his dead mother to support him just one hundred pounds annual! Was ever fate so mournful?

Practically, she understood that if Mr. Barrett would write to his father, pledging himself to conform to his mysterious despotic will in something, he would be pardoned and reinstated.

He concluded: "Hitherto I have preferred poverty. You have taught me at what a cost! Is it too late?"

The fall of his voice, with the repetition of her name, seemed as if awakening her, but not in a land of reason.

"Why...why!" she whispered.

"Beloved?"

"Why did you not tell me this before?"

"Do you upbraid me?"

"Oh, no! Oh, never!" she felt his hand taking hers gently. "My friend," she said, half in self-defence; and they, who had never kissed as lovers, kissed under the plea of friendship.



CHAPTER XXIII

All Wilfrid's diplomacy was now brought into play to baffle Mr. Pericles, inspire Emilia with the spirit of secresy, and carry on his engagement to two women to their common satisfaction. Adela, whose penetration he dreaded most, he had removed by a flattering invitation to Stornley; and that Emilia might be occupied during his absences, and Mr. Pericles thrown on a false scent, he persuaded Tracy Runningbrook to come to Brookfield, and write libretti for Emilia's operas. The two would sit down together for an hour, drawing wonderful precocious noses upon juvenile visages, when Emilia would sigh and say: "I can't work!"—Tracy adding, with resignation: "I never can!" At first Mr. Pericles dogged them assiduously. After a little while he shrugged, remarking: "It is a nonsense."

They were, however, perfectly serious about the production of an opera, Tracy furnishing verse to Emilia's music. He wrote with extraordinary rapidity, but clung to graphic phrases, that were not always supple enough for nuptials with modulated notes. Then Emilia had to hit his sense of humour by giving the words as they came in the run of the song. "You make me crow, or I croak," she said.

"The woman follows the man, and music fits to verse," cried Tracy. "Music's the vine, verse the tree."

Emilia meditated. "Not if they grow up together," she suggested, and broke into a smile at his rapture of amusement; which was succeeded by a dark perplexity, worthy of the present aspect of Mr. Pericles.

"That's what has upset us," he said. "We have been trying to 'grow up together,' like first-cousins, and nature forbids the banns. To-morrow you shall have half a libretto. And then, really, my child, you must adapt yourself to the words."

"I will," Emilia promised; "only, not if they're like iron to the teeth."

"My belief is," said Tracy savagely, "that music's a fashion, and as delusive a growth as Cobbett's potatoes, which will go back to the deadly nightshade, just as music will go back to the tom-tom."

"What have you called out when I sang to you!" Emilia reproached him for this irreverent nonsense.

"Oh! it was you and not the music," he returned half-cajolingly, while he beat the tom-tom on air.

"Hark here!" cried Emilia. She recited a verse. "Doesn't that sound dead? Now hark!" She sang the verse, and looked confidently for Tracy's verdict at the close.

"What a girl that is!" He went about the house, raving of her to everybody, with sundry Gallic interjections; until Mrs. Chump said: "'Deed, sir, ye don't seem to have much idea of a woman's feelin's."

Tracy produced in a night two sketches of libretti for Emilia to choose from—the Roman Clelia being one, and Camillus the other. Tracy praised either impartially, and was indifferent between them, he told her. Clelia offered the better theme for passionate song, but there was a winning political object and rebuff to be given to Radicalism in Camillus. "Think of Rome!" he said.

Emilia gave the vote for Camillus, beginning forthwith to hum, with visions of a long roll of swarthy cavalry, headed by a clear-eyed young chief, sunlight perching on his helm.

"Yes; but you don't think of the situations in Clelia, and what I can do with her," snapped Tracy. "I see a song there that would light up all London. Unfortunately, the sentiment's dead Radical. It wouldn't so much matter if we were certain to do Camillus as well; because one would act as a counterpoise to the other, you know. Well, follow your own fancy. Camillus is strictly classical. I treat opera there as Alfieri conceived tragedy. Clelia is modern style. Cast the die for Camillus, and let's take horse. Only, we lose the love-business—exactly where I show my strength. Clelia in the camp of the king: dactyllic chorus-accompaniment, while she, in heavy voluptuous anapaests, confesses her love for the enemy of her country. Remember, this is our romantic opera, where we do what we like with History, and make up our minds for asses telling us to go home and read our 'student's Rome.' Then that scene where she and the king dance the dactyls, and the anapaests go to the chorus. Sublime! Let's go into the woods and begin. We might give the first song or two to-night. In composition, mind, always strike out your great scene, and work from it—don't work up to it, or you've lost fire when you reach the point. That's my method."

They ran into the woods, skipping like schoolboy and schoolgirl. On hearing that Camillus would not be permitted to love other than his ungrateful country, Emilia's conception of the Roman lord grew pale, and a controversy ensued-she maintaining that a great hero must love a woman; he declaring that a great hero might love a dozen, but that it was beneath the dignity of this drama to allow of a rival to Rome in Camillus's love.

"He will not do for music," said Emilia firmly, and was immoveable. In despair, Tracy proposed attaching a lanky barbarian daughter to Brennus, whose deeds of arms should provoke the admiration of the Roman.

"And so we relinquish Alfieri for Florian! There's a sentimental burlesque at once!" the youth ejaculated, in gloom. "I chose this subject entirely to give you Rome for a theme."

Emilia took his hand. "I do thank you. If Brennus has a daughter, why not let her be half Roman?"

Tracy fired out: "she's a bony woman, with a brawny development; mammoth haunches, strong of the skeleton; cheek-bones, flat-forward, as a fish 's rotting on a beach; long scissor lips-nippers to any wretched rose of a kiss! a pugilist's nose to the nostrils of a phoca; and eyes!—don't you see them?—luminaries of pestilence; blotted yellow, like a tallow candle shining through a horny lantern."

At this horrible forced-poetic portrait, Emilia cried in pain: "You hate her suddenly!"

"I loathe the creature—pah!" went Tracy.

"Why do you make her so hideous?" Emilia complained. "I feel myself hating her too. Look at me. Am I such a thing as that?"

"You!" Tracy was melted in a trice, and gave the motion of hugging, as a commentary on his private opinion.

"Can you also be sure that Camillus can love nothing but his country? Would one love stop the other?" she persisted, gazing with an air of steady anxiety for the answer.

"There isn't a doubt about it," said Tracy.

Emilia caught her face in her hands, and exclaimed in a stifling voice: "It's true! it's true!"

Tracy saw that her figure was shaken with sobs—unmistakeable, hard, sorrowful convulsions.

"Confound historical facts that make her cry!" he murmured to himself, in a fury at the Roman fables. "It's no use comforting her with Niebuhr now. She's got a live Camillus in her brain, and there he'll stick." Tracy began to mutter the emphatic D.; quite cognizant of her case, as he supposed. This intensity of human emotion about a dry faggot of history by no means surprised him; and he was as tender to the grief of his darling little friend as if he had known the conflict that tore her in two. Subsequently he related the incident, in a tone of tender delight, to Wilfrid, whom it smote. "Am I a brute?" asked the latter of the Intelligences in the seat of his consciousness, and they for the moment gravely affirmed it. I have observed that when young men obtain this mental confirmation of their suspicions, they wax less reluctant to act as brutes than when the doubt restrained them.

He reasoned thus: "I can bring my mind to the idea of losing her, if it must be so." (Hear, hear! from the unanimous internal Parliament.) "But I can't make her miserable (cheers)—I can't go and break her heart" (loud cheers, drowning a faint dissentient hum).—The scene, of which Tracy had told him, gave Wilfrid a kind of dread of the girl. If that was her state of feeling upon a distant subject, how would it be when he applied the knife. Simply, impossible to use the knife at all! Wield it thou, O Circumstance, babe-munching Chronos, whosoever thou art, that jarrest our poor human music effectually from hour to hour!

Colonel Pierson paid his promised visit, on his way back to his quarters at Verona. His stay was shortened by rumours of anticipated troubles in Italy. One day at table he chanced to observe, speaking of the Milanese, that they required another lesson, and that it would save the shedding of blood if, annually, the chief men of the city took a flogging for the community (senseless arrogance that sensible, and even kindly, men will sometimes be tempted to utter, and prompted to act on, in that deteriorating state of a perpetual repressive force).—Emilia looked at him till she caught his eye: "I hope I shall never meet you there," she said.

The colonel coloured, and drew his finger along each curve of his moustache. The table was silent. Colonel Pierson was a gentleman, but a false position and the irritating topic deprived him of proper self-command.

"What would you do?" he said, not gallantly.

Emilia would have been glad to have been allowed to subside, but the tone stung her.

"I could not do much; I am a woman," said she.

Whereto the colonel: "It's only the women who do anything over there."

"And that is why you flog them!"

The colonel, seeing himself surrounded by ladies, lost the right guidance of his wits, at this point, reddened, and was saved by an Irish outcry of horror from some unpleasant and possibly unmanly retort. "Mr. Paricles said exactly the same. Oh, sir! do ye wear an officer's uniform to go about behavin' in that shockin' way to poor helpless females?"

This was the first time Mrs. Chump had ever been found of service at the Brookfield dining-table. Colonel Pierson joined the current smile, and the matter passed.

He was affectionate with Wilfrid, and invited him to Verona, with the assurance that his (the Austrian) school of cavalry was the best in the world. "You beat us in pace and weight; but you can't skirmish, you can't manage squadrons, and you know nothing of outpost duty," said the colonel. Wilfrid promised to visit him some day: a fact he denied to Emilia, when she charged him with it. Her brain seemed to be set on fire by the presence of an Austrian officer. The miserable belief that she had abandoned her country pressing on her remorsefully, she lost appetite, briskness of eye, and the soft reddish-brown ripe blood-hue that made her cheeks sweet to contemplate. She looked worn, small, wretched: her very walk indicated self-contempt. Wilfrid was keen to see the change for which others might have accused a temporary headache. Now that she appeared under this blight, it seemed easier to give her up; and his magnanimity being thus encouraged (I am not hard on him—remember the constitution of love, in which a heart un-aroused is pure selfishness, and a heart aroused heroic generosity; they being one heart to outer life)—his magnanimity, I say, being under this favourable sun, he said to himself that there should be an end of double-dealing; and, possibly consoled by feeling a martyr, he persuaded himself to act the gentle ruffian. To which end, he was again absent from Brookfield, for a space, and bitterly missed.

Emilia, for the last two Sundays, had taken Mr. Barrett's place at the organ. She was playing the prelude to one of the evening hymns, when the lover, whose features she dreaded to be once more forgetting, appeared in the curtained enclosure. A stoppage in the tune, and a prolonged squeal of the instrument, gave the congregation below matter to speculate upon. Wilfrid put up his finger and sat reverently down, while Emilia plunged tremblingly at the note that was howling its life away. And as she managed to swim into the stream of the sacred melody again, her head was turned toward her lover under a new sensation; and the first words she murmured were, "We have never been in church together, before."

"Not in the evening," he whispered, likewise impressed.

"No," said Emilia softly; flattered by his greater accuracy.

If Wilfrid could have been sure that he would be perfect master of that sentimental crew known to him under the denomination of his feelings, the place he selected for their parting interview might be held creditable to this young officer's acknowledged strategical ability. It was a place where any fervid appeals were impossible; where he could contemplate her, listen to her, be near her, alone with her, having nothing to dread from tears, supplications, or passion, as a consequence of the short indulgence of his tenderness. But he had failed to reckon on the chances that he himself might prove weak and be betrayed by the crew for whose comfort he was always providing; and now, as she sat there, her face being sideways to him, the flush of delight faint on her cheek, and her eyelids half raised to the gilded pipes, while full and sonorous harmony rolled out from her touch, it seemed the very chorus of the heavens that she commanded, and a subtle misty glory descended upon her forehead, which he was long in perceiving to be cast from a moisture on his eyelids.

When the sermon commenced, Emilia quitted the organ and took his hand. In very low whispers, they spoke:

"I have wanted to see you so!"

"You see me now, little woman."

"On Friday week next I am to go away."

"Nonsense! You shall not."

"Your sisters say, yes! Mr. Pericles has got my father's consent, they say, to take me to Italy."

"Do you think of going?"

Emilia gazed at her nerveless hands lying in her lap.

"You shall not go!" he breathed imperiously in her ear.

"Then you will marry me quite soon?" And Emilia looked as if she would be smiling April, at a word.

"My dear girl!" he had an air of caressing remonstrance.

"Because," she continued, "if my father finds me out, I must go to Italy, or go to that life of torment in London—seeing those Jew-people—horrible!—or others and the thought of it is like being under the earth, tasting bitter gravel! I could almost bear it before you kissed me, my lover! It would kill me now. Say! say! Tell me we shall be together. I shudder all day and night, and feel frozen hands catching at me. I faint—my heart falls deep down, in the dark...I think I know what dying is now!"

She stopped on a tearless sob; and, at her fingers' ends, Wilfrid felt the quivering of her frame.

"My darling!" he interjected. He wished to explain the situation to her, as he then conceived it. But he had, in his calculation, failed also to count on a peculiar nervous fretfulness, that the necessity to reiterate an explanation in whispers must superinduce. So, when Emilia looked vacant of the intelligence imparted to her, he began anew, and emphatically; and ere he was half through it, Mr. Marter, from the pulpit underneath, sent forth a significant reprimand to the conscience of a particular culprit of his congregation, in the form of a solemn cough. Emilia had to remain unenlightened, and she proceeded to build on her previous assumption; doing the whispering easily and sweetly; in the prettiest way from her tongue's tip, with her chin lifted up; and sending the vowels on a prolonged hushed breath, that seemed to print them on the hearing far more distinctly than a volume of sound. Wilfrid fell back on monosyllables. He could not bring his mouth to utter flinty negatives, so it appeared that he assented; and then his better nature abused him for deluding her. He grew utterly ashamed of his aimless selfish double-dealing. "Can it be?" he questioned his own mind, and listened greedily to any mental confirmations of surpassing excellence in her, that the world might possibly acknowledge. Having, with great zeal, created a set of circumstances, he cursed them heartily, after the fashion of little people. He grew resigned to abandon Lady Charlotte, and to give his name to this subduing girl; but a comfortable quieting sensation came over him, at the thought that his filial duty stood in the way. His father, he knew, was anxious for him to marry into a noble family—incomprehensibly anxious to have the affair settled; and, as two or three scenes rose in his mind, Wilfrid perceived that the obstacle to his present fancy was his father.

As clearly as he could, with the dread of the preacher's admonishing cough before him, Wilfrid stated the case to Emilia; saying that he loved her with his whole heart; but that the truth was, his father was not in a condition of health to bear contradiction to his wishes, and would, he was sure, be absolutely opposed to their union. He brought on himself another reprimand from Mr. Marter, in seeking to propitiate Emilia's reason to comprehend the position rightly; and could add little more to the fact he had spoken, than that his father had other views, which it would require time to combat.

Emilia listened attentively, replying with a flying glance to the squeeze of his hand. He was astonished to see her so little disconcerted. But now the gradual fall of Mr. Marter's voice gave them warning.

"My lover?" breathed Emilia, hurriedly and eagerly; questioning with eye and tone.

"My darling!" returned Wilfrid.

She sat down to the organ with a smile. He was careful to retreat before the conclusion of the service; somewhat chagrined by his success. That smile of hers was inexplicable to him.



CHAPTER XXIV

Mr. Pole was closeted in his City counting-house with Mr. Pericles, before a heap of papers and newly-opened foreign letters; to one of which, bearing a Russian stamp, he referred fretfully at times, as if to verify a monstrous fact. Any one could have seen that he was not in a condition to transact business. His face was unnaturally patched with colour, and his grey-tinged hair hung tumbled over his forehead like waves blown by a changeing wind. Still, he maintained his habitual effort to look collected, and defeat the scrutiny of the sallow-eyed fellow opposite; who quietly glanced, now and then, from the nervous feet to the nervous fingers, and nodded to himself a sardonic outlandish nod.

"Now, listen to me," said Mr. Pericles. "We shall not burst out about zis Riga man. He is a villain,—very well. Say it. He is a villain,—say so. And stop. Because" (and up went the Greek's forefinger), "we must not have a scandal, in ze fairst place. We do not want pity, in ze second. Saird, we must seem to trust him, in spite. I say, yeas! What is pity to us of commerce? It is contempt. We trust him on, and we lose what he pocket—a sossand. We burst on him, and we lose twenty, serty, forty; and we lose reputation."

"I'd have every villain hanged," cried Mr. Pole. "The scoundrel! I'd hang him with his own hemp. He talks of a factory burnt, and dares to joke about tallow! and in a business letter! and when he is telling one of a loss of money to that amount!"

"Not bad, ze joke," grinned Mr. Pericles. "It is a lesson of coolness. We learn it. But mind! he say, 'possible loss.' It is not positif. Hein! ze man is trying us. So! shall we burst out and make him desperate? We are in his hand at Riga, you see?"

"I see this," said Mr. Pole, "that he's a confounded rascal, and I'll know whether the law can't reach him."

"Ha! ze law!" Mr. Pericles sneered. "So you are, you. English. Always, ze law! But, we are men—we are not machine. Law for a machine, not a man! We punish him, perhaps. Well; he is punished. He is imprisoned—forty monz. We pay for him a sossand pound a monz. He is flogged—forty lashes. We pay for him a sossand pound a lash. You can afford zat? It is a luxury like anozer. It is not for me."

"How long are we to trust the villain?" said Mr. Pole. "If we trust him at all, mind! I don't say I do, or will."

"Ze money is locked up for a year, my friend. So soon we get it, so soon he goes, from ze toe off." Mr. Pericles' shining toe's-tip performed an agile circuit, and he smoothed his square clean jaw and venomous moustache reflectively. "Not now," he resumed. "While he hold us in his hand, we will not drive him to ze devil, or we go too, I believe, or part of ze way. But now, we say, zat money is frozen in ze Nord. We will make it in Australie, and in Greek waters. I have exposed to you my plan."

"Yes," said Mr. Pole, "and I've told you I've no pretensions to be a capitalist. We have no less than three ventures out, already."

"It is like you English! When you have ze world to milk, you go to one point and stick. It fails, and you fail. What is zat word?"—Mr. Pericles tapped his brow—"pluck,—you want pluck. It is your decadence. Greek, and Russian, and Yankee, all zey beat you. For, it is pluck. You make a pin's head, not a pin. It is in brain and heart you do fail. You have only your position,—an island, and ships, and some favour. You are no match in pluck. We beat you. And we live for pleasure, while you groan and sweat—mon Dieu! it is slavery."

Mr. Pericles twinkled his white eyes over the blinking merchant, and rose from his chair, humming a bit of opera, and announcing, casually, that a certain prima-donna had obtained a divorce from her husband.

"But," he added suddenly, "I say to you, if you cannot afford to speculate, run away from it as ze fire. Run away from it, and hold up your coat-tail. Jump ditches, and do not stop till you are safe home—hein? you say 'cosy?' I hear my landlady. Run till you are safe cosy. But if you are a man wis a head and a pocket, zen you know that 'speculate' means a dozen ventures. So, you come clear. Or, it is ruin. It is ruin, I say: you have been playing."

"An Englishman," returned Mr. Pole, disgusted at the shrugs he had witnessed—"an Englishman's as good as any of you. Look at us—look at our history—look at our wealth. By Jingo! But we like plain-dealing and common sense; and as to afford, what do you mean?"

"No, no," Mr. Pericles petitioned with uplifted hand; "my English is bad. It is—ah! bad. You shall look it over—my plan. It will strike your sense. Next week I go to Italy. I take ze little Belloni. You will manage all. I have in you, my friend, perfec' confidence. An Englishman, he is honest. An Englishman and a Greek conjoined, zey beat ze world! It is true, ma foi. For zat, I seek you, and not a countryman. A Frenchman?—oh, no! A German?—not a bit! A Russian?—never! A Yankee?—save me! I am a Greek—I take an Englishman."

"Well, well, you must leave me to think it over," said Mr. Pole, pleasantly smoothed down. "As to honesty, that's a matter of course with us: that's the mere footing we go upon. We don't plume ourselves upon what's general, here. There is, I regret to say, a difference between us and other nations. I believe it's partly their religion. They swindle us, and pay their priests for absolution with our money. If you're a double-dyed sinner, you can easily get yourself whitewashed over there. Confound them! When that fellow sent no remittance last month, I told you I suspected him. Who was, the shrewdest then? As for pluck, I never failed in that yet. But, I will see a thing clear. The man who speculates blindfold, is a fowl who walks into market to be plucked. Between being plucked, and having pluck, you'll see a distinction when you know the language better; but you must make use of your head, or the chances are you won't be much of a difference,—eh? I'll think over your scheme. I'm not a man to hesitate, if the calculations are sound. I'll look at the papers here."

"My friend, you will decide before zat I go to Italy." said Mr. Pericles, and presently took his leave.

When he was gone, Mr. Pole turned his chair to the table, and made an attempt to inspect one of the papers deliberately. Having untied it, he retied it with care, put it aside, marked 'immediate,' and read the letter from Riga anew. This he tore into shreds, with animadversions on the quality of the rags that had produced it, and opened the important paper once more. He got to the end of a sentence or two, when his fingers moved about for the letter; and then his mind conceived a necessity for turning to the directory, for which he rang the bell. The great red book was brought into his room by a youthful clerk, who waited by, while his master, unaware of his presence, tracked a name with his forefinger. It stopped at Pole, Samuel Bolton; and a lurking smile was on the merchant's face as he read the name: a smile of curious meaning, neither fresh nor sad; the meditative smile of one who looks upon an afflicted creature from whom he is aloof. After a lengthened contemplation of this name, he said, with a sigh, "Poor Chump! I wonder whether he's here, too." A search for the defunct proved that he was out of date. Mr. Pole thrust his hand to the bell that he might behold poor Chump in an old directory that would call up the blotted years.

"I am here, sir," said his clerk, who had been holding deferential watch at a few steps from the table.

"What do you do here then, sir, all this time?"

"I waited, sir, because—"

"You waste and dawdle away twenty or thirty minutes, when you ought to be doing your work. What do you mean?" Mr. Pole stood up and took an angry stride.

The young man could scarcely believe his master was not stooping to jest with him. He said: "For that matter, sir, it can't be a minute that I have been wasting."

"I called you in half an hour ago," returned Mr. Pole, fumbling at his watch-fob.

"It must have been somebody else, sir."

"Did you bring in this directory? Look at it! This?"

"This is the book that I brought in, sir."

"How long since?"

"I think, not a minute and a half, sir."

Mr. Pole gazed at him, and coughed slowly. "I could have sworn..." he murmured, and commenced blinking.

"I suppose I must be a little queer," he pursued; and instantly his right hand struck out, quivering. The young clerk grasped it, and drew him to a chair.

"Tush," said his master, working his feverish fingers across his forehead. "Want of food. I don't eat like you young fellows. Fetch me a glass of wine and a biscuit. Good wine, mind. Port. Or, no; you can't trust tavern Port:—brandy. Get it yourself, don't rely on the porter. And bring it yourself, you understand the importance? What is your name?"

"Braintop," replied the youth, with the modesty of one whose name has been too frequently subjected to puns.

"I think I never heard so singular a name in my life," Mr. Pole ejaculated seriously. "Braintop! It'll always make me think of brandy. What are you waiting for now?"

"I took the liberty of waiting before, to say that a lady wished to see you, sir."

Mr. Pole started from his chair. "A foreign lady?"

"She may be foreign. She speaks English, sir, and her name, I think, was foreign. I've forgotten it, I fear."

"It's the wife of that fellow from Riga!" cried the merchant. "Show her in. Show her in, immediately. I suspected this. She's in London, I know. I'm equal to her: show her in. When you fetch the Braintop and biscuit, call me to the door. You understand."

The youth affected meekly to enjoy this fiery significance given to his name, and said that he understood, without any doubt. He retired, and in a few moments ushered in Emilia Belloni.

Mr. Pole was in the middle of the room, wearing a countenance of marked severity, and watchful to maintain it in his opening bow; but when he perceived his little Brookfield guest standing timidly in the doorway, his eyebrows lifted, and his hands spread out; and "Well, to be sure!" he cried; while Emilia hurried up to him. She had to assure him that everything was right at home, and was next called upon to state what had brought her to town; but his continued exclamation of "Bless my soul!" reprieved her reply, and she sat in a chair panting quickly.

Mr. Pole spoke tenderly of refreshments; wine and cake, or biscuits.

"I cannot eat or drink," said Emilia.

"Why, what's come to you, my dear?" returned Mr. Pole in unaffected wonder.

"I am not hungry."

"You generally are, at home, about this time—eh?"

Emilia sighed, and feigned the sad note to be a breath of fatigue.

"Well, and why are you here, my dear?" Mr. Pole was beginning to step to the right and the left of her uneasily.

"I have come—" she paused, with a curious quick speculating look between her eyes; "I have come to see you."

"See me, my dear? You saw me this morning."

"Yes; I wanted to see you alone."

Emilia was having the first conflict with her simplicity; out of which it was not to issue clear, as in the foregone days. She was thinking of the character of the man she spoke to, studying him, that she might win him to succour the object she had in view. It was a quality going, and a quality coming; nor will we, if you please, lament a law of growth.

"Why, you can see me alone, any day, my dear," said Mr. Pole; "for many a day, I hope."

"You are more alone to me here. I cannot speak at Brookfield. Oh!"—and Emilia had to still her heart's throbbing—"you do not want me to go to Italy, do you?"

"Want you to go? Not a bit. There is some talk of it, isn't there? I don't want you to go. Don't you want to go."

"No! no!" said Emilia, with decisive fervour.

"Don't want to go?"

"No: to stay! I want to stay!"

"Eh? to stay?"

"To stay with you! Never to leave England, at least! I want to give up all that I may stay."

"All?" repeated Mr. Pole, evidently marvelling as to what that sounding box might contain; and still more, perplexed to hear Emilia's vehement—"Yes! all!" as if there were that in the mighty abnegation to make a reasonable listener doubtful.

"No. I really don't want you to go," he said. "In fact," and the merchant's hospitable nature was at war with something in his mind, "I like you, my dear; I like to have you about me. You're cheerful; you're agreeable; I like your smile; your voice, too. You're a very pleasant companion. Only, you know, we may break up our house. If the girls get married, I must live somewhere in lodgings, and I couldn't very well ask you to cook for me."

"I can cook a little," Emilia smiled. "I went into the kitchen, till Adela objected."

"Yes, but it wouldn't do, you know," pursued Mr. Pole, with the seriousness of a man thrown out of his line of argument. "You can cook, eh? Got an idea of it? I always said you were a useful little woman. Do have a biscuit and some wine:—No? well, where was I?—That confounded boy. Brainty-top, top! that's it Braintop. Was I talking of him, my dear? Oh no! about your getting married. For if you can cook, why not? Get a husband and then you won't got to Italy. You ought to get one. Some young fellows don't look for money."

"I shall make money come, in time," said Emilia; in the leaping ardour of whose eyes might be seen that what she had journeyed to speak was hot within her. "I know I shall be worth having. I shall win a name, I think—I do hope it!"

"Well, so Pericles says. He's got a great notion of you. Perhaps he means it himself. He's rich. Rash, I admit. But, as the chances go, he's tremendously rich. He may mean it."

"What?" asked Emilia.

"Marry you, you know."

"Ah, what a torture!"

In that heat of her feelings she realized the horror of the words to her, with an intensity that made them seem to quiver like an arrow in her breast.

"You don't like him?" said Mr. Pole.

"Not love him! not love him!"

"Yes, yes, but that comes after marriage. Often the case. Look here: don't you go against your interests. You mustn't be flighty. If Pericles speaks to you, have him. Clap your hands. Dozens of girls would, that I know."

"But, oh!" interposed Emilia; "if he married me he would kiss me!"

Mr. Pole coughed and blinked. "Well!" he remarked, as one gravely cogitating; and with the native delicacy of a Briton turned it off in a playful, "So shall I now," adding, "though I ain't your husband."

He stooped his head. Emilia put her hands on his shoulders, and submitted her face to him.

"There!" went Mr. Pole: "'pon my honour, it does me good:—better than medicine! But you mustn't give that dose to everybody, my dear. You don't, of course. All right, all right—I'm quite satisfied. I was only thinking of you going to Italy, among those foreign rascals, who've no more respect for a girl than they have for a monkey—their brother. A set of swindlers! I took you for the wife of one when you came in, at first. And now, business is business. Let's get it over. What have you come about? Glad to see you—understand that."

Emilia lifted her eyes to his.

"You know I love you, sir."

"I'm sure you're a grateful little woman."

She rose: "Oh! how can I speak it!"

An idea that his daughters had possibly sent her to herald one of the renowned physicians of London, concerning whom he was perpetually being plagued by them, or to lead him to one, flashed through Mr. Pole. He was not in a state to weigh the absolute value of such a suspicion, but it seemed probable; it explained an extraordinary proceeding; and, having conceived, his wrath took it up as a fact, and fought with it.

"Stop! If that's what you've come for, we'll bring matters to a crisis. You fancy me ill, don't you, my dear?"

"You do not look well, sir."

Emilia's unhesitating reply confirmed his suspicion.

"I am well. I am, I say! And now, understand that, if that's your business, I won't go to the fellow, and I won't see him here. They'll make me out mad, next. He shall never have a guinea from me while I live. No, nor when I die. Not a farthing! Sit down, my dear, and wait for the biscuits. I wish to heaven they'd come. There's brandy coming, too. Where's Braintop?"

He took out his handkerchief to wipe his forehead, and jerked it like a bell-rope.

Emilia, in a singular bewilderment, sat eyeing a beam of sombre city sunlight on the dusty carpet. She could only suppose that the offending "he" was Wilfrid; but, why he should be so, she could not guess: and how to plead for him, divided her mind.

"Don't blame him; be angry with me, if you are angry," she began softly. "I know he thinks of you anxiously. I know he would do nothing to hurt you. No one is so kind as he is. Would you deprive him of money, because he offends you?"

"Deprive him of money," repeated Mr. Pole, with ungrudging accentuation. "Well, I've heard about women, but I never knew one so anxious for a doctor to get his fee as you are."

Emilia wonderingly fixed her sight on him an instant, and, quite unillumined, resumed: "Blame me, sir. But, I know you will be too kind. Oh! I love him. So, I must love you, and I would not give you pain. It is true he loves me. You will not see him, because he loves me?"

"The doctor?" muttered Mr. Pole. "The doctor?" he almost bellowed; and got sharp up from his chair, and looked at himself in the glass, blinking rapidly; and then turned to inspect Emilia.

Emilia drew him to her side again.

"Go on," he said; and there became visible in his face a frightful effort to comprehend her, and get to the sense of her words.

And why it was so frightful as to be tragic, you will know presently.

He thought of the arrival of Braintop, freighted with brandy, as the only light in the mist, and breathing heavily from his nose, almost snorting the air he took in from a widened mouth, he sat and tried to listen to her words as well as for Braintop's feet.

Emilia was growing too conscious of her halting eloquence, as the imminence of her happiness or misery hung balancing in doubtful scales before her.

"Oh! he loves me, and I love him," she gasped, and wondered why words should be failing her. "See us together, sir, and hear us. We will make you well."

The exclamation "Good Lord!" groaned out in a tone as from the lower pits of despair, cut her short.

Tearfully she murmured: "You will not see us, sir?"

"Together?" bawled the merchant.

"Yes, I mean together."

"If you're not mad, I am." And he jumped on his legs and walked to the farther corner of the room. "Which of us is it?" His features twitched in horribly comic fashion. "What do you mean? I can't understand a word. My brain must have gone;" throwing his hand over his forehead. "I've feared so for the last four months. Good God! a lunatic asylum! and the business torn like a piece of old rag! I know that fellow at Riga's dancing like a cannibal, and there—there 'll be articles in the papers.—Here, girl! come up to the light. Come here, I say."

Emilia walked up to him.

"You don't look mad. I dare say everybody else understands you. Do they?"

The sad-flushed pallor of his face provoked Emilia to say: "You ought to have the doctor here immediately. Let me bring him, sir."

A gleam as of a lantern through his oppressive mental fog calmed the awful irritability of his nerves somewhat.

"You've got him outside?"

"No, sir."

The merchant's eagerness faded out. He put his hand to her shoulder, and went along to a chair, sinking into it, and closing his eyelids. So they remained, Emilia at his right hand. She watched him breathing with a weak open mouth, and thought more of the doctor now than of Wilfrid.



CHAPTER XXV

Braintop's knock at the door had been unheeded for some minutes. At last Emilia let him in. The brandy and biscuits were placed on a table, and Emilia resumed her watch by Mr. Pole. She saw that his lips moved, after a space, and putting her ear down, understood that he desired not to see any one who might come for an interview with him: nor were the clerks to be admitted. The latter direction was given in precise terms. Emilia repeated the orders outside. On her return, the merchant's eyes were open.

"My forehead feels damp," he said; "and I'm not hot at all. Just take hold of my hands. They're like wet crumpets. I wonder what makes me so stiff. A man mustn't sit at business too long at a time. Sure to make people think he's ill. What was that about a doctor? I seem to remember. I won't see one."

Emilia had filled a glass with brandy. She brought it nearer to his hand, while he was speaking. At the touch of the glass, his fingers went round it slowly, and he raised it to his mouth. The liquor revived him. He breathed "ah!" several times, and grimaced, blinking, as if seeking to arouse a proper brightness in his eyes. Then, he held out his empty glass to her, and she filled it, and he sipped deliberately, saying: "I'm warm inside. I keep on perspiring so cold. Can't make it out. Look at my finger-ends, my dear. They're whitish, aren't they?"

Emilia took the hand he presented, and chafed it, and put it against her bosom, half under one arm. The action appeared to give some warmth to his heart, for he petted her, in return.

A third time he held out the glass, and remarked that this stuff was better than medicine.

"You women!" he sneered, as at a reminiscence of their faith in drugs.

"My legs are weak, though!" He had risen and tested the fact. "Very shaky. I wonder what makes 'em—I don't take much exercise." Pondering on this problem, he pursued: "It's the stomach. I'm as empty as an egg-shell. Odd, I've got no appetite. But, my spirits are up. I begin to feel myself again. I'll eat by-and-by, my dear. And, I say; I'll tell you what:—I'll take you to the theatre to-night. I want to laugh. A man's all right when he's laughing. I wish it was Christmas. Don't you like to see the old pantaloon tumbled over, my boy?—my girl, I mean. I did, when I was a boy. My father took me. I went in the pit. I can smell oranges, when I think of it. I remember, we supped on German sausage; or ham—one or the other. Those were happy old days!"

He shook his head at them across the misty gulf.

"Perhaps there's a good farce going on now. If so, we'll go. Girls ought to learn to laugh as well as boys. I'll ring for Braintop."

He rang the bell, and bade Emilia be careful to remind him that he wanted Braintop's address; for Braintop was useful.

It appeared that there were farces at several of the theatres. Braintop rattled them out, their plot and fun and the merits of the actors, with delightful volubility, as one whose happy subject had been finally discovered. He was forthwith commissioned to start immediately and take a stage-box at one of the places of entertainment, where two great rivals of the Doctor genus promised to laugh dull care out of the spirit of man triumphantly, and at the description of whose drolleries any one with faith might be half cured. The youth gave his address on paper to Emilia.

"Make haste, sir," said Mr. Pole. "And, stop. You shall go, yourself; go to the pit, and have a supper, and I'll pay for it. When you've ordered the box—do you know the Bedford Hotel? Go there, and see Mrs. Chickley, and tell her I am coming to dine and sleep, and shall bring one of my daughters. Dinner, sittingroom, and two bed-rooms, mind. And tell Mrs. Chickley we've got no carpet-bag, and must come upon her wardrobe. All clear to you? Dinner at half-past five going to theatre."

Braintop bowed comprehendingly.

"Now, that fellow goes off chirping," said Mr. Pole to Emilia. "It's just the thing I used to wish to happen to me, when I was his age—my master to call me in and say "There! go and be jolly." I dare say the rascal'll order a champagne supper. Poor young chap! let his heart be merry. Ha! ha! heigho!—Too much business is bad for man and boy. I feel better already, if it weren't for my legs. My feet are so cold. Don't you think I'm pretty talkative, my dear?"

"I am glad to hear you talk," said Emilia, striving to look less perplexed than she felt.

He asked her slyly why she had come to London; and she begged that she might speak of it by-and-by; whereat Mr. Pole declared that he intended to laugh them all out of that nonsense. "And what did you say about being in love with him? A doctor in good practice—but you needn't commence by killing me if you do go and marry the fellow. Eh? what is it?"

Emilia was too much entangled herself to attempt to extricate him; and apparently his wish to be enlightened passed away, for he was the next instant searching among his papers for the letter from Riga. Not finding it, he put on his hat.

"Must give up business to-day. Can't do business with a petticoat in the room. I wish the Lord Mayor'd stop them all at Temple Bar. Now we'll go out, and I'll show you a bit of the City."

He offered her his arm, and she noticed that in walking through the office, he was erect, and the few words he spoke were delivered in the peremptory elastic tone of a vigorous man.

"My girls," he said to her in an undertone, "never come here. Well! we don't expect ladies, you know. Different spheres in this world. They mean to be tip-top in society; and quite right too. My dear, I think we'll ride. Do you mind being seen in a cab?"

He asked her hesitatingly: and when Emilia said, "Oh, no! let us ride," he seemed relieved. "I can't see the harm in a cab. Different tastes, in this world. My girls—but, thank the Lord! they've got carriages."

For an hour the merchant and Emilia drove about the City. He showed her all the great buildings, and dilated on the fabulous piles of wealth they represented, taking evident pleasure in her exclamations of astonishment.

"Yes, yes; they may despise us City fellows. I say, 'Come and see": that's all! Now, look up that court. Do you see three dusty windows on the second floor? That man there could buy up any ten princes in Europe—excepting one or two Austrians or Russians. He wears a coat just like mine."

"Does he?" said Emilia, involuntarily examining the one by her side.

"We don't show our gold-linings, in the City, my dear."

"But, you are rich, too."

"Oh! I—as far as that goes. Don't talk about me. I'm—I'm still cold in the feet. Now, look at that corner house. Three months ago that man was one of our most respected City merchants. Now he's a bankrupt, and can't show his head. It was all rotten. A medlar! He tampered with documents; betrayed trusts. What do you think of him?"

"What was it he did?" asked Emilia.

Mr. Pole explained, and excused him; then he explained, and abused him.

"He hadn't a family, my dear. Where did the money go? He's called a rascal now, poor devil! Business brings awful temptations. You think, this'll save me! You catch hold of it and it snaps. That'll save me; but you're too heavy, and the roots give way, and down you go lower and lower. Lower and lower! The gates of hell must be very low down if one of our bankrupts don't reach 'em." He spoke this in a deep underbreath. "Let's get out of the City. There's no air. Look at that cloud. It's about over Brookfield, I should say."

"Dear Brookfield!" echoed Emilia, feeling her heart fly forth to sing like a skylark under the cloud.

"And they're not satisfied with it," murmured Mr: Pole, with a voice of unwonted bitterness.

At the hotel, he was received very cordially by Mrs. Chickley, and Simon, the old waiter.

"You look as young as ever, ma'am," Mr. Pole complimented her cheerfully, while he stamped his feet on the floor, and put forward Emilia as one of his girls; but immediately took the landlady aside, to tell her that she was "merely a charge—a ward—something of that sort;" admitting, gladly enough, that she was a very nice young lady. "She's a genius, ma'am, in music:—going to do wonders. She's not one of them." And Mr. Pole informed Mrs. Chickley that when they came to town, they usually slept in one or other of the great squares. He, for his part, preferred old quarters: comfort versus grandeur.

Simon had soon dressed the dinner-table. By the time dinner was ready, Mr. Pole had sunk into such a condition of drowsiness, that it was hard to make him see why he should be aroused, and when he sat down, fronting Emilia, his eyes were glazed, and he complained that she was scarcely visible.

"Some of your old yellow seal, Simon. That's what I want. I haven't got better at home."

The contents of this old yellow seal formed the chief part of the merchant's meal. Emilia was induced to drink two full glasses.

"Doesn't that make your feet warm, my dear?" said Mr. Pole.

"It makes me want to talk," Emilia confessed.

"Ah! we shall have some fun to-night. "To-the-rutte-ta-to!" If you could only sing, "Begone dull care!" I like glees: good, honest, English, manly singing for me! Nothing like glees and madrigals, to my mind. With chops and baked potatoes, and a glass of good stout, they beat all other music."

Emilia sang softly to him.

When she had finished, Mr. Pole applauded her mildly.

"Your music, my dear?"

"My music: Mr. Runningbrook's words. But only look. He will not change a word, and some of the words are so curious, they make me lift my chin and pout. It's all in my throat. I feel as if I had to do it on tiptoe. Mr. Runningbrook wrote the song in ten minutes."

"He can afford to—comes of a family," said Mr. Pole, and struck up a bit of "Celia's Arbour," which wandered into "The Soldier Tired," as he came bendingly, both sets of fingers filliping, toward Emilia, with one of those ancient glee—suspensions, "Taia—haia—haia—haia," etc., which were meant for jolly fellows who could bear anything.

"Eh?" went Mr. Pole, to elicit approbation in return.

Emilia smoothed the wrinkles of her face, and smiled.

"There's nothing like Port," said Mr. Pole. "Get little Runningbrook to write a song: "There's nothing like Port." You put the music. I'll sing it."

"You will," cried Emilia.

"Yes, upon my honour! now my feet are warmer, I by Jingo! what's that?" and again he wore that strange calculating look, as if he were being internally sounded, and guessed at his probable depth. "What a twitch! Something wrong with my stomach. But a fellow must be all right when his spirits are up. We'll be off as quick as we can. Taia—haihaia—hum. If the farce is bad, it's my last night of theatre-going."

The delight at being in a theatre kept Emilia dumb when she gazed on the glittering lights. After an inspection of the house, Mr. Pole kindly remarked: "You must marry and get out of this. This'd never do. All very well in the boxes: but on the stage—oh, no! I shouldn't like you to be there. If my girls don't approve of the doctor, they shall look out somebody for you. I shouldn't like you to be painted, and rigged out; and have to squall in this sort of place. Stage won't do for you. No, no!"

Emilia replied that she had given up the stage; and looked mournfully at the drop-scene, as at a lost kingdom, scarcely repressing her tears.

The orchestra tuned and played a light overture. She followed up the windings of the drop-scene valley, meeting her lover somewhere beneath the castle-ruin, where the river narrowed and the trees intertwined. On from dream to dream the music carried her, and dull fell the first words of the farce. Mr. Pole said, "Now, then!" and began to chuckle. As the farce proceeded, he grew more serious, repeating to Emilia, quite anxiously: "I wonder whether that boy Braintop's enjoying it." Emilia glanced among the sea of heads, and finally eliminated the head of Braintop, who was respectfully devoting his gaze to the box she occupied. When Mr. Pole had been assisted to discover him likewise, his attention alternated between Braintop and the stage, and he expressed annoyance from time to time at the extreme composure of Braintop's countenance. "Why don't the fellow laugh? Does he think he's listening to a sermon?" Poor Braintop, on his part, sat in mortal fear lest his admiration of Emilia was perceived. Divided? between this alarming suspicion, and a doubt that the hair on his forehead was not properly regulated, he became uneasy and fitful in his deportment. His imagination plagued him with a sense of guilt, which his master's watchfulness of him increased. He took an opportunity to furtively to eye himself in a pocket-mirror, and was subsequently haunted by an additional dread that Emilia might have discovered the instrument; and set him down as a vain foolish dog. When he saw her laugh he was sure of it. Instead of responding to Mr. Pole's encouragement, he assumed a taciturn aspect worthy of a youthful anchorite, and continued to be the spectator of a scene to which his soul was dead.

"I believe that fellow's thinking of nothing but his supper," said Mr. Pole.

"I dare say he dined early in the day," returned Emilia, remembering how hungry she used to be in the evenings of the potatoe-days.

"Yes, but he might laugh, all the same." And Mr. Pole gave Emilia the sound advice: "Mind you never marry a fellow who can't laugh."

Braintop saw Emilia smile. Then, in an instant, her face changed its expression to one of wonder and alarm, and her hands clasped together tightly. What on earth was the matter with her? His agitated fancy, centred in himself, now decided that some manifestation of most shocking absurdity had settled on his forehead, or his hair, for he was certain of his neck-tie. Braintop had recourse to his pocket-mirror once more. It afforded him a rapid interchange of glances with a face which he at all events could distinguish from the mass, though we need not.

The youth was in the act of conveying the instrument to its retreat, when conscience sent his eyes toward Emilia, who, to his horror, beckoned to him, and touched Mr. Pole, entreating him to do the same. Mr. Pole gesticulated imperiously, whereat Braintop rose, and requested his neighbour to keep his seat for ten minutes, as he was going into that particular box; and "If I don't come back in ten minutes, I shall stop there," said Braintop, a little grandly, through the confusion of his ideas, as he guessed at the possible reasons for the summons.

Emilia had seen her father in the orchestra. There he sat, under the leader, sullenly fiddling the prelude to the second play, like a man ashamed, and one of the beaten in this world. Flight had been her first thought. She had cause to dread him. The more she lived and the dawning knowledge of what it is to be a woman in the world grew with her, the more she shrank from his guidance, and from reliance on him. Not that she conceived him designedly base; but he outraged her now conscious delicacy, and what she had to endure as a girl seemed unbearable to her now. Besides, she felt a secret shuddering at nameless things, which made her sick of the thought of returning to him and his Jew friends. But, alas! he looked so miserable—a child of harmony among the sons of discord! He kept his head down, fiddling like a machine. The old potatoe-days became pathetically edged with dead light to Emilia. She could not be cruel. "When I am safe," she laid stress on the word in her mind, to awaken blessed images, "I will see him often, and make him happy; but I will let him know that all is well with me now, and that I love him always."

So she said to Mr. Pole, "I know one of those in the orchestra. May I write a word to him on a piece of paper before we go? I wish to."

Mr. Pole reflected, and seeing her earnest in her desire to do this, replied: "Well, yes; if you must—the girls are not here."

Emilia borrowed his pencil-case, and wrote:—

"Sandra is well, and always loves her caro papa, and is improving, and will see him soon. Her heart is full of love for him and for her mama; and if they leave their lodgings they are to leave word where they go. Sandra never forgets Italy, and reads the papers. She has a copy of the score of an unknown opera by our Andronizetti, and studies it, and anatomy, English, French, and pure Italian, and can ride a horse. She has made rich friends, who love her. It will not be long, and you will see her."

The hasty scrawl concluded with numerous little caressing exclamations in Italian diminutives. This done, Emilia thought: "But he will look up and see me!" She resolved not to send it till they were about to quit the theatre. Consequently, Braintop, on his arrival, was told to sit down. "You don't look cheerful in the pit," said Mr. Pole. "You're above it?—eh? You're all alike in that. None of you do what your dads did. Up-up-up? You may get too high, eh?—Gallery?" and Mr. Pole winked knowingly and laughed.

Braintop, thus elevated, tried his best to talk to Emilia, who sat half fascinated with the fear of seeing her father lift his eyes and recognize her suddenly. She sat boldly in the front, as before; not being a young woman to hide her head where there was danger, and having perhaps a certain amount of the fatalism which is often youth's philosophy in the affairs of life. "If this is to be, can I avert it?"

Mr. Pole began to nod at the actors, heavily. He said to Emilia, "If there is any fun going on, give me a nudge." Emilia kept her eyes on her father in the orchestra, full of pity for his deplorable wig, in which she read his later domestic history, and sad tales of the family dinners.

"Do you see one of those"—she pointed him out to Braintop; "he is next to the leader, with his back to us. Are you sure? I want you to give him this note before he goes; when we go. Will you do it? I shall always be thankful to you."

Considering what Braintop was ready to do that he might be remembered for a day and no more, the request was so very moderate as to be painful to him.

"You will leave him when you have given it into his hand. You are not to answer any questions," said Emilia.

With a reassuring glance at the musician's wig, Braintop bent his head.

"Do see," she pursued, "how differently he bows from the other men, though it is only dance music. Oh, how his ears are torn by that violoncello! He wants to shriek:—he bears it!"

She threw a piteous glance across the agitated instruments, and Braintop was led to inquire: "Is he anything particular?"

"He can bring out notes that are more like honey—if you can fancy a thread of honey drawn through your heart as if it would never end! He is Italian."

Braintop modestly surveyed her hair and brows and cheeks, and taking the print of her eyes on his brain to dream over, smelt at a relationship with the wry black wig, which cast a halo about it.

The musicians laid down their instruments, and trooped out, one by one. Emilia perceived a man brush against her father's elbow. Her father flicked at his offended elbow with the opposite hand, and sat crumpled up till all had passed him: then went out alone. That little action of disgust showed her that he had not lost spirit, albeit condemned to serve amongst an inferior race, promoters of discord.

Just as the third play was opening, some commotion was seen in the pit, rising from near Braintop's vacated seat; and presently a thing that shone flashing to the lights, came on from hand to hand, each hand signalling subsequently toward Mr. Pole's box. It approached. Braintop's eyes were in waiting on Emilia, who looked sadly at the empty orchestra. A gentleman in the stalls, a head beneath her, bowed, and holding up a singular article, gravely said that he had been requested to pass it. She touched Mr. Pole's shoulder. "Eh? anything funny?" said he, and glanced around. He was in time to see Braintop lean hurriedly over the box, and snatch his pocket-mirror from the gentleman's hand. "Ha! ha!" he laughed, as if a comic gleam had illumined him. A portion of the pit and stalls laughed too. Emilia smiled merrily. "What was it?" said she; and perceiving many faces beneath her red among handkerchiefs, she was eager to see the thing that the unhappy Braintop had speedily secreted.

"Come, sir, let's see it!" quoth Mr. Pole, itching for a fresh laugh; and in spite of Braintop's protest, and in defiance of his burning blush, he compelled the wretched youth to draw it forth, and be manifestly convicted of vanity.

A shout of laughter burst from Mr. Pole. "No wonder these young sparks cut us all out. Lord, what cunning dogs they are! They ain't satisfied with seeing themselves in their boots, but they—ha! ha! By George! We've got the best fun in our box. I say, Braintop! you ought to have two, my boy. Then you'd see how you looked behind. Ha-ha-hah! Never enjoyed an evening so much in my life! A looking-glass for their pockets! ha! ha!—hooh!"

Luckily the farce demanded laughter, or those parts of the pit which had not known Braintop would have been indignant. Mr. Pole became more and more possessed by the fun, as the contrast of Braintop's abject humiliation with this glaring testimony to his conceit tickled him. He laughed till he complained of hunger. Emilia, though she thought it natural that Braintop should carry a pocket-mirror if he pleased, laughed from sympathy; until Braintop, reduced to the verge of forbearance, stood up and remarked that, to perform the mission entrusted to him, he must depart immediately. Mr. Pole was loth to let him go, but finally commending him to a good supper, he sighed, and declared himself a new man.

"Oh! what a jolly laugh! The very thing I wanted! It's worth hundreds to me. I was queer before: no doubt about that!"

Again the ebbing convulsion of laughter seized him. "I feel as clear as day," he said; and immediately asked Emilia whether she thought he would have strength to get down to the cab. She took his hand, trying to assist him from the seat. He rose, and staggered an instant. "A sort of reddish cloud," he murmured, feeling over his forehead. "Ha! I know what it is. I want a chop. A chop and a song. But, I couldn't take you, and I like you by me. Good little woman!" He patted Emilia's shoulder, preparatory to leaning on it with considerable weight, and so descended to the cab, chuckling ever and anon at the reminiscence of Braintop.

There was a disturbance in the street. A man with a foreign accent was shouting by the door of a neighbouring public-house, that he would not yield his hold of the collar of a struggling gentleman, till the villain had surrendered his child, whom he scandalously concealed from her parents. A scuffle ensued, and the foreign voice was heard again:

"Wat! wat you have de shame, you have de pluck, ah! to tell me you know not where she is, and you bring me a letter? Ho!—you have de cheeks to tell me!"

This highly effective pluralizing of their peculiar slang, brought a roar of applause from the crowd of Britons.

"Only a street row," said Mr. Pole, to calm Emilia.

"Will he be hurt?" she cried.

"I see a couple of policemen handy," said Mr. Pole, and Emilia cowered down and clung to his hand as they drove from the place.



CHAPTER XXVI

It was midnight. Mr. Pole had appeased his imagination with a chop, and was trying to revive the memory of his old after-theatre night carouses by listening to a song which Emilia sang to him, while he sipped at a smoking mixture, and beat time on the table, rejoiced that he was warm from head to foot at last.

"That's a pretty song, my dear," he said. "A very pretty song. It does for an old fellow; and so did my supper: light and wholesome. I'm an old fellow; I ought to know I've got a grown-up son and grown-up daughters. I shall be a grandpa, soon, I dare say. It's not the thing for me to go about hearing glees. I had an idea of it. I'm better here. All I want is to see my children happy, married and settled, and comfortable!"

Emilia stole up to him, and dropped on one knee: "You love them?"

"I do. I love my girls and my boy. And my brandy-and-water, do you mean to say, you rogue?"

"And me?" Emilia looked up at him beseechingly.

"Yes, and you. I do. I haven't known you long, my dear, but I shall be glad to do what I can for you. You shall make my house your home as long as you live; and if I say, make haste and get married, it's only just this: girls ought to marry young, and not be in an uncertain position."

"Am I worth having?"

"To be sure you are! I should think so. You haven't got a penny; but, then, you're not for spending one. And"—Mr. Pole nodded to right and left like a man who silenced a host of invisible logicians, urging this and that—"you're a pleasant companion, thrifty, pretty, musical: by Jingo! what more do they want? They'll have their song and chop at home."

"Yes; but suppose it depends upon their fathers?"

"Well, if their fathers will be fools, my dear, I can't help 'em. We needn't take 'em in a lump: how about the doctor? I'll see him to-morrow morning, and hear what he has to say. Shall I?"

Mr. Pole winked shrewdly.

"You will not make my heart break?" Emilia's voice sounded one low chord as she neared the thing she had to say.

"Bless her soul!" the old merchant patted her; "I'm not the sort of man for that."

"Nor his?"

"His?" Mr. Pole's nerves became uneasy in a minute, at the scent of a mystification. He dashed his handkerchief over his forehead, repeating: "His? Break a man's heart! I? What's the meaning of that? For God's sake, don't bother me!"

Emilia was still kneeling before him, eyeing him with a shadowed steadfast air.

"I say his, because his heart is in mine. He has any pain that hurts me."

"He may be tremendously in love," observed Mr. Pole; "but he seems a deuced soft sort of a doctor! What's his name?"

"I love Wilfrid."

The merchant appeared to be giving ear to her, long after the words had been uttered, while there was silence in the room.

"Wilfrid? my son?" he cried with a start.

"He is my lover."

"Damned rascal!" Mr. Pole jumped from his chair. "Going and playing with an unprotected girl. I can pardon a young man's folly, but this is infamous. My dear child," he turned to Emilia, "if you've got any notion about my son Wilfrid, you must root it up as quick as you can. If he's been behaving like a villain, leave him to me. I detest, I hate, I loathe, I would kick, a young man who deceives a girl. Even if he's my son!—more's the reason!"

Mr. Pole was walking up and down the room, fuming as he spoke. Emilia tried to hold his hand, as he was passing, but he said: "There, my child! I'm very sorry for you, and I'm damned angry with him. Let me go."

"Can you, can you be angry with him for loving me?"

"Deceiving you," returned Mr. Pole; "that's what it is. And I tell you, I'd rather fifty times the fellow had deceived me. Anything rather than that he should take advantage of a girl."

"Wilfrid loves me and would die for me," said Emilia.

"Now, let me tell you the fact," Mr. Pole came to a halt, fronting her. "My son Wilfrid Pole may be in love, as he says, here and there, but he is engaged to be married to a lady of title. I have his word—his oath. He got near a thousand pounds out of my pocket the other day on that understanding. I don't speak about the money, but—now—it's a lump—others would have made a nice row about it—but is he a liar? Is he a seducing, idling, vagabond dog? Is he a contemptible scoundrel?"

"He is my lover," said Emilia.

She stood without changing a feature; as in a darkness, holding to the one thing she was sure of. Then, with a sudden track of light in her brain: "I know the mistake," she said. "Pardon him. He feared to offend you, because you are his father, and he thought I might not quite please you. For, he loves me. He has loved me from the first moment he saw me. He cannot be engaged to another. I could bring him from any woman's side. I have only to say to myself—he must come to me. For he loves me! It is not a thing to doubt."

Mr. Pole turned and recommenced his pacing with hasty steps. All the indications of a nervous tempest were on him. Interjecting half-formed phrases, and now and then staring at Emilia, as at an incomprehensible object, he worked at his hair till it lent him the look of one in horror at an apparition.

"The fellow's going to marry Lady Charlotte Chillingworth, I tell you. He has asked my permission. The infernal scamp! he knew it pleased me. He bled me of a thousand pounds only the other day. I tell you, he's going to marry Lady Charlotte Chillingworth."

Emilia received this statement with a most perplexing smile. She shook her head. "He cannot."

"Cannot? I say he shall, and must, and in a couple of months, too!"

The gravely sceptical smile on Emilia's face changed to a blank pallor.

"Then, you make him, sir—you?"

"He'll be a beggar, if he don't."

"You will keep him without money?"

Mr. Pole felt that he gazed on strange deeps in that girl's face. Her voice had the wire-like hum of a rising wind. There was no menace in her eyes: the lashes of them drooped almost tenderly, and the lips were but softly closed. The heaving of the bosom, though weighty, was regular: the hands hung straight down, and were open. She looked harmless; but his physical apprehensiveness was sharpened by his nervous condition, and he read power in her: the capacity to concentrate all animal and mental vigour into one feeling—this being the power of the soul.

So she stood, breathing quietly, steadily eyeing him.

"No, no;" went on Mr. Pole. "Come, come. We'll sit down, and see, and talk—see what can be done. You know I always meant kindly by you."

"Oh, yes!" Emilia musically murmured, and it cost her nothing to smile again.

"Now, tell me how this began." Mr. Pole settled himself comfortably to listen, all irritation having apparently left him, under the influence of the dominant nature. "You need not be ashamed to talk it over to me."

"I am not ashamed," Emilia led off, and told her tale simply, with here and there one of her peculiar illustrations. She had not thought of love till it came to life suddenly, she said; and then all the world looked different. The relation of Wilfrid's bravery in fighting for her, varied for a single instant the low monotony of her voice. At the close of the confession, Mr. Pole wore an aspect of distress. This creature's utter unlikeness to the girls he was accustomed to, corroborated his personal view of the case, that Wilfrid certainly could not have been serious, and that she was deluded. But he pitied her, for he had sufficient imagination to prevent him from despising what he did not altogether comprehend. So, to fortify the damsel, he gave her a lecture: first, on young men—their selfish inconsiderateness, their weakness, the wanton lives they led, their trick of lying for any sugar-plum, and how they laughed at their dupes. Secondly, as to the conduct consequently to be prescribed to girls, who were weaker, frailer, by disposition more confiding, and who must believe nothing but what they heard their elders say.

Emilia gave patient heed to the lecture.

"But I am safe," she remarked, when he had finished; "for my lover is not as those young men are."

To speak at all, and arrange his ideas, was a vexation to the poor merchant. He was here like an irritable traveller, who knocks at a gate, which makes as if it opens, without letting him in. Emilia's naive confidence he read as stupidity. It brought on a fresh access of the nervous fever lurking in him, and he cried, jumping from his seat: "Well, you can't have him, and there's an end. You must give up—confound! why! do you expect to have everything you want at starting? There, my child—but, upon my honour! a man loses his temper at having to talk for an hour or so, and no result. You must go to bed; and—do you say your prayers? Well! that's one way of getting out of it—pray that you may forget all about what's not good for you. Why, you're almost like a young man, when you set your mind on a thing. Bad! won't do! Say your prayers regularly. And, please, pour me out a mouthful of brandy. My hand trembles—I don't know what's the matter with it;—just like those rushes on the Thames I used to see when out fishing. No wind, and yet there they shake away. I wish it was daylight on the old river now! It's night, and no mistake. I feel as if I had a fellow twirling a stick over my head. The rascal's been at it for the last month. There, stop where you are, my dear. Don't begin to dance!"

He pressed at his misty eyes, half under the impression that she was taking a succession of dazzling leaps in air. Terror of an impending blow, which he associated with Emilia's voice, made him entreat her to be silent. After a space, he breathed a long breath of relief, saying: "No, no; you're firm enough on your feet. I don't think I ever saw you dance. My girls have given it up. What led me to think...but, let's to bed, and say our prayers. I want a kiss."

Emilia kissed him on the forehead. The symptoms of illness were strange to her, and passed unheeded. She was too full of her own burning passion to take evidence from her sight. The sun of her world was threatened with extinction. She felt herself already a wanderer in a land of tombs, where none could say whether morning had come or gone. Intensely she looked her misery in the face; and it was as a voice that said, "No sun: never sun any more," to her. But a blue-hued moon slipped from among the clouds, and hung in the black outstretched fingers of the tree of darkness, fronting troubled waters. "This is thy light for ever! thou shalt live in thy dream." So, as in a prison-house, did her soul now recall the blissful hours by Wilming Weir. She sickened but an instant. The blood in her veins was too strong a tide for her to crouch in that imagined corpse-like universe which alternates with an irradiated Eden in the brain of the passionate young.

"Why should I lose him!" The dry sob choked her.

She struggled with the emotion in her throat, and Mr. Pole, who had previously dreaded supplication and appeals for pity, caressed her. Instantly the flood poured out.

"You are not cruel. I knew it. I should have died, if you had come between us. Oh, Wilfrid's father, I love you!—I have never had a very angry word on my mouth. Think! think! if you had made me curse you. For, I could! You would have stopped my life, and Wilfrid's. What would our last thoughts have been? We could not have forgiven you. Take up dead birds killed by frost. You cry: Cruel winter! murdering cold! But I knew better. You are Wilfrid's father, whom I can kneel to. My lover's father! my own father! my friend next to heaven! Oh! bless my love, for him. You have only to know what my love for him is! The thought of losing him goes like perishing cold through my bones;—my heart jerks, as if it had to pull up my body from the grave every time it beats...."

"God in heaven!" cried the horrified merchant, on whose susceptible nerves these images wrought with such a force that he absolutely had dread of her. He gasped, and felt at his heart, and then at his pulse; rubbed the moisture from his forehead, and throwing a fixedly wild look on her eyes, he jumped up and left her kneeling.

His caress had implied mercy to Emilia: for she could not reconcile it with the rejection of the petition of her soul. She was now a little bewildered to see him trotting the room, frowning and blinking, and feeling at one wrist, at momentary pauses, all his words being: "Let's be quiet. Let's be good. Let's go to bed, and say our prayers;" mingled with short ejaculations.

"I may say," she intercepted him, "I may tell my dear lover that you bless us both, and that we are to live. Oh, speak! sir! let me hear you!"

"Let's go to bed," iterated Mr. Pole. "Come, candles! do light them. In God's name! light candles. And let's be off and say our prayers."

"You consent, sir?"

"What's that your heart does?" Mr. Pole stopped to enquire; adding: "There, don't tell me. You've played the devil with mine. Who'd ever have made me believe that I should feel more at ease running up and down the room, than seated in my arm-chair! Among the wonders of the world, that!"

Emilia put up her lips to kiss him, as he passed her. There was something deliciously soothing and haven-like to him in the aspect of her calmness.

"Now, you'll be a good girl," said he, when he had taken her salute.

"And you," she rejoined, "will be happier!"

His voice dropped. "If you go on like this, you've done for me!"

But she could make no guess at any tragic meaning in his words. "My father—let me call you so!"

"Will you see that you can't have him?" he stamped the syllables into her ears: and, with a notion of there being a foreign element about her, repeated:—"No!—not have him!—not yours!—somebody else's!"

This was clear enough.

"Only you can separate us," said Emilia, with a brow levelled intently.

"Well, and I—" Mr. Pole was pursuing in the gusty energy of his previous explanation. His eyes met Emilia's, gravely widening. "I—I'm very sorry," he broke down: "upon my soul, I am!"

The old man went to the mantel-piece and leaned his elbow before the glass.

Emilia's bosom began to rise again.

She was startled to hear him laugh. A slight melancholy little burst; and then a louder one, followed by a full-toned laughter that fell short and showed the heart was not in it.

"That boy Braintop! What fun it was!" he said, looking all the while into the glass. "Why can't we live in peace, and without bother! Is your candle alight, my dear?"

Emilia now thought that he was practising evasion.

"I will light it," she said.

Mr. Pole gave a wearied sigh. His head being still turned to the glass, he listened with a shrouded face for her movements: saying, "Good night; good night; I'll light my own. There's a dear!"

A shouting was in his ears, which seemed to syllable distinctly: "If she goes at once, I'm safe."

The sight of pain at all was intolerable to him; but he had a prophetic physical warning now that to witness pain inflicted by himself would be more than he could endure.

Emilia breathed a low, "Good night."

"Good night, my love—all right to-morrow!" he replied briskly; and remorse touching his kind heart as the music of her 'good night' penetrated to it by thrilling avenues, he added injudiciously: "Don't fret. We'll see what we can do. Soon make matters comfortable."

"I love you, and I know you will not stab me," she answered.

"No; certainly not," said Mr. Pole, still keeping his back to her.

Struck with a sudden anticipating fear of having to go through this scene on the morrow, he continued: "No misunderstands, mind! Wilfrid's done with."

There was a silence. He trusted she might be gone. Turning round, he faced her; the light of the candle throwing her pale visage into ghostly relief.

"Where is sleep for you if you part us?"

Mr. Pole flung up his arms. "I insist upon your going to bed. Why shouldn't I sleep? Child's folly!"

Though he spoke so, his brain was in strings to his timorous ticking nerves; and he thought that it would be well to propitiate her and get her to utter some words that would not haunt his pillow.

"My dear girl! it's not my doing. I like you. I wish you well and happy. Very fond of you;—blame circumstances, not me." Then he murmured: "Are black spots on the eyelids a bad sign? I see big flakes of soot falling in a dark room."

Emilia's mated look fleeted. "You come between us, sir, because I have no money?"

"I tell you it's the boy's only chance to make his hit now." Mr. Pole stamped his foot angrily.

"And you make my Cornelia marry, though she loves another, as Wilfrid loves me, and if they do not obey you they are to be beggars! Is it you who can pray? Can you ever have good dreams? I saved my father from the sin, by leaving him. He wished to sell me. But my poor father had no money at all, and I can pardon him. Money was a bright thing to him: like other things to us. Mr. Pole! What will any one say for you!"

The unhappy merchant had made vehement efforts to perplex his hearing, that her words might be empty and not future dragons round his couch. He was looking forward to a night of sleep as a cure for the evil sensations besetting him—his only chance. The chance was going; and with the knowledge that it was unjustly torn from him—this one gleam of clear reason in his brain undimmed by the irritable storm which plucked him down—he cried out, to clear himself:—

"They are beggars, both, and all, if they don't marry before two months are out. I'm a beggar then. I'm ruined. I shan't have a penny. I'm in a workhouse. They are in good homes. They are safe, and thank their old father. Now, then; now. Shall I sleep?"

Emilia caught his staggering arm. The glazed light of his eyes went out. He sank into a chair; white as if life had issued with the secret of his life. Wonderful varying expressions had marked his features and the tones of his voice, while he was uttering that sharp, succinct confession; so that, strange as it sounded, every sentence fixed itself on her with incontrovertible force, and the meaning of the whole flashed through her mind. It struck her too awfully for speech. She held fast to his nerveless hand, and kneeling before him, listened for his long reluctant breathing.

The 'Shall I sleep?' seemed answered.



CHAPTER XXVII

For days after the foregoing scene, Brookfield was unconscious of what had befallen it. Wilfrid was trying his yacht, the ladies were preparing for the great pleasure-gathering on Besworth lawn, and shaping astute designs to exclude the presence of Mrs. Chump, for which they partly condemned themselves; but, as they said, "Only hear her!" The excitable woman was swelling from conjecture to certainty on a continuous public cry of, "'Pon my hon'r!—d'ye think little Belloni's gone and marrud Pole?"

Emilia's supposed flight had deeply grieved the ladies, when alarm and suspicion had subsided. Fear of some wretched male baseness on the part of their brother was happily diverted by a letter, wherein he desired them to come to him speedily. They attributed her conduct to dread of Mr. Pericles. That fervid devotee of Euterpe received the tidings with an obnoxious outburst, which made them seriously ask themselves (individually and in secret) whether he was not a moneyed brute, and nothing more. Nor could they satisfactorily answer the question. He raved: "You let her go. Ha! what creatures you are—hein? But you find not anozer in fifty years, I say; and here you stop, and forty hours pass by, and not a sing in motion. What blood you have! It is water—not blood. Such a voice, a verve, a style, an eye, a devil, zat girl! and all drawn up and out before ze time by a man: she is spoilt!"

He exhibited an anguish that they were not able to commiserate. Certain expressions falling from him led them to guess that he had set some plot in motion, which Emilia's flight had arrested; but his tragic outcries were all on the higher ground of the loss to Art. They were glad to see him go from the house. Soon he returned to demand Wilfrid's address. Arabella wrote it out for him with rebuking composure. Then he insisted upon having Captain Gambier's, whom he described as "ce nonchalant dandy."

"Him you will have a better opportunity of seeing by waiting here," said Adela; and the captain came before Mr. Pericles had retreated. "Ce nonchalant" was not quite true to his title, when he heard that Emilia had flown. He did not say much, but iterated "Gone!" with an elegant frown, adding, "She must come back, you know!" and was evidently more than commonly puzzled and vexed, pursuing the strain in a way that satisfied Mr. Pericles more thoroughly than Adela.

"She shall come back as soon as she has a collar," growled Mr. Pericles, meaning captivity.

"If she'd only come back with her own maiden name," interjected Mrs. Chump, "I'll give her a character; but, upon my hon'r—d'ye think ut possible, now...?"

Arabella talked over her, and rescued her father's name.

The noisy sympathy and wild speculations of the Tinleys and Copleys had to be endured. On the whole, the feeling toward Emilia was kind, and the hope that she would come to no harm was fervently expressed by all the ladies; frequently enough, also, to show the opinion that it might easily happen. On such points Mrs. Chump never failed to bring the conversation to a block. Supported as they were by Captain Gambier, Edward Buxley, Freshfield Sumner, and more than once by Sir Twickenham (whom Freshfield, launching angry shafts, now called the semi-betrothed, the statistical cripple, and other strong things that show a developing genius for street-cries and hustings—epithets in every member of the lists of the great Rejected, or of the jilted who can affect to be philosophical), notwithstanding these aids, the ladies of Brookfield were crushed by Mrs. Chump. Her main offence was, that she revived for them so much of themselves that they had buried. "Oh! the unutterably sordid City life!" It hung about her like a smell of London smoke. As a mere animal, they passed her by, and had almost come to a state of mind to pass her off. It was the phantom, or rather the embodiment of their First Circle, that they hated in the woman. She took heroes from the journals read by servant-maids; she thought highly of the Court of Aldermen; she went on public knees to the aristocracy; she was proud, in fact, of all City appetites. What, though none saw the peculiar sting? They felt it; and one virtue in possessing an 'ideal' is that, lodging in you as it does, it insists upon the interior being furnished by your personal satisfaction, and not by the blindness or stupidity of the outer world. Thus, in one direction, an ideal precludes humbug. The ladies might desire to cloak facts, but they had no pleasure in deception. They had the feminine power of extinguishing things disagreeable, so long as nature or the fates did them no violence. When these forces sent an emissary to confound them, as was clearly the case with Mrs. Chump, they fought. The dreadful creature insisted upon shows of maudlin affection that could not be accorded to her, so that she existed in a condition of preternatural sensitiveness. Among ladies pretending to dignity of life, the horror of acrid complaints alternating with public offers of love from a gross woman, may be pictured in the mind's eye. The absence of Mr. Pole and Wilfrid, which caused Mrs. Chump to chafe at the restraint imposed by the presence of males to whom she might not speak endearingly, and deprived the ladies of proper counsel, and what good may be at times in masculine authority, led to one fierce battle, wherein the great shot was fired on both sides. Mrs. Chump was requested to leave the house: she declined. Interrogated as to whether she remained as an enemy, knowing herself to be so looked upon, she said that she remained to save them from the dangers they invited. Those dangers she named, observing that Mrs. Lupin, their aunt, might know them, but was as liable to be sent to sleep by a fellow with a bag of jokes as a watchdog to be quieted by a bone. The allusion here was to Mrs. Lupin's painful, partially inexcusable, incurable sense of humour, especially when a gleam of it led to the prohibited passages of life. The poor lady was afflicted so keenly that, in instances where one of her sex and position in the social scale is bound to perish rather than let even the shadow of a laugh appear, or any sign of fleshly perception or sympathy peep out, she was seen to be mutely, shockingly, penitentially convulsed: a degrading sight. And albeit repeatedly remonstrated with, she, upon such occasions, invariably turned imploring glances—a sort of frowning entreaty—to the ladies, or to any of her sex present. "Did you not see that? Oh! can you resist it?" she seemed to gasp, as she made those fruitless efforts to drag them to her conscious level. "Sink thou, if thou wilt," was the phrase indicated to her. She had once thought her propensity innocent enough, and enjoyable. Her nieces had almost cured her, by sitting on her, until Mrs. Chump came to make her worst than ever. It is to be feared that Mrs. Chump was beginning to abuse her power over the little colourless lady. We cannot, when we find ourselves possessed of the gift of sending a creature into convulsions, avoid exercising it. Mrs. Lupin was one of the victims of the modern feminine 'ideal.' She was in mind merely a woman; devout and charitable, as her nieces admitted; but radically—what? They did not like to think, or to say, what;—repugnant, seemed to be the word. A woman who consented to perceive the double-meaning, who acknowledged its suggestions of a violation of decency laughable, and who could not restrain laughter, was, in their judgement, righteously a victim. After signal efforts to lift her up, the verdict was that their Aunt Lupin did no credit to her sex. If we conceive a timorous little body of finely-strung nerves, inclined to be gay, and shrewdly apprehensive, but depending for her opinion of herself upon those about her, we shall see that Mrs. Lupin's life was one of sorrow and scourges in the atmosphere of the 'ideal.' Never did nun of the cloister fight such a fight with the flesh, as this poor little woman, that she might not give offence to the Tribunal of the Nice Feelings which leads us to ask, "Is sentimentalism in our modern days taking the place of monasticism to mortify our poor humanity?" The sufferings of the Three of Brookfield under Mrs. Chump was not comparable to Mrs. Lupin's. The good little woman's soul withered at the self-contempt to which her nieces helped her daily. Laughter, far from expanding her heart and invigorating her frame, was a thing that she felt herself to be nourishing as a traitor in her bosom: and the worst was, that it came upon her like a reckless intoxication at times, possessing her as a devil might; and justifying itself, too, and daring to say, "Am I not Nature?" Mrs. Lupin shrank from the remembrance of those moments.