"Not money, Pole? Oh! and why? Becas ye keep me low o' purpose, till I cringe like a slut o' the scullery, and cry out for halfpence. But, oh! that seventy-five pounds in notes!"

Mr. Pole shook his head, as one who deals with a gross delusion: "I remember nothing about it."

"Not about—?" Mrs. Chump dropped her chin. "Ye don't remember the givin' of me just that sum of seventy-five, in eight notes, Pole?"

"Eh? I daresay I have given you the amount, one time or other. Now, let's be quiet about it."

"Yesterday mornin', Pole! And the night I go to bed I count my money, and, says I, I'll not lock ut up, for I'll onnly be unlockin' again to-morrow; and doin' a thing and undoin' ut's a sign of a brain that's addled—like yours, Pole, if ye say ye didn't go to give me the notes."

Mr. Pole frowned at her sagaciously. "Must change your diet, Martha!"

"My dite? And what's my dite to do with my money?"

"Who went into Mrs. Chump's bedchamber this morning?" asked Mr. Pole generally.

A pretty little housemaid replied, with an indignant flush, that she was the person. Mrs. Chump acknowledged to being awake when the shutters were opened, and agreed that it was not possible her pockets could have been rifled then.

"So, you see, Martha, you're talking nonsense," said Mr. Pole. "Do you know the numbers of those notes?"

"The numbers at the sides, ye mean, Pole?"

"Ay, the numbers at the sides, if you like; the 21593, and so on?"

"The 21593! Oh! I can't remember such a lot as that, if ever I leave off repeatin' it."

"There! you see, you're not fit to have money in your possession, Martha. Everybody who has bank-notes looks at the numbers. You have a trick of fancying all sorts of sums in your pocket; and when you don't find them there, of course they're lost! Now, let's have some breakfast."

Arabella told the maids to go out. Mr. Pole turned to the breakfast-table, rubbing his hands. Seeing herself and her case abandoned, Mrs. Chump gave a deplorable shout. "Ye're crool! and young women that look on at a fellow-woman's mis'ry. Oh! how can ye do ut! But soft hearts can be the hardest. And all my seventy-five gone, gone! and no law out of annybody. And no frightenin' of 'em off from doin' the like another time! Oh, I will, I will have my money!"

"Tush! Come to breakfast, Martha," said Mr. Pole. "You shall have money, if you want it; you have only to ask. Now, will you promise to be quiet? and I'll give you this money—the amount you've been dreaming about last night. I'll fetch it. Now, let us have no scenes. Dry your eyes."

Mr. Pole went to his private room, and returned just as Mrs. Chump had got upon a succession of quieter sobs with each one of which she addressed a pathetic roll of her eyes to the utterly unsympathetic ladies respectively.

"There, Martha; there's exactly the sum for you—free gift. Say thank you, and eat a good breakfast to show your gratitude. Mind, you take this money on condition that you let the servants know you made a mistake."

Mrs. Chump sighed heavily, crumpling the notes, that the crisp sweet sound might solace her for the hard condition.

"And don't dream any more—not about money, I mean," said Mr: Pole.

"Oh! if I dream like that I'll be living double." Mrs. Chump put her hand to the notes, and called him kind, and pitied him for being the loser. The sight of a fresh sum in her possession intoxicated her. It was but feebly that she regretted the loss to her Samuel Bolton Pole. "Your memory's worth more than that!" she said as she filled her purse with the notes. "Anyhow, now I can treat somebody," and she threw a wink of promise at Adela. Adela's eyes took refuge with her papa, who leaned over to her, and said: "You won't mind waiting till you see me again? She's taken all I had." Adela nodded blankly, and the next moment, with an angry glance toward Mrs. Chump, "Papa," said she, "if you wish to see servants in the house on your return, you must yourself speak to them, and tell them that we, their master and mistresses, do not regard them as thieves." Out of this there came a quarrel as furious as the ladies would permit it to be. For Mrs. Chump, though willing to condone the offence for the sum she had received, stuck infamy upon the whole list of them. "The Celtic nature," murmured Cornelia. And the ladies maintained that their servants should be respected, at any cost. "You, ma'am," said Arabella, with a clear look peculiar to her when vindictive—"you may have a stain on your character, and you are not ruined by it. But these poor creatures..."

"Ye dare to compar' me—!"

"Contrast you, ma'am."

"It's just as imp'dent."

"I say, our servants, ma'am..."

"Oh! to the deuce with your 'ma'am;' I hate the word. It's like fittin' a cap on me. Ye want to make one a turbaned dow'ger, ye malicious young woman!"

"Those are personages that are, I believe, accepted in society!"

So the contest raged, Mrs. Chump being run clean through the soul twenty times, without touching the consciousness of that sensitive essence. Mr. Pole appeared to take the part of his daughters, and by-and-by Mrs. Chump, having failed to arouse Mrs. Lupin's involuntary laugh (which always consoled her in such cases), huffed out of the room. Then Mr. Pole, in an abruptly serious way, bashfully entreated the ladies to be civil to Martha, who had the best heart in the world. It sounded as if he were going to say more. After a pause, he added emphatically, "Do!" and went. He was many days absent: nor did he speak to Adela of the money she had asked for when he returned. Adela had not the courage to allude to it.



CHAPTER XVII

Emilia sat in her old place under the dwarf pine. Mr. Powys had brought her back to Brookfield, where she heard that Wilfrid had been seen; and now her heart was in contest with an inexplicable puzzle: "He was here, and did not come to me!" Since that night when they had walked home from Ipley Green, she had not suffered a moment of longing. Her senses had lain as under a charm, with heart at anchor and a mind free to work. No one could have guessed that any human spell was on the girl. "Wherever he is, he thinks of me. I find him everywhere. He is safe, for I pray for him and have my arms about him. He will come." So she waited, as some grey lake lies, full and smooth, awaiting the star below the twilight. If she let her thoughts run on to the hour of their meeting, she had to shut her eyes and press at her heart; but as yet she was not out of tune for daily life, and she could imagine how that hour was to be strewn with new songs and hushed surprises. And 'thus' he would look: and 'thus.' "My hero!" breathed Emilia, shuddering a little. But now she was perplexed. Now that he had come and gone, she began to hunger bitterly for the sight of his face, and that which had hitherto nourished her grew a sickly phantom of delight. She wondered how she had forced herself to be patient, and what it was that she had found pleasure in.

None of the ladies were at home when Emilia returned. She went out to the woods, and sat, shadowed by the long bent branch; watching mechanically the slow rounding and yellowing of the beam of sunlight over the thick floor of moss, up against the fir-stems. The chaffinch and the linnet flitted off the grey orchard twigs, singing from new stations; and the bee seemed to come questioning the silence of the woods and droning disappointed away. The first excess of any sad feeling is half voluntary. Emilia could not help smiling, when she lifted her head out of a musing fit, to find that she had composed part of a minuet for the languid dancing motes in the shaft of golden light at her feet. "Can I remember it?" she thought, and forgot the incident with the effort.

Down at her right hand, bordering a water, stood a sallow, a dead tree, channelled inside with the brown trail of a goat-moth. Looking in this direction, she saw Cornelia advancing to the tree. When the lady had reached it, she drew a little book from her bosom, kissed it, and dropped it in the hollow. This done, she passed among the firs. Emilia had perceived that she was agitated: and with that strange instinct of hearts beginning to stir, which makes them divine at once where they will come upon the secret of their own sensations, she ran down to the tree and peered on tiptoe at the embedded volume. On a blank page stood pencilled: "This is the last fruit of the tree. Come not to gather more." There was no meaning for her in that sentimental chord but she must have got some glimpse of a meaning; for now, as in an agony, her lips fashioned the words: "If I forget his face I may as well die;" and she wandered on, striving more and more vainly to call up his features. The—"Does he think of me?" and—"What am I to him?"—such timorous little feather-play of feminine emotion she knew nothing of: in her heart was the strong flood of a passion.

She met Edward Buxley and Freshfield Sumner at a cross-path, on their way to Brookfield; and then Adela joined the party, which soon embraced Mr. Barrett, and subsequently Cornelia. All moved on in a humming leisure, chattering by fits. Mr. Sumner was delicately prepared to encounter Mrs. Chump, "whom," said Adela, "Edward himself finds it impossible to caricature;" and she affected to laugh at the woman.

"Happy the pencil that can reproduce!" Mr. Barrett exclaimed; and, meeting his smile, Cornelia said: "Do you know, my feeling is, and I cannot at all account for it, that if she were a Catholic she would not seem so gross?"

"Some of the poetry of that religion would descend upon her, possibly," returned Mr. Barrett.

"Do you mean," Freshfield said quickly, "that she would stand a fair chance of being sainted?"

Out of this arose some polite fencing between the two. Freshfield might have argued to advantage in a Court of law; but he was no match, on such topics and before such an audience, for a refined sentimentalist. More than once he betrayed a disposition to take refuge in his class (he being son to one of the puisne Judges). Cornelia speedily punished him, and to any correction from her he bowed his head.

Adela was this day gifted with an extraordinary insight. Emilia alone of the party was as a blot to her; but the others she saw through, as if they had been walking transparencies. She divined that Edward and Freshfield had both come, in concert, upon amorous business—that it was Freshfield's object to help Edward to a private interview with her, and, in return, Edward was to perform the same service for him with Cornelia. So that Mr. Barrett was shockingly in the way of both; and the perplexity of these stupid fellows—who would insist upon wondering why the man Barrett and the girl Emilia (musicians both: both as it were, vagrants) did not walk together and talk of quavers and minims—was extremely comic. Passing the withered tree, Mr. Barrett deserved thanks from Freshfield, if he did not obtain them; for he lingered, surrendering his place. And then Adela knew that the weight of Edward Buxley's remonstrative wrath had fallen on silent Emilia, to whom she clung fondly.

"I have had a letter," Edward murmured, in the voice that propitiates secresy.

"A letter?" she cried loud; and off flew the man like a rabbit into his hole, the mask of him remaining.

Emilia presently found Mr. Barrett at her elbow. His hand clasped the book Cornelia had placed in the tree.

"It is hers," said Emilia.

He opened it and pointed to his initials. She looked in his face.

"Are you very ill?"

Adela turned round from Edward's neighbouring head. "Who is ill?"

Cornelia brought Freshfield to a stop: "Ill?"

Before them all, book in hand, Mr. Barrett had to give assurance that he was hearty, and to appear to think that his words were accepted, in spite of blanched jowl and reddened under-lid. Cornelia threw him one glance: his eyes closed under it. Adela found it necessary to address some such comforting exclamation as 'Goodness gracious!' to her observant spirit.

In the park-path, leading to the wood, Arabella was seen as they came out the young branches that fringed the firs. She hurried up.

"I have been looking for you. Papa has arrived with Sir Twickenham Pryme, who dines with us."

Adela unhesitatingly struck a blow.

"Lady Pryme, we make place for you."

And she crossed to Cornelia. Cornelia kept her eyes fixed on Adela's mouth, as one looks at a place whence a venomous reptile has darted out. Her eyelids shut, and she stood a white sculpture of pain, pitiable to see. Emilia took her hand, encouraging the tightening fingers with a responsive pressure. The group shuffled awkwardly together, though Adela did her best. She was very angry with Mr. Barrett for wearing that absurdly pale aspect. She was even angry with his miserable bankrupt face for mounting a muscular edition of the smile Cornelia had shown. "His feelings!" she cried internally; and the fact presented itself to her, that feelings were a luxury utterly unfit for poor men, who were to be accused of presumption for indulging in them.

"Now, I suppose you are happy?" she spoke low between Arabella and Edward.

The effect of these words was to colour violently two pair of cheeks. Arabella's behaviour did not quite satisfy the fair critic. Edward Buxley was simply caught in a trap: He had the folly to imagine that by laughing he released himself.

"Is not that the laugh of an engaged?" said Adela to Freshfield.

He replied: "That would have been my idea under other conditions," and looked meaningly.

She met the look with: "There are harsh conditions in life, are there not?" and left him sufficiently occupied by his own sensations.

"Mr. Barrett," she inquired (partly to assist the wretch out of his compromising depression, and also that the question represented a real matter of debate in her mind), "I want your opinion; will you give it me? Apropos of slang, why does it sit well on some people? It certainly does not vulgarize them. After all, in many cases, it is what they call 'racy idiom.' Perhaps our delicacy is strained?"

Now, it was Mr. Barrett's established manner to speak in a deliberately ready fashion upon the introduction of a new topic. Habit made him, on this occasion, respond instantly; but the opening of the gates displayed the confusion of ideas within and the rageing tumult.

He said: "In many cases. There are two sorts. If you could call it the language of nature! which anything...I beg your pardon, Slang! Polite society rightly excludes it, because..."

"Yes, yes," returned Adela; "but do we do rightly in submitting to the absolute tyranny?—I mean, I think, originality flies from us in consequence."

The pitiable mortal became a trifle more luminous: "The objection is to the repetition of risked phrases. A happy audacity of expression may pass. It is bad taste to repeat it, that is all. Then there is the slang of heavy boorishness, and the slang of impatient wit..."

"Is there any fine distinction between the extremes?" said Cornelia, in as clear a tone as she could summon.

"I think," observed Arabella, "that whatever shows staleness speedily is self-condemned; and that is the case with slang."

"And yet it's to avoid some feeling of the sort that people employ it," was Adela's remark; and the discussion of this theme dropped lifelessly, and they walked on as before.

Coming to a halt near the garden gate, Adela tapped Emilia's cheek, addressing her: "How demure she has become!"

"Ah!" went Arabella, "does she know papa has had a letter from Mr. Pericles, who wrote from Milan to say that he has made arrangements for her to enter the Academy there, and will come to fetch her in a few days?"

Emilia's wrists crossed below her neck, while she gave ear.

"To take me away?" she said.

The tragic attitude and outcry, with the mournful flash of her eyes, might have told Emilia's tale.

Adela unwillingly shielded her by interpreting the scene. "See! she must be a born actress. They always exaggerate in that style, so that you would really think she had a mighty passion for Brookfield."

"Or in it," suggested Freshfield.

"Or in it!" she laughed assentingly.

Mr. Pole was perceived entering the garden, rubbing his hands a little too obsequiously to some remark of the baronet's, as the critical ladies imagined. Sir Twickenham's arm spread out in a sweep; Mr. Pole's head nodded. After the ceremony of the salute, the ladies were informed of Sir Twickenham's observation: Sir Twickenham Pryme, a statistical member of Parliament, a well-preserved half-century in age, a gentleman in bearing, passably grey-headed, his whiskers brushed out neatly, as if he knew them individually and had the exact amount of them collectively at his fingers' ends: Sir Twickenham had said of Mr. Pole's infant park that if devoted to mangold-wurzel it would be productive and would pay: whereas now it was not ornamental and was waste.

"Sir Twickenham calculates," said Mr. Pole, "that we should have a crop of—eh?"

"The average?" Sir Twickenham asked, on the evident upward mounting of a sum in his brain. And then, with a relaxing look upon Cornelia: "Perhaps you might have fifteen, sixteen, perhaps for the first year; or, say—you see, the exact acreage is unknown to me. Say roughly, ten thousand sacks the first year."

"Of what?" inquired Cornelia.

"Mangold-wurzel," said the baronet.

She gazed about her. Mr. Barrett was gone.

"But, no doubt, you take no interest in such reckonings?" Sir Twickenham added.

"On the contrary, I take every interest in practical details."

Practical men believe this when they hear it from the lips of gentlewomen, and without philosophically analyzing the fact that it is because the practical quality possesses simply the fascination of a form of strength. Sir Twickenham pursued his details. Day closed on Brookfield blankly. Nevertheless, the ladies felt that the situation was now dignified by tragic feeling, and remembering keenly how they had been degraded of late, they had a sad enjoyment of the situation.



CHAPTER XVIII

Meantime Wilfrid was leading a town-life and occasionally visiting Stornley. He was certainly not in love with Lady Charlotte Chillingworth, but he was in harness to that lady. In love we have some idea whither we would go: in harness we are simply driven, and the destination may be anywhere. To be reduced to this condition (which will happen now and then in the case of very young men who are growing up to something, and is, if a momentary shame to them, rather a sign of promise than not) the gentle male need not be deeply fascinated. Lady Charlotte was not a fascinating person. She did not lay herself out to attract. Had she done so, she would have failed to catch Wilfrid, whose soul thirsted for poetical refinement and filmy delicacies in a woman. What she had, and what he knew that he wanted, and could only at intervals assume by acting as if he possessed it, was a victorious aplomb, which gave her a sort of gallant glory in his sight. He could act it well before his sisters, and here and there a damsel; and coming fresh from Lady Charlotte's school, he had recently done so with success, and had seen the ladies feel toward him, as he felt under his instructress in the art. Some nature, however, is required for every piece of art. Wilfrid knew that he had been brutal in his representation of the part, and the retrospect of his conduct at Brookfield did not satisfy his remorseless critical judgement. In consequence, when he again saw Lady Charlotte, his admiration of that one prized characteristic of hers paralyzed him. She looked, and moved, and spoke, as if the earth were her own. She was a note of true music, and he felt himself to be an indecisive chord; capable ultimately of a splendid performance, it might be, but at present crying out to be played upon. This is the condition of a man in harness, whom witlings may call what they will. He is subjugated: not won. In this state of subjugation he will joyfully sacrifice as much as a man in love. For, having no consolatory sense of happiness, such as encircles and makes a nest for lovers, he seeks to attain some stature, at least, by excesses of apparent devotion. Lady Charlotte believed herself beloved at last. She was about to strike thirty; and Rumour, stalking with a turban of cloud on her head,—enough that this shocking old celestial dowager, from condemnation had passed to pity of the dashing lady. Beloved at last! After a while there is no question of our loving; but we thirst for love, if we have not had it. The key of Lady Charlotte will come in the course of events. She was at the doubtful hour of her life, a warm-hearted woman, known to be so by few, generally consigned by devout-visaged Scandal (for who save the devout will dare to sit in the chair of judgement?) as a hopeless rebel against conventional laws; and worse than that, far worse,—though what, is not said.

At Stornley the following letter from Emilia hit its mark:—

Dear Mr. Wilfrid,

"It is time for me to see you. Come when you have read this letter. I cannot tell you how I am, because my heart feels beating in another body. Pray come; come now. Come on a swift horse. The thought of you galloping to me goes through me like a flame that hums. You will come, I know. It is time. If I write foolishly, do forgive me. I can only make sure of the spelling, and I cannot please you on paper, only when I see you."

The signature of 'Emilia Alessandra Belloni' was given with her wonted proud flourish.

Wilfrid stared at the writing. "What! all this time she has been thinking the same thing!" Her constancy did not swim before him in alluring colours. He regarded it as a species of folly. Disgust had left him. The pool of Memory would have had to be stirred to remind him of the pipe-smoke in her hair. "You are sure to please me when you see me?" he murmured. "You are very confident, young lady!" So much had her charm faded. And then he thought kindly of her, and that a meeting would not be good for her, and that she ought to go to Italy and follow her profession. "If she grows famous," whispered coxcombry, "why then oneself will take a little of the praises given to her." And that seemed eminently satisfactory. Men think in this way when you have loved them, ladies. All men? No; only the coxcombs; but it is to these that you give your fresh affection. They are, as it were, the band of the regiment of adorers, marching ahead, while we sober working soldiers follow to their music. "If she grows famous, why then I can bear in mind that her heart was once in my possession: and it may return to its old owner, perchance." Wilfrid indulged in a pleasant little dream of her singing at the Opera-house, and he, tied to a ferocious, detested wife, how softly and luxuriously would he then be sighing for the old time! It was partly good seed in his nature, and an apprehension of her force of soul, that kept him from a thought of evil to her. Passion does not inspire dark appetite. Dainty innocence does, I am told. Things are tested by the emotions they provoke. Wilfrid knew that there was no trifling with Emilia, so he put the letter by, commenting thus "she's right, she doesn't spell badly." Behind, which, to those who have caught the springs of his character, volumes may be seen.

He put the letter by. Two days later, at noon, the card of Captain Gambier was brought to him in the billiard-room,—on it was written: "Miss Belloni waits on horseback to see you." Wilfrid thought "Waits!" and the impossibility of escape gave him a notion of her power.

"So, you are letting that go on," said Lady Charlotte, when she heard that Emilia and the captain were in company.

"There is no fear for her whatever."

"There is always fear when a man gives every minute of his time to that kind of business," retorted her ladyship.

Wilfrid smiled the smile of the knowing. Rivalry with Gambier (and successful too!) did not make Emilia's admiration so tasteless. Some one cries out: "But, what a weak creature is this young man!" I reply, he was at a critical stage of his career. All of us are weak in the period of growth, and are of small worth before the hour of trial. This fellow had been fattening all his life on prosperity; the very best dish in the world; but it does not prove us. It fattens and strengthens us, just as the sun does. Adversity is the inspector of our constitutions; she simply tries our muscle and powers of endurance, and should be a periodical visitor. But, until she comes, no man is known. Wilfrid was not absolutely engaged to Lady Charlotte (she had taken care of that), and being free, and feeling his heart beat in more lively fashion, he turned almost delightedly to the girl he could not escape from. As when the wriggling eel that has been prodded by the countryman's fork, finds that no amount of wriggling will release it, to it twists in a knot around the imprisoning prong. This simile says more than I mean it to say, but those who understand similes will know the measure due to them.

There sat Emilia on her horse. "Has Gambier been giving her lessons?" thought Wilfrid. She sat up, well-balanced; and, as he approached, began to lean gently forward to him. A greeting 'equal to any lady's,' there was no doubt. This was the point Emilia had to attain, in his severe contemplation. A born lady, on her assured level, stood a chance of becoming a Goddess; but ladyship was Emilia's highest mark. Such is the state of things to the sentimental fancy when girls are at a disadvantage. She smiled, and held out both hands. He gave her one, nodding kindly, but was too confused to be the light-hearted cavalier. Lady Charlotte walked up to her horse's side, after receiving Captain Gambier's salute, and said: "Come, catch hold of my hands and jump."

"No," replied Emilia; "I only came to see him."

"But you will see him, and me in the bargain, if you stay."

"I fancy she has given her word to return early," interposed Wilfrid.

"Then we'll ride back with her," said Lady Charlotte. "Give me five minutes. I'll order a horse out for you."

She smiled, and considerately removed the captain, by despatching him to the stables.

A quivering dimple of tenderness hung for a moment in Emilia's cheeks, as she looked upon Wilfrid. Then she said falteringly, "I think they wish to be as we do."

"Alone?" cried Wilfrid.

"Yes; that is why I brought him over. He will come anywhere with me."

"You must be mistaken."

"No; I know it."

"Did he tell you so?"

"No; Mr. Powys did."

"Told you that Lady Charlotte—"

"Yes. Not, is; but, was. And he used that word...there is no word like it,...he said 'her lover'—Oh! mine!" Emilia lifted her arms. Her voice from its deepest fall had risen to a cry.

Wilfrid caught her as she slipped from her saddle. His heart was in a tumult; stirred both ways: stirred with wrath and with love. He clasped her tightly.

"Am I?—am I?" he breathed.

"My lover!" Emilia murmured.

He was her slave again.

For, here was something absolutely his own. His own from the roots; from the first growth of sensation. Something with the bloom on it: to which no other finger could point and say: "There is my mark."

(And, ladies, if you will consent to be likened to a fruit, you must bear with these observations, and really deserve the stigma. If you will smile on men, because they adore you as vegetable products, take what ensues.)

Lady Charlotte did no more than double the time she had asked for. The party were soon at a quiet canter up the lanes; but entering a broad furzy common with bramble-plots and oak-shaws, the Amazon flew ahead. Emilia's eyes were so taken with her, that she failed to observe a tiny red-flowing runlet in the clay, with yellow-ridged banks almost baked to brick. Over it she was borne, but at the expense of a shaking that caused her to rely on her hold of the reins, ignorant of the notions of a horse outstripped. Wilfrid looked to see that the jump had been accomplished, and was satisfied. Gambier was pressing his hack to keep a respectable second.

Lady Charlotte spun round suddenly, crying, "Catch the mare!" and galloped back to Emilia, who was deposited on a bush of bramble. Dismounting promptly, the lady said: "My child, you're not hurt?"

"Not a bit." Emilia blinked.

"Not frightened?"

"Not a bit," was half whispered.

"That's brave. Now jump on your feet. Tell me why you rode over to us this morning. Quick. Don't hesitate."

"Because I want Wilfrid to see his sister Cornelia," came the answer, with the required absence of indecision.

Emilia ran straightway to meet Wilfrid approaching; and as both her hands, according to her fashion, were stretched out to him to assure him of her safety and take his clasp, forgetful of the instincts derived from riding-habits, her feet became entangled; she trod herself down, falling plump forward and looking foolish—perhaps for the first time in her life plainly feeling so.

"Up! little woman," said Lady Charlotte, supporting her elbow.

"Now, Sir Wilfrid, we part here; and don't spoil her courage, now she has had a spill, by any 'assiduous attentions' and precautions. She's sure to take as many as are needed. If Captain Gambler thinks I require an escort, he may offer."

The captain, taken by surprise, bowed, and flowed in ardent commonplace. Wilfrid did not look of a wholesome colour.

"Do you return?" he stammered; not without a certain aspect of righteous reproach.

"Yes. You will ride over to us again, probably, in a day or two? Captain Gambler will see me safe from the savage admirers that crowd this country, if I interpreted him rightly."

Emilia was lifted to her seat. Lady Charlotte sprang unassisted to hers. "Ta-ta!" she waved her fingers from her lips. The pairs then separated; one couple turning into green lanes, the other dipping to blue hills.



CHAPTER XIX

Gossip of course was excited on the subject of the choice of a partner made by the member for the county. Cornelia placed her sisters in one of their most pleasing of difficulties. She had not as yet pledged her word. It was supposed that she considered it due to herself to withhold her word for a term. The rumour in the family was, that Sir Twickenham appreciated her hesitation, and desired that he might be intimately known before he was finally accepted. When the Tinleys called, they heard that Cornelia's acceptance of the baronet was doubtful. The Copleys, on the other hand, distinctly understood that she had decided in his favour. Owing to the amiable dissension between the Copleys and the Tinleys, each party called again; giving the ladies of Brookfield further opportunity for studying one of the levels from which they had risen. Arabella did almost all the fencing with Laura Tinley, contemptuously as a youth of station returned from college will turn and foil an ill-conditioned villager, whom formerly he has encountered on the green.

"Had they often met, previous to the...the proposal?" inquired Laura; and laughed: "I was going to say 'popping.'"

"Pray do not check yourself, if a phrase appears to suit you," returned Arabella.

"But it was in the neighbourhood, was it not?"

"They have met in the neighbourhood."

"At Richford?"

"Also at Richford."

"We thought it was sudden, dear; that's all."

"Why should it not be?"

"Perhaps the best things are, it is true."

"You congratulate us upon a benefit?"

"He is to be congratulated seriously. Naturally. When she decides, let me know early, I do entreat you, because...well, I am of a different opinion from some people, who talk of another attachment, or engagement, and I do not believe in it, and have said so."

Rising to depart, Laura Tinley resumed: "Most singular! You are aware, of course, that poor creature, our organist—I ought to say yours—who looked (it was Mr. Sumner I heard say it—such a good thing!)" as if he had been a gentleman in another world, and was the ghost of one in this:" really one of the cleverest things! but he is clever!—Barrett's his name: Barrett and some: musical name before it, like Handel. I mean one that we are used to. Well, the man has totally and unexpectedly thrown up his situation."

"His appointment," said Arabella. Permitting no surprise to be visible, she paused: "Yes. I don't think we shall give our consent to her filling the post."

Laura let it be seen that her adversary was here a sentence too quick for her.

"Ah! you mean your little Miss Belloni?"

"Was it not of her you were thinking?"

"When?" asked Laura, shamefully bewildered.

"When you alluded to Mr. Barrett's vacant place."

"Not at the moment."

"I thought you must be pointing to her advancement."

"I confess it was not in my mind."

"In what consisted the singularity, then?"

"The singularity?"

"You prefaced your remarks with the exclamation, 'Singular!'"

Laura showed that Arabella had passed her guard. She hastened to compliment her on her kindness to Emilia, and so sheathed her weapon for the time, having just enjoyed a casual inspection of Mrs. Chump entering the room, and heard the brogue an instant.

"Irish!" she whispered, smiling, with a sort of astonished discernment of the nationality, and swept through the doorway: thus conveying forcibly to Arabella her knowledge of what the ladies of Brookfield were enduring: a fine Parthian shot.

That Cornelia should hold a notable county man, a baronet and owner of great acres, in a state between acceptance and rejection, was considered high policy by the ladies, whom the idea of it elevated; and they encouraged her to pursue this course, without having a suspicion, shrewd as they were, that it was followed for any other object than the honour of the family. But Mr. Pole was in the utmost perplexity, and spoke of baronets as things almost holy, to be kneeled to, prayed for. He was profane. "I thought, papa," said Cornelia, "that women conferred the favour when they gave their hands!"

It was a new light to the plain merchant. "How should you say if a Prince came and asked for you?"

"Still that he asked a favour at my hands."

"Oh!" went Mr. Pole, in the voice of a man whose reason is outraged. The placidity of Cornelia's reply was not without its effect on him, nevertheless. He had always thought his girls extraordinary girls, and born to be distinguished. "Perhaps she has a lord in view," he concluded: it being his constant delusion to suppose that high towering female sense has always a practical aim at a material thing. He was no judge of the sex in its youth. "Just speak to her," he said to Wilfrid.

Wilfrid had heard from Emilia that there was a tragic background to this outward placidity; tears on the pillow at night and long vigils. Emilia had surprised her weeping, and though she obtained no confidences, the soft mood was so strong in the stately lady, that she consented to weep on while Emilia clasped her. Petitioning on her behalf to Wilfrid for aid, Emilia had told him the scene; and he, with a man's stupidity, alluded to it, not thinking what his knowledge of it revealed to a woman.

"Why do you vacillate, and keep us all in the dark as to what you mean?" he began.

"I am not prepared," said Cornelia; the voice of humility issuing from a monument.

"One of your oracular phrases! Are you prepared to be straightforward in your dealings?"

"I am prepared for any sacrifice, Wilfrid."

"The marrying of a man in his position is a sacrifice!"

"I cannot leave papa."

"And why not?"

"He is ill. He does not speak of it, but he is ill. His actions are strange. They are unaccountable."

"He has an old friend to reside in his house?"

"It is not that. I have noticed him. His mind...he requires watching."

"And how long is it since you made this discovery?"

"One sees clearer perhaps when one is not quite happy."

"Not happy! Then it's for him that you turn the night to tears?"

Cornelia closed her lips. She divined that her betrayer must be close in his confidence. She went shortly after to Emilia, whose secret at once stood out bare to a kindled suspicion. There was no fear that Cornelia would put her finger on it accusingly, or speak of it directly. She had the sentimentalist's profound respect for the name and notion of love. She addressed Emilia vaguely, bidding her keep guard on her emotions, and telling her there was one test of the truth of masculine protestations; this, Will he marry you? The which, if you are poor, is a passably infallible test. Emilia sucked this in thoughtfully. She heard that lovers were false. Why, then of course they were not like her lover! Cornelia finished what she deemed her duty, and departed, while Emilia thought: "I wonder whether he could be false to me;" and she gave herself shrewd half-delicious jarrings of pain, forcing herself to contemplate the impossible thing.

She was in this state when Mrs. Chump came across her, and with a slight pressure of a sovereign into her hand, said: "There, it's for you, little Belloni! and I see ye've been thinkin' me one o' the scrape-hards and close-fists. It's Pole who keeps me low, on purpose. And I'm a wretch if I haven't my purse full, so you see I'm all in the dark in the house, and don't know half so much as the sluts o' the kitchen. So, ye'll tell me, little Belloni, is Arr'bella goin' to marry Mr. Annybody? And is Cornelia goin' to marry Sir Tickleham? And whether Mr. Wilfrud's goin' to marry Lady Charlotte Chill'nworth? Becas, my dear, there's Arr'bella, who's sharp, she is, as a North-easter in January, (which Chump 'd cry out for, for the sake of his ships, poor fella—he kneelin' by 's bedside in a long nightgown and lookin' just twice what he was!) she has me like a nail to my vary words, and shows me that nothin' can happen betas o' what I've said. And Cornelia—if ye'll fancy a tall codfish on its tail: 'Mrs. Chump, I beg ye'll not go to believe annything of me.' So I says to her, 'Cornelia! my dear! do ye think, now, it's true that Chump went and marrud his cook, that ye treat me so? becas my father,' I tell her, 'he dealt in porrk in a large way, and I was a fine woman, full of the arr'stocracy, and Chump a little puffed-out bladder of a man.' So then she says: 'Mrs. Chump, I listen to no gossup: listen you to no gossup. 'And Mr. Wilfrud, my dear, he sends me on the flat o' my back, laughin'. And Ad'la she takes and turns me right about, so that I don't see the thing I'm askin' after; and there's nobody but you, little Belloni, to help me, and if ye do, ye shall know what the crumple of paper sounds like."

Mrs. Chump gave a sugary suck with her tongue. Emilia returned the money to her.

"Ye're foolush!" said Mrs. Chump. "A shut fist's good in fight and bad in friendship. Do ye know that? Open your hand."

"Excuse me," persisted Emilia.

"Pooh! take the money, or I'll say ye're in a conspiracy to make me blindman's-buff of the parrty. Take ut."

"I don't want it."

"Maybe, it's not enough?"

"I don't want any, ma'am."

"Ma'am, to the deuce with ye! I'll be callin' ye a forr'ner in a minute, I will."

Emilia walked away from a volley of terrific threats.

For some reason, unfathomed by her, she wanted to be alone with Wilfrid and put a question to him. No other, in sooth, than the infallible test. Not, mind you, that she wished to be married. But something she had heard (she had forgotten what it was) disturbed her, and that recent trifling with pain, in her excess of happiness, laid her open to it. Her heart was weaker, and fluttered, as if with a broken wing. She thought, "if I can be near him to lean against him for one full hour!" it would make her strong again. For, she found that if her heart was rising on a broad breath, suddenly, for no reason that she knew, it seemed to stop in its rise, break, and sink, like a wind-beaten billow. Once or twice, in a quick fear, she thought: "What is this? Is this a malady coming before death?" She walked out gloomily, thinking of the darkness of the world to Wilfrid, if she should die. She plucked flowers, and then reproached herself with plucking them. She tried to sing. "No, not till I have been with him alone;" she said, chiding her voice to silence. A shadow crossed her mind, as a Spring-mist dulls the glory of May. "Suppose all singing has gone from me—will he love wretched me?"

By-and-by she met him in the house. "Come out of doors to-night," she whispered.

Wilfrid's spirit of intrigue was never to be taken by surprise. "In the wood, under the pine, at nine," he replied.

"Not there," said Emilia, seeing this place mournfully dark from Cornelia's grief. "It is too still; say, where there's water falling. One can't be unhappy by noisy water."

Wilfrid considered, and named Wilming Weir. "And there we'll sit and you'll sing to me. I won't dine at home, so they won't susp-a-fancy anything.—Soh! and you want very much to be with me, my bird? What am I?" He bent his head.

"My lover."

He pressed her hand rapturously, half-doubting whether her pronunciation of the word had not a rather too confident twang.

Was it not delightful, he asked her, that they should be thus one to the other, and none know of it. She thought so too, and smiled happily, promising secresy, at his request; for the sake of continuing so felicitous a life.

"You, you know, have an appointment with Captain Gambier, and, I with Lady Charlotte Chillingworth," said he. "How dare you make appointments with a captain of hussars?" and he bent her knuckles fondlingly.

Emilia smiled as before. He left her with a distinct impression that she did not comprehend that part of her lesson.

Wilfrid had just bled his father of a considerable sum of money; having assured him that he was the accepted suitor of Lady Charlotte Chillingworth, besides making himself pleasant in allusion to Mrs. Chump, so far as to cast some imputation on his sisters' judgement for not perceiving the virtues of the widow. The sum was improvidently large. Mr. Pole did not hear aright when he heard it named. Even at the repetition, he went: "Eh?" two or three times, vacantly. The amount was distinctly nailed to his ear: whereupon he said, "Ah!—yes! you young fellows want money: must have it, I suppose. Up from the bowels of the earth Up from the—: you're sure they're not playing the fool with you, over there?"

Wilfrid understood the indication to Stornley. "I think you need have no fear of that, sir." And so his father thought, after an examination of the youth, who was of manly shape, and had a fresh, non-fatuous, air.

"Well, if that's all right..." sighed Mr. Pole. "Of course you'll always know that money's money. I wish your sisters wouldn't lose their time, as they do. Time's worth more than money. What sum?"

"I told you, sir, I wanted—there's the yacht, you know, and a lot of tradesmen's bills, which you don't like to see standing:-about—perhaps I had better name the round sum. Suppose you write down eight hundred. I shan't want more for some months. If you fancy it too much..."

Mr. Pole had lifted his head. But he spoke nothing. His lips and brows were rigid in apparent calculation. Wilfrid kept his position for a minute or so; and then, a little piqued, he moved about. He had inherited the antipathy to the discussion of the money question, and fretted to find it unnecessarily prolonged.

"Shall I come to you on this business another time, sir?"

"No, God bless my soul!" cried his father; "are you going to keep this hanging over me for ever? Eight hundred, you said." He mumbled: "salary of a chief clerk of twenty years' standing. Eight: twice four:—there you have it exactly."

"Will you send it me in a letter?" said Wilfrid, out of patience.

"I'll send it you in a letter," assented his father. Upon which Wilfrid changed his mind. "I can take a chair, though. I can easily wait for it now."

"Save trouble, if I send it. Eh?"

"Do you wish to see whether you can afford it, sir?"

"I wish to see you show more sense—with your confounded 'afford.' Have you any idea of bankers' books?—bankers' accounts?" Mr. Pole fished his cheque-book from a drawer and wrote Wilfrid's name and the sum, tore out the leaf and tossed it to him. "There, I've written to-day. Don't present it for a week." He rubbed his forehead hastily, touching here and there a paper to put it scrupulously in a line with the others. Wilfrid left him, and thought: "Kind old boy! Of course, he always means kindly, but I think I see a glimpse of avarice as a sort of a sign of age coming on. I hope he'll live long!"

Wilfrid was walking in the garden, imagining perhaps that he was thinking, as the swarming sensations of little people help them to imagine, when Cornelia ran hurriedly up to him and said: "Come with me to papa. He's ill: I fear he is going to have a fit."

"I left him sound and well, just now," said Wilfrid. "This is your mania."

"I found him gasping in his chair not two minutes after you quitted him. Dearest, he is in a dangerous state!"

Wilfrid stept back to his father, and was saluted with a ready "Well?" as he entered; but the mask had slipped from half of the old man's face, and for the first time in his life Wilfrid perceived that he had become an old man.

"Well, sir, you sent for me?" he said.

"Girls always try to persuade you you're ill—that's all," returned Mr. Pole. His voice was subdued; but turning to Cornelia, he fired up: "It's preposterous to tell a man who carries on a business like mine, you've observed for a long while that he's queer!—There, my dear child, I know that you mean well. I shall look all right the day you're married."

This allusion, and the sudden kindness, drew a storm of tears to Cornelia's eyelids.

"Papa! if you will but tell me what it is!" she moaned.

A nervous frenzy seemed to take possession of him. He ordered her out of the room.

She was gone, but his arm was still stretched out, and his expression of irritated command did not subside.

Wilfrid took his arm and put it gently down on the chair, saying: "You're not quite the thing to-day, sir."

"Are you a fool as well?" Mr. Pole retorted. "What do you know of, to make me ill? I live a regular life. I eat and drink just as you all do; and if I have a headache, I'm stunned with a whole family screaming as hard as they can that I'm going to die. Damned hard! I say, sir, it's—" He fell into a feebleness.

"A little glass of brandy, I think," Wilfrid suggested; and when Mr. Pole had gathered his mind he assented, begging his son particularly to take precautions to prevent any one from entering the room until he had tasted the reviving liquor.



CHAPTER XX

A half-circle of high-banked greensward, studded with old park-trees, hung round the roar of the water; distant enough from the white-twisting fall to be mirrored on a smooth-heaved surface, while its out-pushing brushwood below drooped under burdens of drowned reed-flags that caught the foam. Keen scent of hay, crossing the dark air, met Emilia as she entered the river-meadow. A little more, and she saw the white weir-piles shining, and the grey roller just beginning to glisten to the moon. Eastward on her left, behind a cedar, the moon had cast off a thick cloud, and shone through the cedar-bars with a yellowish hazy softness, making rosy gold of the first passion of the tide, which, writhing and straining on through many lights, grew wide upon the wonderful velvet darkness underlying the wooded banks. With the full force of a young soul that leaps from beauty seen to unimagined beauty, Emilia stood and watched the picture. Then she sat down, hushed, awaiting her lover.

Wilfrid, as it chanced, was ten minutes late. She did not hear his voice till he had sunk on his knee by her side.

"What a reverie!" he said half jealously. "Isn't it lovely here?"

Emilia pressed his hand, but without turning her face to him, as her habit was. He took it for shyness, and encouraged her with soft exclamations and expansive tenderness.

"I wish I had not come here!" she murmured.

"Tell me why?" He folded his arm about her waist.

"Why did you let me wait?" said she.

Wilfrid drew out his watch; blamed the accident that had detained him, and remarked that there were not many minutes to witness against him.

She appeared to throw off her moodiness. "You are here at last. Let me hold your hand, and think, and be quite silent."

"You shall hold my hand, and think, and be quite silent, my own girl! if you will tell me what's on your mind."

Emilia thought it enough to look in his face, smiling.

"Has any one annoyed you?" he cried out.

"No one."

"Then receive the command of your lord, that you kiss him."

"I will kiss him," said Emilia; and did so.

The salute might have appeased an imperious lord, but was not so satisfactory to an exacting lover. He perceived, however, that, whether as lover or as lord, he must wait for her now, owing to her having waited for him: so, he sat by her, permitting his hand to be softly squeezed, and trying to get at least in the track of her ideas, while her ear was turned to the weir, and her eyes were on the glowing edges of the cedar-tree.

Finally, on one of many deep breaths, she said: "It's over. Why were you late? But, never mind now. Never let it be long again when I am expecting you. It's then I feel so much at his mercy. I mean, if I am where I hear falling water; sometimes thunder."

Wilfrid masked his complete mystification with a caressing smile; not without a growing respect for the only person who could make him experience the pangs of conscious silliness. You see, he was not a coxcomb.

"That German!" Emilia enlightened him.

"Your old music-master?"

"I wish it, I wish it! I should soon be free from him. Don't you know that dreadful man I told you about, who's like a black angel to me, because there is no music like his? and he's a German! I told you how I first dreamed about him, and then regularly every night, after talking with my father about Italy and his black-yellow Tedeschi, this man came over my pillow and made me call him Master, Master. And he is. He seems as if he were the master of my soul, mocking me, making me worship him in spite of my hate. I came here, thinking only of you. I heard the water like a great symphony. I fell into dreaming of my music. That's when I am at his mercy. There's no one like him. I must detest music to get free from him. How can I? He is like the God of music."

Wilfrid now remembered certain of her allusions to this rival, who had hitherto touched him very little. Perhaps it was partly the lovely scene that lifted him to a spiritual jealousy, partly his susceptibility to a sentimental exaggeration, and partly the mysterious new charm in Emilia's manner, that was as a bordering lustre, showing how the full orb was rising behind her.

"His name?" Wilfrid asked for.

Emilia's lips broke to the second letter of the alphabet; but she cut short the word. "Why should you hear it? And now that you are here, you drive him away. And the best is," she laughed, "I am sure you will not remember any of his pieces. I wish I could not—not that it's the memory; but he seems all round me, up in the air, and when the trees move all together...you chase him away, my lover!"

It was like a break in music, the way that Emilia suddenly closed her sentence; coming with a shock of flattering surprise upon Wilfrid.

Then she pursued: "My English lover! I am like Italy, in chains to that German, and you...but no, no, no! It's not quite a likeness, for my German is not a brute. I have seen his picture in shop-windows: the wind seemed in his hair, and he seemed to hear with his eyes: his forehead frowning so. Look at me, and see. So!"

Emilia pressed up the hair from her temples and bent her brows.

"It does not increase your beauty," said Wilfrid.

"There's the difference!" Emilia sighed mildly. "He sees angels, cherubs, and fairies, and imps, and devils; or he hears them: they come before him from far off, in music. They do to me, now and then. Only now and then, when my head's on fire.—My lover!"

Wilfrid pressed his mouth to the sweet instrument. She took his kiss fully, and gave her own frankly, in return. Then, sighing a very little, she said: "Do not kiss me much."

"Why not?"

"No!"

"But, look at me."

"I will look at you. Only take my hand. See the moon is getting whiter. The water there is like a pool of snakes, and then they struggle out, and roll over and over, and stream on lengthwise. I can see their long flat heads, and their eyes: almost their skins. No, my lover! do not kiss me. I lose my peace."

Wilfrid was not willing to relinquish his advantage, and the tender deep tone of the remonstrance was most musical and catching. What if he pulled her to earth from that rival of his in her soul? She would then be wholly his own. His lover's sentiment had grown rageingly jealous of the lordly German. But Emilia said, "I have you on my heart more when I touch your hand only, and think. If you kiss me, I go into a cloud, and lose your face in my mind."

"Yes, yes;" replied Wilfrid, pleased to sustain the argument for the sake of its fruitful promises. "But you must submit to be kissed, my darling. You will have to."

She gazed inquiringly.

"When you are married, I mean."

"When will you marry me?" she said.

The heir-apparent of the house of Pole blinked probably at that moment more foolishly than most mortal men have done. Taming his astonishment to represent a smile, he remarked: "When? are you thinking about it already?"

She answered, in a quiet voice that conveyed the fact forcibly, "Yes."

"But you're too young yet; and you're going to Italy, to learn in the schools. You wouldn't take a husband there with you, would you? What would the poor devil do?"

"But you are not too young," said she.

Wilfrid supposed not.

"Could you not go to my Italy with me?"

"Impossible! What! as a dangling husband?" Wilfrid laughed scornfully.

"They would love you too," she said. "They are such loving people. Oh, come! Consent to come, my lover! I must learn. If I do not, you will despise me. How can I bring anything to lay at your feet, my dear! my dear! if I do not?"

"Impossible!" Wilfrid reiterated, as one who had found moorings in the word.

"Then I will give up Italy!"

He had not previously acted hypocrite with this amazing girl. Nevertheless, it became difficult not to do so. He could scarcely believe that he had on a sudden, and by strange agency, slipped into an earnest situation. Emilia's attitude and tone awakened him to see it. Her hands were clenched straight down from the shoulders: all that she conceived herself to be renouncing for his sake was expressed in her face.

"Would you, really?" he murmured.

"I will!"

"And be English altogether?"

"Be yours!"

"Mine?"

"Yes; from this time."

Now stirred his better nature: though not before had he sceptically touched her lips and found them cold, as if the fire had been taken out of them by what they had uttered. He felt that it was no animal love, but the force of a soul drawn to him; and, forgetting the hypocritical foundation he had laid, he said: "How proud I shall be of you!"

"I shall go with you to battle," returned Emilia.

"My little darling! You won't care to see those black fellows killed, will you?"

Emilia shuddered. "No; poor things! Why do you hurt them? Kill wicked people, tyrant white-coats! And we will not talk of killing now. Proud of me? If I can make you!"

"You sigh so heavily!"

"Something makes me feel like a little beggar."

"When I tell you I love you?"

"Yes; but I only feel rich when I am giving; and I seem to have nothing to give now:—now that I have lost Italy!"

"But you give me your love, don't you?"

"All of it. But I seem to give it to you in tatters it's like a beggar; like a day without any sun."

"Do you think I shall have that idea when I hear you sing to me, and know that this little leaping fountain of music here is mine?"

Dim rays of a thought led Emilia to remark, "Must not men keel to women? I mean, if they are to love them for ever?"

Wilfrid smiled gallantly: "I will kneel to you, if it pleases you."

"Not now. You should have done so, once, I dreamed only once, just for a moment, in Italy; when all were crying out to me that I had caught their hearts. I fancied standing out like a bright thing in a dark crowd, and then saying "I am his!" pointing to you, and folding my arms, waiting for you to take me."

The lover's imagination fired at the picture, and immediately he told a lover's lie; for the emotion excited by the thought of her glory coloured deliciously that image of her abnegation of all to him. He said: "I would rather have you as you are."

Emilia leaned to him more, and the pair fixed their eyes on the moon, that had now topped the cedar, and was pure silver: silver on the grass, on the leafage, on the waters. And in the West, facing it, was an arch of twilight and tremulous rose; as if a spirit hung there over the shrouded sun.

"At least," thought Wilfrid, "heaven, and the beauty of the world, approve my choice." And he looked up, fancying that he had a courage almost serene to meet his kindred with Emilia on his arm.

She felt his arm dreamily stressing its clasp about her, and said: "Now I know you love me. And you shall take me as I am. I need not be so poor after all. My dear! my dear! I cannot see beyond you."

"Is that your misery?" said he.

"My delight! my pleasure! One can live a life anywhere. And how can I belong to Italy, if I am yours? Do you know, when we were silent just now, I was thinking that water was the history of the world flowing out before me, all mixed up of kings and queens, and warriors with armour, and shouting armies; battles and numbers of mixed people; and great red sunsets, with women kneeling under them. Do you know those long low sunsets? I love them. They look like blood spilt for love. The noise of the water, and the moist green smell, gave me hundreds of pictures that seemed to hug me. I thought—what could stir music in me more than this? and, am I not just as rich if I stay here with my lover, instead of flying to strange countries, that I shall not care for now? So, you shall take me as I am. I do not feel poor any longer."

With that she gave him both her hands.

"Yes," said Wilfrid.

As if struck by the ridicule of so feeble a note, falling upon her passionate speech, he followed it up with the "yes!" of a man; adding: "Whatever you are, you are my dear girl; my own love; mine!"

Having said it, he was screwed up to feel it as nearly as possible, such virtue is there in uttered words.

Then he set about resolutely studying to appreciate her in the new character she had assumed to him. It is barely to be supposed that he should understand what in her love for him she sacrificed in giving up Italy, as she phrased it. He had some little notion of the sacrifice; but, as he did not demand any sacrifice of the sort, and as this involved a question perplexing, irritating, absurd, he did not regard it very favourably. As mistress of his fancy, her prospective musical triumphs were the crown of gold hanging over her. As wife of his bosom, they were not to be thought of. But the wife of his bosom must take her place by virtue of some wondrous charm. What was it that Emilia could show, if not music? Beautiful eyebrows: thick rare eyebrows, no doubt couched upon her full eyes, they were a marvel: and her eyes were a marvel. She had a sweet mouth, too, though the upper lip did not boast the aristocratic conventional curve of adorable pride, or the under lip a pretty droop to a petty rounded chin. Her face was like the aftersunset across a rose-garden, with the wings of an eagle poised outspread on the light. Some such coloured, vague, magnified impression Wilfrid took of her. Still, it was not quite enough to make him scorn contempt, should it whisper: nor even quite enough to combat successfully the image of elegant dames in their chosen attitudes—the queenly moments when perhaps they enter an assembly, or pour out tea with an exquisite exhibition of arm, or recline upon a couch, commanding homage of the world of little men. What else had this girl to count upon to make her exclusive? A devoted heart; she had a loyal heart, and perfect frankness: a mind impressible, intelligent, and fresh. She gave promise of fair companionship at all seasons. She could put a spell upon him, moreover. By that power of hers, never wilfully exercised, she came, in spite of the effect left on him by her early awkwardnesses and 'animalities,' nearer to his idea of superhuman nature than anything he knew of. But how would she be regarded when the announcement of Mrs. Wilfrid Pole brought scrutinizing eyes and gossiping mouths to bear on her?

It mattered nothing. He kissed her, and the vision of the critical world faded to a blank. Whatever she was, he was her prime luminary, so he determined to think that he cast light upon a precious, an unrivalled land.

"You are my own, are you not, Emilia?"

"Yes; I am," she answered.

"That water seems to say 'for ever,'" he murmured; and Emilia's fingers pressed upon his.

Of marriage there was no further word. Her heart was evidently quite at ease; and that it should be so without chaining him to a date, was Wilfrid's peculiar desire. He could pledge himself to eternity, but shrank from being bound to eleven o'clock on the morrow morning.

So, now, the soft Summer hours flew like white doves from off the mounting moon, and the lovers turned to go, all being still: even the noise of the waters still to their ears, as life that is muffled in sleep. They saw the cedar grey-edged under the moon: and Night, that clung like a bat beneath its ancient open palms. The bordering sward about the falls shone silvery. In its shadow was a swan. These scenes are but beckoning hands to the hearts of lovers, waving them on to that Eden which they claim: but when the hour has fled, they know it; and by the palpitating light in it they know that it holds the best of them.



CHAPTER XXI

At this season Mr. Pericles reappeared. He had been, he said, through "Paris, Turin, Milano, Veniss, and by Trieste over the Summering to Vienna on a tour for a voice." And in no part of the Continent, his vehement declaration assured the ladies, had he found a single one. It was one universal croak—ahi! And Mr. Pericles could, affirm that Purgatory would have no pains for him after the torments he had recently endured. "Zey are frogs if zey are not geese," said Mr. Pericles. "I give up. Opera is dead. Hein? for a time;" and he smiled almost graciously, adding: "Where is she?" For Emilia was not present.

The ladies now perceived a greatness of mind in the Greek's devotion to music, and in his non-mercenary travels to assist managers of Opera by discovering genius. His scheme for Emilia fired them with delight. They were about to lay down all the material arrangements at once, but Mrs. Chump, who had heard that there was a new man in the house, now entered the room, prepared to conquer him. As thus, after a short form of introduction: "D'ye do, sir! and ye're Mr. Paricles. Oh! but ye're a Sultan, they say. Not in morr'ls, sir. And vary pleasant to wander on the Cont'nent with a lot o' lacqueys at your heels. It's what a bachelor can do. But I ask ye, sir, is ut fair, ye think, to the poor garls that has to stop at home?"

Hereat the ladies of Brookfield, thus miserably indicated, drew upon their self-command that sprang from the high sense of martyrdom.

Mr. Pericles did not reply to Mrs. Chump at all. He turned to Adela, saying aloud: "What is zis person?"

It might have pleased them to hear any slight put publicly on Mrs. Chump in the first resistance to the woman, but in the present stage their pride defended her. "Our friend," was the reply with which Arabella rebuked his rudeness; and her sister approved her. "We can avoid showing that we are weak in our own opinion, whatsoever degrades us," they had said during a consultation. Simultaneously they felt that Mr. Pericles being simply a millionaire and not In Society, being also a middle-class foreigner (a Greek whose fathers ran with naked heels and long lank hair on the shores of the Aegean), before such a man they might venture to identify this their guest with themselves an undoubted duty, in any case, but not always to be done; at least, not with grace and personal satisfaction. Therefore, the "our friend" dispersed a common gratulatory glow. Very small points, my masters; but how are coral-islands built?

Mrs. Chump fanned her cheek, in complete ignorance of the offence and defence. Chump, deceased, in amorous mood, had praised her management of the fan once, when breath was in him: "'Martha,' says he, winkin' a sort of 'mavourneen' at me, ye know—'Martha! with a fan in your hand, if ye're not a black-eyed beauty of a Spaniard, ye little devil of Seville!' says he." This she had occasionally confided to the ladies. The marital eulogy had touched her, and she was not a woman of coldly-flowing blood, she had an excuse for the constant employment of the fan.

"And well, Mr. Paricles! have ye got nothin' to tell us about foreign countesses and their slips? Because, we can listen, sir, garls or not. Sure, if they understand ye, ye teach 'em nothin'; and if they don't understand ye, where's the harm done? D'ye see, sir? It's clear in favour of talkin'."

Mr. Pericles administered consolation to his moustache by twisting it into long waxy points. "I do not know; I do not know," he put her away with, from time to time. In the end Mrs. Chump leaned over to Arabella. "Don't have 'm, my dear," she murmured.

"You mean—?" quoth Arabella.

"Here's the driest stick that aver stood without sap."

Arabella flushed when she took the implication that she was looking on the man as a husband. Adela heard the remarks, and flushed likewise. Mrs. Chump eyed them both. "It's for the money o' the man," she soliloquized aloud, as her fashion was. Adela jumped up, and with an easy sprightly posture of her fair, commonly studious person, and natural run of notes "Oh!" she cried, "I begin to feel what it is to be like a live fish on the fire, frying, frying, frying! and if he can keep his Christian sentiments under this infliction, what a wonderful hero he must be! What a hot day!"

She moved swiftly to the door, and flung it open. A sight met her eyes at which she lost her self-possession. She started back, uttering a soft cry.

"Ah! aha! oh!" went the bitter ironic drawl of Mr. Pericles, whose sharp glance had caught the scene as well.

Emilia came forward with a face like sunset. Diplomacy, under the form of Wilfrid Pole, kicked its heels behind, and said a word or two in a tone of false cheerfulness.

"Oh! so!" Mr. Pericles frowned, while Emilia held her hand out to him. "Yeas! You are quite well? H'm! You are burnt like a bean—hein? I shall ask you what you have been doing, by and by."

Happily for decency, Mrs. Chump had not participated in the fact presented by ocular demonstration. She turned about comfortably to greet Wilfrid, uttering the inspired remark: "Ye look red from a sly kiss!"

"For one?" said he, sharpening his blunted wits on this dull instrument.

The ladies talked down their talk. Then Wilfrid and Mr. Pericles interchanged quasi bows.

"Oh, if he doesn't show his upper teeth like an angry cat, or a leopard I've seen!" cried Mrs. Chump in Adela's ear, designating Mr. Pericles. "Does he know Mr. Wilfrud's in the British army, and a new lieuten't, gazetted and all?"

Mr. Pericles certainly did not look pleasantly upon Wilfrid: Emilia received his unconcealed wrath and spite.

"Go and sing a note!" he said.

"At the piano?" Emilia quietly asked.

"At piano, harp, what you will—it is ze voice I want."

Emilia pitched her note high from a full chest and with glad bright eyes, which her fair critics thought just one degree brazen, after the revelation in the doorway.

Mr. Pericles listened; wearing an aching expression, as if he were sending one eye to look up into his brain for a judgement disputed in that sovereign seat.

Still she held on, and then gave a tremulous, rich, contralto note.

"Oh! the human voice!" cried Adela, overcome by the transition of tones.

"Like going from the nightingale to the nightjar," said Arabella.

Mrs. Chump remarked: "Ye'll not find a more susceptible woman to musuc than me."

Wilfrid looked away. Pride coursed through his veins in a torrent.

When the voice was still, Mr. Pericles remained in a pondering posture.

"You go to play fool with zat voice in Milano, you are flogged," he cried terribly, shaking his forefinger.

Wilfrid faced round in wrath, but Mr. Pericles would not meet his challenge, continuing: "You hear? you hear?—so!" and Mr. Pericles brought the palms of his hands in collision.

"Marcy, man!" Mrs. Chump leaped from her chair; "d'ye mean that those horrud forr'ners'll smack a full-grown young woman?—Don't go to 'm, my dear. Now, take my 'dvice, little Belloni, and don't go. It isn't the sting o' the smack, ye know—"

"Shall I sing anything to you?" Emilia addressed Mr. Pericles. The latter shrugged to express indifference. Nevertheless she sang. She had never sung better. Mr. Pericles clutched his chin in one hand, elbow on knee. The ladies sighed to think of the loss of homage occasioned by the fact of so few being present to hear her. Wilfrid knew himself the fountain of it all, and stood fountain-like, in a shower of secret adulation: a really happy fellow. This: that his beloved should be the centre of eyes, and pronounced exquisite by general approbation, besides subjecting him to a personal spell: this was what he wanted. It was mournful to think that Circumstance had not at the same time created the girl of noble birth, or with an instinct for spiritual elegance. But the world is imperfect.

Presently he became aware that she was understood to be singing pointedly to him: upon which he dismissed the council of his sensations, and began to diplomatize cleverly. Leaning over to Adela, he whispered:

"Pericles wants her to go to Italy. My belief is, that she won't."

"And why?" returned Adela, archly reproachful.

"Well, we've been spoiling her a little, perhaps. I mean, we men, of course. But, I really don't think that I'm chiefly to blame. You won't allow Captain Gambier to be in fault, I know."

"Why not?" said Adela.

"Well, if you will, then he is the principal offender."

Adela acted disbelief; but, unprepared for her brother's perfectly feminine audacity of dissimulation, she thought: "He can't be in earnest about the girl," and was led to fancy that Gambier might, and to determine to see whether it was so.

By this manoeuvre, Wilfrid prepared for himself a defender when the charge was brought against him.

Mr. Pericles was thunderstruck on hearing Emilia refuse to go to Italy. A scene of tragic denunciation on the one hand, and stubborn decision on the other, ensued.

"I shall not mind zis" (he spoke of Love and the awakening of the female heart) "not when you are trained. It is good, zen, and you have fire from it. But, now! little fool, I say, it is too airly—too airly! How shall you learn—eh? with your brain upon a man? And your voice, little fool, a thing of caprice, zat comes and goes as he will, not you will. Hein? like a barrel-organ, which he turns ze handle.—Mon Dieu! Why did I leave her?" Mr. Pericles struck his brow with his wrist, clutching at the long thin slice of hair that did greasy duty for the departed crop on his poll. "Did I not know it was a woman? And so you are, what you say, in lofe."

Emilia replied: "I have not said so," with exasperating coolness.

"You have your eye on a man. And I know him, zat man! When he is tired of you—whiff, away you go, a puff of smoke! And you zat I should make a Queen of Opera! A Queen? You shall have more rule zan twenty Queens—forty! See" (Mr. Pericles made his hand go like an aspen-leaf from his uplifted wrist); "So you shall set ze hearts of sossands! To dream of you, to adore you! and flowers, flowers everywhere, on your head, at your feet. You choose your lofer from ze world. A husband, if it is your taste. Bose, if you please. Zen, I say, you shall, you shall lofe a man. Let him tease and sting—ah! it will be magnifique: Aha! ze voice will sharpen, go deep; yeas! to be a tale of blood. Lofe till you could stab yourself:—Brava! But now? Little fool, I say!"

Emilia believed that she was verily forfeiting an empire. Her face wore a soft look of delight. This renunciation of a splendid destiny for Wilfrid's sake, seemed to make her worthier of him, and as Mr. Pericles unrolled the list of her rejected treasures, her bosom heaved without a regret.

"Ha!" Mr. Pericles flung away from her: "go and be a little gutter-girl!"

The musical connoisseur drew on his own disappointment alone for eloquence. Had he been thinking of her, he might have touched cunningly on her love for Italy. Music was the passion of the man; and a millionaire's passion is something that can make a stir. He knew that in Emilia he had discovered a pearl of song rarely to be found, and his object was to polish and perfect her at all cost: perhaps, as a secondary and far removed consideration, to point to her as a thing belonging to him, for which Emperors might envy him. The thought of losing her drove him into fits of rage. He took the ladies one by one, and treated them each to a horrible scene of gesticulation and outraged English. H accused their brother of conduct which they were obliged to throw (by a process of their own) into the region of Fine Shades, before they dared venture to comprehend him. Gross facts in relationship with the voice, this grievous "machine, not man,"—as they said—stated to them, harshly, impetuously. The ladies felt that he had bored their ears with hot iron pins. Adela tried laughter as a defence from his suggestion against Wilfrid, but had shortly afterwards to fly from the fearful anatomist. She served her brother thoroughly in the Council of Three; so that Mr. Pericles was led by them to trust that there had; been mere fooling in his absence, and that the emotions he looked to as the triumphant reserve in Emilia's bosom, to be aroused at some crisis when she was before the world, slumbered still. She, on her part, contrasting her own burning sensations with this quaint, innocent devotion to Art and passion for music, felt in a manner guilty; and whenever he stormed with additional violence, she became suppliant, and seemed to bend and have regrets. Mr. Pericles would then say, with mollified irritability: "You will come to Italy to-morrow?—Ze day after?—not at all?" The last was given with a roar, for lack of her immediate response. Emilia would find a tear on her eyelids at times. Surround herself as she might with her illusions, she had no resting-place in Wilfrid's heart, and knew it. She knew it as the young know that they are to die on a future day, without feeling the sadness of it, but with a dimly prevalent idea that this life is therefore incomplete. And again her blood, as with a wave of rich emotion, washed out the blank spot. She thought: "What can he want but my love?" And thus she satisfied her own hungry questioning by seeming to supply an answer to his.

The ladies of Brookfield by no means encouraged Emilia to refuse the generous offer of Mr. Pericles. They thought, too, that she might—might she? Oh! certainly she might go to Italy under his protection. "Would you let one of your blood?" asked Wilfrid brutally. With some cunning he led them to admit that Emilia's parents should rightly be consulted in such a case.

One day Mr. Pericles said to the ladies: "I shall give a fete: a party monstre. In ze air: on grass. I beg you to invite friends of yours."

Before the excogitation of this splendid resolve, he had been observed to wear for some period a conspiratorial aspect. When it was delivered, and Arabella had undertaken the management of the "party monstre"—(which was to be on Besworth Lawn, and, as it was not their own party, could be conducted with a sort of quasi-contemptuous superiority to incongruous gatherings)—this being settled, the forehead of Mr. Pericles cleared and he ceased to persecute Emilia.

"I am not one that is wopped," he said significantly; nodding to his English hearers, as if this piece of shrewd acquaintance with the expressive mysteries of their language placed them upon equal terms.

It was really 'a providential thing' (as devout people phrase it) that Laura Tinley and Mabel Copley should call shortly after this, and invite the ladies to a proposed picnic of theirs on Besworth Lawn. On Besworth Lawn, of all places! and they used the word 'picnic.'

"A word suggestive of gnawed drumstick and ginger-beer bottles." Adela quoted some scapegoat of her acquaintance, as her way was when she wished to be pungent without incurring the cold sisterly eye of reproof for a vulgarism.

Both Laura and Mabel, when they heard of the mighty entertainment fixed for Besworth Lawn by Mr. Pericles, looked down. They were invited, and looked up. There was the usual amount of fencing with the combative Laura, who gave ground at all points, and as she was separating, said (so sweetly!) "Of course you have heard of the arrest of your—what does one call him?—friend?—or a French word?"

"You mean?" quoth Arabella.

"That poor, neatly brushed, nice creature whom you patronized—who played the organ!" she jerked to Arabella's dubious eyes.

"And he?" Arabella smiled, complacently.

"Then perhaps you may know that all is arranged for him?" said Laura, interpreting by the look more than the word, after a habit of women.

"Indeed, to tell you the truth, I know nothing," said Arabella.

"Really?" Laura turned sharply to Cornelia, who met her eyes and did not exhibit one weak dimple.

The story was, that Mr. Chips, the Bookseller of Hillford, objected to the departure of Mr. Barrett, until Mr. Barrett had paid the bill of Mr. Chips: and had signified his objection in the form of a writ. "When, if you know anything of law," said Laura, "you will see why he remains. For, a writ once served, you are a prisoner. That is, I believe, if it's above twenty pounds. And Mr. Chips' bill against Mr. Barrett was, I have heard, twenty-three pounds and odd shillings. Could anything be more preposterous? And Mr. Chips deserves to lose his money!"

Ah! to soar out of such a set as this, of which Laura Tinley is a sample, are not some trifling acts of inhumanity and practices in the art of 'cutting' permissible? So the ladies had often asked of the Unseen in their onward course, if they did not pointedly put the question now. Surely they had no desire to give pain, but the nature that endowed them with a delicate taste, inspired them to defend it. They listened gravely to Laura, who related that not only English books, but foreign (repeated and emphasized), had been supplied by Mr. Chips to Mr. Barrett.

They were in the library, and Laura's eyes rested on certain yellow and blue covers of books certainly not designed for the reading of Mr. Pole.

"I think you must be wrong as to Mr. Barrett's position," said Adela.

"No, dear; not at all," Laura was quick to reply. "Unless you know anything. He has stated that he awaits money remittances. He has, in fact, overrun the constable, and my brother Albert says, the constable is very likely to overrun ham, in consequence. Only a joke! But an organist with, at the highest computation—poor absurd thing!—fifty-five pounds per annum: additional for singing lessons, it is true,—but an organist with a bookseller's bill of twenty-three pounds! Consider!"

"Foreign books, too!" interjected Adela.

"Not so particularly improving to his morals, either!" added Laura.

"You are severe upon the greater part of the human race," said Arabella.

"So are the preachers, dear," returned Laura.

"The men of our religion justify you?" asked Arabella.

"Let me see;—where were we?" Laura retreated in an affected mystification.

"You had reached the enlightened belief that books written by any but English hands were necessarily destructive of men's innocence," said Arabella; and her sisters thrilled at the neatness of the stroke, for the moment, while they forgot the ignoble object it transfixed. Laura was sufficiently foiled by it to be unable to return to the Chips-Barrett theme. Throughout the interview Cornelia had maintained a triumphant posture, superior to Arabella's skill in fencing, seeing that it exposed no weak point of the defence by making an attack, and concealed especially the confession implied by a relish for the conflict. Her sisters considerately left her to recover herself, after this mighty exercise of silence.



CHAPTER XXII

Cornelia sat with a clenched hand. "You are rich and he is poor," was the keynote of her thoughts, repeated from minute to minute. "And it is gold gives you the right in the world's eye to despise him!" she apostrophized the vanished Laura, clothing gold with all the baseness of that person. Now, when one really hates gold, one is at war with one's fellows. The tide sets that way. There is no compromise: to hate it is to try to stem the flood. It happens that this is one of the temptations of the sentimentalist, who should reflect, but does not, that the fine feelers by which the iniquities of gold are so keenly discerned, are a growth due to it, nevertheless. Those 'fine feelers,' or antennae of the senses, come of sweet ease; that is synonymous with gold in our island-latitude. The sentimentalists are represented by them among the civilized species. It is they that sensitively touch and reject, touch and select; whereby the laws of the polite world are ultimately regulated, and civilization continually advanced, sometimes ridiculously. The sentimentalists are ahead of us, not by weight of brain, but through delicacy of nerve, and, like all creatures in the front, they are open to be victims. I pray you to observe again the shrinking life that afflicts the adventurous horns of the snail, for example. Such are the sentimentalists to us—the fat body of mankind. We owe them much, and though they scorn us, let us pity them.

Especially when they are young they deserve pity, for they suffer cruelly. I for my part prefer to see boys and girls led into the ways of life by nature; but I admit that in many cases, in most cases, our good mother has not (occupied as her hands must be) made them perfectly presentable; by which fact I am warned to have tolerance for the finer beings who labour under these excessive sensual subtleties. I perceive their uses. And they are right good comedy; for which I may say that I almost love them. Man is the laughing animal: and at the end of an infinite search, the philosopher finds himself clinging to laughter as the best of human fruit, purely human, and sane, and comforting. So let us be cordially thankful to those who furnish matter for sound embracing laughter.

Cornelia detested gold—entirely on general grounds and for abstract reasons. Not a word of Mr. Barrett was shaped, even in fancy; but she interjected to herself, with meditative eye and mouth: "The saints were poor!" (the saints of whom he had read, translating from that old Latin book) "St. Francis! how divine was his life!" and so forth, until the figure of Mr. Penniless Barrett walked out in her imagination clad in saintly garments, superior not only to his creditor, Mr. Chips, but to all who bought or sold.

"I have been false," she said; implying the "to him." Seeing him on that radiant height above her, she thought "How could I have fallen so!" It was impossible for her mind to recover the delusion which had prompted her signing herself to bondage—pledging her hand to a man she did not love. Could it have been that she was guilty of the immense folly, simply to escape from that piece of coarse earth, Mrs. Chump? Cornelia smiled sadly, saying: "Oh, no! I should not have committed a wickedness for so miserable an object." Despairing for a solution of the puzzle, she cried out, "I was mad!", and with a gasp of horror saw herself madly signing her name to perdition.

"I was mad!" is a comfortable cloak to our sins in the past. Mournful to think that we have been bereft of reason; but the fit is over, and we are not in Bedlam!

Cornelia next wrestled with the pride of Mr. Barrett. Why had he not come to her once after reading the line pencilled in the book? Was it that he would make her his debtor in everything? He could have reproached her justly; why had he held aloof? She thirsted to be scourged by him, to hang her head ashamed under his glance, and hug the bitter pain he dealt her. Revolving how the worst man on earth would have behaved to a girl partially in his power (hands had been permitted to be pressed, and the gateways of the eyes had stood open: all but vows had been interchanged), she came to regard Mr. Barrett as the best man on the earth. That she alone saw it, did not depreciate the value of her knowledge. A goal gloriously illumined blazed on her from the distance. "Too late!" she put a curb on the hot courses in her brain, and they being checked, turned all at once to tears and came in a flood. How indignant would the fair sentimentalist have been at a whisper of her caring for the thing before it was too late!

Cornelia now daily trod the red pathways under the firs, and really imagined herself to be surprised, even vexed, when she met Mr. Barrett there at last. Emilia was by his side, near a drooping birch. She beckoned to Cornelia, whose North Pole armour was doing its best to keep down a thumping heart.

"We are taking our last walk in the old wood," said, Mr. Barrett, admirably collected. "That is, I must speak for myself."

"You leave early?" Cornelia felt her throat rattle hideously.

"In two days, I expect—I hope," said he.

"Why does he hope?" thought Cornelia, wounded, until a vision of the detaining Chips struck her with pity and remorse.

She turned to Emilia. "Our dear child is also going to leave us."

"I?" cried Emilia, fierily out of languor.

"Does not your Italy claim you?"

"I am nothing to Italy any more. Have I not said so? I love England now."

Cornelia smiled complacently. "Let us hope your heart is capacious enough to love both."

"Then your theory is" (Mr. Barrett addressed Cornelia in the winning old style), "that the love of one thing enlarges the heart for another?"

"Should it not?" She admired his cruel self-possession pitiably, as she contrasted her own husky tones with it.

Emilia looked from one to the other, fancying that they must have her case somewhere in prospect, since none could be unconscious of the vehement struggle going on in her bosom; but they went farther and farther off from her comprehension, and seemed to speak of bloodless matters. "And yet he is her lover," she thought. "When they meet they talk across a river, and he knows she is going to another man, and does not gripe her wrist and drag her away!" The sense that she had no kinship with such flesh shut her mouth faster than Wilfrid's injunctions (which were ordinarily conveyed in too subtle a manner for her to feel their meaning enough to find them binding). Cornelia, for a mask to her emotions, gave Emilia a gentle, albeit high-worded lecture on the artist's duty toward Art, quoting favourite passages from Mr. Barrett's favourite Art-critic. And her fashion of dropping her voice as she declaimed the more dictatorial sentences (to imply, one might guess, by a show of personal humility that she would have you to know her preaching was vicarious; that she stood humbly in the pulpit, and was but a vessel for the delivery of the burden of the oracle), all this was beautiful to him who could see it. I cannot think it was wholesome for him; nor that Cornelia was unaware of a naughty wish to glitter temporarily in the eyes of the man who made her feel humble. The sorcery she sent through his blood communicated itself to hers. When she had done, Emilia, convincedly vanquished by big words, said, "I cannot talk," and turned heavily from them without bestowing a smile upon either.

Cornelia believed that the girl would turn back as abruptly as she had retreated; and it was not until Emilia was out of sight that she remembered the impropriety of being alone with Mr. Barrett. The Pitfall of Sentiment yawned visible, but this lady's strength had been too little tried for her to lack absolute faith in it. So, out of deep silences, the two leapt to speech and immediately subsided to the depths again: as on a sultry summer's day fishes flash their tails in the sunlight and leave a solitary circle widening on the water.

Then Cornelia knew what was coming. In set phrase, and as one who performs a duty frigidly pleasant, he congratulated her on her rumored union. One hand was in his buttoned coat; the other hung elegantly loose: not a feature betrayed emotion. He might have spoken it in a ballroom. To Cornelia, who exulted in self-compression, after the Roman method, it was more dangerous than a tremulous tone.

"You know me too well to say this, Mr. Barrett."

The words would come. She preserved her steadfast air, when they had escaped, to conceal her shame. Seeing thus much, he took it to mean that it was a time for plain-speaking. To what end, he did not ask.

"You have not to be told that I desire your happiness above all earthly things," he said: and the lady shrank back, and made an effort to recover her footing. Had he not been so careful to obliterate any badge of the Squire of low degree, at his elbows, cuffs, collar, kneecap, and head-piece, she might have achieved it with better success. For cynicism (the younger brother of sentiment and inheritor of the family property) is always on the watch to deal fatal blows through such vital parts as the hat or the H's, or indeed any sign of inferior estate. But Mr. Barrett was armed at all points by a consummate education and a most serviceable clothesbrush.

"You know how I love this neighbourhood!" said she.

"And I! above all that I have known!"

They left the pathway and walked on mosses—soft yellow beds, run over with grey lichen, and plots of emerald in the midst.

"You will not fall off with your reading?" he recommenced.

She answered "Yes," meaning "No"; and corrected the error languidly, thinking one of the weighty monosyllables as good as the other: for what was reading to her now?

"It would be ten thousand pities if you were to do as so many women do, when...when they make these great changes," he continued.

"Of what avail is the improvement of the mind?" she said, and followed his stumble over the "when," and dropped on it.

"Of what avail! Is marriage to stop your intellectual growth?"

"Without sympathy," she faltered, and was shocked at what she said; but it seemed a necessity.

"You must learn to conquer the need for it."

Alas! his admonition only made her feel the need more cravingly.

"Promise me one thing," he said. "You will not fall into the rut? Let me keep the ideal you have given me. For the sake of heaven, do not cloud for me the one bright image I hold! Let me know always that you are growing, and that the pure, noble intelligence which distinguishes you advances, and will not be subdued."

Cornelia smiled faintly. "You have judged me too generously, Mr. Barrett."

"Too little so! might I tell you!" He stopped short, and she felt the silence like a great wave sweeping over her.

They were nearing the lake, with the stump of the pollard-willow in sight, and toward it they went.

"I shall take the consolation of knowing that I shall hear of you, some day," she said, having recourse to a look of cheerfulness.

He knew her to allude to certain hopes of fame. "I am getting wiser, I fear—too wise for ambition!"

"That is a fallacy, a sophism."

He pointed to the hollow tree. "Is there promise of fruit from that?"

"You...you are young, Mr. Barrett."

"And on a young, forehead it may be written, 'Come not to gather more.'"

Cornelia put her hand out: "Oh, Mr. Barrett! unsay it!" The nakedness of her spirit stood forth in a stinging tear. "The words were cruel."

"But, if they live, and are?"

"I feel that you must misjudge me. When I wrote them...you cannot know! The misery of our domestic life was so bitter! And yet, I have no excuse, none! I can only ask for pity."

"And if you are wretched, must not I be? You pluck from me my last support. This, I petitioned Providence to hear from you—that you would be happy! I can have no comfort but in that."

"Happy!" Cornelia murmured the word musically, as if to suck an irony from the sweetness of the sound. "Are we made for happiness?"

Mr. Barrett quoted the favourite sage, concluding: "But a brilliant home and high social duties bring consolation. I do acknowledge that an eminent station will not only be graced by you, but that you give the impression of being born to occupy it. It is your destiny."

"A miserable destiny!"

It pleased Cornelia to become the wilful child who quarrels with its tutor's teachings, upon this point.

Then Mr. Barrett said quickly: "Your heart is not in this union?"

"Can you ask? I have done my duty."

"Have you, indeed!"

His tone was severe in the deliberation of its accents.

Was it her duty to live an incomplete life? He gave her a definition of personal duty, and shadowed out all her own ideas on the subject; seeming thus to speak terrible, unanswerable truth.

As one who changes the theme, he said: "I have forborne to revert to myself in our interviews; they were too divine for that. You will always remember that I have forborne much."