"Dear Honoured Mother," he says in a letter enclosed to Lucy Porter, the step-daughter, "neither your condition nor your character make it fit for me to say much. You have been the best mother, and I believe the best woman in the world. I thank you for your indulgence to me, and beg forgiveness of all that I have done ill, and of all that I have omitted to do well. God grant you His Holy Spirit, and receive you to everlasting happiness for Jesus Christ's sake. Amen. Lord Jesus receive your spirit. I am, dear, dear mother,

"Your dutiful son,

"SAMUEL JOHNSON."

Johnson managed to raise twelve guineas, six of them borrowed from his printer, to send to his dying mother. In order to gain money for her funeral expenses and some small debts, he wrote the story of Rasselas. It was composed in the evenings of a single week, and sent to press as it was written. He received L100 for this, perhaps the most successful of his minor writings, and L25 for a second edition. It was widely translated and universally admired. One of the strangest of literary coincidences is the contemporary appearance of this work and Voltaire's Candide; to which, indeed, it bears in some respects so strong a resemblance that, but for Johnson's apparent contradiction, we would suppose that he had at least heard some description of its design. The two stories, though widely differing in tone and style, are among the most powerful expressions of the melancholy produced in strong intellects by the sadness and sorrows of the world. The literary excellence of Candide has secured for it a wider and more enduring popularity than has fallen to the lot of Johnson's far heavier production. But Rasselas is a book of singular force, and bears the most characteristic impression of Johnson's peculiar temperament.

A great change was approaching in Johnson's circumstances. When George III. came to the throne, it struck some of his advisers that it would be well, as Boswell puts it, to open "a new and brighter prospect to men of literary merit." This commendable design was carried out by offering to Johnson a pension of three hundred a year. Considering that such men as Horace Walpole and his like were enjoying sinecures of more than twice as many thousands for being their father's sons, the bounty does not strike one as excessively liberal. It seems to have been really intended as some set-off against other pensions bestowed upon various hangers-on of the Scotch prime minister, Bute. Johnson was coupled with the contemptible scribbler, Shebbeare, who had lately been in the pillory for a Jacobite libel (a "he-bear" and a "she-bear," said the facetious newspapers), and when a few months afterwards a pension of L200 a year was given to the old actor, Sheridan, Johnson growled out that it was time for him to resign his own. Somebody kindly repeated the remark to Sheridan, who would never afterwards speak to Johnson.

The pension, though very welcome to Johnson, who seems to have been in real distress at the time, suggested some difficulty. Johnson had unluckily spoken of a pension in his Dictionary as "generally understood to mean pay given to a State hireling for treason to his country." He was assured, however, that he did not come within the definition; and that the reward was given for what he had done, not for anything that he was expected to do. After some hesitation, Johnson consented to accept the payment thus offered without the direct suggestion of any obligation, though it was probably calculated that he would in case of need, be the more ready, as actually happened, to use his pen in defence of authority. He had not compromised his independence and might fairly laugh at angry comments. "I wish," he said afterwards, "that my pension were twice as large, that they might make twice as much noise." "I cannot now curse the House of Hanover," was his phrase on another occasion: "but I think that the pleasure of cursing the House of Hanover and drinking King James's health, all amply overbalanced by three hundred pounds a year." In truth, his Jacobitism was by this time, whatever it had once been, nothing more than a humorous crotchet, giving opportunity for the expression of Tory prejudice.

"I hope you will now purge and live cleanly like a gentleman," was Beauclerk's comment upon hearing of his friend's accession of fortune, and as Johnson is now emerging from Grub Street, it is desirable to consider what manner of man was to be presented to the wider circles that were opening to receive him.



CHAPTER III

JOHNSON AND HIS FRIENDS.

It is not till some time after Johnson had come into the enjoyment of his pension, that we first see him through the eyes of competent observers. The Johnson of our knowledge, the most familiar figure to all students of English literary history had already long passed the prime of life, and done the greatest part of his literary work. His character, in the common phrase, had been "formed" years before; as, indeed, people's characters are chiefly formed in the cradle; and, not only his character, but the habits which are learnt in the great schoolroom of the world were fixed beyond any possibility of change. The strange eccentricities which had now become a second nature, amazed the society in which he was for over twenty years a prominent figure. Unsympathetic observers, those especially to whom the Chesterfield type represented the ideal of humanity, were simply disgusted or repelled. The man, they thought, might be in his place at a Grub Street pot-house; but had no business in a lady's drawing-room. If he had been modest and retiring, they might have put up with his defects; but Johnson was not a person whose qualities, good or bad, were of a kind to be ignored. Naturally enough, the fashionable world cared little for the rugged old giant. "The great," said Johnson, "had tried him and given him up; they had seen enough of him;" and his reason was pretty much to the purpose. "Great lords and great ladies don't love to have their mouths stopped," especially not, one may add, by an unwashed fist.

It is easy to blame them now. Everybody can see that a saint in beggar's rags is intrinsically better than a sinner in gold lace. But the principle is one of those which serves us for judging the dead, much more than for regulating our own conduct. Those, at any rate, may throw the first stone at the Horace Walpoles and Chesterfields, who are quite certain that they would ask a modern Johnson to their houses. The trial would be severe. Poor Mrs. Boswell complained grievously of her husband's idolatry. "I have seen many a bear led by a man," she said; "but I never before saw a man led by a bear." The truth is, as Boswell explains, that the sage's uncouth habits, such as turning the candles' heads downwards to make them burn more brightly, and letting the wax drop upon the carpet, "could not but be disagreeable to a lady."

He had other habits still more annoying to people of delicate perceptions. A hearty despiser of all affectations, he despised especially the affectation of indifference to the pleasures of the table. "For my part," he said, "I mind my belly very studiously and very carefully, for I look upon it that he who does not mind his belly will hardly mind anything else." Avowing this principle he would innocently give himself the airs of a scientific epicure. "I, madam," he said to the terror of a lady with whom he was about to sup, "who live at a variety of good tables, am a much better judge of cookery than any person who has a very tolerable cook, but lives much at home, for his palate is gradually adapted to the taste of his cook, whereas, madam, in trying by a wider range, I can more exquisitely judge." But his pretensions to exquisite taste are by no means borne out by independent witnesses. "He laughs," said Tom Davies, "like a rhinoceros," and he seems to have eaten like a wolf—savagely, silently, and with undiscriminating fury. He was not a pleasant object during this performance. He was totally absorbed in the business of the moment, a strong perspiration came out, and the veins of his forehead swelled. He liked coarse satisfying dishes—boiled pork and veal-pie stuffed with plums and sugar; and in regard to wine, he seems to have accepted the doctrines of the critic of a certain fluid professing to be port, who asked, "What more can you want? It is black, and it is thick, and it makes you drunk." Claret, as Johnson put it, "is the liquor for boys, and port for men; but he who aspires to be a hero must drink brandy." He could, however, refrain, though he could not be moderate, and for all the latter part of his life, from 1766, he was a total abstainer. Nor, it should be added, does he ever appear to have sought for more than exhilaration from wine. His earliest intimate friend, Hector, said that he had never but once seen him drunk.

His appetite for more innocent kinds of food was equally excessive. He would eat seven or eight peaches before breakfast, and declared that he had only once in his life had as much wall-fruit as he wished. His consumption of tea was prodigious, beyond all precedent. Hawkins quotes Bishop Burnet as having drunk sixteen large cups every morning, a feat which would entitle him to be reckoned as a rival. "A hardened and shameless tea-drinker," Johnson called himself, who "with tea amuses the evenings, with tea solaces the midnights, and with tea welcomes the mornings." One of his teapots, preserved by a relic-hunter, contained two quarts, and he professed to have consumed five and twenty cups at a sitting. Poor Mrs. Thrale complains that he often kept her up making tea for him till four in the morning. His reluctance to go to bed was due to the fact that his nights were periods of intense misery; but the vast potations of tea can scarcely have tended to improve them.

The huge frame was clad in the raggedest of garments, until his acquaintance with the Thrales led to a partial reform. His wigs were generally burnt in front, from his shortsighted knack of reading with his head close to the candle; and at the Thrales, the butler stood ready to effect a change of wigs as he passed into the dining-room. Once or twice we have accounts of his bursting into unusual splendour. He appeared at the first representation of Irene in a scarlet waistcoat laced with gold; and on one of his first interviews with Goldsmith he took the trouble to array himself decently, because Goldsmith was reported to have justified slovenly habits by the precedent of the leader of his craft. Goldsmith, judging by certain famous suits, seems to have profited by the hint more than his preceptor. As a rule, Johnson's appearance, before he became a pensioner, was worthy of the proverbial manner of Grub Street. Beauclerk used to describe how he had once taken a French lady of distinction to see Johnson in his chambers. On descending the staircase they heard a noise like thunder. Johnson was pursuing them, struck by a sudden sense of the demands upon his gallantry. He brushed in between Beauclerk and the lady, and seizing her hand conducted her to her coach. A crowd of people collected to stare at the sage, dressed in rusty brown, with a pair of old shoes for slippers, a shrivelled wig on the top of his head, and with shirtsleeves and the knees of his breeches hanging loose. In those days, clergymen and physicians were only just abandoning the use of their official costume in the streets, and Johnson's slovenly habits were even more marked than they would be at present. "I have no passion for clean linen," he once remarked, and it is to be feared that he must sometimes have offended more senses than one.

In spite of his uncouth habits of dress and manners, Johnson claimed and, in a sense, with justice, to be a polite man. "I look upon myself," he said once to Boswell, "as a very polite man." He could show the stately courtesy of a sound Tory, who cordially accepts the principle of social distinction, but has far too strong a sense of self-respect to fancy that compliance with the ordinary conventions can possibly lower his own position. Rank of the spiritual kind was especially venerable to him. "I should as soon have thought of contradicting a bishop," was a phrase which marked the highest conceivable degree of deference to a man whom he respected. Nobody, again, could pay more effective compliments, when he pleased; and the many female friends who have written of him agree, that he could be singularly attractive to women. Women are, perhaps, more inclined than men to forgive external roughness in consideration of the great charm of deep tenderness in a thoroughly masculine nature. A characteristic phrase was his remark to Miss Monckton. She had declared, in opposition to one of Johnson's prejudices, that Sterne's writings were pathetic: "I am sure," she said, "they have affected me." "Why," said Johnson, smiling and rolling himself about, "that is because, dearest, you are a dunce!" When she mentioned this to him some time afterwards he replied: "Madam, if I had thought so, I certainly should not have said it." The truth could not be more neatly put.

Boswell notes, with some surprise, that when Johnson dined with Lord Monboddo he insisted upon rising when the ladies left the table, and took occasion to observe that politeness was "fictitious benevolence," and equally useful in common intercourse. Boswell's surprise seems to indicate that Scotchmen in those days were even greater bears than Johnson. He always insisted, as Miss Reynolds tells us, upon showing ladies to their carriages through Bolt Court, though his dress was such that her readers would, she thinks, be astonished that any man in his senses should have shown himself in it abroad or even at home. Another odd indication of Johnson's regard for good manners, so far as his lights would take him, was the extreme disgust with which he often referred to a certain footman in Paris, who used his fingers in place of sugar-tongs. So far as Johnson could recognize bad manners he was polite enough, though unluckily the limitation is one of considerable importance.

Johnson's claims to politeness were sometimes, it is true, put in a rather startling form. "Every man of any education," he once said to the amazement of his hearers, "would rather be called a rascal than accused of deficiency in the graces." Gibbon, who was present, slily inquired of a lady whether among all her acquaintance she could not find one exception. According to Mrs. Thrale, he went even further. Dr. Barnard, he said, was the only man who had ever done justice to his good breeding; "and you may observe," he added, "that I am well-bred to a degree of needless scrupulosity." He proceeded, according to Mrs. Thrale, but the report a little taxes our faith, to claim the virtues not only of respecting ceremony, but of never contradicting or interrupting his hearers. It is rather odd that Dr. Barnard had once a sharp altercation with Johnson, and avenged himself by a sarcastic copy of verses in which, after professing to learn perfectness from different friends, he says,—

Johnson shall teach me how to place, In varied light, each borrow'd grace; From him I'll learn to write; Copy his clear familiar style, And by the roughness of his file, Grow, like himself, polite.

Johnson, on this as on many occasions, repented of the blow as soon as it was struck, and sat down by Barnard, "literally smoothing down his arms and knees," and beseeching pardon. Barnard accepted his apologies, but went home and wrote his little copy of verses.

Johnson's shortcomings in civility were no doubt due, in part, to the narrowness of his faculties of perception. He did not know, for he could not see, that his uncouth gestures and slovenly dress were offensive; and he was not so well able to observe others as to shake off the manners contracted in Grub Street. It is hard to study a manual of etiquette late in life, and for a man of Johnson's imperfect faculties it was probably impossible. Errors of this kind were always pardonable, and are now simply ludicrous. But Johnson often shocked his companions by more indefensible conduct. He was irascible, overbearing, and, when angry, vehement beyond all propriety. He was a "tremendous companion," said Garrick's brother; and men of gentle nature, like Charles Fox, often shrank from his company, and perhaps exaggerated his brutality.

Johnson, who had long regarded conversation as the chief amusement, came in later years to regard it as almost the chief employment of life; and he had studied the art with the zeal of a man pursuing a favourite hobby. He had always, as he told Sir Joshua Reynolds, made it a principle to talk on all occasions as well as he could. He had thus obtained a mastery over his weapons which made him one of the most accomplished of conversational gladiators. He had one advantage which has pretty well disappeared from modern society, and the disappearance of which has been destructive to excellence of talk. A good talker, even more than a good orator, implies a good audience. Modern society is too vast and too restless to give a conversationalist a fair chance. For the formation of real proficiency in the art, friends should meet often, sit long, and be thoroughly at ease. A modern audience generally breaks up before it is well warmed through, and includes enough strangers to break the magic circle of social electricity. The clubs in which Johnson delighted were excellently adapted to foster his peculiar talent. There a man could "fold his legs and have his talk out"—a pleasure hardly to be enjoyed now. And there a set of friends meeting regularly, and meeting to talk, learnt to sharpen each other's skill in all dialectic manoeuvres. Conversation may be pleasantest, as Johnson admitted, when two friends meet quietly to exchange their minds without any thought of display. But conversation considered as a game, as a bout of intellectual sword-play, has also charms which Johnson intensely appreciated. His talk was not of the encyclopaedia variety, like that of some more modern celebrities; but it was full of apposite illustrations and unrivalled in keen argument, rapid flashes of wit and humour, scornful retort and dexterous sophistry. Sometimes he would fell his adversary at a blow; his sword, as Boswell said, would be through your body in an instant without preliminary flourishes; and in the excitement of talking for victory, he would use any device that came to hand. "There is no arguing with Johnson," said Goldsmith, quoting a phrase from Cibber, "for if his pistol misses fire, he knocks you down with the butt-end of it."

Johnson's view of conversation is indicated by his remark about Burke. "That fellow," he said at a time of illness, "calls forth all my powers. Were I to see Burke now, it would kill me." "It is when you come close to a man in conversation," he said on another occasion, "that you discover what his real abilities are. To make a speech in an assembly is a knack. Now I honour Thurlow, sir; Thurlow is a fine fellow, he fairly puts his mind to yours."

Johnson's retorts were fair play under the conditions of the game, as it is fair play to kick an opponent's shins at football. But of course a man who had, as it were, become the acknowledged champion of the ring, and who had an irascible and thoroughly dogmatic temper, was tempted to become unduly imperious. In the company of which Savage was a distinguished member, one may guess that the conversational fervour sometimes degenerated into horse-play. Want of arguments would be supplied by personality, and the champion would avenge himself by brutality on an opponent who happened for once to be getting the best of him. Johnson, as he grew older and got into more polished society, became milder in his manners; but he had enough of the old spirit left in him to break forth at times with ungovernable fury, and astonish the well-regulated minds of respectable ladies and gentlemen.

Anecdotes illustrative of this ferocity abound, and his best friends—except, perhaps, Reynolds and Burke—had all to suffer in turn. On one occasion, when he had made a rude speech even to Reynolds, Boswell states, though with some hesitation, his belief that Johnson actually blushed. The records of his contests in this kind fill a large space in Boswell's pages. That they did not lead to worse consequences shows his absence of rancour. He was always ready and anxious for a reconciliation, though he would not press for one if his first overtures were rejected. There was no venom in the wounds he inflicted, for there was no ill-nature; he was rough in the heat of the struggle, and in such cases careless in distributing blows; but he never enjoyed giving pain. None of his tiffs ripened into permanent quarrels, and he seems scarcely to have lost a friend. He is a pleasant contrast in this, as in much else, to Horace Walpole, who succeeded, in the course of a long life, in breaking with almost all his old friends. No man set a higher value upon friendship than Johnson. "A man," he said to Reynolds, "ought to keep his friendship in constant repair;" or he would find himself left alone as he grew older. "I look upon a day as lost," he said later in life, "in which I do not make a new acquaintance." Making new acquaintances did not involve dropping the old. The list of his friends is a long one, and includes, as it were, successive layers, superposed upon each other, from the earliest period of his life.

This is so marked a feature in Johnson's character, that it will be as well at this point to notice some of the friendships from which he derived the greatest part of his happiness. Two of his schoolfellows, Hector and Taylor, remained his intimates through life. Hector survived to give information to Boswell, and Taylor, then a prebendary of Westminster, read the funeral service over his old friend in the Abbey. He showed, said some of the bystanders, too little feeling. The relation between the two men was not one of special tenderness; indeed they were so little congenial that Boswell rather gratuitously suspected his venerable teacher of having an eye to Taylor's will. It seems fairer to regard the acquaintance as an illustration of that curious adhesiveness which made Johnson cling to less attractive persons. At any rate, he did not show the complacence of the proper will-hunter. Taylor was rector of Bosworth and squire of Ashbourne. He was a fine specimen of the squire-parson; a justice of the peace, a warm politician, and what was worse, a warm Whig. He raised gigantic bulls, bragged of selling cows for 120 guineas and more, and kept a noble butler in purple clothes and a large white wig. Johnson respected Taylor as a sensible man, but was ready to have a round with him on occasion. He snorted contempt when Taylor talked of breaking some small vessels if he took an emetic. "Bah," said the doctor, who regarded a valetudinarian as a "scoundrel," "if you have so many things that will break, you had better break your neck at once, and there's an end on't." Nay, if he did not condemn Taylor's cows, he criticized his bulldog with cruel acuteness. "No, sir, he is not well shaped; for there is not the quick transition from the thickness of the fore-part to the tenuity—the thin part—behind, which a bulldog ought to have." On the more serious topic of politics his Jacobite fulminations roused Taylor "to a pitch of bellowing." Johnson roared out that if the people of England were fairly polled (this was in 1777) the present king would be sent away to-night, and his adherents hanged to-morrow. Johnson, however, rendered Taylor the substantial service of writing sermons for him, two volumes of which were published after they were both dead; and Taylor must have been a bold man, if it be true, as has been said, that he refused to preach a sermon written by Johnson upon Mrs. Johnson's death, on the ground that it spoke too favourably of the character of the deceased.

Johnson paid frequent visits to Lichfield, to keep up his old friends. One of them was Lucy Porter, his wife's daughter, with whom, according to Miss Seward, he had been in love before he married her mother. He was at least tenderly attached to her through life. And, for the most part, the good people of Lichfield seem to have been proud of their fellow-townsman, and gave him a substantial proof of their sympathy by continuing to him, on favourable terms, the lease of a house originally granted to his father. There was, indeed, one remarkable exception in Miss Seward, who belonged to a genus specially contemptible to the old doctor. She was one of the fine ladies who dabbled in poetry, and aimed at being the centre of a small literary circle at Lichfield. Her letters are amongst the most amusing illustrations of the petty affectations and squabbles characteristic of such a provincial clique. She evidently hated Johnson at the bottom of her small soul; and, indeed, though Johnson once paid her a preposterous compliment—a weakness of which this stern moralist was apt to be guilty in the company of ladies—he no doubt trod pretty roughly upon some of her pet vanities.

By far the most celebrated of Johnson's Lichfield friends was David Garrick, in regard to whom his relations were somewhat peculiar. Reynolds said that Johnson considered Garrick to be his own property, and would never allow him to be praised or blamed by any one else without contradiction. Reynolds composed a pair of imaginary dialogues to illustrate the proposition, in one of which Johnson attacks Garrick in answer to Reynolds, and in the other defends him in answer to Gibbon. The dialogues seem to be very good reproductions of the Johnsonian manner, though perhaps the courteous Reynolds was a little too much impressed by its roughness; and they probably include many genuine remarks of Johnson's. It is remarkable that the praise is far more pointed and elaborate than the blame, which turns chiefly upon the general inferiority of an actor's position. And, in fact, this seems to have corresponded to Johnson's opinion about Garrick as gathered from Boswell.

The two men had at bottom a considerable regard for each other, founded upon old association, mutual services, and reciprocal respect for talents of very different orders. But they were so widely separated by circumstances, as well as by a radical opposition of temperament, that any close intimacy could hardly be expected. The bear and the monkey are not likely to be intimate friends. Garrick's rapid elevation in fame and fortune seems to have produced a certain degree of envy in his old schoolmaster. A grave moral philosopher has, of course, no right to look askance at the rewards which fashion lavishes upon men of lighter and less lasting merit, and which he professes to despise. Johnson, however, was troubled with a rather excessive allowance of human nature. Moreover he had the good old-fashioned contempt for players, characteristic both of the Tory and the inartistic mind. He asserted roundly that he looked upon players as no better than dancing-dogs. "But, sir, you will allow that some players are better than others?" "Yes, sir, as some dogs dance better than others." So when Goldsmith accused Garrick of grossly flattering the queen, Johnson exclaimed, "And as to meanness—how is it mean in a player, a showman, a fellow who exhibits himself for a shilling, to flatter his queen?" At another time Boswell suggested that we might respect a great player. "What! sir," exclaimed Johnson, "a fellow who claps a hump upon his back and a lump on his leg and cries, 'I am Richard III.'? Nay, sir, a ballad-singer is a higher man, for he does two things: he repeats and he sings; there is both recitation and music in his performance—the player only recites."

Such sentiments were not very likely to remain unknown to Garrick nor to put him at ease with Johnson, whom, indeed, he always suspected of laughing at him. They had a little tiff on account of Johnson's Edition of Shakspeare. From some misunderstanding, Johnson did not make use of Garrick's collection of old plays. Johnson, it seems, thought that Garrick should have courted him more, and perhaps sent the plays to his house; whereas Garrick, knowing that Johnson treated books with a roughness ill-suited to their constitution, thought that he had done quite enough by asking Johnson to come to his library. The revenge—if it was revenge—taken by Johnson was to say nothing of Garrick in his Preface, and to glance obliquely at his non-communication of his rarities. He seems to have thought that it would be a lowering of Shakspeare to admit that his fame owed anything to Garrick's exertions.

Boswell innocently communicated to Garrick a criticism of Johnson's upon one of his poems—

I'd smile with the simple and feed with the poor.

"Let me smile with the wise, and feed with the rich," was Johnson's tolerably harmless remark. Garrick, however, did not like it, and when Boswell tried to console him by saying that Johnson gored everybody in turn, and added, "foenum habet in cornu." "Ay," said Garrick vehemently, "he has a whole mow of it." The most unpleasant incident was when Garrick proposed rather too freely to be a member of the Club. Johnson said that the first duke in England had no right to use such language, and said, according to Mrs. Thrale, "If Garrick does apply, I'll blackball him. Surely we ought to be able to sit in a society like ours—

'Unelbowed by a gamester, pimp, or player!'"

Nearly ten years afterwards, however, Johnson favoured his election, and when he died, declared that the Club should have a year's widowhood. No successor to Garrick was elected during that time.

Johnson sometimes ventured to criticise Garrick's acting, but here Garrick could take his full revenge. The purblind Johnson was not, we may imagine, much of a critic in such matters. Garrick reports him to have said of an actor at Lichfield, "There is a courtly vivacity about the fellow;" when, in fact, said Garrick, "he was the most vulgar ruffian that ever went upon boards."

In spite of such collisions of opinion and mutual criticism, Johnson seems to have spoken in the highest terms of Garrick's good qualities, and they had many pleasant meetings. Garrick takes a prominent part in two or three of the best conversations in Boswell, and seems to have put his interlocutors in specially good temper. Johnson declared him to be "the first man in the world for sprightly conversation." He said that Dryden had written much better prologues than any of Garrick's, but that Garrick had written more good prologues than Dryden. He declared that it was wonderful how little Garrick had been spoilt by all the flattery that he had received. No wonder if he was a little vain: "a man who is perpetually flattered in every mode that can be conceived: so many bellows have blown the fuel, that one wonders he is not by this time become a cinder!" "If all this had happened to me," he said on another occasion, "I should have had a couple of fellows with long poles walking before me, to knock down everybody that stood in the way. Consider, if all this had happened to Cibber and Quin, they'd have jumped over the moon. Yet Garrick speaks to us," smiling. He admitted at the same time that Garrick had raised the profession of a player. He defended Garrick, too, against the common charge of avarice. Garrick, as he pointed out, had been brought up in a family whose study it was to make fourpence go as far as fourpence-halfpenny. Johnson remembered in early days drinking tea with Garrick when Peg Woffington made it, and made it, as Garrick grumbled, "as red as blood." But when Garrick became rich he became liberal. He had, so Johnson declared, given away more money than any man in England.

After Garrick's death, Johnson took occasion to say, in the Lives of the Poets, that the death "had eclipsed the gaiety of nations and diminished the public stock of harmless pleasures." Boswell ventured to criticise the observation rather spitefully. "Why nations? Did his gaiety extend further than his own nation?" "Why, sir," replied Johnson, "some imagination must be allowed. Besides, we may say nations if we allow the Scotch to be a nation, and to have gaiety—which they have not." On the whole, in spite of various drawbacks, Johnson's reported observations upon Garrick will appear to be discriminative, and yet, on the whole, strongly favourable to his character. Yet we are not quite surprised that Mrs. Garrick did not respond to a hint thrown out by Johnson, that he would be glad to write the life of his friend.

At Oxford, Johnson acquired the friendship of Dr. Adams, afterwards Master of Pembroke and author of a once well-known reply to Hume's argument upon miracles. He was an amiable man, and was proud to do the honours of the university to his old friend, when, in later years, Johnson revisited the much-loved scenes of his neglected youth. The warmth of Johnson's regard for old days is oddly illustrated by an interview recorded by Boswell with one Edwards, a fellow-student whom he met again in 1778, not having previously seen him since 1729. They had lived in London for forty years without once meeting, a fact more surprising then than now. Boswell eagerly gathered up the little scraps of college anecdote which the meeting produced, but perhaps his best find was a phrase of Edwards himself. "You are a philosopher, Dr. Johnson," he said; "I have tried, too, in my time to be a philosopher; but, I don't know how, cheerfulness was always breaking in." The phrase, as Boswell truly says, records an exquisite trait of character.

Of the friends who gathered round Johnson during his period of struggle, many had vanished before he became well known. The best loved of all seems to have been Dr. Bathurst, a physician, who, failing to obtain practice, joined the expedition to Havannah, and fell a victim to the climate (1762). Upon him Johnson pronounced a panegyric which has contributed a proverbial phrase to the language. "Dear Bathurst," he said, "was a man to my very heart's content: he hated a fool and he hated a rogue, and he hated a Whig; he was a very good hater." Johnson remembered Bathurst in his prayers for years after his loss, and received from him a peculiar legacy. Francis Barker had been the negro slave of Bathurst's father, who left him his liberty by will. Dr. Bathurst allowed him to enter Johnson's service; and Johnson sent him to school at considerable expense, and afterwards retained him in his service with little interruption till his own death. Once Barker ran away to sea, and was discharged, oddly enough, by the good offices of Wilkes, to whom Smollett applied on Johnson's behalf. Barker became an important member of Johnson's family, some of whom reproached him for his liberality to the nigger. No one ever solved the great problem as to what services were rendered by Barker to his master, whose wig was "as impenetrable by a comb as a quickset hedge," and whose clothes were never touched by the brush.

Among the other friends of this period must be reckoned his biographer, Hawkins, an attorney who was afterwards Chairman of the Middlesex Justices, and knighted on presenting an address to the King. Boswell regarded poor Sir John Hawkins with all the animosity of a rival author, and with some spice of wounded vanity. He was grievously offended, so at least says Sir John's daughter, on being described in the Life of Johnson as "Mr. James Boswell" without a solitary epithet such as celebrated or well-known. If that was really his feeling, he had his revenge; for no one book ever so suppressed another as Boswell's Life suppressed Hawkins's. In truth, Hawkins was a solemn prig, remarkable chiefly for the unusual intensity of his conviction that all virtue consists in respectability. He had a special aversion to "goodness of heart," which he regarded as another name for a quality properly called extravagance or vice. Johnson's tenacity of old acquaintance introduced him into the Club, where he made himself so disagreeable, especially, as it seems, by rudeness to Burke, that he found it expedient to invent a pretext for resignation. Johnson called him a "very unclubable man," and may perhaps have intended him in the quaint description: "I really believe him to be an honest man at the bottom; though, to be sure, he is rather penurious, and he is somewhat mean; and it must be owned he has some degree of brutality, and is not without a tendency to savageness that cannot well be defended."

In a list of Johnson's friends it is proper to mention Richardson and Hawkesworth. Richardson seems to have given him substantial help, and was repaid by favourable comparisons with Fielding, scarcely borne out by the verdict of posterity. "Fielding," said Johnson, "could tell the hour by looking at the clock; whilst Richardson knew how the clock was made." "There is more knowledge of the heart," he said at another time, "in one letter of Richardson's than in all Tom Jones." Johnson's preference of the sentimentalist to the man whose humour and strong sense were so like his own, shows how much his criticism was biassed by his prejudices; though, of course, Richardson's external decency was a recommendation to the moralist. Hawkesworth's intimacy with Johnson seems to have been chiefly in the period between the Dictionary and the pension. He was considered to be Johnson's best imitator; and has vanished like other imitators. His fate, very doubtful if the story believed at the time be true, was a curious one for a friend of Johnson's. He had made some sceptical remarks as to the efficacy of prayer in his preface to the South Sea Voyages; and was so bitterly attacked by a "Christian" in the papers, that he destroyed himself by a dose of opium.

Two younger friends, who became disciples of the sage soon after the appearance of the Rambler, are prominent figures in the later circle. One of these was Bennet Langton, a man of good family, fine scholarship, and very amiable character. His exceedingly tall and slender figure was compared by Best to the stork in Raphael's cartoon of the Miraculous Draught of Fishes. Miss Hawkins describes him sitting with one leg twisted round the other as though to occupy the smallest possible space, and playing with his gold snuff-box with a mild countenance and sweet smile. The gentle, modest creature was loved by Johnson, who could warm into unusual eloquence in singing his praises. The doctor, however, was rather fond of discussing with Boswell the faults of his friend. They seem to have chiefly consisted in a certain languor or sluggishness of temperament which allowed his affairs to get into perplexity. Once, when arguing the delicate question as to the propriety of telling a friend of his wife's unfaithfulness, Boswell, after his peculiar fashion, chose to enliven the abstract statement by the purely imaginary hypothesis of Mr. and Mrs. Langton being in this position. Johnson said that it would be useless to tell Langton, because he would be too sluggish to get a divorce. Once Langton was the unconscious cause of one of Johnson's oddest performances. Langton had employed Chambers, a common friend of his and Johnson's, to draw his will. Johnson, talking to Chambers and Boswell, was suddenly struck by the absurdity of his friend's appearing in the character of testator. His companions, however, were utterly unable to see in what the joke consisted; but Johnson laughed obstreperously and irrepressibly: he laughed till he reached the Temple Gate; and when in Fleet Street went almost into convulsions of hilarity. Holding on by one of the posts in the street, he sent forth such peals of laughter that they seemed in the silence of the night to resound from Temple Bar to Fleet Ditch.

Not long before his death, Johnson applied to Langton for spiritual advice. "I desired him to tell me sincerely in what he thought my life was faulty." Langton wrote upon a sheet of paper certain texts recommending Christian charity; and explained, upon inquiry, that he was pointing at Johnson's habit of contradiction. The old doctor began by thanking him earnestly for his kindness; but gradually waxed savage and asked Langton, "in a loud and angry tone, What is your drift, sir?" He complained of the well-meant advice to Boswell, with a sense that he had been unjustly treated. It was a scene for a comedy, as Reynolds observed, to see a penitent get into a passion and belabour his confessor.

Through Langton, Johnson became acquainted with the friend whose manner was in the strongest contrast to his own. Topham Beauclerk was a man of fashion. He was commended to Johnson by a likeness to Charles II., from whom he was descended, being the grandson of the first Duke of St. Alban's. Beauclerk was a man of literary and scientific tastes. He inherited some of the moral laxity which Johnson chose to pardon in his ancestor. Some years after his acquaintance with Boswell he married Lady Diana Spencer, a lady who had been divorced upon his account from her husband, Lord Bolingbroke. But he took care not to obtrude his faults of life, whatever they may have been, upon the old moralist, who entertained for him a peculiar affection. He specially admired Beauclerk's skill in the use of a more polished, if less vigorous, style of conversation than his own. He envied the ease with which Beauclerk brought out his sly incisive retorts. "No man," he said, "ever was so free when he was going to say a good thing, from a look that expressed that it was coming; or, when he had said it, from a look that expressed that it had come." When Beauclerk was dying (in 1780), Johnson said, with a faltering voice, that he would walk to the extremity of the diameter of the earth to save him. Two little anecdotes are expressive of his tender feeling for this incongruous friend. Boswell had asked him to sup at Beauclerk's. He started, but, on the way, recollecting himself, said, "I cannot go; but I do not love Beauclerk the less." Beauclerk had put upon a portrait of Johnson the inscription,—

Ingenium ingens Inculto latet hoc sub corpore.

Langton, who bought the portrait, had the inscription removed. "It was kind in you to take it off," said Johnson; and, after a short pause, "not unkind in him to put it on."

Early in their acquaintance, the two young men, Beau and Lanky, as Johnson called them, had sat up one night at a tavern till three in the morning. The courageous thought struck them that they would knock up the old philosopher. He came to the door of his chambers, poker in hand, with an old wig for a nightcap. On hearing their errand, the sage exclaimed, "What! is it you, you dogs? I'll have a frisk with you." And so Johnson with the two youths, his juniors by about thirty years, proceeded to make a night of it. They amazed the fruiterers in Covent Garden; they brewed a bowl of bishop in a tavern, while Johnson quoted the poet's address to Sleep,—

"Short, O short, be then thy reign, And give us to the world again!"

They took a boat to Billingsgate, and Johnson, with Beauclerk, kept up their amusement for the following day, when Langton deserted them to go to breakfast with some young ladies, and Johnson scolded him for leaving his friends "to go and sit with a parcel of wretched unidea'd girls." "I shall have my old friend to bail out of the round-house," said Garrick when he heard of this queer alliance; and he told Johnson that he would be in the Chronicle for his frolic. "He durst not do such a thing. His wife would not let him," was the moralist's retort.

Some friends, known to fame by other titles than their connexion with Johnson, had by this time gathered round them. Among them was one, whose art he was unable to appreciate, but whose fine social qualities and dignified equability of temper made him a valued and respected companion. Reynolds had settled in London at the end of 1752. Johnson met him at the house of Miss Cotterell. Reynolds had specially admired Johnson's Life of Savage, and, on their first meeting, happened to make a remark which delighted Johnson. The ladies were regretting the loss of a friend to whom they were under obligations. "You have, however," said Reynolds, "the comfort of being relieved from a burden of gratitude." The saying is a little too much like Rochefoucauld, and too true to be pleasant; but it was one of those keen remarks which Johnson appreciated because they prick a bubble of commonplace moralizing without demanding too literal an acceptation. He went home to sup with Reynolds and became his intimate friend. On another occasion, Johnson was offended by two ladies of rank at the same house, and by way of taking down their pride, asked Reynolds in a loud voice, "How much do you think you and I could get in a week, if we both worked as hard as we could?" "His appearance," says Sir Joshua's sister, Miss Reynolds, "might suggest the poor author: as he was not likely in that place to be a blacksmith or a porter." Poor Miss Reynolds, who tells this story, was another attraction to Reynolds' house. She was a shy, retiring maiden lady, who vexed her famous brother by following in his steps without his talents, and was deeply hurt by his annoyance at the unintentional mockery. Johnson was through life a kind and judicious friend to her; and had attracted her on their first meeting by a significant indication of his character. He said that when going home to his lodgings at one or two in the morning, he often saw poor children asleep on thresholds and stalls—the wretched "street Arabs" of the day—and that he used to put pennies into their hands that they might buy a breakfast.

Two friends, who deserve to be placed beside Reynolds, came from Ireland to seek their fortunes in London. Edmund Burke, incomparably the greatest writer upon political philosophy in English literature, the master of a style unrivalled for richness, flexibility, and vigour, was radically opposed to Johnson on party questions, though his language upon the French Revolution, after Johnson's death, would have satisfied even the strongest prejudices of his old friend. But he had qualities which commended him even to the man who called him a "bottomless Whig," and who generally spoke of Whigs as rascals, and maintained that the first Whig was the devil. If his intellect was wider, his heart was as warm as Johnson's, and in conversation he merited the generous applause and warm emulation of his friends. Johnson was never tired of praising the extraordinary readiness and spontaneity of Burke's conversation. "If a man," he said, "went under a shed at the same time with Burke to avoid a shower, he would say, 'This is an extraordinary man.' Or if Burke went into a stable to see his horse dressed, the ostler would say, 'We have had an extraordinary man here.'" When Burke was first going into Parliament, Johnson said in answer to Hawkins, who wondered that such a man should get a seat, "We who know Mr. Burke, know that he will be one of the first men in the country." Speaking of certain other members of Parliament, more after the heart of Sir John Hawkins, he said that he grudged success to a man who made a figure by a knowledge of a few forms, though his mind was "as narrow as the neck of a vinegar cruet;" but then he did not grudge Burke's being the first man in the House of Commons, for he would be the first man everywhere. And Burke equally admitted Johnson's supremacy in conversation. "It is enough for me," he said to some one who regretted Johnson's monopoly of the talk on a particular occasion, "to have rung the bell for him."

The other Irish adventurer, whose career was more nearly moulded upon that of Johnson, came to London in 1756, and made Johnson's acquaintance. Some time afterwards (in or before 1761) Goldsmith, like Johnson, had tasted the bitterness of an usher's life, and escaped into the scarcely more tolerable regions of Grub Street. After some years of trial, he was becoming known to the booksellers as a serviceable hand, and had two works in his desk destined to lasting celebrity. His landlady (apparently 1764) one day arrested him for debt. Johnson, summoned to his assistance, sent him a guinea and speedily followed. The guinea had already been changed, and Goldsmith was consoling himself with a bottle of Madeira. Johnson corked the bottle, and a discussion of ways and means brought out the manuscript of the Vicar of Wakefield. Johnson looked into it, took it to a bookseller, got sixty pounds for it, and returned to Goldsmith, who paid his rent and administered a sound rating to his landlady.

The relation thus indicated is characteristic; Johnson was as a rough but helpful elder brother to poor Goldsmith, gave him advice, sympathy, and applause, and at times criticised him pretty sharply, or brought down his conversational bludgeon upon his sensitive friend. "He has nothing of the bear but his skin," was Goldsmith's comment upon his clumsy friend, and the two men appreciated each other at bottom. Some of their readers may be inclined to resent Johnson's attitude of superiority. The admirably pure and tender heart, and the exquisite intellectual refinement implied in the Vicar and the Traveller, force us to love Goldsmith in spite of superficial foibles, and when Johnson prunes or interpolates lines in the Traveller, we feel as though a woodman's axe was hacking at a most delicate piece of carving. The evidence of contemporary observers, however, must force impartial readers to admit that poor Goldsmith's foibles were real, however amply compensated by rare and admirable qualities. Garrick's assertion, that he "wrote like an angel but talked like poor Poll," expresses the unanimous opinion of all who had actually seen him. Undoubtedly some of the stories of his childlike vanity, his frankly expressed envy, and his general capacity for blundering, owe something to Boswell's feeling that he was a rival near the throne, and sometimes poor Goldsmith's humorous self-assertion may have been taken too seriously by blunt English wits. One may doubt, for example, whether he was really jealous of a puppet tossing a pike, and unconscious of his absurdity in saying "Pshaw! I could do it better myself!" Boswell, however, was too good an observer to misrepresent at random, and he has, in fact, explained very well the true meaning of his remarks. Goldsmith was an excitable Irishman of genius, who tumbled out whatever came uppermost, and revealed the feelings of the moment with utter want of reserve. His self-controlled companions wondered, ridiculed, misinterpreted, and made fewer hits as well as fewer misses. His anxiety to "get in and share," made him, according to Johnson, an "unsocial" companion. "Goldsmith," he said, "had not temper enough for the game he played. He staked too much. A man might always get a fall from his inferior in the chances of talk, and Goldsmith felt his falls too keenly." He had certainly some trials of temper in Johnson's company. "Stay, stay," said a German, stopping him in the full flow of his eloquence, "Toctor Johnson is going to say something." An Eton Master called Graham, who was supping with the two doctors, and had got to the pitch of looking at one person, and talking to another, said, "Doctor, I shall be glad to see you at Eton." "I shall be glad to wait on you," said Goldsmith. "No," replied Graham, "'tis not you I mean, Doctor Minor; 'tis Doctor Major there." Poor Goldsmith said afterwards, "Graham is a fellow to make one commit suicide."

Boswell who attributes some of Goldsmith's sayings about Johnson to envy, said with probable truth that Goldsmith had not more envy than others, but only spoke of it more freely. Johnson argued that we must be angry with a man who had so much of an odious quality that he could not keep it to himself, but let it "boil over." The feeling, at any rate, was momentary and totally free from malice; and Goldsmith's criticisms upon Johnson and his idolators seem to have been fair enough. His objection to Boswell's substituting a monarchy for a republic has already been mentioned. At another time he checked Boswell's flow of panegyric by asking, "Is he like Burke, who winds into a subject like a serpent?" To which Boswell replied with charming irrelevance, "Johnson is the Hercules who strangled serpents in his cradle." The last of Goldsmith's hits was suggested by Johnson's shaking his sides with laughter because Goldsmith admired the skill with which the little fishes in the fable were made to talk in character. "Why, Dr. Johnson, this is not so easy as you seem to think," was the retort, "for if you were to make little fishes talk, they would talk like whales."

In spite of sundry little sparrings, Johnson fully appreciated Goldsmith's genius. Possibly his authority hastened the spread of public appreciation, as he seemed to claim, whilst repudiating Boswell's too flattering theory that it had materially raised Goldsmith's position. When Reynolds quoted the authority of Fox in favour of the Traveller, saying that his friends might suspect that they had been too partial, Johnson replied very truly that the Traveller was beyond the need of Fox's praise, and that the partiality of Goldsmith's friends had always been against him. They would hardly give him a hearing. "Goldsmith," he added, "was a man who, whatever he wrote, always did it better than any other man could do." Johnson's settled opinion in fact was that embodied in the famous epitaph with its "nihil tetigit quod non ornavit," and, though dedications are perhaps the only literary product more generally insincere than epitaphs, we may believe that Goldsmith too meant what he said in the dedication of She Stoops to Conquer. "It may do me some honour to inform the public that I have lived many years in intimacy with you. It may serve the interests of mankind also to inform them that the greatest wit may be found in a character, without impairing the most unaffected piety."

Though Johnson was thus rich in friendship, two connexions have still to be noticed which had an exceptional bearing upon his fame and happiness. In January, 1765, he made the acquaintance of the Thrales. Mr. Thrale was the proprietor of the brewery which afterwards became that of Barclay and Perkins. He was married in 1763 to a Miss Hester Lynch Salisbury, who has become celebrated from her friendship with Johnson.[1] She was a woman of great vivacity and independence of character. She had a sensitive and passionate, if not a very tender nature, and enough literary culture to appreciate Johnson's intellectual power, and on occasion to play a very respectable part in conversation. She had far more Latin and English scholarship than fell to the lot of most ladies of her day, and wit enough to preserve her from degenerating like some of the "blues," into that most offensive of beings—a feminine prig. Her marriage had been one of convenience, and her husband's want of sympathy, and jealousy of any interference in business matters, forced her, she says, to take to literature as her sole resource. "No wonder," she adds, "if I loved my books and children." It is, perhaps, more to be wondered at that her children seem to have had a rather subordinate place in her affections. The marriage, however, though not of the happiest, was perfectly decorous. Mrs. Thrale discharged her domestic duties irreproachably, even when she seems to have had some real cause of complaint. To the world she eclipsed her husband, a solid respectable man, whose mind, according to Johnson, struck the hours very regularly, though it did not mark the minutes.

[Footnote 1: Mrs. Thrale was born in 1740 or 1741, probably the latter. Thrale was born in 1724.]

The Thrales were introduced to Johnson by their common friend, Arthur Murphy, an actor and dramatist, who afterwards became the editor of Johnson's works. One day, when calling upon Johnson, they found him in such a fit of despair that Thrale tried to stop his mouth by placing his hand before it. The pair then joined in begging Johnson to leave his solitary abode, and come to them at their country-house at Streatham. He complied, and for the next sixteen years a room was set apart for him, both at Streatham and in their house in Southwark. He passed a large part of his time with them, and derived from the intimacy most of the comfort of his later years. He treated Mrs. Thrale with a kind of paternal gallantry, her age at the time of their acquaintance being about twenty-four, and his fifty-five. He generally called her by the playful name of "my mistress," addressed little poems to her, gave her solid advice, and gradually came to confide to her his miseries and ailments with rather surprising frankness. She flattered and amused him, and soothed his sufferings and did something towards humanizing his rugged exterior. There was one little grievance between them which requires notice. Johnson's pet virtue in private life was a rigid regard for truth. He spoke, it was said of him, as if he was always on oath. He would not, for example, allow his servant to use the phrase "not at home," and even in the heat of conversation resisted the temptation to give point to an anecdote. The lively Mrs. Thrale rather fretted against the restraint, and Johnson admonished her in vain. He complained to Boswell that she was willing to have that said of her, which the best of mankind had died rather than have said of them. Boswell, the faithful imitator of his master in this respect, delighted in taking up the parable. "Now, madam, give me leave to catch you in the fact," he said on one occasion; "it was not an old woman, but an old man whom I mentioned, as having told me this," and he recounts his check to the "lively lady" with intense complacency. As may be imagined, Boswell and Mrs. Thrale did not love each other, in spite of the well-meant efforts of the sage to bring about a friendly feeling between his disciples.

It is time to close this list of friends with the inimitable Boswell. James Boswell, born in 1740, was the eldest son of a Whig laird and lord of sessions. He had acquired some English friends at the Scotch universities, among whom must be mentioned Mr. Temple, an English clergyman. Boswell's correspondence with Temple, discovered years after his death by a singular chance, and published in 1857, is, after the Life of Johnson, one of the most curious exhibitions of character in the language. Boswell was intended for the Scotch bar, and studied civil law at Utrecht in the winter of 1762. It was in the following summer that he made Johnson's acquaintance.

Perhaps the fundamental quality in Boswell's character was his intense capacity for enjoyment. He was, as Mr. Carlyle puts it, "gluttonously fond of whatever would yield him a little solacement, were it only of a stomachic character." His love of good living and good drink would have made him a hearty admirer of his countryman, Burns, had Burns been famous in Boswell's youth. Nobody could have joined with more thorough abandonment in the chorus to the poet's liveliest songs in praise of love and wine. He would have made an excellent fourth when "Willie brewed a peck of malt, and Rab and Allan came to see," and the drinking contest for the Whistle commemorated in another lyric would have excited his keenest interest. He was always delighted when he could get Johnson to discuss the ethics and statistics of drinking. "I am myself," he says, "a lover of wine, and therefore curious to hear whatever is remarkable concerning drinking." The remark is a propos to a story of Dr. Campbell drinking thirteen bottles of port at a sitting. Lest this should seem incredible, he quotes Johnson's dictum. "Sir, if a man drinks very slowly and lets one glass evaporate before he takes another, I know not how long he may drink." Boswell's faculty for making love was as great as his power of drinking. His letters to Temple record with amusing frankness the vicissitudes of some of his courtships and the versatility of his passions.

Boswell's tastes, however, were by no means limited to sensual or frivolous enjoyments. His appreciation of the bottle was combined with an equally hearty sensibility to more intellectual pleasures. He had not a spark of philosophic or poetic power, but within the ordinary range of such topics as can be discussed at a dinner-party, he had an abundant share of liveliness and intelligence. His palate was as keen for good talk as for good wine. He was an admirable recipient, if not an originator, of shrewd or humorous remarks upon life and manners. What in regard to sensual enjoyment was mere gluttony, appeared in higher matters as an insatiable curiosity. At times this faculty became intolerable to his neighbours. "I will not be baited with what and why," said poor Johnson, one day in desperation. "Why is a cow's tail long? Why is a fox's tail bushy?" "Sir," said Johnson on another occasion, when Boswell was cross-examining a third person about him in his presence. "You have but two subjects, yourself and me. I am sick of both." Boswell, however, was not to be repelled by such a retort as this, or even by ruder rebuffs. Once when discussing the means of getting a friend to leave London, Johnson said in revenge for a previous offence, "Nay, sir, we'll send you to him. If your presence doesn't drive a man out of his house, nothing will." Boswell was "horribly shocked," but he still stuck to his victim like a leech, and pried into the minutest details of his life and manners. He observed with conscientious accuracy that though Johnson abstained from milk one fast-day, he did not reject it when put in his cup. He notes the whistlings and puffings, the trick of saying "too-too-too" of his idol: and it was a proud day when he won a bet by venturing to ask Johnson what he did with certain scraped bits of orange-peel. His curiosity was not satisfied on this occasion; but it would have made him the prince of interviewers in these days. Nothing delighted him so much as rubbing shoulders with any famous or notorious person. He scraped acquaintance with Voltaire, Wesley, Rousseau, and Paoli, as well as with Mrs. Rudd, a forgotten heroine of the Newgate Calendar. He was as eager to talk to Hume the sceptic, or Wilkes the demagogue, as to the orthodox Tory, Johnson; and, if repelled, it was from no deficiency in daring. In 1767, he took advantage of his travels in Corsica to introduce himself to Lord Chatham, then Prime Minister. The letter moderately ends by asking, "Could your lordship find time to honour me now and then with a letter? I have been told how favourably your lordship has spoken of me. To correspond with a Paoli and with a Chatham is enough to keep a young man ever ardent in the pursuit of virtuous fame." No other young man of the day, we may be sure, would have dared to make such a proposal to the majestic orator.

His absurd vanity, and the greedy craving for notoriety at any cost, would have made Boswell the most offensive of mortals, had not his unfeigned good-humour disarmed enmity. Nobody could help laughing, or be inclined to take offence at his harmless absurdities. Burke said of him that he had so much good-humour naturally, that it was scarcely a virtue. His vanity, in fact, did not generate affectation. Most vain men are vain of qualities which they do not really possess, or possess in a lower degree than they fancy. They are always acting a part, and become touchy from a half-conscious sense of the imposture. But Boswell seems to have had few such illusions. He thoroughly and unfeignedly enjoyed his own peculiarities, and thought his real self much too charming an object to be in need of any disguise. No man, therefore, was ever less embarrassed by any regard for his own dignity. He was as ready to join in a laugh at himself as in a laugh at his neighbours. He reveals his own absurdities to the world at large as frankly as Pepys confided them to a journal in cypher. He tells us how drunk he got one night in Skye, and how he cured his headache with brandy next morning; and what an intolerable fool he made of himself at an evening party in London after a dinner with the Duke of Montrose, and how Johnson in vain did his best to keep him quiet. His motive for the concession is partly the wish to illustrate Johnson's indulgence, and, in the last case, to introduce a copy of apologetic verses to the lady whose guest he had been. He reveals other weaknesses with equal frankness. One day, he says, "I owned to Johnson that I was occasionally troubled with a fit of narrowness." "Why, sir," said he, "so am I. But I do not tell it." Boswell enjoys the joke far too heartily to act upon the advice.

There is nothing, however, which Boswell seems to have enjoyed more heartily than his own good impulses. He looks upon his virtuous resolution with a sort of aesthetic satisfaction, and with the glow of a virtuous man contemplating a promising penitent. Whilst suffering severely from the consequences of imprudent conduct, he gets a letter of virtuous advice from his friend Temple. He instantly sees himself reformed for the rest of his days. "My warm imagination," he says, "looks forward with great complacency on the sobriety, the healthfulness, and worth of my future life." "Every instance of our doing those things which we ought not to have done, and leaving undone those things which we ought to have done, is attended," as he elsewhere sagely observes, "with more or less of what is truly remorse;" but he seems rather to have enjoyed even the remorse. It is needless to say that the complacency was its own reward, and that the resolution vanished like other more eccentric impulses. Music, he once told Johnson, affected him intensely, producing in his mind "alternate sensations of pathetic dejection, so that I was ready to shed tears, and of daring resolution so that I was inclined to rush into the thickest of the [purely hypothetical] battle." "Sir," replied Johnson, "I should never hear it, if it made me such a fool." Elsewhere he expresses a wish to "fly to the woods," or retire into a desert, a disposition which Johnson checked by one of his habitual gibes at the quantity of easily accessible desert in Scotland. Boswell is equally frank in describing himself in situations more provocative of contempt than even drunkenness in a drawing-room. He tells us how dreadfully frightened he was by a storm at sea in the Hebrides, and how one of his companions, "with a happy readiness," made him lay hold of a rope fastened to the masthead, and told him to pull it when he was ordered. Boswell was thus kept quiet in mind and harmless in body.

This extreme simplicity of character makes poor Boswell loveable in his way. If he sought notoriety, he did not so far mistake his powers as to set up for independent notoriety.[1] He was content to shine in reflected light: and the affectations with which he is charged seem to have been unconscious imitations of his great idol. Miss Burney traced some likeness even in his dress. In the later part of the Life we meet phrases in which Boswell is evidently aping the true Johnsonian style. So, for example, when somebody distinguishes between "moral" and "physical necessity;" Boswell exclaims, "Alas, sir, they come both to the same thing. You may be as hard bound by chains when covered by leather, as when the iron appears." But he specially emulates the profound melancholy of his hero. He seems to have taken pride in his sufferings from hypochondria; though, in truth, his melancholy diverges from Johnson's by as great a difference as that which divides any two varieties in Jaques's classification. Boswell's was the melancholy of a man who spends too much, drinks too much, falls in love too often, and is forced to live in the country in dependence upon a stern old parent, when he is longing for a jovial life in London taverns. Still he was excusably vexed when Johnson refused to believe in the reality of his complaints, and showed scant sympathy to his noisy would-be fellow-sufferer. Some of Boswell's freaks were, in fact, very trying. Once he gave up writing letters for a long time, to see whether Johnson would be induced to write first. Johnson became anxious, though he half-guessed the truth, and in reference to Boswell's confession gave his disciple a piece of his mind. "Remember that all tricks are either knavish or childish, and that it is as foolish to make experiments upon the constancy of a friend as upon the chastity of a wife."

[Footnote 1: The story is often told how Boswell appeared at the Stratford Jubilee with "Corsica Boswell" in large letters on his hat. The account given apparently by himself is sufficiently amusing, but the statement is not quite fair. Boswell not unnaturally appeared at a masquerade in the dress of a Corsican chief, and the inscription on his hat seems to have been "Viva la Liberta."]

In other ways Boswell was more successful in aping his friend's peculiarities. When in company with Johnson, he became delightfully pious. "My dear sir," he exclaimed once with unrestrained fervour, "I would fain be a good man, and I am very good now. I fear God and honour the king; I wish to do no ill and to be benevolent to all mankind." Boswell hopes, "for the felicity of human nature," that many experience this mood; though Johnson judiciously suggested that he should not trust too much to impressions. In some matters Boswell showed a touch of independence by outvying the Johnsonian prejudices. He was a warm admirer of feudal principles, and especially held to the propriety of entailing property upon heirs male. Johnson had great difficulty in persuading him to yield to his father's wishes, in a settlement of the estate which contravened this theory. But Boswell takes care to declare that his opinion was not shaken. "Yet let me not be thought," he adds, "harsh or unkind to daughters; for my notion is that they should be treated with great affection and tenderness, and always participate of the prosperity of the family." His estimate of female rights is indicated in another phrase. When Mrs. Knowles, the Quaker, expressed a hope that the sexes would be equal in another world, Boswell replied, "That is too ambitious, madam. We might as well desire to be equal with the angels." Boswell, again, differed from Johnson—who, in spite of his love of authority, had a righteous hatred for all recognized tyranny—by advocating the slave-trade. To abolish that trade would, he says, be robbery of the masters and cruelty to the African savages. Nay, he declares, to abolish it would be

To shut the gates of mercy on mankind!

Boswell was, according to Johnson, "the best travelling companion in the world." In fact, for such purposes, unfailing good-humour and readiness to make talk at all hazards are high recommendations. "If, sir, you were shut up in a castle and a new-born baby with you, what would you do?" is one of his questions to Johnson,—a propos of nothing. That is exquisitely ludicrous, no doubt; but a man capable of preferring such a remark to silence helps at any rate to keep the ball rolling. A more objectionable trick was his habit not only of asking preposterous or indiscreet questions, but of setting people by the ears out of sheer curiosity. The appearance of so queer a satellite excited astonishment among Johnson's friends. "Who is this Scotch cur at Johnson's heels?" asked some one. "He is not a cur," replied Goldsmith; "he is only a bur. Tom Davies flung him at Johnson in sport, and he has the faculty of sticking." The bur stuck till the end of Johnson's life. Boswell visited London whenever he could, and soon began taking careful notes of Johnson's talk. His appearance, when engaged in this task long afterwards, is described by Miss Burney. Boswell, she says, concentrated his whole attention upon his idol, not even answering questions from others. When Johnson spoke, his eyes goggled with eagerness; he leant his ear almost on the Doctor's shoulder; his mouth dropped open to catch every syllable; and he seemed to listen even to Johnson's breathings as though they had some mystical significance. He took every opportunity of edging himself close to Johnson's side even at meal-times, and was sometimes ordered imperiously back to his place like a faithful but over-obtrusive spaniel.

It is hardly surprising that Johnson should have been touched by the fidelity of this queer follower. Boswell, modestly enough, attributes Johnson's easy welcome to his interest in all manifestations of the human mind, and his pleasure in an undisguised display of its workings. The last pleasure was certainly to be obtained in Boswell's society. But in fact Boswell, though his qualities were too much those of the ordinary "good fellow," was not without virtues, and still less without remarkable talents. He was, to all appearance, a man of really generous sympathies, and capable of appreciating proofs of a warm heart and a vigorous understanding. Foolish, vain, and absurd in every way, he was yet a far kindlier and more genuine man than many who laughed at him. His singular gifts as an observer could only escape notice from a careless or inexperienced reader. Boswell has a little of the true Shaksperian secret. He lets his characters show themselves without obtruding unnecessary comment. He never misses the point of a story, though he does not ostentatiously call our attention to it. He gives just what is wanted to indicate character, or to explain the full meaning of a repartee. It is not till we compare his reports with those of less skilful hearers, that we can appreciate the skill with which the essence of a conversation is extracted, and the whole scene indicated by a few telling touches. We are tempted to fancy that we have heard the very thing, and rashly infer that Boswell was simply the mechanical transmitter of the good things uttered. Any one who will try to put down the pith of a brilliant conversation within the same space, may soon satisfy himself of the absurdity of such an hypothesis, and will learn to appreciate Boswell's powers not only of memory but artistic representation. Such a feat implies not only admirable quickness of appreciation, but a rare literary faculty. Boswell's accuracy is remarkable; but it is the least part of his merit.

The book which so faithfully reflects the peculiarities of its hero and its author became the first specimen of a new literary type. Johnson himself was a master in one kind of biography; that which sets forth a condensed and vigorous statement of the essentials of a man's life and character. Other biographers had given excellent memoirs of men considered in relation to the chief historical currents of the time. But a full-length portrait of a man's domestic life with enough picturesque detail to enable us to see him through the eyes of private friendship did not exist in the language. Boswell's originality and merit may be tested by comparing his book to the ponderous performance of Sir John Hawkins, or to the dreary dissertations, falsely called lives, of which Dugald Stewart's Life of Robertson may be taken for a type. The writer is so anxious to be dignified and philosophical that the despairing reader seeks in vain for a single vivid touch, and discovers even the main facts of the hero's life by some indirect allusion. Boswell's example has been more or less followed by innumerable successors; and we owe it in some degree to his example that we have such delightful books as Lockhart's Life of Scott or Mr. Trevelyan's Life of Macaulay. Yet no later biographer has been quite as fortunate in a subject; and Boswell remains as not only the first, but the best of his class.

One special merit implies something like genius. Macaulay has given to the usual complaint which distorts the vision of most biographers the name of lues Boswelliana. It is true that Boswell's adoration of his hero is a typical example of the feeling. But that which distinguishes Boswell, and renders the phrase unjust, is that in him adoration never hindered accuracy of portraiture. "I will not make my tiger a cat to please anybody," was his answer to well-meaning entreaties of Hannah More to soften his accounts of Johnson's asperities. He saw instinctively that a man who is worth anything loses far more than he gains by such posthumous flattery. The whole picture is toned down, and the lights are depressed as well as the shadows. The truth is that it is unscientific to consider a man as a bundle of separate good and bad qualities, of which one half may be concealed without injury to the rest. Johnson's fits of bad temper, like Goldsmith's blundering, must be unsparingly revealed by a biographer, because they are in fact expressions of the whole character. It is necessary to take them into account in order really to understand either the merits or the shortcomings. When they are softened or omitted, the whole story becomes an enigma, and we are often tempted to substitute some less creditable explanation of errors for the true one. We should not do justice to Johnson's intense tenderness, if we did not see how often it was masked by an irritability pardonable in itself, and not affecting the deeper springs of action. To bring out the beauty of a character by means of its external oddities is the triumph of a kindly humourist; and Boswell would have acted as absurdly in suppressing Johnson's weaknesses, as Sterne would have done had he made Uncle Toby a perfectly sound and rational person. But to see this required an insight so rare that it is wanting in nearly all the biographers who have followed Boswell's steps, and is the most conclusive proof that Boswell was a man of a higher intellectual capacity than has been generally admitted.



CHAPTER IV.

JOHNSON AS A LITERARY DICTATOR.

We have now reached the point at which Johnson's life becomes distinctly visible through the eyes of a competent observer. The last twenty years are those which are really familiar to us; and little remains but to give some brief selection of Boswell's anecdotes. The task, however, is a difficult one. It is easy enough to make a selection of the gems of Boswell's narrative; but it is also inevitable that, taken from their setting, they should lose the greatest part of their brilliance. We lose all the quaint semiconscious touches of character which make the original so fascinating; and Boswell's absurdities become less amusing when we are able to forget for an instant that the perpetrator is also the narrator. The effort, however, must be made; and it will be best to premise a brief statement of the external conditions of the life.

From the time of the pension until his death, Johnson was elevated above the fear of poverty. He had a pleasant refuge at the Thrales', where much of his time was spent; and many friends gathered round him and regarded his utterances with even excessive admiration. He had still frequent periods of profound depression. His diaries reveal an inner life tormented by gloomy forebodings, by remorse for past indolence and futile resolutions of amendment; but he could always escape from himself to a society of friends and admirers. His abandonment of wine seems to have improved his health and diminished the intensity of his melancholy fits. His literary activity, however, nearly ceased. He wrote a few political pamphlets in defence of Government, and after a long period of indolence managed to complete his last conspicuous work—the Lives of the Poets, which was published in 1779 and 1781. One other book of some interest appeared in 1775. It was an account of the journey made with Boswell to the Hebrides in 1773. This journey was in fact the chief interruption to the even tenour of his life. He made a tour to Wales with the Thrales in 1774; and spent a month with them in Paris in 1775. For the rest of the period he lived chiefly in London or at Streatham, making occasional trips to Lichfield and Oxford, or paying visits to Taylor, Langton, and one or two other friends. It was, however, in the London which he loved so ardently ("a man," he said once, "who is tired of London is tired of life"), that he was chiefly conspicuous. There he talked and drank tea illimitably at his friends' houses, or argued and laid down the law to his disciples collected in a tavern instead of Academic groves. Especially he was in all his glory at the Club, which began its meetings in February, 1764, and was afterwards known as the Literary Club. This Club was founded by Sir Joshua Reynolds, "our Romulus," as Johnson called him. The original members were Reynolds, Johnson, Burke, Nugent, Beauclerk, Langton, Goldsmith, Chamier, and Hawkins. They met weekly at the Turk's Head, in Gerard Street, Soho, at seven o'clock, and the talk generally continued till a late hour. The Club was afterwards increased in numbers, and the weekly supper changed to a fortnightly dinner. It continued to thrive, and election to it came to be as great an honour in certain circles as election to a membership of Parliament. Among the members elected in Johnson's lifetime were Percy of the Reliques, Garrick, Sir W. Jones, Boswell, Fox, Steevens, Gibbon, Adam Smith, the Wartons, Sheridan, Dunning, Sir Joseph Banks, Windham, Lord Stowell, Malone, and Dr. Burney. What was best in the conversation at the time was doubtless to be found at its meetings.

Johnson's habitual mode of life is described by Dr. Maxwell, one of Boswell's friends, who made his acquaintance in 1754. Maxwell generally called upon him about twelve, and found him in bed or declaiming over his tea. A levee, chiefly of literary men, surrounded him; and he seemed to be regarded as a kind of oracle to whom every one might resort for advice or instruction. After talking all the morning, he dined at a tavern, staying late and then going to some friend's house for tea, over which he again loitered for a long time. Maxwell is puzzled to know when he could have read or written. The answer seems to be pretty obvious; namely, that after the publication of the Dictionary he wrote very little, and that, when he did write, it was generally in a brief spasm of feverish energy. One may understand that Johnson should have frequently reproached himself for his indolence; though he seems to have occasionally comforted himself by thinking that he could do good by talking as well as by writing. He said that a man should have a part of his life to himself; and compared himself to a physician retired to a small town from practice in a great city. Boswell, in spite of this, said that he still wondered that Johnson had not more pleasure in writing than in not writing. "Sir," replied the oracle, "you may wonder."

I will now endeavour, with Boswell's guidance, to describe a few of the characteristic scenes which can be fully enjoyed in his pages alone. The first must be the introduction of Boswell to the sage. Boswell had come to London eager for the acquaintance of literary magnates. He already knew Goldsmith, who had inflamed his desire for an introduction to Johnson. Once when Boswell spoke of Levett, one of Johnson's dependents, Goldsmith had said, "he is poor and honest, which is recommendation enough to Johnson." Another time, when Boswell had wondered at Johnson's kindness to a man of bad character, Goldsmith had replied, "He is now become miserable, and that insures the protection of Johnson." Boswell had hoped for an introduction through the elder Sheridan; but Sheridan never forgot the contemptuous phrase in which Johnson had referred to his fellow-pensioner. Possibly Sheridan had heard of one other Johnsonian remark. "Why, sir," he had said, "Sherry is dull, naturally dull; but it must have taken him a great deal of pains to become what we now see him. Such an excess of stupidity, sir, is not in Nature." At another time he said, "Sheridan cannot bear me; I bring his declamation to a point." "What influence can Mr. Sheridan have upon the language of this great country by his narrow exertions? Sir, it is burning a farthing candle at Dover to show light at Calais." Boswell, however, was acquainted with Davies, an actor turned bookseller, now chiefly remembered by a line in Churchill's Rosciad which is said to have driven him from the stage—

He mouths a sentence as curs mouth a bone.

Boswell was drinking tea with Davies and his wife in their back parlour when Johnson came into the shop. Davies, seeing him through the glass-door, announced his approach to Boswell in the spirit of Horatio addressing Hamlet: "Look, my Lord, it comes!" Davies introduced the young Scotchman, who remembered Johnson's proverbial prejudices. "Don't tell him where I come from!" cried Boswell. "From Scotland," said Davies roguishly. "Mr. Johnson," said Boswell, "I do indeed come from Scotland; but I cannot help it!" "That, sir," was the first of Johnson's many retorts to his worshipper, "is what a great many of your countrymen cannot help."

Poor Boswell was stunned; but he recovered when Johnson observed to Davies, "What do you think of Garrick? He has refused me an order for the play for Miss Williams because he knows the house will be full, and that an order would be worth three shillings." "O, sir," intruded the unlucky Boswell, "I cannot think Mr. Garrick would grudge such a trifle to you." "Sir," replied Johnson sternly, "I have known David Garrick longer than you have done, and I know no right you have to talk to me on the subject." The second blow might have crushed a less intrepid curiosity. Boswell, though silenced, gradually recovered sufficiently to listen, and afterwards to note down parts of the conversation. As the interview went on, he even ventured to make a remark or two, which were very civilly received; Davies consoled him at his departure by assuring him that the great man liked him very well. "I cannot conceive a more humiliating position," said Beauclerk on another occasion, "than to be clapped on the back by Tom Davies." For the present, however, even Tom Davies was a welcome encourager to one who, for the rest, was not easily rebuffed. A few days afterwards Boswell ventured a call, was kindly received and detained for some time by "the giant in his den." He was still a little afraid of the said giant, who had shortly before administered a vigorous retort to his countryman Blair. Blair had asked Johnson whether he thought that any man of a modern age could have written Ossian. "Yes, sir," replied Johnson, "many men, many women, and many children." Boswell, however, got on very well, and before long had the high honour of drinking a bottle of port with Johnson at the Mitre, and receiving, after a little autobiographical sketch, the emphatic approval, "Give me your hand, I have taken a liking to you."

In a very short time Boswell was on sufficiently easy terms with Johnson, not merely to frequent his levees but to ask him to dinner at the Mitre. He gathered up, though without the skill of his later performances, some fragments of the conversational feast. The great man aimed another blow or two at Scotch prejudices. To an unlucky compatriot of Boswell's, who claimed for his country a great many "noble wild prospects," Johnson replied, "I believe, sir, you have a great many, Norway, too, has noble wild prospects; and Lapland is remarkable for prodigious noble wild prospects. But, sir, let me tell you the noblest prospect which a Scotchman ever sees, is the high road that leads him to England." Though Boswell makes a slight remonstrance about the "rude grandeur of Nature" as seen in "Caledonia," he sympathized in this with his teacher. Johnson said afterwards, that he never knew any one with "such a gust for London." Before long he was trying Boswell's tastes by asking him in Greenwich Park, "Is not this very fine?" "Yes, sir," replied the promising disciple, "but not equal to Fleet Street." "You are right, sir," said the sage; and Boswell illustrates his dictum by the authority of a "very fashionable baronet," and, moreover, a baronet from Rydal, who declared that the fragrance of a May evening in the country might be very well, but that he preferred the smell of a flambeau at the playhouse. In more serious moods Johnson delighted his new disciple by discussions upon theological, social, and literary topics. He argued with an unfortunate friend of Boswell's, whose mind, it appears, had been poisoned by Hume, and who was, moreover, rash enough to undertake the defence of principles of political equality. Johnson's view of all propagators of new opinions was tolerably simple. "Hume, and other sceptical innovators," he said, "are vain men, and will gratify themselves at any expense. Truth will not afford sufficient food to their vanity; so they have betaken themselves to error. Truth, sir, is a cow which will yield such people no more milk, and so they are gone to milk the bull." On another occasion poor Boswell, not yet acquainted with the master's prejudices, quoted with hearty laughter a "very strange" story which Hume had told him of Johnson. According to Hume, Johnson had said that he would stand before a battery of cannon to restore Convocation to its full powers. "And would I not, sir?" thundered out the sage with flashing eyes and threatening gestures. Boswell judiciously bowed to the storm, and diverted Johnson's attention. Another manifestation of orthodox prejudice was less terrible. Boswell told Johnson that he had heard a Quaker woman preach. "A woman's preaching," said Johnson, "is like a dog's walking on his hind legs. It is not done well; but you are surprised to find it done at all."

So friendly had the pair become, that when Boswell left England to continue his studies at Utrecht, Johnson accompanied him in the stage-coach to Harwich, amusing him on the way by his frankness of address to fellow-passengers, and by the voracity of his appetite. He gave him some excellent advice, remarking of a moth which fluttered into a candle, "that creature was its own tormentor, and I believe its name was Boswell." He refuted Berkeley by striking his foot with mighty force against a large stone, till he rebounded from it. As the ship put out to sea Boswell watched him from the deck, whilst he remained "rolling his majestic frame in his usual manner." And so the friendship was cemented, though Boswell disappeared for a time from the scene, travelled on the Continent, and visited Paoli in Corsica. A friendly letter or two kept up the connexion till Boswell returned in 1766, with his head full of Corsica and a projected book of travels.

In the next year, 1767, occurred an incident upon which Boswell dwells with extreme complacency. Johnson was in the habit of sometimes reading in the King's Library, and it came into the head of his majesty that he should like to see the uncouth monster upon whom he had bestowed a pension. In spite of his semi-humorous Jacobitism, there was probably not a more loyal subject in his majesty's dominions. Loyalty is a word too often used to designate a sentiment worthy only of valets, advertising tradesmen, and writers of claptrap articles. But it deserves all respect when it reposes, as in Johnson's case, upon a profound conviction of the value of political subordination, and an acceptance of the king as the authorized representative of a great principle. There was no touch of servility in Johnson's respect for his sovereign, a respect fully reconcilable with a sense of his own personal dignity. Johnson spoke of his interview with an unfeigned satisfaction, which it would be difficult in these days to preserve from the taint of snobbishness. He described it frequently to his friends, and Boswell with pious care ascertained the details from Johnson himself, and from various secondary sources. He contrived afterwards to get his minute submitted to the King himself, who graciously authorized its publication. When he was preparing his biography, he published this account with the letter to Chesterfield in a small pamphlet sold at a prohibitory price, in order to secure the copyright.

"I find," said Johnson afterwards, "that it does a man good to be talked to by his sovereign. In the first place a man cannot be in a passion." What other advantages he perceived must be unknown, for here the oracle was interrupted. But whatever the advantages, it could hardly be reckoned amongst them, that there would be room for the hearty cut and thrust retorts which enlivened his ordinary talk. To us accordingly the conversation is chiefly interesting as illustrating what Johnson meant by his politeness. He found that the King wanted him to talk, and he talked accordingly. He spoke in a "firm manly manner, with a sonorous voice," and not in the subdued tone customary at formal receptions. He dilated upon various literary topics, on the libraries of Oxford and Cambridge, on some contemporary controversies, on the quack Dr. Hill, and upon the reviews of the day. All that is worth repeating is a complimentary passage which shows Johnson's possession of that courtesy which rests upon sense and self-respect. The King asked whether he was writing anything, and Johnson excused himself by saying that he had told the world what he knew for the present, and had "done his part as a writer." "I should have thought so too," said the King, "if you had not written so well." "No man," said Johnson, "could have paid a higher compliment; and it was fit for a King to pay—it was decisive." When asked if he had replied, he said, "No, sir. When the King had said it, it was to be. It was not for me to bandy civilities with my sovereign." Johnson was not the less delighted. "Sir," he said to the librarian, "they may talk of the King as they will, but he is the finest gentleman I have ever seen." And he afterwards compared his manners to those of Louis XIV., and his favourite, Charles II. Goldsmith, says Boswell, was silent during the narrative, because (so his kind friend supposed) he was jealous of the honour paid to the dictator. But his natural simplicity prevailed. He ran to Johnson, and exclaimed in 'a kind of flutter,' "Well, you acquitted yourself in this conversation better than I should have done, for I should have bowed and stammered through the whole of it."