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Hitherto the Princess had not even remarked the bold admiration of her brother-in-law, and after the departure of her husband she wept and sulked for days, when suddenly an event of great political importance, which was also of deep personal interest to herself, threw into the background every other consideration.
Napoleon's abdication and the treaty of Fontainebleau came upon his friends with the shock of an earthquake. Especially to his sister Pauline it was as though the foundations of the earth were tottering. He had been the Providence of all his family, dividing the nations between them; but Pauline had been his favourite, he had loved her sincerely, and she had responded with the utmost devotion.
"I will go to him in his trouble," she declared, and though her secretary could not see how her presence could aid the deposed Emperor, he could not but approve her generous impulse.
She met her brother at Hyeres near the frontier of France, from which point he embarked for the Island of Elba. The allies had granted him the lordship of the island, with an income to support a pseudo court; but the framers of that treaty, and Napoleon himself, knew well that its terms were a farce and his kingdom in reality a prison.
What transpired between the Princess and her brother in that brief interview Celio did not know. Each passed from it calmed and cheerful. There was a kindlier look in the Emperor's face, a more assured elasticity in his step as the English sailors who transported him to his exile shouted their, "Better luck next time"; and sparks were lighted in the eyes of the Princess which every one who saw her noted, though none guessed what hidden fires of resolve fed their flashes.
They called her that season the Firefly, and many misinterpreted her illy suppressed excitement and the scrutiny of those lambent eyes sending out their flame signals in search of answering lights. Even her secretary did not know that the dark shadows which ringed them were not due to the balls and other frivolities in which she was so conspicuous; but to complicated and dangerous schemes which robbed her of sleep at night, and were never forgotten as she danced and chatted and coquetted while the most astute diplomats laid their hearts and their secrets at her feet.
She received strange visitors too at the magnificent Villa Borghese, just outside the Porta del Popolo, wild-eyed agitators and suspects who had never before been permitted to enter those aristocratic gates. The first had come disguised in a marble-cutter's blouse as an assistant of Canova; but he had dropped a word which the noble model understood, and the fire signals had flashed between them. After the sculptor had left the casino his assistant tarried, and Celio, dismissed by his mistress but lingering at the threshold, heard fragments of the man's talk: "Liberty, united Italy, and death to the Austrians."
Later, when he attempted to warn the Princess that if the man were not a maniac he was more dangerous, she asked him bluntly if her husband had constituted him her dragon, and thereafter in half contemptuous banter she gave him the nickname of "Mondragone."
It was the name also of another villa belonging to the Borghese, the most sightly of all the boldly seated summer resorts of the nobility at beautiful Frascati. Not one of these commands a view comparable to the one from its terrace of the Pope's Chimneys, so named from the strange monumental constructions which are so conspicuous that, with a glass, they are plainly visible from Rome.
So when the Princess announced, "I love Mondragone," her secretary did not flatter himself that the equivocal utterance bore any reference to himself. Had he also had the wit to perceive that if she indeed cared for the villa or for any other object at this time, it was only for some service which it might render her brother, his duties as dragon would have occasioned him far less of mental anguish.
Celio was writing one day in a room adjoining the apartment which Canova had used as his studio in the casino of Villa Borghese, when he was startled by a heavy step in the room which he had supposed unoccupied. Throwing aside the portiere he instantly recognised from report the imposing figure which confronted him. On a lesser man so gorgeous a costume as the one which now dazzled the astonished eyes of the secretary would have suggested the mountebank; but there was something regal as well as Oriental in Joachim Murat's appearance, and the barbarous colour extravagances of his dress became him like those of a sultan.
His curling hair, black and long, fell upon a green velvet cloak heavily embroidered with gold which hung from his shoulders displaying a sky-blue frogged tunic, whose breast was covered with jewelled crosses and beribboned decorations. The crimson breeches which met the high boots of yellow morocco were braided with gold in the Polish fashion and fitted closely his shapely thighs, but the tarnished and battered cavalry sabre clanking at his side occasioned him no inconvenience, and it needed but a glance at the broken plumes of the ruby-clasped aigrette which decorated a shabby wide-brimmed hat to convince the beholder that this was no gala costume but the habitual garb of a soldier. He was spurred and played nonchalantly with his riding-whip as he returned Celio's questioning glance with a smile, half arrogant, half familiar. Wheeling upon his heel without deigning any explanation of his presence, he returned to his contemplation of the portrait statue of the Princess, and the young secretary's blood boiled as he saw that the expression of contemptuous familiarity on the sensual face had been elicited not by his insignificant self but by the masterpiece of Canova.
"A fair portrait doubtless," he said indifferently, "for I recognise certain points of resemblance to her sister, whose perfections, however, the Princess Borghese cannot hope to emulate."
"Pardon me, sir," stammered the secretary in tones which he vainly strove to render icy,—"but this is the Villa Borghese and not a public museum."
The intruder looked down with amused bonhommie. "I am an acquaintance of the Prince," he vouchsafed, "and have been invited by him to view his art collections."
Celio bridled with increased importance. "Prince Borghese's specimens of antique sculpture are in the palazzo where, if the Signor will announce himself, he will doubtless be accorded the privilege of seeing them. This palazzita is the private boudoir of the Princess."
"So much the better," the other laughed. "But when she commanded that statue she doubtless contemplated the possibility of its being admired by other eyes than her own. No insult is intended, my young popinjay. It is all in the family. Restrain your indignation and inform the Princess that the King of Naples is waiting here in obedience to her appointment."
The secretary was not pleased with this message, and he liked still less the manner in which it was received, for the Princess hurried to meet her brother-in-law and allowed him to salute her gallantly upon both cheeks, and to address her as "Paulette."
Celio, excused from attendance, had no opportunity, though he stood sentinel in the loggia, to overhear their conversation. Finally the Princess summoned him. "Order my carriage," she commanded, "and the caleche, and ask the attendance of my first lady-in-waiting. Tell Maurice to arrange a lunch-hamper quickly. His Majesty insists he must set out this afternoon for Naples. We will accompany him as far as Mondragone and picnic there."
So they dashed away on the road to Frascati, the Princess lolling alone in her open carriage, for Murat had declined the seat beside her, though he kept his horse recklessly near her wheels, Celio following with the maid of honour and the lunch basket in the caleche, and one of Murat's orderlies (the other had been dispatched to order his suite to meet him at Mondragone) bringing up the rear.
At the wildest and steepest part of the road the party halted, and the Princess alighting announced her intention of taking a short cut across the hills while the carriages followed the more circuitous driveway. Murat threw his reins to his orderly, and Celio, true to his self-constituted duties as dragon, left the maid of honour dozing in the caleche and followed his mistress. She had brought a tall staff, knotted with a tri-colour ribbon, which she used as an alpenstock, springing lightly over the steep boulders, while the athletic Murat kept pace with the easy swinging stride of a mountaineer. Suddenly Celio saw him catch the Princess by the arm and both stood as though instantaneously frozen. Then, as the secretary came panting up, Murat handed the Princess to him, and taking a few steps forward and apparently addressing the landscape, for Celio saw no one said in a voice of calm but inflexible authority: "Lay down your gun, and come from behind that rock."
To Celio's astonishment a villainous appearing brigand advanced and knelt at Murat's feet.
"Why did you not shoot me when I was at the lower turn of the road, my friend?" Murat demanded; "you had the better opportunity then, for I had not discovered you, and I was for several minutes within your range."
"True, your Majesty," replied the bandit, "but I said to myself, 'that is too magnificent a figure of a man to kill, even though he is a king.'"
Murat laughed. "I will return the compliment," he said, writing rapidly on a card. "You have too much discrimination and obey orders too well to be a brigand. I wonder now if you have heard of a secret organisation called the Carbonari? I thought so" (replying by an almost imperceptible gesture to a signal made by the bandit); "you see you have made a mistake, for I also am a member of the order. All in time, my good fellow, and you shall use your rifle against the Austrians. Take this to the recruiting office of the Neapolitan army at Castel di Rocca. Never fear, it is no trap. This young man will read it for you." And the secretary read: "Give this brave fellow a place in the Corps of Calabrian Sharpshooters, and assure Captain Castiglione that he can be relied upon for expert guerilla service. Giacomo Re."
The man went away trembling with emotion but Murat called to him: "Come back, you have forgotten your gun," and stood carelessly regarding the view with his back turned while the would-be assassin regained possession of his weapon.
The Princess clapped her hands. "I understand now," she said, "why you bore a charmed life when you came dashing out of the smoke of the battle-field, sweeping within a few feet of the muzzles of the enemy's guns. It needed not the command of the Czar that you were not to be fired upon,—the gunners could no more have done so than this poor outlaw. I comprehend also how you have managed to augment the roll of your army, which on your accession included but fifty thousand names, to its present list of seventy-five thousand, and at the same time have so marvellously reduced the number of brigands in your kingdom."
"Partly in this way," he acknowledged, lightly, "but the Austrian officers would be surprised to know how many of my best disciplined soldiers have had the advantage of their drilling."
"Deserters?" the Princess asked.
"And whole companies in Northern Italy waiting for the first symptoms of a war with Italy to desert en masse."
When the party reached Mondragone the custodian, surprised at their coming (for the villa had been long unoccupied), unbarred the shutters and let the light into the dusty salons.
"It is roomy enough for a barracks," Murat remarked as he wandered through suite after suite of the great tenantless rooms.
"I forbid you so to use it," the Princess jested, "though you may occupy Mondragone yourself when you lay siege to Rome."
"It would not be a bad headquarters," he said as they came out upon the terrace. "Imagine a semaphore in the place of those monstrous and absurd columns—what are they, by the way? One could waft signals from Rome to Calabria and from the Adriatic to the Tirrenian."
That was an exaggeration, of course, but Mondragone would have been a good station in such a signal service.
"Those absurd columns," the Princess replied, "might themselves serve as semaphores. They are chimneys, colossal enough to serve a foundry, though they do duty to simple kitchens, those which prepared the excellent dinners with which Pope Paul V. entertained his guests. When the smoke rises from that one I can see the cloudy column from my windows at Rome."
"And I could see it far on the road from Naples," he mused, and then the two wandered away from their watching dragon and leaning on the balustrade with their faces toward the magnificent view earnestly discussed projects which had nothing to do with that unrivalled panorama.
Celio was in torment. What was Murat saying in that low, guarded voice, while his hand clenched and crushed the roses that swarmed over the balustrade and scattered their petals to the wind? Why did the Princess's colour come and go as she listened, her cheek much too near his passionate lips?
Since there was no way of overhearing this equivocal conversation, it must at all hazards be interrupted, and Celio prematurely announced the al fresco supper. Here, while he fluttered behind them in a pretence of service, he heard both too much for his peace of mind and too little for his complete enlightenment.
At first the talk was of family matters, chiefly of Napoleon at Elba, with whom Pauline begged her brother-in-law to be reconciled, for this was in the summer of 1814, when Murat, foreseeing that Napoleon's star had set, had signed a treaty with the allies.
"One would think I had done enough for your brother," he said, moodily. "I left my kingdom to lead the cavalry of the grande armee in the Russian campaign. I gained his victories and I commanded the escadron sacree which protected his person in the retreat, and what is my reward?"
"What is your present position?" the Princess asked.
"I am your brother-in-law," Murat replied, "but, as I wrote Napoleon, I conferred as much honour as I received when I married your sister, and, as for my kingship, the Emperor wished only a devoted servant whom he could command, and he has discovered his mistake."
The eyes of Pauline Bonaparte shot fire while the other spoke. "You are very stupid to talk in this way to me, Joachim," she said, commanding herself in time. "You needed Napoleon—you need him now, for your scheme will never succeed unless he supports you. It is your good fortune that he needs you enough to forgive your defection. The family stands or falls together, mon ami."
"Evidently your mother does not think so," Murat replied, with pique. "I have just brought Madame Mere a present of eight fine carriage-horses. She declined them with thanks, and would not see me when I called on her in Rome. As for my loving brother-in-law, your noble husband——"
"Why should you mind Camillo's sulks since I do not? He and Madame Mere have such amusing ideas. It was not so much Caroline's correspondence with your 'dear Metternich' which offended them and my brother, too. They have never forgotten that little affair of the silver lemon squeezer. Ah, mon ami! you had had too much champagne when you brewed that bowl of punch at the officers' dinner."
"I never said that it was the Empress who taught me the recipe and gave me the lemon squeezer," he retorted, flushing.
"Oh! no; nor told you that oranges and not lemons were used with Jamaica rum in the islands; nor why pretty creoles were like lemons."
"Do you mean to provoke me?" Murat exclaimed, rising quickly.
"No, mon ami, though I shared in that suspicion, too, for they called me a creole on my return from San Domingo."
Murat's jaw fell. "Do you mean that your husband thought I meant you?" he asked.
"Prince Borghese is too polite a man to voice such a suspicion, and I am too clever a woman to show that I have guessed it, but that is reason enough why I cannot accept my sister's invitation to take possession of the entrancing Neapolitan villa which you so kindly offer me."
"You are like your mother. You refuse my peace-offerings; you will not visit us?"
"Peace-offerings, yes; but make me some offerings of war, that fine army, for instance; and, by the way, if you will give me a yacht instead of the villa I may consent to be your guest. Meantime we understand each other. I will give immediate orders to my people that no fire is on any account to be lighted in the Pope's kitchens, as the chimneys are unsafe. Should I perceive a column of smoke rising from them I shall know that you are here, and I will come to you. If, on the other hand, I hear that you are in this vicinity on the business of which we spoke, I shall make Mondragone my residence; and should you perceive my smoke signal——"
"Then," he interrupted, speaking very low, but so distinctly that Celio's heart froze as he listened—"then, Paulette, be the danger what it may, heaven nor hell shall keep me from you."
They parted in the most commonplace manner, the Princess returning to Rome after the conclusion of the repast, but, though she appeared to sleep all the way, Celio marked when she alighted that her face, illuminated by the strong glare that blazed from the open door of the villa, was haggard as from long vigils.
Deeply distressed, the poor dragon spent a sleepless night, but towards morning an inspiration came to him. He saw his way to saving his lady without arousing the suspicions of her husband. She had forbidden the use of the Pope's chimneys to the guardian of the villa, plainly that they should serve solely as signals between herself and Murat. But the reason which she had given for their disuse, that they were unsafe, furnished the secretary with his pretext, and he wrote his master urging that they should be taken down.
Before the Prince had time to reply the event which he had dreaded took place. The Princess, in direct opposition to her husband's parting request, announced her determination to visit her sister at Naples. It was not in her secretary's province to remonstrate, and he was soon to gain a point of view from which the inexplicable behaviour of his mistress presented a very different aspect.
Arrived at Naples the Princess and her suite were met by Queen Caroline and installed in a charming villa near the city, and on the succeeding day the entire household were taken by the King and Queen for a short cruise in the royal yacht.
Outside the island of Ischia the party landed, and climbing to a ruined tower which commanded an extensive prospect, they plainly discerned in a hidden cove a little craft flying a flag unfamiliar at that time to Celio Benvoglio, a striped red and white pennon studded with golden bees. It was the ensign chosen by Napoleon while lord of Elba, and displayed by the six swift sailing pinnaces which made up the Emperor's little navy.
Pauline now informed her suite that she was about to pay a visit to her brother, which for important reasons must not for the present be suspected. Her maids of honour must therefore return to her Neapolitan villa, and, to keep up the fiction of her presence, announce on the morrow that the Princess had succumbed to an attack of fever. The Court physician would pay daily visits as would the King and Queen, but no others would be admitted to the secret.
With feminine fondness for intrigue the three maids of honour entered into the plan, while Celio, relieved from his tormenting suspicions accompanied his mistress to Elba.
Here, admitted to her conferences with her brother as he fulfilled new and arduous duties in the transcription of dispatches, he comprehended that the secret alliance between the Princess and Murat had been purely political, and with what tact she had won him to reconciliation and co-operation with Napoleon.
The Emperor's plans were more audacious and far-reaching than ever. In their scope the movement for the independence and unification of Italy was but a subordinate detail. Pauline knew that her brother was developing a great coup d'etat, that he would presently escape from Elba and seize again the reins of power, and it was she who had first perceived and who now explained to him how the undercurrent of events in Italy might become a factor in his scheme.
Agitators had been busy in every part of the peninsula firing patriot hearts to throw off the domination of the three foreign powers which held them enslaved. The King of Naples by naturalising himself as an Italian, and compelling his French soldiers to do so, had been permitted to take part in the plot. It is possible that the revolutionists, who saw the immense advantage of the services of so able a general as Murat, intended to repudiate him after they had gained their ends. But at that time they flattered him with the hope of becoming the king as well as the deliverer of all Italy.
As Celio Benvoglio toiled over his papers he was amazed at the imagination of his mistress which had first discerned the possibility of making the cause of Italian liberty serve her brother's ambitious imperialism, and the marvellous finesse with which she had vanquished Murat's gascon envy and resentment and made him once more a tool in the hand of the Emperor. Still more he admired Napoleon's acumen and resource as he saw order coming out of chaos and all things working together for the success of his stupendous undertaking. The Emperor had planned to first secure Paris, and then, proclaiming the independence of Italy, to make common cause with her against Austria and at the head of the united French and Italian armies, one hundred thousand strong, march by way of the Julian Alps upon Vienna.
As the impressionable secretary traced the burning proclamation which Napoleon dictated to his old soldiers, he doubted not that it would fire the heart of every veteran and the great enterprise seemed infallible.
"Take again the eagles you followed at Ulm, Austerlitz, Jena, and Montmirail," pleaded their adored commander. "Range yourselves under the banners of your old chief. Victory shall march with every step. In your old age you shall say with pride, I also was one of that great army which twice entered the walls of Vienna, took Rome, Berlin, Madrid, and Moscow, and which delivered Paris from domestic treason and the occupation of strangers."
What wonder that, carried away by the immensity and daring of the conquest of the continent, the happiness of one longing heart should have seemed a very insignificant thing, and that Celio should have quite forgotten that his master, Camillo Borghese, was waiting for some reassuring word from him, that he had heard of the Princess's reckless removal to Naples, and was distracted between anger at her flagrant disregard of his wishes, suspicion of what such heartlessness might mean, and acute distress on learning of her illness? The Prince could not, on account of personal reasons, present himself at the Court of the King of Naples, but he had written repeatedly to Celio Benvoglio and these letters the first maid of honour, finding no opportunity to forward to Elba, had judged best to retain at Naples unopened until the return of the secretary.
So the days flew for the Princess and dragged for her husband, until at midnight on the twenty-seventh of February, 1815, Napoleon with his handful of devoted soldiers embarked for France, and his sister returned to Naples with instructions for Murat. Then the Neapolitan villa was suddenly vacated and the seven carriages of the Princess took up their line of march for Rome.
She had found awaiting her at Naples letters in which her husband passionately besought her to return; and, while her face flushed as she realised the motives which he attributed to Murat, her heart swelled with triumph that he believed in her in spite of all.
"He loves me!" she murmured to herself unguardedly, in the presence of her secretary.
"Then give me leave to write him," the young man cried, impulsively, "that I may relieve his anxiety. Let me bid him join you at Rome. Think, dearest madam, what he must suffer."
But at that word the Princess frowned. "And do you think I have not suffered?" she cried. "I am glad that he is jealous, since it proves that he can love. Nevertheless I would gladly summon him if I could. But do you not see, Celio, that he must not be implicated in our plots? If we fail, he must be known to have had no letters from me. I forbid you to communicate with him until I give you permission. Camillo is too honest to make a good conspirator. If I can wait, cannot you? The game may not be worth the candle, but I will play it to the end."
The little cavalcade paused at Mondragone, for the Princess had decided to spend a few weeks at her Frascati villa. Here, to her indignation, she found engineers preparing to take down the Pope's chimneys.
"On whose authority do you presume to do a thing so outrageous?" she demanded, and they showed her the order of Prince Borghese.
"Delay the execution of these instructions until such time as they are repeated," she commanded. "I have decided to take up my residence here for the present, and cannot be disturbed by repairs and alterations."
When the men were gone she faced her secretary in consternation. "Who can have incited Camillo to such a resolution?" she demanded, and the consciousness of guilt in his face was a sufficient answer.
"It was you, dear lady, who put the idea into my head," he stammered; "you said the chimneys were cracked and might set fire to the villa."
"Spy and traitor," she hissed, "you tried to make it impossible for me to communicate with Murat. It is your idiotic suspicions that have roused Camillo's jealousy."
"You have said that you were glad of that jealousy," Celio ventured; and the Princess laughed bitterly, then softening, said: "I do believe you thought yourself acting for my good, oh, foolish little dragon. Confess, my poor boy, that Pauline Borghese has the wit to take care of herself."
Very humbly Celio confessed that this was evident, but his troubles were by no means over. A fortnight later Italy was electrified by the startling rumour that the King of Naples had declared war with Austria and was marching toward Lombardy.
The Princess was struck with consternation, for she knew that Napoleon could not so soon have perfected his arrangements for making a junction with Murat. Though she entertained no one it was noticed by her neighbours that the Pope's chimneys smoked continually, as though the most elaborate banquets were in preparation and one night the expected guest arrived.
Murat had intended to give Rome a wide berth, stealing around it by the Abruzzi. But his left wing had scouts on the western slopes of the Sabine Mountains and were instructed to keep a lookout for the smoke signal from Mondragone, and he had ridden across the mountains for a day and half a night to answer her summons.
She gave him food and a fresh horse, but she sent him back to the Castello Borghese at Monte Compatri for his lodging, with many reproaches and gloomy prophecies for his mad precipitation in anticipating the mot d'ordre of Napoleon.
Theirs was no loving tryst, but a stormy altercation, for Murat defended his act and refused her entreaties, which were rather in the nature of commands, to go back to Naples and wait for advice from his general.
"Why should I put myself under his orders?" he demanded. "Austria has taken alarm and is pouring its forces into Lombardy. If I do not secure Milan at once it will be too late and the opportunity will be lost. Who knows when Napoleon will think of us? They say he is at Paris preparing to meet the allies in Belgium. Our little rendezvous for the excursion to Vienna is apparently forgotten. He has other matters to attend to. Well, so have I. I am weary of governing for him. When I am King of Italy I will rule according to the ideas of Joachim Murat."
"You would never have been a King in name but for him," she replied hotly, "you are not fit to rule. You are a good soldier, Joachim, but you need your master."
So they parted in bitterness, and Celio, who was present at their interview, rejoiced that such was the manner of their parting, and prayed that they might never meet again, but that prayer was not to be answered.
The Princess returned to Rome and soon received information of the fulfilment of her prophecy. For a few days Murat held Bologna, then the Austrians swooped down upon him and he met them gallantly, but disastrously, near Modena. Reverse followed reverse and at Tolentino his mad campaign of six weeks ended in total defeat. His army fled in all directions, and a refugee brought word that Murat, scorning surrender, had fallen sabring desperately to the last.
Pauline received the news, pale but unshaken. "My poor sister," she said, and then quickly, "but she knows her refuge; by this time doubtless she is on her way to Napoleon." Then a great light illumined her face. "The revolution has failed, my work is done. I can now write to Camillo."
She was writing when a messenger entered with a letter from her husband. "He is coming, Celio," she cried joyfully. "He will be here in an hour. He writes that in disaster and grief his place is at my side, and he could not wait my summons. Oh, Celio, was there ever such magnanimity?"
As she rang to give orders for her husband's reception, her third maid of honour, Pippa Serbonella, a waspish, deceitful creature whom Celio had never liked, flung wide the curtain of the window and cried: "Eccellentissima, look,—the chimneys of Mondragone!"
It was true, from one of them rose a thin waving scarf of smoke, fluttering and beckoning in the light wind. The Princess caught the arm of her secretary. "Joachim is not dead!" she cried; "he is there and I must go to him."
"Not now, not now, dearest lady," pleaded the young man. "Your husband is coming. Think what that means."
"Yes, yes, I know," she gasped, wringing her hands, "but I cannot desert my brother-in-law in his extremity. I led him into this, Celio. I promised to come when he called. I must keep my promise. Stay you, and say what you will to Camillo. I will be back this evening."
With many a misgiving the wretched dragon saw her drive away, and a little later confronted the eager face of Prince Borghese.
"My wife?" he questioned, and Celio could only stammer, "She has gone out for a drive; she will be back presently."
"Did she not receive my letter?" and the Prince had his answer, for it lay with broken seal upon her escritoire.
"Did she go to meet me? Have we missed each other?" he asked.
"Not so, your Highness," Pippa Serbonella interpolated, "the Princess had another appointment," and again with significant finger and hateful smile she pointed to the smoke signal. The Prince stood transfixed, and Celio understood from their two faces that the girl had given unsolicited full reports of that correspondence written in the air. "Oh! you women, you women!" he groaned, and "I will strangle you, traitress," he whispered as she passed him.
But the Prince had other occupation for him at that moment. "Now tell the whole truth," he commanded sternly, and the secretary told it, exulting that against her will the malicious maid-of-honour must confirm his statement that while the Princess had been supposed to be at Naples she was really with Napoleon at Elba.
A look of relief smoothed Borghese's forehead for an instant. "I never doubted my wife," he declared proudly, "nevertheless the King of Naples has certain explanations to make to me. Celio there was in that cabinet a case of pistols which the Emperor gave me."
"The Princess took them with her this morning," Pippa vouchsafed officiously.
"Ah!" the Prince drew in his breath. "It is of no consequence," he added. "General Murat will require but one and will doubtless lend me the other. Quick, Celio, our horses. The Princess has only an hour the start of us. We will overtake them at Mondragone."
They passed her in fact at Frascati where they saw her carriage standing unharnessed before the inn. "She is resting," said the Prince, "we will not disturb her until after our business at Mondragone is finished."
At the gate an astonished servant took their horses, and as the Prince walked through the shady cypress avenue his brain cooled and he formed a resolution differing from the one that had brought him to the villa. Upon the fountain terrace they saw the man they had come to seek. Not the galliard of his last visit, but a hunted refugee, his gaudy hussar uniform soiled and torn, the ballas ruby which had buckled his aigrette shot from his hat, and a tiny rill of blood trickling from his matted hair upon the golden bees that ornamented the sky-blue velvet tunic. Stretched prone upon a marble bench, sleeping the sleep of utter exhaustion, his sword-arm beneath his head, the other trailing relaxed upon the ground, he was entirely at the mercy of the man who looked down upon his haggard face.
The Prince studied it for a moment in silence, then, with finger on lip, drew Celio into the loggia. "Let him rest," he whispered, "time enough when he awakes."
Ere that happened footsteps were heard and the voice of the Princess calling, "Joachim, where are you?"
Murat sprang up instantly.
"Paulette, is it you?"
"It is I. O mon Dieu; how you have changed! but we heard you were killed. Thank God, that is not true."
"I am beaten, which is worse," he said bitterly. "You were right, you see, quite right, all is lost—why do you not say 'I told you so'?"
"No," she exclaimed, "all is not lost. Go at once to Napoleon, confess your error, and atone for it."
"He will never forgive me," Murat replied; "and why should he, with his army of three hundred thousand men and an Imperial Guard of forty thousand chosen veterans? What have I to offer him? My troops have deserted me. I have nothing to fight with and nothing for which to fight."
"My brother needs you," the Princess insisted. "He may have soldiers enough, but he knows there is no such leader of cavalry in all the world as you, and he is about to engage in a crucial struggle with Wellington. You have your marvellous leadership to offer. You say you have nothing to fight for. Think of your honour, and of Caroline."
"Ah! I had forgotten her, poor child. I will do as you say, Paulette. You have the brains of your family in your little head. Perhaps that is the reason the good God made Caroline more attractive. Well, one more fight for her sake, and she shall thank you for it. I shall get to Naples in some way, then by sea to Marseilles, and then to Napoleon."
"Good!" cried the Princess. "Did you find your horse in the stables? I gave orders to have him well cared for until you claimed him. I have brought a disguise and arms and money. Now, off with you, for I can waste no more time. Ah! how much we have already wasted, Joachim, in this mad pursuit of ambition, when only love was worth the while. My sister will rejoice to retire with you to private life and to know of my happiness, for Camillo is waiting for me at Rome, and all the cruel misunderstanding is over!"
Thus ended Celio Benvoglio's dragon-service, for the Prince, forced either to overhear or interrupt the foregoing conversation, had fortunately chosen the former alternative. And here, perchance, should the story end, for the after-history of Joachim Murat is a tragical addendum to that happy denouement.
Pauline overestimated her brother's magnanimity, Napoleon coldly refused the profferred services of his brother-in-law, confessing afterwards that this implacability lost him the battle of Waterloo, for Ney could not equal Murat in his skilful manoeuvring of horse.
Murat, desperate, took refuge in Corsica, where he raised a little band of two hundred and fifty men, and landed near Naples, believing that his old troops would rally to his standard. Indifferent, or perhaps unable to help him, they abandoned him to his fate.
He faced his executioners with unbandaged eyes and himself gave the order to fire.
According to the account of an eye-witness, he first kissed the miniature of his wife, which he carried within the case of his watch, and with the request, "Spare my face," directed the aim of the soldiers to his breast.
Their firmness did not equal his own, and he was obliged to twice give the command before it was obeyed.
CHAPTER VII
THE ADVENTURE OF THE KNIGHT OF THE BRANDISHED LANCE
I
THE QUEST
Robert Devreux, Earl of Essex, was in one of his worst moods as he strode the deck of his flag-ship in Cadiz Bay on a certain June morning in 1596.
And yet this favourite of Fortune stood then at the summit of his career, having by a brilliant assault taken the city for England, while a letter whose seal he had just broken assured him of the doting infatuation of England's Queen.
It was precisely this letter, as he now explained to his friend, which occasioned his dissatisfaction.
"You will not refuse me, Will," he pleaded, "since I can not undertake the quest, you must go in my stead. These papers contain negotiations of such delicacy that Henry of Navarre dared not send them overland through France, and my word is pledged to him to deliver them personally into the hands of the Grand Duke Ferdinando de' Medici, at his villa in Rome.
"When I met the King at Boulogne, on our first night out, this seemed an easy thing to do, for I had reason to believe that our cruise would extend to Italy. But now in the hour of my victory, when I have sacked Cadiz, I open the Queen's letter (which was not to be read until the accomplishment of that task), and find that, instead of being permitted to proceed, I must first sail at once for England; and all forsooth because of her love and impatience to reward the valour of her favourite! Can such a summons be disregarded? Assuredly not; but my honour and the fate of the Protestant cause in France hang upon your decision.
"Since it means so much," replied the other, "assuredly I will not fail you. But why may I not do this under my own name, as your authorised messenger?"
"Because the Grand Duke expects the Earl of Essex, the accredited deputy of the King of France. The deputy of a deputy would have no prestige with him, and would not even be admitted as guest at the villa. And it is with its lady, mark you, that your true errand lies.
"These negotiations have to do with the marriage of Henry of Navarre to the Grand Duke's niece Marie de' Medici. Ferdinando will make and break treaties as suits his advantage. The lady's heart must be gained, she must be made so ardently to desire this marriage that she will refuse all other suitors. In short you must woo and win her for the King of France. For such a task you have every qualification. You possess a knowledge of the Italian language and the understanding of its temperament and character which comes from sympathy. The Italians will not need to know that you bear the name of Brandilancia to recognise that you are the embodiment of the type of chivalry dreamed of by their poets. Beware, however, of receiving or giving too much love, for report hath it that the heiress of the Medici is surpassingly beautiful."
Brandilancia smiled somewhat bitterly. "You should know," he said, "that my heart is in England and though my love should remain forever unrequited, it can never be given to another."
"An excellent safeguard, in the present business," the Earl replied cheerily, "so here are all objections overcome, and may you have many a merry experience to recount when next we meet in England."
Hand met hand upon that compact, and while one Earl of Essex pursued his homeward course another in a swift sailing pinnace flew eastward bound upon adventures of which the archives of the English Admiralty preserve no record.
As the young adventurer Brandilancia, who was to play the part of the true Essex, rode up the hill crowned by the Villa Medici he was struck by the resemblance of the massive retaining walls to those of some medieval fortress. As such they had served in ancient days, holding the villa safe in their protecting embrace from any uprising of the populace of Rome, while on the side toward the Campagna they had withstood more than one siege of the Goths. But high aloft, near the summit of this cliff of natural rock and hewn stone the inhospitable windowless expanse was broken by a row of arched openings, and silhouetted against the dark void of one of these he caught a glimpse of a face framed in golden hair.
Though so far above him the lady, who had been gazing down the road from sheer ennui, had noticed the graceful figure of the cavalier, and had watched his approach until he halted with upturned face beneath her window. At that instant a little fan opening as it fell, dropped from her hand and fluttered in the light breeze, like a bird with a broken wing, beyond the road and into the ravine at its side.
Instantly Brandilancia sprang from his horse and, vaulting over the low embankment, clambered down the incline. A smiling contadina, who was beating out her linen on the margin of a basin of water, assisted him in his search, but having found the fan she was so curious in regard to its donor that Brandilancia endeavoured to divert her attention by plying her with questions concerning the locality. From her replies he learned that the washing pool was fed from an old aqueduct which passed under the Villa Medici on its way to supply the fountains of Rome.
"See, Signor," she said, pointing out a nail-studded oaken door concealed in the angle of a huge abutment, "they say that if that door were not bolted on the inside one might enter the tunnel which brings the water through the hill from its source miles away. There is a legend, too, that a Roman princess who lived up yonder, centuries ago, betrayed the secret to the barbarians, who came through the tunnel and sacked Rome."
Brandilancia paid little heed to this information, not dreaming that he would one day be indebted to it for escape from the villa which he was now so blithely entering. Climbing back to the roadway he waved the fan above his head and was greeted by a light clapping of hands from the lofty window. Who could the lady be? He would ascertain in time, and until he did so it was pleasant to reflect that some one within the villa was interested in his coming and had wafted him this welcome.
He had need of hospitality for he was faint from the ride from Ostia in the heat of an Italian June. The beautiful gardens glowed in dazzling sunshine which the scintillating jets of the fountains reflected and intensified. The statues seemed to shrink from the blinding light into their niches in the great square-cut hedges, and the tessellated pavement was hot beneath his tread.
Every detail of the antique relievi which the facade of the palace had been designed to display was brought out by the intense illumination. In its lavish ornamentation and elegant proportions the building suggested a carved ivory cabinet, but one rifled of its jewels, for except for the keeper of the gate-lodge, to whom he had tossed his bridle, he had met no guards. The great doorway stood invitingly open, but Brandilancia hesitated to enter and looked about for some means of announcing his presence.
"Is the villa under some enchantment?" he asked himself. "If so some imp or sprite should lurk hereabouts and now make its appearance."
As if in answer to this mental question a peal of elfish laughter greeted his ear,—a mirthless, falsetto cackle, like that of a parrot, and half hidden behind one of the great marble lions in the shade of the loggia he discerned a grotesque little creature, with the figure of a child and a woman's face, old in its expression of slyness and malignity.
Brandilancia started, although he knew that it was the custom of Italian princes to maintain dwarfs in their households. This woman, probably a dependent, was dressed like a princess. Her dress though soiled was of stiff brocade embroidered with gold thread, and the high lace ruff, which made her swarthy complexion darker by contrast with its whiteness, was edged with seed pearls.
"Come in, my lord," she croaked. "The Grand Duke regretted that, obliged to be temporarily in Florence, he could not receive you, but awaiting his return the villa is at your service, and the Grand Duchess and the Signorina will endeavour to make the time pass pleasantly."
He followed her, wondering as to her position. "How did you know me?" he asked. "You are expected," she replied, "and no one but an Englishman would have called at the hour of the siesta. Shall I show your worship to your own room, or will you await the ladies in the library?" His hand was on the little fan, and he was striving to frame some question whose answer would enlighten him as to the giver, but the dwarf's last word caught his ear, and acted like the scent of spirits upon a man thirsting for drink.
"To the library, by all means," he replied eagerly, and, as the heavy portieres were drawn aside, the tiny creature at his side and even the golden-haired woman who had greeted his coming so graciously were for the moment clean forgotten, for he comprehended that one of his dearest hopes, long thwarted but never entirely relinquished, the hidden personal motive which had been the determining factor in his acceptance of this mission, was now about to be realised. The immense room from floor to cornice was walled with books: the writings of the fathers of the church—huge folios hasped in brass and ornamented with priceless illuminations—side by side with pagan literature, Greek manuscripts, and volumes of the Roman classics, while all the new harvest of the Italian Renaissance, in every department then known, had been carefully garnered. But high above the marshalled works of the poets, which his fingers lingeringly caressed as he passed them by, Brandilancia had detected a row of small volumes, and a thrill of triumphant delight shot through his frame as he climbed the step-ladder and with eager fingers plucked them from their niches.
For here were the novelli of Boccaccio, Masaccio, and Bandello, of Giraldi Cinthio and Ser Giovanni Fiorentino and of many another writer of romantic tales of whimsical gaiety, of intrigue, or of tragedy, and Brandilancia was a playwright gifted with a most exceptional genius for adaptation. He had read a few of these tales and had realised that they contained admirable material for dramatisation, but now by a turn of the wheel of Fortune the entire inexhaustible mine of absorbing plot of piquant situation and contrasting characters, slightly sketched but waiting only the touch of genius to spring into life, lay open before him.
With a sigh of supreme satisfaction he sank into the nearest chair and read like one under the influence of some hypnotic spell.
The secretary of the Grand Duke entered the library, shuffled about noisily, coughed, and even addressed him, but the reader was unconscious of his presence.
Curious as to what so enthralled the stranger the man of the ink-horn tiptoed behind him, read the title over his shoulder, and laughed aloud. Brandilancia surprised, laid down the volume and demanded the cause of this demonstration.
"Pardon me, Signor," replied the secretary, "but I could not refrain, your absorption pays me a great compliment for I am the author of that book."
"You, sir?" exclaimed the half incredulous reader.
"I, Celio Malespini, Secretary to his Excellency, the Grand Duke, a man of letters who has tried his quill in sundry other fields, as well."
"Then, Signor Malespini, accept my congratulations, for this story of the company of the Calza of Venice is one of the merriest I have ever read, and makes me eager to see their festival. Have you written other books as entertaining?"
"I have as yet written no others," replied Celio, flattered and wholly won by the stranger's praise, "but since you care for my poor efforts I can lay before your worship those of other authors more worthy of your attention."
From inconspicuous nooks and corners he dragged them forth and piled them before the appreciative Brandilancia, who forgot all else until a servant announced that his hostesses would receive him in the grand salon a half hour before the hour of dining.
Even then he would have turned again to the fascinating volumes had not the valet's added information that the luggage of the Signor was in his room reminded him that dinner in such a house was a function and not simply an opportunity for absorbing the provender necessary to sustain life.
Fortunately, Brandilancia was an accomplished actor as well as writer, and his theatrical experience had taught him to make quick changes not only of costume, but of mental points of view and characteristics, and Essex's wardrobe became him no more than the grace and manner of the gallant young nobleman which he assumed with equal ease.
The transformation effected within the next hour was even deeper than this, for as his eyes met those of Marie de' Medici he knew that here, either for good or evil, was a woman destined to exert a compelling influence upon his life.
It was not love, he told himself, for he was on his guard against that passion. She did not impress him as beautiful. Her eyes were overbold and searching but cold; but her bearing arrogant at first, softened as the days went by into a frank comradeship, and he discovered that she possessed a cultured and an appreciative mind.
Hitherto Brandilancia had hidden a sensitive heart craving the sympathy that no woman had ever given him, under a gay and sportive exterior which made him a prince of good fellows, a man's man, and a loyal lover of his comrades, though they were far from appreciating his genius and his aims. But every serious conversation held with his young hostess confirmed him in his delusion that he had found a friend capable of understanding him. That she did not as yet wholly do so was the fault of his cursed disguise, which confused her perceptions of his real character with preconceived ideas of Essex. He longed to reveal himself to her, and did so to a greater degree than he realised.
Especially was this the case upon one memorable morning when, piqued that he should spend so much time in the library, she had followed him to that retreat.
She had found him absorbed in Luigi da Porto's novel La Giulietta, "a pitiable history that occurred at Verona in the time of Bartolommeo Scala," and she watched him slyly for some minutes amused by his preoccupation before interrupting his feast.
"Ah!" she exclaimed at length in pleased surprise, "you have chanced upon my favourite of all the books in my uncle's library. How many tears have I shed for these poor lovers but chiefly because I knew no Romeo so brave and noble and handsome to tempt me to die for him, or so devoted as to die for me. That was when I was a child of ten, my lord. I have learned since that such love exists only in novels, and have ceased to cry for it."
"You are very cynical, sweet lady," he replied, "and unkind to the novelists, whom I hold in worshipful esteem."
"And I also esteem them. It is precisely because the life they tell of is so different from my own, in which nothing ever happens, that a book-cover is for me a magic door by whose opening I escape out of the unendurable present. Even more than the novels do I love the plays, and to see them acted is better than to read them, best of all it must be to act in one. Ah! that would indeed be like living another life."
"True, dear lady," he answered eagerly, "but there is a form of diversion which to my mind is the most fascinating of all, and that is the writing of a drama, for in so doing we create a little world of our own, and control the destinies of the men and women whom we bring into being."
She shrugged her shoulders. "But I care only to be the author of my own role."
"And what," he asked, "would you choose that role to be?"
"I would be a Princess beloved by the King of the greatest nation in the world. Beloved, mark you, not bargained for, but sought out personally by the King who should love me for myself alone, a manifestly impossible plot even for a play."
"On the contrary, 't is a good one. Let us collaborate now in the planning of such a scheme. Let us suppose that for political reasons the King could not come in his proper person, but having learned to love you from report, were to seek you out incognito. Let us also imagine him so happy as to win your love. Would you be capable of the devotion which you demand of him?"
"Would I wed such a King whom I had learned to love, though in disguise? Most certainly."
"Ah! dear lady, you wilfully disregard the point I make. Would you wed this true lover, not knowing that he was a King? Let me put it still more strongly. Would you give yourself to the man you loved knowing that he was not of royal birth?"
"Ah! that is a different question; but I answer yes, for I am certain that my intuitions are so true that I could never love a man who was not in every sense a King."
He smiled indulgently. "So be it, we will write such a drama and show the world how true love pierces all disguise, and knowing its own, challenges all dangers."
She listened eagerly, but she attributed an interpretation which he had not intended to his perfectly simple suggestion. Placing her own personality out of the question was impossible for one so absorbed in self as this egoistic young creature. If Henry of Navarre were but like his Ambassador how easy it would be to love him! and suddenly it flashed through her mind that they were indeed one and the same. What other signification could be placed upon this supposititious drama which they were to evolve together?
Intrigue ran in her blood and distorted her perceptions. Transparent frankness was incomprehensible to her, and it appealed to her romantic imagination that the King of France should come like the hero of some wonder-tale disguised as his own envoy extraordinary to see and woo his princess.
Had she confided this wild idea to the experienced Malespini or to her companion, the dwarf Leonora, whose shrewd intellect was out of all proportion to her stunted body, she might easily have been disabused of her error; but with an overweening confidence in the accuracy of her own judgment she determined to weigh every sentence uttered by the man who purported to be the Earl of Essex and draw her own conclusions as to his identity.
To a mind preconvinced, proofs were not wanting. Brandilancia, fancying that the little fan had fallen from the hand of Marie de' Medici by accident, naively offered to return it. Her face clouded. "Then you do not care to keep my first gift?" she pouted.
"Your gift? May I then keep it?" he asked delighted.
"In exchange for the ring you wear," she replied, and he laid it in her hand.
She examined with curiosity the device engraved upon the seal, a gauntleted hand holding a lance in rest.
"Essex gave me that ring," he said thoughtlessly, for he was too excited to measure his own words. "I value it, not because I have a right to the arms it bears, but because he thought me a true knight errant eager for any enterprise of honour and gallantry."
"Essex gave it. Then you are not Essex?" she asked smiling.
"'T was but a slip of the tongue," he replied confusedly. "It was the King of France who presented it to me when I joined him with the English auxiliaries at the siege of Rouen. We were much in each other's company, not only in the main business of fighting, but in hawking and hunting in the neighbourhood. It was the enemy's country, and this gave zest to our escapades." He spoke rapidly but he could not distract her attention from his inadvertent admission.
"Yes," she commented thoughtfully, "I have heard that you were friends and comrades in many a wild adventure. Tell me more of the King, since you of all others should know him best."
"I know, dear lady, that he loves you."
"How can that be since he has never seen me?"
"Love enters the heart through many strange portals, and Henry of Navarre knows you better than you suspect. Your portrait sent him by your uncle is engraved upon his heart. Love gives a mysterious power of second sight, and I doubt not that the King of France sees you at this moment even as I do, and that Marie de' Medici is for him as for me the embodiment of all womanly perfection."
"The Grand Duchess is approaching," she said in a low voice, "and Henry of Navarre is a forbidden topic—talk of anything else—talk of art."
The subject was apropos, for they were in the garden and Ferdinando's collection of masterpieces was all about them, but the Grand Duchess had caught his closing phrase.
"Who is it," she asked drily, "who has the honour of being the embodiment of the Earl of Essex's ideal of womanly perfection?"
"The Medicean Venus," Brandilancia replied unhesitatingly, with a wave of the hand which took in that famous statue and also the lady at his side.
The Grand Duchess sniffed, she was silenced but not deceived, and she remained at her niece's side through the remainder of the afternoon.
As several guests joined them and discussed with great connoisseurship the merits of the sculpture Brandilancia's thoughts wandered to his host. "What manner of man was this Ferdinando de' Medici who had converted his garden pleasance into a museum?"
Mentally reviewing what he had heard of the Grand Duke it seemed that all that was most admirable in the race must focus in its present representative. But Marie de' Medici had let fall a disquieting remark which pointed to another side to his character. "See, your grace," she had said to Brandilancia, "here is a favourite play of mine, Il Moro di Venezia, a sad tragedy but it stirs one's blood to read it. Perhaps it stirs mine because it is not long since tragedies like that have been enacted in my own family. Love and jealousy and revenge are a part of our heritage, and at times I long to come into my birthright, for such existence as I now lead is not life."
This half-revelation so impressed Brandilancia that he could not expel it from his mind, and when next alone with the secretary, Malespini, he begged for an explanation.
"Tell me something," he begged, "of the character of the Grand Duke. I do not ask you to divulge private matters, but only such as are public property and with which I would be acquainted were I not so newly arrived in Italy."
Malespini gave him a compassionate glance. "I thought that all the world knew that my master was a child of Satan," he replied coolly. "The Signorina told you truly. He caused the death of his two sisters-in-law, and was responsible for the murder of his own sister, goading her husband the Duke of Bracciano to the act. It is commonly reported also that the Signorina's father, the former Grand Duke of Tuscany, together with his wife, Bianca Capello, were poisoned by Ferdinando, though he made the act appear to be that of the murdered Duchess."
"And what," asked the horrified Brandilancia, "was the motive of this crime?"
"Is it not apparent? Ferdinando de Medici, then a cardinal, had just failed in his candidacy for the pontificate (outwitted by that fox Montalto). If he could not be pope it suited him as well to be Grand Duke of Tuscany."
"If this is true is the Signorina safe in his power?"
"So long as their interests are the same, Signor. And you who are the friend of Henry of Navarre should know that the Grand Duke is anxious to place his niece upon the throne of France. Should she set her will against her uncle's ambition he would scruple at no perfidity or crime. You wonder why I, who am in his service, should tell you this. It is because I am strangely drawn to you. From the moment I saw that you appreciated what I had written, that we spoke the same language, strove after the same ideals, I was yours heart and soul. They talk of love at first sight, a foolish matter between man and woman, but when two men recognise that they are congenial spirits it is the most natural and inevitable thing in all the world. And so I tell you again, be on your guard for your personal safety. If, however unjustly, any distrust of you should be awakened in the mind of the Grand Duke, if he imagined that the Signorina had learned to care for you, then your life, and hers as well, would not be worth one soldo."
This conversation occasioned the guest of the villa serious thought. It obtruded itself in the very tales of intrigue, passion, and murder which he read to drive it from his mind, those fascinating novelli with their records of bloody hereditary vendettas, of innocent or guilty lovers alike done to death by indiscriminating cruelty.
"Truly," he thought, "in Italy a woman's kiss and that of a poniard go often in such close company that the sweet woman's mouth which lets love in almost touches the red mouth of the wound which lets life out."
Though not so definitely explained, he had felt the presence of danger before; but so long as it threatened himself alone it added a spice of excitement to the adventure; now, however, that he realised what grave consequences the least indiscretion on his part might bring upon Marie de' Medici herself, he determined to be doubly circumspect.
With this intention he held himself aloof from the superb mundane life of the villa, and, retiring to the library, occupied himself in translating and rearranging old plays. But all day as he wrote, though half unconsciously, his thoughts were with his fair hostess, and always at the hour of the siesta of the Grand Duchess Marie de' Medici was with him in person. It was on the second morning of his seclusion that she had tapped at the door and offered her aid in his work; thus converting the very means by which he sought to avoid her into a stratagem for the uninterrupted enjoyment of her society.
Had Brandilancia been more sophisticated, it might have struck him as exceptional that a princess who been brought up in the strictest conventionality should have granted the privilege of such intimate association even to so exalted a personage as the Earl of Essex. He believed her confidence due to girlish innocence, and was more than ever determined to protect her from himself. Leonora was always on guard in the ante-room, and joined them whenever she heard the sound of approaching footsteps. It surprised this world-wise little sentinel that on none of these occasions had the young man appeared to have taken any advantage of his opportunity, and she was irritated by the amused condescension with which he treated her. He could never realise that this grotesque and tiny creature was not an uncanny child, and he had nicknamed her good-humouredly The Owlet, on account of her large round eyes.
"I had not thought the Earl of Essex so blind," she said to him one day when they chanced to be alone.
"My eyes are not fashioned to see in the dark like yours, Owlet," he replied. "Tell me what it is you see."
"Many things, but the plainest of all to me is that whoever you may be you are not the Earl of Essex."
He was off his guard, and his expression confirmed her suspicions. She laughed maliciously, and her face, always sly and old beyond her years, was absolutely repulsive now as it reflected her gloating sense of her advantage.
"Put your mind at rest, my lord," she said, mockingly. "Your secret is safe in my keeping. I do not know your aims, but if you will take me into your confidence you are sure of success. I am only dangerous when I am angered. Why should you not succeed? The Signorina is completely infatuated with you. If we make her believe that you have assumed the character of the Earl of Essex from love of her she will readily forgive you that deceit. Together we can accomplish anything and everything, for you have a winning way with women, and I have brains—yes, more than you give me credit for—and this doll-faced girl shall make our fortunes. When we have sucked the coffers of the Medici dry, take me with you to your own country, and I will be your faithful accomplice there also, for, misshapen and hideous as I am, I love you, my beautiful adventurer; yes, with a devotion of which my mistress is not capable, for she is vain and shallow and selfish. Oh, why did God give her the form of an angel and put my soul in the body of a demon?"
Brandilancia, up to this point speechless with astonishment, had not been able to interrupt her, and the dwarf had climbed to the table, where, perched at his elbow, she had poured her confidences into his ear; but as she drew his face to hers with her small claw-like hands he forgot all considerations of policy in an unconquerable repulsion, and wrenched himself rudely from her.
"Imp!" he exclaimed, "your soul matches your body. You are hideous through and through."
The look which she gave him was full of malignity. "You shall live to learn that the good-will of a devil is better than her ill-will," she said, as she slipped from the table and left the room.
Brandilancia's uneasy compunction which immediately followed his hasty exclamation was soon effaced by the dwarf's apparent forgiveness. "We were both indiscreet," she said to him the following day; "let us forget and be friends."
But Leonora would not forget, and the young man had lost his opportunity of making her his friend.
She immediately carried her doubts to her mistress. "The man is not the Earl of Essex," she asserted. "He is some base impostor, I know not whom, but I will make him declare himself ere long."
Marie de' Medici was silent, but her thoughts were voluble. Since it had pleased her royal lover to come incognito she would betray him to no one nor even allow him to suspect that she had penetrated his disguise, but would flatter the King by feigning that she loved him for himself alone, and would exert every endeavour to make him sincerely her lover.
In spite of the injunction of the Grand Duchess, they often spoke of Henry of Navarre, and Brandilancia in the desire to forward the mission upon which he had been sent, told of Henry's unhappy wedded life, expressing with great frankness his own detestation of the craft and cruelty of Catherine de' Medici and the levity of her daughter Marguerite of Valois.
"You forget," Marie de' Medici had replied, "that they are my kinswomen."
"I forget many things in your presence which I should remember," he had replied. "Sometimes even that I, too, am a married man and, knowing you as I do, I can not blame the King of France that he is seeking, through divorce, freedom from a marriage into which he was half tricked, half forced, and that he is willing to risk salvation for the hope of your love."
That answer pleased her well. She had no doubt now that he loved her, and did not hesitate to assure him in many covert ways that the feeling was reciprocated. Brandilancia would have been blind indeed not to have recognised her admiration, but he believed it merely appreciation of his genius, whereas her mind was too limited to comprehend it. She was in love with the possibility of being a queen upon such easy terms, delighted to find that the necessary husband was no uncouth tyrant but a man of winsome personality whose delicate assiduities were ever present and yet never over passed the restraints of deference.
It would have been difficult for two persons to have more utterly misunderstood each other. Brandilancia had reached the full maturity of his mental powers. His genius had created many charming women, but the ideal for which his lonely heart yearned had only gradually taken shape in his mind, and the heroine which he now gave to literature marked an epoch in his career.
He had found the plot of his drama sketched in part in one of the novelli of Ser Giovanni; but the conception of an aristocratic yet gracious lady gifted with all perfection, with which he replaced the siren of Belmont, was not, as he supposed, a portrait from life of Marie de' Medici. The character sprang directly from his own intense longing, and by some unreasoning reflex action, his mind endowed the woman who happened to be near him with qualities which he created and which she unhappily did not possess.
The idol which he worshipped was absolutely the work of his own hands, for it was not until his imagination had cheated his eyes, and he had begun to look at Marie de' Medici through its flattering lenses that he thought her beautiful. And yet at the age of twenty she possessed very real attractions: a southern blond, not milky-veined, like the pale maidens of the north, but with all the gold of the hot sunshine in her hair, and the rich blood glowing through her fair skin like flame in an alabaster lamp. Superbly modelled, but lithe and tall, she carried regally the sumptuous opulence with which nature had endowed her, and the soft curve of her shoulders, throat, and bosom had not as yet blossomed into the plethora which Rubens depicted with so gloating a brush. Nor was she precisely the same as when Brandilancia had looked upon these charms unmoved. All arrogance and self-confidence were gone or lay buried under the most appealing of coquetry, a shy tenderness apparently born of irresistible impulse showing itself in little wilful sallies, a glance or touch, seemingly instantly regretted, and followed by alternations of reticence. He admitted her bewitching but had no idea that he was himself bewitched. His was a literary passion. He was a student of life as well as of books, and he had never before had the opportunity of studying such glorious examples of both at close range.
He completed his portrait of his ideal heroine Portia, the noblest that he ever depicted, and found to his surprise that quite another type of woman was forming itself in his mind. Powerful outside influences mingled their impressions with the long-stifled hunger in his heart. He was not in love with his hostess, but he was starving for love, and each book that he read, every object of art that he looked upon, and nature itself was steeped with the charm and passion of Italy. If he tossed aside Boccaccio and his too suggestive confreres to seek refreshment in the garden it was only to find himself face to face with the famous statue of the most seductive of all women, she who made Caesar her slave and Antony her "floor-cloth."
She obtruded herself upon him everywhere, for his very bed
was hanged With tapestry of silk and silver, the story Proud Cleopatra when she met her Roman.
He had read with Marie de' Medici the history of the Egyptian Queen, and had brooded over it until against his will something of the fascination of the "Serpent of Old Nile" invested his comrade, and the name of Antony ever after called up in her memory also the inspired face of her fellow-student in the dangerous science of love.
Realising vaguely the influence which like some mephitic perfume, an opiate of the soul, emanated from the purely literary reconstruction of such a character, he laid it aside for the heart-breaking story of Giulietta, whose very innocence moved him still more profoundly.
It was midsummer, the quivering July heat brought out the pungent scent of the freshly clipped box-hedges, and set the mad flood stirring as in the brief action of the play. During the day the white glare drove the guests of the garden festivals into the shadiest recesses of the cypress labyrinths. The flowers themselves seemed to have vanished from the parterres, or, like the Cereus, bloomed only at night, plainly visible under the luminous sky, when the nightingales vied with the viols of the serenaders.
On such a night as this Brandilancia, who had been reading late, closed his book and, after the departure of the last reveller, stepped upon the terrace to cool his brain heated by inspiration. A kindred restlessness brought Marie de' Medici to her balcony and he recklessly sprang upon a marble bench which almost enabled him to touch her hand.
"Listen, dearest lady," he said, "it is your favourite story, which I have re-written with my own heart's blood."
Enthralled, though only half comprehending, Marie de' Medici listened as he poured forth in impassioned improvisation lines which from that day to this no one who has ever loved has heard untouched. The actor's training gave to the burning words of the poet artistic expression worthy of the most finished theatrical production, and as such they lacked not their due appreciation and applause though from a most undesired audience. A low chuckling and a clapping of hands greeted the close of the recital, and the two successful impersonators of Romeo and Juliet saw to their confusion that the scene had been witnessed by a burly man-at-arms, who now stalked from the shadow of a group of cypresses.
"Bravo!" he cried, "da Groto himself did not act that play so well, when I saw him years since in the Farnese theatre at Parma. But you have taken liberties with the lines and, per Bacco! have improved them. Whoever you may be you are too good an actor for such paltry assistance."
"And I know no one better qualified to pronounce upon a play than Captain Radicofani," replied Marie de' Medici, reappearing from the interior of her chamber whither she had retreated on the appearance of the intruder. "It is odd that you should have chanced so opportunely upon us as we were rehearsing our little comedy. My lord of Essex, permit me to present Captain Tuzio Radicofani, as brave a soldier as ever wielded sword, and one loyally attached to my uncle's service. What news do you bring from the Grand Duke, Captain? Will he soon return to us?"
"The Earl of Essex?" the other repeated in surprise disregarding for the moment Marie de' Medici's questions. "It is rare indeed to find one of Fortune's favourites so variously talented. His Excellency the Grand Duke, though he enumerated both your physical and mental accomplishments with great particularity spoke not of play-acting."
Brandilancia did not relish the shrewd look in the half-closed eyes, nor did he fancy the bullet-shaped close-cropped head with its overweight of occiput and bull-dog jaw, but he replied courteously, "such trifling diversion on the part of an idle man is surely less remarkable than its appreciation by one of action like yourself."
"The Grand Duke would also have been surprised," the soldier continued, "could he have assisted at this little scene. Your highness does himself discredit in referring to the performance as trifling, for, by the Blood, I never saw so accomplished an actor. The Signorina's talent likewise astonished me, though it was confined to mere pantomime, one might have thought it the languishing of a love-sick girl. By your favour, Signorina, there are indeed certain letters in my saddle-bags which my groom has in charge, but the varlet has gone to his supper in the servants' hall. I, too, am hungry and will seek the steward. The letters, with your Highness's permission, shall be presented on the morrow, which indeed is almost here."
They entered the villa together in apparent friendliness, but it was with a sense of impending evil that Brandilancia retired to his room.
Was it simply that the man had interrupted them at a moment when in spite of Marie de' Medici's tactful greeting no audience was desired, or was there something sinister in his coming? The more Brandilancia reflected the less he liked the familiarity which amounted to an assumption of authority. Radicofani's voice had not rung true. "The fellow suspects me. Nay, he knows that I am not the Earl of Essex," groaned the young man, as he tossed upon his bed; "and if his creature knows, then the Grand Duke knows also, and who can guess on what errand this villain comes? He pretended to believe that we were rehearsing a comedy, but he doubtless places the worst possible construction upon the scene which he has just witnessed. Was it a comedy, or am I in earnest? Ah! I have deliberately fallen into the trap against which Malespini warned me. I have lingered too long in this fool's paradise. Love and its penalty have stricken me in the same instant. Thank Heaven! no thought of this madness of mine can have entered the pure mind of my lady. Until this night I have breathed no word that could have betrayed it, and even now she doubtless thinks my ravings those of a poet. I will leave the villa to-morrow, lest my further presence here should bring trouble upon her."
Even as he formed the resolution a slight sound caught his ear, the cautious opening and closing of the door which led from the ante-chamber of his bedroom into the outer hall, the only means of communication between his own room and other parts of the villa. A light shone between the folds of the portiere, and there were sounds of some one moving about softly in the ante-room. Springing from his bed, Brandilancia seized his sword.
"Who is there?" he demanded.
"'T is I, Radicofani," and the tapestries parted, disclosing the form of the Captain, towering beyond a camp-bed which had been spread across the doorway.
"I should have informed your worship," he apologised smugly, "that I sleep here to-night. Put up your sword, and rest assured that no one shall pass this room without my license."
"And could they give you no better lodging than that?" asked Brandilancia.
"Room in plenty," the Captain replied, "but it is on the Grand Duke's orders that I act as your body-guard, and I enter upon my duties at once, for I am responsible for your safety."
The prisoner inquired no further, but letting fall the portiere, threw himself upon his bed confounded. His resolution to leave the villa had been made too late.
But the morning brought a fresh access of hope, as Brandilancia noticed between the widely-drawn curtains that the obstructing truckle-bed had been set against the wall and that his guard had left his post.
The dwarf Leonora, who was the only occupant of the dining hall when he descended, stole to his side and bade him await the Signorina in the belvedere in the upper garden.
Here Marie de' Medici presently joined him.
"My lord," she said, between her quick panting, for she was out of breath with running, "I shame to tell you, but you must leave us at once, indeed you should have done so long since."
"It is what I had upon my mind to say to you, sweet lady," he replied. "I have an appointment to meet at Venice ten days hence, and must leave my papers for the Grand Duke and proceed upon my journey, much as it irks me to tear myself from your company."
"Then you know not that my uncle has sent Radicofani to take you to Florence?"
"The Grand Duke does me honour, and under other circumstances I would gladly accept his further hospitality; but his Highness will understand that Robert Devreux is not free to follow his own inclinations."
"No, you are not free," she answered hastily. "Read this letter which Radicofani gave to my aunt this morning and which I purloined from her writing-cabinet. Nay, hesitate not but read, for it concerns you vitally." At her command he read:
"To the Grand Duchess Christina de' Medici.
"MOST HONOURED AND DEAR SPOUSE:
"Your letter informing me of the arrival at the villa of a person purporting to be the Earl of Essex has occasioned me great concern inasmuch as the fellow is undoubtedly an impostor.
"His Eminence, Don Jerome Osorio, Bishop of Algarve, who arrived in this city some five days since, asserts positively that on the date upon which this rascal presented himself at the Villa Medici the Earl of Essex personally conducted the sack of the town of Faro in southern Portugal, and, having feloniously carried the bishop's library on board the English flag-ship, he forth-with set sail for the open ocean, evidently upon his return voyage for England.
"Imagine, therefore, my anxiety on learning that you have given harbourage to some rascal, who having by base practises learned that the Earl had an errand with me, now usurps his name and credit. I send this letter by my trusty servitor, Radicofani, whom I have charged to bring the villain with all speed to me that I may examine him by the question and learn his motives in assuming this disguise. If he has brought with him any papers (some of which he may easily have stolen from the Earl of Essex) see to it that Radicofani obtains possession of them before the rascal's suspicions are aroused. I tremble when I think how he may have practised upon your unsuspicious nature, and what villainies he may already have accomplished, or rather I would thus tremble did I not know that you inherit the resolution of the race of Lorraine, which, even when a mistake has been committed, knows how to wring success from disaster. Confiding thus in your courage and your woman's wit, I remain,
"Your loving husband,
"FERDINANDO.
"P.S. For the better furtherance of my desires confide my suspicions to no one not even to my niece, but take leave of this caitiff with all ceremony as though he were indeed him whom he represents."
Brandilancia paled slightly, but not at the danger in which he stood. "The Grand Duke is correct in his suspicions," he said, "I have lied to you, I am not the Earl of Essex."
She smiled enigmatically. "You have known it all along?" he exclaimed. "Then I am a poorer actor than I thought."
"Nay, you acted your part well, but early in our acquaintance I knew you for a nobler man than the Earl of Essex. I have no guess as to the station to which you may have been born, but you are fitted to play a knightly part, on a far different stage from this, my King among men."
"And when I have won my crown," he replied, "the world shall know that it was your faith in me which nerved me to the effort, for I shall lay it at your feet, my Queen, the only woman who has ever really understood or cared for me." His arms were about her and she was sobbing in the excitement of her triumph. "Yes, yes," she cried, "you will come again, but now you must fly. What am I that I should hold you thus when you stand in danger of your life?"
"Have no fear for me dear lady," he replied. "The Grand Duke is fair-minded, and will not fail to credit my assertions when I explain why I undertook this adventure."
"My uncle believes nothing without absolute proof. Such chivalrous motives as yours would seem to him incredible. If you fail to convince him of your identity he will execute you as a common rogue. If you prove it he will use every inch of his advantage ere you escape his clutches. You must fly, but how? On learning an hour since, that Radicofani had descended to the city, I ordered our horses for a ride only to learn that he had left strict orders at the stables and at the gates of the villa that you were not to be allowed to leave the grounds. My friend, you are a close prisoner. Think fast. What can you do?"
"Nothing, dear lady, but trust that since I have committed no crime I shall not receive the treatment of a criminal."
"What loss of time is this?" exclaimed Leonora as she suddenly made her appearance from behind the hedge. "Here I have stood on guard for half an hour by the sun-dial and you have wasted it in idle chatter. I tell you, Signor, my mistress is right, you are as good as a dead man if you trust to the Grand Duke; but take the advice of the Owlet and we will foil him nicely."
For an instant a suspicion flashed across his mind that her apparent friendliness was untrustworthy. It was she, he suspected, who had ushered Radicofani into the garden on the previous evening, or at least had failed to give warning of his approach. But he dismissed these thoughts as unworthy.
"What expedient do you suggest Leonora?" he asked.
"Do you not recognise that contadina," the dwarf replied, "the one standing between the fountain and the parapet yonder? She is a friend of yours and will help me save you."
"A friend of mine!" Brandilancia repeated wonderingly.
Leonora laughed maliciously. "Have you forgotten possessing yourself of a little fan which my mistress dropped, quite by accident, from a window on the day of your arrival, and that you were assisted in finding it by the laundress of the villa? The artful jade has a better memory. She does not fail to remind me of the incident and to inquire for you whenever she calls for the linen. I have been obliged to stop her mouth with more than one coin to keep her from blabbing to the Grand Duchess. However that incident proves to have been all for the best. Her cart is at the kitchen door, she is waiting there at my orders. Summon her to your room, purchase and don the costume which she now wears. With her kerchief shading your face no one will recognise you, and you will drive away in triumph throned upon her hampers, until well beyond the city when you can turn the donkey loose and catch the Venetian post."
His laugh rang out boyishly. "The adventure of Bucciolo, which I read to the Signorina, from the tales of Ser Giovanni suggested that expedient," he said. "It were a good motive for a roaring farce, but I must consider the dignity of the name I bear."
"Nay speak it not," entreated Marie de' Medici in a whisper, throwing her arms about his neck. "I heard a step upon the gravel."
He regarded her wonderingly, "Let who will hear," he persisted. "It shall never be said that the Earl of Essex slunk from danger in a wench's petticoats."
"Well spoken, I like you the better for that," laughed a loud voice, and Captain Radicofani parting the shrubbery suddenly appeared, interrupting, for the second time, their confidences. "How unsuspectingly you children fell into my trap," he sneered. "I knew that the Signorina would warn you. You were acting a tableau I presume just now as you held her in your embrace. A pretty scene, i' faith, but one of which the Grand Duke will not be amused to hear. I had hoped to learn still more of the libretto of this little play, but you know more of mine. We will make no further pretence, and lest I lose you by further shilly-shallying, we will start upon our journey at once.
"Until we are well upon our way, Signorina, may I beg you, and Leonora also, to remain in your own suite of apartments and to attempt to hold no communication with this gentleman?"
Marie de' Medici bowed haughtily. "I shall employ the time in writing my uncle how unwarrantably Captain Radicofani exceeds his orders," she replied as she swept angrily from the belvedere.
Seeing that the indignation of her mistress merely amused the condottiere the dwarf took a cajoling tone. "At least your highness will remain to luncheon," she said insinuatingly.
"That invitation I am powerless to refuse," replied the Captain, "but you may order it served in this gentleman's chamber, whither I will now conduct him."
With a disconcerting chuckle Radicofani suited his action to the word, and busied himself with preparations for the journey, taking care, however, as he strode from ante-room to bed-chamber to keep his prisoner constantly in sight. The latter's hope of escape had reached a low ebb when Malespini knocked timidly. He had brought certain papers which the Signor had left in the library. Captain Radicofani received the secretary distrustfully and bestowed the papers among his own effects. "I will look them over," he commented, "and if innocent pass them on to our friend before we arrive in Florence." |
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