I stood for a while as if rooted to the spot, overwhelmed by my insignificance. O'Brien never once looked my way. Then, hanging my head, I went slowly up the white staircase towards my room.

Cesar, going his rounds along the gallery, shuffled his silk-clad shanks smartly between two young negroes balancing lanthorns suspended on the shafts of their halberds. That little group had a mediaeval and outlandish aspect. Cesar carried a bunch of keys in one hand, his staff of office in the other. He stood aside, in his maroon velvet and gold lace, holding the three-cornered hat under his arm, bowing his gray, woolly head—the most venerable and deferential of majordomos. His attendants, backing against the wall, grounded their halberds heavily at my approach.

He stepped out to intercept me, and, with great discretion, "Senor, a word," he said in his subdued voice. "A moment ago I have been called within the door of our senorita's apartments. She has given me this for your worship, together with many compliments. It is a seal. The Senor will understand."

I took it; it was a tiny seal with her monogram on it. "Yes," I said.

"And Senorita Dona Seraphina has charged me to repeat"—he made a stealthy sign, as if to counteract an evil influence—"the words, 'Two lives—one death.' The Senor will understand."

"Yes," I said, looking away with a pang at my heart. He touched my elbow. "And to trust Cesar. Senor, I dandled her when she was quite little. Let me most earnestly urge upon your worship not to go near the windows, especially if there is light in your worship's room. Evil men are gazing upon the house, and I have seen myself the glint of a musket at the end of the street. The moon grows fast, too. The senorita begs you to trust Cesar."

"Are there many men?" I asked.

"Not many in sight; I have seen only one. But by signs, open to a man of my experience, I suspect many more to be about." Then, as I looked down on the ground, he added parenthetically, "They are poor shots, one and all, lacking the very firmness of manhood necessary to discharge a piece with a good aim. Still, Senor, I am ordered to entreat you to be cautious. Strange it is that to-night, from the great revelry at the Aldea Bajo, one might think they had just visited an English ship outside."

A ship! a ship! of any sort. But how to get out of the Casa? Murder forbade me even as much as to look out of the windows. Was there a ship outside? Cesar was positive there was not—not since I had arrived. Besides, the empty sea itself was unattainable, it seemed. I pressed the seal to my lips. "Tell the senorita how I received her gift," I said; and the old negro inclined his head lower still. "Tell her that as the letters of her name are graved on this, so are all the words she has spoken graven on my heart."

They went away busily, the lanthorns swinging about the ax-heads of the halberds, Cesar's staff tapping the stones.

I shut my door, and buried my face in the pillows of the state bed. My mental anguish was excessive; action, alone, could relieve it. I had been battling with my thoughts like a man fighting with shadows. I could see no issue to such a struggle, and I prayed for something tangible to encounter—something that one could overcome or go under to. I must have fallen suddenly asleep, because there was a lion in front of me. It lashed its tail, and beyond the indistinct agitation of the brute I saw Seraphina. I tried to shout to her; no voice came out of my throat. And the lion produced a strange noise; he opened his jaws like a door. I sat up. It was like a change of dream. A glare filled my eyes. In the wide doorway of my room, in a group of attendants, I saw a figure in a short black cloak standing, hat on head, and an arm outstretched. It was Don Balthasar. He held himself more erect than I had ever seen him before. Stifled sounds of weeping, a vast, confused rumour of lamentations, running feet and flamming doors, came from behind him; his aged, dry voice, much firmer and very distinct, was speaking to me.

"You are summoned to attend the bedside of Don Carlos Riego at the hour of death, to help his soul struggling on the threshold of eternity, with your prayers—as a kinsman and a friend."

A great draught swayed the lights about that black and courtly figure. All the windows and doors of the palace had been flung open for the departure of the struggling soul. Don Balthasar turned; the group of attendants was gone in a moment, with a tramp of feet and jostling of lights in the long gallery.

I ran out after them. A wavering glare came from under the arch, and, through the open gate, I saw the bulky shape of the bishop's coach waiting outside in the moonlight. A strip of cloth fell from step to step down the middle of the broad white stairs. The staircase was brilliantly lighted, and quite empty. The household was crowding the upper galleries; the sobbing murmurs of their voices fell into the deserted patio. The strip of crimson cloth laid for the bishop ran across it from the arch of the stairway to the entrance.

The door of Carlos' room stood wide open; I saw the many candles on a table covered with white linen, the side of the big bed, surpliced figures moving within the room. There was the ringing of small bells, and sighing groans from the kneeling forms in the gallery through which I was making my way slowly.

Castro appeared at my side suddenly. "Senor," he began, with saturnine stoicism, "he is dead. I have seen battlefields———" His voice broke.

I saw, through the large portal of the death-chamber, Don Balthasar and Seraphina standing at the foot of the bed; the bowed heads of two priests; the bishop, a tiny old man, in his vestments; and Father Antonio, burly and motionless, with his chin in his hand, as if left behind after leading that soul to the very gate of Eternity. All about me, women and men were crossing themselves; and Castro, who for a moment had covered his eyes with his hand, touched my elbow.

"And you live," he said, with sombre emphasis; then, warningly, "You are in great danger now."

I looked around, as if expecting to see an uplifted knife. I saw only a lot of people—household negroes and the women—rising from their knees. Below, the patio was empty.

"The house is defenceless," Castro continued. We heard tumultuous voices under the gate. O'Brien appeared in the doorway of Carlos' room with an attentive and dismayed expression on his face. I do not really think he had anything to do with what then took place. He meant to have me killed outside; but the rabble, excited by Manuel's inflammatory speeches, had that night started from the villages below with the intention of clamouring for my life. Many of their women were with them. Some of the Lugarenos carried torches, others had pikes; most of them, however, had nothing but their long knives. They came in a disorderly, shouting mob along the beach, intending this not for an attack, but as a simple demonstration.

The sight of the open gate struck them with wonder. The bishop's coach blocked the entrance, and for a time they hesitated, awed by the mystery of the house and by the rites going on in there. Then two or three bolder spirits stole closer. The bishop's people, of course, did not think of offering any resistance. The very defencelessness of the house restrained the mob for a while. A few more men from outside ran in. Several women began to clamour scoldingly to them to bring the Inglez out. Then the men, encouraging each other in their audacity, advanced further under the arch.

A solitary black, the only guard left at the gate, shouted at them, "Arria! Go back!" It had no effect. More of them crowded in, though, of course, the greater part of that mob remained outside. The black rolled big eyes. He could not stop them; he did not like to leave his post; he dared not fire. "Go back! Go back!" he repeated.

"Not without the Inglez," they answered.

The tumult we had heard arose when the Lugarenos suddenly fell upon the sentry, and wrenched his musket from him.

This man, when disarmed, ran away. I saw him running across the patio, on the crimson pathway, to the foot of the staircase. His shouting, "The Lugarenos have risen!" broke upon the hush of mourning. Father Antonio made a brusque movement, and Seraphina sent a startled glance in my direction.

The cloistered court, with its marble basin and a jet of water in the centre, remained empty for a moment after the negro had run across; a growing clamour penetrated into it. In the midst of it I heard O'Brien's voice saying, "Why don't they shut the gate?" Immediately afterwards a woman in the gallery cried out in surprise, and I saw the Lugarenos pour into the patio.

For a time that motley group of bandits stood in the light, as if intimidated by the great dignity of the house, by the mysterious prestige of the Casa whose interior, probably, none of them had ever seen before. They gazed about silently, as if surprised to find themselves there.

It looked as if they would have retired if they had not caught sight of me. A murmur of "the Inglez" arose at once. By that time the household negroes had occupied the staircase with what weapons they could find upstairs.

Father Antonio pushed past O'Brien out of the room, and shook his arms over the balustrade.

"Impious men," he cried, "begone from this house of death." His eyes flashed at the ruffians, who stared stupidly from below.

"Give us the Inglez," they growled. Seraphina, from within, cried, "Juan." I was then near the door, but not within the room.

"The Inglez! The heretic! The traitor!" came in sullen, subdued mutter. A hoarse, reckless voice shouted, "Give him to us, and we shall go!"

"You are putting in danger all the lives in this house!" O'Brien hissed at me. "Senorita, pray do not." He stood in the way of Seraphina, who wished to come out.

"It is you!" she cried. "It is you! It is your voice, it is your hand, it is your iniquity!"

He was confounded by her vehemence.

"Who brought him here?" he stammered. "Am I to find one of that accursed brood forever in my way? I take him to witness that for your sake———"

A formidable roar, "Throw us down the Inglez!" filled the patio. They were gaining assurance down there; and the ferocious clamouring of the mob outside came faintly upon our ears.

O'Brien barred the way. Don Balthasar leaned on his daughter's arm—she very straight, with tears still on her face and indignation in her eye, he bowed, and with his immovable fine features set in the calmness of age. Behind that group there were two priests, one with a scared, white face, another, black-browed, with an exalted and fanatical aspect. The light of the candles from the improvised altar fell on the bishop's small, bald head, emerging with a patient droop from the wide spread of his cope, as though he had been inclosed in a portable gold shrine. He was ready to go.

Don Balthasar, who seemed to have heard nothing, as if suddenly waking up to his duty, left his daughter, and muttering to O'Brien, "Let me precede the bishop," came out, bare-headed, into the gallery. Father Antonio had turned away, and his heavy hand fell on O'Brien's shoulder.

"Have you no heart, no reverence, no decency?" he said. "In the name of everything you respect, I call upon you to stop this sacrilegious outbreak."

O'Brien shook off the priestly hand, and fixed his eyes upon Seraphina. I happened to be looking at his face; he seemed to be ready to go out of his mind. His jealousy, the awful torment of soul and body, made him motionless and speechless.

Seeing Don Balthasar appear by the balustrade, the ruffians below had become silent for a while. His aged, mechanical voice was heard asking distinctly:

"What do these people want?"

Seraphina, from within the room, said aloud, "They are clamouring for the life of our guest." She looked at O'Brien contemptuously, "They are doing this to please you."

"Before God, I have nothing to do with this."

It was true enough, he had nothing to do with this outbreak; and I believe he would have interfered, but, in his dismay at having lost himself in the eyes of Seraphina, in his rage against myself, he did not know how to act. No doubt he had been deceiving himself as to his position with Seraphina. He was a man who in his wishes. His desire of revenge on me, the downfall of his hopes (he could no longer deceive himself), a desperate striving of thought for their regaining, his impulse towards the impossible—all these emotions paralyzed his will.

Don Balthasar beckoned to me.

"Don't go near him," said O'Brien, in a thick, mumbling voice. "I shall———I must———"

I put him aside. Don Balthasar took my arm. "Misguided populace," he whispered. "They have been a source of sorrow to me lately. But this wicked folly is incredible. I shall call upon them to come to their senses. My voice———"

The court below was strongly lighted, so that I saw the bearded, bronzed, wild faces of the Lugarenos looking up. We, also, were strongly shown by the light of the doorway behind us, and by the torches burning in the gallery.

That morning, in my helplessness, I had come to put my trust in accident—in some accident—I hardly knew of what nature—my own death, perhaps—that would find a solution for my responsibilities, put an end to my tormenting thoughts. And now the accident came with a terrible swiftness, at which I shudder to this day.

We were looking down into the patio. Don Balthasar had just said, "You are nowhere as safe as by my side," when I noticed a Lugareno withdrawing himself from the throng about the basin. His face came to me familiarly. He was the pirate with the broken nose, who had had a taste of my fist. He had the sentry's musket on his shoulder, and was slinking away towards the gate.

Don Balthasar extended his hand over the balustrade, and there was a general movement of recoil below. I wondered why the slaves on the stairs did not charge and clear the patio; but I suppose with such a mob outside there was a natural hesitation in bringing the position to an issue. The Lugarenos were muttering, "Look at the Inglez!" then cried out together, "Excellency, give up this Inglez!"

Don Balthasar seemed ten years younger suddenly. I had never seen him so imposingly erect.

"Insensate!" he began, without any anger.

"He is going to fire!" yelled Castro's voice somewhere in the gallery.

I saw a red dart in the shadow of the gate. The broken-nosed pirate had fired at me. The report, deadened in the vault, hardly reached my ears. Don Balthazar's arm seemed to swing me back. Then I felt him lean heavily on my shoulder. I did not know what had happened till I heard him say:

"Pray for me, gentlemen."

Father Antonio received him in his arms.

For a second after the shot, the most dead silence prevailed in the court. It was broken by an affrighted howl below: and Seraphina's voice cried piercingly:

"Father!"

The priest, dropping on one knee, sustained the silvery head, with its thin features already calm in death. Don Balthasar had saved my life; and his daughter flung herself upon the body. O'Brien pressed his hands to his temples, and remained motionless.

I saw the bishop, in his stiff cope, creep up to the group with the motion of a tortoise. And, for a moment, his quavering voice pronouncing the absolution was the only sound in the house.

Then a most fiendish noise broke out below. The negroes had charged, and the Lugarenos, struck with terror at the unforeseen catastrophe, were rushing helter-skelter through the gate. The screaming of the maids was frightful. They ran up and down the galleries with their hair streaming. O'Brien passed me by swiftly, muttering like a madman.

I, also, got down into the courtyard in time to strike some heavy blows under the gateway; but I don't know who it was that thrust into my hands the musket which I used as a club. The sudden burst of shrieks, the cries of terror under the vault of the gate, yells of rage and consternation, silenced the mob outside. The Lugarenos, appalled at what had happened, shouted most pitifully. They squeaked like the vermin they were. I brought down the clubbed musket; two went down. Of two I am sure. The rush of flying feet swept through between the walls, bearing me along. For a time a black stream of men eddied in the moonlight round the bishop's coach, like a torrent breaking round a boulder. The great heavy machine rocked, mules plunged, torches swayed.

The archway had been cleared. Outside, the slaves were forming in the open space before the Casa, while Cesar, with a few others, laboured to swing the heavy gates to. Hats, torn cloaks, knives strewed the flagstones, and the dim light of the lamps, fastened high up on the walls, fell on the faces of three men stretched out on their backs. Another, lying huddled up in a heap, got up suddenly and rushed out.

The thought of Seraphina clinging to the lifeless body of her father upstairs came to me; it came over me in horror, and I let the musket fall out of my hand. A silence like the silence of despair reigned in the house. She would hate me now. I felt as if I could walk out and give myself up, had it not been for the sight of O'Brien.

He was leaning his shoulders against the wall in the posture of a man suddenly overcome by a deadly disease. No one was looking at us. It came to me that he could not have many illusions left to him now. He looked up wearily, saw me, and, waking up at once, thrust his hands into the pockets of his breeches. I thought of his pistol. No wild hope of love would prevent him, now, from killing me outright. The fatal shot that had put an end to Don Balthasar's life must have brought to him an awakening worse than death. I made one stride, caught him by both arms swiftly, and pinned him to the wall with all my strength. We struggled in silence.

I found him much more vigorous than I had expected; but, at the same time, I felt at once that I was more than a match for him. We did not say a word. We made no noise. But, in our struggle, we got away from the wall into the middle of the gateway I dared not let go of his arms to take him by the throat. He only tried to jerk and wrench himself away. Had he succeeded, it would have been death for me. We never moved our feet from the spot, fairly in the middle of the archway but nearer to the gate than to the patio. The slaves, formed outside, guarded the bishop's coach, and I do not know that there was anybody else actually with us under the vault of the entrance. We glared into each other's faces, and the world seemed very still around us. I felt in me a passion—not of hate, but of determination to be done with him; and from his face it was impossible to guess his suffering, his despair, or his rage.

In the midst of our straining I heard a sibilant sound. I detached my eyes from his; his struggles redoubled, and, behind him, stealing in towards us from the court, black on the strip of crimson cloth, I saw Tomas Castro. He flung his cloak back. The light of the lanthorn under the keystone of the arch glimmered feebly on the blade of his maimed arm. He made a discreet and bloodcurdling gesture to me with the other.

How could I hold a man so that he should be stabbed from behind in my arms? Castro was running up swiftly, his cloak opening like a pair of sable wings. Collecting all my strength, I forced O'Brien round, and we swung about in a flash. Now he had his back to the gate. My effort seemed to have uprooted him. I felt him give way all over.

As soon as our position had changed, Castro checked himself, and stepped aside into the shadow of the guardroom doorway. I don't think O'Brien had been aware of what had been going on. His strength was overborne by mine. I drove him backwards. His eyes blinked wildly. He bared his teeth. He resisted, as though I had been forcing him over the brink of perdition. His feet clung to the flagstones. I shook him till his head rolled.

"Viper brood!" he spluttered.

"Out you go!" I hissed.

I had found nothing heroic, nothing romantic to say—nothing that would express my desperate resolve to rid the world of his presence. All I could do was to fling him out. The Casa Riego was all my world—a World full of great pain, great mourning, and love. I saw him pitch headlong under the wheels of the bishop's enormous carriage. The black coachman who had sat aloft, unmoved through all the tumult, in his white stockings and three-cornered hat, glanced down from his high box. And the two parts of the gate came together with a clang of ironwork and a heavy crash that seemed as loud as thunder under that vault.



CHAPTER SIX

Not even in memory am I willing to live over again those three days when Father Antonio, the old major-domo, and myself would meet each other in the galleries, in the patio, in the empty rooms, moving in the stillness of the house with heavy hearts and desolate eyes, which seemed to demand, "What is there to do?"

Of course, precautions were taken against the Lugarenos. They were besieging the Casa from afar. They had established a sort of camp at the end of the street, and they prowled about amongst the old, barricaded houses in their pointed hats, in their rags and finery; women, with food, passed constantly between the villages and the panic-stricken town; there were groups on the beach; and one of the schooners had been towed down the bay, and was lying, now, moored stem and stern opposite the great gate. They did nothing whatever active against us. They lay around and watched, as if in pursuance of a plan traced by a superior authority. They were watching for me. But when, by some mischance, they burnt the roof off the outbuildings that were at some distance from the Casa, their chiefs sent up a deputation of three, with apologies. Those men came unarmed, and, as it were, under Castro's protection, and absolutely whimpered with regrets before Father Antonio. "Would his reverence kindly intercede with the most noble senorita?..."

"Silence! Dare not pronounce her name!" thundered the good priest, snatching away his hand, which they attempted to grab and kiss.

I, in the background, noted their black looks at me even as they cringed. The man who had fired the shot, they said, had expired of his wounds after great torments. Their other dead had been thrust out of the gate before. A long fellow, with slanting eyebrows and a scar on his cheek, called El Rechado, tried to inform Cesar, confidentially, that Manuel, his friend, had been opposed to any encroachment of the Casa's offices, only: "That Domingo———"

As soon as we discovered what was their object (their apparent object, at any rate), they were pushed out of the gate unceremoniously,—still protesting their love and respect—by the Riego negroes. Castro followed them out again, after exchanging a meaning look with Father Antonio. To live in the two camps, as it were, was a triumph of Castro's diplomacy, of his saturnine mysteriousness. He kept us in touch with the outer world, coming in under all sorts of pretences, mostly with messages from the bishop, or escorting the priests that came in relays to pray by the bodies of the two last Riegos lying in state, side by side, rigid in black velvet and white lace ruffles, on the great bed dragged out into the middle of the room.

Two enormous wax torches in iron stands flamed and guttered at the door; a black cloth draped the emblazoned shields; and the wind from the sea, blowing through the open casement, inclined all together the flames of a hundred candles, pale in the sunlight, extremely ardent in the night. The murmur of prayers for these souls went on incessantly; I have it in my ears now. There would be always some figure of the household kneeling in prayer at the door; or the old major-domo would come in to stand at the foot, motionless for a time; or, through the open door, I would see the cassock of Father Antonio, flung on his knees, with his forehead resting on the edge of the bed, his hands clasped above his tonsure.

Apart from what was necessary for defence, all the life of the house seemed stopped. Not a woman appeared; all the doors were closed; and the numbing desolation of a great bereavement was symbolized by Don Bal-thasar's chair in the patio, which had remained lying overturned in full view of every part of the house, till I could bear the sight no longer, and asked Cesar to have it put away. "Si, Senor," he said deferentially, and a few tears ran suddenly down his withered cheeks. The English flowers had been trampled down; an unclean hat floated on the basin, now here, now there, frightening the goldfish from one side to the other.

And Seraphina. It seems not fitting that I should write of her in these days. I hardly dared let my thoughts approach her, but I had to think of her all the time. Her sorrow was the very soul of the house.

Shortly after I had thrown O'Brien out the bishop had left, and then I learned from Father Antonio that Seraphina had been carried away to her own apartments in a fainting condition. The excellent man was almost incoherent with distress and trouble of mind, and walked up and down, his big head drooping on his capacious chest, the joints of his entwined fingers cracking. I had met him in the gallery, as I was making my way back to Carlos' room in anxiety and fear, and we had stepped aside into a large saloon, seldom used, above the gateway. I shall never forget the restless, swift pacing of that burly figure, while, feeling utterly crushed, now the excitement was over, I leaned against a console. Three long bands of moonlight fell, chilly bluish, into the vast room, with its French Empire furniture stiffly arranged about the white walls.

"And that man?" he asked me at last.

"I could have killed him with my own hands," I said. "I was the stronger. He had his pistols on him, I am certain, only I could not be a party to an assassination...."

"Oh, my son, it would have been no sin to have exerted the strength which God had blessed you with," he interrupted. "We are allowed to kill venomous snakes, wild beasts; we are given our strength for that, our intelligence...." And all the time he walked about, wringing his hands.

"Yes, your reverence," I said, feeling the most miserable and helpless of lovers on earth; "but there was no time. If I had not thrown him out, Castro would have stabbed him in the back in my very hands. And that would have been———" Words failed me.

I had been obliged not only to desist myself, but to save his life from Castro. I had been obliged! There had been no option. Murderous enemy as he was, it seemed to me I should never have slept a wink all the rest of my life.

"Yes, it is just, it is just. What else? Alas!" Father Antonio repeated disconnectedly. "Those feelings implanted in your breast——I have served my king, as you know, in my sacred calling, but in the midst of war, which is the outcome of the wickedness natural to our fallen state. I understand; I understand. It may be that God, in his mercy, did not wish the death of that evil man—not yet, perhaps. Let us submit. He may repent." He snuffled aloud. "I think of that poor child," he said through his handkerchief. Then, pressing my arm with his vigorous fingers, he murmured, "I fear for her reason."

It may be imagined in what state I spent the rest of that sleepless night. At times, the thought that I was the cause of her bereavement nearly drove me mad.

And there was the danger, too.

But what else could I have done? My whole soul had recoiled from the horrible help Castro was bringing us at the point of his blade. No love could demand from me such a sacrifice.

Next day Father Antonio was calmer. To my trembling inquiries he said something consolatory as to the blessed relief of tears. When not praying fervently in the mortuary chamber, he could be seen pacing the gallery in a severe aloofness of meditation. In the evening he took me by the arm, and, without a word, led me up a narrow and winding staircase. He pushed a small door, and we stepped out on a flat part of the roof, flooded in moonlight.

The points of land dark with the shadows of trees and broken ground clasped the waters of the bay, with a body of shining white mists in the centre; and, beyond, the vast level of the open sea, touched with glitter, appeared infinitely sombre under the luminous sky.

We stood back from the parapet, and Father Antonio threw out a thick arm at the splendid trail of the moon upon the dark water.

"This is the only way," he said.

He had a warm heart under his black robe, a simple and courageous comprehension of life, this priest who was very much of a man; a certain grandeur of resolution when it was a matter of what he regarded as his principal office.

"This is the way," he repeated.

Never before had I been struck so much by the gloom, the vastness, the emptiness of the open sea, as on that moonlight night. And Father Antonio's deep voice went on:

"My son, since God has made use of the nobility of your heart to save that sinner from an unshriven death———"

He paused to mutter, "Inscrutable! inscrutable!" to himself, sighed, and then:

"Let us rejoice," he continued, with a completely unconcealed resignation, "that you have been the chosen instrument to afford him an opportunity to repent."

His tone changed suddenly.

"He will never repent," he said with great force. "He has sold his soul and body to the devil, like those magicians of old of whom we have records."

He clicked his tongue with compunction, and regretted his want of charity. It was proper for me, however, as a man having to deal with a world of wickedness and error, to act as though I did not believe in his repentance.

"The hardness of the human heart is incredible; I have seen the most appalling examples." And the priest meditated. "He is not a common criminal, however," he added profoundly.

It was true. He was a man of illusions, ministering to passions that uplifted him above the fear of consequences, Young as I was, I understood that, too. There was no safety for us in Cuba while he lived. Father Antonio nodded dismally.

"Where to go?" I asked. "Where to turn? Whom can we trust? In whom can we repose the slightest confidence? Where can we look for hope?"

Again the padre pointed to the sea. The hopeless aspect of its moonlit and darkling calm struck me so forcibly that I did not even ask how he proposed to get us out there. I only made a gesture of discouragement. Outside the Casa, my life was not worth ten minutes' purchase. And how could I risk her there? How could I propose to her to follow me to an almost certain death? What could be the issue of such an adventure? How could we hope to devise such secret means of getting away as would prevent the Lugarenos pursuing us? I should perish, then, and she...

Father Antonio seemed to lose his self-control suddenly.

"Yes," he cried. "The sea is a perfidious element, but what is it to the blind malevolence of men?" He gripped my shoulder. "The risk to her life," he cried; "the risk of drowning, of hunger, of thirst—that is all the sea can do. I do not think of that. I love her too much. She is my very own spiritual child; and I tell you, Senor, that the unholy intrigue of that man endangers not her happiness, not her fortune alone—it endangers her innocent soul itself."

A profound silence ensued. I remembered that his business was to save souls. This old man loved that young girl whom he had watched growing up, defenceless in her own home; he loved her with a great strength of paternal instinct that no vow of celibacy can extinguish, and with a heroic sense of his priestly duty. And I was not to say him nay. The sea—so be it. It was easier to think of her dead than to think of her immured; it was better that she should be the victim of the sea than of evil men; that she should be lost with me than to me.

Father Antonio, with that naive sense of the poetry of the sky he possessed, apostrophized the moon, the "gentle orb," as he called it, which ought to be weary of looking at the miseries of the earth. His immense shadow on the leads seemed to fling two vast fists over the parapet, as if to strike at the enemies below, and without discussing any specific plan we descended. It was understood that Seraphina and I should try to escape—I won't say by sea, but to the sea. At best, to ask the charitable help of some passing ship, at worst to go out of the world together.

I had her confidence. I will not tell of my interview with her; but I shall never forget my sensations of awe, as if entering a temple, the melancholy and soothing intimacy of our meeting, the dimly lit loftiness of the room, the vague form of La Chica in the background, and the frail, girlish figure in black with a very pale, delicate face. Father Antonio was the only other person present, and chided her for giving way to grief. "It is like rebellion—like rebellion," he denounced, turning away his head to wipe a tear hastily; and I wondered and thanked God that I should be a comfort to that tender young girl, whose lot on earth had been difficult, whose sorrow was great but could not overwhelm her indomitable spirit, which held a promise of sweetness and love.

Her courage was manifest to me in the gentle and sad tones of her voice. I made her sit in a vast armchair of tapestry, in which she looked lost like a little child, and I took a stool at her feet. This is an unforgettable hour in my life in which not a word of love was spoken, which is not to be written of. The burly shadow of the priest lay motionless from the window right across the room; the flickering flame of a silver lamp made an unsteady white circle of light on the lofty ceiling above her head. A clock was beating gravely somewhere in the distant gloom, like the unperturbed heart of that silence, in which our understanding of each other was growing, even into a strength fit to withstand every tempest.

"Escape by the sea," I said aloud. "It would be, at least, like two lovers leaping hand in hand off a high rock, and nothing else."

Father Antonio's bass voice spoke behind us.

"It is better to jeopardize the sinful body that returns to the dust of which it is made than the redeemed soul, whose awful lot is eternity. Reflect."

Seraphina hung her head, but her hand did not tremble in mine.

"My daughter," the old man continued, "you have to confide your fate to a noble youth of elevated sentiments, and of a truly chivalrous heart...."

"I trust him," said Seraphina.

And, as I heard her say this, it seemed really to me as if, in very truth, my sentiments were noble and my heart chivalrous. Such is the power of a girl's voice. The door closed on us, and I felt very humble.

But in the gallery Father Antonio leaned heavily on my shoulder.

"I shall be a lonely old man," he whispered faintly. "After all these years! Two great nobles; the end of a great house—a child I had seen grow up.... But I am less afraid for her now."

I shall not relate all the plans we made and rejected. Everything seemed impossible. We knew from Castro that O'Brien had gone to Havana, either to take the news of Don Balthasar's death himself, or else to prevent the news spreading there too soon. Whatever his motive for leaving Rio Medio, he had left orders that the house should be respected under the most awful penalties, and that it should be watched so that no one left it. The Englishman was to be killed at sight. Not a hair on anybody else's head was to be touched.

To escape seemed impossible; then on the third day the thing came to pass. The way was found. Castro, who served me as if Carlos' soul had passed into my body, but looked at me with a saturnine disdain, had arranged it all with Father Antonio.

It was the day of the burial of Carlos and Don Balthasar. That same day Castro had heard that a ship had been seen becalmed a long way out to sea. It was a great opportunity; and the funeral procession would give the occasion for my escape. There was in Rio Medio, as in all Spanish towns amongst the respectable part of the population, a confraternity for burying the dead, "The Brothers of Pity," who, clothed in black robes and cowls, with only two holes for the eyes, carried the dead to their resting-place, unrecognizable and unrecognized in that pious work. A "Brother of Pity" dress would be brought for me into Father Antonio's room. Castro was confident as to his ability of getting a boat. It would be a very small and dangerous one, but what would I have, if I neither killed my enemy, nor let any one else kill him for me, he commented with sombre sarcasm.

A truce of God had been called, and the burial was to take place in the evening when the mortal remains of the last of the Riegos would be laid in the vault of the cathedral of what had been known as their own province, and had, in fact, been so for a time under a grant from Charles V.

Early in the day I had a short interview with Seraphina. She was resolute. Then, long before dark, I slipped into Father Antonio's room, where I was to stay until the moment to come out and mingle with the throng of other Brothers of Pity. Once with the bodies in the crypt of the cathedral, I was to await Seraphina there, and, together, we should slip through a side door on to the shore. Cesar, to throw any observer off the scent (three Lugarenos were to be admitted to see the bodies put in their coffins), posted two of the Riego negroes with loaded muskets on guard before the door of my empty room, as if to protect me.

Then, just as dusk fell, Father Antonio, who had been praying silently in a corner, got up, blew his nose, sighed, and suddenly enfolded me in his powerful arms for an instant.

"I am an old man—a poor priest," he whispered jerkily into my ear, "and the sea is very perfidious. And yet it favours the sons of your nation. But, remember—the child has no one but you. Spare her."

He went off; stopped. "Inscrutable! inscrutable!" he murmured, lifting upwards his eyes. He raised his hand with a solemn slowness. "An old man's blessing can do no harm," he said humbly. I bowed my head. My heart was too full for speech, and the door closed. I never saw him again, except later on in his surplice for a moment at the gate, his great bass voice distinct in the chanting of the priests conducting the bodies.

The Lugarenos would respect the truce arranged by the bishop.

No man of them but the three had entered the Casa. Already, early in the night, their black-haired women, with coarse faces and melancholy eyes, were kneeling in rows under the black mantillas on the stone floor of the cathedral, praying for the repose of the soul of Seraphina's father, of that old man who had lived among them, unapproachable, almost invisible, and as if infinitely removed. They had venerated him, and many of them had never set eyes on his person.

It strikes me, now, as strange and significant of a mysterious human need, the need to look upwards towards a superiority inexpressibly remote, the need of something to idealize in life. They had only that and, maybe, a sort of love as idealized and as personal for the mother of God, whom, also, they had never seen, to whom they trusted to save them from a devil as real. And they had, moreover, a fear even more real of O'Brien.

And, when one comes to think of it, in putting on the long spectacled robe of a Brother of Pity, in walking before the staggering bearers of the great coffin with a tall crucifix in my hand, in thus taking advantage of their truce of God, I was, also, taking advantage of what was undoubtedly their honour—a thing that handicapped them quite as much as had mine when I found myself unable to strike down O'Brien. At that time, I was a great deal too excited to consider this, however. I had many things to think of, and the immense necessity of keeping a cool head.

It was, after all, Tomas Castro to whom all the credit of the thing belonged. Just after it had fallen very dark, he brought me the black robes, a pair of heavy pistols to gird on under them, and the heavy staff topped by a crucifix. He had an air of sarcastic protest in the dim light of my room, and he explained with exaggeratedly plain words precisely what I was to do—which, as a matter of fact, was neither more nor less than merely following in his own footsteps.

"And, oh, Senor," he said sardonically, "if you desire again to pillow your head upon the breast of your mother; if you would again see your sister, who, alas! by bewitching my Carlos, is at the heart of all our troubles; if you desire again to see that dismal land of yours, which politeness forbids me to curse, I would beg of you not to let the mad fury of your nation break loose in the midst of these thieves and scoundrels."

He peered intently into the spectacled eyeholes of my cowl, and laid his hand on his sword-hilt. His small figure, tightly clothed in black velvet from chin to knee, swayed gently backwards and forwards in the light of the dim candle, and his grotesque shadow flitted over the ghostly walls of the great room. He stood gazing silently for a minute, then turned smartly on his heels, and, with a gesture of sardonic respect, threw open the door for me.

"Pray, Senor," he said, "that the moon may not rise too soon."

We went swiftly down the colonnades for the last time, in the pitch darkness and into the blackness of the vast archway. The clumping staff of my heavy crucifix drew hollow echoes from the flagstones. In the deep sort of cave behind us, lit by a dim lanthorn, the negroes waited to unbar the doors. Castro himself began to mutter over his beads. Suddenly he said:

"It is the last time I shall stand here. Now, there is not any more a place for me on the earth."

Great flashes of light began to make suddenly visible the tall pillars of the immense mournful palace, and after a long time, absolutely without a sound, save the sputter of enormous torches, an incredibly ghostly body of figures, black-robed from head to foot, with large eyeholes peering fantastically, swayed into the great arch of the hall. Above them was the enormous black coffin. It was a sight so appalling and unexpected that I stood gazing at them without any power to move, until I remembered that I, too, was such a figure. And then, with an ejaculation of impatience, Tomas Castro caught at my hand, and whirled me round.

The great doors had swung noiselessly open, and the black night, bespangled with little flames, was framed in front of me. He suddenly unsheathed his portentous sword, and, hanging his great hat upon his maimed arm, stalked, a pathetic and sinister figure of grief, down the great steps. I followed him in the vivid and extraordinary compulsion of the sinister body that, like one fabulous and enormous monster, swayed impenetrably after me.

My heart beat till my head was in a tumultuous whirl, when thus, at last, I stepped out of that house—but I suppose my grim robes cloaked my emotions—though, seeing very clearly through the eyeholes, it was almost incredible to me that I was not myself seen. But these Brothers of Pity were a secret society, known to no man except their spiritual head, who chose them in turn, and not knowing even each other. Their good deeds of charity were, in that way, done by pure stealth. And it happened that their spiritual director was the Father Antonio himself. At that foot of the palace steps, drawn back out of our way, stood the great glass coach of state, containing, even then, the woman who was all the world to me, invisible to me, unattainable to me, not to be comforted by me, even as her great griefs were to me invisible and unassuageable. And there between us, in the great coffin, held on high by the grim, shadowy beings, was all that she loved, invisible, unattainable, too, and beyond all human comfort. Standing there, in the midst of the whispering, bare-headed, kneeling, and villainous crowd, I had a vivid vision of her pale, dim, pitiful face. Ah, poor thing! she was going away for good from all that state, from all that seclusion, from all that peace, mutely, and with a noble pride of quietness, into a world of dangers, with no head but mine to think for her, no arm but mine to ward off all the great terrors, the immense and dangerous weight of a new world.

In the twinkle of innumerable candles, the priceless harness of the white mules, waiting to draw the great coach after us, shone like streaks of ore in an infinitely rich silver mine. A double line of tapers kept the road to the cathedral, and a crowd of our negroes, the bell muzzles of their guns suggested in the twinkling light, massed themselves round the coach. Outside the lines were the crowd of rapscallions in red jackets, their women and children—all the population of the Aldea Bajo, groaning. The whole crowd got into motion round us, the white mules plunging frantically, the coach swaying. Ahead of me inarched the sardonic, gallantly grotesque figure of true Tomas, his sword point up, his motions always jaunty. Ahead of him, again, were the white robes of many priests, a cluster of tall candles, a great jewelled cross, and a tall saint's figure swaying, more than shoulder high, and disappearing up above into the darkness. For me, under my cowl, it was suffocatingly hot; but I seemed to move forward, following, swept along without any volition of my own. It appeared an immensely long journey; and then, as we went at last up the cathedral steps, a voice cried harshly, "Death to the heretic!" My heart stood still. I clutched frantically at the handle of a pistol that I could not disengage from folds of black cloth. But, as a matter of fact, the cry was purely a general one; I was supposed to be shut up in the palace still.

The sudden glow, the hush, the warm breath of incense, and the blaze of light turned me suddenly faint; my ears buzzed, and I heard strange sounds.

The cathedral was a mass of heads. Everyone in Rio Medio was present, or came trooping in behind us. The better class was clustered near the blaze of gilding, mottled marble, wax flowers, and black and purple drapery that vaulted over the two black coffins in the choir. Down in the unlit body of the church the riff-raff of O'Brien kept the doors.

I followed the silent figure of Tomas Castro to the bishop's own stall, right up in the choir, and we became hidden from the rest by the forest of candles round the catafalque. Up the centre of the great church, and high over the heads of the kneeling people, came the great coffin, swaying, its bearers robbed of half their grimness by the blaze of lights. Tomas Castro suddenly caught at my sleeve whilst they were letting the coffin down on to the bier. He drew me unnoticed into the shadow behind the bishop's stall. In the swift transit, I had a momentary glance of a small, black figure, infinitely tiny in that quiet place, and infinitely solitary, veiled in black from head to foot, coming alone up the centre of the nave.

I stood hidden there beside the bishop's stall for a long time, and then suddenly I saw the black figure alone in the gallery, looking down upon me—from the loggia of the Riegos. I felt suddenly an immense calm; she was looking at me with unseeing eyes, but I knew and felt that she would follow me now to the end of the world. I had no more any doubts as to the issue of our enterprise; it was open to no unsuccess with a figure so steadfast engaged in it; it was impossible that blind fate should be insensible to her charm, impossible that any man could strike at or thwart her.

Monks began to sing; a great brass instrument grunted lamentably; in the body of the building there was silence. The bishop and his supporters moved about, as if aimlessly, in front of the altar; the chains of the gold censors clicked ceaselessly. Seraphina's head had sunk forward out of my sight. All the heads of the cathedral bowed down, and suddenly, from round the side of the stall, a hand touched mine, and a voice said, "It is time." Very softly, as if it were part of the rite, I was drawn round the stall through a door in the side of the screen. As we went out, in his turnings, the old bishop gave us the benediction. Then the door closed on the glory of his robes, and in a minute, in the darkness we were rustling down a circular narrow staircase into the dimness of a crypt, lit by the little blue flame of an oil lamp. From above came sounds like thunder, immense, vibrating; we were immediately under the choir. Through the cracks round a large stone showed a parallelogram of light.

In the dimness I had a glimpse of the face of my conductor—a thin, wonderfully hollow-cheeked lay brother. He began, with great gentleness, to assist me out of my black robes, and then he said:

"The senorita will be here very soon with the Senor Tomas," and then added, with an infinitely sad and tender, dim smile:

"Will not the Senor Caballero, if it is not repugnant, say a prayer for the repose of..." He pointed gently upwards to the great flagstone above which was the coffin of Don Balthasar and Carlos. The priest himself was one of those very holy, very touching—-perhaps, very stupid—men that one finds in such places. With his dim, wistful face he is very present in my memory. He added: "And that the good God of us all may keep it in the Senor Caballero's heart to care well for the soul of the dear senorita."

"I am a very old man," he whispered, after a pause. He was indeed an old man, quite worn out, quite without hope on earth. "I have loved the senorita since she was a child. The Senor Caballero takes her from us. I would have him pray—to be made worthy."

Whilst I was doing it, the place began to be alive with whispers of garments, of hushed footsteps, a small exclamation in a gruff voice. Then the stone above moved out of its place, and a blaze of light fell down from the choir above.

I saw beside me Seraphina's face, brilliantly lit, looking upwards. Tomas Castro said:

"Come quickly... come quickly... the prayers are ending; there will be people in the street." And from above an enormous voice intoned:

"Tu.. u.. ba mi.. i.. i..rum..." And the serpent groaned discordantly. The end of a great box covered with black velvet glided forward above our heads; ropes were fastened round it. The priest had opened a door in the shadowy distance, beside a white marble tablet in the thick walls. The coffin up above moved forward a little again; the ropes were readjusted with a rattling, wooden sound. A dry, formal voice intoned from above:

"Erit... Justus Ab auditione..."

From the open door the priest rattled his keys, and said, "Come, come," impatiently.

I was horribly afraid that Seraphina would shriek or faint, or refuse to move. There was very little time. The pirates might stream out of the front of the cathedral as we came from the back; the bishop had promised to accentuate the length of the service. But Seraphina glided towards the open door; a breath of fresh air reached us. She looked back once. The coffin was swinging right over the hole, shutting out the light. Tomas Castro took her hand and said, "Come... come," with infinite tenderness.

He had been sobbing convulsedly. We went up some steps, and the door shut behind us with a sound like a sigh of relief.

We walked fast, in perfect blackness and solitude, on the deserted beach between the old town and the village. Every soul was near the cathedral. A boat lay half afloat. To the left in the distance the light of the schooner opposite the Casa Riego wavered on the still water.

Suddenly Tomas Castro said:

"The senorita never before set foot to the open ground."

At once I lifted her into the boat. "Shove off, Tomas," I said, with a beating heart.



PART FOURTH — BLADE AND GUITAR



CHAPTER ONE

There was a slight, almost imperceptible jar, a faint grating noise, a whispering sound of sand—and the boat, without a splash, floated.

The earth, slipping as it were away from under the keel, left us borne upon the waters of the bay, which were as still as the windless night itself. The pushing off of that boat was like a launching into space, as a bird opens its wings on the brow of a cliff, and remains poised in the air. A sense of freedom came to me, the unreasonable feeling of exultation—as if I had been really a bird essaying its flight for the first time. Everything, sudden and evil and most fortunate, had been arranged for me, as though I had been a lay figure on which Romance had been wreaking its bewildering unexpectedness; but with the floating clear of the boat, I felt somehow that this escape I had to manage myself.

It was dark. Dipping cautiously the blade of the oar, I gave another push against the shelving shore. Seraphina sat, cloaked and motionless, and Tomas Castro, in the bows, made no sound. I didn't even hear him breathe. Everything was left to me. The boat, impelled afresh, made a slight ripple, and my elation was replaced in a moment by all the torments of the most acute anxiety.

I gave another push, and then lost the bottom. Success depended upon my resource, readiness, and courage. And what was this success? Immediately, it meant getting out of the bay, and into the open sea in a twelve-foot dinghy looted from some ship years ago by the Rio Medio pirates, if that miserable population of sordid and ragged outcasts of the Antilles deserved such a romantic name. They were sea-thieves.

Already the wooded shoulder of a mountain was thrown out intensely black by the glow in the sky behind. The moon was about to rise. A great anguish took my heart as if in a vice. The stillness of the dark shore struck me as unnatural. I imagined the yell of the discovery breaking it, and the fancy caused me a greater emotion than the thing itself, I flatter myself, could possibly have done. The unusual silence in which, through the open portals, the altar of the cathedral alone blazed with many flames upon the bay, seemed to enter my very heart violently, like a sudden access of anguish. The two in the boat with me were silent, too. I could not bear it.

"Seraphina," I murmured, and heard a stifled sob.

"It is time to take the oars, Senor," whispered Castro suddenly, as though he had fallen asleep as soon as he had scrambled into the bows, and only had awaked that instant. "The mists in the middle of the bay will hide us when the moon rises."

It was time—if we were to escape. Escape where? Into the open sea? With that silent, sorrowing girl by my side! In this miserable cockleshell, and without any refuge open to us? It was not really a hesitation; she could not be left at the mercy of O'Brien. It was as though I had for the first time perceived how vast the world was; how dangerous; how unsafe. And there was no alternative. There could be no going back.

Perhaps, if I had known what was before us, my heart would have failed me utterly out of sheer pity. Suddenly my eyes caught sight of the moon making like the glow of a bush fire on the black slope of the mountain. In a moment it would flood the bay with light, and the schooner anchored off the beach before the Casa Riego was not eighty yards away. I dipped my oar without a splash. Castro pulled with his one hand.

The mists rising on the lowlands never filled the bay, and I could see them lying in moonlight across the outlet like a silvery white ghost of a wall. We penetrated it, and instantly became lost to view from the shore.

Castro, pulling quickly, turned his head, and grunted at a red blur very low in the mist. A fire was burning on the low point of land where Nichols—the Nova Scotian—had planted the battery which had worked such havoc with Admiral Rowley's boats. It was a mere earthwork and some of the guns had been removed. The fire, however, warned us that there were some people on the point. We ceased rowing for a moment, and Castro explained to me that a fire was always lit when any of these thieves' boats were stirring. There would be three or four men to keep it up. On this very night Manuel-del-Popolo was outside with a good many rowboats, waiting on the Indiaman. The ship had been seen nearing the shore since noon. She was becalmed now. Perhaps they were looting her already.

This fact had so far favoured our escape. There had been no strollers on the beach that night. Since the investment of the Casa Riego, Castro had lived amongst the besiegers on his prestige of a superior person, of a caballero skilled in war and diplomacy. No one knew how much the tubby, saturnine little man was in the confidence of the Juez O'Brien; and there was no doubt that he was a good Catholic. He was a very grave, a very silent caballero. In reality his heart had been broken by the death of Carlos, and he did not care what happened to him. His action was actuated by his scorn and hate of the Rio Medio population, rather than by any friendly feeling towards myself.

On that night Domingo's partisans were watching the Casa Riego, while Manuel (who was more of a seaman) had taken most of his personal friends, and all the larger boats that would float, to do a bit of "outside work," as they called it, upon the becalmed West Indiaman.

This had facilitated Castro's plan, and it also accounted for the smallness of the boat, which was the only one of the refuse lot left on the beach that did not gape at every seam. She was not tight by any means, though. I could hear the water washing above the bottom-boards, and I remember how concern about keeping Seraphina's feet dry mingled with the grave apprehensions of our enterprise.

We had been paddling an easy stroke. The red blurr of the fire on the point was growing larger, while the diminished blaze of lights on the high altar of the cathedral pierced the mist with an orange ray.

"The boat should be baled out," I remarked in a whisper.

Castro laid his oar in and made his way to the thwart. It shows how well we were prepared for our flight, that there was not even a half-cocoanut shell in the boat. A gallon earthenware jar, stoppered with a bunch of grass, contained all our provision of fresh water. Castro displaced it, and, bending low, tried to bale with his big, soft hat. I should imagine that he found it impracticable, because, suddenly, he tore off one of his square-toed shoes with a steel buckle. He used it as a scoop, blaspheming at the necessity, but in a very low mutter, out of respect for Seraphina.

Standing up in the stern-sheets by her side, I kept on sculling gently. Once before I had gone desperately to sea—escaping the gallows, perhaps—in a very small boat, with the drunken song of Rangsley's uncle heralding the fascination of the unknown to a very callow youth. That night had been as dark, but the danger had been less great. The boat, it is true, had actually sunk under us, but then it was only the sea that might have swallowed me who knew nothing of life, and was as much a stranger to fate as the animals on our farm. But now the world of men stood ready to devour us, and the Gulf of Mexico was of no more account than a puddle on a road infested by robbers. What were the dangers of the sea to the passions amongst which I was launched—with my high fortunes in my hand, and, like all those who live and love, with a sword suspended above my head?

The danger had been less great on that old night, when I had heard behind me the soft crash of the smugglers' feet on the shingle. It had been less great, and, if it had had a touch of the sordid, it had led me to this second and more desperate escape—in a cockleshell, carrying off a silent and cloaked figure, which quickened my heart-beats at each look. I was carrying her off from the evil spells of the Casa Riego, as a knight a princess from an enchanted castle. But she was more to me than any princess to any knight.

There was never anything like that in the world. Lovers might have gone, in their passion, to a certain death; but never, it seemed to me, in the history of youth, had they gone in such an atmosphere of cautious stillness upon such a reckless adventure. Everything depended upon slipping out through the gullet of the bay without a sound. The men on the point had no means of pursuit, but, if they heard or saw anything, they could shout a warning to the boats outside. These were the real dangers—my first concern. Afterwards... I did not want to think of afterwards. There were only the open sea and the perilous coast. Perhaps, if I thought of them, I should give up.

I thought only of gaining each successive moment and concentrated all my faculties into an effort of stealthiness. I handled the boat with a deliberation full of tense prudence, as if the oar had been a stalk of straw, as if the water of the bay had been the film of a glass bubble an unguarded movement could have shivered to atoms. I hardly breathed, for the feeling that a deeper breath would have blown away the mist that was our sole protection now.

It was not blown away. On the contrary, it clung closer to us, with the enveloping chill of a cloud wreathing a mountain crag. The vague shadows and dim outlines that had hung around us began, at last, to vanish utterly in an impenetrable and luminous whiteness. And through the jumble of my thoughts darted the sudden knowledge that there was a sea-fog outside—a thing quite different from the nightly mists of the bay. It was rolling into the passage inexplicably, for no stir of air reached us. It was possible to watch its endless drift by the glow of the fire on the point, now much nearer us. Its edges seemed to melt away in the flight of the water-dust. It was a sea-fog coming in. Was it disastrous to us, or favourable? It, at least, answered our immediate need for concealment, and this was enough for me, when all our future hung upon every passing minute.

The Rio picaroons, when engaged in thieving from some ship becalmed on the coast, began by towing one of their schooners as far as the entrance. They left her there as a rallying point for the boats, and to receive the booty.

One of these schooners, as I knew, was moored opposite the Casa Riego. The other might be lying at anchor somewhere right in the fairway ahead, within a few yards. I strained my ears for some revealing sound from her, if she were there—a cough, a voice, the creak of a block, or the fall of something on her deck. Nothing came. I began to fear lest I should run stem on into her side without a moment's warning. I could see no further than the length of our twelve-foot boat.

To make certain of avoiding that danger, I decided to shave close the spit of sand that tipped the narrow strip of lowland to the south. I set my teeth, and sheered in resolutely.

Castro remained on the after-thwart, with his elbows on his knees. His head nearly touched my leg. I could distinguish the woeful, bent back, the broken swaying of the plume in his hat. Seraphina's perfect immobility gave me the measure of her courage, and the silence was so profoundly pellucid that the flutter of the flames that we were nearing began to come loud out of the blur of the glow. Then I heard the very crackling of the wood, like a fusillade from a great distance. Even then Castro did not deign to turn his head.

Such as he was—a born vagabond, contrabandista, spy in armed camps, sutler at the tail of the Grande Armee (escaped, God only knows how, from the snows of Russia), beggar, guerrillero, bandit, sceptically murderous, draping his rags in saturnine dignity—he had ended by becoming the sinister and grotesque squire of our quixotic Carlos. There was something romantically sombre in his devotion. He disdained to turn round at the danger, because he had left his heart on the coffin as a lesser affection would have laid a wreath. I looked down at Seraphina. She too, had left a heart in the vaults of the cathedral. The edge of the heavy cloak drawn over her head concealed her face from me, and, with her face, her ignorance, her great doubts, her great fears.

I heard, above the crackling of dry wood, a husky exclamation of surprise, and then a startled voice exclaiming:

"Look! Santissima Madre! What is this?"

Sheer instinct altered at once the motion of my hand so as to incline the bows of the dinghy away from the shore; but a sort of stupefying amazement seized upon my soul. We had been seen. It was all over. Was it possible? All over, already?

In my anxiety to keep clear of the schooner which, for all I know to this day, may not have been there at all, I had come too close to the sand, so close that I heard soft, rapid footfalls stop short in the fog. A voice seemed to be asking me in a whisper:

"Where, oh, where?"

Another cried out irresistibly, "I see it."

It was a subdued cry, as if hushed in sudden awe.

My arm swung to and fro; the turn of my wrist went on imparting the propelling motion of the oar. All the rest of my body was gripped helplessly in the dead expectation of the end, as if in the benumbing seconds of a fall from a towering height. And it was swift, too. I felt a draught at the back of my neck—a breath of wind. And instantly, as if a battering-ram had been let swing past me at many layers of stretched gauze, I beheld, through a tattered deep hole in the fog, a roaring vision of flames, borne down and springing up again; a dance of purple gleams on the strip of unveiled water, and three coal-black figures in the light.

One of them stood high on lank black legs, with long black arms thrown up stiffly above the black shape of a hat. The two others crouched low on the very edge of the water, peering as if from an ambush.

The clearness of this vision was contained by a thick and fiery atmosphere, into which a soft white rush and swirl of fog fell like a sudden whirl of snow. It closed down and overwhelmed at once the tall flutter of the flames, the black figures, the purple gleams playing round my oar. The hot glare had struck my eyeballs once, and had melted away again into the old, fiery stain on the mended fabric of the fog. But the attitudes of the crouching men left no room for doubt that we had been seen. I expected a sudden uplifting of voices on the shore, answered by cries from the sea, and I screamed excitedly at Castro to lay hold of his oar.

He did not stir, and after my shout, which must have fallen on the scared ears with a weird and unearthly note, a profound silence attended us—the silence of a superstitious fear. And, instead of howls, I heard, before the boat had travelled its own short length, a voice that seemed to be the voice of fear itself asking, "Did you hear that?" and a trembling mutter of an invocation to all the saints. Then a strangled throat trying to pronounce firmly, "The souls of the dead Inglez. Crying from pain."

Admiral Rowley's seamen, so miserably thrown away in the ill-conceived attack on the bay, were making a ghostly escort for our escape. Those dead boats'-crews were supposed to haunt the fatal spot, after the manner of spectres that linger in remorse, regret, or revenge, about the gates of departure. I had blundered; the fog, breaking apart, had betrayed us. But my obscure and vanquished countrymen held possession of the outlet by the memory of their courage. In this critical moment it was they, I may say, who stood by us.

We, on our part, must have been disclosed, dark, indistinct, utterly inexplicable; completely unexpected; an apparition of stealthy shades. The painful voice in the fog said:

"Let them be. Answer not. They shall pass on, for none of them died on the shore—all in the water. Yes, all in the water."

I suppose the man was trying to reassure himself and his companions. His meaning, no doubt, was that, being on shore, they were safe from the ghosts of those Inglez who had never achieved a landing. From the enlarging and sudden deepening of the glow, I knew that they were throwing more brushwood on the fire.

I kept on sculling, and gradually the sharp fusillade of dry twigs grew more distant, more muffled in the fog. At last it ceased altogether. Then a weakness came over me, and, hauling my oar in, I sat down by Sera-phina's side. I longed for the sound of her voice, for some tender word, for the caress of a murmur upon my perplexed soul. I was sure of her, as of a conquered and rare treasure, whose possession simplifies life into a sort of adoring guardianship—and I felt so much at her mercy that an overwhelming sense of guilt made me afraid to speak to her. The slight heave of the open sea swung the boat up and down.

Suddenly Castro let out a sort of lugubrious chuckle, and, in low tones, I began to upbraid him with his apathy. Even with his one arm he should have obeyed my call to the oar. It was incomprehensible to me that we had not been fired at. Castro enlightened me, in a few moody and scornful words. The Rio Medio people, he commented upon the incident, were fools, of bestial nature, afraid of they knew not what.

"Castro, the valour of these dead countrymen of mine was not wasted; they have stood by us like true friends," I whispered in the excitement of our escape.

"These insensate English," he grumbled....

"A dead enemy would have served the turn better. If the caballero had none other than dead friends...."

His harsh, bitter mumble stopped. Then Sera-phina's voice said softly:

"It is you who are the friend, Tomas Castro. To you shall come a friend's reward."

"Alas, Senorita!" he sighed. "What remains for me in this world—for me who have given for two masses for the souls of that illustrious man, and of your cousin Don Carlos, my last piece of silver?"

"We shall make you very rich, Tomas Castro," she said with decision, as if there had been bags of gold in the boat.

He returned a high-flown phrase of thanks in a bitter, absent whisper. I knew well enough that the help he had given me was not for money, not for love—not even for loyalty to the Riegos. It was obedience to the last recommendation of Carlos. He ran risks for my safety, but gave me none of his allegiance.

He was still the same tubby, murderous little man, with a steel blade screwed to the wooden stump of his forearm, as when, swelling his breast, he had stepped on his toes before me like a bloodthirsty pigeon, in the steerage of the ship that had brought us from home. I heard him mumble, with almost incredible, sardonic contempt, that, indeed, the senor would soon have none but dead friends if he refrained from striking at his enemies. Had the senor taken the very excellent opportunity afforded by Providence, and that any sane Christian man would have taken—to let him stab the Juez O'Brien—we should not then be wandering in a little boat. What folly! What folly! One little thrust of a knife, and we should all have been now safe in our beds....

His tone was one of weary superiority, and I remained appalled by that truth, stripped of all chivalrous pretence. It was clear, in sparing that defenceless life, I had been guilty of cruelty for the sake of my conscience. There was Seraphina by my side; it was she who had to suffer. I had let her enemy go free, because he had happened to be near me, disarmed. Had I acted like an Englishman and a gentleman, or only like a fool satisfying his sentiment at other people's expense? Innocent people, too, like the Riego servants, Castro himself; like Seraphina, on whom my high-minded forbearance had brought all these dangers, these hardships, and this uncertain fate.

She gave no sign of having heard Castro's words. The silence of women is very impenetrable, and it was as if my hold upon the world—since she was the whole world for me—had been weakened by that shade of decency of feeling which makes a distinction between killing and murder. But suddenly I felt, without her cloaked figure having stirred, her small hand slip into mine. Its soft warmth seemed to go straight to my heart soothing, invigorating—as it she had slipped into my palm a weapon of extraordinary and inspiring potency.

"Ah, you are generous," I whispered close to the edge of the cloak overshadowing her face.

"You must now think of yourself, Juan," she said.

"Of myself," I echoed sadly. "I have only you to think of, and you are so far away—out of my reach. There are your dead—all your loss, between you and me."

She touched my arm.

"It is I who must think of my dead," she whispered. "But you, you must think of yourself, because I have nothing of mine in this world now."

Her words affected me like the whisper of remorse. It was true. There were her wealth, her lands, her palaces; but her only refuge was that little boat. Her father's long aloofness from life had created such an isolation round his closing years that his daughter had no one but me to turn to for protection against the plots of her own Intendente. And, at the thought of our desperate plight, of the suffering awaiting us in that small boat, with the possibility of a lingering death for an end, I wavered for a moment. Was it not my duty to return to the bay and give myself up? In that case, as Castro expressed it, our throats would be cut for love of the Juez.

But Seraphina, the rabble would carry to the Casa on the palms of their hands—out of veneration for the family, and for fear of O'Brien.

"So, Senor," he mumbled, "if to you to-morrow's sun is as little as to me let us pull the boat's head, round."

"Let us set our hands to the side and overturn it, rather," Seraphina said, with an indignation of high command.

I said no more. If I could have taken O'Brien with me into the other world, I would have died to save her the pain of so much as a pinprick. But because I could not, she must even go with me; must suffer because I clung to her as men cling to their hope of highest good—with an exalted and selfish devotion.

Castro had moved forward, as if to show his readiness to pull round. Meantime I heard a click. A feeble gleam fell on his misty hands under the black halo of the hat rim. Again the flint and blade clicked, and a large red spark winked rapidly in the bows. He had lighted a cigarette.



CHAPTER TWO

Silence, stillness, breathless caution were the absolute conditions of our existence. But I hadn't the heart to remonstrate with him for the danger he caused Seraphina and myself. The fog was so thick now that I could not make out his outline, but I could smell the tobacco very plainly.

The acrid odour of picadura seemed to knit the events of three years into one uninterrupted adventure. I remembered the shingle beach; the deck of the old Thames. It brought to my mind my first vision of Seraphina, and the emblazoned magnificence of Carlos' sick bed. It all came and went in a whiff of smoke; for of all the power and charm that had made Carlos so seductive there remained no such deep trace in the world as in the heart of the little grizzled bandit who, like a philosopher, or a desperado, puffed his cigarette in the face of the very spirit of murder hovering round us, under the mask and cloak of the fog. And by the serene heaven of my life's evening, the spirit of murder became actually audible to us in hasty and rhythmical knocks, accompanied by a cheerful tinkling.

These sounds, growing swiftly louder, at last induced Castro to throw away his cigarette. Seraphina clutched my arm. The noise of oars rowing fast, to the precipitated jingling of a guitar, swooped down upon us with a gallant ferocity.

"Caramba," Castro muttered; "it is the fool Manuel himself!"

I said, then: "We have eight shots between us two, Tomas."

He thrust his brace of pistols upon my knees.

"Dispose of them as your worship pleases," he muttered.

"You mustn't give up, yet," I whispered.

"What is it that I give up?" he mumbled wearily. "Besides, there grows from my forearm a blade. If I shall find myself indisposed to quit this world alone.... Listen to the singing of that imbecile."

A carolling falsetto seemed to hang muffled in upper space, above the fog that settled low on the water, like a dense and milky sediment of the air. The moonlight fell into it strangely. We seemed to breathe at the bottom of a shallow sea, white as snow, shining like silver, and impenetrably opaque everywhere, except overhead, where the yellow disc of the moon glittered through a thin cloud of steam. The gay truculence of the hollow knocking, the metallic jingle, the shrill trolling, went on crescendo to a burst of babbling voices, a mad speed of tinkling, a thundering shout, "Altro, Amigos!" followed by a great clatter of oars flung in. The sudden silence pulsated with the ponderous strokes of my heart.

To escape now seemed impossible. At least it seemed impossible while they talked. A dark spot in the shining expanse of fog swam into view. It shifted its place after I had first made it out, and then remained motionless, astern of the dinghy. It was the shadow of a big boat full of men, but when they were silent, I was not sure that I saw anything at all. I made no doubt, had they been aware of our nearness, there were amongst them eyes that could have detected us in the same elusive way. But how could they even dream of anything of the kind? They talked noisily, and there must have been a round dozen of them, at the least.

Sometimes they would fall a-shouting all together, and then keep quiet as if listening. By-and-by I began to hear answering yells, that seemed to converge upon us from all directions.

We were in the thick of it. It was Manuel's boat, as Castro had guessed, and the other boats were rallying upon it gropingly, keeping up a succession of yells:

"Ohe! Ohe! Where, where?"

And the people in Manuel's boat howled back at them, "Ohe! Ohe...e! This way; here!"

Suddenly he struck the guitar a mighty blow, and chanted in an inspired and grandiose strain:

"Steer—for—the—song."

His fingers ran riot among the strings, and above the jingling his voice, forced to the highest pitch, declaimed, as in the midst of a tempest:

"I adore the saints in the glory of heaven And, on the dust of the earth, The print of her footsteps."

He was improvising. Sometimes he gasped; the rill of softened tinkle ran on, and, glaring watchfully, I fancied I could detect his shape in the white vapour, like a shadow thrown from afar by a tallow dip upon a snowy sheet—the lank droop of his posturing, the greasy locks, the attentive poise of his head, the sentimental rolling of his lustrous and enormous eyes.

I had not forgotten his astonishing display in the cabin of the schooner when, after the confiding of his woes and his ambitions, he had favoured me with a sample of his art. As at that time, when he had been nursing his truculent conceit, he sang, and the unsteady twanging of his guitar lurched and staggered far behind his voice, like a drunken slave in the footsteps of a raving master. Tinkle, tinkle, twang! A headlong rush of muddled fingering; a sudden bang, like a heavy stumble.

"She is the proud daughter of the old Castile! Ola! Ola!" he chanted mysteriously at the beginning of every stanza in a rapturous and soft ecstasy, and then would shriek, as though he had been suddenly cast up on the rock. The poet of Rio Medio was rallying his crew of thieves to a rhapsody of secret and unrequited passion. Twang, ping, tinkle tinkle. He was the Capataz of the valiant Lugarenos! The true Capataz! The only Capataz. Ola! Ola! Twang, twang. But he was the slave of her charms, the captive of her eyes, of her lips, of her hair, of her eyebrows, which, he proclaimed in a soaring shriek, were like rainbows arched over stars.

It was a love-song, a mournful parody, the odious grimacing of an ape to the true sorrow of the human face. I could have fled from it, as from an intolerable humiliation. And it would have been easy to pull away unheard while he sang, but I had a plan, the beginning of a plan, something like the beginning of a hope. And for that I should have to use the fog for the purpose of remaining within earshot.

Would the fog last long enough to serve my turn? That was the only question, and I believed it would, for it settled lower; it settled down denser, almost too heavy to be stirred by the fitful efforts of the breeze. It was a true night fog of the tropics, that, born after sunset, tries to creep back into the warm bosom of the sea before sunrise. Once in Rio Medio, taking a walk in the early morning along the sand-dunes, I had stood watching below me the heads of some people, fishing from a boat, emerge strangely in the dawn out of such a fog. It concealed their very shoulders more completely than water could have done. I trusted it would not come so soon to our heads, emerging, though it seemed to me that already, by merely clambering on Castro's shoulders, I could attain to clear moonlight; see the highlands of the coast, the masts of the English ship. She could not be very far off if only one could tell the direction. But an unsteady little dinghy was not the platform for acrobatic exercises, and Castro not exactly the man.

The slightest noise would have betrayed us, and moreover, the thing was no good, for even supposing I had got a hurried sight of the ship's spars, I should have to get down into the fog to pull, and there would be nothing visible to keep us from going astray, unless at every dozen strokes I clambered on Castro's shoulders again to rectify the direction—an obviously impracticable and absurd proceeding.

"She is the proud daughter of old Castile, Ola, Ola," Manuel sang confidentially with a subdued and gallant lilt... Obviously impracticable. But I had another idea.

"Tinkle tinkle pinnnng... Brrroum. Brrrroum. My soul yearns for the alms of a smile. For a forgiving glance yearns my lofty soul..."

he sang. Ah, if one could have added another four feet to one's stature. Four or five feet only. There seemed to be nothing but a thin veil between me and the moon. No more than a thin haze. But at the level of my eyes everything was hidden. From behind the white veil came the crying of the strings, a screeching, lugubrious and fierce in its artificial transport, as if it were mocking my sad and ardent conviction of un-worthiness, the crowning torment, and the inward pride of pure love. In the breathless pauses I could hear the hollow bumping of gunwales knocking against each other; faint splashings of oars; the distant hail of some laggards groping their way on the shrouded sea.

The note of cruel passion that runs in the blood held these cut-throats profoundly silent in their boats, as at home I could imagine a party of smugglers (they would not stick at a murder or two, either) listening, with pensive faces, to a sentimental ditty of some "sweet Nancy," howled dismally within the walls of a wayside taproom in the smoke of pipes. I seemed to understand profoundly the difference of races that brings with it the feeling of romance or awakens hate. My gorge rose at Manuel's song. I hated his lamentations. "Alas, alas; in vain, in vain." He strummed with vertiginous speed, with fury, and the distracted clamour of his voice, wrestling madly with the ringing madness of the strings, ended in a piercing and supreme shriek.

"Finished. It is finished." A low and applauding murmur flowed to my ears, the austere acclamations of connoisseurs. "Viva, viva, Manuele!"—a squeak of fervid admiration. "Ah, our Manuelito."... But a gruff voice discoursed jovially, "Care not, Manuel. What of Paquita with the broken tooth? Is she not left to thee? And por Dios, hombres, in the dark all women are alike."

"I will cram thy unclean mouth with live coals," Manuel drawled spitefully.

They roared with laughter at this sally. I depicted to myself their shapes, their fierce gesticulations, their earrings, bound heads, rags, and weapons, the vile scowls on their swarthy, grimacing faces. My anxiety beheld them as plainly as anything seen with the eyes of the body. And, with my sharpened hearing catching every word with preternatural distinctness, I felt as if, the ring of Gyges on my finger, I had sat invisible at the council of my enemies.