"I have a notion yours is gone," defended Amory critically, "and mine is only going."

"That's twice as dangerous," St. George wisely opined; "besides—mine is different."

"So is mine," said Amory, "so is everybody's."

St. George stepped through the long window to the terrace. Amory didn't care whether anybody listened; he simply longed to talk, and St. George had things to think about. He crossed the terrace to the south, and went back to the very spot where he and Olivia had stood; and there, because the night would have it no other way, he stretched along the broad wall among the vines, and lit his pipe, and lay looking out at sea. Here he was, liberated from the business of "buzzing in a corner, trifling with monosyllables," set upon a field pleasant with hazard and without paths, to move in the primal experiences where words themselves are born. Better and more intimate names for everything seemed now almost within his ken.

He had longed unspeakably to go pilgriming, and he had forthwith been permitted to leave the world behind with its thickets and thresholds, its hesitations and confusions, its marching armies, breakfasts, friendships and the like, and to live on the edge of what will be. He thought of his mother, in her black gowns and Roman mosaic pins with a touch of yellow lace at her throat, listening to the bishop as he examined the dicta of still cloisters, and he told himself that he knew a heresy or two that were like belief. His mother and the bishop at Tuebingen and on the Baltic! Curiously enough, they did not seem very remote. He adored his mother and the bishop, and so the thought of them was a part of this fairy tale. All pleasant thoughts whether of adventure or impression boast kinship, perhaps have identity. And the name of that identity was Olivia. So he "drove the night along" on the leafy parapet.

He was not far from asleep, nor perhaps from the dream of the Roman emperor who believed the sea to have come to his bedside and spoken with him, when something—he was not sure whether it was a voice or a touch—startled him awake. He rose on his elbow and looked drowsily out at the glorified blackness—as if black were no longer absence cf colour but, the veil of negative definitions having been pierced, were found to be a mystic union of colour and more inclusive than white. The very dark seemed delicately vocal and to "fill the waste with sound" no less than the wash of the waves. St. George awoke deliciously confused by a returning sense of the sweet and the joy of the night.

"'This was the loneliest beach between two seas,'" there flitted through his mind, "'and strange things had been done there in the ancient ages.'" He turned among the vines, half listening. "And in there is the king's daughter," he told himself, "and this is certainly 'the strangest thing that ever befell between two seas.' And I have a great mind to look up the old woman of that tale who must certainly be hereabout, dancing 'widdershins.'"

Then, like a bright blade unsheathed in a quiet chamber, a cry of great and unmistakable fear rang out from the palace—a woman's cry, uttered but once, and giving place to a silence that was even more terrifying. In an instant St. George was on his feet, running with all his might.

"Coming!" he called, "where are you—where are you?" And his heart pounded against his side with the certainty that the voice had been Olivia's.

It was unmistakably Olivia's voice that replied to him.

"Here!" she cried clearly, and St. George followed the sound and dashed through the long open window of the room next that in which he had first seen her that night.

"Here," she repeated, "but be careful. Some one is in this room."

"Don't be afraid," he cried cheerily into the dark. "It's all right," which is exactly what he would have said if there had been about dragons and real shades from Sidon.

The room was now in darkness, and in the dim light cast by the high moon he could at first discern nothing. He heard a silken rustling and the tap of slippered feet. The next instant the apartment was quick with light, and in the curtained entrance to an inner room, Olivia, in a brown dressing-gown, her hair vaguely bright about her flushed face, stood confronting him.

Between them, his thin hand thrown up, palm outward, to protect his eyes from the sudden light, was the old man whom St. George had last seen by the shrine on the terrace.

St. George was prepared for a mere procession of palace ghosts, but at this strange visitor he stared for an uncomprehending moment.

"What are you doing here?" he said wonderingly to him; "what in the world are you doing here?"

The old man looked uncertainly about him, one hand spread against the pillar behind him, the other fumbling at his throat.

"I think," he answered almost indistinguishably, "I think that I meant to sit here—to sit in the room beyond, where the mock stars shine."

Olivia uttered an exclamation.

"How could he possibly know that?" she said.

"But what does he mean?" asked St. George.

She crossed swiftly to a portiere hanging by slender rings from the full height of the lofty room, and at her bidding St. George followed her. She pushed aside the curtain, revealing a huge cave of the dark, a room whose walls were sunk in shadow. But overhead the ceiling was constellated in stars, so that it seemed to St. George as if he were looking into a nearer heaven, homing the far lights that he knew. The Pleiades, Orion, and the Southern Cross, blazing down with inconceivable brilliance, were caught and held captive in the cup of this nearer sky.

"It is like this at night," Olivia said, "but we see nothing in the daytime, save the vague outlines of here and there a star. But how could he have known? There is no other door save this."

The old man had followed them and stood, his eyes fixed on the shining points.

"It is done well," he said softly, "it makes one feel the firmament."

St. George, thrilling with the strangeness of what he saw, and the strangeness of being there with Olivia and this weird old man of the mountain, turned toward him almost fearfully. How did he know, indeed?

"Ah well," he said, striving to reassure her, "I've no doubt he has wandered in here some evening, while you were at dinner. No doubt—"

He stopped abruptly, his eyes fixed on the old man's hand. For as he lifted it St. George had thought that something glittered. Without hesitation he caught the old man's arm about the wrist, and turned his hand in his own palm. In the thin fingers he found a small sealed tube, filled with something that looked like particles of nickel.

"Do you mind telling me what that is?" asked St. George.

Old Malakh's eyes, liquid and brown and very peaceful, met his own without rebuke.

"Do you mean the gem?" he asked gently. "It is a very beautiful ruby."

Then St. George saw upon the hand that held the sealed tube a ring of matchless workmanship, set with a great ruby that smouldered in the shadow where they stood. Olivia looked at St. George with startled eyes.

"He was not wearing this when we first saw him," she said. "I haven't seen him wearing it at all."

St. George confronted the old man then and spoke with some determination.

"Will you please tell us," he said, "what there is in this tube, and how you came by this ring?"

Old Malakh looked down reflectively at his hand, and back to St. George's face. It was wonderful, the air of courtliness and urbanity and delicate breeding which persisted through age and infirmity and the fallow mind.

"I wish that I might tell you," he said humbly, "but I have only little lights in my head, instead of words. And when I say them, they do not mean—what they shine. Do you not see? That is why every one laughs. But I know what the lights say."

St. George looked at Olivia helplessly.

"Will you tell me where his room is?" he said, "and I'll go back with him. I don't know what to make of this, quite, but don't be frightened. It's all right. Didn't you say he is on the second floor?"

"Yes, but don't go alone with him," begged Olivia suddenly, "let me call some of the servants. We don't know what he may do."

St. George shook his head, smiling a little in sheer boyish delight at that "we." "We" is a very wonderful word, when it is not put to unimportant uses by kings, editors and the like.

"I'd rather not, thank you," he said. "I'll have a talk with him, I think."

"His room is at the top of the stair, on the left," said Olivia reluctantly, "but I wish—"

"We shall get on all right," St. George assured her, "and don't let this worry you, will you? I was smoking on the terrace. I'll be there for a while yet. Good night," he said from the doorway.

"Good night," said Olivia. "Good night—and, oh, I thank you."

St. George's expectation of having a talk with the old man was, however, unfounded. Old Malakh led the way to his room—a great place of carven seats and a frowning bed-canopy and high windows, and doors set deep in stone; and he begged St. George to sit down and permitted him to examine the sealed tube filled with little particles that looked like nickel, and spoke with gentle irrelevance the while. At the last St. George left him, feeling as if he were committing not so much an indignity as a social solecism when he locked the door upon the lonely creature, using for the purpose a key-like implement chained to the lock without and having a ring about the size of the iron crown of the Lombards.

"Good night," old Malakh told him courteously, "good night. But yet all nights are good—save the night of the heart."

St. George went back to the terrace. For hours he paced the paths of that little upper garden or lay upon the wall among the pungent vines. But now he forgot the iridescent dark and the companion-sea and the high moon and the king's palace, for it was not these that made the necromancy of the night. It was permitted him to watch before the threshold while Olivia slept, as lovers had watched in the youth of the world. Whatever the morrow held, to-night had been added to yesternight. Not until the dawn of that morrow whitened the sky and drew from the vapourous plain the first far towers of Med, the King's City, did St. George say good night to her glimmering windows.



CHAPTER XVI

GLAMOURIE

There is a certain poster, all stars and poppies and deep grass; and over these hangs a new moon which must surely have been cut by fairy scissors, for it looks as much like a cake or a cowslip as it looks like a moon. But withal it sheds a light so eery and strangely silver that the poster seems, in spite of the poppies, to have been painted in Spring-wind.

"Never," said some chance visitors vehemently, "have I seen such a moon as that!"

"But ah, sir, and ah, madame," was the answer—it is not recorded whether the poster spoke or whether some one spoke for it—"wouldn't you like to?"

Now, therefore, concerning the sweet of those hours in the king's palace the Vehement may be tempted to exclaim that in life things never happen like that. Ah—do they not so? You have only to go back to the days when young love and young life were yours to recall distinctly that the most impossible things were every-day occurrences. What about the time that you went down one street instead of up another and that changed the entire course of your days and brought you two together? What about the song, the June, the letter that touched the world to gold before your eyes and caught you up in a place of clouds? Remembering that magic, it is quite impossible to assert that any charming thing whatever would not have happened. Is there not some wonderland in every life? And is not the ancient citadel of Love-upon-the-Heights that common wonderland? One must believe in all the happiness that one can.

But if the Most Vehement—who are as thick as butterflies—still remain unconvinced and persist that they never heard of things fallen out thus, there is left this triumph:

"Ah, sir, or ah, madame, wouldn't you like to?"

* * * * *

A fugitive wind rollicking in from sea next morning swept through the palace and went on around the world; and thereafter it had an hundred odourous ways of attracting attention, which were merely its own tale of what pleasant things it had seen and heard on high.

For example, that breakfast. A cloth had been laid at one end of the long stone table whereat, since the days of Abibaal, brother to Hiram, friend to David, kings had breakfasted and banqueted, and this cloth had now been set with the ancient plate of the palace—dishes that looked like helmets and urns and discs. Here Olivia and Antoinette, in charming print frocks, made a kind of tea in a kind of biblical samovar and served it in vessels that resembled individual trophies of the course. And here St. George and Amory praised the admirable English muffins which some one had taught the dubious cook to make; and Mr. Augustus Frothingham tip-fingered his way about his plate among alien fruits and queer-shaped cakes. "Are they cookies or are they manna?" Amory wondered, "for they remind me of coriander seeds." And here Mrs. Hastings, who always awoke a thought impatient and became ultra-complacent with no interval of real sanity, wistfully asked for a soft-boiled egg and added plaintively:

"Though I dare say the very hens in Yaque lay something besides eggs—pineapples, very likely."

"I suppose," speculated Amory, "that when we get perfectly intuitionized we won't have to eat either one because we'll know beforehand exactly how they both taste."

"A reductio ad absurdum, my young friend," said the lawyer sternly; "the real purpose of eating will remain for ever unchanged."

Later, while Mrs. Hastings and Mr. Frothingham went out on the terrace in the sun and wished for a morning paper ("I miss the weather report so," complained Mrs. Hastings) the four young people with Jarvo and Akko for guides set out to explore the palace. For St. George had risen from his two hours' sleep with some clearly-defined projects, and he meant first to go over every niche and corner of the great pile where one—say a king—might be hidden with twenty other kings, and no one be at all the wiser.

What a morning it was! When the rollicking wind got to that part of the story it must have told about it in such intimating perfumes that even the unimaginative were constrained to sit idle, "thinking delicate thoughts." There never was a fairer temple of romance, a very temple of Young Love's Plaisaunce; and since the coming of St. George and Amory all the cavernous chambers and galleries were become homes of hope that the king would be found and all would yet be well.

To the main part of the palace there were storey after storey, all octagons and pentagons and labyrinths, so that incredulity and amazement might increase with every step. How they had ever raised those massive blocks of stone to that great height no one can guess unless, indeed, Amory's theory were correct and the palace had originally been built upon level ground and had had its surroundings blasted neatly away to make a mountain. At all events there were the walls of the great airy rooms made of the naked stone, exquisitely beveled and chiseled, and frescoed with the planetary deities—Eloti, the Moon with her chariot drawn by white bulls, the Sun and his four horses, with his emblem of a column in the form of a rising flame—types taken from the heavens and from the abyss. There were roofs of sound fir and sweet cedar, carven cornices, cave-like window embrasures with no glass, and little circular rooms built about shrines in which sat broken images of Baal the sun god, of a sandaled Astarte, and a ravening Melkarth, with the lion's skin.

From a great upper corridor there went a stairway, each deep step of which was placed on the back of a stone lion of increasing size, until the tallest lion's head extended close to the painted ceiling, and there were comfortable benches cut in his gigantic paws. Many of the rooms were without furnishing, some were filled with vague, splendid stuff mouldering away, and others with most luxuriously-devised ministries to beauty and comfort. The palace was curiously and wonderfully an habitation of more than two thousand years ago, furnished with a taste and luxury in advance of this moment's civilization of the world. The heart of that elder world beat strangely in one of the upper chambers where they came upon a little work-shop, strewn with unknown metals and tools and empty crucibles, and in their midst a rectangular metallic plate partly traced with a device of boughs, appearing, in one light, slightly fluorescent.

"It is the work of the Princess Simyra, adon," said Jarvo. "She was the daughter of King Thabion, and when she died what she had touched in this room was left unmoved. But it was very many years ago—I have forgotten. Every one has forgotten."

They went down among the very roots of the palace, three full storeys below the surface of the summit. Jarvo went before, lighting the way, and they threaded vaulted corridors and winding passages, and emerged at last in a silent, haunted chamber whose stones had been hewn and sunken there, before Issus. This was the chamber of the tombs of the kings, and its floor echoed to their footsteps, now hollowly, now with ringing clearness. Three sides of the mighty hall were lined with loculi or niches, each as deep as the length of a man. About the floor stood stone sarcophagi and beneath the long flags kings were sleeping, each with his abandoned name graven on the stones, washed year-long by the dark. In the room's centre was a lofty cylindrical tomb, mounted by four steps, and this was the resting-place of King Abibaal, the younger son of King Abibaal of Tyre, and the brother to King Hiram, who ruled in Tyre when the Phoenicians who settled Yaque, or Arqua, first passed the Straits of Gibraltar and gained the open sea. ("Dear me," said Mrs. Hastings when they told her, "I was at Mount Vernon once, and the Washingtons' tombs there impressed me very deeply, but they were nothing to these in point of age, were they?") Sunken in the wall was a tomb of white marble hewn in a five-faced pyramidion, where slept Queen Mitygen, who ruled in Yaque while Alexander was king of Persia. There was said to have been buried with her a casket of love-letters from Alexander, who may have known Yaque and probably at one time visited it and, in that case, was entertained in the very palace. And if this is true the story of his omission to conquer the island may one day divert the world.

Jarvo bent before a low tomb whose stone was delicately scored with winged circles.

"Perhaps," he said, "you will recall the accounts of the kidnapped Egyptian priestesses sold to the Theoprotions by Phoenician merchants in the heroic age of Greece? They were not all sold. Here lie the bones of four, given royal burial because of their holy office."

Nothing was unbelievable—nothing had been unbelievable for so long that these four had almost learned that everything is possible. Which, if you come to think of it, and no matter how absurdly you learn it, is a thing immeasurably worth realizing in this world of possibilities. It is one of our two magics.

"And this," Jarvo said softly, pausing before a vacant niche opposite the tomb of King Abibaal, "this will be the receptacle for the present king of Yaque, his Majesty, King Otho, by the grace of God."

Olivia suddenly looked up at St. George, her face pale in the ghostly light. There it had been, waiting for them all the while, the sense of the vivid personal against the vague eternal. But her involuntary appeal to him, slight as it was, thrilled St. George with tenderness as vivid as this tragic element itself.

They went back to the sun and the sweet messengering air above, and crossed a little vacant grassy court on the north side of the mountain. Here they saw that the palace climbed down the northern slope from the summit, and literally overhung the precipice where the supports were made fast by gigantic girders run in the living rock. A little observatory was built below the edge of the mountain, and this box of a place had a glass floor, and one felt like a fly on the sky as one stood there. It was said that a certain king of Yaque, sometime in the course of the Punic Wars, had thrown himself from this observatory in a rage because his court electrician had died, but how true this may be it is impossible to say because so little is known about electricity. Below the building lay quite the most wonderful part of the king's palace.

Here in the long north rooms, hermetically quiet, was the heart of the treasure of the ancient island. Here, saved inexplicably from the wreck of the past, were a thousand testimonies to that lost and but half-guessed art of the elder world. Beautiful things, made in the days when King Solomon built the Temple at Jerusalem, lined the walls, and filled the stone shelves, together with curios of that later day when Phoenicia stood first in knowledge of the plastic and glyptic arts. Workers in gold and ivory, in gems and talismans, in brass and fine linen and purple had done the marvels which those courtier adventurers brought with them over the sea, and to these, from year to year, had been added the treasure of private chests—necklaces and coronals and hair-loops, bottles and vases of glass coloured with metallic oxides, and patterned aggry-beads, now sometimes found in ancient tombs on the Ashantee coasts. Beneath an altar set with censers and basins of gold was a chest brought from Amathus, its ogive lid carved with bigae or two-horsed chariots, and it was in this chest, Jarvo told them, that the Hereditary Treasure had been kept. The chamber walls were covered with bas-reliefs in the ill-proportioned and careful carving of the Phoenician artists not yet under Greek influence, and all about were set the wonderful bronzes, such as Tyrian artificers made for the Temple. The other chambers gave still deeper utterance to days remote, for it was there that the king's library had been collected in case after case, filled with parchment rolls preserved and copied from age to age. What might not be there, they wondered—annals, State documents, the Phoenician originals of histories preserved elsewhere only in fragments of translation or utterly lost, the secrets of science and magic known to men the very forms of whose names have perished; and not only the longed-for poems of Sido and Jopas, but of who could tell how many singing hearts, lyric with joy and love and still voiceful here in these strange halls? These were chambers such as no one has ever entered, for this was the vexing of no unviolated tomb and no buried city, but the actual return to the Past, watching lonely on the mountain.

"Clusium," said Amory softly. "I had actually wanted to go to the cemetery at Clusium, to see some inscriptions!"

"No, you didn't, Toby," said St. George pleasantly, "you wanted to go somewhere and you called it Clusium. You wanted an adventure and you thought Clusium was the name of it."

"I know," said Amory shamelessly, "and there are no end of names for it. But it's always the same thing. Excepting this."

"Excepting this," St. George repeated fervently as they turned to go; and if, in singing of that morning, the rollicking wind sang that, it must have breathed and trembled with a chorus of faint voices from every shelf in the room,—voices that of old had thrilled with the same meaning and woke now to the eternal echo.

Woke now to the eternal echo—an echo that touched delicately through the events of that afternoon and laid strange values on all that happened. Otherwise, if they four were not all a little echo-mad, how was it that in the shadow of doubt, in the face of danger, and near the inextinguishable mystery they yet found time for the little, wing-like moments that never hold history, because they hold revelation. There were, too, some events; but an event is a clumsy thing at best, unless it has something intangible about it. The delicious moments are when the intangibilities prevail and pervade and possess. In the king's palace there must have been shrines to intangibilities—as there should be everywhere—for they seemed to come there, and belong.

The mere happenings included, for example, a talk that St. George had with Mr. Augustus Frothingham on the terrace after luncheon, in which St. George laid before the lawyer a plan which he had virtually matured and of which he himself thought very well. Thought so well, because of its possibilities, that his face was betrayingly eager as he told about it. It was, briefly, that inasmuch as four of the six men who could scale the mountain were now on its summit, and inasmuch as all the airships were there also, now, therefore, they, the guests on the island of Yaque, were in a perfectly impregnable position—counting out Fifth Dimension contingencies, which of course might include appearings as well as disappearings—and why shouldn't they stay there, and let the ominous noon of the following day slip by unmarked? And when the lawyer said, "But, my dear fellow," as he was bound to say, St. George answered that down there in Med there would be, by noon of the following day, two determined persons who, if Jarvo would get word to them, would with perfect certainty find Mr. Otho Holland, the king, if he were on the island. And when "Well, but my dear fellow" occurred again, St. George replied with deference that he knew it, but although he never had managed an airship he fancied that perhaps he might help with one; and down there in the harbour was a yacht waiting to sail for New York, and therefore no one need even set foot on the island who didn't wish. And Mr. Frothingham laid one long hand on each coat-lapel and threw back his head until his hair rested on his collar, and he looked at the palace—that Titan thing of the sky with ramparts of air—and said, "Nothing in all my experience—" and St. George left him, deep in thought.

On the way back he chanced upon Mrs. Hastings, seated on a bench of lapidescent wood in the portico—and a Titanic portico it looked by day—and, having sent for the palace chef, she was attempting to write down the recipe for the salad of that day's luncheon, although it was composed chiefly of fowls now extinct everywhere excepting in Yaque.

"But my poultry man will get them for me," she urged with determination; "I have only to tell him the name of what I want, and he can always produce it in tins, nicely labeled."

Later, St. George came upon old Malakh, leaning on the terrace wall, looking out to sea, and stood close beside him, marveling at the pallor and the thousand wrinkles of the man's strange face. The face was stranger by day than it had been by night—this St. George had felt when he went that morning to release him, and the old man leaned from the frowning bed-hangings to bid him a gentle good morning. Could he be, St. George now wondered vaguely, a citizen of the fifteenth or twentieth dimension, and, there, did they live to his incredible age? Then he noticed that the old man was not wearing the ruby ring.

"I wear it only when I wish to see it shine, sir," old Malakh answered, and St. George marveled at that courteous "sir," and at other things.

To everything that he asked him the old man returned only his urbane, unmeaning replies, touched with their melancholy symbolism. When St. George left him it was in the hope that Olivia would consent to have him sent down the mountain, although St. George himself was half inclined to agree with Amory's "But, really, I would far rather talk with one madman with this madman's manners than to sup with uncouth sanity" and "After all, if he should murder us, probably no one could do it with greater delicacy." And Olivia had no intention of sending old Malakh back to Med. "How could one possibly do that?" she wanted to know, and there was no oracle.

All the while the world of intangibilities was growing, growing as only that world can grow from the abysmal silence of life that went before. St. George was saying to himself that at last the Here and the Now were infinitely desirable; and as for the fear for the morrow, what was that beside the promise of the days beyond? At noon they all climbed the Obelisk Tower with its ceiling of carved leaves above carved leaves, and the real heavens a little farther up. They leaned on the broad wall, cut by mock bastions and faced the glory of the sunny, trembling sea, starred with the dipping wings of gulls. Blue sky, blue sea, eyes that saw looks that eyes did not know they gave—ah, what a day it was! When the rollicking wind told about that, down on the dun earth, surely it echoed their young courage, their young belief in the future, the incorruptibility of their understanding that the future was theirs, under the law. For the wind always teaches that. The wind is the supreme believer, and one has only to take a walk in it at this moment to know the truth. Yet in spite of the wind, in spite of their high security, in spite of the little wing-like moments that hold not history but revelation, they were all going down the hours beneath the pendent sword of "To-morrow, at noon."



CHAPTER XVII

BENEATH THE SURFACE

Up came the dusk to the doors of the king's palace—a hurry of grey banners flowing into the empty ways where the sun had been. Upon this high dominion Night could not advance unheralded, and here the Twilight messengered her coming long after the dark lay thick on the lowland and on the toiling water.

St. George, leaning from Amory's window, looked down on the shadows rising in exquisite hesitation, as if they came curling from the lighted censer of Med. There is no doubt at all, Olivia had said gravely, that the dusk is patterned, if only one could see it—figured in unearthly flowers, in wandering stars, in upper-air sprites, grey-winged, grey-bodied, so that sometimes glimpsing them one fancies them to be little living goblins. He smiled, remembering her words, and glanced over his shoulder down the long room where the other light was now beginning to creep about, first expressing, then embracing the chamber dusk. It seemed precisely the moment when something delicate should be caught passing from gloom to radiance, to be thankfully remembered. But only many-winged colours were visible, though he could hear a sound like little murmurous speech in the dusky roof where the air had a recurrent fashion of whispering knowingly.

Indeed, the air everywhere in the palace had a fashion of whispering knowingly, for it was a place of ghostly draughts and blasts creeping through chambers cleft by yawning courts and open corridors and topped by that skeleton dome. And as St. George turned from the window he saw that the door leading into the hall, urged by some nimble gust, imaginative or prying, had swung ajar.

St. George mechanically crossed the room to close the door, noting how the pale light warmed the stones of that cave-like corridor. With his hand upon the latch his eyes fell on something crossing the corridor, like a shadow dissolving from gloom to gloom. Well beyond the open door, stealing from pillar to pillar in the dimness and moving with that swiftness and slyness which proclaim a covert purpose as effectually as would a bell, he saw old Malakh.

Now St. George was in felt-soled slippers and he was coatless, because in the adjoining room Jarvo, with a heated, helmet-like apparatus, was attempting to press his blue serge coat. In that room too was Amory, catching glimpses of himself in a mirror of polished steel, but within reach, on the divan where Jarvo had just laid it, was Amory's coat; and St. George caught that up, slipped it on, and was off down the corridor after the old man, moving as swiftly and slyly as he. St. George had no great faith in him or in what he might know, but the old man puzzled him, and mystification is the smell of a pleasant powder.

The palace was very still. Presumably, Mrs. Hastings and Mr. Frothingham were already at chess in the drawing-room awaiting dinner. St. George heard a snatch of distant laughter, in quick little lilts like a song, and it occurred to him that its echo there was as if one were to pin a ruffle of lace to the grim stones. Some one answered the laugh, and he heard the murmurous touching of soft skirts entering the corridor as he dived down the ancient dark of one of the musty passages. There the silence was resumed. In the palace it was as though the stillness were some living sleeper, waking with protests, thankful for the death of any echo.

No one was in the gallery. St. George, stepping softly, followed as near as he dared to that hurrying figure, flitting down the dark. A still narrower hallway connected the main portion of the palace with a shoulder of the south wing, and into this the old man turned and skirted familiarly the narrow sunken pool that ran the length of the floor, drawing the light to its glassy surface and revealing the shadows sent clustering to the indistinguishable roof.

Midway the gallery sprang a narrow stairway, let in the wall and once leading to the ancient armoury, but now disused and piled with rubbish. Old Malakh went up two steps of this old stairway, turned aside, and slipped away so swiftly that his amazed pursuer caught no more than an after-flutter of his dun-coloured garments. St. George, his softly-clad feet making no noise upon the stones, bounded forward and saw, through a triangular aperture in the stones, and set so low that a man must crouch upon the step to enter, a yawning place of darkness.

He might very well have been taking his life in his hands, for he could have no idea whether the aperture led to the imperial dungeons or to the imperial rain-water cistern; but St. George instantly bent and slipped down into that darkness, thick with the dust of the flight of the old man. With the distinctly pleasurable sensation of being still alive he found himself standing upright upon an uneven floor of masonry. He thrust out his arms and touched sides of mossy rock. Then just before him a pale flame flickered. The old man had kindled a little taper that hardly did more than make shallow hollows in the darkness through which he moved.

It was easy to follow now, and St. George went breathlessly on past the rudely-hewn walls and giant pillars of that hidden way. He might have been lost with ease in any of the lower processes of the palace which they had that morning visited; but he could not be deceived about the chambers which he had once seen, and this subterranean course was new to him. Was it, he wondered, new to Olivia, and to Jarvo? Else why had it been omitted in that morning's search? And was this strange guide going on at random, or did he know—something? A suspicion leaped to St. George's mind that made his heart beat. The king—might he be down here after all, and might this weird old man know where? His own consciousness became chiefly conjecture, and every nerve was alert in the pursuit; not the less because he realized that if he were to lose this strange conductor who went on before, either in secure knowledge or in utter madness, he himself might wander for the rest of his life in that nether world.

Past grim latchless doors sealing, with appropriate gestures, their forgotten secrets, past outlying passages winding into the heart of the mountain, past niches filled with shapeless crumbling rubbish they hurried—the mad old man and his bewildered pursuer. Twice the way turned, gradually narrowing until two could hardly have passed there, and at last apparently terminated in a short flight of steps. Old Malakh mounted with difficulty and St. George, waiting, saw him standing before a blank stone wall. Immediately and without effort the old man's scanty strength served to displace one of the wall's huge stones which hung upon a secret pivot and rolled noiselessly within. He stepped through the aperture, and St. George sprang behind him, watched his moment to cross the threshold, crouched in the leaping shadow of the displaced stone and looked—looked with the undistinguishing amazement that a man feels in the panorama of his dreams.

The room was small and low and set with a circular bench, running about a central pillar. On the table was a confusion of things brilliantly phosphorescent, emitting soft light, and mingled with bulbs, coils and crucibles lying in a litter of egg-shells, feathers, ivory and paper. But it was not these that held St. George incredulous; it was the fire that glowed in their midst—a fire that leaped and trembled and blazed inextinguishable colour, smouldering, sparkling, tossing up a spray of strange light, lambent with those wizard hues of the pennons and streamers floating joyously from the dome of the Palace of the Litany—the fire from the subject hearts of a thousand jewels. There could be no doubting what he saw. There, flung on the table from the mouth of a carven casket and harbouring the captive light of ages gone, glittered what St. George knew would be the gems of the Hereditary Treasure of the kings of Yaque.

But for old Malakh to know where the jewels were—that was as amazing as was their discovery. St. George, breathing hard in his corner, watched the long, fine hands of the old man trembling among the delicate tubes and spindles, lingering lovingly among the stones, touching among the necklaces and coronals of the dead queens whose dust lay not far away. It was as if he were summoning and discarding something shining and imponderable, like words. The contents of the casket which all Yaque had mourned lay scattered in this secret place of which only this strange, mad creature, a chance pensioner at the palace, had knowledge.

Suddenly the memory of Balator's words smote St. George with new perception. "He walks the streets of Med," Balator had told him at the banquet, "saying 'Melek, Melek,' which is to say 'king,' and so he is seeking the king. But he is mad, and he weeps; and therefore they pretend to believe that he says, 'Malakh,' which is to say 'salt,' and they call him that, for his tears."

Could old Malakh possibly know something of the king? The hope returned to St. George insistently, and he watched, spending his thought in new and extravagant conjecture, his mental vision blurring the details of that heaped-up, glistening confusion; and on the opposite side of the table the old man lifted and laid down that rainbow stuff of dreams, delighting in it, speaking softly above it. Had he been the king's friend, St. George was asking—but why did no one know anything of him? Or had he been an enemy who had done the king violence—but how was that possible, in his age and feebleness? Mystifying as the matter was, St. George exulted as much as he marveled; for it would be his, at all events, to place the jewels in Olivia's hands and clear her father's name; he longed to step out of the dark and confront the old man and seize the casket out of hand, and he would probably have done so and taken his chances at getting back to the upper world, had he not been chained to his corner by the irresistible hope that the old man knew something more—something about the king. And while he wondered, reflecting that at any cost he must prevent the replacing of the pivotal stone, he saw old Malakh take up his taper, turn away from the table, and open a door which the room's central pillar had cut from his view.

He was around the table in an instant. The open door revealed three stone steps which the old man was ascending, one at a time. Following him cautiously St. George heard a door grate outward at the head of the stair, saw the taper move forward in darkness, and the next moment found himself standing in the room of the tombs of the kings of Yaque. And he saw that the panel which had swung inward to admit them was set low in the monolithic tomb of King Abibaal himself.

Old Malakh had crossed swiftly to the wall opposite the tomb, and stood before the vacant niche which was to be occupied, as Jarvo had announced, by "His Majesty, King Otho, by the grace of God." There, setting aside his taper, the old man stretched his arms upward to the empty shelf and with a gesture of inconceivable weariness bowed his head upon them and stood silent, the leaping candle-light silvering his hair.

"Upon my soul," thought St George with finality, "he's murdered him. Old Malakh has murdered the king, and it's driven him crazy."

With that he did step out of the dark, and he laid his hand suddenly upon the old man's shoulder.

"Malakh," he said, "what have you done with the king?"

The old man lifted his head and turned toward St. George a face of singular calm. It was as if so many phantoms vexed his brain that a strange reality was of little consequence. But as his eyes met those of St. George a sudden dimness came over them, the lids fluttered and dropped, and his lips barely formed his words:

"The king," he said. "I did not leave the king. It was the king who somehow went away and left me here—"

He threw out his hands blindly, tottered and swayed from the wall; and St. George received him as he fell, measuring his length upon the stones before King Otho's future tomb.

St. George caught down the light and knelt beside him. Death seemed to have come "pressing within his face," and breathing hardly disquieted his breast. St. George fumbled at the old man's robe, and beneath his fingers the heart fluttered never so faintly. He loosened the cloth at the withered throat, passed his hand over the still forehead, and looked desperately about him.

The other inmates of the palace were, he reflected, about two good city blocks from him; and he doubted if he could ever find his unaided way back to them. Mechanically, though he knew that he carried no flask, he felt conscientiously through his pockets—a habit of the boy in perplexity which never deserts the man in crises. In the inside pocket of the coat that he was wearing—Amory's coat—his fingers suddenly closed about something made of glass. He seized it and drew it forth.

It was a little vase of rock-crystal, ornamented with gold medallions, covered with exquisite and precise engraving of great beauty and variety of design—gryphons, serpents, winged discs, men contending with lions. St. George stared at it uncomprehendingly. In the press of events of the last eight-and-forty hours Amory had quite forgotten to mention to him the prince's intended gift of wine, almost three thousand years old, sealed in Phoenicia.

St. George drew the stopper. In an instant an odour, spicy, penetrating, delicious, saluted him and gave life to the dead air of the room. For a moment he hesitated. He knew that the flask had not been among Amory's belongings and that he himself had never seen it before. But the odour was, he thought, unmistakable, and so powerful that already he felt as if the liquor were racing through his own veins. He touched it to his lips; it was like a full draught of some marvelous elixir. Sudden confidence sat upon St. George, and thanking his guiding stars for the fortunate chance, he unhesitatingly set the flask to the old man's lips.

There was a long-drawn, shuddering breath, a fluttering of the eyelids, a movement of the limbs, and after that old Malakh lay quite still upon the stones. Once more St. George thrust his hand within the bosom of the loose robe, and the heart was beating rapidly and regularly and with amazing force. In a moment deep breaths succeeded one another, filling the breast of the unconscious man; but the eyelids did not unclose, and St. George took up the taper and bent to scan the quiet face.

St. George looked, and sank to his knees and looked again, holding the light now here, now there, and peering in growing bewilderment. What he saw he was wholly unable to define. It was as if a mask were slowly to dissolve and yet to lie upon the features which it had covered, revealing while it still made mock of concealing. Colour was in the lips, colour was stealing into the changed face. The changed face—changed, St. George could not tell how; and the longer he looked, and though he rubbed his eyes and turned them toward the dark and then looked again, moving the taper, he could neither explain nor define what had happened.

He set the candle on the floor and sprang away from the quiet figure, searching the dark. The great silent place, with its shoulders of sarcophagi jutting from the gloom was black save for the little ring of pallid light about that prostrate form. St. George sent his hand to his forehead, and shook himself a bit, and straightened his shoulders with a smile.

"It must be the stuff you've tasted," he addressed himself solemnly. "Heaven knows what it was. It's the stuff you've tasted."

Though he had barely touched his lips to the rock-crystal vase St. George's blood was pounding through his veins, and a curious exhilaration filled him. He looked about at the rims and corners of the tombs caught by the light, and he laughed a little—though this was not in the least what he intended—because it passed through his mind that if King Abibaal and Queen Mitygen, for example, might be treated with the contents of the mysterious vase they would no doubt come forth, Abibaal with memories of the Queen of Sheba in his eyes, and Queen Mitygen with her casket of Alexander's letters. Then St. George went down on his knees again, and raised the old man's head until it rested upon his own breast, and he passed the candle before his face, his hand trembling so that the light flickered and leaped up.

This time there was no mistaking. The tissues of old Malakh's ashen face and throat and pallid hands were undergoing some subtle transfiguration. It was as if new blood had come encroaching in their veins. It was as if the muscles were become firm and full, as if the wrinkled skin had been made smooth, the lips grown fresh, as if—the word came to St. George as he stared, spell-stricken—as if youth had returned.

St. George slipped down upon the stones and sat motionless. There was a little blue, forked vein on the man's forehead, and upon this he fastened his eyes, mechanically following it downward and back. Lines had crossed it, and there had been a deep cleft between the eyes, but these had disappeared, leaving the brow almost smooth. The cheeks were now tinged with colour, and the throat, where he had pulled aside the robe, showed firm and white. Mechanically St. George passed his hand along the inert arm, and it was no more withered than his own—the arm of no greybeard, but of a man in the prime of life. What did it mean—what did it mean? St. George waited, the blood throbbing in his temples, a mist before his eyes. What did it mean?

The minutes dragged by and still the unconscious man did not stir or unclose his eyes. From time to time St. George pressed his hand to the heart, and found it beating on rhythmically, powerfully. When he found himself sitting with averted head, as if he were afraid to look back at that changing face, a fear seized him that he had lost his reason and that what he imagined himself to see was a phase of madness. So he left the old man's side and sturdily tramped away into the huge dark of the room, resolutely explaining to himself that this was all very natural; the old man had been ill, improperly nourished, and the powerful stimulant of the wine had partly restored him. But even while he went over it St. George knew in his heart that what had happened was nothing that could be so explained, nothing that could be explained at all by anything within his ken.

His footsteps echoed startlingly on the stones, and the chill breath of the place smote his face as he moved. He stumbled on a displaced tile and pitched forward upon a jagged corner of sarcophagus, and reeled as if at a blow from some arm of the darkness. The taper rays struck a length of wall before him, minting from the gloom a sheet of pale orchids clinging to the unclean rock. St. George remembered a green slope, spangled with crocuses and wild strawberries, coloured like the orchids but lying under free sky, in free air. It seemed only a trick of Chance that he was not now lying on that far slope, wherever it was, instead of facing these ghost blooms in this ghost place. Back there, where the light glimmered beside the tomb of King Abibaal, nobody could tell what awaited him. If the man could change like this, might he not take on some shape too hideous to bear in the silence? St. George stood still, suddenly clenching his hands, trying to reach out through the dark and to grasp—himself, the self that seemed slipping away from him. But was he mad already, he wondered angrily, and hurried back to the far flickering light, stumbling, panting, not daring to look at the figure on the floor, not daring not to look.

He resolutely caught up the candle and peered once more at the face. As steadily and swiftly as change in the aspect of the sky the face had gone on changing. St. George had followed to the chamber an old tottering man; the figure before him was a man of not more than fifty years.

St. George let fall the candle, which flickered down, upright in its socket; and he turned away, his hand across his eyes. Since this was manifestly impossible he must be mad, something in the stuff that he had tasted had driven him mad. He felt strong as a lion, strong enough to lift that prostrate figure and to carry it through the winding passages into the midst of those above stairs, and to beg them in mercy to tell him how the man looked. What would she say? He wondered what Olivia would say. Dinner would be over and they would be in the drawing-room—Olivia and Amory and Antoinette Frothingham; already the white room and the lights and Antoinette's laughter seemed to him of another world, a world from which he had irrevocably passed. Yet there they were above, the same roof covering them, and they did not know that down here in this place of the dead he, St. George, was beyond all question going mad.

With a cry he pulled off Amory's coat, flung it over the unconscious man, and rushed out into the blackness of the corridor. He would not take the light—the man must not die alone there in the dark—and besides he had heard that the mad could see as well in the dark as in the light. Or was it the blind who could see in the dark? No doubt it was the blind. However, he could find his way, he thought triumphantly, and ran on, dragging his hand along the slippery stones of the wall—he could find his way. Only he must call out, to tell them who it was that was lost. So he called himself by name, aloud and sternly, and after that he kept on quietly enough, serene in the conviction that he had regained his self-control, fighting to keep his mind from returning to the face that changed before his eyes, like the appearances in the puppet shows. But suddenly he became conscious that it was his own name that he went shouting through the passages; and that was openly absurd, he reasoned, since if he wanted to be found he must call some one else's name. But he must hurry—hurry—hurry; no one could tell what might be happening back there to that face that changed.

"Olivia!" he shouted, "Amory! Jarvo—oh, Jarvo! Rollo, you scoundrel—"

Whereat the memory that Rollo was somewhere on a yacht assailed him, and he pressed on, blindly and in silence, until glimmering before him he saw a light shining from an open door. Then he rushed forward and with a groan of relief threw himself into the room. Opposite the door loomed the grim sarcophagus of King Abibaal, and beside it on the floor lay the figure with the face that changed. He had gone a circle in those tortuous passages, and this was the room of the tombs of the kings.

He dragged himself across the chamber toward the still form. He must look again; no one could tell what might have happened. He pulled down the coat and looked. And there was surely nothing in the delicate, handsome, English-looking face upturned to his to give him new horror. It was only that he had come down here in the wake of a tottering old creature, and that here in his place lay a man who was not he. Which was manifestly impossible.

Mechanically St. George's hand went to the man's heart. It was beating regularly and powerfully, and deep breaths were coming from the full, healthily-coloured lips. For a moment St. George knelt there, his blood tingling and pricking in his veins and pulsing in his temples. Then he swayed and fell upon the stones.

* * * * *

When St. George opened his eyes it was ten o'clock of the following morning, though he felt no interest in that. There was before him a great rectangle of light. He lifted his head and saw that the light appeared to flow from the interior of the tomb of King Abibaal. The next moment Amory's cheery voice, pitched high in consternation and relief, made havoc among the echoes with a background of Jarvo's smooth thanksgiving for the return of adon.

St. George, coatless, stiff from the hours on the mouldy stones, dragged himself up and turned his eyes in fear upon the figure beside him. It flashed hopefully through his mind that perhaps it had not changed, that perhaps he had dreamed it all, that perhaps ...

By his first glance that hope was dispelled. From beneath Amory's coat on the floor an arm came forth, pushing the coat aside, and a man slenderly built, with a youthful, sensitive face and somewhat critically-drooping lids, sat up leisurely and looked about him in slow surprise, kindling to distinct amusement.

"Upon my soul," he said softly, "what an admission—what an admission! I can not have made such a night of it in years."

Upon which Jarvo dropped unhesitatingly to his knees.

"Melek! Melek!" he cried, prostrating himself again and again. "The King! The King! The gods have permitted the possible."



CHAPTER XVIII

A MORNING VISIT

In an upper room in the Palace of the Litany, fair with all the burnished devices of the early light, Prince Tabnit paced on that morning of mornings of his marriage day. Because of his great happiness the whole world seemed to him like some exquisite intaglio of which this day was the design.

The room, "walled with soft splendours of Damascus tiles," was laid with skins of forgotten animals and was hung with historic tapestries dyed by ancient fingers in the spiral veins of the Murex. There were frescoes uniting the dream with its actuality, columns carved with both lines and names of beauty, pilasters decorated with chain and checker-work and golden nets. A stairway led to a high shrine where hung the crucified Tyrian sphinx. The room was like a singing voice summoning one to delights which it described. But whatever way one looked all the lines neither pointed nor seemed to have had beginning, but being divorced from source and direction expressed merely beauty, like an altar "where none cometh to pray."

Prince Tabnit, in his trailing robe of white embroidered by a thousand needles, looked so akin to the room that one suspected it of having produced him, Athena-wise, from, say, the great black shrine. When he paused before the shrine he seemed like a child come to beseech some last word concerning the Riddle, rather than a man who believed himself to have mastered all wisdom and to have nailed the world-sphinx to her cross.

"Surely there is a vein for the silver And a place for the gold where they fine it. Iron is taken out of the earth And brass is moulton out of the stone. Man setteth an end to darkness And searcheth out all perfection: The stones of darkness and of the shadow of death,"

he was repeating softly. "So it is," he added, "'and searcheth to the farthest bound.' Have I not done so? And do I not triumph?"

Then the youth who had once admitted St. George and his friends to that far-away house in McDougle Street—with the hokey-pokey man outside the door—entered with the poetry of deference; and if, as he bent low, there was a lift and droop of his eyelids which tokened utter bewilderment, not to say agitation, he was careful that the prince should not see that.

"Her Highness, the Princess of Yaque, Mrs. Hastings, Mr. Augustus Frothingham and Miss Frothingham ask audience, your Highness," he announced clearly.

Prince Tabnit turned swiftly.

"Whom do you say, Matten?" he questioned and when the boy had repeated the names, meditated briefly. He was at a loss to fathom what this strange visit might portend; beyond doubt, he reflected (in a world which was an intaglio of his own designing) it portended nothing at all. He hastened forward to wait upon them and paused midway the room, for the highest tribute that a Prince of the Litany could pay to another was to receive him in this chamber of the Crucified Sphinx.

"Conduct them here, Matten," he commanded, and took up his station beside an hundred-branched candlestick made in Curium. There he stood when, having been led down corridors of ivory and through shining anterooms, Mrs. Hastings and Olivia and Antoinette appeared on the threshold of the chamber, followed by Mr. Frothingham. As the prince hastened forward to meet them with sweepings of his gown embroidered by a thousand needles and bent above their hands uttering gracious words, assuredly in all the history of Med and of the Litany the room of the Crucified Sphinx had never presented a more peculiar picture.

Into that tranquil atmosphere, dream-pervaded, Mrs. Medora Hastings swept with all the certainty of an opinion bludgeoning the frail security of a fact. She had refused to have her belongings sent to the apartments in the House of the Litany placed that day at her disposal, preferring to dress for the coronation before she descended from Mount Khalak. She was therefore in a robe of black samite, trimmed with the fur of a whole chapter of extinct animals, and bangles and pendants of jewels bobbed and ticked all about her. But on her head she wore the bonnet trimmed with a parrot, set, as usual, frightfully awry. Beside her, with all the timidity of charming reality in the presence of fantasy, came Olivia and Antoinette—Olivia in a walking frock of white broadcloth, with an auto coat of hunting pink, and a cap held down by yards of cloudy veiling; Antoinette in a blue cloth gown, and about them both—stout little boots and suede gloves and smart shirt-waists—such an air of actuality as this chamber, prince and Sphinx and tradition and all, could not approach. Mr. Augustus Frothingham had struck his usual incontestable middle-ground by appearing in the blue velvet of a robe of State, over which he had slipped his light covert top-coat, and he carried his immaculate top-hat and a silver-headed stick.

"Prince Tabnit," said Mrs. Medora Hastings without ceremony, "what have they done with that poor young man? Ask him, Olivia," she besought, sinking down upon a chair of verd antique and extending a limp, plump hand to the niece who always did everything executive.

Olivia was very pale. She had hardly slept, night-long. Alarm at the inexplicable disappearance of St. George at dinner-time the day before and at the discovery that old Malakh was nowhere about had, by morning, deepened to unreasoning fear among them all. And then Olivia, knowing nothing of what had taken place in the room of the tombs, had resolved upon a desperate expedient, had bundled into an airship her almost prostrate aunt, Mr. Frothingham and his excited little daughter, and had borne down upon the Palace of the Litany two hours before noon. Amory, frantic with apprehension, had stayed behind with Jarvo, certain that St. George could not have left the mountain. But now that Olivia stood before the prince it required but a moment to convince her that Prince Tabnit really knew nothing of St. George's whereabouts. Indeed, since his gift of Phoenician wine, sealed three thousand years ago, and the immediate evanishment of the two Americans, his Highness had no longer vexed his thought with them, and he was genuinely amazed to know that (in a world which was an intaglio of his own designing) these two had actually spent yesterday at the king's palace on Mount Khalak. He perceived that he must give them more definite attention than his half-idle device of the wine—intended as that had been as a mere hyperspatial practical joke, not in the least irreconcilable with his office of host.

"Mr. St. George came to Yaque to help me find my father," Olivia was concluding earnestly, "and if anything has happened to him, Prince Tabnit, I alone am responsible."

The prince reflected for a moment, his eyes fixed upon the hundred-branched candlestick. Then:

"Mr. St. George's disappearance," he said, "has prevented a still more unpleasant catastrophe."

"Catastrophe!" repeated Mrs. Hastings, quite without tucking in her voice at the corners, "I have thought of no other word since I got to be royalty."

"A world experience, a world experience, dear Madame," contributed Mr. Frothingham, his hands laid trimly along his blue velvet lap.

"But that doesn't make it any easier to bear, no matter what anybody says," retorted the lady.

"Inasmuch," pursued Prince Tabnit with infinite regret, "as these Americans have, as you say, assisted in the search for your father, the king, they have most unfortunately violated that ancient law which provides that no State or satrapy shall receive aid, whether of blood or of bond, from an alien. The Royal House alone is exempt."

"And the penalty," demanded Olivia fearfully. "Is there a penalty? What is that, Prince Tabnit?"

The voice of the prince was never more mellow.

"Do not be alarmed, I beg," he hastened his reassurance. "Upon the return of Mr. St. George, he and his friend will simply be set adrift in a rudderless airship, an offering to the great idea of space."

Mrs. Hastings swayed toward the prince in her chair of verd antique, and her voice seemed to become brittle in the air.

"Oh, is that what you call being ahead of the time," she demanded shrilly, "getting behind science to behave like Nero? And for my part I don't see anything whatever about the island that is ahead of the times. You haven't even got silk shoe-laces. I actually had to use a cloth-of-gold sandal strap to lace my oxfords, and when I lost a cuff-link I was obliged to make shift with two sides of one of Queen Agothonike's ear-rings that I found in the museum at the palace. And that isn't all," went on the lady, wrong kindling wrong, "what do you do for paper and envelopes? There is not a quire to be found in Med. They offered me wireless blanks—an ultra form that Mr. Hastings would never have considered in good taste. And how about visiting cards? I tried to have a plate made, and they showed me a wireless apparatus for flashing from the doorstep the name of the visitor—an electrical entrance which Mr. Hastings would have considered most inelegant. Ahead of the times, with your rudderless airships! I have always said that the electric chair is a way to be barbarous and good form at the same time, and that is what I think about Yaque!"

Mr. Frothingham's hands worked forward convulsively on his blue velvet knees.

"My dear Madame," he interposed earnestly, "the history of criminal jurisprudence, not to mention the remarkable essay of the Marquis Beccaria—proves beyond doubt that the extirpation of the offender is the only possible safety for the State—"

Olivia rose and stood before the prince, her eyes meeting his.

"You will permit this sentence?" she asked steadily. "As head of the House of the Litany, you will execute it, Prince Tabnit?"

"Alas!" said the prince humbly, "it is customary on the day of the coronation to set adrift all offenders. I am the servant of the State."

"Then, Prince Tabnit, I can not marry you."

At this Mrs. Hastings looked blindly about for support, and Mr. Frothingham and Antoinette flew to her side. In that moment the lady had seen herself, prophetically, in black samite and her parrot bonnet, set adrift in the penitential airship with her rebellious niece.

For a moment Prince Tabnit hesitated: he looked at Olivia, who was never more beautiful than as she defied him; then he walked slowly toward her, with sweep and fall of his garments embroidered by a thousand needles. Antoinette and her father, ministering to Mrs. Hastings, heard only the new note that had crept into his voice, a thrill, a tremour—

"Olivia!" he said.

Her eyes met his in amazement but no fear.

"In a land more alien to me than the sun," said the prince, "I saw you, and in that moment I loved you. I love you more than the life beyond life upon which I have laid hold. I brought you to this island to make you my wife. Do you understand what it is that I offer you?"

Olivia was silent. She was trembling a little at the sheer enormity of the moment. Suddenly, Prince Tabnit seemed to her like a name that she did not know.

"Will you not understand what I mean?" he besought with passionate earnestness. "Can I make my words mean nothing to you? Do you not see that it is indeed as I say—that I have grasped the secret of life within life, beyond life, transcending life, as his understanding transcends the man? The wonder of the island is but the alphabet of wisdom. The secrets of life and death and being itself are in my grasp. The hidden things that come near to you in beauty, in dream, in inspiration are mine and my people's. All these I can make yours—I offer you life of a fullness such as the people of the world do not dream. I will love you as the gods love, and as the gods we will live and love—it may be for ever. Nothing of high wisdom shall be unrevealed to us. We shall be what the world will be when it nears the close of time. Come to me—trust me—be beside me in all the wonder that I know. But above all, love me, for I love you more than life, and wisdom, and mystery!"

Olivia understood, and she believed. The mystery of life had always been more real to her than its commonplaces, and all her years she had gone half-expecting to meet some one, unheralded, to whom all things would be clear, and who should make her know by some secret sign that this was so, and should share with her. She had no doubt whatever that Prince Tabnit spoke the truth—just as the daughter of the river-god Inachus knew perfectly that she was being wooed by a voice from the air. Indeed, the world over, lovers promise each other infinite things, and are infinitely believed.

"I do understand you, Prince Tabnit," Olivia said simply, "I do understand something of what you offer me. I think that these things were not meant to be hidden from men always, so I can even believe that you have all that you say. But—there is something more."

Olivia paused—and swiftly, as if some little listening spirit had released the picture from the air, came the memory of that night when she had stood with St. George on that airy rampart beside the wall of blossoming vines.

"There is something more," she repeated, "when two love each other very much I think that they have everything that you have said, and more."

He looked at her in silence. The stained light from some high window caught her veil in meshes of rose and violet—fairy colours, witnessing the elusive, fairy, invincible truth of what she said.

"You mean that you do not love me?" said the prince gently.

"I do not love you, your Highness," said Olivia, "and as for the wisdom of which you speak, that is worse than useless to you if you can do as you say with two quite innocent men." She hesitated, searching his face. "Is there no way," she said, "that I, the daughter of your king, can save them? I will appeal to the people!"

The prince met her eyes steadily, adoringly.

"It would avail nothing," he said, "they are at one with the law. Yet there is a way that I can help you. If Mr. St. George returns, as he must, he and his friends shall be set adrift with due ceremony—but in an imperial airship, with a man secretly in control. By night they can escape to their yacht. This I will do—upon one condition."

"Oh—what is that?" she asked, and for all the reticence of her eagerness, her voice was a betrayal.

Prince Tabnit turned to the window. Below, in the palace grounds, and without, in the Eurychorus, a thousand people awaited the opening of the palace doors. They filled the majestic avenue, poured up the shadowed alleys that taught the necessity of mystery, were grouped beneath the honey-sweet trees; and above their heads, from every dome and column in the fair city, flowed and streamed the joyous, wizard, nameless colours of the pennons blown heavenward against the blue. They were come, this strange, wise, elusive people, to her marriage.

The prince was smiling as he met her eyes; for the world was always the exquisite intaglio, and to-day was its design.

"They know," he said simply, "what was to have been at noon to-day. Do you not understand my condition?"



CHAPTER XIX

IN THE HALL OF KINGS

Somewhat before noon the great doors of the Palace of the Litany and of the Hall of Kings were thrown open, and the people streamed in from the palace grounds and the Eurychorus. Abroad among them—elusive as that by which we know that a given moment belongs to dawn, not dusk—was the sense of questioning, of unrest, of expectancy that belongs to the dawn itself. Especially the youths and maidens—who, besides wisdom, knew something of spells—waited with a certain wistfulness for what might be, for Change is a kind of god even to the immortals. But there were also those who weighed the departures incident to the coming of the strange people from over-seas; and there were not lacking conservatives of the old regime to shake wise heads and declare that a barbarian is a barbarian, the world over.

All that rainbow multitude, clad for festival, rose with the first light music that stole, winged and silken, from hidden cedar alcoves, and some minutes past the sounding of the hour of noon the chamfered doors set high in the south wall of the Hall of Kings were swung open, and at the head of the stair appeared Olivia.

She was alone, for the custom of Yaque required that the island princesses should on the day of their recognition first appear alone before their people in token of their mutual faith. From the wardrobes at the castle Olivia had chosen the coronation gown of Queen Mitygen herself. It was of fine lace woven in a single piece, and it lay in a foam of shining threads traced with pure lines of shadow. On her head were a jeweled coronal and jeweled hair-loops in the Phoenician fashion, once taken from a king's casket and sent secretly, upon the decline of Assyrian ascendancy, to be bartered in the marts of Coele-Syria. Chains of jewels, in a noon of colour, lay about her throat, as once they lay upon the shoulders of the dead queens of Yaque and, before them, of the women of the elder dynasties long since recorded in indifferent dust. Girdling her waist was a zone of rubies that burned positive in the tempered light. With all her delicacy, Olivia was like her rubies—vivid, graphic, delineated not by light but by line.

The members of the High Council rustled in their colour and white, and flashed their golden stars; the Golden Guards (save the apostate few who were that day sentenced to be set adrift) were filling the stairway like a bank of buttercups; and Olivia's women, led by Antoinette in a gown of colours not to be lightly denominated, were entering by an opposite door. In the raised seats near the High Council, Mrs. Hastings and Mr. Frothingham leaned to wave a sustaining greeting. Until that high moment Mrs. Medora Hastings had been by no means certain that Olivia would appear at all, though she openly nourished the hope that "everything would go off smoothly." ("I don't care much for foreigners and never have," she confided to Mr. Frothingham, "still, I was thinking while I was at breakfast, after all, to the prince we are the foreigners. There is something in that, don't you think? And then the dear prince—he is so very metaphysical!")

Upon the beetling throne Olivia took her place, and her women sank about her like tiers of sunset clouds. She was so little and so beautiful and so unconsciously appealing that when Prince Tabnit and Cassyrus and the rest of the court entered, it is doubtful if an eye left Olivia, to homage them. But Prince Tabnit was the last to note that, for he saw only Olivia; and the world—the world was an intaglio of his own designing.

With due magnificence the preliminary ceremonies of the coronation proceeded—musty necessities, like oaths and historical truths, being mingled with the most delicate observances, such as the naming of the former princesses of the island, from Adija, daughter of King Abibaal, to Olivia, daughter of King Otho; and such as counting the clouds for the misfortunes of the regime. This last duty fell to the office of the lord chief-chancellor, and from an upper porch he returned quickening with the intelligence that there was not a cloud in the sky, a state of the heavens known to no coronation since Babylon was ruled by Assyrian viceroys. The lord chief-chancellor and Cassyrus themselves brought forth the crown—a beautiful crown, shining like dust-in-the-sun—and Cassyrus, in a voice that trumpeted, rehearsed its history: how it had been made of jewels brought from the coffers of Amasis and Apries, when King Nebuchadnezzar wrested Phoenicia from Egypt, and, too, of all manner of precious stones sent by Queen Atossa, wife of Darius, when the Crotoniat Democedes, with two triremes and a trading vessel, visited Yaque before they went to survey Hellenic shores, with what disastrous result. And Olivia, standing in the queen's gown, listened without hearing one word, and turned to have her veil lifted by Antoinette and the daughter of a peer of Yaque; and she knelt before the people while the lord chief-chancellor set the crown on her bright hair. It was a picture that thrilled the lord chief-chancellor himself—who was a worshiper of beauty, and a man given to angling in the lagoon and making metric translations of the inscriptions.

Then it was in the room as if a faint flame had been breathed upon and had upleaped in a thousand ways of expectancy, and as if a secret sign had been set in the lift and dip of the music—the music that was so like the great chamber with its lift and dip of carven line. The thrill with which one knows the glad news of an unopened letter was upon them all, and they heard that swift breath of an event that stirs before its coming. When Olivia's women fell back from the dais with wonder and murmur, the murmur was caught up in the great hall, and ran from tier to tier as amazement, as incredulity, and as thanksgiving.

For there, beside the beetling throne, was standing a man, slenderly built, with a youthful, sensitive face and critically-drooping lids, and upon them all his eyes were turned in faint amusement warmed by an idle approbation.

"Perfect—perfect. Quite perfect," he was saying below his breath.

Olivia turned. The next moment she stood with outstretched arms before her father; and King Otho, in his long, straight robe, encrusted with purple amethysts, bent with exquisite courtesy above his daughter's hands.

"My dear child," he murmured, "the picture that you make entirely justifies my existence, but hardly my absence. Shall we ask his Highness to do that?"

It mattered little who was to do that so long as it was done. For to that people, steeped in dream, risen from the crudity of mere events to breathe in the rarer atmosphere of their significance, here was a happening worthy their attention, for it had the dignity of mystery. Even Mrs. Medora Hastings, billowing toward the throne with cries, was less poignantly a challenge to be heard. Upon her the king laid a tranquillizing hand and, with a droop of eyelids in recognition of Mr. Frothingham, he murmured: "Ah, Medora—Medora! Delight in the moment—but do not embrace it," while beside him, star-eyed, Olivia stood waiting for Prince Tabnit to speak.

To Olivia, trembling a little as she leaned upon his arm, King Otho bent with some word, at which she raised to his her startled face, and turned from him uncertainly, and burned a heavenly colour from brow to chin. Then, her father's words being insistent in her ear, and her own heart being tumultuous with what he had told her, she turned as he bade her, and, following his glance, slipped beneath a shining curtain that cut from the audience chamber the still seclusion of the King's Alcove, a chamber long sacred to the sovereigns of Yaque.

Confused with her wonder and questioning, hardly daring to understand the import of her father's words, Olivia went down a passage set between two high white walls of the palace, open to-day to the upper blue and to the floating pennons of the dome. Here, prickly-leaved plants had shot to the cornices with uncouth contorting of angled boughs, and in their inner green ruffle-feathered birds looked down on her with the uncanny interest of myriapods. She caught about her the lace of her skirts and of her floating veil, and the way echoed musically to the touch of her little sandals and was bright with the shining of her diadem. And at the end of the passage she lifted a swaying curtain of soft dyes and entered the King's Alcove.

The King's Alcove laid upon one the delicate demands of calm open water—for its floor of white transparent tiles was cunningly traced with the reflected course of the carven roof, and one seemed to look into mirrored depths of disappearing line between spaces shaped like petals and like chevrons. In the King's Alcove one stood in a world of white and one's sight was exquisitely won, now by a niche open to a blue well of sea and space, now by silver plants lucent in high casements. And there one was spellbound with this mirroring of the Near which thus became the Remote, until one questioned gravely which was "there" and which was "here," for the real was extended into vision, and vision was quickened to the real, and nothing lay between. But to Olivia, entering, none of these things was clearly evident, for as the curtain of many dyes fell behind her she was aware of two figures—but the one, with a murmured word which she managed somehow to answer without an idea what she said or what it had said either, vanished down the way that she had come. And she stood there face to face with St. George.

He had risen from a low divan before a small table set with figs and bread and a decanter of what would have been bordeaux if it had not been distilled from the vineyards of Yaque. He was very pale and haggard, and his eyes were darkly circled and still fever-bright. But he came toward her as if he had quite forgotten that this is a world of danger and that she was a princess and that, little more than a week ago, her name was to him the unknown music. He came toward her with a face of unutterable gladness, and he caught and crushed her hands in his and looked into her eyes as if he could look to the distant soul of her. He led her to a great chair hewn from quarries of things silver and unremembered, and he sat at her feet upon a bench that might have been a stone of the altar of some forgotten deity of dreams, at last worshiped as it should long have been worshiped by all the host that had passed it by. He looked up in her face, and the room was like a place of open water where heaven is mirrored in earth, and earth reflects and answers heaven.

St. George laughed a little for sheer, inextinguishable happiness.

"Once," he said, "once I breakfasted with you, on tea and—if I remember correctly—gold and silver muffins. Won't you breakfast with me now?"

Olivia looked down at him, her heart still clamourous with its anxiety of the night and of the morning.

"Tell me where you can have been," she said only; "didn't you know how distressed we would be? We imagined everything—in this dreadful place. And we feared everything, and we—" but yet the "we" did not deceive St. George; how could it with her eyes, for all their avoidings, so divinely upon him?

"Did you," he said, "ah—did you wonder? I wish I knew!"

"And my father—where did you find him?" she besought. "It was you? You found him, did you not?"

St. George looked down at a fold of her gown that was fallen across his knee. How on earth was he ever to move, he wondered vaguely, if the slightest motion meant the withdrawing of that fold. He looked at her hand, resting so near, so near, upon the arm of the chair; and last he looked again into her face; and it seemed wonderful and before all things wonderful, not that she should be here, jeweled and crowned, but that he should so unbelievably be here with her. And yet it might be but a moment, as time is measured, until this moment would be swept away. His eyes met hers and held them.

"Would you mind," he said, "now—just for a little, while we wait here—not asking me that? Not asking me anything? There will be time enough in there—when they ask me. Just for now I only want to think how wonderful this is."

She said: "Yes, it is wonderful—unbelievable," but he thought that she might have meant the white room or her queen's robe or any one of all the things which he did not mean.

"Is it wonderful to you?" he asked, and he said again: "I wish—I wish I knew!"

He looked at her, sitting in the moon of her laces and the stars of her gems, and the sense of the immeasurableness of the hour came upon him as it comes to few; the knowledge that the evanescent moment is very potent, the world where the siren light of the Remote may at any moment lie quenched in some ashen present. To him, held momentarily in this place that was like shoreless, open water, the present was inestimably precious and it lay upon St. George like the delicate claim of his love itself. What the next hour held for them neither could know, and this universal uncertainty was for him crystallized in an instant of high wisdom; over the little hand lying so perilously near, his own closed suddenly and he crushed her fingers to his lips.

"Olivia—dear heart," he said, "we don't know what they may do—what will happen—oh, may I tell you now?"

There was no one to say that he might not, for the hand was not withdrawn from his. And so he did tell her, told her all his heart as he had known his heart to be that last night on The Aloha, and in that divine twilight of his arriving on the island, and in those hours beside the airy ramparts of the king's palace, and in the vigil that followed, and always—always, ever since he could remember, only that he hadn't known that he was waiting for her, and now he knew—now he knew.

"Must you not have known, up there in the palace," he besought her, "the night that I got there? And yesterday, all day yesterday, you must have known—didn't you know? I love you, Olivia. I couldn't have told you, I couldn't have let you know, only now, when we can't know what may come or what they may do—oh, say you forgive me. Because I love you—I love you."

She rose swiftly, her veil floating about her, silver over the gold of her hair; and the light caught the enchantment of the gems of the strange crown they had set upon her head, and she looked down at him in almost unearthly beauty. He stood before her, waiting for the moment when she should lift her eyes. And the eyes were lifted, and he held out his arms, and straight to them, regardless of the coronation laces of Queen Mitygen, went Olivia, Princess of Yaque. He put aside her shining hair, as he had put it aside in that divine moment in the motor in the palace wood; and their lips met, in that world that was like the shoreless open sea where earth reflects heaven, and heaven comes down.

They sat upon the white-cushioned divan, and St. George half knelt beside her as he had knelt that night in the fleeing motor, and there were an hundred things to say and an hundred things to hear. And because this fragment of the past since they had met was incontestably theirs, and because the future hung trembling before them in a mist of doubt, they turned happy, hopeful eyes to that future, clinging to each other's hands. The little chamber of translucent white, where one looked down to a mirrored dome and up to a kind of sky, became to them a place bounded by the touch and the look and the voice of each other, as every place in the world is bounded for every heart that beats.

"Sweetheart," said St. George presently, "do you remember that you are a princess, and I'm merely a kind of man?"

Was it not curious, he thought, that his lips did not speak a new language of their own accord?

"I know," corrected Olivia adorably, "that I'm a kind of princess. But what use is that when it only makes trouble for us?"

"Us"—"makes trouble for us." St. George wondered how he could ever have thought that he even guessed what happiness might be when "trouble for us" was like this. He tried to say so, and then:

"But do you know what you are doing?" he persisted. "Don't you see—dear, don't you see that by loving me you are giving up a world that you can never, never get back?"

Olivia looked down at the fair disordered hair on his temples. It seemed incredible that she had the right to push it from his forehead. But it was not incredible. To prove it Olivia touched it back. To prove that that was not incredible, St. George turned until his lips brushed her wrist.

"Don't you know, don't you, dear," he pressed the matter, "that very possibly these people here have really got the secret that all the rest of the world is talking about and hoping about and dreaming they will sometime know?"

Olivia heard of this likelihood with delicious imperturbability.

"I know a secret," she said, just above her breath, "worth two of that."

"You'll never be sorry—never?" he urged wistfully, resolutely denying himself the entire bliss of that answer.

"Never," said Olivia, "never. Shall you?"

That was exceptionally easy to make clear, and thereafter he whimsically remembered something else:

"You live in the king's palace now," he reminded her, "and this is another palace where you might live if you chose. And you might be a queen, with drawing-rooms and a poet laureate and all the rest. And in New York—in New York, perhaps we shall live in a flat."

"No," she cried, "no, indeed! Not 'perhaps,' I insist upon a flat." She looked about the room with its bench brought from the altar of a forgotten deity of dreams, with its line and colour dissolving to mirrored point and light—the mystic union of sight with dream—and she smiled at the divine incongruity and the divine resemblance. "It wouldn't be so very different—a flat," she said shyly.

Wouldn't it—wouldn't it, after all, be so very different?

"Ah, if you only think so, really," cried St. George.

"But it will be different, just different enough to like better," she admitted then. "You know that I think so," she said.

"If only you knew how much I think so," he told her, "how I have thought so, day and night, since that first minute at the Boris. Olivia, dear heart—when did you think so first—"

She shook her head and laid her hands upon his and drew them to her face.

"Now, now—now!" she cried, "and there never was any time but now."

"But there will be—there will be," he said, his lips upon her hair.

After a time—for Time, that seems to have no boundaries in the abstract, is a very fiend for bounding the divine concrete—after a time Amory spoke hesitatingly on the other side of the curtain of many dyes.

"St. George," he said, "I'm afraid they want you. Mr. Holland—the king, he's got through playing them. He wants you to get up and give 'em the truth, I think."

"Come in—come in, Amory," St. George said and lifted the curtain, and "I beg your pardon," he added, as his eyes fell upon Antoinette in a gown of colours not to be lightly denominated. She had followed Olivia from the hall, and had met Amory midway the avenue of prickly trees, and they had helpfully been keeping guard. Now they went on before to the Hall of Kings, and St. George, remembering what must happen there, turned to Olivia for one crowning moment.

"You know," she said fearfully, "before father came the prince intended the most terrible things—to set you and Mr. Amory adrift in a rudderless airship—"

St. George laughed in amusement. The poor prince with his impossible devices, thinking to harm him, St. George—now.

"He meant to marry you, he thought," he said, "but, thank Heaven, he has your father to answer to—and me!" he ended jubilantly.

And yet, after all, Heaven knew what possibilities hemmed them round. And Heaven knew what she was going to think of him when she heard his story. He turned and caught her to him, for the crowning moment.

"You love me—you love me," he said, "no matter what happens or what they say—no matter what?"

She met his eyes and, of her own will, she drew his face down to hers.

"No matter what," she answered. So they went together toward the chamber which they had both forgotten.

When they reached the Hall of Kings they heard King Otho's voice—suave, mellow, of perfect enunciation:

"—some one," the king was concluding, "who can tell this considerably better than I. And it seems to me singularly fitting that the recognition of the part eternally played by the 'possible' be temporarily deferred while we listen to—I dislike to use the word, but shall I say—the facts."

It seemed to St. George when he stood beside the dais, facing that strange, eager multitude with his strange unbelievable story upon his lips—the story of the finding of the king—as if his own voice were suddenly a part of all the gigantic incredibility. Yet the divinely real and the fantastic had been of late so fused in his consciousness that he had come to look upon both as the normal—which is perhaps the only sane view. But how could he tell to others the monstrous story of last night, and hope to be believed?

None the less, as simply as if he had been narrating to Chillingworth the high moment of a political convention, St. George told the people of Yaque what had happened in that night in the room of the tombs with that mad old Malakh whom they all remembered. It came to him as he spoke that it was quite like telling to a field of flowers the real truth about the wind of which they might be supposed to know far more than he; and yet, if any one were to tell the truth about the wind who would know how to listen? He was not amazed that, when he had done, the people of Yaque sat in a profound silence which might have been the silence of innocent amazement or of utter incredulity.

But there was no mistaking the face of Prince Tabnit. Its cool tolerant amusement suddenly sent the blood pricking to St. George's heart and filled him with a kind of madness. What he did was the last thing that he had intended. He turned upon the prince, and his voice went cutting to the farthest corner of the hall:

"Men and women of Yaque," he cried, "I accuse your prince of the knowledge that can take from and add to the years of man at will. I accuse him of the deliberate and criminal use of that knowledge to take King Otho from his throne!"

St. George hardly knew what effect his words had. He saw only Olivia, her hands locked, her lips parted, looking in his face in anguish; and he saw Prince Tabnit smile. Prince Tabnit sat upon the king's left hand, and he leaned and whispered a smiling word in the ear of his sovereign and turned a smiling face to Olivia upon her father's right.

"I know something of your American newspapers, your Majesty," the prince said aloud, "and these men are doing their part excellently, excellently."

"What do you mean, your Highness?" demanded St. George curtly.

"But is it not simple?" asked the prince, still smiling. "You have contrived a sensation for the great American newspaper. No one can doubt."

King Otho leaned back in the beetling throne.

"Ah, yes," he said, "it is true. Something has been contrived. But—is the sensation of his contriving, Prince?"

Olivia stood silent. It was not possible, it was not possible, she said over mechanically. For St. George to have come with this story of a potion—a drug that had restored youth to her father, had transformed him from that mad old Malakh—

"Father!" she cried appealingly, "don't you remember—don't you know?"

King Otho, watching the prince, shook his head, smiling.

"At dawn," he said, "there are few of us to be found remaining still at table with Socrates. I seem not to have been of that number."

"Olivia!" cried St. George suddenly.

She met his eyes for a moment, the eyes that had read her own, that had given message for message, that had seen with her the glory of a mystic morning willingly relinquished for a diviner dawn. Was she not princess here in Yaque? She laid her hand upon her father's hand; the crown that they had given her glittered as she turned toward the multitude.

"My people," she said ringingly, "I believe that that man speaks the truth. Shall the prince not answer to this charge before the High Council now—here—before you all?"

At this King Otho did something nearly perceptible with his eyebrows. "Perfect. Perfect. Quite perfect," he said below his breath. The next instant the eyelids of the sovereign drooped considerably less than one would have supposed possible. For from every part of the great chamber, as if a storm long-pent had forced the walls of the wind, there came in a thousand murmurs—soft, tremulous, definitive—the answering voice to Olivia's question:

"Yes. Yes. Yes..."



CHAPTER XX

OUT OF THE HALL OF KINGS

In Prince Tabnit's face there was a curious change, as if one were suddenly to see hieroglyphics upon a star where before there had been only shining. But his calm and his magnificent way of authority did not desert him, as so grotesque a star would still stand lonely and high in the heavens. He spoke, and upon the multitude fell instant silence, not the less absolute that it harboured foreboding.

"Whatever the people would say to me," said the prince simply, "I will hear. My right hand rests in the hand of the people. In return I decree allegiance to the law. Your princess stands before you, crowned. This most fortunate return of his Majesty, the King, can not set at naught the sacred oath which has just left her lips. Henceforth, in council and in audience, her place shall be at his Majesty's right hand, as was the place of that Princess Athalme, daughter of King Kab, in the dynasty of the fall of Rome. Is it not, therefore, but the more incumbent upon your princess to own her allegiance to the law of the island by keeping her troth with me—that troth witnessed and sanctioned by you yourselves? This ceremony concluded I will answer the demands of the loyal subjects whose interests alone I serve. For we obey that which is higher than authority—the law, born in the Beginning—"