Such of us as were staying the winter, of course held aloof from the hurried passers-through, or looked with kindly tolerance on their struggles to get more out of Rome in a given moment than she perhaps yielded with perfect acquiescence. We fancied that she kept something back; she is very subtle, and has her reserves even with people who pass a whole winter within her gates. The fact is, there are a great many of her, though we knew her afar as one mighty personality. There is the antique Rome, the mediaeval Rome, the modern Rome; but that is only the beginning. There is the Rome of the State and the Rome of the Church, which divide between them the Rome of politics and the Rome of fashion; but here is a field so vast that Ave may not enter it without danger of being promptly lost in it. There is the Rome of the visiting nationalities, severally and collectively; there is especially the Anglo-American Rome, which if not so populous as the German, for instance, is more important to the Anglo-Saxons. It sees a great deal of itself socially, but not to the exclusion of the sympathetic Southern temperaments which seem to have a strange but not unnatural affinity with it. So far as we might guess, it was a little more Clerical than Liberal in its local politics; if you were very Liberal, it was well to be careful, for Conversion lurked under many exteriors which gave no outward sign of it; if the White of the monarchy and the Black of the papacy divide the best Roman families, of course foreigners are more intensely one or the other than the natives. But Anglo-Saxon life was easy for one not self-obliged to be of either opinion or party; and it was pleasant in most of its conditions. In Rome our internationalities seemed to have certain quarters largely to themselves. In spite of our abhorrence of the destruction and construction which have made modern Rome so wholesome and delightful, most of us had our habitations in the new quarters; but certain pleasanter of the older streets, like the Via Sistina, Via del Babuino, Via Capo le Case, Via Gregoriana, were our sojourn or our resort. Especially in the two first our language filled the outer air to the exclusion of other conversation, and within doors the shopmen spoke it at least as well as the English think the Americans speak it. It was pleasant to meet the honest English faces, to recognize the English fashions, to note the English walk; and if these were oftener present than their American counterparts, it was not from our habitual minority, but from our occasional sparsity through the panic that had frightened us into a homekeeping foreign to our natures.

In like manner our hyphenated nationalities have the Piazza di Spagna for their own. There are the two English book-stores and the circulating libraries, in each of which the books are so torn and dirty that you think they cannot be quite so bad in the other till you try it; there seems nothing for it, then, but to wash and iron the different Tauchnitz authors, and afterward darn and mend them. The books on sale are, of course, not so bad; they are even quite clean; and except for giving out on the points of interest where you could most wish them to abound, there is nothing in them to complain of. There is less than nothing to complain of in the tea-room which enjoys our international favor except that at the most psychological moment of the afternoon you cannot get a table, in spite of the teas going on in the fashionable hotels and the friendly houses everywhere. The toast is exceptional; the muffins so far from home are at least reminiscent of their native island; the tea and butter are alike blameless. The company, to the eye of the friend of man, is still more acceptable, for, if the Americans have dwindled, the English have increased; and there is nothing more endearing than the sight of a roomful of English people at their afternoon tea in a strange land. No type seems to predominate; there are bohemians as obvious as clerics; there are old ladies and young, alike freshly fair; there are the white beards of age and the clean-shaven cheeks of youth among the men; some are fashionable and some outrageously not; peculiarities of all kinds abound without conflicting. Some talk, frankly audible, and others are frankly silent, but a deep, wide purr, tacit or explicit, close upon a muted hymn of thanksgiving, in that assemblage of mutually repellent personalities, for the nonce united, would best denote the universal content.

Hard by this tea-room there is a public elevator by which the reader will no doubt rather ascend with me than, climb the Spanish Steps without me; after the first time, I never climbed them. The elevator costs but ten centimes, and I will pay for both; there is sometimes drama thrown in that is worth twice the money; for there is war, more or less roaring, set between the old man who works the elevator and the young man who sells the tickets to it. The law is that the elevator will hold only eight persons, but one memorable afternoon the ticket-seller insisted upon giving a ticket to a tall, young English girl who formed an unlawful ninth. The elevator-man, a precisian of the old school, expelled her; the ticket-seller came forward and reinstated her; again the elder stood upon the letter of the law; again the younger demanded its violation. The Tuscan tongue in their Roman mouths flew into unintelligibility, while the poor girl was put into the elevator and out of it; and the respective parties to the quarrel were enjoying it so much that it might never have ended if she had not taken the affair into her own hands. She finally followed the ticket-seller back to his desk, to which he retired after each act of the melodrama, and threw her ticket violently down. "Here is your ticket!" she said in English so severe that he could not help understanding and cowering before it. "Give me back my money!" He was too much stupefied by her decision of character to speak; and he returned her centimes in silence while we got into our cage and mounted to the top, and the elevator-man furiously repeated to himself his side of the recent argument all the way up. This did not prevent his touching his hat to each of us in parting, and assuring us that he revered us; a thing that only old-fashioned Romans seem to do nowadays, in the supposed decay of manners which the comfortable classes everywhere like to note in the uncomfortable. Then some ladies of our number went off on a platform across the house-tops to which the elevator had brought us, as if they expected to go down the chimneys to their apartments; and the rest of us expanded into the Piazza Trinita de' Monti; and I stopped to lounge against the uppermost balustrade of the Spanish Steps.

It is notable, but not surprising, how soon one forms the habit of this, for, seen from above, the Spanish Steps are only less enchanting than the Spanish Steps seen from below, whence they are absolutely the most charming sight in the world. The reader, if he has nothing better than a post-card (which I could have bought him on the spot for fifty a franc), knows how the successive stairways part and flow downward to right and left, like the parted waters of a cascade, and lose themselves at the bottom in banks of flowers. No lovelier architectural effect was ever realized from a happy fancy; but, of course, the pictorial effect is richer from below, especially from the Via dei Condotti, where it opens into the Piazza di Spagna. I suppose there must be hours of the day, and certainly there are hours of the night, when in this prospect the Steps have not the sunset on them. But most of the time they have the sunset on them, warm, tender; a sunset that begins with the banks of daffodils and lilies and anemones and carnations and roses and almond blossoms, keeping the downpour of the marble cascades from flooding the piazza, and mounts, mellowing and yellowing, up their gray stone, until it reaches the Church of Trinita de' Monti at the top.



There it lingers, I should say, till dawn, bathing the golden-brown facade in an effulgence that lifelong absence cannot eclipse when once it has blessed your sight. It is beauty that rather makes the heart ache, and the charm of the Steps from above is something that you can bear better if you are very, very worthy, or have the conceit of feeling yourself so. It is a charm that imparts itself more in detail and is less exclusively the effect of perpetual sunset. From the parapet against which you lean you have a perfecter conception of the architectural form than you get from below, and you are never tired of seeing the successive falls of the Steps dividing themselves and then coming together on the broad landings and again parting and coming together.

If there were once many models, male, female, and infant, brigands, peasants, sages, and martyrs, lounging on the Spanish Steps, as it seems to me there used to be, and as every one has heard say, waiting there for the artists to come and carry them off to their studios and transfer them to their canvases, they are now no longer there in noticeable number. I saw some small boys in steeple-crowned soft hats and short jackets, with their little legs wound round with the favorite bandaging of brigands; and some mothers suitable for Madonnas, perhaps, with babes at the breast; there was a patriarchal old man or two, ready no doubt to pose for the prophets, or, at a pinch, for yet more celestial persons; but for the rest the Steps were rather given up to flower-girls, fruit-peddlers, and beggars pure and simple, on levels distinctly below those infested by the post-card peddlers. The whole neighborhood abounds in opportunities for charity, and at the corner of the Via Sistina there is a one-legged beggar who professes to black shoes in the intervals of alms-taking, and who early made me his prey. If sometimes I fancied escaping by him to my lounge against the parapet of the steps, he joyously overtook me with a swiftness of which few two-legged men are capable; he wore a soldier's cap, and I hoped, for the credit of our species, that he had lost his leg in battle, but I do not know.

On a Sunday evening I once hung there a long time, watching with one eye the people who were coming back from their promenade on the Pincian Hill, and with the other the groups descending and ascending the Steps. On the first landing below me there was a boy who gratified me, I dare say unconsciously, by trying to stand on his hands; and a little dramatic spectacle added itself to this feat of the circus. Two pretty girls, smartly dressed in hats and gowns exactly alike, and doubtless sisters, if not twins, passed down to the same level. One was with a handsome young officer, and walked staidly beside him, as if content with her quality of captive or captor. The other was with a civilian, of whom she was apparently not sure. Suddenly she ran away from him to the verge of the next fall of steps, possibly to show him how charmingly she was dressed, possibly to tempt him by her grace in flight to follow her madly. But he followed sanely and slowly, and she waited for him to come up, in a capricious quiet, as if she had not done anything or meant anything. That was all; but I am not hard to suit; and it was richly enough for me.



Her little comedy came to its denouement just under the shoulder of the rose-roofed terrace jutting from a lowish, plainish house on the left, beyond certain palms and eucalyptus-trees. It is one of the most sacred shrines in Rome, for it was in this house that the "young English poet whose name was writ in water" died to deathless fame three or fourscore years ago. It is the Keats house, which when he lived in it was the house of Severn the painter, his host and friend. I had visited it for the kind sake of the one and the dear sake of the others when I first visited Rome in 1864; and it was one of the earliest stations of my second pilgrimage. It is now in form for any and all visitors, but the day I went it had not yet been put in its present simple and tasteful keeping. A somewhat shrill and scraping-voiced matron inquired my pleasure when she followed me into the ground-floor entrance from somewhere without, and then, understanding, called hor young daughter, who led me up to the room where Keats mused his last verse and breathed his last sigh. It is a very little room, looking down over the Spanish Steps, with their dike of bloom, across the piazza to the narrow stretch of the Via del Babuino. I must have stood in it with Severn and heard him talk of Keats and his ultimate days and hours; for I remember some such talk, but not the details of it. He was a very gentle old man and fondly proud of his goodness to the poor dying poet, as he well might be, and I was glad to be one of the many Americans who, he said, came to grieve with him for the dead poet.

Now, on my later visit, it was a cold, rainy day, and it was chill within the house and without, and I imputed my weather to the time of Keats's sojourn, and thought of him sitting by his table there in that bare, narrow, stony room and coughing at the dismal outlook. Afterward I saw the whole place put in order and warmed by a generous stove, for people who came to see the Keats and Shelley collections of books and pictures; but still the sense of that day remains. The young girl sympathized with my sympathy, and wished to find a rose for me in the trellis through which the rain dripped. She could not, and I suggested that there would be roses in the spring. "No," she persisted, "sometimes it makes them in the winter," but I had to come away through the reeking streets without one.

When it rains, it rains easily in Rome. But the weather was divine the evening I looked one of my latest looks down on the Spanish Steps. The sun had sunk rather wanly beyond the city, but a cheerful light of electrics shone up at me from the Via dei Condotti. I stood and thought of as much as I could summon from the past, and I was strongest, I do not know why, with the persecutions of the early Christians. Presently a smell of dinner came from the hotels around and the houses below, and I was reminded to go home to my own table d'hote. My one-legged beggar seemed to have gone to his, and I escaped him; but I was intercepted by the sight of an old woman asleep over her store of matches. She was not wakened by the fall of my ten-centime piece in her tray, but the boy drowsing beside her roused himself, and roused her to the dreamy expression of a gratitude quite out of scale with my alms.



V. AN EFFORT TO BE HONEST WITH ANTIQUITY



My visit to the Roman Forum when the Genius Loci verified to my ignorance and the intelligence of my companions the well-conjectured site of the Temple of Jupiter Stator was not the first nor yet the second visit I had paid the place. There had been intermediate mornings when I met two friends there, indefinitely more instructed, with whom I sauntered from point to point, preying upon their knowledge for my emotion concerning each. Information is an excellent thing—in others; and but for these friends I should not now be able to say that this mouldering heap of brickwork, rather than that, was Julius Caesar's house; or just where it was that Antony made his oration over the waxen effigy which served him for Caesar's body. They helped me realize how the business life and largely the social life of Rome centred in the Forum, but spared me so much detail that my fancy could play about among its vanished edifices without inconvenience from the clutter of shops and courts and monuments which were ultimately to hem it in and finally to stifle it. They knew their Forum so well that they could not only gratify any curiosity I had, but could supply me with curiosity when I had none. For the moment I was aware that this spot or that, though it looked so improbable, was the scene of deeds which will reverberate forever; they taught me to be tolerant of what I had too lightly supposed fables as serious traditions closely verging on facts. I learned to believe again that the wolf suckled Romulus and Remus, because she had her den no great way off on the Palatine, and that Romulus himself had really lived, since he had died and was buried in the Forum, where they showed me his tomb, or as much of it as I could imagine in the sullen little cellar so called. They also showed me the rostrum where the Roman orators addressed the mass-meetings of the republican times, and they showed me the lake, or the puddle left of it, into which Curtius (or one of three heroes of the name) leaped at an earlier day as a specific for the pestilence which the medical science of the period had failed to control. In our stroll about the place we were joined by one of the several cats living in the Forum, which offered us collectively its acquaintance, as if wishing to make us feel at home. It joined us and it quitted us from time to time, as the whim took it, but it did not abandon us wholly till we showed a disposition to believe in that lake of Curtius, so called after those three public-spirited heroes, the first being a foreigner. Then the cat, which had more than once stretched itself as if bored, turned from us in contempt and went and lay down in a sunny corner near the tomb of Romulus, and fell asleep.



It is quite possible that my reader does not know, as lately I did not, that the Roman Forum is but one of several forums connected with it by ways long centuries since buried fathoms deep and built upon many stories high. But I am now able to assure him that in the whole region between the Roman Forum and the Forum of Trajan, which were formerly opened into each other by the removal of a hill as tall as the top of Trajan's Column, you pass over other forums hidden beneath your feet or wheels. You cannot be stayed there, however, by the wonders which archaeology will yet reveal in them (for archaeology has its relentless eye upon every inch of the ground above them), but you will certainly pause at the Forum of Trajan, where archaeology, as it is in Commendatore Boni, has had its way already. In fact, until his work in the Roman Forum is finished, the Forum of Trajan must remain his greatest achievement, and the sculptured column of the great emperor must serve equally as the archaeologist's monument. I do not remember why in the old time I should have kept coming to look at that column and study the sculptured history of Trajan's campaigns, toiling around it to its top. I think one could then get close to its base, as now one cannot, what with the deepening of the Forum to its antique level and the enclosure of the whole space with an iron rail. The area below is free only to a large company of those cats which seem to have their dwelling among all the ruins and restorations of ancient Rome. People come to feed the Trajan cats with the fish sold near by for the purpose, and one morning, in pausing to view his column from the respectful distance I had to keep, I counted no less than thirteen of his cats in his forum. They were of every age and color, but much more respectable in appearance than the cats of the Pantheon, which have no such sunny expanse as that forum for their quarters, but only a very damp corner beside the temple, and seem to have suffered in their looks and health from the situation. It was afterward with dismay that I realized the fatal number of the Trajan cats coming to their breakfast that morning so unconscious of evil omen in the figure; but as there are probably no statistics of mortality among the cats of Rome, I shall never know whether any of the thirteen has rendered up one of their hundred and seventeen lives.

However, if I allowed myself to go on about the cats of Rome, either ancient or modern, there would be no end. For instance, in a statuary's shop in the Via Sistina there is a large yellow cat, which I one day saw dressing the hair of the statuary's boy. It performed this office with a very motherly anxiety, seated on the top of a high rotary table where ordinarily the statuary worked at his carving, and pausing from time to time, as it licked the boy's thick, black locks, to get the effect of its labors. On other days or at other hours it slept under the table-top, unvexed by the hammering that went on over its head. Even in Rome, where cats are so abundant, it was a notable cat.

If you visit the Roman Forum in the morning you are only too apt to be hurried home by remembrance of the lunch-hour. That, at any rate, was my case, but I was not so hungry that I would not pause on my way hotelward at what used to be the Temple of Vesta in my earlier time, but which, is now superseded by the more authentic temple in the Forum. I had long revered the first in its former quality, and I now paid it the tribute of unwilling renunciation. It is so nearly a perfect relic of ancient Rome and so much more impressive, in its all but unbroken peristyle, than the later but recumbent claimant to its identity that I am sure the owners of the little bronze or alabaster copies of it scattered over the world must share my pious reluctance. The custodian is still very proud of it, and would have lectured me upon it much longer than I let him; as it was, he kept me while he could cast a blazing copy of the Popolo Romano into the cavernous crypt under it, apparently to show me how deep it was. He may have had other reasons; but in any case I urge the traveller to allow him to do it, for it costs no additional fee, and it seems to do him so much good. If it is not very near lunch-time, let the traveller look well about him in the dusty little piazza there, for the Temple of Fortune, with its bruised but beautiful facade, is hard by, as much in the form that Servius Tullius gave it as could well be expected after all this time.

Perhaps the Circus of Marcellus is on the traveller's way home to lunch; but he will always be passing the segment of its arcaded wall, filled in with mediaeval masonry; and he need not stop, especially if he has his cab by the hour, for there is nothing more to be seen of the circus. A glimpse, through overhanging foliage, of the steps to the Campidoglio, with Castor and Pollux beside their horses at top, may be a fortunate accident of his course. If this happens it will help to rehabilitate for him the Rome of the paganism to which these divinities remained true through all temptations to Judaize during the unnumbered centuries of their sojourn, forgotten, in the Ghetto. It is hardly possible that his glimpse will include even the top of Marcus Aurelius's head where he sits his bronze charger—an extremely fat one—so majestically in the piazza beyond those brothers, as if conscious of being the most noble equestrian statue which has ridden down to us from antiquity.

A more purposed sight of all this will, of course, supply any defects of chance, though I myself always liked chance encounters with the monuments of the past. I had constantly cherished a remembrance of the nobly beautiful facade which is all that is left of the Temple of Neptune, and I meant deliberately to revisit it if I could find out where it was. A kind fortuity befriended me when one day, driving through the little piazza where it lurks behind the Piazza Co-lonna, I looked up, and there, in awe-striking procession, stood the mighty antique columns sustaining the entablature of mediaeval stucco with their fluted marble. I could not say why their poor, defaced, immortal grandeur should have always so affected me, for I do not know that my veneration was due it more than many other fragments of the past; but no arch or pillar of them all seems so impressive, so pathetic. To make the reader the greatest possible confidence, I will own that I passed five times through the Piazza Colonna to my tailor's in the next piazza (at Rome your tailor wishes you to try on till you have almost worn your new clothes out in the ordeal) before I realized that the Column of Marcus Aurelius was not the more famous Column of Trajan. There is, in fact, a strong family likeness between these columns, both being bandaged round from bottom to top with the tale of the imperial achievements and having a general effect in common; but there is no brother or cousin to the dignity of that melancholy yet vigorous ruin of the Temple of Neptune, or anything that resembles it in the whole of ancient Rome. It survives having been a custom-house and being a stock-exchange without apparent ignominy, while one feels an incongruity, to say the least, in the Column of Marcus Aurelius looking down on the sign of the Mutual Life Insurance Company of New York. Whether this is worse than for the Palazzo di Venezia to confront the American Express Company where it is housed on the other side of the piazza I cannot say. What I can say is that I believe the Temple of Neptune would have been superior to either fate; though I may be mistaken.

Ruin, nearly everywhere in Rome, has to be very patient of the environment; and even the monuments of the past which are in comparatively good repair have not always the keeping that the past would probably have chosen for them. One that suffers as little as any, if not the very least, is the Pantheon, on whose glorious porch you are apt to come suddenly, either from a narrow street beside it or across its piazza, beyond the fountain fringed with post-card boys and their bargains. In spite of them, the sight of the temple does mightily lift the heart; and though you may have had, as I had, forty-odd years to believe in it, you must waver in doubt of its reality whenever you see it. It seems too great to be true, standing there in its immortal sublimity, the temple of all the gods by pagan creation, and all the saints by Christian consecration, and challenging your veneration equally as classic or catholic. It is worthy the honor ascribed to it in the very latest edition of Murray's Handbook as "the best-preserved monument of ancient Rome"; worthy the praise of the fastidious and difficult Hare as "the most perfect pagan building in the city"; worthy whatever higher laud my unconsulted Baedeker bestows upon it. But I speak of the outside; and let not the traveller grieve if he comes upon it at the noon hour, as I did last, and finds its vast bronze doors closing against him until three o'clock; there are many sadder things in life than not seeing the interior of the Pantheon. The gods are all gone, and the saints are gone or going, for the State has taken the Pantheon from the Church and is making it a national mausoleum. Victor Emmanuel the Great and Umberto the Kind already lie there; but otherwise the wide Cyclopean eye of the opening in the roof of the rotunda looks down upon a vacancy which even your own name, as written in the visitors' book, in the keeping of a solemn beadle, does not suffice to fill, and which the lingering side altars scarcely relieve.

I proved the fact by successive visits; but, after all my content with the outside of the Pantheon, I came to think that what you want in Rome is not the best-preserved monument, not the most perfect pagan building, but the most ruinous ruin you can get. I am not sure that you get this in the mouldering memorials of the past on the Palatine Hill, but you get something more nearly like it than anything I can think of at the moment. In that imperial and patrician and plutocratic residential quarter you see, if you are of the moderately moneyed middle class, what the pride of life must always come to when it has its way; and your consolation is full if you pause to reflect how some day Fifth Avenue and the two millionaire blocks eastward will be as the Palatine now is.

Riches and power are of the same make in every time, though they may wear different faces from age to age; and it will be well for the very wealthy members of our smart set to keep this fact in mind when they visit that huge sepulchre of human vainglory.

But I will not pretend that I did so myself that matchless April morning when I climbed over the ruins of the Palatine and found the sun rather sickeningly hot there. That is to say, it was so in the open spaces which were respectively called the house of this emperor and that, the temple of this deity or that, whose divine honors half the Caesars shared; in the Stadium, beside the Lupercal, and the like. The Lupercal was really imaginable as the home of the patroness wolf of Rome, being a wild knot of hill fitly overgrown with brambles and bushes, and looking very probably the spot where Caesar would thrice have refused the crown that Antony offered him. But for the rest, one ruin might very well pass for another; a temple with a broken statue and the stumps of a few columns could very easily deceive any one but an archaeologist. Fortunately we had the charming companionship of one of the most amiable of archaeologists, who was none the less learned for being a woman; and she made even me dimly aware of identities which would else have been lost upon me. To be sure, I think that without help I should have known the Stadium when I came to it, because it seemed studied from that in Cambridge, Massachusetts, and, though it was indefinitely more dilapidated, was so obviously meant for the same sorts of games and races. I do not know but it was larger than the Cambridge Stadium, though I will not speak so confidently of its size as of that deathly cold in the vaults and subterranean passages by which we found our way to the burning upper air out of the foundations and basements of palaces and temples and libraries and theatres that had ceased to be.



One of the most comfortable of these galleries was that in which Caligula was justly done to death, or, if not Caligula, it was some other tyrant who deserved as little to live. But for our guide I should not have remembered his slaughter there, and how much satisfaction it had given me when I first read of it in Goldsmith's History of Rome; and really you must not acquaint yourself too early with such facts, for you forget them just when you could turn them to account. History is apt to forsake you in the scene of it and come lagging hack afterward; and you cannot hope always to have an archaeologist at your elbow to remind you of things you have forgotten or possibly have not known. Suetonius, Plutarch, De Quincey, Gibbon, these are no bad preparations for a visit to the Palatine, but it is better to have read them yesterday than the day before if you wish to draw suddenly upon them for associations with any specific spot. If I were to go again to the Palatine, I would take care to fortify myself with such structural facts from Hare's Walks in Rome, or from Murray, or even from Baedeker, as that it was the home of Augustus and Tiberius, Domitian and Nero and Caligula and Septimius Severus and Germanicus, and a very few of their next friends, and that it radically differed from the Forum in being exclusively private and personal to the residents, while that was inclusively public and common to the whole world. I strongly urge the reader to fortify himself on this point, for otherwise he will miss such significance as the place may possibly have for him. Let him not trust to his impressions from his general reading; there is nothing so treacherous; he may have general reading enough to sink a ship, but unless he has a cargo taken newly on board he will find himself tossing without ballast on those billowy slopes of the Palatine, where he will vainly try for definite anchorage.

The billowy effect of the Palatine, inconvenient to the explorer, is its greatest charm from afar, in whatever morning or evening light, or sun or rain, you get its soft, brownish, greenish, velvety masses. Distance on it is best, and distance in time as well as space. If you can believe the stucco reconstruction opposite the Forum gate, ruin has been even kinder to the Palatine than to the Forum, with which it was equally ugly when in repair, if taken in the altogether, however beautiful in detail. As you see it in that reproduction, it is a horror, and a very vulgar horror, such a horror as only unlimited wealth and uncontrolled power can produce. If you will think of individualism gone mad, and each successive personality crushing out and oversloughing some other, without that regard for proportion and propriety which only the sense of a superior collective right can inspire, you will imagine the Palatine. Mount Morris, at One Hundred and Twenty-fifth Street, if unscrupulously built upon by the multimillionaires thronging to New York and seeking to house themselves each more splendidly and spaciously than the other, would offer a suggestion in miniature of what the Palatine seems to have been like in its glory. But the ruined Mount Morris, even allowing for the natural growth of the landscape in two thousand years, could show no such prospect twenty centuries hence as we got that morning from a bit of wilding garden near the Convent of San Bonaventura, on the brow of the Palatine. Some snowy tops pillowed themselves on the utmost horizon, and across the Campagna the broken aqueducts stalked and fell down and stumbled to their legs again. The Baths of Caracalla bulked up in rugged, monstrous fragments, and then in the foreground, filling the whole eye, the Colosseum rose and stood, and all Rome sank round it. The Forum lay deep under us, vainly struggling with the broken syllables of its demolition to impart a sense of its past, and at our feet in that bit of garden where the roses were blooming and the plum-trees were blowing and the birds were singing, there stretched itself in the grass a fallen pillar wreathed with the folds of a marble serpent, the emblem of the oldest worship under the sun, as I was proud to remember without present help. It was the same immemorial, universal faith which the Mound Builders of our own West symbolized in the huge earthen serpents they shaped uncounted ages before the red savages came to wonder at them, and doubtless it had been welcomed by Rome in her large, loose, cynical toleration, together with cults which, like that of Isis and Osiris, were fads of yesterday beside it. Somehow it gave the humanest touch in the complex impression of the overhistoried scene. It made one feel very old, yet very young—old with the age and young with the youth of the world—and very much at home.



VI. PERSONAL RELATIONS WITH THE PAST

I was myself part of the antiquity with which I have been trying to be honest; and, though my date was no earlier than the seventh decade of the nineteenth century, still so many and such cataclysmal changes had passed over Rome since my time that I was, as far as concerned my own consciousness, practically of the period of the Pantheon, say. The Pantheon, in fact, was among my first associations with Rome. I lodged very near it, in the next piazza, so that, if we were not contemporaries, we were companions, and I could not go out of my hotel to look up a more permanent sojourn without passing by it. Perhaps I wished to pass by it, and might really have found my way to the Corso without the Pantheon's help.

I have no longer a definite idea why I should have made my sojourn in the very simple and modest little street called Via del Gambero, which runs along behind the Corso apparently till it gets tired and then stops. But very possibly it was because the Via del Gambero was so simple and modest that I chose it as the measure of my means; or possibly I may have heard of the apartment I took in it from wayfarers passing through Venice, where I then lived, and able to commend it from their own experience of it; people in that kind day used to do such things. However it was, I took the apartment, and found it, though small, apt for me, as Ariosto said of his house, and I dwelt in it with my family a month or more in great comfort and content. In fact, it seemed to us the pleasantest apartment in Rome, where the apartments of passing strangers were not so proud under Pius IX. as they are under Victor Emmanuel III. I do not know why it should have been called the Street of the Lobster, but it may have been in an obscure play of the fancy with the notion of a backward gait in it that I came to believe that, in the many improvements which had befallen Rome, Via del Gambero had disappeared. Destroyed, some traveller from antique lands had told me, I dare say; obliterated, wiped out by the march of municipal progress. At any rate, I had so long resigned the hope of revisiting the quiet scene that when I revisited Rome last winter, after the flight of ages, and one day found myself in a shop on the Corso, it was from something like a hardy irony that I asked the shopman if a street called Via del Gambero still existed in that neighborhood. I said that I had once lodged in it forty-odd years before; but I believed it had been demolished. Not at all, the shopman said; it was just behind his place; and what was the number of the house? I told him, and he laughed for joy in being able to do me a pleasure; me, a stranger from the strange land of sky-scratchers (grattacieli), as the Italians not inadequately translate sky-scrapers. If I would favor him through his back shop he would show me how close I was upon it; and from his threshold he pointed to the corner twenty yards off, which, when I had turned it, left me almost at my own door.

In that transmuted Rome Via del Gambero, at least, was wholly unchanged, and there was not a wrinkle in the front of the house where we had sojourned so comfortably, so contentedly, in our incredible youth. I had not quite the courage to ring and ask if we were at home; but, standing across the way and looking up at the window, it seemed to me that I might have seen my own young face peering out in a somewhat suspicious question of the old eyes staring up so fixedly at it. Who was I, and what was I doing there? Was I waiting, hanging idly about, to see the Armenian archbishop coming to carry my other self in his red coach to the Sistine Chapel, where we were to hear Pius IX. say mass? There was no harm in my hanging about, but the street was narrow and there was a chance of my being ground up by some passing cart against the wall there behind me if I was not careful. I could not tell my proud young double that we were one, and that I was going in the archbishop's red coach as well; he would never have believed it of my gray hairs and sunken figure. I could not even ask him what had become of the grocer near by, whom I used to get some homely supplies of, perhaps eggs or oranges, or the like, when I came out in the December mornings, and who, when I said that it was very cold, would own that it was un poco rigidetto, or a little bit stiffish. The ice on the pavement, not clean-swept as now, but slopped and frozen, had been witness of that; the ice was gone and the grocer with it; and where really was I? At the window up there, or leaning against the apse of the church opposite? What church was it, anyway? I never knew; I never asked. Why should I insist upon a common identity with a man of twenty-seven to whom my threescore and ten could only bring perplexity, to say the least, and very likely vexation? I went away from Via del Gambero, where the piety of the reader will seek either of myselves in vain. In my earlier date one used to see the red legs of the French soldiers about the Roman streets, and the fierce faces of the French officers, fierce as if they felt themselves wrongfully there and were braving it out against their consciences. Very likely they had no conscience about it; they had come there over the dead body of the Roman Republic at the will of their rascal president, and they were staying there by the will of their rascal emperor, to keep on his throne the pope from whom the Italians had hoped for unity and liberty. No one is very much to blame for anything, I suppose, and very likely Pius IX. had not voluntarily disappointed his countrymen, who may have expected too much. But then the French had been there fifteen years, and were to be there another fifteen years yet. Now they are gone, with the archbishop's red coach, and the complaisant grocer, and the young man of twenty-seven in Via del Gambero, and the rest of the things that the sun looked on and will look on the like of again, no doubt, in our monotonous round of him.

To-day, instead of the red legs of the French soldiers, you see the blue legs of the Italian soldiers, and instead of the fierce faces of their officers, the serious, intelligent, mostly spectacled faces of the Italian officers, in sweeping cloaks of tender blue verging on lavender. They are soldierly men none the less for their gentler aspect, and perhaps something the more; and a better thing yet is that there are comparatively few of them. There are few of the privates also, far fewer than the priests and the students of the ecclesiastical schools, who dress like priests and go dashing through the streets in files and troops.

I have an impression that one sees about the proportion of Italian soldiers in Rome that one sees of American soldiers in Washington, or, at least, not many more. The barracks are apparently outside the walls; there you meet cavalry going and coming, and detachments of bersaglieri; or riflemen, pushing on at their quick trot, or plainer infantry trudging wearily. Certainly, in a capital where the Church holds itself prisoner, there is no show of force on the part of its captors; and this is pleasant to the friend of man and the lover of Italy for other reasons. In the absence of the military you can imagine that not only does the state not wish to boast its political supremacy in the ancient capital of the Church, but it does not desire to show the potentiality of holding its own against the republic which is instinct there. The monarchy is the consensus of all the differing wills in Italy, which naturally would not for the most part have chosen a monarchy. But never was a monarchy so mild-mannered or seated so firmly, for the present at least, in the affection and reason of its people.

This is not the place (as writers say who have not prepared themselves with the requisite ideas at a given point) to speak of the situation in Rome; and I meant only to note that there are more ecclesiastics than conscripts to be seen there. Of all the varying costumes of the varying schools, none is so pleasing, so vivid, as that of the German students as they rush swiftly by in their flying robes of scarlet. The red matches the ruddy health in their cheeks, and there is a sort of gladness in their fling that wins the liking as well as the looking; so that almost one would not mind being a German student of theology one's self. There are other-costumes running in color from violet, and blue with orange sashes, to unrelieved black and black trimmed with red; but I cannot remember which nationality wears which.



I am not sure but one sees as many priests in Rome now as in the times when they ruled it; and I am no such Protestant that I will pretend I do not like a monsignore when I meet him, either in the street or at afternoon tea, as one sometimes may. I have no grudge against priests of any rank; but I did not seek to see them at the functions, as I used in the old days to do. Shall I say that I now rather tolerated than welcomed myself there through the hospitality which so freely opens the churches of the Church to all comers of whatever creed? What right had I, a heretic and recusant, to come staring and standing round where the faithful were kneeling and praying? If we could conceive of our fast-locked conventicles being thrown as freely open, could we conceive of Catholics wandering up and down their naves and aisles while the hymning or preaching went on? After being so high-minded in the matter, shall I confess that I was a good deal kept out of the churches by the cold in them? It was a sort of stored cold, much greater than that outside, though there was something warming to the fancy, at least, in the smoke and smell of the incense.

Even with the Church of the Capuchins, which we lived opposite, I was dilatory, though in my mediaeval days it had been one of the first places to which I hurried. In those days everybody said you must be sure and go to the Capuchins', because Guide's "St. Michael and the Enemy" was there, and still more because the wonderful bone mosaics in the cemetery under the church were not on any account to be missed. I suspect that in both these matters I had then a very crude taste, but it was not from my greater refinement that I now let the Capuchin church go on long un-revisited. It was, for one thing, too instantly and constantly accessible across the street there; and it is well known human nature is such that it will not seek the line of the least resistance as long as it can help. Besides, I could hardly believe that it was really the Capuchin church which I had once so hastened to see, and I neglected it almost two months, contenting myself with the display of those hand-bills on the convent walls, spreading largely and glaringly incongruous over it. When I did go I found the Guido ridiculous, of course, in the painter's imagination of the archangel as a sort of dancing figure in a tableau vivant, and yet of a sublime authority in the execution. To be more honest, I had little feeling about it and less knowledge.

It was not so cold in the church as I had expected; and in the succession of side chapels, beginning with the St. Michael's and opening into one another, we found a kind of domesticity close upon cosiness, which we were enjoying for its own sake, when we were aware of a pale, gentle young girl who seemed to be alone there. She asked, in our unmistakable native accents, if we were going to see the Capuchin mosaics in their place below; and one of us said, promptly, No, indeed; but relented at the shadow of disappointment that came over the girl's face, and asked, Was she going? The girl said, Oh, she guessed she could see them some other time; and then she who had spoken ordered him who had not spoken to go with her. I do not know what question of propriety engaged them with reference to her going alone with the handsome young monk waiting to accompany her; but he was certainly too handsome for a monk of any age. We followed him, however, and I had my usual nausea on viewing the decoration of the ceilings and walls of the place below; it always makes me sick to go into that place; between realizing that I am of the same make as the brothers composing those mosaics, and trying to imagine what the intricate patterns will do at the Resurrection Day, I cannot command myself. Neither am I supported by the sight of some skeletons, the raw material of that grewsome artistry, deposited whole in their coffins in the niches next the ground, though their skulls smile so reassuringly from their cowls; their cheeriness cannot make me like them. But my companion seemed to be merely interested; and I fancied her deciding that it all quite came up to her expectations, while I translated for her from the monk that the dead used to be left in the hallowed earth from Jerusalem covering the ground before they were taken up and decoratively employed, but that since the Italian occupation of Rome the art had fallen into abeyance. She said nothing, but when we came out she stood a moment on the pavement beside our cab and confessed herself a New England girl, from an inland town, who was travelling with relatives. She had been sick, and she had come alone, as soon as she could get out, to see the wonders of the Capuchin church, because she had heard so much of them. We said we hoped she had been pleased, and she said, "Oh yes, indeed," and then she said, "Well, good-bye," and gently tilted away, leaving us glad that there could still be in an old, spoiled world such sweetness and innocence and easily gratified love of the beautiful.

Taking Rome so easily, so provisionally, while waiting the eventualities of the colds which mild climates are sure to give their frequenters from the winterlands, I became aware of a latent anxiety respecting St. Peter's. I did not feel that the church would really get away without our meeting, but I felt that it was somehow culpably hazardous in me to be taking chances with it. As a family, we might never collectively visit it, and, in fact, we never did; but one day I drove boldly (if secretly) off alone and renewed my acquaintance with this contemporary of mine; for, if you have been in Rome a generation and a half ago, you find that you are coeval not only with the regal, the republican, and the imperial Rome, but with each Rome of the successive popes, down, at least, to that of Pius IX. St. Peter's will not be, by any means, your oldest friend, but it will be an acquaintance of such long standing that you may not wish to use it with all the frankness which its faults invite. If you say, when you drive into its piazza between the sublime colonnades which stretch forth their mighty embrace as if to take the whole world to the church's heart, that here is the best of St. Peter's, you will not be wrong. If you say that here is grandeur, and that there where the temple fronts you grandiosity begins, you will be rhetorical, but, again, you will not be wrong. The day of my furtive visit was sober and already waning, with a breeze in which the fountains streamed flaglike, and with a gentle sky on which the population of statues above the colonnades defined themselves in leisure attitudes, so recognizable all that I am sure if they had come down and taken me by the hand we could have called one another by name without a moment's hesitation. Every detail of a prospect which is without its peer on earth, but may very possibly be matched in Paradise, had been so deeply stamped in my remembrance that I smiled for pleasure in finding myself in an environment far more familiar than any other I could think of at the time. It was measurably the same within the church, but it was not quite the same in the reserves I was obliged to make, the reefs I was obliged to take in my rapture. The fact is, that unless you delight in a hugeness whose bareness no ornamentation can, or does at least, conceal, you do not find the interior of St. Peter's adequate to the exterior. In the mere article of hugeness, even, it fails through the interposition of the baldachin midway of the vast nave, and each detail seems to fail of the office of beauty more lamentably than another.

I had known, I had never forgotten, that St. Peter's was very, very baroque, but I had not known, I had not remembered how baroque it was. It is not so badly baroque as the Church of the Jesuits either in Rome or in Venice, or as the Cathedral at Wuerzburg; but still it is badly baroque, though, again, not so baroque in the architecture as in the sculpture. In the statues of most of the saints and popes it could not be more baroque; they swagger in their niches or over their tombs in an excess of decadent taste for which the most bigoted agnostic, however Protestant he may be, must generously grieve. It is not conceivably the taste of the church or the faith; it is the taste of the wicked world, now withered and wasted to powerlessness, which overruled both for evil in art from its evil life. The saints and the popes are, aesthetically, lamentable enough; but the allegories in bronze or marble, which are mostly the sixteenth-century notions of the Virtues, are inexpressible—some of these creatures ought really to be put out of the place; but I suppose their friends would say they ought to be left as typical of the period. In the case of that merciless miscreant, Queen Christina of Sweden, who has her monument in St. Peter's, there would be people to say she must have her monument in some place; but, all the same, remembering Monaldeschi—how he was stabbed to death by her command, the kinder assassins staying their hands from time to time, while his confessor went vainly to implore her pardon—it is shocking to find her tomb in the prime church in Christendom. At first it offends one to see certain pontiffs with mustaches and imperials and goatees; but, if one reflects that so they wore them in life, one perceives right in it; only when one comes to earlier or later popes, bearded in medieval majority or shaven in the decent modern fashion, one can endure those others only as part of the prevailing baroque of the church. Canova was not so Greek or even so classic as one used to think him, but one hardly has a moment of repose in St. Peter's till one comes to a monument by him and rests in its quiet. It is tame, it is even weak, if you like; but compared with the frantic agglomeration of gilt clouds and sunbursts, and marble and bronze figures in the high-altar, it is heavenly serene and lovely.

There were not many people in St. Peter's that afternoon, so that I could give undisturbed attention to the workman repairing the pavement at one point and grinding the marble smooth with a slow, secular movement, as if he were part of its age-Ions: waste and repair. Another day, the last day I came, there were companies of the personally conducted, following their leaders about and listening to the lectures in several languages, which no more stirred the immense tranquillity than they themselves qualified the spacious vacancy of the temple: you were vaguely sensible of the one and of the other like things heard and seen in a drowse. It was a pleasant vagueness in which all angularities of feeling were lost, and you were disposed to a tolerance of the things that had hurt or offended you before. As a contemporary of the edifice, throughout its growth, you could account for them more and more as of their periods. Perhaps through your genial reconciliation there came, however dimly, a suggestion of something unnatural and alien in your presence there as a mere sightseer, or, at best, a connoisseur much or little instructed. If you had been there, say, as a worshipper, would you have been afflicted by the incongruities of the sculptures or by the whole baroque keeping? Possibly this consideration made you go away much modester than you came. "After all," you may have said, "it is not a gallery; it is not a museum. It is a house of prayer," and you emerged, let us hope, humbled, and in so far fitted for renewed joy in the beauty, the glory of the sublime colonnades.



VII. CHANCES IN CHURCHES



If any one were to ask me which was the most beautiful church in Rome I should temporize, and perhaps I should end by saying that there was none. Ecclesiastical Rome seems to have inherited the instinct of imperial Rome for ugliness; only, where imperial Rome used the instinct collectively, ecclesiastical Rome has used it distributively in the innumerable churches, each less lovely than the other. This position will do to hedge from; it is a bold outpost from which I may be driven in, especially by travellers who have seen the churches I did not see. I took my chances, they theirs; for nobody can singly see all the churches in Rome; that would need a syndicate.

If imperial Rome was beautiful in detail because it had the Greeks to imagine the things it so hideously grouped, ecclesiastical Rome may be unbeautiful in detail because it had not the Goths to realize the beauty of its religious aspiration—that is, if it was the Goths who invented Gothic architecture; I do not suppose it was. Anyway, there is said to be but one Gothic church in Rome, and this I did not visit, perhaps because I felt that I must inure myself to the prevalent baroque, or perhaps from mere perversity. I can merely say in self-defence that, on the outside, Santa Maria sopra Minerva no more promised an inner beauty than Il Gesu, which is the most baroque church in Rome, without the power of coming together for a unity of effect which baroque churches sometimes have. It is a tumult of virtuosity in painting, in sculpture, in architecture. Statues sprawl into frescoed figures at points in the roof, and frescoed figures emerge in marble at others. Marvels of riches are lavished upon chapels and altars, which again are so burdened with bronze gilded or silver plated, and precious stones wrought and unwrought, that the soul, or if not the soul the taste, shrinks dismayed from them. Execution in default of inspiration has had its way to the last excess; there is nothing that it has not done to show what it can do; and all that it has done is a triumph of misguided skill and power. But it would be a mistake for the spectator to imagine that anything has been done from the spirit in which he receives it; everything is the expression of devoted faith in the forms that the art of the time offered.

In the monstrous marble tableau, say, of "Religion Triumphing Over Heresy," he may be very sure that the artist was not winking an ironical eye where he made Faith spurning Schism with her foot look very much like a lady of imperfect breeding who has lost her temper; he was most devoutly in earnest, or at least those were so, both cleric and laic, for whom he wrought his prodigy. We others, pagans or Protestants, had better understand that the children of the Church, and especially the poor children, were serious through all the shows that seem to us preposterous; they had not renounced something for nothing; if they bowed that very fallible thing, Reason, to Dogma, they got faith for their reward and could gladly accept whatever symbol of it was offered them.



No matter how baroque any church was, it could express something of this sincerity, and in their way the worshippers seemed always simply at home in it. In San Lorenzo in Lucina, where I went to see the truly sublime "Crucifixion" by Guido (there is also a bar of St. Lawrence's gridiron to be seen, but I did not know it at the time) I liked the unconsciousness of the girl kneeling before the high altar and provisionally gossiping with the young sacristan before she began her devotions. She gave her mind to them when he asked me if I wished to see the Guido, for I could see her lips moving while she shared my veneration of that most affecting masterpiece; the more genuinely affecting because it expresses the rapture and not the anguish of the Passion. I have no doubt she was grateful when the sacristan proposed my having the electric light turned on it, and when, though that I knew it would cost me something more, I assented.

They have the electric light now in all the holy places, and notably in the dungeon where St. Peter was imprisoned, and where the custodian was so proud of it, as the latest improvement, and as far more satisfactory than candles. The shrine of the miraculous Bambino in the Church of Ara Coeli is also lighted by electricity, which spares no detail of the child's apparel and appearance. To other eyes than those of faith it has the effect of a life-size but not life-like doll, piously bedizened and jewelled over, but rather ill-humored looking, or, if not that, proud looking or severe looking. To the eyes in which its sickbed visits have dried the tears it must wear an aspect of heavenly pity and beauty; and I am very willing to believe that these are the eyes which see it aright. As it was, and taking it literally, it seemed far less mechanical and unfeeling than the monk who pulled it out and pushed it back on its wheeled platform. But he must get tired of showing it to the unbelievers who come out of curiosity, and very likely I should, if I were in his place, as nonchalantly wipe across the glass front of the shrine the card with the Bambino's legend printed in various languages on it, which you may then buy with the blessing from the glass for whatever you choose to give.

Where art and antiquity are so abundant as in Rome, the Bambino incident is probably what the reader, when he has visited the Church of Ara Coeli will chiefly remember, and I will not pretend to be any better than the reader, though I will say that I have a persistent sense of something important about the roof; and there are the Pinturrichio frescos, which an old Sienese like me must have the taste for. The not easily praiseful Hare says it is "one of the most interesting of Christian churches," and without allowing that there are any other sorts of churches I may allow that this is one of the least unlovely in Rome. Trinita de' Monti seemed to be another, but only, I dare say, subjectively, because of the exquisite pleasure we had one afternoon in March when we went into it for the nuns' singing of the Benediction. That, we had been told, was something which no one coming to Rome should miss; and we were so anxious not to miss it that on our way to the Pincian Hill we stopped at the foot of the church-steps, and reassured ourselves of the hour through the kindness of an English-speaking nurse-maid at the bottom and of a gentle nun at the top, who both told us the hour would be exactly five.

When we came back at that time and bought our way into the church by rightful payment to the two blind beggars who guarded its doors, we found it packed with people who bad been more literally punctual. They were of all nations, but a large part were Anglo-Americans, and a young girl of this race rose and gave her seat, with a sweet insistence that would not be denied, to that one of us who deserved it most. He who was left leaning against the soft side of a pillar hesitated whether to make some young priests spreading over undue space on one of the benches push up, and he enjoyed a rich moment of self-satisfaction in his forbearance. He was there, to be sure, an alien and a heretic, out of mere curiosity, and they were there probably so rapt in their devout attention that they did not notice their errant step-brother, and so did not think to offer him the hospitality of their mother church's house. But he would not make any such allowance; he condemned them with the unsparing severity of the strap-hanger in a trolley-car, who blushes with shame for the serried rows of men sitting behind their newspapers. When he was at his wit's end to find excuse for them a priest on another bench made room, and he sank down glad to forgive and forget; but now he would not have yielded his place to any other Protestant in Christendom.

In the collective curiosity he lost the sense of self-reproach for his own, and eagerly bent his gaze on the group of officiating priests at the high altar beyond the grille of the choir. The altar was all a blaze of electric lights, and there was a novel effect in their composition in the crosses resting diagonally on either side of it. Next the grille showed the feathers and fashions of the mothers and sisters of the young girls from the school of the adjoining Convent of the Sacred Heart, and midway between these visitors, like a flock of white birds stooping on some heavenly plain, the white veils of the girls stretched in lovely levels to left and right. Nothing could have attuned the spirit for the surprise awaiting it like this angelic sight; and when the voices of the nuns fell suddenly from the organ gallery, behind all the people, like the singing of the morning stars molten in one adoring music and falling from the zenith down, whatever moments of innocent joy life might have had it could have had none surpassing that.

But when we came out the self-mockery with which life is apt to recover itself from any exaltation began. In returning from the Pincio the only cab we had been able to get was the last left of the very worst cabs in Rome, and we had bidden the driver wait for us at the church-steps, not without some hope that he would play us false. But there he was, true to his word, with such disciplined fidelity as that of the Roman sentinels who used to die at their posts; and we mounted to ours with the muted prayer that we, at least, might reach home alive. This did not seem probable when the driver whipped up his horse. It appeared to have aged and sickened while we were in the church, though we had thought it looked as bad as could be before, and it lurched alarmingly from side to side, recovering itself with a plunge of its heavy head away from the side in which its body was sinking. The driver swayed on his box, having fallen equally decrepit in spite of the restoratives he seemed to have applied for his years and infirmities. His clothes had put on some such effect of extreme decay as those of Rip Van Winkle in the third act; there was danger that he would fall on top of his falling horse, and that their raiment would mingle in one scandalous ruin. Via Sistina had never been so full of people before; never before had it been so long to that point where we were to turn out of it into the friendly obscurity of the little cross street which would bring us to our hotel. We could not consent to arrive in that form; we made the driver stop, and we got out and began overpaying him to release us. But the more generously we overpaid him the more nobly he insisted upon serving us to our door. At last, by such a lavish expenditure as ought richly to provide for the few remaining years of himself and his horse, we prevailed with him to let us go, and reached our hotel glad, almost proud, to arrive on foot.



Hare tells me, now it is too late, that I may reach the Church of Santa Maggiore by keeping straight on through the long, long straightness of the Via Sistina. I reached that church by quite another way after many postponements; for I thought I remembered all about it from my visit in 1864. But really nothing had remained to me save a sense of the exceptional dignity of the church, and the sole fact that the roof of its most noble nave is thickly plated with the first gold mined in South America, which Ferdinand and Isabella gave that least estimable of the popes, Alexander VI. Now I know that it is far richer than any gold could make it in the treasures of history and legend, which fairly encrust it in every part. Doubtless some portion of this wealth my fellow-sightseers were striving to store up out of the guide-books which they bore in their hands and from which they strained their eyes to the memorable points as they slowly paced through the temple. Some were reading one to another in bated voices, and I thought them ridiculous; but perhaps they were wise, and rather he was ridiculous who marched by them and contented himself with a general sense of the grandeur, the splendor. More than any other church except that of San Paolo fuori le Mura, Santa Maria Maggiore imparts this sense, for, as I have already pretended, St. Peter's fails of it. Without as well as within the church is spacious and impressive from its spaciousness; but it seems more densely fringed than most others with peddlers of post-cards and mosaic pins. On going in you can plunge through their ranks, but in coming out you do not so easily escape. One boy pursued me quite to my cab, in spite of my denials of hand and tongue. There he stayed the driver while he made a last, a humorous appeal. "Skiddoo?" he asked in my native speech. "Yes," I sullenly replied, "skiddoo!" But it is now one of the regrets which I shall always feel for my wasted opportunities in Rome that I did not buy all his post-cards. Patient gayety like his merited as much.

As it was, I drove callously away from Santa Maria Maggiore to San Pietro in Vincoli, where I expected to renew my veneration for Michelangelo's Moses. That famous figure is no longer so much in the minds of men as it used to be, I think; and, if one were to be quite honest with one's self as to the why and wherefore of one's earlier veneration, one might not get a very distinct or convincing reply. Do sculptors and painters suffer periods of slight as authors do? Are Raphael and Michelangelo only provisionally eclipsed by Botticelli and by Donatello and Mino da Fiesole, or are they remanded to a lasting limbo? I find I have said in my notes that the Moses is improbable and unimpressive, and I pretended a more genuine joy in the heads of the two Pollajuolo brothers which startle you from their tomb as you enter the church. Is the true, then, better than the ideal, or is it only my grovelling spirit which prefers it? What I scarcely venture to say is that those two men evidently lived and still live, and that Michelangelo's prophet never lived; I scarcely venture, because I remember with tenderness how certain clear and sweet spirits used to bow their reason before the Moses as before a dogma of art which must be implicitly accepted. Do they still do so, those clear and sweet spirits?



The archaeologist who was driving my cab that morning had pointed out to me on the way to this church the tower on which Nero stood fiddling while Rome was burning. It is a strong, square, mediaeval structure which will serve the purpose of legend yet many centuries, if progress does not pull it down; but the fiddle no longer exists, apparently, and Nero himself is dead. When I came out and mounted into my cab, my driver showed me with his whip, beyond a garden wall, a second tower, very beautiful against the blue sky, above the slim cypresses, which he said was the scene of the wicked revels of Lucrezia Borgia. I do not know why it has been chosen for this distinction above other towers; but it was a great satisfaction to have it identified. Very possibly I had seen both of these memorable towers in my former Roman sojourn, but I did not remember them, whereas I renewed my old impressions of San Paolo fuori le Mura in almost every detail.

That is the most majestic church in Rome, I think, and I suppose it is, for a cold splendor, unequalled anywhere. Somehow, from its form and from the great propriety of its decoration, it far surpasses St. Peter's. The antic touch of the baroque is scarcely present in it, for, being newly rebuilt after the fire which destroyed the fourth-century basilica in 1823, its faults are not those of sixteenth-century excess. It would be a very bold or a very young connoisseur who should venture to appraise its merits beyond this negative valuation; and timid age can affirm no more than that it came away with its sensibilities unwounded. Tradition and history combine with the stately architecture, which reverently includes every possible relic of the original fabric, to render the immense temple venerable; and as it is still in process of construction, with a colonnaded porch in scale and keeping with the body of the basilica, it offers to the eye of wonder the actual spectacle of that unstinted outlay of riches which has filled Rome with its multitudes of pious monuments—monuments mainly ugly, but potent with the imagination even in their ugliness through the piety of their origin. Where did all that riches come from?

Out of what unfathomable opulence, out of what pitiable penury, out of what fear, out of what love? One fancies the dying hands of wealth that released their gift to the sacred use, the knotted hands of work that spared it from their need. The giving continues in this latest Christian age as in the earliest, and Rome is increasingly Rome in a world which its thinkers think no longer believes.

From San Paolo we were going to another shrine, more hallowed to our literary sense, and we drove through the sweet morning sunshine and bird-singing, past pale-pink clouds of almond bloom on the garden slopes, with snowy heights far beyond, to the simple graveyard where Keats and Shelley lie. Our way to the Protestant cemetery held by some shabby apartment-houses of that very modern Rome which was largely so jerry-built, and which I would not leave out of the landscape if I could, for I think their shabbiness rather heightens your sense of the peaceful loveliness to which you come under the cypresses, among the damp aisles, so thickly studded with the stones recording the death in exile of the English strangers lying there far from home. In a faulty perspective of memory, I had always seen the graves of the two poets side by side; but the heart of Shelley rests in a prouder part of the cemetery, where the paths between the finer tombs are carefully kept; and the dust of Keats lies in an old, plain, almost neglected corner, well off beyond a dividing trench. It seems an ungracious chance which has so parted the two poets so inextricably united in their fame; it is as if here, too, the world would have its way; but, of course, it is only at the worst an ungracious chance. Keats, at least, has the companionship of the painter Severn, the friend on whose "fond breast his parting soul relied," and who has here followed him into the dust.

A few withered daisies had been scattered in the thin grass over the poet, and one hardly dared lift one's eyes from them to the heartbreaking epitaph which one could not spell for tears.



VIII. A FEW VILLAS

It was but a few minutes' walk from the hotel to the Porta Pinciana, and, if you took this short walk, you found yourself almost before you knew it in the Villa Borghese. You might then, on your first Sunday in Rome, have fancied yourself in Central Park, for all difference in the easily satisfied Sunday-afternoon crowd. But with me a difference began in the grove of stone-pines, and their desultory stretch toward the Casino, where in the simple young times which are now the old we had hurried, with our Kugler in our hands and other reading in our heads, to see Titian's Sacred and Profane Love (it has got another name now) and Canova's Pauline Bonaparte, who was also the Princess Borghese, and all the rest of the precious gallery. However, if I had any purpose of visiting the Casino now, I put it aside, and contented myself with the gentle sun, the gentle shade, and the sweet air, which might have had less dust in it, breathing over grass as green in late January as in early June. I did not care so much for a mounted corporal who was jumping his horse over a two-foot barrier in the circular path rounding between the Villa Borghese and the Pincian Hill, though his admirers hung in rows on the rail beside it so thickly that I could hardly have got a place to see him if I had tried. But there was room enough to the fathers and mothers who had brought their children, and young lovers who had brought each other for the afternoon's outing, just as the people in Central Park do, and, no doubt, just as any Sunday crowd must do in the planet Mars, if the inhabitants are human. There was a vacherie nearby where not many persons were drinking milk or even coffee; it is never the notion of the Italians that amusement can be had only through the purchase of refreshments.



I did not get as far as the Casino till the last Sunday of our Roman stay, though we came again and again to the park (as we should call it, rather than villa), sometimes to walk, sometimes to drive, and always to rejoice in its loveliness. It was not now a very guarded, if once a very studied, loveliness; not quite neglect, but a forgottenness to which it took kindly, had fallen upon it; the drives seemed largely left to take care of themselves, the walks were such as the frequenters chose to make over the grass or through the woods; the buildings—the aviary, the conservatory, the dairy, the stables—which formed part of the old pleasance, stood about, as if in an absent-minded indifference to their various roles. The weather had grown a little more wintry, or, at least, autumnal, as the season advanced toward spring, and one day at the end of February, when we were passing a woody hollow, the fallen leaves stirred crisply with a sound like that of late October at home. We had been at some pains and expense to put home four thousand miles away, but this sound was the sweetest and dearest we had heard in Rome, and it strangely attuned our spirits to the enjoyment of the fake antiquities, the broken arches, pediments, columns, statues, which, in a region glutted with ruin, the landscape architect of the Villa Borghese had fancied putting about in pleasing stages of artificial dilapidation. But there was nothing faked in the dishevelled grass of the little stadium, with its gradines around the sides, and the game of tennis which some young girls were playing in it. Neither was there anything ungenuine in the rapture of the boy whom we saw racing through the dead leaves of that woody hollow in chase of the wild fancies that fly before boyhood; and I hope that the charm of the plinths and statues in the careless grounds behind the soft, old, yellow Casino was a real charm. At any rate, these things all consoled, and the turf under the pines, now thickly starred with daisies, gave every assurance of being original.

When we came last the daisies were mingled with clustering anemones, which seem a greatly overrated sort of flower, crude and harsh in color, like cheap calico. If it were not for their pretty name I do not see how people could like them; yet the children that day were pouncing upon them and pulling them by handfuls; for the Villa Borghese is now state property and is free to the children of the people in a measure quite beyond Central Park. They can apparently pull anything they want, except mushrooms; there are signs advising people that the state draws the line at mushrooms.

It was once more a Sunday, and it was a free day in the Casino. The trodden earth sent up its homely, kindly smell from many feet on their way to the galleries, which we found full of people looking greater intelligence than the frequenters of such places commonly betray. They might have been such more cultivated sight-seers as could not afford to come on the paydays, and, if they had not crowded the room so, one might have been glad as well as proud to be of their number. They did not really keep one from older friends, from the statues and the pictures which were as familiarly there in 1908 as in 1864. In a world of vicissitudes such things do not change; the Sacred and Profane Love of Titian, though it had changed its name, had not changed its nature, and was as divinely serene, as richly beautiful as before. The Veroneses still glowed from the walls, dimming with their Venetian effulgence all the other pictures but the Botticellis and the Francias, and comforting one with the hope that, if one had always felt their beauty so much, one might, without suspecting it, have always had some little sense of art. But it was probably only a literary sense of art, such as moves the observer when he finds himself again in the presence of Canova's Pauline Borghese. That is there, on the terms which were those no less of her character than of her time, in the lasting enjoyment of a publicity which her husband denied it in his lifetime; but it had no more to say now than it had so many, many years ago. As, a piece of personal history it is amusing enough, and as a sermon in stone it preaches whatever moral you choose to read into it. But as the masterpiece of the sculptor it testifies to an ideal of his art for which the world has reason to be grateful. Criticism does not now put Canova on the height where we once looked up to him; but criticism is a fickle thing, especially in its final judgments; and one cannot remember the behavior of the Virtues in some of the baroque churches without paying homage to the portrait of a lady who, whatever she was, was not a Virtue, but who yet helped the sculptor to realize in her statue a Venus of exceptional propriety. Tame, yes, we may now safely declare Canova to have been, but sane we must allow; and we must never forget that he has been the inspiration in modern sculpture of the eternal Greek truth of repose from which the art had so wildly wandered, He, more than any other, stayed it in the mad career on which Michelangelo, however remotely, had started it; and we owe it to him that the best marbles now no longer strut or swagger or bully.

It was by one of those accidents which are the best fortunes of travel that I visited the Villa Papa Giulio, when I thought I was merely going to the Piazza del Popolo, to which one cannot go too often. A chance look at my guide-book beguiled me with the notion that the villa was just outside the gate; but it was a deceit which I should be glad to have practised on me every February 17th of my life. If the villa was farther off than I thought, the way to it lay for a while through a tramwayed suburban street delightfully encumbered with wide-horned oxen drawing heavy wagon-loads of grain, donkeys pulling carts laden with vegetables, and children and hens and dogs playing their several parts in a perspective through which one would like to continue indefinitely. But after awhile a dim, cool, curving lane leaves this street and irresistibly invites your cab to follow it; and sooner than you could ask you get to the villa gate. There a gatekeeper tacitly wonders at your arriving before he is well awake, and will keep you a good five minutes while he parleys with another custodian before he can bring himself to sell you a ticket and let you into the beautiful, old, orange-gray cloistered court, where there is a young architect with the T-square of his calling sketching some point of it, and a gardener gently hacking off from the parent stems such palm-leaves as have survived their usefulness. Beyond is the famous fountained court, and a classic temple to the right, and other structures responsive to the impulses of the good Pope Julius III., who was never tired of adding to this pleasure palace of his. It was his favorite resort, with all his court, from the Vatican, and his favorite amusement in it was the somewhat academic diversion of proverbs, which Ranke says sometimes "mingled blushes with the smiles of his guests."

Lest the reader should think I have gone direct to Ranke for this knowledge, I will own that I got it at second-hand out of Hare's Walks in Rome, where he tells us also that the pope used to come to his villa every day by water, and that "the richly decorated barge, filled with venerable ecclesiastics, gliding through the osier-fringed banks of the Tiber,... would make a fine subject for a picture." No doubt, and if I owned such a picture I would lose no time in public-spiritedly bestowing it on the first needy gallery. Our author is, as usual, terribly severe on the Italian government for some wrong done the villa, I could not well make out what. But it seems to involve the present disposition of the Etruscan antiquities in the upper rooms of the casino, where these, the most precious witnesses of that rather inarticulate civilization, must in any arrangement exhaust the most instructed interest. Just when the amateur archaeologist, however, is sinking under his learning, the custodian opens a window and lets him look out on a beautiful hill beyond certain gardens, where a bird is singing angelically. I suppose it is the same bird which sings all through these papers, and I am sorry I do not know its name. But we will call it a blackcap: blackcap has a sweet, saucy sound like its own note, and is the pretty translation of caponero, a name which the bird might gladly know itself by.



Villa Papa Giulio is but a little place compared with something on the scale of the Villa Pamfili Doria though from its casino it has a charm far beyond that. What it may once have been as to grounds and gardens there is little to show now, and the Pamfili Doria itself had not much to show in gardens, though it had grounds, and to spare. It is, in fact, a large park, though whether larger than the Villa Borghese I cannot say. But it has not been taken by the state, and it is so far off on its hills that it is safe from the overrunning of city feet. It is safe even from city wheels, unless they are those of livery carriages, for numbered cabs are not suffered in its proud precincts. You partake of this pride when you come in your rubber-tired remise, and have the consolation of being part of the beautiful exclusiveness. It costs you fifteen francs, but one must suffer for being patrician, even for a single afternoon. Outside we had the satisfaction of seeing innumerable numbered cabs drawn up, and within the villa gates of meeting or passing the plebeians who had come in them, and were now walking while we were smoothly rolling in our victoria. The day was everything we could ask, very warm and bright below the Janiculum, on which we had mounted, and here on the summit delicious with cool currents of air. There had been beggars, on the way up, at every point where our horses must be walked, and we had paid our way handsomely, so that when we went back they bowed without asking again; this is a convention at Rome which no self-respecting beggar will violate; they all touch their hats in recognition of it.

The beautiful prospect from a certain curve of the drive after you have passed the formal sunken garden, at which you pause, is the greatest beauty of the Villa Pamfili Doria. You stop to look at it by the impulse of your coachman, and then you keep on driving round, in the long ellipse which the road describes, through grassy and woody slopes and levels, watered by a pleasant stream, and through long aisles of pine and ilex. We thought twice round was enough, and told the driver so, to his evident surprise and to our own regret, so far as the long aisle of ilex was concerned, for I do not suppose there is a more perfect thing of its kind in the world. The shade under the thick sun-proof roofing of horizontal boughs was practically as old as night, and on our second passage of its dim length it had some Capuchin monks walking down it, who formed the fittest possible human interest in the perspective. Off on the grass at one side some Ursuline nuns were sitting with their pupils, laughing and talking, and one nun was playing ball with the smaller girls, and mingling with their shouts her own gay, innocent cries of joy as she romped among them. Nothing could have been prettier, sweeter, or better suited to the place; all was very simple, and apparently the whole place was hospitably free to the poor women who ranged over it, digging chiccory for salad out of the meadows. The daisies were thick as white clover, and the harsh purple of the anemones showed everywhere.

The casino is plainer than the casino of the Villa Borghese, and is not public like that; its sculptures have been taken to the Doria palace in the city; and there is no longer any excuse for curiosity even to try penetrating it. It stands on the left of the road by which you leave the villa, and to the right on the grassy incline in full view of the casino was something that puzzled us at first. It did not seem probable that the gigantic capital letters grown in box should be spelling the English name Mary, but it proved that they were, and later it proved that this was the name of the noble English lady whom the late Prince Pamfili Doria had married. Whether they marked her grave or merely commemorated her, it was easy to impute a pathos to the fancy of having them there, which it might not have been so easy to verify. You cannot attempt to pass over any ground in Rome without danger of sinking into historical depths from which it will be hard to extricate yourself, and it is best to heed one's steps and keep them to the day's activities. But one could not well visit the Villa Pamfili Doria without at least wishing to remember that in 1849 Garibaldi held it for weeks against the whole French army, in his defence of republican Rome. A votive temple within the villa grounds commemorates the invaders who fell in this struggle; on a neighboring height the Italian leader triumphs in the monument his adoring country has raised to him.

If we are to believe the censorious Hare, the love of the hero's countrymen went rather far when the Roman municipality, to please him, tried to change the course of the Tiber in conformity with a scheme of his, and so spoiled the beauty of the Farnesina garden without effecting a too-difficult piece of engineering. The less passionate Murray says merely that "a large slice of this garden was cut off to widen the river for the Tiber embankment," and let us hope that it was no worse. I suppose we must have seen the villa in its glory when we went, in 1864, to see the Raphael frescos in the casino there, but in the touching melancholy of the wasted and neglected grounds we easily accepted the present as an image of the past. For all we remembered, the weed-grown, green-mossed gravel-paths of the sort of bewildered garden that remained, with its quenched fountain, its vases of dead or dying plants, and its dishevelled shrubbery, were what had always been; and it was of such a charm that we were gratefully content with it. The truth is, one cannot do much with beauty in perfect repair; the splendor that belongs to somebody else, unless it belongs also to everybody else, wounds one's vulgar pride and inspires envious doubts of the owner's rightful possession. But when the blight of ruin has fallen upon it, when dilapidation and disintegration have begun their work of atonement and exculpation, then our hearts melt in compassion of the waning magnificence and in a soft pity for the expropriated possessor, to whom we attribute every fine and endearing quality. It is this which makes us such friends of the past and such critics of the present, and enables us to enjoy the adversity of others without a pang of the jealousy which their prosperity excites.

There was much to please a somewhat peculiar taste in our visit to the Farnesina. The gateman, being an Italian official, had not been at the gate when we arrived, but came running and smiling from his gossip with the door-keeper of the casino, and this was a good deal in itself; but the door-keeper, amiably obese, was better still in her acceptance of the joke with which the hand-mirror for the easier study of the roof frescos was accepted. "It is more convenient," she suggested, and at the counter-suggestion, "Yes, especially for people with short necks," she shook with gelatinous laughter, and burst into the generous cry, "Oh, how delightful!" Perhaps this was because she, too, had experienced the advantage of perusing the frescos in the hand-mirror's reversal. At any rate, she would not be satisfied till she had returned a Roland for that easy Oliver. Her chance came in showing a Rubens in one of the rooms, with the master's usual assortment of billowy beauties, when she could say—and she ought to have known—that they had eaten too much macaroni. It was not much of a joke; but one hears so few jokes in Rome.

Do I linger in this study of simple character because I feel myself unequal to the ecstasies which the frescos of Raphael and his school in that pleasure dome demanded of me? Something like that, I suppose, but I do not pride myself on my inability. It seemed to me that the coloring of the frescos had lost whatever tenderness it once had; and that what was never meant to be matter of conscious perception, but only of the vague sense which it is the office of decoration to impart, had grown less pleasing with the passage of time. There in the first hall was the story of Cupid and Psyche in the literal illustration of Apuleius, and there in another hall was Galatea on her shell with her Nymphs and Tritons and Amorini; and there were Perseus and Medusa and Icarus and Phaeton and the rest of them. But, if I gave way to all the frankness of my nature, I should own the subjects fallen silly through the old age of an outworn life and redeemed only by the wonderful skill with which they are rendered. At the same time, I will say in self-defence that, if I had a very long summer in which to keep coming and dwelling long hours in the company of these frescos, I think I might live back into the spirit which invented the fables, and enjoy even more the amusing taste that was never tired of their repetition. Masterly conception and incomparable execution are there in histories which are the dreams of worlds almost as extinct as the dead planets whose last rays still reach us and in whose death-glimmer we can fancy, if we will, a unity of life with our own not impossible nor improbable. But more than some such appeal the Raphaels and the Giulio Romanos of the Farnesina hardly make to the eye untrained in the art which created them, or unversed in the technique by which they will live till the last line moulders and the last tint fades.

We came out and stood a long time looking up in the pale afternoon light at the beautiful face of the tenderly aging but not yet decrepit casino. It was utterly charming, and it prompted many vagaries which I might easily have mistaken for ideas. This is perhaps the best of such experiences, and, after you have been with famous works of art and have got them well over and done with, it is natural and it is not unjust that you should wish to make them some return, if not in kind, then in quantity. You will try to believe that you have thought about them, and you should not too strictly inquire as to the fact. It is some such forbearance that accounts for a good deal of the appreciation and even the criticism of works of art.



IX. DRAMATIC INCIDENTS

If the joke of the door-keeper at the Farnesina was not so delicate in any sense as some other jokes, it had, at least, the merit of being voluntary. In fact, it is the only voluntary joke which I remember hearing in the Tuscan tongue from the Roman mouth during a stay of three months in the Eternal City. This was very disappointing, for I had always thought of the Italians as gay and as liking to laugh and to make laugh. In Venice, where I used to live, the gondoliers were full of jokes, good, bad, and indifferent, and an infection of humor seemed to spread from them to all the lower classes, who were as ready to joke as the lower classes of Irish, and who otherwise often reminded one of them. The joking habit extended as far down as Florence, even as Siena, and at Naples I had found cabmen who tempered their predacity with bonhomie. But the Romans were preferably serious, at least with the average American, though, if I had tried them in their English instead of my Italian, it might have been different. At times I thought, they felt the weight of being Romans, as it had descended to them from antiquity, and that the strain of supporting it had sobered them. In any case, though there was shouting by night, and some singing of not at all the Neapolitan quality and still less the Neapolitan quantity, there was no laughing, or, as far as I could see, smiling by day.

Yet one day there was a tragedy in front of the hotel next ours which would have made a dog laugh, as the saying is, unless it was a Roman dog. It was a quarrel, more or less murderous, between a fat, elderly man and an agile stripling of not half his age or girth, of whom the tumult about them permitted only fleeting glimpses. By these the elder seemed to be laboriously laying about him with a five-foot club and the younger to be making wild dashes at him and then escaping to the skirts of the cabmen, mounted and dismounted, who surrounded them. Now and then a cabman drove out of the mellee very excitedly, and then turned and drove excitedly back into the thick of it. All the while the dismounted cabmen pressed about the combatants with their hands on one another's backs and their heads peering carefully over one another's shoulders. On the very outermost rim of these, more careful than any, was one of those strange images whom you see about Italian towns in couples, with red-braided swallowtail coats and cocked hats, those carabinieres —namely, who are soldiers in war and policemen in times of peace. Any spectator from a foreign land would have thought it the business of such an officer of the law to press in and stop the fighting; but he did not so interpret his duty. He gingerly touched the shoulders next him with the tips of his fingers, and now and then lifted himself on the tips of his toes to look if the fight had stopped of itself or not.