If you see anybody about to start to Texas to live, especially to this part, if you will take your scalpyouler and sever the jugular vein, cut the brachiopod artery and hamstring him, after he knows what you have done for him he will rise and call you blessed. This country is a silent but eloquent refutation of Bob Ingersoll's theory: a man here gets prematurely insane, melancholy and unreliable and finally dies of lead poisoning, in his boots, while in a good old land like Greensboro a man can die, as they do every day, with all the benefits of the clergy.

W. S. PORTER



AUSTIN, Texas, April 21, 1885.

Dear Dave: I take my pen in hand to let you know that I am well, and hope these few lines will find you as well as can be expected.

I carried out your parting injunction of a floral nature with all the solemnity and sacredness that I would have bestowed upon a dying man's last request. Promptly at half-past three I repaired to the robbers' den, commonly known as Radams Horticultural and Vegetable Emporium, and secured the high-priced offerings, according to promise. I asked if the bouquets were ready, and the polite but piratical gentleman in charge pointed proudly to two objects on the counter reposing in a couple of vases, and said they were.

I then told him I feared there was some mistake, as no buttonhole bouquets had been ordered, but he insisted on his former declaration, and so I brought them away and sent them to their respective destinations.

I thought it a pity to spoil a good deck of cards by taking out only one, so I bundled up the whole deck, and inserted them in the bouquet, but finally concluded it would not be right to violet (JOKE) my promise and I rose (JOKE) superior to such a mean trick and sent only one as directed.

I have a holiday to-day, as it is San Jacinto day. Thermopylae had its messenger of defeat, but the Alamo had none. Mr. President and fellow citizens, those glorious heroes who fell for their country on the bloody field of San Jacinto, etc.

There is a bazaar to-night in the representatives' hall. You people out in Colorado don't know anything. A bazaar is cedar and tacks and girls and raw-cake and step-ladders and Austin Grays and a bass solo by Bill Stacy, and net profits $2.65.

Albert has got his new uniform and Alf Menille is in town, and tile store needs the "fine Italian hand" of the bookkeeper very much, besides some of his plain Anglo-Saxon conversation.

Was interviewed yesterday by Gen'l Smith, Clay's father. He wants Jim S. and me to represent a manufactory in Jeff. City: Convict labor. Says parties in Galveston and Houston are making good thing of it. Have taken him up. Hope to be at work soon. Glad, by jingo! Shake. What'll you have? Claret and sugar? Better come home. Colorado no good.

Strange thing happened in Episcopal Church Sunday. Big crowd. Choir had sung jolly tune and preacher come from behind scenes. Everything quiet. Suddenly fellow comes down aisle. Late. Everybody looks. Disappointment. It is a stranger. Jones and I didn't go. Service proceeds.

Jones talks about his mashes and Mirabeau B. Lamar, daily. Yet there is hope. Cholera infantum; Walsh's crutch; Harvey, or softening of the brain may carry him off yet.

Society notes are few. Bill Stacey is undecided where to spend the summer. Henry Harrison will resort at Wayland and Crisers. Charlie Cook will not go near a watering place if he can help it.

If you don't strike a good thing out West, I hope we will see you soon.

Yours as ever, W. S. P.



AUSTIN, Texas, April 28, 1885

Dear Dave: I received your letter in answer to mine, which you never got till sometime after you had written.

I snatch a few moments from my arduous labors to reply. The Colorado has been on the biggest boom I have seen since '39. In the pyrotechnical and not strictly grammatical language of the Statesman—"The cruel, devastating flood swept, on a dreadful holocaust of swollen, turbid waters, surging and dashing in mad fury which have never been equalled in human history. A pitiable sight was seen the morning after the flood. Six hundred men, out of employment, were seen standing on the banks of the river, gazing at the rushing stream, laden with debris of every description. A wealthy New York Banker, who was present, noticing the forlorn appearance of these men, at once began to collect a subscription for them, appealing in eloquent terms for help for these poor sufferers by the flood. He collected one dollar, and five horn buttons. The dollar he had given himself. He learned on inquiry that these men had not been at any employment in six years, and all they had lost by the flood was a few fishing poles. The Banker put his dollar in his pocket and stepped up to the Pearl Saloon."

As you will see by this morning's paper, there is to be a minstrel show next Wednesday for benefit of Austin Grays.

I attended the rehearsal last night, but am better this morning, and the doctor thinks I will pull through with careful attention.

The jokes are mostly mildewed, rockribbed, and ancient as the sun. I can give you no better idea of the tout ensemble and sine die of the affair than to state that Scuddy is going to sing a song.

* * * * * *

Mrs. Harrell brought a lot of crystallized fruits from New Orleans for you. She wants to know if she shall send them around on Bois d'arc or keep them 'til you return. Answer.

Write to your father. He thinks you are leaving him out, writing to everybody else first. Write.

We have the boss trick here now. Have sold about ten boxes of cigars betting on it in the store.

Take four nickels, and solder them together so the solder will not appear. Then cut out of three of them a square hole like this: (Illustration.) Take about twelve other nickels, and on top of them you lay a small die with the six up, that will fit easily in the hole without being noticed. You lay the four nickels over this, and all presents the appearance of a stack of nickels. You do all this privately so everybody will suppose it is nothing but a stack of five-cent pieces. You then lay another small die on top of the stack with the ace up. You have a small tin cup shaped like this (Illustration) made for the purpose. You let everybody see the ace, and then say you propose to turn the ace into a six. You lay the tin cup carefully over the stack this way, and feel around in your pocket for a pencil and not finding one . . .

[The rest of this letter is lost]



AUSTIN, Texas, May 10, 1885.

Dear Dave: I received your two letters and have commenced two or three in reply, but always failed to say what I wanted to, and destroyed them all. I heard from Joe that you would probably remain in Colorado. I hope you will succeed in making a good thing out of it, if you conclude to do so, but would like to see you back again in Austin. If there is anything I can do for you here, let me know.

Town is fearfully dull, except for the frequent raids of the Servant Girl Annihilators, who make things lively during the dead hours of the night; if it were not for them, items of interest would be very scarce, as you may see by the Statesman.

Our serenading party has developed new and alarming modes of torture for our helpless and sleeping victims. Last Thursday night we loaded up a small organ on a hack and with our other usual instruments made an assault upon the quiet air of midnight that made the atmosphere turn pale.

After going the rounds we were halted on the Avenue by Fritz Hartkopf and ordered into his salon. We went in, carrying the organ, etc. A large crowd of bums immediately gathered, prominent among which, were to be seen Percy James, Theodore Hillyer, Randolph Burmond, Charlie Hicks, and after partaking freely of lemonade we wended our way down, and were duly halted and treated in the same manner by other hospitable gentlemen.

We were called in at several places while wit and champagne, Rhein Wine, etc., flowed in a most joyous and hilarious manner. It was one of the most recherche and per diem affairs ever known in the city. Nothing occurred to mar the pleasure of the hour, except a trifling incident that might be construed as malapropos and post-meridian by the hypercritical. Mr. Charles Sims on attempting to introduce Mr. Charles Hicks and your humble servant to young ladies, where we had been invited inside, forgot our names and required to be informed on the subject before proceeding.

Yours W. S. P.



AUSTIN, Texas, December 22, 1885.

Dear Dave: Everything wept at your departure. Especially the clouds. Last night the clouds had a silver lining, three dollars and a half's worth. I fulfilled your engagement in grand, tout ensemble style, but there is a sad bon jour look about the thirty-eight cents left in my vest pocket that would make a hired man weep. All day long the heavens wept, and the heavy, sombre clouds went drifting about over head, and the north wind howled in maniacal derision, and the hack drivers danced on the pavements in wild, fierce glee, for they knew too well what the stormy day betokened. The hack was to call for me at eight. At five minutes to eight I went upstairs and dressed in my usual bijou and operatic style, and rolled away to the opera. Emma sang finely. I applauded at the wrong times, and praised her rendering of the chromatic scale when she was performing on "c" flat andante pianissimo, but otherwise the occasion passed off without anything to mar the joyousness of the hour. Everybody was there. Isidor Moses and John Ireland, and Fritz Hartkopf and Prof. Herzog and Bill Stacy and all the bong ton elight. You will receive a draft to-day through the First National Bank of Colorado for $3.65, which you will please honor.

There is no news, or there are no news, either you like to tell. Lavaca Street is very happy and quiet and enjoys life, for Jones was sat on by his Uncle Wash and feels humble and don't sing any more, and the spirit of peace and repose broods over its halls. Martha rings the matin bell, it seems to me before cock crow or ere the first faint streaks of dawn are limned in the eastern sky by the rosy fingers of Aurora. At noon the foul ogre cribbage stalks rampant, and seven-up for dim, distant oysters that only the eye of faith can see.

The hour grows late. The clock strikes! Another day has vanished. Gone into the dim recesses of the past, leaving its record of misspent hours, false hopes, and disappointed expectations. May a morrow dawn that will bring recompense and requital for the sorrows of the days gone by, and a new order of things when there will be more starch in cuff and collar, and less in handkerchiefs.

Come with me out into the starlight night. So calm, so serene, ye lights of heaven, so high above earth; so pure and majestic and mysterious; looking down on the mad struggle of life here below, is there no pity in your never closing eyes for us mortals on which you shine?

Come with me on to the bridge. Ah, see there, far below, the dark, turbid stream. Rushing and whirling and eddying under the dark pillars with ghostly murmur and siren whisper. What shall we find in your depths? The stars do not reflect themselves in your waters, they are too dark and troubled and swift! What shall we find in your depths? Rest?—Peace?—catfish? Who knows? 'Tis but a moment. A leap! A plunge!—and—then oblivion or another world? Who can tell? A man once dived into your depths and brought up a horse collar and a hoop-skirt. Ah! what do we know of the beyond? We know that death comes, and we return no more to our world of trouble and care—but where do we go? Are there lands where no traveler has been? A chaos—perhaps where no human foot has trod—perhaps Bastrop—perhaps New Jersey! Who knows? Where do people go who are in McDade? Do they go where they have to fare worse? They cannot go where they have worse fare!

Let us leave the river. The night grows cold. We could not pierce the future or pay the toll. Come, the ice factory is deserted! No one sees us. My partner, W. P. Anderson, will never destroy himself. Why? His credit is good. No one will sue a side-partner of mine!

You have heard of a brook murmuring, but you never knew a sewer sighed! But we digress! We will no longer pursue a side issue like this. Au revoir. I will see you later.

Yours truly, WILLIAM SHAKESPEARE INGOMAR JUNIUS BRUTUS CALLIOPE SIX-HANDED EUCHRE GROVER CLEVELAND HILL CITY QUARTETTE JOHNSON.



AN EARLY PARABLE

[In one of his early letters, written from Austin, O. Henry wrote a long parable that was evidently to tell his correspondent some of the local gossip. Here it is:]

Once upon a time there was a maiden in a land not far away—a maiden of much beauty and rare accomplishments. She was beloved by all on account of her goodness of heart, and her many charms of disposition. Her father was a great lord, rich and powerful, and a mighty man, and he loved his daughter with exceeding great love, and he cared for her with jealous and loving watchfulness, lest any harm should befall her, or even the least discomfort should mar her happiness and cause any trouble in her smooth and peaceful life. The cunningest masters were engaged to teach her from her youngest days; she played upon the harpsichord the loveliest and sweetest music; she wrought fancy work in divers strange and wonderful forms that might puzzle all beholders as to what manner of things they might be; she sang; and all listeners hearkened thereunto, as to the voice of an angel; she danced stately minuets with the gay knights as graceful as a queen and as light as the thistledown borne above the clover blossoms by the wind; she could paint upon china, rare and unknown flowers the like unto which man never saw in colors, crimson and blue and yellow, glorious to behold; she conversed in unknown tongues whereof no man knew the meaning and sense; and created wild admiration in all, by the ease and grace with which she did play upon a new and strange instrument of wondrous sound and structure which she called a banjo.

She had gone into a strange land, far away beyond the rivers that flowed through her father's dominion—farther than one could see from the highest castle tower—up into the land of ice and snow, where wise men, famous for learning and ancient lore had gathered together from many lands and countries the daughters of great men. Kings and powerful rulers, railroad men, bankers, mighty men who wished to bring up their children to be wise and versed in all things old and new. Here, the Princess abode for many seasons, and she sat at the feet of old wise men, who could tell of the world's birth, and the stars, and read the meaning of the forms of the rocks that make the high mountains and knew the history of all created things that are; and here she learned to speak strange tongues, and studied the deep mysteries of the past—the secrets of the ancients; Chaldic lore; Etruscan inscription; hidden and mystic sciences, and knew the names of all the flowers and things that grow in fields or wood; even unto the tiniest weed by the brook.

In due time the Princess came back to her father's castle. The big bell boomed from the high tower; the heavy iron gates were thrown open; banners floated all along the battlemented walls, and in the grand hall, servants and retainers hurried to and fro, bearing gold dishes, and great bowls of flaming smoking punch, while oxen were roasted whole and hogsheads of ale tapped on the common by the castle walls, and thither hied them the villagers one and all to make merry at the coming of the dear Princess again. "She will come back so wise and learned," they said, "so far above us that she will not notice us as she did once," but not so: the Princess with a red rose in her hair, and dressed so plain and neat that she looked more like a farmer's daughter than a great king's, came down among them from her father's side with nods of love and welcome on her lips, and a smile upon her face, and took them by the hands as in the old days, and none among them so lowly or so poor but what received a kind word from the gracious Princess, and carried away in their hearts glad feelings that she was still the same noble and gracious lady she always was. Then night came, and torches by thousands lit up the great forest, and musicians played and bonfires glowed, with sparks flying like myriads of stars among the gloomy trees.

In the great castle hall were gathered the brave knights and the fairest ladies in the kingdom. The jolly old King, surrounded by the wise men and officers of state moved about among his guests, stately and courteous, ravishing music burst forth from all sides, and down the hall moved the fair Princess in the mazy dance, on the arm of a Knight who gazed upon her face in rapt devotion and love. Who was he that dared to look thus upon the daughter of the King, sovereign prince of the kingdom, and the heiress of her father's wealth and lands.

He had no title, no proud name to place beside a royal one, beyond that of an honorable knight, but who says that that is not a title that, borne worthily, makes a man the peer of any that wears a crown?

He had loved her long. When a boy they had roamed together in the great forest about the castle, and played among the fountains of the court like brother and sister. The King saw them together often and smiled and went his way and said nothing. The years went on and they were together as much as they could be. The summer days when the court went forth into the forest mounted on prancing steeds to chase the stags with hounds; all clad in green and gold with waving plumes and shining silver and ribbons of gay colors, this Knight was by the Princess' side to guide her through the pathless swamps where the hunt ranged, and saw that no harm came to her. And now that she had come back after years of absence, he went to her with fear lest she should have changed for her old self, and would not be to him as she was when they were boy and girl together. But no, there was the same old kindly welcome, the same smiling greeting, the warm pressure of the hand, the glad look in the eyes as of yore. The Knight's heart beat wildly and a dim new-awakened hope arose in him. Was she too far away, after all?

He felt worthy of her, and of any one in fact, but he was without riches, only a knight-errant with his sword for his fortune, and his great love his only title; and he had always refrained from ever telling her anything of his love, for his pride prevented him, and you know a poor girl even though she be a princess cannot say to a man, "I am rich, but, let that be no bar between us, I am yours and will let my wealth pass if you will give up your pride." No princess can say this, and the Knight's pride would not let him say anything of the kind and so you see there was small chance of their ever coming to an understanding.

Well, the feasting and dancing went on, and the Knight and the Princess danced and sang together, and walked out where the moon was making a white wonder of the great fountain, and wandered under the rows of great oaks, but spoke no word of love, though no mortal man knows what thoughts passed in their heads; and she gave long accounts of the wonders she had seen in the far, icy north, in the great school of wise men, and the Knight talked of the wild and savage men he had seen in the Far West, where he had been in battles with the heathen in a wild and dreary land; and she heard with pity his tales of suffering and trials in the desert among wild animals and fierce human kings; and inside the castle the music died away and the lights grew dim and the villagers had long since gone to their homes and the Knight and the Princess still talked of old times, and the moon climbed high in the eastern sky.

One day there came news from a country far to the west where lay the possessions of the Knight. The enemy had robbed him of his treasure, driven away his cattle, and he found it was best to hie him away and rescue his inheritance and goods. He buckled on his sword and mounted his good war-horse. He rode to the postern gate of the castle to make his adieus to the Princess. When he told her he was going away to the wild western country to do battle with the heathen, she grew pale and her eyes took on a look of such pain and fear that the Knight's heart leaped and then sank in his bosom, as his pride still kept him from speaking the words that might have made all well.

She bade him farewell in a low voice, and tears even stood in her eyes, but what could she say or do?

The Knight put spurs to his horse, and dashed away over the hills without ever looking back, and the Princess stood looking over the gate at him till the last sight of his plume below the brow of the hill. The Knight was gone. Many suitors flocked about the Princess. Mighty lords and barons of great wealth were at her feet and attended her every journey. They came and offered themselves and their fortunes again and again, but none of them found favor in her eyes. "Will the Princess listen to no one?" they began to say among themselves. "Has she given her heart to some one who is not among us?" No one could say.

A great and mighty physician, young and of wondrous power in his art, telephoned to her every night if he might come down. How his suit prospered no one could tell, but he persevered with great and astonishing diligence. A powerful baron who assisted in regulating the finances of the kingdom and who was a direct descendant of a great prince who was cast into a lion's den, knelt at her feet.

A gay and lively lord who lived in a castle hung with ribbons and streamers and gay devices of all kinds, with other nobles of like character, prostrated themselves before her, but she would listen to none of them.

The Princess rode about in quiet ways in the cool evenings upon a gray palfrey, alone and very quiet, and she seemed to grow silent and thoughtful as time went on and no news came from the western wars, and the Knight came not back again.



[Written to his daughter Margaret.]

TOLEDO, Ohio, Oct. 1, 1900.

Dear Margaret: I got your very nice, long letter a good many days ago. It didn't come straight to me, but went to a wrong address first. I was very glad indeed to hear from you, and very, very sorry to learn of your getting your finger so badly hurt. I don't think you were to blame at all, as you couldn't know just how that villainous old "hoss" was going to bite. I do hope that it will heal up nicely and leave your finger strong. I am learning to play the mandolin, and we must get you a guitar, and we will learn a lot of duets together when I come home which will certainly not be later than next summer, and maybe earlier.

I suppose you have started to school again some time ago. I hope you like to go, and don't have to study too hard. When one grows up, a thing they never regret is that they went to school long enough to learn all they could. It makes everything easier for them, and if they like books and study they can always content and amuse themselves that way even if other people are cross and tiresome, and the world doesn't go to suit them.

You mustn't think that I've forgotten somebody's birthday. I couldn't find just the thing I wanted to send, but I know where it can be had, and it will reach you in a few days. So, when it comes you'll know it is for a birthday remembrance.

I think you write the prettiest hand of any little girl (or big one, either) I ever knew. The letters you make are as even and regular as printed ones. The next time you write, tell me how far you have to go to school and whether you go alone or not.

I am busy all the time writing for the papers and magazines all over the country, so I don't have a chance to come home, but I'm going to try to come this winter. If I don't I will by summer SURE, and then you'll have somebody to boss and make trot around with you.

Write me a letter whenever you have some time to spare, for I am always glad and anxious to hear from you. Be careful when you are on the streets not to feed shucks to strange dogs, or pat snakes on the head or shake hands with cats you haven't been introduced to, or stroke the noses of electric car horses.

Hoping you are well and your finger is getting all right, I am, with much love, as ever,

PAPA.



My Dear Margaret: Here it is summertime, and the bees are blooming and the flowers are singing and the birds making honey, and we haven't been fishing yet. Well, there's only one more month till July, and then we'll go, and no mistake. I thought you would write and tell me about the high water around Pittsburg some time ago, and whether it came up to where you live, or not. And I haven't heard a thing about Easter, and about the rabbit's eggs—but I suppose you have learned by this time that eggs grow on egg plants and are not laid by rabbits.

I would like very much to hear from you oftener, it has been more than a month now since you wrote. Write soon and tell me how you are, and when school will be out, for we want plenty of holidays in July so we can have a good time. I am going to send you something nice the last of this week. What do you guess it will be?

Lovingly, PAPA.



The Caledonia

WEDNESDAY.

My Dear Mr. Jack:

I owe Gilman Hall $175 (or mighty close to it) pussonally—so he tells me. I thought it was only about $30, but he has been keeping the account.

He's just got to have it to-day. McClure's will pay me some money on the 15th of June, but I can't get it until then. I was expecting it before this—anyhow before Gilman left, but they stick to the letter.

I wonder if you could give me a check for that much to pay him to-day. If you will I'll hold up my right hand—thus: that I'll have you a FIRST-CLASS STORY ON YOUR DESK BEFORE THE LAST OF THIS WEEK.

I reckon I'm pretty well overdrawn, but I've sure got to see that Hall gets his before he leaves. I don't want anything for myself.

Please, sir, let me know right away, by return boy if you'll do it.

If you can't, I'll have to make a quick dash at the three-ball magazines; and I do hate to tie up with them for a story.

The Same SYDNEY PORTER.

MR. J. O. H. COSGRAVE [at this time editor of Everybody's Magazine.]



[A letter to Gilman Hall, written just before the writer's marriage to Miss Sara Lindsay Coleman of Asheville, N. C.]

WEDNESDAY.

Dear Gilman:

Your two letters received this A.M. Mighty good letters, too, and cheering.

Mrs. Jas. Coleman is writing Mrs. Ball to-day. She is practically the hostess at Wynn Cottage where the hullabaloo will occur.

Say, won't you please do one or two little things for me before you leave, as you have so kindly offered?

(1) Please go to Tiffany's and get a wedding ring, size 5-1/4. Sara says the bands worn now are quite narrow—and that's the kind she wants.

(2) And bring me a couple of dress collars, size 16-1/2. I have ties.

(3) And go to a florist's—there is one named Mackintosh (or something like that) on Broadway, East side of street five or six doors north of 26th St., where I used to buy a good many times. He told me he could ship flowers in good shape to Asheville—you might remind him that I used to send flowers to 36 West 17th Street some time ago. I am told by the mistress of ceremonies that I am to furnish two bouquets—one of lilies of the valley and one of pale pink roses. Get plenty of each—say enough lilies to make a large bunch to be carried in the hand, and say three or four dozen of the roses.

I note what you say about hard times and will take heed. I'm not going into any extravagances at all, and I'm going to pitch into hard work just as soon as I get the rice grains out of my ear.

I wired you to-day "MS. mailed to-day, please rush one century by wire."

That will exhaust the Reader check—if it isn't too exhausted itself to come. You, of course, will keep the check when it arrives—I don't think they will fall down on it surely. I wrote Howland a pretty sharp letter and ordered him to send it at once care of Everybody's.

When this story reaches you it will cut down the overdraft "right smart," but if the house is willing I'd mighty well like to run it up to the limit again, because cash is sure scarce, and I'll have to have something like $300 more to see me through. The story I am sending is a new one; I still have another partly written for you, which I shall finish and turn in before I get back to New York and then we'll begin to clean up all debts.

Just after the wedding we are going to Hot Spring, N. C., only thirty-five miles from Asheville, where there is a big winter resort hotel, and stay there about a week or ten days. Then back to New York.

Please look over the story and arrange for bringing me the $300 when you come—it will still keep me below the allowed limit and thereafter I will cut down instead of raising it.

Just had a 'phone message from S. L. C. saying how pleased she was with your letter to her.

I'm right with you on the question of the "home-like" system of having fun. I think we'll all agree beautifully on that. I've had all the cheap bohemia that I want. I can tell you, none of the "climbers" and the cocktail crowd are going to bring their vaporings into my house. It's for the clean, merry life, with your best friends in the game and a general concentration of energies and aims. I am having a cedarwood club cut from the mountains with knots on it, and I am going to stand in my hallway (when I have one) and edit with it the cards of all callers. You and Mrs. will have latchkeys, of course.

Yes, I think you'd better stay at the hotel—Of course they'd want you out at Mrs. C's. But suppose we take Mrs. Hall out there, and you and I remain at the B. P. We'll be out at the Cottage every day anyhow, and it'll be scrumptious all round.

I'm simply tickled to death that "you all" are coming.

The protoplasm is in Heaven; all's right with the world. Pippa passes.

Yours as ever, BILL.



FRIDAY.

My Dear Col. Griffith:

Keep your shirt on. I found I had to re-write the story when it came in. I am sending you part of it just so you will have something tangible to remind you that you can't measure the water from the Pierian Spring in spoonfuls.

I've got the story in much better form; and I'll have the rest of it ready this evening.

I'm sorry to have delayed it; but it's best for both of us to have it a little late and a good deal better.

I'll send over the rest before closing time this afternoon or the first thing in the morning.

In its revised form I'm much better pleased with it.

Yours truly, SYDNEY PORTER.



[Mr. Al. Jennings, of Oklahoma City, was an early friend of O. Henry's. Now, in 1912, a prominent attorney, Mr. Jennings, in his youth, held up trains.]

28 W. 26. N. Y. SUNDAY.

ALGIE JENNINGS, ESQ., THE WEST.

DEAR BILL:

Glad you've been sick too. I'm well again. Are you?

Well, as I had nothing to do I thought I would write you a letter; and as I have nothing to say I will close.

How are ye, Bill? How's old Initiative and Referendum? When you coming back to Manhattan? You wouldn't know the old town now. Main Street is building up, and there is talk of an English firm putting up a new hotel. I saw Duffy a few days ago. He looks kind of thoughtful as if he were trying to calculate how much he'd have been ahead on Gerald's board and clothes by now if you had taken him with you. Mrs. Hale is up in Maine for a 3 weeks' vacation.

Say, Bill, I'm sending your MS. back by mail to-day. I kept it a little longer after you sent for it because one of the McClure & Phillips firm wanted to see it first. Everybody says it is full of good stuff, but thinks it should be put in a more connected shape by some skilful writer who has been trained to that sort work.

It seems to me that you ought to do better with it out there than you could here. If you can get somebody out there to publish it it ought to sell all right. N. Y. is a pretty cold proposition and it can't see as far as the Oklahoma country when it is looking for sales. How about trying Indianapolis or Chicago? Duffy told me about the other MS sent out by your friend Abbott. Kind of a bum friendly trick, wasn't it?

Why don't you get "Arizona's Hand" done and send it on? Seems to me you could handle a short story all right.

My regards to Mrs. Jennings and Bro. Frank. Write some more.

Still BILL.



N. Y., May 23, '05.

Dear Jennings:

Got your letter all right. Hope you'll follow it soon.

I'd advise you not to build any high hopes on your book—just consider that you're on a little pleasure trip, and taking it along as a side line. Mighty few MSS. ever get to be books, and mighty few books pay.

I have to go to Pittsburg the first of next week to be gone about 3 or 4 days. If you decide to come here any time after the latter part of next week I will be ready to meet you. Let me know in advance a day or two.

Gallot is in Grand Rapids—maybe he will run over for a day or two.

In haste and truly yours, W. S. P.



[It was hard to get O. Henry to take an interest in his books. He was always eager to be at the undone work, to be writing a new story instead of collecting old ones. This letter came from North Carolina. It shows how much thought he gave always to titles.]

LAND O' THE SKY, Monday, 1909.

My dear Colonel Steger: As I wired you to-day, I like "Man About Town" for a title.

But I am sending in a few others for you to look at; and if any other suits you better, I'm agreeable. Here they are, in preferred order:

The Venturers. Transfers. Merry-Go-Rounds. Babylonica. Brickdust from Babel. Babes in the Jungle.

If none of these hit you right, let me know and I'll get busy again. But I think "Man About Town" is about the right thing. It gives the city idea without using the old hackneyed words.

I am going to write you a letter in a day or so "touchin' on and appertainin' to" other matters and topics. I am still improving and feeling pretty good. Colonel Bingham has put in a new ash-sifter and expects you to come down and see that it works all right.

All send regards to you. You seem to have made quite a hit down here for a Yankee.

Salutations and good wishes.

Yours, S. P.



[This letter was found unfinished, among his papers after his death. His publishers had discussed many times his writing of a novel, but the following letter constitutes the only record of his own opinions in the matter. The date is surely 1909 or 1910.]

My Dear Mr. Steger: My idea is to write the story of a man—an individual, not a type—but a man who, at the same time, I want to represent a "human nature type," if such a person could exist. The story will teach no lesson, inculcate no moral, advance no theory.

I want it to be something that it won't or can't be—but as near as I can make it—the TRUE record of a man's thoughts, his description of his mischances and adventures, his TRUE opinions of life as he has seen it and his ABSOLUTELY HONEST deductions, comments, and views upon the different phases of life that he passes through.

I do not remember ever to have read an autobiography, a biography, or a piece of fiction that told the TRUTH. Of course, I have read stuff such as Rousseau and Zola and George Moore and various memoirs that were supposed to be window panes in their respective breasts; but, mostly, all of them were either liars, actors, or posers. (Of course, I'm not trying to belittle the greatness of their literary expression.)

All of us have to be prevaricators, hypocrites and liars every day of our lives; otherwise the social structure would fall into pieces the first day. We must act in one another's presence just as we must wear clothes. It is for the best.

The trouble about writing the truth has been that the writers have kept in their minds one or another or all of three thoughts that made a handicap—they were trying either to do a piece of immortal literature, or to shock the public or to please editors. Some of them succeeded in all three, but they did not write the TRUTH. Most autobiographies are insincere from beginning to end. About the only chance for the truth to be told is in fiction.

It is well understood that "all the truth" cannot be told in print—but how about "nothing but the truth"? That's what I want to do.

I want the man who is telling the story to tell it—not as he would to a reading public or to a confessor—but something in this way: Suppose he were marooned on an island in mid-ocean with no hope of ever being rescued; and, in order to pass away some of the time he should tell a story to HIMSELF embodying his adventure and experiences and opinions. Having a certain respect for himself (let us hope) he would leave out the "realism" that he would have no chance of selling in the market; he would omit the lies and self-conscious poses, and would turn out to his one auditor something real and true.

So, as truth is not to be found in history, autobiography, press reports (nor at the bottom of an H. G. Wells), let us hope that fiction may be the means of bringing out a few grains of it.

The "hero" of the story will be a man born and "raised" in a somnolent little southern town. His education is about a common school one, but he learns afterward from reading and life. I'm going to try to give him a "style" in narrative and speech—the best I've got in the shop. I'm going to take him through all the main phases of life—wild adventure, city, society, something of the "under world," and among many characteristic planes of the phases. I want him to acquire all the sophistication that experience can give him, and always preserve his individual honest HUMAN view, and have him tell the TRUTH about everything.

It is time to say now, that by the "truth" I don't mean the objectionable stuff that so often masquerades under the name. I mean true opinions a true estimate of all things as they seem to the "hero." If you find a word or a suggestive line or sentence in any of my copy, you cut it out and deduct it from the royalties.

I want this man to be a man of natural intelligence, of individual character, absolutely open and broad minded; and show how the Creator of the earth has got him in a rat trap—put him here "willy nilly" (you know the Omar verse); and then I want to show what he does about it. There is always the eternal question from the Primal Source—"What are you going to do about it?"

Please don't think for the half of a moment that the story is going to be anything of an autobiography. I have a distinct character in my mind for the part, and he does not at all

[Here the letter ends. He never finished it.]



THE STORY OF "HOLDING UP A TRAIN"

[In "Sixes and Sevens" there appears an article entitled "Holding Up a Train." Now the facts were given to O. Henry by an old and dear friend who, in his wild avenging youth, had actually held up trains. To-day he is Mr. Al. Jennings, of Oklahoma City, Okla., a prominent attorney. He has permitted the publication of two letters O. Henry wrote him, the first outlining the story as he thought his friend Jennings ought to write it, and the second announcing that, with O. Henry's revision, the manuscript had been accepted.

From W. S. Porter to Al. Jennings, September 21st (year not given but probably 1902).]

DEAR PARD:

In regard to that article—I will give you my idea of what is wanted. Say we take for a title "The Art and Humor of the Hold-up"—or something like that. I would suggest that in writing you assume a character. We have got to respect the conventions and delusions of the public to a certain extent. An article written as you would naturally write it would be regarded as a fake and an imposition. Remember that the traditions must be preserved wherever they will not interfere with the truth. Write in as simple, plain and unembellished a style as you know how. Make your sentences short. Put in as much realism and as many facts as possible. Where you want to express an opinion or comment on the matter do it as practically and plainly as you can. Give it LIFE and the vitality of FACTS.

Now, I will give you a sort of general synopsis of my idea—of course, everything is subject to your own revision and change. The article, we will say, is written by a TYPICAL train hoister—one without your education and powers of expression (bouquet) but intelligent enough to convey his ideas from HIS STANDPOINT—not from John Wanamaker's. Yet, in order to please John, we will have to assume a virtue that we do not possess. Comment on the moral side of the proposition as little as possible. Do not claim that holding up trains is the only business a gentleman would engage in, and, on the contrary, do not depreciate a profession that is really only financiering with spurs on. Describe the FACTS and DETAILS—all that part of the proceedings that the passenger sitting with his hands up in a Pullman looking into the end of a tunnel in the hands of one of the performers does not see. Here is a rough draft of my idea: Begin abruptly, without any philosophizing, with your idea of the best times, places and conditions for the hold-up—compare your opinions of this with those of others—mention some poorly conceived attempts and failures of others, giving your opinion why—as far as possible refer to actual occurrences, and incidents—describe the manner of a hold-up, how many men is best, where they are stationed, how do they generally go into it, nervous? or joking? or solemnly. The details of stopping the train, the duties of each man of the gang—the behavior of the train crew and passengers (here give as many brief odd and humorous incidents as you can think of). Your opinions on going through the passengers, when is it done and when not done. How is the boodle gotten at? How does the express clerk generally take it? Anything done with the mail car? UNDER WHAT CIRCUMSTANCES WILL A TRAIN ROBBER SHOOT A PASSENGER OR A TRAIN MAN—suppose a man refuses to throw up his hands? Queer articles found on passengers (a chance here for some imaginative work)—queer and laughable incidents of any kind. Refer whenever apropos to actual hold-ups and facts concerning them of interest. What could two or three brave and determined passengers do if they were to try? Why don't they try? How long does it take to do the business. Does the train man ever stand in with the hold-up? Best means of getting away—how and when is the money divided. How is it mostly spent. Best way to manoeuvre afterward. How to get caught and how not to. Comment on the methods of officials who try to capture. (Here's your chance to get even.)

These ideas are some that occur to me casually. You will, of course, have many far better. I suggest that you make the article anywhere from 4,000 to 6,000 words. Get as much meat in it as you can, and, by the way—stuff it full of western, GENUINE slang—(not the eastern story paper kind). Get all the quaint cowboy expressions and terms of speech you can think of.

INFORMATION is what we want, clothed in the peculiar western style of the character we want to present. The main idea is to be NATURAL, DIRECT, AND CONCISE.

I hope you will understand what I say. I don't. But try her a whack and send it along as soon as you can, and let's see what we can do. By the way, Mr. "Everybody" pays good prices. I thought I would, when I get your story, put it into the shape my judgment decides upon, and then send both your MS. and mine to the magazine. If he uses mine, we'll whack up shares on the proceeds. If he uses yours, you get the check direct. If he uses neither, we are out only a few stamps.

Sincerely your friend, W. S. P.



[And here is the letter telling his "pard" that the article had been bought by Everybody's Magazine. This is dated Pittsburg, October 24th, obviously the same year:]

DEAR PARD.

You're It. I always told you you were a genius. All you need is to succeed in order to make a success.

I enclose pubrs letter which explains itself. When you see your baby in print don't blame me if you find strange ear marks and brands on it. I slashed it and cut it and added lots of stuff that never happened, but I followed your facts and ideas, and that is what made it valuable. I'll think up some other idea for an article and we'll collaborate again some time—eh?

I have all the work I can do, and am selling it right along. Have averaged about $150 per month since August 1st. And yet I don't overwork—don't think I ever will. I commence about 9 A. M. and generally knock off about 4 or 5 P. M.

As soon as check mentioned in letter comes I'll send you your "sheer" of the boodle.

By the way, please keep my nom de plume strictly to yourself. I don't want any one to know, just yet.

Give my big regards to Billy. Reason with him and try to convince him that we believe him to be pure merino and of more than average width. With the kindest remembrances to yourself I remain,

Your friend, W. S. P.

[At this time O. Henry was unknown and thought himself lucky to sell a story at any price.]

THE END