Robert came home to dinner the next day a few minutes before Shargar. As he entered his grandmother's parlour, a strange odour greeted his sense. A moment more, and he stood rooted with horror, and his hair began to rise on his head. His violin lay on its back on the fire, and a yellow tongue of flame was licking the red lips of a hole in its belly. All its strings were shrivelled up save one, which burst as he gazed. And beside, stern as a Druidess, sat his grandmother in her chair, feeding her eyes with grim satisfaction on the detestable sacrifice. At length the rigidity of Robert's whole being relaxed in an involuntary howl like that of a wild beast, and he turned and rushed from the house in a helpless agony of horror. Where he was going he knew not, only a blind instinct of modesty drove him to hide his passion from the eyes of men.

From her window Miss St. John saw him tearing like one demented along the top walk of the captain's garden, and watched for his return. He came far sooner than she expected.

Before he arrived at the factory, Robert began to hear strange sounds in the desolate place. When he reached the upper floor, he found men with axe and hammer destroying the old woodwork, breaking the old jennies, pitching the balls of lead into baskets, and throwing the spools into crates. Was there nothing but destruction in the world? There, most horrible! his 'bonny leddy' dying of flames, and here, the temple of his refuge torn to pieces by unhallowed hands! What could it mean? Was his grandmother's vengeance here too? But he did not care. He only felt like the dove sent from the ark, that there was no rest for the sole of his foot, that there was no place to hide his head in his agony—that he was naked to the universe; and like a heartless wild thing hunted till its brain is of no more use, he turned and rushed back again upon his track. At one end was the burning idol, at the other the desecrated temple.

No sooner had he entered the captain's garden than Miss St. John met him.

'What is the matter with you, Robert?' she asked, kindly.

'Oh, mem!' gasped Robert, and burst into a very storm of weeping.

It was long before he could speak. He cowered before Miss St. John as if conscious of an unfriendly presence, and seeking to shelter himself by her tall figure from his grandmother's eyes. For who could tell but at the moment she might be gazing upon him from some window, or even from the blue vault above? There was no escaping her. She was the all-seeing eye personified—the eye of the God of the theologians of his country, always searching out the evil, and refusing to acknowledge the good. Yet so gentle and faithful was the heart of Robert, that he never thought of her as cruel. He took it for granted that somehow or other she must be right. Only what a terrible thing such righteousness was! He stood and wept before the lady.

Her heart was sore for the despairing boy. She drew him to a little summer-seat. He entered with her, and sat down, weeping still. She did her best to soothe him. At last, sorely interrupted by sobs, he managed to let her know the fate of his 'bonnie leddy.' But when he came to the words, 'She's burnin' in there upo' granny's fire,' he broke out once more with that wild howl of despair, and then, ashamed of himself, ceased weeping altogether, though he could not help the intrusion of certain chokes and sobs upon his otherwise even, though low and sad speech.

Knowing nothing of Mrs. Falconer's character, Miss St. John set her down as a cruel and heartless as well as tyrannical and bigoted old woman, and took the mental position of enmity towards her. In a gush of motherly indignation she kissed Robert on the forehead.

From that chrism he arose a king.

He dried his eyes; not another sob even broke from him; he gave one look, but no word of gratitude, to Miss St. John; bade her good-bye; and walked composedly into his grandmother's parlour, where the neck of the violin yet lay upon the fire only half consumed. The rest had vanished utterly.

'What are they duin' doon at the fact'ry, grannie?' he asked.

'What's wha duin', laddie?' returned his grandmother, curtly.

'They're takin' 't doon.'

'Takin' what doon?' she returned, with raised voice.

'Takin' doon the hoose.'

The old woman rose.

'Robert, ye may hae spite in yer hert for what I hae dune this mornin', but I cud do no ither. An' it's an ill thing to tak sic amen's o' me, as gin I had dune wrang, by garrin' me troo 'at yer grandfather's property was to gang the gait o' 's auld, useless, ill-mainnert scraich o' a fiddle.'

'She was the bonniest fiddle i' the country-side, grannie. And she never gae a scraich in her life 'cep' whan she was han'let in a mainner unbecomin'. But we s' say nae mair aboot her, for she's gane, an' no by a fair strae-deith (death on one's own straw) either. She had nae blude to cry for vengeance; but the snappin' o' her strings an' the crackin' o' her banes may hae made a cry to gang far eneuch notwithstandin'.'

The old woman seemed for one moment rebuked under her grandson's eloquence. He had made a great stride towards manhood since the morning.

'The fiddle's my ain,' she said, in a defensive tone. 'And sae is the fact'ry,' she added, as if she had not quite reassured herself concerning it.

'The fiddle's yours nae mair, grannie. And for the fact'ry—ye winna believe me: gang and see yersel'.'

Therewith Robert retreated to his garret.

When he opened the door of it, the first thing he saw was the string of his kite, which, strange to tell, so steady had been the wind, was still up in the air—still tugging at the bedpost. Whether it was from the stinging thought that the true sky-soarer, the violin, having been devoured by the jaws of the fire-devil, there was no longer any significance in the outward and visible sign of the dragon, or from a dim feeling that the time of kites was gone by and manhood on the threshold, I cannot tell; but he drew his knife from his pocket, and with one down-stroke cut the string in twain. Away went the dragon, free, like a prodigal, to his ruin. And with the dragon, afar into the past, flew the childhood of Robert Falconer. He made one remorseful dart after the string as it swept out of the skylight, but it was gone beyond remeid. And never more, save in twilight dreams, did he lay hold on his childhood again. But he knew better and better, as the years rolled on, that he approached a deeper and holier childhood, of which that had been but the feeble and necessarily vanishing type.

As the kite sank in the distance, Mrs. Falconer issued from the house, and went down the street towards the factory.

Before she came back the cloth was laid for dinner, and Robert and Shargar were both in the parlour awaiting her return. She entered heated and dismayed, went into Robert's bedroom, and shut the door hastily. They heard her open the old bureau. In a moment after she came out with a more luminous expression upon her face than Robert had ever seen it bear. It was as still as ever, but there was a strange light in her eyes, which was not confined to her eyes, but shone in a measure from her colourless forehead and cheeks as well. It was long before Robert was able to interpret that change in her look, and that increase of kindness towards himself and Shargar, apparently such a contrast with the holocaust of the morning. Had they both been Benjamins they could not have had more abundant platefuls than she gave them that day. And when they left her to return to school, instead of the usual 'Noo be douce,' she said, in gentle, almost loving tones, 'Noo, be good lads, baith o' ye.'

The conclusion at which Falconer did arrive was that his grandmother had hurried home to see whether the title-deeds of the factory were still in her possession, and had found that they were gone—taken, doubtless, by her son Andrew. At whatever period he had appropriated them, he must have parted with them but recently. And the hope rose luminous that her son had not yet passed into the region 'where all life dies, death lives.' Terrible consolation! Terrible creed, which made the hope that he was still on this side of the grave working wickedness, light up the face of the mother, and open her hand in kindness. Is it suffering, or is it wickedness, that is the awful thing? 'Ah! but they are both combined in the other world.' And in this world too, I answer; only, according to Mrs. Falconer's creed, in the other world God, for the sake of the suffering, renders the wickedness eternal!

The old factory was in part pulled down, and out of its remains a granary constructed. Nor did the old lady interpose a word to arrest the alienation of her property.



CHAPTER XXIV. BOOT FOR BALE.

Mary St. John was the orphan daughter of an English clergyman, who had left her money enough to make her at least independent. Mrs. Forsyth, hearing that her niece was left alone in the world, had concluded that her society would be a pleasure to herself and a relief to the housekeeping. Even before her father's death, Miss St. John, having met with a disappointment, and concluded herself dead to the world, had been looking about for some way of doing good. The prospect of retirement, therefore, and of being useful to her sick aunt, had drawn her northwards.

She was now about six-and-twenty, filled with two passions—one for justice, the other for music. Her griefs had not made her selfish, nor had her music degenerated into sentiment. The gentle style of the instruction she had received had never begotten a diseased self-consciousness; and if her religion lacked something of the intensity without which a character like hers could not be evenly balanced, its force was not spent on the combating of unholy doubts and selfish fears, but rose on the wings of her music in gentle thanksgiving. Tears had changed her bright-hued hopes into a dove-coloured submission, through which her mind was passing towards a rainbow dawn such as she had never dreamed of. To her as yet the Book of Common Prayer contained all the prayers that human heart had need to offer; what things lay beyond its scope must lie beyond the scope of religion. All such things must be parted with one day, and if they had been taken from her very soon, she was the sooner free from the painful necessity of watching lest earthly love should remove any of the old landmarks dividing what was God's from what was only man's. She had now retired within the pale of religion, and left the rest of her being, as she thought, 'to dull forgetfulness a prey.'

She had little comfort in the society of her aunt. Indeed, she felt strongly tempted to return again to England the same month, and seek a divine service elsewhere. But it was not at all so easy then as it is now for a woman to find the opportunity of being helpful in the world of suffering.

Mrs. Forsyth was one of those women who get their own way by the very vis inertiae of their silliness. No argument could tell upon her. She was so incapable of seeing anything noble that her perfect satisfaction with everything she herself thought, said, or did, remained unchallenged. She had just illness enough to swell her feeling of importance. She looked down upon Mrs. Falconer from such an immeasurable height that she could not be indignant with her for anything; she only vouchsafed a laugh now and then at her oddities, holding no further communication with her than a condescending bend of the neck when they happened to meet, which was not once a year. But, indeed, she would have patronized the angel Gabriel, if she had had a chance, and no doubt given him a hint or two upon the proper way of praising God. For the rest, she was good-tempered, looked comfortable, and quarrelled with nobody but her rough honest old bear of a husband, whom, in his seventieth year, she was always trying to teach good manners, with the frequent result of a storm of swearing.

But now Mary St. John was thoroughly interested in the strange boy whose growing musical pinions were ever being clipped by the shears of unsympathetic age and crabbed religion, and the idea of doing something for him to make up for the injustice of his grandmother awoke in her a slight glow of that interest in life which she sought only in doing good. But although ere long she came to love the boy very truly, and although Shargar's life was bound up in the favour of Robert, yet neither stooping angel nor foot-following dog ever loved the lad with the love of that old grandmother, who would for him have given herself to the fire to which she had doomed his greatest delight.

For some days Robert worked hard at his lessons, for he had nothing else to do. Life was very gloomy now. If he could only go to sea, or away to keep sheep on the stormy mountains! If there were only some war going on, that he might list! Any fighting with the elements, or with the oppressors of the nations, would make life worth having, a man worth being. But God did not heed. He leaned over the world, a dark care, an immovable fate, bearing down with the weight of his presence all aspiration, all budding delights of children and young persons: all must crouch before him, and uphold his glory with the sacrificial death of every impulse, every admiration, every lightness of heart, every bubble of laughter. Or—which to a mind like Robert's was as bad—if he did not punish for these things, it was because they came not within the sphere of his condescension, were not worth his notice: of sympathy could be no question.

But this gloom did not last long. When souls like Robert's have been ill-taught about God, the true God will not let them gaze too long upon the Moloch which men have set up to represent him. He will turn away their minds from that which men call him, and fill them with some of his own lovely thoughts or works, such as may by degrees prepare the way for a vision of the Father.

One afternoon Robert was passing the soutar's shop. He had never gone near him since his return. But now, almost mechanically, he went in at the open door.

'Weel, Robert, ye are a stranger. But what's the maitter wi' ye? Faith! yon was an ill plisky ye played me to brak into my chop an' steal the bonnie leddy.'

'Sandy,' said Robert, solemnly, 'ye dinna ken what ye hae dune by that trick ye played me. Dinna ever mention her again i' my hearin'.'

'The auld witch hasna gotten a grup o' her again?' cried the shoemaker, starting half up in alarm. 'She cam here to me aboot the shune, but I reckon I sortit her!'

'I winna speir what ye said,' returned Robert. 'It's no maitter noo.'

And the tears rose to his eyes. His bonny lady!

'The Lord guide 's!' exclaimed the soutar. 'What is the maitter wi' the bonnie leddy?'

'There's nae bonnie leddy ony mair. I saw her brunt to death afore my verra ain een.'

The shoemaker sprang to his feet and caught up his paring knife.

'For God's sake, say 'at yer leein'!' he cried.

'I wish I war leein',' returned Robert.

The soutar uttered a terrible oath, and swore—

'I'll murder the auld—.' The epithet he ended with is too ugly to write.

'Daur to say sic a word in ae breath wi' my grannie,' cried Robert, snatching up the lapstone, 'an' I'll brain ye upo' yer ain shop-flure.'

Sandy threw the knife on his stool, and sat down beside it. Robert dropped the lapstone. Sandy took it up and burst into tears, which before they were half down his face, turned into tar with the blackness of the same.

'I'm an awfu' sinner,' he said, 'and vengeance has owerta'en me. Gang oot o' my chop! I wasna worthy o' her. Gang oot, I say, or I'll kill ye.'

Robert went. Close by the door he met Miss St. John. He pulled off his cap, and would have passed her. But she stopped him.

'I am going for a walk a little way,' she said. 'Will you go with me?'

She had come out in the hope of finding him, for she had seen him go up the street.

'That I wull,' returned Robert, and they walked on together.

When they were beyond the last house, Miss St. John said,

'Would you like to play on the piano, Robert?'

'Eh, mem!' said Robert, with a deep suspiration. Then, after a pause: 'But duv ye think I cud?'

'There's no fear of that. Let me see your hands.'

'They're some black, I doobt, mem,' he remarked, rubbing them hard upon his trowsers before he showed them; 'for I was amaist cawin' oot the brains o' Dooble Sanny wi' his ain lapstane. He's an ill-tongued chield. But eh! mem, ye suld hear him play upo' the fiddle! He's greitin' his een oot e'en noo for the bonnie leddy.'

Not discouraged by her inspection of his hands, black as they were, Miss St. John continued,

'But what would your grandmother say?' she asked.

'She maun ken naething aboot it, mem. I can-not tell her a'thing. She wad greit an' pray awfu', an' lock me up, I daursay. Ye see, she thinks a' kin' o' music 'cep' psalm-singin' comes o' the deevil himsel'. An' I canna believe that. For aye whan I see onything by ordinar bonnie, sic like as the mune was last nicht, it aye gars me greit for my brunt fiddle.'

'Well, you must come to me every day for half-an-hour at least, and I will give you a lesson on my piano. But you can't learn by that. And my aunt could never bear to hear you practising. So I'll tell you what you must do. I have a small piano in my own room. Do you know there is a door from your house into my room?'

'Ay,' said Robert. 'That hoose was my father's afore your uncle bought it. My father biggit it.'

'Is it long since your father died?'

'I dinna ken.'

'Where did he die?'

'I dinna ken.'

'Do you remember it?'

'No, mem.'

'Well, if you will come to my room, you shall practise there. I shall be down-stairs with my aunt. But perhaps I may look up now and then, to see how you are getting on. I will leave the door unlocked, so that you can come in when you like. If I don't want you, I will lock the door. You understand? You mustn't be handling things, you know.'

''Deed, mem, ye may lippen (trust) to me. But I'm jist feared to lat ye hear me lay a finger upo' the piana, for it's little I cud do wi' my fiddle, an', for the piana! I'm feart I'll jist scunner (disgust) ye.'

'If you really want to learn, there will be no fear of that,' returned Miss St. John, guessing at the meaning of the word scunner. 'I don't think I am doing anything wrong,' she added, half to herself, in a somewhat doubtful tone.

''Deed no, mem. Ye're jist an angel unawares. For I maist think sometimes that my grannie 'll drive me wud (mad); for there's naething to read but guid buiks, an' naething to sing but psalms; an' there's nae fun aboot the hoose but Betty; an' puir Shargar's nearhan' dementit wi' 't. An' we maun pray till her whether we will or no. An' there's no comfort i' the place but plenty to ate; an' that canna be guid for onybody. She likes flooers, though, an' wad like me to gar them grow; but I dinna care aboot it: they tak sic a time afore they come to onything.'

Then Miss St. John inquired about Shargar, and began to feel rather differently towards the old lady when she had heard the story. But how she laughed at the tale, and how light-hearted Robert went home, are neither to be told.

The next Sunday, the first time for many years, Dooble Sanny was at church with his wife, though how much good he got by going would be a serious question to discuss.



CHAPTER XXV. THE GATES OF PARADISE.

Robert had his first lesson the next Saturday afternoon. Eager and undismayed by the presence of Mrs. Forsyth, good-natured and contemptuous—for had he not a protecting angel by him?—he hearkened for every word of Miss St. John, combated every fault, and undermined every awkwardness with earnest patience. Nothing delighted Robert so much as to give himself up to one greater. His mistress was thoroughly pleased, and even Mrs. Forsyth gave him two of her soft finger tips to do something or other with—Robert did not know what, and let them go.

About eight o'clock that same evening, his heart beating like a captured bird's, he crept from grannie's parlour, past the kitchen, and up the low stair to the mysterious door. He had been trying for an hour to summon up courage to rise, feeling as if his grandmother must suspect where he was going. Arrived at the barrier, twice his courage failed him; twice he turned and sped back to the parlour. A third time he made the essay, a third time stood at the wondrous door—so long as blank as a wall to his careless eyes, now like the door of the magic Sesame that led to the treasure-cave of Ali Baba. He laid his hand on the knob, withdrew it, thought he heard some one in the transe, rushed up the garret stair, and stood listening, hastened down, and with a sudden influx of determination opened the door, saw that the trap was raised, closed the door behind him, and standing with his head on the level of the floor, gazed into the paradise of Miss St. John's room. To have one peep into such a room was a kind of salvation to the half-starved nature of the boy. All before him was elegance, richness, mystery. Womanhood radiated from everything. A fire blazed in the chimney. A rug of long white wool lay before it. A little way off stood the piano. Ornaments sparkled and shone upon the dressing-table. The door of a wardrobe had swung a little open, and discovered the sombre shimmer of a black silk dress. Something gorgeously red, a China crape shawl, hung glowing beyond it. He dared not gaze any longer. He had already been guilty of an immodesty. He hastened to ascend, and seated himself at the piano.

Let my reader aid me for a moment with his imagination—reflecting what it was to a boy like Robert, and in Robert's misery, to open a door in his own meagre dwelling and gaze into such a room—free to him. If he will aid me so, then let him aid himself by thinking that the house of his own soul has such a door into the infinite beauty, whether he has yet found it or not.

'Just think,' Robert said to himself, 'o' me in sic a place! It's a pailace. It's a fairy pailace. And that angel o' a leddy bides here, and sleeps there! I wonner gin she ever dreams aboot onything as bonny 's hersel'!'

Then his thoughts took another turn.

'I wonner gin the room was onything like this whan my mamma sleepit in 't? I cudna hae been born in sic a gran' place. But my mamma micht hae weel lien here.'

The face of the miniature, and the sad words written below the hymn, came back upon him, and he bowed his head upon his hands. He was sitting thus when Miss St. John came behind him, and heard him murmur the one word Mamma! She laid her hand on his shoulder. He started and rose.

'I beg yer pardon, mem. I hae no business to be here, excep' to play. But I cudna help thinkin' aboot my mother; for I was born in this room, mem. Will I gang awa' again?'

He turned towards the door.

'No, no,' said Miss St. John. 'I only came to see if you were here. I cannot stop now; but to-morrow you must tell me about your mother. Sit down, and don't lose any more time. Your grandmother will miss you. And then what would come of it?'

Thus was this rough diamond of a Scotch boy, rude in speech, but full of delicate thought, gathered under the modelling influences of the finished, refined, tender, sweet-tongued, and sweet-thoughted Englishwoman, who, if she had been less of a woman, would have been repelled by his uncouthness; if she had been less of a lady, would have mistaken his commonness for vulgarity. But she was just, like the type of womankind, a virgin-mother. She saw the nobility of his nature through its homely garments, and had been, indeed, sent to carry on the work from which his mother had been too early taken away.

'There's jist ae thing mem, that vexes me a wee, an' I dinna ken what to think aboot it,' said Robert, as Miss St. John was leaving the room. 'Maybe ye cud bide ae minute till I tell ye.'

'Yes, I can. What is it?'

'I'm nearhan' sure that whan I lea' the parlour, grannie 'ill think I'm awa' to my prayers; and sae she'll think better o' me nor I deserve. An' I canna bide that.'

'What should make you suppose that she will think so?'

'Fowk kens what ane anither's aboot, ye ken, mem.'

'Then she'll know you are not at your prayers.'

'Na. For sometimes I div gang to my prayers for a whilie like, but nae for lang, for I'm nae like ane o' them 'at he wad care to hear sayin' a lang screed o' a prayer till 'im. I hae but ae thing to pray aboot.'

'And what's that, Robert?'

One of his silences had seized him. He looked confused, and turned away.

'Never mind,' said Miss St. John, anxious to relieve him, and establish a comfortable relation between them; 'you will tell me another time.'

'I doobt no, mem,' answered Robert, with what most people would think an excess of honesty.

But Miss St. John made a better conjecture as to his apparent closeness.

'At all events,' she said, 'don't mind what your grannie may think, so long as you have no wish to make her think it. Good-night.'

Had she been indeed an angel from heaven, Robert could not have worshipped her more. And why should he? Was she less God's messenger that she had beautiful arms instead of less beautiful wings?

He practised his scales till his unaccustomed fingers were stiff, then shut the piano with reverence, and departed, carefully peeping into the disenchanted region without the gates to see that no enemy lay in wait for him as he passed beyond them. He closed the door gently; and in one moment the rich lovely room and the beautiful lady were behind him, and before him the bare stair between two white-washed walls, and the long flagged transe that led to his silent grandmother seated in her arm-chair, gazing into the red coals—for somehow grannie's fire always glowed, and never blazed—with her round-toed shoes pointed at them from the top of her little wooden stool. He traversed the stair and the transe, entered the parlour, and sat down to his open book as though nothing had happened. But his grandmother saw the light in his face, and did think he had just come from his prayers. And she blessed God that he had put it into her heart to burn the fiddle.

The next night Robert took with him the miniature of his mother, and showed it to Miss St. John, who saw at once that, whatever might be his present surroundings, his mother must have been a lady. A certain fancied resemblance in it to her own mother likewise drew her heart to the boy. Then Robert took from his pocket the gold thimble, and said,

'This thimmel was my mamma's. Will ye tak it, mem, for ye ken it's o' nae use to me.'

Miss St. John hesitated for a moment.

'I will keep it for you, if you like,' she said, for she could not bear to refuse it.

'Na, mem; I want ye to keep it to yersel'; for I'm sure my mamma wad hae likit you to hae 't better nor ony ither body.'

'Well, I will use it sometimes for your sake. But mind, I will not take it from you; I will only keep it for you.'

'Weel, weel, mem; gin ye'll keep it till I speir for 't, that'll du weel eneuch,' answered Robert, with a smile.

He laboured diligently; and his progress corresponded to his labour. It was more than intellect that guided him: Falconer had genius for whatever he cared for.

Meantime the love he bore his teacher, and the influence of her beauty, began to mould him, in his kind and degree, after her likeness, so that he grew nice in his person and dress, and smoothed the roughness and moderated the broadness of his speech with the amenities of the English which she made so sweet upon her tongue. He became still more obedient to his grandmother, and more diligent at school; gathered to himself golden opinions without knowing it, and was gradually developing into a rustic gentleman.

Nor did the piano absorb all his faculties. Every divine influence tends to the rounded perfection of the whole. His love of Nature grew more rapidly. Hitherto it was only in summer that he had felt the presence of a power in her and yet above her: in winter, now, the sky was true and deep, though the world was waste and sad; and the tones of the wind that roared at night about the goddess-haunted house, and moaned in the chimneys of the lowly dwelling that nestled against it, woke harmonies within him which already he tried to spell out falteringly. Miss St. John began to find that he put expressions of his own into the simple things she gave him to play, and even dreamed a little at his own will when alone with the passive instrument. Little did Mrs. Falconer think into what a seventh heaven of accursed music she had driven her boy.

But not yet did he tell his friend, much as he loved and much as he trusted her, the little he knew of his mother's sorrows and his father's sins, or whose the hand that had struck him when she found him lying in the waste factory.

For a time almost all his trouble about God went from him. Nor do I think that this was only because he rarely thought of him at all: God gave him of himself in Miss St. John. But words dropped now and then from off the shelves where his old difficulties lay, and they fell like seeds upon the heart of Miss St. John, took root, and rose in thoughts: in the heart of a true woman the talk of a child even will take life.

One evening Robert rose from the table, not unwatched of his grandmother, and sped swiftly and silently through the dark, as was his custom, to enter the chamber of enchantment. Never before had his hand failed to alight, sure as a lark on its nest, upon the brass handle of the door that admitted him to his paradise. It missed it now, and fell on something damp, and rough, and repellent instead. Horrible, but true suspicion! While he was at school that day, his grandmother, moved by what doubt or by what certainty she never revealed, had had the doorway walled up. He felt the place all over. It was to his hands the living tomb of his mother's vicar on earth.

He returned to his book, pale as death, but said never a word. The next day the stones were plastered over.

Thus the door of bliss vanished from the earth. And neither the boy nor his grandmother ever said that it had been.



PART II.—HIS YOUTH.



CHAPTER I. ROBERT KNOCKS—AND THE DOOR IS NOT OPENED.

The remainder of that winter was dreary indeed. Every time Robert went up the stair to his garret, he passed the door of a tomb. With that gray mortar Mary St. John was walled up, like the nun he had read of in the Marmion she had lent him. He might have rung the bell at the street door, and been admitted into the temple of his goddess, but a certain vague terror of his grannie, combined with equally vague qualms of conscience for having deceived her, and the approach in the far distance of a ghastly suspicion that violins, pianos, moonlight, and lovely women were distasteful to the over-ruling Fate, and obnoxious to the vengeance stored in the gray cloud of his providence, drove him from the awful entrance of the temple of his Isis.

Nor did Miss St. John dare to make any advances to the dreadful old lady. She would wait. For Mrs. Forsyth, she cared nothing about the whole affair. It only gave her fresh opportunity for smiling condescensions about 'poor Mrs. Falconer.' So Paradise was over and gone.

But though the loss of Miss St. John and the piano was the last blow, his sorrow did not rest there, but returned to brood over his bonny lady. She was scattered to the winds. Would any of her ashes ever rise in the corn, and moan in the ripening wind of autumn? Might not some atoms of the bonny leddy creep into the pines on the hill, whose 'soft and soul-like sounds' had taught him to play the Flowers of the Forest on those strings which, like the nerves of an amputated limb, yet thrilled through his being? Or might not some particle find its way by winds and waters to sycamore forest of Italy, there creep up through the channels of its life to some finely-rounded curve of noble tree, on the side that ever looks sunwards, and be chosen once again by the violin-hunter, to be wrought into a new and fame-gathering instrument?

Could it be that his bonny lady had learned her wondrous music in those forests, from the shine of the sun, and the sighing of the winds through the sycamores and pines? For Robert knew that the broad-leaved sycamore, and the sharp, needle-leaved pine, had each its share in the violin. Only as the wild innocence of human nature, uncorrupted by wrong, untaught by suffering, is to that nature struggling out of darkness into light, such and so different is the living wood, with its sweetest tones of obedient impulse, answering only to the wind which bloweth where it listeth, to that wood, chosen, separated, individualized, tortured into strange, almost vital shape, after a law to us nearly unknown, strung with strings from animal organizations, and put into the hands of man to utter the feelings of a soul that has passed through a like history. This Robert could not yet think, and had to grow able to think it by being himself made an instrument of God's music.

What he could think was that the glorious mystery of his bonny leddy was gone for ever—and alas! she had no soul. Here was an eternal sorrow. He could never meet her again. His affections, which must live for ever, were set upon that which had passed away. But the child that weeps because his mutilated doll will not rise from the dead, shall yet find relief from his sorrow, a true relief, both human and divine. He shall know that that which in the doll made him love the doll, has not passed away. And Robert must yet be comforted for the loss of his bonny leddy. If she had had a soul, nothing but her own self could ever satisfy him. As she had no soul, another body might take her place, nor occasion reproach of inconstancy.

But, in the meantime, the shears of Fate having cut the string of the sky-soaring kite of his imagination, had left him with the stick in his hand. And thus the rest of that winter was dreary enough. The glow was out of his heart; the glow was out of the world. The bleak, kindless wind was hissing through those pines that clothed the hill above Bodyfauld, and over the dead garden, where in the summer time the rose had looked down so lovingly on the heartsease. If he had stood once more at gloaming in that barley-stubble, not even the wail of Flodden-field would have found him there, but a keen sense of personal misery and hopeless cold. Was the summer a lie?

Not so. The winter restrains, that the summer may have the needful time to do its work well; for the winter is but the sleep of summer.

Now in the winter of his discontent, and in Nature finding no help, Robert was driven inwards—into his garret, into his soul. There, the door of his paradise being walled up, he began, vaguely, blindly, to knock against other doors—sometimes against stone-walls and rocks, taking them for doors—as travel-worn, and hence brain-sick men have done in a desert of mountains. A door, out or in, he must find, or perish.

It fell, too, that Miss St. John went to visit some friends who lived in a coast town twenty miles off; and a season of heavy snow followed by frost setting in, she was absent for six weeks, during which time, without a single care to trouble him from without, Robert was in the very desert of desolation. His spirits sank fearfully. He would pass his old music-master in the street with scarce a recognition, as if the bond of their relation had been utterly broken, had vanished in the smoke of the martyred violin, and all their affection had gone into the dust-heap of the past.

Dooble Sanny's character did not improve. He took more and more whisky, his bouts of drinking alternating as before with fits of hopeless repentance. His work was more neglected than ever, and his wife having no money to spend even upon necessaries, applied in desperation to her husband's bottle for comfort. This comfort, to do him justice, he never grudged her; and sometimes before midday they would both be drunk—a condition expedited by the lack of food. When they began to recover, they would quarrel fiercely; and at last they became a nuisance to the whole street. Little did the whisky-hating old lady know to what god she had really offered up that violin—if the consequences of the holocaust can be admitted as indicating the power which had accepted it.

But now began to appear in Robert the first signs of a practical outcome of such truth as his grandmother had taught him, operating upon the necessities of a simple and earnest nature. Reality, however lapt in vanity, or even in falsehood, cannot lose its power. It is—the other is not. She had taught him to look up—that there was a God. He would put it to the test. Not that he doubted it yet: he only doubted whether there was a hearing God. But was not that worse? It was, I think. For it is of far more consequence what kind of a God, than whether a God or no. Let not my reader suppose I think it possible there could be other than a perfect God—perfect—even to the vision of his creatures, the faith that supplies the lack of vision being yet faithful to that vision. I speak from Robert's point of outlook. But, indeed, whether better or worse is no great matter, so long as he would see it or what there was. He had no comfort, and, without reasoning about it, he felt that life ought to have comfort—from which point he began to conclude that the only thing left was to try whether the God in whom his grandmother believed might not help him. If the God would but hear him, it was all he had yet learned to require of his Godhood. And that must ever be the first thing to require. More demands would come, and greater answers he would find. But now—if God would but hear him! If he spoke to him but one kind word, it would be the very soul of comfort; he could no more be lonely. A fountain of glad imaginations gushed up in his heart at the thought. What if, from the cold winter of his life, he had but to open the door of his garret-room, and, kneeling by the bare bedstead, enter into the summer of God's presence! What if God spoke to him face to face! He had so spoken to Moses. He sought him from no fear of the future, but from present desolation; and if God came near to him, it would not be with storm and tempest, but with the voice of a friend. And surely, if there was a God at all, that is, not a power greater than man, but a power by whose power man was, he must hear the voice of the creature whom he had made, a voice that came crying out of the very need which he had created. Younger people than Robert are capable of such divine metaphysics. Hence he continued to disappear from his grandmother's parlour at much the same hour as before. In the cold, desolate garret, he knelt and cried out into that which lay beyond the thought that cried, the unknowable infinite, after the God that may be known as surely as a little child knows his mysterious mother. And from behind him, the pale-blue, star-crowded sky shone upon his head, through the window that looked upwards only.

Mrs. Falconer saw that he still went away as he had been wont, and instituted observations, the result of which was the knowledge that he went to his own room. Her heart smote her, and she saw that the boy looked sad and troubled. There was scarce room in her heart for increase of love, but much for increase of kindness, and she did increase it. In truth, he needed the smallest crumb of comfort that might drop from the table of God's 'feastful friends.'

Night after night he returned to the parlour cold to the very heart. God was not to be found, he said then. He said afterwards that even then 'God was with him though he knew it not.'

For the very first night, the moment that he knelt and cried, 'O Father in heaven, hear me, and let thy face shine upon me'—like a flash of burning fire the words shot from the door of his heart: 'I dinna care for him to love me, gin he doesna love ilka body;' and no more prayer went from the desolate boy that night, although he knelt an hour of agony in the freezing dark. Loyal to what he had been taught, he struggled hard to reduce his rebellious will to what he supposed to be the will of God. It was all in vain. Ever a voice within him—surely the voice of that God who he thought was not hearing—told him that what he wanted was the love belonging to his human nature, his human needs—not the preference of a court-favourite. He had a dim consciousness that he would be a traitor to his race if he accepted a love, even from God, given him as an exception from his kind. But he did not care to have such a love. It was not what his heart yearned for. It was not love. He could not love such a love. Yet he strove against it all—fought for religion against right as he could; struggled to reduce his rebellious feelings, to love that which was unlovely, to choose that which was abhorrent, until nature almost gave way under the effort. Often would he sink moaning on the floor, or stretch himself like a corpse, save that it was face downwards, on the boards of the bedstead. Night after night he returned to the battle, but with no permanent success. What a success that would have been! Night after night he came pale and worn from the conflict, found his grandmother and Shargar composed, and in the quietness of despair sat down beside them to his Latin version.

He little thought, that every night, at the moment when he stirred to leave the upper room, a pale-faced, red-eyed figure rose from its seat on the top of the stair by the door, and sped with long-legged noiselessness to resume its seat by the grandmother before he should enter. Shargar saw that Robert was unhappy, and the nearest he could come to the sharing of his unhappiness was to take his place outside the door within which he had retreated. Little, too, did Shargar, on his part, think that Robert, without knowing it, was pleading for him inside—pleading for him and for all his race in the weeping that would not be comforted.

Robert had not the vaguest fancy that God was with him—the spirit of the Father groaning with the spirit of the boy in intercession that could not be uttered. If God had come to him then and comforted him with the assurance of individual favour—but the very supposition is a taking of his name in vain—had Robert found comfort in the fancied assurance that God was his friend in especial, that some private favour was granted to his prayers, that, indeed, would have been to be left to his own inventions, to bring forth not fruits meet for repentance, but fruits for which repentance alone is meet. But God was with him, and was indeed victorious in the boy when he rose from his knees, for the last time, as he thought, saying, 'I cannot yield—I will pray no more.'—With a burst of bitter tears he sat down on the bedside till the loudest of the storm was over, then dried his dull eyes, in which the old outlook had withered away, and trod unknowingly in the silent footsteps of Shargar, who was ever one corner in advance of him, down to the dreary lessons and unheeded prayers; but, thank God, not to the sleepless night, for some griefs bring sleep the sooner.

My reader must not mistake my use of the words especial and private, or suppose that I do not believe in an individual relation between every man and God, yes, a peculiar relation, differing from the relation between every other man and God! But this very individuality and peculiarity can only be founded on the broadest truths of the Godhood and the manhood.

Mrs. Falconer, ere she went to sleep, gave thanks that the boys had been at their prayers together. And so, in a very deep sense, they had.

And well they might have been; for Shargar was nearly as desolate as Robert, and would certainly, had his mother claimed him now, have gone on the tramp with her again. Wherein could this civilized life show itself to him better than that to which he had been born? For clothing he cared little, and he had always managed to kill his hunger or thirst, if at longer intervals, then with greater satisfaction. Wherein is the life of that man who merely does his eating and drinking and clothing after a civilized fashion better than that of the gipsy or tramp? If the civilized man is honest to boot, and gives good work in return for the bread or turtle on which he dines, and the gipsy, on the other hand, steals his dinner, I recognize the importance of the difference; but if the rich man plunders the community by exorbitant profits, or speculation with other people's money, while the gipsy adds a fowl or two to the produce of his tinkering; or, once again, if the gipsy is as honest as the honest citizen, which is not so rare a case by any means as people imagine, I return to my question: Wherein, I say, is the warm house, the windows hung with purple, and the table covered with fine linen, more divine than the tent or the blue sky, and the dipping in the dish? Why should not Shargar prefer a life with the mother God had given him to a life with Mrs. Falconer? Why should he prefer geography to rambling, or Latin to Romany? His purposelessness and his love for Robert alone kept him where he was.

The next evening, having given up his praying, Robert sat with his Sallust before him. But the fount of tears began to swell, and the more he tried to keep it down, the more it went on swelling till his throat was filled with a lump of pain. He rose and left the room. But he could not go near the garret. That door too was closed. He opened the house door instead, and went out into the street. There, nothing was to be seen but faint blue air full of moonlight, solid houses, and shining snow. Bareheaded he wandered round the corner of the house to the window whence first he had heard the sweet sounds of the pianoforte. The fire within lighted up the crimson curtains, but no voice of music came forth. The window was as dumb as the pale, faintly befogged moon overhead, itself seeming but a skylight through which shone the sickly light of the passionless world of the dead. Not a form was in the street. The eyes of the houses gleamed here and there upon the snow. He leaned his elbow on the window-sill behind which stood that sealed fountain of lovely sound, looked up at the moon, careless of her or of aught else in heaven or on earth, and sunk into a reverie, in which nothing was consciously present but a stream of fog-smoke that flowed slowly, listlessly across the face of the moon, like the ghost of a dead cataract. All at once a wailful sound arose in his head. He did not think for some time whether it was born in his brain, or entered it from without. At length he recognized the Flowers of the Forest, played as only the soutar could play it. But alas! the cry responsive to his bow came only from the auld wife—no more from the bonny leddy! Then he remembered that there had been a humble wedding that morning on the opposite side of the way; in the street department of the jollity of which Shargar had taken a small share by firing a brass cannon, subsequently confiscated by Mrs. Falconer. But this was a strange tune to play at a wedding! The soutar half-way to his goal of drunkenness, had begun to repent for the fiftieth time that year, had with his repentance mingled the memory of the bonny leddy ruthlessly tortured to death for his wrong, and had glided from a strathspey into that sorrowful moaning. The lament interpreted itself to his disconsolate pupil as he had never understood it before, not even in the stubble-field; for it now spoke his own feelings of waste misery, forsaken loneliness. Indeed Robert learned more of music in those few minutes of the foggy winter night and open street, shut out of all doors, with the tones of an ancient grief and lamentation floating through the blotted moonlight over his ever-present sorrow, than he could have learned from many lessons even of Miss St. John. He was cold to the heart, yet went in a little comforted.

Things had gone ill with him. Outside of Paradise, deserted of his angel, in the frost and the snow, the voice of the despised violin once more the source of a sad comfort! But there is no better discipline than an occasional descent from what we count well-being, to a former despised or less happy condition. One of the results of this taste of damnation in Robert was, that when he was in bed that night, his heart began to turn gently towards his old master. How much did he not owe him, after all! Had he not acted ill and ungratefully in deserting him? His own vessel filled to the brim with grief, had he not let the waters of its bitterness overflow into the heart of the soutar? The wail of that violin echoed now in Robert's heart, not for Flodden, not for himself, but for the debased nature that drew forth the plaint. Comrades in misery, why should they part? What right had he to forsake an old friend and benefactor because he himself was unhappy? He would go and see him the very next night. And he would make friends once more with the much 'suffering instrument' he had so wrongfully despised.



CHAPTER II. THE STROKE.

The following night, he left his books on the table, and the house itself behind him, and sped like a grayhound to Dooble Sanny's shop, lifted the latch, and entered.

By the light of a single dip set on a chair, he saw the shoemaker seated on his stool, one hand lying on the lap of his leathern apron, his other hand hanging down by his side, and the fiddle on the ground at his feet. His wife stood behind him, wiping her eyes with her blue apron. Through all its accumulated dirt, the face of the soutar looked ghastly, and they were eyes of despair that he lifted to the face of the youth as he stood holding the latch in his hand. Mrs. Alexander moved towards Robert, drew him in, and gently closed the door behind him, resuming her station like a sculptured mourner behind her motionless husband.

'What on airth's the maitter wi' ye, Sandy?' said Robert.

'Eh, Robert!' returned the shoemaker, and a tone of affection tinged the mournfulness with which he uttered the strange words—'eh, Robert! the Almichty will gang his ain gait, and I'm in his grup noo.'

'He's had a stroke,' said his wife, without removing her apron from her eyes.

'I hae gotten my pecks (blows),' resumed the soutar, in a despairing voice, which gave yet more effect to the fantastic eccentricity of conscience which from the midst of so many grave faults chose such a one as especially bringing the divine displeasure upon him: 'I hae gotten my pecks for cryin' doon my ain auld wife to set up your bonny leddy. The tane's gane a' to aise an' stew (ashes and dust), an' frae the tither,' he went on, looking down on the violin at his feet as if it had been something dead in its youth—'an' frae the tither I canna draw a cheep, for my richt han' has forgotten her cunnin' Man, Robert, I canna lift it frae my side.'

'Ye maun gang to yer bed,' said Robert, greatly concerned.

'Ow, ay, I maun gang to my bed, and syne to the kirkyaird, and syne to hell, I ken that weel eneuch. Robert, I lea my fiddle to you. Be guid to the auld wife, man—better nor I hae been. An auld wife's better nor nae fiddle.'

He stooped, lifted the violin with his left hand, gave it to Robert, rose, and made for the door. They helped him up the creaking stair, got him half-undressed, and laid him in his bed. Robert put the violin on the top of a press within sight of the sufferer, left him groaning, and ran for the doctor. Having seen him set out for the patient's dwelling, he ran home to his grandmother.

Now while Robert was absent, occasion had arisen to look for him: unusual occurrence, a visitor had appeared, no less a person than Mr. Innes, the school-master. Shargar had been banished in consequence from the parlour, and had seated himself outside Robert's room, never doubting that Robert was inside. Presently he heard the bell ring, and then Betty came up the stair, and said Robert was wanted. Thereupon Shargar knocked at the door, and as there was neither voice nor hearing, opened it, and found, with a well-known horror, that he had been watching an empty room. He made no haste to communicate the fact. Robert might return in a moment, and his absence from the house not be discovered. He sat down on the bedstead and waited. But Betty came up again, and before Shargar could prevent her, walked into the room with her candle in her hand. In vain did Shargar intreat her to go and say that Robert was coming. Betty would not risk the danger of discovery in connivance, and descended to open afresh the fountain of the old lady's anxiety. She did not, however, betray her disquietude to Mr. Innes.

She had asked the school-master to visit her, in order that she might consult him about Robert's future. Mr. Innes expressed a high opinion of the boy's faculties and attainments, and strongly urged that he should be sent to college. Mrs. Falconer inwardly shuddered at the temptations to which this course would expose him; but he must leave home or be apprentice to some trade. She would have chosen the latter, I believe, but for religion towards the boy's parents, who would never have thought of other than a profession for him. While the school-master was dwelling on the argument that he was pretty sure to gain a good bursary, and she would thus be relieved for four years, probably for ever, from further expense on his account, Robert entered.

'Whaur hae ye been, Robert?' asked Mrs. Falconer.

'At Dooble Sanny's,' answered the boy.

'What hae ye been at there?'

'Helpin' him till 's bed.'

'What's come ower him?'

'A stroke.'

'That's what comes o' playin' the fiddle.'

'I never heard o' a stroke comin' frae a fiddle, grannie. It comes oot o' a clood whiles. Gin he had hauden till 's fiddle, he wad hae been playin' her the nicht, in place o' 's airm lyin' at 's side like a lang lingel (ligneul—shoemaker's thread).'

'Hm!' said his grandmother, concealing her indignation at this freedom of speech, 'ye dinna believe in God's judgments!'

'Nae upo' fiddles,' returned Robert.

Mr. Innes sat and said nothing, with difficulty concealing his amusement at this passage of arms.

It was but within the last few days that Robert had become capable of speaking thus. His nature had at length arrived at the point of so far casting off the incubus of his grandmother's authority as to assert some measure of freedom and act openly. His very hopelessness of a hearing in heaven had made him indifferent to things on earth, and therefore bolder. Thus, strange as it may seem, the blessing of God descended on him in the despair which enabled him to speak out and free his soul from the weight of concealment. But it was not despair alone that gave him strength. On his way home from the shoemaker's he had been thinking what he could do for him; and had resolved, come of it what might, that he would visit him every evening, and try whether he could not comfort him a little by playing upon his violin. So that it was loving-kindness towards man, as well as despair towards God, that gave him strength to resolve that between him and his grandmother all should be above-board from henceforth.

'Nae upo' fiddles,' Robert had said.

'But upo' them 'at plays them,' returned his grandmother.

'Na; nor upo' them 'at burns them,' retorted Robert—impudently it must be confessed; for every man is open to commit the fault of which he is least capable.

But Mrs. Falconer had too much regard to her own dignity to indulge her feelings. Possibly too her sense of justice, which Falconer always said was stronger than that of any other woman he had ever known, as well as some movement of her conscience interfered. She was silent, and Robert rushed into the breach which his last discharge had effected.

'An' I want to tell ye, grannie, that I mean to gang an' play the fiddle to puir Sanny ilka nicht for the best pairt o' an hoor; an' excep' ye lock the door an' hide the key, I will gang. The puir sinner sanna be desertit by God an' man baith.'

He scarcely knew what he was saying before it was out of his mouth; and as if to cover it up, he hurried on.

'An' there's mair in 't.—Dr. Anderson gae Shargar an' me a sovereign the piece. An' Dooble Sanny s' hae them, to haud him ohn deid o' hunger an' cauld.'

'What for didna ye tell me 'at Dr. Anderson had gien ye sic a sicht o' siller? It was ill-faured o' ye—an' him as weel.'

''Cause ye wad hae sent it back till 'im; an' Shargar and me we thocht we wad raither keep it.'

'Considerin' 'at I'm at sae muckle expense wi' ye baith, it wadna hae been ill-contrived to hae brocht the siller to me, an' latten me du wi' 't as I thocht fit.—Gang na awa', laddie,' she added, as she saw Robert about to leave the room.

'I'll be back in a minute, grannie,' returned Robert.

'He's a fine lad, that!' said Mr. Innes; 'an' guid 'll come o' 'm, and that 'll be heard tell o'.'

'Gin he had but the grace o' God, there wadna be muckle to compleen o',' acquiesced his grandmother.

'There's time eneuch for that, Mrs. Faukner. Ye canna get auld heids upo' young shoothers, ye ken.'

''Deed for that maitter, ye may get mony an auld heid upo' auld shoothers, and nae a spark o' grace in 't to lat it see hoo to lay itsel' doon i' the grave.'

Robert returned before Mr. Innes had made up his mind as to whether the old lady intended a personal rebuke.

'Hae, grannie,' he said, going up to her, and putting the two sovereigns in her white palm.

He had found some difficulty in making Shargar give up his, else he would have returned sooner.

'What's this o' 't, laddie?' said Mrs. Falconer. 'Hoots! I'm nae gaein' to tak yer siller. Lat the puir soutar-craturs hae 't. But dinna gie them mair nor a shillin' or twa at ance—jist to haud them in life. They deserve nae mair. But they maunna sterve. And jist ye tell them, laddie, at gin they spen' ae saxpence o' 't upo' whusky, they s' get nae mair.'

'Ay, ay, grannie,' responded Robert, with a glimmer of gladness in his heart. 'And what aboot the fiddlin', grannie?' he added, half playfully, hoping for some kind concession therein as well.

But he had gone too far. She vouchsafed no reply, and her face grew stern with offence. It was one thing to give bread to eat, another to give music and gladness. No music but that which sprung from effectual calling and the perseverance of the saints could be lawful in a world that was under the wrath and curse of God. Robert waited in vain for a reply.

'Gang yer wa's,' she said at length. 'Mr. Innes and me has some business to mak an en' o', an' we want nae assistance.'

Robert rejoined Shargar, who was still bemoaning the loss of his sovereign. His face brightened when he saw its well-known yellow shine once more, but darkened again as soon as Robert told him to what service it was now devoted.

'It's my ain,' he said, with a suppressed expostulatory growl.

Robert threw the coin on the floor.

'Tak yer filthy lucre!' he exclaimed with contempt, and turned to leave Shargar alone in the garret with his sovereign.

'Bob!' Shargar almost screamed, 'tak it, or I'll cut my throat.'

This was his constant threat when he was thoroughly in earnest.

'Cut it, an' hae dune wi' 't,' said Robert cruelly.

Shargar burst out crying.

'Len' me yer knife, than, Bob,' he sobbed, holding out his hand.

Robert burst into a roar of laughter, caught up the sovereign from the floor, sped with it to the baker's, who refused to change it because he had no knowledge of anything representing the sum of twenty shillings except a pound-note, succeeded in getting silver for it at the bank, and then ran to the soutar's.

After he left the parlour, the discussion of his fate was resumed and finally settled between his grandmother and the school-master. The former, in regard of the boy's determination to befriend the shoemaker in the matter of music as well as of money, would now have sent him at once to the grammar-school in Old Aberdeen, to prepare for the competition in the month of November; but the latter persuaded her that if the boy gave his whole attention to Latin till the next summer, and then went to the grammar-school for three months or so, he would have an excellent chance of success. As to the violin, the school-master said, wisely enough:

'He that will to Cupar maun to Cupar; and gin ye kep (intercept) him upo' the shore-road, he'll tak to the hill-road; an' I s' warran' a braw lad like Robert 'll get mony a ane in Ebberdeen 'll be ready eneuch to gie him a lift wi' the fiddle, and maybe tak him into waur company nor the puir bed-ridden soutar; an' wi' you an' me to hing on to the tail o' 'im like, he canna gang ower the scar (cliff) afore he learns wit.'

'Hm!' was the old lady's comprehensive response.

It was further arranged that Robert should be informed of their conclusion, and so roused to effort in anticipation of the trial upon which his course in life must depend.

Nothing could have been better for Robert than the prospect of a college education. But his first thought at the news was not of the delights of learning nor of the honourable course that would ensue, but of Eric Ericson, the poverty-stricken, friendless descendant of yarls and sea-rovers. He would see him—the only man that understood him! Not until the passion of this thought had abated, did he begin to perceive the other advantages before him. But so practical and thorough was he in all his proposals and means, that ere half-an-hour was gone, he had begun to go over his Rudiments again. He now wrote a version, or translation from English into Latin, five times a week, and read Caeser, Virgil, or Tacitus, every day. He gained permission from his grandmother to remove his bed to his own garret, and there, from the bedstead at which he no longer kneeled, he would often rise at four in the morning, even when the snow lay a foot thick on the skylight, kindle his lamp by means of a tinder-box and a splinter of wood dipped in sulphur, and sitting down in the keen cold, turn half a page of Addison into something as near Ciceronian Latin as he could effect. This would take him from an hour and a half to two hours, when he would tumble again into bed, blue and stiff, and sleep till it was time to get up and go to the morning school before breakfast. His health was excellent, else it could never have stood such treatment.



CHAPTER III. 'THE END CROWNS ALL'.

His sole relaxation almost lay in the visit he paid every evening to the soutar and his wife. Their home was a wretched place; but notwithstanding the poverty in which they were now sunk, Robert soon began to see a change, like the dawning of light, an alba, as the Italians call the dawn, in the appearance of something white here and there about the room. Robert's visits had set the poor woman trying to make the place look decent. It soon became at least clean, and there is a very real sense in which cleanliness is next to godliness. If the people who want to do good among the poor would give up patronizing them, would cease from trying to convert them before they have gained the smallest personal influence with them, would visit them as those who have just as good a right to be here as they have, it would be all the better for both, perhaps chiefly for themselves.

For the first week or so, Alexander, unable either to work or play, and deprived of his usual consolation of drink, was very testy and unmanageable. If Robert, who strove to do his best, in the hope of alleviating the poor fellow's sufferings—chiefly those of the mind—happened to mistake the time or to draw a false note from the violin, Sandy would swear as if he had been the Grand Turk and Robert one of his slaves. But Robert was too vexed with himself, when he gave occasion to such an outburst, to mind the outburst itself. And invariably when such had taken place, the shoemaker would ask forgiveness before he went. Holding out his left hand, from which nothing could efface the stains of rosin and lamp-black and heel-ball, save the sweet cleansing of mother-earth, he would say,

'Robert, ye'll jist pit the sweirin' doon wi' the lave (rest), an' score 't oot a'thegither. I'm an ill-tongued vratch, an' I'm beginnin' to see 't. But, man, ye're jist behavin' to me like God himsel', an' gin it warna for you, I wad jist lie here roarin' an' greitin' an' damnin' frae mornin' to nicht.—Ye will be in the morn's night—willna ye?' he would always end by asking with some anxiety.

'Of coorse I will,' Robert would answer.

'Gude nicht, than, gude nicht.—I'll try and get a sicht o' my sins ance mair,' he added, one evening. 'Gin I could only be a wee bit sorry for them, I reckon he wad forgie me. Dinna ye think he wad, Robert?'

'Nae doobt, nae doobt,' answered Robert hurriedly. 'They a' say 'at gin a man repents the richt gait, he'll forgie him.'

He could not say more than 'They say,' for his own horizon was all dark, and even in saying this much he felt like a hypocrite. A terrible waste, heaped thick with the potsherds of hope, lay outside that door of prayer which he had, as he thought, nailed up for ever.

'An' what is the richt gait?' asked the soutar.

''Deed, that's mair nor I ken, Sandy,' answered Robert mournfully.

'Weel, gin ye dinna ken, what's to come o' me?' said Alexander anxiously.

'Ye maun speir at himsel',' returned Robert, 'an' jist tell him 'at ye dinna ken, but ye'll do onything 'at he likes.'

With these words he took his leave hurriedly, somewhat amazed to find that he had given the soutar the strange advice to try just what he had tried so unavailingly himself. And stranger still, he found himself, before he reached home, praying once more in his heart—both for Dooble Sanny and for himself. From that hour a faint hope was within him that some day he might try again, though he dared not yet encounter such effort and agony.

All this time he had never doubted that there was God; nor had he ventured to say within himself that perhaps God was not good; he had simply come to the conclusion that for him there was no approach to the fountain of his being.

In the course of a fortnight or so, when his system had covered over its craving after whisky, the irritability of the shoemaker almost vanished. It might have been feared that his conscience would then likewise relax its activity; but it was not so: it grew yet more tender. He now began to give Robert some praise, and make allowances for his faults, and Robert dared more in consequence, and played with more spirit. I do not say that his style could have grown fine under such a master, but at least he learned the difference between slovenliness and accuracy, and between accuracy and expression, which last is all of original that the best mere performer can claim.

One evening he was scraping away at Tullochgorum when Mr. Maccleary walked in. Robert ceased. The minister gave him one searching glance, and sat down by the bedside. Robert would have left the room.

'Dinna gang, Robert,' said Sandy, and Robert remained.

The clergyman talked very faithfully as far as the shoemaker was concerned; though whether he was equally faithful towards God might be questioned. He was one of those prudent men, who are afraid of dealing out the truth freely lest it should fall on thorns or stony places. Hence of course the good ground came in for a scanty share too. Believing that a certain precise condition of mind was necessary for its proper reception, he would endeavour to bring about that condition first. He did not know that the truth makes its own nest in the ready heart, and that the heart may be ready for it before the priest can perceive the fact, seeing that the imposition of hands confers, now-a-days at least, neither love nor common-sense. He therefore dwelt upon the sins of the soutar, magnifying them and making them hideous, in the idea that thus he magnified the law, and made it honourable, while of the special tenderness of God to the sinner he said not a word. Robert was offended, he scarcely knew why, with the minister's mode of treating his friend; and after Mr. Maccleary had taken a far kinder leave of them than God could approve, if he resembled his representation, Robert sat still, oppressed with darkness.

'It's a' true,' said the soutar; 'but, man Robert, dinna ye think the minister was some sair upo' me?'

'I duv think it,' answered Robert.

'Something beirs 't in upo' me 'at he wadna be sae sair upo' me himsel'. There's something i' the New Testament, some gait, 'at's pitten 't into my heid; though, faith, I dinna ken whaur to luik for 't. Canna ye help me oot wi' 't, man?'

Robert could think of nothing but the parable of the prodigal son. Mrs. Alexander got him the New Testament, and he read it. She sat at the foot of the bed listening.

'There!' cried the soutar, triumphantly, 'I telled ye sae! Not ae word aboot the puir lad's sins! It was a' a hurry an' a scurry to get the new shune upo' 'im, an' win at the calfie an' the fiddlin' an' the dancin'.—O Lord,' he broke out, 'I'm comin' hame as fest 's I can; but my sins are jist like muckle bauchles (shoes down at heel) upo' my feet and winna lat me. I expec' nae ring and nae robe, but I wad fain hae a fiddle i' my grup when the neist prodigal comes hame; an' gin I dinna fiddle weel, it s' no be my wyte.—Eh, man! but that is what I ca' gude, an' a' the minister said—honest man—'s jist blether till 't.—O Lord, I sweir gin ever I win up again, I'll put in ilka steek (stitch) as gin the shune war for the feet o' the prodigal himsel'. It sall be gude wark, O Lord. An' I'll never lat taste o' whusky intil my mou'—nor smell o' whusky intil my nose, gin sae be 'at I can help it—I sweir 't, O Lord. An' gin I binna raised up again—'

Here his voice trembled and ceased, and silence endured for a short minute. Then he called his wife.

'Come here, Bell. Gie me a kiss, my bonny lass. I hae been an ill man to you.'

'Na, na, Sandy. Ye hae aye been gude to me—better nor I deserved. Ye hae been naebody's enemy but yer ain.'

'Haud yer tongue. Ye're speykin' waur blethers nor the minister, honest man! I tell ye I hae been a damned scoon'rel to ye. I haena even hauden my han's aff o' ye. And eh! ye war a bonny lass whan I merried ye. I hae blaudit (spoiled) ye a'thegither. But gin I war up, see gin I wadna gie ye a new goon, an' that wad be something to make ye like yersel' again. I'm affrontet wi' mysel' 'at I had been sic a brute o' a man to ye. But ye maun forgie me noo, for I do believe i' my hert 'at the Lord's forgien me. Gie me anither kiss, lass. God be praised, and mony thanks to you! Ye micht hae run awa' frae me lang or noo, an' a'body wad hae said ye did richt.—Robert, play a spring.'

Absorbed in his own thoughts, Robert began to play The Ewie wi' the Crookit Horn.

'Hoots! hoots!' cried Sandy angrily. 'What are ye aboot? Nae mair o' that. I hae dune wi' that. What's i' the heid o' ye, man?'

'What'll I play than, Sandy?' asked Robert meekly.

'Play The Lan' o' the Leal, or My Nannie's awa,', or something o' that kin'. I'll be leal to ye noo, Bell. An' we winna pree o' the whusky nae mair, lass.'

'I canna bide the smell o' 't,' cried Bell, sobbing.

Robert struck in with The Lan' o' the Leal. When he had played it over two or three times, he laid the fiddle in its place, and departed—able just to see, by the light of the neglected candle, that Bell sat on the bedside stroking the rosiny hand of her husband, the rhinoceros-hide of which was yet delicate enough to let the love through to his heart.

After this the soutar never called his fiddle his auld wife.

Robert walked home with his head sunk on his breast. Dooble Sanny, the drinking, ranting, swearing soutar, was inside the wicket-gate; and he was left outside for all his prayers, with the arrows from the castle of Beelzebub sticking in his back. He would have another try some day—but not yet—he dared not yet.

Henceforth Robert had more to do in reading the New Testament than in the fiddle to the soutar, though they never parted without an air or two. Sandy continued hopeful and generally cheerful, with alternations which the reading generally fixed on the right side for the night. Robert never attempted any comments, but left him to take from the word what nourishment he could. There was no return of strength to the helpless arm, and his constitution was gradually yielding.

The rumour got abroad that he was a 'changed character,'—how is not far to seek, for Mr. Maccleary fancied himself the honoured instrument of his conversion, whereas paralysis and the New Testament were the chief agents, and even the violin had more share in it than the minister. For the spirit of God lies all about the spirit of man like a mighty sea, ready to rush in at the smallest chink in the walls that shut him out from his own—walls which even the tone of a violin afloat on the wind of that spirit is sometimes enough to rend from battlement to base, as the blast of the rams' horns rent the walls of Jericho. And now to the day of his death, the shoemaker had need of nothing. Food, wine, and delicacies were sent him by many who, while they considered him outside of the kingdom, would have troubled themselves in no way about him. What with visits of condolence and flattery, inquiries into his experience, and long prayers by his bedside, they now did their best to send him back among the swine. The soutar's humour, however, aided by his violin, was a strong antidote against these evil influences.

'I doobt I'm gaein' to dee, Robert,' he said at length one evening as the lad sat by his bedside.

'Weel, that winna do ye nae ill,' answered Robert, adding with just a touch of bitterness—'ye needna care aboot that.'

'I do not care aboot the deein' o' 't. But I jist want to live lang eneuch to lat the Lord ken 'at I'm in doonricht earnest aboot it. I hae nae chance o' drinkin' as lang's I'm lyin' here.'

'Never ye fash yer heid aboot that. Ye can lippen (trust) that to him, for it's his ain business. He'll see 'at ye're a' richt. Dinna ye think 'at he'll lat ye aff.'

'The Lord forbid,' responded the soutar earnestly. 'It maun be a' pitten richt. It wad be dreidfu' to be latten aff. I wadna hae him content wi' cobbler's wark.—I hae 't,' he resumed, after a few minutes' pause; 'the Lord's easy pleased, but ill to saitisfee. I'm sair pleased wi' your playin', Robert, but it's naething like the richt thing yet. It does me gude to hear ye, though, for a' that.'

The very next night he found him evidently sinking fast. Robert took the violin, and was about to play, but the soutar stretched out his one left hand, and took it from him, laid it across his chest and his arm over it, for a few moments, as if he were bidding it farewell, then held it out to Robert, saying,

'Hae, Robert. She's yours.—Death's a sair divorce.—Maybe they 'll hae an orra [3] fiddle whaur I'm gaein', though. Think o' a Rothieden soutar playin' afore his grace!'

Robert saw that his mind was wandering, and mingled the paltry honours of earth with the grand simplicities of heaven. He began to play The Land o' the Leal. For a little while Sandy seemed to follow and comprehend the tones, but by slow degrees the light departed from his face. At length his jaw fell, and with a sigh, the body parted from Dooble Sanny, and he went to God.

His wife closed mouth and eyes without a word, laid the two arms, equally powerless now, straight by his sides, then seating herself on the edge of the bed, said,

'Dinna bide, Robert. It's a' ower noo. He's gang hame. Gin I war only wi' 'im wharever he is!'

She burst into tears, but dried her eyes a moment after, and seeing that Robert still lingered, said,

'Gang, Robert, an' sen' Mistress Downie to me. Dinna greit—there's a gude lad; but tak yer fiddle an' gang. Ye can be no more use.'

Robert obeyed. With his violin in his hand, he went home; and, with his violin still in his hand, walked into his grandmother's parlour.

'Hoo daur ye bring sic a thing into my hoose?' she said, roused by the apparent defiance of her grandson. 'Hoo daur ye, efter what's come an' gane?'

''Cause Dooble Sanny's come and gane, grannie, and left naething but this ahint him. And this ane's mine, whase ever the ither micht be. His wife's left wi'oot a plack, an' I s' warran' the gude fowk o' Rothieden winna mak sae muckle o' her noo 'at her man's awa'; for she never was sic a randy as he was, an' the triumph o' grace in her 's but sma', therefore. Sae I maun mak the best 'at I can o' the fiddle for her. An' ye maunna touch this ane, grannie; for though ye way think it richt to burn fiddles, ither fowk disna; and this has to do wi' ither fowk, grannie; it's no atween you an' me, ye ken,' Robert went on, fearful lest she might consider herself divinely commissioned to extirpate the whole race of stringed instruments,—'for I maun sell 't for her.'

'Tak it oot o' my sicht,' said Mrs. Falconer, and said no more.

He carried the instrument up to his room, laid it on his bed, locked his door, put the key in his pocket, and descended to the parlour.

'He's deid, is he?' said his grandmother, as he re-entered.

'Ay is he, grannie,' answered Robert. 'He deid a repentant man.'

'An' a believin'?' asked Mrs. Falconer.

'Weel, grannie, I canna say 'at he believed a' thing 'at ever was, for a body michtna ken a' thing.'

'Toots, laddie! Was 't savin' faith?'

'I dinna richtly ken what ye mean by that; but I'm thinkin' it was muckle the same kin' o' faith 'at the prodigal had; for they baith rase an' gaed hame.'

''Deed, maybe ye're richt, laddie,' returned Mrs. Falconer, after a moment's thought. 'We'll houp the best.'

All the remainder of the evening she sat motionless, with her eyes fixed on the rug before her, thinking, no doubt, of the repentance and salvation of the fiddler, and what hope there might yet be for her own lost son.

The next day being Saturday, Robert set out for Bodyfauld, taking the violin with him. He went alone, for he was in no mood for Shargar's company. It was a fine spring day, the woods were budding, and the fragrance of the larches floated across his way. There was a lovely sadness in the sky, and in the motions of the air, and in the scent of the earth—as if they all knew that fine things were at hand which never could be so beautiful as those that had gone away. And Robert wondered how it was that everything should look so different. Even Bodyfauld seemed to have lost its enchantment, though his friends were as kind as ever. Mr. Lammie went into a rage at the story of the lost violin, and Miss Lammie cried from sympathy with Robert's distress at the fate of his bonny leddy. Then he came to the occasion of his visit, which was to beg Mr. Lammie, when next he went to Aberdeen, to take the soutar's fiddle, and get what he could for it, to help his widow.

'Poor Sanny!' said Robert, 'it never cam' intil 's heid to sell her, nae mair nor gin she had been the auld wife 'at he ca'd her.'

Mr. Lammie undertook the commission; and the next time he saw Robert, handed him ten pounds as the result of the negotiation. It was all Robert could do, however, to get the poor woman to take the money. She looked at it with repugnance, almost as if it had been the price of blood. But Robert having succeeded in overcoming her scruples, she did take it, and therewith provide a store of sweeties, and reels of cotton, and tobacco, for sale in Sanny's workshop. She certainly did not make money by her merchandise, for her anxiety to be honest rose to the absurd; but she contrived to live without being reduced to prey upon her own gingerbread and rock.



CHAPTER IV. THE ABERDEEN GARRET.

Miss St. John had long since returned from her visit, but having heard how much Robert was taken up with his dying friend, she judged it better to leave her intended proposal of renewing her lessons alone for the present. Meeting him, however, soon after Alexander's death, she introduced the subject, and Robert was enraptured at the prospect of the re-opening of the gates of his paradise. If he did not inform his grandmother of the fact, neither did he attempt to conceal it; but she took no notice, thinking probably that the whole affair would be effectually disposed of by his departure. Till that period arrived, he had a lesson almost every evening, and Miss St. John was surprised to find how the boy had grown since the door was built up. Robert's gratitude grew into a kind of worship.

The evening before his departure for Bodyfauld—whence his grandmother had arranged that he should start for Aberdeen, in order that he might have the company of Mr. Lammie, whom business drew thither about the same time—as he was having his last lesson, Mrs. Forsyth left the room. Thereupon Robert, who had been dejected all day at the thought of the separation from Miss St. John, found his heart beating so violently that he could hardly breathe. Probably she saw his emotion, for she put her hand on the keys, as if to cover it by showing him how some movement was to be better effected. He seized her hand and lifted it to his lips. But when he found that instead of snatching it away, she yielded it, nay gently pressed it to his face, he burst into tears, and dropped on his knees, as if before a goddess.

'Hush, Robert! Don't be foolish,' she said, quietly and tenderly. 'Here is my aunt coming.'

The same moment he was at the piano again, playing My Bonny Lady Ann, so as to astonish Miss St. John, and himself as well. Then he rose, bade her a hasty good-night, and hurried away.

A strange conflict arose in his mind at the prospect of leaving the old place, on every house of whose streets, on every swell of whose surrounding hills he left the clinging shadows of thought and feeling. A faintly purpled mist arose, and enwrapped all the past, changing even his grayest troubles into tales of fairyland, and his deepest griefs into songs of a sad music. Then he thought of Shargar, and what was to become of him after he was gone. The lad was paler and his eyes were redder than ever, for he had been weeping in secret. He went to his grandmother and begged that Shargar might accompany him to Bodyfauld.

'He maun bide at hame an' min' his beuks,' she answered; 'for he winna hae them that muckle langer. He maun be doin' something for himsel'.'

So the next morning the boys parted—Shargar to school, and Robert to Bodyfauld—Shargar left behind with his desolation, his sun gone down in a west that was not even stormy, only gray and hopeless, and Robert moving towards an east which reflected, like a faint prophecy, the west behind him tinged with love, death, and music, but mingled the colours with its own saffron of coming dawn.

When he reached Bodyfauld he marvelled to find that all its glory had returned. He found Miss Lammie busy among the rich yellow pools in her dairy, and went out into the garden, now in the height of its summer. Great cabbage roses hung heavy-headed splendours towards purple-black heartseases, and thin-filmed silvery pods of honesty; tall white lilies mingled with the blossoms of currant bushes, and at their feet the narcissi of old classic legend pressed their warm-hearted paleness into the plebeian thicket of the many-striped gardener's garters. It was a lovely type of a commonwealth indeed, of the garden and kingdom of God. His whole mind was flooded with a sense of sunny wealth. The farmer's neglected garden blossomed into higher glory in his soul. The bloom and the richness and the use were all there; but instead of each flower was a delicate ethereal sense or feeling about that flower. Of these how gladly would he have gathered a posy to offer Miss St. John! but, alas! he was no poet; or rather he had but the half of the poet's inheritance—he could see: he could not say. But even if he had been full of poetic speech, he would yet have found that the half of his posy remained ungathered, for although we have speech enough now to be 'cousin to the deed,' as Chaucer says it must always be, we have not yet enough speech to cousin the tenth part of our feelings. Let him who doubts recall one of his own vain attempts to convey that which made the oddest of dreams entrancing in loveliness—to convey that aroma of thought, the conscious absence of which made him a fool in his own eyes when he spoke such silly words as alone presented themselves for the service. I can no more describe the emotion aroused in my mind by a gray cloud parting over a gray stone, by the smell of a sweetpea, by the sight of one of those long upright pennons of striped grass with the homely name, than I can tell what the glory of God is who made these things. The man whose poetry is like nature in this, that it produces individual, incommunicable moods and conditions of mind—a sense of elevated, tender, marvellous, and evanescent existence, must be a poet indeed. Every dawn of such a feeling is a light-brushed bubble rendering visible for a moment the dark unknown sea of our being which lies beyond the lights of our consciousness, and is the stuff and region of our eternal growth. But think what language must become before it will tell dreams!—before it will convey the delicate shades of fancy that come and go in the brain of a child!—before it will let a man know wherein one face differeth from another face in glory! I suspect, however, that for such purposes it is rather music than articulation that is needful—that, with a hope of these finer results, the language must rather be turned into music than logically extended.

The next morning he awoke at early dawn, hearing the birds at his window. He rose and went out. The air was clear and fresh as a new-made soul. Bars of mottled cloud were bent across the eastern quarter of the sky, which lay like a great ethereal ocean ready for the launch of the ship of glory that was now gliding towards its edge. Everything was waiting to conduct him across the far horizon to the south, where lay the stored-up wonder of his coming life. The lark sang of something greater than he could tell; the wind got up, whispered at it, and lay down to sleep again; the sun was at hand to bathe the world in the light and gladness alone fit to typify the radiance of Robert's thoughts. The clouds that formed the shore of the upper sea were already burning from saffron into gold. A moment more and the first insupportable sting of light would shoot from behind the edge of that low blue hill, and the first day of his new life would be begun. He watched, and it came. The well-spring of day, fresh and exuberant as if now first from the holy will of the Father of Lights, gushed into the basin of the world, and the world was more glad than tongue or pen can tell. The supernal light alone, dawning upon the human heart, can exceed the marvel of such a sunrise.

And shall life itself be less beautiful than one of its days? Do not believe it, young brother. Men call the shadow, thrown upon the universe where their own dusky souls come between it and the eternal sun, life, and then mourn that it should be less bright than the hopes of their childhood. Keep thou thy soul translucent, that thou mayest never see its shadow; at least never abuse thyself with the philosophy which calls that shadow life. Or, rather would I say, become thou pure in heart, and thou shalt see God, whose vision alone is life.

Just as the sun rushed across the horizon he heard the tramp of a heavy horse in the yard, passing from the stable to the cart that was to carry his trunk to the turnpike road, three miles off, where the coach would pass. Then Miss Lammie came and called him to breakfast, and there sat the farmer in his Sunday suit of black, already busy. Robert was almost too happy to eat; yet he had not swallowed two mouthfuls before the sun rose unheeded, the lark sang unheeded, and the roses sparkled with the dew that bowed yet lower their heavy heads, all unheeded. By the time they had finished, Mr. Lammie's gig was at the door, and they mounted and followed the cart. Not even the recurring doubt and fear that hollowness was at the heart of it all, for that God could not mean such reinless gladness, prevented the truth of the present joy from sinking deep into the lad's heart. In his mind he saw a boat moored to a rock, with no one on board, heaving on the waters of a rising tide, and waiting to bear him out on the sea of the unknown. The picture arose of itself: there was no paradise of the west in his imagination, as in that of a boy of the sixteenth century, to authorize its appearance. It rose again and again; the dew glittered as if the light were its own; the sun shone as he had never seen him shine before; the very mare that sped them along held up her head and stepped out as if she felt it the finest of mornings. Had she also a future, poor old mare? Might there not be a paradise somewhere? and if in the furthest star instead of next-door America, why, so much the more might the Atlantis of the nineteenth century surpass Manoa the golden of the seventeenth!

The gig and the cart reached the road together. One of the men who had accompanied the cart took the gig; and they were left on the road-side with Robert's trunk and box—the latter a present from Miss Lammie.

Their places had been secured, and the guard knew where he had to take them up. Long before the coach appeared, the notes of his horn, as like the colour of his red coat as the blindest of men could imagine, came echoing from the side of the heathery, stony hill under which they stood, so that Robert turned wondering, as if the chariot of his desires had been coming over the top of Drumsnaig, to carry him into a heaven where all labour was delight. But round the corner in front came the four-in-hand red mail instead. She pulled up gallantly; the wheelers lay on their hind quarters, and the leaders parted theirs from the pole; the boxes were hoisted up; Mr. Lammie climbed, and Robert scrambled to his seat; the horn blew; the coachman spake oracularly; the horses obeyed; and away went the gorgeous symbol of sovereignty careering through the submissive region. Nor did Robert's delight abate during the journey—certainly not when he saw the blue line of the sea in the distance, a marvel and yet a fact.

Mrs. Falconer had consulted the Misses Napier, who had many acquaintances in Aberdeen, as to a place proper for Robert, and suitable to her means. Upon this point Miss Letty, not without a certain touch of design, as may appear in the course of my story, had been able to satisfy her. In a small house of two floors and a garret, in the old town, Mr. Lammie took leave of Robert.

It was from a garret window still, but a storm-window now that Robert looked—eastward across fields and sand-hills, to the blue expanse of waters—not blue like southern seas, but slaty blue, like the eyes of northmen. It was rather dreary; the sun was shining from overhead now, casting short shadows and much heat; the dew was gone up, and the lark had come down; he was alone; the end of his journey was come, and was not anything very remarkable. His landlady interrupted his gaze to know what he would have for dinner, but he declined to use any discretion in the matter. When she left the room he did not return to the window, but sat down upon his box. His eye fell upon the other, a big wooden cube. Of its contents he knew nothing. He would amuse himself by making inquisition. It was nailed up. He borrowed a screwdriver and opened it. At the top lay a linen bag full of oatmeal; underneath that was a thick layer of oat-cake; underneath that two cheeses, a pound of butter, and six pots of jam, which ought to have tasted of roses, for it came from the old garden where the roses lived in such sweet companionship with the currant bushes; underneath that, &c.; and underneath, &c., a box which strangely recalled Shargar's garret, and one of the closets therein. With beating heart he opened it, and lo, to his marvel, and the restoration of all the fair day, there was the violin which Dooble Sanny had left him when he forsook her for—some one or other of the queer instruments of Fra Angelico's angels?