"'Just a little dinner,' says I. 'Nothing to worry about—hardly a drop in the bucket-shop. Sit up and take notice—a dispossess notice, if there's no other kind.'

"But say, Man, do you know what Aunt Maggie did? She got cold feet! She hustled me out of that Hotel Bonton at nine the next morning. We went to a rooming-house on the lower West Side. She rented one room that had water on the floor below and light on the floor above. After we got moved all you could see in the room was about $1,500 worth of new swell dresses and a one-burner gas-stove.

"Aunt Maggie had had a sudden attack of the hedges. I guess everybody has got to go on a spree once in their life. A man spends his on highballs, and a woman gets woozy on clothes. But with forty million dollars—say, I'd like to have a picture of—but, speaking of pictures, did you ever run across a newspaper artist named Lathrop—a tall—oh, I asked you that before, didn't I? He was mighty nice to me at the dinner. His voice just suited me. I guess he must have thought I was to inherit some of Aunt Maggie's money.

"Well, Mr. Man, three days of that light-housekeeping was plenty for me. Aunt Maggie was affectionate as ever. She'd hardly let me get out of her sight. But let me tell you. She was a hedger from Hedgersville, Hedger County. Seventy-five cents a day was the limit she set. We cooked our own meals in the room. There I was, with a thousand dollars' worth of the latest things in clothes, doing stunts over a one-burner gas-stove.

"As I say, on the third day I flew the coop. I couldn't stand for throwing together a fifteen-cent kidney stew while wearing, at the same time, a $150 house-dress, with Valenciennes lace insertion. So I goes into the closet and puts on the cheapest dress Mrs. Brown had bought for me—it's the one I've got on now—not so bad for $75, is it? I'd left all my own clothes in my sister's flat in Brooklyn.

"'Mrs. Brown, formerly "Aunt Maggie,"' says I to her, 'I'm going to extend my feet alternately, one after the other, in such a manner and direction that this tenement will recede from me in the quickest possible time. I am no worshipper of money,' says I, 'but there are some things I can't stand. I can stand the fabulous monster that I've read about that blows hot birds and cold bottles with the same breath. But I can't stand a quitter,' says I. 'They say you've got forty million dollars—well, you'll never have any less. And I was beginning to like you, too,' says I.

"Well, the late Aunt Maggie kicks till the tears flow. She offers to move into a swell room with a two-burner stove and running water.

"'I've spent an awful lot of money, child,' says she. 'We'll have to economize for a while. You're the most beautiful creature I ever laid eyes on,' she says, 'and I don't want you to leave me.'

"Well, you see me, don't you? I walked straight to the Acropolis and asked for my job back, and I got it. How did you say your writings were getting along? I know you've lost out some by not having me to type 'em. Do you ever have 'em illustrated? And, by the way, did you ever happen to know a newspaper artist—oh, shut up! I know I asked you before. I wonder what paper he works on? It's funny, but I couldn't help thinking that he wasn't thinking about the money he might have been thinking I was thinking I'd get from old Maggie Brown. If I only knew some of the newspaper editors I'd—"

The sound of an easy footstep came from the doorway. Ida Bates saw who it was with her back-hair comb. I saw her turn pink, perfect statue that she was—a miracle that I share with Pygmalion only.

"Am I excusable?" she said to me—adorable petitioner that she became. "It's—it's Mr. Lathrop. I wonder if it really wasn't the money—I wonder, if after all, he—"

Of course, I was invited to the wedding. After the ceremony I dragged Lathrop aside.

"You are an artist," said I, "and haven't figured out why Maggie Brown conceived such a strong liking for Miss Bates—that was? Let me show you."

The bride wore a simple white dress as beautifully draped as the costumes of the ancient Greeks. I took some leaves from one of the decorative wreaths in the little parlour, and made a chaplet of them, and placed them on nee Bates' shining chestnut hair, and made her turn her profile to her husband.

"By jingo!" said he. "Isn't Ida's a dead ringer for the lady's head on the silver dollar?"



V

"NEXT TO READING MATTER"

He compelled my interest as he stepped from the ferry at Desbrosses Street. He had the air of being familiar with hemispheres and worlds, and of entering New York as the lord of a demesne who revisited it in after years of absence. But I thought that, with all his air, he had never before set foot on the slippery cobblestones of the City of Too Many Caliphs.

He wore loose clothes of a strange bluish drab colour, and a conservative, round Panama hat without the cock-a-loop indentations and cants with which Northern fanciers disfigure the tropic head-gear. Moreover, he was the homeliest man I have ever seen. His ugliness was less repellent than startling—arising from a sort of Lincolnian ruggedness and irregularity of feature that spellbound you with wonder and dismay. So may have looked afrites or the shapes metamorphosed from the vapour of the fisherman's vase. As he afterward told me, his name was Judson Tate; and he may as well be called so at once. He wore his green silk tie through a topaz ring; and he carried a cane made of the vertebrae of a shark.

Judson Tate accosted me with some large and casual inquiries about the city's streets and hotels, in the manner of one who had but for the moment forgotten the trifling details. I could think of no reason for disparaging my own quiet hotel in the downtown district; so the mid-morning of the night found us already victualed and drinked (at my expense), and ready to be chaired and tobaccoed in a quiet corner of the lobby.

There was something on Judson Tate's mind, and, such as it was, he tried to convey it to me. Already he had accepted me as his friend; and when I looked at his great, snuff-brown first-mate's hand, with which he brought emphasis to his periods, within six inches of my nose, I wondered if, by any chance, he was as sudden in conceiving enmity against strangers.

When this man began to talk I perceived in him a certain power. His voice was a persuasive instrument, upon which he played with a somewhat specious but effective art. He did not try to make you forget his ugliness; he flaunted it in your face and made it part of the charm of his speech. Shutting your eyes, you would have trailed after this rat-catcher's pipes at least to the walls of Hamelin. Beyond that you would have had to be more childish to follow. But let him play his own tune to the words set down, so that if all is too dull, the art of music may bear the blame.

"Women," said Judson Tate, "are mysterious creatures."

My spirits sank. I was not there to listen to such a world-old hypothesis—to such a time-worn, long-ago-refuted, bald, feeble, illogical, vicious, patent sophistry—to an ancient, baseless, wearisome, ragged, unfounded, insidious, falsehood originated by women themselves, and by them insinuated, foisted, thrust, spread, and ingeniously promulgated into the ears of mankind by underhanded, secret and deceptive methods, for the purpose of augmenting, furthering, and reinforcing their own charms and designs.

"Oh, I don't know!" said I, vernacularly.

"Have you ever heard of Oratama?" he asked.

"Possibly," I answered. "I seem to recall a toe dancer—or a suburban addition—or was it a perfume?—of some such name."

"It is a town," said Judson Tate, "on the coast of a foreign country of which you know nothing and could understand less. It is a country governed by a dictator and controlled by revolutions and insubordination. It was there that a great life-drama was played, with Judson Tate, the homeliest man in America, and Fergus McMahan, the handsomest adventurer in history or fiction, and Senorita Anabela Zamora, the beautiful daughter of the alcalde of Oratama, as chief actors. And, another thing—nowhere else on the globe except in the department of Trienta y tres in Uruguay does the chuchula plant grow. The products of the country I speak of are valuable woods, dyestuffs, gold, rubber, ivory, and cocoa."

"I was not aware," said I, "that South America produced any ivory."

"There you are twice mistaken," said Judson Tate, distributing the words over at least an octave of his wonderful voice. "I did not say that the country I spoke of was in South America—I must be careful, my dear man; I have been in politics there, you know. But, even so—I have played chess against its president with a set carved from the nasal bones of the tapir—one of our native specimens of the order of perissodactyle ungulates inhabiting the Cordilleras—which was as pretty ivory as you would care to see.

"But is was of romance and adventure and the ways of women that was I going to tell you, and not of zoological animals.

"For fifteen years I was the ruling power behind old Sancho Benavides, the Royal High Thumbscrew of the republic. You've seen his picture in the papers—a mushy black man with whiskers like the notes on a Swiss music-box cylinder, and a scroll in his right hand like the ones they write births on in the family Bible. Well, that chocolate potentate used to be the biggest item of interest anywhere between the colour line and the parallels of latitude. It was three throws, horses, whether he was to wind up in the Hall of Fame or the Bureau of Combustibles. He'd have been sure called the Roosevelt of the Southern Continent if it hadn't been that Grover Cleveland was President at the time. He'd hold office a couple of terms, then he'd sit out for a hand—always after appointing his own successor for the interims.

"But it was not Benavides, the Liberator, who was making all this fame for himself. Not him. It was Judson Tate. Benavides was only the chip over the bug. I gave him the tip when to declare war and increase import duties and wear his state trousers. But that wasn't what I wanted to tell you. How did I get to be It? I'll tell you. Because I'm the most gifted talker that ever made vocal sounds since Adam first opened his eyes, pushed aside the smelling-salts, and asked: 'Where am I?'

"As you observe, I am about the ugliest man you ever saw outside the gallery of photographs of the New England early Christian Scientists. So, at an early age, I perceived that what I lacked in looks I must make up in eloquence. That I've done. I get what I go after. As the back-stop and still small voice of old Benavides I made all the great historical powers-behind-the-throne, such as Talleyrand, Mrs. de Pompadour, and Loeb, look as small as the minority report of a Duma. I could talk nations into or out of debt, harangue armies to sleep on the battlefield, reduce insurrections, inflammations, taxes, appropriations or surpluses with a few words, and call up the dogs of war or the dove of peace with the same bird-like whistle. Beauty and epaulettes and curly moustaches and Grecian profiles in other men were never in my way. When people first look at me they shudder. Unless they are in the last stages of angina pectoris they are mine in ten minutes after I begin to talk. Women and men—I win 'em as they come. Now, you wouldn't think women would fancy a man with a face like mine, would you?"

"Oh, yes, Mr. Tate," said I. "History is bright and fiction dull with homely men who have charmed women. There seems—"

"Pardon me," interrupted Judson Tate, "but you don't quite understand. You have yet to hear my story.

"Fergus McMahan was a friend of mine in the capital. For a handsome man I'll admit he was the duty-free merchandise. He had blond curls and laughing blue eyes and was featured regular. They said he was a ringer for the statue they call Herr Mees, the god of speech and eloquence resting in some museum at Rome. Some German anarchist, I suppose. They are always resting and talking.

"But Fergus was no talker. He was brought up with the idea that to be beautiful was to make good. His conversation was about as edifying as listening to a leak dropping in a tin dish-pan at the head of the bed when you want to go to sleep. But he and me got to be friends—maybe because we was so opposite, don't you think? Looking at the Hallowe'en mask that I call my face when I'm shaving seemed to give Fergus pleasure; and I'm sure that whenever I heard the feeble output of throat noises that he called conversation I felt contented to be a gargoyle with a silver tongue.

"One time I found it necessary to go down to this coast town of Oratama to straighten out a lot of political unrest and chop off a few heads in the customs and military departments. Fergus, who owned the ice and sulphur-match concessions of the republic, says he'll keep me company.

"So, in a jangle of mule-train bells, we gallops into Oratama, and the town belonged to us as much as Long Island Sound doesn't belong to Japan when T. R. is at Oyster Bay. I say us; but I mean me. Everybody for four nations, two oceans, one bay and isthmus, and five archipelagoes around had heard of Judson Tate. Gentleman adventurer, they called me. I had been written up in five columns of the yellow journals, 40,000 words (with marginal decorations) in a monthly magazine, and a stickful on the twelfth page of the New York Times. If the beauty of Fergus McMahan gained any part of our reception in Oratama, I'll eat the price-tag in my Panama. It was me that they hung out paper flowers and palm branches for. I am not a jealous man; I am stating facts. The people were Nebuchadnezzars; they bit the grass before me; there was no dust in the town for them to bite. They bowed down to Judson Tate. They knew that I was the power behind Sancho Benavides. A word from me was more to them than a whole deckle-edged library from East Aurora in sectional bookcases was from anybody else. And yet there are people who spend hours fixing their faces—rubbing in cold cream and massaging the muscles (always toward the eyes) and taking in the slack with tincture of benzoin and electrolyzing moles—to what end? Looking handsome. Oh, what a mistake! It's the larynx that the beauty doctors ought to work on. It's words more than warts, talk more than talcum, palaver more than powder, blarney more than bloom that counts—the phonograph instead of the photograph. But I was going to tell you.

"The local Astors put me and Fergus up at the Centipede Club, a frame building built on posts sunk in the surf. The tide's only nine inches. The Little Big High Low Jack-in-the-game of the town came around and kowtowed. Oh, it wasn't to Herr Mees. They had heard about Judson Tate.

"One afternoon me and Fergus McMahan was sitting on the seaward gallery of the Centipede, drinking iced rum and talking.

"'Judson,' says Fergus, 'there's an angel in Oratama.'

"'So long,' says I, 'as it ain't Gabriel, why talk as if you had heard a trump blow?'

"'It's the Senorita Anabela Zamora,' says Fergus. 'She's—she's—she's as lovely as—as hell!'

"'Bravo!' says I, laughing heartily. 'You have a true lover's eloquence to paint the beauties of your inamorata. You remind me,' says I, 'of Faust's wooing of Marguerite—that is, if he wooed her after he went down the trap-door of the stage.'

"'Judson,' says Fergus, 'you know you are as beautiless as a rhinoceros. You can't have any interest in women. I'm awfully gone in Miss Anabela. And that's why I'm telling you.'

"'Oh, seguramente,' says I. 'I know I have a front elevation like an Aztec god that guards a buried treasure that never did exist in Jefferson County, Yucatan. But there are compensations. For instance, I am It in this country as far as the eye can reach, and then a few perches and poles. And again,' says I, 'when I engage people in a set-to of oral, vocal, and laryngeal utterances, I do not usually confine my side of the argument to what may be likened to a cheap phonographic reproduction of the ravings of a jellyfish.'

"'Oh, I know,' says Fergus, amiable, 'that I'm not handy at small talk. Or large, either. That's why I'm telling you. I want you to help me.'

"'How can I do it?' I asked.

"'I have subsidized,' says Fergus, 'the services of Senorita Anabela's duenna, whose name is Francesca. You have a reputation in this country, Judson,' says Fergus, 'of being a great man and a hero.'

"'I have,' says I. 'And I deserve it.'

"'And I,' says Fergus, 'am the best-looking man between the arctic circle and antarctic ice pack.'

"'With limitations,' says I, 'as to physiognomy and geography, I freely concede you to be.'

"'Between the two of us,' says Fergus, 'we ought to land the Senorita Anabela Zamora. The lady, as you know, is of an old Spanish family, and further than looking at her driving in the family carruaje of afternoons around the plaza, or catching a glimpse of her through a barred window of evenings, she is as unapproachable as a star.'

"'Land her for which one of us?' says I.

"'For me, of course,' says Fergus. 'You've never seen her. Now, I've had Francesca point me out to her as being you on several occasions. When she sees me on the plaza, she thinks she's looking at Don Judson Tate, the greatest hero, statesman, and romantic figure in the country. With your reputation and my looks combined in one man, how can she resist him? She's heard all about your thrilling history, of course. And she's seen me. Can any woman want more?' asks Fergus McMahan.

"'Can she do with less?' I ask. 'How can we separate our mutual attractions, and how shall we apportion the proceeds?'

"Then Fergus tells me his scheme.

"The house of the alcalde, Don Luis Zamora, he says, has a patio, of course—a kind of inner courtyard opening from the street. In an angle of it is his daughter's window—as dark a place as you could find. And what do you think he wants me to do? Why, knowing my freedom, charm, and skilfulness of tongue, he proposes that I go into the patio at midnight, when the hobgoblin face of me cannot be seen, and make love to her for him—for the pretty man that she has seen on the plaza, thinking him to be Don Judson Tate.

"Why shouldn't I do it for him—for my friend, Fergus McMahan? For him to ask me was a compliment—an acknowledgment of his own shortcomings.

"'You little, lily white, fine-haired, highly polished piece of dumb sculpture,' says I, 'I'll help you. Make your arrangements and get me in the dark outside her window and my stream of conversation opened up with the moonlight tremolo stop turned on, and she's yours.'

"'Keep your face hid, Jud,' says Fergus. 'For heaven's sake, keep your face hid. I'm a friend of yours in all kinds of sentiment, but this is a business deal. If I could talk I wouldn't ask you. But seeing me and listening to you I don't see why she can't be landed.'

"'By you?' says I.

"'By me,' says Fergus.

"Well, Fergus and the duenna, Francesca, attended to the details. And one night they fetched me a long black cloak with a high collar, and led me to the house at midnight. I stood by the window in the patio until I heard a voice as soft and sweet as an angel's whisper on the other side of the bars. I could see only a faint, white clad shape inside; and, true to Fergus, I pulled the collar of my cloak high up, for it was July in the wet seasons, and the nights were chilly. And, smothering a laugh as I thought of the tongue-tied Fergus, I began to talk.

"Well, sir, I talked an hour at the Senorita Anabela. I say 'at' because it was not 'with.' Now and then she would say: 'Oh, Senor,' or 'Now, ain't you foolin'?' or 'I know you don't mean that,' and such things as women will when they are being rightly courted. Both of us knew English and Spanish; so in two languages I tried to win the heart of the lady for my friend Fergus. But for the bars to the window I could have done it in one. At the end of the hour she dismissed me and gave me a big, red rose. I handed it over to Fergus when I got home.

"For three weeks every third or fourth night I impersonated my friend in the patio at the window of Senorita Anabela. At last she admitted that her heart was mine, and spoke of having seen me every afternoon when she drove in the plaza. It was Fergus she had seen, of course. But it was my talk that won her. Suppose Fergus had gone there, and tried to make a hit in the dark with his beauty all invisible, and not a word to say for himself!

"On the last night she promised to be mine—that is, Fergus's. And she put her hand between the bars for me to kiss. I bestowed the kiss and took the news to Fergus.

"'You might have left that for me to do,' says he.

"'That'll be your job hereafter,' says I. 'Keep on doing that and don't try to talk. Maybe after she thinks she's in love she won't notice the difference between real conversation and the inarticulate sort of droning that you give forth.'

"Now, I had never seen Senorita Anabela. So, the next day Fergus asks me to walk with him through the plaza and view the daily promenade and exhibition of Oratama society, a sight that had no interest for me. But I went; and children and dogs took to the banana groves and mangrove swamps as soon as they had a look at my face.

"'Here she comes,' said Fergus, twirling his moustache—'the one in white, in the open carriage with the black horse.'

"I looked and felt the ground rock under my feet. For Senorita Anabela Zamora was the most beautiful woman in the world, and the only one from that moment on, so far as Judson Tate was concerned. I saw at a glance that I must be hers and she mine forever. I thought of my face and nearly fainted; and then I thought of my other talents and stood upright again. And I had been wooing her for three weeks for another man!

"As Senorita Anabela's carriage rolled slowly past, she gave Fergus a long, soft glance from the corners of her night-black eyes, a glance that would have sent Judson Tate up into heaven in a rubber-tired chariot. But she never looked at me. And that handsome man only ruffles his curls and smirks and prances like a lady-killer at my side.

"'What do you think of her, Judson?' asks Fergus, with an air.

"'This much,' says I. 'She is to be Mrs. Judson Tate. I am no man to play tricks on a friend. So take your warning.'

"I thought Fergus would die laughing.

"'Well, well, well,' said he, 'you old doughface! Struck too, are you? That's great! But you're too late. Francesca tells me that Anabela talks of nothing but me, day and night. Of course, I'm awfully obliged to you for making that chin-music to her of evenings. But, do you know, I've an idea that I could have done it as well myself.'

"'Mrs. Judson Tate,' says I. 'Don't forget the name. You've had the use of my tongue to go with your good looks, my boy. You can't lend me your looks; but hereafter my tongue is my own. Keep your mind on the name that's to be on the visiting cards two inches by three and a half—"Mrs. Judson Tate." That's all.'

"'All right,' says Fergus, laughing again. 'I've talked with her father, the alcalde, and he's willing. He's to give a baile to-morrow evening in his new warehouse. If you were a dancing man, Jud, I'd expect you around to meet the future Mrs. McMahan.'

"But on the next evening, when the music was playing loudest at the Alcade Zamora's baile, into the room steps Judson Tate in new white linen clothes as if he were the biggest man in the whole nation, which he was.

"Some of the musicians jumped off the key when they saw my face, and one or two of the timidest senoritas let out a screech or two. But up prances the alcalde and almost wipes the dust off my shoes with his forehead. No mere good looks could have won me that sensational entrance.

"'I hear much, Senor Zamora,' says I, 'of the charm of your daughter. It would give me great pleasure to be presented to her.'

"There were about six dozen willow rocking-chairs, with pink tidies tied on to them, arranged against the walls. In one of them sat Senorita Anabela in white Swiss and red slippers, with pearls and fireflies in her hair. Fergus was at the other end of the room trying to break away from two maroons and a claybank girl.

"The alcalde leads me up to Anabela and presents me. When she took the first look at my face she dropped her fan and nearly turned her chair over from the shock. But I'm used to that.

"I sat down by her, and began to talk. When she heard me speak she jumped, and her eyes got as big as alligator pears. She couldn't strike a balance between the tones of my voice and face I carried. But I kept on talking in the key of C, which is the ladies' key; and presently she sat still in her chair and a dreamy look came into her eyes. She was coming my way. She knew of Judson Tate, and what a big man he was, and the big things he had done; and that was in my favour. But, of course, it was some shock to her to find out that I was not the pretty man that had been pointed out to her as the great Judson. And then I took the Spanish language, which is better than English for certain purposes, and played on it like a harp of a thousand strings. I ranged from the second G below the staff up to F-sharp above it. I set my voice to poetry, art, romance, flowers, and moonlight. I repeated some of the verses that I had murmured to her in the dark at her window; and I knew from a sudden soft sparkle in her eye that she recognized in my voice the tones of her midnight mysterious wooer.

"Anyhow, I had Fergus McMahan going. Oh, the vocal is the true art—no doubt about that. Handsome is as handsome palavers. That's the renovated proverb.

"I took Senorita Anabela for a walk in the lemon grove while Fergus, disfiguring himself with an ugly frown, was waltzing with the claybank girl. Before we returned I had permission to come to her window in the patio the next evening at midnight and talk some more.

"Oh, it was easy enough. In two weeks Anabela was engaged to me, and Fergus was out. He took it calm, for a handsome man, and told me he wasn't going to give in.

"'Talk may be all right in its place, Judson,' he says to me, 'although I've never thought it worth cultivating. But,' says he, 'to expect mere words to back up successfully a face like yours in a lady's good graces is like expecting a man to make a square meal on the ringing of a dinner-bell.'

"But I haven't begun on the story I was going to tell you yet.

"One day I took a long ride in the hot sunshine, and then took a bath in the cold waters of a lagoon on the edge of the town before I'd cooled off.

"That evening after dark I called at the alcalde's to see Anabela. I was calling regular every evening then, and we were to be married in a month. She was looking like a bulbul, a gazelle, and a tea-rose, and her eyes were as soft and bright as two quarts of cream skimmed off from the Milky Way. She looked at my rugged features without any expression of fear or repugnance. Indeed, I fancied that I saw a look of deep admiration and affection, such as she had cast at Fergus on the plaza.

"I sat down, and opened my mouth to tell Anabela what she loved to hear—that she was a trust, monopolizing all the loveliness of earth. I opened my mouth, and instead of the usual vibrating words of love and compliment, there came forth a faint wheeze such as a baby with croup might emit. Not a word—not a syllable—not an intelligible sound. I had caught cold in my laryngeal regions when I took my injudicious bath.

"For two hours I sat trying to entertain Anabela. She talked a certain amount, but it was perfunctory and diluted. The nearest approach I made to speech was to formulate a sound like a clam trying to sing 'A Life on the Ocean Wave' at low tide. It seemed that Anabela's eyes did not rest upon me as often as usual. I had nothing with which to charm her ears. We looked at pictures and she played the guitar occasionally, very badly. When I left, her parting manner seemed cool—or at least thoughtful.

"This happened for five evenings consecutively.

"On the sixth day she ran away with Fergus McMahan.

"It was known that they fled in a sailing yacht bound for Belize. I was only eight hours behind them in a small steam launch belonging to the Revenue Department.

"Before I sailed, I rushed into the botica of old Manuel Iquito, a half-breed Indian druggist. I could not speak, but I pointed to my throat and made a sound like escaping steam. He began to yawn. In an hour, according to the customs of the country, I would have been waited on. I reached across the counter, seized him by the throat, and pointed again to my own. He yawned once more, and thrust into my hand a small bottle containing a black liquid.

"'Take one small spoonful every two hours,' says he.

"I threw him a dollar and skinned for the steamer.

"I steamed into the harbour at Belize thirteen seconds behind the yacht that Anabela and Fergus were on. They started for the shore in a dory just as my skiff was lowered over the side. I tried to order my sailormen to row faster, but the sounds died in my larynx before they came to the light. Then I thought of old Iquito's medicine, and I got out his bottle and took a swallow of it.

"The two boats landed at the same moment. I walked straight up to Anabela and Fergus. Her eyes rested upon me for an instant; then she turned them, full of feeling and confidence, upon Fergus. I knew I could not speak, but I was desperate. In speech lay my only hope. I could not stand beside Fergus and challenge comparison in the way of beauty. Purely involuntarily, my larynx and epiglottis attempted to reproduce the sounds that my mind was calling upon my vocal organs to send forth.

"To my intense surprise and delight the words rolled forth beautifully clear, resonant, exquisitely modulated, full of power, expression, and long-repressed emotion.

"'Senorita Anabela,' says I, 'may I speak with you aside for a moment?'

"You don't want details about that, do you? Thanks. The old eloquence had come back all right. I led her under a cocoanut palm and put my old verbal spell on her again.

"'Judson,' says she, 'when you are talking to me I can hear nothing else—I can see nothing else—there is nothing and nobody else in the world for me.'

"Well, that's about all of the story. Anabela went back to Oratama in the steamer with me. I never heard what became of Fergus. I never saw him any more. Anabela is now Mrs. Judson Tate. Has my story bored you much?"

"No," said I. "I am always interested in psychological studies. A human heart—and especially a woman's—is a wonderful thing to contemplate."

"It is," said Judson Tate. "And so are the trachea and bronchial tubes of man. And the larynx too. Did you ever make a study of the windpipe?"

"Never," said I. "But I have taken much pleasure in your story. May I ask after Mrs. Tate, and inquire of her present health and whereabouts?"

"Oh, sure," said Judson Tate. "We are living in Bergen Avenue, Jersey City. The climate down in Oratama didn't suit Mrs. T. I don't suppose you ever dissected the arytenoid cartilages of the epiglottis, did you?"

"Why, no," said I, "I am no surgeon."

"Pardon me," said Judson Tate, "but every man should know enough of anatomy and therapeutics to safeguard his own health. A sudden cold may set up capillary bronchitis or inflammation of the pulmonary vesicles, which may result in a serious affection of the vocal organs."

"Perhaps so," said I, with some impatience; "but that is neither here nor there. Speaking of the strange manifestations of the affection of women, I—"

"Yes, yes," interrupted Judson Tate; "they have peculiar ways. But, as I was going to tell you: when I went back to Oratama I found out from Manuel Iquito what was in that mixture he gave me for my lost voice. I told you how quick it cured me. He made that stuff from the chuchula plant. Now, look here."

Judson Tate drew an oblong, white pasteboard box from his pocket.

"For any cough," he said, "or cold, or hoarseness, or bronchial affection whatsoever, I have here the greatest remedy in the world. You see the formula, printed on the box. Each tablet contains licorice, 2 grains; balsam tolu, 1/10 grain; oil of anise, 1/20 minim; oil of tar, 1/60 minim; oleo-resin of cubebs, 1/60 minim; fluid extract of chuchula, 1/10 minim.

"I am in New York," went on Judson Tate, "for the purpose of organizing a company to market the greatest remedy for throat affections ever discovered. At present I am introducing the lozenges in a small way. I have here a box containing four dozen, which I am selling for the small sum of fifty cents. If you are suffering—"



I got up and went away without a word. I walked slowly up to the little park near my hotel, leaving Judson Tate alone with his conscience. My feelings were lacerated. He had poured gently upon me a story that I might have used. There was a little of the breath of life in it, and some of the synthetic atmosphere that passes, when cunningly tinkered, in the marts. And, at the last it had proven to be a commercial pill, deftly coated with the sugar of fiction. The worst of it was that I could not offer it for sale. Advertising departments and counting-rooms look down upon me. And it would never do for the literary. Therefore I sat upon a bench with other disappointed ones until my eyelids drooped.

I went to my room, and, as my custom is, read for an hour stories in my favourite magazines. This was to get my mind back to art again.

And as I read each story, I threw the magazines sadly and hopelessly, one by one, upon the floor. Each author, without one exception to bring balm to my heart, wrote liltingly and sprightly a story of some particular make of motor-car that seemed to control the sparking plug of his genius.

And when the last one was hurled from me I took heart.

"If readers can swallow so many proprietary automobiles," I said to myself, "they ought not to strain at one of Tate's Compound Magic Chuchula Bronchial Lozenges."

And so if you see this story in print you will understand that business is business, and that if Art gets very far ahead of Commerce, she will have to get up and hustle.

I may as well add, to make a clean job of it, that you can't buy the chuchula plant in the drug stores.



VI

ART AND THE BRONCO

Out of the wilderness had come a painter. Genius, whose coronations alone are democratic, had woven a chaplet of chaparral for the brow of Lonny Briscoe. Art, whose divine expression flows impartially from the fingertips of a cowboy or a dilettante emperor, had chosen for a medium the Boy Artist of the San Saba. The outcome, seven feet by twelve of besmeared canvas, stood, gilt-framed, in the lobby of the Capitol.

The legislature was in session; the capital city of that great Western state was enjoying the season of activity and profit that the congregation of the solons bestowed. The boarding-houses were corralling the easy dollars of the gamesome lawmakers. The greatest state in the West, an empire in area and resources, had arisen and repudiated the old libel or barbarism, lawbreaking, and bloodshed. Order reigned within her borders. Life and property were as safe there, sir, as anywhere among the corrupt cities of the effete East. Pillow-shams, churches, strawberry feasts and habeas corpus flourished. With impunity might the tenderfoot ventilate his "stovepipe" or his theories of culture. The arts and sciences received nurture and subsidy. And, therefore, it behooved the legislature of this great state to make appropriation for the purchase of Lonny Briscoe's immortal painting.

Rarely has the San Saba country contributed to the spread of the fine arts. Its sons have excelled in the solider graces, in the throw of the lariat, the manipulation of the esteemed .45, the intrepidity of the one-card draw, and the nocturnal stimulation of towns from undue lethargy; but, hitherto, it had not been famed as a stronghold of aesthetics. Lonny Briscoe's brush had removed that disability. Here, among the limestone rocks, the succulent cactus, and the drought-parched grass of that arid valley, had been born the Boy Artist. Why he came to woo art is beyond postulation. Beyond doubt, some spore of the afflatus must have sprung up within him in spite of the desert soil of San Saba. The tricksy spirit of creation must have incited him to attempted expression and then have sat hilarious among the white-hot sands of the valley, watching its mischievous work. For Lonny's picture, viewed as a thing of art, was something to have driven away dull care from the bosoms of the critics.

The painting—one might almost say panorama—was designed to portray a typical Western scene, interest culminating in a central animal figure, that of a stampeding steer, life-size, wild-eyed, fiery, breaking away in a mad rush from the herd that, close-ridden by a typical cowpuncher, occupied a position somewhat in the right background of the picture. The landscape presented fitting and faithful accessories. Chaparral, mesquit, and pear were distributed in just proportions. A Spanish dagger-plant, with its waxen blossoms in a creamy aggregation as large as a water-bucket, contributed floral beauty and variety. The distance was undulating prairie, bisected by stretches of the intermittent streams peculiar to the region lined with the rich green of live-oak and water-elm. A richly mottled rattlesnake lay coiled beneath a pale green clump of prickly pear in the foreground. A third of the canvas was ultramarine and lake white—the typical Western sky and the flying clouds, rainless and feathery.

Between two plastered pillars in the commodious hallway near the door of the chamber of representatives stood the painting. Citizens and lawmakers passed there by twos and groups and sometimes crowds to gaze upon it. Many—perhaps a majority of them—had lived the prairie life and recalled easily the familiar scene. Old cattlemen stood, reminiscent and candidly pleased, chatting with brothers of former camps and trails of the days it brought back to mind. Art critics were few in the town, and there was heard none of that jargon of colour, perspective, and feeling such as the East loves to use as a curb and a rod to the pretensions of the artist. 'Twas a great picture, most of them agreed, admiring the gilt frame—larger than any they had ever seen.

Senator Kinney was the picture's champion and sponsor. It was he who so often stepped forward and asserted, with the voice of a bronco-buster, that it would be a lasting blot, sir, upon the name of this great state if it should decline to recognize in a proper manner the genius that had so brilliantly transferred to imperishable canvas a scene so typical of the great sources of our state's wealth and prosperity, land—and—er—live-stock.

Senator Kinney represented a section of the state in the extreme West—400 miles from the San Saba country—but the true lover of art is not limited by metes and bounds. Nor was Senator Mullens, representing the San Saba country, lukewarm in his belief that the state should purchase the painting of his constituent. He was advised that the San Saba country was unanimous in its admiration of the great painting by one of its own denizens. Hundreds of connoisseurs had straddled their broncos and ridden miles to view it before its removal to the capital. Senator Mullens desired reelection, and he knew the importance of the San Saba vote. He also knew that with the help of Senator Kinney—who was a power in the legislature—the thing could be put through. Now, Senator Kinney had an irrigation bill that he wanted passed for the benefit of his own section, and he knew Senator Mullens could render him valuable aid and information, the San Saba country already enjoying the benefits of similar legislation. With these interests happily dovetailed, wonder at the sudden interest in art at the state capital must, necessarily, be small. Few artists have uncovered their first picture to the world under happier auspices than did Lonny Briscoe.

Senators Kinney and Mullens came to an understanding in the matter of irrigation and art while partaking of long drinks in the cafe of the Empire Hotel.

"H'm!" said Senator Kinney, "I don't know. I'm no art critic, but it seems to me the thing won't work. It looks like the worst kind of a chromo to me. I don't want to cast any reflections upon the artistic talent of your constituent, Senator, but I, myself, wouldn't give six bits for the picture—without the frame. How are you going to cram a thing like that down the throat of a legislature that kicks about a little item in the expense bill of six hundred and eighty-one dollars for rubber erasers for only one term? It's wasting time. I'd like to help you, Mullens, but they'd laugh us out of the Senate chamber if we were to try it."

"But you don't get the point," said Senator Mullens, in his deliberate tones, tapping Kinney's glass with his long forefinger. "I have my own doubts as to what the picture is intended to represent, a bullfight or a Japanese allegory, but I want this legislature to make an appropriation to purchase. Of course, the subject of the picture should have been in the state historical line, but it's too late to have the paint scraped off and changed. The state won't miss the money and the picture can be stowed away in a lumber-room where it won't annoy any one. Now, here's the point to work on, leaving art to look after itself—the chap that painted the picture is the grandson of Lucien Briscoe."

"Say it again," said Kinney, leaning his head thoughtfully. "Of the old, original Lucien Briscoe?"

"Of him. 'The man who,' you know. The man who carved the state out of the wilderness. The man who settled the Indians. The man who cleaned out the horse thieves. The man who refused the crown. The state's favourite son. Do you see the point now?"

"Wrap up the picture," said Kinney. "It's as good as sold. Why didn't you say that at first, instead of philandering along about art. I'll resign my seat in the Senate and go back to chain-carrying for the county surveyor the day I can't make this state buy a picture calcimined by a grandson of Lucien Briscoe. Did you ever hear of a special appropriation for the purchase of a home for the daughter of One-Eyed Smothers? Well, that went through like a motion to adjourn, and old One-Eyed never killed half as many Indians as Briscoe did. About what figure had you and the calciminer agreed upon to sandbag the treasury for?"

"I thought," said Mullens, "that maybe five hundred—"

"Five hundred!" interrupted Kinney, as he hammered on his glass for a lead pencil and looked around for a waiter. "Only five hundred for a red steer on the hoof delivered by a grandson of Lucien Briscoe! Where's your state pride, man? Two thousand is what it'll be. You'll introduce the bill and I'll get up on the floor of the Senate and wave the scalp of every Indian old Lucien ever murdered. Let's see, there was something else proud and foolish he did, wasn't there? Oh, yes; he declined all emoluments and benefits he was entitled to. Refused his head-right and veteran donation certificates. Could have been governor, but wouldn't. Declined a pension. Now's the state's chance to pay up. It'll have to take the picture, but then it deserves some punishment for keeping the Briscoe family waiting so long. We'll bring this thing up about the middle of the month, after the tax bill is settled. Now, Mullens, you send over, as soon as you can, and get me the figures on the cost of those irrigation ditches and the statistics about the increased production per acre. I'm going to need you when that bill of mine comes up. I reckon we'll be able to pull along pretty well together this session and maybe others to come, eh, Senator?"

Thus did fortune elect to smile upon the Boy Artist of the San Saba. Fate had already done her share when she arranged his atoms in the cosmogony of creation as the grandson of Lucien Briscoe.

The original Briscoe had been a pioneer both as to territorial occupation and in certain acts prompted by a great and simple heart. He had been one of the first settlers and crusaders against the wild forces of nature, the savage and the shallow politician. His name and memory were revered, equally with any upon the list comprising Houston, Boone, Crockett, Clark, and Green. He had lived simply, independently, and unvexed by ambition. Even a less shrewd man than Senator Kinney could have prophesied that his state would hasten to honour and reward his grandson, come out of the chaparral at even so late a day.

And so, before the great picture by the door of the chamber of representatives at frequent times for many days could be found the breezy, robust form of Senator Kinney and be heard his clarion voice reciting the past deeds of Lucien Briscoe in connection with the handiwork of his grandson. Senator Mullens's work was more subdued in sight and sound, but directed along identical lines.

Then, as the day for the introduction of the bill for appropriation draws nigh, up from the San Saba country rides Lonny Briscoe and a loyal lobby of cowpunchers, bronco-back, to boost the cause of art and glorify the name of friendship, for Lonny is one of them, a knight of stirrup and chaparreras, as handy with the lariat and .45 as he is with brush and palette.

On a March afternoon the lobby dashed, with a whoop, into town. The cowpunchers had adjusted their garb suitably from that prescribed for the range to the more conventional requirements of town. They had conceded their leather chaparreras and transferred their six-shooters and belts from their persons to the horns of their saddles. Among them rode Lonny, a youth of twenty-three, brown, solemn-faced, ingenuous, bowlegged, reticent, bestriding Hot Tamales, the most sagacious cow pony west of the Mississippi. Senator Mullens had informed him of the bright prospects of the situation; had even mentioned—so great was his confidence in the capable Kinney—the price that the state would, in all likelihood, pay. It seemed to Lonny that fame and fortune were in his hands. Certainly, a spark of the divine fire was in the little brown centaur's breast, for he was counting the two thousand dollars as but a means to future development of his talent. Some day he would paint a picture even greater than this—one, say, twelve feet by twenty, full of scope and atmosphere and action.

During the three days that yet intervened before the coming of the date fixed for the introduction of the bill, the centaur lobby did valiant service. Coatless, spurred, weather-tanned, full of enthusiasm expressed in bizarre terms, they loafed in front of the painting with tireless zeal. Reasoning not unshrewdly, they estimated that their comments upon its fidelity to nature would be received as expert evidence. Loudly they praised the skill of the painter whenever there were ears near to which such evidence might be profitably addressed. Lem Perry, the leader of the claque, had a somewhat set speech, being uninventive in the construction of new phrases.

"Look at that two-year-old, now," he would say, waving a cinnamon-brown hand toward the salient point of the picture. "Why, dang my hide, the critter's alive. I can jest hear him, 'lumpety-lump,' a-cuttin' away from the herd, pretendin' he's skeered. He's a mean scamp, that there steer. Look at his eyes a-wallin' and his tail a-wavin'. He's true and nat'ral to life. He's jest hankerin' fur a cow pony to round him up and send him scootin' back to the bunch. Dang my hide! jest look at that tail of his'n a-wavin'. Never knowed a steer to wave his tail any other way, dang my hide ef I did."

Jud Shelby, while admitting the excellence of the steer, resolutely confined himself to open admiration of the landscape, to the end that the entire picture receive its meed of praise.

"That piece of range," he declared, "is a dead ringer for Dead Hoss Valley. Same grass, same lay of land, same old Whipperwill Creek skallyhootin' in and out of them motts of timber. Them buzzards on the left is circlin' 'round over Sam Kildrake's old paint hoss that killed hisself over-drinkin' on a hot day. You can't see the hoss for that mott of ellums on the creek, but he's thar. Anybody that was goin' to look for Dead Hoss Valley and come across this picture, why, he'd just light off'n his bronco and hunt a place to camp."

Skinny Rogers, wedded to comedy, conceived a complimentary little piece of acting that never failed to make an impression. Edging quite near to the picture, he would suddenly, at favourable moments emit a piercing and awful "Yi-yi!" leap high and away, coming down with a great stamp of heels and whirring of rowels upon the stone-flagged floor.

"Jeeming Cristopher!"—so ran his lines—"thought that rattler was a gin-u-ine one. Ding baste my skin if I didn't. Seemed to me I heard him rattle. Look at the blamed, unconverted insect a-layin' under that pear. Little more, and somebody would a-been snake-bit."

With these artful dodges, contributed by Lonney's faithful coterie, with the sonorous Kinney perpetually sounding the picture's merits, and with the solvent prestige of the pioneer Briscoe covering it like a precious varnish, it seemed that the San Saba country could not fail to add a reputation as an art centre to its well-known superiority in steer-roping contests and achievements with the precarious busted flush. Thus was created for the picture an atmosphere, due rather to externals than to the artist's brush, but through it the people seemed to gaze with more of admiration. There was a magic in the name of Briscoe that counted high against faulty technique and crude colouring. The old Indian fighter and wolf slayer would have smiled grimly in his happy hunting grounds had he known that his dilettante ghost was thus figuring as an art patron two generations after his uninspired existence.

Came the day when the Senate was expected to pass the bill of Senator Mullens appropriating two thousand dollars for the purchase of the picture. The gallery of the Senate chamber was early preempted by Lonny and the San Saba lobby. In the front row of chairs they sat, wild-haired, self-conscious, jingling, creaking, and rattling, subdued by the majesty of the council hall.

The bill was introduced, went to the second reading, and then Senator Mullens spoke for it dryly, tediously, and at length. Senator Kinney then arose, and the welkin seized the bellrope preparatory to ringing. Oratory was at that time a living thing; the world had not quite come to measure its questions by geometry and the multiplication table. It was the day of the silver tongue, the sweeping gesture, the decorative apostrophe, the moving peroration.

The Senator spoke. The San Saba contingent sat, breathing hard, in the gallery, its disordered hair hanging down to its eyes, its sixteen-ounce hats shifted restlessly from knee to knee. Below, the distinguished Senators either lounged at their desks with the abandon of proven statesmanship or maintained correct attitudes indicative of a first term.

Senator Kinney spoke for an hour. History was his theme—history mitigated by patriotism and sentiment. He referred casually to the picture in the outer hall—it was unnecessary, he said, to dilate upon its merits—the Senators had seen for themselves. The painter of the picture was the grandson of Lucien Briscoe. Then came the word-pictures of Briscoe's life set forth in thrilling colours. His rude and venturesome life, his simple-minded love for the commonwealth he helped to upbuild, his contempt for rewards and praise, his extreme and sturdy independence, and the great services he had rendered the state. The subject of the oration was Lucien Briscoe; the painting stood in the background serving simply as a means, now happily brought forward, through which the state might bestow a tardy recompense upon the descendent of its favourite son. Frequent enthusiastic applause from the Senators testified to the well reception of the sentiment.

The bill passed without an opening vote. To-morrow it would be taken up by the House. Already was it fixed to glide through that body on rubber tires. Blandford, Grayson, and Plummer, all wheel-horses and orators, and provided with plentiful memoranda concerning the deeds of pioneer Briscoe, had agreed to furnish the motive power.

The San Saba lobby and its protege stumbled awkwardly down the stairs and out into the Capitol yard. Then they herded closely and gave one yell of triumph. But one of them—Buck-Kneed Summers it was—hit the key with the thoughtful remark:

"She cut the mustard," he said, "all right. I reckon they're goin' to buy Lon's steer. I ain't right much on the parlyment'ry, but I gather that's what the signs added up. But she seems to me, Lonny, the argyment ran principal to grandfather, instead of paint. It's reasonable calculatin' that you want to be glad you got the Briscoe brand on you, my son."

That remarked clinched in Lonny's mind an unpleasant, vague suspicion to the same effect. His reticence increased, and he gathered grass from the ground, chewing it pensively. The picture as a picture had been humiliatingly absent from the Senator's arguments. The painter had been held up as a grandson, pure and simple. While this was gratifying on certain lines, it made art look little and slab-sided. The Boy Artist was thinking.

The hotel Lonny stopped at was near the Capitol. It was near to the one o'clock dinner hour when the appropriation had been passed by the Senate. The hotel clerk told Lonny that a famous artist from New York had arrived in town that day and was in the hotel. He was on his way westward to New Mexico to study the effect of sunlight upon the ancient walls of the Zunis. Modern stones reflect light. Those ancient building materials absorb it. The artist wanted this effect in a picture he was painting, and was traveling two thousand miles to get it.

Lonny sought this man out after dinner and told his story. The artist was an unhealthy man, kept alive by genius and indifference to life. He went with Lonny to the Capitol and stood there before the picture. The artist pulled his beard and looked unhappy.

"Should like to have your sentiments," said Lonny, "just as they run out of the pen."

"It's the way they'll come," said the painter man. "I took three different kinds of medicine before dinner—by the tablespoonful. The taste still lingers. I am primed for telling the truth. You want to know if the picture is, or if it isn't?"

"Right," said Lonny. "Is it wool or cotton? Should I paint some more or cut it out and ride herd a-plenty?"

"I heard a rumour during pie," said the artist, "that the state is about to pay you two thousand dollars for this picture."

"It's passed the Senate," said Lonny, "and the House rounds it up to-morrow."

"That's lucky," said the pale man. "Do you carry a rabbit's foot?"

"No," said Lonny, "but it seems I had a grandfather. He's considerable mixed up in the colour scheme. It took me a year to paint that picture. Is she entirely awful or not? Some says, now, that the steer's tail ain't badly drawed. They think it's proportioned nice. Tell me."

The artist glanced at Lonny's wiry figure and nut-brown skin. Something stirred him to a passing irritation.

"For Art's sake, son," he said, fractiously, "don't spend any more money for paint. It isn't a picture at all. It's a gun. You hold up the state with it, if you like, and get your two thousand, but don't get in front of any more canvas. Live under it. Buy a couple of hundred ponies with the money—I'm told they're that cheap—and ride, ride, ride. Fill your lungs and eat and sleep and be happy. No more pictures. You look healthy. That's genius. Cultivate it." He looked at his watch. "Twenty minutes to three. Four capsules and one tablet at three. That's all you wanted to know, isn't it?"

At three o'clock the cowpunchers rode up for Lonny, bringing Hot Tamales, saddled. Traditions must be observed. To celebrate the passage of the bill by the Senate the gang must ride wildly through the town, creating uproar and excitement. Liquor must be partaken of, the suburbs shot up, and the glory of the San Saba country vociferously proclaimed. A part of the programme had been carried out in the saloons on the way up.

Lonny mounted Hot Tamales, the accomplished little beast prancing with fire and intelligence. He was glad to feel Lonny's bowlegged grip against his ribs again. Lonny was his friend, and he was willing to do things for him.

"Come on, boys," said Lonny, urging Hot Tomales into a gallop with his knees. With a whoop, the inspired lobby tore after him through the dust. Lonny led his cohorts straight for the Capitol. With a wild yell, the gang endorsed his now evident intention of riding into it. Hooray for San Saba!

Up the six broad, limestone steps clattered the broncos of the cowpunchers. Into the resounding hallway they pattered, scattering in dismay those passing on foot. Lonny, in the lead, shoved Hot Tamales direct for the great picture. At that hour a downpouring, soft light from the second-story windows bathed the big canvas. Against the darker background of the hall the painting stood out with valuable effect. In spite of the defects of the art you could almost fancy that you gazed out upon a landscape. You might well flinch a step from the convincing figure of the life-size steer stampeding across the grass. Perhaps it seemed thus to Hot Tamales. The scene was in his line. Perhaps he only obeyed the will of his rider. His ears pricked up; he snorted. Lonny leaned forward in the saddle and elevated his elbows, wing-like. Thus signals the cowpuncher to his steed to launch himself full speed ahead. Did Hot Tamales fancy he saw a steer, red and cavorting, that should be headed off and driven back to the herd? There was a fierce clatter of hoofs, a rush, a gathering of steely flank muscles, a leap to the jerk of the bridle rein, and Hot Tamales, with Lonny bending low in the saddle to dodge the top of the frame, ripped through the great canvas like a shell from a mortar, leaving the cloth hanging in ragged shreds about a monstrous hole.

Quickly Lonny pulled up his pony, and rounded the pillars. Spectators came running, too astounded to add speech to the commotion. The sergeant-at-arms of the House came forth, frowned, looked ominous, and then grinned. Many of the legislators crowded out to observe the tumult. Lonny's cowpunchers were stricken to silent horror by his mad deed.

Senator Kinney happened to be among the earliest to emerge. Before he could speak Lonny leaned in his saddle as Hot Tamales pranced, pointed his quirt at the Senator, and said, calmly:

"That was a fine speech you made to-day, mister, but you might as well let up on that 'propriation business. I ain't askin' the state to give me nothin'. I thought I had a picture to sell to it, but it wasn't one. You said a heap of things about Grandfather Briscoe that makes me kind of proud I'm his grandson. Well, the Briscoes ain't takin' presents from the state yet. Anybody can have the frame that wants it. Hit her up, boys."

Away scuttled the San Saba delegation out of the hall, down the steps, along the dusty street.

Halfway to the San Saba country they camped that night. At bedtime Lonny stole away from the campfire and sought Hot Tamales, placidly eating grass at the end of his stake rope. Lonny hung upon his neck, and his art aspirations went forth forever in one long, regretful sigh. But as he thus made renunciation his breath formed a word or two.

"You was the only one, Tamales, what seen anything in it. It did look like a steer, didn't it, old hoss?"



VII

PHOEBE

"You are a man of many novel adventures and varied enterprises," I said to Captain Patricio Malone. "Do you believe that the possible element of good luck or bad luck—if there is such a thing as luck—has influenced your career or persisted for or against you to such an extent that you were forced to attribute results to the operation of the aforesaid good luck or bad luck?"

This question (of almost the dull insolence of legal phraseology) was put while we sat in Rousselin's little red-tiled cafe near Congo Square in New Orleans.

Brown-faced, white-hatted, finger-ringed captains of adventure came often to Rousselin's for the cognac. They came from sea and land, and were chary of relating the things they had seen—not because they were more wonderful than the fantasies of the Ananiases of print, but because they were so different. And I was a perpetual wedding-guest, always striving to cast my buttonhole over the finger of one of these mariners of fortune. This Captain Malone was a Hiberno-Iberian creole who had gone to and fro in the earth and walked up and down in it. He looked like any other well-dressed man of thirty-five whom you might meet, except that he was hopelessly weather-tanned, and wore on his chain an ancient ivory-and-gold Peruvian charm against evil, which has nothing at all to do with this story.

"My answer to your question," said the captain, smiling, "will be to tell you the story of Bad-Luck Kearny. That is, if you don't mind hearing it."

My reply was to pound on the table for Rousselin.

"Strolling along Tchoupitoulas Street one night," began Captain Malone, "I noticed, without especially taxing my interest, a small man walking rapidly toward me. He stepped upon a wooden cellar door, crashed through it, and disappeared. I rescued him from a heap of soft coal below. He dusted himself briskly, swearing fluently in a mechanical tone, as an underpaid actor recites the gypsy's curse. Gratitude and the dust in his throat seemed to call for fluids to clear them away. His desire for liquidation was expressed so heartily that I went with him to a cafe down the street where we had some vile vermouth and bitters.

"Looking across that little table I had my first clear sight of Francis Kearny. He was about five feet seven, but as tough as a cypress knee. His hair was darkest red, his mouth such a mere slit that you wondered how the flood of his words came rushing from it. His eyes were the brightest and lightest blue and the hopefulest that I ever saw. He gave the double impression that he was at bay and that you had better not crowd him further.

"'Just in from a gold-hunting expedition on the coast of Costa Rica,' he explained. 'Second mate of a banana steamer told me the natives were panning out enough from the beach sands to buy all the rum, red calico, and parlour melodeons in the world. The day I got there a syndicate named Incorporated Jones gets a government concession to all minerals from a given point. For a next choice I take coast fever and count green and blue lizards for six weeks in a grass hut. I had to be notified when I was well, for the reptiles were actually there. Then I shipped back as third cook on a Norwegian tramp that blew up her boiler two miles below Quarantine. I was due to bust through that cellar door here to-night, so I hurried the rest of the way up the river, roustabouting on a lower coast packet that made up a landing for every fisherman that wanted a plug of tobacco. And now I'm here for what comes next. And it'll be along, it'll be along,' said this queer Mr. Kearny; 'it'll be along on the beams of my bright but not very particular star.'

"From the first the personality of Kearny charmed me. I saw in him the bold heart, the restless nature, and the valiant front against the buffets of fate that make his countrymen such valuable comrades in risk and adventure. And just then I was wanting such men. Moored at a fruit company's pier I had a 500-ton steamer ready to sail the next day with a cargo of sugar, lumber, and corrugated iron for a port in—well, let us call the country Esperando—it has not been long ago, and the name of Patricio Malone is still spoken there when its unsettled politics are discussed. Beneath the sugar and iron were packed a thousand Winchester rifles. In Aguas Frias, the capital, Don Rafael Valdevia, Minister of War, Esperando's greatest-hearted and most able patriot, awaited my coming. No doubt you have heard, with a smile, of the insignificant wars and uprisings in those little tropic republics. They make but a faint clamour against the din of great nations' battles; but down there, under all the ridiculous uniforms and petty diplomacy and senseless countermarching and intrigue, are to be found statesmen and patriots. Don Rafael Valdevia was one. His great ambition was to raise Esperando into peace and honest prosperity and the respect of the serious nations. So he waited for my rifles in Aguas Frias. But one would think I am trying to win a recruit in you! No; it was Francis Kearny I wanted. And so I told him, speaking long over our execrable vermouth, breathing the stifling odour from garlic and tarpaulins, which, as you know, is the distinctive flavour of cafes in the lower slant of our city. I spoke of the tyrant President Cruz and the burdens that his greed and insolent cruelty laid upon the people. And at that Kearny's tears flowed. And then I dried them with a picture of the fat rewards that would be ours when the oppressor should be overthrown and the wise and generous Valdevia in his seat. Then Kearny leaped to his feet and wrung my hand with the strength of a roustabout. He was mine, he said, till the last minion of the hated despot was hurled from the highest peaks of the Cordilleras into the sea.

"I paid the score, and we went out. Near the door Kearny's elbow overturned an upright glass showcase, smashing it into little bits. I paid the storekeeper the price he asked.

"'Come to my hotel for the night,' I said to Kearny. 'We sail to-morrow at noon.'

"He agreed; but on the sidewalk he fell to cursing again in the dull monotonous way that he had done when I pulled him out of the coal cellar.

"'Captain,' said he, 'before we go any further, it's no more than fair to tell you that I'm known from Baffin's Bay to Terra del Fuego as "Bad-Luck" Kearny. And I'm It. Everything I get into goes up in the air except a balloon. Every bet I ever made I lost except when I coppered it. Every boat I ever sailed on sank except the submarines. Everything I was ever interested in went to pieces except a patent bombshell that I invented. Everything I ever took hold of and tried to run I ran into the ground except when I tried to plough. And that's why they call me Bad-Luck Kearny. I thought I'd tell you.'

"'Bad luck,' said I, 'or what goes by that name, may now and then tangle the affairs of any man. But if it persists beyond the estimate of what we may call the "averages" there must be a cause for it.'

"'There is,' said Kearny emphatically, 'and when we walk another square I will show it to you.'

"Surprised, I kept by his side until we came to Canal Street and out into the middle of its great width.

"Kearny seized me by an arm and pointed a tragic forefinger at a rather brilliant star that shone steadily about thirty degrees above the horizon.

"'That's Saturn,' said he, 'the star that presides over bad luck and evil and disappointment and nothing doing and trouble. I was born under that star. Every move I make, up bobs Saturn and blocks it. He's the hoodoo planet of the heavens. They say he's 73,000 miles in diameter and no solider of body than split-pea soup, and he's got as many disreputable and malignant rings as Chicago. Now, what kind of a star is that to be born under?'

"I asked Kearny where he had obtained all this astonishing knowledge.

"'From Azrath, the great astrologer of Cleveland, Ohio,' said he. 'That man looked at a glass ball and told me my name before I'd taken a chair. He prophesied the date of my birth and death before I'd said a word. And then he cast my horoscope, and the sidereal system socked me in the solar plexus. It was bad luck for Francis Kearny from A to Izard and for his friends that were implicated with him. For that I gave up ten dollars. This Azrath was sorry, but he respected his profession too much to read the heavens wrong for any man. It was night time, and he took me out on a balcony and gave me a free view of the sky. And he showed me which Saturn was, and how to find it in different balconies and longitudes.

"'But Saturn wasn't all. He was only the man higher up. He furnishes so much bad luck that they allow him a gang of deputy sparklers to help hand it out. They're circulating and revolving and hanging around the main supply all the time, each one throwing the hoodoo on his own particular district.

"'You see that ugly little red star about eight inches above and to the right of Saturn?' Kearny asked me. 'Well, that's her. That's Phoebe. She's got me in charge. "By the day of your birth," says Azrath to me, "your life is subjected to the influence of Saturn. By the hour and minute of it you must dwell under the sway and direct authority of Phoebe, the ninth satellite." So said this Azrath.' Kearny shook his fist violently skyward. 'Curse her, she's done her work well,' said he. 'Ever since I was astrologized, bad luck has followed me like my shadow, as I told you. And for many years before. Now, Captain, I've told you my handicap as a man should. If you're afraid this evil star of mine might cripple your scheme, leave me out of it.'

"I reassured Kearny as well as I could. I told him that for the time we would banish both astrology and astronomy from our heads. The manifest valour and enthusiasm of the man drew me. 'Let us see what a little courage and diligence will do against bad luck,' I said. 'We will sail to-morrow for Esperando.'

"Fifty miles down the Mississippi our steamer broke her rudder. We sent for a tug to tow us back and lost three days. When we struck the blue waters of the Gulf, all the storm clouds of the Atlantic seemed to have concentrated above us. We thought surely to sweeten those leaping waves with our sugar, and to stack our arms and lumber on the floor of the Mexican Gulf.

"Kearny did not seek to cast off one iota of the burden of our danger from the shoulders of his fatal horoscope. He weathered every storm on deck, smoking a black pipe, to keep which alight rain and sea-water seemed but as oil. And he shook his fist at the black clouds behind which his baleful star winked its unseen eye. When the skies cleared one evening, he reviled his malignant guardian with grim humour.

"'On watch, aren't you, you red-headed vixen? Out making it hot for little Francis Kearny and his friends, according to Hoyle. Twinkle, twinkle, little devil! You're a lady, aren't you?—dogging a man with your bad luck just because he happened to be born while your boss was floorwalker. Get busy and sink the ship, you one-eyed banshee. Phoebe! H'm! Sounds as mild as a milkmaid. You can't judge a woman by her name. Why couldn't I have had a man star? I can't make the remarks to Phoebe that I could to a man. Oh, Phoebe, you be—blasted!'

"For eight days gales and squalls and waterspouts beat us from our course. Five days only should have landed us in Esperando. Our Jonah swallowed the bad credit of it with appealing frankness; but that scarcely lessened the hardships our cause was made to suffer.

"At last one afternoon we steamed into the calm estuary of the little Rio Escondido. Three miles up this we crept, feeling for the shallow channel between the low banks that were crowded to the edge with gigantic trees and riotous vegetation. Then our whistle gave a little toot, and in five minutes we heard a shout, and Carlos—my brave Carlos Quintana—crashed through the tangled vines waving his cap madly for joy.

"A hundred yards away was his camp, where three hundred chosen patriots of Esperando were awaiting our coming. For a month Carlos had been drilling them there in the tactics of war, and filling them with the spirit of revolution and liberty.

"'My Captain—compadre mio!' shouted Carlos, while yet my boat was being lowered. 'You should see them in the drill by companies—in the column wheel—in the march by fours—they are superb! Also in the manual of arms—but, alas! performed only with sticks of bamboo. The guns, capitan—say that you have brought the guns!'

"'A thousand Winchesters, Carlos,' I called to him. 'And two Gatlings.'

"'Valgame Dios!' he cried, throwing his cap in the air. 'We shall sweep the world!'

"At that moment Kearny tumbled from the steamer's side into the river. He could not swim, so the crew threw him a rope and drew him back aboard. I caught his eye and his look of pathetic but still bright and undaunted consciousness of his guilty luck. I told myself that although he might be a man to shun, he was also one to be admired.

"I gave orders to the sailing-master that the arms, ammunition, and provisions were to be landed at once. That was easy in the steamer's boats, except for the two Gatling guns. For their transportation ashore we carried a stout flatboat, brought for the purpose in the steamer's hold.

"In the meantime I walked with Carlos to the camp and made the soldiers a little speech in Spanish, which they received with enthusiasm; and then I had some wine and a cigarette in Carlos's tent. Later we walked back to the river to see how the unloading was being conducted.

"The small arms and provisions were already ashore, and the petty officers and squads of men conveying them to camp. One Gatling had been safely landed; the other was just being hoisted over the side of the vessel as we arrived. I noticed Kearny darting about on board, seeming to have the ambition of ten men, and doing the work of five. I think his zeal bubbled over when he saw Carlos and me. A rope's end was swinging loose from some part of the tackle. Kearny leaped impetuously and caught it. There was a crackle and a hiss and a smoke of scorching hemp, and the Gatling dropped straight as a plummet through the bottom of the flatboat and buried itself in twenty feet of water and five feet of river mud.

"I turned my back on the scene. I heard Carlos's loud cries as if from some extreme grief too poignant for words. I heard the complaining murmur of the crew and the maledictions of Torres, the sailing master—I could not bear to look.

"By night some degree of order had been restored in camp. Military rules were not drawn strictly, and the men were grouped about the fires of their several messes, playing games of chance, singing their native songs, or discussing with voluble animation the contingencies of our march upon the capital.

"To my tent, which had been pitched for me close to that of my chief lieutenant, came Kearny, indomitable, smiling, bright-eyed, bearing no traces of the buffets of his evil star. Rather was his aspect that of a heroic martyr whose tribulations were so high-sourced and glorious that he even took a splendour and a prestige from them.

"'Well, Captain,' said he, 'I guess you realize that Bad-Luck Kearny is still on deck. It was a shame, now, about that gun. She only needed to be slewed two inches to clear the rail; and that's why I grabbed that rope's end. Who'd have thought that a sailor—even a Sicilian lubber on a banana coaster—would have fastened a line in a bow-knot? Don't think I'm trying to dodge the responsibility, Captain. It's my luck.'

"'There are men, Kearny,' said I gravely, 'who pass through life blaming upon luck and chance the mistakes that result from their own faults and incompetency. I do not say that you are such a man. But if all your mishaps are traceable to that tiny star, the sooner we endow our colleges with chairs of moral astronomy, the better.'

"'It isn't the size of the star that counts,' said Kearny; 'it's the quality. Just the way it is with women. That's why they give the biggest planets masculine names, and the little stars feminine ones—to even things up when it comes to getting their work in. Suppose they had called my star Agamemnon or Bill McCarty or something like that instead of Phoebe. Every time one of those old boys touched their calamity button and sent me down one of their wireless pieces of bad luck, I could talk back and tell 'em what I thought of 'em in suitable terms. But you can't address such remarks to a Phoebe.'

"'It pleases you to make a joke of it, Kearny,' said I, without smiling. 'But it is no joke to me to think of my Gatling mired in the river ooze.'

"'As to that,' said Kearny, abandoning his light mood at once, 'I have already done what I could. I have had some experience in hoisting stone in quarries. Torres and I have already spliced three hawsers and stretched them from the steamer's stern to a tree on shore. We will rig a tackle and have the gun on terra firma before noon to-morrow.'

"One could not remain long at outs with Bad-Luck Kearny.

"'Once more,' said I to him, 'we will waive this question of luck. Have you ever had experience in drilling raw troops?'

"'I was first sergeant and drill-master,' said Kearny, 'in the Chilean army for one year. And captain of artillery for another.'

"'What became of your command?' I asked.

"'Shot down to a man,' said Kearny, 'during the revolutions against Balmaceda.'

"Somehow the misfortunes of the evil-starred one seemed to turn to me their comedy side. I lay back upon my goat's-hide cot and laughed until the woods echoed. Kearny grinned. 'I told you how it was,' he said.

"'To-morrow,' I said, 'I shall detail one hundred men under your command for manual-of-arms drill and company evolutions. You will rank as lieutenant. Now, for God's sake, Kearny,' I urged him, 'try to combat this superstition if it is one. Bad luck may be like any other visitor—preferring to stop where it is expected. Get your mind off stars. Look upon Esperando as your planet of good fortune.'

"'I thank you, Captain,' said Kearny quietly. 'I will try to make it the best handicap I ever ran.'

"By noon the next day the submerged Gatling was rescued, as Kearny had promised. Then Carlos and Manuel Ortiz and Kearny (my lieutenants) distributed Winchesters among the troops and put them through an incessant rifle drill. We fired no shots, blank or solid, for of all coasts Esperando is the stillest; and we had no desire to sound any warnings in the ear of that corrupt government until they should carry with them the message of Liberty and the downfall of Oppression.

"In the afternoon came a mule-rider bearing a written message to me from Don Rafael Valdevia in the capital, Aguas Frias.

"Whenever that man's name comes to my lips, words of tribute to his greatness, his noble simplicity, and his conspicuous genius follow irrepressibly. He was a traveller, a student of peoples and governments, a master of sciences, a poet, an orator, a leader, a soldier, a critic of the world's campaigns and the idol of the people in Esperando. I had been honoured by his friendship for years. It was I who first turned his mind to the thought that he should leave for his monument a new Esperando—a country freed from the rule of unscrupulous tyrants, and a people made happy and prosperous by wise and impartial legislation. When he had consented he threw himself into the cause with the undivided zeal with which he endowed all of his acts. The coffers of his great fortune were opened to those of us to whom were entrusted the secret moves of the game. His popularity was already so great that he had practically forced President Cruz to offer him the portfolio of Minister of War.

"The time, Don Rafael said in his letter, was ripe. Success, he prophesied, was certain. The people were beginning to clamour publicly against Cruz's misrule. Bands of citizens in the capital were even going about of nights hurling stones at public buildings and expressing their dissatisfaction. A bronze statue of President Cruz in the Botanical Gardens had been lassoed about the neck and overthrown. It only remained for me to arrive with my force and my thousand rifles, and for himself to come forward and proclaim himself the people's saviour, to overthrow Cruz in a single day. There would be but a half-hearted resistance from the six hundred government troops stationed in the capital. The country was ours. He presumed that by this time my steamer had arrived at Quintana's camp. He proposed the eighteenth of July for the attack. That would give us six days in which to strike camp and march to Aguas Frias. In the meantime Don Rafael remained my good friend and compadre en la causa de la libertad.

"On the morning of the 14th we began our march toward the sea-following range of mountains, over the sixty-mile trail to the capital. Our small arms and provisions were laden on pack mules. Twenty men harnessed to each Gatling gun rolled them smoothly along the flat, alluvial lowlands. Our troops, well-shod and well-fed, moved with alacrity and heartiness. I and my three lieutenants were mounted on the tough mountain ponies of the country.

"A mile out of camp one of the pack mules, becoming stubborn, broke away from the train and plunged from the path into the thicket. The alert Kearny spurred quickly after it and intercepted its flight. Rising in his stirrups, he released one foot and bestowed upon the mutinous animal a hearty kick. The mule tottered and fell with a crash broadside upon the ground. As we gathered around it, it walled its great eyes almost humanly towards Kearny and expired. That was bad; but worse, to our minds, was the concomitant disaster. Part of the mule's burden had been one hundred pounds of the finest coffee to be had in the tropics. The bag burst and spilled the priceless brown mass of the ground berries among the dense vines and weeds of the swampy land. Mala suerte! When you take away from an Esperandan his coffee, you abstract his patriotism and 50 per cent. of his value as a soldier. The men began to rake up the precious stuff; but I beckoned Kearny back along the trail where they would not hear. The limit had been reached.

"I took from my pocket a wallet of money and drew out some bills.

"'Mr. Kearny,' said I, 'here are some funds belonging to Don Rafael Valdevia, which I am expending in his cause. I know of no better service it can buy for him than this. Here is one hundred dollars. Luck or no luck, we part company here. Star or no star, calamity seems to travel by your side. You will return to the steamer. She touches at Amotapa to discharge her lumber and iron, and then puts back to New Orleans. Hand this note to the sailing-master, who will give you passage.' I wrote on a leaf torn from my book, and placed it and the money in Kearny's hand.

"'Good-bye,' I said, extending my own. 'It is not that I am displeased with you; but there is no place in this expedition for—let us say, the Senorita Phoebe.' I said this with a smile, trying to smooth the thing for him. 'May you have better luck, companero.'

"Kearny took the money and the paper.

"'It was just a little touch,' said he, 'just a little lift with the toe of my boot—but what's the odds?—that blamed mule would have died if I had only dusted his ribs with a powder puff. It was my luck. Well, Captain, I would have liked to be in that little fight with you over in Aguas Frias. Success to the cause. Adios!'

"He turned around and set off down the trail without looking back. The unfortunate mule's pack-saddle was transferred to Kearny's pony, and we again took up the march.

"Four days we journeyed over the foot-hills and mountains, fording icy torrents, winding around the crumbling brows of ragged peaks, creeping along the rocky flanges that overlooked awful precipices, crawling breathlessly over tottering bridges that crossed bottomless chasms.

"On the evening of the seventeenth we camped by a little stream on the bare hills five miles from Aguas Frias. At daybreak we were to take up the march again.

"At midnight I was standing outside my tent inhaling the fresh cold air. The stars were shining bright in the cloudless sky, giving the heavens their proper aspect of illimitable depth and distance when viewed from the vague darkness of the blotted earth. Almost at its zenith was the planet Saturn; and with a half-smile I observed the sinister red sparkle of his malignant attendant—the demon star of Kearny's ill luck. And then my thoughts strayed across the hills to the scene of our coming triumph where the heroic and noble Don Rafael awaited our coming to set a new and shining star in the firmament of nations.

"I heard a slight rustling in the deep grass to my right. I turned and saw Kearny coming toward me. He was ragged and dew-drenched and limping. His hat and one boot were gone. About one foot he had tied some makeshift of cloth and grass. But his manner as he approached was that of a man who knows his own virtues well enough to be superior to rebuffs.

"'Well, sir,' I said, staring at him coldly, 'if there is anything in persistence, I see no reason why you should not succeed in wrecking and ruining us yet.'

"'I kept half a day's journey behind,' said Kearny, fishing out a stone from the covering of his lame foot, 'so the bad luck wouldn't touch you. I couldn't help it, Captain; I wanted to be in on this game. It was a pretty tough trip, especially in the department of the commissary. In the low grounds there were always bananas and oranges. Higher up it was worse; but your men left a good deal of goat meat hanging on the bushes in the camps. Here's your hundred dollars. You're nearly there now, captain. Let me in on the scrapping to-morrow.'

"'Not for a hundred times a hundred would I have the tiniest thing go wrong with my plans now,' I said, 'whether caused by evil planets or the blunders of mere man. But yonder is Aguas Frias, five miles away, and a clear road. I am of the mind to defy Saturn and all his satellites to spoil our success now. At any rate, I will not turn away to-night as weary a traveller and as good a soldier as you are, Lieutenant Kearny. Manuel Ortiz's tent is there by the brightest fire. Rout him out and tell him to supply you with food and blankets and clothes. We march again at daybreak.'

"Kearny thanked me briefly but feelingly and moved away.

"He had gone scarcely a dozen steps when a sudden flash of bright light illumined the surrounding hills; a sinister, growing, hissing sound like escaping steam filled my ears. Then followed a roar as of distant thunder, which grew louder every instant. This terrifying noise culminated in a tremendous explosion, which seemed to rock the hills as an earthquake would; the illumination waxed to a glare so fierce that I clapped my hands over my eyes to save them. I thought the end of the world had come. I could think of no natural phenomenon that would explain it. My wits were staggering. The deafening explosion trailed off into the rumbling roar that had preceded it; and through this I heard the frightened shouts of my troops as they stumbled from their resting-places and rushed wildly about. Also I heard the harsh tones of Kearny's voice crying: 'They'll blame it on me, of course, and what the devil it is, it's not Francis Kearny that can give you an answer.'

"I opened my eyes. The hills were still there, dark and solid. It had not been, then, a volcano or an earthquake. I looked up at the sky and saw a comet-like trail crossing the zenith and extending westward—a fiery trail waning fainter and narrower each moment.

"'A meteor!' I called aloud. 'A meteor has fallen. There is no danger.'

"And then all other sounds were drowned by a great shout from Kearny's throat. He had raised both hands above his head and was standing tiptoe.

"'PHOEBE'S GONE!' he cried, with all his lungs. 'She's busted and gone to hell. Look, Captain, the little red-headed hoodoo has blown herself to smithereens. She found Kearny too tough to handle, and she puffed up with spite and meanness till her boiler blew up. It's be Bad-Luck Kearny no more. Oh, let us be joyful!

"'Humpty Dumpty sat on a wall; Humpty busted, and that'll be all!'

"I looked up, wondering, and picked out Saturn in his place. But the small red twinkling luminary in his vicinity, which Kearny had pointed out to me as his evil star, had vanished. I had seen it there but half an hour before; there was no doubt that one of those awful and mysterious spasms of nature had hurled it from the heavens.

"I clapped Kearny on the shoulder.

"'Little man,' said I, 'let this clear the way for you. It appears that astrology has failed to subdue you. Your horoscope must be cast anew with pluck and loyalty for controlling stars. I play you to win. Now, get to your tent, and sleep. Daybreak is the word.'

"At nine o'clock on the morning of the eighteenth of July I rode into Aguas Frias with Kearny at my side. In his clean linen suit and with his military poise and keen eye he was a model of a fighting adventurer. I had visions of him riding as commander of President Valdevia's body-guard when the plums of the new republic should begin to fall.

"Carlos followed with the troops and supplies. He was to halt in a wood outside the town and remain concealed there until he received the word to advance.

"Kearny and I rode down the Calle Ancha toward the residencia of Don Rafael at the other side of the town. As we passed the superb white buildings of the University of Esperando, I saw at an open window the gleaming spectacles and bald head of Herr Bergowitz, professor of the natural sciences and friend of Don Rafael and of me and of the cause. He waved his hand to me, with his broad, bland smile.

"There was no excitement apparent in Aguas Frias. The people went about leisurely as at all times; the market was thronged with bare-headed women buying fruit and carne; we heard the twang and tinkle of string bands in the patios of the cantinas. We could see that it was a waiting game that Don Rafael was playing.

"His residencia was a large but low building around a great courtyard in grounds crowed with ornamental trees and tropic shrubs. At his door an old woman who came informed us that Don Rafael had not yet arisen.

"'Tell him,' said I, 'that Captain Malone and a friend wish to see him at once. Perhaps he has overslept.'

"She came back looking frightened.

"'I have called,' she said, 'and rung his bell many times, but he does not answer.'

"I knew where his sleeping-room was. Kearny and I pushed by her and went to it. I put my shoulder against the thin door and forced it open.

"In an armchair by a great table covered with maps and books sat Don Rafael with his eyes closed. I touched his hand. He had been dead many hours. On his head above one ear was a wound caused by a heavy blow. It had ceased to bleed long before.

"I made the old woman call a mozo, and dispatched him in haste to fetch Herr Bergowitz.

"He came, and we stood about as if we were half stunned by the awful shock. Thus can the letting of a few drops of blood from one man's veins drain the life of a nation.

"Presently Herr Bergowitz stooped and picked up a darkish stone the size of an orange which he saw under the table. He examined it closely through his great glasses with the eye of science.

"'A fragment,' said he, 'of a detonating meteor. The most remarkable one in twenty years exploded above this city a little after midnight this morning.'

"The professor looked quickly up at the ceiling. We saw the blue sky through a hole the size of an orange nearly above Don Rafael's chair.

"I heard a familiar sound, and turned. Kearny had thrown himself on the floor and was babbling his compendium of bitter, blood-freezing curses against the star of his evil luck.

"Undoubtedly Phoebe had been feminine. Even when hurtling on her way to fiery dissolution and everlasting doom, the last word had been hers."



Captain Malone was not unskilled in narrative. He knew the point where a story should end. I sat reveling in his effective conclusion when he aroused me by continuing:

"Of course," said he, "our schemes were at an end. There was no one to take Don Rafael's place. Our little army melted away like dew before the sun.

"One day after I had returned to New Orleans I related this story to a friend who holds a professorship in Tulane University.

"When I had finished he laughed and asked whether I had any knowledge of Kearny's luck afterward. I told him no, that I had seen him no more; but that when he left me, he had expressed confidence that his future would be successful now that his unlucky star had been overthrown.

"'No doubt,' said the professor, 'he is happier not to know one fact. If he derives his bad luck from Phoebe, the ninth satellite of Saturn, that malicious lady is still engaged in overlooking his career. The star close to Saturn that he imagined to be her was near that planet simply by the chance of its orbit—probably at different times he has regarded many other stars that happened to be in Saturn's neighbourhood as his evil one. The real Phoebe is visible only through a very good telescope.'

"About a year afterward," continued Captain Malone, "I was walking down a street that crossed the Poydras Market. An immensely stout, pink-faced lacy in black satin crowded me from the narrow sidewalk with a frown. Behind her trailed a little man laden to the gunwales with bundles and bags of goods and vegetables.

"It was Kearny—but changed. I stopped and shook one of his hands, which still clung to a bag of garlic and red peppers.

"'How is the luck, old companero?' I asked him. I had not the heart to tell him the truth about his star.

"'Well,' said he, 'I am married, as you may guess.'

"'Francis!' called the big lady, in deep tones, 'are you going to stop in the street talking all day?'

"'I am coming, Phoebe dear,' said Kearny, hastening after her."

Captain Malone ceased again.

"After all, do you believe in luck?" I asked.

"Do you?" answered the captain, with his ambiguous smile shaded by the brim of his soft straw hat.



VIII

A DOUBLE-DYED DECEIVER

The trouble began in Laredo. It was the Llano Kid's fault, for he should have confined his habit of manslaughter to Mexicans. But the Kid was past twenty; and to have only Mexicans to one's credit at twenty is to blush unseen on the Rio Grande border.

It happened in old Justo Valdos's gambling house. There was a poker game at which sat players who were not all friends, as happens often where men ride in from afar to shoot Folly as she gallops. There was a row over so small a matter as a pair of queens; and when the smoke had cleared away it was found that the Kid had committed an indiscretion, and his adversary had been guilty of a blunder. For, the unfortunate combatant, instead of being a Greaser, was a high-blooded youth from the cow ranches, of about the Kid's own age and possessed of friends and champions. His blunder in missing the Kid's right ear only a sixteenth of an inch when he pulled his gun did not lessen the indiscretion of the better marksman.

The Kid, not being equipped with a retinue, nor bountifully supplied with personal admirers and supporters—on account of a rather umbrageous reputation, even for the border—considered it not incompatible with his indisputable gameness to perform that judicious tractional act known as "pulling his freight."

Quickly the avengers gathered and sought him. Three of them overtook him within a rod of the station. The Kid turned and showed his teeth in that brilliant but mirthless smile that usually preceded his deeds of insolence and violence, and his pursuers fell back without making it necessary for him even to reach for his weapon.

But in this affair the Kid had not felt the grim thirst for encounter that usually urged him on to battle. It had been a purely chance row, born of the cards and certain epithets impossible for a gentleman to brook that had passed between the two. The Kid had rather liked the slim, haughty, brown-faced young chap whom his bullet had cut off in the first pride of manhood. And now he wanted no more blood. He wanted to get away and have a good long sleep somewhere in the sun on the mesquit grass with his handkerchief over his face. Even a Mexican might have crossed his path in safety while he was in this mood.

The Kid openly boarded the north-bound passenger train that departed five minutes later. But at Webb, a few miles out, where it was flagged to take on a traveller, he abandoned that manner of escape. There were telegraph stations ahead; and the Kid looked askance at electricity and steam. Saddle and spur were his rocks of safety.

The man whom he had shot was a stranger to him. But the Kid knew that he was of the Coralitos outfit from Hidalgo; and that the punchers from that ranch were more relentless and vengeful than Kentucky feudists when wrong or harm was done to one of them. So, with the wisdom that has characterized many great fighters, the Kid decided to pile up as many leagues as possible of chaparral and pear between himself and the retaliation of the Coralitos bunch.

Near the station was a store; and near the store, scattered among the mesquits and elms, stood the saddled horses of the customers. Most of them waited, half asleep, with sagging limbs and drooping heads. But one, a long-legged roan with a curved neck, snorted and pawed the turf. Him the Kid mounted, gripped with his knees, and slapped gently with the owner's own quirt.

If the slaying of the temerarious card-player had cast a cloud over the Kid's standing as a good and true citizen, this last act of his veiled his figure in the darkest shadows of disrepute. On the Rio Grande border if you take a man's life you sometimes take trash; but if you take his horse, you take a thing the loss of which renders him poor, indeed, and which enriches you not—if you are caught. For the Kid there was no turning back now.

With the springing roan under him he felt little care or uneasiness. After a five-mile gallop he drew in to the plainsman's jogging trot, and rode northeastward toward the Nueces River bottoms. He knew the country well—its most tortuous and obscure trails through the great wilderness of brush and pear, and its camps and lonesome ranches where one might find safe entertainment. Always he bore to the east; for the Kid had never seen the ocean, and he had a fancy to lay his hand upon the mane of the great Gulf, the gamesome colt of the greater waters.