241. A Landscape, traversed obliquely by a canal, on the bank of which sits a man, angling.

242. A Landscape, distinguished by a low house built on the bank of a canal, and above the roof of which rises the gable of a second house; near these are some trees and a boarded fence.

243. A Landscape, in which may be noticed a house of two stories high, a windmill, and a river with a sailing boat on it.

244. A Landscape, divided by a canal; in the centre rises a large tree, near which is a cottage partly concealed by trees. Dated 1659.

245. A Landscape, with a barn filled with hay, adjacent to which is a cottage with a fence in front of it, and a clump of trees.

246. A Landscape, with a canal in front, and a boat on it; the scene is further distinguished by a large cottage, with the upper part of the door open.

247. A Landscape, with a large house on the right, constructed of wood, and having three chimneys; beyond this object are two hovels surrounded by trees, at the foot of which flows a river.

248. A Landscape, on the left of which may be noticed a peasant drawing water from a well, behind which grows a lofty tree. A dray-cart is also introduced.

249. A Landscape. This scene is distinguished by a chateau with eight pointed towers. This is doubted by M. de Claussin.

250. A Landscape, with several trees in the distance, in addition to which may be noticed a large trunk of a tree, and in front of it is a bull attached by a cord.

251. A Village Scene. The view represents, on the right, two houses with pointed roofs; above which rises a round tower.

252. This view exhibits a portion of a village, with six thatched houses, only one of which is shadowed and finished. Dated 1659.

253. A Landscape, with a large canal extending throughout the scene, on the banks of which are two men angling.

Portraits of Men.

254. Portrait of a Man, seen in nearly a front view, with his left hand resting on a table. Dated 1642.

255. Portrait of a young Man, seated, with his right hand placed on his thigh, and the left on his breast. Dated 1650.

256. Portrait of an old Man. He is in the act of raising the right hand to his bonnet.

257. Portrait of an old Man, seen in nearly a front view. He appears to be seated, and his attention is directed downwards.

258. Portrait of a Man, with long straight hair covered with a cap; a chain is suspended round his neck, to which is attached a cross. Dated 1641.

259. An old Man with a long beard, having on a fur cap, and a large mantle, sitting in an arm-chair.

260. A man with a short beard, represented in a front view, with a fur cap on his head, and dressed in an embroidered mantle. Dated 1631.

261. Portrait of Jan Antonides Vander Linden. He wears a handsome robe, and is represented in a garden, with a book in his hand.

262. An old Man, with a square-shaped beard, a fur cap on his head, and the right hand placed on his belt. Dated 1640.

*263. Portrait of Janus Silvius. He is represented in nearly a front view, dressed in a robe bordered with fur, a ruff, and a cap, and seated at a table, with one hand placed on the other. Dated 1633.

264. An old Man with a long beard, seated at a table, with both hands on a book.

265. A young Man seated at a table, on which are some books. He has on a cap, and wears a robe lined with fur. Dated 1637.

266. Portrait of Manasseh Ben Israel. He is distinguished by a pointed beard, and is seen in a front view, having on a broad-brimmed hat, and a large collar. Dated 1636.

*267. Portrait of Dr. Faustus. This person is represented in a profile view, having on a white cap and a robe, standing, with one hand on a table, and the other on his chair.

268. Portrait of Renier Hanslo. He is seen in a front view, seated at a table, on which is placed a large open book. Dated 1641.

269. Portrait of Clement de Jonge, a print dealer. He is seated in nearly a front view, wearing a slouched hat, a mantle, and a small collar; he wears gloves, and the right hand is placed in front. Dated 1642.

270. Portrait of Abraham France, an amateur of prints. He is seated in an arm-chair examining a print which he holds in his right hand.

*271. Portrait of the elder Haaring. He is represented in a front view, seated, resting both arms on the elbows of his chair, and the fingers of his right appear to hold a pinch of snuff.

*272. Portrait of young Haaring, son of the preceding Burgomaster. He is seen in a front view, apparently seated, with his right hand resting on the elbow of his chair. Dated 1655.

*273. Portrait of young Lutma, a celebrated goldsmith. He is seated, holding in his right hand a metal figure. Upon a table near him are a silver tazza, and other objects relative to his occupation. Dated 1656.

274. Portrait of Jean Asselyn, surnamed Crabatje. He is represented standing in a front view, having on a slouched hat; his body is enveloped in a mantle, and his right hand rests on a table, on which are a palette and several books.

*275. Portrait of Ephraim Bonus, a Jew doctor. He appears to be in the act of descending some stairs, and his right hand is placed on the baluster. His dress consists of a high-crowned hat, and a pendent frill. Dated 1647.

276. Portrait of Utenbogardus, a Dutch minister. He is seen in a front view, seated, holding with his right hand a book, which lies open on a table. (Oval.) Dated 1635.

*277. Portrait of Jean Silvius, a learned man and a minister. This print is enclosed in an oval, around which is written, Spes mea Christus, &c.

*278. Portrait of Utenbogaerd, known under the appellation of the "Gold Weigher." He is seated, holding a pen in his right hand, which rests on a large book lying open on a table. His attention is directed to a youth, to whom he is giving a bag of money. Dated 1639.

279. Portrait of Coppenol, a celebrated writing master, styled "The Little Coppenol." He is seated at a table, holding a pen in his right hand, which he rests on some paper, and the left is also placed on the same sheet; a boy stands behind him, with his hat in his hand.

*280. Portrait of Coppenol, called "The Great," to distinguish it from the preceding. He is also seated near a table, holding with both hands a sheet of paper, and between the fingers of the right is a pen.

*281. Portrait of Tolling, a Lawyer. He is seen in a front view, seated at a table, on which is a large book, resting both arms on the elbows of his chair, and holding his spectacles in his hand; he has on a slouched hat.

*282. Portrait of the Burgomaster, Jan Six, when twenty-nine years old. He is represented full-length, standing near an open window, engaged in reading a book, which he holds with both hands. This precious work of Rembrandt is dated 1647.

Fancy Heads of Men.

283. A Head of an Asiatic, seen in a front view, having on a calotte. The dress consists of a furred robe, adorned with a gold chain and a medal. Signed, Rembrandt, Venitiis fecit. Dated 1635.

284. A Head of a similar person, seen in a profile view, having on a turban, and a robe bordered with fur. Signed, Rembrandt, Venitiis fecit.

285. A third Head, Asiatic; he has a large beard, and is seen in a profile view, having on a turban, decked in front with a feather. Signed, Rembrandt, Venitiis fecit, 1635.

286. The Bust of a Man, with long hair, and a short frizzled beard, seen in nearly a profile view, having on the usual shaped cap peculiar to the master.

287. The Bust of an old Man, with a long beard, seen in nearly a front view. He has on a fur cap, and wears a mantle, attached in front by clasps.

288. The Bust of an old Man, with a long beard, and a bald head in front; he is seen in a front view, bending a little forward, in such a manner as to throw a shadow over the face.

289. An old Man, seen in a profile view, having a short beard and a bald head. His dress consists of a robe bordered with fur. Dated 1630.

290. The Bust of an old Man without a beard, having a bald head, and seen in a profile view.

291. The Bust of an old Man, seen in a profile view, with a bald head, inclined a little forward. Dated 1630.

292. A small Bust of an old Man, with a bald head, which is bent considerably forward; the face is seen in a three-quarter view.

293. The Bust of an old Man, with a beard and frizzled hair, seen in a three-quarter view. Dated 1631.

294. The Bust of an old Man, with a bald head, which inclines forward, and is turned a little to the right; the mouth is considerably open. Dated 1631.

295. A small Bust of an aged Man without a beard; the face is turned towards the right, and a large fur cap covers the head.

296. The Bust of an elderly Man, with a short frizzled beard. He is seen in a three-quarter view, having on a turned-up cap; the mouth is open, and he appears to be calling to some one.

297. A Head very similar to the preceding, but smaller in size, and extremely rare.

298. A small Bust, the head of which partakes of the character of a Turkish slave. He has on a large high cap, turned up. The body is slightly sketched out.

299. A very small Bust of a Man, similar in character to the preceding; seen in a profile view, having mustacheos. He has on a cap, the upper part of which hangs over, and a frill surrounds the neck.

300. The Bust of a Man, seen in a front view, having on a cap in the shape of a calotte, and a mantle bordered with carmine.

301. The Bust of a Man, with the head uncovered and seen in a front view; his hair is frizzled, and his mouth a little on one side.

302. The Head of an old Man, with a short beard and a bald crown; his neck is enveloped in fur. The shoulders are only slightly indicated.

303. The Bust of a Man, represented in a three-quarter view, with the head bending forward. He has on a fur cap, and a robe bordered with fur, which is open in front, and shows a vest under it. Dated 1631.

304. The Bust of a Man, seen in nearly a profile view, having a pouting mouth, resembling a negro, and a short frizzled beard. He has on a calotte, and a robe bordered with fur, attached in front with a single button.

305. A Bust of an old Man, with a grey beard and bald in front, represented in a three-quarter view, with the head inclining. He has on a hairy coat with a collar. Dated 1630.

306. A Half-figure of a young Man, represented in a profile view, having short frizzled hair. He wears a large cravat enriched with lace, and a coat with large sleeves and girt with a belt. Dated 164-**; the last figure is omitted.

307. A Bust of a Man, seen in a three-quarter view, having mustacheos. He has on a large hat with a broad brim, a coat buttoned in front, and a pendent frill. Dated 1630.

308. A Bust of an old Man with a large beard, seen in nearly a front view, with a fur cap on.

309. A Bust of an old Man, with a large square-shaped beard, seen in a three-quarter view. He has a cap of the usual shape, and a robe bordered with fur. Dated 1637.

310. A Bust of an old Man, with a similar beard to the last. The face is represented in a three-quarter view, having on a large cap, and a robe bordered with fur.

311. A Bust of an old Man with a pointed beard, seen in a three-quarter view, with a bald front, and the eyes bent downwards; the body is enveloped in a cloak.

312. A Bust of an old Man with a straight beard, seen in a profile view. He has on a small pointed cap. Dated 1631.

313. A Philosopher, with a large square-shaped beard, seen in a profile view, having on a large cap decked with fur; an hour-glass and a skull are faintly introduced. Engraved on wood. This print is doubted by the Chevalier Claussins.

314. An elderly Man, represented in a three-quarter view, apparently seated; he has mustacheos, and a tuft of beard, and wears a large high cap, and a robe bordered with white fur. Dated 1630.

315. A small Bust of a Man, seen in a front view, with the usual shaped cap on his head, and the body enveloped in a mantle. Dated 1631.

316. A Bust of a Man, seen in a profile view, having on a cap with pendent ear straps; the shoulders are covered with a mantle, relieved by a small frill.

317. A Bust of a Man with a bald head, seen in a three-quarter view; the shoulders are covered with a mantle bordered with fur. Dated 1631.

318. A Bust of an old Man, with a very large square-shaped beard, seen in nearly a front view. The head inclines forward, and the eyes are directed downwards. Dated 1630.

319. A very small Head, of a grotesque character, seen in a profile view, having on a fur cap, surrounded by a band.

320. Another small Head, having the appearance of being that of a beggar; the mouth is open, as if he were calling to some one; he has on a pointed cap, and a coat attached by a single button.

321. A Bust of a young Man, the head only of which is finished. He has on a large slouched hat.

322. A Bust of a young Man, with a hat on, of the same form as the preceding.

323. A Bust of a young Man, with a cap on, decked with feathers, and represented at a window. M. Claussins thinks this to be of a doubtful kind.

324. A Bust of a Man, with mustacheos, and frizzled hair, which falls on the right shoulder.

325. A Bust of an old Man, with mustacheos, and a tuft of beard, represented in a three-quarter view, having on a high fur cap, and a fur cloak.

326. A Bust of an old Man, with a long beard, and a bald head in front, seen in a profile view; a robe, bordered with fur, covers his shoulders.

327. A Bust of a Man, with a cap on, decked with feathers. He is seen in a front view, having a beard and mustacheos, and wearing a frill round the neck.

328. A Bust of an old Man, with a white beard, having on a turned-up cap, and a mantle bordered with fur.

329. A Man, having the appearance of a negro, represented in nearly a profile view. He has on a turban decked with a feather, and holds a cane in the right hand.

Portraits of Women.

*330. Portrait of a Woman, styled, "The great Jewish Bride." She is seated, resting her right hand on the elbow of her chair, and holding a roll of papers in the left.

331. A Head, similar to that of the preceding print, and supposed by some amateurs to have been a study for it, but M. Claussins, in his catalogue, combats that opinion.

*332. Portrait of a Woman, styled, "The little Jewish Bride." Her face is seen in a three-quarter view, and she appears to be standing, with her hands crossed on her waist. Dated 1633.

333. An aged Woman, seated at a table, with her hands placed one on the other; a black veil covers her head, and a mantle, bordered with fur, envelopes her shoulders.

334. An aged Woman; she appears to be also seated, and is seen in a three-quarter view, with a kind of bonnet on her head, and a veil over it; her dress terminates in a frill.

335. Portrait of a young Woman, seen in nearly a profile view, seated near a table, on which is a book; her right hand is concealed by her robe, and the left placed on the book. Dated 1634.

336. An aged Woman meditating over a book. She is seated, having her right hand under her robe, and the left on a book lying on a table. A half-figure, looking to the left.

337. Portrait of a Woman, seen in a profile view. Her hair is tastefully arranged, and decked with pearls; two rows of the same adorn her neck, and the sleeves of her robe are open. Dated 1634.

338. Portrait of an elderly Woman, seen in a profile view. She is seated, with the left hand placed on her breast, and the right on the elbow of her chair. Dated 1631.

339. A Bust Portrait of the Mother of Rembrandt, represented in nearly a front view, with a veil on her head. Her left hand is placed on her breast. Dated 1631.

340. An elderly Woman sleeping. She appears to have been fatigued with reading, and having removed her spectacles from her eyes, has fallen asleep while resting her head on her hand.

341. An aged Woman, resembling the Mother of Rembrandt. She is seen in a three-quarter view, with a linen covering over her head, which falls on her shoulders. Dated 1633.

342. A Head of an elderly Woman, having also the resemblance of Rembrandt's Mother. She is seen in a front view, with the mouth compressed. She has on a cap of the usual form. Dated 1628.

343. A Bust of an elderly Woman, having the same character as the preceding. She is seen in a three-quarter view, with a covering on the head, turned up over the right ear, and falling on the left. Dated 1628.

344. A Bust of the Mother of Rembrandt. She is seen in a front view, with the usual kind of cap on the head, and a robe bordered with fur, which is only slightly sketched in.

345. An old Woman in a black veil. This bust represents the face in a three-quarter view; the veil falls on the shoulders, and her robe is turned up with fur. Dated 1631.

346. A young Woman, represented in nearly a profile view, with a basket on her right arm, and a pouch suspended to the left. She has on a small flat hat, and a tippet over her shoulders.

347. A Bust of a Moorish Woman, seen in nearly a profile view, having on her head a scarf turned up in front, decked with a feather, and falling behind her head.

348. A Bust of an aged Woman, lightly etched. She is seen in a three-quarter view, with a bonnet on, in the form of a turban, and lappets hanging on either side, and the dress consists of a fur robe.

349. A Bust of a Woman, seen in a three-quarter view, with the head enveloped in a kerchief, the ends of which hang on either side. The body is unfinished.

350. A Head of an elderly Woman, seen in a three-quarter view, with the eyes bent downwards.

351. A Woman seated, resting her head on her hand, and turning over the leaves of a book with the other.

352. An elderly Woman, seen in nearly a profile view, with spectacles on, and holding with both hands a book, which she appears to be reading.

Studies of Heads and Other Objects.

353. A Head of Rembrandt, together with studies of old Men and Women, and other objects, on the same plate.

354. A Study of a Horse, two Heads, a part of a House, and other objects, on the same plate.

355. Rembrandt's Wife, and five other Heads, on the same plate. Dated 1636.

356. Five Heads of Men on one sheet,[2] one of which, placed on the right, wears a square cap, and another, seen on the opposite side, has on a fur cap.

357. Three Heads of Women on one sheet, one of them, occupying the centre and top, is seen in a front view, with one hand raised to her face.

358. Three Heads of Women on one sheet. This print is distinguished by one of the women resting her head on her hand, asleep. Dated 1637.

359. Two Women in separate Beds; several Heads, and studies of an old Man and Woman, with sticks in their hands; on one sheet.

360. A Head of Rembrandt, and other studies, on the same sheet. Dated 1651.

*361. A Study of a Dog, the head only of which is finished.

362. A Sketch of a Tree, and other objects, on the same sheet.

363. Two small Figures, one of which, having on a high crowned cap, is seen to the knees; the form of the other is but imperfectly traced, and the other objects are still more indistinct.

364. Three Heads of old Men on one sheet. They are all seen in a profile view, and placed in the same direction.

365. A Study of a Female Head, very lightly etched. She has on her head a kind of mob cap, and the body is turned to the right.

[Footnote 2: This plate was afterwards cut into five, and the several heads are arranged in their proper order.]

* * * * *

Savill & Edwards, Printers, 4, Chandos Street, Covent Garden.

THE END