Wareham was a pretty village with a broad main street shaded by great maples and elms. It had an apothecary, a blacksmith, a plumber, several shops of one sort and another, two churches, and many boarding-houses; but all its interests gathered about its seminary and its academy. These seats of learning were neither better nor worse than others of their kind, but differed much in efficiency, according as the principal who chanced to be at the head was a man of power and inspiration or the reverse. There were boys and girls gathered from all parts of the county and state, and they were of every kind and degree as to birth, position in the world, wealth or poverty. There was an opportunity for a deal of foolish and imprudent behavior, but on the whole surprisingly little advantage was taken of it. Among the third and fourth year students there was a certain amount of going to and from the trains in couples; some carrying of heavy books up the hill by the sterner sex for their feminine schoolmates, and occasional bursts of silliness on the part of heedless and precocious girls, among whom was Huldah Meserve. She was friendly enough with Emma Jane and Rebecca, but grew less and less intimate as time went on. She was extremely pretty, with a profusion of auburn hair, and a few very tiny freckles, to which she constantly alluded, as no one could possibly detect them without noting her porcelain skin and her curling lashes. She had merry eyes, a somewhat too plump figure for her years, and was popularly supposed to have a fascinating way with her. Riverboro being poorly furnished with beaux, she intended to have as good a time during her four years at Wareham as circumstances would permit. Her idea of pleasure was an ever-changing circle of admirers to fetch and carry for her, the more publicly the better; incessant chaff and laughter and vivacious conversation, made eloquent and effective by arch looks and telling glances. She had a habit of confiding her conquests to less fortunate girls and bewailing the incessant havoc and damage she was doing; a damage she avowed herself as innocent of, in intention, as any new-born lamb. It does not take much of this sort of thing to wreck an ordinary friendship, so before long Rebecca and Emma Jane sat in one end of the railway train in going to and from Riverboro, and Huldah occupied the other with her court. Sometimes this was brilliant beyond words, including a certain youthful Monte Cristo, who on Fridays expended thirty cents on a round trip ticket and traveled from Wareham to Riverboro merely to be near Huldah; sometimes, too, the circle was reduced to the popcorn-and-peanut boy of the train, who seemed to serve every purpose in default of better game.

Rebecca was in the normally unconscious state that belonged to her years; boys were good comrades, but no more; she liked reciting in the same class with them, everything seemed to move better; but from vulgar and precocious flirtations she was protected by her ideals. There was little in the lads she had met thus far to awaken her fancy, for it habitually fed on better meat. Huldah's school-girl romances, with their wealth of commonplace detail, were not the stuff her dreams were made of, when dreams did flutter across the sensitive plate of her mind.

Among the teachers at Wareham was one who influenced Rebecca profoundly, Miss Emily Maxwell, with whom she studied English literature and composition. Miss Maxwell, as the niece of one of Maine's ex-governors and the daughter of one of Bowdoin's professors, was the most remarkable personality in Wareham, and that her few years of teaching happened to be in Rebecca's time was the happiest of all chances. There was no indecision or delay in the establishment of their relations; Rebecca's heart flew like an arrow to its mark, and her mind, meeting its superior, settled at once into an abiding attitude of respectful homage.

It was rumored that Miss Maxwell "wrote," which word, when uttered in a certain tone, was understood to mean not that a person had command of penmanship, Spencerian or otherwise, but that she had appeared in print.

"You'll like her; she writes," whispered Huldah to Rebecca the first morning at prayers, where the faculty sat in an imposing row on the front seats. "She writes; and I call her stuck up."

Nobody seemed possessed of exact information with which to satisfy the hungry mind, but there was believed to be at least one person in existence who had seen, with his own eyes, an essay by Miss Maxwell in a magazine. This height of achievement made Rebecca somewhat shy of her, but she looked her admiration; something that most of the class could never do with the unsatisfactory organs of vision given them by Mother Nature. Miss Maxwell's glance was always meeting a pair of eager dark eyes; when she said anything particularly good, she looked for approval to the corner of the second bench, where every shade of feeling she wished to evoke was reflected on a certain sensitive young face.

One day, when the first essay of the class was under discussion, she asked each new pupil to bring her some composition written during the year before, that she might judge the work, and know precisely with what material she had to deal. Rebecca lingered after the others, and approached the desk shyly.

"I haven't any compositions here, Miss Maxwell, but I can find one when I go home on Friday. They are packed away in a box in the attic."

"Carefully tied with pink and blue ribbons?" asked Miss Maxwell, with a whimsical smile.

"No," answered Rebecca, shaking her head decidedly; "I wanted to use ribbons, because all the other girls did, and they looked so pretty, but I used to tie my essays with twine strings on purpose; and the one on solitude I fastened with an old shoelacing just to show it what I thought of it!"

"Solitude!" laughed Miss Maxwell, raising her eyebrows. "Did you choose your own subject?"

"No; Miss Dearborn thought we were not old enough to find good ones."

"What were some of the others?"

"Fireside Reveries, Grant as a Soldier, Reflections on the Life of P. T. Barnum, Buried Cities; I can't remember any more now. They were all bad, and I can't bear to show them; I can write poetry easier and better, Miss Maxwell."

"Poetry!" she exclaimed. "Did Miss Dearborn require you to do it?"

"Oh, no; I always did it even at the farm. Shall I bring all I have? It isn't much."

Rebecca took the blank-book in which she kept copies of her effusions and left it at Miss Maxwell's door, hoping that she might be asked in and thus obtain a private interview; but a servant answered her ring, and she could only walk away, disappointed.

A few days afterward she saw the black-covered book on Miss Maxwell's desk and knew that the dreaded moment of criticism had come, so she was not surprised to be asked to remain after class.

The room was quiet; the red leaves rustled in the breeze and flew in at the open window, bearing the first compliments of the season. Miss Maxwell came and sat by Rebecca's side on the bench.

"Did you think these were good?" she asked, giving her the verses.

"Not so very," confessed Rebecca; "but it's hard to tell all by yourself. The Perkinses and the Cobbs always said they were wonderful, but when Mrs. Cobb told me she thought they were better than Mr. Longfellow's I was worried, because I knew that couldn't be true."

This ingenuous remark confirmed Miss Maxwell's opinion of Rebecca as a girl who could hear the truth and profit by it.

"Well, my child," she said smilingly, "your friends were wrong and you were right; judged by the proper tests, they are pretty bad."

"Then I must give up all hope of ever being a writer!" sighed Rebecca, who was tasting the bitterness of hemlock and wondering if she could keep the tears back until the interview was over.

"Don't go so fast," interrupted Miss Maxwell. "Though they don't amount to anything as poetry, they show a good deal of promise in certain directions. You almost never make a mistake in rhyme or metre, and this shows you have a natural sense of what is right; a 'sense of form,' poets would call it. When you grow older, have a little more experience,—in fact, when you have something to say, I think you may write very good verses. Poetry needs knowledge and vision, experience and imagination, Rebecca. You have not the first three yet, but I rather think you have a touch of the last."

"Must I never try any more poetry, not even to amuse myself?"

"Certainly you may; it will only help you to write better prose. Now for the first composition. I am going to ask all the new students to write a letter giving some description of the town and a hint of the school life."

"Shall I have to be myself?" asked Rebecca.

"What do you mean?"

"A letter from Rebecca Randall to her sister Hannah at Sunnybrook Farm, or to her aunt Jane at the brick house, Riverboro, is so dull and stupid, if it is a real letter; but if I could make believe I was a different girl altogether, and write to somebody who would be sure to understand everything I said, I could make it nicer."

"Very well; I think that's a delightful plan," said Miss Maxwell; "and whom will you suppose yourself to be?"

"I like heiresses very much," replied Rebecca contemplatively. "Of course I never saw one, but interesting things are always happening to heiresses, especially to the golden-haired kind. My heiress wouldn't be vain and haughty like the wicked sisters in Cinderella; she would be noble and generous. She would give up a grand school in Boston because she wanted to come here where her father lived when he was a boy, long before he made his fortune. The father is dead now, and she has a guardian, the best and kindest man in the world; he is rather old of course, and sometimes very quiet and grave, but sometimes when he is happy, he is full of fun, and then Evelyn is not afraid of him. Yes, the girl shall be called Evelyn Abercrombie, and her guardian's name shall be Mr. Adam Ladd."

"Do you know Mr. Ladd?" asked Miss Maxwell in surprise.

"Yes, he's my very best friend," cried Rebecca delightedly. "Do you know him too?"

"Oh, yes; he is a trustee of these schools, you know, and often comes here. But if I let you 'suppose' any more, you will tell me your whole letter and then I shall lose a pleasant surprise."

What Rebecca thought of Miss Maxwell we already know; how the teacher regarded the pupil may be gathered from the following letter written two or three months later.

Wareham, December 1st

My Dear Father,—As you well know, I have not always been an enthusiast on the subject of teaching. The task of cramming knowledge into these self-sufficient, inefficient youngsters of both sexes discourages me at times. The more stupid they are, the less they are aware of it. If my department were geography or mathematics, I believe I should feel that I was accomplishing something, for in those branches application and industry work wonders; but in English literature and composition one yearns for brains, for appreciation, for imagination! Month after month I toil on, opening oyster after oyster, but seldom finding a pearl. Fancy my joy this term when, without any violent effort at shell-splitting, I came upon a rare pearl; a black one, but of satin skin and beautiful lustre! Her name is Rebecca, and she looks not unlike Rebekah at the Well in our family Bible; her hair and eyes being so dark as to suggest a strain of Italian or Spanish blood. She is nobody in particular. Man has done nothing for her; she has no family to speak of, no money, no education worthy the name, has had no advantages of any sort; but Dame Nature flung herself into the breach and said:—

"This child I to myself will take; She shall be mine and I will make A Lady of my own."

Blessed Wordsworth! How he makes us understand! And the pearl never heard of him until now! Think of reading Lucy to a class, and when you finish, seeing a fourteen-year-old pair of lips quivering with delight, and a pair of eyes brimming with comprehending tears!

You poor darling! You, too, know the discouragement of sowing lovely seed in rocky earth, in sand, in water, and (it almost seems sometimes) in mud; knowing that if anything comes up at all it will be some poor starveling plant. Fancy the joy of finding a real mind; of dropping seed in a soil so warm, so fertile, that one knows there are sure to be foliage, blossoms, and fruit all in good time! I wish I were not so impatient and so greedy of results! I am not fit to be a teacher; no one is who is so scornful of stupidity as I am. . . . The pearl writes quaint countrified little verses, doggerel they are; but somehow or other she always contrives to put in one line, one thought, one image, that shows you she is, quite unconsciously to herself, in possession of the secret. . . . Good-by; I'll bring Rebecca home with me some Friday, and let you and mother see her for yourselves.

Your affectionate daughter,

Emily.



XXII

CLOVER BLOSSOMS AND SUNFLOWERS

"How d' ye do, girls?" said Huldah Meserve, peeping in at the door. "Can you stop studying a minute and show me your room? Say, I've just been down to the store and bought me these gloves, for I was bound I wouldn't wear mittens this winter; they're simply too countrified. It's your first year here, and you're younger than I am, so I s'pose you don't mind, but I simply suffer if I don't keep up some kind of style. Say, your room is simply too cute for words! I don't believe any of the others can begin to compare with it! I don't know what gives it that simply gorgeous look, whether it's the full curtains, or that elegant screen, or Rebecca's lamp; but you certainly do have a faculty for fixing up. I like a pretty room too, but I never have a minute to attend to mine; I'm always so busy on my clothes that half the time I don't get my bed made up till noon; and after all, having no callers but the girls, it don't make much difference. When I graduate, I'm going to fix up our parlor at home so it'll be simply regal. I've learned decalcomania, and after I take up lustre painting I shall have it simply stiff with drapes and tidies and placques and sofa pillows, and make mother let me have a fire, and receive my friends there evenings. May I dry my feet at your register? I can't bear to wear rubbers unless the mud or the slush is simply knee-deep, they make your feet look so awfully big. I had such a fuss getting this pair of French-heeled boots that I don't intend to spoil the looks of them with rubbers any oftener than I can help. I believe boys notice feet quicker than anything. Elmer Webster stepped on one of mine yesterday when I accidentally had it out in the aisle, and when he apologized after class, he said he wasn't so much to blame, for the foot was so little he really couldn't see it! Isn't he perfectly great? Of course that's only his way of talking, for after all I only wear a number two, but these French heels and pointed toes do certainly make your foot look smaller, and it's always said a high instep helps, too. I used to think mine was almost a deformity, but they say it's a great beauty. Just put your feet beside mine, girls, and look at the difference; not that I care much, but just for fun."

"My feet are very comfortable where they are," responded Rebecca dryly. "I can't stop to measure insteps on algebra days; I've noticed your habit of keeping a foot in the aisle ever since you had those new shoes, so I don't wonder it was stepped on."

"Perhaps I am a little mite conscious of them, because they're not so very comfortable at first, till you get them broken in. Say, haven't you got a lot of new things?"

"Our Christmas presents, you mean," said Emma Jane. "The pillow-cases are from Mrs. Cobb, the rug from cousin Mary in North Riverboro, the scrap-basket from Living and Dick. We gave each other the bureau and cushion covers, and the screen is mine from Mr. Ladd."

"Well, you were lucky when you met him! Gracious! I wish I could meet somebody like that. The way he keeps it up, too! It just hides your bed, doesn't it, and I always say that a bed takes the style off any room—specially when it's not made up; though you have an alcove, and it's the only one in the whole building. I don't see how you managed to get this good room when you're such new scholars," she finished discontentedly.

"We shouldn't have, except that Ruth Berry had to go away suddenly on account of her father's death. This room was empty, and Miss Maxwell asked if we might have it," returned Emma Jane.

"The great and only Max is more stiff and standoffish than ever this year," said Huldah. "I've simply given up trying to please her, for there's no justice in her; she is good to her favorites, but she doesn't pay the least attention to anybody else, except to make sarcastic speeches about things that are none of her business. I wanted to tell her yesterday it was her place to teach me Latin, not manners."

"I wish you wouldn't talk against Miss Maxwell to me," said Rebecca hotly. "You know how I feel."

"I know; but I can't understand how you can abide her."

"I not only abide, I love her!" exclaimed Rebecca. "I wouldn't let the sun shine too hot on her, or the wind blow too cold. I'd like to put a marble platform in her class-room and have her sit in a velvet chair behind a golden table!"

"Well, don't have a fit!—because she can sit where she likes for all of me; I've got something better to think of," and Huldah tossed her head.

"Isn't this your study hour?" asked Emma Jane, to stop possible discussion.

"Yes, but I lost my Latin grammar yesterday; I left it in the hall half an hour while I was having a regular scene with Herbert Dunn. I haven't spoken to him for a week and gave him back his class pin. He was simply furious. Then when I came back to the hall, the book was gone. I had to go down town for my gloves and to the principal's office to see if the grammar had been handed in, and that's the reason I'm so fine."

Huldah was wearing a woolen dress that had once been gray, but had been dyed a brilliant blue. She had added three rows of white braid and large white pearl buttons to her gray jacket, in order to make it a little more "dressy." Her gray felt hat had a white feather on it, and a white tissue veil with large black dots made her delicate skin look brilliant. Rebecca thought how lovely the knot of red hair looked under the hat behind, and how the color of the front had been dulled by incessant frizzing with curling irons. Her open jacket disclosed a galaxy of souvenirs pinned to the background of bright blue,—a small American flag, a button of the Wareham Rowing Club, and one or two society pins. These decorations proved her popularity in very much the same way as do the cotillion favors hanging on the bedroom walls of the fashionable belle. She had been pinning and unpinning, arranging and disarranging her veil ever since she entered the room, in the hope that the girls would ask her whose ring she was wearing this week; but although both had noticed the new ornament instantly, wild horses could not have drawn the question from them; her desire to be asked was too obvious. With her gay plumage, her "nods and becks and wreathed smiles," and her cheerful cackle, Huldah closely resembled the parrot in Wordsworth's poem:—

"Arch, volatile, a sportive bird, By social glee inspired; Ambitious to be seen or heard, And pleased to be admired!"

"Mr. Morrison thinks the grammar will be returned, and lent me another," Huldah continued.

"He was rather snippy about my leaving a book in the hall. There was a perfectly elegant gentleman in the office, a stranger to me. I wish he was a new teacher, but there's no such luck. He was too young to be the father of any of the girls, and too old to be a brother, but he was handsome as a picture and had on an awful stylish suit of clothes. He looked at me about every minute I was in the room. It made me so embarrassed I couldn't hardly answer Mr. Morrison's questions straight."

"You'll have to wear a mask pretty soon, if you're going to have any comfort, Huldah," said Rebecca. "Did he offer to lend you his class pin, or has it been so long since he graduated that he's left off wearing it? And tell us now whether the principal asked for a lock of your hair to put in his watch?"

This was all said merrily and laughingly, but there were times when Huldah could scarcely make up her mind whether Rebecca was trying to be witty, or whether she was jealous; but she generally decided it was merely the latter feeling, rather natural in a girl who had little attention.

"He wore no jewelry but a cameo scarf pin and a perfectly gorgeous ring,—a queer kind of one that wound round and round his finger. Oh dear, I must run! Where has the hour gone? There's the study bell!"

Rebecca had pricked up her ears at Huldah's speech. She remembered a certain strange ring, and it belonged to the only person in the world (save Miss Maxwell) who appealed to her imagination,—Mr. Aladdin. Her feeling for him, and that of Emma Jane, was a mixture of romantic and reverent admiration for the man himself and the liveliest gratitude for his beautiful gifts. Since they first met him not a Christmas had gone by without some remembrance for them both; remembrances chosen with the rarest taste and forethought. Emma Jane had seen him only twice, but he had called several times at the brick house, and Rebecca had learned to know him better. It was she, too, who always wrote the notes of acknowledgment and thanks, taking infinite pains to make Emma Jane's quite different from her own. Sometimes he had written from Boston and asked her the news of Riverboro, and she had sent him pages of quaint and childlike gossip, interspersed, on two occasions, with poetry, which he read and reread with infinite relish. If Huldah's stranger should be Mr. Aladdin, would he come to see her, and could she and Emma Jane show him their beautiful room with so many of his gifts in evidence?

When the girls had established themselves in Wareham as real boarding pupils, it seemed to them existence was as full of joy as it well could hold. This first winter was, in fact, the most tranquilly happy of Rebecca's school life,—a winter long to be looked back upon. She and Emma Jane were room-mates, and had put their modest possessions together to make their surroundings pretty and homelike. The room had, to begin with, a cheerful red ingrain carpet and a set of maple furniture. As to the rest, Rebecca had furnished the ideas and Emma Jane the materials and labor, a method of dividing responsibilities that seemed to suit the circumstances admirably. Mrs. Perkins's father had been a storekeeper, and on his death had left the goods of which he was possessed to his married daughter. The molasses, vinegar, and kerosene had lasted the family for five years, and the Perkins attic was still a treasure-house of ginghams, cottons, and "Yankee notions." So at Rebecca's instigation Mrs. Perkins had made full curtains and lambrequins of unbleached muslin, which she had trimmed and looped back with bands of Turkey red cotton. There were two table covers to match, and each of the girls had her study corner. Rebecca, after much coaxing, had been allowed to bring over her precious lamp, which would have given a luxurious air to any apartment, and when Mr. Aladdin's last Christmas presents were added,—the Japanese screen for Emma Jane and the little shelf of English Poets for Rebecca,—they declared that it was all quite as much fun as being married and going to housekeeping.

The day of Huldah's call was Friday, and on Fridays from three to half past four Rebecca was free to take a pleasure to which she looked forward the entire week. She always ran down the snowy path through the pine woods at the back of the seminary, and coming out on a quiet village street, went directly to the large white house where Miss Maxwell lived. The maid-of-all-work answered her knock; she took off her hat and cape and hung them in the hall, put her rubber shoes and umbrella carefully in the corner, and then opened the door of paradise. Miss Maxwell's sitting-room was lined on two sides with bookshelves, and Rebecca was allowed to sit before the fire and browse among the books to her heart's delight for an hour or more. Then Miss Maxwell would come back from her class, and there would be a precious half hour of chat before Rebecca had to meet Emma Jane at the station and take the train for Riverboro, where her Saturdays and Sundays were spent, and where she was washed, ironed, mended, and examined, approved and reproved, warned and advised in quite sufficient quantity to last her the succeeding week.

On this Friday she buried her face in the blooming geraniums on Miss Maxwell's plant-stand, selected Romola from one of the bookcases, and sank into a seat by the window with a sigh of infinite content, She glanced at the clock now and then, remembering the day on which she had been so immersed in David Copperfield that the Riverboro train had no place in her mind. The distracted Emma Jane had refused to leave without her, and had run from the station to look for her at Miss Maxwell's. There was but one later train, and that went only to a place three miles the other side of Riverboro, so that the two girls appeared at their respective homes long after dark, having had a weary walk in the snow.

When she had read for half an hour she glanced out of the window and saw two figures issuing from the path through the woods. The knot of bright hair and the coquettish hat could belong to but one person; and her companion, as the couple approached, proved to be none other than Mr. Aladdin. Huldah was lifting her skirts daintily and picking safe stepping-places for the high-heeled shoes, her cheeks glowing, her eyes sparkling under the black and white veil.

Rebecca slipped from her post by the window to the rug before the bright fire and leaned her head on the seat of the great easy-chair. She was frightened at the storm in her heart; at the suddenness with which it had come on, as well as at the strangeness of an entirely new sensation. She felt all at once as if she could not bear to give up her share of Mr. Aladdin's friendship to Huldah: Huldah so bright, saucy, and pretty; so gay and ready, and such good company! She had always joyfully admitted Emma Jane into the precious partnership, but perhaps unconsciously to herself she had realized that Emma Jane had never held anything but a secondary place in Mr. Aladdin's regard; yet who was she herself, after all, that she could hope to be first?

Suddenly the door opened softly and somebody looked in, somebody who said: "Miss Maxwell told me I should find Miss Rebecca Randall here."

Rebecca started at the sound and sprang to her feet, saying joyfully, "Mr. Aladdin! Oh! I knew you were in Wareham, and I was afraid you wouldn't have time to come and see us."

"Who is 'us'? The aunts are not here, are they? Oh, you mean the rich blacksmith's daughter, whose name I can never remember. Is she here?"

"Yes, and my room-mate," answered Rebecca, who thought her own knell of doom had sounded, if he had forgotten Emma Jane's name.

The light in the room grew softer, the fire crackled cheerily, and they talked of many things, until the old sweet sense of friendliness and familiarity crept back into Rebecca's heart. Adam had not seen her for several months, and there was much to be learned about school matters as viewed from her own standpoint; he had already inquired concerning her progress from Mr. Morrison.

"Well, little Miss Rebecca," he said, rousing himself at length, "I must be thinking of my drive to Portland. There is a meeting of railway directors there to-morrow, and I always take this opportunity of visiting the school and giving my valuable advice concerning its affairs, educational and financial."

"It seems funny for you to be a school trustee," said Rebecca contemplatively. "I can't seem to make it fit."

"You are a remarkably wise young person and I quite agree with you," he answered; "the fact is," he added soberly, "I accepted the trusteeship in memory of my poor little mother, whose last happy years were spent here."

"That was a long time ago!"

"Let me see, I am thirty-two; only thirty-two, despite an occasional gray hair. My mother was married a month after she graduated, and she lived only until I was ten; yes, it is a long way back to my mother's time here, though the school was fifteen or twenty years old then, I believe. Would you like to see my mother, Miss Rebecca?"

The girl took the leather case gently and opened it to find an innocent, pink-and-white daisy of a face, so confiding, so sensitive, that it went straight to the heart. It made Rebecca feel old, experienced, and maternal. She longed on the instant to comfort and strengthen such a tender young thing.

"Oh, what a sweet, sweet, flowery face!" she whispered softly.

"The flower had to bear all sorts of storms," said Adam gravely. "The bitter weather of the world bent its slender stalk, bowed its head, and dragged it to the earth. I was only a child and could do nothing to protect and nourish it, and there was no one else to stand between it and trouble. Now I have success and money and power, all that would have kept her alive and happy, and it is too late. She died for lack of love and care, nursing and cherishing, and I can never forget it. All that has come to me seems now and then so useless, since I cannot share it with her!"

This was a new Mr. Aladdin, and Rebecca's heart gave a throb of sympathy and comprehension. This explained the tired look in his eyes, the look that peeped out now and then, under all his gay speech and laughter.

"I'm so glad I know," she said, "and so glad I could see her just as she was when she tied that white muslin hat under her chin and saw her yellow curls and her sky-blue eyes in the glass. Mustn't she have been happy! I wish she could have been kept so, and had lived to see you grow up strong and good. My mother is always sad and busy, but once when she looked at John I heard her say, 'He makes up for everything.' That's what your mother would have thought about you if she had lived, and perhaps she does as it is."

"You are a comforting little person, Rebecca," said Adam, rising from his chair.

As Rebecca rose, the tears still trembling on her lashes, he looked at her suddenly as with new vision.

"Good-by!" he said, taking her slim brown hands in his, adding, as if he saw her for the first time, "Why, little Rose-Red-Snow-White is making way for a new girl! Burning the midnight oil and doing four years' work in three is supposed to dull the eye and blanch the cheek, yet Rebecca's eyes are bright and she has a rosy color! Her long braids are looped one on the other so that they make a black letter U behind, and they are tied with grand bows at the top! She is so tall that she reaches almost to my shoulder. This will never do in the world! How will Mr. Aladdin get on without his comforting little friend! He doesn't like grown-up young ladies in long trains and wonderful fine clothes; they frighten and bore him!"

"Oh, Mr. Aladdin!" cried Rebecca eagerly, taking his jest quite seriously; "I am not fifteen yet, and it will be three years before I'm a young lady; please don't give me up until you have to!"

"I won't; I promise you that," said Adam. "Rebecca," he continued, after a moment's pause, "who is that young girl with a lot of pretty red hair and very citified manners? She escorted me down the hill; do you know whom I mean?"

"It must be Huldah Meserve; she is from Riverboro."

Adam put a finger under Rebecca's chin and looked into her eyes; eyes as soft, as clear, as unconscious, and childlike as they had been when she was ten. He remembered the other pair of challenging blue ones that had darted coquettish glances through half-dropped lids, shot arrowy beams from under archly lifted brows, and said gravely, "Don't form yourself on her, Rebecca; clover blossoms that grow in the fields beside Sunnybrook mustn't be tied in the same bouquet with gaudy sunflowers; they are too sweet and fragrant and wholesome."



XXIII

THE HILL DIFFICULTY

The first happy year at Wareham, with its widened sky-line, its larger vision, its greater opportunity, was over and gone. Rebecca had studied during the summer vacation, and had passed, on her return in the autumn, certain examinations which would enable her, if she carried out the same programme the next season, to complete the course in three instead of four years. She came off with no flying colors,—that would have been impossible in consideration of her inadequate training; but she did wonderfully well in some of the required subjects, and so brilliantly in others that the average was respectable. She would never have been a remarkable scholar under any circumstances, perhaps, and she was easily out-stripped in mathematics and the natural sciences by a dozen girls, but in some inexplicable way she became, as the months went on, the foremost figure in the school. When she had entirely forgotten the facts which would enable her to answer a question fully and conclusively, she commonly had some original theory to expound; it was not always correct, but it was generally unique and sometimes amusing. She was only fair in Latin or French grammar, but when it came to translation, her freedom, her choice of words, and her sympathetic understanding of the spirit of the text made her the delight of her teachers and the despair of her rivals.

"She can be perfectly ignorant of a subject," said Miss Maxwell to Adam Ladd, "but entirely intelligent the moment she has a clue. Most of the other girls are full of information and as stupid as sheep."

Rebecca's gifts had not been discovered save by the few, during the first year, when she was adjusting herself quietly to the situation. She was distinctly one of the poorer girls; she had no fine dresses to attract attention, no visitors, no friends in the town. She had more study hours, and less time, therefore, for the companionship of other girls, gladly as she would have welcomed the gayety of that side of school life. Still, water will find its own level in some way, and by the spring of the second year she had naturally settled into the same sort of leadership which had been hers in the smaller community of Riverboro. She was unanimously elected assistant editor of the Wareham School Pilot, being the first girl to assume that enviable, though somewhat arduous and thankless position, and when her maiden number went to the Cobbs, uncle Jerry and aunt Sarah could hardly eat or sleep for pride.

"She'll always get votes," said Huldah Meserve, when discussing the election, "for whether she knows anything or not, she looks as if she did, and whether she's capable of filling an office or not, she looks as if she was. I only wish I was tall and dark and had the gift of making people believe I was great things, like Rebecca Randall. There's one thing: though the boys call her handsome, you notice they don't trouble her with much attention."

It was a fact that Rebecca's attitude towards the opposite sex was still somewhat indifferent and oblivious, even for fifteen and a half! No one could look at her and doubt that she had potentialities of attraction latent within her somewhere, but that side of her nature was happily biding its time. A human being is capable only of a certain amount of activity at a given moment, and it will inevitably satisfy first its most pressing needs, its most ardent desires, its chief ambitions. Rebecca was full of small anxieties and fears, for matters were not going well at the brick house and were anything but hopeful at the home farm. She was overbusy and overtaxed, and her thoughts were naturally drawn towards the difficult problems of daily living.

It had seemed to her during the autumn and winter of that year as if her aunt Miranda had never been, save at the very first, so censorious and so fault-finding. One Saturday Rebecca ran upstairs and, bursting into a flood of tears, exclaimed, "Aunt Jane, it seems as if I never could stand her continual scoldings. Nothing I can do suits aunt Miranda; she's just said it will take me my whole life to get the Randall out of me, and I'm not convinced that I want it all out, so there we are!"

Aunt Jane, never demonstrative, cried with Rebecca as she attempted to soothe her.

"You must be patient," she said, wiping first her own eyes and then Rebecca's. "I haven't told you, for it isn't fair you should be troubled when you're studying so hard, but your aunt Miranda isn't well. One Monday morning about a month ago, she had a kind of faint spell; it wasn't bad, but the doctor is afraid it was a shock, and if so, it's the beginning of the end. Seems to me she's failing right along, and that's what makes her so fretful and easy vexed. She has other troubles too, that you don't know anything about, and if you're not kind to your aunt Miranda now, child, you'll be dreadful sorry some time."

All the temper faded from Rebecca's face, and she stopped crying to say penitently, "Oh! the poor dear thing! I won't mind a bit what she says now. She's just asked me for some milk toast and I was dreading to take it to her, but this will make everything different. Don't worry yet, aunt Jane, for perhaps it won't be as bad as you think."

So when she carried the toast to her aunt a little later, it was in the best gilt-edged china bowl, with a fringed napkin on the tray and a sprig of geranium lying across the salt cellar.

"Now, aunt Miranda," she said cheerily, "I expect you to smack your lips and say this is good; it's not Randall, but Sawyer milk toast."

"You've tried all kinds on me, one time an' another," Miranda answered. "This tastes real kind o' good; but I wish you hadn't wasted that nice geranium."

"You can't tell what's wasted," said Rebecca philosophically; "perhaps that geranium has been hoping this long time it could brighten somebody's supper, so don't disappoint it by making believe you don't like it. I've seen geraniums cry,—in the very early morning!"

The mysterious trouble to which Jane had alluded was a very real one, but it was held in profound secrecy. Twenty-five hundred dollars of the small Sawyer property had been invested in the business of a friend of their father's, and had returned them a regular annual income of a hundred dollars. The family friend had been dead for some five years, but his son had succeeded to his interests and all went on as formerly. Suddenly there came a letter saying that the firm had gone into bankruptcy, that the business had been completely wrecked, and that the Sawyer money had been swept away with everything else.

The loss of one hundred dollars a year is a very trifling matter, but it made all the difference between comfort and self-denial to the two old spinsters Their manner of life had been so rigid and careful that it was difficult to economize any further, and the blow had fallen just when it was most inconvenient, for Rebecca's school and boarding expenses, small as they were, had to be paid promptly and in cash.

"Can we possibly go on doing it? Shan't we have to give up and tell her why?" asked Jane tearfully of the elder sister.

"We have put our hand to the plough, and we can't turn back," answered Miranda in her grimmest tone; "we've taken her away from her mother and offered her an education, and we've got to keep our word. She's Aurelia's only hope for years to come, to my way o' thinkin'. Hannah's beau takes all her time 'n' thought, and when she gits a husband her mother'll be out o' sight and out o' mind. John, instead of farmin', thinks he must be a doctor,—as if folks wasn't gettin' unhealthy enough these days, without turnin' out more young doctors to help 'em into their graves. No, Jane; we'll skimp 'n' do without, 'n' plan to git along on our interest money somehow, but we won't break into our principal, whatever happens."

"Breaking into the principal" was, in the minds of most thrifty New England women, a sin only second to arson, theft, or murder; and, though the rule was occasionally carried too far for common sense,—as in this case, where two elderly women of sixty might reasonably have drawn something from their little hoard in time of special need,—it doubtless wrought more of good than evil in the community.

Rebecca, who knew nothing of their business affairs, merely saw her aunts grow more and more saving, pinching here and there, cutting off this and that relentlessly. Less meat and fish were bought; the woman who had lately been coming two days a week for washing, ironing, and scrubbing was dismissed; the old bonnets of the season before were brushed up and retrimmed; there were no drives to Moderation or trips to Portland. Economy was carried to its very extreme; but though Miranda was well-nigh as gloomy and uncompromising in her manner and conversation as a woman could well be, she at least never twitted her niece of being a burden; so Rebecca's share of the Sawyers' misfortunes consisted only in wearing her old dresses, hats, and jackets, without any apparent hope of a change.

There was, however, no concealing the state of things at Sunnybrook, where chapters of accidents had unfolded themselves in a sort of serial story that had run through the year. The potato crop had failed; there were no apples to speak of; the hay had been poor; Aurelia had turns of dizziness in her head; Mark had broken his ankle. As this was his fourth offense, Miranda inquired how many bones there were in the human body, "so 't they'd know when Mark got through breakin' 'em." The time for paying the interest on the mortgage, that incubus that had crushed all the joy out of the Randall household, had come and gone, and there was no possibility, for the first time in fourteen years, of paying the required forty-eight dollars. The only bright spot in the horizon was Hannah's engagement to Will Melville,—a young farmer whose land joined Sunnybrook, who had a good house, was alone in the world, and his own master. Hannah was so satisfied with her own unexpectedly radiant prospects that she hardly realized her mother's anxieties; for there are natures which flourish, in adversity, and deteriorate when exposed to sudden prosperity. She had made a visit of a week at the brick house; and Miranda's impression, conveyed in privacy to Jane, was that Hannah was close as the bark of a tree, and consid'able selfish too; that when she'd clim' as fur as she could in the world, she'd kick the ladder out from under her, everlastin' quick; that, on being sounded as to her ability to be of use to the younger children in the future, she said she guessed she'd done her share a'ready, and she wan't goin' to burden Will with her poor relations. "She's Susan Randall through and through!" ejaculated Miranda. "I was glad to see her face turned towards Temperance. If that mortgage is ever cleared from the farm, 't won't be Hannah that'll do it; it'll be Rebecca or me!"



XXIV

ALADDIN RUBS HIS LAMP

"Your esteemed contribution entitled Wareham Wildflowers has been accepted for The Pilot, Miss Perkins," said Rebecca, entering the room where Emma Jane was darning the firm's stockings. "I stayed to tea with Miss Maxwell, but came home early to tell you."

"You are joking, Becky!" faltered Emma Jane, looking up from her work.

"Not a bit; the senior editor read it and thought it highly instructive; it appears in the next issue."

"Not in the same number with your poem about the golden gates that close behind us when we leave school?"—and Emma Jane held her breath as she awaited the reply.

"Even so, Miss Perkins."

"Rebecca," said Emma Jane, with the nearest approach to tragedy that her nature would permit, "I don't know as I shall be able to bear it, and if anything happens to me, I ask you solemnly to bury that number of The Pilot with me."

Rebecca did not seem to think this the expression of an exaggerated state of feeling, inasmuch as she replied, "I know; that's just the way it seemed to me at first, and even now, whenever I'm alone and take out the Pilot back numbers to read over my contributions, I almost burst with pleasure; and it's not that they are good either, for they look worse to me every time I read them."

"If you would only live with me in some little house when we get older," mused Emma Jane, as with her darning needle poised in air she regarded the opposite wall dreamily, "I would do the housework and cooking, and copy all your poems and stories, and take them to the post-office, and you needn't do anything but write. It would be perfectly elergant!"

"I'd like nothing better, if I hadn't promised to keep house for John," replied Rebecca.

"He won't have a house for a good many years, will he?"

"No," sighed Rebecca ruefully, flinging herself down by the table and resting her head on her hand. "Not unless we can contrive to pay off that detestable mortgage. The day grows farther off instead of nearer now that we haven't paid the interest this year."

She pulled a piece of paper towards her, and scribbling idly on it read aloud in a moment or two:—

"Will you pay a little faster?" said the mortgage to the farm; "I confess I'm very tired of this place." "The weariness is mutual," Rebecca Randall cried; "I would I'd never gazed upon your face!"

"A note has a 'face,'" observed Emma Jane, who was gifted in arithmetic. "I didn't know that a mortgage had."

"Our mortgage has," said Rebecca revengefully. "I should know him if I met him in the dark. Wait and I'll draw him for you. It will be good for you to know how he looks, and then when you have a husband and seven children, you won't allow him to come anywhere within a mile of your farm."

The sketch when completed was of a sort to be shunned by a timid person on the verge of slumber. There was a tiny house on the right, and a weeping family gathered in front of it. The mortgage was depicted as a cross between a fiend and an ogre, and held an axe uplifted in his red right hand. A figure with streaming black locks was staying the blow, and this, Rebecca explained complacently, was intended as a likeness of herself, though she was rather vague as to the method she should use in attaining her end.

"He's terrible," said Emma Jane, "but awfully wizened and small."

"It's only a twelve hundred dollar mortgage," said Rebecca, "and that's called a small one. John saw a man once that was mortgaged for twelve thousand."

"Shall you be a writer or an editor?" asked Emma Jane presently, as if one had only to choose and the thing were done.

"I shall have to do what turns up first, I suppose."

"Why not go out as a missionary to Syria, as the Burches are always coaxing you to? The Board would pay your expenses."

"I can't make up my mind to be a missionary," Rebecca answered. "I'm not good enough in the first place, and I don't 'feel a call,' as Mr. Burch says you must. I would like to do something for somebody and make things move, somewhere, but I don't want to go thousands of miles away teaching people how to live when I haven't learned myself. It isn't as if the heathen really needed me; I'm sure they'll come out all right in the end."

"I can't see how; if all the people who ought to go out to save them stay at home as we do," argued Emma Jane.

"Why, whatever God is, and wherever He is, He must always be there, ready and waiting. He can't move about and miss people. It may take the heathen a little longer to find Him, but God will make allowances, of course. He knows if they live in such hot climates it must make them lazy and slow; and the parrots and tigers and snakes and bread-fruit trees distract their minds; and having no books, they can't think as well; but they'll find God somehow, some time."

"What if they die first?" asked Emma Jane.

"Oh, well, they can't be blamed for that; they don't die on purpose," said Rebecca, with a comfortable theology.

In these days Adam Ladd sometimes went to Temperance on business connected with the proposed branch of the railroad familiarly known as the "York and Yank 'em," and while there he gained an inkling of Sunnybrook affairs. The building of the new road was not yet a certainty, and there was a difference of opinion as to the best route from Temperance to Plumville. In one event the way would lead directly through Sunnybrook, from corner to corner, and Mrs. Randall would be compensated; in the other, her interests would not be affected either for good or ill, save as all land in the immediate neighborhood might rise a little in value.

Coming from Temperance to Wareham one day, Adam had a long walk and talk with Rebecca, whom he thought looking pale and thin, though she was holding bravely to her self-imposed hours of work. She was wearing a black cashmere dress that had been her aunt Jane's second best. We are familiar with the heroine of romance whose foot is so exquisitely shaped that the coarsest shoe cannot conceal its perfections, and one always cherishes a doubt of the statement; yet it is true that Rebecca's peculiar and individual charm seemed wholly independent of accessories. The lines of her figure, the rare coloring of skin and hair and eyes, triumphed over shabby clothing, though, had the advantage of artistic apparel been given her, the little world of Wareham would probably at once have dubbed her a beauty. The long black braids were now disposed after a quaint fashion of her own. They were crossed behind, carried up to the front, and crossed again, the tapering ends finally brought down and hidden in the thicker part at the neck. Then a purely feminine touch was given to the hair that waved back from the face,—a touch that rescued little crests and wavelets from bondage and set them free to take a new color in the sun.

Adam Ladd looked at her in a way that made her put her hands over her face and laugh through them shyly as she said: "I know what you are thinking, Mr. Aladdin,—that my dress is an inch longer than last year, and my hair different; but I'm not nearly a young lady yet; truly I'm not. Sixteen is a month off still, and you promised not to give me up till my dress trails. If you don't like me to grow old, why don't you grow young? Then we can meet in the halfway house and have nice times. Now that I think about it," she continued, "that's just what you've been doing all along. When you bought the soap, I thought you were grandfather Sawyer's age; when you danced with me at the flag-raising, you seemed like my father; but when you showed me your mother's picture, I felt as if you were my John, because I was so sorry for you."

"That will do very well," smiled Adam; "unless you go so swiftly that you become my grandmother before I really need one. You are studying too hard, Miss Rebecca Rowena!"

"Just a little," she confessed. "But vacation comes soon, you know."

"And are you going to have a good rest and try to recover your dimples? They are really worth preserving."

A shadow crept over Rebecca's face and her eyes suffused. "Don't be kind, Mr. Aladdin, I can't bear it;—it's—it's not one of my dimply days!" and she ran in at the seminary gate, and disappeared with a farewell wave of her hand.

Adam Ladd wended his way to the principal's office in a thoughtful mood. He had come to Wareham to unfold a plan that he had been considering for several days. This year was the fiftieth anniversary of the founding of the Wareham schools, and he meant to tell Mr. Morrison that in addition to his gift of a hundred volumes to the reference library, he intended to celebrate it by offering prizes in English composition, a subject in which he was much interested. He wished the boys and girls of the two upper classes to compete; the award to be made to the writers of the two best essays. As to the nature of the prizes he had not quite made up his mind, but they would be substantial ones, either of money or of books.

This interview accomplished, he called upon Miss Maxwell, thinking as he took the path through the woods, "Rose-Red-Snow-White needs the help, and since there is no way of my giving it to her without causing remark, she must earn it, poor little soul! I wonder if my money is always to be useless where most I wish to spend it!"

He had scarcely greeted his hostess when he said: "Miss Maxwell, doesn't it strike you that our friend Rebecca looks wretchedly tired?"

"She does indeed, and I am considering whether I can take her away with me. I always go South for the spring vacation, traveling by sea to Old Point Comfort, and rusticating in some quiet spot near by. I should like nothing better than to have Rebecca for a companion."

"The very thing!" assented Adam heartily; "but why should you take the whole responsibility? Why not let me help? I am greatly interested in the child, and have been for some years."

"You needn't pretend you discovered her," interrupted Miss Maxwell warmly, "for I did that myself."

"She was an intimate friend of mine long before you ever came to Wareham," laughed Adam, and he told Miss Maxwell the circumstances of his first meeting with Rebecca. "From the beginning I've tried to think of a way I could be useful in her development, but no reasonable solution seemed to offer itself."

"Luckily she attends to her own development," answered Miss Maxwell. "In a sense she is independent of everything and everybody; she follows her saint without being conscious of it. But she needs a hundred practical things that money would buy for her, and alas! I have a slender purse."

"Take mine, I beg, and let me act through you," pleaded Adam. "I could not bear to see even a young tree trying its best to grow without light or air,—how much less a gifted child! I interviewed her aunts a year ago, hoping I might be permitted to give her a musical education. I assured them it was a most ordinary occurrence, and that I was willing to be repaid later on if they insisted, but it was no use. The elder Miss Sawyer remarked that no member of her family ever had lived on charity, and she guessed they wouldn't begin at this late day."

"I rather like that uncompromising New England grit," exclaimed Miss Maxwell, "and so far, I don't regret one burden that Rebecca has borne or one sorrow that she has shared. Necessity has only made her brave; poverty has only made her daring and self-reliant. As to her present needs, there are certain things only a woman ought to do for a girl, and I should not like to have you do them for Rebecca; I should feel that I was wounding her pride and self-respect, even though she were ignorant; but there is no reason why I may not do them if necessary and let you pay her traveling expenses. I would accept those for her without the slightest embarrassment, but I agree that the matter would better be kept private between us."

"You are a real fairy godmother!" exclaimed Adam, shaking her hand warmly. "Would it be less trouble for you to invite her room-mate too,—the pink-and-white inseparable?"

"No, thank you, I prefer to have Rebecca all to myself," said Miss Maxwell.

"I can understand that," replied Adam absent-mindedly; "I mean, of course, that one child is less trouble than two. There she is now."

Here Rebecca appeared in sight, walking down the quiet street with a lad of sixteen. They were in animated conversation, and were apparently reading something aloud to each other, for the black head and the curly brown one were both bent over a sheet of letter paper. Rebecca kept glancing up at her companion, her eyes sparkling with appreciation.

"Miss Maxwell," said Adam, "I am a trustee of this institution, but upon my word I don't believe in coeducation!"

"I have my own occasional hours of doubt," she answered, "but surely its disadvantages are reduced to a minimum with—children! That is a very impressive sight which you are privileged to witness, Mr. Ladd. The folk in Cambridge often gloated on the spectacle of Longfellow and Lowell arm in arm. The little school world of Wareham palpitates with excitement when it sees the senior and the junior editors of The Pilot walking together!"



XXV

ROSES OF JOY

The day before Rebecca started for the South with Miss Maxwell she was in the library with Emma Jane and Huldah, consulting dictionaries and encyclopaedias. As they were leaving they passed the locked cases containing the library of fiction, open to the teachers and townspeople, but forbidden to the students.

They looked longingly through the glass, getting some little comfort from the titles of the volumes, as hungry children imbibe emotional nourishment from the pies and tarts inside a confectioner's window. Rebecca's eyes fell upon a new book in the corner, and she read the name aloud with delight: "The Rose of Joy. Listen, girls; isn't that lovely? The Rose of Joy. It looks beautiful, and it sounds beautiful. What does it mean, I wonder?"

"I guess everybody has a different rose," said Huldah shrewdly. "I know what mine would be, and I'm not ashamed to own it. I'd like a year in a city, with just as much money as I wanted to spend, horses and splendid clothes and amusements every minute of the day; and I'd like above everything to live with people that wear low necks." (Poor Huldah never took off her dress without bewailing the fact that her lot was cast in Riverboro, where her pretty white shoulders could never be seen.)

"That would be fun, for a while anyway," Emma Jane remarked. "But wouldn't that be pleasure more than joy? Oh, I've got an idea!"

"Don't shriek so!" said the startled Huldah. "I thought it was a mouse."

"I don't have them very often," apologized Emma Jane,—"ideas, I mean; this one shook me like a stroke of lightning. Rebecca, couldn't it be success?"

"That's good," mused Rebecca; "I can see that success would be a joy, but it doesn't seem to me like a rose, somehow. I was wondering if it could be love?"

"I wish we could have a peep at the book! It must be perfectly elergant!" said Emma Jane. "But now you say it is love, I think that's the best guess yet."

All day long the four words haunted and possessed Rebecca; she said them over to herself continually. Even the prosaic Emma Jane was affected by them, for in the evening she said, "I don't expect you to believe it, but I have another idea,—that's two in one day; I had it while I was putting cologne on your head. The rose of joy might be helpfulness."

"If it is, then it is always blooming in your dear little heart, you darlingest, kind Emmie, taking such good care of your troublesome Becky!"

"Don't dare to call yourself troublesome! You're—you're—you're my rose of joy, that's what you are!" And the two girls hugged each other affectionately.

In the middle of the night Rebecca touched Emma Jane on the shoulder softly. "Are you very fast asleep, Emmie?" she whispered.

"Not so very," answered Emma Jane drowsily.

"I've thought of something new. If you sang or painted or wrote,—not a little, but beautifully, you know,—wouldn't the doing of it, just as much as you wanted, give you the rose of joy?"

"It might if it was a real talent," answered Emma Jane, "though I don't like it so well as love. If you have another thought, Becky, keep it till morning."

"I did have one more inspiration," said Rebecca when they were dressing next morning, "but I didn't wake you. I wondered if the rose of joy could be sacrifice? But I think sacrifice would be a lily, not a rose; don't you?"

The journey southward, the first glimpse of the ocean, the strange new scenes, the ease and delicious freedom, the intimacy with Miss Maxwell, almost intoxicated Rebecca. In three days she was not only herself again, she was another self, thrilling with delight, anticipation, and realization. She had always had such eager hunger for knowledge, such thirst for love, such passionate longing for the music, the beauty, the poetry of existence! She had always been straining to make the outward world conform to her inward dreams, and now life had grown all at once rich and sweet, wide and full. She was using all her natural, God-given outlets; and Emily Maxwell marveled daily at the inexhaustible way in which the girl poured out and gathered in the treasures of thought and experience that belonged to her. She was a lifegiver, altering the whole scheme of any picture she made a part of, by contributing new values. Have you never seen the dull blues and greens of a room changed, transfigured by a burst of sunshine? That seemed to Miss Maxwell the effect of Rebecca on the groups of people with whom they now and then mingled; but they were commonly alone, reading to each other and having quiet talks. The prize essay was very much on Rebecca's mind. Secretly she thought she could never be happy unless she won it. She cared nothing for the value of it, and in this case almost nothing for the honor; she wanted to please Mr. Aladdin and justify his belief in her.

"If I ever succeed in choosing a subject, I must ask if you think I can write well on it; and then I suppose I must work in silence and secret, never even reading the essay to you, nor talking about it."

Miss Maxwell and Rebecca were sitting by a little brook on a sunny spring day. They had been in a stretch of wood by the sea since breakfast, going every now and then for a bask on the warm white sand, and returning to their shady solitude when tired of the sun's glare.

"The subject is very important," said Miss Maxwell, "but I do not dare choose for you. Have you decided on anything yet?"

"No," Rebecca answered; "I plan a new essay every night. I've begun one on What is Failure? and another on He and She. That would be a dialogue between a boy and girl just as they were leaving school, and would tell their ideals of life. Then do you remember you said to me one day, 'Follow your Saint'? I'd love to write about that. I didn't have a single thought in Wareham, and now I have a new one every minute, so I must try and write the essay here; think it out, at any rate, while I am so happy and free and rested. Look at the pebbles in the bottom of the pool, Miss Emily, so round and smooth and shining."

"Yes, but where did they get that beautiful polish, that satin skin, that lovely shape, Rebecca? Not in the still pool lying on the sands. It was never there that their angles were rubbed off and their rough surfaces polished, but in the strife and warfare of running waters. They have jostled against other pebbles, dashed against sharp rocks, and now we look at them and call them beautiful."

"If Fate had not made somebody a teacher, She might have been, oh! such a splendid preacher!"

rhymed Rebecca. "Oh! if I could only think and speak as you do!" she sighed. "I am so afraid I shall never get education enough to make a good writer."

"You could worry about plenty of other things to better advantage," said Miss Maxwell, a little scornfully. "Be afraid, for instance, that you won't understand human nature; that you won't realize the beauty of the outer world; that you may lack sympathy, and thus never be able to read a heart; that your faculty of expression may not keep pace with your ideas,—a thousand things, every one of them more important to the writer than the knowledge that is found in books. AEsop was a Greek slave who could not even write down his wonderful fables; yet all the world reads them."

"I didn't know that," said Rebecca, with a half sob. "I didn't know anything until I met you!"

"You will only have had a high school course, but the most famous universities do not always succeed in making men and women. When I long to go abroad and study, I always remember that there were three great schools in Athens and two in Jerusalem, but the Teacher of all teachers came out of Nazareth, a little village hidden away from the bigger, busier world."

"Mr. Ladd says that you are almost wasted on Wareham," said Rebecca thoughtfully.

"He is wrong; my talent is not a great one, but no talent is wholly wasted unless its owner chooses to hide it in a napkin. Remember that of your own gifts, Rebecca; they may not be praised of men, but they may cheer, console, inspire, perhaps, when and where you least expect. The brimming glass that overflows its own rim moistens the earth about it."

"Did you ever hear of The Rose of Joy?" asked Rebecca, after a long silence.

"Yes, of course; where did you see it?"

"On the outside of a book in the library."

"I saw it on the inside of a book in the library," smiled Miss Maxwell. "It is from Emerson, but I'm afraid you haven't quite grown up to it, Rebecca, and it is one of the things impossible to explain."

"Oh, try me, dear Miss Maxwell!" pleaded Rebecca. "Perhaps by thinking hard I can guess a little bit what it means."

"'In the actual—this painful kingdom of time and chance—are Care, Canker, and Sorrow; with thought, with the Ideal, is immortal hilarity—the rose of Joy; round it all the Muses sing,'" quoted Miss Maxwell.

Rebecca repeated it over and over again until she had learned it by heart; then she said, "I don't want to be conceited, but I almost believe I do understand it, Miss Maxwell. Not altogether, perhaps, because it is puzzling and difficult; but a little, enough to go on with. It's as if a splendid shape galloped past you on horseback; you are so surprised and your eyes move so slowly you cannot half see it, but you just catch a glimpse as it whisks by, and you know it is beautiful. It's all settled. My essay is going to be called The Rose of Joy. I've just decided. It hasn't any beginning, nor any middle, but there will be a thrilling ending, something like this: let me see; joy, boy, toy, ahoy, decoy, alloy:—

Then come what will of weal or woe (Since all gold hath alloy), Thou 'lt bloom unwithered in this heart, My Rose of Joy!

Now I'm going to tuck you up in the shawl and give you the fir pillow, and while you sleep I am going down on the shore and write a fairy story for you. It's one of our 'supposing' kind; it flies far, far into the future, and makes beautiful things happen that may never really all come to pass; but some of them will,—you'll see! and then you'll take out the little fairy story from your desk and remember Rebecca."

"I wonder why these young things always choose subjects that would tax the powers of a great essayist!" thought Miss Maxwell, as she tried to sleep. "Are they dazzled, captivated, taken possession of, by the splendor of the theme, and do they fancy they can write up to it? Poor little innocents, hitching their toy wagons to the stars! How pretty this particular innocent looks under her new sunshade!"

Adam Ladd had been driving through Boston streets on a cold spring day when nature and the fashion-mongers were holding out promises which seemed far from performance. Suddenly his vision was assailed by the sight of a rose-colored parasol gayly unfurled in a shop window, signaling the passer-by and setting him to dream of summer sunshine. It reminded Adam of a New England apple-tree in full bloom, the outer covering of deep pink shining through the thin white lining, and a fluffy, fringe-like edge of mingled rose and cream dropping over the green handle. All at once he remembered one of Rebecca's early confidences,—the little pink sunshade that had given her the only peep into the gay world of fashion that her childhood had ever known; her adoration of the flimsy bit of finery and its tragic and sacrificial end. He entered the shop, bought the extravagant bauble, and expressed it to Wareham at once, not a single doubt of its appropriateness crossing the darkness of his masculine mind. He thought only of the joy in Rebecca's eyes; of the poise of her head under the apple-blossom canopy. It was a trifle embarrassing to return an hour later and buy a blue parasol for Emma Jane Perkins, but it seemed increasingly difficult, as the years went on, to remember her existence at all the proper times and seasons.

This is Rebecca's fairy story, copied the next day and given to Emily Maxwell just as she was going to her room for the night. She read it with tears in her eyes and then sent it to Adam Ladd, thinking he had earned a share in it, and that he deserved a glimpse of the girl's budding imagination, as well as of her grateful young heart.

A FAIRY STORY

There was once a tired and rather poverty-stricken Princess who dwelt in a cottage on the great highway between two cities. She was not as unhappy as thousands of others; indeed, she had much to be grateful for, but the life she lived and the work she did were full hard for one who was fashioned slenderly.

Now the cottage stood by the edge of a great green forest where the wind was always singing in the branches and the sunshine filtering through the leaves.

And one day when the Princess was sitting by the wayside quite spent by her labor in the fields, she saw a golden chariot rolling down the King's Highway, and in it a person who could be none other than somebody's Fairy Godmother on her way to the Court. The chariot halted at her door, and though the Princess had read of such beneficent personages, she never dreamed for an instant that one of them could ever alight at her cottage.

"If you are tired, poor little Princess, why do you not go into the cool green forest and rest?" asked the Fairy Godmother.

"Because I have no time," she answered. "I must go back to my plough."

"Is that your plough leaning by the tree, and is it not too heavy?"

"It is heavy," answered the Princess, "but I love to turn the hard earth into soft furrows and know that I am making good soil wherein my seeds may grow. When I feel the weight too much, I try to think of the harvest."

The golden chariot passed on, and the two talked no more together that day; nevertheless the King's messengers were busy, for they whispered one word into the ear of the Fairy Godmother and another into the ear of the Princess, though so faintly that neither of them realized that the King had spoken.

The next morning a strong man knocked at the cottage door, and doffing his hat to the Princess said: "A golden chariot passed me yesterday, and one within it flung me a purse of ducats, saying: 'Go out into the King's Highway and search until you find a cottage and a heavy plough leaning against a tree near by. Enter and say to the Princess whom you will find there: "I will guide the plough and you must go and rest, or walk in the cool green forest; for this is the command of your Fairy Godmother."'"

And the same thing happened every day, and every day the tired Princess walked in the green wood. Many times she caught the glitter of the chariot and ran into the Highway to give thanks to the Fairy Godmother; but she was never fleet enough to reach the spot. She could only stand with eager eyes and longing heart as the chariot passed by. Yet she never failed to catch a smile, and sometimes a word or two floated back to her, words that sounded like: "I would not be thanked. We are all children of the same King, and I am only his messenger."

Now as the Princess walked daily in the green forest, hearing the wind singing in the branches and seeing the sunlight filter through the lattice-work of green leaves, there came unto her thoughts that had lain asleep in the stifling air of the cottage and the weariness of guiding the plough. And by and by she took a needle from her girdle and pricked the thoughts on the leaves of the trees and sent them into the air to float hither and thither. And it came to pass that people began to pick them up, and holding them against the sun, to read what was written on them, and this was because the simple little words on the leaves were only, after all, a part of one of the King's messages, such as the Fairy Godmother dropped continually from her golden chariot.

But the miracle of the story lies deeper than all this.

Whenever the Princess pricked the words upon the leaves she added a thought of her Fairy Godmother, and folding it close within, sent the leaf out on the breeze to float hither and thither and fall where it would. And many other little Princesses felt the same impulse and did the same thing. And as nothing is ever lost in the King's Dominion, so these thoughts and wishes and hopes, being full of love and gratitude, had no power to die, but took unto themselves other shapes and lived on forever. They cannot be seen, our vision is too weak; nor heard, our hearing is too dull; but they can sometimes be felt, and we know not what force is stirring our hearts to nobler aims.

The end of the story is not come, but it may be that some day when the Fairy Godmother has a message to deliver in person straight to the King, he will say: "Your face I know; your voice, your thoughts, and your heart. I have heard the rumble of your chariot wheels on the great Highway, and I knew that you were on the King's business. Here in my hand is a sheaf of messages from every quarter of my kingdom. They were delivered by weary and footsore travelers, who said that they could never have reached the gate in safety had it not been for your help and inspiration. Read them, that you may know when and where and how you sped the King's service."

And when the Fairy Godmother reads them, it may be that sweet odors will rise from the pages, and half-forgotten memories will stir the air; but in the gladness of the moment nothing will be half so lovely as the voice of the King when he said: "Read, and know how you sped the King's service."

Rebecca Rowena Randall



XXVI

"OVER THE TEACUPS"

The summer term at Wareham had ended, and Huldah Meserve, Dick Carter, and Living Perkins had finished school, leaving Rebecca and Emma Jane to represent Riverboro in the year to come. Delia Weeks was at home from Lewiston on a brief visit, and Mrs. Robinson was celebrating the occasion by a small and select party, the particular day having been set because strawberries were ripe and there was a rooster that wanted killing. Mrs. Robinson explained this to her husband, and requested that he eat his dinner on the carpenter's bench in the shed, as the party was to be a ladies' affair.

"All right; it won't be any loss to me," said Mr. Robinson. "Give me beans, that's all I ask. When a rooster wants to be killed, I want somebody else to eat him, not me!"

Mrs. Robinson had company only once or twice a year, and was generally much prostrated for several days afterward, the struggle between pride and parsimony being quite too great a strain upon her. It was necessary, in order to maintain her standing in the community, to furnish a good "set out," yet the extravagance of the proceeding goaded her from the first moment she began to stir the marble cake to the moment when the feast appeared upon the table.

The rooster had been boiling steadily over a slow fire since morning, but such was his power of resistance that his shape was as firm and handsome in the pot as on the first moment when he was lowered into it.

"He ain't goin' to give up!" said Alice, peering nervously under the cover, "and he looks like a scarecrow."

"We'll see whether he gives up or not when I take a sharp knife to him," her mother answered; "and as to his looks, a platter full o' gravy makes a sight o' difference with old roosters, and I'll put dumplings round the aidge; they're turrible fillin', though they don't belong with boiled chicken."

The rooster did indeed make an impressive showing, lying in his border of dumplings, and the dish was much complimented when it was borne in by Alice. This was fortunate, as the chorus of admiration ceased abruptly when the ladies began to eat the fowl.

"I was glad you could git over to Huldy's graduation, Delia," said Mrs. Meserve, who sat at the foot of the table and helped the chicken while Mrs. Robinson poured coffee at the other end. She was a fit mother for Huldah, being much the most stylish person in Riverboro; ill health and dress were, indeed, her two chief enjoyments in life. It was rumored that her elaborately curled "front piece" had cost five dollars, and that it was sent into Portland twice a year to be dressed and frizzed; but it is extremely difficult to discover the precise facts in such cases, and a conscientious historian always prefers to warn a too credulous reader against imbibing as gospel truth something that might be the basest perversion of it. As to Mrs. Meserve's appearance, have you ever, in earlier years, sought the comforting society of the cook and hung over the kitchen table while she rolled out sugar gingerbread? Perhaps then, in some unaccustomed moment of amiability, she made you a dough lady, cutting the outline deftly with her pastry knife, and then, at last, placing the human stamp upon it by sticking in two black currants for eyes. Just call to mind the face of that sugar gingerbread lady and you will have an exact portrait of Huldah's mother,—Mis' Peter Meserve, she was generally called, there being several others.

"How'd you like Huldy's dress, Delia?" she asked, snapping the elastic in her black jet bracelets after an irritating fashion she had.

"I thought it was about the handsomest of any," answered Delia; "and her composition was first rate. It was the only real amusin' one there was, and she read it so loud and clear we didn't miss any of it; most o' the girls spoke as if they had hasty pudtin' in their mouths."

"That was the composition she wrote for Adam Ladd's prize," explained Mrs. Meserve, "and they do say she'd 'a' come out first, 'stead o' fourth, if her subject had been dif'rent. There was three ministers and three deacons on the committee, and it was only natural they should choose a serious piece; hers was too lively to suit 'em."

Huldah's inspiring theme had been Boys, and she certainly had a fund of knowledge and experience that fitted her to write most intelligently upon it. It was vastly popular with the audience, who enjoyed the rather cheap jokes and allusions with which it coruscated; but judged from a purely literary standpoint, it left much to be desired.

"Rebecca's piece wan't read out loud, but the one that took the boy's prize was; why was that?" asked Mrs. Robinson.

"Because she wan't graduatin'," explained Mrs. Cobb, "and couldn't take part in the exercises; it'll be printed, with Herbert Dunn's, in the school paper."

"I'm glad o' that, for I'll never believe it was better 'n Huldy's till I read it with my own eyes; it seems as if the prize ought to 'a' gone to one of the seniors."

"Well, no, Marthy, not if Ladd offered it to any of the two upper classes that wanted to try for it," argued Mrs. Robinson. "They say they asked him to give out the prizes, and he refused, up and down. It seems odd, his bein' so rich and travelin' about all over the country, that he was too modest to git up on that platform."

"My Huldy could 'a' done it, and not winked an eyelash," observed Mrs. Meserve complacently; a remark which there seemed no disposition on the part of any of the company to controvert.

"It was complete, though, the governor happening to be there to see his niece graduate," said Delia Weeks. "Land! he looked elegant! They say he's only six feet, but he might 'a' been sixteen, and he certainly did make a fine speech."

"Did you notice Rebecca, how white she was, and how she trembled when she and Herbert Dunn stood there while the governor was praisin' 'em? He'd read her composition, too, for he wrote the Sawyer girls a letter about it." This remark was from the sympathetic Mrs. Cobb.

"I thought 't was kind o' foolish, his makin' so much of her when it wan't her graduation," objected Mrs. Meserve; "layin' his hand on her head 'n' all that, as if he was a Pope pronouncin' benediction. But there! I'm glad the prize come to Riverboro 't any rate, and a han'somer one never was give out from the Wareham platform. I guess there ain't no end to Adam Ladd's money. The fifty dollars would 'a' been good enough, but he must needs go and put it into those elegant purses."

"I set so fur back I couldn't see 'em fairly," complained Delia, "and now Rebecca has taken hers home to show her mother."

"It was kind of a gold net bag with a chain," said Mrs. Perkins, "and there was five ten-dollar gold pieces in it. Herbert Dunn's was put in a fine leather wallet."

"How long is Rebecca goin' to stay at the farm?" asked Delia.

"Till they get over Hannah's bein' married, and get the house to runnin' without her," answered Mrs. Perkins. "It seems as if Hannah might 'a' waited a little longer. Aurelia was set against her goin' away while Rebecca was at school, but she's obstinate as a mule, Hannah is, and she just took her own way in spite of her mother. She's been doin' her sewin' for a year; the awfullest coarse cotton cloth she had, but she's nearly blinded herself with fine stitchin' and rufflin' and tuckin'. Did you hear about the quilt she made? It's white, and has a big bunch o' grapes in the centre, quilted by a thimble top. Then there's a row of circle-borderin' round the grapes, and she done them the size of a spool. The next border was done with a sherry glass, and the last with a port glass, an' all outside o' that was solid stitchin' done in straight rows; she's goin' to exhibit it at the county fair."

"She'd better 'a' been takin' in sewin' and earnin' money, 'stead o' blindin' her eyes on such foolishness as quilted counterpanes," said Mrs. Cobb. "The next thing you know that mortgage will be foreclosed on Mis' Randall, and she and the children won't have a roof over their heads."

"Don't they say there's a good chance of the railroad goin' through her place?" asked Mrs. Robinson. "If it does, she'll git as much as the farm is worth and more. Adam Ladd 's one of the stockholders, and everything is a success he takes holt of. They're fightin' it in Augusty, but I'd back Ladd agin any o' them legislaters if he thought he was in the right."

"Rebecca'll have some new clothes now," said Delia, "and the land knows she needs 'em. Seems to me the Sawyer girls are gittin' turrible near!"

"Rebecca won't have any new clothes out o' the prize money," remarked Mrs. Perkins, "for she sent it away the next day to pay the interest on that mortgage."

"Poor little girl!" exclaimed Delia Weeks.

"She might as well help along her folks as spend it on foolishness," affirmed Mrs. Robinson. "I think she was mighty lucky to git it to pay the interest with, but she's probably like all the Randalls; it was easy come, easy go, with them."

"That's more than could be said of the Sawyer stock," retorted Mrs. Perkins; "seems like they enjoyed savin' more'n anything in the world, and it's gainin' on Mirandy sence her shock."

"I don't believe it was a shock; it stands to reason she'd never 'a' got up after it and been so smart as she is now; we had three o' the worst shocks in our family that there ever was on this river, and I know every symptom of 'em better'n the doctors." And Mrs. Peter Meserve shook her head wisely.

"Mirandy 's smart enough," said Mrs. Cobb, "but you notice she stays right to home, and she's more close-mouthed than ever she was; never took a mite o' pride in the prize, as I could see, though it pretty nigh drove Jeremiah out o' his senses. I thought I should 'a' died o' shame when he cried 'Hooray!' and swung his straw hat when the governor shook hands with Rebecca. It's lucky he couldn't get fur into the church and had to stand back by the door, for as it was, he made a spectacle of himself. My suspicion is"—and here every lady stopped eating and sat up straight—"that the Sawyer girls have lost money. They don't know a thing about business 'n' never did, and Mirandy's too secretive and contrairy to ask advice."

"The most o' what they've got is in gov'ment bonds, I always heard, and you can't lose money on them. Jane had the timber land left her, an' Mirandy had the brick house. She probably took it awful hard that Rebecca's fifty dollars had to be swallowed up in a mortgage, 'stead of goin' towards school expenses. The more I think of it, the more I think Adam Ladd intended Rebecca should have that prize when he gave it." The mind of Huldah's mother ran towards the idea that her daughter's rights had been assailed.

"Land, Marthy, what foolishness you talk!" exclaimed Mrs. Perkins; "you don't suppose he could tell what composition the committee was going to choose; and why should he offer another fifty dollars for a boy's prize, if he wan't interested in helpin' along the school? He's give Emma Jane about the same present as Rebecca every Christmas for five years; that's the way he does."

"Some time he'll forget one of 'em and give to the other, or drop 'em both and give to some new girl!" said Delia Weeks, with an experience born of fifty years of spinsterhood.

"Like as not," assented Mrs. Peter Meserve, "though it's easy to see he ain't the marryin' kind. There's men that would marry once a year if their wives would die fast enough, and there's men that seems to want to live alone."

"If Ladd was a Mormon, I guess he could have every woman in North Riverboro that's a suitable age, accordin' to what my cousins say," remarked Mrs. Perkins.

"'T ain't likely he could be ketched by any North Riverboro girl," demurred Mrs. Robinson; "not when he prob'bly has had the pick o' Boston. I guess Marthy hit it when she said there's men that ain't the marryin' kind."

"I wouldn't trust any of 'em when Miss Right comes along!" laughed Mrs. Cobb genially. "You never can tell what 'n' who 's goin' to please 'em. You know Jeremiah's contrairy horse, Buster? He won't let anybody put the bit into his mouth if he can help it. He'll fight Jerry, and fight me, till he has to give in. Rebecca didn't know nothin' about his tricks, and the other day she went int' the barn to hitch up. I followed right along, knowing she'd have trouble with the headstall, and I declare if she wan't pattin' Buster's nose and talkin' to him, and when she put her little fingers into his mouth he opened it so fur I thought he'd swaller her, for sure. He jest smacked his lips over the bit as if 't was a lump o' sugar. 'Land, Rebecca,' I says, 'how'd you persuade him to take the bit?' 'I didn't,' she says, 'he seemed to want it; perhaps he's tired of his stall and wants to get out in the fresh air.'"



XXVII

"THE VISION SPLENDID"

A year had elapsed since Adam Ladd's prize had been discussed over the teacups in Riverboro. The months had come and gone, and at length the great day had dawned for Rebecca,—the day to which she had been looking forward for five years, as the first goal to be reached on her little journey through the world. School-days were ended, and the mystic function known to the initiated as "graduation" was about to be celebrated; it was even now heralded by the sun dawning in the eastern sky. Rebecca stole softly out of bed, crept to the window, threw open the blinds, and welcomed the rosy light that meant a cloudless morning. Even the sun looked different somehow,—larger, redder, more important than usual; and if it were really so, there was no member of the graduating class who would have thought it strange or unbecoming, in view of all the circumstances. Emma Jane stirred on her pillow, woke, and seeing Rebecca at the window, came and knelt on the floor beside her. "It's going to be pleasant!" she sighed gratefully. "If it wasn't wicked, I could thank the Lord, I'm so relieved in mind! Did you sleep?"

"Not much; the words of my class poem kept running through my head, and the accompaniments of the songs; and worse than anything, Mary Queen of Scots' prayer in Latin; it seemed as if

"'Adoro, imploro, Ut liberes me!'

were burned into my brain."

No one who is unfamiliar with life in rural neighborhoods can imagine the gravity, the importance, the solemnity of this last day of school. In the matter of preparation, wealth of detail, and general excitement it far surpasses a wedding; for that is commonly a simple affair in the country, sometimes even beginning and ending in a visit to the parsonage. Nothing quite equals graduation in the minds of the graduates themselves, their families, and the younger students, unless it be the inauguration of a governor at the State Capitol. Wareham, then, was shaken to its very centre on this day of days. Mothers and fathers of the scholars, as well as relatives to the remotest generation, had been coming on the train and driving into the town since breakfast time; old pupils, both married and single, with and without families, streamed back to the dear old village. The two livery stables were crowded with vehicles of all sorts, and lines of buggies and wagons were drawn up along the sides of the shady roads, the horses switching their tails in luxurious idleness. The streets were filled with people wearing their best clothes, and the fashions included not only "the latest thing," but the well preserved relic of a bygone day. There were all sorts and conditions of men and women, for there were sons and daughters of storekeepers, lawyers, butchers, doctors, shoemakers, professors, ministers, and farmers at the Wareham schools, either as boarders or day scholars. In the seminary building there was an excitement so deep and profound that it expressed itself in a kind of hushed silence, a transient suspension of life, as those most interested approached the crucial moment. The feminine graduates-to-be were seated in their own bedrooms, dressed with a completeness of detail to which all their past lives seemed to have been but a prelude. At least, this was the case with their bodies; but their heads, owing to the extreme heat of the day, were one and all ornamented with leads, or papers, or dozens of little braids, to issue later in every sort of curl known to the girl of that period. Rolling the hair on leads or papers was a favorite method of attaining the desired result, and though it often entailed a sleepless night, there were those who gladly paid the price. Others, in whose veins the blood of martyrs did not flow, substituted rags for leads and pretended that they made a more natural and less woolly curl. Heat, however, will melt the proudest head and reduce to fiddling strings the finest product of the waving-pin; so anxious mothers were stationed over their offspring, waving palm-leaf fans, it having been decided that the supreme instant when the town clock struck ten should be the one chosen for releasing the prisoners from their self-imposed tortures.

Dotted or plain Swiss muslin was the favorite garb, though there were those who were steaming in white cashmere or alpaca, because in some cases such frocks were thought more useful afterwards. Blue and pink waist ribbons were lying over the backs of chairs, and the girl who had a Roman sash was praying that she might be kept from vanity and pride.

The way to any graduating dress at all had not seemed clear to Rebecca until a month before. Then, in company with Emma Jane, she visited the Perkins attic, found piece after piece of white butter-muslin or cheesecloth, and decided that, at a pinch, it would do. The "rich blacksmith's daughter" cast the thought of dotted Swiss behind her, and elected to follow Rebecca in cheesecloth as she had in higher matters; straightway devising costumes that included such drawing of threads, such hemstitching and pin-tucking, such insertions of fine thread tatting that, in order to be finished, Rebecca's dress was given out in sections,—the sash to Hannah, waist and sleeves to Mrs. Cobb, and skirt to aunt Jane. The stitches that went into the despised material, worth only three or four pennies a yard, made the dresses altogether lovely, and as for the folds and lines into which they fell, they could have given points to satins and brocades.

The two girls were waiting in their room alone, Emma Jane in rather a tearful state of mind. She kept thinking that it was the last day that they would be together in this altogether sweet and close intimacy. The beginning of the end seemed to have dawned, for two positions had been offered Rebecca by Mr. Morrison the day before: one in which she would play for singing and calisthenics, and superintend the piano practice of the younger girls in a boarding-school; the other an assistant's place in the Edgewood High School. Both were very modest as to salary, but the former included educational advantages that Miss Maxwell thought might be valuable.

Rebecca's mood had passed from that of excitement into a sort of exaltation, and when the first bell rang through the corridors announcing that in five minutes the class would proceed in a body to the church for the exercises, she stood motionless and speechless at the window with her hand on her heart.

"It is coming, Emmie," she said presently; "do you remember in The Mill on the Floss, when Maggie Tulliver closed the golden gates of childhood behind her? I can almost see them swing; almost hear them clang; and I can't tell whether I am glad or sorry."

"I shouldn't care how they swung or clanged," said Emma Jane, "if only you and I were on the same side of the gate; but we shan't be, I know we shan't!"

"Emmie, don't dare to cry, for I'm just on the brink myself! If only you were graduating with me; that's my only sorrow! There! I hear the rumble of the wheels! People will be seeing our grand surprise now! Hug me once for luck, dear Emmie; a careful hug, remembering our butter-muslin frailty!"

Ten minutes later, Adam Ladd, who had just arrived from Portland and was wending his way to the church, came suddenly into the main street and stopped short under a tree by the wayside, riveted to the spot by a scene of picturesque loveliness such as his eyes had seldom witnessed before. The class of which Rebecca was president was not likely to follow accepted customs. Instead of marching two by two from the seminary to the church, they had elected to proceed thither by royal chariot. A haycart had been decked with green vines and bunches of long-stemmed field daisies, those gay darlings of New England meadows. Every inch of the rail, the body, even the spokes, all were twined with yellow and green and white. There were two white horses, flower-trimmed reins, and in the floral bower, seated on maple boughs, were the twelve girls of the class, while the ten boys marched on either side of the vehicle, wearing buttonhole bouquets of daisies, the class flower.

Rebecca drove, seated on a green-covered bench that looked not unlike a throne. No girl clad in white muslin, no happy girl of seventeen, is plain; and the twelve little country maids, from the vantage ground of their setting, looked beautiful, as the June sunlight filtered down on their uncovered heads, showing their bright eyes, their fresh cheeks, their smiles, and their dimples.

Rebecca, Adam thought, as he took off his hat and saluted the pretty panorama,—Rebecca, with her tall slenderness, her thoughtful brow, the fire of young joy in her face, her fillet of dark braided hair, might have been a young Muse or Sibyl; and the flowery hayrack, with its freight of blooming girlhood, might have been painted as an allegorical picture of The Morning of Life. It all passed him, as he stood under the elms in the old village street where his mother had walked half a century ago, and he was turning with the crowd towards the church when he heard a little sob. Behind a hedge in the garden near where he was standing was a forlorn person in white, whose neat nose, chestnut hair, and blue eyes he seemed to know. He stepped inside the gate and said, "What's wrong, Miss Emma?"