"You'll never ketch him, Ab," responded the sheriff. "He's cut off the same piece o' goods as that there cider press and that there character and that there four-seventy-five o' yourn; nobody ever see any of 'em but you, and you'll never see 'em again!"

Mrs. Simpson, who was decidedly Abner's better half, took in washing and went out to do days' cleaning, and the town helped in the feeding and clothing of the children. George, a lanky boy of fourteen, did chores on neighboring farms, and the others, Samuel, Clara Belle, Susan, Elijah, and Elisha, went to school, when sufficiently clothed and not otherwise more pleasantly engaged.

There were no secrets in the villages that lay along the banks of Pleasant River. There were many hard-working people among the inhabitants, but life wore away so quietly and slowly that there was a good deal of spare time for conversation,—under the trees at noon in the hayfield; hanging over the bridge at nightfall; seated about the stove in the village store of an evening. These meeting-places furnished ample ground for the discussion of current events as viewed by the masculine eye, while choir rehearsals, sewing societies, reading circles, church picnics, and the like, gave opportunity for the expression of feminine opinion. All this was taken very much for granted, as a rule, but now and then some supersensitive person made violent objections to it, as a theory of life.

Delia Weeks, for example, was a maiden lady who did dressmaking in a small way; she fell ill, and although attended by all the physicians in the neighborhood, was sinking slowly into a decline when her cousin Cyrus asked her to come and keep house for him in Lewiston. She went, and in a year grew into a robust, hearty, cheerful woman. Returning to Riverboro on a brief visit, she was asked if she meant to end her days away from home.

"I do most certainly, if I can get any other place to stay," she responded candidly. "I was bein' worn to a shadder here, tryin' to keep my little secrets to myself, an' never succeedin'. First they had it I wanted to marry the minister, and when he took a wife in Standish I was known to be disappointed. Then for five or six years they suspicioned I was tryin' for a place to teach school, and when I gave up hope, an' took to dressmakin', they pitied me and sympathized with me for that. When father died I was bound I'd never let anybody know how I was left, for that spites 'em worse than anything else; but there's ways o' findin' out, an' they found out, hard as I fought 'em! Then there was my brother James that went to Arizona when he was sixteen. I gave good news of him for thirty years runnin', but aunt Achsy Tarbox had a ferretin' cousin that went out to Tombstone for her health, and she wrote to a postmaster, or to some kind of a town authority, and found Jim and wrote back aunt Achsy all about him and just how unfortunate he'd been. They knew when I had my teeth out and a new set made; they knew when I put on a false front-piece; they knew when the fruit peddler asked me to be his third wife—I never told 'em, an' you can be sure HE never did, but they don't NEED to be told in this village; they have nothin' to do but guess, an' they'll guess right every time. I was all tuckered out tryin' to mislead 'em and deceive 'em and sidetrack 'em; but the minute I got where I wa'n't put under a microscope by day an' a telescope by night and had myself TO myself without sayin' 'By your leave,' I begun to pick up. Cousin Cyrus is an old man an' consid'able trouble, but he thinks my teeth are handsome an' says I've got a splendid suit of hair. There ain't a person in Lewiston that knows about the minister, or father's will, or Jim's doin's, or the fruit peddler; an' if they should find out, they wouldn't care, an' they couldn't remember; for Lewiston 's a busy place, thanks be!"

Miss Delia Weeks may have exaggerated matters somewhat, but it is easy to imagine that Rebecca as well as all the other Riverboro children had heard the particulars of the Widow Rideout's missing sleigh and Abner Simpson's supposed connection with it.

There is not an excess of delicacy or chivalry in the ordinary country school, and several choice conundrums and bits of verse dealing with the Simpson affair were bandied about among the scholars, uttered always, be it said to their credit, in undertones, and when the Simpson children were not in the group.

Rebecca Randall was of precisely the same stock, and had had much the same associations as her schoolmates, so one can hardly say why she so hated mean gossip and so instinctively held herself aloof from it.

Among the Riverboro girls of her own age was a certain excellently named Minnie Smellie, who was anything but a general favorite. She was a ferret-eyed, blond-haired, spindle-legged little creature whose mind was a cross between that of a parrot and a sheep. She was suspected of copying answers from other girls' slates, although she had never been caught in the act. Rebecca and Emma Jane always knew when she had brought a tart or a triangle of layer cake with her school luncheon, because on those days she forsook the cheerful society of her mates and sought a safe solitude in the woods, returning after a time with a jocund smile on her smug face.

After one of these private luncheons Rebecca had been tempted beyond her strength, and when Minnie took her seat among them asked, "Is your headache better, Minnie? Let me wipe off that strawberry jam over your mouth."

There was no jam there as a matter of fact, but the guilty Minnie's handkerchief went to her crimson face in a flash.

Rebecca confessed to Emma Jane that same afternoon that she felt ashamed of her prank. "I do hate her ways," she exclaimed, "but I'm sorry I let her know we 'spected her; and so to make up, I gave her that little piece of broken coral I keep in my bead purse; you know the one?"

"It don't hardly seem as if she deserved that, and her so greedy," remarked Emma Jane.

"I know it, but it makes me feel better," said Rebecca largely; "and then I've had it two years, and it's broken so it wouldn't ever be any real good, beautiful as it is to look at."

The coral had partly served its purpose as a reconciling bond, when one afternoon Rebecca, who had stayed after school for her grammar lesson as usual, was returning home by way of the short cut. Far ahead, beyond the bars, she espied the Simpson children just entering the woodsy bit. Seesaw was not with them, so she hastened her steps in order to secure company on her homeward walk. They were speedily lost to view, but when she had almost overtaken them she heard, in the trees beyond, Minnie Smellie's voice lifted high in song, and the sound of a child's sobbing. Clara Belle, Susan, and the twins were running along the path, and Minnie was dancing up and down, shrieking:—

"'What made the sleigh love Simpson so?' The eager children cried; 'Why Simpson loved the sleigh, you know,' The teacher quick replied."

The last glimpse of the routed Simpson tribe, and the last Rutter of their tattered garments, disappeared in the dim distance. The fall of one small stone cast by the valiant Elijah, known as "the fighting twin," did break the stillness of the woods for a moment, but it did not come within a hundred yards of Minnie, who shouted "Jail Birds" at the top of her lungs and then turned, with an agreeable feeling of excitement, to meet Rebecca, standing perfectly still in the path, with a day of reckoning plainly set forth in her blazing eyes.

Minnie's face was not pleasant to see, for a coward detected at the moment of wrongdoing is not an object of delight.

"Minnie Smellie, if ever—I—catch—you—singing—that—to the Simpsons again—do you know what I'll do?" asked Rebecca in a tone of concentrated rage.

"I don't know and I don't care," said Minnie jauntily, though her looks belied her.

"I'll take that piece of coral away from you, and I THINK I shall slap you besides!"

"You wouldn't darst," retorted Minnie. "If you do, I'll tell my mother and the teacher, so there!"

"I don't care if you tell your mother, my mother, and all your relations, and the president," said Rebecca, gaining courage as the noble words fell from her lips. "I don't care if you tell the town, the whole of York county, the state of Maine and—and the nation!" she finished grandiloquently. "Now you run home and remember what I say. If you do it again, and especially if you say 'Jail Birds,' if I think it's right and my duty, I shall punish you somehow."

The next morning at recess Rebecca observed Minnie telling the tale with variations to Huldah Meserve. "She THREATENED me," whispered Minnie, "but I never believe a word she says."

The latter remark was spoken with the direct intention of being overheard, for Minnie had spasms of bravery, when well surrounded by the machinery of law and order.

As Rebecca went back to her seat she asked Miss Dearborn if she might pass a note to Minnie Smellie and received permission. This was the note:—

Of all the girls that are so mean There's none like Minnie Smellie. I'll take away the gift I gave And pound her into jelly.

P. S. Now do you believe me?

R. Randall.

The effect of this piece of doggerel was entirely convincing, and for days afterwards whenever Minnie met the Simpsons even a mile from the brick house she shuddered and held her peace.



VIII

COLOR OF ROSE

On the very next Friday after this "dreadfullest fight that ever was seen," as Bunyan says in Pilgrim's Progress, there were great doings in the little schoolhouse on the hill. Friday afternoon was always the time chosen for dialogues, songs, and recitations, but it cannot be stated that it was a gala day in any true sense of the word. Most of the children hated "speaking pieces;" hated the burden of learning them, dreaded the danger of breaking down in them. Miss Dearborn commonly went home with a headache, and never left her bed during the rest of the afternoon or evening; and the casual female parent who attended the exercises sat on a front bench with beads of cold sweat on her forehead, listening to the all-too-familiar halts and stammers. Sometimes a bellowing infant who had clean forgotten his verse would cast himself bodily on the maternal bosom and be borne out into the open air, where he was sometimes kissed and occasionally spanked; but in any case the failure added an extra dash of gloom and dread to the occasion. The advent of Rebecca had somehow infused a new spirit into these hitherto terrible afternoons. She had taught Elijah and Elisha Simpson so that they recited three verses of something with such comical effect that they delighted themselves, the teacher, and the school; while Susan, who lisped, had been provided with a humorous poem in which she impersonated a lisping child. Emma Jane and Rebecca had a dialogue, and the sense of companionship buoyed up Emma Jane and gave her self-reliance. In fact, Miss Dearborn announced on this particular Friday morning that the exercises promised to be so interesting that she had invited the doctor's wife, the minister's wife, two members of the school committee, and a few mothers. Living Perkins was asked to decorate one of the black-boards and Rebecca the other. Living, who was the star artist of the school, chose the map of North America. Rebecca liked better to draw things less realistic, and speedily, before the eyes of the enchanted multitude, there grew under her skillful fingers an American flag done in red, white, and blue chalk, every star in its right place, every stripe fluttering in the breeze. Beside this appeared a figure of Columbia, copied from the top of the cigar box that held the crayons.

Miss Dearborn was delighted. "I propose we give Rebecca a good hand-clapping for such a beautiful picture—one that the whole school may well be proud of!"

The scholars clapped heartily, and Dick Carter, waving his hand, gave a rousing cheer.

Rebecca's heart leaped for joy, and to her confusion she felt the tears rising in her eyes. She could hardly see the way back to her seat, for in her ignorant lonely little life she had never been singled out for applause, never lauded, nor crowned, as in this wonderful, dazzling moment. If "nobleness enkindleth nobleness," so does enthusiasm beget enthusiasm, and so do wit and talent enkindle wit and talent. Alice Robinson proposed that the school should sing Three Cheers for the Red, White, and Blue! and when they came to the chorus, all point to Rebecca's flag. Dick Carter suggested that Living Perkins and Rebecca Randall should sign their names to their pictures, so that the visitors would know who drew them. Huldah Meserve asked permission to cover the largest holes in the plastered walls with boughs and fill the water pail with wild flowers. Rebecca's mood was above and beyond all practical details. She sat silent, her heart so full of grateful joy that she could hardly remember the words of her dialogue. At recess she bore herself modestly, notwithstanding her great triumph, while in the general atmosphere of good will the Smellie-Randall hatchet was buried and Minnie gathered maple boughs and covered the ugly stove with them, under Rebecca's direction.

Miss Dearborn dismissed the morning session at quarter to twelve, so that those who lived near enough could go home for a change of dress. Emma Jane and Rebecca ran nearly every step of the way, from sheer excitement, only stopping to breathe at the stiles.

"Will your aunt Mirandy let you wear your best, or only your buff calico?" asked Emma Jane.

"I think I'll ask aunt Jane," Rebecca replied. "Oh! if my pink was only finished! I left aunt Jane making the buttonholes!"

"I'm going to ask my mother to let me wear her garnet ring," said Emma Jane. "It would look perfectly elergant flashing in the sun when I point to the flag. Good-by; don't wait for me going back; I may get a ride."

Rebecca found the side door locked, but she knew that the key was under the step, and so of course did everybody else in Riverboro, for they all did about the same thing with it. She unlocked the door and went into the dining-room to find her lunch laid on the table and a note from aunt Jane saying that they had gone to Moderation with Mrs. Robinson in her carryall. Rebecca swallowed a piece of bread and butter, and flew up the front stairs to her bedroom. On the bed lay the pink gingham dress finished by aunt Jane's kind hands. Could she, dare she, wear it without asking? Did the occasion justify a new costume, or would her aunts think she ought to keep it for the concert?

"I'll wear it," thought Rebecca. "They're not here to ask, and maybe they wouldn't mind a bit; it's only gingham after all, and wouldn't be so grand if it wasn't new, and hadn't tape trimming on it, and wasn't pink."

She unbraided her two pig-tails, combed out the waves of her hair and tied them back with a ribbon, changed her shoes, and then slipped on the pretty frock, managing to fasten all but the three middle buttons, which she reserved for Emma Jane.

Then her eye fell on her cherished pink sunshade, the exact match, and the girls had never seen it. It wasn't quite appropriate for school, but she needn't take it into the room; she would wrap it in a piece of paper, just show it, and carry it coming home. She glanced in the parlor looking-glass downstairs and was electrified at the vision. It seemed almost as if beauty of apparel could go no further than that heavenly pink gingham dress! The sparkle of her eyes, glow of her cheeks, sheen of her falling hair, passed unnoticed in the all-conquering charm of the rose-colored garment. Goodness! it was twenty minutes to one and she would be late. She danced out the side door, pulled a pink rose from a bush at the gate, and covered the mile between the brick house and the seat of learning in an incredibly short time, meeting Emma Jane, also breathless and resplendent, at the entrance.

"Rebecca Randall!" exclaimed Emma Jane, "you're handsome as a picture!"

"I?" laughed Rebecca "Nonsense! it's only the pink gingham."

"You're not good looking every day," insisted Emma Jane; "but you're different somehow. See my garnet ring; mother scrubbed it in soap and water. How on earth did your aunt Mirandy let you put on your bran' new dress?"

"They were both away and I didn't ask," Rebecca responded anxiously. "Why? Do you think they'd have said no?"

"Miss Mirandy always says no, doesn't she?" asked Emma Jane.

"Ye—es; but this afternoon is very special—almost like a Sunday-school concert."

"Yes," assented Emma Jane, "it is, of course; with your name on the board, and our pointing to your flag, and our elergant dialogue, and all that."

The afternoon was one succession of solid triumphs for everybody concerned. There were no real failures at all, no tears, no parents ashamed of their offspring. Miss Dearborn heard many admiring remarks passed upon her ability, and wondered whether they belonged to her or partly, at least, to Rebecca. The child had no more to do than several others, but she was somehow in the foreground. It transpired afterwards at various village entertainments that Rebecca couldn't be kept in the background; it positively refused to hold her. Her worst enemy could not have called her pushing. She was ready and willing and never shy; but she sought for no chances of display and was, indeed, remarkably lacking in self-consciousness, as well as eager to bring others into whatever fun or entertainment there was. If wherever the MacGregor sat was the head of the table, so in the same way wherever Rebecca stood was the centre of the stage. Her clear high treble soared above all the rest in the choruses, and somehow everybody watched her, took note of her gestures, her whole-souled singing, her irrepressible enthusiasm.

Finally it was all over, and it seemed to Rebecca as if she should never be cool and calm again, as she loitered on the homeward path. There would be no lessons to learn to-night, and the vision of helping with the preserves on the morrow had no terrors for her—fears could not draw breath in the radiance that flooded her soul. There were thick gathering clouds in the sky, but she took no note of them save to be glad that she could raise her sunshade. She did not tread the solid ground at all, or have any sense of belonging to the common human family, until she entered the side yard of the brick house and saw her aunt Miranda standing in the open doorway. Then with a rush she came back to earth.



IX

ASHES OF ROSES

"There she is, over an hour late; a little more an' she'd 'a' been caught in a thunder shower, but she'd never look ahead," said Miranda to Jane; "and added to all her other iniquities, if she ain't rigged out in that new dress, steppin' along with her father's dancin'-school steps, and swingin' her parasol for all the world as if she was play-actin'. Now I'm the oldest, Jane, an' I intend to have my say out; if you don't like it you can go into the kitchen till it's over. Step right in here, Rebecca; I want to talk to you. What did you put on that good new dress for, on a school day, without permission?"

"I had intended to ask you at noontime, but you weren't at home, so I couldn't," began Rebecca.

"You did no such a thing; you put it on because you was left alone, though you knew well enough I wouldn't have let you."

"If I'd been CERTAIN you wouldn't have let me I'd never have done it," said Rebecca, trying to be truthful; "but I wasn't CERTAIN, and it was worth risking. I thought perhaps you might, if you knew it was almost a real exhibition at school."

"Exhibition!" exclaimed Miranda scornfully; "you are exhibition enough by yourself, I should say. Was you exhibitin' your parasol?"

"The parasol WAS silly," confessed Rebecca, hanging her head; "but it's the only time in my whole life when I had anything to match it, and it looked so beautiful with the pink dress! Emma Jane and I spoke a dialogue about a city girl and a country girl, and it came to me just the minute before I started how nice it would come in for the city girl; and it did. I haven't hurt my dress a mite, aunt Mirandy."

"It's the craftiness and underhandedness of your actions that's the worst," said Miranda coldly. "And look at the other things you've done! It seems as if Satan possessed you! You went up the front stairs to your room, but you didn't hide your tracks, for you dropped your handkerchief on the way up. You left the screen out of your bedroom window for the flies to come in all over the house. You never cleared away your lunch nor set away a dish, AND YOU LEFT THE SIDE DOOR UNLOCKED from half past twelve to three o'clock, so 't anybody could 'a' come in and stolen what they liked!"

Rebecca sat down heavily in her chair as she heard the list of her transgressions. How could she have been so careless? The tears began to flow now as she attempted to explain sins that never could be explained or justified.

"Oh, I'm so sorry!" she faltered. "I was trimming the schoolroom, and got belated, and ran all the way home. It was hard getting into my dress alone, and I hadn't time to eat but a mouthful, and just at the last minute, when I honestly—HONESTLY—would have thought about clearing away and locking up, I looked at the clock and knew I could hardly get back to school in time to form in the line; and I thought how dreadful it would be to go in late and get my first black mark on a Friday afternoon, with the minister's wife and the doctor's wife and the school committee all there!"

"Don't wail and carry on now; it's no good cryin' over spilt milk," answered Miranda. "An ounce of good behavior is worth a pound of repentance. Instead of tryin' to see how little trouble you can make in a house that ain't your own home, it seems as if you tried to see how much you could put us out. Take that rose out o' your dress and let me see the spot it's made on your yoke, an' the rusty holes where the wet pin went in. No, it ain't; but it's more by luck than forethought. I ain't got any patience with your flowers and frizzled-out hair and furbelows an' airs an' graces, for all the world like your Miss-Nancy father."

Rebecca lifted her head in a flash. "Look here, aunt Mirandy, I'll be as good as I know how to be. I'll mind quick when I'm spoken to and never leave the door unlocked again, but I won't have my father called names. He was a p-perfectly l-lovely father, that's what he was, and it's MEAN to call him Miss Nancy!"

"Don't you dare answer me back that imperdent way, Rebecca, tellin' me I'm mean; your father was a vain, foolish, shiftless man, an' you might as well hear it from me as anybody else; he spent your mother's money and left her with seven children to provide for."

"It's s-something to leave s-seven nice children," sobbed Rebecca.

"Not when other folks have to help feed, clothe, and educate 'em," responded Miranda. "Now you step upstairs, put on your nightgown, go to bed, and stay there till to-morrow mornin'. You'll find a bowl o' crackers an' milk on your bureau, an' I don't want to hear a sound from you till breakfast time. Jane, run an' take the dish towels off the line and shut the shed doors; we're goin' to have a turrible shower."

"We've had it, I should think," said Jane quietly, as she went to do her sister's bidding. "I don't often speak my mind, Mirandy; but you ought not to have said what you did about Lorenzo. He was what he was, and can't be made any different; but he was Rebecca's father, and Aurelia always says he was a good husband."

Miranda had never heard the proverbial phrase about the only "good Indian," but her mind worked in the conventional manner when she said grimly, "Yes, I've noticed that dead husbands are usually good ones; but the truth needs an airin' now and then, and that child will never amount to a hill o' beans till she gets some of her father trounced out of her. I'm glad I said just what I did."

"I daresay you are," remarked Jane, with what might be described as one of her annual bursts of courage; "but all the same, Mirandy, it wasn't good manners, and it wasn't good religion!"

The clap of thunder that shook the house just at that moment made no such peal in Miranda Sawyer's ears as Jane's remark made when it fell with a deafening roar on her conscience.

Perhaps after all it is just as well to speak only once a year and then speak to the purpose.

Rebecca mounted the back stairs wearily, closed the door of her bedroom, and took off the beloved pink gingham with trembling fingers. Her cotton handkerchief was rolled into a hard ball, and in the intervals of reaching the more difficult buttons that lay between her shoulder blades and her belt, she dabbed her wet eyes carefully, so that they should not rain salt water on the finery that had been worn at such a price. She smoothed it out carefully, pinched up the white ruffle at the neck, and laid it away in a drawer with an extra little sob at the roughness of life. The withered pink rose fell on the floor. Rebecca looked at it and thought to herself, "Just like my happy day!" Nothing could show more clearly the kind of child she was than the fact that she instantly perceived the symbolism of the rose, and laid it in the drawer with the dress as if she were burying the whole episode with all its sad memories. It was a child's poetic instinct with a dawning hint of woman's sentiment in it.

She braided her hair in the two accustomed pig-tails, took off her best shoes (which had happily escaped notice), with all the while a fixed resolve growing in her mind, that of leaving the brick house and going back to the farm. She would not be received there with open arms,—there was no hope of that,—but she would help her mother about the house and send Hannah to Riverboro in her place. "I hope she'll like it!" she thought in a momentary burst of vindictiveness. She sat by the window trying to make some sort of plan, watching the lightning play over the hilltop and the streams of rain chasing each other down the lightning rod. And this was the day that had dawned so joyfully! It had been a red sunrise, and she had leaned on the window sill studying her lesson and thinking what a lovely world it was. And what a golden morning! The changing of the bare, ugly little schoolroom into a bower of beauty; Miss Dearborn's pleasure at her success with the Simpson twins' recitation; the privilege of decorating the blackboard; the happy thought of drawing Columbia from the cigar box; the intoxicating moment when the school clapped her! And what an afternoon! How it went on from glory to glory, beginning with Emma Jane's telling her, Rebecca Randall, that she was as "handsome as a picture."

She lived through the exercises again in memory, especially her dialogue with Emma Jane and her inspiration of using the bough-covered stove as a mossy bank where the country girl could sit and watch her flocks. This gave Emma Jane a feeling of such ease that she never recited better; and how generous it was of her to lend the garnet ring to the city girl, fancying truly how it would flash as she furled her parasol and approached the awe-stricken shepherdess! She had thought aunt Miranda might be pleased that the niece invited down from the farm had succeeded so well at school; but no, there was no hope of pleasing her in that or in any other way. She would go to Maplewood on the stage next day with Mr. Cobb and get home somehow from cousin Ann's. On second thoughts her aunts might not allow it. Very well, she would slip away now and see if she could stay all night with the Cobbs and be off next morning before breakfast.

Rebecca never stopped long to think, more 's the pity, so she put on her oldest dress and hat and jacket, then wrapped her nightdress, comb, and toothbrush in a bundle and dropped it softly out of the window. Her room was in the L and her window at no very dangerous distance from the ground, though had it been, nothing could have stopped her at that moment. Somebody who had gone on the roof to clean out the gutters had left a cleat nailed to the side of the house about halfway between the window and the top of the back porch. Rebecca heard the sound of the sewing machine in the dining-room and the chopping of meat in the kitchen; so knowing the whereabouts of both her aunts, she scrambled out of the window, caught hold of the lightning rod, slid down to the helpful cleat, jumped to the porch, used the woodbine trellis for a ladder, and was flying up the road in the storm before she had time to arrange any details of her future movements.

Jeremiah Cobb sat at his lonely supper at the table by the kitchen window. "Mother," as he with his old-fashioned habits was in the habit of calling his wife, was nursing a sick neighbor. Mrs. Cobb was mother only to a little headstone in the churchyard, where reposed "Sarah Ann, beloved daughter of Jeremiah and Sarah Cobb, aged seventeen months;" but the name of mother was better than nothing, and served at any rate as a reminder of her woman's crown of blessedness.

The rain still fell, and the heavens were dark, though it was scarcely five o'clock. Looking up from his "dish of tea," the old man saw at the open door a very figure of woe. Rebecca's face was so swollen with tears and so sharp with misery that for a moment he scarcely recognized her. Then when he heard her voice asking, "Please may I come in, Mr. Cobb?" he cried, "Well I vow! It's my little lady passenger! Come to call on old uncle Jerry and pass the time o' day, hev ye? Why, you're wet as sops. Draw up to the stove. I made a fire, hot as it was, thinkin' I wanted somethin' warm for my supper, bein' kind o' lonesome without mother. She's settin' up with Seth Strout to-night. There, we'll hang your soppy hat on the nail, put your jacket over the chair rail, an' then you turn your back to the stove an' dry yourself good."

Uncle Jerry had never before said so many words at a time, but he had caught sight of the child's red eyes and tear-stained cheeks, and his big heart went out to her in her trouble, quite regardless of any circumstances that might have caused it.

Rebecca stood still for a moment until uncle Jerry took his seat again at the table, and then, unable to contain herself longer, cried, "Oh, Mr. Cobb, I've run away from the brick house, and I want to go back to the farm. Will you keep me to-night and take me up to Maplewood in the stage? I haven't got any money for my fare, but I'll earn it somehow afterwards."

"Well, I guess we won't quarrel 'bout money, you and me," said the old man; "and we've never had our ride together, anyway, though we allers meant to go down river, not up."

"I shall never see Milltown now!" sobbed Rebecca.

"Come over here side o' me an' tell me all about it," coaxed uncle Jerry. "Jest set down on that there wooden cricket an' out with the whole story."

Rebecca leaned her aching head against Mr. Cobb's homespun knee and recounted the history of her trouble. Tragic as that history seemed to her passionate and undisciplined mind, she told it truthfully and without exaggeration.



X

RAINBOW BRIDGES

Uncle Jerry coughed and stirred in his chair a good deal during Rebecca's recital, but he carefully concealed any undue feeling of sympathy, just muttering, "Poor little soul! We'll see what we can do for her!"

"You will take me to Maplewood, won't you, Mr. Cobb?" begged Rebecca piteously.

"Don't you fret a mite," he answered, with a crafty little notion at the back of his mind; "I'll see the lady passenger through somehow. Now take a bite o' somethin' to eat, child. Spread some o' that tomato preserve on your bread; draw up to the table. How'd you like to set in mother's place an' pour me out another cup o' hot tea?"

Mr. Jeremiah Cobb's mental machinery was simple, and did not move very smoothly save when propelled by his affection or sympathy. In the present case these were both employed to his advantage, and mourning his stupidity and praying for some flash of inspiration to light his path, he blundered along, trusting to Providence.

Rebecca, comforted by the old man's tone, and timidly enjoying the dignity of sitting in Mrs. Cobb's seat and lifting the blue china teapot, smiled faintly, smoothed her hair, and dried her eyes.

"I suppose your mother'll be turrible glad to see you back again?" queried Mr. Cobb.

A tiny fear—just a baby thing—in the bottom of Rebecca's heart stirred and grew larger the moment it was touched with a question.

"She won't like it that I ran away, I s'pose, and she'll be sorry that I couldn't please aunt Mirandy; but I'll make her understand, just as I did you."

"I s'pose she was thinkin' o' your schoolin', lettin' you come down here; but land! you can go to school in Temperance, I s'pose?"

"There's only two months' school now in Temperance, and the farm 's too far from all the other schools."

"Oh well! there's other things in the world beside edjercation," responded uncle Jerry, attacking a piece of apple pie.

"Ye—es; though mother thought that was going to be the making of me," returned Rebecca sadly, giving a dry little sob as she tried to drink her tea.

"It'll be nice for you to be all together again at the farm—such a house full o' children!" remarked the dear old deceiver, who longed for nothing so much as to cuddle and comfort the poor little creature.

"It's too full—that's the trouble. But I'll make Hannah come to Riverboro in my place."

"S'pose Mirandy 'n' Jane'll have her? I should be 'most afraid they wouldn't. They'll be kind o' mad at your goin' home, you know, and you can't hardly blame 'em."

This was quite a new thought,—that the brick house might be closed to Hannah, since she, Rebecca, had turned her back upon its cold hospitality.

"How is this school down here in Riverboro—pretty good?" inquired uncle Jerry, whose brain was working with an altogether unaccustomed rapidity,—so much so that it almost terrified him.

"Oh, it's a splendid school! And Miss Dearborn is a splendid teacher!"

"You like her, do you? Well, you'd better believe she returns the compliment. Mother was down to the store this afternoon buyin' liniment for Seth Strout, an' she met Miss Dearborn on the bridge. They got to talkin' 'bout school, for mother has summer-boarded a lot o' the schoolmarms, an' likes 'em. 'How does the little Temperance girl git along?' asks mother. 'Oh, she's the best scholar I have!' says Miss Dearborn. 'I could teach school from sun-up to sun-down if scholars was all like Rebecca Randall,' says she."

"Oh, Mr. Cobb, DID she say that?" glowed Rebecca, her face sparkling and dimpling in an instant. "I've tried hard all the time, but I'll study the covers right off of the books now."

"You mean you would if you'd ben goin' to stay here," interposed uncle Jerry. "Now ain't it too bad you've jest got to give it all up on account o' your aunt Mirandy? Well, I can't hardly blame ye. She's cranky an' she's sour; I should think she'd ben nussed on bonny-clabber an' green apples. She needs bearin' with; an' I guess you ain't much on patience, be ye?"

"Not very much," replied Rebecca dolefully.

"If I'd had this talk with ye yesterday," pursued Mr. Cobb, "I believe I'd have advised ye different. It's too late now, an' I don't feel to say you've ben all in the wrong; but if 't was to do over again, I'd say, well, your aunt Mirandy gives you clothes and board and schoolin' and is goin' to send you to Wareham at a big expense. She's turrible hard to get along with, an' kind o' heaves benefits at your head, same 's she would bricks; but they're benefits jest the same, an' mebbe it's your job to kind o' pay for 'em in good behavior. Jane's a leetle bit more easy goin' than Mirandy, ain't she, or is she jest as hard to please?"

"Oh, aunt Jane and I get along splendidly," exclaimed Rebecca; "she's just as good and kind as she can be, and I like her better all the time. I think she kind of likes me, too; she smoothed my hair once. I'd let her scold me all day long, for she understands; but she can't stand up for me against aunt Mirandy; she's about as afraid of her as I am."

"Jane'll be real sorry to-morrow to find you've gone away, I guess; but never mind, it can't be helped. If she has a kind of a dull time with Mirandy, on account o' her bein' so sharp, why of course she'd set great store by your comp'ny. Mother was talkin' with her after prayer meetin' the other night. 'You wouldn't know the brick house, Sarah,' says Jane. 'I'm keepin' a sewin' school, an' my scholar has made three dresses. What do you think o' that,' says she, 'for an old maid's child? I've taken a class in Sunday-school,' says Jane, 'an' think o' renewin' my youth an' goin' to the picnic with Rebecca,' says she; an' mother declares she never see her look so young 'n' happy."

There was a silence that could be felt in the little kitchen; a silence only broken by the ticking of the tall clock and the beating of Rebecca's heart, which, it seemed to her, almost drowned the voice of the clock. The rain ceased, a sudden rosy light filled the room, and through the window a rainbow arch could be seen spanning the heavens like a radiant bridge. Bridges took one across difficult places, thought Rebecca, and uncle Jerry seemed to have built one over her troubles and given her strength to walk.

"The shower 's over," said the old man, filling his pipe; "it's cleared the air, washed the face o' the airth nice an' clean, an' everything to-morrer will shine like a new pin—when you an' I are drivin' up river."

Rebecca pushed her cup away, rose from the table, and put on her hat and jacket quietly. "I'm not going to drive up river, Mr. Cobb," she said. "I'm going to stay here and—catch bricks; catch 'em without throwing 'em back, too. I don't know as aunt Mirandy will take me in after I've run away, but I'm going back now while I have the courage. You wouldn't be so good as to go with me, would you, Mr. Cobb?"

"You'd better b'lieve your uncle Jerry don't propose to leave till he gits this thing fixed up," cried the old man delightedly. "Now you've had all you can stan' to-night, poor little soul, without gettin' a fit o' sickness; an' Mirandy'll be sore an' cross an' in no condition for argyment; so my plan is jest this: to drive you over to the brick house in my top buggy; to have you set back in the corner, an' I git out an' go to the side door; an' when I git your aunt Mirandy 'n' aunt Jane out int' the shed to plan for a load o' wood I'm goin' to have hauled there this week, you'll slip out o' the buggy and go upstairs to bed. The front door won't be locked, will it?"

"Not this time of night," Rebecca answered; "not till aunt Mirandy goes to bed; but oh! what if it should be?"

"Well, it won't; an' if 't is, why we'll have to face it out; though in my opinion there's things that won't bear facin' out an' had better be settled comfortable an' quiet. You see you ain't run away yet; you've only come over here to consult me 'bout runnin' away, an' we've concluded it ain't wuth the trouble. The only real sin you've committed, as I figger it out, was in comin' here by the winder when you'd ben sent to bed. That ain't so very black, an' you can tell your aunt Jane 'bout it come Sunday, when she's chock full o' religion, an' she can advise you when you'd better tell your aunt Mirandy. I don't believe in deceivin' folks, but if you've hed hard thoughts you ain't obleeged to own 'em up; take 'em to the Lord in prayer, as the hymn says, and then don't go on hevin' 'em. Now come on; I'm all hitched up to go over to the post-office; don't forget your bundle; 'it's always a journey, mother, when you carry a nightgown;' them 's the first words your uncle Jerry ever heard you say! He didn't think you'd be bringin' your nightgown over to his house. Step in an' curl up in the corner; we ain't goin' to let folks see little runaway gals, 'cause they're goin' back to begin all over ag'in!"

When Rebecca crept upstairs, and undressing in the dark finally found herself in her bed that night, though she was aching and throbbing in every nerve, she felt a kind of peace stealing over her. She had been saved from foolishness and error; kept from troubling her poor mother; prevented from angering and mortifying her aunts.

Her heart was melted now, and she determined to win aunt Miranda's approval by some desperate means, and to try and forget the one thing that rankled worst, the scornful mention of her father, of whom she thought with the greatest admiration, and whom she had not yet heard criticised; for such sorrows and disappointments as Aurelia Randall had suffered had never been communicated to her children.

It would have been some comfort to the bruised, unhappy little spirit to know that Miranda Sawyer was passing an uncomfortable night, and that she tacitly regretted her harshness, partly because Jane had taken such a lofty and virtuous position in the matter. She could not endure Jane's disapproval, although she would never have confessed to such a weakness.

As uncle Jerry drove homeward under the stars, well content with his attempts at keeping the peace, he thought wistfully of the touch of Rebecca's head on his knee, and the rain of her tears on his hand; of the sweet reasonableness of her mind when she had the matter put rightly before her; of her quick decision when she had once seen the path of duty; of the touching hunger for love and understanding that were so characteristic in her. "Lord A'mighty!" he ejaculated under his breath, "Lord A'mighty! to hector and abuse a child like that one! 'T ain't ABUSE exactly, I know, or 't wouldn't be to some o' your elephant-hided young ones; but to that little tender will-o'-the-wisp a hard word 's like a lash. Mirandy Sawyer would be a heap better woman if she had a little gravestun to remember, same's mother 'n' I have."

"I never see a child improve in her work as Rebecca has to-day," remarked Miranda Sawyer to Jane on Saturday evening. "That settin' down I gave her was probably just what she needed, and I daresay it'll last for a month."

"I'm glad you're pleased," returned Jane. "A cringing worm is what you want, not a bright, smiling child. Rebecca looks to me as if she'd been through the Seven Years' War. When she came downstairs this morning it seemed to me she'd grown old in the night. If you follow my advice, which you seldom do, you'll let me take her and Emma Jane down beside the river to-morrow afternoon and bring Emma Jane home to a good Sunday supper. Then if you'll let her go to Milltown with the Cobbs on Wednesday, that'll hearten her up a little and coax back her appetite. Wednesday 's a holiday on account of Miss Dearborn's going home to her sister's wedding, and the Cobbs and Perkinses want to go down to the Agricultural Fair."



XI

"THE STIRRING OF THE POWERS"

Rebecca's visit to Milltown was all that her glowing fancy had painted it, except that recent readings about Rome and Venice disposed her to believe that those cities might have an advantage over Milltown in the matter of mere pictorial beauty. So soon does the soul outgrow its mansions that after once seeing Milltown her fancy ran out to the future sight of Portland; for that, having islands and a harbor and two public monuments, must be far more beautiful than Milltown, which would, she felt, take its proud place among the cities of the earth, by reason of its tremendous business activity rather than by any irresistible appeal to the imagination.

It would be impossible for two children to see more, do more, walk more, talk more, eat more, or ask more questions than Rebecca and Emma Jane did on that eventful Wednesday.

"She's the best company I ever see in all my life," said Mrs. Cobb to her husband that evening. "We ain't had a dull minute this day. She's well-mannered, too; she didn't ask for anything, and was thankful for whatever she got. Did you watch her face when we went into that tent where they was actin' out Uncle Tom's Cabin? And did you take notice of the way she told us about the book when we sat down to have our ice cream? I tell you Harriet Beecher Stowe herself couldn't 'a' done it better justice."

"I took it all in," responded Mr. Cobb, who was pleased that "mother" agreed with him about Rebecca. "I ain't sure but she's goin' to turn out somethin' remarkable,—a singer, or a writer, or a lady doctor like that Miss Parks up to Cornish."

"Lady doctors are always home'paths, ain't they?" asked Mrs. Cobb, who, it is needless to say, was distinctly of the old school in medicine.

"Land, no, mother; there ain't no home'path 'bout Miss Parks—she drives all over the country."

"I can't see Rebecca as a lady doctor, somehow," mused Mrs. Cobb. "Her gift o' gab is what's goin' to be the makin' of her; mebbe she'll lecture, or recite pieces, like that Portland elocutionist that come out here to the harvest supper."

"I guess she'll be able to write down her own pieces," said Mr. Cobb confidently; "she could make 'em up faster 'n she could read 'em out of a book."

"It's a pity she's so plain looking," remarked Mrs. Cobb, blowing out the candle.

"PLAIN LOOKING, mother?" exclaimed her husband in astonishment. "Look at the eyes of her; look at the hair of her, an' the smile, an' that there dimple! Look at Alice Robinson, that's called the prettiest child on the river, an' see how Rebecca shines her ri' down out o' sight! I hope Mirandy'll favor her comin' over to see us real often, for she'll let off some of her steam here, an' the brick house'll be consid'able safer for everybody concerned. We've known what it was to hev children, even if 't was more 'n thirty years ago, an' we can make allowances."

Notwithstanding the encomiums of Mr. and Mrs. Cobb, Rebecca made a poor hand at composition writing at this time. Miss Dearborn gave her every sort of subject that she had ever been given herself: Cloud Pictures; Abraham Lincoln; Nature; Philanthropy; Slavery; Intemperance; Joy and Duty; Solitude; but with none of them did Rebecca seem to grapple satisfactorily.

"Write as you talk, Rebecca," insisted poor Miss Dearborn, who secretly knew that she could never manage a good composition herself.

"But gracious me, Miss Dearborn! I don't talk about nature and slavery. I can't write unless I have something to say, can I?"

"That is what compositions are for," returned Miss Dearborn doubtfully; "to make you have things to say. Now in your last one, on solitude, you haven't said anything very interesting, and you've made it too common and every-day to sound well. There are too many 'yous' and 'yours' in it; you ought to say 'one' now and then, to make it seem more like good writing. 'One opens a favorite book;' 'One's thoughts are a great comfort in solitude,' and so on."

"I don't know any more about solitude this week than I did about joy and duty last week," grumbled Rebecca.

"You tried to be funny about joy and duty," said Miss Dearborn reprovingly; "so of course you didn't succeed."

"I didn't know you were going to make us read the things out loud," said Rebecca with an embarrassed smile of recollection.

"Joy and Duty" had been the inspiring subject given to the older children for a theme to be written in five minutes.

Rebecca had wrestled, struggled, perspired in vain. When her turn came to read she was obliged to confess she had written nothing.

"You have at least two lines, Rebecca," insisted the teacher, "for I see them on your slate."

"I'd rather not read them, please; they are not good," pleaded Rebecca.

"Read what you have, good or bad, little or much; I am excusing nobody."

Rebecca rose, overcome with secret laughter dread, and mortification; then in a low voice she read the couplet:—

When Joy and Duty clash Let Duty go to smash.

Dick Carter's head disappeared under the desk, while Living Perkins choked with laughter.

Miss Dearborn laughed too; she was little more than a girl, and the training of the young idea seldom appealed to the sense of humor.

"You must stay after school and try again, Rebecca," she said, but she said it smilingly. "Your poetry hasn't a very nice idea in it for a good little girl who ought to love duty."

"It wasn't MY idea," said Rebecca apologetically. "I had only made the first line when I saw you were going to ring the bell and say the time was up. I had 'clash' written, and I couldn't think of anything then but 'hash' or 'rash' or 'smash.' I'll change it to this:—

When Joy and Duty clash, 'T is Joy must go to smash."

"That is better," Miss Dearborn answered, "though I cannot think 'going to smash' is a pretty expression for poetry."

Having been instructed in the use of the indefinite pronoun "one" as giving a refined and elegant touch to literary efforts, Rebecca painstakingly rewrote her composition on solitude, giving it all the benefit of Miss Dearborn's suggestion. It then appeared in the following form, which hardly satisfied either teacher or pupil:—

SOLITUDE

It would be false to say that one could ever be alone when one has one's lovely thoughts to comfort one. One sits by one's self, it is true, but one thinks; one opens one's favorite book and reads one's favorite story; one speaks to one's aunt or one's brother, fondles one's cat, or looks at one's photograph album. There is one's work also: what a joy it is to one, if one happens to like work. All one's little household tasks keep one from being lonely. Does one ever feel bereft when one picks up one's chips to light one's fire for one's evening meal? Or when one washes one's milk pail before milking one's cow? One would fancy not.

R. R. R.

"It is perfectly dreadful," sighed Rebecca when she read it aloud after school. "Putting in 'one' all the time doesn't make it sound any more like a book, and it looks silly besides."

"You say such queer things," objected Miss Dearborn. "I don't see what makes you do it. Why did you put in anything so common as picking up chips?"

"Because I was talking about 'household tasks' in the sentence before, and it IS one of my household tasks. Don't you think calling supper 'one's evening meal' is pretty? and isn't 'bereft' a nice word?"

"Yes, that part of it does very well. It is the cat, the chips, and the milk pail that I don't like."

"All right!" sighed Rebecca. "Out they go; Does the cow go too?"

"Yes, I don't like a cow in a composition," said the difficult Miss Dearborn.

The Milltown trip had not been without its tragic consequences of a small sort; for the next week Minnie Smellie's mother told Miranda Sawyer that she'd better look after Rebecca, for she was given to "swearing and profane language;" that she had been heard saying something dreadful that very afternoon, saying it before Emma Jane and Living Perkins, who only laughed and got down on all fours and chased her.

Rebecca, on being confronted and charged with the crime, denied it indignantly, and aunt Jane believed her.

"Search your memory, Rebecca, and try to think what Minnie overheard you say," she pleaded. "Don't be ugly and obstinate, but think real hard. When did they chase you up the road, and what were you doing?"

A sudden light broke upon Rebecca's darkness.

"Oh! I see it now," she exclaimed. "It had rained hard all the morning, you know, and the road was full of puddles. Emma Jane, Living, and I were walking along, and I was ahead. I saw the water streaming over the road towards the ditch, and it reminded me of Uncle Tom's Cabin at Milltown, when Eliza took her baby and ran across the Mississippi on the ice blocks, pursued by the bloodhounds. We couldn't keep from laughing after we came out of the tent because they were acting on such a small platform that Eliza had to run round and round, and part of the time the one dog they had pursued her, and part of the time she had to pursue the dog. I knew Living would remember, too, so I took off my waterproof and wrapped it round my books for a baby; then I shouted, 'MY GOD! THE RIVER!' just like that—the same as Eliza did in the play; then I leaped from puddle to puddle, and Living and Emma Jane pursued me like the bloodhounds. It's just like that stupid Minnie Smellie who doesn't know a game when she sees one. And Eliza wasn't swearing when she said 'My God! the river!' It was more like praying."

"Well, you've got no call to be prayin', any more than swearin', in the middle of the road," said Miranda; "but I'm thankful it's no worse. You're born to trouble as the sparks fly upward, an' I'm afraid you allers will be till you learn to bridle your unruly tongue."

"I wish sometimes that I could bridle Minnie's," murmured Rebecca, as she went to set the table for supper.

"I declare she IS the beatin'est child!" said Miranda, taking off her spectacles and laying down her mending. "You don't think she's a leetle mite crazy, do you, Jane?"

"I don't think she's like the rest of us," responded Jane thoughtfully and with some anxiety in her pleasant face; "but whether it's for the better or the worse I can't hardly tell till she grows up. She's got the making of 'most anything in her, Rebecca has; but I feel sometimes as if we were not fitted to cope with her."

"Stuff an' nonsense!" said Miranda "Speak for yourself. I feel fitted to cope with any child that ever was born int' the world!"

"I know you do, Mirandy; but that don't MAKE you so," returned Jane with a smile.

The habit of speaking her mind freely was certainly growing on Jane to an altogether terrifying extent.



XII

"SEE THE PALE MARTYR"

It was about this time that Rebecca, who had been reading about the Spartan boy, conceived the idea of some mild form of self-punishment to be applied on occasions when she was fully convinced in her own mind that it would be salutary. The immediate cause of the decision was a somewhat sadder accident than was common, even in a career prolific in such things.

Clad in her best, Rebecca had gone to take tea with the Cobbs; but while crossing the bridge she was suddenly overcome by the beauty of the river and leaned over the newly painted rail to feast her eyes on the dashing torrent of the fall. Resting her elbows on the topmost board, and inclining her little figure forward in delicious ease, she stood there dreaming.

The river above the dam was a glassy lake with all the loveliness of blue heaven and green shore reflected in its surface; the fall was a swirling wonder of water, ever pouring itself over and over inexhaustibly in luminous golden gushes that lost themselves in snowy depths of foam. Sparkling in the sunshine, gleaming under the summer moon, cold and gray beneath a November sky, trickling over the dam in some burning July drought, swollen with turbulent power in some April freshet, how many young eyes gazed into the mystery and majesty of the falls along that river, and how many young hearts dreamed out their futures leaning over the bridge rail, seeing "the vision splendid" reflected there and often, too, watching it fade into "the light of common day."

Rebecca never went across the bridge without bending over the rail to wonder and to ponder, and at this special moment she was putting the finishing touches on a poem.

Two maidens by a river strayed Down in the state of Maine. The one was called Rebecca, The other Emma Jane. "I would my life were like the stream," Said her named Emma Jane, "So quiet and so very smooth, So free from every pain."

"I'd rather be a little drop In the great rushing fall! I would not choose the glassy lake, 'T would not suit me at all!" (It was the darker maiden spoke The words I just have stated, The maidens twain were simply friends And not at all related.)

But O! alas I we may not have The things we hope to gain; The quiet life may come to me, The rush to Emma Jane!

"I don't like 'the rush to Emma Jane,' and I can't think of anything else. Oh! what a smell of paint! Oh! it is ON me! Oh! it's all over my best dress! Oh I what WILL aunt Miranda say!"

With tears of self-reproach streaming from her eyes, Rebecca flew up the hill, sure of sympathy, and hoping against hope for help of some sort.

Mrs. Cobb took in the situation at a glance, and professed herself able to remove almost any stain from almost any fabric; and in this she was corroborated by uncle Jerry, who vowed that mother could git anything out. Sometimes she took the cloth right along with the spot, but she had a sure hand, mother had!

The damaged garment was removed and partially immersed in turpentine, while Rebecca graced the festal board clad in a blue calico wrapper of Mrs. Cobb's.

"Don't let it take your appetite away," crooned Mrs. Cobb. "I've got cream biscuit and honey for you. If the turpentine don't work, I'll try French chalk, magneshy, and warm suds. If they fail, father shall run over to Strout's and borry some of the stuff Marthy got in Milltown to take the currant pie out of her weddin' dress."

"I ain't got to understandin' this paintin' accident yet," said uncle Jerry jocosely, as he handed Rebecca the honey. "Bein' as how there's 'Fresh Paint' signs hung all over the breedge, so 't a blind asylum couldn't miss 'em, I can't hardly account for your gettin' int' the pesky stuff."

"I didn't notice the signs," Rebecca said dolefully. "I suppose I was looking at the falls."

"The falls has been there sence the beginnin' o' time, an' I cal'late they'll be there till the end on 't; so you needn't 'a' been in sech a brash to git a sight of 'em. Children comes turrible high, mother, but I s'pose we must have 'em!" he said, winking at Mrs. Cobb.

When supper was cleared away Rebecca insisted on washing and wiping the dishes, while Mrs. Cobb worked on the dress with an energy that plainly showed the gravity of the task. Rebecca kept leaving her post at the sink to bend anxiously over the basin and watch her progress, while uncle Jerry offered advice from time to time.

"You must 'a' laid all over the breedge, deary," said Mrs. Cobb; "for the paint 's not only on your elbows and yoke and waist, but it about covers your front breadth."

As the garment began to look a little better Rebecca's spirits took an upward turn, and at length she left it to dry in the fresh air, and went into the sitting-room.

"Have you a piece of paper, please?" asked Rebecca. "I'll copy out the poetry I was making while I was lying in the paint."

Mrs. Cobb sat by her mending basket, and uncle Jerry took down a gingham bag of strings and occupied himself in taking the snarls out of them,—a favorite evening amusement with him.

Rebecca soon had the lines copied in her round school-girl hand, making such improvements as occurred to her on sober second thought.

THE TWO WISHES BY REBECCA RANDALL

Two maidens by a river strayed, 'T was in the state of Maine. Rebecca was the darker one, The fairer, Emma Jane. The fairer maiden said, "I would My life were as the stream; So peaceful, and so smooth and still, So pleasant and serene."

"I'd rather be a little drop In the great rushing fall; I'd never choose the quiet lake; 'T would not please me at all." (It was the darker maiden spoke The words we just have stated; The maidens twain were simply friends, Not sisters, or related.)

But O! alas! we may not have The things we hope to gain. The quiet life may come to me, The rush to Emma Jane!

She read it aloud, and the Cobbs thought it not only surpassingly beautiful, but a marvelous production.

"I guess if that writer that lived on Congress Street in Portland could 'a' heard your poetry he'd 'a' been astonished," said Mrs. Cobb. "If you ask me, I say this piece is as good as that one o' his, 'Tell me not in mournful numbers;' and consid'able clearer."

"I never could fairly make out what 'mournful numbers' was," remarked Mr. Cobb critically.

"Then I guess you never studied fractions!" flashed Rebecca. "See here, uncle Jerry and aunt Sarah, would you write another verse, especially for a last one, as they usually do—one with 'thoughts' in it—to make a better ending?"

"If you can grind 'em out jest by turnin' the crank, why I should say the more the merrier; but I don't hardly see how you could have a better endin'," observed Mr. Cobb.

"It is horrid!" grumbled Rebecca. "I ought not to have put that 'me' in. I'm writing the poetry. Nobody ought to know it IS me standing by the river; it ought to be 'Rebecca,' or 'the darker maiden;' and 'the rush to Emma Jane' is simply dreadful. Sometimes I think I never will try poetry, it's so hard to make it come right; and other times it just says itself. I wonder if this would be better?

But O! alas! we may not gain The good for which we pray The quiet life may come to one Who likes it rather gay,

I don't know whether that is worse or not. Now for a new last verse!"

In a few minutes the poetess looked up, flushed and triumphant. "It was as easy as nothing. Just hear!" And she read slowly, with her pretty, pathetic voice:—

Then if our lot be bright or sad, Be full of smiles, or tears, The thought that God has planned it so Should help us bear the years.

Mr. and Mrs. Cobb exchanged dumb glances of admiration; indeed uncle Jerry was obliged to turn his face to the window and wipe his eyes furtively with the string-bag.

"How in the world did you do it?" Mrs. Cobb exclaimed.

"Oh, it's easy," answered Rebecca; "the hymns at meeting are all like that. You see there's a school newspaper printed at Wareham Academy once a month. Dick Carter says the editor is always a boy, of course; but he allows girls to try and write for it, and then chooses the best. Dick thinks I can be in it."

"IN it!" exclaimed uncle Jerry. "I shouldn't be a bit surprised if you had to write the whole paper; an' as for any boy editor, you could lick him writin', I bate ye, with one hand tied behind ye."

"Can we have a copy of the poetry to keep in the family Bible?" inquired Mrs. Cobb respectfully.

"Oh! would you like it?" asked Rebecca. "Yes indeed! I'll do a clean, nice one with violet ink and a fine pen. But I must go and look at my poor dress."

The old couple followed Rebecca into the kitchen. The frock was quite dry, and in truth it had been helped a little by aunt Sarah's ministrations; but the colors had run in the rubbing, the pattern was blurred, and there were muddy streaks here and there. As a last resort, it was carefully smoothed with a warm iron, and Rebecca was urged to attire herself, that they might see if the spots showed as much when it was on.

They did, most uncompromisingly, and to the dullest eye. Rebecca gave one searching look, and then said, as she took her hat from a nail in the entry, "I think I'll be going. Good-night! If I've got to have a scolding, I want it quick, and get it over."

"Poor little onlucky misfortunate thing!" sighed uncle Jerry, as his eyes followed her down the hill. "I wish she could pay some attention to the ground under her feet; but I vow, if she was ourn I'd let her slop paint all over the house before I could scold her. Here's her poetry she's left behind. Read it out ag'in, mother. Land!" he continued, chuckling, as he lighted his cob pipe; "I can just see the last flap o' that boy-editor's shirt tail as he legs it for the woods, while Rebecky settles down in his revolvin' cheer! I'm puzzled as to what kind of a job editin' is, exactly; but she'll find out, Rebecky will. An' she'll just edit for all she's worth!

"'The thought that God has planned it so Should help us bear the years.'

Land, mother! that takes right holt, kind o' like the gospel. How do you suppose she thought that out?"

"She couldn't have thought it out at her age," said Mrs. Cobb; "she must have just guessed it was that way. We know some things without bein' told, Jeremiah."

Rebecca took her scolding (which she richly deserved) like a soldier. There was considerable of it, and Miss Miranda remarked, among other things, that so absent-minded a child was sure to grow up into a driveling idiot. She was bidden to stay away from Alice Robinson's birthday party, and doomed to wear her dress, stained and streaked as it was, until it was worn out. Aunt Jane six months later mitigated this martyrdom by making her a ruffled dimity pinafore, artfully shaped to conceal all the spots. She was blessedly ready with these mediations between the poor little sinner and the full consequences of her sin.

When Rebecca had heard her sentence and gone to the north chamber she began to think. If there was anything she did not wish to grow into, it was an idiot of any sort, particularly a driveling one; and she resolved to punish herself every time she incurred what she considered to be the righteous displeasure of her virtuous relative. She didn't mind staying away from Alice Robinson's. She had told Emma Jane it would be like a picnic in a graveyard, the Robinson house being as near an approach to a tomb as a house can manage to be. Children were commonly brought in at the back door, and requested to stand on newspapers while making their call, so that Alice was begged by her friends to "receive" in the shed or barn whenever possible. Mrs. Robinson was not only "turrible neat," but "turrible close," so that the refreshments were likely to be peppermint lozenges and glasses of well water.

After considering the relative values, as penances, of a piece of haircloth worn next the skin, and a pebble in the shoe, she dismissed them both. The haircloth could not be found, and the pebble would attract the notice of the Argus-eyed aunt, besides being a foolish bar to the activity of a person who had to do housework and walk a mile and a half to school.

Her first experimental attempt at martyrdom had not been a distinguished success. She had stayed at home from the Sunday-school concert, a function of which, in ignorance of more alluring ones, she was extremely fond. As a result of her desertion, two infants who relied upon her to prompt them (she knew the verses of all the children better than they did themselves) broke down ignominiously. The class to which she belonged had to read a difficult chapter of Scripture in rotation, and the various members spent an arduous Sabbath afternoon counting out verses according to their seats in the pew, and practicing the ones that would inevitably fall to them. They were too ignorant to realize, when they were called upon, that Rebecca's absence would make everything come wrong, and the blow descended with crushing force when the Jebusites and Amorites, the Girgashites, Hivites, and Perizzites had to be pronounced by the persons of all others least capable of grappling with them.

Self-punishment, then, to be adequate and proper, must begin, like charity, at home, and unlike charity should end there too. Rebecca looked about the room vaguely as she sat by the window. She must give up something, and truth to tell she possessed little to give, hardly anything but—yes, that would do, the beloved pink parasol. She could not hide it in the attic, for in some moment of weakness she would be sure to take it out again. She feared she had not the moral energy to break it into bits. Her eyes moved from the parasol to the apple-trees in the side yard, and then fell to the well curb. That would do; she would fling her dearest possession into the depths of the water. Action followed quickly upon decision, as usual. She slipped down in the darkness, stole out the front door, approached the place of sacrifice, lifted the cover of the well, gave one unresigned shudder, and flung the parasol downward with all her force. At the crucial instant of renunciation she was greatly helped by the reflection that she closely resembled the heathen mothers who cast their babes to the crocodiles in the Ganges.

She slept well and arose refreshed, as a consecrated spirit always should and sometimes does. But there was great difficulty in drawing water after breakfast. Rebecca, chastened and uplifted, had gone to school. Abijah Flagg was summoned, lifted the well cover, explored, found the inciting cause of trouble, and with the help of Yankee wit succeeded in removing it. The fact was that the ivory hook of the parasol had caught in the chain gear, and when the first attempt at drawing water was made, the little offering of a contrite heart was jerked up, bent, its strong ribs jammed into the well side, and entangled with a twig root. It is needless to say that no sleight-of-hand performer, however expert, unless aided by the powers of darkness, could have accomplished this feat; but a luckless child in the pursuit of virtue had done it with a turn of the wrist.

We will draw a veil over the scene that occurred after Rebecca's return from school. You who read may be well advanced in years, you may be gifted in rhetoric, ingenious in argument; but even you might quail at the thought of explaining the tortuous mental processes that led you into throwing your beloved pink parasol into Miranda Sawyer's well. Perhaps you feel equal to discussing the efficacy of spiritual self-chastisement with a person who closes her lips into a thin line and looks at you out of blank, uncomprehending eyes! Common sense, right, and logic were all arrayed on Miranda's side. When poor Rebecca, driven to the wall, had to avow the reasons lying behind the sacrifice of the sunshade, her aunt said, "Now see here, Rebecca, you're too big to be whipped, and I shall never whip you; but when you think you ain't punished enough, just tell me, and I'll make out to invent a little something more. I ain't so smart as some folks, but I can do that much; and whatever it is, it'll be something that won't punish the whole family, and make 'em drink ivory dust, wood chips, and pink silk rags with their water."



XIII

SNOW-WHITE; ROSE-RED

Just before Thanksgiving the affairs of the Simpsons reached what might have been called a crisis, even in their family, which had been born and reared in a state of adventurous poverty and perilous uncertainty.

Riverboro was doing its best to return the entire tribe of Simpsons to the land of its fathers, so to speak, thinking rightly that the town which had given them birth, rather than the town of their adoption, should feed them and keep a roof over their heads until the children were of an age for self-support. There was little to eat in the household and less to wear, though Mrs. Simpson did, as always, her poor best. The children managed to satisfy their appetites by sitting modestly outside their neighbors' kitchen doors when meals were about to be served. They were not exactly popular favorites, but they did receive certain undesirable morsels from the more charitable housewives.

Life was rather dull and dreary, however, and in the chill and gloom of November weather, with the vision of other people's turkeys bursting with fat, and other people's golden pumpkins and squashes and corn being garnered into barns, the young Simpsons groped about for some inexpensive form of excitement, and settled upon the selling of soap for a premium. They had sold enough to their immediate neighbors during the earlier autumn to secure a child's handcart, which, though very weak on its pins, could be trundled over the country roads. With large business sagacity and an executive capacity which must have been inherited from their father, they now proposed to extend their operations to a larger area and distribute soap to contiguous villages, if these villages could be induced to buy. The Excelsior Soap Company paid a very small return of any kind to its infantile agents, who were scattered through the state, but it inflamed their imaginations by the issue of circulars with highly colored pictures of the premiums to be awarded for the sale of a certain number of cakes. It was at this juncture that Clara Belle and Susan Simpson consulted Rebecca, who threw herself solidly and wholeheartedly into the enterprise, promising her help and that of Emma Jane Perkins. The premiums within their possible grasp were three: a bookcase, a plush reclining chair, and a banquet lamp. Of course the Simpsons had no books, and casting aside, without thought or pang, the plush chair, which might have been of some use in a family of seven persons (not counting Mr. Simpson, who ordinarily sat elsewhere at the town's expense), they warmed themselves rapturously in the vision of the banquet lamp, which speedily became to them more desirable than food, drink, or clothing. Neither Emma Jane nor Rebecca perceived anything incongruous in the idea of the Simpsons striving for a banquet lamp. They looked at the picture daily and knew that if they themselves were free agents they would toil, suffer, ay sweat, for the happy privilege of occupying the same room with that lamp through the coming winter evenings. It looked to be about eight feet tall in the catalogue, and Emma Jane advised Clara Belle to measure the height of the Simpson ceilings; but a note in the margin of the circular informed them that it stood two and a half feet high when set up in all its dignity and splendor on a proper table, three dollars extra. It was only of polished brass, continued the circular, though it was invariably mistaken for solid gold, and the shade that accompanied it (at least it accompanied it if the agent sold a hundred extra cakes) was of crinkled crepe paper printed in a dozen delicious hues, from which the joy-dazzled agent might take his choice.

Seesaw Simpson was not in the syndicate. Clara Belle was rather a successful agent, but Susan, who could only say "thoap," never made large returns, and the twins, who were somewhat young to be thoroughly trustworthy, could be given only a half dozen cakes at a time, and were obliged to carry with them on their business trips a brief document stating the price per cake, dozen, and box. Rebecca and Emma Jane offered to go two or three miles in some one direction and see what they could do in the way of stirring up a popular demand for the Snow-White and Rose-Red brands, the former being devoted to laundry purposes and the latter being intended for the toilet.

There was a great amount of hilarity in the preparation for this event, and a long council in Emma Jane's attic. They had the soap company's circular from which to arrange a proper speech, and they had, what was still better, the remembrance of a certain patent-medicine vender's discourse at the Milltown Fair. His method, when once observed, could never be forgotten; nor his manner, nor his vocabulary. Emma Jane practiced it on Rebecca, and Rebecca on Emma Jane.

"Can I sell you a little soap this afternoon? It is called the Snow-White and Rose-Red Soap, six cakes in an ornamental box, only twenty cents for the white, twenty-five cents for the red. It is made from the purest ingredients, and if desired could be eaten by an invalid with relish and profit."

"Oh, Rebecca, don't let's say that!" interposed Emma Jane hysterically. "It makes me feel like a fool."

"It takes so little to make you feel like a fool, Emma Jane," rebuked Rebecca, "that sometimes I think that you must BE one I don't get to feeling like a fool so awfully easy; now leave out that eating part if you don't like it, and go on."

"The Snow-White is probably the most remarkable laundry soap ever manufactured. Immerse the garments in a tub, lightly rubbing the more soiled portions with the soap; leave them submerged in water from sunset to sunrise, and then the youngest baby can wash them without the slightest effort."

"BABE, not baby," corrected Rebecca from the circular.

"It's just the same thing," argued Emma Jane.

"Of course it's just the same THING; but a baby has got to be called babe or infant in a circular, the same as it is in poetry! Would you rather say infant?"

"No," grumbled Emma Jane; "infant is worse even than babe. Rebecca, do you think we'd better do as the circular says, and let Elijah or Elisha try the soap before we begin selling?"

"I can't imagine a babe doing a family wash with ANY soap," answered Rebecca; "but it must be true or they would never dare to print it, so don't let's bother. Oh! won't it be the greatest fun, Emma Jane? At some of the houses—where they can't possibly know me—I shan't be frightened, and I shall reel off the whole rigmarole, invalid, babe, and all. Perhaps I shall say even the last sentence, if I can remember it: 'We sound every chord in the great mac-ro-cosm of satisfaction."

This conversation took place on a Friday afternoon at Emma Jane's house, where Rebecca, to her unbounded joy, was to stay over Sunday, her aunts having gone to Portland to the funeral of an old friend. Saturday being a holiday, they were going to have the old white horse, drive to North Riverboro three miles away, eat a twelve o'clock dinner with Emma Jane's cousins, and be back at four o'clock punctually.

When the children asked Mrs. Perkins if they could call at just a few houses coming and going, and sell a little soap for the Simpsons, she at first replied decidedly in the negative. She was an indulgent parent, however, and really had little objection to Emma Jane amusing herself in this unusual way; it was only for Rebecca, as the niece of the difficult Miranda Sawyer, that she raised scruples; but when fully persuaded that the enterprise was a charitable one, she acquiesced.

The girls called at Mr. Watson's store, and arranged for several large boxes of soap to be charged to Clara Belle Simpson's account. These were lifted into the back of the wagon, and a happier couple never drove along the country road than Rebecca and her companion. It was a glorious Indian summer day, which suggested nothing of Thanksgiving, near at hand as it was. It was a rustly day, a scarlet and buff, yellow and carmine, bronze and crimson day. There were still many leaves on the oaks and maples, making a goodly show of red and brown and gold. The air was like sparkling cider, and every field had its heaps of yellow and russet good things to eat, all ready for the barns, the mills, and the markets. The horse forgot his twenty years, sniffed the sweet bright air, and trotted like a colt; Nokomis Mountain looked blue and clear in the distance; Rebecca stood in the wagon, and apostrophized the landscape with sudden joy of living:—

"Great, wide, beautiful, wonderful World, With the wonderful water round you curled, And the wonderful grass upon your breast, World, you are beautifully drest!"

Dull Emma Jane had never seemed to Rebecca so near, so dear, so tried and true; and Rebecca, to Emma Jane's faithful heart, had never been so brilliant, so bewildering, so fascinating, as in this visit together, with its intimacy, its freedom, and the added delights of an exciting business enterprise.

A gorgeous leaf blew into the wagon.

"Does color make you sort of dizzy?" asked Rebecca.

"No," answered Emma Jane after a long pause; "no, it don't; not a mite."

"Perhaps dizzy isn't just the right word, but it's nearest. I'd like to eat color, and drink it, and sleep in it. If you could be a tree, which one would you choose?"

Emma Jane had enjoyed considerable experience of this kind, and Rebecca had succeeded in unstopping her ears, ungluing her eyes, and loosening her tongue, so that she could "play the game" after a fashion.

"I'd rather be an apple-tree in blossom,—that one that blooms pink, by our pig-pen."

Rebecca laughed. There was always something unexpected in Emma Jane's replies. "I'd choose to be that scarlet maple just on the edge of the pond there,"—and she pointed with the whip. "Then I could see so much more than your pink apple-tree by the pig-pen. I could look at all the rest of the woods, see my scarlet dress in my beautiful looking-glass, and watch all the yellow and brown trees growing upside down in the water. When I'm old enough to earn money, I'm going to have a dress like this leaf, all ruby color—thin, you know, with a sweeping train and ruffly, curly edges; then I think I'll have a brown sash like the trunk of the tree, and where could I be green? Do they have green petticoats, I wonder? I'd like a green petticoat coming out now and then underneath to show what my leaves were like before I was a scarlet maple."

"I think it would be awful homely," said Emma Jane. "I'm going to have a white satin with a pink sash, pink stockings, bronze slippers, and a spangled fan."



XIV

MR. ALADDIN

A single hour's experience of the vicissitudes incident to a business career clouded the children's spirits just the least bit. They did not accompany each other to the doors of their chosen victims, feeling sure that together they could not approach the subject seriously; but they parted at the gate of each house, the one holding the horse while the other took the soap samples and interviewed any one who seemed of a coming-on disposition. Emma Jane had disposed of three single cakes, Rebecca of three small boxes; for a difference in their ability to persuade the public was clearly defined at the start, though neither of them ascribed either success or defeat to anything but the imperious force of circumstances. Housewives looked at Emma Jane and desired no soap; listened to her description of its merits, and still desired none. Other stars in their courses governed Rebecca's doings. The people whom she interviewed either remembered their present need of soap, or reminded themselves that they would need it in the future; the notable point in the case being that lucky Rebecca accomplished, with almost no effort, results that poor little Emma Jane failed to attain by hard and conscientious labor.

"It's your turn, Rebecca, and I'm glad, too," said Emma Jane, drawing up to a gateway and indicating a house that was set a considerable distance from the road. "I haven't got over trembling from the last place yet." (A lady had put her head out of an upstairs window and called, "Go away, little girl; whatever you have in your box we don't want any.") "I don't know who lives here, and the blinds are all shut in front. If there's nobody at home you mustn't count it, but take the next house as yours."

Rebecca walked up the lane and went to the side door. There was a porch there, and seated in a rocking-chair, husking corn, was a good-looking young man, or was he middle aged? Rebecca could not make up her mind. At all events he had an air of the city about him,—well-shaven face, well-trimmed mustache, well-fitting clothes. Rebecca was a trifle shy at this unexpected encounter, but there was nothing to be done but explain her presence, so she asked, "Is the lady of the house at home?"

"I am the lady of the house at present," said the stranger, with a whimsical smile. "What can I do for you?"

"Have you ever heard of the—would you like, or I mean—do you need any soap?" queried Rebecca.

"Do I look as if I did?" he responded unexpectedly.

Rebecca dimpled. "I didn't mean THAT; I have some soap to sell; I mean I would like to introduce to you a very remarkable soap, the best now on the market. It is called the"—

"Oh! I must know that soap," said the gentleman genially. "Made out of pure vegetable fats, isn't it?"

"The very purest," corroborated Rebecca.

"No acid in it?"

"Not a trace."

"And yet a child could do the Monday washing with it and use no force."

"A babe," corrected Rebecca

"Oh! a babe, eh? That child grows younger every year, instead of older—wise child!"

This was great good fortune, to find a customer who knew all the virtues of the article in advance. Rebecca dimpled more and more, and at her new friend's invitation sat down on a stool at his side near the edge of the porch. The beauties of the ornamental box which held the Rose-Red were disclosed, and the prices of both that and the Snow-White were unfolded. Presently she forgot all about her silent partner at the gate and was talking as if she had known this grand personage all her life.

"I'm keeping house to-day, but I don't live here," explained the delightful gentleman. "I'm just on a visit to my aunt, who has gone to Portland. I used to be here as a boy and I am very fond of the spot."

"I don't think anything takes the place of the farm where one lived when one was a child," observed Rebecca, nearly bursting with pride at having at last successfully used the indefinite pronoun in general conversation.

The man darted a look at her and put down his ear of corn. "So you consider your childhood a thing of the past, do you, young lady?"

"I can still remember it," answered Rebecca gravely, "though it seems a long time ago."

"I can remember mine well enough, and a particularly unpleasant one it was," said the stranger.

"So was mine," sighed Rebecca. "What was your worst trouble?"

"Lack of food and clothes principally."

"Oh!" exclaimed Rebecca sympathetically,—"mine was no shoes and too many babies and not enough books. But you're all right and happy now, aren't you?" she asked doubtfully, for though he looked handsome, well-fed, and prosperous, any child could see that his eyes were tired and his mouth was sad when he was not speaking.

"I'm doing pretty well, thank you," said the man, with a delightful smile. "Now tell me, how much soap ought I to buy to-day?"

"How much has your aunt on hand now?" suggested the very modest and inexperienced agent; "and how much would she need?"

"Oh, I don't know about that; soap keeps, doesn't it?"

"I'm not certain," said Rebecca conscientiously, "but I'll look in the circular—it's sure to tell;" and she drew the document from her pocket.

"What are you going to do with the magnificent profits you get from this business?"

"We are not selling for our own benefit," said Rebecca confidentially. "My friend who is holding the horse at the gate is the daughter of a very rich blacksmith, and doesn't need any money. I am poor, but I live with my aunts in a brick house, and of course they wouldn't like me to be a peddler. We are trying to get a premium for some friends of ours."

Rebecca had never thought of alluding to the circumstances with her previous customers, but unexpectedly she found herself describing Mr. Simpson, Mrs. Simpson, and the Simpson family; their poverty, their joyless life, and their abject need of a banquet lamp to brighten their existence.

"You needn't argue that point," laughed the man, as he stood up to get a glimpse of the "rich blacksmith's daughter" at the gate. "I can see that they ought to have it if they want it, and especially if you want them to have it. I've known what it was myself to do without a banquet lamp. Now give me the circular, and let's do some figuring. How much do the Simpsons lack at this moment?"

"If they sell two hundred more cakes this month and next, they can have the lamp by Christmas," Rebecca answered, "and they can get a shade by summer time; but I'm afraid I can't help very much after to-day, because my aunt Miranda may not like to have me."

"I see. Well, that's all right. I'll take three hundred cakes, and that will give them shade and all."

Rebecca had been seated on a stool very near to the edge of the porch, and at this remark she made a sudden movement, tipped over, and disappeared into a clump of lilac bushes. It was a very short distance, fortunately, and the amused capitalist picked her up, set her on her feet, and brushed her off. "You should never seem surprised when you have taken a large order," said he; "you ought to have replied 'Can't you make it three hundred and fifty?' instead of capsizing in that unbusinesslike way."

"Oh, I could never say anything like that!" exclaimed Rebecca, who was blushing crimson at her awkward fall. "But it doesn't seem right for you to buy so much. Are you sure you can afford it?"

"If I can't, I'll save on something else," returned the jocose philanthropist.

"What if your aunt shouldn't like the kind of soap?" queried Rebecca nervously.

"My aunt always likes what I like," he returned

"Mine doesn't!" exclaimed Rebecca

"Then there's something wrong with your aunt!"

"Or with me," laughed Rebecca.

"What is your name, young lady?"

"Rebecca Rowena Randall, sir."

"What?" with an amused smile. "BOTH? Your mother was generous."

"She couldn't bear to give up either of the names she says."

"Do you want to hear my name?"

"I think I know already," answered Rebecca, with a bright glance. "I'm sure you must be Mr. Aladdin in the Arabian Nights. Oh, please, can I run down and tell Emma Jane? She must be so tired waiting, and she will be so glad!"

At the man's nod of assent Rebecca sped down the lane, crying irrepressibly as she neared the wagon, "Oh, Emma Jane! Emma Jane! we are sold out!"

Mr. Aladdin followed smilingly to corroborate this astonishing, unbelievable statement; lifted all their boxes from the back of the wagon, and taking the circular, promised to write to the Excelsior Company that night concerning the premium.

"If you could contrive to keep a secret,—you two little girls,—it would be rather a nice surprise to have the lamp arrive at the Simpsons' on Thanksgiving Day, wouldn't it?" he asked, as he tucked the old lap robe cosily over their feet.

They gladly assented, and broke into a chorus of excited thanks during which tears of joy stood in Rebecca's eyes.

"Oh, don't mention it!" laughed Mr. Aladdin, lifting his hat. "I was a sort of commercial traveler myself once,—years ago,—and I like to see the thing well done. Good-by Miss Rebecca Rowena! Just let me know whenever you have anything to sell, for I'm certain beforehand I shall want it."

"Good-by, Mr. Aladdin! I surely will!" cried Rebecca, tossing back her dark braids delightedly and waving her hand.

"Oh, Rebecca!" said Emma Jane in an awe-struck whisper. "He raised his hat to us, and we not thirteen! It'll be five years before we're ladies."

"Never mind," answered Rebecca; "we are the BEGINNINGS of ladies, even now."

"He tucked the lap robe round us, too," continued Emma Jane, in an ecstasy of reminiscence. "Oh! isn't he perfectly elergant? And wasn't it lovely of him to buy us out? And just think of having both the lamp and the shade for one day's work! Aren't you glad you wore your pink gingham now, even if mother did make you put on flannel underneath? You do look so pretty in pink and red, Rebecca, and so homely in drab and brown!"

"I know it," sighed Rebecca "I wish I was like you—pretty in all colors!" And Rebecca looked longingly at Emma Jane's fat, rosy cheeks; at her blue eyes, which said nothing; at her neat nose, which had no character; at her red lips, from between which no word worth listening to had ever issued.