p-books.com
Public Speaking
by Clarence Stratton
Previous Part     1  2  3  4  5  6     Next Part
Home - Random Browse

12. A city is the best place for a college.

13. Military training should be obligatory in all public schools.

14. Colleges and universities should reduce the attention paid to athletics.

15. The negro in the South should be disfranchised.

16. The number of Representatives in Congress should be reduced.

17. Moving pictures should be used in schools.

18. Street car systems should be owned and operated by municipalities.

19. Education should be compulsory until the completion of high school.

20. Athletes whose grade is below 75% should be debarred from all participation until the marks are raised.

21. The Federal government should own and operate the telegraph and telephone systems.

22. The state should provide pensions for indigent mothers of children below the working age.

23. The study of algebra (or some other subject) in the high school should be elective.

24 The initiative should be adopted in all states.

25. The referendum should be adopted in all states.

26. All governmental officials should be subject to recall.

27. The public should support in all ways the movement of labor to secure the closed shop system.

28. Railroad crossings should be abolished.

29. The Federal government should pass laws controlling all prices of foodstuffs.

30. A trial before a group of competent judges should be substituted for trial by jury.



CHAPTER XI

REFUTING

Answering the Other Side. It has been said already that even in a single argumentative speech some account must be taken of the possibility among the audience of the belief in other views. A speaker must always assume that people will believe otherwise than he does. In such cases as debate or questioning after a speech is made, this opposing side will very clearly be brought out, so that any person training for any kind of public speaking will give much attention to the contentions of others in order to strengthen his own convictions as displayed in his speeches.

A sincere thinker may believe that trial before a group of competent judges is a better procedure than trial by jury. Were he to speak upon such a proposition he would realize that he would meet at once the solid opposition of the general opinion that jury trials, sanctioned by long practice, are in some mysterious way symbolic of the liberty and equality of mankind. Before he could expect to arouse sympathetic understanding he would have to answer all the possible objections and reasons against his new scheme. This he would do by refutation, by disproving the soundness of the arguments against his scheme. He could cite the evident and recorded injustices committed by juries. He could bring before them the impossibility of securing an intelligent verdict from a group of farmers, anxious to get to their farms for harvest, sitting in a case through July, while the days passed in lengthy examinations of witnesses—one man was on the stand eight days—and the lawyers bandied words and names like socialist, pagan, bolsheviki, anarchy, ideal republic, Aristotle, Plato, Herbert Spencer, Karl Marx, Tolstoi, Jane Addams, Lenin. Then when he felt assured he had removed all the reasons for supporting the present jury system he could proceed to advance his own substitute.

Need and Value of Refutation. In all argumentation, therefore, refutation is valuable and necessary. By it opposing arguments are reasoned away, their real value is determined, or they are answered and demolished if they are false or faulty. To acquire any readiness as a speaker or debater a person must pay a great deal of attention to refutation. It has also an additional value. It has been stated that every argumentative speaker must study the other side of every question upon which he is to speak. One great debater declared that if he had time to study only one side of a proposition or law case he would devote that time to the other side. Study your own position from the point of view of the other side. Consider carefully what arguments that side will naturally advance. In fact, try to refute your own arguments exactly as some opponent would, or get some friend to try to refute your statements. Many a speaker has gained power in reasoning by having his views attacked by members of his family who would individually and collectively try to drive him into a corner. In actual amount, perhaps you will never deliver as much refutation of an opponent as you will conjure up in your mind against your own speeches. Perhaps, also, this great amount advanced by you in testing your own position will prevent your opponents from ever finding in your delivered arguments much against which they can pit their own powers of refutation.

In judging your own production you will have to imagine yourself on the other side, so the methods will be the same for all purposes of self-help or weakening of an opponent's views.

Contradiction Is Not Refutation. In the first place contradiction is not refutation. No unsupported fact or statement has any value in argumentation. Such expressions as "I don't believe, I don't think so, I don't agree" introduce not arguments, but personal opinions. You must, to make your refutation valuable, prove your position. Never allow your attempts at refutation to descend to mere denial or quibbling. Be prepared to support, to prove everything you say.

Three Phases of Refutation. In general, refutation consists of three phases:

1. The analysis of the opposite side. 2. The classification of the arguments according to importance. 3. The answering of only the strongest points.

Analysis of Opposing Side for Accuracy. In the first analysis, you will probably examine the opposing statements to test their accuracy. Mere slips, so evident that they deceive no one, you may disregard entirely, but gross error of fact or conclusion you should note and correct in unmistakably plain terms. The kind of statement which gives insufficient data should be classed in analysis with this same kind of erroneous statement. A shoe dealer in arguing for increased prices might quote correctly the rising cost of materials, but if he stopped there, you in refutation should be able to show that profits had already risen to 57%, and so turn his own figures against him. Another class of refutation similar to this is the questioning of authorities. Something concerning this has already been said. In a recent trial a lawyer cast doubt upon the value of a passage read from a book by declaring its author could never have written such a thing. In refutation the opposing lawyer said, "You will find that passage on page 253 of his Essays and Letters." Public speakers, realizing that errors of statement are likely to be the first to be picked out for correction, and recognizing the damaging effect of such conviction in error of fact and testimony, are extremely careful not to render themselves liable to attack upon such points. Yet they may. We are told by Webster's biographers that in later periods of his life he was detected in errors of law in cases being argued before the court, and refuted in statement. To catch such slips requires two things of the successful speaker. He must be in possession of the facts himself. He must be mentally alert to see the falsity and know how to answer it.

Begging the Question. The expression "begging the question" is often heard as a fallacy in argument. In its simplest form it is similar to inaccurate statement, for it includes assertions introduced without proof, and the statement of things as taken for granted without attempting to prove them, yet using them to prove other statements. Sometimes, also, a careless thinker, through an extended group of paragraphs will end by taking as proven exactly the proposition he started out to prove, when close analysis will show that nowhere during the discussion does he actually prove it. As this is frequent in amateur debates, students should be on their guard against it.

Ignoring the Question. The same kind of flimsy mental process results in ignoring the question. Instead of sticking closely to the proposition to be proved the speaker argues beside the point, proving not the entire proposition but merely a portion of it. Or in some manner he may shift his ground and emerge, having proven the wrong point or something he did not start out to consider. An amateur theatrical producer whose playhouse had been closed by the police for violating the terms of his license started out to defend his action, but ended by proving that all men are equal. In fact he wound up by quoting the poem by Burns, "A Man's a Man for A' That." Such a shifting of propositions is a frequent error of speakers. It occurs so often that one might be disposed to term it a mere trick to deceive, or a clever though unscrupulous device to secure support for a weak claim. One of the first ways for the speaker to avoid it is to be able to recognize it when it occurs. One of the most quoted instances of its effective unmasking is the following by Macaulay.

The advocates of Charles, like the advocates of other malefactors against whom overwhelming evidence is produced, generally decline all controversy about the facts, and content themselves with calling testimony to character. He had so many private virtues! And had James the Second no private virtues! Was Oliver Cromwell, his bitterest enemies themselves being judges, destitute of private virtues? And what, after all, are the virtues ascribed to Charles? A religious zeal, not more sincere than that of his son, and fully as weak and narrow-minded, and a few of the ordinary household decencies which half the tombstones in England claim for those who lie beneath them. A good father! A good husband! Ample apologies indeed for fifteen years of persecution, tyranny, and falsehood!

We charge him with having broken his coronation oath; and we are told that he kept his marriage vow! We accuse him of having given up his people to merciless inflictions of the most hot-headed and hard-hearted of prelates; and the defence is, that he took his little son on his knee and kissed him! We censure him for having violated the articles of the Petition of Right, after having, for good and valuable consideration, promised to observe them; and we are informed that he was accustomed to hear prayers at six o'clock in the morning! It is to such considerations as these, together with his Vandyke dress, his handsome face, and his peaked beard, that he owes, we verily believe, most of his popularity with the present generation.

Appealing to Prejudice or Passions. The question is also ignored when the speaker appeals to the prejudices or passions of his audience (argumentum ad populum). Persons of some intellect resent this as almost an insult if they are in the audience, yet it is often resorted to by speakers who would rather produce the effect they desire by the use of any methods, right or wrong. Its use in court by unscrupulous lawyers to win decisions is checked by attempts on the part of judges to counteract it in their charges to the jury, but its influence may still persist. Mark Antony in Shakespere's play, Julius Caesar, used it in his oration over the dead body of Caesar to further his own ends.

Taking Advantage of Ignorance. Just as a speaker may take advantage of the prejudices and passions of an audience, so he may take advantage of their ignorance. Against the blankness of their brains he may hurl unfamiliar names to dazzle them, cite facts of all kinds to impress them, show a wide knowledge of all sorts of things, "play up to them" in every way, until they become so impressed that they are ready to accept as truth anything he chooses to tell them. Any daily paper will provide examples of the sad results of the power of this kind of fallacious reasoning. The get-rich-quick schemes, the worthless stock deals, the patent medicine quacks, the extravagantly worded claims of new religions and faddist movements, all testify to the power this form of seemingly convincing argument has over the great mass of the ignorant.

The Fallacy of Tradition. In discussing the burden of proof it was said that such burden rests upon the advocate of change, or novel introductions, etc. This tendency of the people at large to be rather conservative in practice links with the fallacy of tradition, the belief that whatever is, is right. In many cases such a faith is worse than wrong, it is pernicious. Many of the questions concerning relations of modern society—as capital and labor—are based upon this fallacy. Henry Clay was guilty of it when he announced, "Two hundred years of legislation have sanctioned and sanctified negro slaves as property." The successful way to dispose of such a fallacy is illustrated by William Ellery Channing's treatment of this statement.

But this property, we are told, is not to be questioned on account of its long duration. "Two hundred years of legislation have sanctioned and sanctified negro slaves as property." Nothing but respect for the speaker could repress criticism on this unhappy phraseology. We will trust it escaped him without thought. But to confine ourselves to the argument from duration; how obvious the reply! Is injustice changed into justice by the practice of the ages? Is my victim made a righteous prey because I have bowed him to the earth till he cannot rise? For more than two hundred years heretics were burned, and not by mobs, not by lynch law, but by the decrees of the councils, at the instigation of theologians, and with the sanction of the laws and religions of nations; and was this a reason for keeping up the fires, that they had burned two hundred years? In the Eastern world successive despots, not for two hundred years, but for twice two thousand have claimed the right of life and death over millions, and, with no law but their own will, have beheaded, bowstrung, starved, tortured unhappy men without number who have incurred their wrath; and does the lapse of so many centuries sanctify murder and ferocious power?

Attacking a Speaker's Character or Principles. Sometimes a speaker who finds himself unable to attack the truth of a proposition, or the arguments cited to support it, changes his tactics from the subject-matter to the opponent himself and delivers an attack upon his character, principles, or former beliefs and statements. This is called the argumentum ad hominem. In no sense is it really argument; it is irrelevant attack, and should be answered in a clear accurate demonstration of its unsuitability to the topic under consideration. It is unworthy, of course, but it is a tempting device for the speaker who can combine with it an appeal to the prejudices or passions of his audience.

The author has seen the entire population of Rome agitated because in a Senatorial debate one speaker attacked the family reputation of one of his opponents—a matter which, even if true, certainly had nothing to do with the bill under discussion. Political campaigns used to be disgraced by a prevalence of such appeals for votes. We may pride ourselves upon an advance in such matters, but there is still too much of it to let us congratulate ourselves upon our political good manners. You cannot ascribe bad faith to a man who argues now from a different attitude from the one he formerly supported. Changes of conviction are frequent in all matters. A man must be judged by the reasons he gives for his position at any one time. Many a person, who ten years ago would have argued against it, now believes a League of Nations possible and necessary. Many a person who a few years back could see no advantage in labor organizations is anxious now to join an affiliated union.

If you find the suggestion of such an attack in any of your own speeches, cast it out. If it is ever used against you, refute it by the strength of arguments you deliver in support of your position. Remove all assertions which do not relate to the debated topic. Make your audience sympathize with your repudiation of the remarks of your opponent, even though he has succeeded in delivering them.

Fallacies of Causal Relationship. The various fallacies that may be committed under the relation of cause and effect are many. Just because something happened prior to something else (the effect), the first may be mistakenly quoted as the cause. Or the reverse may be the error—the second may be assumed to be the effect of the first. The way to avoid this fallacy was suggested in the discussion of explanation by means of cause and effect where the statement was made that two events must not be merely sequential, they must be consequential. In argument the slightest gap in the apparent relationship is likely to result in poor reasoning, and the consequent fallacy may be embodied in the speech. When people argue to prove that superstitions have come true, do they present clear reasoning to show conclusively that the alleged cause—such as sitting thirteen at table—actually produced the effect of a death? Do they establish a close causal relationship, or do they merely assert that after a group of thirteen had sat at table some one did die? Mathematically, would the law of chance or probability not indicate that such a thing would happen a little less surely if the number had been twelve, a little more surely if fourteen?

Common sense, clear headedness, logical reasoning, and a wide knowledge of all kinds of things will enable a speaker to recognize these fallacies, anticipate them, and successfully refute them.

Methods of Refuting. Having found the fallacies in an argument you should proceed to refute them. Just how you can best accomplish your purpose of weakening your opponent's position, of disposing of his arguments, of answering his contentions, must depend always upon the particular circumstances of the occasion, of the material presented, of the attitude of the judges or audience, of your opponent himself, and of the purpose you are striving to accomplish. Practice, knowledge, skill, will in such cases all serve your end. You should be able to choose, and effectively use the best. It is impossible to anticipate and provide for all the possibilities, but a few of the most common probabilities and the methods of dealing with them can be here set down.

Courteous Correction. In case of apparent error or over-sight you will do well to be courteous rather than over-bearing and dictatorial in your correction. Never risk losing an advantage by driving your audience into sympathy for your opponent by any manner of your own. A newspaper discussing the objections made to the covenant of the League of Nations points out an over-sight in this way: "How did Senator Knox happen to overlook the fact that his plan for compulsory arbitration is embodied in Article XII of the proposed covenant?"

Refuting Incorrect Analogy. The caution was given that reasoning from analogy must show the complete correspondence in all points possible of the known from which the reasoning proceeds to the conclusion about the unknown, which then is to be accepted as true. Unless that complete correspondence is established firmly the speaker is likely to have his carefully worked out analogy demolished before his eyes. Notice how such refutation is clearly demonstrated in the following.

So it does; but the sophistry here is plain enough, although it is not always detected. Great genius and force of character undoubtedly make their own career. But because Walter Scott was dull at school, is a parent to see with joy that his son is a dunce? Because Lord Chatham was of a towering conceit, must we infer that pompous vanity portends a comprehensive statesmanship that will fill the world with the splendor of its triumphs? Because Sir Robert Walpole gambled and swore and boozed at Houghton, are we to suppose that gross sensuality and coarse contempt of human nature are the essential secrets of a power that defended liberty against tory intrigue and priestly politics? Was it because Benjamin Franklin was not college-bred that he drew the lightning from heaven and tore the scepter from the tyrant? Was it because Abraham Lincoln had little schooling that his great heart beat true to God and man, lifting him to free a race and die for his country? Because men naturally great have done great service in the world without advantages, does it follow that lack of advantage is the secret of success?

GEORGE WILLIAM CURTIS: The Public Duty of Educated Men, 1877

Reducing Proof to Absurdity. A very good way of showing the unreliability of an opposing argument is to pretend to accept it as valid, then carrying it on to a logical conclusion, to show that its end proves entirely too much, or that it reduces the entire chain of reasoning to absurdity. This is, in fact, called reductio ad absurdum. At times the conclusion is so plainly going to be absurd that the refuter need not carry its successive steps into actual delivery. In speaking to large groups of people nothing is better than this for use as an effective weapon. It gives the hearers the feeling that they have assisted in the damaging demonstration. It almost seems as though the speaker who uses it were merely using—as he really is—material kindly presented to him by his opponent. So the two actually contribute in refuting the first speaker's position.

Congress only can declare war; therefore, when one State is at war with a foreign nation, all must be at war. The President and the Senate only can make peace; when peace is made for one State, therefore, it must be made for all.

Can anything be conceived more preposterous, than that any State should have power to nullify the proceedings of the general government respecting peace and war? When war is declared by a law of Congress, can a single State nullify that law, and remain at peace? And yet she may nullify that law as well as any other. If the President and Senate make peace, may one State, nevertheless, continue the war? And yet, if she can nullify a law, she may quite as well nullify a treaty.

DANIEL WEBSTER: The Constitution Not a Compact between Sovereign States, 1833

Lincoln could always use this method of reductio ad absurdum most effectively because he seldom failed to accentuate the absurdity by some instance which made clear to the least learned the force of his argument. Many of his best remembered quaint and picturesque phrases were embodied in his serious demolition of some high-handed presumption of a political leader.

Under all these circumstances, do you really feel yourselves justified to break up this government unless such a court decision as yours is shall be at once submitted to as a conclusive and final rule of political action? But you will not abide the election of a Republican President! In that supposed event, you say, you will destroy the Union; and then, you say, the great crime of having destroyed it will be upon us! That is cool. A highwayman holds a pistol to my ear, and mutters through his teeth, "Stand and deliver, or I shall kill you, and then you will be a murderer!"

ABRAHAM LINCOLN: Cooper Union Speech, 1860

Amplifying and Diminishing. Finally a good method of refuting the claim of importance made for an opposing proposition is by amplifying and diminishing. In plain terms this depends upon contrast in which you reduce the value of the opposing idea and emphasize the value of your own. An excellent use for this is as a rapid summary at the end of your speech, where it will leave in the hearer's mind an impression of the comparative value of the two views he has heard discussed, with an inevitable sense of the unquestioned worth of one above the other. Burke sums up his extended refutations of Lord North's plan for dealing with America in these telling contrasts.

Compare the two. This I offer to give you is plain and simple; the other full of perplexed and intricate mazes. This is mild; that harsh. This found by experience effectual for its purposes; the other is a new project. This is universal; the other calculated for certain colonies only. This is immediate in its conciliatory operation; the other remote, contingent, full of hazard. Mine is what becomes the dignity of a ruling people—gratuitous, unconditional—and not held out as a matter of bargain and sale.

EDMUND BURKE: Conciliation with America, 1775

Position of Refutation in the Speech. The position of refutation in the finished speech will depend always upon the nature of the proposition, the exact method of the refutation, and the audience. If you are making the only speech upon the proposition and you feel that the audience may have a slight prejudice against what you are about to urge, you may gain adherents at once by refuting at the beginning the possible arguments in their minds. By this procedure you will clear the field for your own operations. To change the figure of speech, you erase from the slate what is already written there, so that you may place upon it your own speech and its convictions.

If you are debating and the speaker just before you has evidently made the judges accept his arguments, again you might remove that conviction by refutation before you proceed to build up your own side. If your regular arguments meet his squarely, proceed as you had planned, but be sure when any reasoning you offer nullifies any he has delivered, that you call the attention of the audience to the fact that you have wiped out his score. In this way your constructive argument and refutation will proceed together. You will save valuable time.

Constructive Argument Is More Valuable than Refutation. Often the rebuttal speeches of debate, coming at the close of the regular debate speeches, seem reserved for all the refutation. This is certainly the place for much refutation, certainly not all. The last speakers of the rebuttal speeches should never rest content with leaving only refutation in the hearers' minds. If they do, the debate may leave the condition entirely where it was at the beginning, for theoretically every argument advanced by either side has been demolished by the other. After the rebuttal the last points left with the judges should be constructive arguments.

In a single speech the refutation may be delivered in sections as the demands of coherence and the opportunities for emphasis may suggest. Here again, always make the last section a constructive one with arguments in support of your proposition.



CHAPTER XII

DEBATING

The Ideal of Debating. A long time ago so admirable a man as William Penn stated the high ideal of all real debating whether practised in the limited range of school interests or in the extended field of life's activities.

In all debates let truth be thy aim, not victory, or an unjust interest; and endeavor to gain, rather than to expose thy antagonist.

The quotation states exactly the true aim of all debating—the conclusion of the right, the truth rather than the securing of a decision over an opponent. The same rules which animate the true lover of sports, the clear distinction which is instilled into all participants of amateur athletics of the meanings and significance of the two terms sportsman and sport, can be carried over to apply to school activities in debating. Honest differences of opinion among people upon countless questions will always furnish enough material for regular debating so that no one need ever do violence to his convictions.

Value of Debate. One of the greatest educational values of practice in debate is that the ability it develops can be applied instantly in the life beyond the schoolroom, that it operates in every person's daily life. There are differences in the manner in which debating is carried on in the two places, but practice in the earlier will result in skill and self-confidence in the second.

Debate in Actual Life. The most marked difference between debates in the two phases of life is the difference of form. In academic circles debate is a well-regulated game between matched sides. In actual life only in certain professions are the rules well defined. In most cases the debating is disguised under different forms, though the essential purposes and methods are the same.

Debate between lawyers in courts—technically termed pleading—is the most formal of all professional debating. Its regulations are found in the stabilized court procedure which every lawyer must master and obey.

Much looser than the formal debate of the court room is the speech-making of the legislative organization from the lowest township board meeting up to the Senate of the United States. Of course the members of such bodies are regulated by certain restrictions, but the speeches are not likely to be curbed in time as are academic performances, nor are the speakers likely to follow a prearranged order, nor are they always equally balanced in number, nor do they agree so carefully upon "team work." Sometimes in a legislative body the first speaker may be on the negative side, which is quite contrary to all the rules of regularly conducted debates. All the speakers may also be on one side of a measure, the opposing side not deigning to reply, resting secure in the knowledge of how many votes they can control when the real test of power comes.

Most informal of all are the general discussions in which business matters are decided. In these the speeches are never so set as in the two preceding kinds. The men are less formal in their relations and addresses to one another. The steps are less marked in their changes. Yet underneath the seeming lack of regulation there is the framework of debate, for there is always present the sense of two sides upon every proposition, whether it be the purchase of new office equipment for a distant agent, an increase of salary for employees, or the increase of capitalization. Certain speakers support some proposition. Others oppose it until they are convinced and won over to the affirmative side, or until they are out-voted.

Two men seated in an office may themselves be debaters, audience, and judges of their own argumentative opinions. They may in themselves fill all the requirements of a real debate. They deliver the speeches on the affirmative and negative sides. Each listens to the arguments of his opponent. And finally, the pair together give a decision upon the merits of the arguments presented.

On all such occasions the speakers need and use just those qualities which classroom training has developed in them—knowledge of material, plan of presentation, skill in expression, conviction and persuasion of manner, graceful acceptance of defeat.

Debating Demands a Decision. Debating goes one step farther than merely argumentative speaking. Debating demands a decision upon the case, it requires a judgment, a registered action. Again in this respect it is like a game.

EXERCISES

1. Make a list of propositions which have been debated or might be debated in a courtroom.

2. Make another list of propositions which have been debated or might be debated in legislative bodies.

3. Make a list of propositions which might be debated in business.

4. As far as is possible, indicate the decisions upon them.

5. Choose some proposition on which there is considerable difference of opinion in the class. Make a list of those who favor and those who oppose. Speak upon the proposition, alternating affirmative and negative.

6. Discuss the speeches delivered in the fifth exercise.

Persons Involved in a Debate. Who are the persons involved in a regular debate? They are the presiding officer, the speakers themselves, the audience, the judges.

The Presiding Officer. Every debate has a presiding officer. The Vice-President of the United States is the presiding officer of the Senate. The Speaker is the presiding officer of the House of Representatives. If you will refer to Chapter IV on Beginning the Speech you will see several other titles of presiding officers. In school debates the head of the institution may act in that capacity, or some person of note may be invited to preside. In regular classroom work the instructor may serve as presiding officer, or some member of the class may be chosen or appointed. The latter method is the best—after the instructor has shown by example just what the duties of such a position are.

The presiding officer should announce the topic of debate in a short introductory speech. He should read the names of the speakers on the affirmative and those on the negative side. He should stipulate the terms of the debate—length of each speech, time for rebuttal, order of rebuttal, method of keeping speakers within time limits, conditions of judgment (material, presentation, etc.), announce the judges, and finally introduce the first speaker; then the subsequent speakers. At the close he might refer to the fact of the debate's being ended, he might rehearse the conditions of judgment, and request the judges to retire to consider their decision. Practice varies as to who shall deliver the decision of the judges to the audience. Sometimes the chairman elected by the judges announces the decision. Sometimes the judges hand the decision to the presiding officer who announces it.

The Debaters. Beyond saying that the speakers must do their best, there is nothing to be added here about their duty in the debate except to issue one warning to them in connection with the next personal element to be considered—the audience.

The Audience. Debaters must remember that in practically no circumstances outside legislative bodies are the audience and the judges ever the same. Debaters argue to convince the judges—not the entire audience, who are really as disconnected from the decision of the debate as are the straggling spectators and listeners in a courtroom detached from the jury who render the verdict of guilty or not guilty. The debater must therefore speak for the judges, not for his audience. Many a debating team has in the course of its speeches won all the applause only to be bitterly disappointed in the end by hearing the decision awarded to the other side. Recall the warnings given in the previous chapters against the tempting fallacies of appealing to crowd feelings and prejudices.

In classroom debates it is a good distribution of responsibility to make all the members not participating in the speaking act as judges and cast votes in rendering a decision. This makes the judges and the audience one. Moreover it changes the mere listener into a discriminating judge. If the instructor cares to carry this matter of responsibility one step farther, he can ask the members of the class to explain and justify their votes.

The audience, when it is also the judge, has the responsibility of careful attention, analysis, and comparison. It is too much to expect usual general audiences to refuse to be moved by unworthy pleas and misrepresentations, to accord approval only to the best speakers and the soundest arguments. But surely in a class of public speakers any such tricks and schemes should be received with stolid frigidity. Nothing is so damaging to appeals to prejudice, spread-eagleism, and fustian bombast as an impassive reception.

The Judges. In any debate the judges are of supreme importance. They decide the merits of the speakers themselves. The judges are of infinitely more importance than the audience. In interscholastic debates men of some prominence are invited to act as judges. In the instructions to them it should be made clear that they are not to decide which side of a proposition they themselves approve. They are to decide which group of speakers does the best work. They should try to be merely the impersonal registers of comparative merit. They should sink their own feelings as every teacher must when he hears a good speech from one of his own students supporting something to which the instructor is opposed. Good judges of debates realize this and frequently award decisions to speakers who support opposite positions to their personal opinions. They must not be like the judges in an interscholastic debate who announced their decision thus, "The judges have decided that China must not be dismembered." That was an interesting fact perhaps, but it had nothing to do with their duty as judges of that debate.

In business, the buyer, the head of the department, the board of directors, constitute the judges who render the decision. In legislative assemblies the audience and judges are practically identical, for after the debate upon a measure is concluded, those who have listened to it render individual verdicts by casting their votes. In such cases we frequently see decisions rendered not upon the merits of the debate, but according to class prejudice, personal opinion, or party lines. This is why so many great argumentative speeches were accounted failures at the time of their delivery. Delivered to secure majority votes they failed to carry conviction to the point of changing immediate action, and so in the small temporary sense they were failures. In legal trials the jury is the real judge, although by our peculiar misapplication of the term a different person entirely is called judge. In court the judge is in reality more often merely the presiding officer. He oversees the observance of all the rules of court practice, keeps lawyers within the regulations, instructs the jury, receives the decision from them, and then applies the law. Every lawyer speaks—not to convince the judge—but to convince the jury to render a decision in his favor.

Scholastic Debating. Choosing the Proposition. In school debating the proposition may be assigned by the instructor or it may be chosen by him from a number submitted by the class. The class itself may choose by vote a proposition for debate. In interscholastic debating the practice now usually followed is for one school to submit the proposition and for the second school to decide which side it prefers to support. In any method the aim should be to give neither side any advantage over the other. The speakers upon the team may be selected before the question of debate is known. It seems better, when possible, to make the subject known first and then secure as speakers upon both sides, students who have actual beliefs upon the topic. Such personal conviction always results in keener rivalry.

Time Limits. Since no debate of this kind must last too long, time restrictions must be agreed upon. In every class, conditions will determine these terms. Three or four speakers upon each side make a good team. If each is allowed six minutes the debate should come well within an hour and still allow some time for voting upon the presentations. It should be distinctly understood that a time limit upon a speaker must be observed by him or be enforced by the presiding officer.

The speakers upon one side will arrange among themselves the order in which they will speak but there should be a clear understanding beforehand as to whether rebuttal speeches are to be allowed.

Rebuttal Speeches. Rebuttal speeches are additional speeches allowed to some or all the speakers of a debating team after the regular argumentative speeches have been delivered. In an extended formal debate all the speakers may thus appear a second time. In less lengthy discussions only some of them may be permitted to appear a second time. As the last speaker has the advantage of making the final impression upon the judges it is usual to offset this by reversing the order of rebuttal. In the first speeches the negative always delivers the last speech. Sometimes the first affirmative speaker is allowed to follow with the single speech in rebuttal. If the team consist of three speakers and all are allowed to appear in rebuttal the entire order is as follows.

First Part Rebuttal

First affirmative First negative First negative First affirmative Second affirmative Second negative Second negative Second affirmative Third affirmative Third negative Third negative Third affirmative

If not all the speakers are to speak in rebuttal the team itself decides which of its members shall speak for all.

Preparation. The proposition should be decided on and the teams selected long enough in advance to allow for adequate preparation. Every means should be employed to secure sufficient material in effective arrangement. Once constituted, the team should consider itself a unit. Work should be planned in conference and distributed among the speakers. At frequent meetings they should present to the side all they are able to find. They should lay out a comprehensive plan of support of their own side. They should anticipate the arguments likely to be advanced by the other, and should provide for disposing of them if they are important enough to require refuting. It is a good rule for every member of a debating team to know all the material on his side, even though part of it is definitely assigned to another speaker.

This preliminary planning should be upon a definite method. A good outline to use, although some parts may be discarded in the debate itself, is the following simple one.

I. State the proposition clearly. 1. Define the terms. 2. Explain it as a whole. II. Give a history of the case. 1. Show its present bearing or aspect. III. State the issues. IV. Prove. V. Refute. VI. Conclude.

Finding the Issues. In debating, since time is so valuable, a speaker must not wander afield. He must use all his ability, all his material to prove his contention. It will help him to reject material not relevant if he knows exactly what is at issue between the two sides. It was avoiding the issue to answer the charge that Charles I was a tyrant by replying that he was a good husband. Unless debaters realize exactly what must be proven to make their position secure, there will be really no debate, for the two sides will never meet in a clash of opinion. They will pass each other without meeting, and instead of a debate they will present a series of argumentative speeches. This failure to state issues clearly and to support or refute them convincingly is one of the most common faults of all debating. In ordinary conversation a frequently heard criticism of a discussion or speech or article is "But that was not the point at issue at all." These issues must appear in the preliminary plans, in the finished brief, and in the debate itself.

The only point in issue between us is, how long after an author's death the State shall recognize a copyright in his representatives and assigns; and it can, I think, hardly be disputed by any rational man that this is a point which the legislature is free to determine in the way which may appear to be most conducive to the general good.

THOMAS BABINGTON MACAULAY: Copyright, 1841

Mr. President, the very first question that challenges our attention in the matter of a league of nations is the question of whether a war in Europe is a matter of concern to the United States. The ultraopponents of any league of nations assert that European quarrels and European battles are no concern of ours. If that be true, we may well pause before obligating ourselves to make them our concern. Is it true?

SENATOR P.J. MCCUMBER: The League of Nations, 1919

The best method of finding the issues is to put down in two columns the main contentions of both sides. By eliminating those entries which are least important and those which have least bearing upon the present case the issues may be reduced to those which the debate should cover. Any possible attempt to cloud the issues on the part of the opposing side can thus be forestalled. All the speakers on one side should participate in this analysis of the proposition to find and state the issues.

The New York Tribune, by parallel columns, brought out these chief points of difference between the Paris plan and Senator Knox's for the League of Nations.

THE KNOX PLAN THE PARIS PLAN

League formed of all, not Under Article VII it is provided a portion, of the nations of that no state shall be the world. admitted unless it is able to give guaranties of its intention to observe its international obligations and conform to the principles prescribed by the League in regard to it's naval and military forces and armaments.

War to be declared an Article XVI provides that international crime, and any should any of the high nation engaging in war, except contracting parties break in self-defense when covenants under Article XII actually attacked, to be punished (relating to arbitration) it by the world as an shall be deemed to have committed international criminal. an act of war against the League, which undertakes to exercise economic pressure; and it is to be the duty of the executive council to recommend what military or naval force the members of the League shall contribute to be used to protect the covenants of the League.

The Monroe Doctrine to None of these matters is be safeguarded; also our mentioned specifically, but immigration policy and our President Wilson has said right to expel aliens. that the League will "extend the Monroe Doctrine to the whole world" and that domestic and internal questions are not a concern of the League.

Our right to maintain military Article VIII says: "The and naval establishments executive council shall also and coaling stations, determine for the consideration and our right to fortify the and action of the several Panama Canal and our governments what military frontiers to be safeguarded. equipment and armament is fair and reasonable and in proportion to the scale of forces laid down in the program of disarmament, and these limits when adopted shall not be exceeded without the permission of the executive council."

An international court to Article XIV provides for be empowered by the League the establishment of a "permanent to call upon the signatory court of international Powers to enforce its decrees justice," but its powers are against unwilling states by limited to hearing and determining force, economic pressure, or "any matter otherwise. The constitution which the parties recognize of the League to provide, as suitable for submission to however, that decrees against it for arbitration" under an American Power shall be Article XIII. enforced by the nations of this hemisphere, and decrees against a country of the eastern hemisphere by the Powers of that hemisphere.

Team Work. With the plan agreed upon by the speakers, the brief made out, and the material distributed, each speaker can go to work in earnest to prepare his single speech. The best method has been outlined in this book. His notes should be accurate, clear, easily manipulated. His quotations should be exact, authoritative. By no means should he memorize his speech. Such stilted delivery would result in a series of formal declamations. With his mind stocked with exactly what his particular speech is to cover, yet familiar enough with the material of his colleagues to use it should he need it, the debater is ready for the contest.

Manipulating Material. The speakers on a side should keep all their material according to some system. If cards are used, arguments to be used in the main debate might be arranged in one place, material for rebuttal in another, quotations and statistics in still another. Then if the other side introduces a point not anticipated it should be easy to find the refuting or explaining material at once to counteract its influence in the next speech, if it should be disposed of at once. If slips of paper are used, different colors might indicate different kinds of material. Books, papers, reports, to be used should always be within available distance. While a speaker for the other side is advancing arguments the speaker who will follow him should be able to change, if necessary, his entire plan of defense or attack to meet the manoeuver. He should select from the various divisions upon the table the material he needs, and launch at once into a speech which meets squarely all the contentions advanced by his predecessor. This instantaneous commandeering of material is likely to be most usual in rebuttal, but a good debater must be able to resort to it at a second's notice.

The First Affirmative Speaker. The first affirmative speaker must deliver some kind of introduction to the contentions which his side intends to advance. It is his duty to be concise and clear in this. He must not use too much time. If the proposition needs defining and applying he must not fail to do it. He must not give the negative the opportunity to explain and apply to its own purposes the meaning of the proposition. He should state in language which the hearers will remember exactly what the issues are. He can help his own side by outlining exactly what the affirmative intends to prove. He may indicate just what portions will be treated by his colleagues. He should never stop with merely introducing and outlining. Every speaker must advance proof, the first as well as the others. If the preliminary statements by the first affirmative speaker are clearly and convincingly delivered, and if he places a few strong, supporting reasons before the judges, he will have started his side very well upon its course of debating. The last sentences of his speech should drive home the points he has proved.

The First Negative Speaker. The first negative speaker either agrees with the definitions and application of the proposition as announced by the first affirmative speaker or he disagrees with them. If the latter, the mere statement of his disagreement is not sufficient. Contradiction is not proof. He must refute the definition and application of the proposition by strong reasoning and ample proof. If his side does not admit the issues as already presented he must explain or prove them away and establish in their place the issues his side sees in the discussion. When the two sides disagree concerning the issues there is a second proposition erected for discussion at once and the argument upon this second matter may crowd out the attempted argument upon the main proposition. To obviate such shifting many schools have the sides exchange briefs or statements of issues before the debate so that some agreement will be reached upon essentials.

In addition to the matters just enumerated the first negative speaker should outline the plan his side will follow, promising exactly what things will be established by his colleagues. If he feels that the first affirmative speaker has advanced proofs strong enough to require instant refutation he should be able to meet those points at once and dispose of them. If they do not require immediate answering, or if they may safely be left for later refutation in the regular rebuttal, he may content himself with simply announcing that they will be answered. He should not allow the audience to believe that his side cannot meet them.

He must not give the impression that he is evading them. If he has to admit their truth, let him frankly say so, showing, if possible, how they do not apply or do not prove all that is claimed for them, or that though they seem strong in support of the affirmative the negative side has still stronger arguments which by comparison refute at least their effect.

The first negative speaker should not stop with mere refutation. If the first affirmative has advanced proofs, and the first negative disposes of them, the debate is exactly where it was at the beginning. The negative speaker must add convincing arguments of his own. It is a good thing to start with one of the strongest negative arguments in the material.

The Second Affirmative and Second Negative Speakers. The second affirmative and the second negative speakers have very much the same kind of speech to make. Taking the immediate cues from the preceding speaker each may at first pay some attention to the remarks of his opponent. Here again there must be quickly decided the question already brought up by the first negative speech—shall arguments be refuted at once or reserved for such treatment in rebuttal? When this decision is made the next duty of each of these second speakers is to advance his side according to the plan laid down by his first colleague. He must make good the advance notice given of his team.

Each position of a debater has its peculiar tasks. The middle speaker must not allow the interest aroused by the first to lag. If anything, his material and manner must indicate a rise over the opening speech.

He must start at the place where the first speaker stopped and carry on the contention to the place at which it has been agreed he will deliver it to the concluding speaker for his side. If this connection among all the speeches of one side is quite plain to the audience an impression of unity and coherence will be made upon them. This will contribute to the effect of cogent reasoning. They will realize that instead of listening to a group of detached utterances they have been following a chain of reasoning every link of which is closely connected with all that precedes and follows.

The Concluding Affirmative Speaker. The concluding affirmative speaker must not devote his entire speech to a conclusion by giving an extensive summary or recapitulation. He must present arguments. Realizing that this is the last chance for original argument from his side he may be assigned the very strongest argument of all to deliver, for the effect of what he says must last beyond the concluding speech of the negative. It would likewise be a mistake for him to do nothing more than argue in his concluding speech. Several persons have intervened since his first colleague outlined their side and announced what they would prove. It is his duty to show that the affirmative has actually done what it set out to do. By amplifying and diminishing he may also show how the negative had not carried out its avowed intention of disproving the affirmative's position and proving conclusively its own. The concluding speech for the affirmative is an excellent test of a debater's ability to adapt himself to conditions which may have been entirely unforeseen when the debate began, of his keenness in analyzing the strength of the affirmative and exposing the weakness of the negative, of his power in impressing the arguments of his colleagues as well as his own upon the audience, and of his skill in bringing to a well-rounded, impressive conclusion his side's part in the debate.

The Concluding Negative Speaker. The concluding negative speaker must judge whether his immediate predecessor, the concluding affirmative speaker, has been able to gain the verdict of the judges. If he fears that he has, he must strive to argue that conviction away. He too must advance proof finally to strengthen the negative side. He must make his speech answer to his first colleague's announced scheme, or if some change in the line of development has been necessitated, he must make clear why the first was replaced by the one the debaters have followed. If the arguments of the negative have proved what it was declared they would, the last speaker should emphasize that fact beyond any question in any one's mind. Finally he should save time for a fitting conclusion. This brings the debate proper to a close.

Restrictions in Rebuttal. In rebuttal—if it be provided—the main restrictions are two. The speeches are shorter than the earlier ones. No new lines of argument may be introduced. Only lines of proof already brought forward may be considered. Since the speeches are shorter and the material is restricted there is always the disposition to use rebuttal speeches for refutation only. This is a mistake. Refute, but remember always that constructive argument is more likely to win decisions than destructive. Dispose of as many points of the opponents as possible, but reiterate the supporting reasons of your own. Many speakers waste their rebuttals by trying to cover too many points. They therefore have insufficient time to prove anything, so they fall back upon bare contradiction and assertion. Such presentations are mere jumbles of statements. Choose a few important phases of the opposing side's contention. Refute them. Choose the telling aspects of your own case. Emphasize them.

Manner in Debating. Be as earnest and convincing in your speeches as you can. Never yield to the temptation to indulge in personalities. Recall that other speakers should never be mentioned by name. They are identified by their order and their side, as "The first speaker on the affirmative" or "The speaker who preceded me," or "My colleague," or "My opponent." Avoid using these with tones and phrases of sarcasm and bitterness. Be fair and courteous in every way. Never indulge in such belittling expressions as "No one understands what he is trying to prove. He reels off a string of figures which mean nothing." Never indulge in cheap wit or attempts at satiric humor.

Prepare so adequately, analyze so keenly, argue so logically, speak so convincingly, that even when your side loses, your opponents will have to admit that you forced them to do better than they had any idea they could.



CHAPTER XIII

SPEAKING UPON SPECIAL OCCASIONS

Speech-making in the Professions. If a student enter a profession in which speech-making is the regular means of gaining his livelihood—as in law, religion, or lecturing—he will find it necessary to secure training in the technical methods applying to the particular kind of speech-making in which he will indulge. This book does not attempt to prepare any one for mastery of such special forms. The student will, however, be helping himself if he examines critically every delivery of a legal argument, sermon, or lecture he hears, for many of the rules illustrated by them and the impressions made by their speakers, can be transferred as models to be imitated or specimens to be avoided in his own more restricted and less important world.

Speaking upon Special Occasions. Every American may be called upon to speak upon some special occasion. If he does well at his first appearance he may be invited or required by circumstances to speak upon many occasions. The person who can interest audiences by effective delivery of suitable material fittingly adapted to the particular occasion is always in demand. Within the narrower confines of educational institutions the opportunities for the student to appear before his schoolmates are as numerous as in real life. Some preliminary knowledge coupled with much practice will produce deep satisfaction upon successful achievement and result in rapid steps of self-development.

Without pretending to provide for all possible circumstances in which students and others may be called upon to speak, this chapter will list some of the special occasions for which speeches should be prepared.

Speeches of Presiding Officers. On practically all occasions there is a presiding officer whose chief duty is to introduce to the audience the various speakers. The one great fault of speeches of introduction is that they are too long. The introducer sincerely means not to consume too much time, but in the endeavor to do justice to the occasion or the speaker he becomes involved in his remarks until they wander far from his definite purpose. He wearies the audience before the important speaker begins. An introducer should not become so unconscious of his real task as to fall into this error. In other cases the fault is not so innocent. Many a person called upon to introduce a speaker takes advantage of the chance to express his own opinions. He drops into the discourtesy of using for his own ends a condition of passive attention which was not created for him. One large audience which had assembled to hear a lecturer was kept from listening to him while for twenty minutes the introducer aired his own pet theories. Of course members of the audience discussed among themselves the inappropriateness of such remarks, but it is doubtful whether any criticism reached the offender.

A newspaper recently had the courage to voice the feelings of audiences.

It seems that a good deal of the time of the audience at the Coliseum the other night was taken by those who introduced the speakers of the evening. We are told in one account of the meeting that the audience was at times impatient of these preliminaries and even howled once or twice for those it had come to hear.... We are informed that all those introducing the speakers said something about not having risen to speak at length, and that one of them protested his inability to speak with any facility. Both these professions are characteristic of those introducing speakers of the evening. Yet, strangely enough, the same always happens. That is, the preliminaries wear the audience out before the people it came to hear can get at it.

In introducing a speaker never be too long-winded. Tactfully, gracefully, courteously, put before the audience such facts as the occasion, the reason for the topic of the speech, the fitness and appropriateness of the choice of the speaker, then present the man or woman. Be extremely careful of facts and names. A nominating speaker at a great political convention ruined the effect of a speech by confusedly giving several first names to a distinguished man. It is embarrassing to a speaker to have to correct at the very beginning of his remarks a misstatement made by the presiding officer. But a man from one university cannot allow the audience to identify him with another. The author of a book wants its title correctly given. A public official desires to be associated in people's minds with the department he actually controls.

The main purpose of a speech of introduction is to do for the succeeding speaker what the chapter on beginning the speech suggested—to render the audience attentive and well-disposed, to introduce the topic, and in addition to present the speaker.

Choosing a Theme. The speaker at a special occasion must choose the theme with due regard to the subject and the occasion. Frequently his theme will be suggested to him, so that it will already bear a close relation to the occasion when he begins its preparation. The next matter he must consider with extreme care is the treatment. Shall it be serious, informative, argumentative, humorous, scoffing, ironic? To decide this he must weigh carefully the significance of the occasion. Selecting the inappropriate manner of treatment means risking the success of the speech. Recall how many men and speeches you have heard criticized as being "out of harmony with the meeting," or "not in spirit with the proceedings," and you will realize how necessary to the successful presentation is this delicate adjustment of the speech to the mood of the circumstances.

The After-dinner Speech. When men and women have met to partake of good food under charming surroundings and have enjoyed legitimate gastronomic delights it is regrettable that a disagreeable element should be added by a series of dull, long-winded, un-appropriate after-dinner speeches. The preceding adjectives suggest the chief faults of those persons who are repeatedly asked to speak upon such occasions. They so often miss the mark. Because after-dinner speaking is so informal it is proportionally difficult. When called upon, a person feels that he must acknowledge the compliment by saying something. This, however, is not really enough. He must choose his theme and style of treatment from the occasion. If the toastmaster assign the topic he is safe so far as that is concerned, but he must still be careful of his treatment.

A speaker at a dinner of the Phi Beta Kappa Society, in which membership is awarded for rank in cultural as contrasted with practical, technical studies, seized upon the chance to deliver a rather long, quite detailed legal explanation of the parole system for convicted offenders against laws. At a dinner given by the Pennsylvania Society in a state far from their original homes the members were praised to the skies for preserving the love of their native state and marking their identity in a district so distant and different. This was quite appropriate for an introduction but the speaker then turned abruptly to one of his political speeches and berated the foreigner in America for not becoming at once an entirely made-over citizen. The speech contradicted its own sentiments. A wrong emphasis was placed upon its material. A disquieting impression was made upon the Pennsylvanians. At the conclusion they felt that they were guilty for having kept the love of their native soil; according to the tone of the speaker they should have accepted their new residence and wiped out all traces of any early ties.

An after-dinner speaker should remember that dinners are usually marks of sociability, goodfellowship, congratulation, celebration, commemoration. Speeches should answer to such motives. The apt illustration, the clever twist, the really good story or anecdote, the surprise ending, all have their places here, if they are used with grace, good humor, and tact. This does not preclude elements of information and seriousness, but such matters should be introduced skilfully, discussed sparingly, enforced pointedly.

The Commemorative Speech. Besides dinners, other gatherings may require commemorative addresses. These speeches are longer, more formal. The success of a debating team, the successful season of an athletic organization, the termination of a civic project, the election of a candidate, the celebration of an historic event, the tribute to a great man, suggest the kinds of occasions in which commemorative addresses should be made.

Chosen with more care than the after-dinner speaker, the person on such an occasion has larger themes with which to deal, a longer time for their development, and an audience more surely attuned to sympathetic reception. He has more time for preparation also. In minor circumstances, such as the first three or four enumerated in the preceding paragraph, the note is usually congratulation for victory. Except in tone and length these speeches are not very different from after-dinner remarks. But when the occasion is more dignified, the circumstances more significant, addresses take on a different aspect. They become more soberly judicial, more temperately laudatory, more feelingly impressive. At such times public speaking approaches most closely to the old-fashioned idea of oratory, now so rapidly passing away, in its attempt to impress upon the audience the greatness of the occasion in which it is participating. The laying of a corner-stone, the completion of a monument or building, a national holiday, the birthday of a great man, the date of an epoch-marking event, bring forth eulogistic tributes like Webster's speech at Bunker Hill, Lincoln's Gettysburg Address, Secretary Lane's Flag Day speech.

False Eloquence. The beginner will not have many opportunities of delivering such remarkable addresses, but in his small sphere he will have chances to do similar things. He must beware of several faults of which the unwary are usually guilty. Recognizing the wonderful eloquence of the masterpieces of such kinds of address he may want to reproduce its effects by imitating its apparent methods. Nothing could be worse. The style of the great eulogy, born of the occasion and the speaker, becomes only exaggerated bombast and nonsense from the lips of a student. Exaggeration, high sounding terms, flowery language, involved constructions, do not produce eloquence in the speaker. They produce discomfort, often smiles of ridicule, in the audience. Many a student intending to cover himself with glory by eulogizing the martyred McKinley or the dead Roosevelt has succeeded only in covering himself with derision. Simplicity, straightforwardness, fair statement, should be the aims of beginning speakers upon such occasions.

Speeches of Presentation and Acceptance. Standing between the two classes of speeches just discussed are speeches of presentation and acceptance. In practically all circumstances where such remarks are suitable there are present mingled feelings of celebration and commemoration. There is joy over something accomplished, and remembrance of merit or success. So the person making a speech of presentation must mingle the two feelings as he and the audience experience them. Taking his cue from the tone of the occasion he must fit his remarks to that mood. He may be as bright and sparkling and as amusing as a refined court jester. He may be as impressive and serious as a judge. The treatment must be determined by the circumstances.

The speaker who replies must take his cue from the presenter. While the first has the advantage of carrying out his plan as prepared, the second can only dimly anticipate the theme he will express. At any rate he cannot so surely provide his beginning. That must come spontaneously from the turn given the material by his predecessor, although the recipient may pass by a transition to the remarks he prepared in advance.

The observations which obtain in the presentation and acceptance of a material object—as a book, a silver tea set, a medal, an art gallery—apply just as well to the bestowal and acceptance of an honor, such as a degree from a university, an office, an appointment as head of a committee or as foreign representative, or membership in a society. Speeches upon such occasions are likely to be more formal than those delivered upon the transfer of a gift. The bestower may cite the reasons for the honor, the fitness of the recipient, the mutual honors and obligations, and conclude with hopes of further attainments or services. The recipient may reply from a personal angle, explaining not only his appreciation, but his sense of obligation to a trust or duty, his methods of fulfilling his responsibilities, his modestly phrased hope or belief in his ultimate success.

The Inaugural Speech. In this last-named respect the speech of the recipient of an honor is closely related to the speech of a person inaugurated to office. This applies to all official positions to which persons are elected or appointed. The examples which will spring into students' minds are the inaugural speeches of Presidents of the United States. A study of these will furnish hints for the newly installed incumbent of more humble positions. In material they are likely to be retrospective and anticipatory. They trace past causes up to present effects, then pass on to discuss future plans and methods. Every officer in his official capacity has something to do. Newspaper articles will give you ideas of what officials should be doing. The office holder at the beginning of his term should make clear to his constituency, his organization, his class, his society, his school, just what he intends to try to do. He must be careful not to antagonize possible supporters by antagonistic remarks or opinions. He should try to show reason and expediency in all he urges. He should temper satisfaction and triumph with seriousness and resolve. Facts and arguments will be of more consequence than opinions and promises. The speech should be carefully planned in advance, clearly expressed, plainly delivered. Its statements should be weighed, as everyone of them may be used later as reasons for support or attack. To avoid such consequences the careful politician often indulges in glittering generalities which mean nothing. A student in such conditions should face issues squarely, and without stirring up unnecessary antagonism, announce his principles clearly and firmly. If he has changed his opinion upon any subject he may just as well state his position so that no misunderstanding may arise later.

In the exercise of his regular activities a person will have many opportunities to deliver this kind of speech.

The Nominating Speech. Recommendation of himself by a candidate for office does not fall within the plan of this book. Students, however, may indulge in canvassing votes for their favorite candidates, and this in some instances, leads to public speaking in class and mass meetings, assemblies, and the like. Of similar import is the nominating speech in which a member of a society, committee, meeting, offers the name of his candidate for the votes of as many as will indorse him. In nominating, it is a usual trick of arrangement to give first all the qualifications of the person whose election is to be urged, advancing all reasons possible for the choice, and uttering his name only in the very last words of the nominating speech. This plan works up to a cumulative effect which should deeply impress the hearers at the mention of the candidate's name.

In nominating speeches and in arguments supporting a candidate the deliverer should remember two things. Constructive proof is better than destructive attack; assertion of opinion and personal preference is not proof. If it seems necessary at times to show the fitness of one candidate by contrast with another, never descend to personalities, never inject a tone of personal attack, of cheap wit, of ill-natured abuse. If such practices are resorted to by others, answer or disregard them with the courteous attention they deserve, no more. Do not allow yourself to be drawn into any discussion remote from the main issue—the qualifications of your own candidate. If you speak frequently upon such a theme—as you may during an extended campaign—notice which of your arguments make the strongest impressions upon the hearers. Discard the weaker ones to place more and more emphasis upon the convincing reasons. Never fail to study other speakers engaged in similar attempts. American life every day provides you with illustrations to study.

The Speech in Support of a Measure. When, instead of a candidate, you are supporting some measure to be adopted, some reform to be instituted, some change to be inaugurated, your task is easier in one respect. There will be less temptation to indulge in personal matters. You will find it easier to adhere to your theme. In such attempts to mold public opinion—whether it be the collective opinion of a small school class, or a million voters—you will find opportunities for the inclusion of everything you know of the particular subject and of all human nature. Convinced yourself of the worthiness of your cause, bend every mental and intellectual effort to making others understand as you do, see as you do. If your reasoning is clear and converting, if your manner is direct and sincere, you should be able to induce others to believe as you do.

The Persuasive Speech. In public speaking upon occasions when votes are to be cast, where reforms are to be instituted, where changes are to be inaugurated, you have not finished when you have turned the mental attitude, and done no more. You must arouse the will to act. Votes must be cast for the measure you approve. The reform you urge must be financed at once. The change must be registered. To accomplish such a purpose you must do more than merely prove; you must persuade.

In the use of his power over people to induce them to noble, high-minded action lies the supreme importance of the public speaker.

EXERCISES

1. Choose some recent event which you and your friends might celebrate by a dinner. As toastmaster, deliver the first after-dinner remarks drawing attention to the occasion and introducing some one to speak.

2. Deliver the after-dinner speech just introduced.

3. Introduce some other member of the class, who is not closely connected with the event being celebrated, and who therefore is a guest.

4. Deliver this speech, being careful to make your remarks correspond to the preceding.

5. A debating team has won a victory. Deliver the speech such a victory deserves.

6. An athletic team has won a victory. As a non-participant, present the trophy.

7. An athletic team has finished a season without winning the championship. Speak upon such a result.

8. The city or state has finished some great project. Speak upon its significance.

9. Address an audience of girls or women upon their right to vote.

10. Speak in approval of some recently elected official in your community.

11. Choose some single event in the history of your immediate locality. Speak upon it.

12. Deliver a commemorative address suitable for the next holiday.

13. Bring into prominence some man or woman connected with the past of your community.

14. An unheralded hero.

15. "They also serve who only stand and wait."

16. "Peace hath her victories no less renowned than war."

17. Deliver the speech to accompany the presentation of a set of books.

18. Present to your community some needed memorial park, building, or other monument.

19. Accept the gift for the community.

20. Challenge another class to debate.

21. Urge upon some organization support of some civic measure.

22. As a representative of the students present some request to the authorities.

23. A meeting has been called to hear you because of your association with some organization or movement. Deliver the speech.

24. Some measure or movement is not being supported as it should be. A meeting of people likely to be interested has been called. Address the meeting.

25. Appeal to your immediate associates to support some charitable work.

26. Some organization has recently started a new project. Speak to it upon its task.

27. An organization has successfully accomplished a new project. Congratulate it.

28. Some early associate of yours has won recognition or success or fame away from home. He is about to return. Speak to your companions showing why they should honor him.

29. Choose some person or event worthy of commemoration. Arrange a series of detailed topics and distribute them among members of the class. Set a day for their presentation.

30. Choose a chairman. On the appointed day have him introduce the topic and the speakers.



CHAPTER XIV

DRAMATICS

Difference between Public Speaking and Acting. In practically all the aspects of public speaking you deliver your own thoughts in your own words. In dramatic presentation you deliver the words already written by some one else; and in addition, while you are delivering these remarks you speak as though you were no longer yourself, but a totally different person. This is the chief distinction between speaking in public and acting. While you must memorize the lines you deliver when you try to act like a character other than yourself, speeches in dramatic production are not like usual memorized selections. Usually a memorized selection does not express the feelings or opinions of a certain character, but is likely to be descriptive or narrative. Both prose and verse passages contain more than the uttered words of a single person.

As preparation for exercise in dramatics, whether simple or elaborate, training in memorizing and practice in speaking are extremely valuable. Memorizing may make the material grow so familiar that it loses its interest for the speaker. Pupils frequently recite committed material so listlessly that they merely bore hearers. Such a disposition to monotony should be neutralized by the ability to speak well in public.

Naturalness and Sincerity. When you speak lines from a play inject as much naturalness and sincerity into your delivery as you can command. Speak the words as though they really express your own ideas and feelings. If you feel that you must exaggerate slightly because of the impression the remark is intended to make, rely more upon emphasis than upon any other device to secure an effect. Never slip into an affected manner of delivering any speech. No matter what kind of acting you have seen upon amateur or professional stage, you must remember that moderation is the first essential of the best acting. Recall what Shakespeare had Hamlet say to the players.

Nor do not saw the air too much with your hand, thus: but use all gently; for in the very torrent, tempest, and, as I may say, whirlwind of your passion, you must acquire and beget a temperance that may give it smoothness. Oh, it offends me to the soul to hear a robustious, periwig-pated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings, who for the most part are capable of nothing but inexplicable dumb-shows and noise.

Character Delineation. In taking part in a play you must do more than simply recite words spoken by some one other than yourself. You must really act like that person. This adds to the simple delivery of speeches all those other traits by which persons in real life are different from one another. Such complete identification of your personality with that of the person you are trying to represent in a play is termed character delineation, or characterization.

You may believe that you cannot represent an Indian chief or a British queen, or an Egyptian slave, or a secret service agent, but if you will recall your childish pastime of day-dreaming you will see at once that you have quite frequently identified yourself with some one else, and in that other character you have made yourself experience the strangest and most thrilling adventures. When you study a role in a scene or play, use your imagination in that same manner. In a short time it will be easy for you to think as that other character would. Then you have become identified with him. The first step in your delineation has been taken.

Visualize in your mind's eye—your imagination—the circumstances in which that character is placed in the play. See yourself looking, moving, acting as he would. Then talk as that character would in those circumstances. Make him react as he would naturally in the situations in which the dramatist has placed him.

Let us try to make this more definite. Suppose a boy is chosen to act the part of an old man. An old man does not speak as rapidly as a boy does. He will have to change the speed of his speech. But suppose the old man is moved to wrath, would his words come slowly? Would he speak distinctly or would he almost choke?

The girl who is delineating a foreign woman must picture her accent and hesitation in speaking English. She would give to her face the rather vacant questioning look such a woman would have as the English speech flits about her, too quickly for her to comprehend all of it.

The girl who tries to present a British queen in a Shakespeare play must not act as a pupil does in the school corridor. Yet if that queen is stricken in her feelings as a mother, might not all the royal dignity melt away, and her Majesty act like any sorrowing woman?

EXERCISES

You are sitting at a table or desk. The telephone rings. You pick up the receiver. A person at the other end invites you to dinner. Deliver your part of the conversation.

1. Speak in your own character.

2. Speak as a busy, quick-tempered old man in his disordered office.

3. Speak as a tired wife who hasn't had a relief for weeks from the drudgery of house-work.

4. Speak as a young debutante who has been entertained every day for weeks.

5. Speak as the office boy.

6. Speak as an over-polite foreigner.

7. Delineate some other kind of person.

Improvisations are here given first because such exercises depend upon the pupil's original interpretation of a character. The pupil is required to do so much clear thinking about the character he represents that he really creates it.

Dialogues. As it is easier to get two people to speak naturally than where more are involved we shall begin conversation with dialogues. Each character will find the lines springing spontaneously from the situation. In dramatic composition any speech delivered by a character is called a line, no matter how short or long it is.

As you deliver the dialogues suggested by the exercises try to make your speeches sound natural. Talk as real people talk. Make the remarks conversational, or colloquial, as this style is also termed. What things will make conversation realistic? In actual talk, people anticipate. Speakers do not wait for others to finish. They interrupt. They indicate opinions and impressions by facial expression and slight bodily movements. Tone changes as feelings change.

Try to make your remarks convey to the audience the circumstances surrounding the dialogue. Let the conversation make some point clear. Before you begin, determine in your own mind the characterization you intend to present.

Situation. A girl buys some fruit from the keeper of a stand at a street corner.

What kind of girl? Age? Manner of speaking? Courteous? Flippant? Well-bred? Slangy? Working girl? Visitor to town?

What kind of man? Age? American? Foreigner? From what country? Dialect? Disposition? Suspicious? Sympathetic?

Weather? Season of year? Do they talk about that? About themselves? Does the heat make her long for her home in the country? Does the cold make him think of his native Italy or Greece? Will her remarks change his short, gruff answers to interested questions about her home? Will his enthusiasm for his native land change her flippancy to interest in far-off romantic countries? How would the last detail impress the change, if you decide to have one? Might he call her back and force her to take a gift? Might she deliver an impressive phrase, then dash away as though startled by her exhibition of sympathetic feeling?

These are mere suggestions. Two pupils might present the scene as indicated by these questions. Two others might show it as broadly comic, and end by having the girl—at a safe distance—triumphantly show that she had stolen a second fruit. That might give him the cue to end in a tirade of almost inarticulate abuse, or he might stand in silence, expressing by his face the emotions surging over him. And his feeling need not be entirely anger, either. It might border on admiration for her amazing audacity, or pathetic helplessness, or comic despair, or determination to "get even" next time.

Before you attempt to present any of the following suggestive exercises you should consider every possibility carefully and decide definitely and consistently all the questions that may arise concerning every detail.

EXERCISES

1. Let a boy come into the room and try to induce a girl (the mistress of a house) to have a telephone installed. Make the dialogue realistic and interesting.

2. Let a girl demonstrate a vacuum cleaner (or some other appliance) to another girl (mistress of a house).

3. Let a boy apply for a position to a man in an office.

4. Let a boy dictate a letter to a gum-chewing, fidgety, harum-scarum stenographer.

5. Let this stenographer tell the telephone girl about this.

6. Show how a younger sister might talk at a baseball or football game to her slightly older brother who was coerced into bringing her with him.

7. Show a fastidious woman at a dress goods counter, and the tired, but courteous clerk. Do not caricature, but try to give an air of reality to this.

8. Show how two young friends who have not seen each other for weeks might talk when they meet again.

9. Deliver the thoughts of a pupil at eleven o'clock at night trying to choose the topic for an English composition due the next morning. Have him talk to his mother, or father, or older brother, or sister.

10. A foreign woman speaking and understanding little English, with a ticket to Springfield, has by mistake boarded a through train which does not stop there. The conductor, a man, and woman try to explain to her what she must do.

11. Let three different pairs of pupils represent the girl and the fruit seller cited in the paragraphs preceding these exercises.

12. A young man takes a girl riding in a new automobile. Reproduce parts of the ride.

13. Two graduates of your school meet after many years in a distant place. Reproduce their reminiscenses.

14. A woman in a car or coach has lost or misplaced her transfer or ticket. Give the conversation between her and the conductor.

15. Let various pairs of pupils reproduce the conversations of patrons of moving pictures.

16. Suggest other characters in appropriate situations. Present them before the class.

Characters Conceived by Others. In all the preceding exercises you have been quite unrestricted in your interpretation. You have been able to make up entirely the character you presented. Except for a few stated details of sex, age, occupation, nature, no suggestions were given of the person indicated. Delineation is fairly easy to construct when you are given such a free choice of all possibilities. The next kind of exercise will involve a restriction to make the acting a little more like the acting of a role in a regular play. Even here, however, a great deal is left to the pupil's thought and decision.

How much chance there may be for such individual thought and decision in a finished play written by a careful dramatist may be illustrated by Fame and the Poet by Lord Dunsany. One of the characters is a Lieutenant-Major who calls upon a poet in London. Nothing is said about his costume. In one city an actor asked the British consul. He said officers of the army do not wear their uniforms except when in active service, but on the British stage one great actor had by his example created the convention of wearing the uniform. In another city at exactly the same time the author himself was asked the same question. He said that by no means should the actor wear a uniform.

In the next exercises you are to represent characters with whom you have become acquainted in books. You will therefore know something about their dispositions, their appearance, and their actions. Your task will be to give life-like portraits which others will recognize as true to their opinions of these same people. For all who have read the books the general outlines will be identical. The added details must not contradict any of the traits depicted by the authors. Otherwise they may be as original as you can imagine.

In the Odyssey, the great old Greek poem by Homer, the wandering hero, Odysseus (also called Ulysses), is cast up by the sea upon a strange shore. Here he meets Nausicaa (pronounced Nau-si'-ca-a) who offers to show him the way to the palace of her father, the Bang. But as she is betrothed she fears that if she is seen in the company of an unknown man some scandalous gossip may be carried to her sweetheart. So she directs that when they near the town Odysseus shall tarry behind, allowing her to enter alone. In this naive incident this much is told in detail by the poet. We are not told whether any gossip does reach the lover's ears. He does not appear in the story. We are not told even his name. Nor are we told how either she or he behaved when they first met, after she had conducted the stranger to the palace.

If you enact this scene of their meeting you will first have to find a name for him. You are free to create all the details of their behavior and conversation. Was he angry? Was he cool towards her? Had he heard a false account?

Before attempting any of the following exercises decide all the matters of interpretation as already indicated in this chapter.

EXERCISES

1. Molly Farren tries to get news of Godfrey Cass from a Stable-boy. Silas Marner.

2. The two Miss Gunns talk about Priscilla Lammeter. Silas Marner.

3. The Wedding Guest meets one of his companions. The Ancient Mariner.

4. Nausicaa tells her betrothed about Odysseus. Odyssey.

5. Reynaldo in Paris tries to get information about Laertes. Hamlet.

6. Fred tells his wife about Scrooge and Crachit. A Christmas Carol.

7. Jupiter tells a friend of the finding of the treasure. The Gold Bug.

Previous Part     1  2  3  4  5  6     Next Part
Home - Random Browse