"Miss Nina is quite right, you know, Mr. Moore," said the little widow in black, and she was entitled to speak with authority. "I didn't think it looked well myself. A ballet-girl would catch it if she went on the same way."

"What would you have her do?" he said—for he was a very tolerant and good-natured person. "Sit and look on at that idiotic comic gag?"

"Certainly," said the little dame, with decision. "She is in the scene. She is not Miss Burgoyne; she is Grace Mainwaring; and she ought to appear interested in everything around her."

"Oh, well, perhaps I have been to blame," he said, rather uneasily. "I dare say I encouraged her. But really I had no idea the audience could have noticed it."

"It was meant for them to notice it," Nina said, vindictively; and then, as she would have nothing more to say on this wretched subject, she turned to look at the gay lilacs and laburnums in the neighborhood of the Serpentine, at the shimmering blue of the wide stretch of water, and at the fleet of pleasure-boats with their wet oars gleaming in the golden sunlight.

Her equanimity was soon restored; she would have nothing further to say of Miss Burgoyne on such a gracious afternoon; and, indeed, when they had crossed the Thames at Putney, and got into the opener country down by Barnes and East Sheen and Richmond, she was chattering away in her delight over everything they encountered—the wide commons, the luxuriant gardens, the spacious mansions, the magnificent elms, the hawthorn-trees, red and white, that sweetened all the soft summer air. Of course when they arrived at the top of Richmond Hill they halted for a minute or two at the Star and Garter to water the horses, while they themselves had a stroll along the terrace, a cup of tea, and a look abroad over the wide, hazy, dream-like landscape stretching far out into the west. Then they crossed the river again at Richmond Bridge; they bowled along by Twickenham and Teddington; finally they drove through the magnificent chestnut-avenues of Bushey Park, which were just now in their finest blossom. When they stopped at the Mitre, it was not to go in; Nina was to be shown the gardens of Hampton Court Palace; there would be plenty of time for a pleasant saunter before dinner.

Miss Burgoyne, indeed! Nina had forgotten all about Miss Burgoyne as the little party of three passed through the cool gray courtyard of the palace and entered into the golden glow of the gardens—for now the westering sun was rich and warm on the tall elms and limes and threw deep shadows on the greensward under the short black yews. They walked down towards the river, and stood for a long time watching the irregular procession of boats—many of them pulled by young girls in light summer dresses that lent some variety of color to this sufficiently pretty picture. It was altogether an attractive scene—the placid waters, the soft green landscape, the swift, glancing boats, from which from time to time came a ripple of youthful laughter or song. And indeed Nina was regarding rather wistfully those maidens in palest blue or palest pink who went swinging down with the stream.

"Those young ladies," she said, in an absent kind of way, to the little widow, who was standing beside her, "it is a pleasant life they live. It is all amusement. They have no hard work; no anxieties; no troubles; everything is made gentle for them by their friends; it is one enjoyment, and again and again; they have no care."

"Don't be so sure of that, Miss Nina," Mrs. Grey said, with a quiet smile. "I dare say many a one of those girls has worked as hard at her music as ever you have done, and has very little to show for it. I dare say many a one of them would be glad to change her position for yours—I mean, for the position you will have ere long. Do you know, Mr. Moore," she said, turning to Nina's other companion, "that I am quite sure of this—if Miss Burgoyne's under-study was drafted into a travelling company, I am quite sure Miss Nina here could take her place with perfect confidence."

"I don't see why not," he said, as if it were a matter of course.

"Then you know what would happen," Mrs. Grey continued, turning again to the young lady, in whose future she seemed greatly interested. "Miss Burgoyne would want a holiday, or her doctor would order her to give her voice a fortnight's rest, or she might catch a bad cold—and then comes your chance! You know the music thoroughly? you know every bit of Miss Burgoyne's 'business;' and Mr. Moore would be on the stage, or in the wings, to guide you as to your entrances and exits. That will be a proud night for me, my dear; for I'll be there—oh, yes, I'll be there; and if I have any stage experience at all, I tell you it will be a splendid triumph—with such a voice as yours—and there won't be any more talk of keeping you as under-study to Miss Girond. No," she added, with a shrewd smile, "but there will be something else. Miss Burgoyne won't like it; she doesn't like rivals near the throne, from what I can hear. She'll try to get you drafted off into one of the country companies—mark my words."

"The country?" said Nina, rather aghast. "To go away into the country?"

"But look at the chance, my dear," said the little ex-actress, eagerly. "Look at the practice—the experience! And then, if you only take care of your voice, and don't strain it by overwork, then you'll be able to come back to London and just command any engagement you may want."

"To come back to London after a long time?" she said, thoughtfully; and she was somewhat grave and reserved as they strolled idly back through the gardens, and through the Palace buildings, to the riverside hotel.

But no far-reaching possibilities of that kind were allowed to interfere with Nina's perfect enjoyment of this little dinner-party that had been got up in her honor. They had a room all to themselves on an upper floor; the windows were thrown wide open; even as they sat at table they could look abroad on the spacious landscape whose meadows and hedges and woods stretched away into distant heights crowned by a solitary windmill. Indeed, the young lady was so rude as to leave the table more than once, and go and stand at the open window; there was a charm in the dying-out of the day—in the beautiful colors now encircling the world—in the hushed sounds coming up from the stream—that she could not withstand. The evening glow was warm on the rose-hued front of the palace and on the masses of sunny green foliage surrounding it; on the still, blue river the boats were of a lustrous bronze; while the oars seemed to be oars of shining gold as they dipped and flashed. By and by, indeed, the glory faded away; the stream became gray and ghostly; there were no more ripples of laughter or calls from this side to that; and Nina resumed her place more contentedly at the table, which was all lit up now. She made her small apologies; she said she did not know that England was such a beautiful place. Lionel, who in no way resented her thus withdrawing herself from time to time, had been leisurely talking to Mrs. Grey of theatrical things in general; and, now that coffee was coming in, he begged permission to light a cigarette. Altogether it was a simple, friendly, unpretentious evening, that did not seem to involve any serious consequences. As night fell, they set out on their homeward drive; and through the silent country they went, under the stars. Lionel left his two friends at their door in Sloane Street; and as he was driving home to his lodgings, if he thought of the matter at all, he no doubt hoped that he had given his friends a pleasant little treat.

But there was more to come of it than that. On the following evening Lionel got down to the theatre rather later than usual, and had to set to work at once to get ready, so that he had no opportunity of seeing Miss Burgoyne until he actually met her on the stage. Now, those of the public who had seen this piece before could not have perceived any difference of manner on the part of the coquettish Grace Mainwaring towards the young gentleman who had so unexpectedly fallen in her way—to wit, Harry Thornhill; but Lionel instantly became aware of it; and while he was endeavoring, after the fashion of the young stage gallant, to convey to Miss Grace Mainwaring the knowledge that she had suddenly captured his fancy and made him her slave for life, he was inwardly reflecting that he should have come down earlier to the theatre, and apologized to Miss Burgoyne for the unintentional slight of the previous day. As soon as the scene was over and they were both in the wings, he hastened to her (they had left the stage by opposite sides) and said,

"Oh, Miss Burgoyne, something very awkward happened yesterday—I am so sorry—I want to apologize—"

"I hope you will do nothing of the kind," said she, haughtily, "it is quite unnecessary."

"Oh, but look here, I'm really very sorry," he was endeavoring to say, when she again interrupted him:

"If you choose to go driving through London with chorus-girls," said she, in measured and bitter tones, "I suppose your attention must be fully occupied."

And therewith she marched proudly away from him; nor could he follow her to protest or explain, for he was wanted on the stage in about a second. He felt inclined to be angry and resentful; but he was helpless; he had to attend to this immediate scene.

Meanwhile Miss Burgoyne did not long preserve that lofty demeanor of hers; the moment she left him her rage got the better of her, for here was the Italian girl most inopportunely coming along the corridor; and just as poor Nina came up Miss Burgoyne turned to her maid, who was holding open the dressing-room door for her, and said aloud, so that every one could overhear,

"Oh, we don't want foreigners in English opera; why don't they take a barrel-organ through the streets, or a couple of canaries in a cage?"

Nor was that all; for here was Mlle. Girond; and the smart little boy-officer, as she came along the passage, was gayly singing to herself,

"Le roti, la salade, L'amour, la promenade A deux dans les Dans les Deux dans les A deux dans les bluets!"

"Oh, there's another of the foreign chimpanzees!" exclaimed Miss Burgoyne, in her fury; and she dashed into her room, and slammed the door behind her.

Mlle. Girond stood staring at the door; then she turned to look at Nina; then she burst out laughing.

"Quel ouragan, grand Dieu!" she cried. "Ma pauvre enfant, qu'allez vous faire maintenant?" She turned to the door and laughed again. "Elle a la tete pres du bonnet, n'est-ce pas?—mon Dieu, elle s'enflamme comme de la poudre!"

But Nina did not stay to make any explanation; somewhat paler than usual, and quite silent and reserved, she took up her position in the wings; nor had she a word to say to Lionel when he came off the stage and passed her—with a nod and a smile of greeting—on his way to his room.

Then things went from bad to worse, and swiftly. On the very next afternoon, which was a Sunday, Lionel was about to walk down to Sloane Street, to have a chat and a cup of tea with Mrs. Grey and Nina; but before going he thought he would just have time to scribble a piece of music in an album that Lady Rosamund Bourne had sent him and affix his name thereto. He brought his writing materials to the table and opened the big volume; and he was glancing over the pages (Lady Rosamund had laid some very distinguished people, mostly artists, under contribution, and there were some interesting sketches) when the house-porter came up and presented a card. Lionel glanced at the name—Mr. Percival Miles—and wondered who the stranger might be; then he recollected that surely this was the name of a young gentleman who was a devoted admirer of Miss Burgoyne. Miss Burgoyne had, indeed, on one occasion introduced the young man to him; but he had paid little heed; most likely he regarded him with the sort of half-humorous contempt with which the professional actor is apt to look upon the moon-struck youths who bring bouquets into the stalls and languish about stage-doors. However, he told the house-porter to ask the gentleman to step up-stairs.

But he was hardly prepared for what followed. The young gentleman who now came into the room—he was a pretty boy, of the fair-haired English type, with a little yellow moustache and clear, gray eyes—seemed almost incapable of speech, and his lips were quite pale.

"In—in what I have to say to you, Mr. Moore," he said, in a breathless kind of way, "I hope there will be no need to mention any lady's name. But you know whom I mean. That—that lady has placed her interests in my hands—she has appealed to me—I am here to demand reparation—in the usual way—"

"Reparation—for what?" Lionel asked, staring at the young man as if he were an escaped lunatic.

"Your attentions," said the hapless boy, striving hard to preserve a calm demeanor, "your attentions are odious and objectionable—she will not submit to them any longer—"

"My attentions?" Lionel said. "If you mean Miss Burgoyne, I never paid her any—you must be out of your senses!"

"Shuffling will do you no good," said this fierce warrior, who seemed to be always trying to swallow something—perhaps his wrath. "The lady has placed her interests in my hands; I demand the only reparation that is possible between gentlemen."

"Look here, my young friend," Lionel said, in a very cool sort of fashion, "do you want to go on the stage? Is that a specimen of what you can do? For it isn't bad, you know—for burlesque."

"You won't fight?" said the young man, getting paler and more breathless than ever.

"No, I will not fight—about nothing," Lionel said, with perfect good-humor. "I am not such an ass. If Miss Burgoyne is annoyed because I passed her on Friday without recognizing her, that was simply a mistake for which I have already apologized to her. As for any cock-and-bull story about my having persecuted her with odious attentions, that's all moonshine; she never put that into your head; that's your own imagination—"

"By heavens, you shall fight!" broke in this infuriate young fool, and the next moment he had snatched up the ink-bottle from the table before him and tossed it into his enemy's face. That is to say, it did not quite reach its aim; for Lionel had instinctively raised his hand, and the missile fell harmlessly on to the table again—not altogether harmlessly, either, for in falling the lid had opened and the ink was now flowing over Lady Rosamund's open album. At sight of this mishap, Lionel sprang to his feet, his eyes afire.

"I've a mind to take you and knock your idiotic brains against that wall," he said to the panting, white-faced youth. "But I won't. I will teach you a lesson instead. Yes, I will fight. Make what arrangements you please; I'll be there. Now get out."

He held the door open; the young man said, as he passed,

"You shall hear from me."

And then Lionel went back to Lady Rosamund's ill-fated album, and began to sponge it with blotting-paper, while with many a qualm he considered how he was to apologize to her and make some kind of plausible explanation. Fortunately the damage turned out to be less serious than at first sight appeared. The open page, which contained a very charming little sketch in water-color by Mr. Mellord, was of course hopelessly ruined; but elsewhere the ink had not penetrated very far; a number of new mounts would soon put that right. Then he thought he would go to Mr. Mellord and lay the whole affair before him, and humbly beg for another sketch (artists always being provided with such things); so that, as regarded the album, no great harm had been done.

But as he was sitting in Mrs. Grey's little parlor, at tea, Nina fancied he looked a little preoccupied and was not talking as blithely as usual, and she made bold to ask him if anything were the matter.

"Yes," said he, "something is the matter. I'm afraid I've made a fool of myself." And then he added, with a smile, "Nina, I'm going to fight a duel."

"A duel, Leo?" she said, faintly.

"Yes; and what I fear about it is the ridicule that may follow. But don't be alarmed, Nina," he said, cheerfully, "I don't think I'm going to fall on the deadly field of battle; I can take care of myself. The trouble is that the whole thing is so preposterous—so absolutely ridiculous! The fact is, what the young gentleman really wants is a thorough good caning, and there's nobody to give it him. Very well, he must have something else; and I propose to teach him a wholesome lesson. I'm not going to take the trouble of crossing over to France or Belgium—I dare say that will be the programme—for nothing. Then there's another thing, Nina: I am the challenged party; I ought to have the choice of weapons. Well, now, I am not a very good shot; but I'm considered a very fair fencer; and I suppose you would say that I should be magnanimous and choose pistols? Oh, no; I'm not going to do anything of the kind. There might be a very awkward accident with pistols—that is to say, if our bloodthirsty seconds put in more than half a charge of powder. But with swords I fancy I shall be rather master of the situation; and perhaps a little prod or a scratch, just to show him the color of his own blood, will do him a world of good. It may turn out the other way, no doubt; I've heard of bad fencers breaking through one's guard just by pure ignorance and accident; but the betting is against that kind of thing."

"But what is it all about, Leo?" Nina exclaimed; she was far more concerned about this mad project than he appeared to be.

"Oh, I can't tell you that," said he, lightly, "without telling you the name of the lady—for of course there is a lady in it—and that is never allowed."

Nina sprang to her feet and stretched out her hands towards him.

"I know—I know!" she said, in a breathless sort of way. "Leo, you will not deny it to me—it is Miss Burgoyne! Ah, do I not know!—she is a serpent!—a cat!—a devil!—"

"Nina," he said, almost angrily, "what are you talking about? Do you suppose Miss Burgoyne would want a duel fought just because I happened to pass her, by accident, without raising my hat?—it's absurd."

"Ah, there is more than that, Leo!" Nina cried, eagerly; and then she paused, in some hesitation and embarrassment. "Yes, there is more than that," she repeated, as if with an effort, and there was a slight flush in the pretty, pale face. "Why should I not say it to you? You are too simple, Leo. You do not understand. She wishes to have the reputation to be allied with you—in the theatre—out of the theatre. Then she sees that you drive with me in an open carriage; she hates me—what more natural? And she is angry with you—"

"Now, Nina," said he, "do you think any woman could be so mad as to want to have a duel fought simply because she saw me driving past in a carriage with Mrs. Grey and you—is it reasonable?"

"Leo, you did not see her last night," Nina said, but still with a little embarrassment, "when she meets me in the corridor—oh, such a furious woman!—her face white, her eyes burning. As for her insulting me, what may I care? I am a foreigner, yes; if one says so, I am not wounded. Perhaps the foreigners have better manners a little?—but that is not of importance; no, what I say is, she will be overjoyed to have you fight a duel about her—why, it is glory for her!—every one will talk—your names will be joined in newspapers—when the people see you on the stage they will say, 'Ah, ah, he is back from fighting the duel; he must be mad in love with Miss Burgoyne.' A duel—yes, so unusual in England—every one will talk—ah, that will be the sweetest music for Miss Burgoyne's ears in the whole world—prouder than a queen she will be when the public have your name and her name rumored together. And you do not understand it, Leo!"

He had been listening in silence, with something of vexation deepening upon his features.

"What you say only makes matters worse and worse!" he exclaimed, presently. "If that were true, Nina—just supposing that were the true state of the case—why, I should be fighting a duel over a woman I don't care twopence about, and with a young jackass whom I could kick across the street! That is what I ought to have done!—why didn't I throw him down-stairs? But the mischief of it is that the thing is now inevitable; I can't back out? I declare I never was in such a quandary in my life before!"

"And you will go and put yourself in danger, Leo," Nina said, indignantly, "that a deceitful woman has the pride to hear the public talk! Have you the right to do it? You say there are sometimes accidents—both with swords as pistols—yes, every one knows it. And you put your life in danger—for what? You care nothing for your friends, then?—you think they will not heed much if—if an accident happens? You think it is a light matter—nothing—a trifle done to please a boy and a wicked-minded woman? Leo, I say you have no right to do it! You should have the spirit, the courage, to say 'no!' You should go to that woman and say, 'You think I will make sport for you?—no, I will not!' And as for the foolish boy, if he comes near to you, then you take your riding-whip, Leo, and thrash him!—thrash him—thrash him!" Nina exclaimed, with her teeth set hard; indeed, her bosom was heaving so with indignation that Mrs. Grey put her hand gently on the girl's shoulder, and reminded her that Lionel was in sufficient perplexity, and wanted wise counsel rather than whirling words.

As for Lionel himself, he had to leave those good friends very shortly; for he was going out to dinner, and he had to get home to dress. And as he was walking along Piccadilly, ruminating over this matter, the more he thought of it the less he liked the look of it: not that he had been much influenced by Nina's apprehensions of personal harm, but that he most distinctly feared the absurdity of the whole affair. Indeed, the longer he pondered over it, the more morose and resentful he became that he should ever have been placed in such an awkward position; and when he was going up-stairs to his room, he was saying to himself, with gloomy significance:

"Well, if that young fool persists, I'd advise him to look out; I'm not going over the water for nothing."



CHAPTER VI.

A DEPARTURE.

There was but little sleep for Nina that night. She was sick at heart to think that in return for the unceasing kindness Lionel had shown her since her arrival in England, she should be the means of drawing him into this foolish embroilment. She saw the situation of affairs clearly enough. Miss Burgoyne was an exacting, irritable, jealous woman, who had resented Nina's presence in the theatre almost from the beginning, and who had been driven into a sudden fury by the sight of Lionel (he taking no notice of her either) driving past with this interloping foreigner. Moreover, Miss Burgoyne was inordinately vain: to have the popular young baritone fight a duel on her account—to have their names coupled together in common talk—what greater triumph could she desire than that? But while Miss Burgoyne might be the ostensible cause of the quarrel, Nina knew who was the real cause of it; and again and again she asked herself why she had ever come to England, thus to bring trouble upon her old ally and companion Leo.

And then in that world of visions that lies just outside the realm of sleep—in which great things become small, and small things acquire a fantastic and monstrous importance—she worried and fretted because Lionel had laughingly complained on the previous evening that henceforth there would be no more home-made lemonade for him. Well, now, if she—that is to say, if Nina—were in her humble way to try what she could do in that direction? It might not be so good as the lemonade that Miss Burgoyne prepared; but perhaps Lionel would be a little generous and make allowance? She would not challenge any comparison. She and Mrs. Grey between them would do their best, and the result would be sent anonymously to his rooms in Piccadilly; if he chose to accept it—well, it was a timid little something by way of compensation. Nina forgot for the moment that within the next few days an unlucky sword-thrust might suddenly determine Lionel's interest in lemonade, as in all other earthly things; these trivial matters grew large in this distorted land of waking dreams; nay, she began to think that if she were to leave England altogether, and go away back to Naples, and perhaps accept an engagement in opera at Malta, then matters would be as before at the New Theatre; and when Lionel and Miss Burgoyne met in the corridor, it would be, "Good-evening, Miss Burgoyne!" and "Good-evening, Mr. Moore!" just as it used to be. There would be no Italian girl interfering, and bringing dissension and trouble.

But the next morning, when the actual facts of the case were before her clearer vision, she had better reason for becoming anxious and restless and miserable. As the day wore on, Mrs. Grey could hardly persuade her to run down to the Crystal Palace for the opening of the Handel Festival, though, as the little widow pointed out, Mr. Moore had procured the tickets for them, and they were bound to go. Of course, when once they were in the great transept of the Palace, in the presence of this vast assemblage, and listening to the splendid orchestra and a chorus of between three and four thousand voices dealing with the massive and majestic strains of the "Messiah," the spell of the music fell upon Nina and held absolute sway over her. She got into a curious state of exaltation; she seemed breathless; sometimes, Mrs. Grey thought, she shivered a little with the strain of emotion. And all the time that Mr. Santley was singing "Why do the nations," she held her hand tightly over her heart; and when he had finished—when the thrilled multitude broke forth into an extraordinary thunder of enthusiasm—Nina murmured to herself,

"It is—it is like to take my life-blood away."

But when they were in the train again, and on their way up to town, it was evident to her companion that the girl had returned to her anxious fears.

"Mrs. Grey," she said, suddenly, "I speak to Miss Burgoyne to-night."

"Oh, no, don't do that, Miss Nina!" said Mrs. Grey, with much concern, for she knew something of the circumstances of the case. "I hope you won't do that! You might simply make matters worse. Mr. Moore would not have spoken to you if he thought you would interfere, depend upon that. And if Miss Burgoyne is vexed or angry, what good would you do? I hear she has a sharp tongue; don't you try her temper, my dear," the little woman pleaded.

But Nina did not answer these representations; and she was mostly silent and thoughtful all the way to town. When they reached London, they had some tea at the railway-station, and she went on at once to the theatre. She was there early; Miss Burgoyne had not arrived; so Nina lingered about the corridor, listening to Mlle. Girond's pretty chatter, but not hearing very much.

At length the prima-donna appeared; and she would have passed Nina without recognition, had not the latter went forward a step, and said, somewhat timidly,

"Miss Burgoyne!"

"What?" said Miss Burgoyne, stopping short, and regarding the Italian girl with a by-no-means-friendly stare.

"May I have a word with you?" Nina said, with a little hesitation.

"Yes; what is it?" the other demanded, abruptly.

"But—but in private?" Nina said again. "In your room?"

"Oh, very well, come in!" Miss Burgoyne said, with but scant courtesy; and she led the way into her sitting-room, and also intimated to her maid that she might retire into the inner apartment. Then she turned to Nina.

"What is it you want?"

But the crisis found Nina quite unprepared. She had constructed no set speech; she had formulated no demand. For a second or so she stood tongue-tied—tongue-tied and helpless—unable to put her passionate appeal into words; then, all of a sudden, she said,

"Miss Burgoyne, you will not allow it—this folly! It is madness that they fight about—about nothing! You will not allow it!—what is it to you?—you have enough fame, enough reputation as a prima-donna, as a favorite with the public—what more? Why should you wish more—and at such a dreadful risk?—"

"Oh, I don't know what you're talking about!" said Miss Burgoyne. "What are you talking about?"

"The duel—" said Nina, breathlessly.

"What duel?"

Nina stared at her.

"Ah, you do not know, then?" she exclaimed.

"What don't I know?" Miss Burgoyne said, impatiently. "What are you talking about! What duel? Is it something in the evening papers? Or have you taken leave of your senses?"

Nina paid no heed to these taunts.

"You do not know, then," she asked, "that—that Mr. Moore is going to fight a duel—with a young gentleman who is your friend? No?—you do not know it?"

It was Miss Burgoyne's turn to stare in amazement.

"Mr. Moore?" she repeated, with her eyes (which were pretty and coquettish enough, though they were not on the same plane) grown wide and wondering. "A friend of mine? And you come to me—as if I had anything to do with it? Oh, my goodness!" she suddenly exclaimed, and a curious smile of intelligence began to dawn upon her face. "Has that young donkey carried the matter so far as that?"

But she was not displeased; nay, she was rather inclined to laugh.

"Well, that would make a stir, wouldn't it? And how did you find it out?—who told you? A duel? I thought he was talking rather mysteriously yesterday morning—Conrad the Corsair kind of thing—glooms and daggers—so it was a duel he was thinking of? But they are not really going to fight, Miss Ross," continued Miss Burgoyne, who had grown quite friendly. "You know people can't give up an engagement at a theatre to go and fight a duel: it's only French gentlemen who have no occupation who do that sort of thing. A duel?—a real, actual duel—do you seriously mean it?"

The prospect seemed to afford her great satisfaction, if not even a cause for merriment.

"Miss Burgoyne, you will not permit it!" Nina exclaimed.

"I?" said the other. "What have I to do with it? If two men want to fight, why shouldn't they?" said she, with apparent carelessness.

"Ah, but you know well what you have to do with it," Nina said, with some touch of scorn. "Yes, you pretend; but you know it well. The young man he goes from you yesterday to provoke the duel—you have been talking to him—and yet you pretend. You say, why should they not fight? Then it is nothing to you that one friend or the other friend may be killed?—that is nothing to you?—and you know you can prevent it if you choose. You do not wish to interfere—it will be amusing to read in the papers! Oh, very amusing! And if the one is killed?"

"But you know, Miss Ross, they don't go such lengths nowadays," said Miss Burgoyne, with great good-humor. "No, no; it's only honor and glory they go out for; it's only the name of the thing; they don't want to kill each other. Besides, if two men mean to fight, how can a woman interfere? What is she supposed to know of the cause of quarrel? These things are not supposed to be known."

"Then," said Nina, whose lips had grown still more indignant and scornful, "this is what I say: if anything happens, it is your conscience that will speak to you in after time. You wish them to fight, yes, for your vanity to be pleased!—you wish it said that they fight about you! And that is a trionf for you—something in the papers—and you do not care what harm is done if you are talked about! That is your friendship!—what do you care?—any one may be sacrificed to your vanity—"

"I suppose if they were fighting about you, you wouldn't say a word against it!" observed Miss Burgoyne, coolly. In fact the vehement reproaches that Nina had addressed to her did not seem to have offended her in the least; for she went on to say, in the best of tempers: "Well, Miss Ross, I have to thank you for bringing me the news. But don't be alarmed; these dreadful duels, even when they get into the newspapers, seldom show much harm done. And in the meantime will you excuse me?—Jane is grumbling in there, I know. Tell me anything you may hear about it by and by—and meanwhile I am very much obliged to you." So Nina found herself dismissed, neither her piteous appeal nor her indignant protest having had apparently any effect whatever.

But Miss Burgoyne, while transforming herself into Grace Mainwaring, had plenty of time to think over this startling position of affairs, and to consider how she could best use it to her own advantage. She had a nimble brain; and it may have occurred to her that here was a notable chance for her to display the splendid magnanimity of her disposition—to overwhelm Mr. Lionel Moore with her forgiveness and her generous intervention on his behalf. At all events, in the first scene in which these two met on the stage, Harry Thornhill became instantly aware that the merry and mischievous Grace Mainwaring appeared bent on being very friendly towards him—even while she looked curiously at him, as if there were something in her mind. Moreover, she seemed in excellent spirits; there was no perfunctory "drag" in her give-and-take speeches with the adventurous young gentleman whom fate had thrown in her way. He was very well pleased to find the scene going so well; he sang his share in the parting duet with unusual verve; she responded with equal animation; the crowded house gave them an enthusiastic recall. But the public could not tell that, even in the midst of this artistic triumph, the audacious young lover had his own thoughts in his head; and that he was really saying to himself, "What the mischief is she at now?"

He was to learn later on in the evening. Just as he got dressed for the ball-room scene, a message was brought him that Miss Burgoyne would like to see him for a minute or two as soon as he was ready. Forthwith he went to her room, tapped at her door, entered, and found himself the sole occupant; but the next moment the curtain concealing the dressing-room was opened about five feet from the ground; and there (the rest of her person being concealed) he beheld the smiling face of Grace Mainwaring, with its sparkling eyes and rouge and patches, to say nothing of the magnificent white wig with its nodding sprays of brilliants.

"Just a moment, Mr. Moore," said she, "and I shall be with you directly"—and therewith the vision was gone, and the crimson curtains came together again.

Very shortly thereafter the Squire's Daughter came forth in all the splendor of her white satin and pearls; and she lost no time in letting him know why he had been summoned.

"You are a very bloodthirsty man," said she, in accents of grave reproach (though her eyes were not so serious), "and I am ashamed of you that you should think of harming that poor boy; but I am not going to allow it—"

"Why, who told you anything about it?" he said; for he could not pretend not to know what she meant.

"A little bird," she made answer, with much complacence. "And the idea that you should really want to do such a thing!—how many voices like yours are there wandering about in comedy-opera that you should consider you have any right to run such a risk? I don't mean being killed—I mean catching a cold! I suppose you have got to take your coat and waistcoat off—on Calais sands—with a wind blowing in from the sea; that is a nice thing for your chest and throat, isn't it? Well, I'm going to step in and prevent it. I consider you have treated me very badly—pretending you didn't see me, when you were so very particularly engaged; but never mind; I never bear malice; and, as I say, I'm going to step in and prevent this piece of folly."

"Very much obliged, I am sure," he said, politely. "When men propose to fight, it is so extremely pleasant to find a woman appear to throw a protecting arm over them!"

"Oh, I am not going to be repelled by any of your ferocious sentiments," said she, good-naturedly. "I am a friend of both of you—I hope; and I won't have anything of the kind—I tell you I won't allow it—"

"I'm afraid your intervention has come too late," said he, quietly.

"Why?" she demanded.

"Oh, it isn't worth speaking about," said he. "The young gentleman went a little too far—he has got to be taught a lesson, that is all—"

"Oh, listen to him!—listen to his bloodthirstiness!" she exclaimed, in affected horror; and then she suddenly altered her tone. "Come, now, Mr. Moore, you're not seriously going to try to harm that poor boy! He is a very nice boy, as honest and simple-minded as you could wish. And such a pretty boy, too—no, no, it is quite absurd—"

"You are right there," said he. "It is quite absurd. The whole thing is absurd. But it has gone too far."

Here Miss Burgoyne was called.

"Will you leave it in my hands?" she said, leisurely rising from her chair, and tucking up her long train so that she might safely pass into the wings.

"Certainly not," said he. "You have no right to know anything about it. The quarrel was forced upon me; I had no wish to harm your pretty boy, nor have I much now—except in trying to keep myself from being harmed. But that is all over now; and this thing has to be seen through to the end now."

He held open the door for her; and then he accompanied her along the passage and up the steps, until they were both ready for their entrance on the stage.

"Men are so obstinate," said she, with an air of vexation; "so obstinate and foolish. But I don't care; I'll see if I can't get something done; I won't allow two dear friends of mine to do anything so stupid if I can help it. Why, the idea!—getting into a quarrel with a harmless young fellow like that! You ought to have been kind to him for my sake—for he really is such a dear boy—so simple and good-natured—"

"But where is Grace?" said a voice out there in the wide ball-room; and as this was Miss Burgoyne's cue, she tripped lightly on to the stage with her smiling answer: "One kiss, papa, before the guests arrive." And, as it turned out, there was no further opportunity of talk that night between Miss Burgoyne and Mr. Lionel Moore.

But two days thereafter, and just as Lionel was about to go out for his morning ride, the house-porter brought him a card. It was Mr. Percival Miles who was below.

"Ask the gentleman to come up."

Here were the preliminaries of battle, then. Lionel had a vague kind of notion that the fire-eating youth ought not to have appeared in person—that he ought to have been represented by a friend; however, it was not of much consequence. He only hoped that there would be no further altercation or throwing of ink-bottles; otherwise he considered it probable that this interview would terminate in a more English manner than the last.

The young gentleman came in, hat in hand. He was apparently very calm and dignified.

"Mr. Moore," said he, slowly, as if he were repeating words already carefully chosen, "I am about to take an unusual course. I have been asked to do so—I have been constrained to do so—by the one person whose wish in such a matter must be respected. I have come to apologize to you for my conduct of the other day."

"Oh, very well," said Lionel, but somewhat coldly; he did not seem well satisfied that this young man should get off so easily, after his unheard-of insolence. Indeed, Lionel was very much in the position of the irate old Scotchwoman whose toes were trodden upon by a man in a crowd. "I beg your pardon," said the culprit. "Begging my paurdon 'll no dae," was the retort, "I'm gaun to gie ye a skelp o' the lug!"

"I hope you will accept my apology," the pale-faced young gentleman continued in the same stiff and embarrassed manner. "I don't know whether it is worth while my offering any excuse for what I did—except that it was done under a misapprehension. The—the lady in question seemed annoyed—perhaps I mistook the meaning of certain phrases she used—and certainly I must have been entirely in error in guessing as to what she wished me to do. I take the whole blame on myself. I acted hastily—on the spur of the moment; and now I am exceedingly sorry; and I ask your pardon."

"Oh, very well," Lionel said, though somewhat ungraciously. "But you see you are getting rather the best of this performance. You come here with a ridiculous cock-and-bull story, you threaten and vapor and kick up mock-heroics, you throw a bottle of ink over a book belonging to a friend of mine—and then you are to get off by saying two or three words of apology!"

"What can I do more?" said the humble penitent. "I have tried to explain. I—I was as ready to fight as you could be; but—but now I obey the person who has the best right to say what shall be done in such an affair. I have made every apology and explanation I could; and I ask your pardon."

"Oh, very well," Lionel said again.

"Will you give me your hand, then?" Mr. Percival Miles asked; and he somewhat timidly advanced a step, with outstretched palm.

"That isn't necessary," said Lionel, making no other response.

The fair-haired young warrior seemed greatly embarrassed.

"I—I was told—" he stammered; but Lionel, who was now inclined to laugh, broke in on his confusion.

"Did Miss Burgoyne say you weren't to come away without shaking hands with me—is that it?" he asked, with a smile.

"Y—yes," answered the young gentleman, blushing furiously.

"Oh, very well, there's no trouble about that," Lionel said, and he gave him his hand for a second; after which the love-lorn youth somewhat hastily withdrew, and no doubt was glad to lose himself in the busy crowd of Piccadilly.

That same afternoon Lionel drove down to Sloane Street. He was always glad to go along and have a friendly little chat about musical affairs with the eagerly enthusiastic Nina; and, as this particular evening was exceedingly fine and pleasant, he thought he might induce her to walk in to the theatre by way of Belgrave Square and the Green Park. But hardly had they left the house when Nina discovered that it was not about professional matters that Lionel wanted to talk to her on this occasion.

"Nina," said he, with befitting solemnity, "I have great news for you. I am saved. Yes, my life has been saved. And by whom, think you? Why, by Miss Burgoyne! Miss Burgoyne is the protecting goddess who has snatched me away in a cloud just as my enemy was about to pin me to the earth with his javelin."

"There is to be no duel, Leo?" she said, quickly.

"There is not," he continued. "Miss Burgoyne has forbidden it. She has come between me and my deadly foe and held up a protecting hand. I don't know that it is quite a dignified position for me to find myself in, but one must recognize her friendly intentions, anyway. And not only that, Nina, but she sent me a bottle of lemonade yesterday! Just think of it! to save your life is something, but to send you lemonade as well—that is almost too much goodness."

Poor Nina! If this careless young man had only looked at the address on the wrapper of the bottle he could easily have guessed whose was the handwriting—especially recognizable in the foreign-looking L and M. That timidly proffered little gift was Nina's humble effort at compensation; and now he was bringing it forward as a proof of Miss Burgoyne's great good-nature! And it was Miss Burgoyne who had intervened to prevent this absurd duel—Miss Burgoyne, who knew nothing at all about it until Nina told her! Nina, as they now walked along towards Constitution Hill, was too proud to make any explanation; only she thought he might have looked at the address on the wrapper.

"Seriously," he said to his companion, "seriously, Nina, she has put me under a very great obligation and shown herself very magnanimous as well. There is no doubt she was offended with me about something or other; and she had the generosity to put all that aside the moment she found I was embroiled in this stupid affair. And, mind you, I'm very glad to be out of it. It would have looked ridiculous in the papers; and everything gets into the papers nowadays. Of course that young idiot had no right to go and tell her about the duel; but I suppose he wanted to figure as a hero in her eyes—poor devil! he seems pretty bad about her. Well, now that her intervention has got me out of this awkward scrape, how am I to show my gratitude to her? what do you say, Nina?"

But Nina had nothing to say.

"There's one thing I can do for her," he continued. "You know how fond actors and actresses are of titled folks. Well, Miss Burgoyne is going down to Henley Regatta with a lot of other professionals, and I am going too, with another party—Lady Adela Cunyngham has got a house-boat there. Very well, if I can find out where Miss Burgoyne is—and I dare say she will be conspicuous enough, though she's not very tall—I will take Lord Rockminster to pay his respects to her and leave him with her; won't that do! They have already been introduced at the theatre; and if Rockminster doesn't say much, I have no doubt she will chatter enough for both. And Miss Burgoyne will be quite pleased to have a lord all to herself."

"Leo," said Nina, gently, "do you not think you yourself have too much liking for—for that fine company?"

"Perhaps I have," said he, with perfect good-humor. "What then? Are you going to lecture me, too? Is Saul among the prophets? Has Maurice Mangan been coaching you as well?"

"Ah, Leo," said she, "I should wish to see you give it all up—yes—all the popularity—and your fine company—and that you go away back to Pandiani—"

"Pandiani!" he exclaimed. "Here's romance, indeed! You want us both to become students again, and to have the old days at Naples back again—"

"No, no, no!" she said, shaking her head. "It is the future I think of. I wish to hear you in grand opera or in oratorio—I wish to see you a great artist—that is something noble, something ambitious, something to work for day and night. Ah, Leo, when I hear Mr. Santley sing 'Why do the nations'—when I see the thousands and thousands of people sitting entranced, then I say to myself, 'There is something grand and noble to speak to all these people—to lift them above themselves, to give them this pure emotion, surely that is a great thing—it is high, like religion—it is a purification—it is—'" But here she stopped, with a little gesture of despair. "No, no, Leo, I cannot tell you—I have not enough English."

"It's all very well," said he, "for you to talk about Santley; but where will you get another voice like his?"

"Leo, you can sing finer music than 'The Starry Night,'" she said. "You have the capacity. Ah, but you enjoy too much; you are petted and spoiled, yes? you have not a great ambition—"

"I'll tell you what I seem to have, though, Nina," said he. "I seem to have a faculty of impressing my friends with the notion that I could do something tremendous if only I tried; whereas I know that this belief of theirs is only a delusion."

"But you do not try, Leo," said this persistent counsellor. "No? life is too pleasant for you; you have not enthusiasm; why, your talk is always persiflage—it is the talk of the fashionable world. And you an artist!"

However, at this moment Lionel suddenly discovered that this leisurely stroll was likely to make them late in getting to the theatre; so that perforce they had to leave these peaceful glades of the Green Park and get into Piccadilly, where they jumped into a hansom-cab and were rapidly whirled away eastward.

But if Lionel was to be reproached for his lack of ambition, that was a charge which could not be brought against certain of those fashionable friends of his at whom Nina (in unconscious collusion with Maurice Mangan) seemed inclined to look askance. At the very height of the London season Lady Adela Cunyngham and her sisters, Lady Sybil and Lady Rosamund Bourne, had taken the town by storm; and it seemed probable that, before they departed for Scotland, they would leave quite a trail of glory behind them in the social firmament. The afternoon production of "The Chaplet," in the gardens of Sir Hugh's house on Campden Hill, had been a most notable festivity, doubtless; but then it was a combination affair; for Miss Georgie Lestrange had shared in the honors of the occasion; moreover, they had professional assistance given them by Mr. Lionel Moore. It was when the three sisters attacked their own particular pursuits that their individual genius shone, and marked success had attended their separate efforts. His royal highness, the commander-in-chief, it is true, had not as yet invited the colonels of the British army to recommend Lady Sybil's "Soldiers' Marching Song" to the band-masters of the various regiments, but, in default of that, this composition was performed nightly, as the concluding ceremony, at the international exhibition then open in London; and as the piece was played by the combined bands of the Royal Marines, with the drums of the 1st Battalion Grenadier Guards, the Highland Pipers of the 2d Battalion Scots Guards, and the drums of the 2d Battalion Grenadier Guards, the resultant noise was surely sufficient to satisfy the hungriest vanity of any composer, professional or amateur, who ever lived. Then not only had Lady Rosamund exhibited a large picture at the Lansdowne Gallery (a decorative work this was, representing the manumission of a slave, with the legend underneath, "Hunc hominem liberum esse volo"), but also the proprietors of an illustrated weekly newspaper had published in their summer number, as a colored supplement, what she had ventured to call "An All-the-year-round Valentine." She had taken the following rhyme (or perhaps some one had found it for her)—

"In these fair violets of the veins, The verdure of the spring remains; Ripe cherries on thy lips display The lustre of the summer day; If I for autumn were to seek, I'd view the apples on thy cheek; There's nought could give me pain in thee, But winter in thy heart to see."

—and she had drawn four pretty little landscapes, which, when reproduced on one sheet by chromo-lithography, looked very neat and elegant, while the fair artist was much gratified to observe her name figuring on the placards at railway-stations or on the boards in front of stationers' shops, as she drove along Kensington High Street.

But, of course, the crowning achievement of the gifted family was Lady Adela Cunyngham's novel. If it was not quite the success of the season, as far as the outer world was concerned, it certainly was the most-talked-of book among Lady Adela's own set. Every character in it was identified as somebody or another; and although Lady Adela, as a true artist, maintained that she did not draw individuals, but types, she could not stem the tide of this harmless curiosity, and had to submit to the half-humorous inquiries and flattering insinuations of her friends. As for the outer world, if it remained indifferent, that only showed its lack of gratitude; for here, there, and everywhere, among the evening and weekly papers (the morning papers were, perhaps, too busy with politics at the time), attention was drawn to Lady Arthur Castletown's charming and witty romance of modern life. Alp called to Alp, and deep to deep, throughout Satan's invisible world; "Kathleen's Sweethearts" was dragged in (apparently with ten men pushing behind) for casual allusion in "Our Weekly Note-book;" Lady Arthur's smart sayings were quoted in the gossip attached to this or that monthly magazine; the correspondent of a country journal would hasten to say that it was not necessary to inform his readers that Lady Arthur Castletown was, in reality, Lady Adela Cunyngham, the wife of the well-known breeder of polled cattle, Sir Hugh Cunyngham of the Braes. In the midst of all this Lionel went to his friend Maurice Mangan.

"Look here, Maurice," said he, "that book can't be as bad as you tried to make out."

"It is the most insensate trash that was ever put between boards," was the prompt reply.

"But how can that be? Look at what the papers say!"

"The papers—what papers? That isn't what the papers say—that is what the small band of log-rollers say, calling industriously to one another, like frogs in a pond. Didn't I tell you what would happen if you got hold of Octavius Quirk, or any one of them? How many dinners did your swell friends expend on Quirk?"

"Oh, I don't know. He is pretty often at the house."

"He is pretty often at the house, is he?" Mangan repeated.

"I hope they won't ask him to Scotland," Lionel said, ruefully. "I can't bear the fellow; it's just as you say, he's always in a whirlwind of insistence—about nothing; and he doesn't grin through a horse-collar, he roars and guffaws through it. But then, you see, he has been very kind about this book; and, of course, a new author, like Lady Adela, is grateful. I admit what you say is right enough—perhaps the family are a little anxious for notoriety; but so are a good many other people; and there's no great harm in writing or painting or composing music as well as you can. Mind, I think there's a little professional jealousy about you, Maurice," continued this sage Mentor. "You don't like a woman of fashion to come into your literary circles. But why shouldn't she? I'm sure I don't object when any one of them tries to produce a little dramatic or musical piece; on the contrary, I would rather help. And look at Mellord—the busiest painter of the day—look at the trouble he takes in advising Lady Rosamund; she has the free entree into his studio, no matter who is sitting to him. I think, for amateurs, the work of all the three sisters is very creditable to them; and I don't see why they shouldn't like to have the appreciation of the public, just as other people like it."

"My dear fellow," Mangan said, but with obvious indifference, "do you think I resent the fact of your friend Lady Arthur or Lady Adela writing a foolish novel? Far from it. You asked my opinion of it, and I told you; if you don't see for yourself that the book is absolute trash—but harmless trash, as I think—then you are in a happy condition of mind, for you must be easily pleased. Come, let's talk of something worth talking about. Have you been down to Winstead lately?"

"No—never since that Sunday."

"Do you know, your people were awfully good to me," this long, lank, lazy-looking man went on—but now he seemed more interested than when talking about Lady Adela's novel. "I never spent a more delightful evening—never. I wonder they did not turn me out, though; for I stayed and stayed, and never noticed how late it was getting. Missed the last train, of course, and walked all the way up to London; not a bit sorry, either, for the night was cool, and there was plenty of starlight; I'd walk twice as far to spend another such evening. I—I'm thinking of going down there next Sunday," he added, with a little hesitation.

"Why not?" Lionel said, cordially enough.

"You see," Mangan continued, still rather hesitatingly, "the fact is—I'm rather in the way of getting illustrated papers—and—and summer numbers—and children's books—I mean, when I want them, I can get them—for lots of these things come to the newspaper offices, and they're not much use to anybody; so I thought I would just make up a parcel and send it down to Miss Frances, don't you understand, for her sick children—"

"I dare say you went and spent a lot of money." Lionel said, with a laugh.

"And she was good enough to write back that it was just what she wanted; for several of the children—most of them, I should say—couldn't read, but they liked looking at pictures. And then she was kind enough to add that if I went down next Sunday, she would take me to see how the things had been distributed—the pictures hung up on walls, and so forth—and—and that's why I think I may go down."

"Oh, yes, certainly," Lionel said, though he did not understand why any such excuse was necessary.

"Couldn't you come down, too, Linn?" Mangan suggested.

"Oh, no, I couldn't, I'm so busy," was the immediate reply. "I'm going to Scotland the first or second week in August. The doctor advises me to give my voice a long rest; and the Cunynghams have asked me to their place in Ross-shire. Besides, I don't care about singing in London when there's nobody but country cousins, and none too many of them. Of course I'll have to go down and bid the old folks good-bye before starting for Scotland, and Francie, too. Mind you tell that wicked Francie that I am very angry with her for not having come up to see 'The Squire's Daughter.'"

"Linn," said his friend, after a second, "why don't you take the old people over to Aix or some such place for a month? They're so awfully proud of you; and you might take Miss Frances as well; she seems to work so hard—she deserves a rest. Wouldn't that be as sensible as going to Scotland?"

"My good chap, I would do that in a moment—I should be delighted," said he—for he was really a most generously disposed young man, especially as regarded money; time was of greater consideration with him. "But it's no use thinking of such a thing. The old folks are much too content with home; they won't travel. And Francie—she wouldn't come away from those precious babes. Well, I'm off. Mind you scold Francie for me!"

"Perhaps," said Mangan, as he accompanied his friend to the door.

So it was that on a certain evening in August, Lionel Moore drove up to Euston Station and secured a sleeping-berth in the train going north; and no doubt the consciousness that after a long spell of hard work he was entering upon a well-earned holiday was a very welcome and comfortable thing. If only he had been a little more reflective, he might have set to work (here in the railway-carriage, as he lit his cigar, and proceeded to fix up his reading-lamp) and gone on to consider how entirely satisfactory all his circumstances were at this moment. Prince Fortunatus, indeed! Was ever any one more happily situated? Here he was, young, full of health and high spirits, excellent-tempered, and sufficiently good-looking; he had acquired a liberal measure of fame and popularity; he had many friends; he had ample means, for he did not know the difference between a backer and a layer, nor yet the difference between a broker and a jobber—in fact, gambling, either in stocks or on the turf, had never even occurred to him as a thing worth thinking about. But there was something further than all this for which he ought to have been profoundly grateful. As the long train thundered away into the night, there was no dull misery of farewell weighing heavily upon him; there were no longing fancies wandering wistfully back to a certain house, a certain figure, a pair of too-eloquent eyes. He dragged no lengthening chain with him on this journey north. For, notwithstanding his pleasant companionship with Nina, and her constant sympathy with him and her interest in his professional career; notwithstanding the affectionate regard of his cousin Francie, which was none the less sincere that it remained unspoken and only to be guessed at; notwithstanding the somewhat jealous favor which the prima-donna of the New Theatre seemed inclined to bestow on him; notwithstanding the pert coquetries and fascinations of Miss Georgie Lestrange, to say nothing of the blandishments and pettings showered upon him by crowds of ladies of exalted rank, this fortunate young man (so far at least as he was himself aware) was going away to Scotland quite heart-whole.



CHAPTER VII.

IN STRATHAIVRON.

It was still early in the afternoon when Lionel found himself driving along a loftily-winding road overlooking the wide and fertile valley of the Aivron. Right down below him, and visible through the birch-trees, was the river itself, of a brilliant, clear-shining blue, save where in some more distant sweeps it shone a silver-white; on the other side of the broad strath rose a range of hill fringed along its base with wood, but terminating in the west in far altitudes of bare rock and heather; while now and again he could catch a glimpse of some still more distant peak or shoulder, no doubt belonging to the remote and mountainous region of Assynt. And there, in the middle of the plain, stood the shooting-lodge for which he was bound—a long, rambling building or series of buildings, with all sorts of kennels and out-houses and deer-houses attached; and as he was regarding this goal and aim of his journey, and wondering how he was going to get across the swift-flowing stream, behold! a white fluttering of handkerchiefs just outside the porch. It was a signal to him, he knew; and he returned it more than once—until, indeed, he discovered that his driver was leaving the road and about to take the horses down a rudely cut track on the hillside.

"I say, isn't there a bridge anywhere?" he asked; for he was not used to such exploits.

"Aw, no, there's no bridge," the old Highland driver said, coolly, as he jammed down the brake. "But we'll do ferry well at the ford; the water is not so high the now."

"And when the water is high, what do they do then?" Lionel asked, as he regarded with some concern the almost vertical pole and the straining harness.

"Aw, well, there uss a boat; and if there's a spate on the ruvver they can come and go; but not with the heavy things. Ay, I hef seen tons of coal waiting for them at Invershin for near a fortnight when there wass a heavy spate on the ruvver. The leddies are so particular nowadays; peat will not do for them for the cooking; naw, they must hef coal."

But now the horses were entering the stream, and the old man's loquacity ceased. The animals, however, seemed quite accustomed to this performance; without any hesitation they adventured into the rapid current, and splashed their way forward, getting such footing as was possible among the big, loose stones and shingle. Indeed, the passage was effected with very little trouble, if with a good deal of jolting and bumping; and thereafter there was a pleasant trot along some sufficiently smooth greensward up to the door of the lodge.

Yes, here were the three tall and handsome sisters, looking very picturesque in their simple Northern attire? and here was Miss Georgie Lestrange conspicuous in a Tam o' Shanter of bright blue; and no sooner had the young man descended from the wagonette than they surrounded him, laughing and questioning, and giving him the heartiest of welcomes. How could he answer them all at once? When the poor man was taken into the dining-room, and set down to his solitary luncheon, they were all for waiting on him and talking to him at the same time.

"It is so awfully kind of you to come," Lady Adela said, with one of her most gracious smiles. "Now we shall hear about something else than dogs and guns and grouse."

"Oh, Mr. Moore," cried Lady Rosamund (who was the youngest, and had a bit of a temper, and was allowed to interfere when she liked), "do you know a masque called 'Alfred'? You do? how delightful! Well, then, you remember the visions of the future kings and queens that pass before Alfred when he is in the Isle of Athelney? how can I get that done in the open air? What kind of gauze do you use in the theatre? Could you get me a bit? And would painted shades do instead of living persons?—you see we have so few people to come and go on up here."

"And, Mr. Moore," cried Lady Sybil, "how are we to manage about an accompaniment? A single violin is no use out in the open. Would it be too dreadful if we had a harmonium concealed somewhere? We could get one from Inverness; and you know a harmonium would do very well for the music that introduces the visions."

"Mr. Moore," put in Miss Georgie Lestrange, with a complaining air, "fancy their having given me another of Kitty Clive's characters; isn't it too bad? Why, I'll go on and on until I identify myself with her altogether; and then, you know, Kitty Clive wasn't—I'm afraid she wasn't quite—"

"Oh, Mrs. Clive was all right; she was a great friend of Dr. Johnson," Lionel made answer, to reassure the young lady.

"But I wish you girls would leave off chattering, and let Mr. Moore get something to eat," the young matron said, impatiently; and she herself was so kind as to go and fetch the claret jug from the glide-table and fill his glass.

However, there was peace in store for him. When he had finished with this late lunch, Lady Adela begged him to excuse them if they left him to shift for himself; they were busy dressmaking, she said. Would she send for one of the keepers, who would show him one or two of the nearest pools, so that he might try for a salmon? The gentlemen had all gone down the strath, to test some new rifle, she thought; this was out of consideration for her, for she could not bear shooting close to the house; would he walk in that direction, and see what they were doing?

"Don't you trouble," he said, instantly. "You leave me to myself. I like to wander about and find out my surroundings. I shall go down to the river, to begin with; I saw some picturesque bits higher up when we were coming along."

"You'll almost certainly find Honnor Cunyngham there," said Miss Lestrange. "I suppose she has gone storking, as usual."

"Stalking?" said he, in some amazement.

"No, no—storking, as I call it. She haunts the side of the river like a crane or a heron," said the red-haired damsel. "I think she would rather land a salmon than go to heaven."

"Georgie," said the young matron, severely, "you are not likely ever to do either; so you needn't be spiteful. Come away and get to work. Mr. Moore, we dine at eight; and, if you are anywhere up or down the strath, you'll hear the bell over the stables rung at seven, and then at half-past."

So they went off and left him; and he was not displeased; he passed out by the front door, lit a cigar, and strolled down towards the banks of the Aivron. It was a bright and sweet-aired afternoon; he was glad to be at the end of his journey; and this was a very charming, if somewhat lonely, stretch of country in which he now found himself. The wide river, the steep hillside beyond hanging in foliage, the valley narrowing in among rocks and then leading away up to those far solitudes of moorland and heather, broken only here and there by a single pine—all these features of the landscape seemed so clear and fine in color; there was no intervening haze; everything was vivid and singularly distinct, and yet aerial and harmonious and retiring of hue. But of course it was the stream—with its glancing lights, its living change and motion, its murmuring, varying voice—that was the chief attraction; and he wandered on by the side of it, noting here and there the long, rippling shallows where the sun struck golden on the sand beneath, watching the oily swirls of the deep black-brown pools as if at any moment he expected to see a salmon leap into the air, and not even uninterested in the calm eddies on the other side, where the smooth water mirrored the yellow-green bank and the bushes and the overhanging birch-trees. He sat down for a while, listening absently to this continuous, soothing murmur, perhaps thinking of the roar of the great city he had left. He was quite content to be alone; he did not even want Maurice Mangan to be discoursing to him—in those seasons of calm in which questions, long unanswered, perhaps never to be answered, will arise.

Then he rose and went on again, for, from the high-road along which he had driven, he had caught a glimpse of a wilder part of the glen, where the river seemed to come tumbling down a rocky chasm, with some huge boulders in mid-channel; and even now he could hear the distant, muffled roar of the waters. But all of a sudden he stopped. Away along there, and keeping guard (like a stork, as Miss Georgie Lestrange had suggested) above the pool that lay on this side of the double waterfall, was a young lady, her back turned towards him. So far as he could make out, she wasn't doing anything; a long fishing-rod, with the butt on the ground, she held idly in her right hand; while with her left hand she occasionally shaded her face across towards the west—probably, as he imagined, she was waiting for some of those smooth-sailing clouds to come and obscure the too-fierce light of the sun. He knew who she was; this must be Honnor Cunyngham, Lady Adela's sister-in-law; and of course he did not wish to intrude on the young lady's privacy; he would try to pass by behind her unobserved, though here the strath narrowed until it was almost a defile.

He was soon relieved from all anxiety. Sharper eyes than his own had perceived him. The young lady wheeled round; glanced at him for a second; turned again; and then a thin, tall, old man, who had hitherto been invisible to him, rose from his concealment among the rocks close to her and came along the river bank. He was a very handsome old man, this superannuated keeper, with his keen, aquiline nose, his clear, gray eyes, and frosted hair.

"Miss Honnor says will you hef a cast, sir? There's some clouds will be over soon."

"Oh, no, thank you, I could not dream of interrupting her," Lionel said; and then it occurred to him that he ought to go and thank the young lady herself for this frank invitation. "I—I'll go along and tell her so."

As he walked towards her he kept his eye, somewhat furtively, on her, though now she had turned her back again; and all he could make out was that she had a very elegant figure; that she was tall—though not so tall as her three sisters-in-law; and that her abundant brown hair was short and curly and kept close to her head, almost like a boy's. Were not her shoulders a trifle square-set for a woman?—but perhaps that appearance was owing to her costume, for she wore a Norfolk jacket of gray homespun that looked as if it could afford a good defence against the weather. She was entirely in gray, in fact; for her short-skirted dress was of the same material; and so also was the Tam o' Shanter, adorned with salmon flies, that she wore on her shapely head of golden-brown curls. Oh, yes, she looked sufficiently picturesque, standing there against the glow of the western skies, with the long salmon-rod in her right hand; but he was hardly prepared for what followed. The moment that she heard him draw near, she wheeled round and regarded him for a second—regarded him with a glance that rather bewildered him by reason of its transparent honesty and directness. The clear hazel eyes seemed to read him through and through, and yet not to be aware of their own boldness; and he did not know why he was so glad to hear that she had a soft and girlish voice, as she said,

"You are Mr. Moore. I am Lady Adela's sister—of course you know. Won't you take my rod? There will be some shadow very soon, I think."

"Oh, certainly not—certainly not," said he. "But I should be delighted if you would let me stay and look on; it would interest me quite as much—every bit as much."

"Oh, stay by all means," said she, turning to look at the western sky. "But I wish you would take my rod. What are they all about to let you come wandering out alone, on the first day of your arrival?"

"Oh, that's quite right," said he, cheerfully. "Lady Adela and the young ladies are all busy dressmaking."

"Ye may be getting ready, Miss Honnor," old Robert interposed. "There'll be a cloud over the sun directly."

Thus admonished, the tall young fisher-maiden stepped down by the side of a rock overhanging this wide, black-swirling pool, and proceeded to get her tackle in order.

"You know I'll give you my rod whenever you like to take a turn," said she, addressing Lionel even as she was getting the fly on to the water. "But we can't afford to waste a moment of shadow. I have done nothing all day on account of the sunlight."

And now the welcome shade was over, and, after a preliminary cast or two to get the line out, she was sending her fly well across, and letting it drift quietly down the stream, to be recovered by a series of small and gentle jerks. Lionel was supposed to be looking on at the fishing; but, when he dared, he was stealing covert glances at her; for this was one of the most striking faces he had seen for many a day. There was a curiously pronounced personality about her features, refined as they were; her lips were proud—and perhaps a little firmer than usual just now, when she was wielding a seventeen-foot rod; her clear hazel eyes were absolutely fearless; and her broadly marked and somewhat square eyebrows appeared to lend strength rather than gentleness to the intellectual forehead. Then the stateliness of her neck and the set of her head; she seemed to recall to him some proud warrior-maiden out of Scandinavian mythology—though she was dressed in simple homespun and had for her only henchman this quiet old Robert, who, crouching down under a birch-tree, was watching every cast made by his mistress with the intensest interest. And at last Lionel was startled to hear the old man call out, but in an undertone—"Ho!"

Honnor Cunyngham began coolly to pull in her line through the rings.

"What is it?" Lionel asked, in wonder.

"I rose a fish then, but he came short," she said, quietly. "We'll give him a rest. A pretty good one, wasn't he, Robert?"

"Ay, he wass that, Miss Honnor, a good fish. And ye did not touch him?"

"Not at all; he'll come again sure enough."

And then she turned to Lionel? and he was pleased to observe, as she went on to speak to him about her sisters-in-law and their various pursuits, that, proud as those lips were, a sort of grave good-humor seemed to be their habitual expression, and also that those transparently honest, hazel eyes had a very attractive sunniness in them when she was amused.

"The dressmaking," she said. "Of course you know what that is about. They are preparing another of those out-of-door performances. Oh, yes, they are very much in earnest," she went on, with a smile that lightened and sweetened the pronounced character of her face.

"And you are to be entertained this time. They are not going to ask you to do anything. Last time, at Campden Hill, you took a principal part, didn't you?—but this time you are merely to be a guest—a spectator."

"And which are you to be, Miss Cunyngham?" he made bold to ask.

"I? Oh, they never ask me to join in those things," she said, pleasantly enough. "The sacred fire has not descended on me. They say that I regard their performances as mere childish amusement; but I don't really; it isn't for a Philistine like myself to express disdain about anything. But then, you see, if I were to try to join in with my clever sisters, and perhaps when they were most in earnest, I might laugh; and enthusiasts couldn't be expected to like that, could they?"

She spoke very honestly and fairly, he thought, and without showing anything like scorn of what she did not sympathize with; and yet somehow he felt glad that he was not expected to take a part in this new masque.

"From what I remember of it," said he, "I suppose it will be mostly a pageant—there is plenty of patriotic sentiment in it, but hardly any action, as far as I recollect. Of course, I know it chiefly because the poet Thomson wrote it, or partly wrote it, and because he put 'Rule Britannia' into it. Isn't it odd," he added, with a touch of adroit flattery (as he considered), "that the two chief national songs of England, 'Ye Mariners of England' and 'Rule Britannia' should both have been written by Scotchmen?"

She paid no heed to this compliment; indeed he might have known that the old Scotch families (many of them of Norman origin, by the way) have so intermarried with English families that they have very little distinct nationality, though they may be proud enough of their name. This young lady was no more Scotch than himself.

"I will try him again now," said she, with a glance at the water, and forthwith she set to work with rod and line, beginning a few yards farther up the stream, and gradually working down to where she had risen the fish. As she came near the spot, Lionel could see that she was covering every inch of water with the greatest care, and also that at the end of each cast she let the fly hang for a time in the current. He became quite anxious himself. Was she not quite close to the fish now? Or had he caught too clear a glimpse of the fly on the previous occasion, and gone away? Yes, she must be almost over him now; and yet there was no sign. Or past him? Or he might have turned and gone a yard or two farther down? Then, as this eagerly interested spectator was intently watching the swirls of the deep pool, there was a sudden wave on the surface, she struck up her rod slightly, and the next moment away went her line tearing through the water, while the reel screamed out its joyous note of recognition. Old Robert jumped to his feet. At the same instant the fish made another appalling rush, far away on the opposite side of the river, and at the end of it flashed into the air—a swift gleam of purple-blue and silver that revealed his splendid size. Lionel was quite breathless with excitement. He dared not speak to her, for fear of distracting her attention. But she was apparently quite calm; and old Robert looked on without any great solicitude, as if he knew that his young mistress needed neither advice nor assistance. Meanwhile the salmon had come back into the middle of the stream, where it lay deep, only giving evidence of its existence by a series of vicious tugs.

"I don't like that tugging, Robert," she said. "He knows too much. He has pulled himself free from a fly before."

"Ay, ay, I'm afraid of that too," old Robert said, with his keen eyes fixed on every movement of the straining line.

Then the fish lay still and sulked; and she took the opportunity of moving a little bit up-stream and reeling in a yard or two.

"Would you like to take the rod now, Mr. Moore?" she said, generously.

"Oh, certainly not," he exclaimed. "I would not for worlds you should lose the salmon—and do you think I could take the responsibility?"

He ceased speaking, for he saw that her attention had once more been drawn to the salmon, which was now calmly and steadily making up-stream. He watched the slow progress of the line; and then, to his horror, he perceived that the fish was heading for the other side of a large gray rock that stood in mid-channel. If he should persist in boring his way up that farther current, would not he inevitably cut the line on the rock? What could she do? Still nearer and nearer to the big boulder went that white line, steadily cutting through the brown water; and still she said not a word, though Lionel fancied she was now putting on a heavier strain. At last the line was almost touching the stone; and there the salmon lay motionless. He was within half a yard of certain freedom, if only he had known; for the water was far too deep to allow of old Robert wading in and getting the line over the rock. But just as Lionel, far more excited than the fisher-maiden herself, was wondering what was going to happen next, the whole situation of affairs was reversed in a twinkling; the salmon suddenly turned and dashed away down-stream until it was right at the end of the pool, and there, in deep water on the other side, it resumed its determined tugging, so that the pliant top of the rod was shaken as if by a human hand.

"That is what frightens me," she said to Lionel. "I don't like that at all."

But what could he do to help her? Eager wishes were of no avail; and yet he felt as if the crowning joy of his life would be to see that splendid big fish safely out there on the bank. All his faculties seemed to be absorbed in the contemplation of that momentous struggle. The past and the future were alike cut off from him—he had forgotten all about the theatre and its trumpery applause—he had no thought but for the unseen creature underneath the water, that was dashing its head from side to side, and then boring down, and then sailing away over to the opposite shallows, exhausting every manoeuvre to regain its liberty. He could not speak to her; what was anything he could say as compared with the tremendous importance of the next movement on the part of the fish? But she was calm enough.

"He doesn't tire himself much, Robert," she said. "He keeps all his strength for that tugging."

But just as she spoke the salmon began to come into mid-stream again, and she stepped a yard or two back, reeling in the line swiftly. Once or twice she looked at the top of the rod: there was a faint strain on, nothing more. Then her enemy seemed inclined to yield a little; she reeled in still more quickly; knot after knot of the casting-line gradually rose from the surface; at last they caught sight of a dull, bronze gleam—the sunlight striking through the brown water on the side of the fish. But he had no intention of giving in yet; he had only come up to look about him. Presently he headed up-stream again—quietly and steadily; then there was another savage shaking of his head and tugging; then a sharp run and plunge; and again he lay deep, jerking to get this unholy thing out of his jaw. Lionel began to wonder that any one should voluntarily and for the sake of amusement undergo this frightful anxiety. He knew that if he had possession of the rod, his hands would be trembling; his breath would be coming short and quick; that a lifetime of hope and fear would be crowded into every minute. And yet here was this girl watching coolly and critically the motion of the line, and showing not the slightest trace of excitement on her finely cut, impressive features. But he noticed that her lips were firm; perhaps she was nerving herself not to betray any concern.

"I think I am getting the better of him, Robert," said she, presently, as the fish began to steer a little in her direction.

"I would step back a bit, Miss Honnor," the keen-visaged old gillie said; but he did not step back; on the contrary, he crouched down by the side of a big boulder, close to the water, and again he tried his gaff, to make sure that the steel clip was firmly fixed in the handle.



Yes, there was no doubt that the salmon was beaten. He kept coming nearer and nearer to the land, led by the gentle, continuous strain of the pliant top, though ever and anon he would vainly try to head away again into deep water. It was a beautiful thing to look at: this huge, gleaming creature taken captive by an almost invisible line, and gradually yielding to inevitable fate. Joy was in Lionel's heart. If he had wondered that any one, for the sake of amusement, should choose to undergo such agonies of anxiety, he wondered no more. Here was the fierce delight of triumph. The struggle of force against skill was about over; there was no more tugging now; there were no more frantic rushes or bewildering leaps in the air. Slowly, slowly the great fish was being led in to shore. Twice had old Robert warily stretched out his gaff, only to find that the prize was not yet within his reach. And then, just as the young lady with the firm-set lips said, 'Now, Robert!' and just as the gaff was cautiously extended for the third time, the salmon gave a final lurch forward, and the next instant—before Lionel could tell what had happened—the fly was dangling helplessly in the air, and the fish was gone.

"Au Yeea!" said Robert, in an undertone, to himself; while Lionel, as soon as he perceived the extent of the catastrophe, felt as though some black horror had fallen over the world. He could not say a word; he seemed yearning to have the fish for one second again where he had lately seen it—and then wouldn't he have gladly jumped into the stream, gaff in hand, to secure the splendid trophy! But now—now there was nothing but emptiness and a lifeless waste of hurrying water.

And as regards the young lady? Well, she smiled—in a disconcerted way, to be sure; and then she said, with apparent resignation,

"I almost expected it. I never do hope to get a tugging salmon; all the way through I was saying to myself we shouldn't land him. However, there's no use fretting over lost fish. We did our best, Robert, didn't we?"

"Indeed you could not hef done better, Miss Honnor," said the old gillie. "There wass no mistake that you made at ahl."

"Very well," said she, cheerfully; and she looked in a kindly way towards the old man. "I did everything right? and as for you, no one will tell me that the best gillie in Ross-shire did anything wrong; so we have nothing to reproach ourselves with, Robert, have we?"

"But it is such a dreadful misfortune!" exclaimed Lionel, who could hardly understand this equanimity. "Another couple of seconds, and you must have had him."

"Well, now, Robert," said she, briskly, "shall we go up and try the tail of the Long Pool? Or go down to the Stones?"

"We'll chist go up to the tail of the Long Pool, Miss Honnor," said he; and he took the rod from her, picked up her waterproof, and set out; while Lionel, without waiting for any further invitation, accompanied her.

And as they walked along, picking their way among boulders and bracken and heather, he was asking her whether the heart-breaking accidents and bitter disappointments of salmon-fishing were not greater than its rewards; as to which she lightly made answer:

"You must come and try. None of the gentlemen here are very eager anglers; I suppose they get enough of salmon-fishing in the spring. Now if you care about it at all, one rod is always enough for two people, and we could arrange it this way—that you should take the pools where wading is necessary. They'll get a pair of waders for you at the lodge. At present old Robert does all the wading that is wanted; but of course I don't care much about playing a fish that has been hooked by somebody else. Now, you would take the wading pools."

"Oh, thank you," said he, "but I'm afraid I should show myself such a duffer. I used to be a pretty fair trout-fisher when I was a lad," he went on to say; and then it suddenly occurred to him that the offer of her companionship ought not to be received in this hesitating fashion. "But I shall be delighted to try my hand, if you will let me; and of course you must see that I don't disturb the best pools."

So they passed up through the narrow gorge, where the heavy volume of water was dashing down in tawny masses between the rocks, and got into the open country again, where the strath broadened out in a wide expanse of moorland. Here the river ran smooth between low banks, bordered now and again by a fringe of birch, and there was a greater quiet prevailing, the farther and farther they got away from the tumbling torrents below. But when they reached the Long Pool no fishing was possible; the afternoon sun struck full on the calm surface of the water; there was not a breath of wind to stir the smooth-mirrored blue and white; they could do nothing but choose out a heathery knoll on the bank, and sit down and wait patiently for a passing cloud.

"I suppose," said she, clasping her fingers together in her lap—"I suppose you are all eagerness about to-morrow morning?"

"Oh, I am not going shooting to-morrow," said he.

"What!" she exclaimed. "To be on a grouse-moor on the Twelfth, and not go out?"

"It is because it is the Twelfth; I don't want to spoil sport," said he, modestly. "And I don't want to make a fool of myself either. If I could shoot well enough, and if there were a place for me, I should be glad to go out with them; but my shooting is, like my fishing, a relic of boyhood's days; and I should not like to make an exhibition of myself before a lot of crack shots."

"That is only false pride", said she, in her curiously direct, straightforward way. "Why should you be ashamed to admit that there are certain things you can't do as well as you can do certain other things? There is no particular virtue in having been brought up to the use of a gun or rod. Take your own case. You are at home on the stage. There you know everything—you are the master, the proficient. But take the crack shots and put them on the stage, and ask them to do the simplest thing—then it is their turn to be helpless, not to say ridiculous."

"Perhaps," said he, rather tentatively, "you mean that we should all of us keep to our own walks in life?"

"I'm sure I don't mean anything of the kind," said she, with much frankness. "I only mean that if you are not a first-rate shot, you need not be ashamed of it; you should remember there are other things you can do well. And really you must go out to-morrow morning. My brother was talking about it at breakfast; and I believe the proposal is that you go with him and Captain Waveney. If any little mistake is made, Captain Waveney is the man to retrieve it—at least so I've heard them say."

"At all events," said he, "if I go with them at all, it will not be under false pretences. I shall warn them, to begin with, that I am a bad shot; then I can't be found out. And they must put me in a position where I can't do much harm."

"I dare say you shoot very well," she said, with a smile. "Gentlemen always talk like that on the evening before the Twelfth, if they have come to a strange moor."

But now she had risen again, for a breath of wind was stirring along the strath, while some higher air-currents were slowly bringing certain fleecy clouds across from the west. As soon as the welcome shade had stolen over the river, she began to cast; and on this smooth water he could see more clearly what an excellent line this was that she sent out. Not a long line—perhaps twenty-three or twenty-four yards—but thrown most admirably, the fly lighting on the surface like a snowflake. Moreover, he was now a little bit behind her, so that he could with impunity regard the appearance of this newly-found companion—her lithe and agile form, the proud set of her neck and head, the beautiful close masses of her curly, golden-brown hair, and the fine contour of her sun-tanned cheek. Then the vigorous exercise in which she was engaged revealed all the suppleness and harmonious proportions of her figure; for here was no pretty wrist-work of trout-fishing, but the wielding of a double-handed salmon-rod; and she had taught herself the gillies' method of casting—that is to say, she made the backward cast by throwing both arms right up in the air, so that, as she paused to let the line straighten out behind, her one hand was on a level with her forehead, and the other more than a foot above that. Lionel thought that before he tried casting in the presence of Miss Honnor Cunyngham, he should like to get a few quiet lessons from old Robert.

However, all this expenditure of skill proved to be of no avail. She could not move a fin; nor had Robert any better luck, when, they having come to a shallow reach, she allowed the old man, who was encased in waders, to get into the water and fish along the opposite bank. When he came ashore again, his young mistress said,

"Dame Fortune hasn't forgiven us for letting that first one go." And old Robert, who had probably never heard of Dame Fortune (or may have considered the phrase a polite and young-lady-like form of swearing), merely made answer,

"Ay, Miss Honnor, we'll go and try the Small Pool, now."

The Small Pool lies between the Long Pool and the Rock Pool; it is a circular, deep, black hole, in which the waters collect before dashing and roaring down between the great gray boulders; and to fish it you must get out on certain knife-like ledges that seem to offer anything but a secure foothold. However, Miss Honnor did not think twice about it; and, indeed, as she made her way out on those narrow slips of rock, Lionel perceived that her boots, which were laced in front like men's boots, if they were small enough as regarded that portion covering the foot, were provided with most sensibly wide soles, which, again were studded with nails. And there, balancing herself as best she might, she got out a short line, and began industriously to cover every inch of the surging and whirling water. A most likely-looking place, Lionel thought to himself, as he sat and looked on. But here also they were doomed to disappointment. It is true she hooked a small sea-trout—and was heartily glad when it shook itself free, thereby saving her time and trouble. All the rest of her labor was expended for nothing; so finally she had to reel up and make her way ashore, where she surrendered her rod to the old gillie.

Then they passed down through the narrow defile again and came in view of the wide path—now all saffron-tinted in the evening sunlight—with the lodge and its straggling dependencies in the midst of the plain. Perhaps it was this sight of the house that recalled to her what they had been talking of some time before; for, as they walked along the river-bank, she was again urging him to go out on the following morning; and not only that, but she declared he must have one or two days' deer-stalking while he was in the North. If he missed, then he missed; why should he care what foresters and gillies thought of him? Of course he was very grateful to her for all her kind patronage; but he could not help thinking it rather odd to find a woman lending courage to a man—counselling him to be independent and to have no fear of ridicule.

"I recollect," he said to her, "once hearing Lord Rockminster say that until a man has gone deer-stalking he can have no idea what extremes of misery a human being is capable of enduring."

"Lord Rockminster is incurably lazy," she said. "I think if you found yourself riding along this strath some night about eight or nine o'clock, knowing that away up among the hills you had left a stag of ten or twelve points to be sent for and brought down the next morning—then I think you wouldn't be reflecting on the discomforts you had gone through, or, if you did, it would be with pride. Why," said she, "you surely didn't come to the Highlands to play at private theatricals?"

"I get enough of the theatre in the South," he said, "as you may well imagine."

But here was a bend of the river sheltered from the weltering sun by a steep and wooded hill; and Miss Cunyngham, at old Robert's suggestion, began work again. It was really most interesting to watch this graceful casting; Lionel, sitting down on the heather and smoking a cigarette, seemed to want no other occupation; he forgot what the object of throwing a fly was, the throwing of the fly seemed to be enough in itself. He had grown to think that all these oily sweeps of brown water, touched here and there by dark, olive-green reflections, were useful only as showing where the fly dropped; there was no fish watching the slow jerking of the "Bishop" across the current; the one salmon that haunted the Rock Pool had put in an appearance and gone away long ago. But suddenly there was a short, sharp scream of the reel; then silence.

"What is it, Robert?" she said—apparently holding on to something. "Another sea-trout?"

"Oh, no, Miss Honnor, I am not thinking that—"

The words were hardly out of his mouth when it became abundantly clear that the unknown creature in the deeps had not the least intention of concealing his identity. A sudden rush down-stream, followed by a wild splashing and thrashing on the surface, was only the first of a series of performances that left Miss Honnor not one single moment of breathing-space. Either she was following him rapidly down the river, or following him up again, or reeling in swiftly as he came sailing towards her, or again she could only stand in breathless suspense as he flung himself into the air and then beat and churned the water, shaking the line this way and that.

"Oh, you wicked little wretch!" she cried, at a particularly vicious flourish out of the water; but this was the kind of fish she liked; this was a fish that fought fair—a gentlemanly fish, without the thought of a sulk in him—a very Prince Rupert even among grilse; this was no malevolent, underhand, deep-boring tugger. Indeed, these brilliant dashes and runs and summersaults soon began to tell The gallant little grilse was plainly getting the worst of it. He allowed himself to be led; but, whenever she stepped back on the bank and tried to induce him to come in, at the first appearance of shallow water he would instantly sheer off again with all the strength that was left in him. Fortunately he seemed inclined to head up-stream; and she humored him in that, for there the water was deeper under the bank. Even then he fought splendidly to the last. As soon as he got to recognize that an enemy was waiting for him—an enemy armed with some white, shining thing that he more than once warily slipped out of—he would make struggle after struggle to keep away—until at last there was a sudden, swift, decisive stroke of the steel clip, and Robert had his glittering prize safely ashore.