They are indeed. Yet I doubt whether the unimaginative would quite have foreseen them: the things they foresee are less real and possible. But they urge against every reform such objections as I have parodied; and they urge them about matters of far less vital importance. The existing system exists; they know its abuses, its checks and its counter-checks. The system of the future does not yet exist; and they can't imagine how its far slighter difficulties could ever be smoothed over. They are not the least staggered by the appalling reality of the Duke of Westminster or the Duke of Sutherland; not the least staggered by the sinister power of a conspiracy of coal-owners to paralyse a great nation with the horrors of a fuel famine. But they are staggered by their bogey that State ownership of land might give rise to a certain amount of jobbery and corruption on the part of officials. They think it better that the dukes and the squires should get all the rent than that the State should get most of it, with the possibility of a percentage being corruptly embezzled by the functionaries who manage it. This shows want of imagination. It is as though one should say to one's clerk, "All your income shall be paid in future to the Duke of Westminster, and not to yourself, for his sole use and benefit; because we, your employers, are afraid that if we give you your salary in person, you may let some of it be stolen from you or badly invested." How transparently absurd! We want our income ourselves, to spend as we please. We would rather risk losing one per cent. of it in bad investments than let all be swallowed up by the dukes and the landlords.

It is the same throughout. Want of imagination makes people exaggerate the difficulties and dangers of every new scheme, because they can't picture constructively to themselves the details of its working. Men with great picturing power, like Shelley or Robespierre, are always very advanced Radicals, and potentially revolutionists. The difficulty they see is not the difficulty of making the thing work, but the difficulty of convincing less clear-headed people of its desirability and practicability. A great many Conservatives, who are Conservative from selfishness, would be Radicals if only they could feel for themselves that even their own petty interests and pleasures are not really menaced. The squires and the dukes can't realise how much happier even they would be in a free, a beautiful, and a well-organised community. Imaginative minds can picture a world where everything is so ordered that life comes as a constant aesthetic delight to everybody. They know that that world could be realised to-morrow—if only all others could picture it to themselves as vividly as they do. But they also know that it can only be attained in the end by long ages of struggle, and by slow evolution of the essentially imaginative ethical faculty. For right action depends most of all, in the last resort, upon a graphic conception of the feelings of others.



XX.

ABOUT ABROAD.

The place known as Abroad is not nearly so nice a country to live in as England. The people who inhabit Abroad are called Foreigners. They are in every way and at all times inferior to Englishmen.

These Post-Prandials used once to be provided with a sting in their tail, like the common scorpion. By way of change, I turn them out now with a sting in their head, like the common mosquito. Mosquitoes are much less dangerous than scorpions, but they're a deal more irritating.

Not that I am sanguine enough to expect I shall irritate Englishmen. Your Englishman is far too cock-sure of the natural superiority of Britons to Foreigners, the natural superiority of England to Abroad, ever to be irritated by even the gentlest criticism. He accepts it all with lordly indifference. He brushes it aside as the elephant might brush aside the ineffective gadfly. No proboscis can pierce that pachydermatous hide of his. If you praise him to his face, he accepts your praise as his obvious due, with perfect composure and without the slightest elation. If you blame him in aught, he sets it down to your ignorance and mental inferiority. You say to him, "Oh, Englishman, you are great; you are wise; you are rich beyond comparison. You are noble; you are generous; you are the prince among nations." He smiles a calm smile, and thinks you a very sensible fellow. But you add, "Oh, my lord, if I may venture to say so, there is a smudge on your nose, which I make bold to attribute to the settlement of a black on your intelligent countenance." He is not angry. He is not even contemptuously amused. He responds, "My friend, you are wrong. There is never a smudge on my immaculate face. No blacks fly in London. The sky is as clear there in November as in August. All is pure and serene and beautiful." You answer, "Oh, my lord, I admit the force of your profound reasoning. You light the gas at ten in the morning only to show all the world you can afford to burn it." At that, he gropes his way along Pall Mall to his club, and tells the men he meets there how completely he silenced you.

And yet, My Lord Elephant, there is use in mosquitoes. Mr. Mattieu Williams once discovered the final cause of fleas. Certain people, said he, cannot be induced to employ the harmless necessary tub. For them, Providence designed the lively flea. He compels them to scratch themselves. By so doing they rouse the skin to action and get rid of impurities. Now, this British use of the word Abroad is a smudge on the face of the otherwise perfect Englishman. Perchance a mosquito-bite may induce him to remove it with a little warm water and a cambric pocket-handkerchief.

To most Englishmen, the world divides itself naturally into two unequal and non-equivalent portions—Abroad and England. Of these two, Abroad is much the larger country; but England, though smaller, is vastly more important. Abroad is inhabited by Frenchmen and Germans, who speak their own foolish and chattering languages. Part of it is likewise pervaded by Chinamen, who wear pigtails; and the outlying districts belong to the poor heathen, chiefly interesting as a field of missionary enterprise, and a possible market for Manchester piece-goods. We sometimes invest our money abroad, but then we are likely to get it swallowed up in Mexicans or Egyptian Unified. If you ask most people what has become of Tom, they will answer at once with the specific information, "Oh, Tom has gone Abroad." I have one stereotyped rejoinder to an answer like that. "What part of Abroad, please?" That usually stumps them. Abroad is Abroad; and like the gentleman who was asked in examination to "name the minor prophets," they decline to make invidious distinctions. It is nothing to them whether he is tea-planting in the Himalayas, or sheep-farming in Australia, or orange-growing in Florida, or ranching in Colorado. If he is not in England, why then he is elsewhere; and elsewhere is Abroad, one and indivisible.

In short, Abroad answers in space to that well-known and definite date, the Olden Time, in chronology.

People will tell you, "Foreigners do this"; "Foreigners do that"; "Foreigners smoke so much"; "Foreigners always take coffee for breakfast." "Indeed," I love to answer; "I've never observed it myself in Central Asia." 'Tis Parson Adams and the Christian religion. Nine English people out of ten, when they talk of Abroad, mean what they call the Continent; and when they talk of the Continent, they mean France, Germany, Switzerland, Italy; in short, the places most visited by Englishmen when they consent now and again to go Abroad for a holiday. "I don't like Abroad," a lady once said to me on her return from Calais. Foreigners, in like manner, means Frenchmen, Germans, Swiss, Italians. In the country called Abroad, the most important parts are the parts nearest England; of the people called Foreigners, the most important are those who dress like Englishmen. The dim black lands that lie below the horizon are hardly worth noticing.

Would it surprise you to learn that most people live in Asia? Would it surprise you to learn that most people are poor benighted heathen, and that, of the remainder, most people are Mahommedans, and that of the Christians, who come next, most people are Roman Catholics, and that, of the other Christian sects, most people belong to the Greek Church, and that, last of all, we get Protestants, more particularly Anglicans, Wesleyans, Baptists? Have you ever really realised the startling fact that England is an island off the coast of Europe? that Europe is a peninsula at the end of Asia? that France, Germany, Italy, are the fringe of Russia? Have you ever really realised that the English-speaking race lives mostly in America? that the country is vastly more populous than London? that our class is the froth and the scum of society? Think these things out, and try to measure them on the globe. And when you speak of Abroad, do please specify what part of it.

Abroad is not all alike. There are differences between Poland, Peru, and Palestine. What is true of France is not true of Fiji. Distinguish carefully between Timbuctoo, Tobolsk, and Toledo.

It is not our insularity that makes us so insular. 'Tis a gift of the gods, peculiar to Englishmen. The other inhabitants of these Isles of Britain are comparatively cosmopolitan. The Scotchman goes everywhere; the world is his oyster. Ireland is an island still more remote than Great Britain; but the Irishman has never been so insular as the English. I put that down in part to his Catholicism: his priests have been wheels in a world-wide system; his relations have been with Douai, St. Omer, and Rome; his bishops have gone pilgrimages and sat on Vatican Councils; his kinsmen are the MacMahons in France, the O'Donnels in Spain, the Taafes in Austria. Even in the days of the Regency this was so: look at Lever and his heroes! When England drank port, County Clare drank claret. But ever since the famine, Ireland has expanded. Every Irishman has cousins in Canada, in Australia, in New York, in San Francisco. The Empire is Irish, with the exception of India; and India, of course, is a Scotch dependency. Irishmen and Scotchmen have no such feelings about Abroad and its Foreigners as Londoners entertain. But Englishmen never quite get over the sense that everybody must needs divide the world into England and Elsewhere. To the end no Englishman really grasps the fact that to Frenchmen and Germans he himself is a foreigner. I have met John Bulls who had passed years in Italy, but who spoke of the countrymen of Caesar and Dante and Leonardo and Garibaldi with the contemptuous toleration one might feel towards a child or an Andaman Islander. These Italians could build Giotto's campanile; could paint the Transfiguration; could carve the living marble on the tombs of the Medici; could produce the Vita Nuova; could beget Galileo, Galvani, Beccaria; but still—they were Foreigners. Providence in its wisdom has decreed that they must live Abroad—just as it has decreed that a comprehension of the decimal system and its own place in the world should be limitations eternally imposed upon the English intellect.



XXI.

WHY ENGLAND IS BEAUTIFUL.

As I strolled across the moor this afternoon towards Waverley, I saw Jones was planting out that bare hillside of his with Douglas pines and Scotch firs and new strains of silver birches. They will improve the landscape. And I thought as I scanned them, "How curious that most people entirely overlook this constant betterment and beautifying of England! You hear them talk much of the way bricks and mortar are invading the country; you never hear anything of this slow and silent process of planting and developing which has made England into the prettiest and one of the most beautiful countries in Europe."

What's that you say? "Astonished to find I have a good word of any sort to put in for England!" Why, dear me, how irrational you are! I just love England. Can any man with eyes in his head and a soul for beauty do otherwise? England and Italy—there you have the two great glories of Europe. Italy for towns, for art, for man's handicraft; England for country, for nature, for green lanes and lush copses. Was it not one that loved Italy well who sighed in Italy—

"Oh, to be in England now that April's there?"

And who that loves Italy, and knows England, too, does not echo Browning's wish when April comes round again on dusty Tuscan hilltops? At Perugia, last spring, through weeks of tramontana, how one yearned for the sight of yellow English primroses! Not love England, indeed! Milton's England, Shelley's England; the England of the skylark, the dog-rose, the honeysuckle! Not love England, forsooth! Why, I love every flower, every blade of grass in it. Devonshire lane, close-cropped down, rich water-meadow, bickering brooklet: ah me, how they tug at one's heartstrings in Africa! No son of the soil can love England as those love her very stones who have come from newer lands over sea to her ivy-clad church-towers, her mouldering castles, her immemorial elms, the berries on her holly, the may in her hedgerows. Are not all these bound up in our souls with each cherished line of Shakespeare and Wordsworth? do they not rouse faint echoes of Gray and Goldsmith? Even before I ever set foot in England, how I longed to behold my first cowslip, my first foxglove! And now, I have wandered through the footpaths that run obliquely across English pastures, picking meadowsweet and fritillaries, for half a lifetime, till I have learned by heart every leaf and every petal. You think because I dislike one squalid village—"The Wen," stout English William Cobbett delighted to call it—I don't love England. You think because I see some spots on the sun of the English character, I don't love Englishmen. Why, how can any man who speaks the English tongue, and boasts one drop of English blood in his veins, not be proud of England? England, the mother of poets and thinkers; England, that gave us Newton, Darwin, Spencer; England, that holds in her lap Oxford, Salisbury, Durham; England of daisy and heather and pine-wood! Are we hewn out of granite, to be cold before England?

Upon my soul, your unseasonable interruption has almost made me forget what I was going to say; it has made me grow warm, and drop into poetry.

England, I take it, is certainly the prettiest country in Europe. It is almost the most beautiful. I say "almost," because I bethink me of Norway and Switzerland. I say "country," because I bethink me of Rome, Venice, Florence. But, taking it as country, and as country alone, nothing else approaches it. Have you ever thought why? Man made the town, says the proverb, and God made the country. Not so in England. There, man made the country, and beautified it exceedingly. In itself, the land of south-eastern England is absolutely the same as the land of Northern France—that hideous tract about Boulogne and Amiens which we traverse in silence every time we run across by Calais to Paris. Chalk and clay and sandstone stretch continuously under sea from Kent and Sussex to Flanders and Picardy. The Channel burst through, and made the Straits of Dover; but the land on either side was and still is geologically and physically identical. What has made the difference? Man, the planter and gardener. England is beautiful by copse and hedgerow, by pine-clad ridge and willow-covered hollow, by meadows interspersed with great spreading oaks, by pastures where drowsy sheep, deep-fleeced and ruddy-stained, huddle under the shade of ancestral beech-trees. Its loveliness is human. In itself, I believe, the actual contour of England cannot once have been much better than the contour of northern France—though nowadays it is hard indeed to realise it. Judicious planting, and a constant eye to picturesque effect in scenery, have made England what she is—the garden of Europe.

Of course there are parts of the country which owed, and still owe, their beauty to their wildness—Dartmoor, Exmoor, the West Riding of Yorkshire, the Surrey hills, the Peak in Derbyshire. Yet even these depend more than you would believe, when you take them in detail, on the art of the forester. The view from Leith Hill embraces John Evelyn's woods at Wotton: the larches that cover one Jura-like gorge were set there well within your and my memory. But elsewhere in England the hand of man has done absolutely everything. The American, when he first visits England, is charmed on his way up from Liverpool to London by the exquisite air of antique cultivation and soft rural beauty. The very sward is moss-like. Thoroughly wild country, indeed, unless bold and mountainous, does not often please one. It is apt to be bare, unattractive, and desolate. Witness the Veldt, the Steppes, the prairies. You may go through miles and miles of the States and Canada, where the wildness for the most part rather repels than delights you. I do not say everywhere; in places the wilderness will blossom like a rose; boggy margins of lakes, fallen trunks in the forest overgrown with wild flowers, make scenes unattainable in our civilised England. Even our roughest scenery is comparatively man-made: our heaths are game preserves; our woodlands are thinned of superfluous underbrush; our moors are relieved by deliberate plantations. But England in her own way is unique and unrivalled. Such parks, such greensward, such grassy lawns, such wooded tilth, are wholly unknown elsewhere. Compare the blank fields and long poplar-fringed high roads of central France with our Devon or our Warwickshire, and you get at once a just measure of the vast, the unspeakable difference.

And man has done it all. Alone he did it. Often as I take my walks abroad—and when I say abroad I mean in England—I see men at work dotting about exotics of variegated foliage on some barren hillside, and I say to myself, "There, before my eyes, goes on the beautifying of England." Thirty years ago, the North Downs near Dorking were one bare stretch of white chalky sheep-walk; half of them still remain so; the other half has been planted irregularly with copses and spinneys, which serve to throw up and enhance the beauty of the unaltered intervals. Beech and larch in autumn tints set off smooth patches of grass and juniper. Within the last few years, the downs about Leatherhead have been similarly diversified. Much of the loveliness of rural England is due, one must frankly confess, to the big landlords. Though the great houses love us not, we must allow at least that the great houses have cared for the trees in the hedge-rows, and for the timber in the meadows, as well as for the covert that sheltered their pheasants, their foxes, and their gamekeepers. But almost as much of England's charm is due to individual small owners or occupiers. 'Tis they who have planted the grounds about villa or cottage; they who have stocked the sweet old gardens of yew and box, of hollyhock and peony; they who have given us the careless rustic grace of the English village. Still, one way or another, man has done it all, whether in grange or in manor-house, in palatial estate or in labourer's holding. Look at the French or Belgian hamlet by the side of the English one; look at the French or Belgian farm by the side of our English wealth in wooded glen or sheltered homestead. Bricks and mortar are not covering the whole of England. That is only true of the squalid purlieus and outliers of London, whither Londoners gravitate by mutual attraction. If you will go and live in a dingy suburb, you can't reasonably complain that all the world's suburban. Being the most cheerful of pessimists, a dweller in the country all the days of my life, I have no hesitation in expressing my profound conviction that within my memory more has been done to beautify than to uglify England. Only, the beautification has been quiet and unobtrusive, while the uglification has been obvious and concentrated. It takes half a year to jerry-build a dingy street, but it takes a decade for newly-planted trees to give the woodland air by imperceptible stages to a stretch of country.



XXII.

ANENT ART PRODUCTION.

Yesterday, at Bordighera, I strolled up the hills behind the town to Sasso. It is a queer little cluster of gleaming white-washed houses that top the crest of a steep ridge; and, like many other Italian villages, it makes a brave show from a distance, though within it is full of evil smells and all uncleanness. But I found it had a church—a picturesquely ugly and dilapidated church; and without and within, this church was decorated by inglorious hands with very naive and rudimentary frescoes. The Four Evangelists were there, in flowing blue robes; and the Four Greater Prophets, with long white beards; and the Madonna, appearing in most wooden clouds; and the Patron Saint tricked out for his Festa in gorgeous holiday episcopal vestments. That was all—just the common everyday Italian country church that everybody has seen turned out to pattern with manufacturing regularity a hundred times over! Yet, as I sat among the olive-terraces looking down the steep slope into the Borghetto valley, and across the gorge to the green pines on the Cima, it set me thinking. 'Tis a bad habit one falls into when one has nothing better to turn one's mind to.

We English, coming to Italy with our ideas fully formed about everything on heaven and earth, naturally say to ourselves, "Great heart alive, what sadly degraded frescoes! To think the art of Raphael and Andrea del Sarto should degenerate even here, in their own land, to such a childish level!" But we are wrong, for all that. It is Raphael and Andrea who rose, not my poor nameless Sasso artists who sank and degenerated. Italy was capable of producing her great painters in her own great day, just because in thousands of such Italian villages there were work-a-day artisans in form and colour capable of turning out such ridiculous daubs as those that decorate this tawdry church on the Ligurian hilltop.

We English, in short, think of it all the wrong way uppermost. We think of it topsy-turvy, beginning at the end, while evolution invariably begins at the beginning. The Raphaels and Andreas, to put it in brief, were the final flower and fullest outcome of whole races of church decorators in infantile fresco.

Everywhere you go in Italy, this truth is forced upon your attention even to the present day. Art here is no exotic. It smacks of the soil; it springs spontaneous, like a weed; it burgeons of itself out of the heart of the people. Not high art, understand well; not the art of Burne-Jones and Whistler and Puvis de Chavannes and Sar Peladan. Commonplace everyday art, that is a trade and a handicraft, like the joiner's or the shoemaker's. Look up at your ceiling; it's overrun with festoons of crude red and blue flowers, or it's covered with cupids and graces, or it bristles with arabesques and unmeaning phantasies. Every wall is painted; every grotto decorated. Sham landscapes, sham loggias, sham parapets are everywhere. The sham windows themselves are provided, not only with sham blinds and sham curtains, but even with sham coquettes making sham eyes or waving sham handkerchiefs at passers-by below them. Open-air fresco painting is still a living art, an art practised by hundreds and thousands of craftsmen, an art as alive as cookery or weaving. The Italian decorates everything; his pottery, his house, his church, his walls, his palaces. And the only difference he feels between the various cases is, that in some of them a higher type of art is demanded by wealth and skill than in the others. No wonder, therefore, he blossomed out at last into Michael Angelo's frescoes in the Sistine Chapel!

To us English, on the contrary, high art is something exotic, separate, alone, sui generis. We never think of the plaster star in the middle of our ceiling as belonging even to the same range of ideas as, say, the frescoes in the Houses of Parliament.

A nation in such a condition as that is never truly artistic. The artist with us, even now, is an exceptional product. Art for a long time in England had nothing at all to do with the life of the people. It was a luxury for the rich, a curious thing for ladies' and gentlemen's consumption, as purely artificial as the stuccoed Italian villa in which they insisted on shivering in our chilly climate. And the pictures it produced were wholly alien to the popular wants and the popular feelings; they were part of an imported French, Italian, and Flemish tradition. English art has only slowly outgrown this stage, just in proportion as truly artistic handicrafts have sprung up here and there, and developed themselves among us. Go into the Cantagalli or the Ginori potteries at Florence, and you will see mere boys and girls, untrained children of the people, positively disporting themselves, with childish glee, in painting plates and vases. You will see them, not slavishly copying a given design of the master's, but letting their fancy run riot in lithe curves and lines, in griffons and dragons and floral twists-and-twirls of playful extravagance. They revel in ornament. Now, it is out of the loins of people like these that great artists spring by nature—not State-taught, artificial, made-up artists, but the real spontaneous product, the Lippi and Botticelli, the hereditary craftsmen, the born painters. And in England nowadays it is a significant fact that a large proportion of the truest artists—the innovators, the men who are working out a new style of English art for themselves, in accordance with the underlying genius of the British temperament, have sprung from the great industrial towns—Birmingham, Manchester, Leicester—where artistic handicrafts are now once more renascent. I won't expose myself to further ridicule by repeating here (what I nevertheless would firmly believe, were it not for the scoffers) that a large proportion of them are of Celtic descent—belong, in other words, to that section of the complex British nationality in which the noble traditions of decorative art never wholly died out—that section which was never altogether enslaved and degraded by the levelling and cramping and soul-destroying influences of manufacturing industrialism.

In Italy, art is endemic. In England, in spite of all we have done to stimulate it of late years with guano and other artificial manures, it is still sporadic.

The case of music affords us an apt parallel. Till very lately, I believe, our musical talent in Britain came almost entirely from the cathedral towns. And why? Because there, and there alone, till quite a recent date, there existed a hereditary school of music, a training of musicians from generation to generation among the mass of the people. Not only were the cathedral services themselves a constant school of taste in music, but successive generations of choristers and organists gave rise to something like a musical caste in our episcopal centres. It is true, our vocalists have always come mainly from Wales, from the Scotch Highlands, from Yorkshire, from Ireland. But for that there is, I believe, a sufficient physical reason. For these are clearly the most mountainous parts of the United Kingdom; and the clear mountain air seems to produce on the average a better type of human larynx than the mists of the level. The men of the lowland, say the Tyrolese, croak like frogs in their marshes; but the men of the upland sing like nightingales on their tree-tops. And indeed, it would seem as if the mountain people were always calling to one another across intervening valleys, always singing and whistling and shouting over their work in a way that gives tone to the whole vocal mechanism. Witness Welsh penillion singing. And wherever this fine physical endowment goes hand in hand with a delicate ear and a poetic temperament, you get your great vocalist, your Sims Reeves or your Patti. But in England proper it was only in the cathedral towns that music was a living reality to the people; and it was in the cathedral towns, accordingly, during the dark ages of art, that exceptional musical ability was most likely to show itself. More particularly was this so on the Welsh border, where the two favouring influences of race and practice coincided—at Gloucester, Worcester, Hereford, long known for the most musical towns in England.

Cause and effect act and react. Art is a product of the artistic temperament. The artistic temperament is a product of the long hereditary cultivation of art. And where a broad basis of this temperament exists among the people, owing to intermixture of artistically-minded stocks, one is liable to get from time to time that peculiar combination of characteristics—sensuous, intellectual, spiritual—which results in the highest and truest artist.



XXIII.

A GLIMPSE INTO UTOPIA.

You ask me what would be the position of women in an ideal community. Well, after dinner, imagination may take free flight. Suppose, till the coffee comes, we discuss that question.

Woman, I take it, differs from man in being the sex sacrificed to reproductive necessities.

Whenever I say this, I notice my good friends, the women's-rights women, with whom I am generally in pretty close accord, look annoyed and hurt. I can never imagine why. I regard this point as an original inequality of nature, which it should be the duty of human society to redress as far as possible, like all other inequalities. Women are not on the average as tall as men; nor can they lift as heavy weights, or undergo, as a rule, so much physical labour. Yet civilised society recognises their equal right to the protection of our policemen, and endeavours to neutralise their physical inequality by the collective guarantee of all the citizens. In the same way I hold that women in the lump have a certain disadvantage laid upon them by nature, in the necessity that some or most among them should bear children; and this disadvantage I think the men in a well-ordered State would do their best to compensate by corresponding privileges. If women endure on our behalf the great public burden of providing future citizens for the community, the least we can do for them in return is to render that burden as honourable and as little onerous as possible. I can never see that there is anything unchivalrous in frankly admitting these facts of nature; on the contrary, it seems to me the highest possible chivalry to recognise in woman, as woman, high or low, rich or poor, the potential mother, who has infinite claims on that ground alone to our respect and sympathy.

Nor do I mean to deny, either, that the right to be a mother is a sacred and peculiar privilege of women. In a well-ordered community, I believe, that privilege will be valued high, and will be denied to no fitting mother by any man. While maternity is from one point of view a painful duty, a burden imposed upon a single sex for the good of the whole, it is from another point of view a privilege and a joy, and from a third point of view the natural fulfilment of a woman's own instincts, the complement of her personality, the healthy exercise of her normal functions. Just as in turn the man's part in providing physically for the support of the woman and the children is from one point of view a burden imposed upon him, but from another point of view a precious privilege of fatherhood, and from a third point of view the proper outlet for his own energy and his own faculties.

In an ideal State, then, I take it, almost every woman would be a mother, and almost every woman a mother of not more than about four children. An average of something like four is necessary, we know, to keep up population, and to allow for infant mortality, inevitable celibates, and so forth. Few women in such a State would abstain from maternity, save those who felt themselves physically or morally unfitted for the task; for in proportion as they abstained, either the State must lack citizens to carry on its life, or an extra and undue burden would have to be cast upon some other woman. And it may well be doubted whether in a well-ordered and civilised State any one woman could adequately bear, bring up, and superintend the education of more than four young citizens. Hence we may conclude that while no woman save the unfit would voluntarily shirk the duties and privileges of maternity, few (if any) women would make themselves mothers of more than four children. Four would doubtless grow to be regarded in such a community as the moral maximum; while it is even possible that improved sanitation, by diminishing infant mortality and adult ineffectiveness, might make a maximum of three sufficient to keep up the normal strength of the population.

In an ideal community, again, the woman who looked forward to this great task on behalf of the race would strenuously prepare herself for it beforehand from childhood upward. She would not be ashamed of such preparation; on the contrary, she would be proud of it. Her duty would be no longer "to suckle fools and chronicle small beer," but to produce and bring up strong, vigorous, free, able, and intelligent citizens. Therefore, she must be nobly educated for her great and important function—educated physically, intellectually, morally. Let us forecast her future. She will be well clad in clothes that allow of lithe and even development of the body; she will be taught to run, to play games, to dance, to swim; she will be supple and healthy, finely moulded and knit in limb and organ, beautiful in face and features, splendid and graceful in the native curves of her lissom figure. No cramping conventions will be allowed to cage her; no worn-out moralities will be tied round her neck like a mill-stone to hamper her. Intellectually she will be developed to the highest pitch of which in each individual case she proves herself capable—educated, not in the futile linguistic studies which have already been tried and found wanting for men, but in realities and existences, in the truths of life, in recognition of her own and our place among immensities. She will know something worth knowing of the world she lives in, its past and its present, the material of which it is made, the forces that inform it, the energies that thrill through it. Something, too, of the orbs that surround it, of the sun that lights it, of the stars that gleam upon it, of the seasons that govern it. Something of the plants and herbs that clothe it, of the infinite tribes of beast and bird that dwell upon it. Something of the human body, its structure and functions, the human soul, its origin and meaning. Something of human societies in the past, of institutions and laws, of creeds and ideas, of the birth of civilisation, of progress and evolution. Something, too, of the triumphs of art, of sculpture and painting, of the literature and the poetry of all races and ages. Her mind will be stored with the best thoughts of the thinkers. Morally, she will be free; her emotional development, instead of being narrowly checked and curbed, will have been fostered and directed. She will have a heart to love, and be neither ashamed nor afraid of it. Thus nurtured and trained, she will be a fit mate for a free man, a fit mother for free children, a fit citizen for a free and equal community.

Her life, too, will be her own. She will know no law but her higher instincts. No man will be able to buy or to cajole her. And in order that she may possess this freedom to perfection, that she may be no husband's slave, no father's obedient and trembling daughter, I can see but one way: the whole body of men in common must support in perfect liberty the whole body of women. The collective guarantee must protect them against individual tyranny. Thus only can women be safe from the bribery of the rich husband, from the dictation of the father from whom there are "expectations." In the ideal State, I take it, every woman will be absolutely at liberty to dispose of herself as she will, and no man will be able to command or to purchase her, to influence her in any way, save by pure inclination.

In such a State, most women would naturally desire to be mothers. Being healthy, strong, and free, they would wish to realise the utmost potentialities of their own organisms. And when they had done their duty as mothers, they would not care much, I imagine, for any further outlets for their superfluous energy. I don't doubt they would gratify to the full their artistic sensibilities and their thirst for knowledge. They would also perform their duties to the State as citizens, no less than the men. But having done these things I fancy they would have done enough; the margin of their life would be devoted to dignified and cultivated leisure. They would leave to men the tilling of the soil, the building and navigation of marine or aerial ships, the working of mines and metals, the erection of houses, the construction of roads, railways, and communications, perhaps even the entire manufacturing work of the community. Medicine and the care of the sick might still be a charge to some; education to most; art, in one form or another, to almost all. But the hard work of the world might well be left to men, upon whom it more naturally and fitly devolves. No hateful drudgery of "earning a livelihood." Women might rest content with being free and beautiful, cultivated and artistic, good citizens to the State, the mothers and guardians of the coming generations. If any woman asks more than this, she is really asking less—for she is asking that a heavier burden should be cast on some or most of her sex, in order to relieve the minority of a duty which to well-organised women ought to be a privilege.

"But all this has no practical bearing!" I beg your pardon. An ideal has often two practical uses. In the first place, it gives us a pattern towards which we may approximate. In the second place, it gives us a standard by which we may judge whether any step we propose to take is a step forward or a step backward.



XXIV.

OF SECOND CHAMBERS.

A Second Chamber acts as a drag. Progress is always uphill work. So we are at pains to provide a drag beforehand—for an uphill journey.

There, in one word, you have the whole philosophy of Second Chambers.

How, then, did the nations of Europe come to hamper their legislative systems with such a useless, such an illogical adjunct? In sackcloth and ashes, let us confess the truth—we English led them astray: on us the shame; to us the dishonour. Theorists, indeed (wise after the fact, as is the wont of theorists), have discovered or invented an imaginary function for Second Chambers. They are to preserve the people, it seems, from the fatal consequences of their own precipitancy. As though the people—you and I—the vast body of citizens, were a sort of foolish children, to be classed with infants, women, criminals, and imbeciles (I adopt the chivalrous phraseology of an Act of Parliament), incapable of knowing their own minds for two minutes together, and requiring to be kept straight by the fatherly intervention of Dukes of Marlborough or Marquises of Ailesbury. The ideal picture of the level-headed peers restraining the youthful impetuosity of the representatives of the people from committing to-day some rash act which they would gladly repent and repeal to-morrow, is both touching and edifying. But it exists only in the minds of the philosophers, who find a reason for everything just because it is there. Members of Parliament, I have observed, seem to know their own minds every inch as well as earls—nay, even as marquises.

The plain fact of the matter is, all the Second Chambers in the world are directly modelled upon the House of Lords, that Old Man of the Sea whom England, the weary Titan, is now striving so hard to shake off her shoulders. The mother of Parliaments is responsible for every one of them. Senates and Upper Houses are just the result of irrational Anglomania. When constitutional government began to exist, men turned unanimously to the English Constitution as their model and pattern. That was perfectly natural. Evolutionists know that evolution never proceeds on any other plan than by reproduction, with modification, of existing structures. America led the way. She said, "England has a House of Commons; therefore we must have a House of Representatives. England has also a House of Lords; nature has not dowered us with those exalted products, but we will do what we can; we will imitate it by a Senate." Monarchical France followed her lead; so did Belgium, Italy, civilisation in general. I believe even Japan rejoices to-day in the august dignity of a Second Chamber. But mark now the irony of it. They all of them did this thing to be entirely English. And just about the time when they had completed the installation of their peers or their senators, England, who set the fashion, began to discover in turn she could manage a great deal better herself without them.

And then what do the philosophers do? Why, they prove to you the necessity of a Second Chamber by pointing to the fact that all civilised nations have got one—in imitation of England. Furthermore, it being their way to hunt up abstruse and recondite reasons for what is on the face of it ridiculous, they argue that a Second Chamber is a necessary wheel in the mechanism of popular representative government. A foolish phrase, which has come down to us from antiquity, represents the populace as inevitably "fickle," a changeable mob, to be restrained by the wisdom of the seniors and optimates. As a matter of fact, the populace is never anything of the sort. It is dogged, slow, conservative, hard to move; it advances step by step, a patient, sure-footed beast of burden; and when once it has done a thing, it never goes back upon it. I believe this silly fiction of the "fickleness" of the mob is mainly due to the equally silly fictions of prejudiced Greek oligarchs about the Athenian assembly—which was an assembly of well-to-do and cultivated slave-owners. I do not swallow all that Thucydides chooses to tell us in his one-sided caricature about Cleon's appointment to the command at Sphacteria, or about the affair of Mitylene; and even if I did, I think it has nothing to do with the question. But on such utterly exploded old-world ideas is the whole modern argument of the Second Chamber founded.

Does anybody really believe great nations are so incapable of managing their own affairs for themselves through their duly-elected representatives that they are compelled to check their own boyish ardour by means of the acts of an irresponsible and non-elective body? Does anybody believe that the House of Commons works too fast, and gets through its public business too hurriedly? Does anybody believe we improve things in England at such a break-neck pace that we require the assistance of Lord Salisbury and Lord St. Leonards to prevent us from rushing straight down a steep place into the sea, like the swine of Gadara? If they do, I congratulate them on their psychological acumen and their political wisdom.

What the Commons want is not a drag, but a goad—nay, rather, a snow-plough.

No; the plain truth of the matter is this: all the Second Chambers in the world owe their existence, not to any deliberate plan or reason, but to the mere accident that the British nobles, not having a room big enough to sit in with the Commons, took to sitting separately, and transacted their own business as a distinct assembly. With so much wisdom are the kingdoms of the earth governed! How else could any one in his senses have devised the idea of creating one deliberative body on purpose to mutilate or destroy the work of another? to produce from time to time a periodical crisis or a periodical deadlock? There is not a country in the world with a Second Chamber that doesn't twice a year kick and plunge to get rid of it.

The House of Lords was once a reality. It consisted of the ecclesiastical hierarchy—the bishops and mitred abbots; with the official hierarchy—the great nobles, who were also great satraps of provinces, and great military commanders. It was thus mainly made up of practical life-members, appointed by merit. The peers, lay and spiritual, were the men who commended themselves to the sovereign as able administrators. Gradually, with prolonged peace, the hereditary element choked and swamped the nominated element. The abbots disappeared, the lords multiplied. The peer ceased to be the leader of a shire, and sank into a mere idle landowner. Wealth alone grew at last to be a title to the peerage. The House of Lords became a House of Landlords. And the English people submitted to the claim of irresponsible wealth or irresponsible acres to exercise a veto upon national legislation. The anomaly, utterly indefensible in itself, had grown up so slowly that the public accepted it—nay, even defended it. And other countries, accustomed to regard England—the Pecksniff among nations—as a perfect model of political wisdom, swallowed half the anomaly, and all the casuistical reasoning that was supposed to justify it, without a murmur. But if we strip the facts bare from the glamour that surrounds them, the plain truth is this—England allows an assembly of hereditary nobodies to retard or veto its legislation nowadays, simply because it never noticed the moment when a practical House of administrative officers lapsed into a nest of plutocrats.

Mend or end? As it stands, the thing is a not-even-picturesque mediaeval relic. If we English were logical, we would arrange that any man who owned so many thousand acres of land, or brewed so many million bottles of beer per annum, should ipso facto be elevated to the peerage. Why should not gallons of gin confer an earldom direct, and Brighton A's be equivalent to a marquisate? Why not allow the equal claim of screws and pills with coal and iron? Why disregard the native worth of annatto and nitrates? Baron Beecham or Lord Sunlight is a first-rate name. As it is, we make petty and puerile distinctions. Beer is in, but whiskey is out; and even in beer itself, if I recollect aright, Dublin stout wore a coronet for some months or years before English pale ale attained the dignity of a barony. No Minister has yet made chocolate a viscount. At present, banks and minerals go in as of right, while soap is left out in the cold, and even cotton languishes. If the Chancellor of the Exchequer put up titles to auction, while abolishing the legislative function of the Lords, there would be millions in it. But as we English are not logical, our mending would probably resolve itself into fatuous tinkering. We might get rid of the sons, but leave the fathers. We might flood the Lords with life peers, but leave the veto. Such tactics are too Britannic. "Stone dead hath no fellow!"



XXV.

A POINT OF CRITICISM.

A few pages back, I ventured to remark that in Utopia or the Millennium the women of the community would probably be supported in common by the labour of the men, and so be secured complete independence of choice and action. When these essays first appeared in a daily newspaper, a Leader among Women wrote to me in reply, "What a paradise you open up to us! Alas for the reality! The question is—could women ever be really independent if men supplied the means of existence? They would always feel they had the right to control us. The difference of the position of a woman in marriage when she has got a little fortune of her own is something miraculous. Men adore money, and the possession of it inspires them with an involuntary respect for the happy possessor."

Now I got a great many letters in answer to these Post-Prandials as they originally came out—some of them, strange to say, not wholly complimentary. As a rule, I am too busy a man to answer letters: and I take this opportunity of apologising to correspondents who write to tell me I am a knave or a fool, for not having acknowledged direct their courteous communications. But this friendly criticism seems to call for a reply, because it involves a question of principle which I have often noted in all discussions of Utopias and Millennia.

For my generous critic seems to take it for granted that women are not now dependent on the labour of men for their support—that some, or even most of them, are in a position of freedom. The plain truth of it is—almost all women depend for everything upon one man, who is or may be an absolute despot. A very small number of women have "money of their own," as we quaintly phrase it—that is to say, are supported by the labour of many among us, either in the form of rent or in the form of interest on capital bequeathed to them. A woman with five thousand a year from Consols, for example, is in the strictest sense supported by the united labour of all of us—she has a first mortgage to that amount upon the earnings of the community. You and I are taxed to pay her. But is she therefore more dependent than the woman who lives upon what she can get out of the scanty earnings of a drunken husband? Does the community therefore think it has a right to control her? Not a bit of it. She is in point of fact the only free woman among us. My dream was to see all women equally free—inheritors from the community of so much of its earnings; holders, as it were, of sufficient world-consols to secure their independence.

That, however, is not the main point to which I desire just now to direct attention. I want rather to suggest an underlying fallacy of all so-called individualists in dealing with schemes of so-called Socialism—for to me your Socialist is the true and only individualist. My correspondent's argument is written from the standpoint of the class in which women have or may have money. But most women have none; and schemes of reconstruction must be for the benefit of the many. So-called individualists seem to think that under a more organised social state they would not be so able to buy pictures as at present, not so free to run across to California or Kamschatka. I doubt their premiss, for I believe we should all of us be better off than we are to-day; but let that pass; 'tis a detail. The main thing is this: they forget that most of us are narrowly tied and circumscribed at present by endless monopolies and endless restrictions of land or capital. I should like to buy pictures; but I can't afford them. I long to see Japan; but I shall never get there. The man in the street may desire to till the ground: every acre is appropriated. He may wish to dig coal: Lord Masham prevents him. He may have a pretty taste in Venetian glass: the flints on the shore are private property; the furnace and the implements belong to a capitalist. Under the existing regime, the vast mass of us are hampered at every step in order that a few may enjoy huge monopolies. Most men have no land, so that one man may own a county. And they call this Individualism!

In considering any proposed change, whether imminent or distant, in practice or in day-dream, it is not fair to take as your standard of reference the most highly-favoured individuals under existing conditions. Nor is it fair to take the most unfortunate only. You should look at the average.

Now the average man, in the world as it wags, is a farm-labourer, an artisan, a mill-hand, a navvy. He has untrammelled freedom of contract to follow the plough on another man's land, or to work twelve hours a day in another man's factory, for that other man's benefit—provided always he can only induce the other man to employ him. If he can't, he is at perfect liberty to tramp the high road till he drops with fatigue, or to starve, unhindered, on the Thames Embankment. He may live where he likes, as far as his means permit; for example, in a convenient court off Seven Dials. He may make his own free bargain with grasping landlord or exacting sweater. He may walk over every inch of English soil, with the trifling exception of the millions of acres where trespassers will be prosecuted. Even travel is not denied him: Florence and Venice are out of his beat, it is true; but if he saves up his loose cash for a couple of months, he may revel in the Oriental luxury of a third-class excursion train to Brighton and back for three shillings. Such advantages does the regime of landlord-made individualism afford to the average run of British citizen. If he fails in the race, he may retire at seventy to the ease and comfort of the Union workhouse, and be buried inexpensively at the cost of his parish.

The average woman in turn is the wife of such a man, dependent upon him for what fraction of his earnings she can save from the public-house. Or she is a shop-girl, free to stand all day from eight in the morning till ten at night behind a counter, and to throw up her situation if it doesn't suit her. Or she is a domestic servant, enjoying the glorious liberty of a Sunday out every second week, and a walk with her young man every alternate Wednesday after eight in the evening. She has full leave to do her love-making in the open street, and to get as wet as she chooses in Regent's Park on rainy nights in November. Look the question in the face, and you will see for yourself that the mass of mothers in every community are dependent for support, not upon men in general, but upon a single man, their husband, against whose caprices and despotism they have no sort of protection. Even the few women who are, as we say, "independent," how are they supported, save by the labour of many men who work to keep them in comfort or luxury? They are landowners, let us put it; and then they are supported by the labour of their farmers and ploughmen. Or they hold North-Western shares; and then they are supported by the labour of colliers, and stokers, and guards, and engine-drivers. And so on throughout. The plain fact is, either a woman must earn her own livelihood by work, which, in the case of the mothers in a community, is bad public policy; or else she must be supported by a man or men, her husband, or her labourers.

My day-dream was, then, to make every woman independent, in precisely the same sense that women of property are independent at present. Would it give them a consciousness of being unduly controlled if they derived their support from the general funds of the body politic, of which they would be free and equal members and voters? Well, look at similar cases in our own England. The Dukes of Marlborough derive a heavy pension from the taxes of the country; but I have never observed that any Duke of Marlborough of my time felt himself a slave to the imperious taxpayer. Mr. Alfred Russel Wallace is justly the recipient of a Civil List annuity; but that hasn't prevented his active and essentially individualist brain from inventing Land Nationalisation. Mr. Robert Buchanan very rightly draws another such annuity for good work done; but Mr. Buchanan's name is not quite the first that rises naturally to my lips as an example of cowed and cringing sycophancy to the ideas and ideals of his fellow-citizens. No, no; be sure of it, this terror is a phantom. One master is real, realisable, instant; but to be dependent upon ten million is just what we always describe as independence.

THE END.

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