Sec. XII. Then Pemptides laughed and said, "Of course you know that there is a certain disease of the body called the sacred disease.[83] It is no wonder, therefore, if some call the greatest and most insane passion of the soul sacred and divine. However, as in Egypt I once saw two neighbours disputing when a serpent passed by them on the road, both calling it a good omen, but each claiming the blessing as his alone; so seeing lately that some of you drag Love to the men's apartments, while others confine it to the women's side of the house, while all of you regard it as a divine and superlative blessing, I do not wonder, since it is a passion that has such power and honour, that those who ought to banish it from every quarter and clip its wings do themselves add to its influence and power. And hitherto I held my peace, for I saw that the discussion turned rather on private than public interests, but now that we have got rid of Pisias, I would gladly hear from you to what they had an eye who first called Love a god."

Sec. XIII. Just as Pemptides had left off, and our father was about to answer his question, another messenger came from the town, sent by Ismenodora to summon Anthemion, for the tumult had increased, and there was a difference of opinion between the superintendents of the gymnasium, one thinking they ought to demand the liberation of Baccho, the other thinking they ought not to interfere. Anthemion got up at once and went off. And our father, addressing Pemptides especially, said, "You seem to me, my dear Pemptides, to be handling a great and bold matter, or rather to be discussing things that ought not to be discussed, in asking for a reason in each case for our opinion about the gods. Our ancient and hereditary faith is sufficient, a better argument than which we cannot either utter or find,

'Not e'en if wisdom in our brains resides;'[84]

but if this common foundation and basis of all piety be disturbed, and its stability and time-honoured ideas be unsettled, it becomes undermined and is suspected by everybody. You have heard, of course, what hot water Euripides got into, when he wrote at the beginning of his 'Melanippe,'

'Zeus, whosoe'er he is, I do not know Except by hearsay,'[85]

but if he changed the opening line, he had confidence, it seems, that his play would go down with the public uncommonly well,[86] so he altered it into

'Zeus the divine, as he is truly called.'[87]

And what difference is there between calling in question the received opinion about Zeus or Athene, and that about Love? For it is not now for the first time that Love asks for an altar and sacrifices, nor is he a strange god introduced by foreign superstition, as some Attis or Adonis, furtively smuggled in by hermaphrodites and women, and secretly receiving honours not his own, to avoid an indictment among the gods for coming among them under false pretences. And when, my friend, you hear the words of Empedocles,

'Friendship is there too, of same length and breadth, But with the mind's eye only can you see it, Till with the sight your very soul is thralled,'

you must suppose that they refer to Love. For this god is invisible, but to be extolled by us as one of the very oldest gods. And if you demand proofs about every one of the gods, laying a profane hand on every temple, and bringing a learned doubt to every altar, you will scrutinize and pry into everything. But we need not go far to find Love's pedigree.

'See you how great a goddess Aphrodite is? She 'tis that gave us and engendered Love, Whereof come all that on the earth do live.'[88]

And so Empedocles calls Aphrodite Life-giving,[89] and Sophocles calls her Fruitful, both very appropriate epithets. And though the wonderful act of generation belongs to Aphrodite only, and Love is only present in it as a subordinate, yet if he be absent the whole affair becomes undesirable, and low, and tame. For a loveless coition brings only satiety, as the satisfaction of hunger and thirst, and has nothing noble resulting from it, whereas by Love Aphrodite removes the cloying element in pleasure, and produces harmonious friendship. And so Parmenides declares Love to be the oldest of the creations of Aphrodite, writing in his Cosmogony,

'Of all the gods first Love she did contrive.'

But Hesiod, more naturally in my opinion, makes Love the most ancient of all, so that all things derive their existence from him.[90] If we then deprive Love of his ancient honours, those of Aphrodite will be lost also. For we cannot argue that, while some revile Love, all spare Aphrodite, for on the same stage we hear of Love,

'Love is an idle thing and for the idle:'[91]

and again of Aphrodite,

'Cypris, my boys, is not her only name, For many names has she. She is a hell, A power remorseless, nay a raging madness.'[92]

Just as in the case of the other gods there is hardly one that has not been reviled, or escaped the scurrility of ignorance. Look, for example, at Ares, who may be considered as it were the counterpart of Love, what honours he has received from men, and again what abuse, as

'Ares is blind, ye women, has no eyes, And with his pig's snout roots up all good things.'[93]

And Homer calls him 'blood-stained' and 'fickle.'[94] And Chrysippus brings a grievous charge against him, in defining his name to mean destroyer,[95] thereby giving a handle to those who think that Ares is only the fighting, wrangling, and quarrelsome instinct among mankind. Others again will tell us that Aphrodite is simply desire, and Hermes eloquence, and the Muses the arts and sciences, and Athene wisdom. You see what an abyss of impiety opens up before us, if we describe each of the gods, as only a passion, a power, or a virtue!"

Sec. XIV. "I see it," said Pemptides, "and it is impious either to make the gods passions, or to do just the contrary, and make the passions gods." "What then?" said my father, "do you consider Ares a god, or only a human passion?" And Pemptides, answering that he looked on Ares as god of the passionate and manly element in mankind, "What," cried my father, "shall the passionate and warlike and antagonistic instincts in man have a god, but the affectionate and social and clubable have none? Shall Ares, under his names of Enyalius and Stratius, preside over arms and war and sieges and sacks of cities, and shall there be no god to witness and preside over, to direct and guide, conjugal affection, that friendship of closest union and communion? Why even those who hunt gazelles and hares and deer have a silvan deity who harks and halloos them on, for to Aristaeus[96] they pay their vows when in pitfalls and snares they trap wolves and bears,

'For Aristaeus first set traps for animals.'

And Hercules invoked another god, when he was about to shoot at the bird, as the line of AEschylus shows,

'Hunter Apollo, make my bolt go straight!'[97]

And shall no god or good genius assist and prosper the man who hunts in the best chase of all, the chase of friendship? For I cannot for my part, my dear Daphnaeus, consider man a less beautiful or important plant than the oak, or sacred olive, or the vine which Homer glorifies,[98] seeing that man too has his growth and glorious prime alike of soul and body."

Sec. XV. Then said Daphnaeus, "In the name of the gods, who thinks differently?" "All those certainly must," answered my father, "who think that the gods care only about ploughing and planting and sowing. Have they not Nymphs attending upon them, called Dryads, 'whose age is coeval with the trees they live in: and Dionysus the mirth-giving does he not increase the yield of the trees, the sacred splendour of Autumn,' as Pindar says?[99] And if they care about all this, is there no god or genius who is interested in the nurture and growth of boys and youths in all their glorious flower? is there no one that cares that the growing man may be upright and virtuous, and that the nobility of his nature may not be warped and corrupted, either through want of a guardian or by the depravity of those he associates with? Is it not monstrous and thankless to say so, seeing that we enjoy the divine bounty, which is dealt out to us richly, and never abandons us in our straits? And yet some of these same straits have more necessity than beauty. For example, our birth, in spite of the unpleasant circumstances attending it, is witnessed by the divine Ilithyia and Artemis: and it would be better not to be born at all than to become bad through want of a good guardian and guide. Moreover in sickness the god who is over that province does not desert us, nor even in death: for even then there is a conductor and guide for the departed, to lay them to sleep, and convey their souls to Hades,[100] as the poet says,

'Night bore me not to be lord of the lyre, Nor to be seer, or healer of diseases, But to conduct the souls of the departed.'

And yet these duties involve much unpleasantness, whereas we cannot mention a holier work, nor any struggle or contest more fitting for a god to attend and play the umpire in, than the guidance of the young and beautiful in the prosecution of their love-affairs. For there is here nothing of an unpleasant nature, no compulsion of any kind, but persuasion and grace, truly making toil sweet and labour delightful, lead the way to virtue and friendship, and do not arrive at that desired goal without the deity, for they have as their leader and lord no other god than Love, the companion of the Muses and Graces and Aphrodite. For Love 'sowing in the heart of man the sweet harvest of desire,' to borrow the language of Melanippides, mixes the sweetest and most beautiful things together. But perhaps you are of a different opinion, Zeuxippus."

Sec. XVI. "Not I, by Zeus," replied Zeuxippus. "To have a different opinion would be ridiculous." "Then," continued my father, "is it not also ridiculous, if there are four kinds of friendship, for so the ancients distinguished, the natural first, the second that to one's kindred, the third that to one's companions, the fourth the friendship of love, and each of the first three have a god as patron, either a god of friendship, or a god of hospitality, or a god of the family, or a god of the race,[101] whereas the friendship of love only, as something altogether unholy, is left without any patron god, and that, too, when it needs most of all attentive direction?" "It is," said Zeuxippus, "highly ridiculous." My father continued, "The language of Plato is very suggestive here, to make a slight digression. One kind of madness (he says) is conveyed to the soul from the body through certain bad temperaments or mixtures, or through the prevalence of some noxious spirit, and is harsh, difficult to cure, and baneful. Another kind of madness is not uninspired or from within, but an afflatus from without, a deviation from sober reason, originated and set in motion by some higher power, the ordinary characteristic of which is called enthusiasm. For, as one full of breath is called [Greek: empnoos], and as one full of sense is called [Greek: emphron], so the name enthusiasm is given to the commotion of the soul caused by some Divine agency.[102] Thus there is the prophetic enthusiasm which proceeds from Apollo, and the Bacchic enthusiasm which comes from Dionysus, to which Sophocles alludes where he says, 'Dance with the Corybantes;' for the rites of Cybele and Pan have great affinities to the orgies of Bacchus. And the third madness proceeds from the Muses, and possesses an impressionable and pure soul, and stirs up the poetry and music in a man. As to the martial and warlike madness, it is well known from what god it proceeds, namely, Ares, 'kindling tearful war, that puts an end to the dance and the song, and exciting civic strife.'[103] There remains, Daphnaeus, one more kind of madness in man, neither obscure nor tranquil, as to which I should like to ask Pemptides here,

'What god it is that shakes the fruitful thyrsus?'

I refer to that love-fury for modest boys and chaste women, which is far the keenest and fiercest passion of all. For have you not observed how the soldier, when he lays aside his arms, ceases from his warlike fury, as the poet says,

'Then from him Right gladly did his squires remove the armour,'[104]

and sits down a peaceful spectator of others?[105] The Bacchic and Corybantic dances one can also modulate and quell, by changing the metre from the trochaic and the measure from the Phrygian. Similarly, too, the Pythian priestess, when she descends from her tripod, possesses her soul in peace. Whereas the love-fury, when once it has really seized on a man and inflamed him, can be laid by no Muse, no charm or incantation, no change of place; but present they burn, absent they desire, by day they follow their loves about, by night they serenade them, sober call for them, and drunken sing about them. And he who said that poetic fancies, owing to their vividness, were dreams of people awake, would have more truly spoken so of the fancies of lovers, who, as if their loves were present, converse with them, greet them, chide them. For sight seems to paint all other fancies on a wet ground, so soon do they fade and recede from the memory, but the images of lovers, painted by the fancy as it were on encaustic tiles, leave impressions on the memory, that move, and live, and speak, and are permanent for all time. The Roman Cato, indeed, said that the soul of the lover resided in the soul of the loved one, and I should extend the remark to the appearance, the character, the life, and the actions, conducted by which he travels a long journey in a short time, as the Cynics say they have found a short cut and, as it were, forced march to virtue, for there is also a short cut to friendship and love when the god is propitious. To sum up, the enthusiasm of lovers is not a thing uninspired, and the god that guides and governs it is none other than the god whose festival we are now keeping, and to whom we are now sacrificing. Nevertheless, as we judge of a god mainly from his power and usefulness (as among human advantages we reckon and call these two the most divine, dominion and virtue), it is high time to consider, before we proceed any further, whether Love yields to any of the gods in power. Certainly, as Sophocles says, 'Wonderful is the power which the Cyprian Queen exerts so as always to win the victory:'[106] great also is the might of Ares; and in some sort we see the power of all the other gods divided among these two; for Aphrodite has most intimate connection with the beautiful, and Ares is in our souls from the first to combat against the sordid, to borrow the idea of Plato. Let us consider, then, to begin with, that the venereal delight can be purchased for six obols, and that no one ever yet put himself into any trouble or danger about it, unless he was in love. And not to mention here such famous courtesans as Phryne or Lais, Gnathaenium, 'kindling her lamp at evening time,' on the look-out for lovers and inviting them, is often passed by; 'yet, if some sudden whiff arise' of mighty love and desire, it makes this very delight seem equal to the fabled wealth of Tantalus and his domains. So feeble and cloying is the venereal indulgence, if Love inspires it not. And you will see this more plainly still from the following consideration. Many have allowed others to share in their venereal enjoyments, prostituting not only their mistresses but their wives, like that Roman Galba, who used to ask Maecenas to dinner, and when he saw from his nods and winks that he had a mind to do with his wife, turned his head gently aside as if asleep; but when one of his slaves came up to the table and stole some wine, his eyes were wide open enough, and he said, 'Villain, don't you know that I am asleep only for Maecenas?'[107] But this is not perhaps so strange, considering Galba was a buffoon. But at Argos Nicostratus and Phayllus were great political rivals: so when King Philip visited that city, Phayllus thought if he prostituted his wife, who was very handsome, to the King, he would get from him some important office or place. And Nicostratus getting wind of this, and walking about the doors of Phayllus' house with some of his servants on the qui vive, Phayllus made his wife put on men's boots, and a military cloak, and a Macedonian broad-brimmed hat, and so smuggled her into the King, without being detected, as one of the King's young men. But, of all the multitude of lovers, did you ever hear of one that prostituted his boy-love even for the honours of Zeus? I think not. Why, though no one will generally either speak or act against tyrants, many will who find them their rivals and are jealous about their handsome minions. You must have heard how Aristogiton of Athens, and Antileon of Metapontum, and Melanippus of Agrigentum, rose not against tyrants, although they saw how badly they managed affairs, and what drunken tricks they played, yet, when they attempted the chastity of their boy-loves, they retaliated on them, jeoparding their lives, as if they were defending the inviolability of temples and sanctuaries. It is also recorded that Alexander wrote to Theodoras, the brother of Proteas, 'Send me your singing-girl, unless you love her yourself, and I will give you ten talents;' and when Antipatridas, one of his companions, came to revel with him, bringing with him a female harper, he fancied the girl not a little, and asked Antipatridas if he cared very much about her. And when he replied that he did immensely, Alexander said, 'Plague take you,' but nevertheless abstained from touching the girl.

Sec. XVII. "Consider also how Love excels in warlike feats, and is by no means idle, as Euripides called him,[108] nor a carpet-knight, nor 'sleeping on a maiden's soft cheeks.'[109] For a man inspired by Love needs not Ares to help him when he goes out as a warrior against the enemy, but at the bidding of his own god is 'ready' for his friend 'to go through fire and water and whirlwinds.' And in Sophocles' play,[110] when the sons of Niobe are being shot at and dying, one of them calls out for no helper or assister but his lover. And you know of course how it was that Cleomachus the Pharsalian fell in battle?" "We certainly don't," said Pemptides and those near him, "but we should very much like to." "Well," said my father, "the tale's worth hearing. When the war between the Eretrians and Chalcidians was at its height, Cleomachus had come to aid the latter with a Thessalian force; and the Chalcidian infantry seemed strong enough, but they had great difficulty in repelling the enemy's cavalry. So they begged that high-souled hero Cleomachus to charge the Eretrian cavalry first. And he asked his boy-love, who was by, if he would be a spectator of the fight, and he saying he would, and affectionately kissing him and putting his helmet on his head, Cleomachus with a proud joy put himself at the head of the bravest of the Thessalians, and charged the enemy's cavalry with such impetuosity that he threw them into disorder and routed them; and the Eretrian infantry also fleeing in consequence, the Chalcidians won a splendid victory. However, Cleomachus got killed, and they show his tomb in the market-place at Chalcis, over which a huge pillar stands to this day, and whereas before that the people of Chalcis had censured boy-loves, from that time forward they preferred that kind of love to the normal love. Aristotle gives a slightly different account, namely, that this Cleomachus came not from Thessaly, but from Chalcis in Thrace, to the help of the Chalcidians in Euboea; and that that was the origin of the song in vogue among the Chalcidians,

'Ye boys, who come of noble sires and beauteous are in face, Grudge not to give to valiant men the joy of your embrace: For Love that does the limbs relax combined with bravery In the Chalcidian cities has fame that ne'er shall die.'

But according to the account of the poet Dionysius, in his 'Causes,'[111] the name of the lover was Anton, and that of the boy-love was Philistus. And among you Thebans, Pemptides, is it not usual for the lover to give his boy-love a complete suit of armour when he is enrolled among the men? And did not the erotic Pammenes change the disposition of the heavy-armed infantry, censuring Homer as knowing nothing about love, because he drew up the Achaeans in order of battle in tribes and clans, and did not put lover and love together, that so

'Spear should be next to spear, helmet to helmet,'[112]

seeing that Love is the only invincible general.[113] For men in battle will leave in the lurch clansmen and friends, aye, and parents and sons, but what warrior ever broke through or charged through lover and love, seeing that even when there is no necessity lovers frequently display their bravery and contempt of life. As Thero the Thessalian, who put his left hand on a wall, and drew his sword, and chopped off his thumb, and challenged his rival to do the same. And another in battle falling on his face, as his enemy was about to give him the coup-de-grace, begged him to wait a little till he could turn round, that his love should not see him with a wound in his back. And not only are the most warlike nations most amorous, as the Boeotians the Lacedaemonians and the Cretans, but also of the old heroes, who were more amorous than Meleager, Achilles, Aristomenes, Cimon, and Epaminondas. Why, Epaminondas had as his boy-loves Asopichus and Cephisodorus, the latter of whom fell with him at Mantinea, and is buried near him. As to ..., who was most formidable and a source of terror to the enemy, Eucnamus of Amphissa, who first stood up against him and smote him, received hero honours from the Phocians for his exploit. And as to all the loves of Hercules, it would take up too much time to enumerate them, but those who think that Iolaus was one of them do up to this day worship and honour him, and make their loves swear fidelity at his tomb. Hercules is also said, having understood the art of healing, to have preserved the life of Alcestis, when she was given up by the doctors, to gratify Admetus, who passionately loved his wife, and was Hercules' minion. They say also in legend that Apollo was enamoured of Admetus,

'And was his hired slave for one long year.'

It was a happy thought our remembering Alcestis, for though women have not much of Ares in them, yet when possessed by Love they are bold even to the death, beyond what one would expect from their nature. For if we may credit legendary lore, the stories about Alcestis, and Protesilaus, and Eurydice the wife of Orpheus, show that the only one of the gods that Hades pays attention to is Love; although to everybody else, as Sophocles says, "he knows of no forbearance or favour, or anything but strict justice;" yet before lovers his genius stands rebuked, and they alone find him neither implacable nor relentless. Wherefore although, my friend, it is an excellent thing to be initiated in the Eleusinian mysteries, yet I see that the votaries and initiated of Love have a better time of it in Hades than they have, * *[114] though in regard to legendary lore I stand in the position of one who neither altogether believes nor altogether disbelieves. For legendary lore speaks well, and by a certain wonderful good fortune lights upon the truth, in saying that lovers have a return from Hades to the light of day, but it knows not by what way or how, having as it were got benighted on the road which Plato first discovered by philosophy. There are, indeed, some slender and obscure particles of truth scattered about in the mythology of the Egyptians, but they require a clever man to hunt them out, a man capable of getting great results from small data. Wherefore let that matter pass. And now next to the mighty power of Love let us consider its good will and favour to mankind, I do not mean as to whether it bestows many gifts on its votaries—that is palpable to all—but whether they derive any further advantage from it. For Euripides, though very amorous, admired a very small matter, when he wrote the line—

'Love teaches letters to a man unlearn'd.'[115]

For it makes one previously sluggish quick and intelligent, and, as has been said before, it makes the coward brave, as people harden wood in the fire and make it strong from being weak. And every lover becomes liberal and genuine and generous, even if he was mean before, his littleness and miserliness melting away like iron in the fire, so that they rejoice to give to their loves more than they do to receive themselves from others. You know of course that Anytus, the son of Anthemion, was in love with Alcibiades, and was on one occasion sumptuously entertaining several of his friends, when Alcibiades broke in and took from the table half the cups and went away again; and when some of the guests were indignant and said, 'The stripling has used you most insolently and contemptuously,' Anytus replied, 'Nay, rather, he has dealt kindly with me, for when he might have taken all he has left me half.'"

Sec. XVIII. Zeuxippus was pleased with this story, and said, "O Hercules, you have been within an ace of making me forget my hereditary hatred to Anytus for his behaviour to Socrates and philosophy,[116] since he was so mild and noble to his love." "Be it so," said my father, "Love also makes peevish and gloomy persons kind and agreeable to those they live with; for as 'when the fire blazes the house looks brighter,'[117] so man, it seems, becomes more cheerful through the heat of love. But most people are affected rather curiously; if they see by night a light in a house, they look on it with admiration and wonder; but if they see a little, mean, and ignoble soul suddenly filled with noble-mindedness, freedom, dignity, grace, and liberality, they do not feel constrained to say with Telemachus, 'Surely, some god is there within.'[118] And is it not wonderful, Daphnaeus," continued my father,[119] "in the name of the Graces, that the lover who cares about hardly anything, either his companions and friends, or even the laws and magistrates and kings, who fears nothing, admires nothing, courts nothing, but can even endure to gaze on 'the forked lightning,'[120] yet directly he looks on his love 'he crouches like a cock with drooping feathers,' and his boldness is broken and his pride is cowed. And among the Muses it would not be amiss to mention Sappho; for as the Romans say Cacus the son of Hephaestus vomited out of his mouth fire and flames, so she really speaks words that burn like fire, and in her songs shows the warmth of her heart, as Philoxenus puts it, 'by euphonious songs assuaging the pains of love.' And if you have not in your love for Lysandra forgot all your old love-songs, do repeat to us, Daphnaeus, the lines in which beautiful Sappho says that 'when her love appeared her voice failed and her body burned, and she was seized with paleness and trembling and vertigo.'" And when Daphnaeus had repeated the lines, my father resumed, "In the name of Zeus, is not this plainly a divine seizure? Is not this a wonderful commotion of soul? Why, the Pythian priestess on the tripod is not moved so much as this! Who of those inspired by Cybele are made beside themselves to this extent by the flute and the kettledrum? Moreover, while many see the same body and the same beauty, only the lover is taken by it. Why is this the case? We get no light on it from Menander's words, 'Love is opportunity; and he that is smitten is the only one wounded.' But the god is the cause of it, striking one and letting another go scot-free. But I will not pass over now, 'since it has come into my mouth,' as AEschylus says, what perhaps would have been better spoken before, for it is a very important point. Perhaps, my friend, of all other things which we do not perceive through the senses, some got believed through legend, some through the law, some through reason; whereas we owe our conception of the gods altogether to the poets and legislators and philosophers: all alike teaching the existence of gods, but greatly differing as to their number and order, nature and power. For the gods of the philosophers 'know nothing of disease or old age or pain, and have not to cross the resounding Acheron;' nor do the philosophers accept as gods Strifes, or Prayers, which are found in poetry;[121] nor will they admit Terror and Fear as gods or as the sons of Ares. And on many points also they are at variance with the legislators, as Xenophanes bade the Egyptians, if they regarded Osiris as mortal, not to honour him as a god; but if they thought him a god not to mourn for him. And, again, the poets and legislators will not listen to, nor can they understand, the philosophers who make gods of ideas and numbers and units and spirits. And their views generally are very different. As there were formerly three parties at Athens, the Parali, the Epacrii, and the Pediei, all at variance with one another, yet all agreed to vote for Solon, and chose him with one accord as their mediator and ruler and lawgiver, as he seemed indisputably to hold the first place in merit; so the three parties that entertain different views about the gods are all unanimous on one point, for poets legislators and philosophers all alike register Love as one of the gods, 'loudly singing his praises with one voice,' as Alcaeus says the people of Mitylene chose Pittacus as their monarch. But our king and ruler and governor, Love, is brought down crowned from Helicon to the Academy by Hesiod and Plato and Solon, and in royal apparel rides in a chariot drawn by friendship and intimacy (not such as Euripides speaks of in the line, 'he has been bound in fetters not of brass,'[122] shamefully throwing round him cold and heavy necessity), and soars aloft to the most beautiful and divine things, about which others have spoken better than I can."

Sec. XIX. When my father had spoken thus much, Soclarus began, "Do you see that a second time you have committed the same fault, not cancelling your debts as you ought to do—for I must speak my mind—but evading them on purpose, and not delivering to us your promised ideas on a sacred subject? For as some little time back you only just touched on Plato and the Egyptians as if unwilling to enter on the subject more fully, so now you are doing again. However, as to what has been 'eloquently told'[123] by Plato, or rather by the Muses through Plato's mouth, do not tell us that, my good friend, even if we ask for it; but as to your hint that the Egyptian legend about Love corresponded with Plato's views, you need not discuss it fully and minutely, we shall be satisfied if we hear a little of such mighty matters." And as the rest of the company made the same request, my father said, "The Egyptians, (like the Greeks) recognize two Loves, the Pandemian and the Celestial, to which they add the Sun, they also highly venerate Aphrodite. We also see much similarity between Love and the Sun, for neither is a fire, as some think, but a sweet and productive radiance and warmth, the Sun bringing to the body nourishment and light and growth, and Love doing the same to the soul. And as the heat of the Sun is more powerful when it emerges from clouds and after mist, so Love is sweeter and hotter after a jealous tiff with the loved one,[124] and moreover, as some think the Sun is kindled and extinguished, so also do people conceive of Love as mortal and uncertain. Moreover, just as without training the body cannot easily bear the heat of the Sun, so neither can the untrained soul easily bear the yoke of Love, but both are equally out of tune and suffer, for which they blame the deity and not their own weakness. But in this respect they seem to differ, in that the Sun exhibits to the eye things beautiful and ugly alike, whereas Love throws its light only on beautiful things, and persuades lovers to concentrate their attention on these, and to neglect all other things. As to those that call Aphrodite the Moon, they, too, find some points in common between them; for the Moon is divine and heavenly and a sort of halfway-house between mortal and immortal, but inactive in itself and dark without the presence of the Sun, as is the case with Aphrodite in the absence of Love. So we may say that Aphrodite resembles the Moon, and Love the Sun, more than any other deities, yet are not Love and the Sun altogether the same, for just as body and soul are not the same, but something different, so is it with the Sun and Love, the former can be seen, the latter only felt. And if it should not seem too harsh a saying, one might argue that the Sun acts entirely opposite to Love, for it turns the mind away from the world of fancy to the world of reality, beguiling us by its grace and splendid appearance, and persuading us to seek for truth and everything else in and round it and nowhere else. For as Euripides says,

'Too passionately do we love the Sun, Because it always shines upon the earth, From inexperience of another life,'[125]

or rather from forgetfulness of those things which Love brings to our remembrance. For as when we are woke by a great and bright light, everything that the soul has seen in dreams is vanished and fled, so the Sun is wont to banish the remembrance of past changes and chances, and to bewitch the intelligence, pleasure and admiration causing this forgetfulness. And though reality is really there, yet the soul cleaves to dreams and is dazzled by what is most beautiful and divine. 'For round the soul are poured sweet yet deceiving dreams,' so that the soul thinks everything here good and valuable, unless it obtain divine and chaste Love as its physician and preserver. For Love brings the soul through the body to truth and the region of truth, where pure and guileless beauty is to be found, kindly befriending its votaries like an initiator at the mysteries. And it associates with the soul only through the body. And as geometricians, in the case of boys who cannot yet be initiated into the perception of incorporeal and impassive substance, convey their ideas through the medium of spheres, cubes, and dodecahedrons, so celestial Love has contrived beautiful mirrors of beautiful things, and exhibits them to us glittering in the shapes colours and appearances of youths in all their flower, and calmly stirs the memory which is inflamed first by these. Consequently some, through the stupidity of their friends and intimates, who have endeavoured by force and against reason to extinguish the flame, have got no advantage from it, but filled themselves with smoke and confusion, or have rushed into secret and lawless pleasures and ingloriously wasted their prime. But as many as by sober reason and modesty have abated the extravagance of the passion, and left in the soul only a bright glow—not exciting a tornado of passion, but a wonderful and productive diffusion, as in a growing plant, opening the pores of complaisance and friendliness—these in no long time cease to regard the personal charms of those they love, and study their inward characters, and gaze at one another with unveiled eyes, and associate with one another in words and actions, if they find in their minds any fragment or image of the beautiful; and if not they bid them farewell and turn to others, like bees that only go to those flowers from which they can get honey. But wherever they find any trace or emanation or pleasing resemblance of the divine, in an ecstasy of pleasure and delight they indulge their memory, and revive to whatever is truly lovely and felicitous and admired by everybody."

Sec. XX. "The poets indeed seem for the most part to have written and sung about Love in a playful and merry manner, but have sometimes spoken seriously about him, whether out of their own mind, or the god helping them to truth. Among these are the lines about his birth, 'Well-sandalled Iris bare the most powerful of the gods to golden-haired Zephyr.'[126] But perhaps the learned have persuaded you that these lines are only a fanciful illustration of the variety and beauty of love." "Certainly," said Daphnaeus, "what else could they mean?" "Hear me," said my father, "for the heavenly phenomenon compels us so to speak. The rainbow[127] is, I suppose, a reflection caused by the sun's rays falling on a moist cloud, making us think the appearance is in the cloud. Similarly erotic fancy in the case of noble souls causes a reflection of the memory, from things which here appear and are called beautiful, to what is really divine and lovely and felicitous and wonderful. But most lovers pursuing and groping after the semblance of beauty in boys and women, as in mirrors,[128] can derive nothing more certain than pleasure mixed with pain. And this seems the love-delirium of Ixion, who instead of the joy he desired embraced only a cloud, as children who desire to take the rainbow into their hands, clutching at whatever they see. But different is the behaviour of the noble and chaste lover: for he reflects on the divine beauty that can only be felt, while he uses the beauty of the visible body only as an organ of the memory, though he embraces it and loves it, and associating with it is still more inflamed in mind. And so neither in the body do they sit ever gazing at and desiring this light, nor after death do they return to this world again, and skulk and loiter about the doors and bedchambers of newly-married people, disagreeable ghosts of pleasure-loving and sensual men and women, who do not rightly deserve the name of lovers. For the true lover, when he has got into the other world and associated with beauties as much as is lawful, has wings and is initiated and passes his time above in the presence of his Deity, dancing and waiting upon him, until he goes back to the meadows of the Moon and Aphrodite, and sleeping there commences a new existence. But this is a subject too high for the present occasion. However, it is with Love as with the other gods, to borrow the words of Euripides, 'he rejoices in being honoured by mankind,'[129] and vice versa, for he is most propitious to those that receive him properly, but visits his displeasure on those that affront him. For neither does Zeus as god of Hospitality punish and avenge any outrages on strangers or suppliants, nor as god of the family fulfil the curses of parents, as quickly as Love hearkens to lovers unfairly treated, being the chastiser of boorish and haughty persons. Why need I mention the story of Euxynthetus and Leucomantis, the latter of whom is called The Peeping Girl to this day in Cyprus? But perhaps you have not heard of the punishment of the Cretan Gorgo, a somewhat similar case to that of Leucomantis, except that she was turned into stone as she peeped out of window to see her lover carried out to burial. For this Gorgo had a lover called Asander, a proper young man and of a good family, but reduced in fortune, though he thought himself worthy to mate with anybody. So he wooed Gorgo, being a relation of hers, and though he had many rivals, as she was much run after for her wealth belike, yet he had won the esteem of all the guardians and relations of the young girl.[130] * * * *

Sec. XXI. * * * Now the origins and causes of Love are not peculiar to either sex, but common to both. For those attractions that make men amorous may as well proceed from women as from boys.[131] And as to those beautiful and holy reminiscences and invitations to the divine and genuine and Olympian beauty, by which the soul soars aloft, what hinders but that they may come either from boys or lads, maidens or grown women, whenever a chaste and orderly nature and beauteous prime are associated together (just as a neat shoe exhibits the shapeliness of the foot, to borrow the illustration of Aristo), whenever connoisseurs of beauty descry in beautiful forms and pure bodies clear traces of an upright and unenervated soul.[132] For if[133] the man of pleasure, who was asked whether "he was most given to the love of women or boys," and answered, "I care not which so beauty be but there," is considered to have given an appropriate answer as to his erotic desires, shall the noble lover of beauty neglect beauty and nobility of nature, and make love only with an eye to the sexual parts? Why, the lover of horses will take just as much pleasure in the good points of Podargus, as in those of AEthe, Agamemnon's mare,[134] and the sportsman rejoices not only in dogs, but also rears Cretan and Spartan bitches,[135] and shall the lover of the beautiful and of humanity be unfair and deal unequally with either sex, and think that the difference between the loves of boys and women is only their different dress? And yet they say that beauty is a flower of virtue; and it is ridiculous to assert that the female sex never blossoms nor make a goodly show of virtue, for as AEschylus truly says,

'I never can mistake the burning eye Of the young woman that has once known man.'[136]

Shall the indications then of a forward wanton and corrupt character be found in the faces of women, and shall there be no gleam of chastity and modesty in their appearance? Nay, there are many such, and shall they not move and provoke love? To doubt it would be neither sensible nor in accordance with the facts, for generally speaking, as has been pointed out, all these attractions are the same in both sexes.... But, Daphnaeus, let us combat those views which Zeuxippus lately advanced, making Love to be only irregular desire carrying the soul away to licentiousness, not that this was so much his own view as what he had often heard from morose men who knew nothing of love: some of whom marry unfortunate women for their dowries, and force on them economy and illiberal saving, and quarrel with them every day of their lives: while others, more desirous of children than wives, when they have made those women they come across mothers, bid farewell to marriage, or regard it not at all, and neither care to love nor be loved. Now the fact that the word for conjugal love differs only by one letter from the word for endurance, the one being [Greek: stergein] the other [Greek: stegein], seems to emphasize the conjugal kindness mixed by time and intimacy with necessity. But that marriage which Love has inspired will in the first place, as in Plato's Republic, know nothing of Meum and Tuum, for the proverb, 'whatever belongs to a friend is common property,'[137] is especially true of married persons who, though disunited in body, are perforce one in soul, neither wishing to be two, nor thinking themselves so. In the second place there will be mutual respect, which is a vital necessity in marriage. For as to that external respect which has in it more of compulsion than choice, being forced by the law and shame and fear,

"Those needful bits and curbs to headstrong weeds,"[138]

that will always exist in wedlock. But in Love there is such self-control and decorum and constancy, that if the god but once enter the soul of a licentious man, he makes him give up all his amours, abates his pride, and breaks down his haughtiness and dissoluteness, putting in their place modesty and silence and tranquillity and decorum, and makes him constant to one. You have heard of course of the famous courtesan Lais,[139] how she set all Greece on fire with her charms, or rather was contended for by two seas,[140] and how, when she fell in love with Hippolochus the Thessalian, 'she left Acro-Corinthus washed by the green sea,'[141] and deserted all her other lovers, that great army, and went off to Thessaly and lived faithful to Hippolochus. But the women there, envious and jealous of her for her surpassing beauty, dragged her into the temple of Aphrodite, and there stoned her to death, for which reason probably it is called to this day the temple of Aphrodite the Murderess.[142] We have also heard of servant girls who have refused the embraces of their masters, and of private individuals who have scorned an amour with queens, when Love has had dominion in their hearts. For as in Rome, when a dictator is proclaimed, all other magistrates lay down their offices, so those over whom Love is lord are free henceforward from all other lords and masters, and pass the rest of their lives dedicate to the god and slaves in his temple. For a noble woman united by Love to her lawful husband would prefer the embraces of bears and dragons to those of any other man."

Sec. XXII. "Although there are plenty of examples of this virtue of constancy, yet to you, that are the festive votaries of the god,[143] it will not be amiss to relate the story of the Galatian Camma. She was a woman of most remarkable beauty, and the wife of the tetrarch Sinatus, whom Sinorix, one of the most influential men in Galatia, and desperately in love with Camma, murdered, as he could neither get her by force or persuasion in the lifetime of her husband. And Camma found a refuge and comfort in her grief in discharging the functions of hereditary priestess to Artemis, and most of her time she spent in her temple, and, though many kings and potentates wooed her, she refused them all. But when Sinorix boldly proposed marriage to her, she declined not his offer, nor blamed him for what he had done, as though she thought he had only murdered Sinatus out of excessive love for her, and not in sheer villany. He came, therefore, with confidence, and asked her hand, and she met him and greeted him and led him to the altar of the goddess, and pledged him in a cup of poisoned mead, drinking half of it herself and giving him the rest. And when she saw that he had drunk it up, she shouted aloud for joy, and calling upon the name of her dead husband, said, 'Till this day, dearest husband, I have lived, deprived of you, a life of sorrow: but now take me to yourself with joy, for I have avenged you on the worst of men, as glad to share death with him as life with you.' Then Sinorix was removed out of the temple on a litter, and soon after gave up the ghost, and Camma lived the rest of that day and following night, and is said to have died with a good courage and even with gaiety."[144]

Sec. XXIII. "As many similar examples might be adduced, both among ourselves and foreigners, who can feel any patience with those that reproach Aphrodite with hindering friendship when she associates herself with Love as a partner? Whereas any reflecting person would call the love of boys wanton and gross lasciviousness, and say with the poet:

'This is an outrage, not an act of love.'

All willing pathics, therefore, we consider the vilest of mankind, and credit them with neither fidelity, nor modesty, nor friendship, for as Sophocles says:

'Those who shall lose such friends may well be glad, And those who have such pray that they may lose them,'[145]

But as for those who, not being by nature vicious, have been seduced or forced, they are apt all their life to despise and hate their seducers, and when an opportunity has presented itself to take fierce vengeance. As Crateus, who murdered Archelaus, and Pytholaus, who murdered Alexander of Pherae. And Periander, the tyrant of the Ambraciotes, having asked a most insulting question of his minion, was murdered by him, so exasperated was he. But with women and wives all this is the beginning of friendship, and as it were an initiation into the sacred mysteries. And pleasure plays a very small part in this, but the esteem and favour and mutual love and constancy that result from it, proves that the Delphians did not talk nonsense in giving the name of Arma[146] to Aphrodite, nor Homer in giving the name of friendship[147] to sexual love, and testifies to the fact that Solon was a most experienced legislator in conjugal matters, seeing that he ordered husbands not less than thrice a month to associate with their wives, not for pleasure, but as states at certain intervals renew their treaties with one another, so he wished that by such friendliness marriage should, as it were, be renewed after any intervening tiffs and differences. But you will tell me there is much folly and even madness in the love of women. Is there not more extravagance in the love of boys?

'Seeing my many rivals I grow faint. The lad is beardless, smooth and soft and handsome, O that I might in his embraces die, And have the fact recorded on my tomb.'

Such extravagant language as this is madness not love. And it is absurd to detract from woman's various excellence. Look at their self-restraint and intelligence, their fidelity and uprightness, and that bravery courage and magnanimity so conspicuous in many! And to say that they have a natural aptitude for all other virtues, but are deficient as regards friendship alone, is monstrous. For they are fond of their children and husbands, and generally speaking the natural affection in them is not only, like a fruitful soil, capable of friendship, but is also accompanied by persuasion and other graces. And as poetry gives to words a kind of relish by melody and metre and rhythm, making instruction thereby more interesting, but what is injurious more insidious, so nature, investing woman with beautiful appearance and attractive voice and bewitching figure, does much for a licentious woman in making her wiles more formidable, but makes a modest one more apt thereby to win the goodwill and friendship of her husband. And as Plato advised Xenocrates, a great and noble man in all other respects, but too austere in his temperament, to sacrifice to the Graces, so one might recommend a good and modest woman to sacrifice to Love, that her husband might be a mild and agreeable partner, and not run after any other woman, so as to be compelled to say like the fellow in the comedy, 'What a wretch I am to ill-treat such a woman!' For to love in marriage is far better than to be loved, for it prevents many, nay all, of those offences which spoil and mar marriage.

Sec. XXIV. As to the passionate affection in the early days of marriage,[148] my dear Zeuxippus, do not fear that it will leave any sore or irritation, though it is not wonderful that there should be some friction at the commencement of union with a virtuous woman, just as at the grafting of trees, as there is also pain at the beginning of conception, for there can be no complete union without some suffering. Learning puts boys out somewhat when they first go to school, as philosophy does young men at a later day, but the ill effects are not lasting, either in their cases or in the case of lovers. As in the fusion of two liquors, love does indeed at first cause a simmering and commotion, but eventually cools down and settles and becomes tranquil. For the union of lovers is indeed a complete union, whereas the union of those that live together without love resembles only the friction and concussion of Epicurus' atoms in collision and recoil, forming no such union as Love makes, when he presides over the conjugal state. For nothing else produces so much pleasure, or such lasting advantages, or such beautiful remarkable and desirable friendship,

'As when husband and wife live in one house, Two souls beating as one.'[149]

And the law gives its countenance, and nature shows that even the gods themselves require love for the production of everything. Thus the poets tell us that 'the earth loves a shower, and heaven loves the earth,' and the natural philosophers tell us that the sun is in love with the moon, and that they are husband and wife, and that the earth is the mother of man and beast and the producer of all plants. Would not the world itself then of necessity come to an end, if the great god Love and the desires implanted by the god should leave matter, and matter should cease to yearn for and pursue its lead? But not to seem to wander too far away and altogether to trifle, you know that many censure boy-loves for their instability, and jeeringly say that that intimacy like an egg is destroyed by a hair,[150] for that boy-lovers like Nomads, spending the summer in a blooming and flowery country, at once decamp then as from an enemy's territory. And still more vulgarly Bion the Sophist called the sprouting beards of beautiful boys Harmodiuses and Aristogitons,[151] inasmuch as lovers were delivered by them from a pleasant tyranny. But this charge cannot justly be brought against genuine lovers, and it was prettily said by Euripides, as he embraced and kissed handsome Agatho whose beard was just sprouting, that the Autumn of beautiful youths was lovely as well as the Spring. And I maintain that the love of beautiful and chaste wives flourishes not only in old age amid grey hairs and wrinkles, but even in the grave and monument. And while there are few such long unions in the case of boy-loves, one might enumerate ten thousand such instances of the love of women, who have kept their fidelity to the end of their lives. One such case I will relate, which happened in my time in the reign of the Emperor Vespasian.

Sec. XXV. Julius, who stirred up a revolt in Galatia, among several other confederates had one Sabinus, a young man of good family, and for wealth and renown the most conspicuous of all the men in those parts. But having attempted what was too much for them they were foiled, and expecting to pay the penalty, some committed suicide, others fled and were captured. Now Sabinus himself could easily have got out of the way and made his escape to the barbarians, but he had married a most excellent wife, whose name in that part of the world was Empone, but in Greek would be Herois, and he could neither leave her behind nor take her with him. As he had in the country some underground caves, known only to two of his freedmen, where he used to stow away things, he dismissed all the rest of his slaves, as if he intended to poison himself, and taking with him these two trusty freedmen he descended with them into those underground caves, and sent one of them, Martialis, to tell his wife that he had poisoned himself, and that his body was burnt in the flames of his country-house, for he wanted his wife's genuine sorrow to lend credit to the report of his death. And so it happened. For she, throwing herself on to the ground, groaned and wailed for three days and nights, and took no food. And Sabinus, being informed of this, and fearing that she would die of grief, told Martialis to inform her secretly that he was alive and well and in hiding, and to beg her not to relax her show of grief, but to keep up the farce. And she did so with the genius of a professional actress, but yearning to see her husband she visited him by night, and returned without being noticed, and for six or seven months she lived with him this underground life. And she disguised him by changing his dress, and cutting off his beard, and re-arranging his hair, so that he should not be known, and took him to Rome, having some hopes of obtaining his pardon. But being unsuccessful in this she returned to her own country, and spent most of her time with her husband underground, but from time to time visited the town, and showed herself to some ladies who were her friends and relations. But what is most astonishing of all is that, though she bathed with them, she concealed her pregnancy from them. For the dye which women use to make their hair a golden auburn, has a tendency to produce corpulence and flesh and a full habit, and she rubbed this abundantly over all parts of her body, and so concealed her pregnancy. And she bare the pangs of travail by herself, as a lioness bears her whelps, having hid herself in the cave with her husband, and there she gave birth to two boys, one of whom died in Egypt, the other, whose name was Sabinus, was among us only the other day at Delphi. Vespasian eventually put her to death, but paid the penalty for it, his whole progeny in a short time being wiped off the face of the earth.[152] For during the whole of his reign he did no more savage act, nor could gods or demons have turned away their eyes from a crueller sight. And yet her courage and bold language abated the pity of the spectators, though it exasperated Vespasian, for, despairing of her safety, she bade them go and tell the Emperor, 'that it was sweeter to live in darkness and underground than to wear his crown.'"[153]

Sec. XXVI. Here my father said that the conversation about Love which took place at Thespiae ended. And at this moment Diogenes, one of Pisias' companions, was noticed coming up at a faster pace than walking. And while he was yet a little way off, Soclarus hailed him with, "You don't announce war, Diogenes," and he replied, "Hush! it is a marriage; come with me quickly, for the sacrifice only waits for you." All were delighted, and Zeuxippus asked if Pisias was still against the marriage. "As he was first to oppose it," said Diogenes, "so he was first to yield the victory to Ismenodora, and he has now put on a crown and robed himself in white, so as to take his place at the head of the procession to the god through the market-place." "Come," said my father, "in Heaven's name, let us go and laugh at him, and worship the god; for it is clear that the god has taken delight in what has happened, and been propitious."

[62] The allusion is to Plato's "Phaedrus," p. 230, B. Much, indeed, of the subject-matter here is, we shall find, somewhat similar to that of the Phaedrus.

[63] It is difficult to know what the best English word here is. From the sly thrust in Sec. ix. Pisias was evidently grey. I have therefore selected the word gravest. But the most austere, the most sensible, the most solid, the most sedate, all might express the Greek word also. Let the reader take which he likes best.

[64] In a Greek house the women and men had each their own separate apartments. This must be borne in mind here to explain the allusion.

[65] That is, from interested and selfish motives.

[66] On Lais and Aristippus see Cicero, "Ad. Fam.," ix. 26.

[67] Pausanias, i. 19, shows us that there was at Athens a Temple of Hercules called Cynosarges. But the matter is obscure. What the exact allusion is I cannot say.

[68] Fragment of AEschylus. See Athenaeus, xiii. p. 602, E, which explains the otherwise obscure allusion.

[69] That is the son of Hera alone, who was unwilling to be outdone by Zeus, who had given birth to Pallas Athene alone. Hesiod has the same view, "Theog." 927.

[70] [Greek: opora] is so used also in AEsch. "Suppl.," 998, 1015. See also "Athenaeus," 608, F. Daphnaeus implies these very nice gentlemen, like the same class described by Juvenal, "Curios simulant et Bacchanalia vivunt."

[71] I omit [Greek: kai kopidas] as a gloss or explanation of the old reading [Greek: makeleia] instead of [Greek: matruleia]. Nothing can be made of [Greek: kai kopidas] in the context.

[72] "Works and Days," 606-608.

[73] I follow here the reading of Wyttenbach. Through the whole of this essay the reading is very uncertain frequently. My text in it has been formed from a careful collation of Wyttenbach, Reiske, and Duebner. I mention this here once for all, for it is unnecessary in a translation to minutely specify the various readings on every occasion. I am not editing the "Moralia."

[74] "De Oenantha et Agathoclea, v. Polyb. excerpt, l. xv."—Reiske.

[75] Thespiae. The allusion is to Phryne. See Pausanias, ix. 27; x. 15.

[76] Reading with Wyttenbach, [Greek: hosper daktylion ischnou, ho me perirrhue dedios.]

[77] Perhaps cur = coward, was originally cur-tail.

[78] One of the three ports at Athens. See Pausanias, i. 1.

[79] Iolaus was the nephew of Hercules, and was associated with him in many of his Labours. See Pausanias, i. 19; vii. 2; viii. 14, 45.

[80] I read [Greek: synoarizontas]. The general reading [Greek: synerontas] will hardly do here. Wyttenbach suggests [Greek: synearizontas].

[81] What the [Greek: dibolia] was is not quite clear. I have supposed a jersey.

[82] The women of Lemnos were very masterful. On one memorable occasion they killed all their husbands in one night. Thus the line of Ovid has almost a proverbial force, "Lemniadesque viros nimium quoque vincere norunt."—Heroides, vi. 53. Siebelis in his Preface to Pausanias, p. xxi, gives from an old Scholia a sort of excuse for the action of the women of Lemnos.

[83] Probably the epilepsy. See Herodotus, iii. 33.

[84] Euripides, "Bacchae," 203.

[85] Euripides, Fragment of the "Melanippe."

[86] I take Wyttenbach's suggestion as to the reading here.

[87] This line is taken bodily by Aristophanes in his "Frogs," 1244.

[88] The first line is the first line of a passage from Euripides, consisting of thirteen lines, containing similar sentiments to this. See Athenaeus, xiii. p. 599, F. The last two lines are from Euripides, "Hippolytus," 449, 450.

[89] Compare Lucretius, i. 1-5.

[90] Hesiod, "Theogony," 116-120.

[91] Euripides, "Danae," Frag. Compare Ovid, "Cedit amor rebus: res age, tutus eris."

[92] Sophocles, Fragm. 678, Dindorf. Compare a remark of Sophocles, recorded by Cicero, "De Senectute," ch. xiv.

[93] Sophocles, Fragm. 720. Reading [Greek: kala] with Reiske.

[94] Iliad, v. 831.

[95] Connecting [Greek: Ares] with [Greek: anairein].

[96] The Saint Hubert of the Middle Ages.

[97] AEschylus, Frag. 1911. Dindorf.

[98] Odyssey, v. 69.

[99] Fragm. 146, 125.

[100] Hermes is alluded to.

[101] All these four were titles of Zeus. They are very difficult to put into English so as to convey any distinctive and definite idea to an English reader.

[102] Enthusiasm is the being [Greek: entheos], or inspired by some god.

[103] From AEschylus, "Supplices," 681, 682.

[104] "Iliad," vii. 121, 122.

[105] Like the character described in Lucretius, ii. 1-6.

[106] Sophocles, "Trachiniae," 497. The Cyprian Queen is, of course, Aphrodite.

[107] Hence the famous Proverb, "Non omnibus dormio." See Cic. "Ad. Fam." vii. 24.

[108] Above, in Sec. xiii.

[109] See Sophocles, "Antigone," 783, 784. And compare Horace, "Odes," Book iv. Ode xiii. 6-8, "Ille virentis et Doctae psallere Chiae Pulchris excubat in genis."

[110] The "Niobe," which exists only in a few fragments.

[111] This was the name of Dionysius' Poem. He was a Corinthian poet.

[112] "Iliad," xiii. 131.

[113] Reading according to the conjecture of Wyttenbach, [Greek: hos ton Erota uonon aetteton onta ton strategon].

[114] Something has probably dropped out here, as Duebner suspects.

[115] Fragment from the "Stheneboea" of Euripides.

[116] Anytus was one of the accusers of Socrates, and so one of the causers of his death. So Horace calls Socrates "Anyti reum," "Sat." ii. 4, 3.

[117] Homeric Epigrammata, xiii. 5. Quoted also in "On Virtue and Vice," Sec. 1.

[118] Odyssey, xix. 40.

[119] I adopt the suggestion of Wyttenbach, [Greek: eipen, o Daphnaie].

[120] Pinder, "Pyth." i. 8.

[121] See for example Homer, Iliad, xi. 3, 73; ix. 502.

[122] Euripides, "Pirithous," Fragm. 591. Dindorf.

[123] An allusion to Homer, "Odyssey," xii. 453.

[124] So Terence, "Andria," 555. "Amantium irae amoris integratiost."

[125] Euripides, "Hippolytus," 194-196.

[126] The lines are from Alcaeus. Thus Love was the child of the Rainbow and the West Wind. A pretty conceit.

[127] Greek iris.

[128] The mirrors of the ancients were of course not like our mirrors. They were only burnished bronze. Hence the view in them would be at best somewhat obscure. This explains 1 Cor. xiii. 12; 2 Cor. iii. 18; James i. 23.

[129] See Euripides, "Hippolytus," 7, 8.

[130] Here the story unfortunately ends, and for all time we shall know no more of it. Reiske somewhat forcibly says, "Vel lippus videat Gorgus historiam non esse finitam, et multa, ut et alias, periisse."

[131] Like Reiske we condense here a little.

[132] Reading with Reiske [Greek: orthes kai athruptou.]

[133] I read [Greek: ei gar].

[134] See "Iliad," xxiii. 295. Podargus was an entire horse.

[135] See Ovid, "Metamorph." iii. 206-208.

[136] AEschylus, "Toxotides," Fragm. 224.

[137] A very favourite proverb among the ancients. See Plat. "Phaedr." fin. Martial, ii. 43.

[138] Soph. Fragm. 712.

[139] On Lais, see Pausanias, ii. 2. Her Thessalian lover is there called Hippostratus. Her favours were so costly that the famous proverb is said to owe its origin to her, "Non cuivis homini contingit adire Corinthum."

[140] The AEgean and Ionian. Cf. Horace, "Odes," i. 7, 2.

[141] On Acro-Corinthus, see Pausanias, ii. 4. The words in inverted commas are from Euripides, Fragm. 921.

[142] On Lais generally, and her end, see Athenaeus, xiii. 54, 55.

[143] See Sec. I. The Festival of Love was being kept at this very time.

[144] This story is also told by Plutarch, "De Mulierum Virtutibus," Sec. xx.

[145] Sophocles, Fragm. 741. Quoted again in "On Abundance of Friends," Sec. iii.

[146] A Delphic word for love. Can it be connected with [Greek: arma]?

[147] Very frequent in Homer, e.g., "Iliad," ii. 232; vi, 165; xiii. 636: xiv. 353, etc.

[148] See Lucretius, iv. 1105-1114. I tone down the original here a little.

[149] Homer, "Odyssey," vi. 183, 184. Cf. Eurip. "Medea," 14, 15.

[150] This means when the moustache and beard and whiskers begin to grow.

[151] The whole story about Harmodius and Aristogiton and how they killed Hipparchus is told by Thucydides, vi. 54-59. Bion therefore practically called these sprouting beards tyrant-killers, tyrannicides.

[152] "Scriptus igitur hic libellus est post caedem Domitiani."—Reiske.

[153] Vespasian certainly was not cruel generally. "Non temere quis punitus insons reperietur, nisi absente eo et ignaro aut certe invito atque decepto..... Sola est, in qua merito culpetur, pecuniae cupiditas."—Suetonius, "Divus Vespasianus," 15, 16.



CONJUGAL PRECEPTS.

PLUTARCH SENDS GREETING TO POLLIANUS AND EURYDICE.

After the customary marriage rites, by which, the Priestess of Demeter has united you together, I think that to make an appropriate discourse, and one that will chime in with the occasion, will be useful to you and agreeable to the law. For in music one of the tunes played on the flute is called Hippothorus,[154] which is a tune that excites fierce desire in stallions to cover mares; and though in philosophy there are many goodly subjects, yet is there none more worthy of attention than that of marriage, on which subject philosophy spreads a charm over those who are to pass life together, and makes them gentle and mild to one another. I send therefore as a gift to both of you a summary of what you have often heard, as you are both well versed in philosophy, arranging my matter in a series of short observations that it may be the more easily remembered, and I pray that the Muses will assist and co-operate with Aphrodite, so that no lyre or lute could be more harmonious or in tune than your married life, as the result of philosophy and concord. And thus the ancients set up near Aphrodite statues of Hermes, to show that conversation was one of the great charms of marriage, and also statues of Peitho[155] and the Graces, to teach married people to gain their way with one another by persuasion, and not by wrangling or contention.

Sec. I. Solon bade the bride eat a quince the first night of marriage, intimating thereby, it seems, that the bridegroom, was to expect his first pleasure from the bride's mouth and conversation.

Sec. II. In Boeotia they dress up the bride with a chaplet of asparagus, for as the asparagus gives most excellent fruit from a thorny stalk, so the bride, by not being too reluctant and coy in the first approaches, will make the married state more agreeable and pleasant. But those husbands who cannot put up with the early peevishness of their brides, are not a whit wiser than those persons who pluck unripe grapes and leave the ripe grapes for others.[156] On the other hand, many brides, being at first disgusted with their husbands, are like those that stand the bee's sting but neglect the honey.

Sec. III. Married people should especially at the outset beware of the first quarrel and collision, observing that vessels when first fabricated are easily broken up into their component parts, but in process of time, getting compact and firmly welded together, are proof against either fire or steel.

Sec. IV. As fire gets kindled easily in chaff or in a wick or in the fur of hares, but is easily extinguished again, if it find no material to keep it in and feed it, so we must not consider that the love of newly-married people, that blazes out so fiercely in consequence of the attractions of youth and beauty, will be durable and lasting, unless it be fixed in the character, and occupy the mind, and make a living impression.[157]

Sec. V. As catching fish by drugged bait is easy, but makes the fish poor to eat and insipid, so those wives that lay traps for their husbands by philtres and charms, and become their masters by pleasure, have stupid senseless and spoiled husbands to live with. For those that were bewitched by Circe did her no good, nor could she make any use of them when they were turned into swine and asses, but she was greatly in love with the prudent Odysseus who dwelt with her sensibly.

Sec. VI. Those women who would rather lord it over fools than obey sensible men, resemble those people who would rather lead the blind on a road, and not people who have eyesight and know how to follow.

Sec. VII. Women disbelieve that Pasiphaee, a king's wife, was enamoured of a bull, although they see some of their sex despising grave and sober men, and preferring to associate with men who are the slaves of intemperance and pleasure, and like dogs and he-goats.

Sec. VIII. Men who through weakness or effeminacy cannot vault upon their horses' backs, teach them to kneel and so receive their riders. Similarly, some men that marry noble or rich wives, instead of making themselves better humble their wives, thinking to rule them easier by lowering them. But one ought to govern with an eye to the merit of a woman, as much as to the size of a horse.

Sec. IX. We see that the moon when it is far from the sun is bright and glorious, but pales and hides its light when it is near. A modest wife on the contrary ought to be seen chiefly with her husband, and to stay at home and in retirement in his absence.

Sec. X. It is not a true observation of Herodotus, that a woman puts off her modesty with her shift.[158] On the contrary, the modest woman puts on her modesty instead, and great modesty is a sign of great conjugal love.

Sec. XI. As where two voices are in unison the loudest prevails; so in a well-managed household everything is done by mutual consent, but the husband's supremacy is exhibited, and his wishes are consulted.

Sec. XII. The Sun beat the North Wind.[159] For when it blew a strong and terrible blast, and tried to make the man remove his cloak, he only drew it round him more closely, but when the Sun came out with its warm rays, at first warmed and afterwards scorched, he stripped himself of coat as well as cloak. Most woman act similarly: if their husbands try to curtail by force their luxury and extravagance, they are vexed and fight for their rights, but if they are convinced by reason, they quietly drop their expensive habits, and keep within bounds.

Sec. XIII. Cato turned out of the Senate a man who kissed his own wife in the presence of his daughter. This was perhaps too strong a step, but if it is unseemly, as indeed it is, for husband and wife in the presence of others to fondle and kiss and embrace one another, is it not far more unseemly in the presence of others to quarrel and jangle? Just as conjugal caresses and endearments ought to be private, so ought admonition and scolding and plain speaking.

Sec. XIV. Just as there is little use in a mirror adorned with gold or precious stones, unless it conveys a true likeness, so there is no advantage in a rich wife, unless she conforms her life and habits to her husband's position. For if when a man is joyful the mirror makes him look sad, and when he is put out and sad it makes him look gay and smiling from ear to ear, the mirror is plainly faulty. So the wife is faulty and devoid of tact, who frowns when her husband is in the vein for mirth and jollity, and who jokes and laughs when he is serious: the former conduct is disagreeable, the latter contemptuous.[160] And, just as geometricians say lines and surfaces do not move of themselves, but only in connection with bodies, so the wife ought to have no private emotions of her own, but share in her husband's gravity or mirth, anxiety or gaiety.

Sec. XV. As those husbands who do not like to see their wives eating and drinking in their company only teach them to take their food on the sly, so those husbands who are not gay and jolly with their wives, and never joke or smile with them, only teach them to seek their pleasures out of their company.

Sec. XVI. The kings of Persia have their wedded wives at their side at banquets and entertainments; but when they have a mind for a drunken debauch they send them away,[161] and call for singing-girls and concubines, rightly so doing, for so they do not mix up their wives with licentiousness and drunkenness. Similarly, if a private individual, lustful and dissolute, goes astray with a courtesan or maid-servant, the wife should not be vexed or impatient, but consider that it is out of respect to her that he bestows upon another all his wanton depravity.

Sec. XVII. As kings make[162] if fond of music many musicians, if lovers of learning many men of letters, and many athletes if fond of gymnastics, so the man who has an eye for female charms teaches his wife to dress well, the man of pleasure teaches his meretricious tricks and wantonness, while the true gentleman makes his virtuous and decorous.

Sec. XVIII. A Lacedaemonian maiden, when someone asked her if she had yet had dealings with a man, replied, "No, but he has with me." This methinks is the line of conduct a matron should pursue, neither to decline the embraces of a husband when he takes the initiative, nor to provoke them herself, for the one is forward and savours of the courtesan, the other is haughty and unnatural.

Sec. XIX. The wife ought not to have her own private friends, but cultivate only those of the husband. Now the gods are our first and greatest friends, so the wife ought only to worship and recognize her husband's gods, and the door ought to be shut on all superfluous worship and strange superstitions, for none of the gods are pleased with stealthy and secret sacrifices on the part of a wife.

Sec. XX. Plato says that is a happy and fortunate state, where the words Meum and Tuum are least heard,[163] because the citizens regard the common interest in all matters of importance. Far more essential is it in marriage that the words should have no place. For, as the doctors say, that blows on the left shoulders are also felt on the right,[164] so is it good[165] for husband and wife to mutually sympathize with one another, that, just as the strength of ropes comes from the twining and interlacing of fibres together, so the marriage knot may be confirmed and strengthened by the interchange of mutual affection and kindness. Nature itself teaches this by the birth of children, which are so much a joint result, that neither husband nor wife can discriminate or discern which part of the child is theirs. So, too, it is well for married persons to have one purse, and to throw all their property into one common stock, that here also there may be no Meum and Tuum. And just as we call the mixture of water and wine by the name of wine, even though the water should preponderate,[166] so we say that the house and property belongs to the man, even though the wife contribute most of the money.

Sec. XXI. Helen was fond of wealth, Paris of pleasure, whereas Odysseus was prudent, Penelope chaste. So the marriage of the last two was happy and enviable, while that of the former two brought an Iliad of woe on Greeks and barbarians alike.

Sec. XXII. The Roman who was taken to task by his friends for repudiating a chaste wealthy and handsome wife, showed them his shoe and said, "Although this is new and handsome, none of you know where it pinches me."[167] A wife ought not therefore to put her trust in her dowry, or family, or beauty, but in matters that more vitally concern her husband, namely, in her disposition and companionableness and complaisance with him, not to make every-day life vexatious or annoying, but harmonious and cheerful and agreeable. For as doctors are more afraid of fevers that are generated from uncertain causes, and from a complication of ailments, than of those that have a clear and adequate cause, so the small and continual and daily matters of offence between husband and wife, that the world knows nothing about, set the household most at variance, and do it the greatest injury.

Sec. XXIII. King Philip was desperately enamoured of a Thessalian woman,[168] who was accused of bewitching him; his wife Olympias therefore wished to get this woman into her power. But when she came before her, and was evidently very handsome, and talked to her in a noble and sensible manner, Olympias said, "Farewell to calumny! Your charms lie in yourself."[169] So invincible are the charms of a lawful wife to win her husband's affection by her virtuous character, bringing to him in herself dowry, and family, and philtres, and even Aphrodite's cestus.[170]

Sec. XXIV. Olympias, on another occasion, when a young courtier had married a wife who was very handsome, but whose reputation was not very good, remarked, "This fellow has no sense, or he would not have married with his eyes." We ought neither to marry with our eyes, nor with our fingers, as some do, who reckon up on their fingers what dowry the wife will bring, not what sort of partner she will make.

Sec. XXV. It was advice of Socrates, that when young men looked at themselves in the mirror, those who were not handsome should become so through virtue, and those who were so should not by vice deform their beauty. Good also is it for the matron, when she has the mirror in her hands, if not handsome to say to herself, "What should I be, if I were not virtuous?" and if handsome to say to herself, "How good it were to add virtue to beauty!" for it is a feather in the cap of a woman not handsome to be loved for herself and not for good looks.

Sec. XXVI. Dionysius, the tyrant of Sicily, sent some costly dresses and necklaces to the daughters of Lysander, but he would not receive them, and said, "These presents will bring my daughters more shame than adornment." And Sophocles said still earlier than Lysander, "Your madness of mind will not appear handsome, wretch, but most unhandsome." For, as Crates says, "that is adornment which adorns," and that adorns a woman that makes her more comely; and it is not gold or diamonds or scarlet robes that make her so, but her dignity, her correct conduct, and her modesty.

Sec. XXVII. Those who sacrifice to Hera as goddess of marriage,[171] do not burn the gall with the other parts of the victim, but when they have drawn it throw it away beside the altar: the lawgiver thus hinting that gall and rage have no place in marriage. For the austerity of a matron should be, like that of wine, wholesome and pleasant, not bitter as aloes, or like a drug.

Sec. XXVIII. Plato advised Xenocrates, a man rather austere but in all other respects a fine fellow, to sacrifice to the Graces. I think also that a chaste wife needs the graces with her husband that, as Metrodorus said, "she may live agreeably with him, and not be bad-tempered because she is chaste." For neither should the frugal wife neglect neatness, nor the virtuous one neglect to make herself attractive, for peevishness makes a wife's good conduct disagreeable, as untidiness makes one disgusted with simplicity.

Sec. XXIX. The wife who is afraid to laugh and jest with her husband, lest she should appear bold and wanton, resembles one that will not anoint herself with oil lest she should be thought to use cosmetics, and will not wash her face lest she should be thought to paint. We see also in the case of those poets and orators, that avoid a popular illiberal and affected style, that they artificially endeavour to move and sway their audience by the facts, and by a skilful arrangement of them, and by their gestures. Consequently a matron will do well to avoid and repudiate over-preciseness meretriciousness and pomposity, and to use tact in her dealings with her husband in every-day life, accustoming him to a combination of pleasure and decorum. But if a wife be by nature austere and apathetic, and no lover of pleasure, the husband must make the best of it, for, as Phocion said, when Antipater enjoined on him an action neither honourable nor becoming, "You cannot have me as a friend and flatterer both," so he must say to himself about his strict and austere wife, "I cannot have in the same woman wife and mistress."

Sec. XXX. It was a custom among the Egyptian ladies not to wear shoes, that they might stay at home all day and not go abroad. But most of our women will only stay at home if you strip them of their golden shoes, and bracelets, and shoe-buckles, and purple robes, and pearls.

Sec. XXXI. Theano, as she was putting on her shawl, displayed her arm, and somebody observing, "What a handsome arm!" she replied, "But not common." So ought not even the speech, any more than the arm, of a chaste woman, to be common, for speech must be considered as it were the exposing of the mind, especially in the presence of strangers. For in words are seen the state of mind and character and disposition of the speaker.

Sec. XXXII. Phidias made a statue of Aphrodite at Elis, with one foot on a tortoise,[172] as a symbol that women should stay at home and be silent. For the wife ought only to speak either to her husband, or by her husband, not being vexed if, like a flute-player, she speaks more decorously by another mouth-piece.

Sec. XXXIII. When rich men and kings honour philosophers, they really pay homage to themselves as well; but when philosophers pay court to the rich, they lower themselves without advancing their patrons. The same is the case with women. If they submit themselves to their husbands they receive praise, but if they desire to rule, they get less credit even than the husbands who submit to their rule. But the husband ought to rule his wife, not as a master does a chattel, but as the soul governs the body, by sympathy and goodwill. As he ought to govern the body by not being a slave to its pleasures and desires, so he ought to rule his wife by cheerfulness and complaisance.

Sec. XXXIV. The philosophers tell us that some bodies are composed of distinct parts, as a fleet or army; others of connected parts, as a house or ship; others united and growing together, as every animal is. The marriage of lovers is like this last class, that of those who marry for dowry or children is like the second class, and that of those who only sleep together is like the first class, who may be said to live in the same house, but in no other sense to live together. But, just as doctors tell us that liquids are the only things that thoroughly mix, so in married people there must be a complete union of bodies, wealth, friends, and relations. And thus the Roman legislator forbade married people to exchange presents with one another, not that they should not go shares with one another, but that they should consider everything as common property.

Sec. XXXV. At Leptis, a town in Libya, it is the custom for the bride the day after marriage to send to her mother-in-law's house for a pipkin, who does not lend her one, but says she has not got one, that from the first the daughter-in-law may know her mother-in-law's stepmotherly mind,[173] that if afterwards she should be harsher still, she should be prepared for it and not take it ill. Knowing this the wife ought to guard against any cause of offence, for the bridegroom's mother is jealous of his affection to his wife. But there is one cure for this condition of mind, to conciliate privately the husband's affection, and not to divert or diminish his love for his mother.

Sec. XXXVI. Mothers seem to love their sons best as able to help them, and fathers their daughters as needing their help; perhaps also it is in compliment to one another, that each prefers the other sex in their children, and openly favours it. This, however, is a matter perhaps of little importance. But it looks very nice in the wife to show greater respect to her husband's parents than to her own, and if anything unpleasant has happened to confide it to them rather than to her own people. For trust begets trust,[174] and love love.

Sec. XXXVII. The generals of the Greeks in Cyrus's army ordered their men to receive the enemy silently if they came up shouting, but if they came up silently to rush out to meet them with a shout. So sensible wives, in their husband's tantrums, are quiet when they storm, but if they are silent and sullen talk them round and appease them.

Sec. XXXVIII. Rightly does Euripides[175] censure those who introduce the lyre at wine-parties, for music ought to be called in to assuage anger and grief, rather than to enervate the voluptuous still more than before. Think, therefore, those in error who sleep together for pleasure, but when they have any little difference with one another sleep apart, and do not then more than at any other time invoke Aphrodite, who is the best physician in such cases, as the poet, I ween, teaches us, where he introduces Hera, saying:

"Their long-continued strife I now will end, For to the bed of love I will them send."[176]

Sec. XXXIX. Everywhere and at all times should husband and wife avoid giving one another cause of offence, but most especially when they are in bed together. The woman who was in labour and had a bad time said to those that urged her to go to bed, "How shall the bed cure me, which was the very cause of this trouble?"[177] And those differences and quarrels which the bed generates will not easily be put an end to at any other time or place.

Sec. XL. Hermione seems to speak the truth where she says:

"The visits of bad women ruined me."[178]

But this case does not happen naturally, but only when dissension and jealousy has made wives open not only their doors but their ears to such women. But that is the very time when a sensible wife will shut her ears more than at any other time, and be especially on her guard against whisperers, that fire may not be added to fire,[179] and remember the remark of Philip, who, when his friends tried to excite him against the Greeks, on the ground that they were treated well and yet reviled him, answered, "What will they do then, if I treat them ill?" Whenever, then, calumniating women come and say to a wife, "How badly your husband treats you, though a chaste and loving wife!" let her answer, "How would he act then, if I were to begin to hate him and injure him?"

Sec. XLI. The master who saw his runaway slave a long time after he had run away, and chased him, and came up with him just as he had got to the mill, said to him, "In what more appropriate place could I have wished to find you?"[180] So let the wife, who is jealous of her husband, and on the point of writing a bill of divorce in her anger, say to herself, "In what state would my rival be better pleased to see me in than this, vexed and at variance with my husband, and on the point of abandoning his house and bed?"

Sec. XLII. The Athenians have three sacred seedtimes: the first at Scirus, as a remembrance of the original sowing of corn, the second at Rharia, the third under Pelis, which is called Buzygium.[181] But a more sacred seedtime than all these is the procreation of children, and therefore Sophocles did well to call Aphrodite "fruitful Cytherea." Wherefore it behoves both husband and wife to be most careful over this business, and to abstain from lawless and unholy breaches of the marriage vow, and from sowing in quarters where they desire no produce, or where, if any produce should come, they would be ashamed of it and desire to conceal it.[182]

Sec. XLIII. When Gorgias the Rhetorician recited his speech at Olympia recommending harmony to the Greeks, Melanthius cried out, "He recommend harmony to us! Why, he can't persuade his wife and maid to live in harmony, though there are only three of them in the house!" Gorgias belike had an intrigue with the maid, and his wife was jealous. He then must have his own house in good order who undertakes to order the affairs of his friends and the public, for any ill-doings on the part of husbands to their wives is far more likely to come out and be known to the public than the ill-doings of wives to their husbands.

Sec. XLIV. They say the cat is driven mad by the smell of perfumes. If it happens that wives are equally affected by perfumes, it is monstrous that their husbands should not abstain from using perfumes, rather than for so small a pleasure to incommode so grievously their wives. And since they suffer quite as much when their husbands go with other women, it is unjust for a small pleasure to pain and grieve wives, and not to abstain from connection with other women, when even bee-keepers will do as much, because bees are supposed to dislike and sting those that have had dealings with women.

Sec. XLV. Those that approach elephants do not dress in white, nor those that approach bulls in red, for these colours render those animals savage; and tigers they say at the beating of drums go quite wild, and tear themselves in their rage. Similarly, as some men cannot bear to see scarlet and purple dresses, and others are put out by cymbals and drums,[183] what harm would it do wives to abstain from these things, and not to vex or provoke husbands, but to live with them quietly and meekly?

Sec. XLVI. A woman said to Philip, who against her will was pulling her about, "Let me go, all women are alike when the lamp is put out."[184] A good remark to adulterers and debauchees. But the married woman ought to show when the light is put out that she is not like all other women, for then, when her body is not visible, she ought to exhibit her chastity and modesty as well as her personal affection to her husband.

Sec. XLVII. Plato[185] recommended old men to act with decorum especially before young men, that they too might show respect to them; for where the old behave shamelessly, no modesty or reverence will be exhibited by the young. The husband ought to remember this, and show no one more respect than his wife, knowing that the bridal chamber will be to her either a school of virtue or of vice. And he who enjoys pleasures that he forbids his wife, is like a man that orders his wife to go on fighting against an enemy to whom he has himself surrendered.

Sec. XLVIII. As to love of show, Eurydice, read and try to remember what was written by Timoxena to Aristylla: and do you, Pollianus, not suppose that your wife will abstain from extravagance and expense, if she sees that you do not despise such vanities in others, but delight in gilt cups, and pictures in houses, and trappings for mules, and ornaments for horses. For it is not possible to banish extravagance from the women's side of the house if it is always to be seen in the men's apartments. Moreover, Pollianus, as you are already old enough for the study of philosophy, adorn your character by its teaching, whether it consists of demonstration or constructive reasoning, by associating and conversing with those that can profit you. And for your wife gather honey from every quarter, as the bees do, and whatever knowledge you have yourself acquired impart to her, and converse with her, making the best arguments well known and familiar to her. For now

"Father thou art to her, and mother dear, And brother too."[186]

And no less decorous is it to hear the wife say, "Husband, you are my teacher and philosopher and guide in the most beautiful and divine subjects." For such teaching in the first place detaches women from absurdities: for the woman who has learnt geometry will be ashamed to dance, nor will she believe in incantations and spells, if she has been charmed by the discourses of Plato and Xenophon; and if anyone should undertake to draw the moon down from the sky, she will laugh at the ignorance and stupidity of women that credit such nonsense, well understanding geometry, and having heard how Aglaonice, the daughter of the Thessalian Hegetor, having a thorough knowledge of the eclipses of the moon, and being aware beforehand of the exact time when the moon would be in eclipse, cheated the women, and persuaded them that she herself had drawn it down from the sky. For no woman was ever yet credited with having had a child without intercourse with a man, for those shapeless embryos and gobbets of flesh that take form from corruption are called moles. We must guard against such false conceptions as these arising in the minds of women, for if they are not well informed by good precepts, and share in the teaching that men get, they generate among themselves many foolish and absurd ideas and states of mind. But do you, Eurydice, study to make yourself acquainted with the sayings of wise and good women, and ever have on your tongue those sentiments which as a girl you learnt with us, that so you may make your husband's heart glad, and be admired by all other women, being in yourself so wonderfully and splendidly adorned. For one cannot take or put on, except at great expense, the jewels of this or that rich woman, or the silk dresses of this or that foreign woman, but the virtues that adorned Theano,[187] and Cleobuline, and Gorgo the wife of Leonidas, and Timoclea the sister of Theagenes, and the ancient Claudia,[188] and Cornelia the sister of Scipio,[189] and all other such noble and famous women, these one may array oneself in without money and without price, and so adorned lead a happy and famous life. For if Sappho plumed herself so much on the beauty of her lyrical poetry as to write to a certain rich woman, "You shall lie down in your tomb, nor shall there be any remembrance of you, for you have no part in the roses of Pieria," how shall you not have a greater right to plume yourself on having a part not in the roses but in the fruits which the Muses bring, and which they freely bestow on those that admire learning and philosophy?[190]

[154] This tune is again alluded to by Plutarch in "Quaestion. Convival.", p. 704, F. See also Clemens Alexandrinus, "Paedagog." ii. p. 164, [Greek: A tais de hippois mignumenais oion hymenaios epauleitai nomos aulodias hippothoron touton keklekasin oi Mousikoi.]

[155] Peitho means Persuasion, and is represented as one of the Graces by Hermes anax. See Pausanias, ix. 35.

[156] Compare the Proverb [Greek: Eikelos omphakizetai], and Tibullus, iii. 5, 19: "Quid fraudare juvat vitem crescentibus uvis?"

[157] Cf. Shakspere, "Romeo and Juliet," A. ii. Sc. vi. 9-15.

[158] Herodotus, i. 8.

[159] An allusion to the well-known Fable of AEsop, No. 82 in Halm's edition.

[160] This comparison of the mirror is beautifully used by Keble in his "Christian Year:"

"Without a hope on earth to find A mirror in an answering mind." Wednesday before Easter.

[161] Does this throw light on Esther, i. 10-12?

[162] By their patronage.

[163] "Republic," v. p. 462, C.

[164] By the power of sympathy. This is especially true of eyes. Wyttenbach compares the Epigram in the Anthology, i. 46. 9. [Greek: Kai gar dexion omma kakoumenon ommati laio Pollaki tous idious antididosi ponous.]

[165] Reading [Greek: kalon] with Hercher.

[166] The ancients hardly ever drank wine neat. Hence the allusion. The symposiarch, or arbiter bibendi, settled the proportions to be used.

[167] Compare the French proverb, "Le beau soulier blesse souvent le pied."

[168] Thessaly was considered by the ancients famous for enchantments and spells. So Juvenal, vi. 610, speaks of "Thessala philtia," and see Horace, "Odes," i. 27. 21, 22; "Epodes," v. 45.

[169] Wyttenbach well compares the lines of Menander:—

[Greek: enest alethes philtron eugnomon tropos, touto katakratein andros eiothen gune.]

[170] An allusion to Homer, "Iliad," xiv. 214-217.

[171] Called by the Romans "pronuba Juno." See Verg. "AEneid," iv. 166; Ovid, "Heroides," vi. 43.

[172] See Pausanias, vi. 25. The statue was made of ivory and gold.

[173] Compare Terence, "Hecyra," 201. "Uno animo omnes socrus oderunt nurus." As to stepmotherly feelings, the "injusta noverca" has passed into a proverb with all nations. See for example Hesiod, "Works and Days," 823, [Greek: allote metruie pelei hemere, allote meter].

[174] Wyttenbach compares Seneca's "Fidelem si putaveris facies." "Ep." iii. p. 6.

[175] Euripides, "Medea," 190-198.

[176] Homer, "Iliad," xiv. 205, 209.

[177] See Mulier Parturiens, Phaedrus' "Fables," i. 18.

[178] Euripides, "Andromache," 930.

[179] Proverb. Cf. Horace, "Oleum adde camino," ii. "Sat." iii. 321.

[180] See AEsop's Fables, No. 121. Halme. [Greek: Drapetes] is the title. All readers of Plautus and Terence know what a bugbear to slaves the threat of being sent to the mill was. They would have to turn it instead of horses, or other cattle.