BY ROMAIN ROLLAND

JEAN-CHRISTOPHE

JEAN-CHRISTOPHE IN PARIS

JEAN-CHRISTOPHE: JOURNEY'S END

COLAS BREUGNON, BURGUNDIAN

CLERAMBAULT

THE MUSICIANS OF TODAY

SOME MUSICIANS OF FORMER DAYS

BEETHOVEN

HANDEL

MUSICAL TOUR THROUGH THE LAND OF THE PAST

THE FOURTEENTH OF JULY

THE PEOPLE'S THEATER

PIERRE AND LUCE

* * * * *



PIERRE AND LUCE

BY ROMAIN ROLLAND

Translated by CHARLES DE KAY



NEW YORK HENRY HOLT AND COMPANY 1922

COPYRIGHT, 1922, BY HENRY HOLT AND COMPANY

Printed in U.S.A.

THE ISLE OF CALMS

"Just as the Gulf Stream embraces the Sargasso Sea into which gradually drift the odds and ends that are carried away by the marine currents into the regions of calm, so does our aerial current surround a region where the air is still. It is called THE ISLE OF CALMS."

DURATION OF THE STORY

From Wednesday evening, January 30, to Good Friday, May 29, 1918.



PIERRE AND LUCE

PIERRE plunged into the subway. A feverish, a brutal crowd. On his feet near the door, closely pressed in a bank of human bodies and sharing the heavy atmosphere passing in and out of their mouths, he stared without seeing them at the black and rumbling vaults over which flickered the shining eyes of the train. The same heavy shadows lay in his mind, the same gleams, hard and tremulous. Suffocating in the raised collar of his overcoat, his arms jammed against his sides and his lips compressed, his forehead damp with perspiration momentarily cooled by a current from outside when the door opened, he tried hard not to see, he tried not to breathe, he tried not to live. The heart of this young fellow of eighteen, still almost a child, was full of a dull despair. Above his head, above the shadows of these long vaulted ways, of this rat-run through which the monster of metal whirled, all swarming with human masks—was Paris, the snow, the cold January darkness, the nightmare of life and of death—the war.

The war! Four years ago it was, the war had come to stay. It had weighed heavily on his adolescent years. It had caught him by surprise in that morally critical period when the growing boy, disquieted by the awakening of his feelings, discovers with a shock the existence of blind, bestial, crushing forces in life whose prey he is and that without having asked to live at all. And if he happens to be delicate in character, tender of heart and frail as to body in the way Pierre was, he experiences a disgust and horror which he does not dare confide to others for all these brutalities, these nastinesses, all this nonsense of fruitful and devouring nature—this breeding sow that gobbles up her litter of pigs.

In every growing youth between sixteen and eighteen there is a bit of the soul of Hamlet. Don't ask him to understand the war! (All right for you men, who have had your fill!) He has all he can do to understand life and forgive its existence. As a rule he digs himself in with his dream and with the arts, until the time comes when he has got used to his incarnation, and the grub has achieved its agonizing passage from larva to winged insect. What a need he has for peace and meditation during these April days so full of the trouble of maturing life! But they come after him to the bottom of his burrow, look him up, drag him from the dark while still so tender in his new-made skin. They toss him into the raw air amongst the hard human race whose follies and hatreds he is expected at the very first moment to accept without understanding them and, not understanding, to atone for them.

Pierre had been called to military service along with those of his own class, boys of sixteen to eighteen. Within six months his country would be needing his flesh. The war claimed him. Six months of respite. Six months! Oh, if one could only stop thinking at all from this time to that! Just to stay in this underground tunnel! Never see cruel daylight any more!...

He plunged deeper into his gloom along with the flying train and closed his eyes....

When he opened them again—a few steps away, but separated by the bodies of two strangers, stood a young girl who had just entered. At first all he saw of her was a delicate profile under the shadow of her hat, one blonde curl on a somewhat thin cheek, a highlight perched upon the smooth cheekbone, the fine line of nose and lifted upper lip, and her mouth, slightly parted, still quivering a little from her sudden rush into the car. Through the portals of his eyes into his heart she entered, she entered all complete; and the door closed. Noises from without fell to nothing. Silence. Peace. She was there.

She did not look at him. In fact she did not even know as yet of his existence. And yet she was there inside him. He held her image there, speechless, crushed in his arms, and he dared not breathe for fear that his breath might ruffle her.

A jostling at the next station. Noisily talking, the crowd threw themselves into the already packed carriage. Pierre found himself shoved and carried along by the human wave. Above the tunnel vault, in the city up there, certain dull reports. The train started up again. At that moment a man quite out of his senses, who covered up his face with his hands, came running down the stairway of the station and rolled down on the floor at the bottom. There was just enough time to catch sight of the blood that trickled through his fingers.... Then the tunnel and darkness again. In the car frightened outcries: "The Gothas are at it again!" During the general excitement which fused these closely packed bodies into one, his hand had seized the hand that touched him. And when he raised his eyes he saw it was She.

She did not pull her hand away. At the pressure of his fingers hers replied in a sympathy of emotion, drawing together a bit, and then letting themselves go, soft and burning, without budging. Thus the two remained in the protective darkness, their hands like two birds hid in the same nest; and the blood from their hearts ran in a single flood through the warmth of their palms. They said no word to one another. His mouth almost touched the curl on her cheek and the tip of her ear. They did not make a gesture. She did not look at him. Two stations beyond, she loosed her hand from his, which did not keep her, slipped between the bodies and left without having looked at him.

When she had vanished it occurred to him to follow.... Too late. The train was in motion. At the next stop he ran up to the surface. There he found the nocturnal cold, the unseen touches of some flakes of snow and the City, frightened and amused at its fright; above it very high in the air circled the warlike birds. But he saw only her, the one who was within him; and he reached home holding the hand of the unknown girl.

* * * * *



PIERRE AUBIER lived with his parents near Cluny Square. His father was a municipal judge; his brother, older than he by six years, had volunteered at the beginning of the war. A good sound family of the bourgeois class, excellent folks, affectionate and human, never having dared to think for themselves and very probably never imagining that such a thing could be. Profoundly honest and with a lofty sense of the duties of his office, Judge Aubier would have rejected with indignation as a supreme insult the suspicion even that the verdicts he announced could have been dictated by any other considerations than those of equity and his own conscience. But the voice of his conscience had never spoken—let us better say whispered—against the government. For that conscience was born a functionary. It registered thoughts as a State function—variable but infallible. Established powers were invested by him with a sacred truth. He admired sincerely those souls of iron, the great free and unbending magistrates of the past; and perhaps secretly believed himself to be of their stock. He was a very small edition of Michel de l'Hospital over whom a century of republican slavery had passed.

As to Madame Aubier she was as good a Christian as her husband was a good republican. Just as sincerely and honestly as he made himself a docile instrument of the government against any form of liberty which was not official, so did she mingle her prayers, and that in perfect purity of heart, with the homicidal vows which were made about the war in every country of Europe by the Catholic priests, the Protestant ministers, the rabbis and the popes, the newspapers and the right-minded thinkers of the time. And both of them, father and mother, adored their children and, like true French people, had for them only a profound, essential affection, would have sacrificed everything for them, and yet, in order to do as others, would sacrifice them without hesitation. To whom? Why, to the unknown god. In every epoch Abraham has led Isaac to the funeral pile. And his magnificent folly still remains an example for poor human beings.

As often is the case, at this family hearth affection was great and intimacy null. How should thoughts communicate freely from one to the other when each one forbore a look into the bottom of his own mind? Whatever one may feel, one knows that certain dogmas at any rate must be blinked, set aside; and if it already amounts to an embarrassment when the dogmas are discreet enough to stay within the limits traced for them (that was the case, to sum all up, of those belonging to the beyond) what is to be said when they pretend to mix themselves with life, to rule life entirely as our laical and obligatory dogmas actually do? Just you try to forget the dogma of your country! The new religion compelled a return to the Old Testament. It was not to be made comfortable with lip devotion and innocent rituals, hygienic and ridiculous, like confession, Friday fasting, rest on Sunday, which once upon a time incited the racy spirit of our "philosophers" during the period when the people were free—under the kings. The new religion wanted all, was not satisfied with less; all the man complete, his body, his blood, his life and his thinking mind. Above all his blood. Since the time of the Aztecs of Mexico never was there a divinity so gorged with blood. It would be deeply unjust to say that the believers did not suffer from this. They suffered, but they believed. Alas my poor brother men, for whom suffering itself is a proof positive of the divine!...

Mr. and Mrs. Aubier suffered like the others, and like the others adored. But from a growing boy one could not demand such abnegation of heart, feeling and good sense. Pierre would have liked to comprehend at least what it was that oppressed him. What a lot of questions burned within which he could not utter! For the very first word of all was, "But what if I don't believe in it at all!"—a blasphemy just to start with. No, he could not speak out. They would have gazed at him in a stupor, frightened, indignant—with sorrow and shame. And since he was at that plastic age when the soul, with a bark still too tender, wrinkles up at the slightest breeze that comes from outside and under its furtive fingers molds its form shudderingly, he felt himself beforehand sorrowful and ashamed. Ah! how they believed, all of them! (But did they really all of them believe?) How was it they managed it then?—One did not dare to ask. Not to believe, standing all alone among all those who do believe, is like one who lacks some organ, superfluous perchance, but one that all the others possess; and so, blushing, one hides one's nudity from the public.

The only one who was able to comprehend the tortures of the young fellow was his elder brother. Pierre had for Philip that adoration which the younger ones often have (but which they jealously conceal) for the older brother or sister, some stranger comrade, at times merely the vision of an hour and lost again—who realizes in their eyes the dream at once of what they could wish to be and of what they would like to love: chaste ardors and troublesome, of the future, formed of mixing currents. The big brother was aware of this naive homage and was flattered by it. Not so long ago he had tried to read the heart of the little brother, and explain things to him with discretion; for, although more robust, like him he was molded of that fine clay which, among the better sort of men, retains a little of the woman and does not blush to own it. But the war had come and torn him away from his hard working career, from his study of the sciences, from his twenty-year-old dream and from his intimacy with his young brother. He had dropped everything in the intoxicating idealism of the moment, like a big crazy bird that launches out into space with the heroic and absurd illusion that his beak and his talons will put an end to the war and restore to earth the reign of peace. Since then the big bird had returned two or three times to the nest; each time, alas, a little more worn in plumage. He had come back denuded of many of his illusions, but he found himself too much mortified about them to acknowledge it. He was ashamed to have believed in them. Folly, not to have known how to see life as it is! Now he set his heart upon dissipating its enchantment and accepting it stoically, whatsoever it might turn out. Not himself alone did he punish; a wretched suffering urged him to punish his illusions in the heart of his young brother, where he found that they held their own. At his first coming back, when Pierre had run up to him burning in his walled-up heart, he had been frozen at once by the welcome his elder gave him, affectionate certainly, always affectionate, but with a certain harsh irony in his tone hard to fathom. Questions that pressed forward to his lips were pushed back on the instant. Philip had seen them coming and cut them down with a word, with a look. After two or three attempts Pierre drew back with an aching heart. He did not recognize his brother any more. The other recognized him only too well. He perceived in him what he himself had been not so long ago and what never he could be again. He made him pay for it. It caused him regret afterward, but of that he showed no sign and just began over again. Both of them suffered and, through a too common misunderstanding, their suffering, so much alike, so near, which ought to have brought them together, only separated them. The sole difference between them was that the elder knew that it was near while Pierre believed himself alone in his suffering with nobody to whom he could open his soul.

Then why did he not turn toward those of his own age, his companions at school? It might seem as if these growing youths ought to have come close to one another and mutually given one another support. But nothing of the kind. On the contrary, a sorrowful fatality kept them separate, scattered in little groups, and even in the inner circle of these minim groups kept them distant and reserved. The commoner sort had plunged, eyes closed, head foremost into the current of the war. The larger number drew themselves away and did not feel any connection with the generations that preceded them; they did not partake in any way of their passions, their hopes and their hatreds; they were bystanders beside all the frantic goings-on like men who are sober looking on at those who are drunk. But what could they do in opposition? Many had started little magazines, reviews whose ephemeral lives were snuffed out after the first numbers for lack of air; the censorship produced a vacuum; the entire thought of France was under the pneumatic exhausting bell. Among these young fellows the most distinguished ones, too feeble to rebel and too proud to complain, knew beforehand that they were delivered up to the sword of war. While they waited for their turn at the slaughterhouse they looked on and made their judgments in silence, each one by himself, with a little surprise and a great deal of irony. Through a disdainful reaction against the mental condition of the herd they fell back into a kind of egotism, intellectual and artistic egotism, an idealistic sensualism, where the tracked and hunted ego vindicated its rights against human fellowship. Laughable fellowship, which made itself manifest to these adolescents only in the shape of finished murder, one undergone in common! A precocious experience had shriveled their illusions: they had seen how much those same illusions were worth in their elders and how those who did not believe in them paid for them with their lives. Even as to those of their own age and as to man in general their confidence was shaken. And besides, at such a time it cost something to confide in people! Every day one learned of some denunciation of thoughts and intimate conversations by a patriotic spy whose zeal the government honored and stimulated. So it was that these young people, through discouragement, through disdain, through prudence, through a stoical sense of their solitude in thought, gave themselves very little indeed the one to the other.

Pierre could not find among them that Horatio whom little eighteen-year-old Hamlets seek. If he had a horror of estranging his thought from public opinion (that public woman) he did feel the need of joining it freely with souls of his own choosing. He was too tender to be able to content himself with himself. He suffered from the universal suffering. That crushed him by the amount of its pain, which he exaggerated:—for if humanity does support it in spite of everything, that is because humanity has a harder hide than is the delicate skin of a frail boy. But what he did not exaggerate and what weighed him down much more than the suffering of the world was the imbecility of it all.

It is nothing to undergo pain, it is nothing to die, if only one can see a reason for it. Sacrifice is a good thing when one understands why it is made. But what is this why? What is the sense of this world and its harrowings for a youth? If he be sincere and sound of mind, in what way can he interest himself in the coarse medley of nations standing head to head like stupid rams on the brink of an abyss, into which all are about to tumble? And yet the road was broad enough for all. Why then this madness to destroy oneself? Why these countries given over to pride, these States devoted to rapine, these peoples to whom is taught murder, as if murder were their duty? But wherefore this butchery everywhere among living beings? Why this world that devours itself? To what purpose the nightmare of that monstrous and endless chain of life, each one of whose links sets its jaws into the neck of the other, feasts on its flesh, delights in its suffering and lives through its death? Why the conflict and why the pain? Why death? Why life? Why? Why?...

That night when the boy got home the why had ceased its cry.

* * * * *



NEVERTHELESS nothing had changed. There he was in his own room littered with papers and books. All about the familiar sounds. In the street the trumpet sounding the close of the warning against air-bombs. On the house stairs the reassured gossip of the tenants coming up from the cellar. In the story overhead the crazy marching to and fro of the old neighbor who for months had been waiting for his vanished son.

But here in his own chamber lay no longer those cares of his in ambush which he had left there....

Sometimes it happens that an incomplete accord in music sounds raucous in a way; it leaves the mind disquieted, up to the moment when some note is added which procures a fusion of the hostile or coldly alien elements, like visitors who do not know one another and wait to be introduced. At once the ice is broken and harmony spreads from one member of the group to another. This moral chemistry had just been put in operation by a warm and furtive contact of hands. Pierre was not conscious of the reason for the change; he never dreamed of analyzing. But he felt that the habitual hostility of things in general had suddenly softened. A shooting pain takes possession of your head for hours; of a sudden you perceive it is no longer there: how was it that it went? Scarcely a feeling of buzzing about the temples to recall it.... Pierre was a bit suspicious of this new-found calm. He suspected that it concealed under a passing truce a much worse return of the pain which was merely taking breath. Already was he acquainted with the respites that are obtained through the arts. When into our eyes penetrate the divine proportions of lines and colors, or into the voluptuous windings of the sonorous ear-shell the lovely, varied play of accords which combine and interlock in obedience to the laws of harmonious numbers, peace takes possession of us and joy inundates our souls. But that is a radiance which comes from outside; one would say from a sun, the distant fires of which hold us in suspense fascinated, lifted high above our life. It endures only a moment and then one falls again. Art is never more than a passing forgetfulness of the actual, the real. Pierre was afraid and fully expected the same deception.—But this time the radiation came from within. Nothing that belongs to life was forgot. But everything fell into harmony. His recollections, his new thoughts. Even to the familiar objects about him: the books and papers in his chamber sprang alive and took on an interest which they had lost.

For months past his intellectual growth had been compressed like a young tree which is struck in full blossoming by the "saints of the ice." He did not belong to those practical boys who profit by the indulgence offered at universities to the younger classes just about to be called to the colors in order to pull out hastily a diploma from under the indulgent eyes of the examiners. Nor was he one to feel the despairing eagerness of the young man who sees death approaching and so takes double mouthfuls and devours the arts and sciences which he will never have a chance to test and verify in life. That perpetual feeling of emptiness at the end, emptiness that is underneath and everywhere hidden beneath the cruel and absurd illusion of the world—this it was that swept aside all his enthusiasms. He would throw himself on a book, on a thought—then he stopped, discouraged. Whither would that lead? What the use of learning? What is the point of getting riches if it be necessary to lose everything, leave everything, if nothing really belongs to you? In order that activity, in order that science should have any sense, it is necessary that life should have some. This sense no effort of the mind, no supplication from the heart had been able to produce for him.—And yet, lo and behold, all of itself, this sense had come.... Life had some sense....

What then?—And seeking to find whence came this inner smile—he beheld the parted lips upon which his mouth was burning to press itself.

* * * * *



IN ordinary times, no doubt, this wordless fascination would not have persisted. At that period of upgrowth when one is a lover of love, one sees love in every eye; the greedy and uncertain heart gathers it flitting from one to the other, and nothing forces it to settle down; the heart is just beginning its day.

But the day at the present period will be a short one: it is necessary to hurry up.

The heart of this young fellow was in a hurry all the greater because it was so much behindhand. Great cities which from a distance appear like the smoking solfataras of sensuality really harbor fresh souls and ingenuous bodies. How many young men and young girls there are who respect love and keep their senses virgin up to the marriage day! Even in the refined circles where mental curiosity is precociously excited, what singular ignorances conceal themselves under the free talk of some young worldly girl or of some student who knows everything and understands nothing! In the heart of Paris there are provinces most naive, little gardens as of cloisters, pure existences as of springs. Paris permits herself to be betrayed by her literature. Those who speak in her name are the most soiled of all. And besides, one only knows too well that a false human consideration often prevents the pure from avowing their innocence.—Pierre did not yet understand love; and he was delivered up to the first appeal love made.

This also added to the enchantment of his thought: that love had been born under the wing of death. In that moment of emotion when they felt the menace of the bombs pass over their heads, when the bloodstained apparition of the wounded man contracted their hearts, then it was their fingers groped toward each other; and both of them had read therein, at the same time with the quivering of the flesh that was frightened, the loving consolation of an unknown friend. Fleeting pressure! One of the two hands, that of the man, says: "Lean upon me!" And the other, the maternal one, pushes aside her own fear in order to say: "My little dear!"

Nothing of all this was uttered or heard. But that inward murmur filled the soul far better than words, that curtain of foliage which masks our thought. Pierre allowed himself to be cradled by this humming. Such the song of a golden wasp that floats through the chiaroscuro of one's thought. His days became numb things in this new languor. That solitary and naked heart dreamed of the warmth of a nest.

During these first weeks of February, Paris was counting her ruins from the last raid and licking her wounds. The press, locked up in its kennel, was barking for reprisals. And, according to the statement of "the Man who put the fetters on," the government was making war on the French. The open season for suits at law for treasonable acts commenced. The spectacle of a wretched creature who was defending his own head, bitterly demanded by the public accuser, was a matter of amusement for Tout-Paris, whose appetite for the theatre had not yet been satisfied by four years of war and ten millions of dead men dissolving behind the flies.

But the youth remained completely and solely absorbed in the mysterious guest who had just come to make him a visit. Strange intensity of these visions of love printed on the very floor of his thought and nevertheless lacking in contour! Pierre would have been incapable of saying what was the form of her features or what the color of her eyes or the modeling of her lips. All he could bring back was the emotion already in himself. All his attempts to give precision to the image merely ended in deforming it. He was no more successful when he went to work to find her in the streets of Paris. At every turn he believed he had seen her. It was either a smile or a white young neck or a gleam in some eyes. And then the blood shook in his heart. There was no resemblance, none whatever, between these flying images and the real image which he sought and which he believed he loved. Well, then, he did not love her? Surely he loved her; and that is why he saw her everywhere and under every shape. For she just is every smile, each radiance, all life. And the exact form would be a limitation.—But one longs for that limitation in order to clasp love and to possess it.

Though he might never see her again he knew that she existed, she existed, and that she was the nest. In the hurricane a port. A lighthouse in the night. Stella Maris, Amor. Oh, Love, watch over us at the hour of death!...

* * * * *



ALONG the quay of the Seine beside the Institute he wandered, looking with little attention at the shelves of the few bouquinistes who had stuck to their posts. He found himself at the foot of the steps of the Pont des Arts. Raising his eyes he perceived her for whom he had waited. A portfolio of drawings under her arm, she came down the steps like a little doe. He did not reflect for the shadow of a second; he rushed forward to meet her and while he ascended toward her who was coming down, for the first time their gaze rested the one on the other and entered. Arrived in front of her and stopping short, he began to blush. Surprised, seeing that he blushed, she reddened too. Before he could get his breath again the little deerlike step had already gone beyond him. When strength returned and he was able to turn about her skirt was disappearing at the turning of the arcade which looks upon the Rue de Seine. He did not try to follow her. Leaning against the balustrade of the bridge, he saw her own look in the stream that flowed below. For some time his heart had a pasture new.... (Oh, dear, stupid children!)....

A week later he was loafing in the Luxembourg Gardens which the sun was filling with a golden softness. Such a radiant February in that funereal year! Dreaming with his eyes open and hardly knowing well whether he was dreaming what he saw, or saw what he was dreaming, steeped in a greedy languor obscurely happy, unhappy, in love, as much filled full of tenderness as with the sun, he smiled as he strolled with inattentive eyes, and without his knowing it his lips moved, reciting words without connection, a song of some kind. He looked down at the sandy path and, like the wingtip of a dove that passes, he had an impression that a smile had just passed along. He whirled about and saw that he had just crossed her path. And just at that moment, without stopping in her walk, she turned her head with a smile in order to observe him. Then he hesitated no longer and went toward her, his hands almost extended in so juvenile and naive a rush that naively she waited for him. He made no excuses for himself. There was no awkwardness between them. It seemed to them they were continuing an interview already begun.

"You are laughing at me," said he; "you are quite right!"

"I'm not laughing at you"—(her voice like her step was lively and supple)—"you were laughing all to yourself; I merely laughed at seeing you."

"Was I laughing, really?"

"You are still laughing now."

"Now I know why."

She did not ask him what he meant. They walked side by side. They were happy.

"What a jolly little sun!" said she.

"Newly born springtide!"

"Was it to him just now you were sending that little smile?"

"Not to him alone. Perhaps to you, too."

"Little liar! Bad boy. You don't even know me."

"As if one could say such a thing! We have seen each other I don't know how often!"

"Thrice, counting this time."

"Ah—you remember, then? You see that we are old acquaintances!"

"Let's talk about it."

"I'm agreed. That's all I want!... Oh, come, let us sit there! Just an instant, won't you please? It's so nice at the edge of the water!"

(They were near the Galathea Fountain, which the masons had covered over with tarpaulins to protect it from the bombs.)

"I really can not, I shall miss my train."

She gave him the hour. He showed her that she had more than twenty-five minutes.

Yes, but she wanted first to buy her lunch at the corner of Rue Racine, where they keep good little buns. He hauled one out of his pocket.

"No better than this one.... Don't you really want to take it?..."

She laughed and hesitated. He put it in her hand and kept hold of her hand.

"You would give me such pleasure!... Come now, come and sit down...."

He led her to a bench in the middle of the walk that runs about the basin.

"I've something else...."

He brought out of his pocket a chocolate tablet.

"Gourmand! ... And what besides?..."

"Only—I'm ashamed. It's not in its wrapper."

"Give it me, give it! It's just the war."

He looked on as she nibbled.

"It's the first time," said he, "that I've thought the war had any good in it."

"Oh, let's not talk of it! It is so completely overwhelming!"

"Yes," he said, enthusiastic, "we shall never speak of it."

(All of a sudden the atmosphere began to grow lighter.)

"Look at those pierrots who are taking their tub."

(She pointed to the sparrows that were attending to their toilets on the edge of the basin.)

"But, then—the other night" (he followed her thought) "the other night in the subway—tell me now, you did see me then?"

"Sure."

"But you never looked my way. All the time you stayed turned in the other direction.... See now, just as at present...."

He gazed at her profile as she nibbled at her bun, looking straight ahead of her with roguish eyes.

"Do look at me a moment!... What are you gazing at off there?"

She did not turn her head. He took her right hand, the glove of which was torn at the index, and showed the end of the finger.

"What are you looking at?"

"And you examining my glove!... Will you be so kind as not to tear it more!"

[In a distracted fashion he was engaged in making the hole larger.]

"Oh, forgive me!... But how were you able to see?"

She did not answer; but in that mocking profile he could see the corner of her eye and that was laughing.

"Oh, you slyboots!"

"It's very simple. Everybody can do that."

"I never could."

"Just try.... You simply squint."

"I never could, never. In order to see it's necessary for me to look right to the front, stupidly."

"Oh, no, not so stupidly!"

"At last! I see your eyes."

They looked at each other, gently laughing.

"What's your name?"

"Luce."

"That's a lovely name, lovely as this day!"

"And yours?"

"Pierre—rather worn out."

"A fine name—that has honest and clear eyes."

"Like mine."

"Well, yes, so far as clear goes they are."

"That's because they're looking at Luce."

"Luce?... People say 'Mademoiselle.'"

"No."

"No?"

(He shook his head.)

"You are not 'Mademoiselle.' You are just Luce and I am Pierre."

They were holding hands; and without looking at one another, their eyes fixed upon the tender blue of the sky between the branches of the leafless trees, they kept silence. The flood of their thoughts intermingled by way of their hands.

She said:

"The other night both of us were afraid."

"Yes," said he, "how good it was."

(Only later they smiled at having expressed, each one, what the other was dreaming of.)

She tore her hand away and suddenly sprang up, having heard the clock strike.

"Oh, I have scarcely more than time left...."

Together they marched at that little quick-step the Parisian women take so prettily, so that seeing them trot, one scarcely thinks of their swiftness, so easy appears the gait.

"Do you pass here often?"

"Every day. But oftener on the other side of the terrace." (She pointed to the garden with its Watteau trees.) "I am just back from the Museum."

(He looked at the portfolio she carried.)

"Painter?" he asked.

"No," she replied, "that's too big a word. A little dauberette."

"Why? For your own pleasure?"

"Oh, no indeed! For money."

"For money?"

"It's horrid, isn't it? to make art for money?"

"It's particularly astonishing to make money if one cannot paint."

"It's just for that reason, you see. I'll explain it to you another time."

"Another time, by the fountain, we'll have lunch again."

"We shall see. If it's good weather."

"But you will come earlier? Will you not? Say yes ... Luce...."

(They were come to the station. She jumped on the running board of the tram car.)

"Answer, say yes, little light!..."

She did not answer; but when the tram was in motion she made a "yes" with her eyelids and he read on her lips without her having spoken:

"Yes, Pierre."

Both of them thought, as they went their way:

"It's amazing, this evening, what a happy look everybody has!"

And they kept smiling without taking heed of what had occurred. They knew only that they had it, that they possessed it and that it belonged to them. It? What? Nothing. We feel rich this evening!... On getting home they looked at themselves carefully in the mirror just as one looks at a friend, with loving eyes. They said to themselves: "That gaze of his, of hers, was fixed on you." They went to bed early, overcome—but wherefore?—by a delicious weariness. While they undressed they kept thinking:

"What's best of all at present is, that there's a tomorrow."

* * * * *



TOMORROW!... Those who come after us will have some difficulty in understanding what silent despair and weariness of spirit without grounds that word evoked during the fourth year of the war.... Oh, such a weariness! So many times had hopes been destroyed! Hundreds of tomorrows just like yesterday and today followed on, each similarly devoted to emptiness and waiting—to waiting for emptiness. Time no longer ran. The year was like a river Styx which encircles life with the circuit of its black and greasy waters, with its somber, watery, silky flood that seems no longer to move. Tomorrow? Tomorrow is dead.

In the hearts of these children Tomorrow was resuscitated from the grave.

Tomorrow saw them seated again near the fountain. And tomorrows followed one another. The fine weather favored these very brief meetings, every day a little less brief. Each one brought a lunch in order to have the pleasure of exchanging. Pierre now waited at the door of the Museum. He wanted to see her art works. Although she was not proud of them she did not make him beg at all before showing them. They were reproductions of famous paintings in miniature, or portions of paintings, a group, a figure, a bust. Not too disagreeable at the first glance but extremely loose in drawing. Here and there quite true and pretty touches; but right alongside the mistakes of a pupil, exhibiting not merely the most elementary ignorance but a reckless ease perfectly careless of what anyone might think.—"Enough! Good enough the way they are!"—Luce recited the names of the pictures copied. Pierre knew them too well. His face was quite drawn from his discomfiture. Luce felt that he was not pleased; but she summoned all her courage to show him everything—and this one too.... Woof!... it was the ugliest one she had! She kept up her mocking smile which was directed to her own address as well as to Pierre's; but she would not confess to herself a pinch of vexation. Pierre hardened his lips in order not to speak. But at last it was too much for him. She showed him a copy of a Florentine Raphael.

"But these are not its colors!" said he.

"Oh, well, that wouldn't be surprising," said she. "I didn't go and look at it. I took a photo."

"And didn't anybody object?"

"Who? My clients? They haven't been to look at it either.... And besides, even if they had seen it, they don't look so narrowly! The red, the green, the blue—they only see the fire in it. Sometimes I copy the original in colors, but I change the colors.... See here, for instance, this one...." (An angel by Murillo).

"Do you find it's better?"

"No, but it amused me.... And then, it's easier.... And besides, it's all the same to me. The essential thing is that this will sell...."

At this last piece of boasting she stopped, took the color sketches from him and burst out laughing.

"Ha! So they're even uglier than you had expected?"

He said, greatly annoyed:

"But why, why do you make things like these?"

She examined his upset visage with a kindly smile of maternal irony; this dear little bourgeois for whom everything had been so easy and who could not conceive that one must make concessions for....

He asked once more:

"Why? Tell me, why?"

(He was quite crestfallen, as if it was he who was the botcher in paint!... Dear little boy! She would have liked to kiss him ... very properly, on his forehead!)

She answered gently:

"Why, in order to live."

He was quite overcome. He had never dreamed of it.

"Life is complicated," she went on in a light and mocking tone. "In the first place it is necessary to eat, and then to eat every day. In the evening one has dined. It's necessary to begin again the next day. And then it's necessary to dress oneself. Dress oneself completely, body, head, hands, feet. That's so far as clothing is concerned! And then pay for it all. For everything. Life, it's just paying."

For the first time he saw what had escaped the shortsightedness of his love: the modest fur in some places worn, the shoes somewhat the worse for wear, the traces of embarrassed means which the natural elegance of a little Parisian woman makes one forget. And his heart contracted within him.

"Ah! couldn't I be allowed, couldn't I be permitted to help you?"

She moved away from him a bit and reddened:

"No, no," she returned, much upset, "there's no question of that.... Never!... I have no need...."

"But it would make me so happy!"

"No.... Nothing more to be said about that. Or we shall not be friends any more...."

"We are friends, then?"

"Yes. That's to say, if you are so still after you have seen these horrible daubs?"

"Surely, surely! It isn't your fault."

"But do they trouble you?"

"Oh, yes."

She laughed out contentedly.

"That makes you laugh, naughty girl!"

"No, it's not being naughty. You do not understand."

"Then why do you laugh?"

"I shan't tell you."

(She was thinking: "Love! how kind you are to be troubled because I have done something that is ugly!")

She went on:

"You are so kind. Thank you."

(He looked at her with astonished eyes.)

"Don't try to understand," said she, tapping him softly on his hand.... "There, let's talk of something else...."

"Yes. But one word more.... Still, I could wish to know.... Tell me (and don't be hurt).... Are you at the present moment a bit strapped?"

"No, no, I told you that just now, because there have been now and then hard times. But now it goes much better. Mama has found a situation where she is well paid."

"Your mother is at work?"

"Yes, in a munitions factory. She gets twelve francs a day. It's a fortune."

"In a factory! A war factory!"

"Yes."

"Why, it's frightful!"

"Oh, well! One takes what offers!"

"Luce! but if you, you should have such an offer?..."

"Oh, me? You see yourself, I just daub. Ah! You perceive now that I have good reason to make my smears!"

"But if it were necessary to have money and there were no other way than to work in one of those factories that produce bomb-shells, would you go?"

"If it were necessary to make money and no other means?... Why, surely! I would run for it."

"Luce! Do you realize what it is they're doing in there?"

"No, I don't think about it."

"Everything that will make people suffer, die, that tears them to pieces, that burns, that tortures beings like you, like me...."

She put her hand on her mouth to signal to him to hush.

"I know, I know all that, but I don't want to think of it."

"You don't want to think about it?"

"No," said she.

And a moment after:

"One must live.... If one thinks about it, one cannot live any more. For myself I want to live, I want to live. If they compel me to do that in order to live, shall I torment myself on this account or on that? That's no business of mine; it isn't I that wants it. If it is wrong it is not my fault, not my own. As for me, what I want is nothing bad."

"And what is it you do want?"

"First of all I want to live."

"You love life?"

"Why, of course. Am I wrong in that?"

"Oh, no! It is so jolly that you do live...."

"And you, you don't love it also?"

"I did not, up to the time...."

"Up to the time?"

(This question did not call for an answer. Both of them knew it.)

Following up his thought, Pierre:

"You just said 'first of all.' ... 'I want to live, first of all.' ... And what then? What else do you wish?"

"I don't know."

"Yes, you do know...."

"You are very indiscreet."

"Yes, very."

"It embarrasses me to tell you...."

"Tell me in my ear. No one will overhear."

She smiled:

"I would like ..." (she hesitated).

"I would like just a little bit of happiness...."

(They were quite close the one to the other.)

She went on:

"Is that too much to ask?... They have often told me that I'm an egotist; and as for me, I sometimes say to myself: What has one a right to? When one sees so many wretchednesses, so much pain about one, you hardly dare to ask.... But in spite of all my heart does insist and cries out: Yes, I have the right, I have the right to a very little portion of happiness.... Tell me very frankly, is that being an egotist? Do you think that wrong?"

He was overcome by an infinite pity. That cry of the heart, that poor little naive cry stirred him down to his soul. Tears came to his eyes. Side by side on the bench, leaning one against the other, they felt the warmth of their legs. He would have liked to turn toward her and take her in his arms. He did not dare move for fear of not remaining in control of his emotion. Immovable, they looked straight forward at the ground before their feet. Very swiftly, in a low ardent voice, almost without moving his lips, he said:

"Oh, my darling little body! Oh, my heart! Would I could hold your little feet in my hands, upon my mouth.... I would like to eat you all...."

Without budging and very low and very quickly, just as he had spoken, she replied full of trouble: "Crazy! Foolish boy! Silence! I beg of you...."

A stroller-by of a certain age limped slowly past them. They felt their two bodies melt together with tenderness....

Nobody left on the walk. A sparrow with ruffled feathers was dusting itself in the sand. The fountain shed its lucent droplets. Timidly their faces turned one toward the other; and scarcely had their eyes met each other, when like the rush of birds their mouths met, frightened and closely pressed—and then they flew apart. Luce sprang up, departed. He also had risen. She said to him: "Stay here."

They did not dare to look at one another any longer. He murmured:

"Luce! That little bit ... that little bit of happiness ... say, now we have it!"

* * * * *



THE weather caused an interruption to the lunches by the fountain of the sparrows. Fogs came to obscure the February sun. But they could not snuff out the one they carried in their hearts. Ah! all the bad weather you could wish might be on hand: cold, hot, rain, wind, snow or sun! Everything would be well, always. And even, things would be better. For when happiness is in its period of growth the very finest of all the days is always today.

The fog offered them a benevolent pretext not to separate during a portion of the day. Less risk that way of being observed. In the morning he went to wait for her at the arrival of the train and he accompanied her in her walks about Paris. He had the collar of his overcoat turned up. She wore a fur toque, her boa rolled in a chilly way up to her chin, her little veil tightly tied on, which her lips pushed out and made in it a small round relief. But the best veil was the moist network of the protective mist. The mist was like a curtain of ashes, dense, grayish, with phosphorescent spots. One could not see farther than ten yards. It became thicker and thicker as they passed down the old streets perpendicular to the Seine. Friendly fog, in which a dream stretches itself between ice-cold linen and shudders with delight! They were like the almond in the shell of the nut, like a flame enclosed in a dark lantern. Pierre held the left arm of Luce closely pressed to him; they walked with the same step, almost of the same stature, she a trifle taller, twittering in a halfvoice, their figures quite close together; he would have liked to kiss the little moist round on her veil.

She was going to the shopman who sold "false antiques"—who had ordered them—to dispose of her "turnips," her "little beets" as she called them. They were never in a great hurry to reach the place and without doing so on purpose (at least that is what they insisted) took the longest way about, putting their mistake to the debit of the fog. When at last, nevertheless, the place came to meet them despite all the efforts made to get it off the track, Pierre stayed at a distance. She entered the shop. He waited at the corner of the street. He waited a long time and he was not very warm. But he was glad to wait and not to be warm and even to be bored, because it was all for her. At last she came out again and quick, quick she skipped up to him, smiling, tender, in great disquiet lest he be frozen. He saw in her eyes when she had succeeded and then he rejoiced over it as if it were he who had made the money. But most often she came back to him empty handed; it was necessary to return to the shop two or three days in succession in order to obtain her pay. Very happy she, if they did not give her back the object ordered accompanied by rebukes! Today for instance they had made a great fuss on account of a miniature painted from the photograph of an honest fellow deceased, whom she had never seen. The family was indignant because she had not given him the exact colors of his eyes and hair. It was necessary to do it all over again. Since she was disposed rather to look at the comic side of her misadventures, she laughed courageously about it. But Pierre did not laugh. He was furious.

"Idiots! Triple idiots!"

When Luce showed him the photographs which she had to copy in colors he thundered in his disdain (Oh, how amused she was at his comical fury!) at these heads of imbeciles, frozen in solemn smiles. That the dear eyes of his Luce should have to apply themselves to reproducing and her hands to tracing the pictures of these mugs seemed to him a profanation. No, it was too revolting! Copies from the museums were more worth while. But one could not count on them any more. The last museums had shut their doors and no longer interested her clients. It was no longer the hour for Virgin Maries and angels, only for the poilus. Every family had its own, dead or alive, oftener dead, and wanted to eternalize his features. The wealthier ones wanted colors: work paid for well enough, but beginning to be scarce; it was needful for her not to be capricious. Lacking which, all that remained for the time being was the enlarging of photographs at laughable prices.

The clearest point in all of this was that she no longer had any reason to spend her time in Paris: no more copies in the museum; all that was needed being, to go to the shop to collect and bring back the orders every two or three days; the work itself could be done at home. That was not exactly what the two children liked. They continued to stroll about the streets, unable to decide on taking up the way to the station. Since they felt weary and the icy fog pierced them through, they went into a church; and there, seated most properly in the corner of a chapel, they talked in low voices about the little common-place affairs of their life while they looked at the stained-glass windows. From time to time there fell a silence; and their souls, delivered from mere words (it was not the meaning in the words that interested them but their breath of life, like the furtive contacts between quivering antennae) their souls pursued another dialogue more solemn and profound. The dreams in the colored windows, the shadows cast by the piers, the droning of the hymns mingled with their dream, evoked the sorrowful facts of life which they desired to forget and the consoling homesickness of the infinite. Although it was nearly eleven o'clock, a yellowish twilight brimmed the nave like the oil of a sacred cruet. From on high and from a great distance came strange gleams, the sombre purple of a window, a red pool on violet ones, indistinct figures encircled by their black settings. Against the high wall of night the blood-like gleam of light made a wound....

Abruptly Luce remarked:

"Shall you have to be taken?"

He understood at once what she meant for in the silence his spirit too had pursued the same obscure trail.

"Yes," he said. "We mustn't talk of it."

"Only one thing. Tell me when?"

He told her:

"In six months."

She sighed.

He said:

"We mustn't think of it any more. What use would it be?"

She said:

"Yes, what use?"

They drew long breaths in order to push back the thought. Then courageously (or should one say to the contrary "timorously"? Let him who knows decide where true courage lies!) they both compelled themselves to talk of something else—of the stars of the candles, trembling in a reek, of the organ playing a prelude. Of the beadle who was passing. Of the box full of surprises which her handbag was, in which the indiscreet fingers of Pierre were rummaging. They had a very passion of amusing themselves with nothings. Neither one nor the other of these poor little creatures so much as considered the shadow of an idea of escaping from that destiny which must separate them. To make any resistance against the war, to brave the current of a nation: as well to lift up the church which covered them with its shell! The only recourse was to forget, to forget up to the last second, while hoping at bottom that this last second would never arrive. Until then, to be happy.

After they went out, while chatting, she pulled him by the arm in order to cast a glance at a shopfront, which they had just passed. A shoe shop. He found his gaze caressing tenderly a pair of fine leather shoes, tall and laced up.

"Pretty, eh?" said he.

She said:

"A love!"

He laughed at the expression and she laughed also.

"Wouldn't they be too big?"

"No, just a fit."

"Well, then, suppose one bought them?"

She pressed his arm and pulled him on so as to tear him away from the sight.

"One has to belong to the wealthy" (humming the air of Dansons la capucine....) "But they're not for us."

"Why not? Cinderella put the slipper on all right!"

"At that time there were fairies still."

"In the present time there are lovers still."

She sang:

"Non, non, nenni, mon petit ami!"

"Why so, since we are friends?"

"Just for that reason."

"For that?"

"Yes, because one cannot accept things from a friend."

"Then perhaps—from an enemy?"

"Rather from a stranger; my shopman, for instance, if he wanted to advance me a payment, the robber!"

"But, Luce, I certainly have the right to order from you a painting, if I wish?"

She stopped, to burst out laughing.

"You, a painting by me? My poor friend, what could you do with it? You have gained a good deal of merit already, just for having looked at them. I know well enough that they are croutes. They would stick in your throat."

"Not at all! Some of them are very cunning. And besides, if they suit my taste?"

"It's certainly changed since yesterday."

"Isn't it allowable to change one's taste?"

"No, not when one's a friend."

"Luce, do my portrait!"

"Well, well, now; his portrait!"

"Why, it's very serious. I'm as good as those idiots...."

She squeezed his arm in an unthinking burst:

"Darling!"

"What was that you said?"

"I didn't say anything."

"I heard you all right."

"Well then, keep it for yourself!"

"No, I shan't keep it. I'll give it back to you double.... Darling!... Darling! You'll do my portrait, won't you? It's settled?"

"Have you a photo?"

"No, I have not."

"Then what do you expect? I can't paint you in the street, I suppose."

"You told me that at home you were alone almost every day."

"Yes, the days mama works at the factory.... But I don't dare...."

"You are afraid, then, that we shall be seen?"

"No, that's not the reason. We have no neighbors."

"Well, then, what is it you're afraid of?"

She did not reply.

They were come to the square before the tramway station. Although all about them were people who were waiting, they were hardly to be seen, the fog continued to isolate the little couple. She evaded his eyes. He took her two hands and said tenderly:

"My darling, don't be afraid...."

She lifted her eyes and they gazed at each other. Their eyes were so loyal!

"I trust you," said she.

She closed her eyes. She felt that she was sacred to him.

They let go hands. The tram was about to start. Pierre's gaze questioned Luce.

"What day?" he demanded.

"Thursday," she replied. "Come about two."

At the moment of parting she regained her roguish smile; she whispered in his ear:

"And you must bring your photo just the same. I am not strong enough to paint without the photo.... Yes, yes, I know you have some, you naughty little humbug."

* * * * *



OUT beyond the Malakoff. Streets like broken teeth separated by vague regions losing themselves in a dubious kind of country-side where among boarded enclosures blossom the cabins of ragpickers. The gray dull sky is lying low over the colorless ground whose thin edges smoke with the fog. The air is chill. The house easy to find: there are only three of them on one side of the road. The last of the three; it has no neighbor across the street. It has but one story with a little courtyard which is surrounded by a picket fence; two or three starveling trees, a square patch of kitchen garden under the snow.

Pierre has made no noise on entering; the snow deadens his steps. But the curtains of the ground floor are in motion; and when he reaches the door, the door opens and Luce is on the threshold. In the half light of the hall they say good day in a choking voice, and she ushers him into the first apartment which serves as dining-room. There it is that she works: her easel is installed near the window. At first they do not know what to say to one another: both have thought over this visit altogether too much beforehand; none of the speeches they had prepared is able to come forth; and they talk in a halfvoice, although there is nobody else in the house—and it's just for that reason. They stay seated at some distance from each other with their arms rigid; and he has not even thrown back the collar of his cloak. They chat about the cold weather and the hours of the tramcars. They are unhappy to feel themselves so silly.

At last she makes an effort and asks if he has brought the photographs, and scarcely has he taken them from his pocket when both pluck up a spirit. These pictures are the intermediaries over whose heads the chat revives; for now the two are not entirely alone; there are eyes that look at you and they are not embarrassing. Pierre has had the clever idea (there was really no roguishness in it) to bring all his photographs, from the age of three; there was one that showed him in a little skirt. Luce laughed with pleasure; she spoke to the photo in comical baby talk. Can there be anything more delightful to a woman than to see the picture of the person she loves when he was quite small? She cradles, she rocks him in her thoughts, she gives him the breast; and she is even not so far from the dream that she has given him birth. And besides (nor does she dupe herself at all) it forms a convenient pretext to say to the infant what she cannot force herself to say to the grown-up.—When he asks which one of the photographs she prefers, she says without hesitating:

"The dear little codger...."

How serious he looks, already! Almost more serious than today. Certainly if Luce dared to look (and just here she does dare) in order to make comparisons with the Pierre of today, she would see in his eyes an expression of joy and infantile gayety that does not appear in the infant: for the eyes of this infant, this little bourgeois under a bell glass, are birds in a cage that lack sunlight; and the sunlight has come, hasn't it, Luce?...

In his turn he asks to see photos of Luce. She exhibits a little girl of six with a big plait who is squeezing a little dog in her arms; and as she sees it again she thinks mischievously that in that period she loved no less fervently nor very differently; whatever heart she possessed she gave it even then to her dog; it was Pierre already, while waiting till he arrived. Also she showed a young miss of thirteen or fourteen who twisted her neck with a coquettish and a somewhat pretentious air; luckily there was always there at the corners of the mouth that roguish little smile which appeared to say:

"You know, I'm just amusing myself; I don't taken myself seriously."

Now they had completely forgotten their former embarrassment.

She set herself to sketching-in the portrait. Since he must not budge one bit any more, nor talk except with the tips of his lips, she it was who made almost all the conversation, all by herself. Instinct told her that silence was dangerous. And as it happens with sincere persons who talk at some length, she came quickly to the point of confiding to him the intimate affairs of her life and those of her family which she did not have the slightest intention of recounting. She heard herself speak with astonishment; but there was no way of returning to solid ground; the very silence of Pierre was like a declivity down which the stream glided....

She recited the facts of her infant life in the provinces. She came from Touraine. Her mother belonging to a well-to-do family of the solid bourgeoisie became infatuated with a tutor, the son of a farmer. The bourgeois family opposed the marriage; but the two lovers were obstinate; the young girl had waited until she was of age in order to send out the legal summons to her family. After the marriage her people would not recognize her. The young couple lived through years of affection and hard fare. The husband wore himself out at his task and sickness arrived. The wife accepted this further burden courageously; she worked for two. Her parents, obstinately cherishing their wounded pride, refused to do anything to come to his assistance. The sick man died a few months before the outbreak of the war. And the two women did not try to renew connection with the mother's family. The latter would have welcomed the young girl if she had made any advances; she would have been received like a mea culpa condoning the action of her mother. But the family might wait! Rather eat stones for breakfast!

Pierre was amazed at the hard heartedness of these bourgeois parents. Luce did not find it extraordinary.

"Don't you believe there are a great many people like that? Not wicked. No, I am sure that my grandparents are not, and even believe that it pained them not to say to us: 'Come back!' But their self-respect had been mortified too much. And self-love among these people, there's nothing else that is so great. It is stronger than all the rest. When one has done them wrong it is not merely the wrong that one has done them; there is the Wrong; the others are wrong and they themselves are right. And so, without being cruel (no, really, they are not) they would let you die near them at a slow fire rather than concede that perhaps after all they were not right. Oh, they are not the only ones! One meets with many others!... Say, am I mistaken? Aren't they just like that?"

Pierre pondered. He was excited. For he was thinking:

"Why, yes. That is the way they are...."

Through the eyes of the little girl he saw abruptly the penury of heart, the desert-like aridity of this bourgeois class of which he formed a part. Dry and wornout earth which little by little has imbibed all the juices of life and does not renew them any more, just like those lands in Asia where the fecundating rivers, drop by drop, have disappeared under the vitreous sand. Even those whom they believe they love are loved in a proprietary way; they sacrifice them to their egotism, to their buttressed pride, to their narrow and headstrong intelligence. Pierre took a sorrowful review of his parents and himself. He was silent. The panes of the apartment vibrated under the shock of a distant cannonade. And Pierre, who was thinking of those who were dying, said with bitterness:

"And that, too, is their work."

Yes, the hoarse barking of these cannon away off there, the universal war, the grand catastrophe—the dryness of heart and the inhumanity of that braggart and limited bourgeoisie had a large part in the responsibility for all that. And now (which was only just) the unchained monster would never stop until it had devoured them.

And Luce said:

"That is true."

For without knowing that she did so she followed the thought of Pierre. He started at the echo:

"Yes, it is true," said he, "what has come about is just. This world was too old; it ought to, it must die."

And Luce, bowing her head, sorrowful and resigned, said once more:

"Yes."

Solemn faces of children bent beneath Destiny, whose youthful brows touched by the wing of care bore within them such distressful ponderings!...

Darkness increased in the room. It was not very warm in there. Her hands being icy, Luce stopped her work, which Pierre was not allowed to see. They went to the window and contemplated the evening shadows across mournful fields and wooded hills. The violet forests formed a half circle against a greenish sky powdered with dust of a pale gold. A bit of the soul of Puvis de Chavannes floated there. A simple phrase of Luce made it evident that she understood how to read that subtle harmony. He was almost astonished. She was not miffed at that, and said that one might easily feel a thing that one would be incapable of expressing. Though she painted very badly, it was not altogether her fault. Through an economical turn, perhaps ill-advised, she had not finished her course at the Arts Decoratifs. Besides, poverty alone had made her turn to painting. What use in painting without a purpose? And did not Pierre think that almost all those who produce art do it without actual necessity, through vanity, in order to occupy their time, or else because at first they think they need it and later on will not confess they were mistaken? One should not be an artist save when one absolutely cannot keep to oneself the feeling one has—only when one has too much feeling. But Luce said she possessed just enough for one. She went on:

"No, for two."

(Because he made a face at her.)

The lovely golden tints in the sky began to turn to brown. The deserted plain put on a disconsolate mask. Pierre asked Luce if she was not afraid in that solitude.

"No."

"When you get home late?"

"There is no danger. The Apaches don't come here. They have their own customs. They are bourgeois, too. Besides, we have over there an old ragpicker, and his dog. And besides, I have no fear. Oh, I'm not boasting about myself! I have no merit at all in it. I am not courageous naturally. Only, I have not as yet had any occasion to meet with real fear. The day I do see it, perhaps I shall be more of a poltroon than the next one. Does one ever know what one really is?"

"Well, I for my part know what you are," quoth Pierre.

"Ah, that is much easier. I myself likewise, I know ... as to you! One always knows better about another."

The moist chill of evening entered the room through the closed windows. Pierre felt a little shudder. Luce, who perceived it at once on his neck, ran to make him a cup of chocolate, which she heated on her spirit-lamp. They took a bit of food. Luce had thrown her shawl maternally over Pierre's shoulders; and he let her do it like a cat enjoying the warmth of the stuff. Once more the current of their thoughts brought them back to the family history which Luce had interrupted.

Pierre continued:

"Both of you all alone, so entirely alone, you and your mother: you must be deeply attached to one another."

"Yes," said Luce. "We were very much attached."

"Were?" repeated Pierre.

"Oh!" said Luce, "we always love each other;" still somewhat embarrassed by the word which had escaped her without thinking. (Why must she always tell him more than she meant to? And nevertheless he did not ask, he dared not ask her. But she saw that his heart was putting the question. And it's so nice to confide in someone when one has never had the chance! The silence of the house, the half-shade of the room encouraged her to confess.) She observed:

"There's no saying or knowing what has been going on for the last four years. The whole world is changed."

"You mean to say that your mother, or that you have changed?"

"The whole world," repeated she.

"In what respect?"

"That's hard to define. One feels everywhere among people who know each other, even in the family, that the relations are not the same. One is never sure of anything any more; in the morning one says to oneself: What is it I am going to experience this night? Shall I recognize it? One is as if on a plank in the water just about to upset."

"What is it that's happened?"

"I don't know," said Luce, "I can't explain it. But it has come since the war. There is something in the air. Everybody is troubled. In families one sees people who were not capable of doing without one another marching off today, each one in his own direction. And as if intoxicated each one runs along with nose on the trail."

"Where do they go?"

"I don't know. And I believe they don't either. Either pure chance or some desire spurs them. Women take lovers. Men forget their wives. And kindly people, too, who generally appear so calm and so orderly! Everywhere we hear of households broken up. It's the same between parents and children. My mother...."

She stopped, then ran on:

"My mother lives her own life."

She stopped again:

"Oh, it's perfectly natural! She is still young, and poor mama has not had much happiness; she has not poured out her sum of affection. She has a right to want to make her life over again."

Pierre inquired:

"She wants to marry again?"

Luce shook her head. One could hardly know very well.... Pierre dared not insist.

"She loves me well, still. But it's not the way it used to be. She is able to do without me at present.... Poor mama! She would be so sorry if she knew that her love for me is no longer in her heart as the first of all! She would never confess that, never.... O, how queer it is, this life!"

She wore a sweet smile, sorrowful and roguish. Upon her hands placed on the table Pierre put his hands tenderly, and sat without motion.

"We are poor creatures," he muttered.

Luce continued in a moment:

"We two, how tranquil we are!... The others have the fever. The war. The factories. People are in a hurry. They hustle. To work hard, to live, to enjoy themselves...."

"Yes," said Pierre, "the time is short."

"All the more reason not to run!" said Luce. "One gets too soon to the end. Let us walk slowly."

"But it's time that hurries along. Hold on to it well."

"I'm holding onto it; I'm holding," said Luce, grasping his hand.

Thus back and forward, tenderly, gravely, they talked like a pair of good old friends. But they took good care that the table should stay between them.

And behold, they perceived that the night had filled the room. Pierre rose hurriedly. Luce did nothing to retain him. The short hour had passed. They were afraid of the hour that might come. They said au revoir to each other with the same constraint, the same low and choked voice as when he came in. On the threshold their hands scarcely dared to press each other.

But when the door was shut, just as he was about to leave the garden, as he turned his head toward the window of the ground floor, he saw in the last gleam of the copper-colored twilight, on the pane, the outline of Luce, who was following his departure into the uncertain depths of the gleam-filled obscurity with a face full of passion. And turning back to the window, he pressed his lips against the closed pane. Their lips kissed through the wall of glass. Then Luce moved back into the shadows of the room and the curtain fell.

* * * * *



FOR the past fortnight they had been unaware of anything that was going on in the world. In Paris people might make arrests and issue condemnations as hard as they could. Germany might make treaties and tear up those she had signed. Governments might lie, the press denounce and armies kill. They did not read the papers. They knew there was the war somewhere all about them, just as there is typhus or else influenza; but that did not touch them; they did not want to think about it.

The war recalled itself to them that night. They had already gone to bed (they spent their hearts so freely in those days that when evening came they were worn out). They heard the alarm signals, each in his or her respective quarter, and declined to get up. They hid their heads in their beds under the bedclothes as a child will during a thunder-storm—not at all from fear (they were positive that nothing could happen to them) but in order to dream. Listening to the air rumbling in the night, Luce thought:

"It would be delightful to listen to the storm as it passes, in his arms."

Pierre stopped his ears. Let nothing trouble his thoughts! He insisted on picking out on the piano of memory the song of the day passed, the melodious thread of the hours, from the first minute that he entered Luce's house, the slightest inflections of her voice and her gestures, the successive images which his eyes had hastily snapped up—a shadow under the eyelids, a wave of emotion that passed beneath the skin like a shiver across the water, a smile just brushing against the lips like a sun ray, and his palm pressed on, nestled against the nude softness of the two extended hands—these precious fragments that endeavored to reunite the magic fantasy of love in a single close embrace. He would not permit that noises from without should enter there. The outside was for him a tiresome visitor. The war? Oh, I know, I know. Has it come? Let it wait.... And the war did wait at the door, patiently. War knew that it would have its turn. He knew that also; that is why he had no shame in his egotism. The rising billow of death was about to seize him. So he owed death nothing in advance. Nothing. Let death come back again at the date of the contract! Up to that day let death be silent! Ah, up to then at least he did not want to lose anything of this marvelous time; each second was a golden grain and he the miser who paws over his treasure. It's mine, it's my property. Don't you dare touch my peace, my love! It's my own up to the hour.... And when will the hour come? Perhaps it will not come at all! A miracle? Why not?...

Meantime the stream of hours and days kept on flowing. At each new bend of the channel the roaring of the rapids drew nearer. Stretched out in their barque Pierre and Luce listened and heard. But they had no more fear. Even that enormous voice like the bass notes of an organ cradled their amorous dream. When the gulf should be there they would close their eyes, press closer together and all would be over in one blow. The gulf spared them the trouble of thinking about the life that was to be, that might possibly be, afterward, about the future without an issue. For Luce foresaw the obstacles that Pierre would have to encounter if he wished to marry her; and Pierre less clearly (he had less taste for clearness) feared them also. Let us not look so far ahead! Life beyond the gulf was like that "other life" they talked about in church. They tell you that we shall find each other again; but they are not so very sure. One sole thing is sure: the present. Our own present. Let's pour into it without any taking of stock the whole of our part in eternity!

Even less than Pierre did Luce inform herself about the news. The war did not interest her in the least. It was only one misery more amongst all the various miseries which form the web and woof of social existence. Those who can be astonished about it are those only who stand sheltered from naked realities. And the little girl with her precocious experience who understood the struggle for one's daily bread—panem quotidianum ... (God does not grant it for nothing!)—revealed to her bourgeois friend the murderous war which, for poor folks and particularly for women, reigns cunningly deep and without a truce below the lie of peace. She did not talk too much about it, however, for fear of depressing him: on seeing the excitement into which her accounts threw him, she had an affectionate feeling of her own superiority. Like most women she did not entertain with regard to certain ugly facts of life the physical and moral disgust which upset the young fellow. There was nothing of the rebel in her. In still worse circumstances she would have been able to accept repugnant tasks without repugnance and quit them quite calm and natty, without a stain. Today she could not do that any more, for since she had come to know Pierre her love had caused her to be filled with the tastes and distastes of her friend; but that was not her fundamental nature. Calm and smiling by reason of her race, not pessimistic at all. Melancholy, and the grand detached airs of life were not her business. Life is as it is. Let us take it as it is! It might have been worse! The hazards of an existence which Luce had always known to be precarious, on the look-out for expedients—and particularly since the war—had taught her to be careless of the morrow. Add to this that every preoccupation concerning the beyond was a stranger to this free little French girl. Life was enough for her. Luce found life delightful, but it all hangs by a thread and it takes so little to make the thread break that really it is not worth the trouble to torment oneself about what may turn up tomorrow. Eyes of mine, drink in the daylight that bathes you as you pass! As to what may come after, O, my heart, abandon yourself in confidence to the stream!... And since anyhow we can not do otherwise!... And now that we love each other, isn't it just delicious? Luce well knew that it could not be for long. But neither her life nor she herself, either, would be for long....

She did not resemble much that little fellow who loved her and whom she loved, tender, ardent and nervous, happy and miserable, who always enjoyed and suffered to excess, who gave himself, who flew into a rage, always with passion, and who was dear to her just because he resembled her hardly at all. But both of them were in accord as to a mute resolve not to look into the future: the girl through the carelessness of the resigned rivulet that sings on its way—the other through that exalted negation which plunges into the gulf of the present and never desires to emerge again.

* * * * *



THE big brother had come back again on furlough for a few days. During the first evening at home he perceived that there was something changed in the family atmosphere. What? He could not tell; but he was vexed. The mind possesses antennae which perceive at a distance before consciousness is able to touch and consider the object. And the finest of all antennae are those of vanity. Philip's agitated themselves, searched about and were surprised; they missed something.... Did he not have his circle of affection which rendered unto him the customary homage—the attentive audience to which in miserly fashion he doled out his stories—his parents who brooded him under their touched admiration—the young brother?... Stop there! It was he, exactly he who was missing to the appeal.

He was present of course but he did not exert himself about his big brother; he did not beg for confidences as was his wont, which the other used to take pleasure in denying. Pitiful vanity! Philip, who on former occasions affected in regard of the ardent questions of his younger brother a sort of protective and bantering lackadaisicalness, was hurt that he did not put them this time. It was he who tried to provoke them: he became more loquacious and he looked at Pierre as if he wished him to feel that his talk was meant for him. At another time Pierre would have thrilled with joy and caught on the fly the handkerchief that was tossed him. But he quietly permitted Philip to pick it up for himself if he had any desire to do so. Philip, feeling piqued, tried irony. Instead of being troubled, Pierre answered with composure in the same detached tone. Philip wanted to discuss, became agitated, harangued. After a few minutes he found that he was haranguing all by himself. Pierre looked on at his efforts wearing an air of saying:

"Go ahead, my dear boy! If that is any pleasure to you! Continue! I'm listening...."

That insolent little smile!... Their roles were reversed.

Philip stopped talking, much mortified, and observed his young brother more attentively, who, however, did not occupy himself further with him. How he had changed! The parents, who saw him every day, had not noticed anything; but the penetrating and moreover jealous eyes of Philip did not find any more the well known expression after several months of absence. Pierre had a happy, languid, thoughtless, torpid air, indifferent as to persons, inattentive to what is about them, floating in an atmosphere of voluptuous dream, like a young girl. And Philip felt that he counted for nothing in the little brother's thoughts.

Since he was no less expert in analyzing himself than in observing others, he was quick to recover consciousness of his own vexation and laugh at it. Vanity thrust aside, he interested himself in Pierre and searched for the secret of his metamorphosis. He would have liked well to have solicited his confidence, but that was a business to which he was not habituated, and besides, little brother did not seem to have any need of confiding; with a careless and chaffing unconstraint he looked on while Philip attempted awkwardly to spread the net; and with his hands in his pockets, smiling, his thoughts elsewhere, whistling a little air, he answered vaguely, without listening carefully to what he was being asked—then, all of a sudden, turned off to his own regions. Good night! And he was no longer there. One caught only at his reflection in the water, which escaped from between one's fingers.—And Philip, like a lover disdained, felt all his value now and experienced the attraction of the mystery in this heart which he had lost.

The key to the enigma came to him by pure chance. As he was coming home in the evening by Boulevard Montparnasse, in the dark he passed Pierre and Luce. He was afraid they might have noticed him. But they cared little for what surrounded them. Closely pressed together, Pierre supporting his arm on the arm of Luce and holding her hand with fingers interlaced, they strolled along with short steps immersed in the hungry and gluttonous tenderness of Eros and Psyche as they lie at length on the nuptial couch in the Farnesina. The close embrace of their gaze fused them into a single being like a waxen group. Philip, leaning against a tree, looked upon them as they passed, stopped, went on and disappeared in the dark. And his heart was full of pity for the two children. He thought:

"My life is sacrificed. So be it! But it is not right to take those also. If at the least I could pay for their happiness!"

The next morning, in spite of his polite inattention, Pierre noticed vaguely—in actual fact not at once, but after some reflection—the affectionate tone of his brother with him. And, getting half awake, he perceived his kind eyes which he had not noticed before. Philip looked at him with such clarity that Pierre had an impression that this gaze was scrutinizing him; and awkwardly he hastened at once to push the shutter over his secret. But Philip smiled, rose, and putting his hand on his shoulder proposed that they should take a turn in the open. Pierre could not resist the new confidence which was tendered him and together they proceeded to the Luxembourg near at hand. The big brother had kept his hand on the shoulder of the younger and the latter felt himself proud of the re-established accord. His tongue was loosed. They talked animatedly of intellectual things, of books, their reflections on men, their new experiences—of everything except the subject both were thinking about. It was like a tacit convention. They were happy to feel themselves intimate, with a secret between them. While chatting Pierre inquired of himself:

"Does he know? But how could he know?"

Philip observed him as he chattered along and kept on smiling. Pierre ended by stopping short in the midst of a sentence.

"What's the matter with you?"

"Nothing. I'm just looking at you. I am delighted with you."

They shook hands. While they were returning Philip said:

"Are you happy?"

Without speaking Pierre nodded with his head—yes.

"You are right, my boy. A great, beautiful thing is happiness. Take my portion...."

In order not to trouble him, Philip during his furlough avoided making any allusion to the near incorporation of Pierre's class in the army. But on the day of his departure he could not prevent himself from expressing his anxiety at seeing his young brother exposed very soon to the trials which he knew only too well. Scarcely did a shadow cross the brow of the young lover. He drew his eyebrows a bit together, blinked with his eyes as if to drive off a troublesome vision, and said:

"Enough! Later on! Chi lo sa?"

"We know it only too well," said Philip.

"What in any case I do know," said Pierre, vexed that he should insist, "is that when I am down there I for my part shall do no killing."

Without contradicting him, Philip smiled sorrowfully, knowing well what the implacable power of the crowd does with weak souls and with their will.

* * * * *



MARCH was back again with a longer day and the first songs of birds. But along with the days increased the sinister flames of the war. The air was feverish with waiting for springtime—and waiting for the cataclysm. One heard the monstrous rumbling grow in intensity, the arms of millions of enemies clashing together, heaped up for the past months against the dyke of the trenches, and all ready to spill over like a tidal bore upon the Ile de France and the nave of La Cite. The shadow of frightful rumors preceded the plague; a fantastic report of poisoned gases, of deadly venom scattered through the air, which was about, so it was said, to descend on whole provinces and destroy everything like the asphyxiating overflow from Pelee Mountain. Finally the visits of bombing Gothas, coming oftener and oftener, cleverly kept up the nervousness of Paris.

Pierre and Luce continued to refuse to recognize anything about them, but the slow fever which they breathed in, whether they would or not, from that atmosphere heavy with menace, kindled the desire that glowed in their young bodies. Three years of war had propagated in European souls a freedom of morals which reached even the most honest and straight. And of the two children, neither one nor the other, had any religious beliefs. But they were protected by their delicacy of heart, their instinctive modesty. Only, in secret they had decided to give themselves completely one to the other before the blind cruelty of mankind should separate them. They had not spoken of this. They said it to themselves that evening.

Once or twice during the week Luce's mother was kept at the factory by her night work. On these nights Luce, in order not to stay alone in that desert quarter, slept in Paris with a girl friend. Nobody kept watch over her. The two lovers took advantage of this freedom to pass a portion of the evening together and sometimes they took a simple dinner in a little out-of-the-way restaurant. On leaving after dinner on this mid-March evening they heard the bomb-alert signal sound. They took refuge in the nearest place as if it were an affair of a rain shower, and for some time amused themselves observing their chance comrades. But the danger seeming distant or no longer there, although nothing had occurred to announce the end of the bomb-warning, Luce and Pierre, who did not want to get home too late, went on their way chatting gaily. They followed an old dark and narrow street near Saint Sulpice. They had just passed a hackney coach standing idle, both horse and driver asleep, near the gate of a porte cochere. They were twenty steps away and on the other sidewalk, when everything about them shuddered: a red, blinding flash, a roll of thunder, a rain of loosened tiles and broken windowpanes! Near the buttress of a house which made a sharp projection into the street they flattened themselves against the wall and their bodies interlaced. By the gleam of the explosion they had seen their own eyes full of love and dismay. And when the darkness fell again Luce's voice was saying:

"No, Pierre. I want no more."

And Pierre felt upon his own lips the lips and the teeth of the passionate girl. They remained palpitating in the darkness of the street. Some paces away some men, issuing from the houses, picked the dying coachman from among the remnants of the smashed vehicle; they passed quite close to them with the unfortunate man whose blood was falling drop by drop. Luce and Pierre remained petrified; so closely knit together that when consciousness revived in them it seemed as if their bodies had been naked in the pressure. They loosened their hands and lips grown together which drank of the loved one like roots. And, both of them, they began to tremble.

"Let us go home!" said Luce, invaded by a sacred terror.

She dragged him away.

"Luce! you will not let me leave this life before ...?"

"Oh, God," said Luce, squeezing his arm, "that thought would be worse than death!"

"My love, my love!" they kept repeating, one to the other.

Once more they came to a stop.

"When shall I be yours?" said Pierre.

(He could not have dared to ask: "When shall you be mine?")

Luce noticed this and was touched by it.

"Adored one," she said to him," ... very soon! Let's not hurry. You can not desire it more than I wish it!... Let us stay this way a little while.... It is splendid!... This month longer, right to the end!..."

"Until Easter?" he murmured.

(This year Easter was the last day in March.)

"Yes, at the Resurrection."

"Ah," quoth he, "there's the Death before Resurrection."

"Hush!" she interposed, closing his mouth with her own.

They drew away from each other.

"This night, it's our betrothal," whispered Pierre.

Huddled against each other while they walked in the shadows, they wept gently with tenderness. The ground crackled underfoot with the broken glass and the sidewalk was bloody. Death and the night were lying in ambush round about their love. But above their heads like a magic circle beyond the embrasure of the two black walls in the narrow street, as through a chimney, the heart of a star throbbed against the deep pulpy grain of the sky....

Lo and behold! The voices of the bells sing out, lights are rekindled and the streets are animate once more. The air is free of foes. Paris breathes again. Death has flown.

* * * * *



THEY had come to the day preceding Palm Sunday. Every day they saw each other for hours together; and they did not even try to hide themselves any more. They no longer had any accounts to render the world. By such gossamer threads were they attached to it and so near to breaking!—Two days before, the German grand offensive had been started. The wave advanced along a front of nearly a hundred kilometers. Fast following emotions caused the City to vibrate: the explosion of Courneuve, which had shaken Paris like an earthquake; the incessant air-bomb alarms which broke in on sleep and wore out nerves. And on this morning of Saturday after a troubled night all those who were not able to close an eyelid until very late were roused again by the thunder of the mysterious cannon buried in the far distance, which, beyond the Somme, launched death in trial shots, as if from another planet. In the course of the earlier shots, which were attributed to the coming back of the aerial Gothas, people had taken refuge in a docile way inside their cellars; but a danger that continues becomes in time a habit to which life accommodates itself; and the peril is not far from turning out an attraction even, when the risks run are common to all and are not too great. Besides, the weather was too lovely; it was a pity to bury one's self alive: before noon all the world was out of doors; and the streets and gardens, the terraces of the cafes had a festival air on this radiant and burning afternoon.

It was this afternoon Pierre and Luce had selected to pass, far from the crowd, in the forest of Chaville. For the past ten days they had existed in an uplifted calm. Profound peace at the heart, and nerves on edge. They had a feeling like existing on an islet, about which rushed a frantic current: a vertigo of sight and hearing carried them away. But with eyelids lowered and hands on ears, when the bolt is pushed on the door, suddenly in one's inner deep there comes a silence, a blinding silence, the moveless summer day, when Joy invisible like a hidden bird sings its song, fresh and liquid, like a brook. O Joy! magical singer, warblings of happiness! I know too well it suffices that a slit should open between my lids or that my finger should cease to push a moment against my ear, and the foam and roar of the stream will follow in. Frail dyke! Just to know it so frail exalts the mood of Joy which I know is threatened. Peace and silence itself take on a passionate look!...

The woods once reached, they held each other by the hand. The first days of spring are a new wine that rises to the head. The youthful sun intoxicates with the purest juice of its vine. Light still floats over the leafless wood, and athwart the bare branches the blue eye of the sky fascinates the reason and lulls it to sleep.... Scarcely did they endeavor to exchange a few words. Their tongues declined to finish a phrase once started. Their legs were weak and they hated to walk. Under the sunshine and the silence of the woods they tottered. The earth drew them. Just to lie down in the path! Just to let themselves be carried along on the rim of the colossal wheel of the worlds....