Mary deliberated for a few minutes.

'I don't like secrets,' she said, 'there is generally something dishonourable in them. But this would be an innocent secret, wouldn't it? Well, I'll come to see you somehow, poor old man; and if Steadman sees me here I will make everything right with him.'

'He mustn't see you here,' said the old man. 'If he does he will shut me up in my own rooms again, as he did once, years and years ago.'

'But you have not been here long, have you?' Mary asked, wonderingly.

'A hundred years, at least. That's what it seems to me sometimes. And yet there are times when it seems only a dream. Be sure you come again to-morrow.'

'Yes, I promise you to come; good-night.'

'Good-night.'

Mary went back to the stable. The door was still open, but how could she be sure that it would be open to-morrow? There was no other access that she knew of to the quadrangle, except through the old part of the house, and that was at times inaccessible to her.

She found a key—a big old rusty key—in the inside of the door, so she shut and locked it, and put the key in her pocket. The door she supposed had been left open by accident; at any rate this key made her mistress of the situation. If any question should arise as to her conduct she could have an explanation with Steadman; but she had pledged her word to the poor mad old man, and she meant to keep her promise, if possible.

As she left the stable she saw Steadman riding towards the gate on his grey cob. She passed him as she went back to the house.

Next day, and the day after that, and for many days, Mary used her key, and went into the quadrangle at sundown to sit for half an hour or so with the strange old man, who seemed to take an intense pleasure in her company. The weather was growing warmer as May wore on towards June, and this evening hour, between six and seven, was deliciously bright and balmy. The seat by the sundial was screened on every side by the clipped yew hedge, dense and tall, surrounding the circular, gravelled space, in the centre of which stood the old granite dial, with its octagonal pedestal and moss-grown steps. There, as in a closely-shaded arbour, Lady Mary and her old friend were alone and unobserved. The yew-tree boundary was at least eight feet high, and Mary and her companion could hardly have been seen even from the upper windows of the low, old house.

Mary had fallen into the habit of going for her walk or her ride at five o'clock every day, when she was not in attendance on Lady Maulevrier, and after her walk or ride she slipped through the stable, and joined her ancient friend. Stables and courtyard were generally empty at this hour, the men only appearing at the sound of a big bell, which summoned them from their snuggery when they were wanted. Most of Lady Maulevrier's servants had arrived at that respectable stage of long service in which fidelity is counted as a substitute for hard work.

The old man was not particularly conversational, and was apt to repeat the same things over and over again, with a sublime unconsciousness of being prosy; but he liked to hear Mary talk, and he listened with seeming intelligence. He questioned her about the world outside his cloistered life—the wars and rumours of wars—and, although the names of the questions and the men of the day seemed utterly strange to him, and he had to have them repeated to him again and again, he seemed to take an intelligent interest in the stirring facts of the time, and listened intently when Mary gave him a synopsis of her last newspaper reading.

When the news was exhausted, Mary hit upon a more childish form of amusement, and that was to tell the story of any novel or poem she had been lately reading. This was so successful that in this manner Mary related the stories of most of Shakespeare's plays; of Byron's Bride of Abydos, and Corsair; of Keats's Lamia; of Tennyson's Idylls; and of a heterogenous collection of poetry and romance, in all of which stories the old man took a vivid interest.

'You are better to me than the sunshine,' he told Mary one day when she was leaving him. 'The world grows darker when you leave me.'

Once at this parting moment he took both her hands, and drew her nearer to him, peering into her face in the clear evening light.

'You are like my mother,' he said. 'Yes, you are very like her. And who else is it that you are like? There is some one else, I know. Yes, some one else! I remember! It is a face in a picture—a picture at Maulevrier Castle.'

'What do you know of Maulevrier Castle?' asked Mary, wonderingly.

Maulevrier was the family seat in Herefordshire, which had not been occupied by the elder branch for the last forty years. Lady Maulevrier had let it during her son's minority to a younger branch of the family, a branch which had intermarried with the world of successful commerce, and was richer than the heads of the house. This occupation of Maulevrier Castle had continued to the present time, and was likely still to continue, Maulevrier having no desire to set up housekeeping in a feudal castle in the marches.

'How came you to know Maulevrier Castle?' repeated Mary.

'I was there once. There is a picture by Lely, a portrait of a Lady Maulevrier in Charles the Second's time. The face is yours, my love. I have heard of such hereditary faces. My mother was proud of resembling that portrait.'

'What did your mother know of Maulevrier Castle?'

The old man did not answer. He had lapsed into that dream-like condition into which he often sank, when his brain was not stimulated to attention and coherency by his interest in Mary's narrations.

Mary concluded that this man had once been a servant in the Maulevrier household, perhaps at the place in Herefordshire, and that all his old memories ran in one grove—the house of Maulevrier.

The freedom of her intercourse with him was undisturbed for about three weeks; and at the end of that time she came face to face with James Steadman as she emerged from the circle of greenery.

'You here, Lady Mary?' he exclaimed with an angry look.

'Yes, I have been sitting talking to that poor old man,' Mary answered, cheerily, concluding that Steadman's look of vexation arose from his being detected in the act of harbouring a contraband relation. 'He is a very interesting character. A relation of yours, I suppose?'

'Yes, he is a relation,' replied Steadman. 'He is very old, and his mind has long been gone. Her ladyship is kind enough to allow me to give him a home in her house. He is quite harmless, and he is in nobody's way.'

'Of course not, poor soul. He is only a burden to himself. He talks as if his life had been very weary. Has he been long in that sad state?'

'Yes, a long time.'

Steadman's manner to Lady Mary was curt at the best of times. She had always stood somewhat in awe of him, as a person delegated with authority by her grandmother, a servant who was much more than a servant. But to-day his manner was more abrupt than usual.

'He spoke of Maulevrier Castle just now,' said Mary, determined not to be put down too easily. 'Was he once in service there?'

'He was. Pray how did you find your way into this garden, Lady Mary?'

'I came through the stable. As it is my grandmother's garden I suppose I did not take an unwarrantable liberty in coming,' said Mary, drawing herself up, and ready for battle.

'It is Lady Maulevrier's wish that this garden should be reserved for my use,' answered Steadman. 'Her ladyship knows that my uncle walks here of an afternoon, and that, owing to his age and infirmities, he can go nowhere else; and if only on that account, it is well that the garden should be kept private. Lunatics are rather dangerous company, Lady Mary, and I advise you to give them a wide berth wherever you may meet them.'

'I am not afraid of your uncle,' said Mary, resolutely. 'You said yourself just now that he is quite harmless: and I am really interested in him, poor old creature. He likes me to sit with him a little of an afternoon and to talk to him; and if you have no objection I should like to do so, whenever the weather is fine enough for the poor old man to be out in the garden at this hour.'

'I have a very great objection, Lady Mary, and that objection is chiefly in your interest,' answered Steadman, firmly. 'No one who is not experienced in the ways of lunatics can imagine the danger of any association with them—their consummate craftiness, their capacity for crime. Every madman is harmless up to a certain point—mild, inoffensive, perhaps, up to the very moment in which he commits some appalling crime. And then people cry out upon the want of prudence, the want of common-sense which allowed such an act to be possible. No, Lady Mary, I understand the benevolence of your motive, but I cannot permit you to run such a risk.'

'I am convinced that the poor old creature is perfectly harmless,' said Mary, with suppressed indignation. 'I shall certainly ask Lady Maulevrier to speak to you on the subject. Perhaps her influence may induce you to be a little more considerate to your unhappy relation.'

'Lady Mary, I beg you not to say a word to Lady Maulevrier on this subject. You will do me the greatest injury if you speak of that man. I entreat you—'

But Mary was gone. She passed Steadman with her head held high and her eyes sparkling with anger. All that was generous, compassionate, womanly in her nature was up in arms against her grandmother's steward. Of all other things, Mary Haselden most detested cruelty; and she could see in Steadman's opposition to her wish nothing but the most cold-hearted cruelty to a poor dependent on his charity.

She went in at the stable door, shut and locked it, and put the key in her pocket as usual. But she had little hope that this mode of access would be left open to her. She knew enough of James Steadman's character, from hearsay rather than from experience, to feel sure that he would not easily give way. She was not surprised, therefore, on returning from her ride on the following afternoon, to find the disused harness-room half filled with trusses of straw, and the door of communication completely blocked. It would be impossible for her to remove that barricade without assistance; and then, how could she be sure that the door itself was not nailed up, or secured in some way?

It was a delicious sunny afternoon, and she could picture the lonely old man sitting in his circle of greenery beside the dial, which for him had registered so many dreary and solitary hours, waiting for the little ray of social sunlight which her presence shed over his monotonous life. He had told her that she was like the sunshine to him—better than sunshine—and she had promised not to forsake him. She pictured him waiting, with his hand clasped upon his crutch-stick, his chin resting upon his hands, his eyes poring on the ground, as she had seen him for the first time. And as the stable clock chimed the quarters he would begin to think himself abandoned, forgotten; if, indeed, he took any count of the passage of time of which she was not sure. His mind seemed to have sunk into a condition which was between dreaming and waking, a state to which the outside world seemed only half real—a phase of being in which there was neither past nor future, only the insufferable monotony of an everlasting now.

Pity is so near akin to love that Mary, in her deep compassion for this lonely, joyless, loveless existence, felt a regard which was almost affection for this strange old man, whose very name was unknown to her. True that there was much in his countenance and manner which was sinister and repellant. He was a being calculated to inspire fear rather than love; but the fact that he had courted her presence and looked to her for consolation had touched Mary's heart, and she had become reconciled to all that was forbidding and disagreeable in the lunatic physiognomy. Was he not the victim of a visitation which entitled him to respect as well as to pity?

For some days Mary held her peace, remembering Steadman's vehement entreaty that she should not speak of this subject to her grandmother. She was silent, but the image of the old man haunted her at all times and seasons. She saw him even in her dreams—those happy dreams of the girl who loves and is beloved, and before whom the pathway of the future smiles like a vision of Paradise. She heard him calling to her with a piteous cry of distress, and on waking from this troubled dream she fancied that he must be dying, and that this sound in her dreams was one of those ghostly warnings which give notice of death. She was so unhappy about him, altogether so distressed at being compelled to break her word, that she could not prevent her thoughts from dwelling upon him, not even after she had poured out all her trouble to John Hammond in a long letter, in which her garden adventures and her little skirmish with Steadman were graphically described.

To her intense discomforture Hammond replied that he thoroughly approved of Steadman's conduct in the matter. However agreeable Mary's society might be to the lunatic, Mary's life was far too precious to be put within the possibility of peril by any such tete-a-tetes. If the person was the same old man whom Hammond had seen on the Fell, he was a most sinister-looking creature, of whom any evil act might be fairly anticipated. In a word Mr. Hammond took Steadman's view of the matter, and entreated his dearest Mary to be careful, and not to allow her warm heart to place her in circumstances of peril.

This was most disappointing to Mary, who expected her lover to agree with her upon every point; and if he had been at Fellside the difference of opinion might have given rise to their first quarrel. But as she had a few hours' leisure for reflection before the post went out, she had time to get over her anger, and to remember that promise of obedience given, half in jest, half in earnest, at the little inn beyond Dunmail Raise. So she wrote submissively enough, only with just a touch of reproach at Jack's want of compassion for a poor old man who had such strong claims upon everybody's pity.

The image of the poor old man was not to be banished from her thoughts, and on that very afternoon, when her letter was dispatched, Mary went on a visit of exploration to the stables, to see if by any chance Mr. Steadman's plans for isolating his unhappy relative might be circumvented.

She went all over the stables—into loose boxes, harness and saddle rooms, sheds for wood, and sheds for roots, but she found no door opening into the quadrangle, save that door by which she had entered, and which was securely defended by a barricade of straw that had been doubled by a fresh delivery of trusses since she first saw it. But while she was prowling about the sweet-scented stable, much disappointed at the result of her investigations, she stumbled against a ladder which led to an open trap-door. Mary mounted the ladder, and found herself amidst the dusty atmosphere of a large hayloft, half in shadow, half in the hot bright sunlight. A large shutter was open in the sloping roof, the roof that sloped towards the quadrangle, an open patch admitting light and air. Mary, light and active as a squirrel, sprang upon a truss of hay, and in another moment had swung herself in the opening of the shutter, and was standing with her feet on the wooden ledge at the bottom of the massive frame, and her figure supported against the slope of thick thatched roof. Perched, or half suspended, thus, she was just high enough to look over the top of the yew-tree hedge into the circle round the sundial.

Yes, there was the unhappy victim of fate, and man's inhumanity to man. There sat the shrunken figure, with drooping head, and melancholy attitude—the bent shoulders of feeble old age, the patriarchal locks so appealing to pity. There he sat with eyes poring upon the ground just as she had seen him the first time. And while she had sat with him and talked with him he had seemed to awaken out of that dull despondency, gleams of pleasure had lighted up his wrinkled face—he had grown animated, a sentient living instead of a corpse alive. It was very hard that this little interval of life, these stray gleams of gladness should be denied to the poor old creature, at the behest of James Steadman.

Mary would have felt less angrily upon the subject had she believed in Steadman's supreme carefulness of her own safety; but in this she did not believe. She looked upon the house-steward's prudence as a hypocritical pretence, an affectation of fidelity and wisdom, by which he contrived to gratify the evil tendencies of his own hard and cruel nature. For some reasons of his own, perhaps constrained thereto by necessity, he had given the old man an asylum for his age and infirmity: but while thus giving him shelter he considered him a burden, and from mere perversity of mind refused him all such consolations as were possible to his afflicted state, mewed him up as a prisoner, cut him off from the companionship of his fellow-men.

Two years ago, before Mary emerged from her Tomboyhood, she would have thought very little of letting herself out of the loft window and clambering down the side of the stable, which was well furnished with those projections in the way of gutters, drain-pipes, and century-old ivy, which make such a descent easy. Two years ago Mary's light figure would have swung itself down among the ivy leaves, and she would have gloried in the thought of circumventing James Steadman so easily. But now Mary was a young lady—a young lady engaged to be married, and impressed with the responsibilities of her position, deeply sensible of a new dignity, for the preservation of which she was in a manner answerable to her lover.

'What would he think of me if I went scrambling down the ivy?' she asked herself; 'and after he has approved of Steadman's heartless restrictions, it would be rank rebellion against him if I were to do it. Poor old man, "Thou art so near and yet so far," as Lesbia's song says.'

She blew a kiss on the tips of her fingers towards that sad solitary figure, and then dropped back into the dusty duskiness of the loft. But although her new ideas upon the subject of 'Anstand'—or good behaviour—prevented her getting the better of Steadman by foul means, she was all the more intent upon having her own way by fair means, now that the impression of the old man's sadness and solitude had been renewed by the sight of the drooping figure by the sundial.

She went back to the house, and walked straight to her grandmother's room. Lady Maulevrier's couch had been placed in front of the open window, from which she was watching the westward-sloping sun above the long line of hills, dark Helvellyn, rugged Nabb Scarr, and verdant Fairfield, with its two giant arms stretched out to enfold and shelter the smiling valley.

'Heavens! child, what an object you are;' exclaimed her ladyship, as Mary drew near. 'Why, your gown is all over dust, and your hair is—why your hair is sprinkled with hay and clover. I thought you had learnt to be tidy, since your engagement. What have you been doing with yourself?'

'I have been up in the hayloft,' answered Mary, frankly; and, intent on one idea, she said impetuously, 'Dear grandmother, I want you to do me a favour—a very great favour. There is a poor old man, a relation of Steadman's, who lives with him, out of his mind, but quite harmless, and he is so sad and lonely, so dreadfully sad, and he likes me to sit with him in the garden, and tell him stories, and recite verses to him, poor soul, just as if he were a child, don't you know, and it is such a pleasure to me to be a little comfort to him in his lonely wretched life, and James Steadman says I mustn't go near him, because he may change at any moment into a dangerous lunatic, and do me some kind of harm, and I am not a bit afraid, and I'm sure he won't do anything of the kind, and, please grandmother, tell Steadman, that I am to be allowed to go and sit with his poor old prisoner half an hour every afternoon.'

Carried along the current of her own impetuous thoughts, Mary had talked very fast, and had not once looked at her grandmother while she was speaking. But now at the end of her speech her eyes sought Lady Maulevrier's face in gentle entreaty, and she recoiled involuntarily at the sight she saw there.

The classic features were distorted almost as they had been in the worst period of the paralytic seizure. Lady Maulevrier was ghastly pale, and her eyes glared with an awful fire as they gazed at Mary. Her whole frame was convulsed, and she, the cripple, whose right limbs lay numbed and motionless upon the couch, made a struggling motion as she raised herself a little with the left arm, as if, by very force of angry will, she would have lifted herself up erect before the girl who had offended her.

For a few moments her lips moved dumbly; and there was something unspeakably awful in those convulsed features, that livid countenance, and those voiceless syllables trembling upon the white dry lips.

At last speech came.

'Girl, you were created to torment me;' she exclaimed.

'Dear grandmother, what harm have I done?' faltered Mary.

'What harm? You are a spy. Your very existence is a torment and a danger. Would to God that you were married. Yes, married to a chimney-sweep, even—and out of my way.'

'If that is your only difficulty,' said Mary, haughtily, 'I dare say Mr. Hammond would be kind enough to marry me to-morrow, and take me out of your ladyship's way.'

Lady Maulevrier's head sank back upon her pillows, those velvet and satin pillows, rich with delicate point lace and crewel-work adornment, the labour of Mary and Fraeulein, pillows which could not bring peace to the weary head, or deaden the tortures of memory. The pale face recovered its wonted calm, the heavy lips drooped over the weary eyes, and for a few moments there was silence in the room.

Then Lady Maulevrier raised her eyelids, and looked at her granddaughter imploringly, pathetically.

'Forgive me, Mary,' she said. 'I don't know what I was saying just now; but whatever it was, forgive and forget it. I am a wretched old woman, heart sick, heart sore, worn out by pain and weariness. There are times when I am beside myself; moments when I am not much saner than Steadman's lunatic uncle. This is one of my worst days, and you came bouncing in upon me, and tortured my nerves by your breathless torrent of words. Pray forgive me, if I said anything rude.'

'If,' thought Mary: but she tried to be charitable, and to believe that Lady Maulevrier's attack upon her was a new phase of hysteria, so she murmured meekly, 'There is nothing for me to forgive, grandmother, and I am very sorry I disturbed you.'

She was going to leave the room, thinking that her absence would be a relief to the invalid, when Lady Maulevrier called her back.

'You were asking me something—something about that old man of Steadman's,' she said with a weary air, half indifference, half the lassitude natural to an invalid who sinks under the burden of monotonous days. 'What was it all about? I forget.'

Mary repeated her request, but this time in measured tones.

'My dear, I am sure that Steadman was only properly prudent.' answered Lady Maulevrier, 'and that it would never do for me to interfere in this matter. It stands to reason that he must know his old kinsman's temperament much better than you can, after your half-hour interviews with him in the garden. Pray how long have these garden scenes been going on, by-the-by?' asked her ladyship, with a searching look at Mary's downcast face.

The girl had not altogether recovered from the rude shock of her grandmother's late attack.

'About three weeks,' faltered Mary. 'But it is more than a week now since I was in the garden. It was quite by accident that I first went there. Perhaps I ought to explain.'

And Mary, not being gainsayed, went on to describe that first afternoon when she had seen the old man brooding in the sun. She drew quite a pathetic picture of his joyless solitude, whilst all nature around and about him was looking so glad in the spring sunshine. There was a long silence, a silence of some minutes, when she had done; and Lady Maulevrier lay with lowered eyelids, deep in thought. Mary began to hope that she had touched her grandmother's heart, and that her request would be granted: but she was soon undeceived.

'I am sorry to be obliged to refuse you a favour, Mary, but I must stand by Steadman,' said her ladyship. 'When I gave Steadman permission to shelter his aged kinsman in my house, I made it a condition that the old man should be kept in the strictest care by himself and his wife, and that nobody in this establishment should be troubled by him. This condition has been so scrupulously adhered to that the old man's existence is known to no one in this house except you and me; and you have discovered the fact only by accident. I must beg you to keep this secret to yourself. Steadman has particular reasons for wishing to conceal the fact of his uncle's residence here. The old man is not actually a lunatic. If he were we should be violating the law by keeping him here. He is only imbecile from extreme old age; the body has outlived the mind, that is all. But should any officious functionary come down upon Fellside, this imbecility might be called madness, and the poor old creature whom you regard so compassionately, and whose case you think so pitiable here, would be carried off to a pauper lunatic asylum, which I can assure you would be a much worse imprisonment than Fellside Manor.'

'Yes, indeed, grandmother,' exclaimed Mary, whose vivid imagination conjured up a vision of padded cells, strait-waist-coats, murderously-inclined keepers, chains, handcuffs, and bread and water diet, 'now I understand why the poor old soul has been kept so close—why nobody knows of his existence. I beg Steadman's pardon with all my heart. He is a much better fellow than I thought him.'

'Steadman is a thoroughly good fellow, and as true as steel,' said her ladyship. 'No one can know that so well as the mistress he has served faithfully for nearly half a century. I hope, Mary, you have not been chattering to Fraeulein or any one else about your discovery.'

'No, grandmother, I have not said a word to a mortal, but——'

'Oh, there is a "but," is there? I understand. You have not been so reticent in your letters to Mr. Hammond.'

'I tell him all that happens to me. There is very little to write about at Fellside; yet I contrive to send him volumes. I often wonder what poor girls did in the days of Miss Austen's novels, when letters cost a shilling or eighteen pence for postage, and had to be paid for by the recipient. It must have been such a terrible check upon affection.'

'And upon twaddle,' said Lady Maulevrier. 'Well you told Mr. Hammond about Steadman's old uncle. What did he say?'

'He thoroughly approved Steadman's conduct in forbidding me to go and see him,' answered Mary. 'I couldn't help thinking it rather unkind of him; but, of course, I feel that he must be right,' concluded Mary, as much as to say that her lover was necessarily infallible.

'I always thought Mr. Hammond a sensible young man, and I am glad to find that his conduct does not belie my good opinion,' said Lady Maulevrier. 'And now, my dear, you had better go and make yourself decent before dinner. I am very weary this afternoon, and even our little talk has exhausted me.'

'Yes, dear grandmother, I am going this instant. But let me ask one question: What is the poor old man's name?'

'His name!' said her ladyship, looking at Mary with a puzzled air, like a person whose thoughts are far away. 'His name—oh, Steadman, I suppose, like his nephew's; but if I ever heard the name I have forgotten it, and I don't know whether the kinship is on the father's or the mother's side. Steadman asked my permission to give shelter to a helpless old relative, and I gave it. That is really all I remember.'

'Only one other question,' pleaded Mary, who was brimful of curiosity upon this particular subject. 'Has he been at Fellside very long?'

'Oh, I really don't know; a year, or two, or three, perhaps. Life in this house is all of a piece. I hardly keep count of time.'

'There is one thing that puzzles me very much,' said Mary, still lingering near her grandmother's couch, the balmy evening air caressing her as she leaned against the embrasure of the wide Tudor window, the sun drawing nearer to the edge of the hills, an orb of yellow flame, soon to change to a gigantic disk of lurid fire. 'I thought from the old man's talk that he, too, must be an old servant in our family. He talked of Maulevrier Castle, and said that I reminded him of a picture by Lely, a portrait of a Lady Maulevrier.

'It is quite possible that he may have been in service there, though I do not remember to have heard anything about it,' answered her ladyship, carelessly. 'The Steadmans come from that part of the country, and theirs is a hereditary service. Good-night, Mary, I am utterly weary. Look at that glorious light yonder, that mighty world of fire and flame, without which our little world would be dark and dreary. I often think of that speech of Macbeth's, "I 'gin to be aweary of the sun." There comes a time, Mary, when even the sun is a burden.'

'Only for such a man as Macbeth,' said Mary, 'a man steeped in crime. Who can wonder that he wanted to hide himself from the sun? But, dear grandmother, there ought to be plenty of happiness left for you, even if your recovery is slow to come. You are so clever, you have such resources in your own mind and memory, and you have your grandchildren, who love you dearly,' added Mary, tenderly.

Her nature was so full of pity that an entirely new affection had grown up in her mind for Lady Maulevrier since that terrible evening of the paralytic stroke.

'Yes, and whose love, as exemplified by Lesbia, is shown in a hurried scrap of a letter scrawled once a week—a bone thrown to a hungry dog,' said her ladyship, bitterly.

'Lesbia is so lovely, and she is so surrounded by flatterers and admirers,' murmured Mary, excusingly.

'Oh, my dear, if she had a heart she would not forget me, even in the midst of her flatterers. Good-night again, Mary. Don't try to console me. For some natures consolations and soothing suggestions are like flowers thrown upon a granite tomb. They do just as much and just as little good to the heart that lies under the stone. Good-night.'

Mary stooped to kiss her grandmother's forehead, and found it cold as marble. She murmured a loving good-night, and left the mistress of Fellside in her loneliness.

A footman would come in and light the lamps, and draw the velvet curtains, presently, and shut out the later glories of sunset. And then the butler himself would come and arrange the little dinner table by her ladyship's couch, and would himself preside over the invalid's simple dinner, which would be served exquisitely, with all that is daintiest and most costly in Salviati glass and antique silver. Yet better the dinner of herbs, and love and peace withal, than the choicest fare or the most perfect service.

Before the coming of the servants and the lamps there was a pause of silence and loneliness, an interval during which Lady Maulevrier lay gazing at the declining orb, the lower rim of which now rested on the edge of the hill. It seemed to grow larger and more dazzling as she looked at it.

Suddenly she clasped her left hand across her eyes, and said aloud—

'Oh, what a hateful life! Almost half a century of lies and hypocricies and prevarications and meannesses! For what? For the glory of an empty name; and for a fortune that may slip from my dead hand to become the prey of rogues and adventurers. Who can forecast the future?'



CHAPTER XXV.

CARTE BLANCHE.

Lady Kirkbank's house in Arlington Street was known to half fashionable London as one of the pleasantest houses in town; and it was known by repute only, to the other half of fashionable London, as a house whose threshold was not to be crossed by persons with any regard for their own dignity and reputation. It was not that Lady Kirkbank had ever actually forfeited her right to be considered an honest woman and a faithful wife. People who talked of the lady and her set with a contemptuous shrug of the shoulders and a dubious elevation of the eyebrows were ready, when hard pushed in argument, to admit that they knew of no actual harm in Lady Kirkbank, no overt bad behaviour.

'But—well,' said the punctilious half of society, the Pejinks and Pernickitys, the Picksomes and Unco-Goods, 'Lady Kirkbank is—Lady Kirkbank; and I would not allow my girls to visit her, don't you know.' 'Lady Kirkbank is received, certainly,' said a severe dowager. 'She goes to very good houses. She gets tickets for the Royal enclosure. She is always at private views, and privileged shows of all kinds; and she contrives to squeeze herself in at a State ball or a concert about once in two years; but any one who can consider Lady Kirkbank good style must have a very curious idea of what a lady ought to be.' 'Lady Kirkbank is a warm-hearted, nice creature,' said a diplomatist of high rank, and one of her particular friends, 'but her manners are decidedly—continental!'

About Sir George, society, adverse or friendly, was without strong opinions. His friends, the men who shot over his Scotch moor, and filled the spare rooms in his villa at Cannes, and loaded his drag for Sandown or Epsom, and sponged upon him all the year round, talked of him as 'an inoffensive old party,' 'a cheery soul,' 'a genial old boy,' and in like terms of approval. That half of society which did not visit in Arlington Street, in whose nostrils the semi-aristocratic, semi-artistic, altogether Bohemian little dinners, the suppers after the play, the small hours devoted to Nap or Poker, had an odour as of sulphur, the reek of Tophet—even this half of the great world was fain to admit that Sir George was harmless. He had never had an idea beyond the realms of sport; he had never had a will of his own outside his stable. To shoot pigeons at Hurlington or Monaco, to keep half a dozen leather-platers, and attend every race from the Craven to the Leger, to hunt four days a week, when he was allowed to spend a winter in England, and to saunter and sleep away all the hours which could not be given to sport, comprised Sir George's idea of existence. He had never troubled himself to consider whether there might not possibly be a better way of getting rid of one's life. He was as God had made him, and was perfectly satisfied with himself and the universe; save at such times as when a favourite horse went lame, or his banker wrote to tell him that his account was overdrawn.

Sir George had no children; he had never had a serious care in his life. He never thought, he never read. Lady Kirkbank declared that she had never seen him with a book in his hands since their marriage.

'I don't believe he would know at which end to begin,' she said.

What was the specific charge which the very particular people brought against Lady Kirkbank? Such charges rarely are specific. The idea that the lady belonged to the fast and furious section of society, the Bohemia of the upper ten, was an idea in the air. Everybody knew it. No one could quite adequately explain it.

From thirty to fifty Lady Kirkbank had been known as a flirty matron. Wherever she went, a train of men went with her; men young and middle-aged and elderly; handsome youths from the public offices; War, Admiralty, Foreign Office, Somerset House young men; attractive men of mature years, with grey moustachios, military, diplomatic, horsey, what you will, but always agreeable. At home, abroad, Lady Kirkbank was never without her court; but the court was entirely masculine. In those days the fair Georgie did not scruple to say that she hated women, and that girls were her particular abomination. But as the years rolled on Lady Kirkbank began to find it very difficult to muster her little court, to keep her train in attendance upon her. 'The birds were wild,' Sir George said. Her young adorers found their official duties more oppressive than hitherto; her elderly swains had threatenings of gout or rheumatism which prevented their flocking round her as of old at race meeting or polo match. They were loyal enough in keeping their engagements at the dinner table, for Lady Kirkbank's cook was one of the best in London; and the invited guests were rarely missing at the little suppers after opera or play: but Georgia's box was no longer crowded with men who dropped in between the acts to see what she thought of the singer or the piece, and her swains were no longer contented to sit behind her chair all the evening, seeing an empty corner of the stage across Georgia's ivory shoulder, and hearing the voices of invisible actors in the brief pauses of Georgie's subdued babble.

At fifty-five, Georgina Kirkbank told herself sadly enough that her day, as a bright particular star, all-sufficient in her own radiance, was gone. She could not live without her masculine circle, men who could bring her all the news, the gossip of the clubs; where everything seemed to become known as quickly as if each club had its own Asmodeus, unroofing all the housetops of the West End for inspection every night. She could not live without her courtiers; and to keep them about her she knew that she must make her house pleasant. It was not enough to give good dinners, elegant little suppers washed down by choicest wines; she must also provide fair faces to smile upon the feast, and bright eyes to sparkle in the subdued light of low shaded lamps, and many candles twinkling under coloured shades.

'I am an old woman now,' Lady Kirkbank said to herself with a sigh, 'and my own attractions won't keep my friends about me. C'est trop connu ca.'

And now the house in Arlington Street in which feminine guests had been as one in ten, opened its doors to the young and the fair. Pretty widows, lively girls, young wives who were not too absurdly devoted to their husbands, actresses of high standing and good looks, these began to be welcomed effusively in Arlington Street. Lady Kirkbank began to hunt for beauties to adorn her rooms, as she had hitherto hunted lions to roar at her parties. She prided herself on being the first to discover this or that new beauty. That lovely girl from Scotland with the large eyes—that sweet young creature from Ireland with the long eyelashes. She was always inventing new divinities. But even this change of plan, this more feminine line of politics failed to reconcile the strict and the stern, the Queen Charlotte-ish elderly ladies, and the impeccable matrons, to Lady Kirkbank and her sea. The girls who were launched by Lady Kirkbank never took high rank in society. When they made good marriages it was generally to be observed that they dropped Lady Kirkbank soon afterwards. It was not their fault, these ingrates pleaded piteously; but Edward, or Henry, or Theodore, as the case might be, had a most cruel prejudice against dear Lady Kirkbank, and the young wives were obliged to obey.

Others there were, however, the loyal few, who having won the prize matrimonial in Lady Kirkbank's happy hunting grounds, remained true to their friend ever afterwards, and defended her character against every onslaught.

When Lady Maulevrier told her grandson that she had entrusted Lady Kirkbank with the duty of introducing Lesbia to society, Maulevrier shrugged his shoulders and held his peace. He knew no actual harm in the matter. Lady Kirkbank's was rather a fast set; and had he been allowed to choose it was not to Lady Kirkbank that he would have delegated his grandmother's duty. In Maulevrier's own phrase it was 'not good enough' for Lesbia. But it was not in his power to interfere. He was not told of the plan until everything had been settled. The thing was accomplished; and against accomplished facts Maulevrier was the last to protest.

His friend John Hammond had not been silent. He knew nothing of Lady Kirkbank personally; but he knew the position which she held in London society, and he urged his friend strongly to enlighten Lady Maulevrier as to the kind of circle into which she was about to entrust her young granddaughter, a girl brought up in the Arcadia of England.

'Not for worlds would I undertake such a task,' said Maulevrier. 'Her ladyship never had any opinion of my wisdom, and this Lady Kirkbank is a friend of her own youth. She would cut up rough if I were to say a word against an old friend. Besides what's the odds, if you come to think of it? all society is fast nowadays, or at any rate all society worth living in. And then again, Lesbia is just one of those cool-headed girls who would keep herself head uppermost in a maelstrom. She knows on which side her bread is buttered. Look how easily she chucked you up because she did not think you good enough. She'll make use of this Lady Kirkbank, who is a good soul, I am told, and will make the best match of the season.'

And now the season had begun, and Lady Lesbia Haselden was circulating with other aristocratic atoms in the social vortex, with her head apparently uppermost.

'Old Lady K—has nobbled a real beauty, this time,' said one of the Arlington Street set to his friend as they lolled on the railings in the park, 'a long way above any of those plain-headed ones she tried to palm off upon us last year: the South American girl with the big eyes and a complexion like a toad, the Forfarshire girl with freckles and unsophisticated carrots. "Those lovely Spanish eyes," said Lady K——, "that Titianesque auburn hair!" But it didn't answer. Both the girls were plain, and they have gone back to their native obscurity spinsters still. But this is a real thorough-bred one—blood, form, pace, all there.'

'Who is she?' drawled his friend.

'Lord Maulevrier's sister, Lady Lesbia Haselden. Has money, too, I believe; rich grandmother; old lady buried alive in Westmoreland; horrid old miser.'

'I shouldn't mind marrying a miser's granddaughter,' said the other. 'So nice to know that some wretched old idiot has scraped and hoarded through a lifetime of deprivation and self-denial, in order that one may spend his money when he is under the sod.'

Lady Lesbia was accepted everywhere, or almost everywhere, as the beauty of the season. There were six or seven other girls who aspired to the same proud position, who were asserted by their own particular friends to have won it; just as there are generally four or five horses which claim to be first favourites; but the betting was all in favour of Lady Lesbia.

Lady Kirkbank told her that she was turning everyone's head, and Lesbia was quite willing to believe her. But was Lesbia's own head quite steady in this whirlpool? That was a question which she did not take the trouble to ask herself.

Her heart was tranquil enough, cold as marble. No shield and safeguard so secure against the fire of new love as an old love hardly cold. Lesbia told herself that her heart was a sepulchre, an urn which held a handful of ashes, the ashes of her passion for John Hammond. It was a fire quite burned out, she thought; but that extinguished flame had left death-like coldness.

This was Lesbia's own diagnosis of her case: but the real truth was that among the herd of men she had met, almost all of them ready to fall down and worship her, there was not one who had caught her fancy. Her nature was shallow enough to be passing fickle; the passion which she had taken for love was little more than a girl's fancy; but the man who had power to awaken that fancy as John Hammond had done had not yet appeared in Lady Kirkbank's circle.

'What a cold-hearted creature you must be,' said Georgie. 'You don't seem to admire any of my favourite men.'

'They are very nice,' Lesbia answered languidly; 'but they are all alike. They say the same things—wear the same clothes—sit in the same attitude. One would think they were all drilled in a body every morning before they go out. Mr. Nightshade, the actor, who came to supper the other night, is the only man I have seen who has a spark of originality.'

'You are right,' answered Lady Kirkbank, 'there is an appalling sameness in men: only it is odd you should find it out so soon. I never discovered it till I was an old woman. How I envy Cleopatra her Caesar and her Antony. No mistaking one of those for the other. Mary Stuart too, what marked varieties of character she had an opportunity of studying in Rizzio and Chastelard, Darnley and Bothwell. Ah, child, that is what it is to live.'

'Mary is very interesting,' sighed Lesbia; 'but I fear she was not a correct person.'

'My love, what correct person ever is interesting? History draws a misty halo round a sinner of that kind, till one almost believes her a saint. I think Mary Stuart, Froude's Mary, simply perfect.'

Lesbia had begun by blushing at Lady Kirkbank's opinions; but she was now used to the audacity of the lady's sentiments, and the almost infantile candour with which she gave utterance to them. Lady Kirkbank liked to make her friends laugh. It was all she could do now in order to be admired. And there is nothing like audacity for making people laugh nowadays. Lady Kirkbank was a close student of all those delightful books of French memoirs which bring the tittle-tattle of the Regency and the scandals of Louis the Fifteenth's reign so vividly before us: and she had unconsciously founded her manners and her ways of thinking and talking upon that easy-going but elegant age. She did not want to seem better than women who had been so altogether charming. She fortified the frivolity of historical Parisian manners by a dash of the British sporting character. She drove, shot, jumped over five-barred gates, contrived on the verge of seventy to be as active us a young woman; and she flattered herself that the mixture of wit, audacity, sport, and good-nature was full of fascination.

However this might be, it is certain that a good many people liked her, chiefly perhaps because she was good-natured, and a little on account of that admirable cook.

To Lesbia, who had been weary to loathing of her old life amidst the hills and waterfalls of Westmoreland, this new life was one perpetual round of pleasure. She flung herself with all her heart and mind into the amusement of the moment; she knew neither weariness nor satiety. To ride in the park in the morning, to go to a luncheon party, a garden party, to drive in the park for half an hour after the garden party, to rush home and dress for the fourth or fifth time, and then off to a dinner, and from dinner to drum, and from drum to big ball, at which rumour said the Prince and Princess were to be present: and so, from eleven o'clock in the morning till four or five o'clock next morning, the giddy whirl went on: and every hour was so occupied by pleasure engagements that it was difficult to squeeze in an occasional morning for shopping—necessary to go to the shops sometimes, or one would not know how many things one really wants—or for an indispensable interview with the dressmaker. Those mornings at the shops were hardly the least agreeable of Lesbia's hours. To a girl brought up in one perpetual tete-a-tete with green hill-sides and silvery watercourses, the West End shops were as gardens of Eden, as Aladdin Caves, as anything, everything that is rapturous and intoxicating. Lesbia, the clear-headed, the cold-hearted, fairly lost her senses when she went into one of those exquisite shops, where a confusion of brocades and satins lay about in dazzling masses of richest colour, with here and there a bunch of lilies, a cluster of roses, a tortoise-shell fan, an ostrich feather, or a flounce of peerless Point d'Alencon flung carelessly athwart the sheen of a wine-dark velvet or golden-hued satin.

Lady Maulevrier had said Lesbia was to have carte blanche; so Lesbia bought everything she wanted, or fancied she wanted, or that the shop-people thought she must want, or that Lady Kirkbank happened to admire. The shop-people were so obliging, and so deeply obliged by Lesbia's patronage. She was exactly the kind of customer they liked to serve. She flitted about their showrooms like a beautiful butterfly hovering over a flower-bed—her eye caught by every novelty. She never asked the price of anything: and Lady Kirkbank informed them, in confidence, that she was a great heiress, with a millionaire grandmother who indulged her every whim. Other high born young ladies, shopping upon fixed allowances, and sorely perplexed to make both ends meet, looked with eyes of envy upon this girl.

And then came the visit to the dressmaker. It happened after all that Kate Kearney was not intrusted with Lady Lesbia's frocks. Miss Kearney was the fashion, and could pick and choose her customers; and as she was a young lady of good business aptitudes, she had a liking for ready money, or at least half-yearly settlements; and, finding that Lady Kirkbank was much more willing to give new orders than to pay old accounts, she had respectfully informed her ladyship that a pressure of business would prevent her executing any further demands from Arlington Street, while the necessity of posting her ledger obliged her to request the favour of an immediate cheque.

The little skirmish—per letter—occurred while Lady Kirkbank was at Cannes, and Miss Kearney's conduct was stigmatised as insolent and ungrateful, since had not she, Lady Kirkbank by the mere fact of her patronage, given this young person her chief claim to fashion?

'I shall drop her,' said Georgie, 'and go back to poor old Seraphine, who is worth a cartload of such Irish adventuresses.'

So to Madame Seraphine, of Clanricarde Place, Lady Lesbia was taken as a lamb to the slaughter-house.

Seraphine had made Lady Kirkbank's clothes, off and on for the last thirty years. Seraphine and Georgia had grown old together. Lady Kirkbank was always dropping Seraphine and taking her up again, quarrelling and making friends with her. They wrote each other little notes, in which Lady Kirkbank called the dressmaker her cher ange—her bonne chatte, her chere vielle sotte—and all manner of affectionate names—and in which Seraphine occasionally threatened the lady with the dire engines of the law, if money were not forthcoming before Saturday evening.

Lady Kirkbank within those thirty years had paid Seraphine many thousands; but she had never once got herself out of the dear creature's debt. All her payments were payments on account. A hundred pounds; or fifty—or an occasional cheque for two hundred and fifty, when Sir George had been lucky at Newmarket and Doncaster. But the rolling nucleus of debt went rolling on, growing bigger every year until the payments on account needed to be larger or more numerous than of old to keep Seraphine in good humour.

Seraphine was a woman of genius and versatility and had more than one art at her fingers' ends—those skinny and claw-shaped fingers, the nails whereof were not always clean. She took charge of her customer's figures, and made their corsets, and lectured them if they allowed nature to get the upper hand.

'If Madame's waist gets one quarter of an inch thicker it must be that I renounce to make her gowns,' she would tell a ponderous matron, with cool insolence, and the matron would stand abashed before the little sallow, hooked-nosed, keen eyed Jewess, like a child before a severe mother.

'Oh, Seraphine, do you really think that I am stouter?' the customer would ask feebly, panting in her tightened corset.

'Is it that I think so? Why that jumps to the eyes. Madame had always that little air of Reubens, even in the flower of her youth—but now—it is a Rubens of the Fabourg du Temple.'

And horrified at the idea of her vulgarised charms the meek matron would consent to encase herself in one of Seraphine's severest corsets, called in bitterest mockery a la sante—at five guineas—in order that the dressmaker might measure her for a forty-guinea gown.

'A plain satin gown, my dear, with an eighteenpenny frilling round the neck and sleeves, and not so much trimming as would go round my little finger. It is positive robbery,' the matron told her friends afterwards, not the less proud of her skin-tight high shouldered sleeves and the peerless flow of her train.

Seraphine was an artist in complexions, and it was she who provided her middle-aged and elderly customers with the lilies and roses of youth. Lady Kirkbank's town complexion was superintended by Seraphine, sometimes even manipulated by those harpy-like claws. The eyebrows of which Lesbia complained were only eyebrows de province—eyebrows de voyage. In London Georgie was much more particular; and Seraphine was often in Arlington Street with her little morocco bag of washes and creams, and brushes and sponges, to prepare Lady Kirkbank for some great party, and to instruct Lady Kirkbank's maid. At such times Georgie was all affection for the little dressmaker.

'Ma chatte, you have made me positively adorable,' she would say, peering at her reflection in the ivory hand-mirror, a dazzling image of rouge and bismuth, carmined lips, diamonds, and frizzy yellow hair; 'I verily believe I look under thirty—but do not you think this gown is a thought too decolletee—un peu trop de peau, hein?'

'Not for you, Lady Kirkbank, with your fine shoulders. Shoulders are of no age—les epaules sont la vraie fontaine de jouvence pour les jolies femmes.'

'You are such a witty creature, Seraphine, Fifine. You ought to be a descendant of that wicked old Madame du Deffand. Rilboche, give Madame some more chartreuse.'

And Lady Kirkbank and the dressmaker would chink their liqueur glasses in amity before the lady gathered up her satin train and allowed her peerless shoulders to be muffled in a plush mantle to go down to her carriage, fortified by that last glass of green chartreuse.

There were always the finest chartreuse and curacoa in a liqueur cabinet on Lady Kirkbank's dressing-table. The cabinet formed a companion to the dressing-case, which contained all those creamy and rose-hued cosmetics, powders, brushes, and medicaments, which were necessary for the manufacture of Georgie's complexion. The third bottle in the liqueur case held cognac, and this, as Rilboche the maid knew, was oftenest replenished. Yet nobody could accuse Lady Kirkbank of intemperate habits. The liqueur box only supplied the peg that was occasionally wanted to screw the superior mind to concert pitch.

'One must always be at concert pitch in society, don't you know, my dear,' said Georgie to her young protegee.

Thus it happened that, Miss Kearney having behaved badly, Lesbia was carried off to dear old Seraphine, and delivered over to that modern witch, as a sacrifice tied to the horns of the altar.

Clanricarde Place is a little nook of Queen Anne houses—genuine Queen Anne, be it understood—between Piccadilly and St. James's Palace, and hardly five minutes' walk from Arlington Street. It is a quiet little cul de sac in the very heart of the fashionable world; and here of an afternoon might be seen the carriages of Madame Seraphine's customers, blocking the whole of the carriage way, and choking up the narrow entrance to the street, which widened considerably at the inner end.

Madame Seraphine's house was at the end, a narrow house, with tall old-fashioned windows curtained with amber satin. It was a small, dark house, and exhaled occasional odours of garlic and main sewer: but the staircase was a gem in old oak, and the furniture in the triple telescopic drawing rooms, dwindling to a closet at the end, was genuine Louis Seize.

Seraphine herself was the only shabby thing in the house—a wizened little woman, with a wicked old Jewish face, and one shoulder higher than the other, dressed in a shiny black moire gown, years after moires had been exploded, and with a rag of old lace upon her sleek black hair—raven black hair, and the only good thing about her appearance.

One ornament, and one only, had Seraphine ever been guilty of wearing, and that was an old-fashioned half-hoop ring of Brazilian diamonds, brilliants of the first water. This ring she called her yard measure; and she was in the habit of using it as her Standard of purity, and comparing it with any diamonds which her customers submitted to her inspection. For the clever little dressmaker had a feeling heart for a lady in difficulties, and was in the habit of lending money on good security, and on terms that were almost reasonable as compared with the usurious rates one reads of in the newspapers.

Lesbia's first sensation upon having this accomplished person presented to her was one of shrinking and disgust. There was something sinister in the sallow face, the small shrewd eyes, and long hooked nose, the crooked figure, and claw-shaped hands. But when Madame Seraphine began to talk about gowns, and bade her acolytes—smartly-dressed young women with pleasing countenances—bring forth marvels of brocade and satin, embroideries, stamped velvets, bullion fringes, and ostrich feather flouncings, Lesbia became interested, and forgot the unholy aspect of the high priestess.

Lady Kirkbank and the dressmaker discussed Lesbia's charms as calmly as if she had been out of the room.

'What do you think of her figure?' asked Lady Kirkbank.

'One cannot criticise what does not exist,' replied the dressmaker, in French. 'The young lady has no figure. She has evidently been brought up in the country.'

And then with rapid bird-like movements, and with her head on one side, Seraphine measured Lesbia's waist and bust, muttering little argotic expressions sotto voce as she did so.

'Waist three inches too large, shoulders six inches too narrow,' she said decisively, and she dictated some figures to one of the damsels, who wrote them down in an order-book.

'What does that mean?' asked Lesbia, not at all approving of such cavalier treatment.

'Only that Seraphine will make your corsets the right size,' answered Lady Kirkbank.

'What? Three inches too small for my waist, and six too wide for my shoulders?'

'My love, you must have a figure,' replied Lady Kirkbank, conclusively. 'It is not what you are, but what you ought to be that has to be considered.'

So Lesbia, the cool-headed, who was also the weak-minded, consented to have her figure adjusted to the regulation mark of absolute beauty, as understood by Madame Seraphine. It was only when her complexion came under discussion, and Seraphine ventured to suggest that she would be all the better for a little accentuation of her eyebrows and darkening of her lashes, that Lesbia made a stand.

'What would my grandmother think of me if she heard I painted?' she asked, indignantly.

Lady Kirkbank laughed at her naivete.

'My dear child, your grandmother is just half a century behind the age,' she said. 'I hope you are not going to allow your life in London to be regulated by an oracle at Grasmere?'

'I am not going to paint my face,' replied Lesbia, firmly.

'Well, perhaps you are right. The eyebrows are a little weak and undecided, Seraphine, as you say, and the lashes would be all the better for your famous cosmetic; but after all there is a charm in what the painters call "sincerity," and any little errors of detail will prove the genuineness of Lady Lesbia's beauty. One may be too artistic.'

And Lady Kirkbank gave a complacent glance at her own image in one of the Marie Antoinette mirrors, pleased with the general effect of arched brows, darkened eyelids, and a daisy bonnet. The fair Georgie generally affected field-flowers and other simplicities, which would have been becoming to a beauty of eighteen.

'One is obliged to smother one's self in satin and velvet for balls and dinners,' said Lady Kirkbank, when she discussed the great question of gowns; 'but I know I always look my best in my cotton frock and straw hat.'

That first visit to Seraphine's den—den as terrible, did one but know it, as that antediluvian hyena-cave at Torquay, where the threshold is worn by the bodies of beasts dragged across it, and the ground paved with their bones—that first visit was a serious business. Later interviews might be mere frivolities, half-an-hour wasted in looking at new fashions, an order given carelessly on the spur of the moment; but upon this occasion Lady Kirkbank had to arm her young protegee for the coming campaign, and the question was to the last degree serious.

The chaperon and the dressmaker put their heads together, looked at fashion plates, talked solemnly of Worth and his compeers, of the gowns that were being worn by Bernhardt, and Pierson, and Croisette, and other stars of the Parisian stage; and then Lady Kirkbank gave her orders, Lesbia listening and assenting.

Nothing was said about prices; but Lesbia had a vague idea that some of the things would be rather expensive, and she ventured to ask Lady Kirkbank if she were not ordering too many gowns.

'My dear, Lady Maulevrier said you were to have carte blanche,' replied Georgie, solemnly. 'Your dear grandmother is as rich as Croesus, and she is generosity itself; and how should I ever forgive myself if I allowed you to appear in society in an inadequate style. You have to take a high place, the very highest place, Lesbia; and you must be dressed in accordance with that position.'

Lesbia said no more. After all it was Lady Kirkbank's business and not hers. See had been entrusted to Lady Kirkbank as to a person who thoroughly knew the great world, and she must submit to be governed by the wisdom and experience of her chaperon. If the bills were heavy, that would be Lady Kirkbank's affair; and no doubt dear grandmother was rich enough to afford anything Lesbia wanted. She had been told that she was to take rank among heiresses.

Lady Maulevrier had given her granddaughter some old-fashioned ornaments, topaz, amethysts, turquoise—jewels that had belonged to dead and gone Talmashes and Angersthorpes—to be reset. This entailed a visit to a Bond Street jeweller, and in the dazzling glass-cases on the counter of the Bond Street establishment Lesbia saw a good many things which she felt were real necessities to her new phase of existence, and these, with Lady Kirkbank's approval, she ordered. They were not important matters. Half-a-dozen gold bangles of real oriental workmanship, three or four jewelled arrows, flies and beetles, and caterpillars, to pin on her laces and flowers, a diamond clasp for her pearl necklace, a dear little gold hunter to wear when she rode in the park, a diamond butterfly to light up that old-fashioned amethyst parure which the jeweller was to reset with an artistic admixture of brilliants.

'I am sure you would not like the effect without diamonds,' said the jeweller. 'Your amethysts are very fine, but they are dark and heavy in tone, and want a good deal of lighting-up, especially for the present fashion of half-lighted rooms. If you will allow me to use my own discretion, and mix in a few brilliants, I shall be able to produce a really artistic parure; otherwise I would not recommend you to touch them. The present setting is clumsy and inelegant; but I really do not know that I could improve upon it, without an admixture of brilliants.'

'Will the diamonds add very much to the expense?' Lesbia inquired, timidly.

'My dear child, you are perfectly safe in leaving the matter in Mr. Cabochon's hands,' interposed Lady Kirkbank, who had particular reasons for wishing to be on good terms with the head of the establishment. 'Your dear grandmother gave you the amethysts to be reset; and of course she would wish it to be done in an artistic manner. Otherwise, as Mr. Cabochon judiciously says, why have the stones reset at all? Better wear them in all their present hideousness.'

Of course, after this Lesbia consented to the amethysts being dealt with according to Mr. Cabochon's taste.

'Which is simply perfect,' interjected Lady Kirkbank.

And now Lesbia's campaign began in real earnest—a life of pleasure, a life of utter selfishness and self-indulgence, which would go far to pervert the strongest mind, tarnish the purest nature. To dress and be admired—that was what Lesbia's life meant from morning till night. She had no higher or nobler aim. Even on Sunday mornings at the fashionable church, where the women sat on one side of the nave and the men on the other, where divinest music was as a pair of wings, on which the enraptured soul flew heavenward—even here Lesbia thought more of her bonnet and gloves—the chic or non-chic of her whole costume, than of the service. She might kneel gracefully, with her bent head, just revealing the ivory whiteness of a lovely throat, between the edge of her lace frilling and the flowers in her bonnet. She might look the fairest image of devotion; but how could a woman pray whose heart was a milliner's shop, whose highest ambition was to be prettier and better dressed than other women?

The season was six weeks old. It was Ascot week, the crowning glory of the year, and Lesbia and her chaperon had secured tickets for the Royal enclosure—or it may be said rather that Lesbia had secured them—for the Master of the Royal Buckhounds might have omitted poor old Lady Kirkbank's familiar name from his list if it had not been for that lovely girl who went everywhere under the veteran's wing.

Six weeks, and Lesbia's appearance in society had been one perpetual triumph; but as yet nothing serious had happened. She had had no offers. Half a dozen men had tried their hardest to propose to her—had sat out dances, had waylaid her in conservatories and in back drawing-rooms, in lobbies while she waited for her carriage—had looked at her piteously with tenderest declarations trembling on their lips; but she had contrived to keep them at bay, to strike them dumb by her coldness, or confound them by her coquetry; for all these were ineligibles, whom Lady Lesbia Haselden did not want to have the trouble of refusing.

Lady Kirkbank was in no haste to marry her protegee—nay, it was much more to her interest that Lesbia should remain single for three or four seasons, and that she, Lady Kirkbank, might have the advantage of close association with the young beauty, and the privilege of spending Lady Maulevrier's money. But she would have liked to be able to inform Lesbia's grandmother of some tremendous conquest—the subjugation of a worthy victim. This herd of nobodies—younger sons with courtesy titles and empty pockets, ruined Guardsmen, briefless barristers—what was the use of telling Lady Maulevrier about such barren victories? Lady Kirkbank therefore contented herself with expatiating upon Lesbia's triumphs in a general way: how graciously the Princess spoke to her and about her; how she had been asked to sit on the dais at the ball at Marlborough House, and had danced in the Royal quadrille.

'Has Lesbia happened to meet Lord Hartfield?' Lady Maulevrier asked, incidentally, in one of her letters.

No. Lord Hartfield was in London, for he had made a great speech in the Lords on a question of vital interest; but he was not going into society, or at any rate into society of a frivolous kind. He had given himself up to politics, as so many young men did nowadays, which was altogether horrid of them. His name had appeared in the list of guests at one or two cabinet dinners; but the world of polo matches and afternoon teas, dances and drums, private theatricals, and Orleans House suppers, knew him not. As a competitor on the fashionable race-course, Lord Hartfield was, in common parlance, out of the running.

And now on this glorious June day, this Thursday of Thursdays, the Ascot Cup day, for the first time since Lesbia's debut, Lady Kirkbank had occasion to smile upon an admirer whose pretensions were worthy of the highest consideration.

Mr. Smithson, of Park Lane, and Rood Hall, near Henley, and Formosa, Cowes, and Le Bouge, Deauville, and a good many other places too numerous to mention, was reputed to be one of the richest commoners in England. He was a man of that uncertain period of life which enemies call middle age, and friends call youth. That he would never see a five-and-thirtieth birthday again was certain; but whether he had passed the Rubicon of forty was open to doubt. It is possible that he was enjoying those few golden years between thirty-five and forty, which for the wealthy bachelor constitute verily the prime and summer-tide of life. Wisdom has come, experience has been bought, taste has been cultivated, the man has educated himself to the uttermost in the great school of daily life. He knows his world thoroughly, whatever that world is, and he knows how to enjoy every gift and every advantage which Providence has bestowed upon him.

Mr. Smithson was a great authority on the Stock Exchange, though he had ceased for the last three or four years to frequent the 'House,' or to be seen in the purlieus of Throgmorton Street. Indeed he had an air of hardly knowing his way to the City, of being acquainted with that part of London only by hearsay. He complained that his horses shied at passing Temple Bar. And yet a few years ago Mr. Smithson's city operations had been on a very extensive scale: It was in the rise and fall of commodities rather than of stocks and shares that Horace Smithson had made his money. He had exercised occult influences upon the trade of the great city, of the world itself, whereof that city is in a manner the keystone. Iron had risen or fallen at his beck. At the breath of his nostrils cochineal had gone up in the market at an almost magical rate, as if the whole civilised world had become suddenly intent upon dyeing its garments red, nay, as if even the naked savages of the Gold Coast and the tribes of Central Africa were bent on staining their dusky skins with the bodies of the female coccus.

Favoured by a hint from Smithson, his particular friends followed his lead, and rushed into the markets to buy all the cochineal that could be had; to buy at any price, since the market was rising hourly. And then, all in a moment, as the sky clouds over on a summer day, there came a dulness in the cochineal market, and the female coccus was being sold at an enormous sacrifice. And anon it leaked out that Mr. Smithson had grown tired of cochineal, and had been selling for the last week or two; and it was noised abroad that this rise and fall in cocci had brought Mr. Smithson seventy thousand pounds.

Mr. Smithson was said to have commenced life in a very humble capacity. There were some who declared he was the very youth who stooped to pick up a pin in a Parisian banker's courtyard, after his services as clerk had just been rejected by the firm, and who was thereupon recognised as a youth worthy of favour and taken into the banker's office. But this touching incident of the pin was too ancient a tradition to fit Mr. Smithson, still under forty.

Some there were who remembered him eighteen years ago as an adventurer in the great wilderness of London, penniless, friendless, a Jack-of-all-trades, living as the birds of the air live, and with as little certainty of future maintenance. And then Mr. Smithson disappeared for a space—he went under, as his friends called it; to re-appear fifteen years later as Smithson the millionaire. He had been in Peru, Mexico, California. He had traded in hides, in diamonds, in silver, in stocks and shares. And now he was the great Smithson, whose voice was the voice of an oracle, who was supposed to be able to make the fortunes of other men by a word, or a wink, a nod, or a little look across the crowd, and whom all the men and women in London society—short of that exclusive circle which does not open its ranks to Smithsons—were ready to cherish and admire.

Mr. Smithson had been in Petersburg, Paris, Vienna, all over civilised Europe during the last five weeks, whether on business or on pleasure bent, nobody knew. He affected to be an elegant idler; but it was said by the initiated that wherever Smithson went the markets rose or fell, and hides, iron, copper, or tin, felt the influence of his presence.

He came back to London in time for the Cup Day, and in time to fall desperately in love with Lesbia, whom he met for the first time in the Royal enclosure.

She was dressed in white, purest ivory white, from top to toe—radiant, dazzling, under an immense sunshade fringed with creamy marabouts. Her complexion—untouched by Seraphine—her dark and glossy hair, her large violet eyes, luminous, dark almost to blackness, were all set off and accentuated by the absence of colour in her costume. Even the cluster of exotics on her shoulder were of the same pure tint, gardenias and lilies of the valley.

Mr. Smithson was formally presented to the new beauty, and received with a cool contempt which riveted his chains. He was so accustomed to be run after by women, that it was a new sensation to meet one who was not in the least impressed by his superior merits.

'I don't suppose the girl knows who I am,' he said to himself, for although he had a very good idea of his intrinsic worth, he knew that his wealth ranked first among his merits.

But on after occasions when Lesbia had been told all that could be told to the advantage of Mr. Smithson, she accepted his homage with the same indifference, and treated him with less favour than she accorded to the ruined guardsmen and younger sons who were dying for her.



CHAPTER XXVI.

'PROUD CAN I NEVER BE OF WHAT I HATE.'

It was a Saturday afternoon, and even in that great world which has no occupation in life except to amuse itself, whose days are all holidays, there is a sort of exceptional flavour, a kind of extra excitement on Saturday afternoons, distinguished by polo matches at Hurlingham, just as Saturday evenings are by the production of new plays at fashionable theatres. There was a great military polo match for this particular Saturday—Lancers against Dragoons. It was a lovely June afternoon, and Hurlingham would be at its best. The cool greensward, the branching trees, the flowing river, would afford an unspeakable relief after the block of carriages in Bond Street and the heated air of London, where even the parks felt baked and arid; and to Hurlingham Lady Kirkbank drove directly after luncheon.

Lesbia leaned back in the barouche listening calmly, while her chaperon expatiated upon the wealth and possessions of Horace Smithson. It was now ten days since the meeting at Ascot, and Mr. Smithson had contrived to see a great deal of Lesbia in that short time. He was invited almost everywhere, and he had haunted her at afternoon and evening parties; he had supped in Arlington Street after the opera; he had played cards with Lesbia, and had enjoyed the felicity of winning her money. His admiration was obvious, and there was a seriousness in his manner of pursuing her which showed that, in Lady Kirkbank's unromantic phraseology, 'the man meant business.'

'Smithson is caught at last, and I am glad of it,' said Georgie.

'The creature is an abominable flirt, and has broken more hearts than any man in London. He was all but the death of one of the dearest girls I know.'

'Mr. Smithson breaks hearts!' exclaimed Lesbia, languidly. 'I should not have thought that was in his line. Mr. Smithson is not an Adonis, nor are his manners particularly fascinating.'

'My child how fresh you are! Do you suppose it is the handsome men or the fascinating men for whom women break their hearts in society? It is the rich men they all want to marry—men like Smithson, who can give them diamonds, and yachts, and a hunting stud, and half a dozen fine houses. Those are the prizes—the blue ribbons of the matrimonial race-course—men like Smithson, who pretend to admire all the pretty women, who dangle, and dangle, and keep off other offers, and give ten guinea bouquets, and then at the end of the season are off to Hombourg or the Scotch moors, without a word. Do you think that kind of treatment is not hard enough to break a penniless girl's heart? She sees the golden prize within her grasp, as she believes; she thinks that she and poverty have parted company for ever; she imagines herself mistress of town house and country houses, yachts and stables; and then one fine morning the gentleman is off and away! Do not you think that is enough to break a girl's heart?'

'I can imagine that girl steeped to the lips in poverty might be willing to marry Mr. Smithson's houses and yachts,' answered Lesbia, in her low sweet voice, with a faint sneer even amidst the sweetness, 'but, I think it must have been a happy release for any one to be let off the sacrifice at the last moment.'

'Poor Belle Trinder did not think so.'

'Who was Belle Trinder?'

'An Essex parson's daughter whom I took under my wing five years ago—a splendid girl, large and fair, and just a trifle coarse—not to be spoken of in the same day with you, dearest; but still a decidedly handsome creature. And she took remarkably well. She was a very lively girl, "never ran mute," Sir George used to say. Sir George was very fond of her. She amused him, poor girl, with her rather brainless rattle.'

'And Mr. Smithson admired her?'

'Followed her about everywhere, sent her whole flower gardens in the way of bouquets and Japanese baskets, and floral parures for her gowns, and opera boxes and concert tickets. Their names were always coupled. People used to call them Bel and the Dragon. The poor child made up her mind she was to be Mrs. Smithson. She used to talk of what she would do for her own people—the poor old father, buried alive in a damp parsonage, and struggling every winter with chronic bronchitis; the four younger sisters pining in dulness and penury; the mother who hardly knew what it was to rest from the continual worries of daily life.'

'Poor things!' sighed Lesbia, gazing admiringly at the handle of her last new sunshade.

'Belle used to talk of what she would do for them all,' pursued Lady Kirkbank. 'Father should go every year to the villa at Monte Carlo; mother and the girls should have a month in Park Lane every season, and their autumn holiday at one of Mr. Smithson's country houses. I knew the world well enough to be sure that this kind of thing would never answer with a man like Smithson. It is only one man in a thousand—the modern Arthur, the modern Quixote—who will marry a whole family. I told Belle as much, but she laughed. She felt so secure of her power over the man. "He will do anything I ask him," she said.'

'Miss Trinder must be an extraordinary young person,' observed Lesbia, scornfully. 'The man had not proposed, had he?'

'No; the actual proposal hung fire, but Belle thought it was a settled thing all the same. Everybody talked to her as if she were engaged to Smithson, and those poor, ignorant vicarage girls used to write her long letters of congratulation, envying her good fortune, speculating, about what she would do when she was married. The girl was too open and candid for London society—talked too much, "gave the view before she was sure of her fox," Sir George said. All this silly talk came to Smithson's ears, and one morning we read in the Post that Mr. Smithson had started the day before for Algiers, where he was to stay at the house of the English Consul, and hunt lions. We waited all day, hoping for some letter of explanation, some friendly farewell which would mean a revoir. But there was nothing, and then poor Belle gave way altogether. She shut herself up in her room, and went out of one hysterical fit into another. I never heard a girl sob so terribly. She was not fit to be seen for a week, and then she went home to her father's parsonage in the flat swampy country on the borders of Suffolk, and eat her heart, as Byron calls it. And the worst of it was that she had no actual justification for considering herself jilted. She had talked, and other people had talked, and among them they had settled the business. But Smithson had said hardly anything. He had only flirted to his heart's content, and had spent a few hundreds upon flowers, gloves, fans, and opera tickets, which perhaps would not have been accepted by a girl with a strong sense of her own dignity.'

'I should think not, indeed,' interjected Lesbia.

'But which poor Belle was only too delighted to get.'

'Miss Trinder must be very bad style,' said Lesbia, with languid scorn, 'and Mr. Smithson is an execrable person. Did she die?'

'No, my dear, she is alive poor soul!'

'You said she broke her heart.'

'"The heart may break, yet brokenly live on,"' quoted Lady Kirkbank. 'The disappointed young women don't all die. They take to district visiting, or rational dressing, or china painting, or an ambulance brigade. The lucky ones marry well-to-do widowers with large families, and so slip into a comfortable groove by the time they are five-and-thirty. Poor Belle is still single, still buried in the damp parsonage, where she paints plates and teacups, and wears out my old gowns, just as she is wearing out her own life, poor creature!'

'The idea of any one wanting to marry Mr. Smithson,' said Lesbia. 'It seems too dreadful.'

'A case of real destitution, you think. Wait till you have seen Smithson's house in Park Lane—his team, his yacht, his orchid houses in Berkshire.'

Lesbia sighed. Her knowledge of London society was only seven weeks old; and yet already the day of disenchantment had begun! She was having her eyes opened to the stern realities of life. A year ago when her appearance in the great world was still only a dream of the future, she had pictured to herself the crowd of suitors who would come to woo, and she had resolved to choose the worthiest.

What would he be like, that worthiest among the wooers, that King Arthur among her knights?

First and foremost, he would be of rank higher than her own—duke, a marquis, or one of the first and oldest among earls. Title and lofty lineage were indispensable. It would be a fall, a failure, a disappointment, were she to marry a commoner, however distinguished.

The worthy one must be noble, therefore, and of the old nobility. He must be young, handsome, intellectual. He must stand out from among his peers by his gifts of mind and person. He must have won distinction in the arena of politics or diplomacy, arms or letters. He must be 'somebody.'

She had been seven weeks in society, and this modern Arthur had not appeared. So far as she had been able to discover, there was no such person. The dukes and marquises were mostly men of advanced years. The young unmarried nobility were given over to sport, play, and foolishness. She had heard of only one man who at all corresponded with her ideal, and he was Lord Hartfield. But Lord Hartfield had given himself up to politics, and was no doubt a prig. Lady Kirkbank spoke of him with contempt, as an intolerable person. But then Lord Hartfield was not in Lady Kirkbank's set. He belonged to that serious circle to which Lady Kirkbank's house appeared about as reputable a place of gathering as a booth on a race-course.

And now Lady Kirkbank told Lesbia that this Mr. Smithson, a nobody with a great fortune, was a man whose addresses she, the sister of Lord Maulevrier, ought to welcome. Mr. Smithson, who claimed to be a lineal descendant of that Sir Michael Carrington, standard-bearer to Coeur de Lion in the Holy Land, whose descendants changed their name to Smith during the Wars of the Roses. Mr. Smithson bodily proclaimed himself a scion of this good old county family, and bore on his plate and his coach panels the elephant's head and the three demi-griffins of the Hertfordshire Smiths, who only smiled and shrugged their shoulders when they were complimented upon the splendid surroundings of their cousin. Who could tell? Some lateral branch of the standard-bearer's family tree might have borne this illustrious twig.

Lady Kirkbank and all Lady Kirkbank's friends seemed to have conspired to teach Lesbia Haselden one lesson, and that lesson meant that money was the first prize in the great game of life. Money ranked before everything—before titles, before noble lineage, genius, fame, beauty, courage, honour. Money was Alpha and Omega, the beginning and the end. Mr. Smithson, whose antecedents were as cloudy as those of Aphrodite, was a greater man than a peer whose broad acres only brought him two per cent., or half of whose farms were tenantless, and his fields growing cockle instead of barley.

Yes, one by one, Lady Lesbia's illusions were reft from her. A year ago she had fancied beauty all-powerful, a gift which must ensure to its possessor dominion over all the kingdoms of the earth. Rank, intellect, fame would bow down before that magical diadem. And, behold, she had been shining upon London society for seven weeks, and only empty heads and empty pockets had bowed down—the frivolous, the ineligible,—and Mr. Smithson.

Another illusion which had been dispelled was Lesbia's comfortable idea of her own expectations. Her grandmother had told her that she might take rank among heiresses; and she had held herself accordingly, deeming that her place was among the wealthiest. And now, since Mr. Smithson's appearance upon the scene, Lady Kirkbank had informed her young friend with noble candour that Lady Maulevrier's fortune, however large it might seem at Grasmere, would be a poor thing in London; and that Lady Maulevrier's ideas about money were as old-fashioned as her notions about morals.

'Life is about six times as expensive as it was in your grandmother's time.' said Lady Kirkbank, as the carriage rolled softly along the shabby road between Knightsbridge and Fulham. 'It is the pace that kills. Society, which used to jog along comfortably, like the old Brighton stage, at ten miles an hour, now goes as fast as the Brighton express. In my mother's time poor Lord Byron was held up to the execration of respectable people as the type of cynical profligacy; in my own time people talked about Lord Waterford; but, my dear, the young men now are all Byrons and Waterfords, without the genius of the one or the generosity of the other. We are all going at steeplechase rate. Social success without money is impossible. The rich Americans, the successful Jews, will crowd us out unless we keep pace with them. Ah, Lesbia, my dear girl, there would be a great future before you if you could only make up your mind to accept Mr. Smithson.'

'How do you know that he means to propose to me?' asked Lesbia, mockingly. 'Perhaps he is only going to behave as he did to Miss Trinder.'

'Lady Lesbia Haselden is a very different person from a country parson's daughter,' answered her chaperon; 'Smithson told me all about it afterwards. He was really taken with Belle's fine figure and good complexion; but one of her particular friends told him of her foolish talk about her sisters, and how well she meant to get them married when she was Mrs. Smithson. This disgusted him. He went down to Essex, reconnoitered the parsonage, saw one of the sisters hanging out cuffs and collars in the orchard—another feeding the fowls—both in shabby gowns and country-made boots; one of them with red hair and freckles. The mother was bargaining for fish with a hawker at the kitchen door. And these were the people he was expected to import into Park Lane, under ceilings painted by Leighton. These were the people he was to exhibit on board his yacht, to cart about on his drag. "I had half made up my mind to marry the girl, but I would sooner have hung myself than marry her mother and sisters so I took the first train for Dover, en route for Algiers," said Smithson, and upon my word I could hardly blame the man,' concluded Lady Kirkbank.

They were driving up the narrow avenue to the gates of Hurlingham by this time. Lesbia shock out her frock and looked at her gloves, tan-coloured mousquetaires, reaching up to the elbow, and embroidered to match her frock.