When he began life, an orphan at twenty-two years of age, he found himself comparatively poor, but in spite of the prejudices of those days he was not ashamed to better his fortunes by manufacture, and he is now a rich man. He married Mary Dabstreak for love, and has never regretted it. He has lived most of his life at Carvel Place, has hunted perpetually, and has of late years developed a taste for books which is likely to stand him in good stead in his old age. There is a fine library in the house, and much has been added to it in the last ten years. Miss Chrysophrasia occasionally strays into the repository of learning, but she has little sympathy with the contents of the shelves.

Miss Chrysophrasia Dabstreak is a lady concerning whom there is much speculation, to very little purpose, in the world as represented by the select society in which she droops,—not moves. She is an amateur.

Her eye rejoices only in the tints of the crushed strawberry and the faded olive; her ear loves the limited poetry of doubtful sound produced by abortive attempts to revive the unbarred melodies of the troubadours; and her soul thrills responsively in the checkered light falling through a stained-glass window, as a sensitive-plant waves its sticky leaves when a fly is in the neighborhood.

But life has attractions for Chrysophrasia. She enjoys it after her own fashion. It is a little disconnected. The relation between cause and effect is a little obscure. She is fragmentary. She is a series of unfinished sketches in various manners. She has her being in the past tense, and her future, if she could have it after her taste, would be the past made present. She has many aspirations, and few of them are realized, but all of them are sketched in faint hues upon the mist of her mediaeval atmosphere. She is, in the language of a lyric from her own pen,

"The shadow of fair and of joyous impossible, infinite, faintness That is cast on the mist of the sea by the light of the ages to come."

Her handwriting is Gothic. Her heart is of the type created by Mr. Swinburne in the minds of those who do not understand him,—in their minds, for in the flesh the type is not found. Moreover, she resents modernness of every kind, including the steam-engine, the electric telegraph, the continent of North America, and myself. Her political creed shadows forth the government of the future as a pleasant combination of communism and knight-baronry, wherein all oppressed persons shall have republics, and all nice people shall wear armor, and live in castles, and strew the floors of their rooms with rushes and their garments with the anatomic monstrosities of heraldic blazon.

As for religion, her mind is disturbed in its choice between a palatable form of Buddhism and a particularly luscious adaptation of Greek mythology; but in either case as much Christianity would be indispensable as would give the whole a flavor of crusading. I hope I am not hard upon Miss Chrysophrasia, but the fact is she is not—what shall I say?—not sympathetic to me. John Carvel does not often speak of her, but he has more than once attempted to argue with her, and on these occasions his sister-in-law invariably winds up her defense by remarking very wearily that "argument is the negation of poetry, and, indeed, of all that is fair and joyous."

Personally Miss Dabstreak is a faded blonde, with a very large nose, a wide mouth garnished with imperfect teeth, a very thin figure of considerable height, a poor complexion ill set off by scanty, straggling fair hair; garments of unusual greenish hues, fitted in an unusual and irregular manner, hang in fantastic folds about the angles of her frame, and her attitudes are strange and improbable. I repeat that I do not mean to be hard upon Chrysophrasia, but her looks are not much to my taste. She is too strongly contrasted with her niece, Miss Carvel. There is, besides, something in Chrysophrasia's cold green eyes which gives me an unpleasant sensation. She was at Carvel Place when I arrived, and she is generally there, although she has a little house in Brompton, where she preserves the objects she most loves, consisting chiefly of earthen vessels, abominable in color and useless to civilized man; nevertheless, so great is her influence with her sister's family that even John speaks of majolica with a certain reverence, as a man lowers his voice when he mentions some dear relation not long dead. As for Mrs. Carvel, she is silent when Chrysophrasia holds forth concerning pots and plates, though I have seen her raise her gentle face and cast up her eyes with a faint, hopeless smile when her sister was more than usually eloquent about her Spanow-Morescow things, as she calls them, her Marstrow-Geawgiow and her Robby-ah. It seems to me that objects of that description are a trifle too perishable. Perhaps John Carvel wishes Miss Dabstreak were perishable, too; but she is not.

I would not weary you with too many portraits, my dear lady, and I will describe the beautiful Hermione another day. As for her mother, Mary Carvel, she is an angel upon earth, and if her trials have not been many until lately, her good deeds are without number as the sands of the sea; for it is a poor country that lies on the borders of Essex, and there have been bad times in these years. The harvests have failed, and many other misfortunes have happened, not the least of which is that the old race of farmers is dying out, and that the young ones cannot live as their fathers did, but sell their goods and chattels and emigrate, one after another, to the far, rich West. Some of them prosper, and some of them die on the road; but they leave the land behind them a waste, and there are eleven millions of acres now lying fallow in England which were ploughed and sowed and reaped ten years ago. People are poor, and Mrs. Carvel takes care of them. Her soft brown eyes have a way of finding out trouble, and when it is found her great heart cannot help easing it. She loves her husband and her daughter, understanding them in different degrees. She loves her son also, but she does not pretend to understand him; he is the outcome of a new state of things; but he has no vices, and is thought exceedingly clever. As for her sister, she is very good to her, but she does not profess to understand her, either.

I had been in Persia and Turkey some time, and had not been many days in London, when John Carvel wrote to ask me if I would spend the winter with him. I was tired and wanted to be quiet, so I accepted his offer. Carvel Place is peaceful, and I like the woods about it, and the old towers, and the great library in the house itself, and the general sense of satisfaction at being among congenial people who are friendly. I knew I should have to encounter Miss Chrysophrasia, but I reflected that there was room for both of us, and that if it were not easy to agree with her it was not easy to quarrel with her, either. I packed my traps, and went down to the country one afternoon in November.

John Carvel had grown a trifle older; I thought he was a little less cheerful than he had been in former days, but I was welcomed as warmly as ever. The great fire burned brightly in the old hall, lighting up the dark wainscoting and the heavy furniture with a glow that turned the old oak from brown to red. The dim portraits looked down as of old from the panels, and Fang, the white deerhound, shook his shaggy coat and stretched his vast jaws as I came in. It was cold outside, and the rain was falling fast, as the early darkness gathered gloomily over the landscape, so that I was glad to stand by the blazing logs after the disagreeable drive. John Carvel was alone in the hall. He stretched out his broad hand and grasped mine, and it did my heart good to see the smile of honest gladness on his clean, manly face.

"I hardly thought you would come," he said, looking into my eyes. "I was never so glad to see you in my life. You have been wandering again,—half over the world. How are you? You look tougher than ever, and here am I growing palpably old. How in the world do you manage it?"

"A hard heart, a melancholy temperament, and a large appetite," I answered, with a laugh. "Besides, you have four or five years the better of me."

"The worse, you mean. I'm as gray as a badger."

"Nonsense. It is your climate that makes people gray. How is Mrs. Carvel, and Hermione,—she must have grown up since I saw her,—and Miss Dabstreak?"

"She is after her pots and pans as usual," said John. "Mary and Hermy are all right, thank you. We will have tea with them presently."

He turned and poked the fire with a huge pair of old-fashioned tongs. I thought his cheerful manner subsided a little as he took me to my room. He lingered a moment, till the man who brought in my boxes had unstrapped them, and trimmed the candles, and was gone.

"Is there anything you would like?" he asked. "A little whiskey? a glass of sherry?"

"No, thanks,—nothing. I will come down to tea in a few minutes. It is in the same old room, I suppose?"

"Oh, yes, same as ever. By the bye, Griggs," he added suddenly, as he laid his hand on the handle of the door, "how long is it since you were here?"

"Three years and a month," I answered, after a moment's thought. "It does not seem so long. I suppose that is because we have met abroad since then."

"No, it does not seem long," said John Carvel, thoughtfully. Then he opened the door, and went out without another word.

Nothing especially worthy of mention happened on that evening, nor on the next day, nor for many days. I hunted a little, and shot a great deal more, and spent many hours in the library. The weather improved in the first week of December; it was rather warmer, and the scent lay very well. I gave myself up to the pleasant country life, and enjoyed the society of my host, without much thought of the present or care for the future. Hermione had grown, since I had seen her, from a grave and rather silent girl of seventeen to a somewhat less reserved young woman of twenty, always beautiful, but apparently not much changed. Her mother had taken her out in London during the previous season, and there was occasionally some talk about London and society, in which the young girl did not appear to take very much interest. With this exception the people and things at Carvel Place were the same as I had always known them. I was treated as one of the household, and was allowed to go my own ways without question or interference. Of course, I had to answer many questions about my wanderings and my doings in the last years, but I am used to that and do not mind it.

All this sounds as though I were going to give you some quiet chronicle of English country life, as if I were about to begin a report of household doings: how Mrs. Carvel and Hermione went to church on Sunday; how the Rev. Trumpington Soulsby used to stroll back with them across the park on fine days, and how he and Miss Dabstreak raved over the joyousness of a certain majolica plate; how the curate gently reproved, yet half indulged, Chrysophrasia's erratic religionism; how Mrs. Carvel distributed blankets to the old men and red cloaks to the old women; how the deerhound followed Hermione like Mary's little lamb, and how the worthy keeper, James Grubb, did not quite catch the wicked William Saltmarsh in the act of setting a beautiful new brass wire snare at a particular spot in the quickset hedge between the park and the twelve-acre field, but was confident he would catch him the next time he tried it, how Moses Skingle, the sexton, fell out with Mr. Speller, the superannuated village schoolmaster, because the juvenile Spellers would not refrain from the preparation of luscious mud pies upon the newly made grave of the late Peter Sullins, farmer, whose promising heir had not yet recovered sufficiently from the dissipation attending the funeral to erect a monument to his uncle; and so on and so forth, cackling through a volume or two of village chronicle, "and so home to bed."

I do not care a straw for the ducks in the horse-pond, nor for the naughty boy who throws stones at them, robs bird's-nests, and sets snares for hares under the wire fence of Carvel Park. I blush to say I have done most things of that kind myself, in one part of the world or in another, and they no longer have any sort of interest for me. No, my dear friend, the world is not yet turned into a farm-yard; there are other things to tell of besides the mud pies of the Speller children and the marks of little Billy Saltmarsh's hob-nailed shoes in the grass where he set the snare. The Turks say that a fool has three points in common with an ass,—he eats, he drinks, and he brays at other asses. I must fain eat and drink; let me at least refrain from braying.

It is not every one who cares for the beauty of nature as reflected in a horse-pond, or for the conversations of a class of people who have not more than seven or eight hundred words in their language, and with whom every word does not by any means correspond with an idea; we cannot all be farmer's lads, nor, if we were, could each of us find a Wordsworth to describe feelings we should certainly not possess.

I had been nearly a month at Carvel Place, and Christmas was approaching. We sat one afternoon in the drawing-room, drinking tea. John Carvel was turning over the leaves of a rare book he had just received, before transferring it to its place in the library. His heavy brows were contracted, and his large, clean hands touched the pages lovingly. Mrs. Carvel was installed in her favorite upright chair near an enormous student-lamp that had a pink shade, and her fingers were busy with some sort of needle-work. She, too, was silent, and her gentle face was bent over her hand. I can remember exactly how she always looks when she is working, and how her soft brown hair, that is just turning a little gray at the temples, waves above her forehead. Chrysophrasia Dabstreak lay languidly extended upon a couch, her thin hands clasped together in a studied attitude. She was bemoaning the evils of civilization, and no one was listening to her, for Hermione and I were engaged in putting a new silver collar round the neck of Fang; the great hound sat up patiently between us, yawning prodigiously from time to time, for the operation was tedious, and the patent lock of the collar would not fasten.

"I was just going to say it was time the letters came," said Mrs. Carvel, as the door opened and a servant entered with the post-bag. The master of the house unlocked the leathern case, and distributed the contents. We each received our share, and without ceremony opened our letters. There was a short silence while we were all reading.

"Macaulay has got his leave," said Mrs. Carvel, joyfully. "Is not that delightful! And he is going to bring—wait a minute—I cannot make out the name—let me get nearer to the light, dear—John, look here, is it not Paul Patoff? Look, dear!"

John looked. "It is certainly Paul Patoff," he said quietly. "I told Macaulay to bring him."

"Gracious!" ejaculated Hermione.

"How extremely interesting!" said Miss Chrysophrasia. "I adore Russians! They have such a joyous savor of the wild, free steppes!"

"You have exactly described the Russian of the steppes, Miss Dabstreak," I remarked. "His savor is so wild that it is perceptible at a great distance. But Patoff is not at all a bad fellow. I met him in Teheran last year. He had a trick of beating his servants which excited the wildest admiration among the Persians. The Shah decorated him before he left."

"Do you know him?" asked John Carvel quickly, as he caught my last words.

"Yes. I was just telling Miss Dabstreak that I met Paul Patoff last year. He was at the Russian legation in Teheran." John showed do surprise, and relapsed into silence.

"He and Macaulay are both in Paris," said Mrs. Carvel, "and I suppose Macaulay has made up his mind that we must know his cousin."

"Is not Professor Cutter coming, too, mamma?" asked Hermione. "I heard papa say so the other day."

"Oh, dear, yes!" exclaimed Chrysophrasia, wearily. "Professor Cutter is coming, with his nasty science, and his lenses, and his mathematics. Of course he will wear those vivid green spectacles morning, noon, and night,—such a dreadfully offensive color."

"Yes," said John, gazing down at his neat shoes, as he stood rubbing his broad hands slowly together before the fire, "Cutter is coming, too. What a queer party we shall be at Christmas."

And when Christmas came, we were a very queer party indeed.

At the prospect of seeing united, under an English roof, an English family, consisting of a great manufacturer,—at the same time a thorough-going country gentleman of old descent,—his wife, his beautiful daughter, and his aesthetic sister-in-law, having with them as guests the son of the master of the house, being a young English diplomatist; an English professor, who had given up his professorship to devote himself to the study of diseases of the mind; a Russian secretary of the embassy, who had seen the world, and was thirty years old; and, lastly, your humble slave of the pen, being an American,—at the prospect of such a heterogeneous assembly of men and women, you will suppose, my dear lady, that I am about to embark upon the cerulean waters of a potentially platonic republic, humbly steering my craft by the charts of a recent voyager, who, after making a noble but ineffectual attempt to discover the Isles of the Blessed, appears to have stumbled into the drawing-rooms of the Damned.

I am not going to do anything of the kind. My story is written for the sole purpose of amusing you, and as a form of diversion for your leisure moments I would select neither the Wordsworthian pastoral, nor the platonic doctrine of Ideas. Mary Carvel would give her vote for the Dalesman, and Chrysophrasia for Plato, but I have not consulted them; and if I do not consult you, it is because I think I understand your tastes. You will, moreover, readily understand that in telling this tale I sometimes speak of things I did not actually see, because I know the people concerned very well, and some of them told me at the time, and have told me since, what they felt and thought about the things they did and saw done. For myself, I am the man you have long known, Paul Griggs, the American; a man of many acquaintances and of few friends, who has seen the world, and is forty-three years of age, ugly and tough, not so poor as I have been, not so good as I might be, melancholic by temperament, and a little sour by force of circumstances.



VII.

It chanced, one evening, that I was walking alone through the park. I had been on foot to the village to send a telegram, which I had not cared to trust to a servant. The weather had suddenly cleared, and there had been a sharp frost in the morning; towards midday it had thawed a little, but by the time it was dark everything was frozen hard again. The moon was nearly full, and shone brightly upon the frozen grass, casting queer shadows through the bare branches of the trees; it was very cold, and I walked fast; the brittle, frozen mud of the road broke beneath my feet with a creaking, crunching sound, and startled the deep stillness. As I neared the house the moon was before me, and the mass of buildings cast a dark shadow.

Carvel Place is like many old country houses in England; it is a typical dwelling of its kind, irregular, yet imposing, and though it has no plan, for it has been added to and enlarged, and in part rebuilt, it is yet harmonious and of good proportion. I had often reflected that it was too large for the use of the present family, and I knew that there must be a great number of rooms in the house which were never opened; but no one had ever proposed to show them to me, and I was not sufficiently curious to ask permission to visit the disused apartments. I had observed, however, that a wing of the building ran into an inclosure, surrounded by a wall seven or eight feet high, against which were ranged upon the one side a series of hot-houses, while another formed the back of a covered tennis court. The third wall of the inclosure was covered with a lattice, upon which fruit trees had been trained without any great success, and I had noticed that the lattice now completely covered an old oak door which led into the inclosure. I had never seen the door open, but I remembered very well that it was uncovered the last time I had been at Carvel Place.

When I reached the house I was no longer cold, and the night was so clear and sparkling that I idly strolled round the great place, wandering across the frozen lawn and through the winding paths of the flower garden beyond, till I came to the wall I have described, and stood still, half wondering why the door had been covered over with fruit trees, as though no one would ever wish to enter the house from that side. The space could hardly be so valuable for gardening purposes, I thought, for the slender peach-trees that were bound upon the lattice on each side of the door had not thriven. There was something melancholy about the unsuccessful attempt to cultivate the delicate southern fruit in the unkindly air of England, and the branches and stems, all wrapped in straw against the frost, looked unhappy and unnatural in the cold moonlight. I stood looking at them, with my hands in my pockets, thinking somewhat regretfully of my southern birthplace. I smiled at myself and turned away, but as I went the very faintest echo of a laugh seemed to come from the other side of the wall. It sounded disagreeably in the stillness, and I slowly finished my walk around the house and came back to the front door, still wondering who it was that had laughed at me from behind the wall in the moonlight. There was certainly no original reason in the nature of things why it should not chance that some one should laugh on the other side of the wall just as I happened to be standing before the closed gate. The inclosure was probably in connection with the servants' apartments; or it might be the exclusive privilege of Chrysophrasia to walk there, composing anapaestic verse to the infinite faintness of the moon,—or anything. A quarter of an hour later I was in the drawing-room drinking a cup of tea. I came in when the others had finished reading their evening letters, and there were none for me. The tea was cold. I wished I had walked half an hour longer, and had not come into the drawing-room at all.

"Let me make you a fresh cup, Mr. Griggs," said Hermione; "do,—it will be ready in a moment!"

I politely declined, and the conversation of the rest soon began where it had left off. It appeared that Professor Cutter was expected that night, and the son of the house, with Patoff, on the following day. It was Thursday, and Christmas was that day week. John Carvel seemed unusually depressed; his words were few and very grave, and he did not smile, but answered in the shortest manner possible the questions addressed to him. He thought Cutter might arrive at any moment. Hermione hazarded a remark to the effect that the professor was rather dull.

"No, my dear," answered John, "he is not at all dull."

"But, papa, I thought he was so immensely learned"——

"He is very learned," said her father, shortly, and buried himself in his newspaper, so that hardly anything was visible of him but his feet, encased in exceedingly neat shoes; those nether extremities moved impatiently from time to time. Chrysophrasia was not present, a circumstance which made it seem likely that she might have been the person who had laughed behind the wall. Mary Carvel, like her husband, was unusually silent, and I was sitting not far from Hermione. She looked at me after her father's curt answer to her innocent remark, and smiled faintly.

The drawing-room where we sat exhibited a curious instance of the effect produced upon inanimate things when subjected to the contact of persons who differ widely from each other in taste. You smile, dear lady, at the complicated form of expression. I mean merely that if two people who like very different things live in the same room, each of them will try to give the place the look he or she likes. At Carvel Place there were four to be consulted, instead of two; for John had his own opinions as to taste, and they were certainly sounder than those of his wife and sister-in-law, and at least as clearly defined.

John Carvel liked fine pictures, and he had placed three or four in the drawing-room,—a couple of good Hogarths, a beautiful woman's head by Andrea del Sarto, and a military scene by Meissonnier,—about as heterogeneous a quartette of really valuable works as could be got for money; and John had given a great deal of money for them. Besides the pictures, there stood in the drawing-room an enormous leathern easy-chair, of the old-fashioned type with semicircular wings projecting forward from the high back on each side, made to protect the rheumatic old head of some ancestor who suffered from the toothache before the invention of dentists. Near this stood a low, square, revolving bookcase, which always contained the volumes which John was reading at the time, to be changed from day to day as circumstances required.

Mary Carvel was, and is, an exceedingly religious woman, and her tastes are to some extent the expression of her religious feelings. She has a number of excellent engravings of celebrated pictures, such as Holbein's Madonna, Raphael's Transfiguration, and the Dresden Madonna di San Sisto; she owns the entire collection of chromo-lithographs published by the Arundel Society, and many other reproductions of a similar nature. Many of these she had hung in the drawing-room at Carvel Place. Here and there, also, were little shelves of oak in the common Anglomaniac style of woodwork, ornamented with trefoils, crosses, circles, and triangles, and containing a curious collection of sacred literature, beginning with the ancient volume entitled Wilberforce's View, including the poetry published in a series of Lyras,—Lyra Anglicana, Lyra Germanica, and so on,—culminating at last in the works of Dr. Pusey; the whole perhaps exhibiting in a succinct form the stages through which Mary Carvel had passed, or was still passing, in her religious convictions. And here let me say at once that I am very far from intending to jest at those same convictions of Mary Carvel's, and if you smile it is because the picture is true, not because it is ridiculous. She may read what she pleases, but the world would be a better place if there were more women like her.

There were many other possessions of hers in the drawing-room: for instance, upon the mantel-piece were placed three magnificent Wedgwood urns, after Flaxman's designs, inherited from her father, and now of great value; upon the tables there were several vases of old Vienna, but of a green color, vivid enough to elicit Chrysophrasia's most eloquent disapprobation; there were several embroideries of a sufficiently harmless nature, the work of Mary Carvel's patient fingers, but conceived in a style no longer popular; and on the whole, there was a great number of objects in the drawing-room which belonged to her and by which she set great store, but which bore decidedly the character of English household decoration and furniture at the beginning of the present century, and are consequently abhorrent to the true aesthete.

Chrysophrasia Dabstreak, however, had sworn to cast the shadow of beauty over what she called the substance of the hideous, and to this end and intention, by dint of honeyed eloquence and stinging satire, she had persuaded John and Mary to allow her to insert stained glass in one of the windows, which formerly opened upon and afforded a view of a certain particularly brilliant flower bed. Beneath the many-colored light from this Gothic window—for she insisted upon the pointed arch—Miss Dabstreak had made her own especial corner of the drawing-room. There one might see strange pots and plates, and withered rushes, and fantastic greenish draperies of Eastern weft, which, however, would not fetch five piastres a yard in the bazaar of Stamboul, curious water-colors said to represent "impressions," though one would be shy of meeting, beyond the bounds of an insane asylum, the individual whose impressions could take so questionable a shape; lastly, the centre of the collection, a "polka mazurka harmony in yellow," by Sardanapalus Stiggins, the great impressionist painter of the day. Chrysophrasia paid five hundred pounds for this little gem.

But it was not enough for Miss Dabstreak to have collected so many worthless objects of price in her own little corner of the room. She had encumbered the tables with useless articles of pottery; she had fastened a green plate between the better of the two Hogarths and an Arundel chromo-lithograph, and connected it with both the pictures by a drooping scarf of faint pink silk; she had adorned the engraving of Raphael's Transfiguration with a bit of Broussa embroidery, because it looked so very Oriental; and she had bedizened Mary Carvel's water-color view of Carisbrooke Castle with peacock's feathers, because they looked so very English. There was no spot in the room where Chrysophrasia's hand had not fallen, and often it had fallen heavily. She had respected John Carvel's easy-chair and revolving bookcase, but she had respected nothing else.

There was a fourth person, however, who had set her especial impress on the appearance of the room where all met in common. I mean Hermione Carvel. Educated and brought up among the conflicting tastes and views of her parents and her aunt, she had imbibed some of the characteristics of each, although in widely different degrees. At that time, perhaps, the various traits which were united in her had not yet blended harmoniously so as to form a satisfactory whole. The resultant of so many more or less conflicting forces was prone to extremes of enthusiasm or of indifference. Her heart was capable of feeling the warmest sympathy, but was liable also to conceive unwarrantable antipathies; her mind was of admirable quality, fairly well gifted and sensibly trained; though not marvelously quick to understand, yet tenacious and slow to forget. The constant attempt to reconcile the irreconcilable opinions of her mother and aunt had given Hermione a certain versatility of thought, and a certain capacity to see both sides of the question when not under the momentary influence of her enthusiasm. She is, and was even then, a fine type of the English girl who has grown up under the most favorable circumstances; that is to say, with an excellent education and a decided preference for the country. It is not necessary to allow her any of the privileges and immunities usually granted to exceptional people; in any ordinary position of life she would bear the test of any ordinary difficulty very well. She inherits common sense from her father, an honest country gentleman of the kind now unfortunately growing every day more rare; a man not so countrified as to break his connection with the intelligent world, nor so foolishly ambitious as to abandon a happy life in the country in order to pursue the mirage of petty political importance: a man who holds humbug in supreme contempt, and having purged it from his being has still something to fall back upon. From her mother Hermione inherits an extreme conscientiousness in the things of every-day life; but whereas in Mary Carvel this scrupulous pursuance of what is right is on the verge of degenerating into morbid religionism, in Hermione it is tempered by occasional bursts of enthusiasm, and relieved by a wholesome and natural capacity for liking some people and disliking others.

In the drawing-room I have been describing, Hermione touched everything, and did her best to cast over the various objects some grace, some air of harmony, which should make the contrasted tastes of the rest of her family less glaring and unpleasant to the eye. Her task was not easy, and it was no fault of hers if the room was out of joint. Her love of flowers showed itself everywhere, and she knew how to take advantage of each inch of room on shelf, or table, or window-seat, filling all available spaces with a profusion of roses, geraniums, and blossoms of every kind that chanced to be in season. Flowers in a room will do what nothing else can accomplish. The eye turns gladly to the living plant, when wearied and strained with the incongruities of inanimate things. A pot of pinks makes the lowliest and most dismal cottage chamber look gay by comparison; a single rose in a glass of water lights up the most dusty den of the most dusty student. A bit of climbing ivy converts a hideous ruin into a bower, as the Alp roses and the Iva make a garden for one short month of the roughest rocks in the Grisons. Only that which lives and of which the life is beautiful can reconcile us to those surroundings which would otherwise offend our sense of harmony, or oppress us with a dullness even more deadly than mere ugliness can ever be.

Hermione loves all flowers, and at Carvel Place she was the sweetest blossom of them all. Her fresh vitality is of the contagious kind, and even plants seem to revive and get new life from the touch of her small fingers, as though feeling the necessity of growing like her. Her beauty may not last. It is not of the imperious kind, nor even quite classic, but it has a wonderful fineness and delicacy. Her soft brown hair coils closely on her small, well-shaped head; her gentle, serious blue eyes look tenderly on all that lives and has being within the circle of her sight; her small mouth smiles graciously and readily, though sometimes a little sadly; and her pleasant voice has a frank ring in it that is good to hear. Her slight fingers, neither too long nor too short, are often busy, but her labors are generally labors of love, and she is never weary of them. Of middle height, she has the grace of a taller woman, and the ease in motion which comes only from natural, healthy, elastic strength, not weakened by enforced idleness, not overdeveloped by abominable and unwomanly gymnastic exercises. Everything she does is graceful.

It is very strange and interesting to see in her the combination of such different elements. Even her aunt Chrysophrasia's queer nature is represented, though it needs some ingenuity to trace the resemblance between the two. There are indeed tones of the voice, phrases and expressions, which seem to belong to particular families, and by which one may sometimes discover the relationship. But the modification of leading characteristics in the individual is not so easily detected. Miss Dabstreak is eccentric, but the wild ideas which continue to flourish in the aesthetic cells of Chrysophrasia's brain are softened and made more gentle and delicate in Hermione, so that even if they were inconsequent they would not seem offensive; though one might not admire them, one could not despise them. The young girl loves all that is beautiful: not as Chrysophrasia loves it, by sheer force of habitual affectation, without discernment and without real enjoyment, but from the bottom of her heart, from the well-springs of her own beautiful soul; knowing and understanding the great divisions between the graceful and the clumsy, between the true and the false, the lovely and the unlovely. The extraordinary passion for the eccentric is tempered to an honest and natural craving after the beautiful; the admixture of the gentleness the girl has inherited from her saintly mother and of the genuine common sense which characterizes her father has produced a rational desire and ability to do good to every one. Mary Carvel is sometimes exaggerated in her ideas of charity, and John on rare occasions—very rarely—used to be a little too much inclined to the practice of economy; "near" was the term applied by the village people. It was at first with him but the reminiscence of poorer years, when economy was necessary, and forethought was an indispensable element in his life; but the tendency has remained and sometimes shows itself. All that can be traced of this quality in the daughter is a certain power of keen discernment, which saves her from being cheated by the sham paupers who abound in the neighborhood of Carvel Place, and from being led into spoiling the school-children with too many feasts of tea, jam, and cake.

It is not easy to be brief in describing Hermione Carvel, because in her fair self she combines a great many qualities belonging to contradictory persons, which one would suppose impossible to unite in one harmonious whole; and yet Hermione is one of the most harmonious persons I ever knew. Nothing about her ever offended my sense of fitness. I often used to wonder how she managed to be loved equally by the different members of the household, but there is no doubt of the fact that all the members of her family not only love her, but excuse readily enough those of their own bad qualities which they fancy they recognize in her; for, indeed, nothing ever seems bad in Hermione, and I doubt greatly whether there is not some touch of white magic in her nature that protects her and shields her, so that bad things turn to good when they come near her. If she likes the curious notions of her aunt, she certainly changes them so that they become delicate fancies, and agree together with the gentle charity she has from her mother and the sterling honesty she gets from her father. John sometimes shrugs his shoulders at what he calls his wife's extraordinary faith in human nature, and both he and Mary are sometimes driven to the verge of distraction by Chrysophrasia's perpetual moaning over civilization; but no one is ever out of temper with Hermione, nor is Hermione ever impatient with any one of the three. She is the peace-maker, the one whose sympathy never fails, whose gentleness is never ruffled, and whose fair judgment is never at fault.

When John Carvel answered Hermione's question about Professor Cutter by a simple affirmation to the effect that he was a very learned man, the young girl did not press her father with any more inquiries, but turned to me.

"Do you not think learned people are very often dull, Mr. Griggs?" she asked.

"Oppressively," I answered.

"What makes them so?"

"It is the very low and common view which they take of life," put in Miss Dabstreak, who entered the room while we were speaking, and sank upon the couch with a little sigh. "They have no aspirations after the beautiful,—and what else can satisfy the human mind? The Greeks were never dull."

"What do you call dull?" asked Mrs. Carvel very mildly.

"Oh—anything; parliamentary reports, for instance, and agricultural shows, and the Rural Dean,—anything of that sort," answered Miss Chrysophrasia languidly.

"In other words, civilization as compared with barbarism," I suggested. "It is true that there cannot be much boredom among barbarous tribes who are always scalping their enemies or being scalped themselves; those things help to pass the time."

"Yes, scalping must be most interesting," murmured Chrysophrasia, with an air of conviction.

Hermione laughed.

"I really believe you would like to see it done, aunt Chrysophrasia," said she.

"Hermy, Hermy, what dreadful ideas you have!" exclaimed Mrs. Carvel, in gentle horror. But she immediately returned to her embroidery, and relapsed into silence.

"It is Mr. Griggs, mamma," said Hermione, still laughing. "He agrees with me that learned people are all oppressively dull, and that the only tolerably exciting society is found among scalping Indians."

"Did you not once scalp somebody yourself, Griggs?" asked John, suddenly lowering his newspaper.

"Not quite," I answered; "but I once shaved a poodle with a pocket-knife. Perhaps you were thinking of that?"

While I spoke there was a sound of wheels without, and John rose to his feet. He seemed impatient.

"That must be Cutter at last'" he exclaimed, moving towards the door that led into the hall. "I thought he was never coming."

I rose also, and followed him. It was Cutter. The learned professor arrived wrapped in a huge ulster overcoat, his hands in the deep pockets thereof, and the end of an extinguished cigar between his teeth. He furtively disposed of the remains of the weed before shaking hands with our host. After the first greetings John led him away to his room, and I remained standing in the hall. The professor's luggage was rather voluminous, and various boxes, bags, and portmanteaus bore the labels of many journeys. The men brought them in from the dog-cart; the strong cob pawed the gravel a little, and the moonlight flashed back from the silver harness, from the smooth varnished dashboard, the polished chains, and the plated lamps. I stood staring out of the door, hardly seeing anything. Indeed, I was lost in a fruitless effort of memory. The groom gathered up the reins and drove away, and presently I was aware that Stubbs, the butler, was offering me a hat, as a hint, I supposed, that he wanted to shut the front door. I mechanically covered my head and strolled away.

I was trying to remember where I had seen Professor Cutter. I could not have known him well, for I never forget a man I have met three or four times; and yet his face was perfectly familiar to me, and came vividly before me as I paced the garden walks. Instinctively I walked round the house again, and paused before the door that had attracted my attention an hour earlier. I listened, but heard nothing, and still I tried to recall my former meeting with Cutter. Strange, I thought, that I should seem to know him so well, and that I should nevertheless be unable to connect him in my mind with any date, or country, or circumstance. In vain I went over many scenes of my life, endeavoring to limit this remembrance to a particular period. I argued that our meeting, if we really had met, could not have taken place many years ago, for I recognized exactly the curling gray hairs in the professor's beard, the wrinkles in his forehead, and a slight mark upon one cheek, just below the eye. I recollected the same spectacles; the same bushy, cropped gray hair; the same massive, square head set upon a short but powerful body; the same huge hands, spotlessly clean, the big nails kept closely pared and polished, but so large that they might have belonged to an extinct species of gigantic man. The whole of him and his belongings, to the very clothes he wore, seemed familiar to me and witnesses to his identity; but though I did my best for half an hour, I could not bring back one circumstance connected with him. I grew impatient and returned to the house, for it was time to dress for dinner, and I felt cold as I strolled about in the frosty moonlight.

We met again before dinner, for a few minutes, in the drawing-room. I went near to the professor, and examined his appearance very carefully. His evening dress set off the robust proportions of his frame, and the recollection I had of him struck me more forcibly than ever. I am not superstitious, but I began to fancy that we must have met in some former state, in some other sphere. He stood before the fire, rubbing his hands and answering all manner of questions that were put to him. He appeared to be an old friend of the family, to judge by the conversation, and yet I was positively certain that I had never seen him at Carvel Place. He knew all the family, however, and seemed familiar with their tastes and pursuits: he inquired about John's manufacturing interests, and about Mrs. Carvel's poor people; he asked Hermione several questions about the recent exhibitions of flowers, and discussed with Chrysophrasia a sale of majolica which had just taken place in London. After this round of remarks I suspected that the professor would address himself to me, for his gray eyes rested on me from time to time with a look of recognition. But he held his peace, and we presently went to dinner.

Professor Cutter talked much and talked well, in a continuous, consistent manner that was satisfactory for a time, but a little wearisome in the long run. His ideas were often brilliant, and his expression of them was always original, but he had an extraordinary faculty of dominating the conversation. Even John Carvel, who knew a great deal in his way, found it hard to make any headway against the professor's eloquence, though I could sometimes see that he was far from being convinced. The professor had been everywhere and had seen most things; he talked with absolute conviction of what he had seen, and avoided talking of what he had not seen, doubtless inferring that it was not worth seeing. Nevertheless, he was not a disagreeable person, as such men often are; on the contrary, there was a charm of manner about him that was felt by every one present. I longed for the meal to be over, however, for I intended to seize the first opportunity which presented itself of asking him whether he remembered where we had met before.

I was destined to remain in suspense for some time. We had no sooner risen from dinner than John Carvel came up to me and spoke in a low voice.

"Will you excuse me if I leave you alone, Griggs?" he said. "I have very important business with Professor Cutter, which will not keep until to-morrow. We will join you in the drawing-room in about an hour."

It was nothing to me if the two men had business together; I was sufficiently intimate in the house to be treated without ceremony, and I did not care for anybody's company until I could find what I was searching for in the forgotten corners of my brain.

"Do not mind me," I answered, and I retired into the smoking-room, and began to turn over the evening papers. How long I read I do not know, nor whether the news of the day was more or less interesting and credible than usual; I do not believe that an hour elapsed, either, for an hour is a long time when a man is not interested in what he is doing, and is trying to recall something to his mind. I cannot even tell why I so longed to recollect the professor's face; I only remember that the effort was intense, but wholly fruitless. I lay back in the deep leathern easy-chair, and all sorts of visions flitted before my half-closed eyes,—visions of good and visions of evil, visions of yesterday and visions of long ago. Somehow I fell to thinking about the lattice-covered door in the wall, and I caught myself wondering who had been behind it when I passed; and then I laughed, for I had made up my mind that it must have been Miss Chrysophrasia, who had entered the drawing-room five minutes after I did. I sat staring at the fire. I was conscious that some one had entered the room, and presently the scratching of a match upon something rough roused me from my reverie. I looked round, and saw Professor Cutter standing by the table.

It sometimes happens that a very slight thing will recall a very long chain of circumstances; a look, the intonation of a word, the attitude of a moment, will call up other looks and words and attitudes in quick succession, until the chain is complete. So it happened to me, when I saw the learned professor standing by the table, with a cigar in his mouth, and his great gray eyes fixed upon me from behind his enormous spectacles. I recognized the man, and the little I knew of him came back to me.

The professor is one of the most learned specialists in neurology and the study of the brain now living; he is, moreover, a famous anthropologist. He began his career as a surgeon, and would have been celebrated as an operator had he not one day inherited a private fortune, which permitted him to abandon his surgical practice in favor of a special branch for which he knew himself more particularly fitted. So soon as I recalled the circumstances of our first meeting I realized that I had been in his company only a few moments, and had not known his name.

He came and sat himself down in an easy-chair by my side, and puffed in silence at a big cigar.

"We have met before," I said. "I could not make you out at first. You were at Weissenstein last year. You remember that affair?"

Professor Cutter looked at me curiously for several seconds before he answered.

"You are the man who let down the rope," he said at last. "I remember you now very well."

There was a short pause.

"Did you ever hear any more of that lady?" asked he, presently.

"No, I did not even know her name, any more than I knew yours," I replied. "I took you for a physician, and the lady for your patient."

We heard steps on the polished floor outside the smoking-room.

"If I were you, I would not say anything to Carvel about that matter," said the professor quickly.

The door opened, and John entered the room. He was a little pale and looked nervous.

"Ah," he ejaculated, "I thought you would fraternize over the tobacco."

"We are doing our best," said I.

"It is written that the free should be brothers and equal," said the professor, with a laugh.

"I never knew two brothers who were equal," said Carvel, in reflective tones. "I do not know why the ideal freedom and equality, attaching to the ideal brothers, should not be as good as any other visionary aim for tangible earthly government; but it certainly does not seem so easy of realization, nor so sound in the working, as our good English principle that exceptions prove the rule, and that the more exceptions there are the better the rule will be."

"Is that speech an attack upon American freedom?" asked the professor, laughing a little. "I believe Mr. Griggs is an American."

"No, indeed. Why should I attack American freedom?" said John.

"American freedom is not so easily attacked," I remarked. "It eludes definition and rejects political paradox. No one ever connects our republic with the fashionable liberty-fraternity-and-equality doctrines of European emancipation; still less with the communistic idea that, although men have very different capacities for originating things, all men have an equal right to destroy them."

"Griggs is mounted upon his hobby," remarked John Carvel, stretching his feet out towards the fire. The professor turned the light of his spectacles upon me, and puffed a cloud of smoke.

"Are you a political enthusiast and a rider of hobby-horses, Mr. Griggs?" he asked.

"I do not know; you must ask our host."

"Pardon me. I think you know very well," said the professor. "I should say you belonged to a class of persons who know very well what they think."

"How do you judge?"

"That is, of all questions a man can ask, the most difficult to answer. How do you judge of anything?"

"By applying the test of past experience to present fact," I replied.

"Then past experience is that by which I judge. How can you expect me to tell you the whole of my past experience, in order that you may understand how my judgment is formed? It would take years."

"You are a pair of very singular men," remarked John Carvel. "You seem to take to argument as fish to the water. You ought to be successful in a school of walking philosophers."

John seemed more depressed than I had ever seen him, and only made an observation from time to time, as though to make a show of hospitality. The professor interested me, but I could see that we were boring Carvel. The conversation languished, and before long the latter proposed that we should go into the drawing-room for half an hour before bed-time.

We found the ladies seated around the fire. Their voices fell suddenly as we entered the room, and all of them looked towards John and the professor, as though expecting something. It struck me that they had been talking of some matter which was not intended for our ears.

"We have been making plans for Christmas," said Mrs. Carvel, as though to break the awkward silence that followed our entrance.



VIII.

Early on the following morning John Carvel came to my room. He looked less anxious than on the previous night, but he was evidently not altogether his former self.

"Would you care to drive to the station and meet those boys?" he asked, cheerfully.

The weather was bright and frosty, and I was glad enough of an excuse for being alone for half an hour with my friend. I assented, therefore, to his proposition, and presently we were rattling along the hard road through the park. The hoar-frost was on the trees and on the blue-green frozen grass beneath them, and on the reeds and sedges beside the pond, which was overspread with a sheet of black ice. The breath flew from the horses' nostrils in white clouds to right and left, and the low morning sun flashed back from the harness, and made the little icicles and laces of frost upon the trees shine like diamonds.

"Carvel," I said presently, as we spun past the lodge, through the great iron gates, "I am not inquisitive, but it is easy to see that there is something going on in your house which is not agreeable to you. Will you tell me frankly whether you would like me to go away?"

"Not for worlds," my companion ejaculated, and he turned a shade paler as he spoke. "I would rather tell you all about it—only"—— He paused.

"Don't," said I. "I don't want to know. I merely thought you might prefer to be left free of outsiders at present."

"We hardly look upon you as an outsider, Griggs," said John, quietly. "You have been here so much and we have been so intimate that you are almost like one of the family. Besides, you know this young nephew of my wife's, Paul Patoff; and your knowing him will make matters a little easier. I am not at all sure I shall like him."

"I think you will. At all events, I can give you some idea of him."

"I wish you would," answered John.

"He is a thorough Russian in his ideas and an Englishman in appearance,—perhaps you might say he is more like a Scotchman. He is fair, with blue eyes, a brown mustache, and a prominent nose. He is angular in his movements and rather tall. He has a remarkable talent for languages, and is regarded as a very promising diplomatist. His temper is violent and changeable, but he has excellent manners and is full of tact. I should call him an extremely clever fellow in a general way, and he has done wisely in the selection of his career."

"That is not a bad description. Is there anything against him?"

"I cannot say; I only knew him in Persia,—a chance acquaintance. People said he was very eccentric."

"Eccentric?" asked John. "How?"

"Moody, I suppose, because he would sometimes shut himself up for days, and see nobody unless the minister sent for him. He used to beat his native servants when he was in a bad humor, and was said to be a reckless sort of fellow."

"I hope he will not indulge his eccentricities here. Heaven knows, he has reason enough for being odd, poor fellow. We must make the best of him," continued John hurriedly, as though regretting his last remark, "and you must help us to amuse him and keep him out of mischief. Those Russians are the very devil, sometimes, as I have no doubt you know, and just at present our relations with them are not of the best; but, after all, he is my nephew and one of the family, so that we must do what we can for him, and avoid trouble. Macaulay likes him, and I dare say he likes Macaulay. They will get on together very well."

"Yes—perhaps so—though I do not see what the two can have in common," I answered. "Macaulay can hardly have much sympathy for Patoff's peculiarities, however much he may like the man himself."

"Macaulay is very young, although he has seen something of the world. He has not outgrown the age which mistakes eccentricity for genius and bad temper for boldness. We shall see,—we shall see very soon. They will both hate Cutter, with his professorial wisdom and his immense experience of things they have never seen. How do you like him yourself?"

"Without being congenial to me, he represents what I would like to be myself."

"Would you change with him, if you could?" asked John.

"No, indeed. I, in my person, would like to be what he is in his,—that is all. People often talk of changing. No man alive would really exchange his personality for that of another man, if he had the chance. He only wishes to adorn what he most admires in himself with those things which, in his neighbor, excite the admiration of others. He meditates no change which does not give his vanity a better appearance to himself, and his reputation a dash of more brilliant color in the popular eye."

"Perhaps you are right," said John. "At all events, the professor has qualities that any man might envy."

We reached the station just as the train ran in, and Macaulay Carvel and Patoff waved their hats from the carriage window. In a moment we were all shaking hands upon the platform.

"Papa, this is cousin Paul," said Macaulay, and he turned to greet me next. He is a good-looking fellow, with rather delicate features and a quiet, conscientious sort of expression, exquisite in his dress and scrupulous in his manners, with more of his mother's gentleness than of his father's bold frankness in his brown eyes. His small hand grasped mine readily enough, but seemed nerveless and lacking in vitality, a contrast to Paul Patoff's grip. The Russian was as angular as ever, and his wiry fingers seemed to discharge an electric shock as they touched mine. I realized that he was a very tall man, and that he was far from ugly. His prominent nose and high cheek-bones gave a singular eagle-like look to his face, and his cold, bright eyes added to the impression. He lacked grace of form, but he had plenty of force, and though his movements were sometimes sudden and ungainly he was not without a certain air of nobility. His brown mustache did not altogether hide the half-scornful expression of his mouth.

"How is everybody?" asked Macaulay Carvel of his father. "We shall have a most jolly Christmas, all together."

"Well, Mr. Griggs," said Patoff to me, "I did not expect, when we parted in Persia, that we should meet again in my uncle's house, did you? You will hardly believe that this is my first visit to England, and to my relations here."

"You will certainly not be taken for a foreigner here," I said, laughing.

"Oh, of course not. You see my mother is English, so that I speak the language. The difficulty for me will lie in learning the customs. The English have so many peculiar habits. Is Professor Cutter at the house?"

"Yes. You know him?"

"Very well. He has been my mother's physician for some time."

"Indeed—I was not aware that he practiced as a physician." I was surprised by the news, and a suspicion crossed my mind that the lady at Weissenstein might have been Patoff's mother. Instantly the meaning of the professor's warning flashed upon me,—I was not to mention that affair in the Black Forest to Carvel. Of course not. Carvel was the brother-in-law of the lady in question. However, I kept my own counsel as we drove rapidly homewards. The sun had risen higher in the cloudless sky, and the frozen ground was beginning to thaw, so that now and then the mud splashed high from under the horses' hoofs. The vehicle in which we drove was a mail phaeton, and Macaulay sat in front by his father's side, while Patoff and I sat behind. We chatted pleasantly along the road, and in half an hour were deposited at Carvel Place, where the ladies came out to meet us, and the new cousin was introduced to every one. He seemed to make himself at home very easily, and I think the first impression he produced was favorable. Mrs. Carvel held his hand for several seconds, and looked up into his cold blue eyes as though searching for some resemblance to his mother, and he met her gentle look frankly enough. Chrysophrasia eyed him and eyed him again, trying to discover in him the attributes she had bestowed upon him in her imagination; he was certainly a bold-looking fellow, and she was not altogether disappointed. She allowed her hand to linger in his, and her sentimental eyes turned upwards towards him with a look that was intended to express profound sympathy. As for Paul, he looked at his aunt Chrysophrasia with a certain surprise, and he looked upon Hermione with a great admiration as she came forward and put out her hand. John Carvel stood near by, and I thought his expression changed as he saw the glance his nephew bestowed upon his daughter. I slipped away to the library, and left the family party to themselves. Professor Cutter had not yet appeared, and I hoped to find him. Sure enough, he was among the books. Three or four large volumes lay open upon a table near the window, and the sturdy professor was turning over the leaves, holding a pencil in his mouth and a sheet of paper in one hand, the image of a student in the pursuit of knowledge. I went straight up to him.

"Professor Cutter," I said, "you asked me last night whether I had ever heard anything more of the lady with whom I met you at Weissenstein. I have heard of her this morning."

The scientist took the pencil from his mouth, and thrust his hands into his pockets, gazing upon me through the large round lenses of his spectacles. He glanced towards the door before he spoke.

"Well, what have you heard?" he asked.

"Only that she was Paul Patoff's mother," I answered.

"Nothing else?"

"Nothing."

"And how did you come by the information, if you please?" he inquired.

"Very simply. Paul Patoff volunteered to tell me that you had been his mother's physician for some time. I remembered that you warned me not to speak of the Weissenstein affair to our friend Carvel; that was natural enough, since the lady was his sister-in-law. She did not look at all like Paul, it is true, but you are not in the habit of playing physician, and it is a thousand to one that you have attended no one else in the last year who is in any way connected with John Carvel."

The learned doctor smiled.

"You have made a very good guess, Mr. Griggs," he said. "Paul Patoff is a silly fellow enough, or he would not have spoken so plainly. Why do you tell me that you have found me out?"

"Because I imagine that you are still interested in the lady, and that you had better be informed of everything connected with the case."

"The case—yes—it is a very singular case, and I am intensely interested in it. Besides, it has very nearly cost me my reputation, as well as my life. I assure you I have rarely had to do with such a case, nor have I ever experienced such a sensation as when I went over the cliff at Weissenstein after Madame Patoff."

"Probably not," I remarked. "I never saw a braver thing more successfully accomplished."

"There is small courage in acting under necessity," said the professor, walking slowly across the room towards the fire. "If I had not rescued my patient, I should have been much more injured than if I had broken my neck in the attempt. I was responsible for her. What would have become of the 'great neurologist,' the celebrated 'mad-doctor,' as they call me, if one of the few patients to whom I ever devoted my whole personal attention had committed suicide under my very eyes? You can understand that there was something more than her life and mine at stake."

"I never knew exactly how it happened," I replied. "I was looking out of my window, when I saw a woman fall over the balcony below me. Her clothes caught in the crooked branches of a wild cherry tree that grew some ten feet below; and as she struggled, I saw you leaning over the parapet, as if you meant to scramble down the face of the cliff after her. I had a hundred feet of manilla rope which I was taking with me to Switzerland for a special expedition, and I let it down to you. The people of the inn came to my assistance, and we managed to haul you up together, thanks to your knowing how to tie the rope around you both. Then I saw you down-stairs for a few minutes and you told me the lady was not hurt. I left almost immediately. I never knew what led to the accident."

Professor Cutter passed his heavy hand slowly over his thick gray hair, and looked pensively into the fire.

"It was simple enough," he said at last. "I was paying our bill to the landlord, and in doing so I turned my back upon Madame Patoff for a moment. She was standing on a low balcony outside the window, and she must have thrown herself over. Luckily she was dressed in a gown of strong Scotch stuff, which did not tear when it caught in the tree. It was the most extraordinary escape I ever saw."

"I should think so, indeed. But why did she want to kill herself? Was she insane?"

"Are people always insane who try to kill themselves?" asked the professor, eying me keenly through his glasses.

"Very generally they are. I suppose that she was."

"That is precisely the question," said the scientist. "Insanity is an expression that covers a multitude of sins of all kinds, but explains none of them, nor is itself explained. If I could tell you what insanity is, I could tell you whether Madame Patoff was insane or not. I can say that a man possesses a dog, because I can classify the dogs I have seen all over the world. But supposing I had never met any specimen of the canine race but a King Charles spaniel, and on seeing a Scotch deerhound in the possession of a friend was told that the man had a 'dog:' I should be justified in doubting whether the deerhound was a dog at all in the sense in which the tiny spaniel—the only dog I had ever seen—represented the canine race in my mind and experience. The biblical 'devil,' which 'possessed' men, took as many shapes and characteristics as the genus 'dog' does: there was the devil that dwelt in tombs, the devil that tore its victim, the devil that entered into swine, the devil that spoke false prophecies, and many more. It is the same with insanity. No two mad people are alike. If I find a person with any madness I know, I can say he is mad; but if I find a person acting in a very unusual way under the influence of strong and protracted emotion, I am not justified in concluding that he is crazy. I have not seen everything in the world yet. I have not seen every kind of dog, nor every kind of devil, nor every kind of madness."

"You choose strange illustrations," I said, "but you speak clearly."

"Strange cases and strange examples. Insanity is the strangest phase of human nature, because it is the least common state of humanity. If a majority of men were mad, they would have a right to consider themselves sane, and sane men crazy. Your original question was whether, when she attempted suicide, Madame Patoff were sane or not. I do not know. I have known many persons to attempt to take their lives when, according to all their other actions, they were perfectly sane. The question of their sanity could be decided by placing a large number of sensible people in similar circumstances, in order to see whether the majority of them would kill themselves or not. That sort of experiment is not likely to be tried. I found Madame Patoff placed in very extraordinary circumstances, but I did not know her before she was so placed. The case interests me exceedingly. I am still trying to understand it."

"You speak as though you were still treating it," I remarked.

"A physician, in his imagination, will continue to study a case for years after it has passed out of his treatment," answered my companion. "I must go and see Paul, however, since he was good enough to mention me to you." Whereupon Professor Cutter buttoned up his coat and went away, leaving me to my reflections by the library fire.

If Carvel had intended to have a family party in his house at Christmas, including his nephew whom he had never seen, and whose mother had been mad, and the great scientist who had attended her, it seemed strange that he should have asked me as directly as he had done to spend the whole winter under his roof. I had never been asked for so long a visit before, and had never been treated with such confidence and received so intimately as I now was. I could not help wondering whether I was to be told the reason of what was going on, whether, indeed, anything was going on at all, and whether the air of depression and mystery which I thought I observed were not the result of my own imagination, rather than of any actual foundation in fact. The professor might be making a visit for his pleasure, but I knew how valuable his time must be, and I wondered how he could afford to spend it in mere amusement. I remembered John Carvel's hesitation as we drove to the station that morning, and his evident annoyance when I proposed to leave. He knew me well enough to say, "All right, if you don't mind, run up to town for a day or two," but he had not said it. He had manifested the strongest desire that I should stay, and I had determined to comply with his request. At the same time I was left entirely in the dark as to what was going on in the family, and whispered words, conversations that ceased abruptly on my approach, and many other little signs told me beyond all doubt that something was occurring of which I had no knowledge. Without being inquisitive, it is hard to live in such surroundings without having one's curiosity roused, and the circumstance of my former meeting with the professor, now so suddenly illuminated by the discovery that the lady whose life he had saved was the sister-in-law of our host, led me to believe, almost intuitively, that the mystery, if mystery there were, was connected in some way with Madame Patoff. As I thought of her, the memory of the little inn, the Gasthof zum Goldenen Anker, in Weissenstein, came vividly back to me. The splash of the plunging Nagold was in my ears, the smell of the boundless pine forest was in my nostrils; once more I seemed to be looking down from the upper window of the hostelry upon the deep ravine, a sheer precipice from the back of the house, broken only by some few struggling trees that appeared scarcely able to find roothold on the straight fall of rock,—one tree projecting just below the foundations of the inn, ten feet lower than the lowest window, a knotted wild cherry, storm-beaten and crooked,—and then, suddenly, something of uncertain shape, huddled together and falling from the balcony down the precipice,—a woman's figure, caught in the gnarled boughs of the cherry-tree, hanging and swinging over the abyss, while shriek on shriek echoed down to the swollen torrent and up to the turrets of the old inn in an agonized reverberation of horror.

It was a fearful memory, and the thought of being brought into the company of the woman whose life I had seen so risked and so saved was strange and fascinating. Often and often I had wondered about her fate, speculating upon the question whether her fall was due to accident or to the intention of suicide, and I had tried to realize the terrible waking when she found herself saved from the destruction she sought by the man I had seen,—perhaps by the very man from whom she was endeavoring to escape. I was thrown off my balance by being so suddenly brought face to face with this woman's son, the tall, blue-eyed, awkward fine gentleman, Paul Patoff. I sat by the library fire and thought it all over, and I said to myself at last, "Paul Griggs, thou art an ass for thy pains, and an inquisitive idiot for thy curiosity." I, who am rarely out of conceit with myself, was disgusted at my lack of dignity at actually desiring to find out things that were in no way my business, nor ever concerned me. So I took a book and fell to reading. Far off in the house I could hear voices now and then, the voices of the family making the acquaintance of their new-found relation. The great fire blazed upon the broad hearth within, and the wintry sun shone brightly without, and there came gradually upon me the delight of comfort that reigns within a luxurious library when the frost is biting without, and there is no scent upon the frozen fields,—the comfort that lies in the contrasts we make for ourselves against nature; most of all, the peace that a wanderer on the face of the earth, as I am, can feel when he rests his weary limbs in some quiet home, half wishing he might at last be allowed to lay down the staff and scrip, and taste freely of the world's good things, yet knowing that before many days the devil of unrest will drive him forth again upon his road. So I sat in John Carvel's library, and read his books, and enjoyed his cushioned easy-chair with the swinging desk; and I envied John Carvel his home, and his quiet life, and his defenses against intrusion, saying that I also might be made happy by the trifling addition of twenty thousand pounds a year to my income.

But I was not long permitted to enjoy the undisturbed possession of this temple of sweet dreams, reveling in my imagination at the idea of what I should do if I possessed such a place. The door of the library opened suddenly with the noise of many feet upon the polished floor.

"And this is the library," said the voice of Hermione, who led the way, followed by her mother and aunt and Paul; John Carvel brought up the rear, quietly looking on while his daughter showed the new cousin the wonders of Carvel Place.

"This is the library," she repeated, "and this is Mr. Griggs," she added, with a little laugh, as she discovered me in the deep easy-chair. "This is the celebrated Mr. Griggs. His name is Paul, like yours, but otherwise he is not in the least like you, I fancy. Everybody knows him, and he knows everybody."

"We have met before," said Patoff, "not only this morning, but in the East. Mr. Griggs certainly seemed to know everybody there, from the Shah to the Greek consul. What a splendid room! It must have taken you years of thought to construct such a literary retreat, uncle John," he added, turning to the master of the house as he spoke.

Indeed, Paul Patoff appeared much struck with everything he saw at Carvel Place. I left my chair and joined the party, who wandered through the rooms and into the great conservatory, and finally gravitated to the drawing-room. Patoff examined everything with an air of extreme interest, and seemed to understand intuitively the tastes of each member of the household. He praised John's pictures and Mrs. Carvel's engravings; he admired Chrysophrasia's stained-glass window, and her pots, and plates, and bits of drapery, he glanced reverently at Mrs. Carvel's religious books, and stopped now and then to smell the flowers Hermione loved. He noted the view upon the park from the south windows, and thought the disposal of the shrubbery near the house was a masterpiece of landscape gardening. As he proceeded, surrounded by his relations, remarking upon everything he saw, and giving upon all things opinions which marvelously flattered the individual tastes of each one of the family, it became evident that he was making a very favorable impression upon them.

"It is delightful to show you things," said Hermione. "You are so appreciative."

"It needs little skill to appreciate, where everything is so beautiful," he answered. "Indeed," he continued, addressing himself to all present, "your home is the most charming I ever saw: I had no idea that the English understood luxury so well. You know that with us Continental people you have the reputation of being extravagant, even magnificent, in your ideas, but of being also ascetics in some measure,—loving to make yourselves strangely uncomfortable, fond of getting very hot, and of taking very cold baths, and of living on raw meat and cold potatoes and all manner of strange things. I do not see here any evidences of great asceticism."

"How wonderfully he speaks English!" exclaimed Mrs. Carvel, aside, to her husband.

"I should say," continued Paul, without noticing the flattering interruption, "that you are the most luxurious people in the world, that you have more taste than any people I have ever known, and that if I had had the least idea how charming my relations were, I should have come from our Russian wilds ten years ago to visit you and tell you how superior I think you are to ourselves."

Paul laughed pleasantly as he made this speech, and there was a little murmur of applause.

"We were very different, ten years ago," said John Carvel. "In the first place, there was no Hermione then, to do the honors and show you the sights. She was quite a little thing, ten years ago."

"That would have made no difference in the place, though," said Hermione, simply.

"On the contrary," said Paul. "I am inclined to think, on reflection, that I would have postponed my visit, after all, for the sake of having my cousin for a guide."

"Ah, how gracefully these wild northern men can turn a phrase!" whispered Chrysophrasia in my ear,—"so strong and yet so tender!" She could not take her eyes from her nephew, and he appeared to understand that he had already made a conquest of the aesthetic old maid, for he took her admiration for granted, and addressed himself to Mrs. Carvel; not losing sight of Chrysophrasia, however, but looking pleasantly at her as he talked, though his words were meant for her sister.

"It is the whole atmosphere of this life that is delightful, and every little thing seems so harmonious," he said. "You have here the solidity of traditional English country life, combined with the comforts of the most advanced civilization; and, to make it all perfection, you have at every turn the lingering romance of the glorious mediaeval life," with a glance at Miss Dabstreak, "that middle age which in beauty was the prime of age, from which began and spread all your most glorious ideas, your government, your warfare, your science. Did you never have an alchemist in your family, Uncle John? Surely he found for you the golden secret, and it is his touch which has beautified these old walls!"

"I don't know," said John Carvel.

"Indeed there was!" cried Chrysophrasia, in delight. "I have found out all about him. He was not exactly an alchemist; he was an astrologer, and there are the ruins of his tower in the park. There are some old books up-stairs, upon the Black Art, with his name in them, Johannes Carvellius, written in the most enchanting angular handwriting."

"I believe there was somebody of that name," remarked John.

"They are full of delicious incantations for raising the devil,—such exquisite ceremonies, with all the dress described that you must wear, and the phases of the moon, and hazel wands cut at midnight. Imagine how delightful!"

"The tower in the park is a beautiful place," said Hermione. "I have it all filled with flowers in summer, and the gardener's boy once saw a ghost there on All Hallow E'en."

"You must take me there," said Paul, smiling good-humoredly at the reference to the alchemist. "I have a passion for ruins, and I had no idea that you had any; nothing seems ruined here, and yet everything appears old. What a delightful place!" Paul sat far back in his comfortable chair, and inserted a single eyeglass in the angle between his heavy brow and his aquiline nose; his bony fingers were spotless, long, and white, and as he sat there he had the appearance of a personage receiving the respectful homage of a body of devoted attendants, the indescribable air of easy superiority and condescending good-nature which a Roman patrician might have assumed when visiting the country villa of one of his clients. Everybody seemed delighted to be noticed by him and flattered by his words.

I am by nature cross-grained and crabbed, I presume. I admitted that Paul Patoff, though not graceful in his movements, was a fine-looking fellow, with an undeniable distinction of manner; he had a pleasant voice, an extraordinary command of English, though he was but half an Englishman, and a tact which he certainly owed to his foreign blood; he was irreproachable in appearance, in the simplicity of his dress, in the smoothness of his fair hair and well-trimmed mustache; he appeared thoroughly at home among his new-found relations, and anxious to please them all alike; he was modest and unassuming, for he did not speak of himself, and he gave no opinion saving such as should be pleasing to his audience. He had all this, and yet in the cold stare of his stony eyes, in the ungainly twist of his broad white hand, where the bones and sinews crossed and recrossed like a network of marble, in the decisive tone with which he uttered the most flattering remarks, there was something which betrayed a tyrannical and unyielding character,—something which struck me at first sight, and which suggested a nature by no means so gentle and amiable as he was willing it should appear.

Nevertheless, I was the only one to notice these signs, to judge by the enthusiasm which Patoff produced at Carvel Place in those first hours of his stay. It is true that the professor was not present, although he had left me on the pretense of going to see Paul, and Macaulay Carvel was resting from his journey in his own rooms, in a remote part of the house; but I judged that the latter had already fallen under the spell of Patoff's manner, and that it would not be easy to find out what the man of science really thought about the Anglo-Russian. They probably knew each other of old, and whatever opinions they held of each other were fully formed.

Paul sat in his easy-chair in the midst of the family, and smiled and surveyed everything through his single eyeglass, and if anything did not please him he did not say so. John had something to do, and went away, then Mrs. Carvel wanted to see her son alone, and she left us too; so that Chrysophrasia and Hermione and I remained to amuse Patoff. Hermione immediately began to do so after her own fashion. I think that of all of us she was the one least inclined to give him absolute supremacy at first, but he interested her, for she had seen little of the world, and nothing of such men as her cousin Paul, who was thirty years of age, and had been to most of the courts of the world in the course of twelve years in the diplomatic service. She was not inclined to admit that knowledge of the world was superiority of itself, nor that an easy manner and an irreproachable appearance constituted the ideal of a man; but she was barely twenty, and had seen little of those things. She recognized their importance, and desired to understand them; she felt that wonderful suspicion of possibilities which a young girl loves to dwell on in connection with every exceptional man she meets; she unconsciously said to herself that such a man as Patoff might possibly be her ideal, because there was nothing apparent to her at first sight which was in direct contradiction with the typical picture she had conceived of the typical man she hoped to meet.

Every young girl has an ideal, I presume. If it be possible to reason about so unreasonable a thing as love, I should say that love at first sight is probably due to the sudden supposed realization in every respect of an ideal long cherished and carefully developed in the imagination. But in most cases a young girl sees one man after another, hopes in each one to find those qualities which she has elected to admire, and finally submits to be satisfied with far less than she had at first supposed could satisfy her. As for young men, they are mostly fools, and they talk of love with a vast deal of swagger and bravery, laughing it to scorn, as a landsman talks of seasickness, telling you it is nothing but an impression and a mere lack of courage, till one day the land-bred boaster puts to sea in a Channel steamer, and experiences a new sensation, and becomes a very sick man indeed before he is out of sight of Dover cliffs.

But with Hermione there was certainly no realization of her ideal, but probably only the faint, unformulated hope that in her cousin Paul she might find some of those qualities which her own many-sided nature longed to find in man.

"You must tell us all about Russia, cousin Paul," she said, when her father and mother were gone. "Aunt Chrysophrasia believes that you are the most extraordinary set of barbarians up there, and she adores barbarians, you know."

"Of course we are rather barbarous."

"Hermione! How can you say I ever said such a thing!" interposed Miss Dabstreak, with a deprecating glance at Paul. "I only said the Russians were such a young and manly race, so interesting, so unlike the inhabitants of this dreary den of printing-presses and steam-engines, so"——

"Thanks, aunt Chrysophrasia," said Paul, "for the delightful ideal you have formed of us. We are certainly less civilized than you, and perhaps, as you are so good as to believe, we are the more interesting. I suppose the unbroken colt of the desert is more interesting than an American trotting horse, but for downright practical use"——

"There is such a tremendous talk of usefulness!" ejaculated Chrysophrasia, a faint, sad smile flickering over her sallow features.

"Usefulness is so remarkably useful," I remarked.

"Oh, Mr. Griggs," exclaimed Hermione, "what an immensely witty speech!"

"There is nothing so witty as truth, Miss Carvel, though you laugh at it," I answered, "for where there is no truth, there is no wit. I maintain that usefulness is really useful. Miss Dabstreak, I believe, maintains the contrary."

"Indeed, I care more for beauty than for usefulness," replied the aesthetic lady, with a fine smile.

"Beauty is indeed truly useful," said Paul, with a very faint imitation of Chrysophrasia's accent, "and it should be sought in everything. But that need not prevent us from seeing true beauty in all that is truly useful."

I had a faint suspicion that if Patoff had mimicked Miss Dabstreak in the first half of his speech, he had imitated me in the second portion of the sentiment. I do not like to be made game of, because I am aware that I am naturally pedantic. It is an old trick of the schools to rouse a pedant to desperate and distracted self-contradiction by quietly imitating everything he says.

"You are very clever at taking both sides of a question at once," said Hermione, with a smile.

"Almost all questions have two sides," answered Paul, "but very often both sides are true. A man may perfectly appreciate and approve of the opinions of two persons who take diametrically opposite views of the same point, provided there be no question of right and wrong involved."

"Perhaps," retorted Hermione; "but then the man who takes both sides has no opinion of his own. I do not like that."

"In general, cousin Hermione," said Paul, with a polite smile, "you may be sure that any man will make your opinion his. In this case, I submit that both beauty and usefulness are good, and that they need not at all interfere with each other. As for the compliment my aunt Chrysophrasia has paid to us Russians, I do not think we can be said to have gone very far in either direction as yet." After which diplomatic speech Paul dropped his eyeglass, and looked pleasantly round upon all three of us, as much as to say that it was impossible to draw him into the position of disagreeing with any one present by any device whatsoever.



IX.

Professor Cutter and I walked to the village that afternoon. He is a great pedestrian, and is never satisfied unless he can walk four or five miles a day. His robust and somewhat heavy frame was planned rather for bodily labor than for the housing of so active a mind, and he often complains that the exercise of his body has robbed him of years of intellectual labor. He grumbles at the necessity of wasting time in that way, but he never omits his daily walk.

"I should like to possess your temperament, Mr. Griggs," he remarked, as we walked briskly through the park. "You might renounce exercise and open air for the rest of your life, and never be the worse for it."

"I hardly know," I answered. "I have never tried any regular method of life, and I have never been ill. I do not believe in regular methods."

"That is the ideal constitution. By the by, I had hoped to induce Patoff to come with us, but he said he would stay with the ladies."

"You will never induce him to do anything he does not want to do," I replied. "However, I dare say you know that as well as I do."

"What makes you say that?"

"I can see it,—it is plain enough. Carvel wanted him to go and shoot something after lunch, you wanted him to come for a walk, Macaulay wanted him to bury himself up-stairs and talk out the Egyptian question, I wanted to get him into the smoking-room to ask him questions about some friends of mine in the East, Miss Dabstreak had plans to waylay him with her pottery. Not a bit of it! He smiled at us all, and serenely sat by Mrs. Carvel, talking to her and Miss Hermione. He has a will of his own."

"Indeed he has," assented the professor. "He is a moderately clever fellow, with a smooth tongue and a despotic character, a much better combination than a weak will and the mind of a genius. You are right, he is not to be turned by trifles."

"I see that he must be a good diplomatist in these days."

"Diplomacy has got past the stage of being intellectual," said the professor. "There was a time when a fine intellect was thought important in an ambassador; nowadays it is enough if his excellency can hold his tongue and show his teeth. The question is, whether the low estimate of intellect in our day is due to the exigency of modern affairs, or to the exiguity of modern intelligence."

"Men are stronger in our time," I answered, "and consequently have less need to be clever. The transition from the joint government of the world by a herd of wily foxes to the domination of the universe by the mammoth ox is marked by the increase of clumsy strength and the disappearance of graceful deception."

"That is true; but the graceful deception continues to be the more interesting, if not the more agreeable. As for me, I would rather be gracefully deceived, as you call it, than pounded to jelly by the hoofs of the mammoth,—unless I could be the mammoth myself."

"To return to Patoff," said I, "what are they going to do with him?"

"The question is much more likely to be what he will do with them, I should say," answered the scientist, looking straight before him, and increasing the speed of his walk. "I am not at all sure what he might do, if no one prevented him. He is capable of considerable originality if left to himself, and they follow him up there at the Place as the boys and girls followed the Pied Piper."

"Is he at all like his mother?" I asked.

"In point of originality?" inquired the professor, with a curious smile. "She was certainly a most original woman. I hardly know whether he is like her. Boys are said to resemble their mother in appearance and their father in character. He is certainly not of the same type of constitution as his mother, he has not even the same shape of head, and I am glad of it. But his father was a Slav, and what is madness in an Englishwoman is sanity in a Russian. Her most extraordinary aberrations might not seem at all extraordinary when set off by the natural violence he inherits from his father."

"That is a novel idea to me," I remarked. "You mean that what is madness in one man is not necessarily insanity in another; besides, you refused to allow this morning that Madame Patoff was crazy."

"I did not refuse to allow it; I only said I did not know it to be the case. But as for what I just said, take two types of mankind, a Chinese and an Englishman, for instance. If you met a fair-haired, blue-eyed, sanguine Englishman, whose head and features were shaped precisely like those of a Chinaman, you could predicate of him that he must be a very extraordinary creature, capable, perhaps, of becoming a driveling idiot. The same of a Chinese, if you met one with a brain shaped like that of an Englishman, and similar features, but with straight black hair, a yellow skin, and red eyes. He would have the brain of the Anglo-Saxon with the temperament of the Mongol, and would probably become a raving maniac. It is not the temperament only, nor the intellect only, which produces the idiot or the madman; it is the lack of balance between the two. Arrant cowards frequently have very warlike imaginations, and in their dreams conceive themselves doing extremely violent things. Suppose that with such an imagination you unite the temperament of an Arab fanatic, or the coarse, brutal courage of an English prize-fighter, you can put no bounds to the possible actions of the monster you create. The salvation of the human race lies in the fact that very strong and brave people commonly have a peaceable disposition, or else commit murder and get hanged for it. It is far better that they should be hanged, because nobody knows where violence ends and insanity begins, and it is just as well to be on the safe side. Whenever a given form of intellect happens to be joined to a totally inappropriate temperament, we say it is a case of idiocy or insanity. Of course there are many other cases which arise from the mind or the body being injured by extraneous causes; but they are not genuine cases of insanity, because the evil has not been transmitted from the parents, nor will it be to the children."

The professor marched forward as he gave his lecture on unsoundness of brain, and I strode by his side, silent and listening. What he said seemed very natural, and yet I had never heard it before. Was Madame Patoff such a monster as he described? It was more likely that her son might be, seeing that he in some points answered precisely to the description of a man with the intellect of one race and the temperament of another; and yet any one would scoff at the idea that Paul Patoff could go mad. He was so correct, so staid, so absolutely master of what he said, and probably of what he felt, that one could not imagine him a pray to insanity.

"What you say is very interesting," I remarked, at last, "but how does it apply to Madame Patoff?"

"It does not apply to her," returned Professor Cutter. "She belongs to the class of people in whom the mind has been injured by extraneous circumstances."

"I suppose it is possible. I suppose a perfectly sound mind may be completely destroyed by an accident, even by the moral shock from a sorrow or disappointment."

"Yes," said the professor. "It is even possible to produce artificial insanity,—perfectly genuine while it lasts; but it is not possible for any one to pretend to be insane."

"Really? I should have thought it quite possible," said I.

"No. It is impossible. I was once called to give my opinion in such a case. The man betrayed himself in half an hour, and yet he was a very clever fellow. He was a servant; murdered his master to rob him; was caught, but succeeded in restoring the valuables to their places, and pretended to be crazy. It was very well managed and he played the fool splendidly, but I caught him."

"How?" I asked.

"Simply by bullying. I treated him roughly, and never stopped talking to him,—just the worst treatment for a person really insane. In less than an hour I had wearied him out, his feigned madness became so fatiguing to him that there was finally only a spasmodic attempt, and when I had done with him the sane man was perfectly apparent. He grew too much frightened and too tired to act a part. He was hanged, to the satisfaction of all concerned, and he made a complete confession."