This delayed us for nearly an hour. A couple of men jumped into the row boat immediately and cast her adrift. They picked up the jackeroo about a mile down the river, clinging to a snag, and when we hauled him aboard he looked like something the cat had dragged in, only bigger. We revived him with rum and got him on his feet; and then, when the captain and crew had done cursing him, he rubbed his head, went forward, and had a look at the paddle; then he rubbed his head again, thought, and remarked to his mates:

"Wasn't it lucky I didn't dip that bucket FOR'ARD the wheel?"

This remark struck us forcibly. We agreed that it was lucky—for him; but the captain remarked that it was damned unlucky for the world, which, he explained, was over-populated with fools already.

Getting on towards afternoon we found a barge loaded with wool and tied up to a tree in the wilderness. There was no sign of a man to be seen, nor any sign, except the barge, that a human being had ever been there. The captain took the craft in tow, towed it about ten miles up the stream, and left it in a less likely place than where it was before.

Floating bottles began to be more frequent, and we knew by that same token that we were nearing "Here's Luck!"—Bourke, we mean. And this reminds us.

When the Brewarrina people observe a more than ordinary number of bottles floating down the river, they guess that Walgett is on the spree; when the Louth chaps see an unbroken procession of dead marines for three or four days they know that Bourke's drunk. The poor, God-abandoned "whaler" sits in his hungry camp at sunset and watches the empty symbols of Hope go by, and feels more God-forgotten than ever—and thirstier, if possible—and gets a great, wide, thirsty, quaking, empty longing to be up where those bottles come from. If the townspeople knew how much misery they caused by their thoughtlessness they would drown their dead marines, or bury them, but on no account allow them to go drifting down the river, and stirring up hells in the bosoms of less fortunate fellow-creatures.

There came a man from Adelaide to Bourke once, and he collected all the empty bottles in town, stacked them by the river, and waited for a boat. What he wanted them for the legend sayeth not, but the people reckoned he had a "private still", or something of that sort, somewhere down the river, and were satisfied. What he came from Adelaide for, or whether he really did come from there, we do not know. All the Darling bunyips are supposed to come from Adelaide. Anyway, the man collected all the empty bottles he could lay his hands on, and piled them on the bank, where they made a good show. He waited for a boat to take his cargo, and, while waiting, he got drunk. That excited no comment. He stayed drunk for three weeks, but the townspeople saw nothing unusual in that. In order to become an object of interest in their eyes, and in that line, he would have had to stay drunk for a year and fight three times a day—oftener, if possible—and lie in the road in the broiling heat between whiles, and be walked on by camels and Afghans and free-labourers, and be locked up every time he got sober enough to smash a policeman, and try to hang himself naked, and be finally squashed by a loaded wool team.

But while he drank the Darling rose, for reasons best known to itself, and floated those bottles off. They strung out and started for the Antarctic Ocean, with a big old wicker-worked demijohn in the lead.

For the first week the down-river men took no notice; but after the bottles had been drifting past with scarcely a break for a fortnight or so, they began to get interested. Several whalers watched the procession until they got the jimjams by force of imagination, and when their bodies began to float down with the bottles, the down-river people got anxious.

At last the Mayor of Wilcannia wired Bourke to know whether Dibbs or Parkes was dead, or democracy triumphant, or if not, wherefore the jubilation? Many telegrams of a like nature were received during that week, and the true explanation was sent in reply to each. But it wasn't believed, and to this day Bourke has the name of being the most drunken town on the river.

After dinner a humorous old hard case mysteriously took us aside and said he had a good yarn which we might be able to work up. We asked him how, but he winked a mighty cunning wink and said that he knew all about us. Then he asked us to listen. He said:

"There was an old feller down the Murrumbidgee named Kelly. He was a bit gone here. One day Kelly was out lookin' for some sheep, when he got lost. It was gettin' dark. Bymeby there came an old crow in a tree overhead.

"'Kel-ley, you're lo-o-st! Kel-ley, you're lo-o-st!' sez the crow.

"'I know I am,' sez Kelly.

"'Fol-ler me, fol-ler me,' sez the crow.

"'Right y'are,' sez Kelly, with a jerk of his arm. 'Go ahead.'

"So the crow went on, and Kelly follered, an' bymeby he found he was on the right track.

"Sometime after Kelly was washin' sheep (this was when we useter wash the sheep instead of the wool). Kelly was standin' on the platform with a crutch in his hand landin' the sheep, when there came a old crow in the tree overhead.

"'Kelly, I'm hun-gry! Kel-ley, I'm hun-ger-ry!' sez the crow.

"'Alright,' sez Kelly; 'be up at the hut about dinner time 'n' I'll sling you out something.'

"'Drown—a—sheep! Drown—a—sheep, Kel-ley,' sez the crow.

"'Blanked if I do,' sez Kelly. 'If I drown a sheep I'll have to pay for it, be-God!'

"'Then I won't find yer when yer lost agin,' sez the crow.

"'I'm damned if yer will,' says Kelly. 'I'll take blanky good care I won't get lost again, to be found by a gory ole crow.'"

. . . . .

There are a good many fishermen on the Darling. They camp along the banks in all sorts of tents, and move about in little box boats that will only float one man. The fisherman is never heavy. He is mostly a withered little old madman, with black claws, dirty rags (which he never changes), unkempt hair and beard, and a "ratty" expression. We cannot say that we ever saw him catch a fish, or even get a bite, and we certainly never saw him offer any for sale.

He gets a dozen or so lines out into the stream, with the shore end fastened to pegs or roots on the bank, and passed over sticks about four feet high, stuck in the mud; on the top of these sticks he hangs bullock bells, or substitutes—jam tins with stones fastened inside to bits of string. Then he sits down and waits. If the cod pulls the line the bell rings.

The fisherman is a great authority on the river and fish, but has usually forgotten everything else, including his name. He chops firewood for the boats sometimes, but it isn't his profession—he's a fisherman. He is only sane on points concerning the river, though he has all the fisherman's eccentricities. Of course he is a liar.

When he gets his camp fixed on one bank it strikes him he ought to be over on the other, or at a place up round the bend, so he shifts. Then he reckons he was a fool for not stopping where he was before. He never dies. He never gets older, or drier, or more withered looking, or dirtier, or loonier—because he can't. We cannot imagine him as ever having been a boy, or even a youth. We cannot even try to imagine him as a baby. He is an animated mummy, who used to fish on the Nile three thousand years ago, and catch nothing.

. . . . .

We forgot to mention that there are wonderfully few wrecks on the Darling. The river boats seldom go down—their hulls are not built that way—and if one did go down it wouldn't sink far. But, once down, a boat is scarcely ever raised again; because, you see, the mud silts up round it and over it, and glues it, as it were, to the bottom of the river. Then the forty-foot alligators—which come down with the "Queenslan' rains", we suppose—root in the mud and fill their bellies with sodden flour and drowned deck-hands.

They tried once to blow up a wreck with dynamite because it (the wreck) obstructed navigation; but they blew the bottom out of the river instead, and all the water went through. The Government have been boring for it ever since. I saw some of the bores myself—there is one at Coonamble.

There is a yarn along the Darling about a cute Yankee who was invited up to Bourke to report on a proposed scheme for locking the river. He arrived towards the end of a long and severe drought, and was met at the railway station by a deputation of representative bushmen, who invited him, in the first place, to accompany them to the principal pub—which he did. He had been observed to study the scenery a good deal while coming up in the train, but kept his conclusions to himself. On the way to the pub he had a look at the town, and it was noticed that he tilted his hat forward very often, and scratched the back of his head a good deal, and pondered a lot; but he refrained from expressing an opinion—even when invited to do so. He guessed that his opinions wouldn't do much good, anyway, and he calculated that they would keep till he got back "over our way"—by which it was reckoned he meant the States.

When they asked him what he'd have, he said to Watty the publican:

"Wal, I reckon you can build me your national drink. I guess I'll try it."

A long colonial was drawn for him, and he tried it. He seemed rather startled at first, then he looked curiously at the half-empty glass, set it down very softly on the bar, and leaned against the same and fell into a reverie; from which he roused himself after a while, with a sorrowful jerk of his head.

"Ah, well," he said. "Show me this river of yourn."

They led him to the Darling, and he had a look at it.

"Is this your river?" he asked.

"Yes," they replied, apprehensively.

He tilted his hat forward till the brim nearly touched his nose, scratched the back of his long neck, shut one eye, and looked at the river with the other. Then, after spitting half a pint of tobacco juice into the stream, he turned sadly on his heel and led the way back to the pub. He invited the boys to "pisen themselves"; after they were served he ordered out the longest tumbler on the premises, poured a drop into it from nearly every bottle on the shelf, added a lump of ice, and drank slowly and steadily.

Then he took pity on the impatient and anxious population, opened his mouth, and spake.

"Look here, fellows," he drawled, jerking his arm in the direction of the river, "I'll tell you what I'll dew. I'll bottle that damned river of yourn in twenty-four hours!"

Later on he mellowed a bit, under the influence of several drinks which were carefully and conscientiously "built" from plans and specifications supplied by himself, and then, among other things, he said:

"If that there river rises as high as you say it dew—and if this was the States—why, we'd have had the Great Eastern up here twenty years ago"——or words to that effect.

Then he added, reflectively:

"When I come over here I calculated that I was going to make things hum, but now I guess I'll have to change my prospectus. There's a lot of loose energy laying round over our way, but I guess that if I wanted to make things move in your country I'd have to bring over the entire American nation—also his wife and dawg. You've got the makings of a glorious nation over here, but you don't get up early enough!"

. . . . .

The only national work performed by the blacks is on the Darling. They threw a dam of rocks across the river—near Brewarrina, we think—to make a fish trap. It's there yet. But God only knows where they got the stones from, or how they carried them, for there isn't a pebble within forty miles.



A Case for the Oracle



The Oracle and I were camped together. The Oracle was a bricklayer by trade, and had two or three small contracts on hand. I was "doing a bit of house-painting". There were a plasterer, a carpenter, and a plumber—we were all T'othersiders, and old mates, and we worked things together. It was in Westralia—the Land of T'othersiders—and, therefore, we were not surprised when Mitchell turned up early one morning, with his swag and an atmosphere of salt water about him.

He'd had a rough trip, he said, and would take a spell that day and take the lay of the land and have something cooked for us by the time we came home; and go to graft himself next morning. And next morning he went to work, "labouring" for the Oracle.

The Oracle and his mates, being small contractors and not pressed for time, had dispensed with the services of a labourer, and had done their own mixing and hod-carrying in turns. They didn't want a labourer now, but the Oracle was a vague fatalist, and Mitchell a decided one. So it passed.

The Oracle had a "Case" right under his nose—in his own employ, in fact; but was not aware of the fact until Mitchell drew his attention to it. The Case went by the name of Alfred O'Briar—which hinted a mixed parentage. He was a small, nervous working-man, of no particular colour, and no decided character, apparently. If he had a soul above bricks, he never betrayed it. He was not popular on the jobs. There was something sly about Alf, they said.

The Oracle had taken him on in the first place as a day-labourer, but afterwards shared the pay with him as with Mitchell. O'Briar shouted—judiciously, but on every possible occasion—for the Oracle; and, as he was an indifferent workman, the boys said he only did this so that the Oracle might keep him on. If O'Briar took things easy and did no more than the rest of us, at least one of us would be sure to get it into his head that he was loafing on us; and if he grafted harder than we did, we'd be sure to feel indignant about that too, and reckon that it was done out of nastiness or crawlsomeness, and feel a contempt for him accordingly. We found out accidentally that O'Briar was an excellent mimic and a bit of a ventriloquist, but he never entertained us with his peculiar gifts; and we set that down to churlishness.

O'Briar kept his own counsel, and his history, if he had one; and hid his hopes, joys, and sorrows, if he had any, behind a vacant grin, as Mitchell hid his behind a quizzical one. He never resented alleged satire—perhaps he couldn't see it—and therefore he got the name of being a cur. As a rule, he was careful with his money, and was called mean—not, however, by the Oracle, whose philosophy was simple, and whose sympathy could not realise a limit; nor yet by Mitchell. Mitchell waited.

. . . . .

O'Briar occupied a small tent by himself, and lived privately of evenings. When we began to hear two men talking at night in his tent, we were rather surprised, and wondered in a vague kind of way how any of the chaps could take sufficient interest in Alf to go in and yarn with him. In the days when he was supposed to be sociable, we had voted him a bore; even the Oracle was moved to admit that he was "a bit slow".

But late one night we distinctly heard a woman's voice in O'Briar's tent. The Oracle suddenly became hard of hearing, and, though we heard the voice on several occasions, he remained exasperatingly deaf, yet aggressively unconscious of the fact. "I have got enough to do puzzling over me own whys and wherefores," he said. Mitchell began to take some interest in O'Briar, and treated him with greater respect. But our camp had the name of being the best-constructed, the cleanest, and the most respectable in the vicinity. The health officer and constable in charge had complimented us on the fact, and we were proud of it. And there were three young married couples in camp, also a Darby and Joan; therefore, when the voice of a woman began to be heard frequently and at disreputable hours of the night in O'Briar's tent, we got uneasy about it. And when the constable who was on night duty gave us a friendly hint, Mitchell and I agreed that something must be done.

"Av coorse, men will be men," said the constable, as he turned his horse's head, "but I thought I'd mention it. O'Briar is a dacent man, and he's one of yer mates. Av coorse. There's a bad lot in that camp in the scrub over yander, and—av coorse. Good-day to ye, byes."

. . . . .

Next night we heard the voice in O'Briar's tent again, and decided to speak to Alf in a friendly way about it in the morning. We listened outside in the dark, but could not distinguish the words, though I thought I recognised the voice.

"It's the hussy from the camp over there; she's got holt of that fool, and she'll clean him out before she's done," I said. "We're Alf's mates, any way it goes, and we ought to put a stop to it."

"What hussy?" asked Mitchell; "there's three or four there."

"The one with her hair all over her head," I answered.

"Where else should it be?" asked Mitchell. "But I'll just have a peep and see who it is. There's no harm in that."

He crept up to the tent and cautiously moved the flap. Alf's candle was alight; he lay on his back in his bunk with his arms under his head, calmly smoking. We withdrew.

"They must have heard us," said Mitchell; "and she's slipped out under the tent at the back, and through the fence into the scrub."

Mitchell's respect for Alf increased visibly.

But we began to hear ominous whispers from the young married couples, and next Saturday night, which was pay-night, we decided to see it through. We did not care to speak to Alf until we were sure. He stayed in camp, as he often did, on Saturday evening, while the others went up town. Mitchell and I returned earlier than usual, and leaned on the fence at the back of Alf's tent.

We were scarcely there when we were startled by a "rat-tat-tat" as of someone knocking at a door. Then an old woman's voice INSIDE the tent asked: "Who's there?"

"It's me," said Alf's voice from the front, "Mr. O'Briar from Perth."

"Mary, go and open the door!" said the old woman. (Mitchell nudged me to keep quiet.)

"Come in, Mr. O'Breer," said the old woman. "Come in. How do you do? When did you get back?"

"Only last night," said Alf.

"Look at that now! Bless us all! And how did you like the country at all?"

"I didn't care much for it," said Alf. We lost the thread of it until the old woman spoke again.

"Have you had your tea, Mr. O'Breer?"

"Yes, thank you, Mrs. O'Connor."

"Are you quite sure, man?"

"Quite sure, thank you, Mrs. O'Connor." (Mitchell trod on my foot.)

"Will you have a drop of whisky or a glass of beer, Mr. O'Breer?"

"I'll take a glass of beer, thank you, Mrs. O'Connor."

There seemed to be a long pause. Then the old woman said, "Ah, well, I must get my work done, and Mary will stop here and keep you company, Mr. O'Breer." The arrangement seemed satisfactory to all parties, for there was nothing more said for a while. (Mitchell nudged me again, with emphasis, and I kicked his shin.)

Presently Alf said: "Mary!" And a girl's voice said, "Yes, Alf."

"You remember the night I went away, Mary?"

"Yes, Alf, I do."

"I have travelled long ways since then, Mary; I worked hard and lived close. I didn't make my fortune, but I managed to rub a note or two together. It was a hard time and a lonesome time for me, Mary. The summer's awful over there, and livin's bad and dear. You couldn't have any idea of it, Mary."

"No, Alf."

"I didn't come back so well off as I expected."

"But that doesn't matter, Alf."

"I got heart-sick and tired of it, and couldn't stand it any longer, Mary."

"But that's all over now, Alf; you mustn't think of it."

"Your mother wrote to me."

"I know she did"—(very low and gently).

"And do you know what she put in it, Mary?"

"Yes, Alf."

"And did you ask her to put it in?"

"Don't ask me, Alf."

"And it's all true, Mary?"

There was no answer, but the silence seemed satisfactory.

"And be sure you have yourself down here on Sunday, Alf, me son." ("There's the old woman come back!" said Mitchell.)

"An' since the girl's willin' to have ye, and the ould woman's willin'—there's me hand on it, Alf, me boy. An' God bless ye both." ("The old man's come now," said Mitchell.)

. . . . .

"Come along," said Mitchell, leading the way to the front of the tent.

"But I wouldn't like to intrude on them. It's hardly right, Mitchell, is it?"

"That's all right," said Mitchell. He tapped the tent pole.

"Come in," said Alf. Alf was lying on his bunk as before, with his arms under his head. His face wore a cheerful, not to say happy, expression. There was no one else in the tent. I was never more surprised in my life.

"Have you got the paper, Alf?" said Mitchell.

"Yes. You'll find it there at the foot of the bunk. There it is. Won't you sit down, Mitchell?"

"Not to-night," said Mitchell. "We brought you a bottle of ale. We're just going to turn in."

And we said "good-night". "Well," I said to Mitchell when we got inside, "what do you think of it?"

"I don't think of it at all," said Mitchell. "Do you mean to say you can't see it now?"

"No, I'm dashed if I can," I said. "Some of us must be drunk, I think, or getting rats. It's not to be wondered at, and the sooner we get out of this country the better."

"Well, you must be a fool, Joe," said Mitchell. "Can't you see? ALF THINKS ALOUD."

"WHAT?"

"Talks to himself. He was thinking about going back to his sweetheart. Don't you know he's a bit of a ventriloquist?"

Mitchell lay awake a long time, in the position that Alf usually lay in, and thought. Perhaps he thought on the same lines as Alf did that night. But Mitchell did his thinking in silence.

We thought it best to tell the Oracle quietly. He was deeply interested, but not surprised. "I've heerd of such cases before," he said. But the Oracle was a gentleman. "There's things that a man wants to keep to himself that ain't his business," he said. And we understood this remark to be intended for our benefit, and to indicate a course of action upon which the Oracle had decided, with respect to this case, and which we, in his opinion, should do well to follow.

Alf got away a week or so later, and we all took a holiday and went down to Fremantle to see him off. Perhaps he wondered why Mitchell gripped his hand so hard and wished him luck so earnestly, and was surprised when he gave him three cheers.

"Ah, well!" remarked Mitchell, as we turned up the wharf.

"I've heerd of such cases before," said the Oracle, meditatively. "They ain't common, but I've hear'd of such cases before."



A Daughter of Maoriland

A sketch of poor-class Maoris



The new native-school teacher, who was "green", "soft", and poetical, and had a literary ambition, called her "August", and fondly hoped to build a romance on her character. She was down in the school registers as Sarah Moses, Maori, 16 years and three months. She looked twenty; but this was nothing, insomuch as the mother of the youngest child in the school—a dear little half-caste lady of two or three summers—had not herself the vaguest idea of the child's age, nor anybody else's, nor of ages in the abstract. The church register was lost some six years before, when "Granny", who was a hundred, if a day, was supposed to be about twenty-five. The teacher had to guess the ages of all the new pupils.

August was apparently the oldest in the school—a big, ungainly, awkward girl, with a heavy negro type of Maori countenance, and about as much animation, mentally or physically, as a cow. She was given to brooding; in fact, she brooded all the time. She brooded all day over her school work, but did it fairly well. How the previous teachers had taught her all she knew was a mystery to the new one. There had been a tragedy in August's family when she was a child, and the affair seemed to have cast a gloom over the lives of the entire family, for the lowering brooding cloud was on all their faces. August would take to the bush when things went wrong at home, and climb a tree and brood till she was found and coaxed home. Things, according to pa gossip, had gone wrong with her from the date of the tragedy, when she, a bright little girl, was taken—a homeless orphan—to live with a sister, and, afterwards, with an aunt-by-marriage. They treated her, 'twas said, with a brutality which must have been greatly exaggerated by pa-gossip, seeing that unkindness of this description is, according to all the best authorities, altogether foreign to Maori nature.

Pa-gossip—which is less reliable than the ordinary washerwoman kind, because of a deeper and more vicious ignorance—had it that one time when August was punished by a teacher (or beaten by her sister or aunt-by-marriage) she "took to the bush" for three days, at the expiration of which time she was found on the ground in an exhausted condition. She was evidently a true Maori or savage, and this was one of the reasons why the teacher with the literary ambition took an interest in her. She had a print of a portrait of a man in soldier's uniform, taken from a copy of the 'Illustrated London News', pasted over the fireplace in the whare where she lived, and neatly bordered by vandyked strips of silvered tea-paper. She had pasted it in the place of honour, or as near as she could get to it. The place of honour was sacred to framed representations of the Nativity and Catholic subjects, half-modelled, half-pictured. The print was a portrait of the last Czar of Russia, of all the men in the world; and August was reported to have said that she loved that man. His father had been murdered, so had her mother. This was one of the reasons why the teacher with the literary ambition thought he could get a romance out of her.

After the first week she hung round the new schoolmistress, dog-like—with "dog-like affection", thought the teacher. She came down often during the holidays, and hung about the verandah and back door for an hour or so; then, by-and-bye, she'd be gone. Her brooding seemed less aggressive on such occasions. The teacher reckoned that she had something on her mind, and wanted to open her heart to "the wife", but was too ignorant or too shy, poor girl; and he reckoned, from his theory of Maori character, that it might take her weeks, or months, to come to the point. One day, after a great deal of encouragement, she explained that she felt "so awfully lonely, Mrs. Lorrens." All the other girls were away, and she wished it was school-time.

She was happy and cheerful again, in her brooding way, in the playground. There was something sadly ludicrous about her great, ungainly figure slopping round above the children at play. The schoolmistress took her into the parlour, gave her tea and cake, and was kind to her; and she took it all with broody cheerfulness.

One Sunday morning she came down to the cottage and sat on the edge of the verandah, looking as wretchedly miserable as a girl could. She was in rags—at least, she had a rag of a dress on—and was barefooted and bareheaded. She said that her aunt had turned her out, and she was going to walk down the coast to Whale Bay to her grandmother—a long day's ride. The teacher was troubled, because he was undecided what to do. He had to be careful to avoid any unpleasantness arising out of Maori cliquism. As the teacher he couldn't let her go in the state she was in; from the depths of his greenness he trusted her, from the depths of his softness he pitied her; his poetic nature was fiercely indignant on account of the poor girl's wrongs, and the wife spoke for her. Then he thought of his unwritten romance, and regarded August in the light of copy, and that settled it. While he talked the matter over with his wife, August "hid in the dark of her hair," awaiting her doom. The teacher put his hat on, walked up to the pa, and saw her aunt. She denied that she had turned August out, but the teacher believed the girl. He explained his position, in words simplified for Maori comprehension, and the aunt and relations said they understood, and that he was "perfectly right, Mr. Lorrens." They were very respectful. The teacher said that if August would not return home, he was willing to let her stay at the cottage until such time as her uncle, who was absent, returned, and he (the teacher) could talk the matter over with him. The relations thought that that was the very best thing that could be done, and thanked him. The aunt, two sisters, and as many of the others, including the children, as were within sight or hail at the time—most of them could not by any possible means have had the slightest connection with the business in hand—accompanied the teacher to the cottage. August took to the flax directly she caught sight of her relations, and was with difficulty induced to return. There was a lot of talk in Maori, during which the girl and her aunt shuffled and swung round at the back of each other, and each talked over her shoulder, and laughed foolishly and awkwardly once or twice; but in the end the girl was sullenly determined not to return home, so it was decided that she should stay. The schoolmistress made tea.

August brightened from the first day. She was a different girl altogether. "I never saw such a change in a girl," said the young schoolmistress, and one or two others. "I always thought she was a good girl if taken the right way; all she wanted was a change and kind treatment." But the stolid old Maori chairman of the school committee only shrugged his shoulders and said (when the schoolmistress, woman-like, pressed him for an opinion to agree with her own), "You can look at it two ways, Mrs. Lorrens." Which, by the way, was about the only expression of opinion that the teacher was ever able to get out of him on any subject.

August worked and behaved well. She was wonderfully quick in picking up English ways and housework. True, she was awkward and not over cleanly in some things, but her mistress had patience with her. Who wouldn't have? She "couldn't do enough" for her benefactress; she hung on her words and sat at her footstool of evenings in a way that gladdened the teacher's sentimental nature; she couldn't bear to see him help his wife with a hat-pin or button—August must do it. She insisted on doing her mistress' hair every night. In short, she tried in every way to show her gratitude. The teacher and his wife smiled brightly at each other behind her back, and thought how cheerful the house was since she came, and wondered what they'd do without her. It was a settled thing that they should take her back to the city with them, and have a faithful and grateful retainer all their lives and a sort of Aunt Chloe for their children, when they had any. The teacher got yards of copy out of her for his "Maori Sketches and Characters", worked joyously at his romance, and felt great already, and was happy. She had a bed made up temporarily (until the teacher could get a spring mattress for her from town) on the floor in the dining-room, and when she'd made her bed she'd squat on it in front of the fire and sing Maori songs in a soft voice. She'd sing the teacher and his wife, in the next room, to sleep. Then she'd get up and have a feed, but they never heard her.

Her manners at the table (for she was treated "like one of themselves" in the broadest sense of the term) were surprisingly good, considering that the adults of her people were decidedly cow-like in white society, and scoffed sea-eggs, shell-fish, and mutton-birds at home with a gallop which was not edifying. Her appetite, it was true, was painful at times to the poetic side of the teacher's nature; but he supposed that she'd been half-starved at home, poor girl, and would get over it. Anyway, the copy he'd get out of her would repay him for this and other expenses a hundredfold. Moreover, begging and borrowing had ceased with her advent, and the teacher set this down to her influence.

The first jar came when she was sent on horseback to the town for groceries, and didn't get back till late the next day. She explained that some of her relations got hold of her and made her stay, and wanted her to go into public-houses with them, but she wouldn't. She said that SHE wanted to come home. But why didn't she? The teacher let it pass, and hoped she'd gain strength of character by-and-bye. He had waited up late the night before with her supper on the hob; and he and his wife had been anxious for fear something had happened to the poor girl who was under their care. He had walked to the treacherous river-ford several times during the evening, and waited there for her. So perhaps he was tired, and that was why he didn't write next night.

The sugar-bag, the onion-basket, the potato-bag and the tea-chest began to "go down" alarmingly, and an occasional pound of candles, a pigeon, a mutton-bird (plucked and ready for Sunday's cooking), and other little trifles went, also. August couldn't understand it, and the teacher believed her, for falsehood and deceit are foreign to the simple natures of the modern Maoris. There were no cats; but no score of ordinary cats could have given colour to the cat theory, had it been raised in this case. The breath of August advertised onions more than once, but no human stomach could have accounted for the quantity. She surely could not have eaten the other things raw—and she had no opportunities for private cooking, as far as the teacher and his wife could see. The other Maoris were out of the question; they were all strictly honest.

Thefts and annoyances of the above description were credited to the "swaggies" who infested the roads, and had a very bad name down that way; so the teacher loaded his gun, and told August to rouse him at once, if she heard a sound in the night. She said she would; but a heavy-weight "swaggie" could have come in and sat on her and had a smoke without waking her.

She couldn't be trusted to go a message. She'd take from three to six hours, and come back with an excuse that sounded genuine from its very simplicity. Another sister of hers lay ill in an isolated hut, alone and uncared for, except by the teacher's wife, and occasionally by a poor pa outcast who had negro blood in her veins, and a love for a white loafer. God help her! All of which sounds strange, considering that Maoris are very kind to each other. The schoolmistress sent August one night to stay with the sick Maori woman and help her as she could, and gave her strict instructions to come to the cottage first thing in the morning, and tell her how the sick woman was. August turned up at lunch-time next day. The teacher gave her her first lecture, and said plainly that he wasn't to be taken for a fool; then he stepped aside to get cool, and, when he returned, the girl was sobbing as if her heart would break, and the wife comforting her. She had been up all night, poor girl, and was thoroughly worn out. Somehow the teacher didn't feel uncomfortable about it. He went down to the whare. August had not touched a dishcloth or broom. She had slept, as she always did, like a pig, all night, while her sister lay and tossed in agony; in the morning she ate everything there was to eat in the house (which, it seemed, was the Maori way of showing sympathy in sickness and trouble), after which she brooded by the fire till the children, running out of school, announced the teacher's lunch hour.

August braced up again for a little while. The master thought of the trouble they had with Ayacanora in "Westward Ho", and was comforted, and tackled his romance again. Then the schoolmistress fell sick and things went wrong. The groceries went down faster than ever, and the house got very dirty, and began to have a native smell about it. August grew fat, and lazy, and dirty, and less reliable on washing-days, or when there was anything special to do in the house. "The savage blood is strong," thought the teacher, "and she is beginning to long for her own people and free unconventional life." One morning—on a washing-day, too, as it happened—she called out, before the teacher and his wife were up, that the Maoris who supplied them with milk were away, and she had promised to go up and milk the cow and bring the milk down. The teacher gave her permission. One of the scholars usually brought the milk early. Lunch time came and no August, no milk—strangest of all, only half the school children. The teacher put on his hat, and went up to the pa once more. He found August squatted in the midst of a circle of relations. She was entertaining them with one of a series of idealistic sketches of the teacher's domestic life, in which she showed a very vivid imagination, and exhibited an unaccountable savage sort of pessimism. Her intervals of absence had been occupied in this way from the first. The astounding slanders she had circulated concerning the teacher's private life came back, bit by bit, to his ears for a year afterwards, and her character sketches of previous teachers, and her own relations—for she spared nobody—would have earned a white woman a long and well-merited term of imprisonment for criminal libel. She had cunningly, by straightforward and unscrupulous lying, prejudiced the principal mother and boss woman of the pa against the teacher and his wife; as a natural result of which the old lady, who, like the rest, was very ignorant and ungrateful, "turned nasty" and kept the children from school. The teacher lost his temper, so the children were rounded up and hurried down to school immediately; with them came August and her aunt, with alleged explanations and excuses, and a shell-fish. The aunt and sisters said they'd have nothing to do with August. They didn't want her and wouldn't have her. The teacher said that, under those circumstances, she'd better go and drown herself; so she went home with them.

The whole business had been a plot by her nearest relations. They got rid of the trouble and expense of keeping her, and the bother of borrowing in person, whenever in need of trifles in the grocery line. Borrowing recommenced with her dismissal; but the teacher put a full stop to it, as far as he was concerned. Then August, egged on by her aunt, sent a blackguardly letter to the teacher's wife; the sick sister, by the way, who had been nursed and supplied with food by her all along, was in it, and said she was glad August sent the letter, and it served the schoolmistress right. The teacher went up to the pa once more; an hour later, August in person, accompanied, as usual, by a relation or two, delivered at the cottage an abject apology in writing, the composition of which would have discouraged the most enthusiastic advocate of higher education for the lower classes.

Then various petty annoyances were tried. The teacher is firmly convinced that certain animal-like sounds round the house at night were due to August's trying to find out whether his wife was as likely to be haunted as the Maoris were. He didn't dream of such a thing at the time, for he did not believe that one of them had the pluck to venture out after dark. But savage superstition must give way to savage hate. The girl's last "try-on" was to come down to the school fence, and ostentatiously sharpen a table-knife on the wires, while she scowled murderously in the direction of the schoolmistress, who was hanging out her washing. August looked, in her dark, bushy, Maori hair, a thoroughly wild savage. Her father had murdered her mother under particularly brutal circumstances, and the daughter took after her father.

The teacher called her and said: "Now, look here, my lady, the best thing you can do is to drop that nonsense at once" (she had dropped the knife in the ferns behind her), "for we're the wrong sort of people to try it on with. Now you get out of this and tell your aunt—she's sneaking there in the flax—what I tell you, and that she'd better clear out of this quick, or I'll have a policeman out and take the whole gang into town in an hour. Now be off, and shut that gate behind you, carefully, and fasten it." She did, and went.

The worst of it was that the August romance copy was useless. Her lies were even less reliable and picturesque than the common Jones Alley hag lie. Then the teacher thought of the soft fool he'd been, and that made him wild. He looked like a fool, and was one to a great extent, but it wasn't good policy to take him for one.

Strange to say, he and others had reason to believe that August respected him, and liked him rather than otherwise; but she hated his wife, who had been kind to her, as only a savage can hate. The younger pupils told the teacher, cheerfully and confidently, that August said she'd cut Mrs. Lorrens' throat the first chance she got. Next week the aunt sent down to ask if the teacher could sell her a bar of soap, and sent the same old shilling; he was tired of seeing it stuck out in front of him, so he took it, put it in his pocket, and sent the soap. This must have discouraged them, for the borrowing industry petered out. He saw the aunt later on, and she told him, cheerfully, that August was going to live with a half-caste in a certain house in town.

Poor August! For she was only a tool after all. Her "romance" was briefly as follows:—She went, per off-hand Maori arrangement, as 'housekeeper' in the hut of a labourer at a neighbouring saw-mill. She stayed three months, for a wonder; at the expiration of which time she put on her hat and explained that she was tired of stopping there, and was going home. He said, 'All right, Sarah, wait a while and I'll take you home.' At the door of her aunt's house he said, 'Well, good-bye, Sarah,' and she said, in her brooding way, 'Good-bye, Jim.' And that was all.

As the last apparent result of August's mischief-making, her brother or someone one evening rode up to the cottage, drunk and inclined to bluster. He was accompanied by a friend, also drunk, who came to see the fun, and was ready to use his influence on the winning side. The teacher went inside, brought out his gun, and slipped two cartridges in. "I've had enough of this," he said. "Now then, be off, you insolent blackguards, or I'll shoot you like rabbits. Go!" and he snapped his jaw and the breech of his gun together. As they rode off, the old local hawk happened to soar close over a dead lamb in the fern at the corner of the garden, and the teacher, who had been "laying" for him a long time, let fly both barrels at him, without thinking. When he turned, there was only a cloud of dust down the track.

. . . . .

The teacher taught that school for three years thereafter, without a hitch. But he went no more on Universal Brotherhood lines. And, for years after he had gone, his name was spoken of with great respect by the Maoris.



New Year's Night



It was dark enough for anything in Dead Man's Gap—a round, warm, close darkness, in which retreating sounds seemed to be cut off suddenly at a distance of a hundred yards or so, instead of growing faint and fainter, and dying away, to strike the ear once or twice again—and after minutes, it might seem—with startling distinctness, before being finally lost in the distance, as it is on clear, frosty nights. So with the sounds of horses' hoofs, stumbling on the rough bridle-track through the "saddle", the clatter of hoof-clipped stones and scrape of gravel down the hidden "siding", and the low sound of men's voices, blurred and speaking in monosyllables and at intervals it seemed, and in hushed, awed tones, as though they carried a corpse. To practical eyes, grown used to such a darkness, and at the nearest point, the passing blurrs would have suggested two riders on bush hacks leading a third with an empty saddle on its back—a lady's or "side-saddle", if one could have distinguished the horns. They may have struck a soft track or level, or rounded the buttress of the hill higher up, but before they had time to reach or round the foot of the spur, blurs, whispers, stumble and clatter of hoofs, jingle of bridle rings, and the occasional clank together of stirrup irons, seemed shut off as suddenly and completely as though a great sound-proof door had swung to behind them.

It was dark enough on the glaringest of days down in the lonely hollow or "pocket", between two spurs, at the head of a blind gully behind Mount Buckaroo, where there was a more or less dusty patch, barely defined even in broad daylight by a spidery dog-legged fence on three sides, and a thin "two-rail" (dignified with the adjective "split-rail"—though rails and posts were mostly of saplings split in halves) running along the frontage. In about the middle of it a little slab hut, overshadowed by a big stringy-bark shed, was pointed out as Johnny Mears's Farm.

"Black as—as charcoal," said Johnny Mears. He had never seen coal, and was a cautious man, whose ideas came slowly. He stooped, close by the fence, with his hands on his knees, to "sky" the loom of his big shed and so get his bearings. He had been to have a look at the penned calves, and see that all slip-rails were up and pegged, for the words of John Mears junior, especially when delivered rapidly and shrilly and in injured tones, were not to be relied upon in these matters.

"It's hot enough to melt the belly out of my fiddle," said Johnny Mears to his wife, who sat on a three-legged stool by the rough table in the little whitewashed "end-room", putting a patch of patches over the seat of a pair of moleskin knickerbockers. He lit his pipe, moved a stool to the side of the great empty fireplace, where it looked cooler—might have been cooler on account of a possible draught suggested by the presence of the chimney, and where, therefore, he felt a breath cooler. He took his fiddle from a convenient shelf, tuned it slowly and carefully, holding his pipe (in his mouth) well up and to one side, as if the fiddle were an inquisitive and restless baby. He played "Little Drops o' Brandy" three times, right through, without variations, blinking solemnly the while; then he put the violin carefully back in its box, and started to cut up another pipeful.

"You should have gone, Johnny," said the haggard little woman.

"Rackin' the horse out a night like this," retorted Johnny, "and startin' ploughin' to-morrow. It ain't worth while. Let them come for me if they want me. Dance on a night like this! Why! they'll dance in——"

"But you promised. It won't do you no good, Johnny."

"It won't do me no harm."

The little woman went on stitching.

"It's smotherin' hot," said Johnny, with an impatient oath. "I don't know whether I'll turn in, or turn out, under the shed to-night. It's too d——d hot to roost indoors."

She bent her head lower over the patch. One smoked and the other stitched in silence for twenty minutes or so, during which time Johnny might be supposed to have been deliberating listlessly as to whether he'd camp out on account of the heat, or turn in. But he broke the silence with a clout at a mosquito on the nape of his neck, and a bad word.

"I wish you wouldn't swear so much, Johnny," she said wearily—"at least not to-night."

He looked at her blankly.

"Why—why to-night? What's the matter with you to-night, Mary? What's to-night more than any other night to you? I see no harm—can't a man swear when a mosquito sticks him?"

"I—I was only thinking of the boys, Johnny."

"The boys! Why, they're both on the hay in the shed." He stared at her again, shifted uneasily, crossed the other leg tightly, frowned, blinked, and reached for the matches. "You look a bit off-colour, Mary. It's the heat that makes us all a bit ratty at times. Better put that by and have a swill o' oatmeal and water, and turn in."

"It's too hot to go to bed. I couldn't sleep. I'm all right. I'll—I'll just finish this. Just reach me a drink from the water-bag—the pannikin's on the hob there, by your boot."

He scratched his head helplessly, and reached for the drink. When he sat down again, he felt strangely restless. "Like a hen that didn't know where to lay," he put it. He couldn't settle down or keep still, and didn't seem to enjoy his pipe somehow. He rubbed his head again.

"There's a thunderstorm comin'," he said. "That's what it is; and the sooner it comes the better."

He went to the back door, and stared at the blackness to the east, and, sure enough, lightning was blinking there.

"It's coming, sure enough; just hang out and keep cool for another hour, and you'll feel the difference."

He sat down again on the three-legged stool, folded his arms, with his elbows on his knees, drew a long breath, and blinked at the clay floor for a while; then he twisted the stool round on one leg, until he faced the old-fashioned spired wooden clock (the brass disc of the pendulum moving ghost-like through a scarred and scratched marine scene—Margate in England—on the glass that covered the lower half) that stood alone on the slab shelf over the fireplace. The hands indicated half-past two, and Johnny, who had studied that clock and could "hit the time nigh enough by it," after knitting his brows and blinking at the dial for a full minute by its own hand, decided "that it must be getting on toward nine o'clock."

It must have been the heat. Johnny stood up, raking his hair, turned to the door and back again, and then, after an impatient gesture, took up his fiddle and raised it to his shoulder. Then the queer thing happened. He said afterwards, under conditions favourable to such sentimental confidence, that a cold hand seemed to take hold of the bow, through his, and—anyway, before he knew what he was about he had played the first bars of "When First I Met Sweet Peggy", a tune he had played often, twenty years before, in his courting days, and had never happened to play since. He sawed it right through (the cold hand left after the first bar or two) standing up; then still stood with fiddle and bow trembling in his hands, with the queer feeling still on him, and a rush of old thoughts going through his head, all of which he set down afterwards to the effect of the heat. He put the fiddle away hastily, damning the bridge of it at the same time in loud but hurried tones, with the idea of covering any eccentricity which the wife might have noticed in his actions. "Must 'a' got a touch o' sun," he muttered to himself. He sat down, fumbled with knife, pipe, and tobacco, and presently stole a furtive glance over his shoulder at his wife.

The washed-out little woman was still sewing, but stitching blindly, for great tears were rolling down her worn cheeks.

Johnny, white-faced on account of the heat, stood close behind her, one hand on her shoulder and the other clenched on the table; but the clenched hand shook as badly as the loose one.

"Good God! What is the matter, Mary? You're sick!" (They had had little or no experience of illness.) "Tell me, Mary—come now! Has the boys been up to anything?"

"No, Johnny; it's not that."

"What is it then? You're taken sick! What have you been doing with yourself? It might be fever. Hold up a minute. You wait here quiet while I roost out the boys and send 'em for the doctor and someone——"

"No! no! I'm not sick, John. It's only a turn. I'll be all right in a minute."

He shifted his hand to her head, which she dropped suddenly, with a life-weary sigh, against his side.

"Now then!" cried Johnny, wildly, "don't you faint or go into disterricks, Mary! It'll upset the boys; think of the boys! It's only the heat—you're only takin' queer."

"It's not that; you ought to know me better than that. It was—I—Johnny, I was only thinking—we've been married twenty years to-night—an'—it's New Year's Night!"

"And I've never thought of it!" said Johnny (in the afterwards). "Shows what a God-forgotten selection will make of a man. She'd thought of it all the time, and was waiting for it to strike me. Why! I'd agreed to go and play at a darnce at Old Pipeclay School-house all night—that very night—and leave her at home because she hadn't asked to come; and it never struck me to ask her—at home by herself in that hole—for twenty-five bob. And I only stopped at home because I'd got the hump, and knew they'd want me bad at the school."

They sat close together on the long stool by the table, shy and awkward at first; and she clung to him at opening of thunder, and they started apart guiltily when the first great drops sounded like footsteps on the gravel outside, just as they'd done one night-time before—twenty years before.

If it was dark before, it was black now. The edge of the awful storm-cloud rushed up and under the original darkness like the best "drop" black-brushed over the cheap "lamp" variety, turning it grey by contrast. The deluge lasted only a quarter of an hour; but it cleared the night, and did its work. There was hail before it, too—big as emu eggs, the boys said—that lay feet deep in the old diggers' holes on Pipeclay for days afterwards—weeks some said.

The two sweethearts of twenty years ago and to-night watched the retreat of the storm, and, seeing Mount Buckaroo standing clear, they went to the back door, which opened opposite the end of the shed, and saw to the east a glorious arch of steel-blue, starry sky, with the distant peaks showing clear and blue away back under the far-away stars in the depth of it.

They lingered awhile—arms round each other's waists—before she called the boys, just as they had done this time of night twenty years ago, after the boys' grandmother had called her.

"Awlright, mother!" bawled back the boys, with unfilial independence of Australian youth. "We're awlright! We'll be in directly! Wasn't it a pelterer, mother?"

They went in and sat down again. The embarrassment began to wear off.

"We'll get out of this, Mary," said Johnny. "I'll take Mason's offer for the cattle and things, and take that job of Dawson's, boss or no boss"—(Johnny's bad luck was due to his inability in the past to "get on" with any boss for any reasonable length of time)—"I can get the boys on, too. They're doing no good here, and growing up. It ain't doing justice to them; and, what's more, this life is killin' you, Mary. That settles it! I was blind. Let the jumpt-up selection go! It's making a wall-eyed bullock of me, Mary—a dry-rotted rag of a wall-eyed bullock like Jimmy Nowlett's old Strawberry. And you'll live in town like a lady."

"Somebody coming!" yelled the boys.

There was a clatter of sliprails hurriedly thrown down, and clipped by horses' hoofs.

"Insoide there! Is that you, Johnny?"

"Yes!" ("I knew they'd come for you," said Mrs. Mears to Johnny.)

"You'll have to come, Johnny. There's no get out of it. Here's Jim Mason with me, and we've got orders to stun you and pack you if you show fight. The blessed fiddler from Mudgee didn't turn up. Dave Regan burst his concertina, and they're in a fix."

"But I can't leave the missus."

"That's all right. We've got the school missus's mare and side-saddle. She says you ought to be jolly well ashamed of yourself, Johnny Mears, for not bringing your wife on New Year's Night. And so you ought!"

Johnny did not look shame-faced, for reasons unknown to them.

"The boys couldn't find the horses," put in Mrs. Mears. "Johnny was just going down the gully again."

He gave her a grateful look, and felt a strange, new thrill of admiration for his wife.

"And—there's a bottle of the best put by for you, Johnny," added Pat McDurmer, mistaking Johnny's silence; "and we'll call it thirty bob!" (Johnny's ideas were coming slowly again, after the recent rush.) "Or—two quid!—there you are!"

"I don't want two quid, nor one either, for taking my wife to a dance on New Year's Night!" said Johnny Mears. "Run and put on your best bib and tucker, Mary."

And she hurried to dress as eager and excited, and smiling to herself as girlishly as she had done on such occasions on evenings before the bright New Year's Night twenty years ago.—For a related story, see "A Bush Dance", in "Joe Wilson and His Mates".—A. L., 1998.—



Black Joe



They called him Black Joe, and me White Joe, by way of distinction and for the convenience of his boss (my uncle), and my aunt, and mother; so, when we heard the cry of "Bla-a-ack Joe!" (the adjective drawn out until it became a screech, after several repetitions, and the "Joe" short and sharp) coming across the flat in a woman's voice, Joe knew that the missus wanted him at the house, to get wood or water, or mind the baby, and he kept carefully out of sight; he went at once when uncle called. And when we heard the cry of "Wh-i-i-te Joe!" which we did with difficulty and after several tries—though Black Joe's ears were of the keenest—we knew that I was overdue at home, or absent without leave, and was probably in for a warming, as the old folk called it. On some occasions I postponed the warming as long as my stomach held out, which was a good while in five-corner, native-cherry, or yam season—but the warming was none the cooler for being postponed.

Sometimes Joe heard the wrong adjective, or led me to believe he did—and left me for a whole afternoon under the impression that the race of Ham was in demand at the homestead, when I myself was wanted there, and maternal wrath was increasing every moment of my absence.

But Joe knew that my conscience was not so elastic as his, and—well, you must expect little things like this in all friendships.

Black Joe was somewhere between nine and twelve when I first met him, on a visit to my uncle's station; I was somewhere in those years too. He was very black, the darker for being engaged in the interesting but uncertain occupation of "burning off" in his spare time—which wasn't particularly limited. He combined shepherding, 'possum and kangaroo hunting, crawfishing, sleeping, and various other occupations and engagements with that of burning off. I was very white, being a sickly town boy; but, as I took great interest in burning off, and was not particularly fond of cold water—it was in winter time—the difference in our complexions was not so marked at times.

Black Joe's father, old Black Jimmie, lived in a gunyah on the rise at the back of the sheepyards, and shepherded for my uncle. He was a gentle, good-humoured, easy-going old fellow with a pleasant smile; which description applies, I think, to most old blackfellows in civilisation. I was very partial to the old man, and chummy with him, and used to slip away from the homestead whenever I could, and squat by the campfire along with the other piccaninnies, and think, and yarn socially with Black Jimmie by the hour. I would give something to remember those conversations now. Sometimes somebody would be sent to bring me home, when it got too late, and Black Jimmie would say:

"Piccaninnie alonga possum rug," and there I'd be, sound asleep, with the other young Australians.

I liked Black Jimmie very much, and would willingly have adopted him as a father. I should have been quite content to spend my days in the scrub, enjoying life in dark and savage ways, and my nights "alonga possum rug"; but the family had other plans for my future.

It was a case of two blackfellows and one gin, when Black Jimmie went a-wooing—about twelve years before I made his acquaintance—and he fought for his bride in the black fashion. It was the last affair of that kind in the district. My uncle's brother professed to have been present at the fight, and gave me an alleged description of it. He said that they drew lots, and Black Jimmie put his hands on his knees and bent his head, and the other blackfellow hit him a whack on the skull with a nulla nulla. Then they had a nip of rum all round—Black Jimmie must have wanted it, for the nulla nulla was knotted, and heavy, and made in the most approved fashion. Then the other blackfellow bent his head, and Jimmie took the club and returned the whack with interest. Then the other fellow hit Jimmie a lick, and took a clout in return. Then they had another drink, and continued thus until Jimmie's rival lost all heart and interest in the business. But you couldn't take everything my uncle's brother said for granted.

Black Mary was a queen by right, and had the reputation of being the cleanest gin in the district; she was a great favourite with the squatters' wives round there. Perhaps she hoped to reclaim Jimmie—he was royal, too, but held easy views with regard to religion and the conventionalities of civilisation. Mary insisted on being married properly by a clergyman, made the old man build a decent hut, had all her children christened, and kept him and them clean and tidy up to the time of her death.

Poor Queen Mary was ambitious. She started to educate her children, and when they got beyond her—that is when they had learnt their letters—she was grateful for any assistance from the good-natured bush men and women of her acquaintance. She had decided to get her eldest boy into the mounted police, and had plans for the rest, and she worked hard for them, too. Jimmie offered no opposition, and gave her no assistance beyond the rations and money he earned shepherding—which was as much as could be expected of him.

He did as many husbands do "for the sake of peace and quietness"—he drifted along in the wake of his wife, and took things as easily as her schemes of reformation and education would allow him to.

Queen Mary died before her time, respected by all who knew or had heard of her. The nearest squatter's wife sent a pair of sheets for a shroud, with instructions to lay Mary out, and arranged (by bush telegraph) to drive over next morning with her sister-in-law and two other white women in the vicinity, to see Mary decently buried.

But the remnant of Jimmie's tribe were there beforehand. They tore the sheets in strips and tied Mary up in a bundle, with her chin to her knees—preparing her for burial in their own fashion—and mourned all night in whitewash and ashes. At least, the gins did. The white women saw that it was hopeless to attempt to untie any of the innumerable knots and double knots, even if it had been possible to lay Mary out afterwards; so they had to let her be buried as she was, with black and white obsequies. And we've got no interest in believing that she did not "jump up white woman" long ago.

My uncle and his brother took the two eldest boys. Black Jimmie shifted away from the hut at once with the rest of his family—for the "devil-devil" sat down there—and Mary's name was strictly "tabooed" in accordance with aboriginal etiquette.

Jimmie drifted back towards the graves of his fathers in company with a decreasing flock of sheep day by day (for the house of my uncle had fallen on times of drought and depression, and foot-rot and wool rings, and over-drafts and bank owners), and a few strips of bark, a dying fire, a black pipe, some greasy 'possum rugs and blankets, a litter of kangaroo tails, etc., four neglected piccaninnies, half a score of mangy mongrels, and, haply, a "lilly drap o' rum", by night.

The four little Australians grew dirtier and more shy and savage, and ate underdone kangaroo and 'possum and native bear, with an occasional treat of oak grubs and goanna by preference—and died out, one by one, as blacks do when brought within the ever widening circle of civilisation. Jimmie moved promptly after each death, and left the evil one in possession, and built another mia-mia—each one being less pretentious than the last. Finally he was left, the last of his tribe, to mourn his lot in solitude.

But the devil-devil came and sat down by King Jimmie's side one night, so he, too, moved out across the Old Man border, and the mia-mia rotted into the ground and the grass grew there.

. . . . .

I admired Joe; I thought him wiser and cleverer than any white boy in the world. He could smell out 'possums unerringly, and I firmly believed he could see yards through the muddiest of dam water; for once, when I dropped my boat in, and was not sure of the spot, he fished it out first try. With cotton reels and bits of stick and bark he would make the model of a station homestead, slaughter-yards, sheep-yards, and all complete, working in ideas and improvements of his own which might have been put into practice with advantage. He was a most original and interesting liar upon all subjects upon which he was ignorant and which came up incidentally. He gave me a very interesting account of an interview between his father and Queen Victoria, and mentioned casually that his father had walked across the Thames without getting wet.

He also told me how he, Joe, had tied a mounted trooper to a verandah post and thrashed him with pine saplings until the timber gave out and he was tired. I questioned Jimmie, but the incidents seemed to have escaped the old king's memory.

Joe could build bigger woodheaps with less wood than any black or white tramp or loafer round there. He was a born architect. He took a world of pains with his wood-heaps—he built them hollow, in the shape of a break-wind, with the convex side towards the house for the benefit of his employers. Joe was easy-going; he had inherited a love of peace and quietness from his father. Uncle generally came home after dark, and Joe would have little fires lit at safe distances all round the house, in order to convey an impression that the burning off was proceeding satisfactorily.

When the warm weather came, Joe and I got into trouble with an old hag for bathing in a waterhole in the creek in front of her shanty, and she impounded portions of our wardrobe. We shouldn't have lost much if she had taken it all; but our sense of injury was deep, especially as she used very bad grammar towards us.

Joe addressed her from the safe side of the water. He said, "Look here! Old leather-face, sugar-eye, plar-bag marmy, I call it you."

"Plar-bag marmy" meant "Mother Flour-bag", and ration sugar was decidedly muddy in appearance.

She came round the waterhole with a clothes prop, and made good time, too; but we got across and away with our clothes.

That little incident might have changed the whole course of my existence. Plar-bag Marmy made a formal complaint to uncle, who happened to pass there on horseback about an hour later; and the same evening Joe's latest and most carefully planned wood heap collapsed while aunt was pulling a stick out of it in the dark, and it gave her a bad scare, the results of which might have been serious.

So uncle gave us a thrashing, without the slightest regard for racial distinctions, and sent us to bed without our suppers.

We sought Jimmie's camp, but Joe got neither sympathy nor damper from his father, and I was sent home with a fatherly lecture "for going alonga that fella," meaning Joe.

Joe and I discussed existence at a waterhole down the creek next afternoon, over a billy of crawfish which we had boiled and a piece of gritty damper, and decided to retire beyond the settled districts—some five hundred miles or so—to a place that Joe said he knew of, where there were lagoons and billabongs ten miles wide, alive with ducks and fish, and black cockatoos and kangaroos and wombats, that only waited to be knocked over with a stick.

I thought I might as well start and be a blackfellow at once, so we got a rusty pan without a handle, and cooked about a pint of fat yellow oak-grubs; and I was about to fall to when we were discovered, and the full weight of combined family influence was brought to bear on the situation. We had broken a new pair of shears digging out those grubs from under the bark of the she-oaks, and had each taken a blade as his own especial property, which we thought was the best thing to do under the circumstances. Uncle wanted those shears badly, so he received us with the buggy whip—and he didn't draw the colour line either. All that night and next day I wished he had. I was sent home, and Joe went droving with uncle soon after that, else I might have lived a life of freedom and content and died out peacefully with the last of my adopted tribe.

Joe died of consumption on the track. When he was dying uncle asked: "Is there anything you would like?"

And Joe said: "I'd like a lilly drap o' rum, boss."

Which were his last words, for he drank the rum and died peacefully.

I was the first to hear the news at home, and, being still a youngster, I ran to the house, crying "Oh, mother! aunt's Joe is dead!"

There were visitors at our place at the time, and, as the eldest child of the maternal aunt in question had also been christened Joe—after a grandfather of our tribe (my tribe, not Black Joe's)—the news caused a sudden and unpleasant sensation. But cross-examination explained the mistake, and I retired to the rear of the pig-sty, as was my custom when things went wrong, with another cause for grief.



They Wait on the Wharf in Black

"Seems to me that honest, hard-working men seem to accumulate the heaviest swags of trouble in this world."—Steelman.

Told by Mitchell's Mate.



We were coming back from West Australia, steerage—Mitchell, the Oracle, and I. I had gone over saloon, with a few pounds in my pocket. Mitchell said this was a great mistake—I should have gone over steerage with nothing but the clothes I stood upright in, and come back saloon with a pile. He said it was a very common mistake that men made, but, as far as his experience went, there always seemed to be a deep-rooted popular prejudice in favour of going away from home with a few pounds in one's pocket and coming back stumped; at least amongst rovers and vagabonds like ourselves—it wasn't so generally popular or admired at home, or in the places we came back to, as it was in the places we went to. Anyway it went, there wasn't the slightest doubt that our nearest and dearest friends were, as a rule, in favour of our taking away as little as we could possibly manage with, and coming back with a pile, whether we came back saloon or not; and that ought to settle the matter as far as any chap that had the slightest consideration for his friends or family was concerned.

There was a good deal of misery, underneath, coming home in that steerage. One man had had his hand crushed and amputated out Coolgardie way, and the stump had mortified, and he was being sent to Melbourne by his mates. Some had lost their money, some a couple of years of their life, some their souls; but none seemed to have lost the heart to call up the quiet grin that southern rovers, vagabonds, travellers for "graft" or fortune, and professional wanderers wear in front of it all. Except one man—an elderly eastern digger—he had lost his wife in Sydney while he was away.

They sent him a wire to the Boulder Soak, or somewhere out back of White Feather, to say that his wife was seriously ill; but the wire went wrong, somehow, after the manner of telegrams not connected with mining, on the lines of "the Western". They sent him a wire to say that his wife was dead, and that reached him all right—only a week late.

I can imagine it. He got the message at dinner-time, or when they came back to the camp. His mate wanted him to sit in the shade, or lie in the tent, while he got the billy boiled. "You must brace up and pull yourself together, Tom, for the sake of the youngsters." And Tom for long intervals goes walking up and down, up and down, by the camp—under the brassy sky or the gloaming—under the brilliant star-clusters that hang over the desert plain, but never raising his eyes to them; kicking a tuft of grass or a hole in the sand now and then, and seeming to watch the progress of the track he is tramping out. The wife of twenty years was with him—though two thousand miles away—till that message came.

I can imagine Tome sitting with his mates round the billy, they talking in quiet, subdued tones about the track, the departure of coaches, trains and boats—arranging for Tom's journey East, and the working of the claim in his absence. Or Tom lying on his back in his bunk, with his hands under his head and his eyes fixed on the calico above—thinking, thinking, thinking. Thinking, with a touch of his boyhood's faith perhaps; or wondering what he had done in his long, hard-working married life, that God should do this thing to him now, of all times.

"You'd best take what money we have in the camp, Tom; you'll want it all ag'in' the time you get back from Sydney, and we can fix it up arterwards.... There's a couple o' clean shirts o' mine—you'd best take 'em—you'll want 'em on the voyage.... You might as well take them there new pants o' mine, they'll only dry-rot out here—and the coat, too, if you like—it's too small for me, anyway. You won't have any time in Perth, and you'll want some decent togs to land with in Sydney."

. . . . .

"I wouldn't 'a' cared so much if I'd 'a' seen the last of her," he said, in a quiet, patient voice, to us one night by the rail. "I would 'a' liked to have seen the last of her."

"Have you been long in the West?"

"Over two years. I made up to take a run across last Christmas, and have a look at 'em. But I couldn't very well get away when 'exemption-time' came. I didn't like to leave the claim."

"Do any good over there?"

"Well, things brightened up a bit the last month or two. I had a hard pull at first; landed without a penny, and had to send back every shilling I could rake up to get things straightened up a bit at home. Then the eldest boy fell ill, and then the baby. I'd reckoned on bringing 'em over to Perth or Coolgardie when the cool weather came, and having them somewheres near me, where I could go and have a look at 'em now and then, and look after them."

"Going back to the West again?"

"Oh, yes. I must go for the sake of the youngsters. But I don't seem to have much heart in it." He smoked awhile. "Over twenty years we struggled along together—the missus and me—and it seems hard that I couldn't see the last of her. It's rough on a man."

"The world is damned rough on a man sometimes," said Mitchell, "most especially when he least deserves it."

The digger crossed his arms on the rail like an old "cocky" at the fence in the cool of the evening, yarning with an old crony.

"Mor'n twenty years she stuck to me and struggled along by my side. She never give in. I'll swear she was on her feet till the last, with her sleeves tucked up—bustlin' round.... And just when things was brightening and I saw a chance of giving her a bit of a rest and comfort for the end of her life.... I thought of it all only t'other week when things was clearing up ahead; and the last 'order' I sent over I set to work and wrote her a long letter, putting all the good news and encouragement I could think of into it. I thought how that letter would brighten up things at home, and how she'd read it round. I thought of lots of things that a man never gets time to think of while his nose is kept to the grindstone. And she was dead and in her grave, and I never knowed it."

Mitchell dug his elbow into my ribs and made signs for the matches to light his pipe.

"An' yer never knowed," reflected the Oracle.

"But I always had an idea when there was trouble at home," the digger went on presently, in his quiet, patient tone. "I always knowed; I always had a kind of feeling that way—I felt it—no matter how far I was away. When the youngsters was sick I knowed it, and I expected the letter that come. About a fortnight ago I had a feeling that way when the wife was ill. The very stars out there on the desert by the Boulder Soak seemed to say: 'There's trouble at home. Go home. There's trouble at home.' But I never dreamed what that trouble was. One night I did make up my mind to start in the morning, but when the morning came I hadn't an excuse, and was ashamed to tell my mates the truth. They might have thought I was going ratty, like a good many go out there." Then he broke off with a sort of laugh, as if it just struck him that we might think he was a bit off his head, or that his talk was getting uncomfortable for us. "Curious, ain't it?" he said.

"Reminds me of a case I knowed,——" commenced the Oracle, after a pause.

I could have pitched him overboard; but that was a mistake. He and the old digger sat on the for'ard hatch half the night yarning, mostly about queer starts, and rum go's, and curious cases the Oracle had knowed, and I think the Oracle did him a lot of good somehow, for he seemed more cheerful in the morning.

We were overcrowded in the steerage, but Mitchell managed to give up his berth to the old digger without letting him know it. Most of the chaps seemed anxious to make a place at the first table and pass the first helpings of the dishes to the "old cove that had lost his missus."

They all seemed to forget him as we entered the Heads; they had their own troubles to attend to. They were in the shadow of the shame of coming back hard up, and the grins began to grow faint and sickly. But I didn't forget him. I wish sometimes that I didn't take so much notice of things.

There was no mistaking them—the little group that stood apart near the end of the wharf, dressed in cheap black. There was the eldest single sister—thin, pale, and haggard-looking—that had had all the hard worry in the family till her temper was spoilt, as you could see by the peevish, irritable lines in her face. She had to be the mother of them all now, and had never known, perhaps, what it was to be a girl or a sweetheart. She gave a hard, mechanical sort of smile when she saw her father, and then stood looking at the boat in a vacant, hopeless sort of way. There was the baby, that he saw now for the first time, crowing and jumping at the sight of the boat coming in; there was the eldest boy, looking awkward and out of place in his new slop-suit of black, shifting round uneasily, and looking anywhere but at his father. But the little girl was the worst, and a pretty little girl she was, too; she never took her streaming eyes off her father's face the whole time. You could see that her little heart was bursting, and with pity for him. They were too far apart to speak to each other as yet. The boat seemed a cruel long long time swinging alongside—I wished they'd hurry up. He'd brought his traps up early, and laid 'em on the deck under the rail; he stood very quiet with his hands behind him, looking at his children. He had a strong, square, workman's face, but I could see his chin and mouth quivering under the stubbly, iron-grey beard, and the lump working in his throat; and one strong hand gripped the other very tight behind, but his eyelids never quivered—only his eyes seemed to grow more and more sad and lonesome. These are the sort of long, cruel moments when a man sits or stands very tight and quiet and calm-looking, with his whole past life going whirling through his brain, year after year, and over and over again. Just as the digger seemed about to speak to them he met the brimming eyes of his little girl turned up to his face. He looked at her for a moment, and then turned suddenly and went below as if pretending to go down for his things. I noticed that Mitchell—who hadn't seemed to be noticing anything in particular—followed him down. When they came on deck again we were right alongside.

"'Ello, Nell!" said the digger to the eldest daughter.

"'Ello, father!" she said, with a sort of gasp, but trying to smile.

"'Ello, Jack, how are you getting on?"

"All right, father," said the boy, brightening up, and seeming greatly relieved.

He looked down at the little girl with a smile that I can't describe, but didn't speak to her. She still stood with quivering chin and mouth and great brimming eyes upturned, full of such pity as I never saw before in a child-face—pity for him.

"You can get ashore now," said Mitchell; "see, they've got the gangway out aft."

Presently I saw Mitchell with the portmanteau in his hand, and the baby on his arm, steering them away to a quiet corner of the shed at the top of the wharf. The digger had the little girl in his arms, and both hers were round his neck, and her face hidden on his shoulder.

When Mitchell came back, he leant on the rail for a while by my side, as if it was a boundary fence out back, and there was no hurry to break up camp and make a start.

"What did you follow him below that time for, Mitchell?" I asked presently, for want of something better to say.

Mitchell looked at me out of the corners of his eyes.

"I wanted to score a drink!" he said. "I thought he wanted one and wouldn't like to be a Jimmy Woodser."



Seeing the Last of You



"When you're going away by boat," said Mitchell, "you ought to say good-bye to the women at home, and to the chaps at the last pub. I hate waiting on the wharf or up on deck when the boat's behind time. There's no sense in it, and a lot of unnecessary misery. Your friends wait on the wharf and you are kept at the rail to the bitter end, just when they and you most want a spell. And why? Some of them hang out because they love you, and want to see the last of you; some because they don't like you to see them going away without seeing the last of you; and you hang out mostly because it would hurt 'em if you went below and didn't give them a chance of seeing the last of you all the time—and you curse the boat and wish to God it would start. And those who love you most—the women-folk of the family—and who are making all the fuss and breaking their hearts about having to see the last of you, and least want to do it—they hang out the longest, and are the most determined to see it. Where's the sense in it? What's the good of seeing the last of you? How do women manage to get consolation out of a thing like that?

"But women get consolation out of queer things sometimes," he added reflectively, "and so do men.

"I remember when I was knocking about the coasts, an old aunt of mine always persisted in coming down to see the last of me, and bringing the whole family too—no matter if I was only going away for a month. I was her favourite. I always turned up again in a few months; but if I'd come back every next boat it wouldn't have made the slightest difference to her. She'd say that I mightn't come back some day, and then she'd never forgive herself nor the family for not seeing me off. I suppose she'll see the end of me yet if she lives long enough—and she's a wiry old lady of the old school. She was old-fashioned and dressed like a fright, they said at home. They hated being seen in public with her; to tell the truth, I felt a bit ashamed, too, at times. I wouldn't be, now. When I'd get her off on to the wharf I'd be overcome with my feelings, and have to retire to the privacy of the bar to hide my emotions till the boat was going. And she'd stand on the end of the pier and wave her handkerchief and mop her old eyes with it until she was removed by force.

"God bless her old heart! There wasn't so much affection wasted on me at home that I felt crowded by hers; and I never lost anything by her seeing the last of me.

"I do wish the Oracle would stop that confounded fiddle of his—it makes you think over damned old things."



Two Boys at Grinder Brothers'



Five or six half-grown larrikins sat on the cemented sill of the big window of Grinder Bros.' Railway Coach Factory waiting for the work bell, and one of the number was Bill Anderson—known as "Carstor Hoil"—a young terror of fourteen or fifteen.

"Here comes Balmy Arvie," exclaimed Bill as a pale, timid-looking little fellow rounded the corner and stood against the wall by the door. "How's your parents, Balmy?"

The boy made no answer; he shrank closer to the entrance. The first bell went.

"What yer got for dinner, Balmy? Bread 'n' treacle?" asked the young ruffian; then for the edification of his chums he snatched the boy's dinner bag and emptied its contents on the pavement.

The door opened. Arvie gathered up his lunch, took his time-ticket, and hurried in.

"Well, Balmy," said one of the smiths as he passed, "what do you think of the boat race?"

"I think," said the boy, goaded to reply, "that it would be better if young fellows of this country didn't think so much about racin' an' fightin'."

The questioner stared blankly for a moment, then laughed suddenly in the boy's face, and turned away. The rest grinned.

"Arvie's getting balmier than ever," guffawed young Bill.

"Here, Carstor Hoil," cried one of the smiths' strikers, "how much oil will you take for a chew of terbaccer?"

"Teaspoonful?"

"No, two."

"All right; let's see the chew, first."

"Oh, you'll get it. What yer frighten' of?... Come on, chaps, 'n' see Bill drink oil."

Bill measured out some machine oil and drank it. He got the tobacco, and the others got what they called "the fun of seein' Bill drink oil!"

The second bell rang, and Bill went up to the other end of the shop, where Arvie was already at work sweeping shavings from under a bench.

The young terror seated himself on the end of this bench, drummed his heels against the leg, and whistled. He was in no hurry, for his foreman had not yet arrived. He amused himself by lazily tossing chips at Arvie, who made no protest for a while. "It would be—better—for this country," said the young terror, reflectively and abstractedly, cocking his eye at the whitewashed roof beams and feeling behind him on the bench for a heavier chip—"it would be better—for this country—if young fellers didn't think so much about—about—racin'—AND fightin'."

"You let me alone," said Arvie.

"Why, what'll you do?" exclaimed Bill, bringing his eye down with feigned surprise. Then, in an indignant tone, "I don't mind takin' a fall out of yer, now, if yer like."

Arvie went on with his work. Bill tossed all the chips within reach, and then sat carelessly watching some men at work, and whistling the "Dead March". Presently he asked:

"What's yer name, Balmy?"

No answer.

"Carn't yer answer a civil question? I'd soon knock the sulks out of yer if I was yer father."

"My name's Arvie; you know that."

"Arvie what?"

"Arvie Aspinall."

Bill cocked his eye at the roof and thought a while and whistled; then he said suddenly:

"Say, Balmy, where d'yer live?"

"Jones' Alley."

"What?"

"Jones' Alley."

A short, low whistle from Bill. "What house?"

"Number Eight."

"Garn! What yer giv'nus?"

"I'm telling the truth. What's there funny about it? What do I want to tell you a lie for?"

"Why, we lived there once, Balmy. Old folks livin'?"

"Mother is; father's dead."

Bill scratched the back of his head, protruded his under lip, and reflected.

"I say, Arvie, what did yer father die of?"

"Heart disease. He dropped down dead at his work."

Long, low, intense whistle from Bill. He wrinkled his forehead and stared up at the beams as if he expected to see something unusual there. After a while he said, very impressively: "So did mine."

The coincidence hadn't done striking him yet; he wrestled with it for nearly a minute longer. Then he said:

"I suppose yer mother goes out washin'?"

"Yes."

"'N' cleans offices?"

"Yes."

"So does mine. Any brothers 'n' sisters?"

"Two—one brother 'n' one sister."

Bill looked relieved—for some reason.

"I got nine," he said. "Yours younger'n you?"

"Yes."

"Lot of bother with the landlord?"

"Yes, a good lot."

"Had any bailiffs in yet?"

"Yes, two."

They compared notes a while longer, and tailed off into a silence which lasted three minutes and grew awkward towards the end.

Bill fidgeted about on the bench, reached round for a chip, but recollected himself. Then he cocked his eye at the roof once more and whistled, twirling a shaving round his fingers the while. At last he tore the shaving in two, jerked it impatiently from him, and said abruptly:

"Look here, Arvie! I'm sorry I knocked over yer barrer yesterday."

"Thank you."

This knocked Bill out the first round. He rubbed round uneasily on the bench, fidgeted with the vise, drummed his fingers, whistled, and finally thrust his hands in his pockets and dropped on his feet.

"Look here, Arvie!" he said in low, hurried tones. "Keep close to me goin' out to-night, 'n' if any of the other chaps touches yer or says anything to yer I'll hit 'em!"

Then he swung himself round the corner of a carriage "body" and was gone.

. . . . .

Arvie was late out of the shop that evening. His boss was a sub-contractor for the coach-painting, and always tried to find twenty minutes' work for his boys just about five or ten minutes before the bell rang. He employed boys because they were cheap and he had a lot of rough work, and they could get under floors and "bogies" with their pots and brushes, and do all the "priming" and paint the trucks. His name was Collins, and the boys were called "Collins' Babies". It was a joke in the shop that he had a "weaning" contract. The boys were all "over fourteen", of course, because of the Education Act. Some were nine or ten—wages from five shillings to ten shillings. It didn't matter to Grinder Brothers so long as the contracts were completed and the dividends paid. Collins preached in the park every Sunday. But this has nothing to do with the story.

When Arvie came out it was beginning to rain and the hands had all gone except Bill, who stood with his back to a verandah-post, spitting with very fair success at the ragged toe of one boot. He looked up, nodded carelessly at Arvie, and then made a dive for a passing lorry, on the end of which he disappeared round the next corner, unsuspected by the driver, who sat in front with his pipe in his mouth and a bag over his shoulders.

Arvie started home with his heart and mind pretty full, and a stronger, stranger aversion to ever going back to the shop again. This new, unexpected, and unsought-for friendship embarrassed the poor lonely child. It wasn't welcome.

But he never went back. He got wet going home, and that night he was a dying child. He had been ill all the time, and Collins was one "baby" short next day.



The Selector's Daughter



I.

She rode slowly down the steep siding from the main road to a track in the bed of the Long Gully, the old grey horse picking his way zig-zag fashion. She was about seventeen, slight in figure, and had a pretty freckled face with a pathetically drooping mouth, and big sad brown eyes. She wore a faded print dress, with an old black riding skirt drawn over it, and her head was hidden in one of those ugly, old-fashioned white hoods, which, seen from the rear, always suggest an old woman. She carried several parcels of groceries strapped to the front of the dilapidated side-saddle.

The track skirted a chain of rocky waterholes at the foot of the gully, and the girl glanced nervously at these ghastly, evil-looking pools as she passed them by. The sun had set, as far as Long Gully was concerned. The old horse carefully followed a rough bridle track, which ran up the gully now on one side of the watercourse and now on the other; the gully grew deeper and darker, and its sullen, scrub-covered sides rose more steeply as he progressed.

The girl glanced round frequently, as though afraid of someone following her. Once she drew rein, and listened to some bush sound. "Kangaroos," she murmured; it was only kangaroos. She crossed a dimmed little clearing where a farm had been, and entered a thick scrub of box and stringy-bark saplings. Suddenly with a heavy thud, thud, an "old man" kangaroo leapt the path in front, startling the girl fearfully, and went up the siding towards the peak.

"Oh, my God!" she gasped, with her hand on her heart.

She was very nervous this evening; her heart was hurt now, and she held her hand close to it, while tears started from her eyes and glistened in the light of the moon, which was rising over the gap ahead.

"Oh, if I could only go away from the bush!" she moaned.

The old horse plodded on, and now and then shook his head—sadly, it seemed—as if he knew her troubles and was sorry.

She passed another clearing, and presently came to a small homestead in a stringy-bark hollow below a great gap in the ridges—"Deadman's Gap". The place was called "Deadman's Hollow", and looked like it. The "house"—a low, two-roomed affair, with skillions—was built of half-round slabs and stringy-bark, and was nearly all roof; the bark, being darkened from recent rain, gave it a drearier appearance than usual.

A big, coarse-looking youth of about twenty was nailing a green kangaroo skin to the slabs; he was out of temper because he had bruised his thumb. The girl unstrapped the parcels and carried them in; as she passed her brother, she said:

"Take the saddle off for me, will you, Jack?"

"Oh, carnt yer take it off yerself?" he snarled; "carnt yer see I'm busy?"

She took off the saddle and bridle, and carried them into a shed, where she hung them on a beam. The patient old hack shook himself with an energy that seemed ill-advised, considering his age and condition, and went off towards the "dam".

An old woman sat in the main room beside a fireplace which took up almost the entire end of the house. A plank-table, supported on stakes driven into the ground, stood in the middle of the room, and two slab benches were fixtures on each side. The floor was clay. All was clean and poverty-stricken; all that could be whitewashed was white, and everything that could be washed was scrubbed. The slab shelves were covered with clean newspapers, on which bright tins, and pannikins, and fragments of crockery were set to the greatest advantage. The walls, however, were disfigured by Christmas supplements of illustrated journals.

The girl came in and sat down wearily on a stool opposite to the old woman.

"Are you any better, mother?" she asked.

"Very little, Mary, very little. Have you seen your father?"

"No."

"I wonder where he is?"

"You might wonder. What's the use of worrying about it, mother?"

"I suppose he's drinking again."

"Most likely. Worrying yourself to death won't help it!"

The old woman sat and moaned about her troubles, as old women do. She had plenty to moan about.

"I wonder where your brother Tom is? We haven't heard from him for a year now. He must be in trouble again; something tells me he must be in trouble again."

Mary swung her hood off into her lap.

"Why do you worry about it, mother? What's the use?"

"I only wish I knew. I only wish I knew!"

"What good would that do? You know Tom went droving with Fred Dunn, and Fred will look after him; and, besides, Tom's older now and got more sense."

"Oh, you don't care—you don't care! You don't feel it, but I'm his mother, and——"

"Oh, for God's sake, don't start that again, mother; it hurts me more than you think. I'm his sister; I've suffered enough, God knows! Don't make matters worse than they are!"

"Here comes father!" shouted one of the children outside, "'n' he's bringing home a steer."

The old woman sat still, and clasped her hands nervously. Mary tried to look cheerful, and moved the saucepan on the fire. A big, dark-bearded man, mounted on a small horse, was seen in the twilight driving a steer towards the cow-yard. A boy ran to let down the slip-rails.

Presently Mary and her mother heard the clatter of rails let down and put up again, and a minute later a heavy step like the tread of a horse was heard outside. The selector lumbered in, threw his hat in a corner, and sat down by the table. His wife rose and bustled round with simulated cheerfulness. Presently Mary hazarded—

"Where have you been, father?"

"Somewheers."

There was a wretched silence, lasting until the old woman took courage to say timidly:

"So you've brought a steer, Wylie?"

"Yes!" he snapped; the tone seemed defiant.

The old woman's hands trembled, so that she dropped a cup. Mary turned a shade paler.

"Here, git me some tea. Git me some TEA!" shouted Mr. Wylie. "I ain't agoin' to sit here all night!"

His wife made what haste her nervousness would allow, and they soon sat down to tea. Jack, the eldest son, was sulky, and his father muttered something about knocking the sulks out of him with an axe.

"What's annoyed you, Jack?" asked his mother, humbly.

He scowled and made no answer.

The younger children—three boys and a girl—began quarrelling as soon as they sat down. Wylie yelled at them now and then, and grumbled at the cooking, and at his wife for not being able to keep the children quiet. It was: "Marther! you didn't put no sugar in my tea." "Mother, Jimmy's got my place; make him move." "Mawther! do speak to this Fred." "Oh! father, this big brute of a Harry's kickin' me!" And so on.

II.

When the miserable meal was over, Wylie got a rope and a butcher's knife, and went out to slaughter the steer; but first there was a row, because he thought—or pretended to think—that somebody had been using his knife. He lassoed the beast, drew it up to the rails, and slaughtered it.

Meanwhile, Jack and his next brother took an old gun, let the dogs loose, and went 'possum shooting.

Presently Wylie came in again, sat down by the fire, and smoked. The children quarrelled over a boy's book; Mrs. Wylie made weak attempts to keep the peace, but they took no notice of her. Suddenly her husband rose with an oath, seized the novel, and threw it behind the fire.