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Our Mutual Friend
by Charles Dickens
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The more the door resisted him, the more dangerous and imminent became that bloody conspiracy against his life. Force of police arriving, he recognized in them the conspirators, and laid about him hoarsely, fiercely, staringly, convulsively, foamingly. A humble machine, familiar to the conspirators and called by the expressive name of Stretcher, being unavoidably sent for, he was rendered a harmless bundle of torn rags by being strapped down upon it, with voice and consciousness gone out of him, and life fast going. As this machine was borne out at the Temple gate by four men, the poor little dolls' dressmaker and her Jewish friend were coming up the street.

'Let us see what it is,' cried the dressmaker. 'Let us make haste and look, godmother.'

The brisk little crutch-stick was but too brisk. 'O gentlemen, gentlemen, he belongs to me!'

'Belongs to you?' said the head of the party, stopping it.

'O yes, dear gentlemen, he's my child, out without leave. My poor bad, bad boy! and he don't know me, he don't know me! O what shall I do,' cried the little creature, wildly beating her hands together, 'when my own child don't know me!'

The head of the party looked (as well he might) to the old man for explanation. He whispered, as the dolls' dressmaker bent over the exhausted form and vainly tried to extract some sign of recognition from it: 'It's her drunken father.'

As the load was put down in the street, Riah drew the head of the party aside, and whispered that he thought the man was dying. 'No, surely not?' returned the other. But he became less confident, on looking, and directed the bearers to 'bring him to the nearest doctor's shop.'

Thither he was brought; the window becoming from within, a wall of faces, deformed into all kinds of shapes through the agency of globular red bottles, green bottles, blue bottles, and other coloured bottles. A ghastly light shining upon him that he didn't need, the beast so furious but a few minutes gone, was quiet enough now, with a strange mysterious writing on his face, reflected from one of the great bottles, as if Death had marked him: 'Mine.'

The medical testimony was more precise and more to the purpose than it sometimes is in a Court of Justice. 'You had better send for something to cover it. All's over.'

Therefore, the police sent for something to cover it, and it was covered and borne through the streets, the people falling away. After it, went the dolls' dressmaker, hiding her face in the Jewish skirts, and clinging to them with one hand, while with the other she plied her stick. It was carried home, and, by reason that the staircase was very narrow, it was put down in the parlour—the little working-bench being set aside to make room for it—and there, in the midst of the dolls with no speculation in their eyes, lay Mr Dolls with no speculation in his.

Many flaunting dolls had to be gaily dressed, before the money was in the dressmaker's pocket to get mourning for Mr Dolls. As the old man, Riah, sat by, helping her in such small ways as he could, he found it difficult to make out whether she really did realize that the deceased had been her father.

'If my poor boy,' she would say, 'had been brought up better, he might have done better. Not that I reproach myself. I hope I have no cause for that.'

'None indeed, Jenny, I am very certain.'

'Thank you, godmother. It cheers me to hear you say so. But you see it is so hard to bring up a child well, when you work, work, work, all day. When he was out of employment, I couldn't always keep him near me. He got fractious and nervous, and I was obliged to let him go into the streets. And he never did well in the streets, he never did well out of sight. How often it happens with children!'

'Too often, even in this sad sense!' thought the old man.

'How can I say what I might have turned out myself, but for my back having been so bad and my legs so queer, when I was young!' the dressmaker would go on. 'I had nothing to do but work, and so I worked. I couldn't play. But my poor unfortunate child could play, and it turned out the worse for him.'

'And not for him alone, Jenny.'

'Well! I don't know, godmother. He suffered heavily, did my unfortunate boy. He was very, very ill sometimes. And I called him a quantity of names;' shaking her head over her work, and dropping tears. 'I don't know that his going wrong was much the worse for me. If it ever was, let us forget it.'

'You are a good girl, you are a patient girl.'

'As for patience,' she would reply with a shrug, 'not much of that, godmother. If I had been patient, I should never have called him names. But I hope I did it for his good. And besides, I felt my responsibility as a mother, so much. I tried reasoning, and reasoning failed. I tried coaxing, and coaxing failed. I tried scolding and scolding failed. But I was bound to try everything, you know, with such a charge upon my hands. Where would have been my duty to my poor lost boy, if I had not tried everything!'

With such talk, mostly in a cheerful tone on the part of the industrious little creature, the day-work and the night-work were beguiled until enough of smart dolls had gone forth to bring into the kitchen, where the working-bench now stood, the sombre stuff that the occasion required, and to bring into the house the other sombre preparations. 'And now,' said Miss Jenny, 'having knocked off my rosy-cheeked young friends, I'll knock off my white-cheeked self.' This referred to her making her own dress, which at last was done. 'The disadvantage of making for yourself,' said Miss Jenny, as she stood upon a chair to look at the result in the glass, 'is, that you can't charge anybody else for the job, and the advantage is, that you haven't to go out to try on. Humph! Very fair indeed! If He could see me now (whoever he is) I hope he wouldn't repent of his bargain!'

The simple arrangements were of her own making, and were stated to Riah thus:

'I mean to go alone, godmother, in my usual carriage, and you'll be so kind as keep house while I am gone. It's not far off. And when I return, we'll have a cup of tea, and a chat over future arrangements. It's a very plain last house that I have been able to give my poor unfortunate boy; but he'll accept the will for the deed if he knows anything about it; and if he doesn't know anything about it,' with a sob, and wiping her eyes, 'why, it won't matter to him. I see the service in the Prayer-book says, that we brought nothing into this world and it is certain we can take nothing out. It comforts me for not being able to hire a lot of stupid undertaker's things for my poor child, and seeming as if I was trying to smuggle 'em out of this world with him, when of course I must break down in the attempt, and bring 'em all back again. As it is, there'll be nothing to bring back but me, and that's quite consistent, for I shan't be brought back, some day!'

After that previous carrying of him in the streets, the wretched old fellow seemed to be twice buried. He was taken on the shoulders of half a dozen blossom-faced men, who shuffled with him to the churchyard, and who were preceded by another blossom-faced man, affecting a stately stalk, as if he were a Policeman of the D(eath) Division, and ceremoniously pretending not to know his intimate acquaintances, as he led the pageant. Yet, the spectacle of only one little mourner hobbling after, caused many people to turn their heads with a look of interest.

At last the troublesome deceased was got into the ground, to be buried no more, and the stately stalker stalked back before the solitary dressmaker, as if she were bound in honour to have no notion of the way home. Those Furies, the conventionalities, being thus appeased, he left her.

'I must have a very short cry, godmother, before I cheer up for good,' said the little creature, coming in. 'Because after all a child is a child, you know.'

It was a longer cry than might have been expected. Howbeit, it wore itself out in a shadowy corner, and then the dressmaker came forth, and washed her face, and made the tea. 'You wouldn't mind my cutting out something while we are at tea, would you?' she asked her Jewish friend, with a coaxing air.

'Cinderella, dear child,' the old man expostulated, 'will you never rest?'

'Oh! It's not work, cutting out a pattern isn't,' said Miss Jenny, with her busy little scissors already snipping at some paper. 'The truth is, godmother, I want to fix it while I have it correct in my mind.'

'Have you seen it to-day then?' asked Riah.

'Yes, godmother. Saw it just now. It's a surplice, that's what it is. Thing our clergymen wear, you know,' explained Miss Jenny, in consideration of his professing another faith.

'And what have you to do with that, Jenny?'

'Why, godmother,' replied the dressmaker, 'you must know that we Professors who live upon our taste and invention, are obliged to keep our eyes always open. And you know already that I have many extra expenses to meet just now. So, it came into my head while I was weeping at my poor boy's grave, that something in my way might be done with a clergyman.'

'What can be done?' asked the old man.

'Not a funeral, never fear!' returned Miss Jenny, anticipating his objection with a nod. 'The public don't like to be made melancholy, I know very well. I am seldom called upon to put my young friends into mourning; not into real mourning, that is; Court mourning they are rather proud of. But a doll clergyman, my dear,—glossy black curls and whiskers—uniting two of my young friends in matrimony,' said Miss Jenny, shaking her forefinger, 'is quite another affair. If you don't see those three at the altar in Bond Street, in a jiffy, my name's Jack Robinson!'

With her expert little ways in sharp action, she had got a doll into whitey-brown paper orders, before the meal was over, and was displaying it for the edification of the Jewish mind, when a knock was heard at the street-door. Riah went to open it, and presently came back, ushering in, with the grave and courteous air that sat so well upon him, a gentleman.

The gentleman was a stranger to the dressmaker; but even in the moment of his casting his eyes upon her, there was something in his manner which brought to her remembrance Mr Eugene Wrayburn.

'Pardon me,' said the gentleman. 'You are the dolls' dressmaker?'

'I am the dolls' dressmaker, sir.'

'Lizzie Hexam's friend?'

'Yes, sir,' replied Miss Jenny, instantly on the defensive. 'And Lizzie Hexam's friend.'

'Here is a note from her, entreating you to accede to the request of Mr Mortimer Lightwood, the bearer. Mr Riah chances to know that I am Mr Mortimer Lightwood, and will tell you so.'

Riah bent his head in corroboration.

'Will you read the note?'

'It's very short,' said Jenny, with a look of wonder, when she had read it.

'There was no time to make it longer. Time was so very precious. My dear friend Mr Eugene Wrayburn is dying.'

The dressmaker clasped her hands, and uttered a little piteous cry.

'Is dying,' repeated Lightwood, with emotion, 'at some distance from here. He is sinking under injuries received at the hands of a villain who attacked him in the dark. I come straight from his bedside. He is almost always insensible. In a short restless interval of sensibility, or partial sensibility, I made out that he asked for you to be brought to sit by him. Hardly relying on my own interpretation of the indistinct sounds he made, I caused Lizzie to hear them. We were both sure that he asked for you.'

The dressmaker, with her hands still clasped, looked affrightedly from the one to the other of her two companions.

'If you delay, he may die with his request ungratified, with his last wish—intrusted to me—we have long been much more than brothers—unfulfilled. I shall break down, if I try to say more.

In a few moments the black bonnet and the crutch-stick were on duty, the good Jew was left in possession of the house, and the dolls' dressmaker, side by side in a chaise with Mortimer Lightwood, was posting out of town.



Chapter 10

THE DOLLS' DRESSMAKER DISCOVERS A WORD

A darkened and hushed room; the river outside the windows flowing on to the vast ocean; a figure on the bed, swathed and bandaged and bound, lying helpless on its back, with its two useless arms in splints at its sides. Only two days of usage so familiarized the little dressmaker with this scene, that it held the place occupied two days ago by the recollections of years.

He had scarcely moved since her arrival. Sometimes his eyes were open, sometimes closed. When they were open, there was no meaning in their unwinking stare at one spot straight before them, unless for a moment the brow knitted into a faint expression of anger, or surprise. Then, Mortimer Lightwood would speak to him, and on occasions he would be so far roused as to make an attempt to pronounce his friend's name. But, in an instant consciousness was gone again, and no spirit of Eugene was in Eugene's crushed outer form.

They provided Jenny with materials for plying her work, and she had a little table placed at the foot of his bed. Sitting there, with her rich shower of hair falling over the chair-back, they hoped she might attract his notice. With the same object, she would sing, just above her breath, when he opened his eyes, or she saw his brow knit into that faint expression, so evanescent that it was like a shape made in water. But as yet he had not heeded. The 'they' here mentioned were the medical attendant; Lizzie, who was there in all her intervals of rest; and Lightwood, who never left him.

The two days became three, and the three days became four. At length, quite unexpectedly, he said something in a whisper.

'What was it, my dear Eugene?'

'Will you, Mortimer—'

'Will I—?

—'Send for her?'

'My dear fellow, she is here.'

Quite unconscious of the long blank, he supposed that they were still speaking together.

The little dressmaker stood up at the foot of the bed, humming her song, and nodded to him brightly. 'I can't shake hands, Jenny,' said Eugene, with something of his old look; 'but I am very glad to see you.'

Mortimer repeated this to her, for it could only be made out by bending over him and closely watching his attempts to say it. In a little while, he added:

'Ask her if she has seen the children.'

Mortimer could not understand this, neither could Jenny herself, until he added:

'Ask her if she has smelt the flowers.'

'Oh! I know!' cried Jenny. 'I understand him now!' Then, Lightwood yielded his place to her quick approach, and she said, bending over the bed, with that better look: 'You mean my long bright slanting rows of children, who used to bring me ease and rest? You mean the children who used to take me up, and make me light?'

Eugene smiled, 'Yes.'

'I have not seen them since I saw you. I never see them now, but I am hardly ever in pain now.'

'It was a pretty fancy,' said Eugene.

'But I have heard my birds sing,' cried the little creature, 'and I have smelt my flowers. Yes, indeed I have! And both were most beautiful and most Divine!'

'Stay and help to nurse me,' said Eugene, quietly. 'I should like you to have the fancy here, before I die.'

She touched his lips with her hand, and shaded her eyes with that same hand as she went back to her work and her little low song. He heard the song with evident pleasure, until she allowed it gradually to sink away into silence.

'Mortimer.'

'My dear Eugene.'

'If you can give me anything to keep me here for only a few minutes—'

To keep you here, Eugene?'

'To prevent my wandering away I don't know where—for I begin to be sensible that I have just come back, and that I shall lose myself again—do so, dear boy!'

Mortimer gave him such stimulants as could be given him with safety (they were always at hand, ready), and bending over him once more, was about to caution him, when he said:

'Don't tell me not to speak, for I must speak. If you knew the harassing anxiety that gnaws and wears me when I am wandering in those places—where are those endless places, Mortimer? They must be at an immense distance!'

He saw in his friend's face that he was losing himself; for he added after a moment: 'Don't be afraid—I am not gone yet. What was it?'

'You wanted to tell me something, Eugene. My poor dear fellow, you wanted to say something to your old friend—to the friend who has always loved you, admired you, imitated you, founded himself upon you, been nothing without you, and who, God knows, would be here in your place if he could!'

'Tut, tut!' said Eugene with a tender glance as the other put his hand before his face. 'I am not worth it. I acknowledge that I like it, dear boy, but I am not worth it. This attack, my dear Mortimer; this murder—'

His friend leaned over him with renewed attention, saying: 'You and I suspect some one.'

'More than suspect. But, Mortimer, while I lie here, and when I lie here no longer, I trust to you that the perpetrator is never brought to justice.'

'Eugene?'

'Her innocent reputation would be ruined, my friend. She would be punished, not he. I have wronged her enough in fact; I have wronged her still more in intention. You recollect what pavement is said to be made of good intentions. It is made of bad intentions too. Mortimer, I am lying on it, and I know!'

'Be comforted, my dear Eugene.'

'I will, when you have promised me. Dear Mortimer, the man must never be pursued. If he should be accused, you must keep him silent and save him. Don't think of avenging me; think only of hushing the story and protecting her. You can confuse the case, and turn aside the circumstances. Listen to what I say to you. It was not the schoolmaster, Bradley Headstone. Do you hear me? Twice; it was not the schoolmaster, Bradley Headstone. Do you hear me? Three times; it was not the schoolmaster, Bradley Headstone.'

He stopped, exhausted. His speech had been whispered, broken, and indistinct; but by a great effort he had made it plain enough to be unmistakeable.

'Dear fellow, I am wandering away. Stay me for another moment, if you can.'

Lightwood lifted his head at the neck, and put a wine-glass to his lips. He rallied.

'I don't know how long ago it was done, whether weeks, days, or hours. No matter. There is inquiry on foot, and pursuit. Say! Is there not?'

'Yes.'

'Check it; divert it! Don't let her be brought in question. Shield her. The guilty man, brought to justice, would poison her name. Let the guilty man go unpunished. Lizzie and my reparation before all! Promise me!'

'Eugene, I do. I promise you!'

In the act of turning his eyes gratefully towards his friend, he wandered away. His eyes stood still, and settled into that former intent unmeaning stare.

Hours and hours, days and nights, he remained in this same condition. There were times when he would calmly speak to his friend after a long period of unconsciousness, and would say he was better, and would ask for something. Before it could be given him, he would be gone again.

The dolls' dressmaker, all softened compassion now, watched him with an earnestness that never relaxed. She would regularly change the ice, or the cooling spirit, on his head, and would keep her ear at the pillow betweenwhiles, listening for any faint words that fell from him in his wanderings. It was amazing through how many hours at a time she would remain beside him, in a crouching attitude, attentive to his slightest moan. As he could not move a hand, he could make no sign of distress; but, through this close watching (if through no secret sympathy or power) the little creature attained an understanding of him that Lightwood did not possess. Mortimer would often turn to her, as if she were an interpreter between this sentient world and the insensible man; and she would change the dressing of a wound, or ease a ligature, or turn his face, or alter the pressure of the bedclothes on him, with an absolute certainty of doing right. The natural lightness and delicacy of touch which had become very refined by practice in her miniature work, no doubt was involved in this; but her perception was at least as fine.

The one word, Lizzie, he muttered millions of times. In a certain phase of his distressful state, which was the worst to those who tended him, he would roll his head upon the pillow, incessantly repeating the name in a hurried and impatient manner, with the misery of a disturbed mind, and the monotony of a machine. Equally, when he lay still and staring, he would repeat it for hours without cessation, but then, always in a tone of subdued warning and horror. Her presence and her touch upon his breast or face would often stop this, and then they learned to expect that he would for some time remain still, with his eyes closed, and that he would be conscious on opening them. But, the heavy disappointment of their hope—revived by the welcome silence of the room—was, that his spirit would glide away again and be lost, in the moment of their joy that it was there.

This frequent rising of a drowning man from the deep, to sink again, was dreadful to the beholders. But, gradually the change stole upon him that it became dreadful to himself. His desire to impart something that was on his mind, his unspeakable yearning to have speech with his friend and make a communication to him, so troubled him when he recovered consciousness, that its term was thereby shortened. As the man rising from the deep would disappear the sooner for fighting with the water, so he in his desperate struggle went down again.

One afternoon when he had been lying still, and Lizzie, unrecognized, had just stolen out of the room to pursue her occupation, he uttered Lightwood's name.

'My dear Eugene, I am here.'

'How long is this to last, Mortimer?'

Lightwood shook his head. 'Still, Eugene, you are no worse than you were.'

'But I know there's no hope. Yet I pray it may last long enough for you to do me one last service, and for me to do one last action. Keep me here a few moments, Mortimer. Try, try!'

His friend gave him what aid he could, and encouraged him to believe that he was more composed, though even then his eyes were losing the expression they so rarely recovered.

'Hold me here, dear fellow, if you can. Stop my wandering away. I am going!'

'Not yet, not yet. Tell me, dear Eugene, what is it I shall do?'

'Keep me here for only a single minute. I am going away again. Don't let me go. Hear me speak first. Stop me—stop me!'

'My poor Eugene, try to be calm.'

'I do try. I try so hard. If you only knew how hard! Don't let me wander till I have spoken. Give me a little more wine.'

Lightwood complied. Eugene, with a most pathetic struggle against the unconsciousness that was coming over him, and with a look of appeal that affected his friend profoundly, said:

'You can leave me with Jenny, while you speak to her and tell her what I beseech of her. You can leave me with Jenny, while you are gone. There's not much for you to do. You won't be long away.'

'No, no, no. But tell me what it is that I shall do, Eugene!'

'I am going! You can't hold me.'

'Tell me in a word, Eugene!'

His eyes were fixed again, and the only word that came from his lips was the word millions of times repeated. Lizzie, Lizzie, Lizzie.

But, the watchful little dressmaker had been vigilant as ever in her watch, and she now came up and touched Lightwood's arm as he looked down at his friend, despairingly.

'Hush!' she said, with her finger on her lips. 'His eyes are closing. He'll be conscious when he next opens them. Shall I give you a leading word to say to him?'

'O Jenny, if you could only give me the right word!'

'I can. Stoop down.'

He stooped, and she whispered in his ear. She whispered in his ear one short word of a single syllable. Lightwood started, and looked at her.

'Try it,' said the little creature, with an excited and exultant face. She then bent over the unconscious man, and, for the first time, kissed him on the cheek, and kissed the poor maimed hand that was nearest to her. Then, she withdrew to the foot of the bed.

Some two hours afterwards, Mortimer Lightwood saw his consciousness come back, and instantly, but very tranquilly, bent over him.

'Don't speak, Eugene. Do no more than look at me, and listen to me. You follow what I say.'

He moved his head in assent.

'I am going on from the point where we broke off. Is the word we should soon have come to—is it—Wife?'

'O God bless you, Mortimer!'

'Hush! Don't be agitated. Don't speak. Hear me, dear Eugene. Your mind will be more at peace, lying here, if you make Lizzie your wife. You wish me to speak to her, and tell her so, and entreat her to be your wife. You ask her to kneel at this bedside and be married to you, that your reparation may be complete. Is that so?'

'Yes. God bless you! Yes.'

'It shall be done, Eugene. Trust it to me. I shall have to go away for some few hours, to give effect to your wishes. You see this is unavoidable?'

'Dear friend, I said so.'

'True. But I had not the clue then. How do you think I got it?'

Glancing wistfully around, Eugene saw Miss Jenny at the foot of the bed, looking at him with her elbows on the bed, and her head upon her hands. There was a trace of his whimsical air upon him, as he tried to smile at her.

'Yes indeed,' said Lightwood, 'the discovery was hers. Observe my dear Eugene; while I am away you will know that I have discharged my trust with Lizzie, by finding her here, in my present place at your bedside, to leave you no more. A final word before I go. This is the right course of a true man, Eugene. And I solemnly believe, with all my soul, that if Providence should mercifully restore you to us, you will be blessed with a noble wife in the preserver of your life, whom you will dearly love.'

'Amen. I am sure of that. But I shall not come through it, Mortimer.'

'You will not be the less hopeful or less strong, for this, Eugene.'

'No. Touch my face with yours, in case I should not hold out till you come back. I love you, Mortimer. Don't be uneasy for me while you are gone. If my dear brave girl will take me, I feel persuaded that I shall live long enough to be married, dear fellow.'

Miss Jenny gave up altogether on this parting taking place between the friends, and sitting with her back towards the bed in the bower made by her bright hair, wept heartily, though noiselessly. Mortimer Lightwood was soon gone. As the evening light lengthened the heavy reflections of the trees in the river, another figure came with a soft step into the sick room.

'Is he conscious?' asked the little dressmaker, as the figure took its station by the pillow. For, Jenny had given place to it immediately, and could not see the sufferer's face, in the dark room, from her new and removed position.

'He is conscious, Jenny,' murmured Eugene for himself. 'He knows his wife.'



Chapter 11

EFFECT IS GIVEN TO THE DOLLS' DRESSMAKER'S DISCOVERY

Mrs John Rokesmith sat at needlework in her neat little room, beside a basket of neat little articles of clothing, which presented so much of the appearance of being in the dolls' dressmaker's way of business, that one might have supposed she was going to set up in opposition to Miss Wren. Whether the Complete British Family Housewife had imparted sage counsel anent them, did not appear, but probably not, as that cloudy oracle was nowhere visible. For certain, however, Mrs John Rokesmith stitched at them with so dexterous a hand, that she must have taken lessons of somebody. Love is in all things a most wonderful teacher, and perhaps love (from a pictorial point of view, with nothing on but a thimble), had been teaching this branch of needlework to Mrs John Rokesmith.

It was near John's time for coming home, but as Mrs John was desirous to finish a special triumph of her skill before dinner, she did not go out to meet him. Placidly, though rather consequentially smiling, she sat stitching away with a regular sound, like a sort of dimpled little charming Dresden-china clock by the very best maker.

A knock at the door, and a ring at the bell. Not John; or Bella would have flown out to meet him. Then who, if not John? Bella was asking herself the question, when that fluttering little fool of a servant fluttered in, saying, 'Mr Lightwood!'

Oh good gracious!

Bella had but time to throw a handkerchief over the basket, when Mr Lightwood made his bow. There was something amiss with Mr Lightwood, for he was strangely grave and looked ill.

With a brief reference to the happy time when it had been his privilege to know Mrs Rokesmith as Miss Wilfer, Mr Lightwood explained what was amiss with him and why he came. He came bearing Lizzie Hexam's earnest hope that Mrs John Rokesmith would see her married.

Bella was so fluttered by the request, and by the short narrative he had feelingly given her, that there never was a more timely smelling-bottle than John's knock. 'My husband,' said Bella; 'I'll bring him in.'

But, that turned out to be more easily said than done; for, the instant she mentioned Mr Lightwood's name, John stopped, with his hand upon the lock of the room door.

'Come up stairs, my darling.'

Bella was amazed by the flush in his face, and by his sudden turning away. 'What can it mean?' she thought, as she accompanied him up stairs.

'Now, my life,' said John, taking her on his knee, 'tell me all about it.'

All very well to say, 'Tell me all about it;' but John was very much confused. His attention evidently trailed off, now and then, even while Bella told him all about it. Yet she knew that he took a great interest in Lizzie and her fortunes. What could it mean?

'You will come to this marriage with me, John dear?'

'N—no, my love; I can't do that.'

'You can't do that, John?'

'No, my dear, it's quite out of the question. Not to be thought of.'

'Am I to go alone, John?'

'No, my dear, you will go with Mr Lightwood.'

'Don't you think it's time we went down to Mr Lightwood, John dear?' Bella insinuated.

'My darling, it's almost time you went, but I must ask you to excuse me to him altogether.'

'You never mean, John dear, that you are not going to see him? Why, he knows you have come home. I told him so.'

'That's a little unfortunate, but it can't be helped. Unfortunate or fortunate, I positively cannot see him, my love.'

Bella cast about in her mind what could be his reason for this unaccountable behaviour; as she sat on his knee looking at him in astonishment and pouting a little. A weak reason presented itself.

'John dear, you never can be jealous of Mr Lightwood?'

'Why, my precious child,' returned her husband, laughing outright: 'how could I be jealous of him? Why should I be jealous of him?'

'Because, you know, John,' pursued Bella, pouting a little more, 'though he did rather admire me once, it was not my fault.'

'It was your fault that I admired you,' returned her husband, with a look of pride in her, 'and why not your fault that he admired you? But, I jealous on that account? Why, I must go distracted for life, if I turned jealous of every one who used to find my wife beautiful and winning!'

'I am half angry with you, John dear,' said Bella, laughing a little, 'and half pleased with you; because you are such a stupid old fellow, and yet you say nice things, as if you meant them. Don't be mysterious, sir. What harm do you know of Mr Lightwood?'

'None, my love.'

'What has he ever done to you, John?'

'He has never done anything to me, my dear. I know no more against him than I know against Mr Wrayburn; he has never done anything to me; neither has Mr Wrayburn. And yet I have exactly the same objection to both of them.'

'Oh, John!' retorted Bella, as if she were giving him up for a bad job, as she used to give up herself. 'You are nothing better than a sphinx! And a married sphinx isn't a—isn't a nice confidential husband,' said Bella, in a tone of injury.

'Bella, my life,' said John Rokesmith, touching her cheek, with a grave smile, as she cast down her eyes and pouted again; 'look at me. I want to speak to you.'

'In earnest, Blue Beard of the secret chamber?' asked Bella, clearing her pretty face.

'In earnest. And I confess to the secret chamber. Don't you remember that you asked me not to declare what I thought of your higher qualities until you had been tried?'

'Yes, John dear. And I fully meant it, and I fully mean it.'

'The time will come, my darling—I am no prophet, but I say so,—when you WILL be tried. The time will come, I think, when you will undergo a trial through which you will never pass quite triumphantly for me, unless you can put perfect faith in me.'

'Then you may be sure of me, John dear, for I can put perfect faith in you, and I do, and I always, always will. Don't judge me by a little thing like this, John. In little things, I am a little thing myself—I always was. But in great things, I hope not; I don't mean to boast, John dear, but I hope not!'

He was even better convinced of the truth of what she said than she was, as he felt her loving arms about him. If the Golden Dustman's riches had been his to stake, he would have staked them to the last farthing on the fidelity through good and evil of her affectionate and trusting heart.

'Now, I'll go down to, and go away with, Mr Lightwood,' said Bella, springing up. 'You are the most creasing and tumbling Clumsy-Boots of a packer, John, that ever was; but if you're quite good, and will promise never to do so any more (though I don't know what you have done!) you may pack me a little bag for a night, while I get my bonnet on.'

He gaily complied, and she tied her dimpled chin up, and shook her head into her bonnet, and pulled out the bows of her bonnet-strings, and got her gloves on, finger by finger, and finally got them on her little plump hands, and bade him good-bye and went down. Mr Lightwood's impatience was much relieved when he found her dressed for departure.

'Mr Rokesmith goes with us?' he said, hesitating, with a look towards the door.

'Oh, I forgot!' replied Bella. 'His best compliments. His face is swollen to the size of two faces, and he is to go to bed directly, poor fellow, to wait for the doctor, who is coming to lance him.'

'It is curious,' observed Lightwood, 'that I have never yet seen Mr Rokesmith, though we have been engaged in the same affairs.'

'Really?' said the unblushing Bella.

'I begin to think,' observed Lightwood, 'that I never shall see him.'

'These things happen so oddly sometimes,' said Bella with a steady countenance, 'that there seems a kind of fatality in them. But I am quite ready, Mr Lightwood.'

They started directly, in a little carriage that Lightwood had brought with him from never-to-be-forgotten Greenwich; and from Greenwich they started directly for London; and in London they waited at a railway station until such time as the Reverend Frank Milvey, and Margaretta his wife, with whom Mortimer Lightwood had been already in conference, should come and join them.

That worthy couple were delayed by a portentous old parishioner of the female gender, who was one of the plagues of their lives, and with whom they bore with most exemplary sweetness and good-humour, notwithstanding her having an infection of absurdity about her, that communicated itself to everything with which, and everybody with whom, she came in contact. She was a member of the Reverend Frank's congregation, and made a point of distinguishing herself in that body, by conspicuously weeping at everything, however cheering, said by the Reverend Frank in his public ministration; also by applying to herself the various lamentations of David, and complaining in a personally injured manner (much in arrear of the clerk and the rest of the respondents) that her enemies were digging pit-falls about her, and breaking her with rods of iron. Indeed, this old widow discharged herself of that portion of the Morning and Evening Service as if she were lodging a complaint on oath and applying for a warrant before a magistrate. But this was not her most inconvenient characteristic, for that took the form of an impression, usually recurring in inclement weather and at about daybreak, that she had something on her mind and stood in immediate need of the Reverend Frank to come and take it off. Many a time had that kind creature got up, and gone out to Mrs Sprodgkin (such was the disciple's name), suppressing a strong sense of her comicality by his strong sense of duty, and perfectly knowing that nothing but a cold would come of it. However, beyond themselves, the Reverend Frank Milvey and Mrs Milvey seldom hinted that Mrs Sprodgkin was hardly worth the trouble she gave; but both made the best of her, as they did of all their troubles.

This very exacting member of the fold appeared to be endowed with a sixth sense, in regard of knowing when the Reverend Frank Milvey least desired her company, and with promptitude appearing in his little hall. Consequently, when the Reverend Frank had willingly engaged that he and his wife would accompany Lightwood back, he said, as a matter of course: 'We must make haste to get out, Margaretta, my dear, or we shall be descended on by Mrs Sprodgkin.' To which Mrs Milvey replied, in her pleasantly emphatic way, 'Oh YES, for she IS such a marplot, Frank, and DOES worry so!' Words that were scarcely uttered when their theme was announced as in faithful attendance below, desiring counsel on a spiritual matter. The points on which Mrs Sprodgkin sought elucidation being seldom of a pressing nature (as Who begat Whom, or some information concerning the Amorites), Mrs Milvey on this special occasion resorted to the device of buying her off with a present of tea and sugar, and a loaf and butter. These gifts Mrs Sprodgkin accepted, but still insisted on dutifully remaining in the hall, to curtsey to the Reverend Frank as he came forth. Who, incautiously saying in his genial manner, 'Well, Sally, there you are!' involved himself in a discursive address from Mrs Sprodgkin, revolving around the result that she regarded tea and sugar in the light of myrrh and frankincense, and considered bread and butter identical with locusts and wild honey. Having communicated this edifying piece of information, Mrs Sprodgkin was left still unadjourned in the hall, and Mr and Mrs Milvey hurried in a heated condition to the railway station. All of which is here recorded to the honour of that good Christian pair, representatives of hundreds of other good Christian pairs as conscientious and as useful, who merge the smallness of their work in its greatness, and feel in no danger of losing dignity when they adapt themselves to incomprehensible humbugs.

'Detained at the last moment by one who had a claim upon me,' was the Reverend Frank's apology to Lightwood, taking no thought of himself. To which Mrs Milvey added, taking thought for him, like the championing little wife she was; 'Oh yes, detained at the last moment. But AS to the claim, Frank, I MUST say that I DO think you are OVER-considerate sometimes, and allow THAT to be a LITTLE abused.'

Bella felt conscious, in spite of her late pledge for herself, that her husband's absence would give disagreeable occasion for surprise to the Milveys. Nor could she appear quite at her ease when Mrs Milvey asked:

'HOW is Mr Rokesmith, and IS he gone before us, or DOES he follow us?'

It becoming necessary, upon this, to send him to bed again and hold him in waiting to be lanced again, Bella did it. But not half as well on the second occasion as on the first; for, a twice-told white one seems almost to become a black one, when you are not used to it.

'Oh DEAR!' said Mrs Milvey, 'I am SO sorry! Mr Rokesmith took SUCH an interest in Lizzie Hexam, when we were there before. And if we had ONLY known of his face, we COULD have given him something that would have kept it down long enough for so SHORT a purpose.'

By way of making the white one whiter, Bella hastened to stipulate that he was not in pain. Mrs Milvey was SO glad of it.

'I don't know HOW it is,' said Mrs Milvey, 'and I am SURE you don't, Frank, but the clergy and their wives seem to CAUSE swelled faces. Whenever I take notice of a child in the school, it seems to me as if its face swelled INSTANTLY. Frank NEVER makes acquaintance with a new old woman, but she gets the face-ache. And another thing is, we DO make the poor children sniff so. I don't know HOW we do it, and I should be so glad not to; but the MORE we take notice of them, the MORE they sniff. Just as they do when the text is given out.—Frank, that's a schoolmaster. I have seen him somewhere.'

The reference was to a young man of reserved appearance, in a coat and waistcoat of black, and pantaloons of pepper and salt. He had come into the office of the station, from its interior, in an unsettled way, immediately after Lightwood had gone out to the train; and he had been hurriedly reading the printed hills and notices on the wall. He had had a wandering interest in what was said among the people waiting there and passing to and fro. He had drawn nearer, at about the time when Mrs Milvey mentioned Lizzie Hexam, and had remained near, since: though always glancing towards the door by which Lightwood had gone out. He stood with his back towards them, and his gloved hands clasped behind him. There was now so evident a faltering upon him, expressive of indecision whether or no he should express his having heard himself referred to, that Mr Milvey spoke to him.

'I cannot recall your name,' he said, 'but I remember to have seen you in your school.'

'My name is Bradley Headstone, sir,' he replied, backing into a more retired place.

'I ought to have remembered it,' said Mr Milvey, giving him his hand. 'I hope you are well? A little overworked, I am afraid?'

'Yes, I am overworked just at present, sir.'

'Had no play in your last holiday time?'

'No, sir.'

'All work and no play, Mr Headstone, will not make dulness, in your case, I dare say; but it will make dyspepsia, if you don't take care.'

'I will endeavour to take care, sir. Might I beg leave to speak to you, outside, a moment?'

'By all means.'

It was evening, and the office was well lighted. The schoolmaster, who had never remitted his watch on Lightwood's door, now moved by another door to a corner without, where there was more shadow than light; and said, plucking at his gloves:

'One of your ladies, sir, mentioned within my hearing a name that I am acquainted with; I may say, well acquainted with. The name of the sister of an old pupil of mine. He was my pupil for a long time, and has got on and gone upward rapidly. The name of Hexam. The name of Lizzie Hexam.' He seemed to be a shy man, struggling against nervousness, and spoke in a very constrained way. The break he set between his last two sentences was quite embarrassing to his hearer.

'Yes,' replied Mr Milvey. 'We are going down to see her.'

'I gathered as much, sir. I hope there is nothing amiss with the sister of my old pupil? I hope no bereavement has befallen her. I hope she is in no affliction? Has lost no—relation?'

Mr Milvey thought this a man with a very odd manner, and a dark downward look; but he answered in his usual open way.

'I am glad to tell you, Mr Headstone, that the sister of your old pupil has not sustained any such loss. You thought I might be going down to bury some one?'

'That may have been the connexion of ideas, sir, with your clerical character, but I was not conscious of it.—Then you are not, sir?'

A man with a very odd manner indeed, and with a lurking look that was quite oppressive.

'No. In fact,' said Mr Milvey, 'since you are so interested in the sister of your old pupil, I may as well tell you that I am going down to marry her.'

The schoolmaster started back.

'Not to marry her, myself,' said Mr Milvey, with a smile, 'because I have a wife already. To perform the marriage service at her wedding.'

Bradley Headstone caught hold of a pillar behind him. If Mr Milvey knew an ashy face when he saw it, he saw it then.

'You are quite ill, Mr Headstone!'

'It is not much, sir. It will pass over very soon. I am accustomed to be seized with giddiness. Don't let me detain you, sir; I stand in need of no assistance, I thank you. Much obliged by your sparing me these minutes of your time.'

As Mr Milvey, who had no more minutes to spare, made a suitable reply and turned back into the office, he observed the schoolmaster to lean against the pillar with his hat in his hand, and to pull at his neckcloth as if he were trying to tear it off. The Reverend Frank accordingly directed the notice of one of the attendants to him, by saying: 'There is a person outside who seems to be really ill, and to require some help, though he says he does not.'

Lightwood had by this time secured their places, and the departure-bell was about to be rung. They took their seats, and were beginning to move out of the station, when the same attendant came running along the platform, looking into all the carriages.

'Oh! You are here, sir!' he said, springing on the step, and holding the window-frame by his elbow, as the carriage moved. 'That person you pointed out to me is in a fit.'

'I infer from what he told me that he is subject to such attacks. He will come to, in the air, in a little while.'

He was took very bad to be sure, and was biting and knocking about him (the man said) furiously. Would the gentleman give him his card, as he had seen him first? The gentleman did so, with the explanation that he knew no more of the man attacked than that he was a man of a very respectable occupation, who had said he was out of health, as his appearance would of itself have indicated. The attendant received the card, watched his opportunity for sliding down, slid down, and so it ended.

Then, the train rattled among the house-tops, and among the ragged sides of houses torn down to make way for it, and over the swarming streets, and under the fruitful earth, until it shot across the river: bursting over the quiet surface like a bomb-shell, and gone again as if it had exploded in the rush of smoke and steam and glare. A little more, and again it roared across the river, a great rocket: spurning the watery turnings and doublings with ineffable contempt, and going straight to its end, as Father Time goes to his. To whom it is no matter what living waters run high or low, reflect the heavenly lights and darknesses, produce their little growth of weeds and flowers, turn here, turn there, are noisy or still, are troubled or at rest, for their course has one sure termination, though their sources and devices are many.

Then, a carriage ride succeeded, near the solemn river, stealing away by night, as all things steal away, by night and by day, so quietly yielding to the attraction of the loadstone rock of Eternity; and the nearer they drew to the chamber where Eugene lay, the more they feared that they might find his wanderings done. At last they saw its dim light shining out, and it gave them hope: though Lightwood faltered as he thought: 'If he were gone, she would still be sitting by him.'

But he lay quiet, half in stupor, half in sleep. Bella, entering with a raised admonitory finger, kissed Lizzie softly, but said not a word. Neither did any of them speak, but all sat down at the foot of the bed, silently waiting. And now, in this night-watch, mingling with the flow of the river and with the rush of the train, came the questions into Bella's mind again: What could be in the depths of that mystery of John's? Why was it that he had never been seen by Mr Lightwood, whom he still avoided? When would that trial come, through which her faith in, and her duty to, her dear husband, was to carry her, rendering him triumphant? For, that had been his term. Her passing through the trial was to make the man she loved with all her heart, triumphant. Term not to sink out of sight in Bella's breast.

Far on in the night, Eugene opened his eyes. He was sensible, and said at once: 'How does the time go? Has our Mortimer come back?'

Lightwood was there immediately, to answer for himself. 'Yes, Eugene, and all is ready.'

'Dear boy!' returned Eugene with a smile, 'we both thank you heartily. Lizzie, tell them how welcome they are, and that I would be eloquent if I could.'

'There is no need,' said Mr Milvey. 'We know it. Are you better, Mr Wrayburn?'

'I am much happier,' said Eugene.

'Much better too, I hope?'

Eugene turned his eyes towards Lizzie, as if to spare her, and answered nothing.

Then, they all stood around the bed, and Mr Milvey, opening his book, began the service; so rarely associated with the shadow of death; so inseparable in the mind from a flush of life and gaiety and hope and health and joy. Bella thought how different from her own sunny little wedding, and wept. Mrs Milvey overflowed with pity, and wept too. The dolls' dressmaker, with her hands before her face, wept in her golden bower. Reading in a low clear voice, and bending over Eugene, who kept his eyes upon him, Mr Milvey did his office with suitable simplicity. As the bridegroom could not move his hand, they touched his fingers with the ring, and so put it on the bride. When the two plighted their troth, she laid her hand on his and kept it there. When the ceremony was done, and all the rest departed from the room, she drew her arm under his head, and laid her own head down upon the pillow by his side.

'Undraw the curtains, my dear girl,' said Eugene, after a while, 'and let us see our wedding-day.'

The sun was rising, and his first rays struck into the room, as she came back, and put her lips to his. 'I bless the day!' said Eugene. 'I bless the day!' said Lizzie.

'You have made a poor marriage of it, my sweet wife,' said Eugene. 'A shattered graceless fellow, stretched at his length here, and next to nothing for you when you are a young widow.'

'I have made the marriage that I would have given all the world to dare to hope for,' she replied.

'You have thrown yourself away,' said Eugene, shaking his head. 'But you have followed the treasure of your heart. My justification is, that you had thrown that away first, dear girl!'

'No. I had given it to you.'

'The same thing, my poor Lizzie!'

'Hush! hush! A very different thing.'

There were tears in his eyes, and she besought him to close them. 'No,' said Eugene, again shaking his head; 'let me look at you, Lizzie, while I can. You brave devoted girl! You heroine!'

Her own eyes filled under his praises. And when he mustered strength to move his wounded head a very little way, and lay it on her bosom, the tears of both fell.

'Lizzie,' said Eugene, after a silence: 'when you see me wandering away from this refuge that I have so ill deserved, speak to me by my name, and I think I shall come back.'

'Yes, dear Eugene.'

'There!' he exclaimed, smiling. 'I should have gone then, but for that!'

A little while afterwards, when he appeared to be sinking into insensibility, she said, in a calm loving voice: 'Eugene, my dear husband!' He immediately answered: 'There again! You see how you can recall me!' And afterwards, when he could not speak, he still answered by a slight movement of his head upon her bosom.

The sun was high in the sky, when she gently disengaged herself to give him the stimulants and nourishment he required. The utter helplessness of the wreck of him that lay cast ashore there, now alarmed her, but he himself appeared a little more hopeful.

'Ah, my beloved Lizzie!' he said, faintly. 'How shall I ever pay all I owe you, if I recover!'

'Don't be ashamed of me,' she replied, 'and you will have more than paid all.'

'It would require a life, Lizzie, to pay all; more than a life.'

'Live for that, then; live for me, Eugene; live to see how hard I will try to improve myself, and never to discredit you.'

'My darling girl,' he replied, rallying more of his old manner than he had ever yet got together. 'On the contrary, I have been thinking whether it is not the best thing I can do, to die.'

'The best thing you can do, to leave me with a broken heart?'

'I don't mean that, my dear girl. I was not thinking of that. What I was thinking of was this. Out of your compassion for me, in this maimed and broken state, you make so much of me—you think so well of me—you love me so dearly.'

'Heaven knows I love you dearly!'

'And Heaven knows I prize it! Well. If I live, you'll find me out.'

'I shall find out that my husband has a mine of purpose and energy, and will turn it to the best account?'

'I hope so, dearest Lizzie,' said Eugene, wistfully, and yet somewhat whimsically. 'I hope so. But I can't summon the vanity to think so. How can I think so, looking back on such a trifling wasted youth as mine! I humbly hope it; but I daren't believe it. There is a sharp misgiving in my conscience that if I were to live, I should disappoint your good opinion and my own—and that I ought to die, my dear!'



Chapter 12

THE PASSING SHADOW

The winds and tides rose and fell a certain number of times, the earth moved round the sun a certain number of times, the ship upon the ocean made her voyage safely, and brought a baby-Bella home. Then who so blest and happy as Mrs John Rokesmith, saving and excepting Mr John Rokesmith!

'Would you not like to be rich NOW, my darling?'

'How can you ask me such a question, John dear? Am I not rich?'

These were among the first words spoken near the baby Bella as she lay asleep. She soon proved to be a baby of wonderful intelligence, evincing the strongest objection to her grandmother's society, and being invariably seized with a painful acidity of the stomach when that dignified lady honoured her with any attention.

It was charming to see Bella contemplating this baby, and finding out her own dimples in that tiny reflection, as if she were looking in the glass without personal vanity. Her cherubic father justly remarked to her husband that the baby seemed to make her younger than before, reminding him of the days when she had a pet doll and used to talk to it as she carried it about. The world might have been challenged to produce another baby who had such a store of pleasant nonsense said and sung to it, as Bella said and sung to this baby; or who was dressed and undressed as often in four-and-twenty hours as Bella dressed and undressed this baby; or who was held behind doors and poked out to stop its father's way when he came home, as this baby was; or, in a word, who did half the number of baby things, through the lively invention of a gay and proud young mother, that this inexhaustible baby did.

The inexhaustible baby was two or three months old, when Bella began to notice a cloud upon her husband's brow. Watching it, she saw a gathering and deepening anxiety there, which caused her great disquiet. More than once, she awoke him muttering in his sleep; and, though he muttered nothing worse than her own name, it was plain to her that his restlessness originated in some load of care. Therefore, Bella at length put in her claim to divide this load, and hear her half of it.

'You know, John dear,' she said, cheerily reverting to their former conversation, 'that I hope I may safely be trusted in great things. And it surely cannot be a little thing that causes you so much uneasiness. It's very considerate of you to try to hide from me that you are uncomfortable about something, but it's quite impossible to be done, John love.'

'I admit that I am rather uneasy, my own.'

'Then please to tell me what about, sir.'

But no, he evaded that. 'Never mind!' thought Bella, resolutely. 'John requires me to put perfect faith in him, and he shall not be disappointed.'

She went up to London one day, to meet him, in order that they might make some purchases. She found him waiting for her at her journey's end, and they walked away together through the streets. He was in gay spirits, though still harping on that notion of their being rich; and he said, now let them make believe that yonder fine carriage was theirs, and that it was waiting to take them home to a fine house they had; what would Bella, in that case, best like to find in the house? Well! Bella didn't know: already having everything she wanted, she couldn't say. But, by degrees she was led on to confess that she would like to have for the inexhaustible baby such a nursery as never was seen. It was to be 'a very rainbow for colours', as she was quite sure baby noticed colours; and the staircase was to be adorned with the most exquisite flowers, as she was absolutely certain baby noticed flowers; and there was to be an aviary somewhere, of the loveliest little birds, as there was not the smallest doubt in the world that baby noticed birds. Was there nothing else? No, John dear. The predilections of the inexhaustible baby being provided for, Bella could think of nothing else.

They were chatting on in this way, and John had suggested, 'No jewels for your own wear, for instance?' and Bella had replied laughing. O! if he came to that, yes, there might be a beautiful ivory case of jewels on her dressing-table; when these pictures were in a moment darkened and blotted out.

They turned a corner, and met Mr Lightwood.

He stopped as if he were petrified by the sight of Bella's husband, who in the same moment had changed colour.

'Mr Lightwood and I have met before,' he said.

'Met before, John?' Bella repeated in a tone of wonder. 'Mr Lightwood told me he had never seen you.'

'I did not then know that I had,' said Lightwood, discomposed on her account. I believed that I had only heard of—Mr Rokesmith.' With an emphasis on the name.

'When Mr Lightwood saw me, my love,' observed her husband, not avoiding his eye, but looking at him, 'my name was Julius Handford.'

Julius Handford! The name that Bella had so often seen in old newspapers, when she was an inmate of Mr Boffin's house! Julius Handford, who had been publicly entreated to appear, and for intelligence of whom a reward had been publicly offered!

'I would have avoided mentioning it in your presence,' said Lightwood to Bella, delicately; 'but since your husband mentions it himself, I must confirm his strange admission. I saw him as Mr Julius Handford, and I afterwards (unquestionably to his knowledge) took great pains to trace him out.'

'Quite true. But it was not my object or my interest,' said Rokesmith, quietly, 'to be traced out.'

Bella looked from the one to the other, in amazement.

'Mr Lightwood,' pursued her husband, 'as chance has brought us face to face at last—which is not to be wondered at, for the wonder is, that, in spite of all my pains to the contrary, chance has not confronted us together sooner—I have only to remind you that you have been at my house, and to add that I have not changed my residence.'

'Sir' returned Lightwood, with a meaning glance towards Bella, 'my position is a truly painful one. I hope that no complicity in a very dark transaction may attach to you, but you cannot fail to know that your own extraordinary conduct has laid you under suspicion.'

'I know it has,' was all the reply.

'My professional duty,' said Lightwood hesitating, with another glance towards Bella, 'is greatly at variance with my personal inclination; but I doubt, Mr Handford, or Mr Rokesmith, whether I am justified in taking leave of you here, with your whole course unexplained.'

Bella caught her husband by the hand.

'Don't be alarmed, my darling. Mr Lightwood will find that he is quite justified in taking leave of me here. At all events,' added Rokesmith, 'he will find that I mean to take leave of him here.'

'I think, sir,' said Lightwood, 'you can scarcely deny that when I came to your house on the occasion to which you have referred, you avoided me of a set purpose.'

'Mr Lightwood, I assure you I have no disposition to deny it, or intention to deny it. I should have continued to avoid you, in pursuance of the same set purpose, for a short time longer, if we had not met now. I am going straight home, and shall remain at home to-morrow until noon. Hereafter, I hope we may be better acquainted. Good-day.'

Lightwood stood irresolute, but Bella's husband passed him in the steadiest manner, with Bella on his arm; and they went home without encountering any further remonstrance or molestation from any one.

When they had dined and were alone, John Rokesmith said to his wife, who had preserved her cheerfulness: 'And you don't ask me, my dear, why I bore that name?'

'No, John love. I should dearly like to know, of course;' (which her anxious face confirmed;) 'but I wait until you can tell me of your own free will. You asked me if I could have perfect faith in you, and I said yes, and I meant it.'

It did not escape Bella's notice that he began to look triumphant. She wanted no strengthening in her firmness; but if she had had need of any, she would have derived it from his kindling face.

'You cannot have been prepared, my dearest, for such a discovery as that this mysterious Mr Handford was identical with your husband?'

'No, John dear, of course not. But you told me to prepare to be tried, and I prepared myself.'

He drew her to nestle closer to him, and told her it would soon be over, and the truth would soon appear. 'And now,' he went on, 'lay stress, my dear, on these words that I am going to add. I stand in no kind of peril, and I can by possibility be hurt at no one's hand.'

'You are quite, quite sure of that, John dear?'

'Not a hair of my head! Moreover, I have done no wrong, and have injured no man. Shall I swear it?'

'No, John!' cried Bella, laying her hand upon his lips, with a proud look. 'Never to me!'

'But circumstances,' he went on '—I can, and I will, disperse them in a moment—have surrounded me with one of the strangest suspicions ever known. You heard Mr Lightwood speak of a dark transaction?'

'Yes, John.'

'You are prepared to hear explicitly what he meant?'

'Yes, John.'

'My life, he meant the murder of John Harmon, your allotted husband.'

With a fast palpitating heart, Bella grasped him by the arm. 'You cannot be suspected, John?'

'Dear love, I can be—for I am!'

There was silence between them, as she sat looking in his face, with the colour quite gone from her own face and lips. 'How dare they!' she cried at length, in a burst of generous indignation. 'My beloved husband, how dare they!'

He caught her in his arms as she opened hers, and held her to his heart. 'Even knowing this, you can trust me, Bella?'

'I can trust you, John dear, with all my soul. If I could not trust you, I should fall dead at your feet.'

The kindling triumph in his face was bright indeed, as he looked up and rapturously exclaimed, what had he done to deserve the blessing of this dear confiding creature's heart! Again she put her hand upon his lips, saying, 'Hush!' and then told him, in her own little natural pathetic way, that if all the world were against him, she would be for him; that if all the world repudiated him, she would believe him; that if he were infamous in other eyes, he would be honoured in hers; and that, under the worst unmerited suspicion, she could devote her life to consoling him, and imparting her own faith in him to their little child.

A twilight calm of happiness then succeeding to their radiant noon, they remained at peace, until a strange voice in the room startled them both. The room being by that time dark, the voice said, 'Don't let the lady be alarmed by my striking a light,' and immediately a match rattled, and glimmered in a hand. The hand and the match and the voice were then seen by John Rokesmith to belong to Mr Inspector, once meditatively active in this chronicle.

'I take the liberty,' said Mr Inspector, in a business-like manner, 'to bring myself to the recollection of Mr Julius Handford, who gave me his name and address down at our place a considerable time ago. Would the lady object to my lighting the pair of candles on the chimneypiece, to throw a further light upon the subject? No? Thank you, ma'am. Now, we look cheerful.'

Mr Inspector, in a dark-blue buttoned-up frock coat and pantaloons, presented a serviceable, half-pay, Royal Arms kind of appearance, as he applied his pocket handkerchief to his nose and bowed to the lady.

'You favoured me, Mr Handford,' said Mr Inspector, 'by writing down your name and address, and I produce the piece of paper on which you wrote it. Comparing the same with the writing on the fly-leaf of this book on the table—and a sweet pretty volume it is—I find the writing of the entry, "Mrs John Rokesmith. From her husband on her birthday"—and very gratifying to the feelings such memorials are—to correspond exactly. Can I have a word with you?'

'Certainly. Here, if you please,' was the reply.

'Why,' retorted Mr Inspector, again using his pocket handkerchief, 'though there's nothing for the lady to be at all alarmed at, still, ladies are apt to take alarm at matters of business—being of that fragile sex that they're not accustomed to them when not of a strictly domestic character—and I do generally make it a rule to propose retirement from the presence of ladies, before entering upon business topics. Or perhaps,' Mr Inspector hinted, 'if the lady was to step up-stairs, and take a look at baby now!'

'Mrs Rokesmith,'—her husband was beginning; when Mr Inspector, regarding the words as an introduction, said, 'Happy I am sure, to have the honour.' And bowed, with gallantry.

'Mrs Rokesmith,' resumed her husband, 'is satisfied that she can have no reason for being alarmed, whatever the business is.'

'Really? Is that so?' said Mr Inspector. 'But it's a sex to live and learn from, and there's nothing a lady can't accomplish when she once fully gives her mind to it. It's the case with my own wife. Well, ma'am, this good gentleman of yours has given rise to a rather large amount of trouble which might have been avoided if he had come forward and explained himself. Well you see! He DIDN'T come forward and explain himself. Consequently, now that we meet, him and me, you'll say—and say right—that there's nothing to be alarmed at, in my proposing to him TO come forward—or, putting the same meaning in another form, to come along with me—and explain himself.'

When Mr Inspector put it in that other form, 'to come along with me,' there was a relishing roll in his voice, and his eye beamed with an official lustre.

'Do you propose to take me into custody?' inquired John Rokesmith, very coolly.

'Why argue?' returned Mr Inspector in a comfortable sort of remonstrance; 'ain't it enough that I propose that you shall come along with me?'

'For what reason?'

Lord bless my soul and body!' returned Mr Inspector, 'I wonder at it in a man of your education. Why argue?'

'What do you charge against me?'

'I wonder at you before a lady,' said Mr Inspector, shaking his head reproachfully: 'I wonder, brought up as you have been, you haven't a more delicate mind! I charge you, then, with being some way concerned in the Harmon Murder. I don't say whether before, or in, or after, the fact. I don't say whether with having some knowledge of it that hasn't come out.'

'You don't surprise me. I foresaw your visit this afternoon.'

'Don't!' said Mr Inspector. 'Why, why argue? It's my duty to inform you that whatever you say, will be used against you.'

'I don't think it will.'

'But I tell you it will,' said Mr Inspector. 'Now, having received the caution, do you still say that you foresaw my visit this afternoon?'

'Yes. And I will say something more, if you will step with me into the next room.'

With a reassuring kiss on the lips of the frightened Bella, her husband (to whom Mr Inspector obligingly offered his arm), took up a candle, and withdrew with that gentleman. They were a full half-hour in conference. When they returned, Mr Inspector looked considerably astonished.

'I have invited this worthy officer, my dear,' said John, 'to make a short excursion with me in which you shall be a sharer. He will take something to eat and drink, I dare say, on your invitation, while you are getting your bonnet on.'

Mr Inspector declined eating, but assented to the proposal of a glass of brandy and water. Mixing this cold, and pensively consuming it, he broke at intervals into such soliloquies as that he never did know such a move, that he never had been so gravelled, and that what a game was this to try the sort of stuff a man's opinion of himself was made of! Concurrently with these comments, he more than once burst out a laughing, with the half-enjoying and half-piqued air of a man, who had given up a good conundrum, after much guessing, and been told the answer. Bella was so timid of him, that she noted these things in a half-shrinking, half-perceptive way, and similarly noted that there was a great change in his manner towards John. That coming-along-with-him deportment was now lost in long musing looks at John and at herself and sometimes in slow heavy rubs of his hand across his forehead, as if he were ironing cut the creases which his deep pondering made there. He had had some coughing and whistling satellites secretly gravitating towards him about the premises, but they were now dismissed, and he eyed John as if he had meant to do him a public service, but had unfortunately been anticipated. Whether Bella might have noted anything more, if she had been less afraid of him, she could not determine; but it was all inexplicable to her, and not the faintest flash of the real state of the case broke in upon her mind. Mr Inspector's increased notice of herself and knowing way of raising his eyebrows when their eyes by any chance met, as if he put the question 'Don't you see?' augmented her timidity, and, consequently, her perplexity. For all these reasons, when he and she and John, at towards nine o'clock of a winter evening went to London, and began driving from London Bridge, among low-lying water-side wharves and docks and strange places, Bella was in the state of a dreamer; perfectly unable to account for her being there, perfectly unable to forecast what would happen next, or whither she was going, or why; certain of nothing in the immediate present, but that she confided in John, and that John seemed somehow to be getting more triumphant. But what a certainty was that!

They alighted at last at the corner of a court, where there was a building with a bright lamp and wicket gate. Its orderly appearance was very unlike that of the surrounding neighbourhood, and was explained by the inscription POLICE STATION.

'We are not going in here, John?' said Bella, clinging to him.

'Yes, my dear; but of our own accord. We shall come out again as easily, never fear.'

The whitewashed room was pure white as of old, the methodical book-keeping was in peaceful progress as of old, and some distant howler was banging against a cell door as of old. The sanctuary was not a permanent abiding-place, but a kind of criminal Pickford's. The lower passions and vices were regularly ticked off in the books, warehoused in the cells, carted away as per accompanying invoice, and left little mark upon it.

Mr Inspector placed two chairs for his visitors, before the fire, and communed in a low voice with a brother of his order (also of a half-pay, and Royal Arms aspect), who, judged only by his occupation at the moment, might have been a writing-master, setting copies. Their conference done, Mr Inspector returned to the fireplace, and, having observed that he would step round to the Fellowships and see how matters stood, went out. He soon came back again, saying, 'Nothing could be better, for they're at supper with Miss Abbey in the bar;' and then they all three went out together.

Still, as in a dream, Bella found herself entering a snug old-fashioned public-house, and found herself smuggled into a little three-cornered room nearly opposite the bar of that establishment. Mr Inspector achieved the smuggling of herself and John into this queer room, called Cosy in an inscription on the door, by entering in the narrow passage first in order, and suddenly turning round upon them with extended arms, as if they had been two sheep. The room was lighted for their reception.

'Now,' said Mr Inspector to John, turning the gas lower; 'I'll mix with 'em in a casual way, and when I say Identification, perhaps you'll show yourself.'

John nodded, and Mr Inspector went alone to the half-door of the bar. From the dim doorway of Cosy, within which Bella and her husband stood, they could see a comfortable little party of three persons sitting at supper in the bar, and could hear everything that was said.

The three persons were Miss Abbey and two male guests. To whom collectively, Mr Inspector remarked that the weather was getting sharp for the time of year.

'It need be sharp to suit your wits, sir,' said Miss Abbey. 'What have you got in hand now?'

'Thanking you for your compliment: not much, Miss Abbey,' was Mr Inspector's rejoinder.

'Who have you got in Cosy?' asked Miss Abbey.

'Only a gentleman and his wife, Miss.'

'And who are they? If one may ask it without detriment to your deep plans in the interests of the honest public?' said Miss Abbey, proud of Mr Inspector as an administrative genius.

'They are strangers in this part of the town, Miss Abbey. They are waiting till I shall want the gentleman to show himself somewhere, for half a moment.'

'While they're waiting,' said Miss Abbey, 'couldn't you join us?'

Mr Inspector immediately slipped into the bar, and sat down at the side of the half-door, with his back towards the passage, and directly facing the two guests. 'I don't take my supper till later in the night,' said he, 'and therefore I won't disturb the compactness of the table. But I'll take a glass of flip, if that's flip in the jug in the fender.'

'That's flip,' replied Miss Abbey, 'and it's my making, and if even you can find out better, I shall be glad to know where.' Filling him, with hospitable hands, a steaming tumbler, Miss Abbey replaced the jug by the fire; the company not having yet arrived at the flip-stage of their supper, but being as yet skirmishing with strong ale.

'Ah—h!' cried Mr Inspector. 'That's the smack! There's not a Detective in the Force, Miss Abbey, that could find out better stuff than that.'

'Glad to hear you say so,' rejoined Miss Abbey. 'You ought to know, if anybody does.'

'Mr Job Potterson,' Mr Inspector continued, 'I drink your health. Mr Jacob Kibble, I drink yours. Hope you have made a prosperous voyage home, gentlemen both.'

Mr Kibble, an unctuous broad man of few words and many mouthfuls, said, more briefly than pointedly, raising his ale to his lips: 'Same to you.' Mr Job Potterson, a semi-seafaring man of obliging demeanour, said, 'Thank you, sir.'

'Lord bless my soul and body!' cried Mr Inspector. 'Talk of trades, Miss Abbey, and the way they set their marks on men' (a subject which nobody had approached); 'who wouldn't know your brother to be a Steward! There's a bright and ready twinkle in his eye, there's a neatness in his action, there's a smartness in his figure, there's an air of reliability about him in case you wanted a basin, which points out the steward! And Mr Kibble; ain't he Passenger, all over? While there's that mercantile cut upon him which would make you happy to give him credit for five hundred pound, don't you see the salt sea shining on him too?'

'YOU do, I dare say,' returned Miss Abbey, 'but I don't. And as for stewarding, I think it's time my brother gave that up, and took his House in hand on his sister's retiring. The House will go to pieces if he don't. I wouldn't sell it for any money that could be told out, to a person that I couldn't depend upon to be a Law to the Porters, as I have been.'

'There you're right, Miss,' said Mr Inspector. 'A better kept house is not known to our men. What do I say? Half so well a kept house is not known to our men. Show the Force the Six Jolly Fellowship Porters, and the Force—to a constable—will show you a piece of perfection, Mr Kibble.'

That gentleman, with a very serious shake of his head, subscribed the article.

'And talk of Time slipping by you, as if it was an animal at rustic sports with its tail soaped,' said Mr Inspector (again, a subject which nobody had approached); 'why, well you may. Well you may. How has it slipped by us, since the time when Mr Job Potterson here present, Mr Jacob Kibble here present, and an Officer of the Force here present, first came together on a matter of Identification!'

Bella's husband stepped softly to the half-door of the bar, and stood there.

'How has Time slipped by us,' Mr Inspector went on slowly, with his eyes narrowly observant of the two guests, 'since we three very men, at an Inquest in this very house—Mr Kibble? Taken ill, sir?'

Mr Kibble had staggered up, with his lower jaw dropped, catching Potterson by the shoulder, and pointing to the half-door. He now cried out: 'Potterson! Look! Look there!' Potterson started up, started back, and exclaimed: 'Heaven defend us, what's that!' Bella's husband stepped back to Bella, took her in his arms (for she was terrified by the unintelligible terror of the two men), and shut the door of the little room. A hurry of voices succeeded, in which Mr Inspector's voice was busiest; it gradually slackened and sank; and Mr Inspector reappeared. 'Sharp's the word, sir!' he said, looking in with a knowing wink. 'We'll get your lady out at once.' Immediately, Bella and her husband were under the stars, making their way back, alone, to the vehicle they had kept in waiting.

All this was most extraordinary, and Bella could make nothing of it but that John was in the right. How in the right, and how suspected of being in the wrong, she could not divine. Some vague idea that he had never really assumed the name of Handford, and that there was a remarkable likeness between him and that mysterious person, was her nearest approach to any definite explanation. But John was triumphant; that much was made apparent; and she could wait for the rest.

When John came home to dinner next day, he said, sitting down on the sofa by Bella and baby-Bella: 'My dear, I have a piece of news to tell you. I have left the China House.'

As he seemed to like having left it, Bella took it for granted that there was no misfortune in the case.

'In a word, my love,' said John, 'the China House is broken up and abolished. There is no such thing any more.'

'Then, are you already in another House, John?'

'Yes, my darling. I am in another way of business. And I am rather better off.'

The inexhaustible baby was instantly made to congratulate him, and to say, with appropriate action on the part of a very limp arm and a speckled fist: 'Three cheers, ladies and gemplemorums. Hoo—ray!'

'I am afraid, my life,' said John, 'that you have become very much attached to this cottage?'

'Afraid I have, John? Of course I have.'

'The reason why I said afraid,' returned John, 'is, because we must move.'

'O John!'

'Yes, my dear, we must move. We must have our head-quarters in London now. In short, there's a dwelling-house rent-free, attached to my new position, and we must occupy it.'

'That's a gain, John.'

'Yes, my dear, it is undoubtedly a gain.'

He gave her a very blithe look, and a very sly look. Which occasioned the inexhaustible baby to square at him with the speckled fists, and demand in a threatening manner what he meant?

'My love, you said it was a gain, and I said it was a gain. A very innocent remark, surely.'

'I won't,' said the inexhaustible baby, '—allow—you—to—make—game—of—my—venerable—Ma.' At each division administering a soft facer with one of the speckled fists.

John having stooped down to receive these punishing visitations, Bella asked him, would it be necessary to move soon? Why yes, indeed (said John), he did propose that they should move very soon. Taking the furniture with them, of course? (said Bella). Why, no (said John), the fact was, that the house was—in a sort of a kind of a way—furnished already.

The inexhaustible baby, hearing this, resumed the offensive, and said: 'But there's no nursery for me, sir. What do you mean, marble-hearted parent?' To which the marble-hearted parent rejoined that there was a—sort of a kind of a—nursery, and it might be 'made to do'. 'Made to do?' returned the Inexhaustible, administering more punishment, 'what do you take me for?' And was then turned over on its back in Bella's lap, and smothered with kisses.

'But really, John dear,' said Bella, flushed in quite a lovely manner by these exercises, 'will the new house, just as it stands, do for baby? That's the question.'

'I felt that to be the question,' he returned, 'and therefore I arranged that you should come with me and look at it, to-morrow morning.' Appointment made, accordingly, for Bella to go up with him to-morrow morning; John kissed; and Bella delighted.

When they reached London in pursuance of their little plan, they took coach and drove westward. Not only drove westward, but drove into that particular westward division, which Bella had seen last when she turned her face from Mr Boffin's door. Not only drove into that particular division, but drove at last into that very street. Not only drove into that very street, but stopped at last at that very house.

'John dear!' cried Bella, looking out of window in a flutter. 'Do you see where we are?'

'Yes, my love. The coachman's quite right.'

The house-door was opened without any knocking or ringing, and John promptly helped her out. The servant who stood holding the door, asked no question of John, neither did he go before them or follow them as they went straight up-stairs. It was only her husband's encircling arm, urging her on, that prevented Bella from stopping at the foot of the staircase. As they ascended, it was seen to be tastefully ornamented with most beautiful flowers.

'O John!' said Bella, faintly. 'What does this mean?'

'Nothing, my darling, nothing. Let us go on.'

Going on a little higher, they came to a charming aviary, in which a number of tropical birds, more gorgeous in colour than the flowers, were flying about; and among those birds were gold and silver fish, and mosses, and water-lilies, and a fountain, and all manner of wonders.

'O my dear John!' said Bella. 'What does this mean?'

'Nothing, my darling, nothing. Let us go on.'

They went on, until they came to a door. As John put out his hand to open it, Bella caught his hand.

'I don't know what it means, but it's too much for me. Hold me, John, love.'

John caught her up in his arm, and lightly dashed into the room with her.

Behold Mr and Mrs Boffin, beaming! Behold Mrs Boffin clapping her hands in an ecstacy, running to Bella with tears of joy pouring down her comely face, and folding her to her breast, with the words: 'My deary deary, deary girl, that Noddy and me saw married and couldn't wish joy to, or so much as speak to! My deary, deary, deary, wife of John and mother of his little child! My loving loving, bright bright, Pretty Pretty! Welcome to your house and home, my deary!'



Chapter 13

SHOWING HOW THE GOLDEN DUSTMAN HELPED TO SCATTER DUST

In all the first bewilderment of her wonder, the most bewilderingly wonderful thing to Bella was the shining countenance of Mr Boffin. That his wife should be joyous, open-hearted, and genial, or that her face should express every quality that was large and trusting, and no quality that was little or mean, was accordant with Bella's experience. But, that he, with a perfectly beneficent air and a plump rosy face, should be standing there, looking at her and John, like some jovial good spirit, was marvellous. For, how had he looked when she last saw him in that very room (it was the room in which she had given him that piece of her mind at parting), and what had become of all those crooked lines of suspicion, avarice, and distrust, that twisted his visage then?

Mrs Boffin seated Bella on the large ottoman, and seated herself beside her, and John her husband seated himself on the other side of her, and Mr Boffin stood beaming at every one and everything he could see, with surpassing jollity and enjoyment. Mrs Boffin was then taken with a laughing fit of clapping her hands, and clapping her knees, and rocking herself to and fro, and then with another laughing fit of embracing Bella, and rocking her to and fro—both fits, of considerable duration.

'Old lady, old lady,' said Mr Boffin, at length; 'if you don't begin somebody else must.'

'I'm a going to begin, Noddy, my dear,' returned Mrs Boffin. 'Only it isn't easy for a person to know where to begin, when a person is in this state of delight and happiness. Bella, my dear. Tell me, who's this?'

'Who is this?' repeated Bella. 'My husband.'

'Ah! But tell me his name, deary!' cried Mrs Boffin.

'Rokesmith.'

'No, it ain't!' cried Mrs Boffin, clapping her hands, and shaking her head. 'Not a bit of it.'

'Handford then,' suggested Bella.

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