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The elder's hand hovered over her head, on her face a deadly pallor had settled, her eyes were cast down, she breathed painfully and trembled from head to foot. She was about to fall, when Ben set his eyes upon her.
"Get out o' my way," he shouted, shouldering up the aisle. His words had oaths, his fists were like mauls.
"Grace!" he cried, and she heard. She looked up and saw him coming; the red flamed over her face.
The power of the preacher was gone.
"Let me go," she cried, trying to wring herself loose.
"You are going to hell. You are lost if you do not—"
"God damn ye. Get out o' way. I'll kill ye if you lay a hand on her."
With one thrust Ben cleared her tormentor from her arm. For one moment the wordless young man looked into her eyes; then she staggered toward him. He faced the preacher.
"I'd smash hell out o' you for a leather cent," he said. In the tumult his words were lost, but the look on his face was enough. The exhorter fell away.
Their retreat was unnoted in the tumult. At the door they looked back for an instant at the scene.
At the mourners' bench were six victims in all stages of induced catalepsy, one man with head flung back, one with his hands pointing, fixed in furious appeal. Another with bowed head was being worked upon by a brother of hypnotic appeal. He struck with downward, positive gestures on either side of the victim's head.
Over another the negress towered, screaming with panther-like ferocity:—
"Git under de blood! Git under de blood!"
As she screamed she struck down at the mourner with her clenched fist. On her face was the grin of a wildcat.
Out under the cool, lofty oaks, the outcry was more inexpressibly hellish, because overhead the wind rustled the sweet green leaves, crickets were chirping, and the scent of flowering fields of buckwheat was in the air.
Grace grew calmer, but she clung with strange weakness to her lover. She felt he had saved her from something, she did not know what, but it was something terrifying to look back upon.
Conrad was forgotten—set aside. Ben bundled him into the carryall and took his place with Grace. He no longer hesitated, argued, or apologized. He had claimed his own.
On the long ride home, Grace lay within his right arm, and the young man's tongue was unchained. He talked, and his spirit grew tender and manly and husbandlike, as he told his plans and his hopes. Hell was very far away, and Heaven was very near.
LUCRETIA BURNS
I
Lucretia Burns had never been handsome, even in her days of early girlhood, and now she was middle-aged, distorted with work and child-bearing, and looking faded and worn as one of the boulders that lay beside the pasture fence near where she sat milking a large white cow.
She had no shawl or hat and no shoes, for it was still muddy in the little yard, where the cattle stood patiently fighting the flies and mosquitoes swarming into their skins, already wet with blood. The evening was oppressive with its heat, and a ring of just-seen thunderheads gave premonitions of an approaching storm.
She rose from the cow's side at last, and, taking her pails of foaming milk, staggered toward the gate. The two pails hung from her lean arms, her bare feet slipped on the filthy ground, her greasy and faded calico dress showed her tired and swollen ankles, and the mosquitoes swarmed mercilessly on her neck and bedded themselves in her colorless hair.
The children were quarrelling at the well, and the sound of blows could be heard. Calves were querulously calling for their milk, and little turkeys, lost in a tangle of grass, were piping plaintively.
The sun just setting struck through a long, low rift, like a boy peeping beneath the eaves of a huge roof. Its light brought out Lucretia's face as she leaned her sallow forehead on the top bar of the gate and looked toward the west.
It was a pitifully worn, almost tragic face—long, thin, sallow, hollow-eyed. The mouth had long since lost the power to shape itself into a kiss, and had a droop at the corners which seemed to announce a breaking-down at any moment into a despairing wail. The collarless neck and sharp shoulders showed painfully.
She felt vaguely that the night was beautiful. The setting sun, the noise of frogs, the nocturnal insects beginning to pipe—all in some way called her girlhood back to her, though there was little in her girlhood to give her pleasure. Her large gray eyes grew round, deep, and wistful as she saw the illimitable craggy clouds grow crimson, roll slowly up, and fire at the top. A childish scream recalled her.
"Oh, my soul!" she half groaned, half swore, as she lifted her milk and hurried to the well. Arriving there, she cuffed the children right and left with all her remaining strength, saying in justification:—
"My soul! can't you—you young'uns, give me a minute's peace? Land knows, I'm almost gone up; washin', an' milkin' six cows, and tendin' you, and cookin' f'r him, ought 'o be enough f'r one day! Sadie, you let him drink now 'r I'll slap your head off, you hateful thing! Why can't you behave, when you know I'm jest about dead?" She was weeping now, with nervous weakness. "Where's y'r pa?" she asked after a moment, wiping her eyes with her apron.
One of the group, the one cuffed last, sniffed out, in rage and grief:—
"He's in the corn-field; where'd ye s'pose he was?"
"Good land! why don't the man work all night? Sile, you put that dipper in that milk agin, an' I'll whack you till your head'll swim! Sadie, le' go Pet, an' go 'n get them turkeys out of the grass 'fore it gits dark! Bob, you go tell y'r dad if he wants the rest o' them cows milked he's got 'o do it himself. I jest can't, and what's more, I won't," she ended, rebelliously.
Having strained the milk and fed the children, she took some skimmed milk from the cans and started to feed the calves bawling strenuously behind the barn. The eager and unruly brutes pushed and struggled to get into the pails all at once, and in consequence spilt nearly all of the milk on the ground. This was the last trial; the woman fell down on the damp grass and moaned and sobbed like a crazed thing. The children came to seek her and stood around like little partridges, looking at her in scared silence, till at last the little one began to wail. Then the mother rose wearily to her feet, and walked slowly back toward the house.
She heard Burns threshing his team at the well, with the sound of oaths. He was tired, hungry, and ill-tempered, but she was too desperate to care. His poor, overworked team did not move quickly enough for him, and his extra long turn in the corn had made him dangerous. His eyes gleamed wrathfully from his dust-laid face.
"Supper ready?" he growled.
"Yes, two hours ago."
"Well, I can't help it!" he said, understanding her reproach. "That devilish corn is gettin' too tall to plough again, and I've got 'o go through it to-morrow or not at all. Cows milked?"
"Part of 'em."
"How many left?"
"Three."
"Hell! Which three?"
"Spot, and Brin, and Cherry."
"Of course, left the three worst ones. I'll be damned if I milk a cow to-night. I don't see why you play out jest the nights I need ye most." Here he kicked a child out of the way. "Git out o' that! Hain't you got no sense? I'll learn ye—"
"Stop that, Sim Burns," cried the woman, snatching up the child. "You're a reg'lar ol' hyeny,—that's what you are," she added defiantly, roused at last from her lethargy.
"You're a—beauty, that's what you are," he said, pitilessly. "Keep your brats out f'um under my feet." And he strode off to the barn after his team, leaving her with a fierce hate in her heart. She heard him yelling at his team in their stalls: "Git around there, damn yeh."
The children had had their supper; so she took them to bed. She was unusually tender to them, for she wanted to make up in some way for her previous harshness. The ferocity of her husband had shown up her own petulant temper hideously, and she sat and sobbed in the darkness a long time beside the cradle where little Pet slept.
She heard Burns come growling in and tramp about, but she did not rise. The supper was on the table; he could wait on himself. There was an awful feeling at her heart as she sat there and the house grew quiet. She thought of suicide in a vague way; of somehow taking her children in her arms and sinking into a lake somewhere, where she would never more be troubled, where she could sleep forever, without toil or hunger.
Then she thought of the little turkeys wandering in the grass, of the children sleeping at last, of the quiet, wonderful stars. Then she thought of the cows left unmilked, and listened to them stirring uneasily in the yard. She rose, at last, and stole forth. She could not rid herself of the thought that they would suffer. She knew what the dull ache in the full breasts of a mother was, and she could not let them stand at the bars all night moaning for relief.
The mosquitoes had gone, but the frogs and katydids still sang, while over in the west Venus shone. She was a long time milking the cows; her hands were so tired she had often to stop and rest them, while the tears fell unheeded into the pail. She saw and felt little of the external as she sat there. She thought in vague retrospect of how sweet it seemed the first time Sim came to see her; of the many rides to town with him when he was an accepted lover; of the few things he had given her—a coral breastpin and a ring.
She felt no shame at her present miserable appearance; she was past personal pride. She hardly felt as if the tall, strong girl, attractive with health and hope, could be the same soul as the woman who now sat in utter despair listening to the heavy breathing of the happy cows, grateful for the relief from their burden of milk.
She contrasted her lot with that of two or three women that she knew (not a very high standard), who kept hired help, and who had fine houses of four or five rooms. Even the neighbors were better off than she, for they didn't have such quarrels. But she wasn't to blame—Sim didn't—Then her mind changed to a dull resentment against "things." Everything seemed against her.
She rose at last and carried her second load of milk to the well, strained it, washed out the pails, and, after bathing her tired feet in a tub that stood there, she put on a pair of horrible shoes, without stockings, and crept stealthily into the house. Sim did not hear her as she slipped up the stairs to the little low unfinished chamber beside her oldest children. She could not bear to sleep near him that night,—she wanted a chance to sob herself to quiet.
As for Sim, he was a little disturbed, but would as soon have cut off his head as acknowledged himself in the wrong. As he went to bed, and found her still away, he yelled up the stairway:—
"Say, old woman, ain't ye comin' to bed?" Upon receiving no answer he rolled his aching body into the creaking bed. "Do as y' damn please about it. If y' want to sulk y' can." And in such wise the family grew quiet in sleep, while the moist, warm air pulsed with the ceaseless chime of the crickets.
II
When Sim Burns woke the next morning he felt a sharper twinge of remorse. It was not a broad or well-defined feeling—just a sense that he had been unduly irritable, not that on the whole he was not in the right. Little Pet lay with the warm June sunshine filling his baby eyes, curiously content in striking at flies that buzzed around his little mouth.
The man thrust his dirty, naked feet into his huge boots, and, without washing his face or combing his hair, went out to the barn to do his chores.
He was a type of the average prairie farmer, and his whole surrounding was typical of the time. He had a quarter-section of fine level land, bought with incredible toil, but his house was a little box-like structure, costing, perhaps, five hundred dollars. It had three rooms and the ever-present summer kitchen at the back. It was unpainted and had no touch of beauty,—a mere box.
His stable was built of slabs and banked and covered with straw. It looked like a den, was low and long, and had but one door in the end. The cow-yard held ten or fifteen cattle of various kinds, while a few calves were bawling from a pen near by. Behind the barn, on the west and north, was a fringe of willows forming a "wind-break." A few broken and discouraged fruit trees, standing here and there among the weeds, formed the garden. In short, he was spoken of by his neighbors as "a hard-working cuss, and tol'ably well fixed."
No grace had come or ever could come into his life. Back of him were generations of men like himself, whose main business had been to work hard, live miserably, and beget children to take their places when they died.
His courtship had been delayed so long on account of poverty that it brought little of humanizing emotion into his life. He never mentioned his love-life now, or if he did, it was only to sneer obscenely at it. He had long since ceased to kiss his wife or even speak kindly to her. There was no longer any sanctity to life or love. He chewed tobacco and toiled on from year to year without any very clearly defined idea of the future. His life was mainly regulated from without.
He was tall, dark, and strong, in a flat-chested, slouching sort of way, and had grown neglectful of even decency in his dress. He wore the American farmer's customary outfit of rough brown pants, hickory shirt, and greasy wool hat. It differed from his neighbors' mainly in being a little dirtier and more ragged. His grimy hands were broad and strong as the clutch of a bear, and he was a "terrible feller to turn off work," as Councill said. "I'd ruther have Sim Burns work for me one day than some men three. He's a linger." He worked with unusual speed this morning, and ended by milking all the cows himself as a sort of savage penance for his misdeeds the previous evening, muttering in self-defence:—
"Seems 's if ever' cussid thing piles on to me at once. That corn, the road-tax, and hayin' comin' on, and now she gits her back up—"
When he went back to the well he sloshed himself thoroughly in the horse-trough and went to the house. He found breakfast ready, but his wife was not in sight. The older children were clamoring around the uninviting breakfast table, spread with cheap ware and with boiled potatoes and fried salt pork as the principal dishes.
"Where's y'r ma?" he asked, with a threatening note in his voice, as he sat down by the table.
"She's in the bedroom."
He rose and pushed open the door. The mother sat with the babe in her lap, looking out of the window down across the superb field of timothy, moving like a lake of purple water. She did not look around. She only grew rigid. Her thin neck throbbed with the pulsing of blood to her head.
"What's got into you now?" he said, brutally. "Don't be a fool. Come out and eat breakfast with me, an' take care o' y'r young ones."
She neither moved nor made a sound. With an oath he turned on his heel and went out to the table. Eating his breakfast in his usual wolfish fashion, he went out into the hot sun with his team and riding-plough, not a little disturbed by this new phase of his wife's "cantankerousness." He ploughed steadily and sullenly all the forenoon, in the terrific heat and dust. The air was full of tempestuous threats, still and sultry, one of those days when work is a punishment. When he came in at noon he found things the same—dinner on the table, but his wife out in the garden with the youngest child.
"I c'n stand it as long as she can," he said to himself, in the hearing of the children, as he pushed back from the table and went back to work.
When he had finished the field of corn it was after sundown, and he came up to the house, hot, dusty, his shirt wringing wet with sweat, and his neck aching with the work of looking down all day at the corn-rows. His mood was still stern. The multitudinous lift, and stir, and sheen of the wide, green field had been lost upon him.
"I wonder if she's milked them cows," he muttered to himself. He gave a sigh of relief to find she had. But she had done so not for his sake, but for the sake of the poor, patient dumb brutes.
When he went to the bedroom after supper, he found that the cradle and his wife's few little boxes and parcels—poor, pathetic properties!—had been removed to the garret, which they called a chamber, and he knew he was to sleep alone again.
"She'll git over it, I guess." He was very tired, but he didn't feel quite comfortable enough to sleep. The air was oppressive. His shirt, wet in places, and stiff with dust in other places, oppressed him more than usual; so he rose and removed it, getting a clean one out of a drawer. This was an unusual thing for him, for he usually slept in the same shirt which he wore in his day's work; but it was Saturday night, and he felt justified in the extravagance.
* * * * *
In the meanwhile poor Lucretia was brooding over her life in a most dangerous fashion. All she had done and suffered for Simeon Burns came back to her till she wondered how she had endured it all. All day long in the midst of the glorious summer landscape she brooded.
"I hate him," she thought, with a fierce blazing up through the murk of her musing. "I hate t' live. But they ain't no hope. I'm tied down. I can't leave the children, and I ain't got no money. I couldn't make a living out in the world. I ain't never seen anything an' don't know anything."
She was too simple and too unknowing to speculate on the loss of her beauty, which would have brought her competency once—if sold in the right market. As she lay in her little attic bed, she was still sullenly thinking, wearily thinking of her life. She thought of a poor old horse which Sim had bought once, years before, and put to the plough when it was too old and weak to work. She could see her again as in a vision, that poor old mare, with sad head drooping, toiling, toiling, till at last she could no longer move, and lying down under the harness in the furrow, groaned under the whip,—and died.
Then she wondered if her own numbness and despair meant death, and she held her breath to think harder upon it. She concluded at last, grimly, that she didn't care—only for the children.
The air was frightfully close in the little attic, and she heard the low mutter of the rising storm in the west. She forgot her troubles a little, listening to the far-off gigantic footsteps of the tempest.
Boom, boom, boom, it broke nearer and nearer, as if a vast cordon of cannon was being drawn around the horizon. Yet she was conscious only of pleasure. She had no fear. At last came the sweep of cool, fragrant storm-wind, a short and sudden dash of rain, and then in the cool, sweet hush which followed, the worn and weary woman fell into a deep sleep.
III
When she woke the younger children were playing about on the floor in their night-clothes, and little Pet was sitting in a square of sunshine, intent on one of his shoes. He was too young to know how poor and squalid his surroundings were,—the patch of sunshine flung on the floor glorified it all. He—little animal—was happy.
The poor of the Western prairies lie almost as unhealthily close together as do the poor of the city tenements. In the small hut of the peasant there is as little chance to escape close and tainting contact as in the coops and dens of the North End of proud Boston. In the midst of oceans of land, floods of sunshine and gulfs of verdure, the farmer lives in two or three small rooms. Poverty's eternal cordon is ever round the poor.
"Ma, why didn't you sleep with Pap last night?" asked Bob, the seven-year-old, when he saw she was awake at last. She flushed a dull red.
"You hush, will yeh? Because—I—it was too warm—and there was a storm comin'. You never mind askin' such questions. Is he gone out?"
"Yup. I heerd him callin' the pigs. It's Sunday, ain't it, ma?"
The fact seemed to startle her.
"Why, yes, so it is! Wal! Now, Sadie, you jump up an' dress quick 's y' can, an' Bob an' Sile, you run down an' bring s'm' water," she commanded, in nervous haste, beginning to dress. In the middle of the room there was scarce space to stand beneath the rafters.
When Sim came in for his breakfast he found it on the table, but his wife was absent.
"Where's y'r ma?" he asked, with a little less of the growl in his voice.
"She's upstairs with Pet."
The man ate his breakfast in dead silence, till at last Bob ventured to say:—
"What makes ma ac' so?"
"Shut up!" was the brutal reply. The children began to take sides with the mother—all but the oldest girl, who was ten years old. To her the father turned now for certain things to be done, treating her in his rough fashion as a housekeeper, and the girl felt flattered and docile accordingly.
They were pitiably clad; like many farm-children, indeed, they could hardly be said to be clad at all. Sadie had on but two garments, a sort of undershirt of cotton and a faded calico dress, out of which her bare, yellow little legs protruded, lamentably dirty and covered with scratches.
The boys also had two garments, a hickory shirt and a pair of pants like their father's, made out of brown denim by the mother's never-resting hands—hands that in sleep still sewed, and skimmed, and baked, and churned. The boys had gone to bed without washing their feet, which now looked like toads, calloused, brown, and chapped.
Part of this the mother saw with her dull eyes as she came down, after seeing the departure of Sim up the road with the cows. It was a beautiful Sunday morning, and the woman might have sung like a bird if men had been as kind to her as Nature. But she looked dully out upon the seas of ripe grasses, tangled and flashing with dew, out of which the bobolinks and larks sprang. The glorious winds brought her no melody, no perfume, no respite from toil and care.
She thought of the children she saw in the town,—children of the merchant and banker, clean as little dolls, the boys in knickerbocker suits, the girls in dainty white dresses,—and a vengeful bitterness sprang up in her heart. She soon put the dishes away, but felt too tired and listless to do more.
"Taw-bay-wies! Pet want ta-aw-bay-wies!" cried the little one, tugging at her dress.
Listlessly, mechanically she took him in her arms, and went out into the garden, which was fragrant and sweet with dew and sun. After picking some berries for him, she sat down on the grass under the row of cottonwoods, and sank into a kind of lethargy. A kingbird chattered and shrieked overhead, the grasshoppers buzzed in the grasses, strange insects with ventriloquistic voices sang all about her—she could not tell where.
"Ma, can't I put on my clean dress?" insisted Sadie.
"I don't care," said the brooding woman, darkly. "Leave me alone."
Oh, if she could only lie here forever, escaping all pain and weariness! The wind sang in her ears; the great clouds, beautiful as heavenly ships, floated far above in the vast, dazzling deeps of blue sky; the birds rustled and chirped around her; leaping insects buzzed and clattered in the grass and in the vines and bushes. The goodness and glory of God was in the very air, the bitterness and oppression of man in every line of her face.
But her quiet was broken by Sadie, who came leaping like a fawn down through the grass.
"Oh, ma, Aunt Maria and Uncle William are coming. They've jest turned in."
"I don't care if they be!" she answered in the same dully irritated way. "What're they comin' here to-day for, I wan' to know." She stayed there immovably, till Mrs. Councill came down to see her, piloted by two or three of the children. Mrs. Councill, a jolly, large-framed woman, smiled brightly, and greeted her in a loud, jovial voice. She made the mistake of taking the whole matter lightly; her tone amounted to ridicule.
"Sim says you've been having a tantrum, Creeshy. Don't know what for, he says."
"He don't," said the wife, with a sullen flash in her eyes. "He don't know why! Well, then, you just tell him what I say. I've lived in hell long enough. I'm done. I've slaved here day in and day out f'r twelve years without pay,—not even a decent word. I've worked like no nigger ever worked 'r could work and live. I've given him all I had, 'r ever expect to have. I'm wore out. My strength is gone, my patience is gone. I'm done with it,—that's a part of what's the matter."
"My sakes, Lucreeshy! You mustn't talk that way."
"But I will" said the woman, as she supported herself on one palm and raised the other. "I've got to talk that way." She was ripe for an explosion like this. She seized upon it with eagerness. "They ain't no use o' livin' this way, anyway. I'd take poison if it wa'n't f'r the young ones."
"Lucreeshy Burns!"
"Oh, I mean it."
"Land sakes alive, I b'lieve you're goin' crazy!"
"I shouldn't wonder if I was. I've had enough t' drive an Indian crazy. Now you jest go off an' leave me 'lone. I ain't no mind to visit,—they ain't no way out of it' and I'm tired o' trying to find a way. Go off an' let me be."
Her tone was so bitterly hopeless that the great, jolly face of Mrs. Councill stiffened into a look of horror such as she had not known for years. The children, in two separate groups, could be heard rioting. Bees were humming around the clover in the grass, and the kingbird chattered ceaselessly from the Lombardy poplar tip. Both women felt all this peace and beauty of the morning dimly, and it disturbed Mrs. Councill because the other was so impassive under it all. At last, after a long and thoughtful pause, Mrs. Councill asked a question whose answer she knew would decide it all—asked it very kindly and softly:—
"Creeshy, are you comin' in?"
"No," was the short and sullenly decisive answer. Mrs. Councill knew that was the end, and so rose with a sigh, and went away.
"Wal, good-by," she said, simply.
Looking back, she saw Lucretia lying at length, with closed eyes and hollow cheeks. She seemed to be sleeping, half buried in the grass. She did not look up nor reply to her sister-in-law, whose life was one of toil and trouble also, but not so hard and helpless as Lucretia's. By contrast with most of her neighbors, she seemed comfortable.
"Sim Burns, what you ben doin' to that woman?" she burst out, as she waddled up to where the two men were sitting under a cottonwood tree, talking and whittling after the manner of farmers.
"Nawthin' 's fur 's I know," answered Burns, not quite honestly, and looking uneasy.
"You needn't try t' git out of it like that, Sim Burns," replied his sister. "That woman never got into that fit f'r nawthin'."
"Wal, if you know more about it than I do, whadgy ask me fur?" he replied, angrily.
"Tut, tut!" put in Councill, "hold y'r horses! Don't git on y'r ear, children! Keep cool, and don't spile y'r shirts. Most likely you're all t' blame. Keep cool an' swear less."
"Wal, I'll bet Sim's more to blame than she is. Why, they ain't a harder-workin' woman in the hull State of Ioway than she is—"
"Except Marm Councill."
"Except nobody. Look at her, jest skin and bones."
Councill chuckled in his vast way. "That's so, mother; measured in that way, she leads over you. You git fat on it."
She smiled a little, her indignation oozing away. She never "could stay mad," her children were accustomed to tell her. Burns refused to talk any more about the matter, and the visitors gave it up, and got out their team and started for home, Mrs. Councill firing this parting shot:—
"The best thing you can do to-day is t' let her alone. Mebbe the children 'll bring her round ag'in. If she does come round, you see 't you treat her a little more 's y' did when you was a-courtin' her."
"This way," roared Councill, putting his arm around his wife's waist. She boxed his ears, while he guffawed and clucked at his team.
Burns took a measure of salt and went out into the pasture to salt the cows. On the sunlit slope of the field, where the cattle came running and bawling to meet him, he threw down the salt in handfuls, and then lay down to watch them as they eagerly licked it up, even gnawing a bare spot in the sod in their eagerness to get it all.
Burns was not a drinking man; he was hard-working, frugal; in fact, he had no extravagances except his tobacco. His clothes he wore until they all but dropped from him; and he worked in rain and mud, as well as dust and sun. It was this suffering and toiling all to no purpose that made him sour and irritable. He didn't see why he should have so little after so much hard work.
He was puzzled to account for it all. His mind—the average mind—was weary with trying to solve an insoluble problem. His neighbors, who had got along a little better than himself, were free with advice and suggestion as to the cause of his persistent poverty.
Old man Bacon, the hardest-working man in the county, laid it to Burns's lack of management. Jim Butler, who owned a dozen farms (which he had taken on mortgages), and who had got rich by buying land at government price and holding for a rise, laid all such cases as Burns's to "lack of enterprise, foresight."
But the larger number, feeling themselves in the same boat with Burns, said:—
"I d' know. Seems as if things get worse an' worse. Corn an' wheat gittin' cheaper 'n' cheaper. Machinery eatin' up profits—got to have machinery to harvest the cheap grain, an' then the machinery eats up profits. Taxes goin' up. Devil to pay all round; I d' know what in thunder is the matter."
The Democrats said protection was killing the farmers; the Republicans said no. The Grangers growled about the middle-men; the Greenbackers said there wasn't circulating medium enough, and, in the midst of it all, hard-working, discouraged farmers, like Simeon Burns, worked on, unable to find out what really was the matter.
And there, on this beautiful Sabbath morning, Sim sat and thought and thought, till he rose with an oath and gave it up.
IV
It was hot and brilliant again the next morning as Douglas Radbourn drove up the road with Lily Graham, the teacher of the school in the little white schoolhouse. It was blazing hot, even though not yet nine o'clock, and the young farmers ploughing beside the fence looked longingly and somewhat bitterly at Radbourn seated in a fine top-buggy beside a beautiful creature in lace and cambric.
Very beautiful the town-bred "schoolma'am" looked to those grimy, sweaty fellows, superb fellows too, physically, with bare red arms and leather-colored faces. She was as if builded of the pink and white clouds soaring far up there in the morning sky. So cool, and sweet, and dainty.
As she came in sight, their dusty and sweaty shirts grew biting as the poisoned shirt of the Norse myth, their bare feet in the brown dirt grew distressingly flat and hoof-like, and their huge, dirty, brown, chapped and swollen hands grew so repulsive that the mere remote possibility of some time in the far future standing a chance of having an introduction to her, caused them to wipe their palms on their trousers' legs stealthily.
Lycurgus Banks swore when he saw Radbourn: "That cuss thinks he's ol' hell this morning. He don't earn his living. But he's just the kind of cuss to get holt of all the purty girls."
Others gazed with simple, sad wistfulness upon the slender figure, pale, sweet face, and dark eyes of the young girl, feeling that to have talk with such a fairylike creature was a happiness too great to ever be their lot. And when she had passed they went back to work with a sigh and feeling of loss.
As for Lily, she felt a pang of pity for these people. She looked at this peculiar form of poverty and hardship much as the fragile, tender girl of the city looks upon the men laying a gas-main in the streets. She felt, sympathetically, the heat and grime, and, though but the faintest idea of what it meant to wear such clothing came to her, she shuddered. Her eyes had been opened to these things by Radbourn, a classmate at the Seminary.
The young fellow knew that Lily was in love with him, and made distinct effort to keep the talk upon impersonal subjects. He liked her very much, probably because she listened so well.
"Poor fellows," sighed Lily, almost unconsciously, "I hate to see them working there in the dirt and hot sun. It seems a hopeless sort of life, doesn't it?"
"Oh, but this is the most beautiful part of the year," said Radbourn. "Think of them in the mud, in the sleet; think of them husking corn in the snow, a bitter wind blowing; think of them a month later in the harvest; think of them imprisoned here in winter!"
"Yes, it's dreadful! But I never felt it so keenly before. You have opened my eyes to it. Of course, I've been on a farm but not to live there."
"Writers and orators have lied so long about 'the idyllic' in farm life, and said so much about the 'independent American farmer,' that he himself has remained blind to the fact that he's one of the hardest-working and poorest-paid men in America. See the houses they live in,—hovels."
"Yes, yes, I know," said Lily; a look of deeper pain swept over her face. "And the fate of the poor women; oh, the fate of the women!"
"Yes, it's a matter of statistics," went on Radbourn, pitilessly, "that the wives of the American farmers fill our insane asylums. See what a life they lead, most of them; no music, no books. Seventeen hours a day in a couple of small rooms—dens. Now there is Sim Burns! What a travesty of a home! Yet there are a dozen just as bad in sight. He works like a fiend—so does his wife—and what is their reward? Simply a hole to hibernate in and to sleep and eat in in summer. A dreary present and a well-nigh hopeless future. No, they have a future, if they knew it, and we must tell them."
"I know Mrs. Burns," Lily said, after a pause; "she sends several children to my school. Poor, pathetic little things, half-clad and wistful-eyed. They make my heart ache; they are so hungry for love, and so quick to learn."
As they passed the Burns farm, they looked for the wife, but she was not to be seen. The children had evidently gone up to the little white schoolhouse at the head of the lane. Radbourn let the reins fall slack as he talked on. He did not look at the girl; his eyebrows were drawn into a look of gloomy pain.
"It isn't so much the grime that I abhor, nor the labor that crooks their backs and makes their hands bludgeons. It's the horrible waste of life involved in it all. I don't believe God intended a man to be bent to plough-handles like that, but that isn't the worst of it. The worst of it is, these people live lives approaching automata. They become machines to serve others more lucky or more unscrupulous than themselves. What is the world of art, of music, of literature, to these poor devils,—to Sim Burns and his wife there, for example? Or even to the best of these farmers?"
The girl looked away over the shimmering lake of yellow-green corn. A choking came into her throat. Her gloved hand trembled.
"What is such a life worth? It's all very comfortable for us to say, 'They don't feel it.' How do we know what they feel? What do we know of their capacity for enjoyment of art and music? They never have leisure or opportunity. The master is very glad to be taught by preacher, and lawyer, and novelist, that his slaves are contented and never feel any longings for a higher life. These people live lives but little higher than their cattle—are forced to live so. Their hopes and aspirations are crushed out, their souls are twisted and deformed just as toil twists and deforms their bodies. They are on the same level as the city laborer. The very religion they hear is a soporific. They are taught to be content here that they may be happy hereafter. Suppose there isn't any hereafter?"
"Oh, don't say that, please!" Lily cried.
"But I don't know that there is," he went on remorselessly, "and I do know that these people are being robbed of something more than money, of all that makes life worth living. The promise of milk and honey in Canaan is all very well, but I prefer to have mine here; then I'm sure of it."
"What can we do?" murmured the girl.
"Do? Rouse these people for one thing; preach discontent, a noble discontent."
"It will only make them unhappy."
"No, it won't; not if you show them the way out. If it does, it's better to be unhappy striving for higher things, like a man, than to be content in a wallow like swine."
"But what is the way out?"
This was sufficient to set Radbourn upon his hobbyhorse. He outlined his plan of action: the abolition of all indirect taxes, the State control of all privileges the private ownership of which interfered with the equal rights of all. He would utterly destroy speculative holdings of the earth. He would have land everywhere brought to its best use, by appropriating all ground rents to the use of the state, etc., etc., to which the girl listened with eager interest, but with only partial comprehension.
As they neared the little schoolhouse, a swarm of midgets in pink dresses, pink sun-bonnets, and brown legs, came rushing to meet their teacher, with that peculiar devotion the children in the country develop for a refined teacher.
Radbourn helped Lily out into the midst of the eager little scholars, who swarmed upon her like bees on a lump of sugar, till even Radbourn's gravity gave way, and he smiled into her lifted eyes,—an unusual smile, that strangely enough stopped the smile on her own lips, filling her face with a wistful shadow, and her breath came hard for a moment, and she trembled.
She loved that cold, stern face, oh, so much! and to have him smile was a pleasure that made her heart leap till she suffered a smothering pain. She turned to him to say:—
"I am very thankful, Mr. Radbourn, for another pleasant ride," adding in a lower tone, "it was a very great pleasure; you always give me so much. I feel stronger and more hopeful."
"I'm glad you feel so. I was afraid I was prosy with my land doctrine."
"Oh, no! Indeed no! You have given me a new hope; I am exalted with the thought; I shall try to think it all out and apply it."
And so they parted, the children looking on and slyly whispering among themselves. Radbourn looked back after a while, but the bare white hive had absorbed its little group, and was standing bleak as a tombstone and hot as a furnace on the naked plain in the blazing sun.
"America's pitiful boast!" said the young radical, looking back at it. "Only a miserable hint of what it might be."
All that forenoon, as Lily faced her noisy group of barefooted children, she was thinking of Radbourn, of his almost fierce sympathy for these poor, supine farmers, hopeless and in some cases content in their narrow lives. The children almost worshipped the beautiful girl who came to them as a revelation of exquisite neatness and taste,—whose very voice and intonation awed them.
They noted, unconsciously of course, every detail. Snowy linen, touches of soft color, graceful lines of bust and side, the slender fingers that could almost speak, so beautifully flexile were they. Lily herself sometimes, when she shook the calloused, knotted, stiffened hands of the women, shuddered with sympathetic pain to think that the crowning wonder and beauty of God's world should be so maimed and distorted from its true purpose.
Even in the children before her she could see the inherited results of fruitless labor, and, more pitiful yet, in the bent shoulders of the older ones she could see the beginnings of deformity that would soon be permanent; and as these thoughts came to her, she clasped the wondering children to her side, with a convulsive wish to make life a little brighter for them.
"How is your mother to-day?" she asked of Sadie Burns, as she was eating her luncheon on the drab-colored table near the open window.
"Purty well," said Sadie, in a hesitating way.
Lily was looking out, and listening to the gophers whistling as they raced to and fro. She could see Bob Burns lying at length on the grass in the pasture over the fence, his heels waving in the air, his hands holding a string which formed a snare. It was like fishing to young Izaak Walton.
It was very still and hot, and the cheep and trill of the gophers and the chatter of the kingbirds alone broke the silence. A cloud of butterflies were fluttering about a pool near; a couple of big flies buzzed and mumbled on the pane.
"What ails your mother?" Lily asked, recovering herself and looking at Sadie, who was distinctly ill at ease.
"Oh, I dunno," Sadie replied, putting one bare foot across the other.
Lily insisted.
"She 'n' pa's had an awful row—"
"Sadie!" said the teacher, warningly, "what language!"
"I mean they quarrelled, an' she don't speak to him any more."
"Why, how dreadful!"
"An' pa, he's awful cross; and she won't eat when he does, an' I haf to wait on table."
"I believe I'll go down and see her this noon," said Lily to herself, as she divined a little of the state of affairs in the Burns family.
V
Sim was mending the pasture fence as Lily came down the road toward him. He had delayed going to dinner to finish his task, and was just about ready to go when Lily spoke to him.
"Good morning, Mr. Burns. I am just going down to see Mrs. Burns. It must be time to go to dinner,—aren't you ready to go? I want to talk with you."
Ordinarily he would have been delighted with the idea of walking down the road with the schoolma'am, but there was something in her look which seemed to tell him that she knew all about his trouble, and, besides, he was not in good humor.
"Yes, in a minnit—soon's I fix up this hole. Them shotes, I b'lieve, would go through a keyhole, if they could once get their snoots in."
He expanded on this idea as he nailed away, anxious to gain time. He foresaw trouble for himself. He couldn't be rude to this sweet and fragile girl. If a man had dared to attack him on his domestic shortcomings, he could have fought. The girl stood waiting for him, her large, steady eyes full of thought, gazing down at him from the shadow of her broad-brimmed hat.
"The world is so full of misery anyway, that we ought to do the best we can to make it less," she said at last, in a musing tone, as if her thoughts had unconsciously taken on speech. She had always appealed to him strongly, and never more so than in this softly uttered abstraction—that it was an abstraction added to its power with him.
He could find no words for reply, but picked up his hammer and nail-box, and slouched along the road by her side, listening without a word to her talk.
"Christ was patient, and bore with his enemies. Surely we ought to bear with our—friends," she went on, adapting her steps to his. He took off his torn straw hat and wiped his face on his sleeve, being much embarrassed and ashamed. Not knowing how to meet such argument, he kept silent.
"How is Mrs. Burns!" said Lily at length, determined to make him speak. The delicate meaning in the emphasis laid on is did not escape him.
"Oh, she's all right—I mean she's done her work jest the same as ever. I don't see her much—"
"I didn't know—I was afraid she was sick. Sadie said she was acting strangely."
"No, she's well enough—but—"
"But what is the trouble? Won't you let me help you, won't you?" she pleaded.
"Can't anybody help us. We've got 'o fight it out, I s'pose," he replied, a gloomy note of resentment creeping into his voice. "She's ben in a devil of a temper f'r a week."
"Haven't you been in the same kind of a temper too?" demanded Lily, firmly but kindly. "I think most troubles of this kind come from bad temper on both sides. Don't you? Have you done your share at being kind and patient?"
They had reached the gate now, and she laid her hand on his arm to stop him. He looked down at the slender gloved hand on his arm, feeling as if a giant had grasped him; then he raised his eyes to her face, flushing a purplish red as he remembered his grossness. It seemed monstrous in the presence of this girl-advocate. Her face was like silver; her eyes seemed pools of tears.
"I don't s'pose I have," he said at last, pushing by her. He could not have faced her glance another moment. His whole air conveyed the impression of destructive admission. Lily did not comprehend the extent of her advantage or she would have pursued it further. As it was she felt a little hurt as she entered the house. The table was set, but Mrs. Burns was nowhere to be seen. Calling her softly, the young girl passed through the shabby little living-room to the oven-like bedroom which opened off it, but no one was about. She stood for a moment shuddering at the wretchedness of the room.
Going back to the kitchen, she found Sim about beginning on his dinner. Little Pet was with him; the rest of the children were at the schoolhouse.
"Where is she?"
"I d' know. Out in the garden, I expect. She don't eat with me now. I never see her. She don't come near me. I ain't seen her since Saturday."
Lily was shocked inexpressibly and began to see more clearly the magnitude of the task she had set herself to do. But it must be done; she felt that a tragedy was not far off. It must be averted.
"Mr. Burns, what have you done? What have you done?" she asked in terror and horror.
"Don't lay it all to me! She hain't done nawthin' but complain f'r ten years. I couldn't do nothin' to suit her. She was always naggin' me."
"I don't think Lucretia Burns would nag anybody. I don't say you're all to blame, but I'm afraid you haven't acknowledged you were any to blame. I'm afraid you've not been patient with her. I'm going out to bring her in. If she comes, will you say you were part to blame? You needn't beg her pardon—just say you'll try to be better. Will you do it? Think how much she has done for you! Will you?"
He remained silent, and looked discouragingly rude. His sweaty, dirty shirt was open at the neck, his arms were bare, his scraggly teeth were yellow with tobacco, and his uncombed hair lay tumbled about on his high, narrow head. His clumsy, unsteady hands played with the dishes on the table. His pride was struggling with his sense of justice; he knew he ought to consent, and yet it was so hard to acknowledge himself to blame. The girl went on in a voice piercingly sweet, trembling with pity and pleading.
"What word can I carry to her from you? I'm going to go and see her. If I could take a word from you, I know she would come back to the table. Shall I tell her you feel to blame?"
The answer was a long time coming; at last the man nodded an assent, the sweat pouring from his purple face. She had set him thinking; her victory was sure.
Lily almost ran out into the garden and to the strawberry patch, where she found Lucretia in her familiar, colorless, shapeless dress, picking berries in the hot sun, the mosquitoes biting her neck and hands.
"Poor, pathetic, dumb sufferer!" the girl thought as she ran up to her.
She dropped her dish as she heard Lily coming, and gazed up into the tender, pitying face. Not a word was spoken, but something she saw there made her eyes fill with tears, and her throat swell. It was pure sympathy. She put her arms around the girl's neck and sobbed for the first time since Friday night. Then they sat down on the grass under the hedge, and she told her story, interspersed with Lily's horrified comments.
When it was all told, the girl still sat listening. She heard Radbourn's calm, slow voice again. It helped her not to hate Burns; it helped her to pity and understand him.
"You must remember that such toil brutalizes a man; it makes him callous, selfish, unfeeling, necessarily. A fine nature must either adapt itself to its hard surroundings or die. Men who toil terribly in filthy garments day after day and year after year cannot easily keep gentle; the frost and grime, the heat and cold, will soon or late enter into their souls. The case is not all in favor of the suffering wives and against the brutal husbands. If the farmer's wife is dulled and crazed by her routine, the farmer himself is degraded and brutalized."
As well as she could Lily explained all this to the woman, who lay with her face buried in the girl's lap. Lily's arms were about her thin shoulders in an agony of pity.
"It's hard, Lucretia, I know,—more than you can bear,—but you mustn't forget what Sim endures too. He goes out in the storms and in the heat and dust. His boots are hard, and see how his hands are all bruised and broken by his work! He was tired and hungry when he said that—he didn't really mean it."
The wife remained silent.
"Mr. Radbourn says work, as things go now, does degrade a man in spite of himself. He says men get coarse and violent in spite of themselves, just as women do when everything goes wrong in the house,—when the flies are thick, and the fire won't burn, and the irons stick to the clothes. You see, you both suffer. Don't lay up this fit of temper against Sim—will you?"
The wife lifted her head and looked away. Her face was full of hopeless weariness.
"It ain't this once. It ain't that 't all. It's having no let-up. Just goin' the same thing right over 'n' over—no hope of anything better."
"If you had hope of another world—"
"Don't talk that. I don't want that kind o' comfert. I want a decent chance here. I want 'o rest an' be happy now." Lily's big eyes were streaming with tears. What should she say to the desperate woman? "What's the use? We might jest as well die—all of us."
The woman's livid face appalled the girl. She was gaunt, heavy-eyed, nerveless. Her faded dress settled down over her limbs, showing the swollen knees and thin calves; her hands, with distorted joints, protruded painfully from her sleeves. All about her was the ever recurring wealth and cheer of nature that knows no favor,—the bees and flies buzzing in the sun, the jay and the kingbird in the poplars, the smell of strawberries, the motion of lush grass, the shimmer of corn-blades tossed gayly as banners in a conquering army.
Like a flash of keener light, a sentence shot across the girl's mind: "Nature knows no title-deed. The bounty of her mighty hands falls as the sunlight falls, copious, impartial; her seas carry all ships; her air is for all lips, her lands for all feet."
"Poverty and suffering such as yours will not last." There was something in the girl's voice that roused the woman. She turned her dull eyes upon the youthful face.
Lily took her hand in both hers as if by a caress she could impart her own faith.
"Look up, dear. When nature is so good and generous, man must come to be better, surely. Come, go in the house again. Sim is there; he expects you; he told me to tell you he was sorry." Lucretia's face twitched a little at that, but her head was bent. "Come; you can't live this way. There isn't any other place to go to."
No, that was the bitterest truth. Where on this wide earth, with its forth-shooting fruits and grains, its fragrant lands and shining seas, could this dwarfed, bent, broken, middle-aged woman go? Nobody wanted her, nobody cared for her. But the wind kissed her drawn lips as readily as those of the girl, and the blooms of clover nodded to her as if to a queen.
Lily had said all she could. Her heart ached with unspeakable pity and a sort of terror.
"Don't give up, Lucretia. This may be the worst hour of your life. Live and bear with it all for Christ's sake,—for your children's sake. Sim told me to tell you he was to blame. If you will only see that you are both to blame and yet neither to blame, then you can rise above it. Try, dear!"
Something that was in the girl imparted itself to the wife, electrically. She pulled herself together, rose silently, and started toward the house. Her face was rigid, but no longer sullen. Lily followed her slowly, wonderingly.
As she neared the kitchen door, she saw Sim still sitting at the table; his face was unusually grave and soft. She saw him start and shove back his chair, saw Lucretia go to the stove and lift the tea-pot, and heard her say, as she took her seat beside the baby:—
"Want some more tea?"
She had become a wife and mother again, but in what spirit the puzzled girl could not say.
DADDY DEERING
I
They were threshing on Farmer Jennings's place when Daddy made his very characteristic appearance. Milton, a boy of thirteen, was gloomily holding sacks for the measurer, and the glory of the October day was dimmed by the suffocating dust, and poisoned by the smarting beards and chaff which had worked their way down his neck. The bitterness of the dreaded task was deepened also by contrast with the gambols of his cousin Billy, who was hunting rats with Growler amid the last sheaves of the stack bottom. The piercing shrieks of Billy, as he clapped his hands in murderous glee, mingled now and again with the barking of the dog.
The machine seemed to fill the world with its snarling boom, which became a deafening yell when the cylinder ran empty for a moment. It was nearly noon, and the men were working silently, with occasional glances toward the sun to see how near dinner-time it was. The horses, dripping with sweat, and with patches of foam under their harness, moved round and round steadily to the cheery whistle of the driver.
The wild, imperious song of the bell-metal cog-wheel had sung into Milton's ears till it had become a torture, and every time he lifted his eyes to the beautiful far-off sky, where the clouds floated like ships, a lump of rebellious anger rose in his throat. Why should he work in this choking dust and deafening noise while the hawks could sail and sweep from hill to hill with nothing to do but play?
Occasionally his uncle, the feeder, smiled down upon him, his face black as a negro, great goggles of glass and wire-cloth covering his merry eyes. His great good-nature shone out in the flash of his white teeth, behind his dusky beard, and he tried to encourage Milton with his smile. He seemed tireless to the other hands. He was so big and strong. He had always been Milton's boyish hero. So Milton crowded back the tears that came into his eyes, and would not let his uncle see how childish he was.
A spectator riding along the road would have remarked upon the lovely setting for this picturesque scene—the low swells of prairie, shrouded with faint, misty light from the unclouded sky, the flaming colors of the trees, the faint sound of cow-bells, and the cheery sound of the machine. But to be a tourist and to be a toiler in a scene like this are quite different things.
They were anxious to finish the setting by noon, and so the feeder was crowding the cylinder to its limit, rolling the grain in with slow and apparently effortless swaying from side to side, half buried in the loose yellow straw. But about eleven o'clock the machine came to a stand, to wait while a broken tooth was being replaced, and Milton fled from the terrible dust beside the measuring spout, and was shaking the chaff out of his clothing, when he heard a high, snappy, nasal voice call down from the straw-pile. A tall man, with a face completely masked in dust, was speaking to Mr. Jennings:—
"Say, young man, I guess you'll haf to send another man up here. It's poorty stiff work f'r two; yes, sir, poorty stiff."
"There, there! I thought you'd cry 'cavy,'" laughed Mr. Jennings. "I told you it wasn't the place for an old man."
"Old man," snarled the figure in the straw. "I ain't so old but I can daown you, sir,—yessir, condemmit, yessir!"
"I'm your man," replied Jennings, smiling up at him.
The man rolled down the side of the stack, disappearing in a cloud of dust and chaff. When he came to light, Milton saw a tall, gaunt old man of sixty years of age, or older. Nothing could be seen but a dusty expanse of face, ragged beard, and twinkling, sharp little eyes. His color was lost, his eyes half hid. Without waiting for ceremony, the men clenched. The crowd roared with laughter, for though Jennings was the younger, the older man was a giant still, and the struggle lasted for some time. He made a gallant fight, but his breath gave out, and he lay at last flat on his back.
"I wish I was your age, young man," he said ruefully, as he rose. "I'd knock the heads o' these young scamps t'gether,—yessir!—I could do it, too!"
"Talk's a good dog, uncle," said a young man.
The old man turned on him so ferociously that he fled.
"Run, condemn yeh! I own y' can beat me at that."
His face was not unpleasant, though his teeth were mainly gone, and his skin the color of leather and wrinkled as a pan of cream. His eyes had a certain sparkle of fun that belied his rasping voice, which seemed to have the power to lift a boy clean off his feet. His frame was bent and thin, but of great height and breadth, bony and tough as hickory. At some far time vast muscles must have rolled on those giant limbs, but toil had bent and stiffened him.
"Never been sick a day 'n my life; no, sir!" he said, in his rapid, rasping, emphatic way, as they were riding across the stubble to dinner. "And, by gol! I c'n stand as long at the tail of a stacker as any man, sir. Dummed if I turn my hand for any man in the state; no, sir; no, sir! But if I do two men's works, I am goin' to have two men's pay—that's all, sir!"
Jennings laughed and said: "All right, uncle. I'll send another man up there this afternoon."
The old man seemed to take a morbid delight in the hard and dirty places, and his endurance was marvellous. He could stand all day at the tail of a stacker, tirelessly pushing the straw away with an indifferent air, as if it were all mere play.
He measured the grain the next day, because it promised to be a noisier and dustier job than working in the straw, and it was in this capacity that Milton came to know and to hate him, and to associate him with that most hated of all tasks, the holding of sacks. To a twelve-year-old boy it seems to be the worst job in the world.
All day, while the hawks wheel and dip in the glorious air, and the trees glow like banks of roses; all day, while the younger boys are tumbling about the sunlit straw, to be forced to stand holding sacks, like a convict, was maddening. Daddy, whose rugged features, bent shoulders, and ragged cap loomed through the suffocating, blinding dust, necessarily came to seem like the jailer who held the door to freedom.
And when the dust and noise and monotony seemed the very hardest to bear, the old man's cackling laugh was sure to rise above the howl of the cylinder.
"Nem mind, sonny! Chaff ain't pizen; dust won't hurt ye a mite." And when Milton was unable to laugh, the old man tweaked his ear with his leathery thumb and finger.
Then he shouted long, disconnected yarns, to which Milton could make neither head nor tail, and which grew at last to be inaudible to him, just as the steady boom and snarl of the great machine did. Then he fell to studying the old man's clothes, which were a wonder to him. He spent a good deal of time trying to discover which were the original sections of the coat, and especially of the vest, which was ragged and yellow with age, with the cotton batting working out; and yet Daddy took the greatest care of it, folding it carefully and putting it away during the heat of the day out of reach of the crickets.
One of his peculiarities, as Mrs. Jennings learned on the second day, was his habit of coming to breakfast. But he always earned all he got, and more too; and, as it was probable that his living at home was frugal, Mrs. Jennings smiled at his thrift, and quietly gave him his breakfast if he arrived late, which was not often.
He had bought a little farm not far away, and settled down into a mode of life which he never afterward changed. As he was leaving at the end of the third day, he said:—
"Now, sir, if you want any bootcherin' done, I'm y'r man. I don't turn m' hand over f'r any man in the state; no, sir! I c'n git a hawg on the gambrils jest a leetle quicker'n any other man I ever see; yes, sir; by gum!"
"All right, uncle; I'll send for you when I'm ready to kill."
II
Hog-killing was one of the events of a boy's life on a Western farm, and Daddy was destined to be associated in the minds of Shep and Milton with another disagreeable job, that of building the fire and carrying water.
It was very early on a keen, biting morning in November when Daddy came driving into the yard with his rude, long-runnered sled, one horse half his length behind the other in spite of the driver's clucking. He was delighted to catch the boys behind in the preparation.
"A-a-h-h-r-r-h-h!" he rasped out, "you lazy vagabon's? Why ain't you got that fire blazin'? What the devil do y' mean, you rascals! Here it is broad daylight, and that fire not built. I vum, sir, you need a thrashin', the whole kit an bilun' of ye; yessir! Come, come, come! hustle now, stir your boots! hustle y'r boots—ha! ha! ha!"
It was of no use to plead cold weather and damp chips.
"What has that got to do with it, sir? I vum, sir, when I was your age, I could make a fire of green red-oak; yessir! Don't talk to me of colds! Stir your stumps and get warm, sir!"
The old man put up his horses (and fed them generously with oats), and then went to the house to ask for "a leetle something hot—mince pie or sassidge." His request was very modest, but, as a matter of fact, he sat down and ate a very hearty breakfast, while the boys worked away at the fire under the big kettle.
The hired man, under Daddy's direction, drew the bob-sleighs into position on the sunny side of the corn-crib, and arranged the barrel at the proper slant, while the old man ground his knives, Milton turning the grindstone—another hateful task, which Daddy's stories could not alleviate.
Daddy never finished a story. If he started in to tell about a horse trade, it infallibly reminded him of a cattle trade, and talking of cattle switched him off upon logging, and logging reminded him of some heavy snow-storm he had known. Each parenthesis outgrew its proper limits, till he forgot what should have been the main story. His stories had some compensation, for when he stopped to try to recollect where he was, the pressure on the grindstone was released.
At last the water was hot, and the time came to seize the hogs. This was the old man's great moment. He stood in the pen and shrieked with laughter while the hired men went rolling, one after the other, upon the ground, or were bruised against the fence by the rush of the burly swine.
"You're a fine lot," he laughed. "Now, then, sir, grab 'im! Why don't ye nail 'im? I vum, sir, if I couldn't do better'n that, sir, I'd sell out; I would, sir, by gol! Get out o' the way!"
With a lofty scorn he waved aside all help and stalked like a gladiator toward the pigs huddled in one corner of the pen. And when the selected victim was rushing by him, his long arm and great bony hand swept out, caught him by the ear, and flung him upon his side, squealing with deafening shrillness. But in spite of his smiling concealment of effort, Daddy had to lean against the fence and catch his breath even while he boasted:—
"I'm an old codger, sir, but I'm worth—a dozen o' you—spindle-legged chaps; dum me if I ain't, sir!"
His pride in his ability to catch and properly kill a hog was as genuine as the old knight-errant's pride in his ability to stick a knife into another steel-clothed brigand like himself. When the slain shote was swung upon the planking on the sled before the barrel, Daddy rested, while the boys filled the barrel with water from the kettle.
There was always a weird charm about this stage of the work to the boys. The sun shone warm and bright in the lee of the corn-crib; the steam rose up, white and voluminous, from the barrel; the eaves dropped steadily; the hens ventured near, nervously, but full of curiosity, while the men laughed and joked with Daddy, starting him off on long stories, and winking at each other when his back was turned.
At last he mounted his planking, selecting Mr. Jennings to pull upon the other handle of the hog-hook. He considered he conferred a distinct honor in this selection.
"The time's been, sir, when I wouldn't thank any man for his help. No, sir, wouldn't thank 'im."
"What do you do with these things?" asked one of the men, kicking two iron candlesticks which the old man laid conveniently near.
"Scrape a hawg with them, sir. What do y' s'pose, you numskull?"
"Well, I never saw anything—"
"You'll have a chance mighty quick, sir. Grab ahold, sir! Swing 'im around—there! Now easy, easy! Now then, one, two; one, two—that's right."
While he dipped the porker in the water, pulling with his companion rhythmically upon the hook, he talked incessantly, mixing up scraps of stories and boastings of what he could do, with commands of what he wanted the other man to do.
"The best man I ever worked with. Now turn 'im, turn 'im!" he yelled, reaching over Jennings's wrist. "Grab under my wrist. There! won't ye never learn how to turn a hawg? Now out with 'im!" was his next wild yell, as the steaming hog was jerked out of the water upon the planking. "Now try the hair on them ears! Beautiful scald," he said, clutching his hand full of bristles and beaming with pride. "Never see anything finer. Here, Bub, a pail of hot water, quick! Try one of them candlesticks! They ain't no better scraper than the bottom of an old iron candlestick; no, sir! Dum your new-fangled scrapers! I made a bet once with old Jake Ridgeway that I could scrape the hair off'n two hawgs, by gum, quicker'n he could one. Jake was blowin' about a new scraper he had....
"Yes, yes, yes, dump it right into the barrel. Condemmit! Ain't you got no gumption?... So Sim Smith, he held the watch. Sim was a mighty good hand t' work with; he was about the only man I ever sawed with who didn't ride the saw. He could jerk a crosscut saw.... Now let him in again, now, he-ho, once again! Rool him over now; that foreleg needs a tech o' water. Now out with him again; that's right, that's right! By gol, a beautiful scald as ever I see!"
Milton, standing near, caught his eye again. "Clean that ear, sir! What the devil you standin' there for?" He returned to his story after a pause. "A—n—d Jake, he scraped away—hyare!" he shouted suddenly, "don't ruggle the skin like that! Can't you see the way I do it? Leave it smooth as a baby, sir—yessir!"
He worked on in this way all day, talking unceasingly, never shirking a hard job, and scarcely showing fatigue at any moment.
"I'm short o' breath a leetle, that's all; never git tired, but my wind gives out. Dum cold got on me, too."
He ate a huge supper of liver and potatoes, still working away hard at an ancient horse trade, and when he drove off at night, he had not yet finished a single one of the dozen stories he had begun.
III
But pitching grain and hog-killing were on the lower levels of his art, for above all else Daddy loved to be called upon to play the fiddle for dances. He "officiated" for the first time at a dance given by one of the younger McTurgs. They were all fiddlers themselves,—had been for three generations,—but they seized the opportunity of helping Daddy and at the same time of relieving themselves of the trouble of furnishing the music while the rest danced.
Milton attended this dance, and saw Daddy for the first time earning his money pleasantly. From that time on the associations around his personality were less severe, and they came to like him better. He came early, with his old fiddle in a time-worn white-pine box. His hair was neatly combed to the top of his long, narrow head, and his face was very clean. The boys all greeted him with great pleasure, and asked him where he would sit.
"Right on that table, sir; put a chair up there."
He took his chair on the kitchen-table as if it were a throne. He wore huge moccasins of moose-hide on his feet, and for special occasions like this added a paper collar to his red woollen shirt. He took off his coat and laid it across his chair for a cushion. It was all very funny to the young people, but they obeyed him laughingly, and while they "formed on," he sawed his violin and coaxed it up to concert pitch, and twanged it and banged it into proper tunefulness.
"A-a-a-ll ready there!" he rasped out, with prodigious force. "Everybody git into his place!" Then, lifting one huge foot, he put the fiddle under his chin, and, raising his bow till his knuckles touched the strings, he yelled, "Already, G'LANG!" and brought his foot down with a startling bang on the first note. Rye doodle duo, doodle doo.
As he went on and the dancers fell into rhythm, the clatter of heavy boots seemed to thrill him with old-time memories, and he kept boisterous time with his foot, while his high, rasping nasal rang high above the confusion of tongues and heels and swaying forms.
"Ladies' gran' change! Four hands round! Balance all! Elly-man left! Back to play-cis."
His eyes closed in a sort of intoxication of pleasure, but he saw all that went on in some miraculous way.
"First lady lead to the right—toodle rum rum! Gent foller after (step along thar)! Four hands round—"
The boys were immensely pleased with him. They delighted in his antics rather than in his tunes, which were exceedingly few and simple. They seemed never to be able to get enough of one tune which he called "Honest John," and which he played in his own way, accompanied by a chant which he meant, without a doubt, to be musical.
"HON-ers tew your pardners—tee teedle deedle dee dee dee dee! Stand up straight an' put on your style! Right an' left four—"
The hat was passed by the floor-manager during the evening, and Daddy got nearly three dollars, which delighted Milton very much.
At supper he insisted on his prerogative, which was to take the prettiest girl out to supper.
"Look-a-here, Daddy, ain't that crowdin' the mourners?" objected the others.
"What do you mean by that, sir? No, sir! Always done it, in Michigan and Yark State both; yes, sir."
He put on his coat ceremoniously, while the tittering girls stood about the room waiting. He did not delay. His keen eyes had made selection long before, and, approaching Rose Watson with old-fashioned, elaborate gallantry, he said: "May I have the pleasure?" and marched out triumphantly, amidst shouts of laughter.
His shrill laugh rang high above the rest at the table, as he said: "I'm the youngest man in this crowd, sir! Demmit, I bet a hat I c'n dance down any man in this crowd; yes, sir. The old man can do it yet."
They all took sides in order to please him.
"I'll bet he can," said Hugh McTurg; "I'll bet a dollar on Daddy."
"I'll take the bet," said Joe Randall, and with great noise the match was arranged to come the first thing after supper.
"All right, sir; any time, sir. I'll let you know the old man is on earth yet."
While the girls were putting away the supper dishes, the young man lured Daddy out into the yard for a wrestling-match, but some others objected.
"Oh, now, that won't do! If Daddy was a young man—"
"What do you mean, sir? I am young enough for you, sir. Just let me get ahold o' you, sir, and I'll show you, you young rascal! you dem jackanapes!" he ended, almost shrieking with rage, as he shook his fist in the face of his grinning tormentors.
His friends held him back with much apparent alarm, and ordered the other fellows away.
"There, there, Daddy, I wouldn't mind him! I wouldn't dirty my hands on him; he ain't worth it. Just come inside, and we'll have that dancing-match now."
Daddy reluctantly returned to the house, and, having surrendered his violin to Hugh McTurg, was ready for the contest. As he stepped into the middle of the room he was not altogether ludicrous. His rusty trousers were bagged at the knee, and his red woollen stockings showed between the tops of his moccasins and his pantaloon legs, and his coat, utterly characterless as to color and cut, added to the stoop in his shoulders; and yet there was a rude sort of grace and a certain dignity about his bearing which kept down laughter. They were to have a square dance of the old-fashioned sort.
"Farrm on," he cried, and the fiddler struck up the first note of the Virginia Reel. Daddy led out Rose, and the dance began. He straightened up till his tall form towered above the rest of the boys like a weather-beaten pine tree, as he balanced and swung and led and called off the changes with a voice full of imperious command.
The fiddler took a malicious delight toward the last in quickening the time of the good old dance, and that put the old man on his mettle.
"Go it, ye young rascal!" he yelled. He danced like a boy and yelled like a demon, catching a laggard here and there, and hurling them into place like tops, while he kicked and stamped, wound in and out and waved his hands in the air with a gesture which must have dated back to the days of Washington. At last, flushed, breathless, but triumphant, he danced a final breakdown to the tune of "Leather Breeches," to show he was unsubdued.
IV
But these rare days passed away. As the country grew older it lost the wholesome simplicity of pioneer days, and Daddy got a chance to play but seldom. He no longer pleased the boys and girls—his music was too monotonous and too simple. He felt this very deeply. Once in a while he broke forth in protest against the changes.
"The boys I used to trot on m' knee are gittin' too high-toned. They wouldn't be found dead with old Deering, and then the preachers are gittin' thick, and howlin' agin dancin', and the country's filling up with Dutchmen, so't I'm left out."
As a matter of fact, there were few homes now where Daddy could sit on the table, in his ragged vest and rusty pantaloons, and play "Honest John," while the boys thumped about the floor. There were few homes where the old man was even a welcome visitor, and he felt this rejection keenly. The women got tired of seeing him about, because of his uncleanly habits of spitting, and his tiresome stories. Many of the old neighbors died or moved away, and the young people went West or to the cities. Men began to pity him rather than laugh at him, which hurt him more than their ridicule. They began to favor him at threshing or at the fall hog-killing.
"Oh, you're getting old, Daddy; you'll have to give up this heavy work. Of course, if you feel able to do it, why, all right! Like to have you do it, but I guess we'll have to have a man to do the heavy lifting, I s'pose."
"I s'pose not, sir! I am jest as able to yank a hawg as ever, sir; yes, sir, demmit—demmit! Do you think I've got one foot in the grave?"
Nevertheless, Daddy often failed to come to time on appointed days, and it was painful to hear him trying to explain, trying to make light of it all.
"M' caugh wouldn't let me sleep last night. A goldum leetle, nasty, ticklin' caugh, too; but it kept me awake, fact was, an'—well, m' wife, she said I hadn't better come. But don't you worry, sir; it won't happen again, sir; no, sir."
His hands got stiffer year by year, and his simple tunes became practically a series of squeaks and squalls. There came a time when the fiddle was laid away almost altogether, for his left hand got caught in the cog-wheels of the horse-power, and all four of the fingers on that hand were crushed. Thereafter he could only twang a little on the strings. It was not long after this that he struck his foot with the axe and lamed himself for life.
As he lay groaning in bed, Mr. Jennings went in to see him and tried to relieve the old man's feelings by telling him the number of times he had practically cut his feet off, and said he knew it was a terrible hard thing to put up with.
"Gol dummit, it ain't the pain," the old sufferer yelled, "it's the dum awkwardness. I've chopped all my life; I can let an axe in up to the maker's name, and hew to a hair-line; yes, sir! It was jest them dum new mittens my wife made; they was s' slippery," he ended with a groan.
As a matter of fact, the one accident hinged upon the other. It was the failure of his left hand, with its useless fingers, to do its duty, that brought the axe down upon his foot. The pain was not so much physical as mental. To think that he, who could hew to a hair-line, right and left hand, should cut his own foot like a ten-year-old boy—that scared him. It brought age and decay close to him. For the first time in his life he felt that he was fighting a losing battle.
A man like this lives so much in the flesh, that when his limbs begin to fail him everything else seems slipping away. He had gloried in his strength. He had exulted in the thrill of his life-blood and in the swell of his vast muscles; he had clung to the idea that he was strong as ever, till this last blow came upon him, and then he began to think and to tremble.
When he was able to crawl about again, he was a different man. He was gloomy and morose, snapping and snarling at all that came near him, like a wounded bear. He was alone a great deal of the time during the winter following his hurt. Neighbors seldom went in, and for weeks he saw no one but his hired hand, and the faithful, dumb little old woman, his wife, who moved about without any apparent concern or sympathy for his suffering. The hired hand, whenever he called upon the neighbors, or whenever questions were asked, said that Daddy hung around over the stove most of the time, paying no attention to any one or anything. "He ain't dangerous 't all," he said, meaning that Daddy was not dangerously ill.
Milton rode out from school one winter day with Bill, the hand, and was so much impressed with his story of Daddy's condition that he rode home with him. He found the old man sitting bent above the stove, wrapped in a quilt, shivering and muttering to himself. He hardly looked up when Milton spoke to him, and seemed scarcely to comprehend what he said.
Milton was much alarmed at the terrible change, for the last time he had seen him he had towered above him, laughingly threatening to "warm his jacket," and now here he sat, a great hulk of flesh, his mind flickering and flaring under every wind of suggestion, soon to go out altogether.
In reply to questions he only muttered with a trace of his old spirit: "I'm all right. Jest as good a man as I ever was, only I'm cold. I'll be all right when spring comes, so 't I c'n git outdoors. Somethin' to warm me up, yessir; I'm cold, that's all."
The young fellow sat in awe before him, but the old wife and Bill moved about the room, taking very little interest in what the old man said or did. Bill at last took down the violin. "I'll wake him up," he said. "This always fetches the old feller. Now watch 'im."
"Oh, don't do that!" Milton said in horror. But Bill drew the bow across the strings with the same stroke that Daddy always used when tuning up.
He lifted his head as Bill dashed into "Honest John," in spite of Milton's protest. He trotted his feet after a little and drummed with his hands on the arms of his chair, then smiled a little in a pitiful way. Finally he reached out his right hand for the violin and took it into his lap. He tried to hold the neck with his poor, old, mutilated left hand, and burst into tears.
"Don't you do that again, Bill," Milton said. "It's better for him to forget that. Now you take the best care of him you can to-night. I don't think he's going to live long; I think you ought to go for the doctor right off."
"Oh, he's been like this for the last two weeks; he ain't sick, he's jest old, that's all," replied Bill, brutally.
And the old lady, moving about without passion and without speech, seemed to confirm this; and yet Milton was unable to get the picture of the old man out of his mind. He went home with a great lump in his throat.
* * * * *
The next morning, while they were at breakfast, Bill burst wildly into the room.
"Come over there, all of you; we want you."
They all looked up much scared. "What's the matter, Bill?"
"Daddy's killed himself," said Bill, and turned to rush back, followed by Mr. Jennings and Milton.
While on the way across the field Bill told how it all happened.
"He wouldn't go to bed, the old lady couldn't make him, and when I got up this morning I didn't think nothin' about it. I s'posed, of course, he'd gone to bed all right; but when I was going out to the barn I stumbled across something in the snow, and I felt around, and there he was. He got hold of my revolver someway. It was on the shelf by the washstand, and I s'pose he went out there so 't we wouldn't hear him. I dassn't touch him," he said, with a shiver; "and the old woman, she jest slumped down in a chair an' set there—wouldn't do a thing—so I come over to see you."
Milton's heart swelled with remorse. He felt guilty because he had not gone directly for the doctor. To think that the old sufferer had killed himself was horrible and seemed impossible.
The wind was blowing the snow, cold and dry, across the yard, but the sun shone brilliantly upon the figure in the snow as they came up to it. There Daddy lay. The snow was in his scant hair and in the hollow of his wide, half-naked chest. A pistol was in his hand, but there was no mark upon him, and Milton's heart leaped with quick relief. It was delirium, not suicide.
There was a sort of majesty in the figure half buried in the snow. His hands were clenched, and there was a frown of resolution on his face, as if he had fancied Death coming, and had gone defiantly forth to meet him.
A STOP-OVER AT TYRE
I
Albert Lohr was studying the motion of the ropes and lamps, and listening to the rumble of the wheels and the roar of the ferocious wind against the pane of glass that his head touched. It was the midnight train from Marion rushing toward Warsaw like some savage thing unchained, creaking, shrieking, and clattering through the wild storm which possessed the whole Mississippi Valley.
Albert lost sight of the lamps at last, and began to wonder what his future would be. "First I must go through the university at Madison; then I'll study law, go into politics, and perhaps some time I may go to Washington."
In imagination he saw that wonderful city. As a Western boy, Boston to him was historic, New York was the great metropolis, but Washington was the great American city, and political greatness the only fame.
The car was nearly empty: save here and there the wide-awake Western drummer, and a woman with four fretful children, the train was as deserted as it was frightfully cold. The engine shrieked warningly at intervals, the train rumbled hollowly over short bridges and across pikes, swung round the hills, and plunged with wild warnings past little towns hid in the snow, with only here and there a light shining dimly.
One of the drummers now and then rose up from his cramped bed on the seats, and swore cordially at the railway company for not heating the cars. The woman with the children inquired for the tenth time, "Is the next station Lodi?"
"Yes, ma'am, it is," snarled the drummer, as he jerked viciously at the strap on his valise; "and darned glad I am, too, I can tell yeh! I'll be stiff as a car-pin if I stay in this infernal ice-chest another hour. I wonder what the company think—"
At Lodi several people got on, among them a fat man with a pretty daughter, who appeared to be abnormally wide awake—considering the time of night. She saw Albert for the same reason that he saw her—they were both young and good-looking.
The student began his musings again, modified by this girl's face. He had left out the feminine element; obviously he must recapitulate. He'd study law, yes; but that would not prevent going to sociables and church fairs. And at these fairs the chances were good for a meeting with a girl. Her father must be influential—county judge or district attorney. Marriage would open new avenues—
He was roused by the sound of his own name.
"Is Albert Lohr in this car?" shouted the brakeman, coming in, enveloped in a cloud of fine snow.
"Yes, here!" called Albert.
"Here's a telegram for you."
Albert snatched the envelope with a sudden fear of disaster at home; but it was dated "Tyre":
"Get off at Tyre. I'll be there. "HARTLEY."
"Well, now, that's fun!" said Albert, looking at the brakeman. "When do we reach there?"
"About 2.20."
"Well, by thunder! A pretty time o' night!"
The brakeman grinned sympathetically. "Any answer?" he asked, at length.
"No; that is, none that will do the matter justice."
"Hartley friend o' yours?"
"Yes; know him?"
"Yes; he boarded where I did in Warsaw."
When he came back again, the brakeman said to Albert, in a hesitating way:
"Ain't going t' stop off long, I s'pose?"
"May an' may not; depends on Hartley. Why?"
"Well, I've got an aunt there that keeps boarders, and I kind o' like t' send her one when I can. If you should happen to stay a few days, go an' see her. She sets up first-class grub, an' it wouldn't kill anybody, anyhow, if you went up an' called."
"Course not. If I stay long enough to make it pay I'll look her up sure. I'm no Vanderbilt. I can't afford to stop at two-dollar-a-day hotels."
The brakeman sat down opposite, encouraged by Albert's smile.
"Y' see, my division ends at Warsaw, and I run back and forth here every other day, but I don't get much chance to see them, and I ain't worth a cuss f'r letter-writin'. Y' see, she's only aunt by marriage, but I like her; an' I guess she's got about all she can stand up under, an' so I like t' help her a little when I can. The old man died owning nothing but the house, an' that left the old lady t' rustle f'r her livin'. Dummed if she ain't sandy as old Sand. They're gitt'n' along purty—"
The whistle blew for brakes, and, seizing his lantern, the brakeman slammed out on the platform.
"Tough night for twisting brakes," suggested Albert, when he came in again.
"Yes—on the freight."
"Good heavens! I should say so. They don't run freight such nights as this?"
"Don't they? Well, I guess they don't stop for a storm like this if they's any money to be made by sending her through. Many's the night I've broke all night on top of the old wooden cars, when the wind was sharp enough to shear the hair off a cast-iron mule—woo-o-o! There's where you need grit, old man," he ended, dropping into familiar speech.
"Yes; or need a job awful bad."
The brakeman was struck with this idea. "There's where you're right. A fellow don't take that kind of a job for the fun of it. Not much! He takes it because he's got to. That's as sure's you're a foot high. I tell you, a feller's got t' rustle these days if he gits any kind of a job—"
"Toot, too-o-o-o-t, toot!"
The station passed, the brakeman did not return, perhaps because he found some other listener, perhaps because he was afraid of boring this pleasant young fellow.
Albert shuddered with a sympathetic pain as he thought of the heroic fellows on the tops of icy cars, with hands straining at frosty brakes, the wind cutting their faces like a sand-blast. Oh, those tireless hands at the wheel and throttle!—
He looked at his watch; it was two o'clock; the next station was Tyre. As he began to get his things together, the brakeman again addressed him:
"Oh, I forgot to say that the old lady's name is Welsh—Mrs. Robert Welsh. Say I sent yeh, and it'll be all right."
"Sure! I'll try her in the morning—that is, if I find out I'm going to stay."
Albert clutched his valise, and pulled his cap firmly down on his head.
"Here goes!" he muttered.
"Hold y'r breath!" shouted the brakeman. Albert swung himself to the platform before the station—a platform of planks along which the snow was streaming like water.
"Good-night!" shouted the brakeman.
"Good-night!"
"All-l abo-o-o-ard!" called the conductor somewhere in the storm. The brakeman swung his lantern, the train drew off into the blinding whirl, and its lights were soon lost in the clouds of snow.
No more desolate place could well be imagined. A level plain, apparently bare of houses, swept by a ferocious wind; a dingy little den called a station—no other shelter in sight; no sign of life save the dull glare of two windows to the left, alternately lost and found in the storm.
Albert's heart contracted with a sudden fear; the outlook was appalling.
"Where's the town?" he asked of a dimly seen figure with a lantern—a man evidently locking the station door, his only refuge.
"Over there," was the surly reply.
"How far?"
"'Bout a mile."
"A mile!"
"That's what I said—a mile."
"Well, I'll be blanked!"
"Well, y' better be doing something besides standing here, 'r y' 'll freeze t' death. I'd go over to the Arteeshun House an' go t' bed if I was in your fix."
"Well, where is the Artesian House?"
"See them lights?"
"I see them lights."
"Well, they're it."
"Oh, wouldn't your grammar make Old Grammaticuss curl up, though!"
"What say?" queried the man bending his head toward Albert, his form being almost lost in the snow that streamed against them both.
"I said I guessed I'd try it," grinned the youth, invisibly.
"Well, I would if I was in your fix. Keep right close after me; they's some ditches here, and the foot-bridges are none too wide."
"The Artesian is owned by the railway, eh?"
"Yup."
"And you're the clerk?"
"Yup; nice little scheme, ain't it?"
"Well, it'll do," replied Albert.
The man laughed without looking around.
In the little bar-room, lighted by a vilely smelling kerosene lamp, the clerk, hitherto a shadow and a voice, came to light as a middle-aged man with a sullen face slightly belied by a sly twinkle in his eyes.
"This beats all the winters I ever did see. It don't do nawthin' but blow, blow. Want to go to bed, I s'pose. Well, come along."
He took up one of the absurd little lamps and tried to get more light out of it.
"Dummed if a white bean wouldn't be better."
"Spit on it!" suggested Albert.
"I'd throw the whole business out o' the window for a cent!" growled the man.
"Here's y'r cent," said the boy.
"You're mighty frisky f'r a feller gitt'n' off'n a midnight train," replied the man, as he tramped along a narrow hallway. He spoke in a voice loud enough to awaken every sleeper in the house.
"Have t' be, or there'd be a pair of us."
"You'll laugh out o' the other side o' y'r mouth when you saw away on one o' the bell-collar steaks this house puts up," ended the clerk, as he put the lamp down.
"Sufficient unto the morn is the evil thereof,'" called Albert after him.
He was awakened the next morning by the cooks pounding steak down in the kitchen and wrangling over some division of duty. It was a vile place at any time, but on a morning like this it was appalling. The water was frozen, the floor like ice, the seven-by-nine glass frosted so that he couldn't see to comb his hair.
"All that got me out of bed," he remarked to the clerk, "was the thought of leaving."
The breakfast was incredibly bad—so much worse than he expected that Albert was forced to admit he had never seen its like. He fled from the place without a glance behind, and took passage in an omnibus for the town, a mile away. It was terribly cold, the thermometer registering twenty below zero; but the sun was very brilliant, and the air still. |
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