You may take a brief look at him as he hastens down the little mountain-side. A long, wrinkled black frock-coat reached to his calves. White duck trousers, unacquainted with the tailor's goose, a pink shirt, white standing collar with brilliant blue butterfly tie, and buttoned congress gaiters. But think, sir and madam—ten years! From beneath a narrow-brimmed straw hat with a striped band flowed his hair. Seeing him, with all your shrewdness you could not have guessed him. You would have said that he played Hamlet—or the tuba—or pinochle—you would never have laid your hand on your heart and said: "He is a hermit who lived ten years in a cave for love of one lady—to win another."

The dancing pavilion extended above the waters of the river. Gay lanterns and frosted electric globes shed a soft glamour within it. A hundred ladies and gentlemen from the inn and summer cottages flitted in and about it. To the left of the dusty roadway down which the hermit had tramped were the inn and grill-room. Something seemed to be on there, too. The windows were brilliantly lighted, and music was playing—music different from the two-steps and waltzes of the casino band.

A negro man wearing a white jacket came through the iron gate, with its immense granite posts and wrought-iron lamp-holders.

"What is going on here to-night?" asked the hermit.

"Well, sah," said the servitor, "dey is having de reg'lar Thursday-evenin' dance in de casino. And in de grill-room dere's a beefsteak dinner, sah."

The hermit glanced up at the inn on the hillside whence burst suddenly a triumphant strain of splendid harmony.

"And up there," said he, "they are playing Mendelssohn—what is going on up there?"

"Up in de inn," said the dusky one, "dey is a weddin' goin' on. Mr. Binkley, a mighty rich man, am marryin' Miss Trenholme, sah—de young lady who am quite de belle of de place, sah."



HE ALSO SERVES



If I could have a thousand years—just one little thousand years—more of life, I might, in that time, draw near enough to true Romance to touch the hem of her robe.

Up from ships men come, and from waste places and forest and road and garret and cellar to maunder to me in strangely distributed words of the things they have seen and considered. The recording of their tales is no more than a matter of ears and fingers. There are only two fates I dread—deafness and writer's cramp. The hand is yet steady; let the ear bear the blame if these printed words be not in the order they were delivered to me by Hunky Magee, true camp-follower of fortune.

Biography shall claim you but an instant—I first knew Hunky when he was head-waiter at Chubb's little beefsteak restaurant and cafe on Third Avenue. There was only one waiter besides.

Then, successively, I caromed against him in the little streets of the Big City after his trip to Alaska, his voyage as cook with a treasure-seeking expedition to the Caribbean, and his failure as a pearl-fisher in the Arkansas River. Between these dashes into the land of adventure he usually came back to Chubb's for a while. Chubb's was a port for him when gales blew too high; but when you dined there and Hunky went for your steak you never knew whether he would come to anchor in the kitchen or in the Malayan Archipelago. You wouldn't care for his description—he was soft of voice and hard of face, and rarely had to use more than one eye to quell any approach to a disturbance among Chubb's customers.

One night I found Hunky standing at a corner of Twenty-third Street and Third Avenue after an absence of several months. In ten minutes we had a little round table between us in a quiet corner, and my ears began to get busy. I leave out my sly ruses and feints to draw Hunky's word-of-mouth blows—it all came to something like this:

"Speaking of the next election," said Hunky, "did you ever know much about Indians? No? I don't mean the Cooper, Beadle, cigar-store, or Laughing Water kind—I mean the modern Indian—the kind that takes Greek prizes in colleges and scalps the half-back on the other side in football games. The kind that eats macaroons and tea in the afternoons with the daughter of the professor of biology, and fills up on grasshoppers and fried rattlesnake when they get back to the ancestral wickiup.

"Well, they ain't so bad. I like 'em better than most foreigners that have come over in the last few hundred years. One thing about the Indian is this: when he mixes with the white race he swaps all his own vices for them of the pale-faces—and he retains all his own virtues. Well, his virtues are enough to call out the reserves whenever he lets 'em loose. But the imported foreigners adopt our virtues and keep their own vices—and it's going to take our whole standing army some day to police that gang.

"But let me tell you about the trip I took to Mexico with High Jack Snakefeeder, a Cherokee twice removed, a graduate of a Pennsylvania college and the latest thing in pointed-toed, rubber-heeled, patent kid moccasins and Madras hunting-shirt with turned-back cuffs. He was a friend of mine. I met him in Tahlequah when I was out there during the land boom, and we got thick. He had got all there was out of colleges and had come back to lead his people out of Egypt. He was a man of first-class style and wrote essays, and had been invited to visit rich guys' houses in Boston and such places.

"There was a Cherokee girl in Muscogee that High Jack was foolish about. He took me to see her a few times. Her name was Florence Blue Feather—but you want to clear your mind of all ideas of squaws with nose-rings and army blankets. This young lady was whiter than you are, and better educated than I ever was. You couldn't have told her from any of the girls shopping in the swell Third Avenue stores. I liked her so well that I got to calling on her now and then when High Jack wasn't along, which is the way of friends in such matters. She was educated at the Muscogee College, and was making a specialty of—let's see—eth—yes, ethnology. That's the art that goes back and traces the descent of different races of people, leading up from jelly-fish through monkeys and to the O'Briens. High Jack had took up that line too, and had read papers about it before all kinds of riotous assemblies—Chautauquas and Choctaws and chowder-parties, and such. Having a mutual taste for musty information like that was what made 'em like each other, I suppose. But I don't know! What they call congeniality of tastes ain't always it. Now, when Miss Blue Feather and me was talking together, I listened to her affidavits about the first families of the Land of Nod being cousins german (well, if the Germans don't nod, who does?) to the mound-builders of Ohio with incomprehension and respect. And when I'd tell her about the Bowery and Coney Island, and sing her a few songs that I'd heard the Jamaica niggers sing at their church lawn-parties, she didn't look much less interested than she did when High Jack would tell her that he had a pipe that the first inhabitants of America originally arrived here on stilts after a freshet at Tenafly, New Jersey.

"But I was going to tell you more about High Jack.

"About six months ago I get a letter from him, saying he'd been commissioned by the Minority Report Bureau of Ethnology at Washington to go down to Mexico and translate some excavations or dig up the meaning of some shorthand notes on some ruins—or something of that sort. And if I'd go along he could squeeze the price into the expense account.

"Well, I'd been holding a napkin over my arm at Chubb's about long enough then, so I wired High Jack 'Yes'; and he sent me a ticket, and I met him in Washington, and he had a lot of news to tell me. First of all, was that Florence Blue Feather had suddenly disappeared from her home and environments.

"'Run away?' I asked.

"'Vanished,' says High Jack. 'Disappeared like your shadow when the sun goes under a cloud. She was seen on the street, and then she turned a corner and nobody ever seen her afterward. The whole community turned out to look for her, but we never found a clew.'

"'That's bad—that's bad,' says I. 'She was a mighty nice girl, and as smart as you find em.'

"High Jack seemed to take it hard. I guess he must have esteemed Miss Blue Feather quite highly. I could see that he'd referred the matter to the whiskey-jug. That was his weak point—and many another man's. I've noticed that when a man loses a girl he generally takes to drink either just before or just after it happens.

"From Washington we railroaded it to New Orleans, and there took a tramp steamer bound for Belize. And a gale pounded us all down the Caribbean, and nearly wrecked us on the Yucatan coast opposite a little town without a harbor called Boca de Coacoyula. Suppose the ship had run against that name in the dark!

"'Better fifty years of Europe than a cyclone in the bay,' says High Jack Snakefeeder. So we get the captain to send us ashore in a dory when the squall seemed to cease from squalling.

"'We will find ruins here or make 'em,' says High. 'The Government doesn't care which we do. An appropriation is an appropriation.'

"Boca de Coacoyula was a dead town. Them biblical towns we read about—Tired and Siphon—after they was destroyed, they must have looked like Forty-second Street and Broadway compared to this Boca place. It still claimed 1300 inhabitants as estimated and engraved on the stone court-house by the census-taker in 1597. The citizens were a mixture of Indians and other Indians; but some of 'em was light-colored, which I was surprised to see. The town was huddled up on the shore, with woods so thick around it that a subpoena-server couldn't have reached a monkey ten yards away with the papers. We wondered what kept it from being annexed to Kansas; but we soon found out that it was Major Bing.

"Major Bing was the ointment around the fly. He had the cochineal, sarsaparilla, log-wood, annatto, hemp, and all other dye-woods and pure food adulteration concessions cornered. He had five-sixths of the Boca de Thingama-jiggers working for him on shares. It was a beautiful graft. We used to brag about Morgan and E. H. and others of our wisest when I was in the provinces—but now no more. That peninsula has got our little country turned into a submarine without even the observation tower showing.

"Major Bing's idea was this. He had the population go forth into the forest and gather these products. When they brought 'em in he gave 'em one-fifth for their trouble. Sometimes they'd strike and demand a sixth. The Major always gave in to 'em.

"The Major had a bungalow so close on the sea that the nine-inch tide seeped through the cracks in the kitchen floor. Me and him and High Jack Snakefeeder sat on the porch and drank rum from noon till midnight. He said he had piled up $300,000 in New Orleans banks, and High and me could stay with him forever if we would. But High Jack happened to think of the United States, and began to talk ethnology.

"'Ruins!' says Major Bing. 'The woods are full of 'em. I don't know how far they date back, but they was here before I came.'

"High Jack asks what form of worship the citizens of that locality are addicted to.

"'Why,' says the Major, rubbing his nose, 'I can't hardly say. I imagine it's infidel or Aztec or Nonconformist or something like that. There's a church here—a Methodist or some other kind—with a parson named Skidder. He claims to have converted the people to Christianity. He and me don't assimilate except on state occasions. I imagine they worship some kind of gods or idols yet. But Skidder says he has 'em in the fold.'

"A few days later High Jack and me, prowling around, strikes a plain path into the forest, and follows it a good four miles. Then a branch turns to the left. We go a mile, maybe, down that, and run up against the finest ruin you ever saw—solid stone with trees and vines and under-brush all growing up against it and in it and through it. All over it was chiselled carvings of funny beasts and people that would have been arrested if they'd ever come out in vaudeville that way. We approached it from the rear.

"High Jack had been drinking too much rum ever since we landed in Boca. You know how an Indian is—the palefaces fixed his clock when they introduced him to firewater. He'd brought a quart along with him.

"'Hunky,' says he, 'we'll explore the ancient temple. It may be that the storm that landed us here was propitious. The Minority Report Bureau of Ethnology,' says he, 'may yet profit by the vagaries of wind and tide.'

"We went in the rear door of the bum edifice. We struck a kind of alcove without bath. There was a granite davenport, and a stone wash-stand without any soap or exit for the water, and some hardwood pegs drove into holes in the wall, and that was all. To go out of that furnished apartment into a Harlem hall bedroom would make you feel like getting back home from an amateur violoncello solo at an East Side Settlement house.

"While High was examining some hieroglyphics on the wall that the stone-masons must have made when their tools slipped, I stepped into the front room. That was at least thirty by fifty feet, stone floor, six little windows like square port-holes that didn't let much light in.

"I looked back over my shoulder, and sees High Jack's face three feet away.

"'High,' says I, 'of all the—'

"And then I noticed he looked funny, and I turned around.

"He'd taken off his clothes to the waist, and he didn't seem to hear me. I touched him, and came near beating it. High Jack had turned to stone. I had been drinking some rum myself.

"'Ossified!' I says to him, loudly. 'I knew what would happen if you kept it up.'

"And then High Jack comes in from the alcove when he hears me conversing with nobody, and we have a look at Mr. Snakefeeder No. 2. It's a stone idol, or god, or revised statute or something, and it looks as much like High Jack as one green pea looks like itself. It's got exactly his face and size and color, but it's steadier on its pins. It stands on a kind of rostrum or pedestal, and you can see it's been there ten million years.

"'He's a cousin of mine,' sings High, and then he turns solemn.

"'Hunky,' he says, putting one hand on my shoulder and one on the statue's, 'I'm in the holy temple of my ancestors.'

"'Well, if looks goes for anything,' says I, 'you've struck a twin. Stand side by side with buddy, and let's see if there's any difference.'

"There wasn't. You know an Indian can keep his face as still as an iron dog's when he wants to, so when High Jack froze his features you couldn't have told him from the other one.

"'There's some letters,' says I, 'on his nob's pedestal, but I can't make 'em out. The alphabet of this country seems to be composed of sometimes a, e, i, o, and u, but generally z's, l's, and t's.'

"High Jack's ethnology gets the upper hand of his rum for a minute, and he investigates the inscription.

"'Hunky,' says he, 'this is a statue of Tlotopaxl, one of the most powerful gods of the ancient Aztecs.'

"'Glad to know him,' says I, 'but in his present condition he reminds me of the joke Shakespeare got off on Julius Caesar. We might say about your friend:

"'Imperious What's-his-name, dead and turned to stone— No use to write or call him on the 'phone.'

"'Hunky,' says High Jack Snakefeeder, looking at me funny, 'do you believe in reincarnation?'

"'It sounds to me,' says I, 'like either a clean-up of the slaughter-houses or a new kind of Boston pink. I don't know.'

"'I believe,' says he, 'that I am the reincarnation of Tlotopaxl. My researches have convinced me that the Cherokees, of all the North American tribes, can boast of the straightest descent from the proud Aztec race. That,' says he, 'was a favorite theory of mine and Florence Blue Feather's. And she—what if she—'

"High Jack grabs my arm and walls his eyes at me. Just then he looked more like his eminent co-Indian murderer, Crazy Horse.

"'Well,' says I, 'what if she, what if she, what if she? You're drunk,' says I. 'Impersonating idols and believing in—what was it?—recarnalization? Let's have a drink,' says I. 'It's as spooky here as a Brooklyn artificial-limb factory at midnight with the gas turned down.'

"Just then I heard somebody coming, and I dragged High Jack into the bedless bedchamber. There was peep-holes bored through the wall, so we could see the whole front part of the temple. Major Bing told me afterward that the ancient priests in charge used to rubber through them at the congregation.

"In a few minutes an old Indian woman came in with a big oval earthen dish full of grub. She set it on a square block of stone in front of the graven image, and laid down and walloped her face on the floor a few times, and then took a walk for herself.

"High Jack and me was hungry, so we came out and looked it over. There was goat steaks and fried rice-cakes, and plantains and cassava, and broiled land-crabs and mangoes—nothing like what you get at Chubb's.

"We ate hearty—and had another round of rum.

"'It must be old Tecumseh's—or whatever you call him—birthday,' says I. 'Or do they feed him every day? I thought gods only drank vanilla on Mount Catawampus.'

"Then some more native parties in short kimonos that showed their aboriginees punctured the near-horizon, and me and High had to skip back into Father Axletree's private boudoir. They came by ones, twos, and threes, and left all sorts of offerings—there was enough grub for Bingham's nine gods of war, with plenty left over for the Peace Conference at The Hague. They brought jars of honey, and bunches of bananas, and bottles of wine, and stacks of tortillas, and beautiful shawls worth one hundred dollars apiece that the Indian women weave of a kind of vegetable fibre like silk. All of 'em got down and wriggled on the floor in front of that hard-finish god, and then sneaked off through the woods again.

"'I wonder who gets this rake-off?' remarks High Jack.

"'Oh,' says I, 'there's priests or deputy idols or a committee of disarrangements somewhere in the woods on the job. Wherever you find a god you'll find somebody waiting to take charge of the burnt offerings.'

"And then we took another swig of rum and walked out to the parlor front door to cool off, for it was as hot inside as a summer camp on the Palisades.

"And while we stood there in the breeze we looks down the path and sees a young lady approaching the blasted ruin. She was bare-footed and had on a white robe, and carried a wreath of white flowers in her hand. When she got nearer we saw she had a long blue feather stuck through her black hair. And when she got nearer still me and High Jack Snakefeeder grabbed each other to keep from tumbling down on the floor; for the girl's face was as much like Florence Blue Feather's as his was like old King Toxicology's.

"And then was when High Jack's booze drowned his system of ethnology. He dragged me inside back of the statue, and says:

"'Lay hold of it, Hunky. We'll pack it into the other room. I felt it all the time,' says he. 'I'm the reconsideration of the god Locomotorataxia, and Florence Blue Feather was my bride a thousand years ago. She has come to seek me in the temple where I used to reign.'

"'All right,' says I. 'There's no use arguing against the rum question. You take his feet.'

"We lifted the three-hundred-pound stone god, and carried him into the back room of the cafe—the temple, I mean—and leaned him against the wall. It was more work than bouncing three live ones from an all-night Broadway joint on New-Year's Eve.

"Then High Jack ran out and brought in a couple of them Indian silk shawls and began to undress himself.

"'Oh, figs!' says I. 'Is it thus? Strong drink is an adder and subtractor, too. Is it the heat or the call of the wild that's got you?'

"But High Jack is too full of exaltation and cane-juice to reply. He stops the disrobing business just short of the Manhattan Beach rules, and then winds them red-and-white shawls around him, and goes out and. stands on the pedestal as steady as any platinum deity you ever saw. And I looks through a peek-hole to see what he is up to.

"In a few minutes in comes the girl with the flower wreath. Danged if I wasn't knocked a little silly when she got close, she looked so exactly much like Florence Blue Feather. 'I wonder,' says I to myself, 'if she has been reincarcerated, too? If I could see,' says I to myself, 'whether she has a mole on her left—' But the next minute I thought she looked one-eighth of a shade darker than Florence; but she looked good at that. And High Jack hadn't drunk all the rum that had been drank.

"The girl went up within ten feet of the bum idol, and got down and massaged her nose with the floor, like the rest did. Then she went nearer and laid the flower wreath on the block of stone at High Jack's feet. Rummy as I was, I thought it was kind of nice of her to think of offering flowers instead of household and kitchen provisions. Even a stone god ought to appreciate a little sentiment like that on top of the fancy groceries they had piled up in front of him.

"And then High Jack steps down from his pedestal, quiet, and mentions a few words that sounded just like the hieroglyphics carved on the walls of the ruin. The girl gives a little jump backward, and her eyes fly open as big as doughnuts; but she don't beat it.

"Why didn't she? I'll tell you why I think why. It don't seem to a girl so supernatural, unlikely, strange, and startling that a stone god should come to life for her. If he was to do it for one of them snub-nosed brown girls on the other side of the woods, now, it would be different—but her! I'll bet she said to herself: 'Well, goodness me! you've been a long time getting on your job. I've half a mind not to speak to you.'

"But she and High Jack holds hands and walks away out of the temple together. By the time I'd had time to take another drink and enter upon the scene they was twenty yards away, going up the path in the woods that the girl had come down. With the natural scenery already in place, it was just like a play to watch 'em—she looking up at him, and him giving her back the best that an Indian can hand, out in the way of a goo-goo eye. But there wasn't anything in that recarnification and revulsion to tintype for me.

"'Hey! Injun!' I yells out to High Jack. 'We've got a board-bill due in town, and you're leaving me without a cent. Brace up and cut out the Neapolitan fisher-maiden, and let's go back home.'

"But on the two goes; without looking once back until, as you might say, the forest swallowed 'em up. And I never saw or heard of High Jack Snakefeeder from that day to this. I don't know if the Cherokees came from the Aspics; but if they did, one of 'em went back.

"All I could do was to hustle back to that Boca place and panhandle Major Bing. He detached himself from enough of his winnings to buy me a ticket home. And I'm back again on the job at Chubb's, sir, and I'm going to hold it steady. Come round, and you'll find the steaks as good as ever."

I wondered what Hunky Magee thought about his own story; so I asked him if he had any theories about reincarnation and transmogrification and such mysteries as he had touched upon.

"Nothing like that," said Hunky, positively. "What ailed High Jack was too much booze and education. They'll do an Indian up every time."

"But what about Miss Blue Feather?" I persisted.

"Say," said Hunky, with a grin, "that little lady that stole High Jack certainly did give me a jar when I first took a look at her, but it was only for a minute. You remember I told you High Jack said that Miss Florence Blue Feather disappeared from home about a year ago? Well, where she landed four days later was in as neat a five-room flat on East Twenty-third Street as you ever walked sideways through—and she's been Mrs. Magee ever since."



THE MOMENT OF VICTORY

Ben Granger is a war veteran aged twenty-nine—which should enable you to guess the war. He is also principal merchant and postmaster of Cadiz, a little town over which the breezes from the Gulf of Mexico perpetually blow.

Ben helped to hurl the Don from his stronghold in the Greater Antilles; and then, hiking across half the world, he marched as a corporal-usher up and down the blazing tropic aisles of the open-air college in which the Filipino was schooled. Now, with his bayonet beaten into a cheese-slicer, he rallies his corporal's guard of cronies in the shade of his well-whittled porch, instead of in the matted jungles of Mindanao. Always have his interest and choice been for deeds rather than for words; but the consideration and digestion of motives is not beyond him, as this story, which is his, will attest.

"What is it," he asked me one moonlit eve, as we sat among his boxes and barrels, "that generally makes men go through dangers, and fire, and trouble, and starvation, and battle, and such recourses? What does a man do it for? Why does he try to outdo his fellow-humans, and be braver and stronger and more daring and showy than even his best friends are? What's his game? What does he expect to get out of it? He don't do it just for the fresh air and exercise. What would you say, now, Bill, that an ordinary man expects, generally speaking, for his efforts along the line of ambition and extraordinary hustling in the marketplaces, forums, shooting-galleries, lyceums, battle-fields, links, cinder-paths, and arenas of the civilized and vice versa places of the world?"

"Well, Ben," said I, with judicial seriousness, "I think we might safely limit the number of motives of a man who seeks fame to three—to ambition, which is a desire for popular applause; to avarice, which looks to the material side of success; and to love of some woman whom he either possesses or desires to possess."

Ben pondered over my words while a mocking-bird on the top of a mesquite by the porch trilled a dozen bars.

"I reckon," said he, "that your diagnosis about covers the case according to the rules laid down in the copy-books and historical readers. But what I had in my mind was the case of Willie Robbins, a person I used to know. I'll tell you about him before I close up the store, if you don't mind listening.

"Willie was one of our social set up in San Augustine. I was clerking there then for Brady & Murchison, wholesale dry-goods and ranch supplies. Willie and I belonged to the same german club and athletic association and military company. He played the triangle in our serenading and quartet crowd that used to ring the welkin three nights a week somewhere in town.

"Willie jibed with his name considerable. He weighed about as much as a hundred pounds of veal in his summer suitings, and he had a 'Where-is-Mary?' expression on his features so plain that you could almost see the wool growing on him.

"And yet you couldn't fence him away from the girls with barbed wire. You know that kind of young fellows—a kind of a mixture of fools and angels—they rush in and fear to tread at the same time; but they never fail to tread when they get the chance. He was always on hand when 'a joyful occasion was had,' as the morning paper would say, looking as happy as a king full, and at the same time as uncomfortable as a raw oyster served with sweet pickles. He danced like he had hind hobbles on; and he had a vocabulary of about three hundred and fifty words that he made stretch over four germans a week, and plagiarized from to get him through two ice-cream suppers and a Sunday-night call. He seemed to me to be a sort of a mixture of Maltese kitten, sensitive plant, and a member of a stranded 'Two Orphans' company.

"I'll give you an estimate of his physiological and pictorial make-up, and then I'll stick spurs into the sides of my narrative.

"Willie inclined to the Caucasian in his coloring and manner of style. His hair was opalescent and his conversation fragmentary. His eyes were the same blue shade as the china dog's on the right-hand corner of your Aunt Ellen's mantelpiece. He took things as they came, and I never felt any hostility against him. I let him live, and so did others.

"But what does this Willie do but coax his heart out of his boots and lose it to Myra Allison, the liveliest, brightest, keenest, smartest, and prettiest girl in San Augustine. I tell you, she had the blackest eyes, the shiniest curls, and the most tantalizing—Oh, no, you're off—I wasn't a victim. I might have been, but I knew better. I kept out. Joe Granberry was It from the start. He had everybody else beat a couple of leagues and thence east to a stake and mound. But, anyhow, Myra was a nine-pound, full-merino, fall-clip fleece, sacked and loaded on a four-horse team for San Antone.

"One night there was an ice-cream sociable at Mrs. Colonel Spraggins', in San Augustine. We fellows had a big room up-stairs opened up for us to put our hats and things in, and to comb our hair and put on the clean collars we brought along inside the sweat-bands of our hats—in short, a room to fix up in just like they have everywhere at high-toned doings. A little farther down the hall was the girls' room, which they used to powder up in, and so forth. Downstairs we—that is, the San Augustine Social Cotillion and Merrymakers' Club—had a stretcher put down in the parlor where our dance was going on.

"Willie Robbins and me happened to be up in our—cloak-room, I believe we called it—when Myra Allison skipped through the hall on her way down-stairs from the girls' room. Willie was standing before the mirror, deeply interested in smoothing down the blond grass-plot on his head, which seemed to give him lots of trouble. Myra was always full of life and devilment. She stopped and stuck her head in our door. She certainly was good-looking. But I knew how Joe Granberry stood with her. So did Willie; but he kept on ba-a-a-ing after her and following her around. He had a system of persistence that didn't coincide with pale hair and light eyes.

"'Hello, Willie!' says Myra. 'What are you doing to yourself in the glass?'

"'I'm trying to look fly,' says Willie.

"'Well, you never could be fly,' says Myra, with her special laugh, which was the provokingest sound I ever heard except the rattle of an empty canteen against my saddle-horn.

"I looked around at Willie after Myra had gone. He had a kind of a lily-white look on him which seemed to show that her remark had, as you might say, disrupted his soul. I never noticed anything in what she said that sounded particularly destructive to a man's ideas of self-consciousness; but he was set back to an extent you could scarcely imagine.

"After we went down-stairs with our clean collars on, Willie never went near Myra again that night. After all, he seemed to be a diluted kind of a skim-milk sort of a chap, and I never wondered that Joe Granberry beat him out.

"The next day the battleship Maine was blown up, and then pretty soon somebody—I reckon it was Joe Bailey, or Ben Tillman, or maybe the Government—declared war against Spain.

"Well, everybody south of Mason & Hamlin's line knew that the North by itself couldn't whip a whole country the size of Spain. So the Yankees commenced to holler for help, and the Johnny Rebs answered the call. 'We're coming, Father William, a hundred thousand strong—and then some,' was the way they sang it. And the old party lines drawn by Sherman's march and the Kuklux and nine-cent cotton and the Jim Crow street-car ordinances faded away. We became one undivided. country, with no North, very little East, a good-sized chunk of West, and a South that loomed up as big as the first foreign label on a new eight-dollar suit-case.

"Of course the dogs of war weren't a complete pack without a yelp from the San Augustine Rifles, Company D, of the Fourteenth Texas Regiment. Our company was among the first to land in Cuba and strike terror into the hearts of the foe. I'm not going to give you a history of the war, I'm just dragging it in to fill out my story about Willie Robbins, just as the Republican party dragged it in to help out the election in 1898.

"If anybody ever had heroitis, it was that Willie Robbins. From the minute he set foot on the soil of the tyrants of Castile he seemed to engulf danger as a cat laps up cream. He certainly astonished every man in our company, from the captain up. You'd have expected him to gravitate naturally to the job of an orderly to the colonel, or typewriter in the commissary—but not any. He created the part of the flaxen-haired boy hero who lives and gets back home with the goods, instead of dying with an important despatch in his hands at his colonel's feet.

"Our company got into a section of Cuban scenery where one of the messiest and most unsung portions of the campaign occurred. We were out every day capering around in the bushes, and having little skirmishes with the Spanish troops that looked more like kind of tired-out feuds than anything else. The war was a joke to us, and of no interest to them. We never could see it any other way than as a howling farce-comedy that the San Augustine Rifles were actually fighting to uphold the Stars and Stripes. And the blamed little senors didn't get enough pay to make them care whether they were patriots or traitors. Now and then somebody would get killed. It seemed like a waste of life to me. I was at Coney Island when I went to New York once, and one of them down-hill skidding apparatuses they call 'roller-coasters' flew the track and killed a man in a brown sack-suit. Whenever the Spaniards shot one of our men, it struck me as just about as unnecessary and regrettable as that was.

"But I'm dropping Willie Robbins out of the conversation.

"He was out for bloodshed, laurels, ambition, medals, recommendations, and all other forms of military glory. And he didn't seem to be afraid of any of the recognized forms of military danger, such as Spaniards, cannon-balls, canned beef, gunpowder, or nepotism. He went forth with his pallid hair and china-blue eyes and ate up Spaniards like you would sardines a la canopy. Wars and rumbles of wars never flustered him. He would stand guard-duty, mosquitoes, hardtack, treat, and fire with equally perfect unanimity. No blondes in history ever come in comparison distance of him except the Jack of Diamonds and Queen Catherine of Russia.

"I remember, one time, a little caballard of Spanish men sauntered out from behind a patch of sugar-cane and shot Bob Turner, the first sergeant of our company, while we were eating dinner. As required by the army regulations, we fellows went through the usual tactics of falling into line, saluting the enemy, and loading and firing, kneeling.

"That wasn't the Texas way of scrapping; but, being a very important addendum and annex to the regular army, the San Augustine Rifles had to conform to the red-tape system of getting even.

"By the time we had got out our 'Upton's Tactics,' turned to page fifty-seven, said 'one—two—three—one—two—three' a couple of times, and got blank cartridges into our Springfields, the Spanish outfit had smiled repeatedly, rolled and lit cigarettes by squads, and walked away contemptuously.

"I went straight to Captain Floyd, and says to him: 'Sam, I don't think this war is a straight game. You know as well as I do that Bob Turner was one of the whitest fellows that ever threw a leg over a saddle, and now these wirepullers in Washington have fixed his clock. He's politically and ostensibly dead. It ain't fair. Why should they keep this thing up? If they want Spain licked, why don't they turn the San Augustine Rifles and Joe Seely's ranger company and a car-load of West Texas deputy-sheriffs onto these Spaniards, and let us exonerate them from the face of the earth? I never did,' says I, 'care much about fighting by the Lord Chesterfield ring rules. I'm going to hand in my resignation and go home if anybody else I am personally acquainted with gets hurt in this war. If you can get somebody in my place, Sam,' says I, 'I'll quit the first of next week. I don't want to work in an army that don't give its help a chance. Never mind my wages,' says I; 'let the Secretary of the Treasury keep 'em.'

"'Well, Ben,' says the captain to me, 'your allegations and estimations of the tactics of war, government, patriotism, guard-mounting, and democracy are all right. But I've looked into the system of international arbitration and the ethics of justifiable slaughter a little closer, maybe, than you have. Now, you can hand in your resignation the first of next week if you are so minded. But if you do,' says Sam, 'I'll order a corporal's guard to take you over by that limestone bluff on the creek and shoot enough lead into you to ballast a submarine air-ship. I'm captain of this company, and I've swore allegiance to the Amalgamated States regardless of sectional, secessional, and Congressional differences. Have you got any smoking-tobacco?' winds up Sam. 'Mine got wet when I swum the creek this morning.'

"The reason I drag all this non ex parte evidence in is because Willie Robbins was standing there listening to us. I was a second sergeant and he was a private then, but among us Texans and Westerners there never was as much tactics and subordination as there was in the regular army. We never called our captain anything but 'Sam' except when there was a lot of major-generals and admirals around, so as to preserve the discipline.

"And says Willie Robbins to me, in a sharp construction of voice much unbecoming to his light hair and previous record:

"'You ought to be shot, Ben, for emitting any such sentiments. A man that won't fight for his country is worse than a horse-thief. If I was the cap, I'd put you in the guard-house for thirty days on round steak and tamales. War,' says Willie, 'is great and glorious. I didn't know you were a coward.'

"'I'm not,' says I. 'If I was, I'd knock some of the pallidness off of your marble brow. I'm lenient with you,' I says, 'just as I am with the Spaniards, because you have always reminded me of something with mushrooms on the side. Why, you little Lady of Shalott,' says I, 'you underdone leader of cotillions, you glassy fashion and moulded form, you white-pine soldier made in the Cisalpine Alps in Germany for the late New-Year trade, do you know of whom you are talking to? We've been in the same social circle,' says I, 'and I've put up with you because you seemed so meek and self-un-satisfying. I don't understand why you have so sudden taken a personal interest in chivalrousness and murder. Your nature's undergone a complete revelation. Now, how is it?'

"'Well, you wouldn't understand, Ben,' says Willie, giving one of his refined smiles and turning away.

"'Come back here!' says I, catching him by the tail of his khaki coat. 'You've made me kind of mad, in spite of the aloofness in which I have heretofore held you. You are out for making a success in this hero business, and I believe I know what for. You are doing it either because you are crazy or because you expect to catch some girl by it. Now, if it's a girl, I've got something here to show you.'

"I wouldn't have done it, but I was plumb mad. I pulled a San Augustine paper out of my hip-pocket, and showed him an item. It was a half a column about the marriage of Myra Allison and Joe Granberry.

"Willie laughed, and I saw I hadn't touched him.

"'Oh,' says he, 'everybody knew that was going to happen. I heard about that a week ago.' And then he gave me the laugh again.

"'All right,' says I. 'Then why do you so recklessly chase the bright rainbow of fame? Do you expect to be elected President, or do you belong to a suicide club?'

"And then Captain Sam interferes.

"'You gentlemen quit jawing and go back to your quarters,' says he, 'or I'll have you escorted to the guard-house. Now, scat, both of you! Before you go, which one of you has got any chewing-tobacco?'

"'We're off, Sam,' says I. 'It's supper-time, anyhow. But what do you think of what we was talking about? I've noticed you throwing out a good many grappling-hooks for this here balloon called fame—What's ambition, anyhow? What does a man risk his life day after day for? Do you know of anything he gets in the end that can pay him for the trouble? I want to go back home,' says I. 'I don't care whether Cuba sinks or swims, and I don't give a pipeful of rabbit tobacco whether Queen Sophia Christina or Charlie Culberson rules these fairy isles; and I don't want my name on any list except the list of survivors. But I've noticed you, Sam,' says I, 'seeking the bubble notoriety in the cannon's larynx a number of times. Now, what do you do it for? Is it ambition, business, or some freckle-faced Phoebe at home that you are heroing for?'

"'Well, Ben,' says Sam, kind of hefting his sword out from between his knees, 'as your superior officer I could court-martial you for attempted cowardice and desertion. But I won't. And I'll tell you why I'm trying for promotion and the usual honors of war and conquest. A major gets more pay than a captain, and I need the money.'

"'Correct for you!' says I. 'I can understand that. Your system of fame-seeking is rooted in the deepest soil of patriotism. But I can't comprehend,' says I, 'why Willie Robbins, whose folks at home are well off, and who used to be as meek and undesirous of notice as a cat with cream on his whiskers, should all at once develop into a warrior bold with the most fire-eating kind of proclivities. And the girl in his case seems to have been eliminated by marriage to another fellow. I reckon,' says I, 'it's a plain case of just common ambition. He wants his name, maybe, to go thundering down the coroners of time. It must be that.'

"Well, without itemizing his deeds, Willie sure made good as a hero. He simply spent most of his time on his knees begging our captain to send him on forlorn hopes and dangerous scouting expeditions. In every fight he was the first man to mix it at close quarters with the Don Alfonsos. He got three or four bullets planted in various parts of his autonomy. Once he went off with a detail of eight men and captured a whole company of Spanish. He kept Captain Floyd busy writing out recommendations of his bravery to send in to headquarters; and he began to accumulate medals for all kinds of things—heroism and target-shooting and valor and tactics and uninsubordination, and all the little accomplishments that look good to the third assistant secretaries of the War Department.

"Finally, Cap Floyd got promoted to be a major-general, or a knight commander of the main herd, or something like that. He pounded around on a white horse, all desecrated up with gold-leaf and hen-feathers and a Good Templar's hat, and wasn't allowed by the regulations to speak to us. And Willie Robbins was made captain of our company.

"And maybe he didn't go after the wreath of fame then! As far as I could see it was him that ended the war. He got eighteen of us boys—friends of his, too—killed in battles that he stirred up himself, and that didn't seem to me necessary at all. One night he took twelve of us and waded through a little rill about a hundred and ninety yards wide, and climbed a couple of mountains, and sneaked through a mile of neglected shrubbery and a couple of rock-quarries and into a rye-straw village, and captured a Spanish general named, as they said, Benny Veedus. Benny seemed to me hardly worth the trouble, being a blackish man without shoes or cuffs, and anxious to surrender and throw himself on the commissary of his foe.

"But that job gave Willie the big boost he wanted. The San Augustine News and the Galveston, St. Louis, New York, and Kansas City papers printed his picture and columns of stuff about him. Old San Augustine simply went crazy over its 'gallant son.' The News had an editorial tearfully begging the Government to call off the regular army and the national guard, and let Willie carry on the rest of the war single-handed. It said that a refusal to do so would be regarded as a proof that the Northern jealousy of the South was still as rampant as ever.

"If the war hadn't ended pretty soon, I don't know to what heights of gold braid and encomiums Willie would have climbed; but it did. There was a secession of hostilities just three days after he was appointed a colonel, and got in three more medals by registered mail, and shot two Spaniards while they were drinking lemonade in an ambuscade.

"Our company went back to San Augustine when the war was over. There wasn't anywhere else for it to go. And what do you think? The old town notified us in print, by wire cable, special delivery, and a nigger named Saul sent on a gray mule to San Antone, that they was going to give us the biggest blow-out, complimentary, alimentary, and elementary, that ever disturbed the kildees on the sand-flats outside of the immediate contiguity of the city.

"I say 'we,' but it was all meant for ex-Private, Captain de facto, and Colonel-elect Willie Robbins. The town was crazy about him. They notified us that the reception they were going to put up would make the Mardi Gras in New Orleans look like an afternoon tea in Bury St. Edmunds with a curate's aunt.

"Well, the San Augustine Rifles got back home on schedule time. Everybody was at the depot giving forth Roosevelt-Democrat—they used to be called Rebel—yells. There was two brass-bands, and the mayor, and schoolgirls in white frightening the street-car horses by throwing Cherokee roses in the streets, and—well, maybe you've seen a celebration by a town that was inland and out of water.

"They wanted Brevet-Colonel Willie to get into a carriage and be drawn by prominent citizens and some of the city aldermen to the armory, but he stuck to his company and marched at the head of it up Sam Houston Avenue. The buildings on both sides was covered with flags and audiences, and everybody hollered 'Robbins!' or 'Hello, Willie!' as we marched up in files of fours. I never saw a illustriouser-looking human in my life than Willie was. He had at least seven or eight medals and diplomas and decorations on the breast of his khaki coat; he was sunburnt the color of a saddle, and he certainly done himself proud.

"They told us at the depot that the courthouse was to be illuminated at half-past seven, and there would be speeches and chili-con-carne at the Palace Hotel. Miss Delphine Thompson was to read an original poem by James Whitcomb Ryan, and Constable Hooker had promised us a salute of nine guns from Chicago that he had arrested that day.

"After we had disbanded in the armory, Willie says to me:

"'Want to walk out a piece with me?'

"'Why, yes,' says I, 'if it ain't so far that we can't hear the tumult and the shouting die away. I'm hungry myself,' says I, 'and I'm pining for some home grub, but I'll go with you.'

"Willie steered me down some side streets till we came to a little white cottage in a new lot with a twenty-by-thirty-foot lawn decorated with brickbats and old barrel-staves.

"'Halt and give the countersign,' says I to Willie. 'Don't you know this dugout? It's the bird's-nest that Joe Granberry built before he married Myra Allison. What you going there for?'

"But Willie already had the gate open. He walked up the brick walk to the steps, and I went with him. Myra was sitting in a rocking-chair on the porch, sewing. Her hair was smoothed back kind of hasty and tied in a knot. I never noticed till then that she had freckles. Joe was at one side of the porch, in his shirt-sleeves, with no collar on, and no signs of a shave, trying to scrape out a hole among the brickbats and tin cans to plant a little fruit-tree in. He looked up but never said a word, and neither did Myra.

"Willie was sure dandy-looking in his uniform, with medals strung on his breast and his new gold-handled sword. You'd never have taken him for the little white-headed snipe that the girls used to order about and make fun of. He just stood there for a minute, looking at Myra with a peculiar little smile on his face; and then he says to her, slow, and kind of holding on to his words with his teeth:

"'Oh, I don't know! Maybe I could if I tried!'

"That was all that was said. Willie raised his hat, and we walked away.

"And, somehow, when he said that, I remembered, all of a sudden, the night of that dance and Willie brushing his hair before the looking-glass, and Myra sticking her head in the door to guy him.

"When we got back to Sam Houston Avenue, Willie says:

"'Well, so long, Ben. I'm going down home and get off my shoes and take a rest.'

"'You?' says I. 'What's the matter with you? Ain't the court-house jammed with everybody in town waiting to honor the hero? And two brass-bands, and recitations and flags and jags and grub to follow waiting for you?'

"Willie sighs.

"'All right, Ben,' says he. 'Darned if I didn't forget all about that.'

"And that's why I say," concluded Ben Granger, "that you can't tell where ambition begins any more than you can where it is going to wind up."



THE HEAD-HUNTER

When the war between Spain and George Dewey was over, I went to the Philippine Islands. There I remained as bush-whacker correspondent for my paper until its managing editor notified me that an eight-hundred-word cablegram describing the grief of a pet carabao over the death of an infant Moro was not considered by the office to be war news. So I resigned, and came home.

On board the trading-vessel that brought me back I pondered much upon the strange things I had sensed in the weird archipelago of the yellow-brown people. The manoeuvres and skirmishings of the petty war interested me not: I was spellbound by the outlandish and unreadable countenance of that race that had turned its expressionless gaze upon us out of an unguessable past.

Particularly during my stay in Mindanao had I been fascinated and attracted by that delightfully original tribe of heathen known as the head-hunters. Those grim, flinty, relentless little men, never seen, but chilling the warmest noonday by the subtle terror of their concealed presence, paralleling the trail of their prey through unmapped forests, across perilous mountain-tops, adown bottomless chasms, into uninhabitable jungles, always near with the invisible hand of death uplifted, betraying their pursuit only by such signs as a beast or a bird or a gliding serpent might make—a twig crackling in the awful, sweat-soaked night, a drench of dew showering from the screening foliage of a giant tree, a whisper at even from the rushes of a water-level—a hint of death for every mile and every hour—they amused me greatly, those little fellows of one idea.

When you think of it, their method is beautifully and almost hilariously effective and simple.

You have your hut in which you live and carry out the destiny that was decreed for you. Spiked to the jamb of your bamboo doorway is a basket made of green withes, plaited. From time to time, as vanity or ennui or love or jealousy or ambition may move you, you creep forth with your snickersnee and take up the silent trail. Back from it you come, triumphant, bearing the severed, gory head of your victim, which you deposit with pardonable pride in the basket at the side of your door. It may be the head of your enemy, your friend, or a stranger, according as competition, jealousy, or simple sportiveness has been your incentive to labor.

In any case, your reward is certain. The village men, in passing, stop to congratulate you, as your neighbor on weaker planes of life stops to admire and praise the begonias in your front yard. Your particular brown maid lingers, with fluttering bosom, casting soft tiger's eyes at the evidence of your love for her. You chew betel-nut and listen, content, to the intermittent soft drip from the ends of the severed neck arteries. And you show your teeth and grunt like a water-buffalo—which is as near as you can come to laughing—at the thought that the cold, acephalous body of your door ornament is being spotted by wheeling vultures in the Mindanaoan wilds.

Truly, the life of the merry head-hunter captivated me. He had reduced art and philosophy to a simple code. To take your adversary's head, to basket it at the portal of your castle, to see it lying there, a dead thing, with its cunning and stratagems and power gone— Is there a better way to foil his plots, to refute his arguments, to establish your superiority over his skill and wisdom?

The ship that brought me home was captained by an erratic Swede, who changed his course and deposited me, with genuine compassion, in a small town on the Pacific coast of one of the Central American republics, a few hundred miles south of the port to which he had engaged to convey me. But I was wearied of movement and exotic fancies; so I leaped contentedly upon the firm sands of the village of Mojada, telling myself I should be sure to find there the rest that I craved. After all, far better to linger there (I thought), lulled by the sedative plash of the waves and the rustling of palm-fronds, than to sit upon the horsehair sofa of my parental home in the East, and there, cast down by currant wine and cake, and scourged by fatuous relatives, drivel into the ears of gaping neighbors sad stories of the death of colonial governors.



When I first saw Chloe Greene she was standing, all in white, in the doorway of her father's tile-roofed 'dobe house. She was polishing a silver cup with a cloth, and she looked like a pearl laid against black velvet. She turned on me a flatteringly protracted but a wiltingly disapproving gaze, and then went inside, humming a light song to indicate the value she placed upon my existence.

Small wonder: for Dr. Stamford (the most disreputable professional man between Juneau and Valparaiso) and I were zigzagging along the turfy street, tunelessly singing the words of "Auld Lang Syne" to the air of "Muzzer's Little Coal-Black Coon." We had come from the ice factory, which was Mojada's palace of wickedness, where we had been playing billiards and opening black bottles, white with frost, that we dragged with strings out of old Sandoval's ice-cold vats.

I turned in sudden rage to Dr. Stamford, as sober as the verger of a cathedral. In a moment I had become aware that we were swine cast before a pearl.

"You beast," I said, "this is half your doing. And the other half is the fault of this cursed country. I'd better have gone back to Sleepy-town and died in a wild orgy of currant wine and buns than to have had this happen."

Stamford filled the empty street with his roaring laughter.

"You too!" he cried. "And all as quick as the popping of a cork. Well, she does seem to strike agreeably upon the retina. But don't burn your fingers. All Mojada will tell you that Louis Devoe is the man.

"We will see about that," said I. "And, perhaps, whether he is a man as well as the man."

I lost no time in meeting Louis Devoe. That was easily accomplished, for the foreign colony in Mojada numbered scarce a dozen; and they gathered daily at a half-decent hotel kept by a Turk, where they managed to patch together the fluttering rags of country and civilization that were left them. I sought Devoe before I did my pearl of the doorway, because I had learned a little of the game of war, and knew better than to strike for a prize before testing the strength of the enemy.

A sort of cold dismay—something akin to fear—filled me when I had estimated him. I found a man so perfectly poised, so charming, so deeply learned in the world's rituals, so full of tact, courtesy, and hospitality, so endowed with grace and ease and a kind of careless, haughty power that I almost overstepped the bounds in probing him, in turning him on the spit to find the weak point that I so craved for him to have. But I left him whole—I had to make bitter acknowledgment to myself that Louis Devoe was a gentleman worthy of my best blows; and I swore to give him them. He was a great merchant of the country, a wealthy importer and exporter. All day he sat in a fastidiously appointed office, surrounded by works of art and evidences of his high culture, directing through glass doors and windows the affairs of his house.

In person he was slender and hardly tall. His small, well-shaped head was covered with thick, brown hair, trimmed short, and he wore a thick, brown beard also cut close and to a fine point. His manners were a pattern.

Before long I had become a regular and a welcome visitor at the Greene home. I shook my wild habits from me like a worn-out cloak. I trained for the conflict with the care of a prize-fighter and the self-denial of a Brahmin.

As for Chloe Greene, I shall weary you with no sonnets to her eyebrow. She was a splendidly feminine girl, as wholesome as a November pippin, and no more mysterious than a window-pane. She had whimsical little theories that she had deduced from life, and that fitted the maxims of Epictetus like princess gowns. I wonder, after all, if that old duffer wasn't rather wise!

Chloe had a father, the Reverend Homer Greene, and an intermittent mother, who sometimes palely presided over a twilight teapot. The Reverend Homer was a burr-like man with a life-work. He was writing a concordance to the Scriptures, and had arrived as far as Kings. Being, presumably, a suitor for his daughter's hand, I was timber for his literary outpourings. I had the family tree of Israel drilled into my head until I used to cry aloud in my sleep: "And Aminadab begat Jay Eye See," and so forth, until he had tackled another book. I once made a calculation that the Reverend Homer's concordance would be worked up as far as the Seven Vials mentioned in Revelations about the third day after they were opened.

Louis Devoe, as well as I, was a visitor and an intimate friend of the Greenes. It was there I met him the oftenest, and a more agreeable man or a more accomplished I have never hated in my life.

Luckily or unfortunately, I came to be accepted as a Boy. My appearance was youthful, and I suppose I had that pleading and homeless air that always draws the motherliness that is in women and the cursed theories and hobbies of paterfamilias.

Chloe called me "Tommy," and made sisterly fun of my attempts to woo her. With Devoe she was vastly more reserved. He was the man of romance, one to stir her imagination and deepest feelings had her fancy leaned toward him. I was closer to her, but standing in no glamour; I had the task before me of winning her in what seems to me the American way of fighting—with cleanness and pluck and everyday devotion to break away the barriers of friendship that divided us, and to take her, if I could, between sunrise and dark, abetted by neither moonlight nor music nor foreign wiles.

Chloe gave no sign of bestowing her blithe affections upon either of us. But one day she let out to me an inkling of what she preferred in a man. It was tremendously interesting to me, but not illuminating as to its application. I had been tormenting her for the dozenth time with the statement and catalogue of my sentiments toward her.

"Tommy," said she, "I don't want a man to show his love for me by leading an army against another country and blowing people off the earth with cannons."

"If you mean that the opposite way," I answered, "as they say women do, I'll see what I can do. The papers are full of this diplomatic row in Russia. My people know some big people in Washington who are right next to the army people, and I could get an artillery commission and—"

"I'm not that way," interrupted Chloe. "I mean what I say. It isn't the big things that are done in the world, Tommy, that count with a woman. When the knights were riding abroad in their armor to slay dragons, many a stay-at-home page won a lonesome lady's hand by being on the spot to pick up her glove and be quick with her cloak when the wind blew. The man I am to like best, whoever he shall be, must show his love in little ways. He must never forget, after hearing it once, that I do not like to have any one walk at my left side; that I detest bright-colored neckties; that I prefer to sit with my back to a light; that I like candied violets; that I must not be talked to when I am looking at the moonlight shining on water, and that I very, very often long for dates stuffed with English walnuts."

"Frivolity," I said, with a frown. "Any well-trained servant would be equal to such details."

"And he must remember," went on Chloe, to remind me of what I want when I do not know, myself, what I want."

"You're rising in the scale," I said. "What you seem to need is a first-class clairvoyant."

"And if I say that I am dying to hear a Beethoven sonata, and stamp my foot when I say it, he must know by that that what my soul craves is salted almonds; and he will have them ready in his pocket."

"Now," said I, "I am at a loss. I do not know whether your soul's affinity is to be an impresario or a fancy grocer."

Chloe turned her pearly smile upon me.

"Take less than half of what I said as a jest," she went on. "And don't think too lightly of the little things, Boy. Be a paladin if you must, but don't let it show on you. Most women are only very big children, and most men are only very little ones. Please us; don't try to overpower us. When we want a hero we can make one out of even a plain grocer the third time he catches our handkerchief before it falls to the ground."

That evening I was taken down with pernicious fever. That is a kind of coast fever with improvements and high-geared attachments. Your temperature goes up among the threes and fours and remains there, laughing scornfully and feverishly at the cinchona trees and the coal-tar derivatives. Pernicious fever is a case for a simple mathematician instead of a doctor. It is merely this formula: Vitality + the desire to live - the duration of the fever = the result.

I took to my bed in the two-roomed thatched hut where I had been comfortably established, and sent for a gallon of rum. That was not for myself. Drunk, Stamford was the best doctor between the Andes and the Pacific. He came, sat at my bedside, and drank himself into condition.

"My boy," said he, "my lily-white and reformed Romeo, medicine will do you no good. But I will give you quinine, which, being bitter, will arouse in you hatred and anger—two stimulants that will add ten per cent. to your chances. You are as strong as a caribou calf, and you will get well if the fever doesn't get in a knockout blow when you're off your guard."

For two weeks I lay on my back feeling like a Hindoo widow on a burning ghat. Old Atasca, an untrained Indian nurse, sat near the door like a petrified statue of What's-the-Use, attending to her duties, which were, mainly, to see that time went by without slipping a cog. Sometimes I would fancy myself back in the Philippines, or, at worse times, sliding off the horsehair sofa in Sleepytown.

One afternoon I ordered Atasca to vamose, and got up and dressed carefully. I took my temperature, which I was pleased to find 104. I paid almost dainty attention to my dress, choosing solicitously a necktie of a dull and subdued hue. The mirror showed that I was looking little the worse from my illness. The fever gave brightness to my eyes and color to my face. And while I looked at my reflection my color went and came again as I thought of Chloe Greene and the millions of eons that had passed since I'd seen her, and of Louis Devoe and the time he had gained on me.

I went straight to her house. I seemed to float rather than walk; I hardly felt the ground under my feet; I thought pernicious fever must be a great boon to make one feel so strong.

I found Chloe and Louis Devoe sitting under the awning in front of the house. She jumped up and met me with a double handshake.

"I'm glad, glad, glad to see you out again!" she cried, every word a pearl strung on the string of her sentence. "You are well, Tommy—or better, of course. I wanted to come to see you, but they wouldn't let me."

"Oh yes," said I, carelessly, "it was nothing. Merely a little fever. I am out again, as you see."

We three sat there and talked for half an hour or so. Then Chloe looked out yearningly and almost piteously across the ocean. I could see in her sea-blue eyes some deep and intense desire. Devoe, curse him! saw it too.

"What is it?" we asked, in unison.

"Cocoanut-pudding," said Chloe, pathetically. "I've wanted some—oh, so badly, for two days. It's got beyond a wish; it's an obsession."

"The cocoanut season is over," said Devoe, in that voice of his that gave thrilling interest to his most commonplace words. "I hardly think one could be found in Mojada. The natives never use them except when they are green and the milk is fresh. They sell all the ripe ones to the fruiterers."

"Wouldn't a broiled lobster or a Welsh rabbit do as well?" I remarked, with the engaging idiocy of a pernicious-fever convalescent.

Chloe came as near to pouting as a sweet disposition and a perfect profile would allow her to come.

The Reverend Homer poked his ermine-lined face through the doorway and added a concordance to the conversation.

"Sometimes," said he, "old Campos keeps the dried nuts in his little store on the hill. But it would be far better, my daughter, to restrain unusual desires, and partake thankfully of the daily dishes that the Lord has set before us."

"Stuff!" said I.

"How was that?" asked the Reverend Homer, sharply.

"I say it's tough," said I, "to drop into the vernacular, that Miss Greene should be deprived of the food she desires—a simple thing like kalsomine-pudding. Perhaps," I continued, solicitously, "some pickled walnuts or a fricassee of Hungarian butternuts would do as well."

Every one looked at me with a slight exhibition of curiosity.

Louis Devoe arose and made his adieus. I watched him until he had sauntered slowly and grandiosely to the corner, around which he turned to reach his great warehouse and store. Chloe made her excuses, and went inside for a few minutes to attend to some detail affecting the seven-o'clock dinner. She was a passed mistress in housekeeping. I had tasted her puddings and bread with beatitude.

When all had gone, I turned casually and saw a basket made of plaited green withes hanging by a nail outside the door-jamb. With a rush that made my hot temples throb there came vividly to my mind recollections of the head-hunters—those grim, flinty, relentless little men, never seen, but chilling the warmest noonday by the subtle terror of their concealed presence . . . From time to time, as vanity or ennui or love or jealousy or ambition may move him, one creeps forth with his snickersnee and takes up the silent trail . . . Back he comes, triumphant, bearing the severed, gory head of his victim . . . His particular brown or white maid lingers, with fluttering bosom, casting soft tiger's eyes at the evidence of his love for her.

I stole softly from the house and returned to my hut. From its supporting nails in the wall I took a machete as heavy as a butcher's cleaver and sharper than a safety-razor. And then I chuckled softly to myself, and set out to the fastidiously appointed private office of Monsieur Louis Devoe, usurper to the hand of the Pearl of the Pacific.

He was never slow at thinking; he gave one look at my face and another at the weapon in my hand as I entered his door, and then he seemed to fade from my sight. I ran to the back door, kicked it open, and saw him running like a deer up the road toward the wood that began two hundred yards away. I was after him, with a shout. I remember hearing children and women screaming, and seeing them flying from the road.

He was fleet, but I was stronger. A mile, and I had almost come up with him. He doubled cunningly and dashed into a brake that extended into a small canon. I crashed through this after him, and in five minutes had him cornered in an angle of insurmountable cliffs. There his instinct of self-preservation steadied him, as it will steady even animals at bay. He turned to me, quite calm, with a ghastly smile.

"Oh, Rayburn!" he said, with such an awful effort at ease that I was impolite enough to laugh rudely in his face. "Oh, Rayburn!" said he, "come, let's have done with this nonsense. Of course, I know it's the fever and you're not yourself; but collect yourself, man—give me that ridiculous weapon, now, and let's go back and talk it over."

"I will go back," said I, "carrying your head with me. We will see how charmingly it can discourse when it lies in the basket at her door."

"Come," said he, persuasively, "I think better of you than to suppose that you try this sort of thing as a joke. But even the vagaries of a fever-crazed lunatic come some time to a limit. What is this talk about heads and baskets? Get yourself together and throw away that absurd cane-chopper. What would Miss Greene think of you?" he ended, with the silky cajolery that one would use toward a fretful child.

"Listen," said I. "At last you have struck upon the right note. What would she think of me? Listen," I repeated.

"There are women," I said, "who look upon horsehair sofas and currant wine as dross. To them even the calculated modulation of your well-trimmed talk sounds like the dropping of rotten plums from a tree in the night. They are the maidens who walk back and forth in the villages, scorning the emptiness of the baskets at the doors of the young men who would win them.

"One such as they," I said, "is waiting. Only a fool would try to win a woman by drooling like a braggart in her doorway or by waiting upon her whims like a footman. They are all daughters of Herodias, and to gain their hearts one must lay the heads of his enemies before them with his own hands. Now, bend your neck, Louis Devoe. Do not be a coward as well as a chatterer at a lady's tea-table."

"There, there!" said Devoe, falteringly. "You know me, don't you, Rayburn?"

"Oh yes," I said, "I know you. I know you. I know you. But the basket is empty. The old men of the village and the young men, and both the dark maidens and the ones who are as fair as pearls walk back and forth and see its emptiness. Will you kneel now, or must we have a scuffle? It is not like you to make things go roughly and with bad form. But the basket is waiting for your head."

With that he went to pieces. I had to catch him as he tried to scamper past me like a scared rabbit. I stretched him out and got a foot on his chest, but he squirmed like a worm, although I appealed repeatedly to his sense of propriety and the duty he owed to himself as a gentleman not to make a row.

But at last he gave me the chance, and I swung the machete.

It was not hard work. He flopped like a chicken during the six or seven blows that it took to sever his head; but finally he lay still, and I tied his head in my handkerchief. The eyes opened and shut thrice while I walked a hundred yards. I was red to my feet with the drip, but what did that matter? With delight I felt under my hands the crisp touch of his short, thick, brown hair and close-trimmed beard.

I reached the house of the Greenes and dumped the head of Louis Devoe into the basket that still hung by the nail in the door-jamb. I sat in a chair under the awning and waited. The sun was within two hours of setting. Chloe came out and looked surprised.

"Where have you been, Tommy?" she asked. "You were gone when I came out."

"Look in the basket," I said, rising to my feet. She looked, and gave a little scream—of delight, I was pleased to note.

"Oh, Tommy!" she said. "It was just what I wanted you to do. It's leaking a little, but that doesn't matter. Wasn't I telling you? It's the little things that count. And you remembered."

Little things! She held the ensanguined head of Louis Devoe in her white apron. Tiny streams of red widened on her apron and dripped upon the floor. Her face was bright and tender.

"Little things, indeed!" I thought again. "The head-hunters are right. These are the things that women like you to do for them."

Chloe came close to me. There was no one in sight. She looked tip at me with sea-blue eyes that said things they had never said before.

"You think of me," she said. "You are the man I was describing. You think of the little things, and they are what make the world worth living in. The man for me must consider my little wishes, and make me happy in small ways. He must bring me little red peaches in December if I wish for them, and then I will love him till June. I will have no knight in armor slaying his rival or killing dragons for me. You please me very well, Tommy."

I stooped and kissed her. Then a moisture broke out on my forehead, and I began to feel weak. I saw the red stains vanish from Chloe's apron, and the head of Louis Devoe turn to a brown, dried cocoanut.

"There will be cocoanut-pudding for dinner, Tommy, boy," said Chloe, gayly, "and you must come. I must go in for a little while."

She vanished in a delightful flutter.

Dr. Stamford tramped up hurriedly. He seized my pulse as though it were his own property that I had escaped with.

"You are the biggest fool outside of any asylum!" he said, angrily. "Why did you leave your bed? And the idiotic things you've been doing!—and no wonder, with your pulse going like a sledge-hammer."

"Name some of them," said I.

"Devoe sent for me," said Stamford. "He saw you from his window go to old Campos' store, chase him up the hill with his own yardstick, and then come back and make off with his biggest cocoanut."

"It's the little things that count, after all," said I.

"It's your little bed that counts with you just now," said the doctor. "You come with me at once, or I'll throw up the case. 'You're as loony as a loon."

So I got no cocoanut-pudding that evening, but I conceived a distrust as to the value of the method of the head-hunters. Perhaps for many centuries the maidens of the villages may have been looking wistfully at the heads in the baskets at the doorways, longing for other and lesser trophies.



NO STORY

To avoid having this book hurled into corner of the room by the suspicious reader, I will assert in time that this is not a newspaper story. You will encounter no shirt-sleeved, omniscient city editor, no prodigy "cub" reporter just off the farm, no scoop, no story—no anything.

But if you will concede me the setting of the first scene in the reporters' room of the Morning Beacon, I will repay the favor by keeping strictly my promises set forth above.

I was doing space-work on the Beacon, hoping to be put on a salary. Some one had cleared with a rake or a shovel a small space for me at the end of a long table piled high with exchanges, Congressional Records, and old files. There I did my work. I wrote whatever the city whispered or roared or chuckled to me on my diligent wanderings about its streets. My income was not regular.

One day Tripp came in and leaned on my table. Tripp was something in the mechanical department—I think he had something to do with the pictures, for he smelled of photographers' supplies, and his hands were always stained and cut up with acids. He was about twenty-five and looked forty. Half of his face was covered with short, curly red whiskers that looked like a door-mat with the "welcome" left off. He was pale and unhealthy and miserable and fawning, and an assiduous borrower of sums ranging from twenty-five cents to a dollar. One dollar was his limit. He knew the extent of his credit as well as the Chemical National Bank knows the amount of H2O that collateral will show on analysis. When he sat on my table he held one hand with the other to keep both from shaking. Whiskey. He had a spurious air of lightness and bravado about him that deceived no one, but was useful in his borrowing because it was so pitifully and perceptibly assumed.

This day I had coaxed from the cashier five shining silver dollars as a grumbling advance on a story that the Sunday editor had reluctantly accepted. So if I was not feeling at peace with the world, at least an armistice had been declared; and I was beginning with ardor to write a description of the Brooklyn Bridge by moonlight.

"Well, Tripp," said I, looking up at him rather impatiently, "how goes it?" He was looking to-day more miserable, more cringing and haggard and downtrodden than I had ever seen him. He was at that stage of misery where he drew your pity so fully that you longed to kick him.

"Have you got a dollar?" asked Tripp, with his most fawning look and his dog-like eyes that blinked in the narrow space between his high-growing matted beard and his low-growing matted hair.

"I have," said I; and again I said, "I have," more loudly and inhospitably, "and four besides. And I had hard work corkscrewing them out of old Atkinson, I can tell you. And I drew them," I continued, "to meet a want—a hiatus—a demand—a need—an exigency—a requirement of exactly five dollars."

I was driven to emphasis by the premonition that I was to lose one of the dollars on the spot.

"I don't want to borrow any," said Tripp, and I breathed again. "I thought you'd like to get put onto a good story," he went on. "I've got a rattling fine one for you. You ought to make it run a column at least. It'll make a dandy if you work it up right. It'll probably cost you a dollar or two to get the stuff. I don't want anything out of it myself."

I became placated. The proposition showed that Tripp appreciated past favors, although he did not return them. If he had been wise enough to strike me for a quarter then he would have got it.

"What is the story?" I asked, poising my pencil with a finely calculated editorial air.

"I'll tell you," said Tripp. "It's a girl. A beauty. One of the howlingest Amsden's Junes you ever saw. Rosebuds covered with dew— violets in their mossy bed—and truck like that. She's lived on Long Island twenty years and never saw New York City before. I ran against her on Thirty-fourth Street. She'd just got in on the East River ferry. I tell you, she's a beauty that would take the hydrogen out of all the peroxides in the world. She stopped me on the street and asked me where she could find George Brown. Asked me where she could find George Brown in New York City! What do you think of that?

"I talked to her, and found that she was going to marry a young farmer named Dodd—Hiram Dodd—next week. But it seems that George Brown still holds the championship in her youthful fancy. George had greased his cowhide boots some years ago, and came to the city to make his fortune. But he forgot to remember to show up again at Greenburg, and Hiram got in as second-best choice. But when it comes to the scratch Ada—her name's Ada Lowery—saddles a nag and rides eight miles to the railroad station and catches the 6.45 A.M. train for the city. Looking for George, you know—you understand about women— George wasn't there, so she wanted him.

"Well, you know, I couldn't leave her loose in Wolftown-on-the-Hudson. I suppose she thought the first person she inquired of would say: 'George Brown?—why, yes—lemme see—he's a short man with light-blue eyes, ain't he? Oh yes—you'll find George on One Hundred and Twenty-fifth Street, right next to the grocery. He's bill-clerk in a saddle-and-harness store.' That's about how innocent and beautiful she is. You know those little Long Island water-front villages like Greenburg—a couple of duck-farms for sport, and clams and about nine summer visitors for industries. That's the kind of a place she comes from. But, say—you ought to see her!

"What could I do? I don't know what money looks like in the morning. And she'd paid her last cent of pocket-money for her railroad ticket except a quarter, which she had squandered on gum-drops. She was eating them out of a paper bag. I took her to a boarding-house on Thirty-second Street where I used to live, and hocked her. She's in soak for a dollar. That's old Mother McGinnis' price per day. I'll show you the house."

"What words are these, Tripp?" said I. "I thought you said you had a story. Every ferryboat that crosses the East River brings or takes away girls from Long Island."

The premature lines on Tripp's face grew deeper. He frowned seriously from his tangle of hair. He separated his hands and emphasized his answer with one shaking forefinger.

"Can't you see," he said, "what a rattling fine story it would make? You could do it fine. All about the romance, you know, and describe the girl, and put a lot of stuff in it about true love, and sling in a few stickfuls of funny business—joshing the Long Islanders about being green, and, well—you know how to do it. You ought to get fifteen dollars out of it, anyhow. And it'll cost you only about four dollars. You'll make a clear profit of eleven."

"How will it cost me four dollars?" I asked, suspiciously.

"One dollar to Mrs. McGinnis," Tripp answered, promptly, "and two dollars to pay the girl's fare back home."

"And the fourth dimension?" I inquired, making a rapid mental calculation.

"One dollar to me," said Tripp. "For whiskey. Are you on?"

I smiled enigmatically and spread my elbows as if to begin writing again. But this grim, abject, specious, subservient, burr-like wreck of a man would not be shaken off. His forehead suddenly became shiningly moist.

"Don't you see," he said, with a sort of desperate calmness, "that this girl has got to be sent home to-day—not to-night nor to-morrow, but to-day? I can't do anything for her. You know, I'm the janitor and corresponding secretary of the Down-and-Out Club. I thought you could make a newspaper story out of it and win out a piece of money on general results. But, anyhow, don't you see that she's got to get back home before night?"

And then I began to feel that dull, leaden, soul-depressing sensation known as the sense of duty. Why should that sense fall upon one as a weight and a burden? I knew that I was doomed that day to give up the bulk of my store of hard-wrung coin to the relief of this Ada Lowery. But I swore to myself that Tripp's whiskey dollar would not be forthcoming. He might play knight-errant at my expense, but he would indulge in no wassail afterward, commemorating my weakness and gullibility. In a kind of chilly anger I put on my coat and hat.

Tripp, submissive, cringing, vainly endeavoring to please, conducted me via the street-cars to the human pawn-shop of Mother McGinnis. I paid the fares. It seemed that the collodion-scented Don Quixote and the smallest minted coin were strangers.

Tripp pulled the bell at the door of the mouldy red-brick boarding-house. At its faint tinkle he paled, and crouched as a rabbit makes ready to spring away at the sound of a hunting-dog. I guessed what a life he had led, terror-haunted by the coming footsteps of landladies.

"Give me one of the dollars—quick!" he said.

The door opened six inches. Mother McGinnis stood there with white eyes—they were white, I say—and a yellow face, holding together at her throat with one hand a dingy pink flannel dressing-sack. Tripp thrust the dollar through the space without a word, and it bought us entry.