The present head of the family, that Randolph Byrd Culpeper who had been only ten years old when Providence intervened, was now a fine-looking, heavily built man of sixty-five, with prominent dark eyes under sleepy lids, abundant iron-gray hair which was brushed until it shone, and a drooping moustache that was still as brown as it had been in his youth. He had an impressive though stolid bearing, an amiable expression, an engaging smile, and the manner of a weary monarch. It was his boast that he had never done anything for the first time without ascertaining precisely how it had been done by the highest authority before him. Devoid of even the rudiments of an imagination, he had never been visited in a nightmare by the suspicion that the name of Culpeper was not the best result of the best of all possible worlds. As long as his prejudices were not offended his generosity was inexhaustible. For the rest, he bore his social position as reverently as if it were a plate in church, had never spoken a profane word or recognized a joke in his life, and still dined at two o'clock in the afternoon because his grandfather, who was dyspeptic by constitution, had been unable to digest a late dinner. At the time of his marriage, an unusually happy one, he was regarded as "the handsomest man of his day"; and he was still yearned over from a distance by elderly ladies of suppressed romantic temperaments.

Mrs. Culpeper, a small imperious woman of distinguished lineage and uncertain temper, had gone through an entire life seeing only one thing at a time, and never seeing that one thing as it really was. If her husband embodied the moral purpose, she herself was an incarnation of the evasive idealism of the nineteenth century. Her universe was comprised in her family circle; her horizon ended with the old brick wall between the alley and the Culpepers' garden. All that related to her husband, her eight children and her six grandchildren, was not only of supreme importance and intense interest to her, but of unsurpassed beauty and excellence. It was intolerable to her exclusive maternal instinct that either virtue or happiness should exist in any degree, except a lesser measure, outside of her own household; and praise of another woman's children conveyed to her a secret disparagement of her own. Having naturally a kind heart she could forgive any sin in her neighbours except prosperity—though as Corinna had once observed, with characteristic flippancy, "Continual affliction was a high price to pay for Aunt Harriet's favour." In her girlhood she had been a famous beauty; and she was still as fine and delicately tinted as a carving in old ivory, with a skin like a faded microphylla rose-leaf, and stiff yellowish white hair, worn a la Pompadour. Her mind was thin but firm, and having received a backward twist in its youth, it had remained inflexibly bent for more than sixty years. Unlike her husband she was gifted with an active, though perfectly concrete imagination—a kind of superior magic lantern that shot out images in black and white on a sheet—and a sense of humour which, in spite of the fact that it lost its edge when it was pointed at the family, was not without practical value in a crisis.

On the evening of Stephen's adventure in the Square, the Culpeper family had gathered in the front drawing-room, to await the arrival of a young cousin, whom, they devoutly hoped, Stephen would one day perceive the wisdom of marrying. The four daughters—Victoria, the eldest, who had nursed in France during the war; Hatty, who ought to have been pretty, and was not; Janet, who was candidly plain; and Mary Byrd, who would have been a beauty in any circle—were talking eagerly, with the innumerable little gestures which they had inherited from Mrs. Culpeper's side of the house. They adored one another; they adored their father and mother; they adored their three brothers and their married sister, whose name was Julia; and they adored every nephew and niece in the connection. Though they often quarrelled, being young and human, these quarrels rippled as lightly as summer storms over profound depths of devotion.

"Oh, I do wish," said Mary Byrd, who had "come out" triumphantly the winter before, "that Stephen would marry Margaret." She was a slender graceful girl, with red-gold hair, which had a lustrous sheen and a natural wave in it, and the brown ox-like eyes of her father. There was a great deal of what Peyton, the second son, who lived at home, and was the most modern of the family, called "dash" about her.

"It was the war that spoiled it," said Janet, the plain one, who possessed what her mother fondly described as "a charm that was all her own." "I sometimes think the war spoiled everything."

At this Victoria, the eldest, demurred mildly. Ever since she had nursed in France, she had assumed a slightly possessive manner toward the war, as if she had in some mysterious way brought it into the world and was responsible for its reputation. She was tall and very thin, with a perfect complexion, a long nose, and a short upper lip which showed her teeth too much when she laughed. Her hair was fair and fluffy; and Mrs. Culpeper, who could not praise her beauty, was very proud of her "aristocratic appearance."

"Why, he never even mentions the war," she protested.

"I don't care. I believe he thinks about it," insisted Janet, who would never surrender a point after she had once made it.

"He's different, anyhow," said Hatty, the one who had everything, as her mother asserted, to make her pretty, and yet wasn't. "He isn't nearly so normal. Is he, Mother?"

Mrs. Culpeper raised troubled eyes from the skirt of her pale gray silk gown which she was scrutinizing dejectedly. "How on earth could I have got that spot there?" she remarked in her brisk yet soft voice. "I am afraid you are right, dear, about Stephen. He certainly hasn't been like himself for some time. I have felt really anxious, I suppose it was the war."

While the war had lasted she had seen it, according to her habit of vision, with peculiar intentness, and she had seen nothing else; but from the beginning to the end, it had appeared to her mainly as an international disturbance which had upset the serene and regular course of her family affairs. For the past two years she had refused to think of it except under pressure; and then she recalled it only as the occasion when Victoria and Stephen had been in France, and poor Peyton in a training camp. Her feeling had been violent, but entirely personal, while Mr. Culpeper, who possessed the martial patriotism characteristic of Virginians of his class and generation, had been animated by the sacrificial spirit of a hero.

"Oh, Stephen is all right," declared Peyton, who felt impelled to take the side of his brother in a family discussion. He was an incurious and gay young man, of active sporting interests and immaculate appearance, with so few of the moral attributes of the Culpepers that his mother sometimes wondered how he could possibly be the son of his father. Indeed there were times when this wonder extended to Mary Byrd, for it seemed incredible that anything so "advanced" as the outlook of these two should have been a legitimate offspring of either the Culpeper or the Warwick point of view.

"He would be all right," maintained Janet, "if he would only marry Margaret. I am sure she likes him."

"Oh, I don't know. There's that young clergyman," rejoined Hatty, "and Margaret is so pious. I suppose that's why she has never been popular with men."

"My dear child," breathed Mrs. Culpeper in remonstrance, and she added emphatically, as if the doubt were a disparagement of Stephen's attractions, "Of course she likes him. Why, it would be a perfectly splendid marriage for Margaret Blair."

"It isn't possible," asked Mary Byrd, for if her manners were modern, her prejudices were old-fashioned, "that Stephen could have met any one else over there?" She was wearing an elaborate, very short and very low gown of pink velvet, not one of the simple blue or gray silk dresses, with modest round necks, in which her sisters attired themselves in the evening. A little later she and Peyton would go on to a dance; for her mother's consternation when the frock had been unpacked from its Paris wrappings had been temporarily mitigated by the assertion that unless one danced in gowns like that, one simply couldn't be expected to dance at all. "Of course, if you wish me to be a wall-flower like Margaret Blair," Mary Byrd had protested with wounded dignity; and since Mrs. Culpeper wished nothing on earth so little as that, her only response had been, "Well, I hope to heaven that you won't let your father see it!"

Now, as her husband was heard descending the stairs, she said hurriedly: "Mary Byrd, if you won't put a scarf over your knees, I wish you would wear one around your neck."

"Oh, Father won't mind," retorted Mary Byrd flippantly. "He is a real sport, and he knows that you have to play the game well if you play it at all." Then turning with her liveliest air, she remarked as Mr. Culpeper entered: "Father, darling, I've just said that you were a sport."

Mr. Culpeper surveyed her with portentous disapproval. He adored her, and she knew it, but because it was impossible for his features to wear any expression lightly, the natural gravity of his look deepened to a thundercloud.

"Is Mary Byrd going in swimming?" he demanded not of his daughter, but of the family.

"No, you precious, only in dancing," replied Mary Byrd, as she rose airily and placed a kiss above the thundercloud on his forehead.

"Will you go looking like this?"

"Not if I can possibly look any worse." She swayed like a golden lily before his astonished gaze. "Can you suggest any way that I might?"

"I cannot." His face cleared under the kiss, and he held her at arm's length while paternal pride softened his look. "Do you really mean that you won't shock the young men away from you?" It was as near a jest as he had ever come, and a ripple of amusement passed over the room.

"I may shock them, but not away." The girl was really a wonder. How in the world, he asked himself, did she happen to be his daughter?

"Do you mean that all the other girls dress like this?" It was his final appeal to an arbitrary but acknowledged authority.

"All the popular ones. You can't wish me to dress like the unpopular ones, can you?"

His appeal had failed, and he accepted defeat with the sober courage his father had displayed in a greater surrender.

"Well, I suppose if everybody does it, it is all right," he conceded; and though he was not aware of it, he had compressed into this convenient axiom his whole philosophy of conduct.

As he crossed the room to the glowing fire and the black marble mantelpiece, which had supplanted the delicate Adam one of a less resplendent period, he wore an air that was at once gentle and haughty—the expression of a man who hopes that he is a Christian and knows that his blood is blue.

"Hasn't Stephen come in yet?" he inquired of his wife. "I thought I heard him upstairs."

She shook her head helplessly. "No, and I told him Margaret was coming. That is her ring now."

Mr. Culpeper looked at Mary Byrd. "I am sure that Margaret would clothe herself more discreetly," he remarked in a voice which sounded husky because he tried to make it facetious. "When I was a young man it was the fashion to compare women to flowers, and in these unromantic days I should call Margaret our last violet—"

A peal of laughter fell from the bright red lips of Mary Byrd. "It sounds as depressing as the last rose of summer," she cried, "and it's just as certain to be left on the stem—" Then she broke off, still pulsing with merriment, for the door opened slowly, and the last violet entered the room.



CHAPTER V

MARGARET

As he inserted his latch-key in the old-fashioned lock, Stephen remembered that his mother had instructed him not to be late because Margaret Blair was coming to spend the evening. "It takes you so long to change that I believe you begin to dream as soon as you go to your room," she had added; and while he made his way hurriedly and softly up the stairs, he wondered how he could have so completely forgotten the girl whom he had always thought of vaguely as the one who would some day—some remote day probably—become his wife. He was not in love with Margaret, and he believed, though one could never be sure, that she was not in love with him—that her fancy, if a preference so modest could be called by so capricious a name, was for the handsome young clergyman who read Browning with her every Tuesday afternoon. But he was aware also that she would marry him if he asked her; he knew that the hearts of four formidable parents were set on the match; and in his past experience his mother's heart had invariably triumphed over his less intrepid resolves. When Janet had said that the war had "spoiled" this carefully nurtured sentiment, she had described the failure with her usual accuracy. If he had never gone to France, he would certainly have married Margaret in his twenty-fourth year, and by this time they would have begun to rear a promising family. For he was the offspring of tradition; and the seeds of that strange flower, which some adventurous ancestor had strewn in his soul, could not have broken through the compact soil in which he had grown. If he had never felt the charm of the unknown, he would have remained satisfied to accept convention for romance; if he had never caught a glimpse of wider horizons, he would have restricted his vision contentedly to the tranquil current of James River. But the harm had been done, as Janet said, the exotic flower had sprung up, and he had learned that the family formula for happiness could not suffice for his needs. He craved something larger, something wider, something deeper, than the world in which his fathers had lived. In that first year after his return he had felt that antiquated traditions were closing about him and shutting out the air, just as he had felt at times that the fine old walls of the house were pressing together over his head. At such moments the sense of suffocation, of smothering for lack of space in which to breathe, had driven him like a hunted creature out into the streets. It was not long before he discovered that certain persons brought this feeling of oppression more quickly than others, that the presence of Margaret or of his parents stifled him, while Corinna made him feel as if a window had been suddenly flung open. The doctors, of course, had talked in scientific terms of diseased nerves and a specialist whom his mother had called in on one occasion had tried first to probe into the secrets of his infancy and afterward to analyse his symptoms away. But the war, among other lessons, had taught him that one must not take either one's sensations or scientific opinion too seriously, and he had contrived at last to turn the whole thing into the kind of family joke that his father could understand. Outwardly he took up his life as before; if the penalty of depression was psychoanalysis, it was worth while to pretend at least to be gay. Yet beneath the surface there was, he told himself, a profound revulsion from everything that he had once enjoyed and loved—an apathy of soul which made him a moving shadow in a universe of stark unrealities. He knew that he was sinking deeper and deeper into this morass of indifference; he realized, at times vividly, that his only hope was in change, in a complete break with the past and a complete plunge into the future. His reason told him this, and yet, though he longed passionately to let himself go—to make the wild dash for freedom—his disabled will, the nervous indecision from which he suffered, prevented both his liberation and his recovery. There were hours of grayness when he told himself that he had neither the fortitude to endure the old nor the energy to embrace the new. In his nature, as in his environment, two opposing spirits were struggling: the realistic spirit which saw things as they were and the romantic spirit which saw things as they ought to be. It was the immemorial battle, brought by circumstances to a crisis, between the race and the individual, between tradition and adventure, between philosophy and experience, between age and youth.

Yes, it was "something different" that he craved. He had known Margaret too long; there was no surprise for him in any gesture that she made, in any word that she uttered. They had drunk too deeply of the same springs to offer each other the attraction of mystery, the charm of the unusual. He was familiar with every opinion she had inherited and preserved, with every dress she had worn, with every book she had read. As a whole she embodied his ideal of feminine perfection. She was gentle, lovely and unselfish; she never asked unnecessary questions, never exacted more of one's time than one cared to give, never interfered with more important, if not more admirable, pursuits. That was the rarest of combinations, he knew—the delightful mingling of every virtue he held desirable in woman—and yet, rare and delightful as he acknowledged it to be, he was obliged to confess that it awakened not the faintest quiver of his pulses. Margaret aroused in him every sentiment except the one of interest; and he had begun to realize that at the moments when he admired her most, it was often impossible for him to make conversation. It had never occurred to him to wonder if their association had become emotionally unprofitable to her also, for in accordance with the system under which he lived, he had assumed that woman's part in love was as heroically passive as it had been in religion. What he had asked himself again and again was why, since she was so perfectly desirable in every way, he had never fallen in love with her? Until this evening he had always told himself that it would come right in the end, that he was in his own phrase simply "playing for time." Margaret was handsomer, if less piquant, than Patty Vetch. She possessed every quality he had found lacking in poor Patty; yet he admitted ruefully that he felt the vague sense of disappointment which follows when one is offered a dish of one's choice and finds that the expected flavour is missing.

There was a peremptory knock at his door, and his mother looked in reproachfully. "You must hurry, Stephen, or everything will be burned to a cinder."

"I am sorry," he replied with compunction, "I didn't realize that I was late."

Her expression was stern but kind. "If you could only learn to be punctual, dear. Of course while we felt that you were not quite yourself, we tried not to worry about it. But you have been home so long now that you ought to be able to drop back into your old habits."

She was right, he knew; the exasperating thing about her was that she was always right. It was reasonable, it was logical, that after two years he should be able to drop back into his old habits of life; and yet he realized, with the intensity of revolt, that these habits represented for him the form of bondage from which he desired passionately to escape. He could not oppose his mother, and the knowledge that he could not oppose her increased his annoyance. As far back as he could remember she had governed her household as a benevolent despot; and the fact that she lived entirely for others appeared to him to have endowed her with some unfair advantage. Her very unselfishness had developed into an unscrupulous power to ruin their lives. How was it possible to weigh one's personal preferences against an irresistible force which was actuated simply and solely by the desire for one's good? Who could withstand a virtue which had encased itself in the first principle of religion—which gave all things and demanded nothing except the sacrifice of one's immortal soul?

"I am ready now," he said; and then as they went downstairs together, he added contritely: "After this I'll try to remember."

"I hope you will, my dear. It vexes your father." Even in his childhood Stephen had understood that his father's "vexation" existed only as an instrument of correction in the hands of his mother. Though he had discovered by the time he was three years old that the image was nothing more than a nursery bugaboo, there were occasions still when the figure was solemnly dressed up and paraded before his eyes.

"So it's the Dad, bless him!" he exclaimed, for if he loved his mother in spite of her virtues, he joined heartily in the family worship of the head of the house. "Well, he has had a word with Margaret anyway, and he ought to thank me for that."

"Dear Margaret," murmured Mrs. Culpeper, "she is looking so sweet to-night."

That Margaret was looking very sweet indeed, Stephen acknowledged as soon as he entered the room, where the firelight suffused the Persian rugs (which had replaced the earlier Brussels carpet woven in a mammoth floral design), the elaborately carved and twisted rosewood chairs and sofas, upholstered in ruby-coloured brocade, the few fine old pieces of Chippendale or Heppelwhite, the massive crystal chandelier, and the precise copies of Italian paintings in gorgeous Florentine frames. Here and there hung a family portrait, one of Amanda Culpeper, a famous English beauty, with a long nose and a short upper lip, not unlike Victoria's. This painting, which was supposed to be by Sir Joshua Reynolds, was a source of unfailing consolation to Victoria, though Stephen preferred the Sully painting of his grandmother, Judith Randolph, who reminded him in some subtle way of Margaret Blair. In his childhood he had believed this drawing-room to be the most beautiful place on earth, and he never entered it now without a feeling of regret for a shattered illusion.

As he took Margaret's hand her expression of intelligent sympathy went straight to his heart; and he told himself emphatically that after all the familiar graces in women were the most lovable. She was a small fragile girl, with a lovely oval face, nut-brown hair that grew in a "widow's peak" on her forehead, and the prettiest dark blue eyes in the world. Her figure drooped slightly in the shoulders, and was, as Mary Byrd pointed out in her dashing way, "without the faintest pretence to style." But if Margaret lacked "style," she possessed an unconscious grace which seemed to Stephen far more attractive. It was delightful to watch the flowing lines of her clothes, as if, he used to imagine in a fanciful strain, she were poured out of some slender porcelain vase. Her dress to-night, of delicate blue crepe, began slightly below the throat and reached almost to her ankles. It was a fashion which he had always admired; but he realized that it gave Margaret, who was only twenty-two, a quaint air of maturity.

"I am so sorry I am late," he said, "but I had to go back to the office for a paper I'd forgotten." It was the truth as far as it went; and yet because it was not the whole truth, because his delay was due, not to his return for the paper, but to his meeting with Patty Vetch in the Square, his conscience pricked him uncomfortably. When deceit was so easy it ceased to be a temptation.

She looked at him with an expression of guileless sympathy. "After working all day I should think you would be tired," she murmured. That was the way she would always cover up his errors, large or small, he knew, with a trusting sweetness which made him feel there was dishonour in the merest tinge of dissimulation.

Mary Byrd was talking as usual in high fluting notes which drowned the gentle ripple of Margaret's voice.

"I was just telling Margaret about the charity ball," she said, "and the way the girls snubbed Patty Vetch in the dressing-room."

"And it was a very good account of young barbarians at play," commented Mr. Culpeper, who was a romantic soul and still read his Byron.

"Patty Vetch? Why, isn't that the daughter of the Governor?" asked Mrs. Culpeper, without a trace of her husband's sympathy for the victim of the "snubbing." A moment later, in accordance with her mental attitude of evasive idealism, she added briskly: "I try not to think of that man as Governor of Virginia."

Of course the subject had come up. Wherever Stephen had been in the past few weeks he had found that the conversation turned to the Governor; and it struck him, while he followed the line of girls headed by his mother's erect figure into the dining-room, that, for good or bad, the influence of Gideon Vetch was as prevalent as an epidemic. All through the long and elaborate meal, in which the viands that his ancestors had preferred were served ceremoniously by slow-moving coloured servants, he listened again to the familiar discussion and analysis of the demagogue, as he still called him. How little, after all, did any one know of Gideon Vetch? Since he had been in office what had they learned except that he was approachable in human relations and unapproachable in political ones?

"I wonder if Stephen noticed the girl at the ball?" said Mrs. Culpeper suddenly, looking tenderly at her son across the lovely George II candlesticks and the dish of expensive fruit, for she could never reconcile with her ideas of economy the spending of a penny on decorations so ephemeral as flowers.

"Oh, he couldn't have helped it," responded Mary Byrd. "Every one saw her. She was dressed very conspicuously."

"Do you imply that you were not?" inquired her father, without facetious intention.

Mary Byrd beamed indulgently in his direction. "Oh, you don't know what it is to be conspicuous, dear," she answered. "What did you think of her dress, Stephen?"

He met her question with a blush. Was he really so modest after the war and France and everything?—Victoria wondered in silence.

"It was something red, wasn't it?" he rejoined vaguely.

"It was scarlet tulle." Mary Byrd, as her mother had once observed, "hadn't an indefinite bone in her body." Then she imparted an additional incident. "She got it badly torn. I saw her pinning it up in the dressing-room."

"I should have been sorry for her," said Margaret simply; and he felt that he had never in his life been so nearly in love with her.

"Is she pretty?" asked Mrs. Culpeper, appealing directly to Stephen as a man and an authority. It was the question the strange woman had put to him in the Square, and ironical mirth seized the young man as he remembered.

"Do you think her pretty, Stephen?" repeated Margaret, and waited, with an expression of impartial interest, for his reply.

For an instant he hesitated. Did he think Patty Vetch pretty or not? "I hardly know," he answered. "I suppose it depends upon whether you like that kind of thing or not. Why don't you ask Peyton?" At the time he couldn't have told himself whether he admired Patty or not. She surprised him, she struck a new note, the note of the unexpected, but whether he liked or disliked it, he could not tell. "There is something unusual about her," he concluded hurriedly, feeling that he had not been quite fair.

"Well, I think she's good looking enough," Peyton, the incurious young man of "advanced" tastes, was replying. "She seems to have a kind of fascination. I don't know what it is, but I dare say she inherited it from her father. The Governor may be unsound in his views and uncertain in his methods, but I've yet to see any one who could resist his smile."

"The Judge admires him," remarked Stephen, with the air of a man who tosses a bomb into a legislative assembly.

"Oh, Stephen," protested Victoria on a high note of interrogation, "how can he?"

"The Judge likes to keep up well with the times," observed Mr. Culpeper, whose final argument against any innovation was the inquiry, "What do you suppose General Lee would have thought of it?" Pausing an instant while the family hung breathlessly on his words, he continued heroically: "Now, it doesn't bother me to be called an old fogy."

"There's no use trying to hide the fact that the Judge isn't quite what he used to be," said Mrs. Culpeper in an unusually tolerant tone. "He has let his habit of joking grow on him until you never know whether he is serious or simply poking fun at you."

"The next thing we hear," suggested Peyton, who was quite dreadful at times, "will be that the old gentleman admires the daughter also."

"He doesn't like conspicuous women," rejoined Victoria. "He told me so only the other day when Mrs. Bradford announced that she was going to run for the legislature."

"That's the kind of conspicuousness we all object to," commented Peyton; "Patty Vetch isn't that sort."

Janet was more merciful. "Well, you are obliged to be conspicuous to-day if you want anybody to notice you," she said. "Look at Mary Byrd."

Mary Byrd tossed her bright head as gaily as if a compliment had been intended. "Oh, you needn't think I like to dress this way," she retorted, "or that I don't sometimes get tired of keeping up with things. Why, there are hours and hours when I simply feel as if I should drop."

"Well, as long as you look like that you needn't hope for a change," remarked Stephen admiringly. Then, turning his gaze away from her too obvious brightness, he looked into the tranquil depths of Margaret's blue eyes, and thought how much more restful the old-fashioned type of woman must have been. Men didn't need to bestir themselves and sharpen their wits with women like that; they were accepted, with their inherent virtues or vices, as philosophically as one accepted the seasons.

It was a dull supper, he thought, because his mind was distracted; but a little later, when they had returned to the drawing-room, and the family had drifted away in separate directions—Mary Byrd and Peyton to a dance, his father to his library, and his mother and the three other girls to a game of bridge in the next room, he received an amazing revelation of Margaret's point of view. His sentiment for the girl had always suffered, he was aware, from too many opportunities. He had sometimes wished that an obstacle might arise, that the formidable parents would try for once to tear them apart instead of thrust them together, but, in spite of the changeless familiarity of their association, he was presently to discover how little he had known of the real Margaret beneath the flowing grace and the nut-brown hair and the eyes like blue larkspur. Though the tribal customs had shaped her body and formed her manners, a rare essence of personality escaped like a perfume from the hereditary mould of the race.

As he looked at her now, sitting gracefully on the ruby brocade of one of the rosewood chairs, with her lovely head framed by the band of intricate carving, he was aware that the delicate subtleties and shadings of her feminine charm made an entirely fresh appeal to his perceptions, if not to his senses. He had never admired her appearance more than he did at that instant; and yet his gaze was as dispassionate as the one he bestowed on the Sully portrait of which she reminded him. Her eyes were very soft; there was a faint smile on her thin pink lips which gave the look of coldness, of reticence to her face. With her head bent and her hands folded in her lap, she sat there waiting pensively—for what? It occurred to him suddenly with a shock that she was deeper, far deeper than he had ever suspected.

"You are so different from the other girls, Margaret," he said at last, oppressed by the old difficulty of making conversation. "You don't belong to the same world with Mary Byrd and—" He was going to add "Patty Vetch," but he checked himself before the name escaped him.

She seemed to melt rather than break from her attitude of waiting, so gently did her movements sink into the shadowy glow of the firelight.

"No, I don't," she replied, with a touch of sadness. "I sometimes wish that I did."

"You wish that you did!" Here was surprise at last. "But, why, in Heaven's name, should you wish that when you are everything that they ought to be?"

"As if that mattered!" There was a tone in her voice that was new to him. "It's gone out of fashion to be superior. Nobody even cares any longer about your being what you ought to be. I've been trained to be the kind of girl that doesn't get on to-day, full of all sorts of forgotten virtues and refinements. Nobody looks at me because everybody is staring so hard at the girls who are improperly dressed. There is only one place where I can be sure of having attention, and that is in an Old Ladies' Home. Old ladies admire me."

For the second time that day he found himself startled by the eccentricities of the feminine mind; but in Margaret's passive resignation there was none of Patty's rebellion against the cruelty and injustice of life. Generations of acquiescence were in the slender figure before him; and he realized that the completeness of her surrender to Fate must have softened her destiny. Both girls were victims of the changing fashion in women, of an age that moved not in a stream, but in a whirlpool.

"I admire you," he said in a caressing voice, "more than I admire any one else in the world."

She had been gazing into the fire, and as she turned slowly in answer to his words, it seemed to him that the blue of a summer sky shone on him from beneath the tremulous shadow of her eyelashes.

"The trouble," she replied, with an appealing glance, "is that I don't know how to be common. There isn't any hope of a girl's being popular if she doesn't know how to be common. I would be if I could," she confessed plaintively, "but I haven't the faintest idea how to begin."

"I hope you'll never learn," he insisted. In awakening his sympathy she had awakened also a deep-rooted protective instinct. He felt that he longed to guard and defend her, as a brother of course, and if this newer and tenderer sentiment was the result of feminine calculation, he was too chivalrous or too inexperienced to perceive it. What he perceived was simply that this lovely girl, whom he had known from infancy, had opened her heart and taken him into her confidence. To admit that she was not a success in her small social world, proved her, he felt, to be both frank and courageous.

"Of course they don't call their way common," she pursued, with what seemed to him the most touching candour. "Their word for it is 'pep'." She pronounced the vulgar syllable as if she abhorred it. "That is what I haven't got, and that's why I have never been a real success in anything except church work. Even in the Red Cross it was 'pep' that counted most, and that was the reason they never sent me to Europe. Mother tried to make me into the kind of girl that men admired when she was young; but the type has gone out of fashion to-day just as much as crinolines or a small waist. If I were clever I suppose I could make myself over and begin to jump about and imitate the sort of animation I never had; but I'm not really clever, for I've tried and I can't do it. It only makes me feel silly to pretend to be what I am not."

Her confession struck him, while he listened to it, as the sweetest and most womanly one he had ever heard.

"I cannot imagine your pretending," he answered, and felt that the remark was as inane as if he had quoted it from a play. After a moment, as she seemed to be waiting for something, he continued with greater assurance, "I dare say they have a quality that the older generation missed. It isn't just commonness. The modern spirit means, I suppose, a breathless vitality. We are more intensely alive than our ancestors, perhaps, more restless, more inclined to take risks."

The phrases he had used made him think suddenly of Gideon Vetch. Was that the secret of the Governor's irresistible magnetism, of his meteoric rise into power? He embodied the modern fetish—success; he was, in the lively idiom of the younger set,—personified "pep." After all, if the old order crumbled, was it not because of its own weakness? Was not the fact of its decay the sign of some secret disintegration, of rottenness at the core? And if the new spirit could destroy, perhaps it could build as well. There might be more in it, he was beginning to discern, than mere lack of control, than vulgar hysteria and undisciplined violence. The quality expressed by that dreadful word was the sparkle on the edge of the tempest, the lightning flash that revealed the presence of electricity in the air. After all, the god of the future was riding the whirlwind.

"I wonder if we can be wrong, you and I?" he went on presently, forgetting the intensely personal nature of Margaret's disclosures, while he followed the abstract trend of his reflections. "Isn't it conceivable that we are standing, not for what is necessarily better, but simply for what is old? Isn't the conservative merely the creature of habit? I suppose the older generation always looks disapprovingly at the younger, and, in spite of our youth, we really belong to the past generation. We see things through the eyes of our parents. We are mentally middle-aged—for middle age is a state of mind, after all. You and I were broken in by tradition—at least I know I was, and even the war couldn't free me. It only made me restless and dissatisfied. It destroyed my belief in the past without giving me faith in the future. It left me eager to go somewhere; but it failed to offer me any direction. It put me to sea without a compass."

Clasping his hands behind his head, he leaned back against the carving of his chair, and fixed his gaze on the portrait of the English ancestress over the mantelpiece. The firelight flickered over his firm, clear-cut features, over the sleek dark hair, which was brushed straight back from his forehead, and over his sombre smoke-coloured eyes in which a dusky glow came and went. Margaret, watching him with her pensive smile, thought that she had never seen him look so "interesting."

"We used to talk in those first days about the 'spiritual effect' of the war," he resumed dreamily, speaking more to himself than to his companion. "As if organized violence could have a steadying effect—could have any results that are not the offspring of violence. It is hard for me to talk about it. I've never even tried before to put it into words; but we are both suffering from the same cause, I think. I know it has played the very deuce with my life. It has made me discontented with what I have; but it hasn't shown me anything else that was worth striving for. I seem to have lost the power of wanting because I've discovered that nothing is worth having after you get it. Every apple has turned into Dead Sea fruit."

He had never before spoken so freely, and when he had finished he felt awkward and half resentful. Margaret's extraordinary frankness had started him, he supposed, on a similar strain; but he wished that he had kept back all that sentimental nonsense about what his mother called disapprovingly, his "frame of mind." Any frame of mind except the permanently settled appeared unsafe to Mrs. Culpeper; and her son felt at the moment that her opinion was justified. Somehow the whole thing seemed to have resulted from his meeting with Gideon Vetch. It was Vetch who had "unsettled" him, who had taken the wind out of the stiff sails of his prejudices. Had the war awakened in him, he wondered, the need of crude emotional stimulants, the dangerous allurement of the unfamiliar, the exotic? Would it ever pass, and would life become again normal and placid without losing its zest and its interest? For it was the zest of life, he realized, that he had encountered in Gideon Vetch.

"But you are a man," Margaret was saying plaintively. "Everything is easier for a man. You can go out and do things."

"So can women now. You can even go into politics."

She made a pretty gesture of aversion. "Oh, I've been too well brought up! There isn't any hope for a girl who is well brought up except the church, and even there she can't do anything but sit and listen to sermons. Mother's consolation," she added with a soft little laugh, "is that I should have been a belle and beauty in the days when Madison was President."

Then putting the subject aside as if she had finished with it for ever, she began talking to him about the books she was reading. Of all the girls he knew she was the only one who ever opened a book except one that had been forbidden.

An hour later, when Margaret went home with her father, Stephen turned back, after putting her into the car, with a warmer emotion in his heart than he had ever felt for her before. She was not only lovely and gentle; she had revealed unexpected qualities of mind which might develop later into an attraction that he had never dreamed she could possess. Never, he felt, had the outlook appeared so desirable. He was in that particular dreaminess of mood when one is easily borne off on waves of sentiment or imagination; and it is possible that, if his mother had been able to refrain from improving perfection, he might have found himself sufficiently in love with Margaret for all practical purposes. But Mrs. Culpeper, who had no need of dissimulation since she had always got things by showing that she wanted them entirely for the good of others, was incapable of leaving her son to work out his own future. When he entered the house again he found her awaiting him at the foot of the staircase.

"I hope you had a pleasant evening, Stephen."

"Yes, Mother, very pleasant."

"Margaret is a dear girl, and so well brought up. Her mother has a great deal for which to be thankful."

"A great deal, I am sure." A sharp sense of irritation had dispelled the dreamy sentiment with which he had parted from Margaret. To his mother, he knew, the evening appeared only as one more carefully planned and carelessly neglected opportunity; and the knowledge of this exasperated him in a measure that was absurdly disproportionate to the cause.

"She is so refreshing after the things you hear about other girls," pursued Mrs. Culpeper. "Poor Mrs. St. John was obliged to go to a rest cure, they say, because of the worry she has had over Geraldine; and the other girls are almost as troublesome, I suppose. That is why I am so thankful that you should have taken a fancy to Margaret. She is just the kind of girl I should like to have for a daughter-in-law."

"You'll have a long time to wait, Mother. I don't want to marry anybody until I need a nurse in my old age."

He spoke jestingly, but his mother, with her usual tenacity, held fast to the subject. Under the flickering gas light in the hall (they were still suspicious of the effect of electricity on Mr. Culpeper's eyes) her face looked grimly determined, as if an indomitable purpose had moulded every feature and traced every line in some thin plastic substance.

"I have set my heart on this, Stephen."

At this he laughed aloud with an indecorous mirth. In spite of her instincts and traditions how lacking in feminine finesse, how utterly without subtlety of method she was! She had stood always for the unconquerable will in the fragile body, and she had used to the utmost her two strong weapons of obstinacy and weakness. He did not know whether the dread of being nagged or the fear of hurting her had influenced him most; and when he looked back he could recall only a series of ineffectual efforts at evasion or denial. It is true that he had once adored her—that he still loved her—but it was a love, like his father's, which was forbearing but never free, which was always furtive and a little ashamed of its own weakness. Ever since he could remember she had triumphed over their inclinations, their convictions, and even their appetites, for they had eaten only what she thought good for them. She had invariably gained her point; and she had gained it with few words, without temper or agitation, by sheer force of character. If she had been a moral principle she could not have moved more relentlessly.

"Mrs. Blair and I used to talk it over when you and Margaret were children," she continued, in the inflexible tone with which she was accustomed to carry her point. "Even then you were fond of her."

He looked at her with a gleam of the tolerant amusement he had caught from his father's expression. "Can you imagine anything more certain to turn a man against a marriage than the thought that it was arranged for him in his infancy?" he objected.

"Not if he knew that his mother had set her heart on it?" She looked hurt but resolute.

"Don't set your heart on it, Mother. Let me dree my own weird."

"My dear boy, it is for your own good. I am sure that you know I am not thinking of myself. I may say with truth that I never think of myself."

It was true. She never thought of herself; but he had sometimes wondered what worse things could have happened if she had occasionally done so.

"I know that, Mother," he answered simply.

"I have but one wish in life and that is to see my children happy," she said, with an air of injured dignity which made him feel curiously guilty.

It was the old infallible method, he knew. She would never yield her point; she would never relax her pressure; she would never admit defeat until he married another woman.

"I want nobody else in your place, Mother. Goodnight, and try to set your heart on something else."

As he undressed a little later he was thinking of Margaret—of her low white brow under the "widow's peak," of her soft blue eyes, of her goodness and gentleness, and of the thrill in her voice when she had made that touching confession. Margaret's voice was the last thing he thought of before falling asleep; but hours afterward, when the dawn was beginning to break, he dreamed of Patty Vetch in her red cape and of that hidden country of the endless roads and the far horizons.



CHAPTER VI

MAGIC

The next day after luncheon, as Stephen walked from his club to his office, he lived over again his evening with Margaret. "If she cared for me it might be different," he mused; and then, through some perversity of memory, Margaret's pensive smile became suddenly charged with emotion, and he asked himself if he had not misinterpreted her innocent frankness? Even if she cared, he knew that she would die rather than betray her preference by a word or a look. "Whether she cares or not, and it is just possible that she does care in her heart, she will marry me if I ask her," he thought; and decided immediately that there was no necessity to act impulsively in the matter. "If I ask her she will persuade herself that she loves me. She will marry me just as hundreds of women have married men in the past; and we should probably live as long and as happily as all the others." That was the way his father and mother had married; and why were he and Margaret different from the generations before them? What variable strain in their natures impelled them to lead their own separate lives instead of the collective life of the family? "I suppose Mother is right as far as she sees," he admitted. "To marry Margaret and settle down would be the best thing that could happen to me." Yet he had no sooner put the thought into words than the old feeling of suffocation rushed over him as if his hopes were smothered in ashes.

Yes, he would settle down, of course, but not now. Next year perhaps, or the year after, he would sincerely fall in love with Margaret, and then everything would be different.

He was passing through the Square at the moment; and while he played with the idea of his marriage with Margaret, he found himself glancing expectantly at the car which was waiting in front of the Governor's door. "I wonder if she is going out," he thought, while a superficial interest brightened the dull hours before him. "It would be no more than she deserved if I were to go in and ask after her ankle." In obedience to the mocking impulse, he entered the gate and reached the steps just as Patty came out on the porch. She was walking with ease, he noticed at once, and she wore again the red cape and the little hat with red wings.

"Oh," she exclaimed, "it is you!"

"I stopped to ask after your ankle," he retorted with ironic gaiety. "I am glad it doesn't keep you from walking."

"That's the new way of treating a sprain," she replied calmly. "Haven't you heard of it?"

"Yes, I've heard of it." He glanced down at her stocking of thin gray silk. "But I thought even then there were bandages."

She smiled archly—he felt that he wanted to slap her—and glanced up at him with playful concern. The gray-green rays were brighter in the daylight than he had remembered them and her mocking lips were the colour of cherries. He thought of the thin pink curve of Margaret's mouth and wondered if the war had corrupted his taste.

Yes, Margaret was womanly; she was well bred; she possessed every attribute that in theory he admired; yet she had never awakened this sparkling interest, this attraction which was pungently flavoured with surprise that he could be so strangely attracted. He could gaze unmoved by the hour on Margaret's smooth loveliness; but the tantalizing vision of this other girl's face, of her cloudy black hair and her clear skin and her changeable eyes, with their misty gleam like a firefly lost in a spring marsh—all these things were a part not of the tedious actuality, but of that hidden country of romance and adventure. For the first time since his return from France, he was carried far outside of himself on the wave of an impulse; he was interested and excited. Not for an instant did he imagine that he was falling in love. His thoughts did not leave the immediate present when he was with her; and a part of the adventure was the feeling that each vivid moment he spent with her might be the last. It was, he would have said had he undertaken to analyse the situation, merely an incident; but it was an incident that delighted him. He knew nothing of Patty Vetch except that she charmed him against his will; and, for the moment at least, this was sufficient.

"Oh, there are sprains and sprains," she answered, with the quiver of her lip he remembered so disturbingly. "Didn't you learn that in the trenches?" Was she really pretty, or was it only the provocative appeal to his imagination, the dangerous sense that you never knew what she would dare to say next?

"I didn't go there to learn about sprains," he responded gravely.

"Nor about maneuvers apparently?" She hesitated over the word as if it were unfamiliar.

At her charge the light of battle leaped to his eyes. "Then it was a maneuver? I suspected as much."

The audacity of her! The unparalleled audacity! "But I am not so much interested in maneuvers," he added merrily, "as I am in the strategy behind them."

She looked puzzled, though her manner was still mocking. "Is there always strategy," she pronounced the word with care, "behind them?"

"Always in the art of warfare."

"But can't there be a maneuver without warfare?" He could see that she was venturing beyond her depths; but he realized that a confession of ignorance was the last thing he must ever expect from her. Whatever the challenge she would meet it with her natural wit and her bright derision.

"Never," he rejoined emphatically. "A campaign goes either before or afterward."

A thoughtful frown knit her forehead. "Well, one didn't go before, did it?" she inquired with an innocent air. "So I suppose—"

He ended her sentence on a note of merriment. "Then I must be prepared for the one that will follow!"

She threw out her hand with a gesture of mock despair. "Oh, you may have been mistaken, you know!"

"Mistaken? About the campaign?"

"No, about the maneuver. Perhaps there wasn't any such thing, after all."

"Perhaps." Though his voice was stern, his eyes were laughing. "I am not so easily fooled as that."

"I doubt if you could be fooled at all." It was the first bit of flattery she had tossed him, and he found it strangely agreeable.

"I am not sure of that," he answered, "but the thing that perplexes me—the only thing—is why you should have thought it worth while."

Her eyes grew luminous with laughter, and the little red wings quivered as if they were about to take flight over her arching brows. "How do you know that I thought about it at all? Sometimes things just happen."

"But not in this case. You had arranged the whole incident for the stage."

"Do you mean that I fell down on purpose?"

"I mean that you were laughing up your sleeve all the time. You weren't hurt and you knew it."

Her expression was enigmatical. "You think then that I arranged to fall down and risk breaking my bones for the sake of having you pick me up?" she asked demurely.

Put so plainly the fact sounded embarrassing, if not incredible. "I think you fell for the fun of it. I think also that you didn't for a second risk breaking your bones. You are too nimble for that."

"I ought to be," she retorted daringly, "since I was born in a circus."

Surprised into silence, he studied her with a regard in which admiration for her courage was mingled with blank wonder at her recklessness. If she had inherited her father's gift of expression, she appeared to possess also his dauntless humour. For an instant Stephen felt that her gaiety had entered into his spirit; and while his impression of her danced like wine in his head, he answered her in her own tone of mocking defiance.

"Well, everything that is born in a circus isn't a clown."

Her eyes widened. "Is that meant for a compliment?"

"No, merely for a reminder. But if you were born in a circus, I assume that you didn't perform in one."

She shook her head. "No, they took me away when I was a baby—just after Mother died. I never lived with the circus people, and Father didn't either except when he was a child. Not that I should have been ashamed of it," she hastened to explain. "They are very interesting people."

"I am sure of it," he answered gravely, and he was very sure of it now.

"When I was a child," she went on in a matter-of-fact tone, "I used to make Father tell me all he could remember about the 'freaks,' as they called them. The fat woman—her name was really Mrs. Coventry—was very kind to him when he was little, and he never forgot it. He never forgets anybody who has ever been kind to him," she concluded with simple dignity.

An emotion which he could not define held Stephen speechless; and before he could command his words, she began again in the same cool and quiet voice. "His mother ran away to marry his father. She came of a very good family in Fredericksburg, and her people never forgave her or spoke to her afterward. But she was happy, and she never regretted it as long as she lived. It was love at first sight. Grandfather was Irish and he was—was—" she hesitated for a word, and at last with evident care selected, "magnificent." "He was magnificent," she repeated emphatically, "and she saw him first on horseback when she was out riding. Her horse became frightened by one of the animals in the circus, and he caught it and stopped it. It began that way, and then one night she stole out of the house after her family had gone to bed, and they ran away and were married. I think she was right," she added thoughtfully, "but then I reckon—I mean I suppose it is in my blood to take risks."

She looked up at him and he responded. "But where did you learn to see things like this, and to put them into words? Not in a circus?"

"I told you I couldn't remember the circus. Mother was in one, and though Father never told me how he fell in love with her—he never talks of her—I think it must have been when he went back to see the people. He always took an interest in them and tried to help them. He does still. Even now, if anybody belonging to a circus asks him for something, he never refuses him. When he was twelve years old somebody took him away and sent him to school, but he always says he never learned anything at school except misinformation about life. No books, he says, ever taught him the truth except the Bible and 'Robinson Crusoe.' He used to read me chapters of those every day—and he does still when he has the time."

What a strange world it was! How full of colour and incident, how drenched with the quality of the unusual!

"And what did you learn?" he asked.

"I?" She was speaking earnestly. "Oh, I learned a great many—no, a multitude of things about life."

At this he broke into a laugh of pure delight. "With a special course of instruction in maneuvers," he rejoined.

Though her smile showed perplexity she tossed back his innuendo with defiance. "And by the time we meet again I shall have learned about—strategy."

How ready she was to fence, and how quick with her attack! It was easy to believe that there was Irish blood in her veins and an Irish sparkle in her wit.

"Oh, then you will out-general me entirely! Isn't it enough to force me to acknowledge your superior tactics?"

She appeared to scrutinize each separate letter. "Tactics? Have I been using superior tactics without knowing it?"

"That I can't answer. Is there anything that has escaped your instinctive understanding?"

She laughed softly. "Well, there's one thing you may be sure of. I'll know a great deal more about some things by the time I see you again." Then, with one of her darting bird-like movements, she ran down the steps and into the car. "I wish Father were here," she said, looking out at him. "He wants to talk to you."

"I should like to talk to him. I shall come again, if I may."

"Oh, of course, and next time we may both be at home." As the car started she called out teasingly. "My next maneuver may be more successful, you know!"

How provoking she was, and how inspiriting! Was she as shrewd, as sophisticated, as she tried to appear, or was he merely, he asked himself, the victim of her irrepressible humour, of a prodigious display of the modern spirit? At least she was a part of her time—not, like Margaret and himself, a discordant note, a divergent atom, in the general march toward recklessness and unrestraint. Young as she was, he felt that she had already solved the problems which he had evaded or pushed aside. She had learned the secret of transition—a perpetual motion that went in circles and was never still. Here, he realized, was where he had lost connection, where he had failed to hold his place in the turmoil. He had tried to stand off and reach a point of view, to become a spectator, while the only way to fit into the century was simply to keep moving in whirls of unintelligent unison; never to meditate, never to reason upon one's course; but to sweep onward, somewhere, anywhere as long as it was in a new direction. Elasticity, variability—were not these the indispensable qualities of the modern mind? The power to make quick decisions and the inability to cling to convictions; the nervous high pitch and the failure to sustain the triumphant note; energy without direction; success without stability; martyrdom without faith. And around, above, beneath, the pervading mediocrity, the apotheosis of the average. Was this the best that democracy had to offer mankind? Was there no depth below the shallows? Was it impossible, even by the most patient search, to discover some justification of the formlessness of the age, of the crazy instinct for ugliness? He could forgive it all, he might eventually bring his mind to believe in it, if there were only some logical design informing the disorder. If he could find that it contained a single redeeming principle that was superior to the old order, he felt that he should be able to surrender his disbelief.

He was leaving the gate when a woman, walking slowly in front of the house, spoke to him abruptly.

"If I wait here shall I see the Governor come out?"

With the feeling that he was passing again through a familiar nightmare, he turned quickly and looked down on the pathetic figure he had seen the evening before. In the daylight she seemed more pitiable and less repellent than she had appeared in the darkness. The hollowness of her features gave a certain dignity to her expression—the look of one who is returning from the shadows of death. Years ago, before illness or dissipation had wrecked her health and her appearance, she may have been attractive, he surmised, in a common and obvious fashion. Her black eyes were still striking, and the sunlight revealed a quantity of coarse black hair on which he detected the claret tinge of fading dye.

"I am sorry," she added as she recognized him. "I did not know it was you." As soon as she had spoken she became confused and tried to pass on; but he made a movement to detain her.

"Have you any particular reason for wishing to see the Governor?"

"Oh, no, I am a stranger here." Her accents were ordinary, yet there was a note of the unusual in her appearance and manner. Whatever she was, she was not commonplace.

"But you were waiting to see him?" he said.

Her gaze left his face and travelled uncertainly over the mansion. "Oh, yes, I thought I might see him. I've never seen a Governor."

"You do not wish to speak to him?"

"No; why should I wish to speak to him? I'm a stranger, that's all. I like to see whatever is going on. Was that his daughter who went out just now?"

"Yes, that was his daughter."

"Then she is pretty—almost as pretty as—Thank you, sir. I will go along now. I'm staying not far from here, and I come out when I get the chance to watch the squirrels in the Square."

The explanation sounded simple enough; yet he suspected, though he could not have defined his reason, that she was not telling the truth. Again he asked himself if she could have known Gideon Vetch in the past? It was possible; it was not even improbable. Once, even ten or fifteen years ago, she may have been handsome in her coarse and showy style; and he had no proof, except Patty, that the Governor had ever possessed a fastidious taste.

The woman had turned with furtive haste in the direction of the outer gate; and when Stephen started on again toward the library, he crossed a man who was rapidly ascending the brick walk from the fountain at the foot of the hill. By his jaunty stride and his air of excessive joviality—the mark of the successful local politician—Stephen recognized Julius Gershom, the campaign-maker, as people called him, who had stood behind Gideon Vetch from the beginning of his career. "What an unconscionable bounder the fellow is," thought Stephen as he passed him. What an abundance of self-assertiveness he had contrived to express in his thin spruce figure, his tightly curling black hair, which grew too low on his forehead, and his short black moustache with pointed ends which curved up like polished metal from his full red lips.

"I suppose he is on his way to the Governor," mused the young man idly. "How on earth does Vetch stand him?"

But to his surprise, when he glanced back again, he saw that Gershom had passed the mansion, and was hurrying down the walk which the strange woman had followed a moment before. Stephen could still see her figure approaching a distant gate; and he observed presently that Gershom was not far behind her, and that he appeared to be speaking her name. She started and turned quickly with a movement of alarm; and then, as Gershom joined her, she went on again in the direction she had first taken. A few minutes later their rapidly moving figures left the Square and passed down the street beyond the high iron fence.

"I wonder what it means?" thought Stephen indifferently. "I wonder what the deuce Gershom has got up his sleeve?"

By the time he reached his office the wonder had vanished; but it returned to him on his way home that afternoon when he dropped into the old print shop for a word with Corinna.

"I passed that fellow Gershom in the Square to-day," he said. "Do you know him by sight?"

She shook her head. "What is he like? Patty tells me that he has become a nuisance."

"Ah, then you have seen Patty?"

A smile turned her eyes to the colour of November leaves. "She was here for an hour this morning. I have great hopes of her. I think she is going to supply me with an interest in life."

"Then she still amuses you?"

"Amuses me? My dear, she enchants me. She stands for the suppressed audacities of my past."

He looked at her thoughtfully. "I wonder how much of her is real?"

"Probably half. She is real, I think, in her courage, but not in her conventions."

"Well, I confess that she puzzles me. I can't see just what she means."

"I doubt if she means anything. She is a vital spirit; she chafes at chains; and she is smarting from a sense of inferiority. There is a thirst for power in her little body that may make her either an actress or a politician."

"Now, it seems to me that if she has any sense it is one of superiority. She treated me like a brick under her feet."

For a minute Corinna was silent. The smile on her lips had grown tenderly humorous; and there was a softness in her eyes which made him sorry that he had not known her when he was a child. "Do you know what she told me to-day?" she said. "She studies a page of the dictionary every morning, and she tries to remember and practise all day the new words that she learns. She is now in the letter M."

A peal of merriment interrupted her. "That explains it!" exclaimed Stephen with unaffected delight, "maneuver—misinformation—multitude—"

"So she has practised on you too?"

"Oh, they all practise on me," he retorted. "It is what I was made for."

"Well, as long as it is only words, you are safe, I suppose."

He denied this with a gesture. "It is everything you can possibly practise with—from puddings to pigeons."

"My poor dear, so you have been eating Margaret's puddings. Weren't they good ones?"

"Oh, perfection! But I wasn't thinking of Margaret."

"I know you weren't. For your mother's sake I wish that you were."

His face looked suddenly tired. "Margaret is perfection, I know; but I feel sometimes that only perfect people can endure perfection."

"Yes, I know." Her smile had faded now. "I admire Margaret tremendously, but I feel closer to Patty."

"Perhaps. I am not sure. Somehow I have been sure of nothing since I came out of the trenches—least of all of myself. I am trying to find out now what I am in reality."

As he rose to go she held out her hand. "I think,—I am not certain, but I think," she responded gaily, "that Patty's dictionary may give you the definition."



CHAPTER VII

CORINNA GOES TO WAR

"Yes, I've had a mean life," thought Corinna, while she stood before her mirror carefully placing a patch on her cheek. In her narrow gown of black velvet, with the silver heels of her slippers shining beneath the transparent draperies, she had more than ever the look of festival, of October splendour. If her beauty had lost in roundness and softness, it had gained immeasurably in authority, in that air of having been a part of great events, of historic moments which clung to her like a legend. Romance and mystery were in her smile; and yet what had life held for her, she mused now, except the frustrated hope, the blighted fruit, the painted lily? Her beauty had brought her nothing that was not tawdry, nothing that was not a gaudy imitation of happiness. She had given herself for what? For the shadow of reality, for the tinted shreds of a damaged illusion. The past, in spite of her many triumphs, had been worse than tragic; it had been comic—since it had left her beggared. Looking back upon it now she saw that it had lacked even the mournful dignity of a broken heart.

"I have had a mean life; but it isn't over yet, and I may make something better of the rest of it," she thought. "At least I have fighting blood in my veins, and I will never give up. After all, even if my life has been mean, I haven't been—and that is what really counts in the end. If I haven't been happy, I have tried to be gallant—and it takes courage to be gallant with an aching heart—"

As she fastened the long string of pearls—one of Kent Page's early gifts—she drew back from the mirror, with the light of philosophy, if not of happiness, overflowing her eyes. With her grace and her radiance she stood for the flower of the Virginian aristocratic tradition; with her sincerity and her fearlessness she embodied the American democratic ideal. Her forefathers had brought representative government to the New World. They had sat in the first General Assembly ever summoned in America; and through the generations they had fought always on the side of liberty tempered by discipline, of democracy exalted by patriotism. They had stood from the beginning for dignity, for manners, for the essence of social culture which places art at the service of life. Always they had sought to preserve the finer lessons of the past; always they had struggled against the tyranny of mediocrity, the increasing cult of the second best. From this source, from the inherited instinct for selection, for elimination, from the inbred tendency toward order and suavity of living, Corinna had derived her clear-eyed acceptance of life, her nobility of mind, her loveliness and grace of body. She had been prepared and nurtured for beauty, only to bloom in an age when beauty had been bartered for usefulness. Would the delicate discriminations in which she had been trained, the lights and shadows of her soul, become submerged in the modern effort to reduce all distinctions to a level, all diversities to an average?

Turning away from the mirror, Corinna glanced over the charming room, with the wood fire, the white bearskin rug, the ivory bed draped in blue silk, the long windows opening on the garden terrace and the starlit darkness. There had been luxury always. Money she had had in abundance; yet there had been no hour in the last twenty years when she would not have exchanged it all—everything that money could bring her—for the dinner of herbs where love was. She had possessed everything except the one thing she had wanted. She had served the tin gods in temples of gold and jade. With the deep instinct for perfection in her blood, she had spent her life in an endless compromise with the inferior.

"Was there something lacking in me?" she asked now of her glowing reflection. "Was there some vital spark left out when I was born? And to-night? Why should I care how it goes? What is Rose Stribling to me or I to her?" Why should she still cherish that dull resentment, that smothered sense of injury in her heart? Was it the burden of her inheritance, the weakness of the older races, that she could not forget? She had loved a man who was unworthy; she had loved him for no better reason, she understood now, than a superficial charm, a romantic appeal. The fault was in the man, she knew, yet she had forgiven the man long ago, while she still hated Rose Stribling. Perversity, inconsistency—but it was her nature, and she could not overcome it. "If she had ever loved him, I might have forgiven her," she thought, "but she cared for him as little as she cares for Gideon Vetch to-day. It was vanity then, and it is vanity now. You cannot hurt her heart—only her pride—"

Her father called from the stairs; and with a last swift glance at her image, she caught up a fan of ostrich plumes and a wrap of peacock-blue velvet. She had never looked more brilliant in her life, not even on that June morning twenty-five years ago, when, coloured like a rose, she had been married to Kent Page beneath a bower of roses. She had lost much since then, freshness, innocence, the trusting heart and the transparent gaze, but she had lost neither charm nor radiance.

"So we are invited to meet Gideon Vetch," remarked the Judge as they went down the steps; and from the whimsical sound of his voice, she knew that there was a smile on his face. The house, with its picturesque English front half hidden by Virginia creeper, stood at the end of a long avenue, in the centre of a broad lawn planted in fine old elms.

"Yes, there must be some reason for the dinner, but Sarah Berkeley did not tell me."

"Well, I'll be glad to see the Governor again," said the Judge, leaning comfortably back as the car rolled down the avenue to the road, "but you will have a dreary evening, I fear, unless John should be there."

Corinna smiled in the darkness. So even her father, who so rarely noticed anything, had observed her growing interest in John Benham. After all, might this be—this sudden revival of an old sentiment in John's heart—"the something different," the ultimate perfection for which she had sought all her life? "He is beginning to mean more to me than any one else," she thought. "If only I had never heard that old gossip about Alice Rokeby."

Leaning over, she patted the Judge's hand. "Don't have me on your mind, Father darling. Go ahead and enjoy the Governor as much as you can. I am easy to amuse, you know, and besides, I have my own particular iron in the fire to-night."

"You are never without expedients, my child, but I hope this one has no bearing on Vetch."

"Oh, but it has. Like Esther, the queen, I have put on royal apparel for an ulterior object. Did you notice that I had made myself as terrible as an army with banners?"

"I thought you were looking unusually lovely," replied the Judge gracefully. "But you are always so handsome that I suspected no guile."

Corinna laughed merrily. "But I am full of guile, dear innocent! I go forth to conquer."

"Not the Governor, I hope?"

"Oh, no, the Governor is nothing—a prize, nothing more. My antagonist is Mrs. Stribling."

"Rose Stribling?" The Judge was mildly astonished. "Why, I remember her as a little girl in white dresses."

Corinna's smile became scornful. "Well, she isn't a little girl any longer, and she oughtn't to be in white dresses."

"Dear me, dear me," rejoined the old gentleman. "I am aware that you have a dramatic temperament, but it is scarcely possible that you are jealous of little Rose. She is a good deal younger than you, if I am not mistaken—but my memory is not all that it once was."

"She is twelve years younger and at least twenty years more malicious," retorted Corinna lightly. "But those twelve years aren't as long as they were in your youth, my dear. A generation ago they would have spelt an end of my conquests; to-day they mean only new worlds to conquer."

The Judge looked perplexed. "Am I to infer from this that you have designs on the Governor? And may I inquire what use you intend to make of him after you have captured him from the enemy?"

Corinna shrugged her shoulders. "I hadn't thought of that. Release him, probably. But, whatever happens, I shall have saved him from a worse fate. For that he ought to thank me, and he will if he is reasonable."

"Few men are reasonable in captivity. Do you think, by the way, that Mrs. Stribling would like another husband, and such a husband as our friend the demagogue?"

"I think she would like a political career, and of course her only way of obtaining a career of any kind is to marry one. Though she isn't discerning, she has sense enough to perceive that. They tell me that the Governor is starting straight for the Senate, and the wife of a senator—of any senator—might have a very good time in Washington. Besides, there is always the chance of course that the winds of public folly may blow him into the White House."

"If what you say is true it would be a hard fate for an honest rogue," admitted the Judge. "In your hands he would at least go unharmed."

"Oh, unharmed certainly. Perhaps helped."

"Then it is better so. But the thing that interests me in Vetch, is not his value as a matrimonial or romantic prize; I am concerned solely and simply with his opinions."

"Well, you will have the advantage of Mrs. Stribling and me, for we shall probably find the cigars an impediment to our attack. At any rate, we ought to have a less tedious evening than you expect."

A little later, when she entered the long drawing-room where the other guests were already assembled, Corinna threw an inquiring glance in the direction of Mrs. Stribling. Could the shallow pink and white loveliness of that other woman, the historic type of the World's Desire, bear comparison with her own starry beauty? It was a petty rivalry. She had entered into it half in jest, half in irritation, yet some sportsmanlike instinct prompted her to play the game to the end. She would prove to Rose Stribling that those twelve years of knowledge and suffering had taught her not to surrender, but to conquer.

The Berkeleys were what was still known in their small social world as "quiet people." They entertained little, and always with a definite object which they were not afraid to disclose. Their house, an incongruous example of Mid-Victorian architecture, was still suffused for them with the sentimental glamour of their wedding day. The walls, untouched for years, were covered with embossed paper and panelled in yellow oak. The furniture, protected for five months of the year by covers of striped linen, was stiffly upholstered in pea-green brocade; and the pictures, hanging very high, were large but inferior oil paintings in heavily gilded frames that represented preposterous sheaves of wheat or garlands of roses. Forty years ago the house reproduced within and without "the best taste" of the period, and was as bad as the Berkeleys could afford to make it. Since then fashions had come and gone; yet the hospitable home remained as unchanged as the politics of the host or the figure of the hostess. The Berkeleys were still content to be "old-fashioned people," with the fine feeling and the indiscriminate taste of an era which had flowered not in architecture but in character, when the standard of living was high and the style in furniture correspondingly low. To-night the ten guests (the Berkeleys never gave large dinners) had been carefully chosen, and the evening would probably be distinguished by good talk and good wine. Though they were law-abiding persons to the core, the bitterness of the Eighteenth Amendment had not penetrated to the subterranean darkness where Mr. Berkeley's treasures were stored.

Mrs. Berkeley, a brisk, compact little woman, with a pretty florid face and the prominent bosom and tapering waist of forty years ago, turned from the Governor as Corinna and the Judge entered, and hurried forward in her animated way, which reminded one of the manner of a child that is trying to make a success of a dolls' party. Beyond Mr. Berkeley, a short, neutral-tinted man without emphasis of personality, Corinna saw Mrs. Stribling's tall, full figure draped in a gown of jade-coloured velvet, with a daringly short skirt from which a narrow, sharply pointed train wound like a serpent. Her heavy hair, of an unusual shade of pale gold, had the smooth, polished look of metal which had been moulded in waves close to her head. In spite of her active life and her disastrous affairs, she presented an unblemished complexion, as if her hard rosy surface were protected by some indestructible glaze. Beside her opulent attractions the frail prettiness of Alice Rokeby, who was dining out for the first time this winter, looked wistful and pathetic. Every one, except Corinna, who had been abroad at the time, knew of the old affair between Alice Rokeby and John Benham; and every one who knew of it had thought that they would be married as soon as she got her divorce. But time had dragged on; Corinna had come home again; and Alice Rokeby's violet eyes had grown deeper and more wistful, with a haunted look in them as if they were denying a hungry heart. She had never dressed well; she had never, as Mrs. Stribling remarked, known how to bring out her best points; and to-night she had been even less successful than usual. Both Corinna and Mrs. Stribling could have told her that she should have avoided violent shades; and yet she was wearing now a dress of vivid purple which made her pale rose-leaf complexion look almost sallow. Though she could exercise when she chose a strangely passive attraction, her charm usually failed in the end for lack of intelligent guidance.

A little beyond Alice Rokeby, where her eyes could follow his gestures, John Benham was talking in his pleasant subdued voice to Patty Vetch, who looked, in her frock of scarlet tulle, as if she had just alighted from the chorus of a musical comedy. Her boyish dark head was bent over a fan of scarlet feathers, a toy which appeared ridiculously large beside her small figure. It was evident that the girl was trying to cover an uncomfortable shyness with an air of mocking effrontery; and a moment later, when Corinna joined them, Benham glanced up with a flash of satirical amusement in his eyes. He was a tall thin man of middle age, with a striking appearance and the straight composed features of an early American portrait. His dark hair, brushed back from his forehead, had the shining gloss that comes of good living and careful grooming, and this gloss was reflected in his smiling gray eyes and in the healthy red of his well-cut though not quite generous mouth. He was a charming guest, an impressive speaker, a sympathetic listener; yet there had always seemed to Corinna to be a subtle deficiency in his character. It was only of late, since their friendship had turned into a warmer feeling, that she had been able to overcome that sense of something wanting which had troubled her when she was with him. She could define no quality that was absent; but the impression he still gave her at times was one of a man tremendously gifted and yet curiously inadequate. A mental thinness perhaps? An emotional dryness? Or was it merely that here also she felt, rather than perceived, the intrinsic weakness of the old order?

Beyond Benham, Gideon Vetch, rugged, sanguine, and wearing the wrong tie with his evening clothes as valiantly as he had worn the rumpled brown suit in which Stephen had last seen him, was talking in a loud voice to Miss Maria Berkeley—one of those serene single women arrayed in dove-colour who belong as appropriately as crewel work or antimacassars to another century. If Patty was shy and self-conscious, it was evident that her state of mind was not shared by her father. He was interested because he was expressing a cherished opinion, and he was talking in an emphatic tone because he hoped that he might be overheard. When Mrs. Berkeley drew him away in order to introduce him to Corinna, he resumed his theme immediately, as if he were addressing a public meeting and had scarcely noticed that there had been a change in his audience. "Miss Berkeley was asking me what I thought of the effects of prohibition," he explained presently with his smile of unguarded friendliness. How was it possible to arrest the attention of a man who insisted on talking of prohibition?

At the table a little later Corinna asked herself the question again, while she made light conversation for the retired general who had taken her in—an anecdotal, bewhiskered presence, with the husky voice and the glazed eyes of successful pomposity. Glancing occasionally at Vetch who sat on her left, she found that he was describing to Mrs. Berkeley the best protection against forest fires. As far as Corinna was concerned, she felt that she might as well have been a view from the window, or the portrait of Mr. Berkeley's great aunt that hung over the mantelpiece. He had probably, she reflected, classified her lightly as "another gray-haired woman," and passed on to Rose Stribling, who bloomed triumphantly between John Benham and Stephen Culpeper. Vetch was so different from what Corinna had expected to find him that, in some vague way, she felt disappointed and absurdly resentful. Had her imagination, she wondered, prepared her to meet one of the picturesque radicals of fiction? Had she looked for a middle-aged Felix Holt; and was this why the Governor's prosaic figure, his fresh-coloured, undistinguished face and his vehement, spectacular gestures, dispelled immediately the interest she had felt in the meeting? There were no salient points in his appearance, nothing that she could detach from the rest in her mental image of him. There was no single characteristic of which she could say: "He may be common; he may be vulgar; but he strikes the note of greatness here—and here—and here." With such a man, she felt, the direct and obvious appeal of Rose Stribling would be victorious. He could discern pink and white and blue and gold; but the indeterminate shades, the subtleties and mysteries of charm were enigmatical to him. His emotions would be as literal as his convictions or his oratory. Yet there must be some faculty in him which did not appear on the surface, some primitive grasp of realities in his understanding of men. Why should the influence of this sanguine, loud-talking demagogue, she asked herself the next minute, be greater than the influence of John Benham, who possessed every admirable trait except the ability to make people follow him? What was this fundamental difference in material or structure which divided them so completely? When she had traced it to its source would she discover the secret of Vetch's conquering personality?

Looking away from the General, her eyes rested for a moment on Stephen Culpeper, who was listening with his reserved impersonal attention to the amusing prattle of Patty Vetch. Obeying an imperative rule, Mrs. Berkeley had placed her youngest guests together; and yet, if Stephen had been seventy-five instead of twenty-six, he could sparcely have had less in common with the Governor's daughter. With her small glossy head, and her scarlet cheeks and lips above the fan of ostrich feathers, the girl reminded Corinna of a spray of Christmas holly, all dark and bright and shining. Ever since Patty's first visit to the print shop Corinna had felt a genuine liking for her. The girl had something deeper than charm, reflected the older woman; she had determination and endurance, the essentials of character. Of course she was crude, she was ignorant; but these are never insurmountable obstacles except to the dull. With intelligence and resourcefulness all things are possible—even the metamorphosis of a circus rider's daughter into a woman of the world.

Becoming suddenly aware that Vetch was silent, and that Mrs. Berkeley had turned to Judge Page on her left, Corinna looked for the first time into the frank blue eyes of the Governor. Strange eyes they were, she thought, the one striking feature in a face that was ordinary. It was like looking down into the very fountain of life—no, of humanity.