In the course of the next day I heard of seven spots; varying from a spot in Surrey "dotted with firs," to a dot in the Pacific spotted with—I forget what, natives probably. Taken together they were the seven only possible spots for a honeymoon.

"We shall have to have seven honeymoons," I said to Celia when I had told her my news. "One honeymoon, one spot."

"Wait," she said. "I have heard of an ideal spot."

"Speaking as a spot expert, I don't think that's necessarily better than an only possible spot," I objected. "Still, tell me about it."

"Well, to begin with, it's close to the sea."

"So we can bathe when we're bored. Good."

"And it's got a river, if you want to fish——"

"I don't. I should hate to catch a fish who was perhaps on his honeymoon too. Still, I like the idea of a river."

"And quite a good mountain, and lovely walks, and, in fact, everything. Except a picture-palace, luckily."

"It sounds all right," I said doubtfully. "We might just spend the next day or two thinking about my seven spots, and then I might ... possibly ... feel strong enough to write."

"Oh, I nearly forgot. I have written, Ronald."

"You have?" I cried. "Then, my dear, what else matters? It's a perfect spot." I lay back in relief. "And there, thank 'evings, is another thing settled. Bless you."

"Yes. And, by the way, there is golf quite close too. But that," she smiled, "needn't prevent us going there."

"Of course not. We shall just ignore the course."

"Perhaps, so as to be on the safe side, you'd better leave your clubs behind."

"Perhaps I'd better," I said carelessly.

All the same I don't think I will. One never knows what may happen ... and at the outset of one's matrimonial career to have to go to the expense of an entirely new set of clubs would be a most regrettable business.

IV.—SEASONABLE PRESENTS

"I suppose," I said, "it's too late to cancel this wedding now?"

"Well," said Celia, "the invitations are out, and the presents are pouring in, and mother's just ordered the most melting dress for herself that you ever saw. Besides, who's to live in the flat if we don't?"

"There's a good deal in what you say. Still, I am alarmed, seriously alarmed. Look here." I drew out a printed slip and flourished it before her.

"Not a writ? My poor Ronald!"

"Worse than that. This is the St. Miriam's bill of fare for weddings. Celia, I had no idea marriage was so expensive. I thought one rolled-gold ring would practically see it."

It was a formidable document. Starting with "full choir and organ" which came to a million pounds, and working down through "boys' voices only," and "red carpet" to "policemen for controlling traffic—per policeman, 5s.," it included altogether some two dozen ways of disposing of my savings.

"If we have the whole menu," I said, "I shall be ruined. You wouldn't like to have a ruined husband."

Celia took the list and went through it carefully.

"I might say 'Season,'" I suggested, "or 'Press.'"

"Well, to begin with," said Celia, "we needn't have a full choir."

"Need we have an organ or a choir at all? In thanking people for their kind presents you might add, 'By the way, do you sing?' Then we could arrange to have all the warblers in the front. My best man or my solicitor could give the note."

"Boys' voices only," decided Celia. "Then what about bells?"

"I should like some nice bells. If the price is 'per bell' we might give an order for five good ones."

"Let's do without bells. You see, they don't begin to ring till we've left the church, so they won't be any good to us."

This seemed to me an extraordinary line to take.

"My dear child," I remonstrated, "the whole thing is being got up not for ourselves, but for our guests. We shall be much too preoccupied to appreciate any of the good things we provide—the texture of the red carpet or the quality of the singing. I dreamt last night that I quite forgot about the wedding-ring till 1.30 on the actual day, and the only cab I could find to take me to a jeweller's was drawn by a camel. Of course, it may not turn out to be as bad as that, but it will certainly be an anxious afternoon for both of us. And so we must consider the entertainment entirely from the point of view of our guests. Whether their craving is for champagne or bells, it must be satisfied."

"I'm sure they'll be better without bells. Because when the policemen call out 'Mr. Spifkins' carriage,' Mr. Spifkins mightn't hear if there were a lot of bells clashing about."

"Very well, no bells. But, mind you," I said sternly, "I shall insist on a clergyman."

We went through the rest of the menu, course by course.

"I know what I shall do," I said at last. "I shall call on my friend the Clerk again, and I shall speak to him quite frankly. I shall say, 'Here is a cheque for a thousand pounds. It is all I can afford—and, by the way, you'd better pay it in quickly or it will be dishonoured. Can you do us up a nice wedding for a thousand inclusive?'"

"Like the Christmas hampers at the stores."

"Exactly. A dozen boys' voices, a half-dozen of bells, ten yards of awning, and twenty-four oranges, or vergers, or whatever it is. We ought to get a nice parcel for a thousand pounds."

"Or," said Celia, "we might send the list round to our friends as suggestions for wedding presents. I'm sure Jane would love to give us a couple of policemen."

"We'd much better leave the whole thing to your father. I incline more and more to the opinion that it is his business to provide the wedding. I must ask my solicitor about it."

"He's providing the bride."

"Yes, but I think he might go further. I can't help feeling that the bells would come very well from him. 'Bride's father to bridegroom—A peal of bells.' People would think it was something in silver for the hall. It would do him a lot of good in business circles."

"And that reminds me," smiled Celia, "there's been some talk about a present from Miss Popley."

I have come to the conclusion that it is impossible to get married decently unless one's life is ordered on some sort of system. Mine never has been; and the result is that I make terrible mistakes—particularly in the case of Miss Popley. At the beginning of the business, when the news got round to Miss Popley, I received from her a sweet letter of congratulation. Knowing that she was rather particular in these matters I braced myself up and thanked her heartily by return of post. Three days later, when looking for a cheque I had lost, I accidentally came across her letter. "Help, help!" I cried. "This came days ago, and I haven't answered yet." I sat down at once and thanked her enthusiastically. Another week passed and I began to feel that I must really make an effort to catch my correspondence up; so I got out all my letters of congratulation of the last ten days and devoted an afternoon to answering them. I used much the same form of thanks in all of them ... with the exception of Miss Popley's, which was phrased particularly warmly.

So much for that. But Miss Popley is Celia's dear friend also. When I made out my list of guests I included Miss Popley; so, in her list, did Celia. The result was that Miss Popley received two invitations to the wedding.... Sometimes I fear she must think we are pursuing her.

"What does she say about a present?" I asked.

"She wants us to tell her what we want."

"What are we to say? If we said an elephant——"

"With a small card tied on to his ear, and 'Best wishes from Miss Popley' on it. It would look heavenly among the other presents."

"You see what I mean, Celia. Are we to suggest something worth a thousand pounds, or something worth ninepence? It's awfully kind of her, but it makes it jolly difficult for us."

"Something that might cost anything from ninepence to a thousand pounds," suggested Celia.

"Then that washes out the elephant."

"Can't you get the ninepenny ones now?"

"I suppose," I said, reverting to the subject which most weighed on me, "she wouldn't like to give the men's voices for the choir?"

"No, I think a clock," said Celia. "A clock can cost anything you like—or don't like."

"Right-o. And perhaps we'd better settle now. When it comes, how many times shall we write and thank her for it?"

Celia considered. "Four times, I think," she said.

. . . . .

Well, as Celia says, it's too late to draw back now. But I shall be glad when it's all over. As I began by saying, there's too much "arranging" and "settling" and "fixing" about the thing for me. In the necessary negotiations and preparations I fear I have not shone. And so I shall be truly glad when we have settled down in our flat ... and Celia can restore my confidence in myself once more by talking loudly to her domestic staff about "The Master."



HOME AFFAIRS



AN INSURANCE ACT

Of course, I had always known that a medical examination was a necessary preliminary to insurance, but in my own case I had expected the thing to be the merest formality. The doctor, having seen at a glance what a fine, strong, healthy fellow I was, would look casually at my tongue, apologise for having doubted it, enquire genially what my grandfather had died of, and show me to the door. This idea of mine was fostered by the excellent testimonial which I had written myself at the Company's bidding. "Are you suffering from any constitutional disease?—No. Have you ever had gout?—No. Are you deformed?—No. Are you of strictly sober and temperate habits?—No," I mean Yes. My replies had been a model of what an Assurance Company expects. Then why the need of a doctor?

However, they insisted.

The doctor began quietly enough. He asked, as I had anticipated, after the health of my relations. I said that they were very fit; and, not to be outdone in politeness, expressed the hope that his people, too, were keeping well in this trying weather. He wondered if I drank much. I said, "Oh, well, perhaps I will," with an apologetic smile, and looked round for the sideboard. Unfortunately he did not pursue the matter....

"And now," he said, after the hundredth question, "I should like to look at your chest."

I had seen it coming for some time. In vain I had tried to turn the conversation—to lead him back to the subject of drinks or my relations. It was no good. He was evidently determined to see my chest. Nothing could move him from his resolve.

Trembling, I prepared for the encounter. What terrible disease was he going to discover?

He began by tapping me briskly all over in a series of double knocks. For the most part one double-knock at any point appeared to satisfy him, but occasionally there would be no answer and he would knock again. At one spot he knocked four times before he could make himself heard.

"This," I said to myself at the third knock, "has torn it. I shall be ploughed," and I sent an urgent message to my chest, "For 'eving's sake do something, you fool! Can't you hear the gentleman?" I suppose that roused it, for at the next knock he passed on to an adjacent spot....

"Um," he said, when he had called everywhere, "um."

"I wonder what I've done," I thought to myself. "I don't believe he likes my chest."

Without a word he got out his stethoscope and began to listen to me. As luck would have it he struck something interesting almost at once, and for what seemed hours he stood there listening and listening to it. But it was boring for me, because I really had very little to do. I could have bitten him in the neck with some ease ... or I might have licked his ear. Beyond that, nothing seemed to offer.

I moistened my lips and spoke.

"Am I dying?" I asked in a broken voice.

"Don't talk," he said. "Just breathe naturally."

"I am dying," I thought, "and he is hiding it from me." It was a terrible reflection.

"Um," he said and moved on.

By and by he went and listened behind my back. It is very bad form to listen behind a person's back. I did not tell him so, however. I wanted him to like me.

"Yes," he said. "Now cough."

"I haven't a cough," I pointed out.

"Make the noise of coughing," he said severely.

Extremely nervous, I did my celebrated imitation of a man with an irritating cough.

"H'm! h'm! h'm! h'm!"

"Yes," said the doctor. "Go on."

"He likes it," I said to myself, "and he must obviously be an excellent judge. I shall devote more time to mimicry in future. H'm! h'm! h'm!..."

The doctor came round to where I could see him again.

"Now cough like this," he said. "Honk! honk!"

I gave my celebrated imitation of a sick rhinoceros gasping out its life. It went well. I got an encore.

"Um," he said gravely, "um." He put his stethoscope away and looked earnestly at me.

"Tell me the worst," I begged. "I'm not bothering about this stupid insurance business now. That's off, of course. But—how long have I? I must put my affairs in order. Can you promise me a week?"

He said nothing. He took my wrists in his hands and pressed them. It was evident that grief over-mastered him and that he was taking a silent farewell of me. I bowed my head. Then, determined to bear my death-sentence like a man, I said firmly, "So be it," and drew myself away from him.

However, he wouldn't let me go.

"Come, come," I said to him, "you must not give way"; and I made an effort to release one of my hands, meaning to pat him encouragingly on the shoulder.

He resisted....

I realized suddenly that I had mistaken his meaning, and that he was simply feeling my pulses.

"Um," he said, "um," and continued to finger my wrists.

Clenching my teeth, and with the veins starting out on my forehead, I worked my pulses as hard as I could.

. . . . .

"Ah," he said, as I finished tying my tie; and he got up from the desk where he had been making notes of my disastrous case, and came over to me. "There is just one thing more. Sit down."

I sat down.

"Now cross your knees."

I crossed my knees. He bent over me and gave me a sharp tap below the knee with the side of his hand.

My chest may have disappointed him.... He may have disliked my back.... Possibly I was a complete failure with my pulses.... But I knew the knee-trick.

This time he should not be disappointed.

I was taking no risks. Almost before his hand reached my knee, my foot shot out and took him fairly under the chin. His face suddenly disappeared.

"I haven't got that disease," I said cheerily.



BACHELOR RELICS

"Do you happen to want," I said to Henry, "an opera hat that doesn't op? At least it only works on one side."

"No," said Henry.

"To any one who buys my opera hat for a large sum I am giving away four square yards of linoleum, a revolving book-case, two curtain rods, a pair of spring-grip dumb-bells, and an extremely patent mouse-trap."

"No," said Henry again.

"The mouse-trap," I pleaded, "is unused. That is to say, no mouse has used it yet. My mouse-trap has never been blooded."

"I don't want it myself," said Henry, "but I know a man who does."

"Henry, you know everybody. For Heaven's sake introduce me to your friend. Why does he particularly want a mouse-trap?"

"He doesn't. He wants anything that's old. Old clothes, old carpets, anything that's old he'll buy."

He seemed to be exactly the man I wanted.

"Introduce me to your fellow clubman," I said firmly.

That evening I wrote to Henry's friend, Mr. Bennett. "Dear Sir," I wrote, "if you would call upon me to-morrow I should like to show you some really old things, all genuine antiques. In particular I would call your attention to an old opera hat of exquisite workmanship and a mouse-trap of chaste and handsome design. I have also a few yards of Queen Anne linoleum of a circular pattern which I think will please you. My James the First spring-grip dumb-bells and Louis Quatorze curtain-rods are well known to connoisseurs. A genuine old cork bedroom suite, comprising one bath-mat, will also be included in the sale. Yours faithfully."

On second thoughts I tore the letter up and sent Mr. Bennett a postcard asking him to favour the undersigned with a call at 10.30 prompt. And at 10.30 prompt he came.

I had expected to see a bearded patriarch with a hooked nose and three hats on his head, but Mr. Bennett turned out to be a very spruce gentleman, wearing (I was sorry to see) much better clothes than the opera hat I proposed to sell him. He became businesslike at once.

"Just tell me what you want to sell," he said, whipping out a pocket-book, "and I'll make a note of it. I take anything."

I looked round my spacious apartment and wondered what to begin with.

"The revolving book-case," I announced.

"I'm afraid there's very little sale for revolving book-cases now," he said, as he made a note of it.

"As a matter of fact," I pointed out, "this one doesn't revolve. It got stuck some years ago."

He didn't seem to think that this would increase the rush, but he made a note of it.

"Then the writing-desk."

"The what?"

"The Georgian bureau. A copy of an old twentieth-century escritoire."

"Walnut?" he said, tapping it.

"Possibly. The value of this Georgian writing-desk, however, lies not in the wood but in the literary associations."

"Ah! My customers don't bother much about that, but still—whose was it?"

"Mine," I said with dignity, placing my hand in the breast pocket of my coat. "I have written many charming things at that desk. My 'Ode to a Bell-push,' my 'Thoughts on Asia,' my——"

"Anything else in this room?" said Mr. Bennett. "Carpet, curtains——"

"Nothing else," I said coldly.

We went into the bedroom and, gazing on the linoleum, my enthusiasm returned to me.

"The linoleum," I said, with a wave of the hand.

"Very much worn," said Mr. Bennett.

I called his attention to the piece under the bed.

"Not under there," I said. "I never walk on that piece. It's as good as new."

He made a note. "What else?" he said.

I showed him round the collection. He saw the Louis Quatorze curtain-rods, the cork bedroom suite, the Caesarian nail-brush (quite bald), the antique shaving-mirror with genuine crack—he saw it all. And then we went back into the other rooms and found some more things for him.

"Yes," he said, consulting his note-book. "And now how would you like me to buy these?"

"At a large price," I said. "If you have brought your cheque-book I'll lend you a pen."

"You want me to make you an offer? Otherwise I should sell them by auction for you, deducting ten per cent commission."

"Not by auction," I said impulsively. "I couldn't bear to know how much, or rather how little, my Georgian bureau fetched. It was there, as I think I told you, that I wrote my Guide to the Round Pond. Give me an inclusive price for the lot, and never, never let me know the details."

He named an inclusive price. It was something under a hundred and fifty pounds. I shouldn't have minded that if it had only been a little over ten pounds. But it wasn't.

"Right," I agreed. "And, oh, I was nearly forgetting. There's an old opera hat of exquisite workmanship, which——"

"Ah, now, clothes had much better be sold by auction. Make a pile of all you don't want and I'll send round a sack for them. I have an auction sale every Wednesday."

"Very well. Send round to-morrow. And you might—er—also send round a—er—cheque for—quite so. Well, then, good morning."

When he had gone I went into my bedroom and made a pile of my opera hat. It didn't look very impressive—hardly worth having a sack specially sent round for it. To keep it company I collected an assortment of clothes. It pained me to break up my wardrobe in this way, but I wanted the bidding for my opera hat to be brisk, and a few preliminary suits would warm the public up. Altogether it was a goodly pile when it was done. The opera hat perched on the top, half of it only at work.

. . . . .

To-day I received from Mr. Bennett a cheque, a catalogue, and an account. The catalogue was marked "Lots 172-179." Somehow I felt that my opera hat would be Lot 176. I turned to it in the account.

"Lot 176—Six shillings."

"It did well," I said. "Perhaps in my heart of hearts I hoped for seven and sixpence, but six shillings—yes, it was a good hat."

And then I turned to the catalogue.

"Lot 176—Frock-coat and vest, dress-coat and vest, ditto, pair of trousers and opera hat."

"And opera hat." Well, well. At least it had the position of honour at the end. My opera hat was starred.



LORDS TEMPORAL

We have eight clocks, called after the kind people who gave them to us. Let me introduce you: William, Edward, Muriel, Enid, Alphonse, Percy, Henrietta, and John—a large family.

"But how convenient," said Celia. "Exactly one for each room."

"Or two in each corner of the drawing-room. I don't suggest it; I just throw out the idea."

"Which is rejected. How shall we arrange which goes into which room? Let's pick up. I take William for the drawing-room; you take John for your workroom; I take——"

"Not John," I said gently. John is—— John overdoes it a trifle. There is too much of John; and he exposes his inside—which is not quite nice.

"Well, whichever you like. Come on, let's begin. William."

As it happened, I particularly wanted William. He has an absolutely noiseless tick, such as is suitable to a room in which work is to be done. I explained this to Celia.

"What you want for the drawing-room," I went on, "is a clock which ticks ostentatiously, so that your visitors may be reminded of the flight of time. Edward is a very loud breather. No guest could fail to notice Edward."

"William," said Celia firmly.

"William has a very delicate interior," I pleaded. "You could never attend to him properly. I have been thinking of William ever since we had him, and I feel that I understand his case."

"Very well," said Celia, with sudden generosity; "Edward. You have William; I have Alphonse for the dining-room; you have John for your bedroom; I have Enid for mine; you——"

"Not John," I said gently. To be frank, John is improper.

"Well, Percy, then."

"Yes, Percy. He is young and fair. He shall sit on the chest of drawers and sing to my sock-suspenders."

"Then Henrietta had better go in the spare room, and Muriel in Jane's."

"Muriel is much too good for Jane," I protested. "Besides, a servant wants an alarm clock to get her up in the morning."

"You forget that Muriel cuckoos. At six o'clock she will cuckoo exactly six times, and at the sixth 'oo' Jane brisks out of bed."

I still felt a little doubtful, because the early morning is a bad time for counting cuckoos, and I didn't see why Jane shouldn't brisk out at the seventh "oo" by mistake one day. However, Jane is in Celia's department, and if Celia was satisfied I was. Besides, the only other place for Muriel was the bathroom; and there is something about a cuckoo-clock in a bathroom which—well, one wants to be educated up to it.

"And that," said Celia gladly, "leaves the kitchen for John." John, as I think I have said, displays his inside in a lamentable way. There is too much of John.

"If Jane doesn't mind," I added. "She may have been strictly brought up."

"She'll love him. John lacks reserve, but he is a good time-keeper."

And so our eight friends were settled. But, alas, not for long. Our discussion had taken place on the eve of Jane's arrival; and when she turned up next day she brought with her, to our horror, a clock of her own—called, I think, Mother. At any rate, she was fond of it and refused to throw it away.

"And it's got an alarm, so it goes in her bedroom," said Celia, "and Muriel goes into the kitchen. Jane loves it, because she comes from the country, and the cuckoo reminds her of home. That still leaves John eating his head off."

"And, moreover, showing people what happens to it," I added severely. (I think I have already mentioned John's foible.)

"Well, there's only one thing for it; he must go under the spare-room bed."

I tried to imagine John under the spare-room bed.

"Suppose," I said, "we had a nervous visitor ... and she looked under the bed before getting into it ... and saw John.... It is a terrible thought, Celia."

However, that is where he is. It is a lonely life for him, but we shall wind him up every week, and he will think that he is being of service to us. Indeed, he probably imagines that our guests prefer to sleep under the bed.

Now, with John at last arranged for, our family should have been happy; but three days ago I discovered that it was William who was going to be the real trouble. To think of William, the pride of the flock, betraying us!

As you may remember, William lives with me. He presides over the room we call "the library" to visitors and "the master's room" to Jane. He smiles at me when I work. Ordinarily, when I want to know the time, I look at my watch; but the other morning I happened to glance at William. He said "twenty minutes past seven." As I am never at work as early as that, and as my watch said eleven-thirty, I guessed at once that William had stopped. In the evening—having by that time found the key—I went to wind him up. To my surprise he said "six-twenty-five." I put my ear to his chest and heard his gentle breathing. He was alive and going well. With a murmured apology I set him to the right time ... and by the morning he was three-quarters of an hour fast.

Unlike John, William is reticent to a degree. With great difficulty I found my way to his insides, and then found that he had practically none to speak of at all. Certainly he had no regulator.

"What shall we do?" I asked Celia.

"Leave him. And then, when you bring your guests in for a smoke, you can say, 'Oh, don't go yet; this clock is five hours and twenty-three minutes fast.'"

"Or six hours and thirty-seven minutes slow. I wonder which would sound better. Anyhow, he is much too beautiful to go under a bed."

So we are leaving him. And when I am in the mood for beauty I look at William's mahogany sides and am soothed into slumber again ... and when I want to adjust my watch (which always loses a little), I creep under the spare-room bed and consult John. John alone of all our family keeps the correct time, and it is a pity that he alone must live in retirement.



THE MISSING CARD

What I say is this: A man has his own work to do. He slaves at the office all day, earning a living for those dependent on him, and when he comes home he may reasonably expect not to be bothered with domestic business. I am sure you will agree with me. And you would go on to say, would you not, that, anyhow, the insuring of his servants might safely be left to his wife? Of course you would! Thank you very much.

I first spoke to Celia about the insuring of the staff some weeks ago. Our staff consists of Jane Parsons the cook, the first parlourmaid (Jane) and Parsons the upper housemaid. We call them collectively Jane.

"By the way," I said to Celia, "I suppose Jane is insured all right?"

"I was going to see about it to-morrow," said Celia.

I looked at her in surprise. It was just the sort of thing I might have said myself.

"I hope she won't be unkind about it," I went on. "If she objects to paying her share, tell her I am related to a solicitor. If she still objects, er—tell her we'll pay it ourselves."

"I think it will be all right. Fortunately, she has no head for figures."

This is true. Jane is an excellent cook, and well worth the L75 a year or whatever it is we pay her; but arithmetic gives her a headache. When Celia has finished dividing L75 by twelve, Jane is in a state of complete nervous exhaustion, and is only too thankful to take the nine-and-sixpence that Celia hands over to her, without asking any questions. Indeed, anything that the Government wished deducted from Jane's wages we could deduct with a minimum of friction—from income-tax to a dog-licence. A threepenny insurance would be child's play.

Three weeks later I said to Celia—

"Has an inspector been to see Jane's card yet?"

"Jane's card?" she asked blankly.

"The insurance card with the pretty stamps on."

"No.... No.... Luckily."

"You mean——"

"I was going to see about it to-morrow," said Celia.

I got up and paced the floor. "Really," I murmured, "really." I tried the various chairs in the room, and finally went and stood with my back to the fire-place. In short, I behaved like a justly incensed master-of-the-house.

"You know what happens," I said, when I was calm again, "if we neglect this duty which Parliament has laid upon us?"

"No."

"We go to prison. At least, one of us does. I'm not quite sure which."

"I hope it's you," said Celia.

"As a matter of fact I believe it is. However, we shall know when the inspector comes round."

"If it's you," she went on, "I shall send you in a file, with which you can cut through your chains and escape. It will be concealed in a loaf of bread, so that your gaolers shan't suspect."

"Probably I shouldn't suspect either, until I had bitten on it suddenly. Perhaps you'd better not bother. It would be simpler if you got Jane's card to-morrow instead."

"But of course I will. That is to say, I'll tell Jane to get it herself. It's her cinema evening out."

Once a week Jane leaves us and goes to a cinema. Her life is full of variety.

Ten days elapsed, and then one evening I said—— At least I didn't. Before I could get it out Celia interrupted:

"No, not yet. You see, there's been a hitch."

I curbed my anger and spoke calmly.

"What sort of a hitch?"

"Well, Jane forgot last Wednesday, and I forgot to remind her this Wednesday. But next Wednesday——"

"Why don't you do it yourself?"

"Well, if you'll tell me what to do I'll do it."

"Well—er—you just—you—I mean—well, they'll tell you at the post-office."

"That's exactly how I keep explaining it to Jane," said Celia.

I looked at her mournfully.

"What shall we do?" I asked. "I feel quite hopeless about it. It seems too late now to do anything with Jane. Let's get a new staff and begin again properly."

"Lose Jane?" cried Celia. "I'd sooner go to prison—I mean I'd sooner you went to prison. Why can't you be a man and do something?"

Celia doesn't seem to realize that I married her with the sole idea of getting free of all this sort of bother. As it is, I nearly die once a year in the attempt to fill up my income-tax form. Any traffic in insurance cards would, my doctor says, be absolutely fatal.

However, something had to be done. Last week I went into a neighbouring post-office in order to send a telegram. The post-office is an annexe of the grocer's where the sardines come from on Jane's cinema evening. Having sent the telegram, I took a sudden desperate resolve. I—I myself—would do something.

"I want," I said bravely, "an insurance stamp."

"Sixpenny or sevenpenny?" said the girl, trying to put me off my balance at the very beginning.

"What's the difference?" I asked. "You needn't say a penny, because that is obvious."

However, she had no wish to be funny.

"Sevenpenny for men-servants, sixpenny for women," she explained.

I wasn't going to give away our domestic arrangements to so near a neighbour.

"Three sixpenny and four sevenpenny," I said casually, flicking the dust off my shoes with a handkerchief. "Tut, tut, I was forgetting Thomas," I added. "Five sevenpenny."

I took the stamps home and showered them on Celia.

"You see," I said, "it's not really difficult."

"Oh, you angel! What do I do with them?"

"Stick them on Jane," I said grandly. "Dot them about the house. Stamp your letters with them—I can always get you plenty more."

"Didn't you get a card too?"

"N-no. No, I didn't. The fact is, it's your turn now, Celia. You get the card."

"Oh, all right. I—er—suppose you just ask for a—a card?"

"I suppose so. And—er—choose a doctor, and—er—decide on an approved society, and—er—explain why it is you hadn't got a card before, and—er—— Well, anyhow, it's your turn now, Celia."

"It's really still Jane's turn," said Celia, "only she's so stupid about it."

But she turned out to be not so stupid as we thought. For yesterday there came a ring at the bell. Feeling instinctively that it was the inspector, Celia and I got behind the sofa ... and emerged some minutes later to find Jane alone in the room.

"Somebody come to see about an insurance card or something," she said. "I said you were both out, and would he come to-morrow."

Technically I suppose we were both out. That is, we were not receiving.

"Thank you, Jane," I said stiffly. I turned to Celia. "There you are," I said. "To-morrow something must be done."

"I always said I'd do it to-morrow," said Celia.



SILVER LININGS

"We want some more coal," said Celia suddenly at breakfast.

"Sorry," I said, engrossed in my paper, and I passed her the marmalade.

"More coal," she repeated.

I pushed across the toast.

Celia sighed and held up her hand.

"Please may I speak to you a moment?" she said, trying to snap her fingers. "Good; I've caught his eye. We want——"

"I'm awfully sorry. What is it?"

"We want some more coal. Never mind this once whether Inman beat Hobbs or not. Just help me."

"Celia, you've been reading the paper," I said in surprise. "I thought you only read the feuill—the serial story. How did you know Inman was playing Hobbs?"

"Well, Poulton or Carpentier or whoever it is. Look here, we're out of coal. What shall I do?"

"That's easy. Order some more. What do you do when you're out of nutmegs?"

"It depends if the nutmeg porters are striking."

"Striking! Good heavens, I never thought about that." I glanced hastily down the headlines of my paper. "Celia, this is serious. I shall have to think about this seriously. Will you order a fire in the library? I shall retire to the library and think this over."

"You can retire to the library, but you can't have a fire there. There's only just enough for the kitchen for two days."

"Then come and chaperon me in the kitchen. Don't leave me alone with Jane. You and I and Jane will assemble round the oven and discuss the matter. B-r-r-r. It's cold."

"Not the kitchen. I'll assemble with you round the electric light somewhere. Come on."

We went into the library and rallied round a wax vesta. It was a terribly cold morning.

"I can't think like this," I said, after fifteen seconds' reflection. "I'm going to the office. There's a fire there, anyway."

"You wouldn't like a nice secretary," said Celia timidly, "or an office girl, or somebody to lick the stamps?"

"I should never do any work if you came," I said, looking at her thoughtfully. "Do come."

"No, I shall be all right. I've got shopping to do this morning, and I'm going out to lunch, and I can pay some calls afterwards."

"Right. And you might find out what other people are doing, the people you call on. And—er—if you should be left alone in the drawing-room a moment ... and the coal-box is at all adjacent.... You'll have your muff with you, you see, and—— Well, I leave that to you. Do what you can."

I had a good day at the office and have never been so loth to leave. I always felt I should get to like my work some time. I arrived home again about six. Celia was a trifle later, and I met her on the mat as she came in.

"Any luck?" I asked eagerly, feeling in her muff. "Dash it, Celia, there are nothing but hands here. Do you mean to say you didn't pick up anything at all?"

"Only information," she said, leading the way into the drawing-room. "Hallo, what's this? A fire!"

"A small involuntary contribution from the office. I brought it home under my hat. Well, what's the news?"

"That if we want any coal we shall have to fetch it ourselves. And we can get it in small amounts from greengrocers. Why greengrocers, I don't know."

"I suppose they have to have fires to force the cabbages. But what about the striking coal porters? If you do their job, won't they picket you or pickaxe you or something?"

"Oh, of course, I should hate to go alone. But I shall be all right if you come with me."

Celia's faith in me is very touching. I am not quite so confident about myself. No doubt I could protect her easily against five or six great brawny hulking porters ... armed with coal-hammers ... but I am seriously doubtful whether a dozen or so, aided with a little luck, mightn't get the better of me.

"Don't let us be rash," I said thoughtfully. "Don't let us infuriate them."

"You aren't afraid of a striker?" asked Celia in amazement.

"Of an ordinary striker, no. In a strike of bank-clerks, or—or chess-players, or professional skeletons, I should be a lion among the blacklegs; but there is something about the very word coal porter which—— You know, I really think this is a case where the British Army might help us. We have been very good to it."

The British Army, I should explain, has been walking out with Jane lately. When we go away for week-ends we let the British Army drop in to supper. Luckily it neither smokes nor drinks nor takes any great interest in books. It is a great relief, on your week-ends in the country, to know that the British Army is dropping in to supper, when otherwise you might only have suspected it. I may say that we are rather hoping to get a position in the Army Recruiting film on the strength of this hospitality.

"Let the British Army go," I said. "We've been very kind to him."

"I fancy Jane has left the service. I don't know why."

"Probably they quarrelled because she gave him caviare two nights running," I said. "Well, I suppose I shall have to go. But it will be no place for women. To-morrow afternoon I will sally forth alone to do it. But," I added, "I shall probably return with two coal porters clinging round my neck. Order tea for three."

Next evening, after a warm and busy day at the office, I put on my top-hat and tail-coat and went out. If there was any accident I was determined to be described in the papers as "the body of a well-dressed man"; to go down to history as "the remains of a shabbily dressed individual" would be too depressing. Beautifully clothed, I jumped into a taxi and drove to Celia's greengrocer. Celia herself was keeping warm by paying still more calls.

"I want," I said nervously, "a hundredweight of coal and a cauliflower." This was my own idea. I intended to place the cauliflower on the top of a sack, and so to deceive any too-inquisitive coal porter. "No, no," I should say, "not coal; nice cauliflowers for Sunday's dinner."

"Can't deliver the coal," said the greengrocer.

"I'm going to take it with me," I explained.

He went round to a yard at the back. I motioned my taxi along and followed him at the head of three small boys who had never seen a top-hat and a cauliflower so close together. We got the sack into position.

"Come, come," I said to the driver, "haven't you ever seen a dressing-case before? Give us a hand with it or I shall miss my train and be late for dinner."

He grinned and gave a hand. I paid the greengrocer, pressed the cauliflower into the hand of the smallest boy, and drove off....

It was absurdly easy.

There was no gore at all.

. . . . .

"There!" I said to Celia when she came back. "And when that's done I'll get you some more."

"Hooray! And yet," she went on, "I'm almost sorry. You see, I was working off my calls so nicely, and you'd been having some quite busy days at the office, hadn't you?"



THE ORDER OF THE BATH

"We must really do something about the bath," said Celia.

"We must," I agreed.

At present what we do is this. Punctually at six-thirty or nine, or whenever it is, Celia goes in to make herself clean and beautiful for the new day, while I amuse myself with a razor. After a quarter of an hour or so she gives a whistle to imply that the bathroom is now vacant, and I give another one to indicate that I have only cut myself once. I then go hopefully in and find that the bath is half full of water; whereupon I go back to my room and engage in Dr. Hugh de Selincourt's physical exercises for the middle-aged. After these are over I take another look at the bath, discover that it is now three-eighths full, and return to my room and busy myself with Dr. Archibald Marshall's mental drill for busy men. By the time I have committed three Odes of Horace to memory, it may be low tide or it may not; if not, I sit on the edge of the bath with the daily paper and read about the latest strike—my mind occupied equally with wondering when the water is going out and when the bricklayers are. And the thought that Celia is now in the dining-room eating more than her share of the toast does not console me in the least.

"Yes," I said, "it's absurd to go on like this. You had better see about it to-day, Celia."

"I don't think—I mean, I think—you know, it's really your turn to do something for the bathroom."

"What do you mean, my turn? Didn't I buy the glass shelves for it? You'd never even heard of glass shelves."

"Well, who put them up after they'd been lying about for a month?" said Celia. "I did."

"And who bumped his head against them the next day? I did."

"Yes, but that wasn't really a useful thing to do. It's your turn to be useful."

"Celia, this is mutiny. All household matters are supposed to be looked after by you. I do the brain work; I earn the money; I cannot be bothered with these little domestic worries. I have said so before."

"I sort of thought you had."

You know, I am afraid that is true.

"After all," she went on, "the drinks are in your department."

"Hock, perhaps," I said; "soapy water, no. There is a difference."

"Not very much," said Celia.

By the end of another week I was getting seriously alarmed. I began to fear that unless I watched it very carefully I should be improving myself too much.

"While the water was running out this morning," I said to Celia, as I started my breakfast just about lunch-time, "I got Paradise Lost off by heart, and made five hundred and ninety-six revolutions with the back paws. And then it was time to shave myself again. What a life for a busy man!"

"I don't know if you know that it's no——"

"Begin again," I said.

"—that it's no good waiting for the last inch or two to go out by itself. Because it won't. You have to—to hoosh it out."

"I do. And I sit on the taps looking like a full moon and try to draw it out. But it's no good. We had a neap tide to-day and I had to hoosh four inches. Jolly."

Celia gave a sigh of resignation.

"All right," she said, "I'll go to the plumber to-day."

"Not the plumber," I begged. "On the contrary. The plumber is the man who stops the leaks. What we really want is an unplumber."

We fell into silence again.

"But how silly we are!" cried Celia suddenly. "Of course!"

"What's the matter now?"

"The bath is the landlord's business! Write and tell him."

"But—but what shall I say?" Somehow I knew Celia would put it on to me.

"Why, just—say. When you're paying the rent, you know."

"I—I see."

I retired to the library and thought it out. I hate writing business letters. The result is a mixture of formality and chattiness which seems to me all wrong.

My first letter to the landlord went like this:—

"DEAR SIR,—I enclose cheque in payment of last quarter's rent. Our bath won't run out properly. Yours faithfully."

It is difficult to say just what is wrong with that letter, and yet it is obvious that something has happened to it. It isn't right. I tried again.

"DEAR SIR,—Enclosed please find cheque in payment of enclosed account. I must ask you either to enlarge the exit to our bath or to supply an emergency door. At present my morning and evening baths are in serious danger of clashing. Yours faithfully."

My third attempt had more sting in it:—

"DEAR SIR,—Unless you do something to our bath I cannot send you enclosed cheque in payment of enclosed account. Otherwise I would have. Yours faithfully."

At this point I whistled to Celia and laid the letters before her.

"You see what it is," I said. "I'm not quite getting the note."

"But you're so abrupt," she said. "You must remember that this is all coming quite as a surprise to him. You want to lead up to it more gradually."

"Ah, perhaps you're right. Let's try again."

I tried again, with this result:—

"DEAR SIR,—In sending you a cheque in payment of last quarter's rent I feel I must tell you how comfortable we are here. The only inconvenience—and it is indeed a trifling one, dear Sir—which we have experienced is in connection with the bathroom. Elegantly appointed and spacious as this room is, commodious as we find the actual bath itself, yet we feel that in the matter of the waste-pipe the high standard of efficiency so discernible elsewhere is sadly lacking. Were I alone I should not complain; but unfortunately there are two of us; and, for the second one, the weariness of waiting while the waters of the first bath exude drop by drop is almost more than can be borne. I speak with knowledge, for it is I who——"

I tore the letter up and turned to Celia.

"I'm a fool," I said. "I've just thought of something which will save me all this rotten business every morning."

"I'm so glad. What is it?"

"Why, of course—in future I will go to the bath first."

And I do. It is a ridiculously simple solution, and I cannot think why it never occurred to me before.



A TRUNK CALL

Last Wednesday, being the anniversary of the Wednesday before, Celia gave me a present of a door-knocker. The knocker was in the shape of an elephant's head (not life-size); and by bumping the animal's trunk against his chin you could produce a small brass noise.

"It's for the library," she explained eagerly. "You're going to work there this morning, aren't you?"

"Yes, I shall be very busy," I said in my busy voice.

"Well, just put it up before you start, and then if I have to interrupt you for anything important, I can knock with it. Do say you love it."

"It's a dear, and so are you. Come along, let's put it up."

I got a small screw-driver, and with very little loss of blood managed to screw it into the door. Some people are born screwists, some are not. I am one of the nots.

"It's rather sideways," said Celia doubtfully.

"Osso erry," I said.

"What?"

I took my knuckle from my mouth.

"Not so very," I repeated.

"I wish it had been straight."

"So do I; but it's too late now. You have to leave these things very largely to the screw-driver. Besides, elephants often do have their heads sideways; I've noticed it at the Zoo."

"Well, never mind. I think it's very clever of you to do it at all. Now then, you go in, and I'll knock and see if you hear."

I went in and shut the door, Celia remaining outside. After five seconds, having heard nothing, but not wishing to disappoint her, I said, "Come in," in the voice of one who has been suddenly disturbed by a loud "rat-tat."

"I haven't knocked yet," said Celia from the other side of the door.

"Why not?"

"I was admiring him. He is jolly. Do come and look at him again."

I went out and looked at him again. He really gave an air to the library door.

"His face is rather dirty," said Celia. "I think he wants some brass polish and a—and a bun."

She ran off to the kitchen. I remained behind with Jumbo and had a little practice. The knock was not altogether convincing, owing to the fact that his chin was too receding for his trunk to get at it properly. I could hear it quite easily on my own side of the door, but I felt rather doubtful whether the sound would penetrate into the room. The natural noise of the elephant—roar, bark, whistle, or whatever it is—I have never heard, but I am told it is very terrible to denizens of the jungle. Jumbo's cry would not have alarmed an ant.

Celia came back with flannels and things and washed Jumbo's face.

"There!" she said. "Now his mother would love him again." Very confidently she propelled his trunk against his chin and added, "Come in."

"You can hear it quite plainly," I said quickly.

"It doesn't re—rever—reverberate—is that the word?" said Celia, "but it's quite a distinctive noise. I'm sure you'd hear it."

"I'm sure I should. Let's try."

"Not now. I'll try later on, when you aren't expecting it. Besides, you must begin your work. Good-bye. Work hard." She pushed me in and shut the door.

I began to work.

I work best on the sofa; I think most clearly in what appears to the hasty observer to be an attitude of rest. But I am not sure that Celia really understands this yet. Accordingly, when a knock comes at the door I jump to my feet, ruffle my hair, and stride up and down the room with one hand on my brow. "Come in," I call impatiently, and Celia finds me absolutely in the throes. If there should chance to be a second knock later on, I make a sprint for the writing-desk, seize pen and paper, upset the ink or not as it happens, and present to any one coming in at the door the most thoroughly engrossed back in London.

But that was in the good old days of knuckle-knocking. On this particular morning I had hardly written more than a couple of thousand words—I mean I had hardly got the cushions at the back of my head comfortably settled when Celia came in.

"Well?" she said eagerly.

I struggled out of the sofa.

"What is it?" I asked sternly.

"Did you hear it all right?"

"I didn't hear anything."

"Oh!" she said in great disappointment. "But perhaps you were asleep," she went on hopefully.

"Certainly not. I was working."

"Did I interrupt you?"

"You did rather; but it doesn't matter."

"Oh, well, I won't do it again—unless I really have to. Good-bye, and good luck."

She went out and I returned to my sofa. After an hour or so my mind began to get to work, and I got up and walked slowly up and down the room. The gentle exercise seemed to stimulate me. Seeing my new putter in the corner of the room, I took it up (my brain full of other things) and, dropping a golf ball on the carpet, began to practise. After five or ten minutes, my ideas being now quite clear, I was just about to substitute the pen for the putter when Celia came in.

"Oh!" she said. "Are—are you busy?"

I turned round from a difficult putt with the club in my hand.

"Very," I said. "What is it?"

"I don't want to disturb you if you're working——"

"I am."

"But I just wondered if you—if you liked artichokes."

I looked at her coldly.

"I will fill in your confession book another time," I said stiffly, and I sat down with dignity at my desk and dipped the putter in the ink.

"It's for dinner to-night," said Celia persuasively. "Do say. Because I don't want to eat them all by myself."

I saw that I should have to humour her.

"If it's a Jerusalem artichoke you mean, yes," I said; "the other sort, no. J. Arthur Choke I love."

"Right-o. Sorry for interrupting." And then as she went to the door, "You did hear Jumbo this time, didn't you?"

"I believe that's the only reason you came in for."

"Well, one of them."

"Are you coming in again?"

"Don't know," she smiled. "Depends if I can think of an excuse."

"Right," I said. "In that case——"

There was nothing else for it; I took up my pen and began to work.

But I have a suggestion to make to Celia. At present, although Jumbo is really mine, she is having all the fun with him. And as long as Jumbo is on the outside of the door there can never rise an occasion when I should want to use him. My idea is that I should unscrew Jumbo and put him on the inside of the door, so that I can knock when I come out.

And then when Celia wants to come in she will warn me in the old-fashioned way with her knuckles ... and I shall have time to do something about it.



OTHER PEOPLE'S HOUSES



THE PARTING GUEST

When nice people ask me to their houses for the week-end, I reply that I shall be delighted to come, but that pressure of work will prevent my staying beyond Tuesday. Sometimes, in spite of this, they try to kick me out on the Monday; and if I find that they are serious about it I may possibly consent to go by an evening train. In any case, it always seems to me a pity to have to leave a house just as you are beginning to know your way to the bathroom.

"Is the 9.25 too early for you?" said Charles on Sunday night a propos of nothing that I had said.

"Not if it's in the evening," I answered.

"It's in the morning."

"Then it's much too early. I never travel before breakfast. But why do you ask?"

"Well, I've got to ride over to Newtown to-morrow——"

"To-morrow?" I said in surprise. "Aren't we talking about Tuesday?"

It appeared that we weren't. It also came out that Charles and his wife, not anticipating the pleasure of my company beyond Monday, had arranged to ride over the downs to Newtown to inspect a horse. They would not be back until the evening.

"But that's all right, Charles," I said. "If you have a spare horse, a steady one which doesn't wobble when it canters, I will ride with you."

"There's only the old pony," said Charles, "and he will be wanted to drive you to the station."

"Not until Tuesday," I pointed out.

Charles ignored this remark altogether.

"You couldn't ride Joseph, anyway," he said.

"Then I might run beside you, holding on to your stirrup. My ancestors always went into battle like that. We are still good runners."

Charles turned over some more pages of his timetable.

"There is a 10.41," he announced.

"Just when I shall be getting to like you," I sighed.

"Molly and I have to be off by ten. If you caught the 10.41, you would want to leave here by a quarter past."

"I shouldn't want to leave," I said reproachfully; "I should go with the greatest regret."

"The 9.25, of course, gets you up to town much earlier."

"Some such idea, no doubt, would account for its starting before the 10.41. What have you at about 4.30?"

"If you don't mind changing at Plimton, there's a 10.5——"

I got up and lit my candle.

"Let's wait till to-morrow and see what the weather's like," I said sleepily. "I am not a proud man, but after what you've said, and if it's at all wet, I may actually be glad to catch an early train." And I marched upstairs to bed.

However, a wonderful blue sky next morning made any talk of London utterly offensive. My host and hostess had finished breakfast by the time I got down, and I was just beginning my own when the sound of the horses on the gravel brought me out.

"I'm sorry we've got to dash off like this," said Mrs. Charles, smiling at me from the back of Pompey. "Don't you be in any hurry to go. There are plenty of trains."

"Thank you. It would be a shame to leave the country on a morning like this, wouldn't it? I shall take a stroll over the hills before lunch, and sit about in the garden in the afternoon. There's a train at five, I think."

"We shan't be back by then, I'm afraid, so this will be good-bye."

I made my farewells, and Pompey, who was rather fresh, went off sideways down the drive. This left me alone with Charles.

"Good-bye, Charles," I said, patting him with one hand and his horse with the other. "Don't you bother about me. I shall be quite happy by myself."

He looked at me with a curious smile and was apparently about to say something, when Caesar suddenly caught sight of my stockings. These, though in reality perfectly tasteful, might well come as a surprise to a young horse, and Caesar bolted down the drive to tell Pompey about it. I waved to them all from the distance and returned to my breakfast.

After breakfast I lit a pipe and strolled outside. As I stood at the door drinking in the beauty of the morning I was the victim of a curious illusion. It seemed to me that outside the front door was the pony-cart—Joseph in the shafts, the gardener's boy holding the reins, and by the side of the boy my bag!

"We'll only just have time, sir," said the boy.

"But—but I'm going by the five train," I stammered.

"Well, sir, I shall be over at Newtown this afternoon—with the cart."

I did not like to ask him why, but I thought I knew. It was, I told myself, to fetch back the horse which Charles was going over to inspect, the horse to which I had to give up my room that night.

"Very well," I said. "Take the bag now and leave it in the cloak-room. I'll walk in later." What the etiquette was when your host gave you a hint by sending your bag to the station and going away himself, I did not know. But however many bags he packed and however many horses he inspected, I was not to be moved till the five o'clock train.

Half an hour after my bag was gone I made a discovery. It was that, when I started walking to the five o'clock train, I should have to start in pumps....

. . . . .

"My dear Charles," I wrote that night, "it was delightful to see you this week-end, and I only wish I could have stayed with you longer, but, as you know, I had to dash up to town by the five train to inspect a mule. I am sorry to say that a slight accident happened just before I left you. In the general way, when I catch an afternoon train, I like to pack my bag overnight, but on this occasion I did not begin until nine in the morning. This only left me eight hours, and the result was that in my hurry I packed my shoes by mistake, and had to borrow a pair of yours in which to walk to the station. I will bring them down with me next time I come."

I may say that they are unusually good shoes, and if Charles doesn't want me he must at least want them. So I am expecting another invitation by every post. When it arrives I shall reply that I shall be delighted to come, but that, alas! pressure of work will prevent my staying beyond Tuesday.



THE LANDSCAPE GARDENER

Really I know nothing about flowers. By a bit of luck, James, my gardener, whom I pay half a crown a week for combing the beds, knows nothing about them either; so my ignorance remains undiscovered. But in other people's gardens I have to make something of an effort to keep up appearances. Without flattering myself I may say that I have acquired a certain manner; I give the impression of the garden lover, or the man with shares in a seed company, or—or something.

For instance, at Creek Cottage, Mrs. Atherley will say to me, "That's an Amphilobertus Gemini," pointing to something which I hadn't noticed behind a rake.

"I am not a bit surprised," I say calmly.

"And a Gladiophinium Banksii next to it."

"I suspected it," I confess in a hoarse whisper.

Towards flowers whose names I know I adopt a different tone.

"Aren't you surprised to see daffodils out so early?" says Mrs. Atherley with pride.

"There are lots out in London," I mention casually. "In the shops."

"So there are grapes," says Miss Atherley.

"I was not talking about grapes," I reply stiffly.

However, at Creek Cottage just now I can afford to be natural; for it is not gardening which comes under discussion these days, but landscape-gardening, and any one can be an authority on that. The Atherleys, fired by my tales of Sandringham, Chatsworth, Arundel, and other places where I am constantly spending the week-end, are readjusting their two-acre field. In future it will not be called "the garden," but "the grounds."

I was privileged to be shown over the grounds on my last visit to Creek Cottage.

"Here," said Mrs. Atherley, "we are having a plantation. It will keep the wind off; and we shall often sit here in the early days of summer. That's a weeping ash in the middle. There's another one over there. They'll be lovely, you know."

"What's that?" I asked, pointing to a bit of black stick on the left; which, even more than the other trees, gave the impression of having been left there by the gardener while he went for his lunch.

"That's a weeping willow."

"This is rather a tearful corner of the grounds," apologized Miss Atherley. "We'll show you something brighter directly. Look there—that's the oak in which King Charles lay hid. At least, it will be when it's grown a bit."

"Let's go on to the shrubbery," said Mrs. Atherley. "We are having a new grass path from here to the shrubbery. It's going to be called Henry's Walk."

Miss Atherley has a small brother called Henry. Also there were eight Kings of England called Henry. Many a time and oft one of those nine Henrys has paced up and down this grassy walk, his head bent, his hands clasped behind his back; while behind his furrowed brow, who shall say what world-schemes were hatching? Is it the thought of Wolsey which makes him frown—or is he wondering where he left his catapult? Ah! who can tell us? Let us leave a veil of mystery over it ... for the sake of the next visitor.

"The shrubbery," said Mrs. Atherley proudly, waving her hand at a couple of laurel bushes and a—I've forgotten its name now, but it is one of the few shrubs I really know.

"And if you're a gentleman," said Miss Atherley, "and want to get asked here again, you'll always call it the shrubbery."

"Really, I don't see what else you could call it," I said, wishing to be asked down again.

"The patch."

"True," I said. "I mean, Nonsense."

I was rather late for breakfast next morning; a pity on such a lovely spring day.

"I'm so sorry," I began, "but I was looking at the shrubbery from my window and I quite forgot the time."

"Good," said Miss Atherley.

"I must thank you for putting me in such a perfect room for it," I went on, warming to my subject. "One can actually see the shrubs—er—shrubbing. The plantation, too, seems a little thicker to me than yesterday."

"I expect it is."

"In fact, the tennis lawn——" I looked round anxiously. I had a sudden fear that it might be the new deer-park. "It still is the tennis lawn?" I asked.

"Yes. Why, what about it?"

"I was only going to say the tennis lawn had quite a lot of shadows on it. Oh, there's no doubt that the plantation is really asserting itself."

Eleven o'clock found me strolling in the grounds with Miss Atherley.

"You know," I said, as we paced Henry's Walk together, "the one thing the plantation wants is for a bird to nest in it. That is the hall-mark of a plantation."

"It's mother's birthday to-morrow. Wouldn't it be a lovely surprise for her?"

"It would, indeed. Unfortunately this is a matter in which you require the co-operation of a feathered friend."

"Couldn't you try to persuade a bird to build a nest in the weeping ash? Just for this once?"

"You're asking me a very difficult thing," I said doubtfully. "Anything else I would do cheerfully for you; but to dictate to a bird on such a very domestic affair—— No, I'm afraid I must refuse."

"It need only just begin to build one," pleaded Miss Atherley, "because mother's going up to town by your train to-morrow. As soon as she's out of the house the bird can go back anywhere else it likes better."

"I will put that to any bird I see to-day," I said, "but I am doubtful."

"Oh, well," sighed Miss Atherley, "never mind."

. . . . .

"What do you think?" cried Mrs. Atherley as she came in to breakfast next day. "There's a bird been nesting in the plantation!"

Miss Atherley looked at me in undisguised admiration. I looked quite surprised—I know I did.

"Well, well!" I said.

"You must come out afterwards and see the nest and tell me what bird it is. There are three eggs in it. I am afraid I don't know much about these things."

"I'm glad," I said thankfully. "I mean, I shall be glad to."

We went out eagerly after breakfast. On about the only tree in the plantation with a fork to it a nest balanced precariously. It had in it three pale-blue eggs splotched with light brown. It appeared to be a blackbird's nest with another egg or two to come.

"It's been very quick about it," said Miss Atherley.

"Of our feathered bipeds," I said, frowning at her, "the blackbird is notoriously the most hasty."

"Isn't it lovely?" said Mrs. Atherley.

She was still talking about it as she climbed into the trap which was to take us to the station.

"One moment," I said, "I've forgotten something." I dashed into the house and out by a side door, and then sprinted for the plantation. I took the nest from the weeping and over-weighted ash and put it carefully back in the hedge by the tennis-lawn. Then I returned more leisurely to the house.

If you ever want a job of landscape-gardening thoroughly well done, you can always rely upon me.



THE SAME OLD STORY

We stood in a circle round the parrot's cage and gazed with interest at its occupant. She (Evangeline) was balancing easily on one leg, while with the other leg and her beak she tried to peel a monkey-nut. There are some of us who hate to be watched at meals, particularly when dealing with the dessert, but Evangeline is not of our number.

"There," said Mrs. Atherley, "isn't she a beauty?"

I felt that, as the last to be introduced, I ought to say something.

"What do you say to a parrot?" I whispered to Miss Atherley.

"Have a banana," suggested Reggie.

"I believe you say, 'Scratch-a-poll,'" said Miss Atherley, "but I don't know why."

"Isn't that rather dangerous? Suppose it retorted 'Scratch your own,' I shouldn't know a bit how to go on."

"It can't talk," said Reggie. "It's quite a baby—only seven months old. But it's no good showing it your watch; you must think of some other way of amusing it."

"Break it to me, Reggie. Have I been asked down solely to amuse the parrot, or did any of you others want to see me?"

"Only the parrot," said Reggie.

Evangeline paid no attention to us. She continued to wrestle with the monkey-nut. I should say that she was a bird not easily amused.

"Can't it really talk at all?" I asked Mrs. Atherley.

"Not yet. You see, she's only just come over from South America, and isn't used to the climate yet."

"But that's just the person you'd expect to talk a lot about the weather. I believe you've been had. Write a little note to the poulterers and ask if you can change it. You've got a bad one by mistake."

"We got it as a bird," said Mrs. Atherley with dignity, "not as a gramophone."

The next morning Evangeline was as silent as ever. Miss Atherley and I surveyed it after breakfast. It was still grappling with a monkey-nut, but no doubt a different one.

"Isn't it ever going to talk?" I asked. "Really, I thought parrots were continually chatting."

"Yes, but they have to be taught—just like you teach a baby."

"Are you sure? I quite see that you have to teach them any special things you want them to say, but I thought they were all born with a few simple obvious remarks, like 'Poor Polly,' or—or 'Dash Lloyd George.'"

"I don't think so," said Miss Atherley. "Not the green ones."

At dinner that evening, Mr. Atherley being now with us, the question of Evangeline's education was seriously considered.

"The only proper method," began Mr. Atherley——"By the way," he said, turning to me, "you don't know anything about parrots, do you?"

"No," I said. "You can go on quite safely."

"The only proper method of teaching a parrot—I got this from a man in the City this morning—is to give her a word at a time, and to go on repeating it over and over again until she's got hold of it."

"And after that the parrot goes on repeating it over and over again until you've got sick of it," said Reggie.

"Then we shall have to be very careful what word we choose," said Mrs. Atherley.

"What is your favourite word?"

"Well, really——"

"Animal, vegetable, or mineral?" asked Archie.

"This is quite impossible. Every word by itself seems so silly."

"Not 'home' and 'mother,'" I said reproachfully.

"You shall recite your little piece in the drawing-room afterwards," said Miss Atherley to me. "Think of something sensible now."

"Yes," said Mrs. Atherley. "What's the latest word from London?"

"Kikuyu."

"What?"

"I can't say it again," I protested.

"If you can't even say it twice, it's no good for Evangeline."

A thoughtful silence fell upon us.

"Have you fixed on a name for her yet?" Miss Atherley asked her mother.

"Evangeline, of course."

"No, I mean a name for her to call you. Because if she's going to call you 'Auntie' or 'Darling,' or whatever you decide on, you'd better start by teaching her that."

And then I had a brilliant idea.

"I've got the very word," I said. "It's 'hallo.' You see, it's a pleasant form of greeting to any stranger, and it will go perfectly with the next word that she's taught, whatever it may be."

"Supposing it's 'wardrobe,'" suggested Reggie, "or 'sardine'?"

"Why not? 'Hallo, Sardine' is the perfect title for a revue. Witty, subtle, neat—probably the great brain of the Revue King has already evolved it, and is planning the opening scene."

"Yes, 'hallo' isn't at all bad," said Mr. Atherley. "Anyway, it's better than 'Poor Polly,' which is simply morbid. Let's fix on 'hallo.'"

"Good," said Mrs. Atherley.

Evangeline said nothing, being asleep under her blanket.

. . . . .

I was down first next morning, having forgotten to wind up my watch overnight. Longing for company, I took the blanket off Evangeline's cage and introduced her to the world again. She stirred sleepily, opened her eyes and blinked at me.

"Hallo, Evangeline," I said.

She made no reply.

Suddenly a splendid scheme occurred to me. I would teach Evangeline her word now. How it would surprise the others when they came down and said "Hallo" to her, to find themselves promptly answered back!

"Evangeline," I said, "listen. Hallo, hallo, hallo, hallo." I stopped a moment and went on more slowly. "Hallo—hallo—hallo."

It was dull work.

"Hallo," I said, "hallo—hallo—hallo," and then very distinctly, "Hal-lo."

Evangeline looked at me with an utterly bored face.

"Hallo," I said, "hallo—hallo."

She picked up a monkey-nut and ate it languidly.

"Hallo," I went on, "hallo, hallo ... hallo, hallo, HALLO, HALLO ... hallo, hallo——"

She dropped her nut and roused herself for a moment.

"Number engaged," she snapped, and took another nut.

. . . . .

You needn't believe this. The others didn't when I told them.



THE SPREADING WALNUT TREE

We were having breakfast in the garden with the wasps, and Peter was enlarging on the beauties of the country round his new week-end cottage.

"Then there's Hilderton," he said; "that's a lovely little village, I'm told. We might explore it to-morrow."

Celia woke up suddenly.

"Is Hilderton near here?" she asked in surprise. "But I often stayed there when I was a child."

"This was years ago, when Edward the Seventh was on the throne," I explained to Mrs. Peter.

"My grandfather," went on Celia, "lived at Hilderton Hall."

There was an impressive silence.

"You see the sort of people you're entertaining," I said airily to Peter. "My wife's grandfather lived at Hilderton Hall. Celia, you should have spoken about this before. It would have done us a lot of good in Society." I pushed my plate away. "I can't go on eating bacon after this. Bring me peaches."

"I should love to see it again."

"If I'd had my rights," I said, "I should be living there now. I must put my solicitor on to this. There's been foul play somewhere."

Peter looked up from one of the maps which, being new to the country, he carries with him.

"I can't find Hilderton Hall here," he said. "It's six inches to the mile, so it ought to be marked."

"Celia, our grandfather's name is being aspersed. Let us look into this."

We crowded round the map and studied it anxiously. Hilderton was there, and Hilderton House, but no Hilderton Hall.

"But it's a great big place," protested Celia.

"I see what it is," I said regretfully. "Celia, you were young then."

"Ten."

"Ten. And naturally it seemed big to you, just as Yarrow seemed big to Wordsworth, and a shilling seems a lot to a baby. But really——"

"Really," said Peter, "it was semi-detached."

"And your side was called Hilderton Hall and the other side Hilderton Castle."

"I don't believe it was even called Hilderton Hall," said Peter. "It was Hilderton Villa."

"I don't believe she ever had a grandfather at all," said Mrs. Peter.

"She must have had a grandfather," I pointed out. "But I'm afraid he never lived at Hilderton Hall. This is a great blow to me, and I shall now resume my bacon."

I drew my plate back and Peter returned his map to his pocket.

"You're all very funny," said Celia, "but I know it was Hilderton Hall. I've a good mind to take you there this morning and show it to you."

"Do," said Peter and I eagerly.

"It's a great big place——"

"That's what we're coming to see," I reminded her.

"Of course they may have sold some of the land, or—I mean, I know when I used to stay there it was a—a great big place. I can't promise that it——"

"It's no good now, Celia," I said sternly. "You shouldn't have boasted."

Hilderton was four miles off, and we began to approach it—Celia palpably nervous—at about twelve o'clock that morning.

"Are you recognizing any of this?" asked Peter.

"N-no. You see I was only about eight——"

"You must recognise the church," I said, pointing to it. "If you don't, it proves either that you never lived at Hilderton or that you never sang in the choir. I don't know which thought is the more distressing. Now what about this place? Is this it?"

Celia peered up the drive.

"N-no; at least I don't remember it. I know there was a walnut tree in front of the house."

"Is that all you remember?"

"Well, I was only about six——"

Peter and I both had a slight cough at the same time.

"It's nothing," said Peter, finding Celia's indignant eye upon him. "Let's go on."

We found two more big houses, but Celia, a little doubtfully, rejected them both.

"My grandfather-in-law was very hard to please," I apologized to Peter. "He passed over place after place before he finally fixed on Hilderton Hall. Either the heronry wasn't ventilated properly, or the decoy ponds had the wrong kind of mud, or——"

There was a sudden cry from Celia.

"This is it," she said.

She stood at the entrance to a long drive. A few chimneys could be seen in the distance. On either side of the gates was a high wall.

"I don't see the walnut tree," I said.

"Of course not, because you can't see the front of the house. But I feel certain that this is the place."

"We want more proof than that," said Peter. "We must go in and find the walnut tree."

"We can't all wander into another man's grounds looking for walnut trees," I said, "with no better excuse than that Celia's great-grandmother was once asked down here for the week-end and stayed for a fortnight. We——"

"My grandfather," said Celia coldly, "lived here."

"Well, whatever it was," I said, "we must invent a proper reason. Peter, you might pretend you've come to inspect the gas-meter or the milk or something. Or perhaps Celia had better disguise herself as a Suffragette and say that she's come to borrow a box of matches. Anyhow, one of us must get to the front of the house to search for this walnut tree."

"It—it seems rather cheek," said Celia doubtfully.

"We'll toss up who goes."

We tossed, and of course I lost. I went up the drive nervously. At the first turn I decided to be an insurance inspector, at the next a scout-master, but, as I approached the front door, I thought of a very simple excuse. I rang the bell under the eyes of several people at lunch and looked about eagerly for the walnut tree.

There was none.

"Does Mr.—er—Erasmus—er—Percival live here?" I asked the footman.

"No, sir," he said—luckily.

"Ah! Was there ever a walnut—I mean was there ever a Mr. Percival who lived here? Ah! Thank you," and I sped down the drive again.

"Well?" said Celia eagerly.

"Mr. Percival doesn't live there."

"Whoever's Mr. Percival?"

"Oh, I forgot; you don't know him. Friends," I added solemnly, "I regret to tell you there is no walnut tree."

"I am not surprised," said Peter.

The walk home was a silent one. For the rest of the day Celia was thoughtful. But at the end of dinner she brightened up a little and joined in the conversation.

"At Hilderton Hall," she said suddenly, "we always——"

"H'r'm," I said, clearing my throat loudly. "Peter, pass Celia the walnuts."

. . . . .

I have had great fun in London this week with the walnut joke, though Celia says she is getting tired of it. But I had a letter from Peter to-day which ended like this:—

"By the way, I was an ass last week. I took you to Banfield in mistake for Hilderton. I went to Hilderton yesterday and found Hilderton Hall—a large place with a walnut tree. It's a little way out of the village, and is marked big on the next section of the map to the one we were looking at. You might tell Celia."

True, I might....

Perhaps in a week or two I shall.



DEFINITIONS

As soon as we had joined the ladies after dinner Gerald took up a position in front of the fire.

"Now that the long winter evenings are upon us," he began——

"Anyhow, it's always dark at half-past nine," said Norah.

"Not in the morning," said Dennis, who has to be excused for anything foolish he says since he became obsessed with golf.

"Please don't interrupt," I begged. "Gerald is making a speech."

"I was only going to say that we might have a little game of some sort. Norah, what's the latest parlour game from London?"

"Tell your uncle," I urged, "how you amuse yourselves at the Lyceum."

"Do you know 'Hunt the Pencil'?"

"No. What do you do?"

"You collect five pencils; when you've got them, I'll tell you another game."

"Bother these pencil games," said Dennis, taking an imaginary swing with a paper-knife. "I hope it isn't too brainy."

"You'll want to know how to spell," said Norah severely, and she went to the writing-desk for some paper.

In a little while—say, half an hour—we had each a sheet of paper and a pencil, and Norah was ready to explain.

"It's called Definitions. I expect you all know it."

We assured her we didn't.

"Well, you begin by writing down five or six letters, one underneath the other. We might each suggest one. 'E.'"

We weighed in with ours, and the result was E P A D U.

"Now you write them backwards."

There was a moment's consternation.

"Like 'bath-mat'?" said Dennis. "An 'e' backwards looks so silly."

"Stupid—like this," explained Norah. She showed us her paper.

E U P D A A D P U E

"This is thrilling," said Mrs. Gerald, pencilling hard.

"Then everybody has to fill in words all the way down, your first word beginning with 'e' and ending with 'u,' and so on. See?"

Gerald leant over Dennis and explained carefully to him, and in a little while we all saw.

"Then, when everybody's finished, we define our words in turn, and the person who guesses a word first gets a mark. That's all."

"And a very good game too," I said, and I rubbed my head and began to think.

"Of course," said Norah, after a quarter of an hour's silence, "you want to make the words difficult and define them as subtly as possible."

"Of course," I said, wrestling with 'E—U.' I could only think of one word, and it was the one everybody else was certain to have.

"Are we all ready? Then somebody begin."

"You'd better begin, Norah, as you know the game," said Mrs. Gerald.

We prepared to begin.

"Mine," said Norah, "is a bird."

"Emu," we all shouted; but I swear I was first.

"Yes."

"I don't think that's a very subtle definition," said Dennis. "You promised to be as subtle as possible."

"Go on, dear," said Gerald to his wife.

"Well, this is rather awkward. Mine is——"

"Emu," I suggested.

"You must wait till she has defined it," said Norah sternly.

"Mine is a sort of feathered animal."

"Emu," I said again. In fact, we all said it.

Gerald coughed. "Mine," he said, "isn't exactly a—fish, because it——"

"Emu," said everybody.

"That was subtler," said Dennis, "but it didn't deceive us."

"Your turn," said Norah to me. And they all leant forward ready to say "Emu."

"Mine," I said, "is—all right, Dennis, you needn't look so excited—is a word I once heard a man say at the Zoo."

There was a shriek of "Emu!"

"Wrong," I said.

Everybody was silent.

"Where did he say it?" asked Norah at last. "What was he doing?"

"He was standing outside the Emu's cage."

"It must have been Emu."

"It wasn't."

"Perhaps there's another animal beginning with 'e' and ending with 'u,'" suggested Dennis. "He might have said,'Look here, I'm tired of this old Emu, let's go and see the E-doesn't-mu,' or whatever it's called."

"We shall have to give it up," said Norah at last. "What is it?"

"Ebu," I announced. "My man had a bad cold, and he said, 'Look, Baria, there's ad Ebu.' Er—what do I get for that?"

"Nothing," said Norah coldly. "It isn't fair. Now, Mr. Dennis."

"Mine is not Emu, and it couldn't be mistaken for Emu; not even if you had a sore throat and a sprained ankle. And it has nothing to do with the Zoo, and——"

"Well, what is it?"

"It's what you say at golf when you miss a short putt."

"I doubt it," I said.

"Not what Gerald says," said his wife.

"Well, it's what you might say. What Horace would have said."

"'Eheu'—good," said Gerald, while his wife was asking "Horace who?"

We moved on to the next word, P—D.

"Mine," said Norah, "is what you might do to a man whom you didn't like, but it's a delightful thing to have and at the same time you would hate to be in it."

"Are you sure you know what you are talking about, dear?" said Mrs. Gerald gently.

"Quite," said Norah with the confidence of extreme youth.

"Could you say it again very slowly," asked Dennis, "indicating by changes in the voice which character is speaking?"

She said it again.

"'Pound,'" said Gerald. "Good—one to me."

Mrs. Gerald had "pod," Gerald had "pond"; but they didn't define them very cleverly and they were soon guessed. Mine, unfortunately, was also guessed at once.

"It is what Dennis's golf is," I said.

"'Putrid,'" said Gerald correctly.

"Mine," said Dennis, "is what everybody has two of."

"Then it's not 'pound,'" I said, "because I've only got one and ninepence."

"At least, it's best to have two. Sometimes you lose one. They're very useful at golf. In fact, absolutely necessary."

"Have you got two?"

"Yes."

I looked at Dennis's enormous hands spread out on his knees.

"Is it 'pud'?" I asked. "It is? Are those the two? Good heavens!" and I gave myself a mark.

A—A was the next, and we had the old Emu trouble.

"Mine," said Norah—"mine is rather a meaningless word."

"'Abracadabra,'" shouted everybody.

"Mine," said Miss Gerald, "is a very strange word, which——"

"'Abracadabra,'" shouted everybody.

"Mine," said Gerald, "is a word which used to be——"

"'Abracadabra,'" shouted everybody.

"Mine," I said to save trouble, "is 'Abracadabra.'"

"Mine," said Dennis, "isn't. It's what you say at golf when——"

"Oh lor!" I groaned. "Not again."

"When you hole a long putt for a half."

"You generally say, 'What about that for a good putt, old thing? Thirty yards at least,'" suggested Gerald.

"No."

"Is it—is it 'Alleluia'?" suggested Mrs. Gerald timidly.

"Yes."

"Dennis," I said, "you're an ass."

. . . . .

"And now," said Norah at the end of the game, "who's won?"

They counted up their marks.

"Ten," said Norah.

"Fifteen," said Gerald.

"Three," said his wife.

"Fourteen," said Dennis.

They looked at me.

"I'm afraid I forgot to put all mine down," I said, "but I can easily work it out. There were five words, and five definitions of each word. Twenty-five marks to be gained altogether. You four have got—er—let's see—forty-two between you. That leaves me——"

"That leaves you minus seventeen," said Dennis. "I'm afraid you've lost, old man." He took up the shovel and practised a few approach shots. "It's rather a good game."

I think so too. It's a good game, but, like all paper games, its scoring wants watching.



A BILLIARD LESSON

I was showing Celia a few fancy strokes on the billiard-table. The other members of the house-party were in the library, learning their parts for some approaching theatricals—that is to say, they were sitting round the fire and saying to each other, "This is a rotten play." We had been offered the position of auditors to several of the company, but we were going to see Parsifal on the next day, and I was afraid that the constant excitement would be bad for Celia.

"Why don't you ask me to play with you?" she asked. "You never teach me anything."

"There's ingratitude. Why, I gave you your first lesson at golf only last Thursday."

"So you did. I know golf. Now show me billiards."

I looked at my watch.

"We've only twenty minutes. I'll play you thirty up."

"Right-o. What do you give me—a ball or a bisque or what?"

"I can't spare you a ball, I'm afraid. I shall want all three when I get going. You may have fifteen start, and I'll tell you what to do."

"Well, what do I do first?"

"Select a cue."

She went over to the rack and inspected them.

"This seems a nice brown one. Now then, you begin."

"Celia, you've got the half-butt. Put it back and take a younger one."

"I thought it seemed taller than the others." She took another. "How's this? Good. Then off you go."

"Will you be spot or plain?" I said, chalking my cue.

"Does it matter?"

"Not very much. They're both the same shape."

"Then what's the difference?"

"Well, one is more spotted than the other."

"Then I'll be less spotted."

I went to the table.

"I think," I said, "I'll try and screw in off the red." (I did this once by accident and I've always wanted to do it again.) "Or perhaps," I corrected myself, as soon as the ball had left me, "I had better give a safety miss."

I did. My ball avoided the red and came swiftly back into the left-hand bottom pocket.

"That's three to you," I said without enthusiasm.

Celia seemed surprised.

"But I haven't begun yet," she said. "Well, I suppose you know the rules, but it seems funny. What would you like me to do?"

"Well, there isn't much on. You'd better just try and hit the red ball."

"Right." She leant over the table and took long and careful aim. I held my breath.... Still she aimed.... Then, keeping her chin on the cue, she slowly turned her head and looked up at me with a thoughtful expression.

"Oughtn't there to be three balls on the table?" she said, wrinkling her forehead.

"No," I answered shortly.

"But why not?"

"Because I went down by mistake."

"But you said that when you got going, you wanted—— I can't argue bending down like this." She raised herself slowly. "You said—— Oh, all right, I expect you know. Anyhow, I have scored some already, haven't I?"

"Yes. You're eighteen to my nothing."

"Yes. Well, now I shall have to aim all over again." She bent slowly over her cue. "Does it matter where I hit the red?"

"Not much. As long as you hit it on the red part."

She hit it hard on the side, and both balls came into baulk.

"Too good," I said.

"Does either of us get anything for it?"

"No." The red and the white were close together, and I went up the table and down again on the off-chance of a cannon. I misjudged it, however.

"That's three to you," I said stiffly, as I took my ball out of the right-hand bottom pocket. "Twenty-one to nothing."

"Funny how I'm doing all the scoring," said Celia meditatively. "And I've practically never played before. I shall hit the red hard now and see what happens to it."

She hit, and the red coursed madly about the table, coming to rest near the top right-hand pocket and close to the cushion. With a forcing shot I could get in.

"This will want a lot of chalk," I said pleasantly to Celia, and gave it plenty. Then I let fly....

"Why did that want a lot of chalk?" said Celia with interest.

I went to the fire-place and picked my ball out of the fender.

"That's three to you," I said coldly. "Twenty-four to nothing."

"Am I winning?"

"You're leading," I explained. "Only, you see, I may make a twenty at any moment."

"Oh!" She thought this over. "Well, I may make my three at any moment."

She chalked her cue and went over to her ball.

"What shall I do?"

"Just touch the red on the right-hand side," I said, "and you'll go into the pocket."

"The right-hand side? Do you mean my right-hand side, or the ball's?"

"The right-hand side of the ball, of course; that is to say, the side opposite your right hand."

"But its right-hand side is opposite my left hand, if the ball is facing this way."

"Take it," I said wearily, "that the ball has its back to you."

"How rude of it," said Celia, and hit it on the left-hand side, and sank it. "Was that what you meant?"

"Well ... it's another way of doing it."

"I thought it was. What do I give you for that?"

"You get three."

"Oh, I thought the other person always got the marks. I know the last three times——"

"Go on," I said freezingly. "You have another turn."

"Oh, is it like rounders?"

"Something. Go on, there's a dear. It's getting late."

She went, and left the red over the middle pocket.

"A-ha!" I said. I found a nice place in the "D" for my ball. "Now then. This is the Gray stroke, you know."

I suppose I was nervous. Anyhow, I just nicked the red ball gently on the wrong side and left it hanging over the pocket. The white travelled slowly up the table.

"Why is that called the grey stroke?" asked Celia with great interest.

"Because once, when Sir Edward Grey was playing the German Ambassador—but it's rather a long story. I'll tell you another time."

"Oh! Well, anyhow, did the German Ambassador get anything for it?"

"No."

"Then I suppose I don't. Bother."

"But you've only got to knock the red in for game."

"Oh!... There, what's that?"

"That's a miss-cue. I get one."

"Oh!... Oh well," she added magnanimously, "I'm glad you've started scoring. It will make it more interesting for you."

There was just room to creep in off the red, leaving it still over the pocket. With Celia's ball nicely over the other pocket there was a chance of my twenty break. "Let's see," I said, "how many do I want?"

"Twenty-nine," replied Celia.

"Ah," I said ... and I crept in.

"That's three to you," I said icily. "Game."



BURLESQUES



THE SEASIDE NOVELETTE

[MAY BE READ ON THE PIER]

No. XCVIII—A SIMPLE ENGLISH GIRL

CHAPTER I

PRIMROSE FARM

Primrose Farm stood slumbering in the sunlight of an early summer morn. Save for the gentle breeze which played in the tops of the two tall elms all Nature seemed at rest. Chanticleer had ceased his song; the pigs were asleep; in the barn the cow lay thinking. A deep peace brooded over the rural scene, the peace of centuries. Terrible to think that in a few short hours ... but perhaps it won't. The truth is I have not quite decided whether to have the murder in this story or in No. XCIX.—The Severed Thumb. We shall see.

As her alarum clock (a birthday present) struck five, Gwendolen French sprang out of bed and plunged her face into the clump of nettles which grew outside her lattice window. For some minutes she stood there, breathing in the incense of the day; then dressing quickly she went down into the great oak-beamed kitchen to prepare breakfast for her father and the pigs. As she went about her simple duties she sang softly to herself, a song of love and knightly deeds. Little did she think that a lover, even at that moment, stood outside her door.

"Heigh-ho!" sighed Gwendolen, and she poured the bran-mash into a bowl and took it up to her father's room.

For eighteen years Gwendolen French had been the daughter of John French of Primrose Farm. Endowed by Nature with a beauty that is seldom seen outside this sort of story, she was yet as modest and as good a girl as was to be found in the county. Many a fine lady would have given all her Parisian diamonds for the peach-like complexion which bloomed on the fair face of Gwendolen. But the gifts of Nature are not to be bought and sold.

There was a sudden knock at the door.

"Come in," cried Gwendolen in surprise. Unless it was the cow, it was an entirely unexpected visitor.

A tall and handsome young man entered, striking his head violently against a beam as he stepped into the low-ceilinged kitchen.

"Good morning," he said, repressing the remark which came more readily to his lips. "Pray forgive this intrusion. The fact is I have lost my way, and I wondered whether you would be kind enough to inform me as to my whereabouts."

Recognizing from his conversation that she was being addressed by a gentleman, Gwendolen curtsied.

"This is Primrose Farm, sir," she said.

"I fear," he replied with a smile, "it has been my misfortune never to have heard so charming a name before. I am Lord Beltravers, of Beltravers Castle, Beltravers. Having returned last night from India I came out for an early stroll this morning, and I fear that I have wandered out of my direction."

"Why," cried Gwendolen, "your lordship is miles from Beltravers Castle. How tired and hungry you must be." She removed a lettuce from the kitchen chair, dusted it, and offered it to him. (That is to say, the chair, not the lettuce.) "Let me get you some milk," she added. Picking up a pail, she went out to inspect the cow.

"Gad," said Lord Beltravers as soon as he was alone. He paced rapidly up and down the tiled kitchen. "Deuce take it," he added recklessly, "she's a lovely girl." The Beltraverses were noted in two continents for their hard swearing.

"Here you are, sir," said Gwendolen, returning with the precious liquid.

Lord Beltravers seized the pail and drained it at a draught.

"Heavens, but that was good!" he said. "What was it?"

"Milk," said Gwendolen.

"Milk; I must remember. And now may I trespass on your hospitality still further by trespassing on your assistance so far as to solicit your help in putting me far enough on my path to discover my way back to Beltravers Castle?" (When he was alone he said that sentence again to himself, and wondered what had happened to it.)

"I will show you," she said simply.

They passed out into the sunlit orchard. In an apple tree a thrush was singing; the gooseberries were over-ripe; beetroots were flowering everywhere.

"You are very beautiful," he said.

"Yes," said Gwendolen.

"I must see you again. Listen! To-night my mother, Lady Beltravers, is giving a ball. Do you dance?"

"Alas, not the tango," she said sadly.

"The Beltraverses do not tang," he announced with simple dignity. "You valse? Good. Then will you come?"

"Thank you, my lord. Oh, I should love to!"

"That is excellent. And now I must bid you good-bye. But first, will you not tell me your name?"

"Gwendolen French, my lord."

"Ah! One 'f' or two?"

"Three," said Gwendolen simply.

CHAPTER II

BELTRAVERS CASTLE

Beltravers Castle was a blaze of lights. At the head of the old oak staircase (a magnificent example of the Selfridge period) the Lady Beltravers stood receiving her guests. Magnificently gowned in one of Sweeting's latest creations, and wearing round her neck the famous Beltravers seed-pearls, she looked the picture of stately magnificence. As each guest was announced by a bevy of footmen, she extended her perfectly gloved hand and spoke a few words of kindly welcome.

"Good evening, Duchess; so good of you to look in. Ah, Earl, charmed to meet you; you'll find some sandwiches in the billiard-room. Beltravers, show the Earl some sandwiches. How-do-you-do, Professor? Delighted you could come. Won't you take off your goloshes?"

All the county was there.

Lord Hobble was there wearing a magnificent stud; Erasmus Belt, the famous author, whose novel, Bitten: A Romance, went into two editions; Sir Septimus Root, the inventor of the fire-proof spat; Captain the Honourable Alfred Nibbs, the popular breeder of blood-tortoises—the whole world and his wife were present. And towering above them all stood Lord Beltravers, of Beltravers Castle, Beltravers.