"Rosemary!" she called urgently. "Rosemary—listen—is there a place where it can land?"

"Where what can land?" asked a drowsy voice.

"An airplane. It's flying so low that it must be in some kind of trouble—do come and see!"

Rosemary came pattering obediently toward her, a small, docile figure, dark eyes misted with dreams, wide with amazement.

"I must be nine-tenths asleep," she murmured gently. "Because I don't hear a single thing, Janet. Perhaps—"

"Hush—listen!" begged Janet, raising an imperative hand—and then her own eyes widened. "Why—it's gone!" There was a note of flat incredulity in her voice. "Heavens, how those things must eat up space! Not a minute, ago it was fairly shaking this room, and now—"

Rosemary stifled a small pink yawn and smiled ingratiatingly.

"Perhaps you were asleep too," she suggested humbly. "I don't believe that airplanes ever fly this way any more. Or it might have been that fat Hodges boy on his motorcycle—he does make the most dreadful racket. Oh, Janet, what a perfectly ripping night—do see!"

They leaned together on the window-sill, silenced by the white and shining beauty that had turned the pleasant garden into a place of magic and enchantment. The corners of Janet's mouth lifted suddenly. How absurd people were! The fat Hodges boy and his motorcycle! Did they all regard her as an amiable lunatic—even little, lovely, friendly Rosemary, wavering sleepily at her side? It really was maddening. But she felt, amazingly enough, suddenly quiet and joyous and indifferent—and passionately glad that the wanderer from the skies had won safely through and was speeding home. Home! Oh, it was a crying pity that it need ever land—anything so fleet and strong and sure should fly forever! But if they must rest, those beating wings—the old R.F.C. toast went singing through her head and she flung it out into the moonlight, smiling—"Happy landings! Happy landings, you!"

The next day was the one that brought to White Orchards what was to be known for many moons as "the Big Storm." It had been gathering all afternoon, and by evening the heat had grown appalling and incredible, even to Janet's American and exigent standards. The smouldering copper sky looked as though it had caught fire from the world and would burn forever; there was not so much as a whisper of air to break the stillness—it seemed as though the whole tortured earth were holding its breath, waiting to see what would happen next. Every one had struggled through the day assuring one another that when evening came it would be all right—dangling the alluring thought of the cool darkness before each other's hot and weary eyes; but the night proved even more outrageous than the day. To the little group seated on the terrace, dispiritedly playing with their coffee, it seemed almost a personal affront. The darkness closed in on them, smothering, heavy, intolerable; they could feel its weight, as though it were some hateful and tangible thing.

"Like—like black cotton wool," explained Rosemary, stirred to unwonted resentment. She had spent the day curled up in the largest Indian chair on the terrace, round-eyed with fatigue and incredulity.

"I honestly think that we must be dreaming," she murmured to her feverish audience; "I do, honestly. Why, it's only May, and we never, never—there was that day in August about five years ago that was almost as bad, though. D'you remember, Mummy?"

"It's hardly the kind of thing that one is likely to forget, love. Do you think that it is necessary for us to talk? I feel somehow that I could bear it much more easily if we kept quite quiet."

Janet stirred a little, uneasily. She hated silence—that terrible, empty space waiting to be filled up with your thoughts—why, the idlest chatter spared you that. She hated the terrace, too—she closed her eyes to shut out the ugly darkness that was pressing against her; behind the shelter of her lids it was cooler and stiller, but open-eyed or closed, she could not shut out memory. The very touch of the bricks beneath her feet brought back that late October day. She had been sitting curled up on the steps in the warm sunlight, with the keen, sweet air stirring her hair and sending the beech-leaves dancing down the flagged path—there had been a heavenly smell of burning from the far meadow, and she was sniffing it luxuriously, feeling warm and joyous and protected in Jerry's great tweed coat—watching the tall figure swinging across from the lodge gate with idle, happy eyes—not even curious. It was not until he had almost reached the steps that she had noticed that he was wearing a foreign uniform—and even then she had promptly placed him as one of Rosemary's innumerable conquests, bestowing on him a friendly and inquiring smile.

"Were you looking for Miss Langdon?" Even now she could see the courteous, grave young face soften as he turned quickly toward her, baring his dark head with that swift foreign grace that turns our perfunctory habits into something like a ritual.

"But no," he had said gently, "I was looking for you, Miss Abbott."

"Now will you please tell me how in the world you knew that I was Miss Abbott?"

And he had smiled—with his lips, not his eyes.

"I should be dull indeed if that I did not know. I am Philippe Laurent, Miss Abbott."

And "Oh," she had cried joyously, "Liane's Philippe!"

"But yes—Liane's Philippe. They are not here, the others? Madame Langdon, the little Miss Rosemary?"

"No, they've gone to some parish fair, and I've been wicked and stayed home. Won't you sit down and talk to me? Please!"

"Miss Abbott, it is not to you that I must talk. What I have to say is indeed most difficult, and it is to Jeremy's Janie that I would say it. May I, then?"

It had seemed to Jeremy's Janie that the voice in which she answered him came from a great distance, but she never took her eyes from the grave and vivid face.

"Yes. And quickly, please."

So he had told her—quickly—in his exquisitely careful English, and she had listened as attentively and politely, huddled up on the brick steps in the sunlight, as though he were running over the details of the last drive, instead of tearing her life to pieces with every word. She remembered now that it hadn't seemed real at all—if it had been to Jerry that these horrors had happened could she have sat there so quietly, feeling the colour bright in her cheeks, and the wind stirring in her hair, and the sunlight warm on her hands? Why, for less than this people screamed, and fainted, and went raving mad!

"You say—that his back is broken?"

"But yes, my dear," Liane's Philippe had told her, and she had seen the tears shining in his gray eyes.

"And he is badly burned?"

"My brave Janie, these questions are not good to ask—not good, not good to answer. This I will tell you. He lives, our Jerry—and so dearly does he love you that he will drag back that poor body from hell itself—because it is yours, not his. This he has sent me to tell you, most lucky lady ever loved."

"You mean—that he isn't going to die?"

"I tell you that into those small hands of yours he has given his life. Hold it fast."

"Will he—will he get well?" "He will not walk again; but have you not swift feet to run for him?"

And there had come to her, sitting on the terrace in the sunshine, an overwhelming flood of joy, reckless and cruel and triumphant. Now he was hers forever, the restless wanderer—delivered to her bound and helpless, never to stray again. Hers to worship and serve and slave for, his troth to Freedom broken—hers at last!

"I'm coming," she had told the tall young Frenchman breathlessly. "Take me to him—please let's hurry."

"Ma pauvre petite, this is war. One does not come and go at will. God knows by what miracle enough red tape unwound to let me through to you, to bring my message and to take one back."

"What message, Philippe?"

"That is for you to say, little Janie. He told me, 'Say to her that she has my heart—if she needs my body, I will live. Say to her that it is an ugly, broken, and useless thing; still, hers. She must use it as she sees fit. Say to her—no, say nothing more. She is my Janie, and has no need of words. Tell her to send me only one, and I will be content.' For that one word, Janie, I have come many miles. What shall it be?"

And she had cried out exultantly, "Why, tell him that I say—" But the word had died in her throat. Her treacherous lips had mutinied, and she had sat there, feeling the blood drain back out of her face—out of her heart—feeling her eyes turn back with sheer terror, while she fought with those stiffened rebels. Such a little word "Live!"—surely they could say that. Was it not what he was waiting for, lying far away and still—schooled at last to patience, the reckless and the restless! Oh, Jerry, Jerry, live! Even now she could feel her mind, like some frantic little wild thing, racing, racing to escape Memory. What had he said to her? "You, wise beyond wisdom, will never hold me—you will never hold me—you will never—"

And suddenly she had dropped her twisted hands in her lap and lifted her eyes to Jerry's ambassador.

"Will you please tell him—will you please tell him that I say—'Contact'?"

"Contact?" He had stood smiling down at her, ironical and tender. "Ah, what a race! That is the prettiest word that you can find for Jerry? But then it means to come very close, to touch, that poor harsh word—there he must find what comfort he can. We, too, in aviation use that word—it is the signal that says—'Now, you can fly!' You do not know our vocabulary, perhaps?"

"I know very little."

"That is all then? No other message? He will understand, our Jerry?"

And Janie had smiled—rather a terrible small smile.

"Oh, yes," she told him. "He will understand. It is the word that he is waiting for, you see."

"I see." But there had been a grave wonder in his voice.

"Would it——" she had framed the words as carefully as though it were a strange tongue that she was speaking—"would it be possible to buy his machine? He wouldn't want any one else to fly it."

"Little Janie, never fear. The man does not live who shall fly poor Peg again. Smashed to kindling-wood and burned to ashes, she has taken her last flight to the heaven for good and brave birds of war. Not enough was left of her to hold in your two hands."

"I'm glad. Then that's all—isn't it? And thank you for coming."

"It is I who thank you. What was hard as death you have made easy. I had thought the lady to whom Jeremy Langdon gave his heart the luckiest creature ever born—now I think him that luckiest one." The grave grace with which he had bent to kiss her hand made of the formal salutation an accolade—"My homage to you, Jerry's Janie!" A quick salute, and he had turned on his heel, swinging off down the flagged path with that swift, easy stride—past the sun-dial—past the lily-pond—past the beech-trees—gone! For hours and hours after he had passed out of sight she had sat staring after him, her hands lying quite still in her lap—staring, staring—they had found her there when they came back, sitting where Rosemary was seated now. Why, there, on those same steps, a bare six months ago—Something snapped in her head, and she stumbled to her feet, clinging to the arm of her chair.

"I can't stand it!" she gasped. "No, no, it's no use—I can't, I tell you. I—"

Rosemary's arm was about her—Mrs. Langdon's soft voice in her ears—a deeper note from Rosemary's engineer.

"Oh, I say, poor girl! What is it, dear child—what's the matter? Is it the heat, Janie?"

"The heat!" She could hear herself laughing—frantic, hateful, jangling laughter that wouldn't stop. "Oh, Jerry! Oh-h, Jerry, Jerry, Jerry!"

"It's this ghastly day. Let me get her some water, Mrs. Langdon. Don't cry so, Janie—please, please don't, darling."

"I c-can't help it—I c-can't——" She paused, listening intently, her hand closing sharply over Rosemary's wrist. "Oh, listen, listen—there it comes again—I told you so!"

"Thank Heaven," murmured Mrs. Langdon devoutly, "I thought that it never was going to rise this evening. It's from the south, too, so I suppose that it means rain."

"Rain?" repeated Janet vaguely. "Why in the world should it mean rain?" Her small, pale face looked suddenly brilliant and enchanted, tilted up to meet the thunderous music that was swinging nearer and nearer. "Oh, do listen, you people! This time it's surely going to land!"

Rosemary stared at her blankly. "Land? What are you talking about, Janie?"

"My airplane—the one that you said was the fat Hodges boy on a motorcycle! Is there any place near here that it can make a landing?"

"Darling child—" Mrs. Langdon's gentle voice was gentler than ever— "darling child, it's this wretched heat. There isn't any airplane, dear—it's just the wind rising in the beeches."

"The wind?" Janet laughed aloud—they really were too absurd. "Why, Mrs. Langdon, you can hear the engines, if you'll only listen! You can hear them, can't you, Mr. Bain?"

The young engineer shook his head. "No plane would risk flying with this storm coming, Miss Abbott. There's been thunder for the last hour or so, and it's getting nearer, too. It's only the wind, I think."

"Oh, you're laughing at me—of course, of course you hear it. Why, it's as clear as—as clear as—" Her voice trailed off into silence. Quite suddenly, without any transition or warning, she knew. She could feel her heart stand perfectly still for a minute, and then plunge forward in mad flight, racing, racing—oh, it knew, too, that eager heart! She took her hand from the arm of the chair, releasing Rosemary's wrist very gently.

"Yes, of course, it's the heat," she said quietly. She must be careful not to frighten them, these kind ones. "If you don't mind, Mrs. Langdon, I think that I'll go down to the gate to watch the storm burst. No, please, don't any of you come—I'll promise to change everything if I get caught—yes, everything! I won't be long; don't wait for me."

She walked sedately enough until she came to the turn in the path, but after that she ran, only pausing for a minute to listen breathlessly. Oh, yes—following, following, that gigantic music! How he must be laughing at her now—blind, deaf, incredulous little fool that she had been, to doubt that Jerry would find a way! But where could he land? Not in the garden—not at the gates—oh, now she had it—the far meadow. She turned sharply; it was dark, but the path must be here. Yes, this was the wicket gate; her groping fingers were quite steady—they found the latch—released it—the gate swung to behind her flying footsteps. "Oh, Jerry, Jerry!" sang her heart. Why hadn't she worn the rose-coloured frock? It was she who would be a ghost in that trailing white thing. To the right here—yes, there was the hawthorn hedge—only a few steps more—oh, now! She stood as still as a small statue, not moving, not breathing, her hands at her heart, her face turned to the black and torn sky. Nearer, nearer, circling and darting and swooping—the gigantic humming grew louder—louder still—it swept about her thunderously, so close that she clapped her hands over her ears, but she stood her ground, exultant and undaunted. Oh, louder still—and then suddenly the storm broke. All the winds and the rains of the world were unleashed, and fell howling and shrieking upon her, she staggered under their onslaught, drenched to the bone, her dress whipping frantically about her, blinded and deafened by that tumultuous clamour. She had only one weapon against it—laughter—and she laughed now—straight into its teeth. And as though hell itself must yield to mirth, the fury wavered—failed—sank to muttering. But Janie, beaten to her knees and laughing, never even heard it die.

"Jerry?" she whispered into the darkness, "Jerry?"

Oh, more wonderful than wonder, he was there! She could feel him stir, even if she could not hear him—so close, so close was he that if she even reached out her hand, she could touch him. She stretched it out eagerly, but there was nothing there—only a small, remote sound of withdrawal, as though some one had moved a little.

"You're afraid that I'll be frightened, aren't you?" she asked wistfully. "I wouldn't be—I wouldn't—please come back'"

He was laughing at her, she knew, tender and mocking and caressing; she smiled back, tremulously.

"You're thinking, 'I told you so!' Have you come far to say it to me?"

Only that little stir—the wind was rising again.

"Jerry, come close—come closer still. What are you waiting for, dear and dearest?"

This time there was not even a stir to answer her; she felt suddenly cold to the heart. What had he always waited for?

"You aren't waiting—you aren't waiting to go?" She fought to keep the terror out of her voice, but it had her by the throat. "Oh, no, no—you can't—not again! Jerry, Jerry, don't go away and leave me—truly and truly I can't stand it—truly!"

She wrung her hands together desperately; she was on her knees to him—did he wish her to go lower still? Oh, she had never learned to beg!

"I can't send you away again—I can't. When I sent you to France I killed my heart—when I let you go to death, I crucified my soul. I haven't anything left but my pride—you can have that, too. I can't send you back to your heaven. Stay with me—stay with me, Jerry!"

Not a sound—not a stir—but well she knew that he was standing there, waiting. She rose slowly to her feet.

"Very well—you've won," she said hardly. "Go back to your saints and seraphs and angels; I'm beaten. I was mad to think that you ever cared—go back!" She turned, stumbling, the sobs tearing at her throat; he had gone several steps before she realized that he was following her—and all the hardness and bitterness and despair fell from her like a cloak.

"Oh, Jerry," she whispered, "Jerry, darling, I'm so sorry. And you've come so far—just to find this! What is it that you want; can't you tell me?"

She stood tense and still, straining eyes and ears for her answer—but it was not to eyes or ears that it came.

"Oh, of course!" she cried clearly. "Of course, my wanderer! Ready?"

She stood poised for a second, head thrown back, arms flung wide—a small figure of Victory, caught in the flying wind.

And, "Contact, Jerry!" she called joyously into the darkness. "Contact!"

There was a mighty whirring, a thunder and a roaring above the storm. She stood listening breathlessly to it rise and swell—and then grow fainter—fainter still—dying, dying—dying—

But Janie, her small white face turned to the storm-swept sky behind which shone the stars, was smiling radiantly. For she had sped her wanderer on his way—she had not failed him!



THE CAMEL'S BACK

BY F. SCOTT FITZGERALD

From The Saturday Evening Post

The restless, wearied eye of the tired magazine reader resting for a critical second on the above title will judge it to be merely metaphorical. Stories about the cup and the lip and the bad penny and the new broom rarely have anything to do with cups and lips and pennies and brooms. This story is the great exception. It has to do with an actual, material, visible and large-as-life camel's back.

Starting from the neck we shall work tailward. Meet Mr. Perry Parkhurst, twenty-eight, lawyer, native of Toledo. Perry has nice teeth, a Harvard education, and parts his hair in the middle. You have met him before—in Cleveland, Portland, St. Paul, Indianapolis, Kansas City and elsewhere. Baker Brothers, New York, pause on their semi-annual trip through the West to clothe him; Montmorency & Co., dispatch a young man posthaste every three months to see that he has the correct number of little punctures on his shoes. He has a domestic roadster now, will have a French roadster if he lives long enough, and doubtless a Chinese one if it comes into fashion. He looks like the advertisement of the young man rubbing his sunset-coloured chest with liniment, goes East every year to the Harvard reunion—does everything—smokes a little too much—Oh, you've seen him.

Meet his girl. Her name is Betty Medill, and she would take well in the movies. Her father gives her two hundred a month to dress on and she has tawny eyes and hair, and feather fans of three colours. Meet her father, Cyrus Medill. Though he is to all appearances flesh and blood he is, strange to say, commonly known in Toledo as the Aluminum Man. But when he sits in his club window with two or three Iron Men and the White Pine Man and the Brass Man they look very much as you and I do, only more so, if you know what I mean.

Meet the camel's back—or no—don't meet the camel's back yet. Meet the story.

During the Christmas holidays of 1919, the first real Christmas holidays since the war, there took place in Toledo, counting only the people with the italicized the, forty-one dinner parties, sixteen dances, six luncheons male and female, eleven luncheons female, twelve teas, four stag dinners, two weddings and thirteen bridge parties. It was the cumulative effect of all this that moved Perry Parkhurst on the twenty-ninth day of December to a desperate decision.

Betty Medill would marry him and she wouldn't marry him. She was having such a good time that she hated to take such a definite step. Meanwhile, their secret engagement had got so long that it seemed as if any day it might break off of its own weight. A little man named Warburton, who knew it all, persuaded Perry to superman her, to get a marriage license and go up to the Medill house and tell her she'd have to marry him at once or call it off forever. This is some stunt—but Perry tried it on December the twenty-ninth. He presented self, heart, license, and ultimatum, and within five minutes they were in the midst of a violent quarrel, a burst of sporadic open fighting such as occurs near the end of all long wars and engagements. It brought about one of those ghastly lapses in which two people who are in love pull up sharp, look at each other coolly and think it's all been a mistake. Afterward they usually kiss wholesomely and assure the other person it was all their fault. Say it all was my fault! Say it was! I want to hear you say it!

But while reconciliation was trembling in the air, while each was, in a measure, stalling it off, so that they might the more voluptuously and sentimentally enjoy it when it came, they were permanently interrupted by a twenty-minute phone call for Betty from a garrulous aunt who lived in the country. At the end of eighteen minutes Perry Parkhurst, torn by pride and suspicion and urged on by injured dignity, put on his long fur coat, picked up his light brown soft hat and stalked out the door.

"It's all over," he muttered brokenly as he tried to jam his car into first. "It's all over—if I have to choke you for an hour, darn you!" This last to the car, which had been standing some time and was quite cold.

He drove downtown—that is, he got into a snow rut that led him downtown.

He sat slouched down very low in his seat, much too dispirited to care where he went. He was living over the next twenty years without Betty.

In front of the Clarendon Hotel he was hailed from the sidewalk by a bad man named Baily, who had big huge teeth and lived at the hotel and had never been in love.

"Perry," said the bad man softly when the roadster drew up beside him at the curb, "I've got six quarts of the dog-gonedest champagne you ever tasted. A third of it's yours, Perry, if you'll come upstairs and help Martin Macy and me drink it."

"Baily," said Perry tensely. "I'll drink your champagne. I'll drink every drop of it. I don't care if it kills me. I don't care if it's fifty-proof wood alcohol."

"Shut up, you nut!" said the bad man gently. "They don't put wood alcohol in champagne. This is the stuff that proves the world is more than six thousand years old. It's so ancient that the cork is petrified. You have to pull it with a stone drill."

"Take me upstairs," said Perry moodily. "If that cork sees my heart it'll fall out from pure mortification."

The room upstairs was full of those innocent hotel pictures of little girls eating apples and sitting in swings and talking to dogs. The other decorations were neckties and a pink man reading a pink paper devoted to ladies in pink tights.

"When you have to go into the highways and byways—" said the pink man, looking reproachfully at Baily and Perry.

"Hello, Martin Macy," said Perry shortly, "where's this stone-age champagne?"

"What's the rush? This isn't an operation, understand. This is a party."

Perry sat down dully and looked disapprovingly at all the neckties.

Baily leisurely opened the door of a wardrobe and brought out six wicked-looking bottles and three glasses.

"Take off that darn fur coat!" said Martin Macy to Perry. "Or maybe you'd like to have us open all the windows." "Give me champagne," said Perry.

"Going to the Townsends' circus ball to-night?"

"Am not!"

"'Vited?"

"Uh-huh."

"Why not go?"

"Oh, I'm sick of parties," exclaimed Perry, "I'm sick of 'em. I've been to so many that I'm sick of 'em."

"Maybe you're going to the Howard Tates' party?"

"No, I tell you; I'm sick of 'em."

"Well," said Macy consolingly, "the Tates' is just for college kids anyway."

"I tell you—"

"I thought you'd be going to one of 'em anyways. I see by the papers you haven't missed a one this Christmas."

"Hm," grunted Perry morosely.

He would never go to any more parties. Classical phrases played in his mind—that side of his life was closed, closed. Now when a man says "closed, closed" like that, you can be pretty sure that some woman has double-closed him, so to speak. Perry was also thinking that other classical thought, about how cowardly suicide is. A noble thought that one—warm and uplifting. Think of all the fine men we should lose if suicide were not so cowardly!

An hour later was six o'clock, and Perry had lost all resemblance to the young man in the liniment advertisement. He looked like a rough draft fur a riotous cartoon. They were singing—an impromptu song of Baily's improvisation:

One Lump Perry, the parlour snake, Famous through the city for the way he drinks his tea; Plays with it, toys with it, Makes no noise with it, Balanced on a napkin on his well-trained knee.

"Trouble is," said Perry, who had just banged his hair with Bailey's comb and was tying an orange tie round it to get the effect of Julius Caesar, "that you fellas can't sing worth a damn. Soon's I leave th' air an' start singin' tenor you start singin' tenor too."

"'M a natural tenor," said Macy gravely. "Voice lacks cultivation, tha's all. Gotta natural voice, m'aunt used say. Naturally good singer."

"Singers, singers, all good singers," remarked Baily, who was at the telephone. "No, not the cabaret; I want night clerk. I mean refreshment clerk or some dog-gone clerk 'at's got food—food! I want——"

"Julius Caesar," announced Perry, turning round from the mirror. "Man of iron will and stern 'termination."

"Shut up!" yelled Baily. "Say, iss Mr. Baily. Sen' up enormous supper. Use y'own judgment. Right away."

He connected the receiver and the hook with some difficulty and then with his lips closed and an air of solemn intensity in his eyes went to the lower drawer of his dresser and pulled it open.

"Lookit!" he commanded. In his hands he held a truncated garment of pink gingham.

"Pants," he explained gravely. "Lookit!" This was a pink blouse, a red tie and a Buster Brown collar.

"Lookit!" he repeated. "Costume for the Townsends' circus ball. I'm li'l' boy carries water for the elephants."

Perry was impressed in spite of himself.

"I'm going to be Julius Caesar," he announced after a moment of concentration.

"Thought you weren't going!" said Macy.

"Me? Sure, I'm goin'. Never miss a party. Good for the nerves—like celery."

"Caesar!" scoffed Baily. "Can't be Caesar! He's not about a circus. Caesar's Shakespeare. Go as a clown."

Perry shook his head.

"Nope; Caesar."

"Caesar?"

"Sure. Chariot."

Light dawned on Baily.

"That's right. Good idea."

Perry looked round the room searchingly.

"You lend me a bathrobe and this tie," he said finally.

Baily considered.

"No good."

"Sure, tha's all I need. Caesar was a savage. They can't kick if I come as Caesar if he was a savage."

"No," said Baily, shaking his head slowly. "Get a costume over at a costumer's. Over at Nolak's."

"Closed up."

"Find out."

After a puzzling five minutes at the phone a small, weary voice managed to convince Perry that it was Mr. Nolak speaking, and that they would remain open until eight because of the Townsends' ball. Thus assured, Perry ate a great amount of filet mignon and drank his third of the last bottle of champagne. At eight-fifteen the man in the tall hat who stands in front of the Clarendon found him trying to start his roadster.

"Froze up," said Perry wisely. "The cold froze it. The cold air."

"Froze, eh?"

"Yes. Cold air froze it."

"Can't start it?"

"Nope. Let it stand here till summer. One those hot ole August days'll thaw it out awright."

"Goin' let it stand?"

"Sure. Let 'er stand. Take a hot thief to steal it. Gemme taxi."

The man in the tall hat summoned a taxi.

"Where to, mister?"

"Go to Nolak's—costume fella."



II

Mrs. Nolak was short and ineffectual looking, and on the cessation of the world war had belonged for a while to one of the new nationalities. Owing to the unsettled European conditions she had never since been quite sure what she was. The shop in which she and her husband performed their daily stint was dim and ghostly and peopled with suits of armour and Chinese mandarins and enormous papier-mache birds suspended from the ceiling. In a vague background many rows of masks glared eyelessly at the visitor, and there were glass cases full of crowns and scepters and jewels and enormous stomachers and paints and powders and crape hair and face creams and wigs of all colours.

When Perry ambled into the shop Mrs. Nolak was folding up the last troubles of a strenuous day, so she thought, in a drawer full of pink silk stockings.

"Something for you?" she queried pessimistically.

"Want costume of Julius Hur, the charioteer."

Mrs. Nolak was sorry, but every stitch of charioteer had been rented long ago. Was it for the Townsends' circus ball?

It was.

"Sorry," she said, "but I don't think there's anything left that's really circus."

This was an obstacle.

"Hm," said Perry. An idea struck him suddenly. "If you've got a piece of canvas I could go's a tent."

"Sorry, but we haven't anything like that. A hardware store is where you'd have to go to. We have some very nice Confederate soldiers."

"No, no soldiers."

"And I have a very handsome king."

He shook his head.

"Several of the gentlemen," she continued hopefully, "are wearing stovepipe hats and swallow-tail coats and going as ringmasters—but we're all out of tall hats. I can let you have some crape hair for a moustache."

"Wantsomep'm 'stinctive."

"Something—let's see. Well, we have a lion's head, and a goose, and a camel—"

"Camel?" The idea seized Perry's imagination, gripped it fiercely.

"Yes, but it needs two people."

"Camel. That's an idea. Lemme see it."

The camel was produced from his resting place on a top shelf. At first glance he appeared to consist entirely of a very gaunt, cadaverous head and a sizable hump, but on being spread out he was found to possess a dark brown, unwholesome-looking body made of thick, cottony cloth.

"You see it takes two people," explained Mrs. Nolak, holding the camel up in frank admiration. "If you have a friend he could be part of it. You see there's sorta pants for two people. One pair is for the fella in front and the other pair for the fella in back. The fella in front does the lookin' out through these here eyes an' the fella in back he's just gotta stoop over an' folla the front fella round."

"Put it on," commanded Perry.

Obediently Mrs. Nolak put her tabby-cat face inside the camel's head and turned it from side to side ferociously.

Perry was fascinated.

"What noise does a camel make?"

"What?" asked Mrs. Nolak as her face emerged, somewhat smudgy. "Oh, what noise? Why, he sorta brays."

"Lemme see it in a mirror."

Before a wide mirror Perry tried on the head and turned from side to side appraisingly. In the dim light the effect was distinctly pleasing. The camel's face was a study in pessimism, decorated with numerous abrasions, and it must be admitted that his coat was in that state of general negligence peculiar to camels—in fact, he needed to be cleaned and pressed—but distinctive he certainly was. He was majestic. He would have attracted attention in any gathering if only by his melancholy cast of feature and the look of pensive hunger lurking round his shadowy eyes.

"You see you have to have two people," said Mrs. Nolak again.

Perry tentatively gathered up the body and legs and wrapped them about him, tying the hind legs as a girdle round his waist. The effect on the whole was bad. It was even irreverent—like one of those medieval pictures of a monk changed into a beast by the ministrations of Satan. At the very best the ensemble resembled a humpbacked cow sitting on her haunches among blankets.

"Don't look like anything at all," objected Perry gloomily.

"No," said Mrs. Nolak; "you see you got to have two people."

A solution flashed upon Perry.

"You got a date to-night?"

"Oh, I couldn't possibly—"

"Oh, come on," said Perry encouragingly. "Sure you can! Here! Be a good sport and climb into these hind legs."

With difficulty he located them and extended their yawning depths ingratiatingly. But Mrs. Nolak seemed loath. She backed perversely away.

"Oh, no—"

"C'm on! Why, you can be the front if you want to. Or we'll flip a coin."

"Oh, no—"

"Make it worth your while."

Mrs. Nolak set her lips firmly together.

"Now you just stop!" she said with no coyness implied. "None of the gentlemen ever acted up this way before. My husband—"

"You got a husband?" demanded Perry. "Where is he?"

"He's home."

"Wha's telephone number?"

After considerable parley he obtained the telephone number pertaining to the Nolak penates and got into communication with that small, weary voice he had heard once before that day. But Mr. Nolak, though taken off his guard and somewhat confused by Perry's brilliant flow of logic, stuck staunchly to his point. He refused firmly but with dignity to help out Mr. Parkhurst in the capacity of back part of a camel.

Having rung off, or rather having been rung off on, Perry sat down on a three-legged stool to think it over. He named over to himself those friends on whom he might call, and then his mind paused as Betty Medill's name hazily and sorrowfully occurred to him. He had a sentimental thought. He would ask her. Their love affair was over, but she could not refuse this last request. Surely it was not much to ask—to help him keep up his end of social obligation for one short night. And if she insisted she could be the front part of the camel and he would go as the back. His magnanimity pleased him. His mind even turned to rosy-coloured dreams of a tender reconciliation inside the camel—there hidden away from all the world.

"Now you'd better decide right off."

The bourgeois voice of Mrs. Nolak broke in upon his mellow fancies and roused him to action. He went to the phone and called up the Medill house. Miss Betty was out; had gone out to dinner.

Then, when all seemed lost, the camel's back wandered curiously into the store. He was a dilapidated individual with a cold in his head and a general trend about him of downwardness. His cap was pulled down low on his head, and his chin was pulled down low on his chest, his coat hung down to his shoes, he looked run-down, down at the heels, and—Salvation Army to the contrary—down and out. He said that he was the taxicab driver that the gentleman had hired at the Clarendon Hotel. He had been instructed to wait outside, but he had waited some time and a suspicion had grown upon him that the gentleman had gone out the back way with purpose to defraud him—gentlemen sometimes did—so he had come in. He sank down on to the three-legged stool.

"Wanta go to a party?" demanded Perry sternly.

"I gotta work," answered the taxi driver lugubriously. "I gotta keep my job."

"It's a very good party."

"'S a very good job."

"Come on!" urged Perry. "Be a good fella. See—it's pretty!" He held the camel up and the taxi driver looked at it cynically.

"Huh!"

Perry searched feverishly among the folds of the cloth.

"See!" he cried enthusiastically, holding up a selection of folds. "This is your part. You don't even have to talk. All you have to do is to walk—and sit down occasionally. You do all the sitting down. Think of it. I'm on my feet all the time and you can sit down some of the time. The only time I can sit down is when we're lying down, and you can sit down when—oh, any time. See?"

"What's 'at thing?" demanded the individual dubiously "A shroud?"

"Not at all," said Perry hurriedly. "It's a camel."

"Huh?"

Then Perry mentioned a sum of money, and the conversation left the land of grunts and assumed a practical tinge. Perry and the taxi driver tried on the camel in front of the mirror.

"You can't see it," explained Perry, peering anxiously out through the eyeholes, "but honestly, ole man, you look sim'ly great! Honestly!"

A grunt from the hump acknowledged this somewhat dubious compliment.

"Honestly, you look great!" repeated Perry enthusiastically. "Move round a little."

The hind legs moved forward, giving the effect of a huge cat-camel hunching his back preparatory to a spring.

"No; move sideways."

The camel's hips went neatly out of joint; a hula dancer would have writhed in envy.

"Good, isn't it?" demanded Perry, turning to Mrs. Nolak for approval.

"It looks lovely," agreed Mrs. Nolak.

"We'll take it," said Perry.

The bundle was safely stowed under Perry's arm and they left the shop.

"Go to the party!" he commanded as he took his seat in the back.

"What party?"

"Fanzy-dress party."

"Where 'bouts is it?"

This presented a new problem. Perry tried to remember, but the names of all those who had given parties during the holidays danced confusedly before his eyes. He could ask Mrs. Nolak, but on looking out the window he saw that the shop was dark. Mrs. Nolak had already faded out, a little black smudge far down the snowy street.

"Drive uptown," directed Perry with fine confidence. "If you see a party, stop. Otherwise I'll tell you when we get there."

He fell into a hazy daydream and his thoughts wandered again to Betty—he imagined vaguely that they had had a disagreement because she refused to go to the party as the back part of the camel. He was just slipping off into a chilly doze when he was wakened by the taxi driver opening the door and shaking him by the arm.

"Here we are, maybe."

Perry looked out sleepily. A striped awning led from the curb up to a spreading gray stone house, from inside which issued the low drummy whine of expensive jazz. He recognized the Howard Tate house.

"Sure," he said emphatically; "'at's it! Tate's party to-night. Sure, everybody's goin'."

"Say," said the individual anxiously after another look at the awning, "you sure these people ain't gonna romp on me for comin' here?"

Perry drew himself up with dignity.

"'F anybody says anything to you, just tell 'em you're part of my costume."

The visualization of himself as a thing rather than a person seemed to reassure the individual,

"All right," he said reluctantly.

Perry stepped out under the shelter of the awning and began unrolling the camel.

"Let's go," he commanded.

Several minutes later a melancholy, hungry-looking camel, emitting clouds of smoke from his mouth and from the tip of his noble hump, might have been seen crossing the threshold of the Howard Tate residence, passing a startled footman without so much as a snort, and leading directly for the main stairs that led up to the ballroom. The beast walked with a peculiar gait which varied between an uncertain lockstep and a stampede—but can best be described by the word "halting." The camel had a halting gait—and as he walked he alternately elongated and contracted like a gigantic concertina.



III

The Howard Tates are, as everyone who lives in Toledo knows, the most formidable people in town. Mrs. Howard Tate was a Chicago Todd before she became a Toledo Tate, and the family generally affect that conscious simplicity which has begun to be the earmark of American aristocracy. The Tates have reached the stage where they talk about pigs and farms and look at you icy-eyed if you are not amused. They have begun to prefer retainers rather than friends as dinner guests, spend a lot of money in a quiet way and, having lost all sense of competition, are in process of growing quite dull.

The dance this evening was for little Millicent Tate, and though there was a scattering of people of all ages present the dancers were mostly from school and college—the younger married crowd was at the Townsends' circus ball up at the Tallyho Club. Mrs. Tate was standing just inside the ballroom, following Millicent round with her eyes and beaming whenever she caught her eye. Beside her were two middle-aged sycophants who were saying what a perfectly exquisite child Millicent was. It was at this moment that Mrs. Tate was grasped firmly by the skirt and her youngest daughter, Emily, aged eleven, hurled herself with an "Oof—!" into her mother's arms.

"Why, Emily, what's the trouble?"

"Mamma," said Emily, wild-eyed but voluble, "there's something out on the stairs."

"What?"

"There's a thing out on the stairs, mamma. I think it's a big dog, mamma, but it doesn't look like a dog."

"What do you mean, Emily?"

The sycophants waved their heads and hemmed sympathetically.

"Mamma, it looks like a—like a camel."

Mrs. Tate laughed.

"You saw a mean old shadow, dear, that's all."

"No, I didn't. No, it was some kind of thing, mamma—big. I was downstairs going to see if there were any more people and this dog or something, he was coming upstairs. Kinda funny, mamma, like he was lame. And then he saw me and gave a sort of growl and then he slipped at the top of the landing and I ran."

Mrs. Tate's laugh faded.

"The child must have seen something," she said.

The sycophants agreed that the child must have seen something—and suddenly all three women took an instinctive step away from the door as the sounds of muffled footsteps were audible just outside.

And then three startled gasps rang out as a dark brown form rounded the corner and they saw what was apparently a huge beast looking down at them hungrily.

"Oof!" cried Mrs. Tate.

"O-o-oh!" cried the ladies in a chorus.

The camel suddenly humped his back, and the gasps turned to shrieks.

"Oh—look!"

"What is it?"

The dancing stopped, but the dancers hurrying over got quite a different impression of the invader from that of the ladies by the door; in fact, the young people immediately suspected that it was a stunt, a hired entertainer come to amuse the party. The boys in long trousers looked at it rather disdainfully and sauntered over with their hands in their pockets, feeling that their intelligence was being insulted. But the girls ran over with much handclapping and many little shouts of glee.

"It's a camel!"

"Well, if he isn't the funniest!"

The camel stood there uncertainly, swaying slightly from side to side and seeming to take in the room in a careful, appraising glance; then as if he had come to an abrupt decision he turned and ambled swiftly out the door.

Mr. Howard Tate had just come out of his den on the lower floor and was standing chatting with a good-looking young man in the hall. Suddenly they heard the noise of shouting upstairs and almost immediately a succession of bumping sounds, followed by the precipitous appearance at the foot of the stairway of a large brown beast who seemed to be going somewhere in a great hurry.

"Now what the devil!" said Mr. Tate, starting.

The beast picked itself up with some dignity and affecting an air of extreme nonchalance, as if he had just remembered an important engagement, started at a mixed gait toward the front door. In fact, his front legs began casually to run.

"See here now," said Mr. Tate sternly. "Here! Grab it, Butterfield! Grab it!"

The young man enveloped the rear of the camel in a pair of brawny arms, and evidently realizing that further locomotion was quite impossible the front end submitted to capture and stood resignedly in a state of some agitation. By this time a flood of young people was pouring downstairs, and Mr. Tate, suspecting everything from an ingenious burglar to an escaped lunatic, gave crisp directions to the good-looking young man:

"Hold him! Lead him in here; we'll soon see."

The camel consented to be led into the den, and Mr. Tate, after locking the door, took a revolver from a table drawer and instructed the young man to take the thing's head off. Then he gasped and returned the revolver to its hiding place.

"Well, Perry Parkhurst!" he exclaimed in amazement.

"'M in the wrong pew," said Perry sheepishly. "Got the wrong party, Mr. Tate. Hope I didn't scare you."

"Well—you gave us a thrill, Perry." Realization dawned on him. "Why, of course; you're bound for the Townsends' circus ball."

"That's the general idea."

"Let me introduce Mr. Butterfield, Mr. Parkhurst. Parkhurst is our most famous young bachelor here." Then turning to Perry: "Butterfield is staying with us for a few days."

"I got a little mixed up," mumbled Perry. "I'm very sorry."

"Heavens, it's perfectly all right; most natural mistake in the world. I've got a clown costume and I'm going down there myself after a while. Silly idea for a man of my age." He turned to Butterfield. "Better change your mind and come down with us."

The good-looking young man demurred. He was going to bed.

"Have a drink, Perry?" suggested Mr. Tate.

"Thanks, I will."

"And, say," continued Tate quickly, "I'd forgotten all about your—friend here." He indicated the rear part of the camel. "I didn't mean to seem discourteous. Is it any one I know? Bring him out."

"It's not a friend," explained Perry hurriedly. "I just rented him."

"Does he drink?"

"Do you?" demanded Perry, twisting himself tortuously round.

There was a faint sound of assent.

"Sure he does!" said Mr. Tate heartily. "A really efficient camel ought to be able to drink enough so it'd last him three days."

"Tell you, sir," said Perry anxiously, "he isn't exactly dressed up enough to come out. If you give me the bottle I can hand it back to him and he can take his inside."

From under the cloth was audible the enthusiastic smacking sound inspired by this suggestion. When a butler had appeared with bottles, glasses, and siphon one of the bottles was handed back, and thereafter the silent partner could be heard imbibing long potations at frequent intervals.

Thus passed a peaceful hour. At ten o'clock Mr. Tate decided that they'd better be starting. He donned his clown's costume; Perry replaced the camel's head with a sigh; side by side they progressed on foot the single block between the Tate house and the Tallyho Club.

The circus ball was in full swing. A great tent fly had been put up inside the ballroom and round the walls had been built rows of booths representing the various attractions of a circus side show, but these were now vacated and on the floor swarmed a shouting, laughing medley of youth and colour—clowns, bearded ladies, acrobats, bareback riders, ringmasters, tattooed men and charioteers. The Townsends had determined to assure their party of success, so a great quantity of liquor had been surreptitiously brought over from their house in automobiles and it was flowing freely. A green ribbon ran along the wall completely round the ballroom, with pointing arrows alongside of it and signs which instructed the uninitiated to "Follow the green line'" The green line led down to the bar, where waited pure punch and wicked punch and plain dark-green bottles.

On the wall above the bar was another arrow, red and very wavy, and under it the slogan: "Now follow this!"

But even amid the luxury of costume and high spirits represented there the entrance of the camel created something of a stir, and Perry was immediately surrounded by a curious, laughing crowd who were anxious to penetrate the identity of this beast who stood by the wide doorway eyeing the dancers with his hungry, melancholy gaze.

And then Perry saw Betty. She was standing in front of a booth talking to a group of clowns, comic policemen and ringmasters. She was dressed in the costume of an Egyptian snake charmer, a costume carried out to the smallest detail. Her tawny hair was braided and drawn through brass rings, the effect crowned with a glittering Oriental tiara. Her fair face was stained to a warm olive glow and on her bare arms and the half moon of her back writhed painted serpents with single eyes of venomous green. Her feet were in sandals and her skirt was slit to the knees, so that when she walked one caught a glimpse of other slim serpents painted just above her bare ankles. Wound about her neck was a huge, glittering, cotton-stuffed cobra, and her bracelets were in the form of tiny garter snakes. Altogether a very charming and beautiful costume—one that made the more nervous among the older women shrink away from her when she passed, and the more troublesome ones to make great talk about "shouldn't be allowed" and "perfectly disgraceful."

But Perry, peering through the uncertain eyes of the camel, saw only her face, radiant, animated and glowing with excitement, and her arms and shoulders, whose mobile, expressive gestures made her always the outstanding figure in any gathering. He was fascinated and his fascination exercised a strangely sobering effect on him. With a growing clarity the events of the day came back—he had lost forever this shimmering princess in emerald green and black. Rage rose within him, and with a half-formed intention of taking her away from the crowd he started toward her—or rather he elongated slightly, for he had neglected to issue the preparatory command necessary to locomotion.

But at this point fickle Kismet, who for a day had played with him bitterly and sardonically, decided to reward him in full for the amusement he had afforded her. Kismet turned the tawny eyes of the snake charmer to the camel. Kismet led her to lean toward the man beside her and say, "Who's that? That camel?"

They all gazed.

"Darned if I know."

But a little man named Warburton, who knew it all, found it necessary to hazard an opinion:

"It came in with Mr. Tate. I think it's probably Warren Butterfield, the architect, who's visiting the Tates."

Something stirred in Betty Medill—that age-old interest of the provincial girl in the visiting man.

"Oh," she said casually after a slight pause.

At the end of the next dance Betty and her partner finished up within a few feet of the camel. With the informal audacity that was the keynote of the evening she reached out and gently rubbed the camel's nose.

"Hello, old camel."

The camel stirred uneasily.

"You 'fraid of me?" said Betty, lifting her eyebrows in mock reproof. "Don't be. You see I'm a snake charmer, but I'm pretty good at camels too."

The camel bowed very low and the groups round laughed and made the obvious remark about the beauty and the beast.

Mrs. Townsend came bustling up.

"Well, Mr. Butterfield," she beamed, "I wouldn't have recognized you."

Perry bowed again and smiled gleefully behind his mask.

"And who is this with you?" she inquired.

"Oh," said Perry in a disguised voice, muffled by the thick cloth and quite unrecognizable, "he isn't a fellow, Mrs. Townsend. He's just part of my costume."

This seemed to get by, for Mrs. Townsend laughed and bustled away. Perry turned again to Betty.

"So," he thought, "this is how much she cares! On the very day of our final rupture she starts a flirtation with another man—an absolute stranger."

On an impulse he gave her a soft nudge with his shoulder and waved his head suggestively toward the hall, making it clear that he desired her to leave her partner and accompany him. Betty seemed quite willing.

"By-by, Bobby," she called laughingly to her partner. "This old camel's got me. Where are we going, Prince of Beasts?"

The noble animal made no rejoinder, but stalked gravely along in the direction of a secluded nook on the side stairs.

There Betty seated herself, and the camel, after some seconds of confusion which included gruff orders and sounds of a heated dispute going on in his interior, placed himself beside her, his hind legs stretching out uncomfortably across two steps.

"Well, camel," said Betty cheerfully, "how do you like our happy party?"

The camel indicated that he liked it by rolling his head ecstatically and executing a gleeful kick with his hoofs.

"This is the first time that I ever had a tete-a-tete with a man's valet round"—she pointed to the hind legs—"or whatever that is."

"Oh," said Perry, "he's deaf and blind. Forget about him."

"That sure is some costume! But I should think you'd feel rather handicapped—you can't very well shimmy, even if you want to."

The camel hung his head lugubriously.

"I wish you'd say something," continued Betty sweetly. "Say you like me, camel. Say you think I'm pretty. Say you'd like to belong to a pretty snake charmer."

The camel would.

"Will you dance with me, camel?"

The camel would try.

Betty devoted half an hour to the camel. She devoted at least half an hour to all visiting men. It was usually sufficient. When she approached a new man the current debutantes were accustomed to scatter right and left like a close column deploying before a machine gun. And so to Perry Parkhurst was awarded the unique privilege of seeing his love as others saw her. He was flirted with violently!



IV

This paradise of frail foundation was broken into by the sound of a general ingress to the ballroom; the cotillion was beginning. Betty and the camel joined the crowd, her brown hand resting lightly on his shoulder, defiantly symbolizing her complete adoption of him.

When they entered, the couples were already seating themselves at tables round the walls, and Mrs. Townsend, resplendent as a super bareback rider with rather too rotund calves, was standing in the centre with the ringmaster who was in charge of arrangements. At a signal to the band everyone rose and began to dance.

"Isn't it just slick!" breathed Betty.

"You bet!" said the camel.

"Do you think you can possibly dance?"

Perry nodded enthusiastically. He felt suddenly exuberant. After all, he was here incognito talking to his girl—he felt like winking patronizingly at the world.

"I think it's the best idea," cried Betty, "to give a party like this! I don't see how they ever thought of it. Come on, let's dance!"

So Perry danced the cotillion. I say danced, but that is stretching the word far beyond the wildest dreams of the jazziest terpsichorean. He suffered his partner to put her hands on his helpless shoulders and pull him here and there gently over the floor while he hung his huge head docilely over her shoulder and made futile dummy motions with his feet. His hind legs danced in a manner all their own, chiefly by hopping first on one foot and then on the other. Never being sure whether dancing was going on or not, the hind legs played safe by going through a series of steps whenever the music started playing. So the spectacle was frequently presented of the front part of the camel standing at ease and the rear keeping up a constant energetic motion calculated to rouse a sympathetic perspiration in any soft-hearted observer.

He was frequently favoured. He danced first with a tall lady covered with straw who announced jovially that she was a bale of hay and coyly begged him not to eat her.

"I'd like to; you're so sweet," said the camel gallantly.

Each time the ringmaster shouted his call of "Men up!" he lumbered ferociously for Betty with the cardboard wiener-wurst or the photograph of the bearded lady or whatever the favour chanced to be. Sometimes he reached her first, but usually his rushes were unsuccessful and resulted in intense interior arguments.

"For heaven's sake," Perry would snarl fiercely between his clenched teeth, "get a little pep! I could have gotten her that time if you'd picked your feet up."

"Well, gimme a little warnin'!"

"I did, darn you."

"I can't see a dog-gone thing in here."

"All you have to do is follow me. It's just like dragging a load of sand round to walk with you."

"Maybe you wanta try back here."

"You shut up! If these people found you in this room they'd give you the worst beating you ever had. They'd take your taxi license away from you!"

Perry surprised himself by the ease with which he made this monstrous threat, but it seemed to have a soporific influence on his companion, for he muttered an "aw gwan" and subsided into abashed silence.

The ringmaster mounted to the top of the piano and waved his hand for silence.

"Prizes!" he cried. "Gather round!"

"Yea! Prizes!"

Self-consciously the circle swayed forward. The rather pretty girl who had mustered the nerve to come as a bearded lady trembled with excitement, hoping to be rewarded for an evening's hideousness. The man who had spent the afternoon having tattoo marks painted on him by a sign painter skulked on the edge of the crowd, blushing furiously when any one told him he was sure to get it.

"Lady and gent performers of the circus," announced the ringmaster jovially, "I am sure we will all agree that a good time has been had by all. We will now bestow honour where honour is due by bestowing the prizes. Mrs. Townsend has asked me to bestow the prizes. Now, fellow performers, the first prize is for that lady who has displayed this evening the most striking, becoming"—at this point the bearded lady sighed resignedly—"and original costume." Here the bale of hay pricked up her ears. "Now I am sure that the decision which has been decided upon will be unanimous with all here present. The first prize goes to Miss Betty Medill, the charming Egyptian snake charmer."

There was a great burst of applause, chiefly masculine, and Miss Betty Medill, blushing beautifully through her olive paint, was passed up to receive her award. With a tender glance the ringmaster handed down to her a huge bouquet of orchids.

"And now," he continued, looking round him, "the other prize is for that man who has the most amusing and original costume. This prize goes without dispute to a guest in our midst, a gentleman who is visiting here but whose stay we will hope will be long and merry—in short to the noble camel who has entertained us all by his hungry look and his brilliant dancing throughout the evening."

He ceased and there was a hearty burst of applause, for it was a popular choice. The prize, a huge box of cigars, was put aside for the camel, as he was anatomically unable to accept it in person.

"And now," continued the ringmaster, "we will wind up the cotillion with the marriage of Mirth to Folly!

"Form for the grand wedding march, the beautiful snake charmer and the noble camel in front!"

Betty skipped forward cheerily and wound an olive arm round the camel's neck. Behind them formed the procession of little boys, little girls, country Jakes, policemen, fat ladies, thin men, sword swallowers, wild men of Borneo, armless wonders and charioteers, some of them well in their cups, all of them excited and happy and dazzled by the flow of light and colour round them and by the familiar faces strangely unfamiliar under bizarre wigs and barbaric paint. The voluminous chords of the wedding march done in mad syncopation issued in a delirious blend from the saxophones and trombones—and the march began.

"Aren't you glad, camel?" demanded Betty sweetly as they stepped off. "Aren't you glad we're going to be married and you're going to belong to the nice snake charmer ever afterward?"

The camel's front legs pranced, expressing exceeding joy.

"Minister, minister! Where's the minister?" cried voices out of the revel. "Who's going to be the cler-gy-man?"

The head of Jumbo, rotund negro waiter at the Tallyho Club for many years, appeared rashly through a half-opened pantry door.

"Oh, Jumbo!"

"Get old Jumbo. He's the fella!"

"Come on, Jumbo. How 'bout marrying us a couple?"

"Yea!"

Jumbo despite his protestations was seized by four brawny clowns, stripped of his apron and escorted to a raised dais at the head of the ball. There his collar was removed and replaced back side forward to give him a sanctimonious effect. He stood there grinning from ear to ear, evidently not a little pleased, while the parade separated into two lines leaving an aisle for the bride and groom.

"Lawdy, man," chuckled Jumbo, "Ah got ole Bible 'n' ev'ythin', sho nuff."

He produced a battered Bible from a mysterious interior

"Yea. Old Jumbo's got a Bible!"

"Razor, too, I'll bet!"

"Marry 'em off, Jumbo!"

Together the snake charmer and the camel ascended the cheering aisle and stopped in front of Jumbo, who adopted a grave pontifical air.

"Where's your license, camel?"

"Make it legal, camel."

A man near by prodded Perry.

"Give him a piece of paper, camel. Anything'll do."

Perry fumbled confusedly in his pocket, found a folded paper and pushed it out through the camel's mouth. Holding it upside down Jumbo pretended to scan it earnestly.

"Dis yeah's a special camel's license," he said. "Get you ring ready, camel."

Inside the camel Perry turned round and addressed his latter half.

"Gimme a ring, for Pete's sake!"

"I ain't got none," protested a weary voice.

"You have. I saw it."

"I ain't goin' to take it offen my hand."

"If you don't I'll kill you."

There was a gasp and Perry felt a huge affair of rhinestone and brass inserted into his hand.

Again he was nudged from the outside.

"Speak up!"

"I do!" cried Perry quickly.

He heard Betty's responses given in a laughing debonair tone, and the sound of them even in this burlesque thrilled him.

If it was only real! he thought. If it only was!

Then he had pushed the rhinestone through a tear in the camel's coat and was slipping it on her finger, muttering ancient and historic words after Jumbo. He didn't want any one to know about this ever. His one idea was to slip away without having to disclose his identity, for Mr. Tate had so far kept his secret well. A dignified young man, Perry—and this might injure his infant law practice.

"Kiss her, camel!"

"Embrace the bride!"

"Unmask, camel, and kiss her!"

Instinctively his heart beat high as Betty turned to him laughingly and began playfully to stroke the cardboard muzzle. He felt his self-control giving away, he longed to seize her in his arms and declare his identity and kiss those scarlet lips that smiled teasingly at him from only a foot away—when suddenly the laughter and applause round them died away and a curious hush fell over the hall. Perry and Betty looked up in surprise. Jumbo had given vent to a huge "Hello!" in such a startled and amazed voice that all eyes were bent on him.

"Hello!" he said again. He had turned round the camel's marriage license, which he had been holding upside down, produced spectacles and was studying it intently.

"Why," he exclaimed, and in the pervading silence his words were heard plainly by everyone in the room, "this yeah's a sho-nuff marriage permit."

"What?"

"Huh?"

"Say it again, Jumbo!"

"Sure you can read?"

Jumbo waved them to silence and Perry's blood burned to fire in his veins as he realized the break he had made.

"Yassuh!" repeated Jumbo. "This yeah's a sho-nuff license, and the pa'ties concerned one of 'em is dis yeah young lady, Miz Betty Medill, and th' other's Mistah Perry Pa'khurst."

There was a general gasp, and a low rumble broke out as all eyes fell on the camel. Betty shrank away from him quickly, her tawny eyes giving out sparks of fury.

"Is you Mistah Pa'khurst, you camel?"

Perry made no answer. The crowd pressed up closer and stared at him as he stood frozen rigid with embarrassment, his cardboard face still hungry and sardonic, regarding the ominous Jumbo.

"You-all bettah speak up!" said Jumbo slowly, "this yeah's a mighty serous mattah. Outside mah duties at this club ah happens to be a sho-nuff minister in the Firs' Cullud Baptis' Church. It done look to me as though you-all is gone an' got married."



V

The scene that followed will go down forever in the annals of the Tallyho Club. Stout matrons fainted, strong men swore, wild-eyed debutantes babbled in lightning groups instantly formed and instantly dissolved, and a great buzz of chatter, virulent yet oddly subdued, hummed through the chaotic ballroom. Feverish youths swore they would kill Perry or Jumbo or themselves or someone and the Baptis' preacheh was besieged by a tempestuous covey of clamorous amateur lawyers, asking questions, making threats, demanding precedents, ordering the bonds annulled, and especially trying to ferret out any hint or suspicion of prearrangement in what had occurred.

On the corner Mrs. Townsend was crying softly on the shoulder of Mr. Howard Tate, who was trying vainly to comfort her; they were exchanging "all my fault's" volubly and voluminously. Outside on a snow covered walk Mr. Cyrus Medill, the Aluminum Man, was being paced slowly up and down between two brawny charioteers, giving vent now to a grunt, now to a string of unrepeatables, now to wild pleadings that they'd just let him get at Jumbo. He was facetiously attired for the evening as a wild man of Borneo, and the most exacting stage manager after one look at his face would have acknowledged that any improvement in casting the part would have been quite impossible.

Meanwhile the two principals held the real centre of the stage. Betty Medill—or was it Betty Parkhurst?—weeping furiously, was surrounded by the plainer girls—the prettier ones were too busy talking about her to pay much attention to her—and over on the other side of the hall stood the camel, still intact except for his head-piece, which dangled pathetically on his chest. Perry was earnestly engaged in making protestations of his innocence to a ring of angry, puzzled men. Every few minutes just as he had apparently proved his case someone would mention the marriage certificate, and the inquisition would begin again.

A girl named Marion Cloud, considered the second best belle of Toledo, changed the gist of the situation by a remark she made to Betty.

"Well," she said maliciously, "it'll all blow over, dear. The courts will annul it without question."

Betty's tears dried miraculously in her eyes, her lips shut tightly together, and she flashed a withering glance at Marion. Then she rose and scattering her sympathizers right and left walked directly across the room to Perry, who also rose and stood looking at her in terror. Again silence crept down upon the room.

"Will you have the decency," she said, "to grant me five minutes' conversation—or wasn't that included in your plans?"

He nodded, his mouth unable to form words.

Indicating coldly that he was to follow her she walked out into the hall with her chin uptilted and headed for the privacy of one of the little card rooms.

Perry started after her, but was brought to a jerky halt by the failure of his hind legs to function.

"You stay here!" he commanded savagely.

"I can't," whined a voice from the hump, "unless you get out first and let me get out."

Perry hesitated, but the curious crowd was unbearable, and unable any longer to tolerate eyes he muttered a command and with as much dignity as possible the camel moved carefully out on its four legs.

Betty was waiting for him.

"Well," she began furiously, "you see what you've done! You and that crazy license! I told you, you shouldn't have gotten it! I told you!"

"My dear girl, I——"

"Don't dear-girl me! Save that for your real wife if you ever get one after this disgraceful performance."

"I——"

"And don't try to pretend it wasn't all arranged. You know you gave that coloured waiter money! You know you did! Do you mean to say you didn't try to marry me?"

"No—I mean, yes—of course——"

"Yes, you'd better admit it! You tried it, and now what are you going to do? Do you know my father's nearly crazy? It'll serve you right if he tries to kill you. He'll take his gun and put some cold steel in you. O-o-oh! Even if this marr—this thing can be annulled it'll hang over me all the rest of my life!"

Perry could not resist quoting softly: "'Oh, camel, wouldn't you like to belong to the pretty snake charmer for all your——'"

"Shut up!" cried Betty.

There was a pause.

"Betty," said Perry finally with a very faint hopefulness, "there's only one thing to do that will really get us out clear. That's for you to marry me."

"Marry you!"

"Yes. Really it's the only——"

"You shut up! I wouldn't marry you if—if——"

"I know. If I were the last man on earth. But if you care anything about your reputation——"

"Reputation!" she cried. "You're a nice one to think about my reputation now. Why didn't you think about my reputation before you hired that horrible Jumbo to—to——"

Perry tossed up his hands hopelessly.

"Very well. I'll do anything you want. Lord knows I renounce all claims!"

"But," said a new voice, "I don't."

Perry and Betty started, and she put her hand to her heart.

"For heaven's sake, what was that?"

"It's me," said the camel's back.

In a minute Perry had whipped off the camel's skin, and a lax, limp object, his clothes hanging on him damply, his hand clenched tightly on an almost empty bottle, stood defiantly before them.

"Oh," cried Betty, tears starting again to her eyes, "you brought that object in here to frighten me! You told me he was deaf—that awful person!"

The ex-camel's back sat down on a chair with a sigh of satisfaction.

"Don't talk 'at way about me, lady. I ain't no person. I'm your husband."

"Husband!"

The cry was wrung simultaneously from Betty and Perry.

"Why, sure. I'm as much your husband as that gink is. The smoke didn't marry you to the camel's front. He married you to the whole camel. Why, that's my ring you got on your finger!"

With a little cry she snatched the ring from her finger and flung it passionately at the floor.

"What's all this?" demanded Perry dazedly.

"Jes' that you better fix me an' fix me right. If you don't I'm a-gonna have the same claim you got to bein' married to her!"

"That's bigamy," said Perry, turning gravely to Betty.

Then came the supreme moment of Perry's early life, the ultimate chance on which he risked his fortunes. He rose and looked first at Betty, where she sat weakly, her face aghast at this new complication, and then at the individual who swayed from side to side on his chair, uncertainly yet menacingly.

"Very well," said Perry slowly to the individual, "you can have her. Betty, I'm going to prove to you that as far as I'm concerned our marriage was entirely accidental. I'm going to renounce utterly my rights to have you as my wife, and give you to—to the man whose ring you wear—your lawful husband."

There was a pause and four horror-stricken eyes were turned on him.

"Good-by, Betty," he said brokenly. "Don't forget me in your new-found happiness. I'm going to leave for the Far West on the morning train. Think of me kindly, Betty."

With a last glance at them he turned on his heel and his head bowed on his chest as his hand touched the door knob.

"Good-by," he repeated. He turned the door knob.

But at these words a flying bundle of snakes and silk and tawny hair hurled itself at him.

"Oh, Perry, don't leave me! I can't face it alone! Perry, Perry, take me with you!"

Her tears rained down in a torrent and flowed damply on his neck. Calmly he folded his arms about her.

"I don't care," she cried tearfully. "I love you and if you can wake up a minister at this hour and have it done over again I'll go West with you."

Over her shoulder the front part of the camel looked at the back part of the camel—and they exchanged a particularly subtle, esoteric sort of wink that only true camels can understand.



BREAK-NECK HILL

BY ESTHER FORBES

From The Grinnell Review

Down Holly Street the tide had set in for church. It was a proper, dilatory tide. Every silk-hat glistened, every shoe was blacked, the flowers on the women's hats were as fresh as the daffodils against the house fronts. Few met face to face, now and then a faster walker would catch up with acquaintances and join them or, with a flash of raised hat, bow, and pass on down the stream.

Then the current met an obstacle. A man, young and graceful and very much preoccupied, walked through the church-goers, faced in the opposite direction. His riding breeches and boots showed in spite of the loose overcoat worn to cover them. He bowed continually, like royalty from a landau, almost as mechanically, and answered the remarks that greeted him.

"Hello, Geth."

"Hello."

"Good morning, Mr. Gething. Not going to church this morning." This from a friend of his mother.

"Good morning. No, not this morning." He met a chum.

"Good riding day, eh?"

"Great."

"Well, Geth, don't break your neck."

"You bet not."

"I'll put a P.S. on the prayer for you," said the wag.

"Thanks a lot." The wag was always late—even to church on Easter morning. So Gething knew the tail of the deluge was reached and past. He had the street almost to himself. It was noticeable that the man had not once called an acquaintance by name or made the first remark. His answers had been as reflex as his walking. Geth was thinking, and in the sombre eyes was the dumb look of a pain that would not be told—perhaps he considered it too slight.

He left Holly Street and turned into Holly Park. Here from the grass that bristled so freshly, so ferociously green, the tree trunks rose black and damp. Brown pools of water reflected a blue radiant sky through blossoming branches. Gething subsided on a bench well removed from the children and nurse maids. First he glanced at the corner of Holly Street and the Boulevard where a man from his father's racing stable would meet him with his horse. His face, his figure, his alert bearing, even his clothes promised a horse-man. The way his stirrups had worn his boots would class him as a rider. He rode with his foot "through" as the hunter, steeple chaser, and polo-player do—not on the ball of his foot in park fashion.

He pulled off his hat and ran his hand over his close-cropped head. Evidently he was still thinking. Across his face the look of pain ebbed and returned, then he grew impatient. His wrist-watch showed him his horse was late and he was in a hurry to be started, for what must be done had best be done quickly. Done quickly and forgotten, then he could give his attention to the other horses. There was Happiness—an hysterical child, and Goblin, who needed training over water jumps, and Sans Souci, whose lame leg should be cocained to locate the trouble—all of his father's stable of great thoroughbreds needed something except Cuddy, who waited only for the bullet. Gething's square brown hand went to his breeches pocket, settled on something that was cold as ice and drew it out—the revolver. The horse he had raced so many times at Piping Rock, Brookline, Saratoga had earned the right to die by this hand which had guided him. Cuddy's high-bred face came vividly before his eyes and the white star would be the mark. He thrust the revolver back in his pocket hastily for a child had stopped to look at him, then slowly rose and fell to pacing the gravel walk. A jay screamed overhead, "Jay, jay, jay!"

"You fool," Geth called to him and then muttered to himself. "Fool, fool—oh, Geth——" From the boulevard a voice called him.

"Mr. Gething—if you please, sir——!" It was Willet the trainer.

"All right, Willet." The trainer was mounted holding a lean greyhound of a horse. Gething pulled down the stirrups.

"I meant to tell you to bring Cuddy for me to ride, last time, you know."

"Not that devil. I could never lead him in. Frenchman, here, is well behaved in cities."

Gething swung up. He sat very relaxed upon a horse. There was a lifetime of practice behind that graceful seat and manner with the reins. The horse started a low shuffling gait that would take them rapidly out of the city to the Gething country place and stables.

"You know," Geth broke silence, "Cuddy's got his—going to be shot."

"Not one of us, sir," said Willet, "but will sing Hallelujah! He kicked a hole in Muggins yesterday. None of the boys dare touch him, so he hasn't been groomed proper since your father said he was to go. It's more dangerous wipin' him off than to steeplechase the others." Geth agreed. "I know it isn't right to keep a brute like that."

"No, sir. When he was young and winning stakes it seemed different. I tell you what, we'll all pay a dollar a cake for soap made out 'er old Cuddy."

"There'll be no soap made out of old Cuddy," Gething interrupted him, "I'll ride him out—up to the top of Break-Neck Hill and shoot him there. You'd better begin the trench by noon. When it's dug I'll take him to the top and——"

"But nobody's been on his back since your father said it was useless to try to make him over. Too old for steeplechasing and too much the racer for anything else, and too much the devil to keep for a suvnor."

"Well, I'll ride him once again."

"But, Mr. Geth, he's just been standing in his box or the paddock for four weeks now. We've been waiting for you to say when he was to be shot. He's in a sweet temper and d' y'er know, I think, I do——"

"What do you think?" Willet blushed purple.

"I think Cuddy's got something in his head, some plan if he gets out. I think he wants to kill some one before he dies. Yes, sir, kill him. And you know if he gets the start of you there is no stopping the dirty devil."

"Yes, he does tear a bit," Geth admitted. "But I never was on a surer jumper. Lord! How the old horse can lift you!" Gething dropped into a disconsolate silence, interrupted before long by Willet.

"Happiness will get Cuddy's box—she's in a stall. Cuddy was always mean to her—used to go out of his way to kick her—and she, sweet as a kitten."

"So you'll give her his box in revenge?"

"Revenge? Oh, no sir. Just common sense." Any thought of a sentimental revenge was distasteful to the trainer, but he was glad that good Happiness should get his box and disappointed about the soap. It would have lent relish to his somewhat perfunctory washings to say to himself, "Doubtless this here bit of soap is a piece of old Cuddy."

"How long will the trench take?"

"A good bit of time, sir. Cuddy isn't no kitten we're laying by. I'll put them gardeners on the job—with your permission—and they know how to shovel. You'll want an old saddle on him?"

"No, no, the one I've raced him in, number twelve, and his old bridle with the chain bit."

"Well, well," said Willet rubbing his veiny nose.

He considered the horse unworthy of any distinction, but in his desire to please Geth, took pains to prepare Cuddy for his death and burial. Gething was still at the big house although it was four o'clock and the men on Break-Neck Hill were busy with their digging. Willet called them the sextons.

"And we, Joey," he addressed a stable boy, "we're the undertakers. Handsome corpse, what?" Cuddy stood in the centre of the barn floor fastened to be groomed. He was handsome, built on the cleanest lines of speed and strength, lean as an anatomical study, perfect for his type. The depth of chest made his legs, neck, and head look fragile. His face was unusually beautiful—the white-starred face which had been before Geth's eyes as he had sat in Holly Park. His pricked ears strained to hear, his eyes to see. The men working over him were beneath his notice.

"Look at him," complained Joey, "he pays no more attention to us than as if we weren't here." Cuddy usually kicked during grooming, but his present indifference was more insulting.

"Huh!" said Willet. "he knows them sextons went to Break-Neck to dig the grave for him. Don't yer, Devil? Say, Joey, look at him listening like he was counting the number of spadefuls it takes to make a horse's grave. He's thinking, old Cuddy is, and scheming what he'd like to do. I wouldn't ride him from here to Break-Neck, not for a thousand dollars." He began rapidly with the body brush on Cuddy's powerful haunch, then burst out:

"He thinks he'll be good and we'll think he's hit the sawdust trail, or perhaps he wants to look pretty in his coffin. Huh! Give me that curry. You wash off his face a bit." Cuddy turned his aristocratic face away from the wet cloth and blew tremulously. Joey tapped the blazing star on his forehead.

"Right there," he explained to Willet, "but anyhow he's begun to show his age." He pointed the muzzle which had the run forward look of an old horse and to the pits above the eyes. The grooming was finished but neither Gething came to the stable from the big house nor the trench diggers from Break-Neck to say that their work was done.

"Say, Joey," suggested Willet, "I'll do up his mane in red and yellow worsteds, like he was going to be exhibited. Red and yellow look well on a bay. You get to the paddock and see Frenchman hasn't slipped his blanket while I fetch the worsteds from the office."

Cuddy left alone, stopped his listening and began pulling at his halter. It held him firm. From the brown dusk of their box-stalls two lines of expectant horses' faces watched him. The pretty chestnut, Happiness, already had been transferred to his old box, her white striped face was barely visible. Farther down, on the same side, Goblin stood staring stupidly and beyond were the heads of the three brothers, Sans Pareil, Sans Peur and the famous Sans Souci who could clear seven feet of timber (and now was lame.) Opposite stood Bohemia, cold blood in her veins as a certain thickness about the throat testified, and little Martini, the flat racer. On either side of him were Hotspur and Meteor and there were a dozen others as famous. Above each stall was hung the brass plate giving the name and pedigree and above that up to the roof the hay was piled sweet and dusty-smelling. The barn swallows twittered by an open window in the loft. In front of Cuddy the great double doors were open to the fields and pastures, the gray hills and the radiant sky. Cuddy reared abruptly striking out with his front legs, crouched and sprang against his halter again, but it held him fast. Willet, on returning with his worsted, found him as he had left him, motionless as a bronze horse on a black marble clock.

Willet stood on a stool the better to work on the horse's neck. His practised fingers twisted and knotted the mane and worsted, then cut the ends into hard tassels. The horse's withers were reached and the tassels bobbing rakishly gave a hilarious look to the condemned animal.

Four men, very sweaty, carrying spades entered.

"It's done," said the first, nodding, "and it's a big grave. Glad pet horses don't die oftener."

"This ain't a pet," snapped Willet. "He's just that much property and being of no more use is thrown away—just like an old tin can. No more sense in burying one than the other. If I had my way about it I'd——" But Geth entered. With his coat off he gave an impression of greater size, like Cuddy his lines were graceful enough to minimize his weight.

"Hole dug? Well, let's saddle up and start out." He did not go up to Cuddy to speak to him as he usually would have done, but as if trying to avoid him, he fell to patting Happiness's striped face. She was fretful in her new quarters. "Perhaps," thought Willet, "she knows it's old Cuddy and he's gone out for good." All the horses seemed nervous and unhappy. It was as if they knew that one of their number was to be taken out to an inglorious death—not the fortune to die on the turf track as a steeple-chaser might wish, but ignominiously, on a hill top, after a soft canter through spring meadows.

Cuddy stood saddled and bridled and then Willet turned in last appeal to his master's son.

"Mr. Geth, I wouldn't ride him—not even if I rode as well as you, which I don't. That horse has grown worse and worse these last months. He wants to kill some one, that's what he wants." Geth shook his head.

"No use, Willet, trying to scare me. I know what I'm doing, eh Cuddy?" He went to the horse and rubbed the base of his ears. The satin head dropped forward on to the man's chest, a rare response from Cuddy. Gething led him out of the stable, Willet held his head as the man mounted.

As he thrust his foot in the stirrup Cuddy lunged at Willet, his savage yellow teeth crushed into his shoulder. The rider pulled him off striking him with his heavy hunting whip. The horse squealed, arched himself in the air and sidled down the driveway. He did not try to run or buck, but seemed intent on twisting himself into curves and figures. The two went past the big house with its gables and numberless chimneys and down to the end of the driveway.

There is a four foot masonry wall around the Gething country-place ("farm" they call it). The horse saw it and began jerking at his bit and dancing, for ever since colt-hood walls had had but one meaning for him.

"Well, at it old man," laughed Gething. At a signal Cuddy flew at it, rose into the air with magnificent strength and landed like thistle-down.

"Cuddy," cried the man, "there never was a jumper like you. Break-Neck will keep, we'll find some more walls first." He crossed the road and entered a rough pasture. It was a day of such abounding life one could pity the worm the robin pulled. For on such a day everything seemed to have the right to live and be happy. The crows sauntered across the sky, care free as hoboes. Under foot the meadow turf oozed water, the shad-bush petals fell like confetti before the rough assault of horse and rider. Gething liked this day of wind and sunshine. In the city there had been the smell of oiled streets to show that spring had come, here was the smell of damp earth, pollen, and burnt brush. Suddenly he realized that Cuddy, too, was pleased and contented for he was going quietly now, occasionally he threw up his head and blew "Heh, heh!" through his nostrils. Strange that Willet had thought Cuddy wanted to kill some one—all he really wanted was a bit of a canter.

A brook was reached. It was wide, marshy, edged with cowslips. It would take a long jump to clear it. Gething felt the back gather beneath him, the tense body flung into the air, the flight through space, then the landing well upon the firm bank.

"Bravo, Cuddy!" the horse plunged and whipped his head between his forelegs, trying to get the reins from the rider's hands. Gething let himself be jerked forward until his face almost rested on the veiny neck.

"Old tricks, Cuddy. I knew that one before you wore your first shoes." He still had easy control and began to really let him out. There was a succession of walls and fences and mad racing through fields when the horse plunged in his gait and frightened birds fluttered from the thicket and Gething hissed between his teeth as he always did when he felt a horse going strong beneath him.

Then they came to a hill that rose out of green meadows. It was covered with dingy pine trees except the top that was bared like a tonsure. A trail ran through the woods; a trail singularly morose and unattractive. The pines looked shabby and black in comparison to the sun on the spring meadows. This was Break-Neck Hill. Perhaps Cuddy felt his rider stiffen in the saddle for he refused passionately to take the path. He set his will against Gething's and fought, bucking and rearing. When a horse is capable of a six foot jump into the air his great strength and agility make his bucking terrible. The broncho is a child in size and strength compared to Cuddy's race of super-horse. Twice Geth went loose in his flat saddle and once Cuddy almost threw himself. The chain bit had torn the edges of his mouth and blood coloured his froth. Suddenly he acquiesced and quiet again, he took the sombre path. Geth thrust his right hand into his pocket, the revolver was still there. His hand left it and rested on the bobbing, tasseled mane.

"Old man," he addressed the horse, "I know you don't know where you're going and I know you don't remember much, but you must remember Saratoga and how we beat them all. And Cuddy, you'd understand—if you could—how it's all over now and why I want to do it for you myself."

The woods were cleared. It was good to leave their muffled dampness for the pure sunshine of the crest. On the very top of the hill clean-cut against the sky stood a great wind-misshaped pine. At the foot of this pine was a bank of fresh earth and Gething knew that beyond the bank was the trench. He bent in his saddle and pressed his forehead against the warm neck. Before his eyes was the past they had been together, the sweep of the turf course, the grandstand a-flutter, grooms with blankets, jockeys and gentlemen in silk, owners' wives with cameras, then the race that always seemed so short—a rush of horses, the stretching over the jumps, and the purse or not, it did not matter.

He straightened up with a grim set to his jaw and gathered the loosened reins. Cuddy went into a canter and so approached the earth bank. Suddenly he refused to advance and again the two wills fought, but not so furiously. Cuddy was shaking with fear. The bank was a strange thing, a fearsome thing, and the trench beyond, ghastly. His neck stretched forward. "Heh, heh!" he blew through his nostrils.

"Six steps nearer, Cuddy." Geth struck him lightly with his spurs. The horse paused by the bank and began rocking slightly.

"Sist! be quiet," for they were on the spot Gething wished. The horse gathered himself, started to rear, then sprang into the air, cleared earth-mound and trench and bounded down the hill. The tremendous buck-jump he had so unexpectedly taken, combined with his frantic descent, gave Gething no chance to get control until the level was reached. Then, with the first pull on the bridle, he realized it was too late. For a while at least Cuddy was in command. Gething tried all his tricks with the reins, the horse dashed on like a furious gust of wind, he whirled through the valley, across a ploughed field, over a fence and into more pastures. Gething, never cooler, fought for the control. The froth blown back against his white shirt was rosy with blood. Cuddy was beyond realizing his bit. Then Gething relaxed a little and let him go. He could guide him to a certain extent. Stop him he could not.