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"Tetcho!" she exclaimed, approvingly, using the word that spells all degrees of satisfaction. "And what is it for, stickless one? Is it a talk over silver?"
"Yes, it is some business," George Lane replied, "but first there will be a gillie shoon."
A gillie shoon has its counterpart in the English word "singsong," as it is beginning to be used now, with this exception: Romanys have few "fixed" songs. They have strains which are set, which every one knows, but a gillie shoon means that the performers improvise coninually; and in this sense it is a mystic ceremony, never held at an appointed time, except a "time of Mul-cerus," which really means a sort of religious wave of feeling, which strikes tribe after tribe, usually in the spring.
"Marda has come back," Aunty Lee called out to Dora Parse. No one ever called her by her full name of Marda Lee, because she was a Lee only by courtesy, having been adopted from a distant wagon when both her parents were killed in a thunderstorm. Marda, wearing the trim tailored skirt and waist that were her usual costume, was putting the big red tablecloth of the "big meals" on the boards. Dora went quickly toward the young girl and embraced her.
"How is our little scholar?" she asked affectionately.
"I am very well, Dora Parse, but a little tired," Marda answered.
"And did you receive another paper?"
"Yes. I passed my exams. It will save me half a year in Dover."
"That is good," Dora Parse replied, although she had only the dimmest idea of what Marda meant. The young girl knew that. She had just come from taking a special course in Columbia, and she was feeling the breach between herself and her people to be especially wide. Because of that, perhaps, she also felt more loving toward all of them than she ever had, and especially toward Dora about whom she knew something that was most alarming. Dora Parse noted the pale, grave face of her favourite friend with concern.
"Smile, bird of my heart," she entreated, "for we are to have a gillie shoon. Sit near me, that I may follow your heaven voice."
There was no flattery meant. The Romanys call the soprano "the heaven voice," the tenor "the sky voice," the contralto "the earth voice," and the basso "the sea voice." Dora had a really wonderful earth voice, almost as wonderful as Marda's heaven voice, which would have been remarkable even among opera singers, and the two were known everywhere for their improvisations. In answer to the remark of the princess, Marda gave her a strange look and said:
"I shall be near you, Dora Parse. Do not forget."
Her manner was certainly peculiar, the princess thought, as she walked away. But then one never knew what Marda was thinking about. Her great education set her apart from others. Any chi who habitually read herself to sleep over those most puro libros, "The Works of William Shakespeare, in Eight Volumes, Complete, with Glossary and Appendix," must not be judged by ordinary standards. The princess knew the full title of those puro libros, having painfully spelled it out, all one rainy afternoon, in Marda's mother's wagon, with repeated assitance and explanations from Marda, which had left the princess with a headache.
Now Aunty Lee took off the heavy iron cover of the pot and the odour of Romany duck stew, than which there is nothing in the world more appetizing, mingled with the sweet fragrance of the drying hay. Aunty thrust a fork as long as a poker into the bubbling mass and then gave the call that brings the tribe in a hurry.
"Empo!" she said in her shrill, cracked voice. "Empo! Empo!"
Laughing, teasing, jostling, talking, they all came, spilling out from the wagons, running from the barn, sauntering in, the lovers, by twos, and sat down before the plates heaped high with the duck and the vegetables with which it was cooked and the big loaves of Italian bread which the Romanys like and always buy as they pass through towns where there are Italian bakeries.
But they sat quiet then, and each one looked toward the princess, as politeness demanded, since she was the highest in rank among them.
She drew a sliver of meat from her plate and tossed it over her shoulder.
"To the great re" she said.
"To the shule," each one murmured. Then, having paid their compliments to the sun and the moon, as all good Romanys must before eating, they fell to with heartiness.
When they were through, the mothers and the old men cleared away the tables and put the younger children to bed in the wagons, and the princess and George Lane and Marda and young Adam Lane, George's youngest brother, walked up and down, outside the glow from the cooking fire, taking the deep, full breaths which cleanse the mouth and prepare the soul for the ecstasy of song.
The men took away the table and the lanterns which had been standing about, and put out the cooking fire, for the big moon was rolling up over the treetops, and Romanys sing by her light alone, if they can. Frogs were calling in the shallow stretches of the Upper Rockaway. People began to sit down in a big circle.
Then Marda started the gillie shoon. At first you could not have been sure whether the sound was far or near, for she "covered" her tones, in a way that many a gorgio gives years and much silver to learn. Then the wonderful tone swelled out, as if an organ stop were being pulled open, and one by one, the four leaders cast in the dropping notes which followed and sustained the theme that Marda was weaving:
"Lal—la—ai—lala—lalu! Ai—l-a-a-a—lalu!"
Old John, who had not appeared before, slid into the circle, holding by the sleeve a giant of a man who seemed to come half unwillingly. Dora Parse saw him, and she could not repress the shiver that ran through her at the sight of young Jan Jacobus, yet she sang on. The deep, majestic basses throbbed out the foundation of the great fuguelike chorus, and the sopranos soared and soared until they were singing falsetto, according to gorgio standards, only it sounded like the sweetly piercing high notes of violins, and the tenors and contraltos wove a garland of glancing melody between the two. They were all singing now. Rocking back and forth a little, swaying gently from side to side, lovers clasped together, mothers in their young sons' arms, and fathers clasping their daughters, they sent out to the velvet arch above them the heart cry of a race, proud and humble, cleanly voluptuous, strong and cruel, passionate and loving, elemental like the north wind and subtle as the fragrance of the poppy.
"Ai—lallu! Ai—lala—lala! Ai—lallu!"
Jan Jacobus sat with his big jaw dropping. Stupid boor that he was, he could not have explained the terrifying effect which this wild music and those tense, uplifting faces had upon him, but he would have given anything to be back in his mother's kitchen, with the lamp lit and the dark, unfamiliar night shut out.
As suddenly as the singing had begun, it stopped. People coughed, moved a little, whispered to one another. Then George Lane stood upon his feet, pulling Dora Parse with him.
"You see her?" he asked them all, holding out his wife in his arms.
Dora Parse knew then, for he was beginning the ritual of the man or woman who accuses a partner, before the tribe, of unfaithfulness. He was using the most puro Romany jib, for only so can the serious affairs of the tribe tribunal be conducted. Dora Parse struggled in the strong hands of her man.
"No! No!" she cried. "No—no!"
"You see her?" George Lane repeated to the circle.
"We see her," they answered in a murmur that ran around from end to end.
"She is mine?"
"She is yours."
"What shall be done to her if she has lost the spirit of our love?"
Again Dora Parse furiously struggled, but George Lane held her.
"What shall be done with her? If that is so?"
Aunty Lee, as the oldest woman present, now took up the replies, as was her right and duty:
"Let her go to that other, if she wishes, and do you close your tent and your wagon against her."
"And if she does not wish?"
"Then punish her."
"What shall be done to the man?"
"Is he a Romany?"
"No."
Jan Jacobus half started up, but strong hands instantly jerked him down.
"He is a gorgio?"
"Yes."
"Do nothing. We do not soil our hands with gorgios. Let the woman bear the blame. She is a Romany. She should have known better. She is a woman, the wiser sex. It is her fault. Let her be punished."
"Do you all say so?" George Lane demanded.
"We say so." Again the rippling murmur.
Jan Jacobus made a desperate attempt to get on his feet, but, for all his strength, he might as well have tried to uncoil the folds of a great snake as to unbind the many hands that held him, for the Romanys have as many secret ways of restraining a person as the Japanese.
George Lane drew his wife tenderly close to him.
"She shall be punished," he said, "but first she shall hear, before you all, that I love her and that I know she has not lost the spirit of our love. Her fault was born of lightness of heart and vanity, not of evil."
"What is her fault? Name it," commanded Aunty Lee.
George Lane looked over at Jan.
"Her fault is that she trusted a gorgio to understand the ways of a Romany. For our girls have the spirit of love in their eyes, but no man among us would kiss a girl unless he received the sign from her. But the gorgio men are without honour. To-day, as this woman who is mine stopped to talk with a gorgio, among some trees where I waited, thinking to enter her wagon there, he kissed her, and she kissed him, in return."
"Not with the lubbeny kiss—not with that kiss!" Dora Parse cried. "May I be lost as Pharaoh was in the sea if I speak not the truth!"
The solemn oath, never taken by any Romany lightly and never falsely sworn to, rang out on the still night air. A cold, but firm little hand was slipped into Dora Parse's. Marda was near, as she had promised, and the hot palm of the princess closed gratefully upon it.
George Lane drew his wife upon his breast, and over her glossy head he looked for encouragement to Aunty Lee, who knew what he must do. He was very pale, but he must not hesitate.
"Kiss me, my love," he said, loudly and clearly, "here before my people, that I may punish you. Give me the kiss of love, when tongues and lips meet, that you may know your fault."
Now Dora Parse grew very pale, too, and she leaned far back against her man's arms, her eyes wide with terror. And no one spoke, for in all the history of the tribe this thing had never happened before, though every one had heard of it. Dora Parse knew that, if she refused, her oath would be considered false, and she would be cast out, not only from her husband's tent and wagon, but from all Romany tribes. And slowly she leaned forward, and George Lane bent down.
Jan Jacobus, although he had not understood the words of the ritual, thought he knew what had happened. The gypsy fool was forgiving his pretty wife. The young Dutchman settled back on his haunches, suddenly aware that he was no longer held. And then, with all the others, he sprang to his feet, for Dora Parse was hanging in her husband's arms, with blood pouring from her mouth and George Lane was sobbing aloud as he called her name.
"What—what—what happened?" Jan stammered. "Gawd—did he kill her?"
Old John Lane, his serene face unruffled, turned the bewildered and frightened boy toward the lane and spoke, in the silky, incisive tones which were half of his enchanting charm.
"Nothing much has happened. One of our girls allowed a gorgio to kiss her, so her man bit off the tip of her tongue. It is not necessary, often, to do it, but it is not a serious matter. It will soon heal. She will be able to talk—a little. It is really nothing, but I thought you might like to see it. It is seldom that gorgios are allowed to see a thing like that.
"Please say to your father that I will spend the evening as usual with him. My people will pass on."
THE TRIAL IN TOM BELCHER'S STORE
BY SAMUEL A. DERIEUX
From The American Magazine
It was a plain case of affinity between Davy Allen and Old Man Thornycroft's hound dog Buck. Davy, hurrying home along the country road one cold winter afternoon, his mind intent on finishing his chores before dark, looking back after passing Old Man Thornycroft's house to find Buck trying to follow him—trying to, because the old man, who hated to see anybody or anything but himself have his way, had chained a heavy block to him to keep him from doing what nature had intended him to do—roam the woods and poke his long nose in every briar patch after rabbits.
At the sight Davy stopped, and the dog came on, dragging behind him in the road the block of wood fastened by a chain to his collar, and trying at the same time to wag his tail. He was tan-coloured, lean as a rail, long-eared, a hound every inch; and Davy was a ragged country boy who lived alone with his mother, and who had an old single-barrel shotgun at home, and who had in his grave boy's eyes a look, clear and unmistakable, of woods and fields.
To say it was love at first sight when that hound, dragging his prison around with him, looked up into the boy's face, and when that ragged boy who loved the woods and had a gun at home looked down into the hound's eyes, would hardly be putting it strong enough. It was more than love—it was perfect understanding, perfect comprehension. "I'm your dog," said the hound's upraised, melancholy eyes. "I'll jump rabbits and bring them around for you to shoot. I'll make the frosty hills echo with music for you. I'll follow you everywhere you go. I'm your dog if you want me—yours to the end of my days."
And Davy looking down into those upraised beseeching eyes, and at that heavy block of wood, and at the raw place the collar had worn on the neck, then at Old Man Thornycroft's bleak, unpainted house on the hill, with the unhomelike yard and the tumble-down fences, felt a great pity, the pity of the free for the imprisoned, and a great longing to own, not a dog, but this dog.
"Want to come along?" he grinned.
The hound sat down on his haunches, elevated his long nose and poured out to the cold winter sky the passion and longing of his soul. Davy understood, shook his head, looked once more into the pleading eyes, then at the bleak house from which this prisoner had dragged himself.
"That ol' devil!" he said. "He ain't fitten to own a dog. Oh, I wish he was mine!"
A moment he hesitated there in the road, then he turned and hurried away from temptation.
"He ain't mine," he muttered. "Oh' dammit all!"
But temptation followed him as it has followed many a boy and man. A little way down the road was a pasture through which by a footpath he could cut off half a mile of the three miles that lay between him and home. Poised on top of the high rail fence that bordered the road, he looked back. The hound was still trying to follow, walking straddle-legged, head down, all entangled with the taut chain that dragged the heavy block. The boy watched the frantic efforts, pity and longing on his face; then he jumped off the fence inside the pasture and hurried on down the hill, face set straight ahead.
He had entered a pine thicket when he heard behind the frantic, choking yelps of a dog in dire distress. Knowing what had happened, he ran back. Within the pasture the hound, only his hind feet touching the ground, was struggling and pawing at the fence. He had jumped, the block had caught, and was hanging him. Davy rushed to him. Breathing fast, he unclicked the chain. The block an chain fell on the other side of the fence, and the dog was free. Shrewdly the boy looked back up the road; the woods hid the old man's house from view, and no one was to be seen. With a little grin of triumph he turned and broke into a run down the pasture hill toward the pines, the wind blowing gloriously into his face, the dog galloping beside him.
Still running, the two came out into the road that led home, and suddenly Davy stopped short and his face flushed. Yonder around the bend on his grey mare jogged Squire Kirby toward them, his pipe in his mouth, his white beard stuck cozily inside the bosom of his big overcoat There was no use to run, no use to try to make the dog hide, no use to try to hide himself—the old man had seen them both. Suppose he knew whose dog this was! Heart pounding, Davy waited beside the road.
Mr. Kirby drew rein opposite them and looked down with eyes that twinkled under his bushy white brows. He always stopped to ask the boy how his mother was, and how they were getting along. Davy had been to his house many a time with eggs and chickens to sell, or with a load of seasoned oak wood. Many a time he had warmed before Mr. Kirby's fire in the big living- and bedroom combined, and eaten Mrs. Kirby's fine white cake covered with frosting. Never before had he felt ill at ease in the presence of the kindly old man.
"That's a genuine hound you got there, son, ain't it?"
"Yes, sir," said Davy.
"Good for rabbits an' 'possums an' coons, eh?"
"He shore is!"
"Well, next big fat 'possum you an' him ketch, you bring that 'possum 'round an' me an' you'll talk business. Maybe we'll strike a bargain. Got any good sweet potatoes? Well, you bring four or five bushels along to eat that 'possum with. Haulin' any wood these days? Bring me a load or two of good, dry oak—pick it out, son, hear? How's your ma? All right? That's good. Here—"
He reached deep down in a pocket of his enormous faded overcoat, brought out two red apples, and leaned down out of his saddle, that creaked under the strain of his weight.
"Try one of 'em yourself, an' take one of 'em home to your ma. Git up, Mag!"
He jogged on down the road, and the boy, sobered walked on. One thing was certain, though, Mr Kirby hadn't known whose dog this was. What difference did it make anyhow? He hadn't stolen anything. He couldn't let a dog choke to death before his eyes. What did Old Man Thornycroft care about a dog, anyhow, the hard-hearted old skin-flint!
He remembered the trouble his mother had had when his father died and Old Man Thornycroft pushed her for a note he had given. He had heard people talk about it at the time, and he remembered how white his mother's face had been. Old Man Thornycroft had refused to wait, and his mother had had to sell five acres of the best land on the little farm to pay the note. It was after the sale that Mr. Kirby, who lived five miles away, had ridden over.
"Why didn't you let me know, Mrs. Allen!" he had demanded. "I would have loaned you the money—gladly, gladly!" He had risen from the fire and pulled on the same overcoat he wore now. It was faded then, and that was two years ago.
It was sunset when Davy reached home to find his mother out in the clean-swept yard picking up chips in her apron. From the bedroom window of the little one-storied unpainted house came a bright red glow, and from the kitchen the smell of cooking meat. His mother straightened up from her task with a smile when with his new-found partner he entered the yard.
"Why, Davy," she asked, "where did you get him?"
"He—he just followed me, Ma."
"But whose dog is he?"
"He's mine, Ma—he just took up with me."
"Where, Davy?"
"Oh, way back down the road—in a pasture."
"He must belong to somebody."
"He's just a ol' hound dog, Ma, that's all he is. Lots of hounds don't belong to nobody—everybody knows that, Ma. Look at him, Ma. Mighty nigh starved to death. Lemme keep him. We can feed him on scraps. He can sleep under the house. Me an' him will keep you in rabbits. You won't have to kill no more chickens. Nobody don't want him but me!"
From her gaunt height she looked down into the boy's eager eyes, then at the dog beside him. "All right, son," she said. "If he don't belong to anybody."
That night Davy alternately whistled and talked to the dog beside him as he husked the corn he had raised with his own hands, and chopped the wood he had cut and hauled—for since his father's death he had kept things going. He ate supper in a sort of haze; he hurried out with a tin plate of scraps; he fed the grateful, hungry dog on the kitchen steps. He begged some vaseline from his mother and rubbed it on the sore neck. Then he got two or three empty gunnysacks out of the corncrib, crawled under the house to a warm place beside the chimney and spread them out for a bed. He went into the house whistling; he didn't hear a word of the chapter his mother read out of the Bible. Before he went to bed in the shed-room, he raised the window.
"You all right, old feller?" he called.
Underneath the house he heard the responsive tap-tap of a tail in the dry dust. He climbed out of his clothes, leaving them in a pile in the middle of the floor, tumbled into bed, and pulled the covers high over him.
"Golly!" he said. "Oh, golly!"
Next day he hunted till sundown. The Christmas holidays were on and there was no thought of school. He went only now and then, anyway, for since his father's death there was too much for him to do at home. He hunted in the opposite direction from Old Man Thornycroft's. It was three miles away; barriers of woods and bottoms and hills lay between, and the old man seldom stirred beyond the boundaries of his own farm; but Davy wanted to be on the safe side.
There were moments, though, when he thought of the old man, and wondered if he had missed the dog and whether he would make any search for him. There were sober moments, too, when he thought of his mother and Mr. Kirby, and wished he had told them the truth. But then the long-drawn bay of the hound would come from the bottoms ahead, and he would hurry to the summons, his face flushed and eager. The music of the dog running, the sound of the shots, and his own triumphant yells started many an echo among the silent frosted hills that day. He came home with enough meat to last a week—six rabbits. As he hurried into the yard he held them up for the inspection of his mother, who was feeding the chickens.
"He's the finest rabbit dog ever was, Ma! Oh, golly, he can follow a trail! I never see anything like it, Ma, I never did! I'll skin 'em an' clean 'em after supper. You ought to have saw him, Ma! Golly!"
And while he chopped the wood and milked the cow and fed the mule, and skinned the rabbits, he saw other days ahead like this, and whistled and sang and talked to the hound, who followed close at his heels every step he took.
Then one afternoon, while he was patching the lot fence, with Buck sunning himself near the woodpile, came Old Man Thornycroft. Davy recognized his buggy as it turned the bend in the road. He quickly dropped his tools, called Buck to him and got behind the house where he could see without being seen. The buggy stopped in the road, and the old man, his hard, pinched face working, his buggy whip in his hand, came down the walk and called Mrs. Alien out on the porch.
"I just come to tell you," he cried, "that your boy Davy run off with my dog las' Friday evenin'! There ain't no use to deny it. I know all about it. I seen him when he passed in front of the house. I found the block I had chained to the dog beside the road. I heered Squire Jim Kirby talkin' to some men in Tom Belcher's sto' this very mornin'; just happened to overhear him as I come in. 'A boy an' a dog,' he says, 'is the happiest combination in nater.' Then he went on to tell about your boy an' a tan dog. He had met 'em in the road. Met 'em when? Last Friday evenin'. Oh, there ain't no use to deny it, Mrs. Allen! Your boy Davy—he stole my dog!"
"Mr. Thornycroft"—Davy could not see his mother, but he could hear her voice tremble—"he did not know whose dog it was!"
"He didn't? He didn't?" yelled the old man. "An' him a boy that knows ever' dog for ten miles around! Right in front of my house, I tell you—that's where he picked him up—that's where he tolled him off! Didn't I tell you, woman, I seen him pass? Didn't I tell you I found he block down the road? Didn't know whose dog it was? Ridiculous, ridiculous! Call him, ask him, face him with it. Likely he'll lie—but you'll see his face. Call him, that's all I ask. Call him!"
"Davy!" called Mrs. Allen. "Davy!"
Just a moment the boy hesitated. Then he went around the house. The hound stuck very close to him, eyes full of terror, tail tucked as he looked at the old man.
"There he is—with my dog!" cried the old man. "You didn't know whose dog it was, did you, son? Eh? You didn't know, now, did you?"
"Yes!" cried the boy "I knowed!"
"Hear that, Mrs. Allen? Did he know? What do you say now? He stole my dog, didn't he? That's what he done, didn't he? Answer me, woman! You come here!" he yelled, his face livid, and started, whip raised, toward boy and dog.
There were some smooth white stones the size of hen eggs arranged around a flower bed in the yard, and Davy stood near these stones—and now, quick as a flash, he stooped down and picked one up.
"You stop!" he panted, his face very white.
His mother cried out and came running toward him, but Thornycroft had stopped. No man in his right mind wants to advance on a country boy with a rock. Goliath tried it once.
"All right!" screamed the old man. "You steal first—then you try to assault an old man! I didn't come here to raise no row. I just came hear to warn you, Mrs. Allen. I'll have the law on that boy—I'll have the law on him before another sun sets!"
He turned and hurried toward the buggy. Davy dropped the rock. Mrs. Allen stood looking at the old miser, who was clambering into his buggy, with a sort of horror. Then she ran toward the boy.
"Oh, Davy! run after him. Take the dog to him. He's terrible, Davy, terrible! Run after him—anything—anything!"
But the boy looked up at her with grim mouth and hard eyes.
"I ain't a-goin' to do it, Ma!" he said.
It was after supper that very night that the summons came. Bob Kelley, rural policeman, brought it.
"Me an' Squire Kirby went to town this mornin'," he said, "to look up some things about court in the mornin.' This evenin' we run into Old Man Thornycroft on the street, lookin' for us. He was awful excited. He had been to Mr. Kirby's house, an' found out Mr. Kirby was in town, an' followed us. He wanted a warrant swore out right there. Mr. Kirby tried to argue with him, but it warn't no use. So at last Mr. Kirby turned to me. 'You go on back, Bob,' he said. 'This'll give me some more lookin' up to do. Tell my wife I'll just spend the night with Judge Fowler, an' git back in time for court in Belcher's sto' in the mornin'. An', Bob, you just stop by Mrs. Allen's—she's guardian of the boy—an' tell her I say to bring him to Belcher's sto' to-morrow mornin' at nine. You be there, too, Mr. Thornycroft—an,' by the way, bring that block of wood you been talkin' about."
That was all the squire had said, declared the rural policeman. No, he hadn't sent any other message—just said he would read up on the case. The rural policeman went out and closed the door behind him. It had been informal, hap-hazard, like the life of the community in which they lived. But, for all that, the law had knocked at the door of the Widow Allen, and left a white-faced mother and a bewildered boy behind.
They tried to resume their usual employments. Mrs. Allen sat down beside the table, picked up her sewing and put her glasses on, but her hands trembled when she tried to thread the needle. Davy sat on a split-bottom chair in the corner, his feet up on the rungs, and tried to be still; but his heart was pounding fast and there was a lump in his throat. Presently he got up and went out of doors, to get in some kindling on the back porch before it snowed, he told his mother. But he went because he couldn't sit there any longer, because he was about to explode with rage and grief and fear and bitterness.
He did not go toward the woodpile—what difference did dry kindling make now? At the side of the house he stooped down and softly called Buck. The hound came to him, wriggling along under the beams, and he leaned against the house and lovingly pulled the briar-torn ears. A long time he stayed there, feeling on his face already the fine mist of snow. To-morrow the ground would be white; it didn't snow often in that country; day after to-morrow everybody would hunt rabbits—everybody but him and Buck.
It was snowing hard when at last he went back into the warm room, so warm that he pulled off his coat. Once more he tried to sit still in the split-bottom chair. But there is no rage that consumes like the rage of a boy. In its presence he is so helpless! If he were a man, thought Davy, he would go to Old Man Thornycroft's house that night, call him out, and thrash him in the road. If he were a man, he would curse, he would do something. He looked wildly about the room, the hopelessness of it all coming over him in a wave. Then suddenly, because he wasn't a man, because he couldn't do what he wanted to do, he began to cry, not as a boy cries, but more as a man cries, in shame and bitterness, his shoulders shaken by great convulsive sobs, his head buried in his hands, his fingers running through his tangled mop of hair.
"Davy, Davy!" The sewing and the scissors slipped to the floor. His mother was down on her knees beside him, one arm about his shoulders, trying to pry his face from his hands, trying to look into his eyes. "You're my man, Davy! You're the only man, the only help I've got. You're my life, Davy. Poor boy! Poor child!"
He caught hold of her convulsively, and she pressed his head against her breast. Then he saw that she was crying, and he grew quiet, and wiped his eyes with his ragged coat sleeve.
"I'm all right now, Ma," he said; but he looked at her wildly.
She did not follow him into his little unceiled bedroom. She must have known that he had reached that age where no woman could help him. It must be a man now to whom he could pin his faith. And while he lay awake, tumbling and tossing, along with bitter thoughts of Old Man Thornycroft came other bitter thoughts of Mr. Kirby, whom, deep down in his boy's heart he had worshipped—Mr. Kirby, who had sided with Old Man Thornycroft and sent a summons with—no message for him. "God!" he said. "God!" And pulled his hair, down there under the covers; and he hated the law that would take a dog from him and give it back to that old man—the law that Mr. Kirby represented.
It was still snowing when next morning he and his mother drove out of the yard and he turned the head of the reluctant old mule in the direction of Belcher's store. A bitter wind cut their faces, but it was not as bitter as the heart of the boy. Only twice on that five-mile ride did he speak. The first time was when he looked back to find Buck, whom they had left at home, thinking he would stay under the house on such a day, following very close behind the buggy.
"Might as well let him come on," said the boy.
The second time was when they came in sight of Belcher's store, dim yonder through the swirling snow. Then he looked up into his mother's face.
"Ma," he said grimly, "I ain't no thief!"
She smiled as bravely as she could with her stiffened face and with the tears so near the surface. She told him that she knew it, and that everybody knew it. But there was no answering smile on the boys set face.
The squire's gray mare, standing huddled up in the midst of other horses and of buggies under the shed near the store, told that court had probably already convened. Hands numb, the boy hitched the old mule to the only rack left under the shed, then made Buck lie down under the buggy. Heart pounding, he went up on the store porch with his mother and pushed the door open.
There was a commotion when they entered. The men, standing about the pot-bellied stove, their overcoats steaming, made way for them. Old Man Thornycroft looked quickly and triumphantly around. In the rear of the store the squire rose from a table, in front of which was a cleared space.
"Pull up a chair nigh the stove for Mrs. Allen, Tom Belcher," he said. "I'm busy tryin' this chicken-stealin' nigger. When I get through, Mrs. Allen, if you're ready I'll call your case."
Davy stood beside his mother while the trial of the negro proceeded. Some of the fight had left him now, crowded down here among all these grown men, and especially in the presence of Mr. Kirby, for it is hard for a boy to be bitter long. But with growing anxiety he heard the sharp questions the magistrate asked the negro; he saw the frown of justice; he heard the sentence "sixty days on the gang." And the negro had stolen only a chicken—and he had run off with another man's dog!
"The old man's rough this mornin'," a man whispered to another above him; and he saw the furtive grin on the face of Old Man Thornycroft, who leaned against the counter, waiting.
His heart jumped into his mouth when after a silence the magistrate spoke: "Mr. Thornycroft, step forward, sir. Put your hand on the book here. Now tell us about that dog of yours that was stole."
Looking first at the magistrate, then at the crowd, as if to impress them also, the old man told in a high-pitched, excited voice all the details—his seeing Davy Allen pass in front of his house last Friday afternoon, his missing the dog, his finding the block of wood down the road beside the pasture fence, his over-hearing the squire's talk right here in the store, his calling on Mrs. Allen, the boy's threatening him.
"I tell you," he cried, "that's a dangerous character—that boy!"
"Is that all you've got to say?" asked the squire.
"It's enough, ain't it?" demanded Thornycroft angrily.
The squire nodded and spat into the cuspidor between his feet. "I think so," he said quietly, "Stand aside. Davy Alien step forward. Put your hand on the book here, son. Davy, how old are you?"
The boy gulped. "Thirteen years old, goin' on fo'teen."
"You're old enough, son, to know the nater of the oath you're about to take. For over two years you've been the mainstay an' support of your mother. You've had to carry the burdens and responsibilities of a man, Davy. The testimony you give in this case will be the truth, the whole truth an' nothin' but the truth, so help you God. What about it?"
Davy nodded, his face very white.
"All right now. Tell us about it. Talk loud so we can hear—all of us."
The boy's eyes never left Mr. Kirby's while he talked. Something in them held him, fascinated him, overawed him. Very large and imposing he looked there behind his little table, with his faded old overcoat on, and there was no sound in the room but the boy's clear voice.
"An' you come off an' left the dog at first?"
"Yes, sir,"
"An' you didn't unfasten the chain from the block till the dog got caught in the fence?"
"No, sir, I didn't."
"Did you try to get him to follow you then?"
"No, sir, he wanted to."
"Ask him, Mr. Kirby," broke in Thornycroft angrily, "if he tried to drive him home!"
"I'll ask him whatever seems fit an' right to me, sir," said Mr. Kirby. "What did you tell your ma, Davy, when you got home?"
"I told her he followed me."
"Did you tell her whose dog he was?
"No, sir."
"Ain't that what you ought to have done? Ain't it?"
Davy hesitated. "Yes, sir."
There was a slight shuffling movement amoung the men crowded about. Somebody cleared his throat. Mr. Kirby resumed.
"This block you been tellin' about—how was it fastened to the dog?"
"Thar was a chain fastened to the block by a staple. The other end was fastened to the collar."
"How heavy do you think that block was?"
"About ten pound. I reckon."
"Five," broke in Old Man Thornycroft with a sneer.
Mr. Kirby turned to him. "You fetched it with you, didn't you? I told you to. It's evidence. Bob Kelley, go out to Mr. Thornycroft's buggy an' bring that block of wood into court."
The room was silent while the rural policeman was gone. Davy still stood in the cleared space before Mr. Kirby, his ragged overcoat on, his tattered hat in his hand, breathing fast, afraid to look at his mother. Everybody turned when Kelley came in with the block of wood. Everybody craned their necks to watch, while at the magistrate's order Kelley weighed the block of wood on the store's scales, which he put on the magistrate's table.
"Fo'teen punds," said Mr. Kirby. "Take the scales away."
"It had rubbed all the skin off'n the dog's neck," broke in Davy impulsively. "It was all raw an' bleedin'."
"Aw, that ain't so!" cried Thornycroft.
"Is the dog out there?" asked Mr. Kirby.
"Yes, sir, under the buggy."
"Bob Kelley, you go out an' bring that dog into court."
The rural policeman went out, and came back with the hound, who looked eagerly up from one face to the other, then, seeing Davy, came to him and stood against him, still looking around with that expression of melancholy on his face that a hound dog always wears except when he's in action.
"Bring the dog here, son!" commanded Mr. Kirby. He examined the raw place on the neck. "Any of you gentlemen care to take a look?" he asked.
"It was worse than that," declared Davy, "till I rubbed vase-leen on it."
Old Man Thornycroft pushed forward, face quivering. "What's all this got to do with the boy stealin' the dog?" he demanded. "That's what I want to know—what's it got to do?"
"Mr. Thornycroft," said Kirby, "at nine o'clock this mornin' this place ceased to be Tom Belcher's sto', an' become a court of justice. Some things are seemly in a court, some not. You stand back there!"
The old man stepped back to the counter, and stood julling his chin, his eyes running over the crowd of faces.
"Davy Allen," spoke Mr. Kirby, "you stand back there with your ma. Tom Belcher make way for him. And, Tom, s'pose you put another stick of wood in that stove an' poke up the fire." He took off his glasses, blew on them, polished them with his handkerchief and readjusted them. Then, leaning back in his chair, he spoke.
"Gentlemen, from the beginnin' of time, as fur back as records go, a dog's been the friend, companion, an' protector of man. Folks say he come from the wolf, but that ain't no reflection on him, seem' that we come from monkeys ourselves, an' I believe, takin' all things into account, I'd as soon have a wolf for a ancestor as a monkey, an' a little ruther.
"Last night in the libery of my old friend Judge Fowler in town, I looked up some things about this dog question. I find that there have been some queer decisions handed down by the courts, showin' that the law does recognize the fact that a dog is different from other four-footed critters. For instance, it has been held that a dog has a right to protect not only his life but his dignity; that where a man worries a dog beyond what would be reasonable to expect any self respectin' critter to stand, that dog has a right to bite that man, an' that man can't collect any damages—provided the bitin' is done at the time of the worryin' an' in sudden heat an' passion. That has been held in the courts, gentlemen. The law that holds for man holds for dogs.
"Another thing: If the engineer of a railroad train sees a cow or a horse or a sheep on the track, or a hog, he must stop the train or the road is liable for any damage done 'em. But if he sees a man walkin' along the track he has a right to presume that the man, bein' a critter of more or less intelligence, will git off, an' he is not called on to stop under ordinary circumstances. The same thing holds true of a dog. The engineer has a right to presume that the dog, bein' a critter of intelligence, will get off the track. Here again the law is the same for dog an' man.
"But—if the engineer has reason to believe that the man's mind is took up with some object of an engrossin' nater, he is supposed to stop the train till the man comes to himself an' looks around. The same thing holds true of a dog. If the engineer has reason to suspect that the dog's mind is occupied with some engrossin' topic, he must stop the train. That case has been tested in this very state, where a dog was on the track settin' a covey of birds in the adjoinin' field. The railroad was held responsible for the death of that dog, because the engineer ought to have known by the action of the dog that his mind was on somethin' else beside railroad trains an' locomotives."
Again the magistrate spat into the cuspidor between his feet. Davy, still watching him, felt his mother's grip on his arm. Everyone was listening so closely that the whispered sneering comment of Old Man Thornycroft to the man next to him was audible, "What's all this got to do with the case?"
"The p'int I'm gettin' to is this," went on Mr. Kirby, not paying attention to him: "a dog is not like a cow or a horse or any four-footed critter. He's a individual, an' so the courts have held in spirit if not in actual words. Now this court of mine here in Tom Belcher's sto, ain't like other courts. I have to do the decidin' myself; I have to interpret the true spirit of the law, without technicalities an' quibbles such as becloud it in other an' higher courts. An' I hold that since a dog is de facto an' de jure an individual, he has a right to life, liberty an' the pursuit of happiness.
"Therefore, gentlemen, I hold that that houn' dog, Buck, had a perfect right to follow that boy, Davy Allen, there; an' I hold that Davy Allen was not called on to drive that dog back, or interfere in any way with that dog followin' him if the dog so chose. You've heard the evidence of the boy. You know, an' I know, he has spoke the truth this day, an' there ain't no evidence to the contrary. The boy did not entice the dog. He even went down the road, leavin' him behind. He run back only when the dog was in dire need an' chokin' to death. He wasn't called on to put that block an' chain back on the dog. He couldn't help it if the dog followed him. He no more stole that dog than I stole him. He's no more a thief than I am. I dismiss this case, Mr. Thornycroft, this case you've brought against Davy Allen. I declare him innocent of the charge of theft. I set it down right here on the records of this court."
"Davy!" gasped Mrs. Allen. "Davy!"
But, face working, eyes blazing, Old Man Thornycroft started forward, and the dog, panting, shrank between boy and mother. "Jim Kirby!" cried the old man, stopping for a moment in the cleared space. "You're magistrate. What you say goes. But that dog thar—he's mine! He's my property—mine by law!" He jerked a piece of rope out of his overcoat pocket and came on toward the cowering dog. "Tom Belcher, Bob Kelley! Stop that dog! He's mine!"
"Davy!" Mrs. Alien was holding the boy. "Don't—don't say anything. You're free to go home. Your record's clear. The dog's his!"
"Hold on!" Mr. Kirby had risen from his chair. "You come back here, Mr. Thornycroft. This court's not adjourned yet. If you don't get back, I'll stick a fine to you for contempt you'll remember the rest of your days. You stand where you are, sir! Right there! Don't move till I'm through!"
Quivering the old man stood where he was. Mr. Kirby sat down, face flushed, eyes blazing. "Punch up that fire, Tom Belcher," he said. "I ain't through yet."
The hound came trembling back to Davy, looked up in his face, licked his hand, then sat down at the side opposite his former master, looking around now and then at the old man, terror in his eyes. In the midst of a deathly silence the magistrate resumed.
"What I was goin' to say, gentlemen, is this: I'm not only magistrate, I'm an officer in an organization that you country fellers likely don't know of, an organization known as the Society for the Prevention of Cruelty to Animals. As such an officer it's my duty to report an' bring to trial any man who treats a dumb brute in a cruel an' inhuman way. Mr Thornycroft, judgin' by the looks of that houn', you ain't give him enough to eat to keep a cat alive—an' a cat we all know, don't eat much, just messes over her vittles. You condemned that po' beast, for no fault of his own, to the life of a felon. A houn' that ain't happy at best, he's melancholy; an' a houn' that ain't allowed to run free is of all critters the wretchedest. This houn's neck is rubbed raw. God only knows what he's suffered in mind an' body. A man that would treat a dog that way ain't fitten to own one. An' I hereby notify you that, on the evidence of this boy, an' the evidence before our eyes, I will indict you for breakin' the law regardin' the treatment of animals; an' I notify you, furthermore, that as magistrate I'll put the law on you for that same thing. An' it might be interestin' to you to know, sir, that I can find you as much as five hundred dollars, or send you to jail for one year, or both, if I see fit—an' there ain't no tellin' but what I will see fit, sir."
He looked sternly at Thornycroft.
"Now I'm goin' to make a proposition that I advise you to jump at like you never jumped at anything before. If you will give up that houn' Buck—to me, say, or to anybody I decide will be kind to him—I will let the matter drop. If you will go home like a peaceable citizen, you won't hear no more about it from me; but if you don't—"
"Git out of my way!" cried Old Man Thornycroft. "All of you! I'm goin'—I'm goin'!"
"Hold on!" said Mr. Kirby, when he had got almost to the door. "Do you, in the presence of these witnesses, turn over this dog to me, relinquishin' all claims to him, on the conditions named? Answer Yes or No?"
There was a moment's silence; then the old man cried out:
"Take the old hound! He ain't wuth the salt in his vittles!"
He jerked the door open.
"Yes or no?" called Mr. Kirby inexorably.
"Yes!" yelled the old man, and slammed the door behind him.
"One minute, gentlemen," said Mr. Kirby, rising from the table and gathering his papers and records together. "Just one more thing: If anybody here has any evidence, or knows of any, tendin' to show that this boy Davy Allen is not the proper person to turn over a houn' dog to, I hope he will speak up." He waited a moment. "In the absence of any objections, an' considerin' the evidence that's been given here this mornin', I think I'll just let that dog go back the way he come. Thank you, gentlemen. Court's adjourned!"
PORCELAIN CUPS
BY JAMES BRANCH CABELL
From Century Magazine
I
OF GREATNESS INTIMATELY VIEWED
"Oh, but they are beyond praise," said Cynthia Allonby, enraptured, "and certainly you should have presented them to the Queen."
"Her majesty already possesses a cup of that ware," replied Lord Pevensey. "It was one of her New Year's gifts, from Robert Cecil. Hers is, I believe, not quite so fine as either of yours; but then, they tell me, there is not the like of this pair in England, nor indeed on the hither side of Cataia."
He set the two pieces of Chinese pottery upon the shelves in the south corner of the room. These cups were of that sea-green tint called celadon, with a very wonderful glow and radiance. Such oddities were the last vogue at court in this year of grace 1593: and Cynthia could not but speculate as to what monstrous sum Lord Pevensey had paid for this his last gift to her.
Now he turned, smiling, a really superb creature in his blue and gold. "I had another message from the Queen—"
"George," Cynthia said, with fond concern, "it frightens me to see you thus foolhardy, in tempting alike the Queen's anger and the Plague."
"Eh, as goes the Plague, it spares nine out of ten," he answered, lightly. "The Queen, I grant you, is another pair of sleeves, for an irritated Tudor spares nobody."
But Cynthia Allonby kept silence, and did not exactly smile, while she appraised her famous young kinsman. She was flattered by, and a little afraid of, the gay self-confidence which led anybody to take such chances. Two weeks ago it was that the painted terrible old Queen had named Lord Pevensey to go straightway into France, where rumour had it, King Henri was preparing to renounce the Reformed Religion, and making his peace with the Pope: and for two weeks Pevensey had lingered, on one pretence or another, at his house in London, with the Plague creeping about the city like an invisible incalculable flame, and the Queen asking questions at Windsor. Of all the monarchs that had ever reigned in England, Elizabeth was the least used to having her orders disregarded. Meanwhile Lord Pevensey came every day to the Marquis of Falmouth's lodgings at Deptford; and every day Lord Pevensey pointed out to the marquis's daughter that Pevensey, whose wife had died in childbirth a year back, did not intend to go into France, for nobody could foretell how long a stay, as a widower. Certainly it was all very flattering ...
"Yes, and you would be an excellent match," said Cynthia, aloud, "if that were all. And yet, what must I reasonably expect in marrying, sir, the famous Earl of Pevensey?"
"A great deal of love and petting, my dear. And if there were anything else to which you had a fancy, I would get it for you."
Her glance went to those lovely cups and lingered fondly. "Yes, dear Master Generosity, if it could be purchased or manufactured, you would get it for me—"
"If it exists I will get it for you," he declared.
"I think that it exists. But I am not learned enough to know what it is. George, if I married you I would have money and fine clothes and soft hours and many lackeys to wait on me, and honour from all men. And you would be kind to me, I know when you returned from the day's work at Windsor—or Holyrood or the Louvre. But do you not see that I would always be to you only a rather costly luxury, like those cups, which the Queen's minister could afford to keep for his hours of leisure?"
He answered: "You are all in all to me. You know it. Oh, very well do you know and abuse your power, you adorable and lovely baggage, who have kept me dancing attendance for a fortnight, without ever giving me an honest yes or no." He gesticulated. "Well, but life is very dull in Deptford village, and it amuses you to twist a Queen's adviser around your finger! I see it plainly, you minx, and I acquiesce because, it delights me to give you pleasure, even at the cost of some dignity. Yet I may no longer shirk the Queen's business,—no, not even to amuse you, my dear."
"You said you had heard from her—again?"
"I had this morning my orders, under Glorianna's own fair hand, either to depart to-morrow into France or else to come to-morrow to Windsor. I need not say that in the circumstances I consider France the more wholesome."
Now the girl's voice was hurt and wistful. "So, for the thousandth time, is it proven the Queen's business means more to you than I do. Yes, certainly it is just as I said, George."
He observed, unruffled: "My dear, I scent unreason. This is a high matter. If the French King compounds with Rome, it means war for Protestant England. Even you must see that."
She replied, sadly: "Yes, even I! oh, certainly, my lord, even a half-witted child of seventeen can perceive as much as that."
"I was not speaking of half-witted persons, as I remember. Well, it chances that I am honoured by the friendship of our gallant Bearnais, and am supposed to have some claim upon him, thanks to my good fortune last year in saving his life from the assassin Barriere. It chances that I may perhaps become, under providence, the instrument of preserving my fellow countrymen from much grief and trumpet-sounding and throat-cutting. Instead of pursuing that chance, two weeks ago—as was my duty—I have dangled at your apron-strings, in the vain hope of softening the most variable and hardest heart in the world. Now, clearly, I have not the right to do that any longer."
She admired the ennobled, the slightly rapt look which, she knew, denoted that George Bulmer was doing his duty as he saw it, even in her disappointment. "No, you have not the right. You are wedded to your state-craft, to your patriotism, to your self-advancement, or christen it what you will. You are wedded, at all events, to your man's business. You have not time for such trifles as giving a maid that foolish and lovely sort of wooing to which every maid looks forward in her heart of hearts. Indeed, when you married the first time it was a kind of infidelity; and I am certain that poor dear mouse-like Mary must have felt that often and over again. Why, do you not see, George, even now, that your wife will always come second to your real love?"
"In my heart, dear sophist, you will always come first. But it is not permitted that any loyal gentleman devote every hour of his life to sighing and making sonnets, and to the general solacing of a maid's loneliness in this dull little Deptford. Nor would you, I am sure, desire me to do so."
"I hardly know what I desire," she told him ruefully. "But I know that when you talk of your man's business I am lonely and chilled and far away from you. And I know that I cannot understand more than half your fine high notions about duty and patriotism and serving England and so on," the girl declared: and she flung wide her lovely little hands, in a despairing gesture. "I admire you, sir, when you talk of England. It makes you handsomer—yes, even handsomer!—somehow. But all the while I am remembering that England is just an ordinary island inhabited by a number of ordinary persons, for the most of whom I have no particular feeling one way or the other.".
Pevensey looked at her for a while with queer tenderness. Then he smiled. "No, I could not quite make you understand, my dear. But, ah, why fuddle that quaint little brain by trying to understand such matters as lie without your realm? For a woman's kingdom is the home, my dear, and her throne is in the heart of her husband—"
"All this is but another way of saying your lordship would have us cups upon a shelf," she pointed out—"in readiness for your leisure."
He shrugged, said "Nonsense!" and began more lightly to talk of other matters. Thus and thus he would do in France, such and such trinkets he would fetch back—"as toys for the most whimsical, the loveliest and the most obstinate child in all the world," he phrased it. And they would be married, Pevensey declared, in September: nor (he gaily said) did he propose to have any further argument about it. Children should be seen—the proverb was dusty, but it particularly applied to pretty children.
Cynthia let him talk. She was just a little afraid of his self confidence, and of this tall nobleman's habit of getting what he wanted, in the end: but she dispiritedly felt that Pevensey had failed her. He treated her as a silly infant: and his want of her, even in that capacity, was a secondary matter: he was going into France, for all his petting talk, and was leaving her to shift as she best might, until he could spare the time to resume his love-making....
II
WHAT COMES OF SCRIBBLING
Now when Pevensey had gone the room seemed darkened by the withdrawal of so much magnificence. Cynthia watched from the window as the tall earl rode away, with three handsomely clad retainers. Yes, George was very fine and admirable, no doubt of it: even so, there was relief in the reflection that for a month or two she was rid of him.
Turning, she faced a lean dishevelled man who stood by the Magdalen tapestry scratching his chin. He had unquiet bright eyes, this out-at-elbows poet whom a marquis's daughter was pleased to patronize, and his red hair to-day was unpardonably puzzled. Nor were his manners beyond reproach, for now, without saying anything, he too went to the window. He dragged one foot a little as he walked.
"So my lord Pevensey departs! Look how he rides in triumph! like lame Tamburlaine, with Techelles and Usumcasane and Theridamas to attend him, and with the sunset turning the dust raised by their horses' hoofs into a sort of golden haze about them. It is a beautiful world. And truly, Mistress Cyn," the poet said, reflectively, "that Pevensey is a very splendid ephemera. If not a king himself, at least he goes magnificently to settle the affairs of kings. Were modesty not my failing Mistress Cyn, I would acclaim you as strangely lucky, in being beloved by two fine fellows that have not their like in England."
"Truly you are not always thus modest, Kit Marlowe—"
"But, Lord, how seriously Pevensey takes it all! and himself in particular! Why, there departs from us, in befitting state, a personage whose opinion as to every topic in the world is written legibly in the carriage of those fine shoulders, even when seen from behind and from so considerable a distance. And in not one syllable do any of these opinions differ from the opinions of his great-great-grandfathers. Oho, and hark to Deptford! now all the oafs in the Corn-market are cheering this bulwark of Protestant England, this rising young hero of a people with no nonsense about them. Yes, it is a very quaint and rather splendid ephemera."
A marquis's daughter could not quite approve of the way in which this shoemaker's son, however talented, railed at his betters. "Pevensey will be the greatest man in these kingdoms some day. Indeed, Kit Marlowe, there are those who say he is that much already."
"Oh very probably! Still, I am puzzled by human greatness. A century hence what will he matter, this Pevensey? His ascent and his declension will have been completed, and his foolish battles and treaties will have given place to other foolish battles and treaties and oblivion will have swallowed this glistening bluebottle, plumes and fine lace and stately ruff and all. Why, he is but an adviser to the queen of half an island, whereas my Tamburlaine was lord of all the golden ancient East: and what does my Tamburlaine matter now, save that he gave Kit Marlowe the subject of a drama? Hah, softly though! for does even that very greatly matter? Who really cares to-day about what scratches were made upon wax by that old Euripides, the latchet of whose sandals I am not worthy to unloose? No, not quite worthy, as yet!"
And thereupon the shabby fellow sat down in the tall leather-covered chair which Pevensey had just vacated: and this Marlowe nodded his flaming head portentously. "Hoh, look you, I am displeased, Mistress Cyn, I cannot lend my approval to this over-greedy oblivion that gapes for all. No, it is not a satisfying arrangement that I should teeter insecurely through the void on a gob of mud, and be expected bye and bye to relinquish even that crazy foothold. Even for Kit Marlowe death lies in wait! and it may be, not anything more after death, not even any lovely words to play with. Yes, and this Marlowe may amount to nothing, after all: and his one chance of amounting to that which he intends may be taken away from him at any moment!"
He touched the breast of a weather-beaten doublet. He gave her that queer twisted sort of smile which the girl could not but find attractive, somehow. He said: "Why but this heart thumping here inside me may stop any moment like a broken clock. Here is Euripides writing better than I: and here in my body, under my hand, is the mechanism upon which depend all those masterpieces that are to blot the Athenian from the reckoning, and I have no control of it!"
"Indeed, I fear that you control few things," she told him, "and that least of all do you control your taste for taverns and bad women. Oh, I hear tales of you!" And Cynthia raised a reproving fore-finger.
"True tales, no doubt." He shrugged. "Lacking the moon he vainly cried for, the child learns to content himself with a penny whistle."
"Ah, but the moon is far away," the girl said, smiling—"too far to hear the sound of human crying: and besides, the moon, as I remember it, was never a very amorous goddess—"
"Just so," he answered: "also she was called Cynthia, and she, too, was beautiful."
"Yet is it the heart that cries to me, my poet?" she asked him, softly, "or just the lips?"
"Oh, both of them, most beautiful and inaccessible of goddesses." Then Marlowe leaned toward her, laughing and shaking that disreputable red head. "Still you are very foolish, in your latest incarnation, to be wasting your rays upon carpet earls who will not outwear a century. Were modesty not my failing, I repeat, I could name somebody who will last longer. Yes, and—if, but I lacked that plaguey virtue—I would advise you to go a-gypsying with that nameless somebody, so that two manikins might snatch their little share of the big things that are eternal, just as the butterfly fares intrepidly and joyously, with the sun for his torch-boy, through a universe wherein thought cannot estimate the unimportance of a butterfly, and wherein not even the chaste moon is very important. Yes, certainly I would advise you to have done with this vanity of courts and masques, of satins and fans and fiddles, this dallying with tinsels and bright vapours; and very movingly I would exhort you to seek out Arcadia, travelling hand in hand with that still nameless somebody." And of a sudden the restless man began to sing.
Sang Kit Marlowe:
"Come live with me and be my love, And we will all the pleasures prove That hills and valleys, dales and fields, Woods or sleepy mountain yields.
"And we will sit upon the rocks, And see the shepherds feed their flocks By shallow rivers, to whose falls Melodious birds sing madrigals—"
But the girl shook her small, wise head decisively. "That is all very fine, but, as it happens, there is no such place as this Arcadia, where people can frolic in perpetual sunlight the year round, and find their food and clothing miraculously provided. No, nor can you, I am afraid, give me what all maids really, in their heart of hearts, desire far more than any sugar-candy Arcadia. Oh, as I have so often told you, Kit, I think you love no woman. You love words. And your seraglio is tenanted by very beautiful words, I grant you, thought there is no longer any Sestos builded of agate and crystal, either, Kit Marlowe. For, as you may perceive, sir, I have read all that lovely poem you left with me last Thursday—"
She saw how interested he was, saw how he almost smirked. "Aha, so you think it not quite bad, eh, the conclusion of my 'Hero and Leander'?"
"It is your best. And your middlemost, my poet, is better than aught else in English," she said, politely, and knowing how much he delighted to hear such remarks.
"Come, I retract my charge of foolishness, for you are plainly a wench of rare discrimination. And yet you say I do not love you! Cynthia, you are beautiful, you are perfect in all things. You are that heavenly Helen of whom I wrote, some persons say, acceptably enough—How strange it was I did not know that Helen was dark-haired and pale! for certainly yours is that immortal loveliness which must be served by poets in life and death."
"And I wonder how much of these ardours," she thought, "is kindled by my praise of his verses?" She bit her lip, and she regarded him with a hint of sadness. She said, aloud: "But I did not, after all, speak to Lord Pevensey concerning the printing of your poem. Instead, I burned your 'Hero and Leander'."
She saw him jump, as under a whip-lash. Then he smiled again, in that wry fashion of his. "I lament the loss to letters, for it was my only copy. But you knew that."
"Yes, Kit, I knew it was your only copy."
"Oho! and for what reason did you burn it, may one ask?"
"I thought you loved it more than you loved me. It was my rival, I thought—" The girl was conscious of remorse, and yet it was remorse commingled with a mounting joy.
"And so you thought a jingle scribbled upon a bit of paper could be your rival with me!"
Then Cynthia no longer doubted, but gave a joyous little sobbing laugh, for the love of her disreputable dear poet was sustaining the stringent testing she had devised. She touched his freckled hand caressingly, and her face was as no man had ever seen it, and her voice, too, caressed him.
"Ah, you have made me the happiest of women, Kit! Kit, I am almost disappointed in you, though, that you do not grieve more for the loss of that beautiful poem."
His smiling did not waver; yet the lean, red-haired man stayed motionless. "Do I appear perturbed?" he said. "Why, but see how lightly I take the destruction of my life-work in this, my masterpiece! For I can assure you it was a masterpiece, the fruit of two years' toil and of much loving repolishment—"
"Ah, but you love me better than such matters, do you not?" she asked him, tenderly. "Kit Marlowe, I adore you! Sweetheart, do you not understand that a woman wants to be loved utterly and entirely? She wants no rivals, not even paper rivals. And so often when you talked of poetry I have felt lonely and chilled and far away from you, and I have been half envious, dear, of your Heros and your Helens, and your other good-for-nothing Greek minxes. But now I do not mind them at all. And I will make amends, quite prodigal amends, for my naughty jealousy; and my poet shall write me some more lovely poems, so he shall—"
He said "You fool!"
And she drew away from him, for this man was no longer smiling.
"You burned my 'Hero and Leander'! You! you big-eyed fool! You lisping idiot! you wriggling, cuddling worm! you silken bag of guts! had not even you the wit to perceive it was immortal beauty which would have lived long after you and I were stinking dirt? And you, a half-witted animal, a shining, chattering parrot, lay claws to it!" Marlowe had risen in a sort of seizure, in a condition which was really quite unreasonable when you considered that only a poem was at stake, even a rather long poem.
And Cynthia began to smile, with tremulous hurt-looking young lips. "So my poet's love is very much the same as Pevensey's love! And I was right, after all."
"Oh, oh!" said Marlowe, "that ever a poet should love a woman! What jokes does the lewd flesh contrive!" Of a sudden he was calmer: and then rage fell from him like a dropped cloak and he viewed her as with respectful wonder. "Why, but you sitting there, with goggling innocent bright eyes, are an allegory of all that is most droll and tragic. Yes, and indeed there is no reason to blame you. It is not your fault that every now and then is born a man who serves an idea which is to him the most important thing in the world. It is not your fault that this man perforce inhabits a body to which the most important thing in the world is a woman. Certainly it is not your fault that this compost makes yet another jumble of his two desires, and persuades himself that the two are somehow allied. The woman inspires, the woman uplifts, the woman strengthens him for his high work, saith he! Well, well, perhaps there are such women, but by land and sea I have encountered none of them."
All this was said while Marlowe shuffled about the room, with bent shoulders, and nodding his tousled red head, and limping as he walked. Now Marlowe turned, futile and shabby-looking, just where Pevensey had loomed resplendent a while since. Again she saw the poet's queer, twisted, jeering smile.
"What do you care for my ideals? What do you care for the ideals of that tall earl whom you have held from his proper business for a fortnight? or for the ideals of any man alive? Why, not one thread of that dark hair, not one snap of those white little fingers, except when ideals irritate you by distracting a man's attention from Cynthia Allonby. Otherwise, he is welcome enough to play with his incomprehensible toys."
He jerked a thumb toward the shelves behind him.
"Oho, you virtuous pretty ladies! what all you value is such matters as those cups: they please the eye, they are worth sound money, and people envy you the possession of them. So you cherish your shiny mud cups, and you burn my 'Hero and Leander': and I declaim all this dull nonsense, over the ashes of my ruined dreams, thinking at bottom of how pretty you are, and of how much I would like to kiss you. That is the real tragedy, the immortal tragedy, that I should still hanker after you, my Cynthia—"
His voice dwelt tenderly upon her name. His fever-haunted eyes were tender, too, for just a moment. Then he grimaced.
"No, I am wrong—the tragedy strikes deeper. The root of it is that there is in you and in all your glittering kind no malice, no will to do harm nor to hurt anything, but just a bland and invincible and, upon the whole, a well-meaning stupidity, informing a bright and soft and delicately scented animal. So you work ruin among those men who serve ideals, not foreplanning ruin, not desiring to ruin anything, not even having sufficient wit to perceive the ruin when it is accomplished. You are, when all is done, not even detestable, not even a worthy peg whereon to hang denunciatory sonnets, you shallow-pated pretty creatures whom poets—oh, and in youth all men are poets!—whom poets, now and always, are doomed to hanker after to the detriment of their poesy. No, I concede it: you kill without premeditation, and without ever suspecting your hands to be anything but stainless. So in logic I must retract all my harsh words; and I must, without any hint or reproach, endeavour to bid you a somewhat more civil farewell."
She had regarded him, throughout this preposterous and uncalled-for harangue, with sad composure, with a forgiving pity. Now she asked him, very quietly, "Where are you going, Kit?"
"To the Golden Hind, O gentle, patient and unjustly persecuted virgin martyr!" he answered, with an exaggerated how—"since that is the part in which you now elect to posture."
"Not to that low, vile place again!"
"But certainly I intend in that tavern to get tipsy as quickly as possible: for then the first woman I see will for the time become the woman whom I desire and who exists nowhere." And with that the red-haired man departed, limping and singing as he went to look for a trull in a pot-house.
Sang Kit Marlowe:
"And I will make her beds of roses And a thousand fragrant posies; A cap of flowers, and a kirtle Embroidered all with leaves of myrtle.
"A gown made of the finest wool Which from our pretty lambs we pull; Fair-lined slippers for the cold, With buckles of the purest gold—"
III
ECONOMICS OF EGERIA
She sat quite still when Marlowe had gone.
"He will get drunk again," she thought despondently. "Well, and why should it matter to me if he does, after all that outrageous ranting? He has been unforgivably insulting—Oh, but none the less, I do not want to have him babbling of the roses and gold of that impossible fairy world which the poor, frantic child really believes in, to some painted woman of the town who will laugh at him. I loathe the thought of her laughing at him—and kissing him! His notions are wild foolishness; but I at least wish that they were not foolishness, and that hateful woman will not care one way or the other."
So Cynthia sighed, and to comfort her forlorn condition fetched a hand-mirror from the shelves whereon glowed her green cups. She touched each cup caressingly in passing; and that which she found in the mirror, too, she regarded not unappreciatively, from varying angles.... Yes after all, dark hair and a pale skin had their advantages at a court where pink and yellow women were so much the fashion as to be common. Men remembered you more distinctively. Though nobody cared for men, in view of their unreasonable behaviour, and their absolute self-centeredness.... Oh, it was pitiable, it was grotesque, she reflected sadly, how Pevensey and Kitt Marlowe had both failed her, after so many pretty speeches.
Still, there was a queer pleasure in being wooed by Kit: his insane notions went to one's head like wine. She would send Meg for him again to-morrow. And Pevensey was, of course, the best match imaginable.... No, it would be too heartless to dismiss George Bulmer outright. It was unreasonable of him to desert her because a Gascon threatened to go to mass; but, after all, she would probably marry George in the end. He was really almost unendurably silly, though, about England and freedom and religion, and right and wrong things like that. Yes, it would be tedious to have a husband who often talked to you as though he were addressing a public meeting.... However, he was very handsome, particularly in his highflown and most tedious moments; that year-old son of his was sickly and would probably die soon, the sweet, forlorn little pet, and not be a bother to anybody: and her dear old father would be profoundly delighted by the marriage of his daughter to a man whose wife could have at will a dozen celadon cups, and anything else she chose to ask for....
But now the sun had set, and the room was growing quite dark. So Cynthia stood a-tiptoe, and replaced the mirror upon the shelves, setting it upright behind those wonderful green cups which had anew reminded her of Pevensey's wealth and generosity. She smiled a little, to think of what fun it had been to hold George back, for two whole weeks, from discharging that horrible old queen's stupid errands.
IV
TREATS PHILOSOPHICALLY OF BREAKAGE
The door opened. Stalwart young Captain Edward Musgrave came with a lighted candle, which he placed carefully upon the table in the room's centre.
He said: "They told me you were here. I come from London. I bring news for you."
"You bring no pleasant tidings, I fear—"
"As Lord Pevensey rode through the Strand this afternoon, on his way home, the Plague smote him. That is my sad news. I grieve to bring such news, for your cousin was a worthy gentleman and universally respected."
"Ah," Cynthia said, very quiet, "so Pevensey is dead. But the Plague kills quickly!"
"Yes, yes, that is a comfort, certainly. Yes, he turned quite black in the face, they report, and before his men could reach him had fallen from his horse. It was all over almost instantly. I saw him afterward, hardly a pleasant sight. I came to you as soon as I could. I was vexatiously detained—"
"So George Bulmer is dead, in a London gutter! It seems strange, because he was here, befriended by monarchs, and very strong and handsome and self-confident, hardly two hours ago. Is that his blood upon your sleeve?"
"But of course not! I told you I was vexatiously detained, almost at your gates. Yes, I had the ill luck to blunder into a disgusting business. The two rapscallions tumbled out of a doorway under my horse's very nose, egad! It was a near thing I did not ride them down. So I stopped, naturally. I regretted stopping, afterward, for I was too late to be of help. It was at the Golden Hind, of course. Something really ought to be done about that place. Yes, and that rogue Marler bled all over a new doublet, as you see. And the Deptford constables held me with their foolish interrogatories—"
"So one of the fighting men was named Marlowe! Is he dead, too, dead in another gutter?"
"Marlowe or Marler, or something of the sort—wrote plays and sonnets and such stuff, they tell me. I do not know anything about him—though, I give you my word now, those greasy constables treated me as though I were a noted frequenter of pot-houses. That sort of thing is most annoying. At all events, he was drunk as David's sow, and squabbling over, saving your presence, a woman of the sort one looks to find in that abominable hole. And so, as I was saying, this other drunken rascal dug a knife into him—"
But now, to Captain Musgrave's discomfort, Cynthia Allonby had begun to weep heartbrokenly.
So he cleared his throat, and he patted the back of her hand. "It is a great shock to you, naturally—oh, most naturally, and does you great credit. But come now, Pevensey is gone, as we must all go some day, and our tears cannot bring him back, my dear. We can but hope he is better off, poor fellow, and look on it as a mysterious dispensation and that sort of thing, my dear—"
"Oh, Ned, but people are so cruel! People will be saying that it was I who kept poor Cousin George in London this past two weeks, and that but for me he would have been in France long ago. And then the Queen, Ned!—why, that pig-headed old woman will be blaming it on me, that there is nobody to prevent that detestable French King from turning Catholic and dragging England into new wars, and I shall not be able to go to any of the court dances! nor to the masque!" sobbed Cynthia, "nor anywhere!"
"Now you talk tender-hearted and angelic nonsense. It is noble of you to feel that way, of course. But Pevensey did not take proper care of himself, and that is all there is to it. Now I have remained in London since the Plague's outbreak. I stayed with my regiment, naturally. We have had a few deaths, of course. People die everywhere. But the Plague has never bothered me. And why has it never bothered me? Simply because I was sensible, took the pains to consult an astrologer, and by his advice wear about my neck, night and day, a bag of dried toad's blood and powdered cinnamon. It is an infallible specific for men born in February. No, not for a moment do I wish to speak harshly of the dead, but sensible persons cannot but consider Lord Pevensey's death to have been caused by his own carelessness."
"Now, certainly that is true," the girl said, brightening. "It was really his own carelessness, and his dear, lovable rashness. And somebody could explain it to the Queen. Besides, I often think that wars are good for the public spirit of a nation, and bring out its true manhood. But then it upset me, too, a little, Ned, to hear about this Marlowe—for I must tell you that I knew the poor man, very slightly. So I happen to know that today he flung off in a rage, and began drinking, because somebody, almost by pure accident, had burned a packet of his verses—"
Thereupon Captain Musgrave raised heavy eyebrows, and guffawed so heartily that the candle flickered. "To think of the fellow's putting it on that plea! when he could so easily have written some more verses. That is the trouble with these poets, if you ask me: they are not practical even in their ordinary, everyday lying. No, no, the truth of it was that the rogue wanted a pretext for making a beast of himself, and seized the first that came to hand. Egad, my dear, it is a daily practice with these poets. They hardly draw a sober breath. Everybody knows that."
Cynthia was looking at him in the half-lit room with very flattering admiration.... Seen thus, with her scarlet lips a little parted—disclosing pearls—and with her naive dark eyes aglow, she was quite incredibly pretty and caressable. She had almost forgotten until now that this stalwart soldier, too, was in love with her. But now her spirits were rising venturously, and she knew that she liked Ned Musgrave. He had sensible notions; he saw things as they really were, and with him there would never be any nonsense about top-lofty ideas. Then, too, her dear old white-haired father would be pleased, because there was a very fair estate....
So Cynthia said: "I believe you are right, Ned. I often wonder how they can be so lacking in self-respect. Oh, I am certain you must be right, for it is just what I felt without being able quite to express it You will stay for supper with us, of course. Yes, but you must, because it is always a great comfort for me to talk with really sensible persons. I do not wonder that you are not very eager to stay, though, for I am probably a fright, with my eyes red, and with my hair all tumbling down, like an old witch's. Well, let us see what can be done about it, sir! There was a hand-mirror—"
And thus speaking, she tripped, with very much the reputed grace of a fairy, toward the far end of the room, and standing a-tiptoe, groped at the obscure shelves, with a resultant crash of falling china.
"Oh, but my lovely cups!" said Cynthia, in dismay. "I had forgotten they were up there: and now I have smashed both of them, in looking for my mirror, sir, and trying to prettify myself for you. And I had so fancied them, because they had not their like in England!"
She looked at the fragments, and then at Musgrave, with wide, innocent hurt eyes. She was honestly grieved by the loss of her quaint toys. But Musgrave, in his sturdy, common-sense way, only laughed at her seriousness over such kickshaws.
"I am for an honest earthenware tankard myself!" he said, jovially, as the two went in to supper.
THE HIGH COST OF CONSCIENCE
BY BEATRICE RAVENEL
From Harper's Magazine
"Any woman who can accept money from a gentleman who is in no way related to her—" Miss Fowler delivered judgment.
"My dear Aunt Maria, you mean a gentleman's disembodied spirit," Hugh's light, pleasant tones intervened.
"A legacy, Maria, is not quite the same thing. Mr. Winthrop Fowler's perfect intonation carried its usual implication that the subject was closed.
"—— is what I call an adventuress," Miss Fowler summed up. She had a way of ignoring objections, of reappearing beyond them like a submarine with the ultimate and detonating answer. "And now she wants to reopen the matter when the whole thing's over and done with. After three years. Extraordinary taste." She hitched her black-velvet Voltaire arm-chair a little away from the fire and spread a vast knitting-bag of Chinese brocade over her knees. "I suppose she isn't satisfied; she wants more."
"Naturally. I cannot imagine what other reason she could have for insisting on a personal interview," her brother agreed, dryly. He retired into the Transcript as a Trappist withdraws into his vows. A chastened client of Mr. Fowler's once observed that a half-hour's encounter with him resulted in a rueful of asphyxiated topics.
Miss Maria, however, preferred disemboweling hers, "I shouldn't have consented," she snapped. "Hugh, if you would be so good as to sit down. You are obstructing the light. And the curtain-cord. If you could refrain from twisting it for a few moments."
Hugh let his long, high-shouldered figure lapse into the window-seat. "And besides, we're all dying to know what she looks like," he suggested.
"Speak for yourself, please," said Miss Fowler, with the vivacity of the lady who protests too much.
"I do, I do! Good Lord! I'm just as bad as the rest of you. All my life I've been consumed to know what Uncle Hugh could have seen in a perfectly obscure little person to make him do what he did. There must have been something." His eyes travelled to a sketch in pencil of a man's head which hung in the shadow of the chimneypiece, a sketch whose uncanny suggestion might have come from the quality of the sitter or merely from a smudging of the medium. "Everything he did always seemed to me perfectly natural," he went on, as though conscious of new discovery. "Even those years when he was knocking about the world, hiding his address. Even when he had that fancy that people were persecuting him. Most people did worry him horribly."
A glance flashed between the two middle-aged listeners. It was a peculiar glance, full of a half-denied portent. Then Miss Fowler's fingers, true to their traditions, loosened their grip on her needles and casually smoothed out her work. |
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