The steward brought his lists.

"Berth No. 22," he read—"Miss Rhoda Steele."

"And this young lady?" continued the captain, turning to the other occupant of the state-room, who had sunk back as if exhausted on the sofa, still enveloped in the shrouding folds of her large waterproof cloak.

She raised her head. The answer came after a moment's hesitation—came with a strange, defiant ring in its tone:

"My name is Marion Nugent."



Chapter II.

Under Full Sail.

More than a year has passed away since the events narrated in our first chapter took place, and the curtain now rises on a far different scene—a dinner-party in one of the most splendid of the gorgeous mansions on Madison avenue, New York.

Mrs. Walton Rutherford, the giver of the entertainment in question, was a member of a class unhappily now fast dying out of New York society—one of those ladies of high social position and ancient lineage who adorn the station which they occupy as much by their virtues as by their social talents. A high-minded, pure-souled matron, a devoted wife and mother, as well as a queen of society, inheriting the noble qualities of her Revolutionary forefathers as well as their great estates—such was the lady who presided over the brilliant festivity we are about to describe. She had been left for many years a widow, and her surviving children—two sons, Clement and Horace—were both of mature age; Horace, the younger, being just thirty years old, and Clement, the elder, some seven years his senior. Mrs. Rutherford herself was a few years over sixty. A year or two before the period at which our story opens a terrible misfortune had befallen her. Amaurosis—that most insidious and unmanageable of diseases of the eye—had attacked her vision, and in a few months after it declared itself she was totally, hopelessly blind. But, although debarred by her infirmity from going into society, she still received her friends in her own home; and her evening receptions and elegant dinners were always cited as being among the most agreeable and successful entertainments of the season.

Another sorrow had recently come to trouble the calm of her honored and tranquil existence—the marriage of her eldest son. Clement Rutherford, unlike any other member of the family, was a cold, reserved man, unpleasant in temper and disagreeable in manner. When he was still quite a boy, his mother's only sister, Miss Myra Van Vleyden, had died, and had bequeathed to him the large fortune which she had inherited conjointly with Mrs. Rutherford from her father, the two sisters being the only children of Schuyler Van Vleyden. She was a soured, morose old maid, and probably saw some congeniality of disposition in her eldest nephew which caused her to single him out as her heir. After he attained to years of manhood, he always manifested a decided antipathy to ladies' society, and was generally looked upon as a confirmed old bachelor; so that when he announced to his mother the fact of his engagement to Mrs. Archer's pretty governess, Miss Nugent, her distress of mind was fully equaled by her astonishment. The match met with her strongest disapproval, as was to have been expected; for it was hardly probable that she, the oldest surviving representative of the old Knickerbocker family the Van Vleydens, an acknowledged leader of society by the triple right of wealth, birth and intellect, should be inclined to welcome very warmly as a daughter-in-law the penniless beauty who had been occupied for some months past in teaching Mrs. Archer's little daughters the rudiments of French and music. Moreover, the investigations and inquiries respecting the young lady's origin which she had at once caused to be instituted on hearing of her son's engagement, had revealed a state of affairs which had placed Miss Nugent in a very unenviable light. Her parents were well born, though poor. She was the daughter of a curate in the North of England, who had lost his young wife by heart disease when Marion was but a few months old, and two years later Mr. Nugent died of consumption, leaving his little daughter to the care of his unmarried and elderly brother, the Reverend Walter Nugent, who, though the living he held was but a small one, contrived to rear and educate his niece as his own child. He had only allowed her to leave him and become a governess on the assurance of the village physician that her health was seriously impaired, and that a sea voyage and complete change of scene would prove the best and surest of restoratives. But the pained though manly tone of the letter in which he replied to Mrs. Rutherford's inquiries had prepossessed that warm-hearted, high-minded lady most strongly against her future daughter-in-law. "I loved Marion always as though she were my own child," wrote Mr. Nugent, "and I cannot but look upon her total neglect of me since her arrival in America as being wholly inexcusable. She has never even written me one line since her departure, and I learned of her safe arrival only by the newspapers. I can but infer from her obstinate and persistent silence that she wishes to sever all ties between herself and me, and I have resigned myself to the prospect of a lonely and cheerless old age. I trust that she may be happy in the brilliant marriage which, you say, she is about to make, and I can assure her that her old uncle will never disturb her in her new prosperity."

Mrs. Rutherford had one long, stormy interview with her eldest son, and learning therein that his determination to marry Miss Nugent was fixed and unalterable, she had with commendable wisdom accepted the situation, and resolved to so order the conduct of herself and her relatives as to give the scandalous world no room for that contemptuous pity and abundant gossip which an open rupture between herself and her son would doubtless have occasioned.

The manner of the wooing had been in this wise: John Archer, a sober, staid gentleman of great wealth, was Clement Rutherford's most intimate friend, and naturally, when the Archers moved into their new and splendid villa at Newport, Clement was invited to spend a few weeks with them—an invitation which he readily accepted. A few days after his arrival, Mrs. Archer, who was a pretty, lively little coquette, not in the least sobered by some thirteen years of married life, offered to drive him out in her little phaeton. "John has just given me a new pair of ponies," she said—"such perfect beauties and so gentle that I long to drive them." So the pretty, stylish equipage, with its fair driver and faultless appointments, made its first appearance on the avenue that afternoon, and also, I am sorry to say, its last; for the "gentle beauties" afore-said, excited to emulation by the number of spirited steeds around them, became ambitious of distinction, and sought for and decidedly obtained it by running away, thereby overturning the phaeton, breaking the harness, bruising Mrs. Archer severely and dislocating Mr. Rutherford's ankle.

Mrs. Archer was as well as ever in a few days, but the injuries received by her guest proved sufficiently serious to compel him to maintain a recumbent position for a long time, and prevented him from walking for several weeks. She made every arrangement possible for his comfort, and she had a charming little reception-room on the ground floor, adjoining the library, fitted up as a bed-chamber, and installed him there; so that as soon as he was able to quit his bed for a sofa, he could be wheeled into the latter apartment, and there enjoy the distractions of literature and society. For a few days after he made his first appearance there his lovely hostess was all attention and devotion; but, finding that he was anything but an agreeable or impressionable companion, she soon wearied of his society. Mr. Archer, shortly after the accident had taken place, had been summoned from home by important business connected with some mining property which he possessed, and which necessitated his presence in the interior of Pennsylvania; so Mrs. Archer, thus left with the entertainment of her most uncongenial guest exclusively confided to her care, came speedily to the conclusion that he was a nuisance, and began to look about for a substitute to relieve her from her unwelcome duties. She decided that her pretty governess, who spoke French so well, and sang little French chansonettes so sweetly, and got herself up in such a charming manner, giving so much "chic" and style even to the simplest of toilettes, was just the person to take upon herself the task of amusing the uninteresting invalid.

"Do look after Mr. Rutherford a little, there's a dear, good creature," whispered Mrs. Archer confidentially to Miss Nugent. "He is dreadfully tiresome, to be sure, but John thinks the world of him, you know, and it would not exactly do to leave him alone all the time. I wish him to receive every attention while he is in the house, of course; but as for sitting for hours at a time with him in that stuffy little library—just in the height of the season, too—why, I cannot think of doing it. If you will just go and sit with him sometimes, and read to him a little, it will be an absolute charity to me. I'll see that Alice and Emily do not get into any mischief."

Which, considering that the young ladies in question were, one twelve, the other ten years of age, and both much addicted to flirtation and dancing the "German," was rather a rash promise and inconsiderately made.

So Miss Nugent was definitely installed as reader and garde malade in general, and Clement Rutherford soon learned to await her coming with impatience and to welcome her with delight. All his life long will he remember those summer days, when her voice and the low plash of the far-off ocean waves wove themselves together into music as she read, and when the blue splendors of her lustrous eyes lent a new meaning to the poet's story as it flowed in melodious verses from her lips. Then came a day when the book was laid aside, and the impassioned utterances of poetry gave place to the more prosaic but not less fervent accents of a newly-awakened passion. Cold, silent and morose as Clement Rutherford had always been, it had so happened that but few women had ever attempted to attract him, notwithstanding his wealth and social position; and the interested motives of those few had been so apparent that he had been repelled and disgusted, instead of being fascinated, by their wiles; so that Miss Nugent's grace and beauty and syren charms proved all too potent for his unoccupied though icy heart to resist; and thus it chanced that the day before Mr. Rutherford left Newport he astonished his hostess by requesting a private interview with her, and therein announcing his engagement to her governess.

"You could have knocked me down with a feather," Mrs. Archer said afterward to an intimate friend. "I never should have suspected that such a quiet, stupid man as he was would fall in love in that ridiculous kind of a way. Good gracious! how indignant old Mrs. Rutherford will be! and I shall be blamed for the whole affair, no doubt. I wish John had never brought the man here—I never did like him; and then, too, it is so provoking to lose Miss Nugent just now, while we are at Newport. Of course I can find no one to replace her till we return to New York. Well, I always was an unlucky little woman."

The marriage took place in the latter part of September, only a few weeks after the engagement had been first announced. Mrs. Rutherford, true to her resolution of making the best of the affair, was careful that none of the usual courtesies and observances should be neglected. The bridal gifts from the Rutherford family, if less splendid, were as numerous as they would have been had Mr. Rutherford married a member of his mother's decorous, high-bred "set," and all his immediate relatives called most punctiliously on the bride when the newly-wedded pair arrived in New York after their six weeks' trip to Philadelphia and Washington.

Mr. Rutherford decided to take rooms at the Brevoort House till he could purchase a suitable residence. His mother's splendid home was not thrown open to receive him and his unwelcome bride, as it would have been had he made a choice more consonant with her wishes.

But we have wandered far from the dinner given by Mrs. Rutherford in honor of her new daughter-in-law, and with which our chapter commences.

It was a superb entertainment, as the Rutherford dinners usually were. The service of gold plate purchased by Schuyler Van Vleyden when he was minister to Austria adorned the table, which was also decorated with three splendid pyramids of choicest flowers. An exquisite bouquet bloomed in front of each lady's plate, and the painted blossoms on the peerless dinner-service of rare old Sevres vied in every respect save fragrance with their living counterparts. An unseen orchestra, stationed in the conservatory, sent forth strains of music, now grave, now gay, as Gounod or Offenbach ruled the tuneful spirit of the hour. Twelve guests only were present, including Mrs. John Archer, to whom Mrs. Rutherford had in this fashion testified her forgiveness, and who had accepted the proffered olive-branch with delight, wearing, in order to do honor to the occasion, an exquisite dress, fresh from one of the most renowned ateliers of Parisian fashion. Mrs. Rutherford, as usual, notwithstanding her infirmity, presided with unfailing grace and dignity; and in her splendid dress of black satin, brocaded with bouquets of flowers in their natural hues, her cap and collar of priceless old point lace, and her antiquely set but magnificent ornaments of sapphires and diamonds, she still looked a queen of society. A well-trained servant was stationed behind her chair, who from time to time placed before her suitably-prepared portions of the various delicacies of the entertainment, of which she slightly partook, in order to obviate the restraint which her presence at the festivity without participating in it would have occasioned. On her left hand sat her younger son, Horace, whose watchful eyes followed her every movement, and whose loving care anticipated her every wish. He was a tall, stalwart-looking young man, fair-haired and blue-eyed, like his elder brother, but his frank, joyous expression and winning manners bore no resemblance to the sullen countenance and surly demeanor of Clement.

The bride was, of course, the, cynosure of all eyes. Attired in rich, creamy-white satin, the corsage shaded with folds of delicate lace, with coral ornaments on her neck and arms, and with the heavy masses of her dark hair interwoven with coral beads, she looked extremely beautiful, and was pronounced by the ladies present to be "handsome and stylish-looking, but decidedly dull." This latter accusation was more truthful than such charges usually are. Mrs. Clement Rutherford did feel unusually stupid. She was ennuye by the long, formal, stately dinner; she knew but few of the persons present; and her point-lace fan was frequently called into requisition to conceal her yawns. The game had been served before her next neighbor, a sprightly young New Yorker, who had been rather fascinated by her beauty, contrived to arouse her into something like animation. He succeeded at last, however, and it was not long before an unusually brilliant sally drew a merry laugh from her lips. Her laugh was peculiar—a low, musical, trilling sound, mirthful and melodious as the chime of a silver bell.

As its joyous music rang on the air, Mrs. Rutherford turned ghastly pale. She gasped convulsively, half rose from her seat and fell back in a deathlike swoon.

Of course all was instantly confusion and dismay. The guests sprang up, the waiters hurried forward—Horace was instantly at his mother's side.

"She has only fainted," he said in his clear, decided tones. "She will be better in a few moments. Let me beg of you, my friends, to resume your seats. Clement, will you oblige me by taking our mother's post?"

With the help of Mrs. Rutherford's special attendant, Horace supported the already reviving sufferer from the room. They conveyed her to her sleeping apartment, where restoratives and cold water were freely used, and she soon regained perfect consciousness. But returning animation seemed to bring with it a strange and overwhelming sorrow. When the servant had retired, leaving her alone with her son, she refused to answer any of his queries, and burying her face in her pillow, she wept with convulsive and irrepressible violence. At length the very vehemence of her grief seemed, by exhausting itself, to restore her to comparative calm: her tears ceased to flow, her heavy sobs no longer shook her frame, and she remained for some time perfectly quiet and silent. At length she spoke:

"Horace!"

"What is it, mother?"

"Describe to me the personal appearance of your brother's wife—minutely, as though a picture were to be painted from your words."

It was no unusual request. Horace was in the habit of thus minutely describing persons and places for his mother's benefit.

"She is rather below the middle height, and her form, though slender, is finely moulded and of perfect proportions. Her hands and feet are faultless, and her walk is extremely graceful, resembling more the gait of a French-woman than that of an English girl. Her complexion is pale and rather sallow, and her countenance is full of expression, which varies constantly when she talks. The lower part of her face is somewhat too thin for perfect beauty, and the chin is inclined to be pointed, and the cheeks are rather hollow, but the upper part is superb. Her brow is low and broad, and she folds back from it the heavy waves of her black hair in the plainest possible style. Her eyes are her chief beauty, and would transfigure any face into loveliness. They are very large, and of a dark, transparent blue, of so lustrous and so perfect an azure that not even in shadow do they look black. Stay—I can give you a better idea of her appearance than by multiplying words. Did you, when you were in Munich, visit the Gallery of Beauties in the Royal Palace?"

"I did."

"Do you remember the portrait of Lola Montez?"

"Certainly—as though I had seen it yesterday."

"Marion resembles that portrait very strikingly, particularly in the shape and carriage of her head."

"I am not mistaken—it is she. Would that I had never lived to see this day!" And Mrs. Rutherford wrung her hands in an agony of helpless, hopeless distress.

"It is she?" repeated Horace, in perplexity. "Whom do you mean, mother? Who was Marion Nugent?"

"She is not Marion Nugent—this impostor who has thrust herself into our midst, bringing scandal and dishonor as her dower."

"And who, then, is she?"

Mrs. Rutherford turned toward him and fixed on his face her tear-bathed eyes, as though sight were restored to her, and she were trying to read his thoughts in his countenance.

"Why should I tell you?" she said, after a pause: "why reveal to you the shameful secret, and tell of a misfortune which is without a remedy? Clement is married: what words of mine can divorce him? And who will believe the evidence of a blind woman? If I were not blind, I might openly denounce her, but now—" And again she wrung her hands in unspeakable anguish.

Horace knelt beside his mother's couch and folded her hands in his own.

"I will believe you, mother," he said, earnestly. "Trust me—tell me all. If this woman whom my brother has married be an impostor, he may yet be freed from the matrimonial chain."

"Could that be possible?"

"It may be. Let me try, at least. I will devote myself to your service if you will but confide in me."

"Close the door, and then come near me, Horace—nearer still. I will tell you all."

Two days later the steamship Pereire sailed from New York for Brest, numbering among her passengers Horace Rutherford.



Chapter III.

Striking the Flag.

The events narrated in our last chapter took place early in November, and it was not till the following March that the astonished friends of Horace Rutherford saw him reappear amongst them as suddenly and as unexpectedly as he had departed. "Business of importance" was the sole explanation he vouchsafed to those who questioned him respecting the motive of his brief European tour; and with that answer public curiosity was perforce obliged to content itself. Society had, in fact, grown weary of discussing the affairs of the Rutherford family. Clement Rutherford's mesalliance, his mother's sudden illness at that memorable dinner-party, her subsequent seclusion from the world, and Horace's inexplicable absence, had all afforded food for the insatiable appetite of the scandal-mongers. Then Gossip grew eloquent respecting the flirtations and "fast" manners of Clement Rutherford's wife, and whispered that the old lady's seizure had been either apoplexy or paralysis, brought on by her distress of mind at her son's marriage, and that she had never been herself since. Next, the elegant establishment of the newly-wedded pair on Twenty-sixth street, with its gorgeous furniture and costly appointments, furnished a theme for much conversation, and doubts were expressed as to whether the "Upper Ten" would honor with its august presence the ball which Mrs. Clement Rutherford proposed giving on Shrove Tuesday, which in that year came about the middle of March. But as to that, it was generally conceded that they would. Youth, beauty, wealth and the shadow of an old family name could cover a multitude of such sins as rapid manners, desperate flirtations and a questionable origin; and notwithstanding her fastness, and, worse still, her ci-devant governess-ship, Mrs. Clement Rutherford was a decided social success.

On the day succeeding that oh which he had arrived, Horace made his appearance at his brother's house. Clement had not heard of his return, and received him with a cordiality strikingly at variance with his usual manner.

"Come into the library," he said, after the first greetings had been exchanged. "I have some fine cigars for you to try, and you can tell me something about your travels."

"Thank you, Clement: I believe I must decline your offer. I have a message for your wife: can I see her?"

A cloud swept over the brow of the elder brother.

"I suppose you can," he said, coldly, looking at his watch as he spoke. "Two o'clock. She took breakfast about half an hour ago, so she is probably at home. You had better go up stairs to her boudoir, as she calls it, and Christine, her maid, will tell her that you wish to see her."

He turned away, and was about to leave the room when Horace caught his hand.

"Clement! brother! Answer me one question: Are you happy in your married life?"

"Go ask the scandal-mongers of New York," was the bitter reply: "they are eloquent respecting the perfection of my connubial bliss."

"If she had been a kind and affectionate wife, if she had made him happy," muttered Horace as he ascended the stairs, "my task would have been a harder one. Now my duty is clear, and my course lies smooth and straight before, me."

The room into which he was ushered by Christine, the pretty French maid, was a perfect marvel of elegance and extravagance. It was very small, and on every part of it had been lavished all that the combined efforts of taste and expenditure could achieve. The walls had been painted in fresco by an eminent Italian artist, and bevies of rosy Cupids, trailing after them garlands of many-hued flowers, disported on a background of a delicate green tint. The same tints and design were repeated in the Aubusson carpet, and on the fine Gobelin tapestry which covered the few chairs and the one luxurious couch that formed the useful furniture of the tiny apartment. Etageres of carved and gilded wood occupied each corner, and, together with the low mantelshelf (which was upheld by two dancing nymphs in Carrara marble), were crowded with costly trifles in Bohemian glass, Dresden and Sevres porcelain, gilded bronze, carved ivory and Parian ware. An easel, drawn toward the centre of the room, supported the one painting that it contained, the designs on the walls being unsuited for the proper display of pictures. This one picture had evidently been selected on account of the contrast which it afforded to the gay coloring and riante style of the decorations. It was a superb marine view by Hamilton—a cloudy sunset above a stormy sea, the lurid sinking sun flinging streaks of blood-red light upon the leaden waters that, in the foreground, foamed and dashed themselves wildly against the rocks of a barren and precipitous shore.

Horace stood lost in contemplation before the easel, when the door opened and his sister-in-law entered. He turned to greet her, and her beauty, enhanced as it was by the elegance of her attire, drew from him an involuntary glance of admiration. Her dress was an exemplification of how much splendor may be lavished on a morning-costume without rendering it absolutely and ridiculously inappropriate. She wore a robe of turquoise-blue Indian cashmere, edged around the long train and flowing sleeves with a broad border of that marvelous gold embroidery which only Eastern fingers can execute or Eastern imaginations devise. A band of the same embroidery confined the robe around her slender, supple waist, and showed to advantage the perfection of her figure. A brooch and long ear-pendants of lustreless yellow gold, and a fan of azure silk with gilded sticks, were the adjuncts to this costume, whose rich hues and gorgeous effects would have crushed a less brilliant and stylish-looking woman, but which were wonderfully becoming to its graceful wearer.

"Welcome home, Horace!" she said in that low sweet voice which was one of her most potent charms. "How kind it is of you to pay me a visit so soon after your return!"

She placed herself on the couch and motioned to him to take a seat near her. He drew up his chair, and a short, embarrassed pause succeeded.

Mrs. Rutherford toyed with her fan and stole glances from under her long black lashes at her visitor, who sat twisting one of his gloves and wishing most ardently that Providence had entrusted the painful task before him to some one of a more obdurate and less chivalrous nature.

Wearied of silence, the lady spoke at last.

"Have you nothing of interest respecting your travels to tell me?" she asked.

Her voice seemed to break the spell which paralyzed him. He turned toward her with the look of one who nerves himself up to take a desperate resolution:

"Yes: I have a story to relate to you, and one of more than common interest."

"Really!" She yawned behind her fan. "Excuse me, but I was at Mrs. Houdon's ball last evening, and the 'German' was kept up till five o'clock this morning. I am wretchedly tired. Now do go on with your story: I have no doubt but that I shall find it amusing, but do not be much surprised if I fall asleep."

"I think you will find it interesting, and I have no fear of its putting you to sleep. But you must make me one promise. I am but a poor narrator, and you must engage not to interrupt me."

"I have no hesitation in promising to remain perfectly quiet, no matter how startling your incidents or how vivid your descriptions may be."

She leaned back among the cushions with another stifled yawn and shaded her eyes with her fan. Without heeding the veiled impertinence of her manner, Horace commenced his narrative:

"Some twenty-five years ago a friendless, penniless Englishwoman died at one of the cheap boarding-schools in Dieppe, where she had officiated for some time as English teacher and general drudge. She left behind her a little girl about five years of age—a pretty, engaging child, whose beauty and infantile fascinations so won the heart of Madame Tellier, the proprietress of the establishment, that she decided to take charge of the little creature and educate her, her project being to fit her for the post of English teacher in her school. But the pretty child grew up to be a beautiful but unprincipled girl, with an inborn passion for indolence and luxury. At the age of seventeen she eloped from the school with a young Parisian gentleman, who had been spending the summer months at one of the seaside hotels in Dieppe, and her benefactress saw her and heard of her no more.

"We will pass over the events of the next few years. It would hardly interest you to follow, as I did, each step by which the heroine of my history progressed ever downward on the path of vice. We find her at last traveling in Italy under the protection of the Count von Erlenstein, an Austrian noble of great wealth and dissolute character. She has cast aside the name she once bore, and, anticipating the jewel-borrowed cognomens of Cora Pearl and La Reine Topaze, she adopts a title from the profusion of pink coral jewelry which she habitually wears, and Rose Sherbrooke is known as Rose Coral."

Horace paused. A short, sharp sound broke the momentary silence: it was caused by the snapping of one of the gilded fan-sticks under the pressure of the white, rigid fingers that clasped it. But the listener kept her face hidden, and but for that convulsive motion the speaker might have fancied that she slept, so silent and motionless did she remain. After a short pause Horace continued:

"The attachment of Count von Erlenstein proved to be a lasting one, and we find Rose Coral at a later period installed in a luxurious establishment in Vienna, and one of the reigning queens of that realm of many sovereigns, the demi-monde of the gay capital of Austria. But the count falls ill; his sickness speedily assumes a dangerous form; his death deprives Rose Coral of her splendor; and the sunny streets of Vienna know her fair face no more. I will not retrace for you, as I could do, each step in her rapid descent from luxury to poverty, from splendor to vice, from celebrity to ruin. But one day she makes her appearance, under the name of Rhoda Steele, on board the steamship America, bound for New York. The state-room which she occupies is shared by a young girl named Marion Nugent, whose future career is to be that of a governess in the United States. On the first night out one of the occupants of the state-room is taken suddenly ill and dies, the corpse is committed to the deep, and it is reported throughout the ship that the name of the deceased is Rhoda Steele. The tale was false: it was Marion Nugent who died—it was Rose Sherbrooke, alias Rose Coral, alias Rhoda Steele, who lived to rob the dead girl of her effects and to assume her name!"

The broken fan was flung violently to the floor, and Mrs. Rutherford sprang to her feet, her face livid with passion and her blue eyes blazing with a steel-like light.

"How dare you come here to assert such falsehoods?" she cried. "You have always hated me—you and all the rest of your haughty family—because it pleased Clement Rutherford to marry me—me, a penniless governess. But I am your sister-in-law, and I demand that you treat me with proper respect. You came here to-day simply to insult me. Well, sir, I will summon my husband, and he shall protect me from your insolence."

She turned toward the door as she spoke, but he motioned her back with an imperative and scornful gesture.

"Softly, Rose Coral," he said, with a sneer: "the manners of the Quartier Breda are not much to my taste, nor do they suit the character you have been pleased to assume. Do you think me so void of common sense as to return home without full proof of your identity? I have in my possession a large colored photograph of you, taken some years ago by Hildebrandt of Vienna, and endorsed by him on the back with a certificate stating that it is an accurate likeness of the celebrated Rose Coral. Secondly, I have brought home with me two witnesses—one is Jane Sheldon, late housekeeper for the Rev. Walter Nugent, and formerly nurse to the deceased Marion Nugent; and the other is a French hairdresser who lived many years in Vienna, and who, for several months, daily arranged the profuse tresses of Rose Coral. One will prove who you are not, and the other will as certainly prove who you are."

"Who I was" she said, defiantly. "I will deny it no longer: I am Rose Sherbrooke, once known as Rose Coral, and, what is more to the purpose, I am the wife of Clement Rutherford. Have a care, my brother Horace, lest you reveal to the world that your immaculate relatives have been touching pitch of the blackest hue and greatest tenacity. Prove me to be the vilest of my sex, I remain none the less a wedded wife—your brother's wife—and I defy you. The game is played out, and I have won it."

She threw herself back in her chair and cast on him a glance of insolent disdain. Horace Rutherford looked at her with a scornful smile.

"The game is not played out," he said, calmly. "One card remains in my hand, and I produce it. It is the Ace of Diamonds, and its title is The Rose of the Morning."

A livid paleness overspread Mrs. Rutherford's features, and a stifled cry escaped from her lips. She half rose from her seat, but, seeming to recollect herself, she sank back and covered her face with her hands. Horace continued, after a momentary pause:

"My investigations into the history of the Count Wilhelm von Erlenstein during the last years of his life revealed the fact that he had lost the most valuable of the jewels of his family. It had been stolen. It was a pink diamond of great size and beauty, known to gem-connoisseurs by the name of The Rose of the Morning—one of those remarkable stones which have a history and a pedigree, and which are as well known by reputation to diamond-fanciers as are Raphael's Transfiguration and the Apollo Belvidere to the lovers of art. This gem was worn by Count Wilhelm as a clasp to the plume in his toque at a fancy ball given by one of the Metternich family, at which he appeared in the costume of Henri III. of France. He afterward, with culpable carelessness, placed it, amongst his studs, pins, watch-chains and other similar bijouterie, in a small steel cabinet which stood in his bed-chamber. His illness and the dismissal of Rose Coral occurred soon after the fancy ball in question, and it was not till his heir, the present count, had been for some time in possession of the estates that it was discovered that the great diamond was missing. It was not to be found, and suspicion immediately fell upon the late count's valet, a Frenchman named Antoine Lasalle; who was found to have been mysteriously possessed of a large sum of money after the count's death. He was arrested, and it was conclusively proved that he had stolen a number of valuable trinkets from his dying master, but still no trace of The Rose of the Morning could be discovered, and Lasalle strenuously denied all knowledge respecting it. The family offered large rewards for its recovery, and the detectives of all the large cities of Europe have been for some time on the alert to discover it, but in vain. As soon as I heard this story, I thought that I could make a tolerably shrewd guess as to the whereabouts of the missing jewel; and I caused investigations to be set on foot in New York by a trusty agent, which resulted in the discovery that The Rose of the Morning had been sold some six months before to a jeweler in Maiden lane for about one-twenty-fifth of its value, the peculiar tint of the stone, and the purchaser's ignorance of the estimation in which it is held by the gem-fanciers of Europe, having militated against the magnitude of the valuation set upon it. It was secured for me at a comparatively trifling price. The person who sold it to the jeweler some six months ago, in spite of a partial disguise and an assumed name, was easy to recognize, from the description given, as that lady of many names, Mrs. John Archer's governess. Now, Rose Coral, what say you? You may be Mrs. Clement Rutherford, my brother's lawful wife, but you are not the less a thief and a criminal, for whom the laws have terrible punishment and bitter degradation."

"This is but a poor invention: where are your proofs?" she cried, looking up as she spoke, but her faltering voice and quivering lips contradicted her words.

"Here is my chief witness." He drew off his left-hand glove as he spoke, and extended his hand toward her. On the third finger blazed the beautiful gem of which he had spoken, its great size and purity fully displayed in the pale afternoon sunlight that flashed back in rosy radiance from its bright-tinted depths.

"It is almost too large to wear as a ring," he said with great coolness, looking at the jewel, "but I wish it to run no further risks till I can transfer it to its lawful owner, which will be as soon as it has played its talismanic part by freeing my brother from his impostor-wife."

The lady rose from her seat, pale, calm and resolved.

"Further insults are useless, sir," she said. "The game is ended now, and you have won it. What is it that you wish me to do?"

"You must sail for Europe in one of next week's steamers, leaving behind you such a confession of guilt as will enable my brother to procure a divorce without revealing the shameful fact that he was the innocent means of introducing an impostor—a ci-devant lorette—to his family and friends as his wife. Better this scandal of an elopement than the horror of having such a story made public. An income amply sufficient for your wants will be settled upon you, on condition that you never return to the United States, and never, in any way, proclaim the fact that Mrs. Clement Rutherford and Rose Coral were one and the same person."

"I accept your conditions," she said, wearily. "I will go, never to return. Now leave me. But stay: will you not answer me one question?"

"I will, certainly."

"Who was it that discovered my secret?"

"My mother—my blind mother. Some years ago, before she lost her sight, I accompanied her on a short European tour, in which we visited England, France, Switzerland, and finally Italy. While we were at Rome I fell ill with the fever of the country, and my physicians gave orders that as soon as I was well enough to travel I should leave Italy for a more bracing climate. We had not visited Naples, and I was anxious that my mother should not return home without seeing the wonders of that city; so as soon as I became convalescent I prevailed upon her to leave me in the care of some friends and to join a party who were going thither. During her stay she went frequently to the opera. One evening she was greatly disturbed by the loud talking and laughing of some persons in the box next to the one she occupied, and she was much struck with the beauty, the brilliant toilette and the boisterous conduct of one of the female members of the party. She inquired the name of the person she had thus remarked. It was yourself, and she learned not only your name, but your whole history. When at her own dinner-table she heard the sweet and singular laugh that had so struck her on that occasion, the sensitiveness of hearing peculiar to the blind caused her to recognize the sound at once; and the description which I afterward gave her of your personal appearance only changed torturing doubt into agonizing certainty."

"Thanks for your courtesy: I will detain you no longer."

Horace bowed and approached the door. Suddenly, as if moved by a sudden impulse, he turned back.

"Believe me, this task has been a hard one," he said, earnestly. "And remember, if hereafter you may need pecuniary aid, do not hesitate to apply to me. For Heaven's sake, do not return to the life you once led. There was one redeeming feature in the imposture which you practiced: it showed that some yearning for a pure name and an innocent life was yet possible to you."

"I want no sermons," she answered, abruptly. "Only leave me at peace. Go: I am sick of the sight of you."

As he closed the door he cast one parting glance on the room and its occupant. She stood leaning against the back of a large arm-chair, her clasped hands resting on the top, and her white, rigid face set in the fixed calmness of total despair.

Thus left alone, she remained standing for some time as motionless as though she were a marble statue and not a living woman. Suddenly she seemed to take some desperate resolve: she threw back her head with a bitter, mirthless laugh, and going to the bell she rang it. Her maid quickly appeared.

"I have a wretched headache, Christine," she said. "I shall not come down to dinner, and do not disturb me till nine o'clock: that will give me time enough to dress for Mrs. Winchester's ball. I will wear the pale-blue satin and my point-lace tunic. Be sure you change the white roses that loop it for pink ones, and lay out my parure of pearls and diamonds, and my point-lace fan and handkerchief. Now bring me the two phials that stand on the third shelf of the closet in my bed-chamber."

Christine departed on her errand and soon returned, bringing with her two bottles, the smallest of which was labeled "Solution of Morphia—POISON. Dose for an adult, ten drops;" while the largest Was simply inscribed "Sulphuric Ether." These she placed on the chimney-piece, and then proceeded to arrange the cushions of the lounge and to draw the curtains. "I will now leave madame to her repose," she said. "Does madame need anything more?"

"No, I shall want nothing more," was the reply. The door closed upon the maid's retreating form, and Mrs. Rutherford instantly shot the bolt.

She cast a sad and wistful glance around the dainty room and on its glittering contents. "J'etais si bien ici," she said regretfully. "I had found here the existence which suited me, and now the end has come. It is not in my nature to remain satisfied with a life of poverty and respectability, and I will not return to one of degradation and vice. But, after all, what does it matter? My fate would have found me sooner or later, and this soft couch is better than a hospital bed or the slabs of La Morgue: this draught is more soothing than the cold waters of the Thames or the Seine. Life is no longer a game that is worth the candle: let us extinguish the lights and put the cards away."

She took up the phial of morphia, drew the little sofa nearer to the fireplace and extended herself upon it. The daylight faded from the sky and night came, and with the night came sleep—a sleep whose dream was of Eternity, and whose wakening light would be the dawn of the resurrection morning.

"Accidental death" was the verdict of the coroner and the newspapers, and, in fact, of the world in general—a conclusion much assisted by the evidence of Christine, who testified that her mistress was in the habit of using narcotics and anaesthetics in large quantities to relieve the pain of the neuralgic headaches from which she was a constant sufferer. Society said, "How sad! Dreadful, is it not?" and went on its way—not exactly rejoicing, for the death of Mrs. Rutherford deprived its members of her long-promised, long-talked-of Shrove-Tuesday ball, and consequently the gay world mourned her loss very sincerely for a short time; in fact, till a well-known leader of fashion announced her intention of giving a fancy-dress party on the night thus left vacant, whereupon Society was consoled, and Mrs. Rutherford's sad fate was forgotten.

Only two persons—Horace Rutherford and his mother—suspected that her death was not an accidental one; but they guarded their secret carefully, and Clement Rutherford will never learn that his dead wife was other than the innocent English girl she represented herself to be. Walter Nugent wrote a pathetic letter to Mrs. Rutherford, begging that a lock of his lost and now forgiven darling's hair might be sent to him; and it cost Horace a sharp pang of regret when he substituted for the black, wavy tress furnished by Clement a golden ringlet purchased from one of the leading hairdressers of New York.

"Heaven forgive me!" he said to himself, remorsefully, as he sealed the little packet; "but I really think that this is one of the cases wherein one cannot be blamed for not revealing the truth."

A few months later, Horace Rutherford stood in Greenwood Cemetery contemplating with curiosity and interest the inscription on a recently-erected monument of pure white marble.

"Sacred to the memory of Marion Nugent, beloved wife of Clement Rutherford," he read. "Well, this is consistent at least. She wears the disguise of a virtuous woman in her very tomb. Marion Nugent rests beneath the waves of the Atlantic ocean, and here Rose Sherbrooke sleeps in an honored grave beneath the shelter of the dead girl's stainless name. But the deception has power to harm no longer, so let us leave her in peace. It is well for our family that, even as a sunken wreck, we still find this pirate bark Under False Colors,"

LUCY HAMILTON HOOPER.



The Hungry Heart.



A village on the coast of Maine; in this village a boarding-house; in this boarding-house a parlor.

This parlor is, strictly speaking, a chamber: it is in the second story, and until lately it contained a bed, washstand, etc.; but a visitor from New York has taken a fancy to change it to a reception-room. In the rear, communicating with it, is a sleeping-closet.

The room is what you might expect to find in a village boarding-house: the floor of liliuptian extent; the ceiling low, uneven, cracked and yellow; the originally coarse and ugly wall-paper now blotched with age; the carpet thin, threadbare, patched and stained; the furniture of various woods and colors, and in various stages of decrepitude.

But a tiny bracket or two, three or four handsome engravings, two fresh wreaths of evergreens, two vases of garden flowers, a number of Swiss and French knickknacks, and a few prettily-bound books, give the little nest an air of refinement which is almost elegance.

You judge at once that the occupant must be a woman—a woman moreover of sensibility and taste; a woman of good society. Of all this you become positive when you look at her, take note of her gracious manner and listen to her cultured voice.

Her expression is singularly frank and almost childlike: it exhibits a rapid play of thoughts, and even of emotions: it is both vivacious and refined, both eager and sweet. It would seem as if here were the impossible combination, the ideal union, so often dreamed of by poets and artists, of girlish simplicity and innocence with womanly cleverness and feeling.

In a large easy-chair reclines her rather small, slender and willowy form, starting slightly forward when she speaks, and sinking back when she listens. Her sparkling eyes are fixed on the eyes of her one visitor with an intentness and animation of interest which should be very fascinating.

He, a young man, not five years older than herself, very gentle in manner and with a remarkably sweet expression of face, evidently is fascinated, and even strongly moved, if one may judge by the feverish color in his cheeks, the eager inquiry of his gaze and the tremor of his lips.

The first words of hers which we shall record are a strange utterance to come from a woman:

"Let me tell you something which I have read lately. It sounds like a satire, and yet there is too much truth in it: 'Every woman in these days needs two husbands—one to fill her purse, and one to fill her heart; one to dress her, and one to love her. It is not easy to be the two in one.' That is what I have read, and it is only too true. Remember it, and don't marry."

A spasm of intense spiritual pain crossed the young man's fine and kindly face.

"Don't say such things, I beg of you!" he implored. "I am sure that in what you have quoted there is a slander upon most women. I know that it slanders you."

Her lips parted as if for a contradiction, but it was evidently very pleasant to her to hear such words from him, and with a little childlike smile of gratification she let him proceed.

"I have perfect confidence in you," he murmured. "I am willing to put all my chances of happiness in your hands. My only fear is that I am not half worthy of you—not a thousandth part worthy of you. Will you not listen to me seriously? Will you not be so kind?"

A tremor of emotion slightly lifted her hands, and it seemed for a moment as if she would extend them to him. Then there was a sudden revulsion: with a more violent shudder, evidently of a painful nature, she threw herself backward, her face turned pale, and she closed her eyes as if to shut him from her sight.

"I ought to ask your pardon," she whispered. "I never thought that it would come to this. I never meant that it should. Oh, I ask your pardon." Recovering herself with singular quickness, a bright smile dancing along the constantly changing curves of her lips, like sunbeams leaping from wavelet to wavelet, she once more leaned cordially toward him, and said in a gay yet pleading tone, "Let us talk of something else. Come, tell me about yourself—all about yourself, nothing about me."

"I cannot speak of anything else," he replied, after looking at her long in silence. "My whole being is full of you: I cannot think of anything else."

A smile of gratitude sweetly mastered her mouth: then it suddenly turned to a smile of pity; then it died in a quiver of remorse.

"Oh, we cannot marry," she sighed. "We must not marry, if we could. Let me tell you something dreadful. People hate each other after they are married. I know: I have seen it. I knew a girl of seventeen who married a man ten years older—a man who was Reason itself. Her friends told her, and she herself believed it, that she was sure of happiness. But after three years she found that she did not love, that she was not loved, and that she was miserable. He was too rational: he used to judge her as he would a column of figures—he had no comprehension for her feelings."

There was a momentary pause, during which she folded her hands and looked at him, but with an air of not seeing him. In the recollection of this heart-tragedy of the past and of another she had apparently forgotten the one which was now pressing upon herself.

"It was incredible how cold and unsympathizing and dull he could be," she went on. "Once, after she had worked a week in secret to surprise him with a dressing-gown made by her own hands—labored a week, waited and hoped a week for one word of praise—he only said, 'It is too short.' Don't you think it was cruel? It was. I suppose he soon forgot it, but she never could. A woman cannot forget such slights: they do not seem little blows to her; they make her very soul bleed."

"Don't reproach me for it," whispered the young man with a pleading smile. "You seem to be reproving me, and I can't bear it. I am not guilty."

"Oh, not you," she answered quickly. "I am not scolding you. I could not."

She did not mean it, but she gave him a smile of indescribable sweetness: she had had no intention of putting out her hands toward him, but she did it. He seized the delicate fingers and slowly drew her against his heart. Her face crimson with feeling, her whole form trembling to the tiniest vein, she rose to her feet, turning away her head as if to fly, and yet did not escape, and could not wish to escape. Holding her in his arm, he poured into her ear a murmur which was not words, it was so much more than words.

"Oh, could you truly love me?" she at last sobbed. "Could you keep loving me?"

After a while some painful recollection seemed to awaken her from this dream of happiness, and, drawing herself out of his embrace, she looked him sadly in the eyes, saying, "I must not be so weak. I must save myself and you from misery. Oh, I must. Go now—leave me for a while: do go. I must have time to think before I say another word to you."

"Good-bye, my love—soon to be my wife," he answered, stifling with a kiss the "No, no," which she tried to utter.

Although he meant to go, and although she was wretchedly anxious that he should go, he was far from gone. All across the room, at every square of the threadbare carpet, they halted to renew their talk. Minutes passed, an hour had flown, and still he was there. And when he at last softly opened the door, she herself closed it, saying, "Oh no! not yet."

So greedy is a loving woman for love, so much does she hate to lose the breath of it from her soul: to let it be withdrawn is like consenting to die when life is sweetest.

Thus it was through her, who had bidden him to go, and who had meant that he should go, that he remained for minutes longer, dropping into her ear whispers of love which at last drew out her confession of love. And when the parting moment came—that moment of woman's life in which she least belongs to herself—there was not in this woman a single reservation of feeling or purpose.

These people, who were so madly in love with each other, were almost strangers. The man was Charles Leighton, a native of Northport, who had never gone farther from his home than to Boston, and there only to graduate in the Harvard College and Medical School.

The lady was Alice Duvernois: her name was all that was known of her in the village—it was all that she had told of herself. Only a month previous to the scene above described she had arrived in Northport to obtain, as she said, a summer of quiet and sea-bathing. She had come alone, engaged her own rooms, and for a time seemed to want nothing but solitude.

Even after she had made herself somewhat familiar with the other inmates of the boarding-house, nothing positive was learned of her history. That she had been married was probable: an indefinable something in her face and carriage seemed to reveal thus much: moreover, her trunks were marked "James Duvernois."

And yet, so young did she sometimes look, so childlike was her smile and so simple her manner, that there were curious ones who scouted the supposition of wifehood. People addressed her both as "Miss" and "Mrs."; at last it was discovered that her letters bore the latter title: then she became popularly known as "the beautiful widow."

It would be a waste of time to sketch the opening and ripening of the intimacy between Doctor Leighton and this fascinating stranger. On his part it was as nearly a case of love at first sight as perhaps can occur among people of the Anglo-Saxon race. From the beginning he had no doubts about giving her his whole heart: he was mastered at once by an emotion which would not let him hesitate: he longed with all his soul for her soul, and he strove to win it.

Well, we will not go over the story: we know that he had triumphed. Yes, in spite of her terror of the future, in spite of some withholding mystery in the past, she had granted him—or rather she had not been able to prevent him from seizing—her passionate affection. She had uttered a promise which, a month before, she would not have dreamed herself capable of making.

In so doing she had acquired an almost unendurable happiness. It was one of those mighty and terrible joys which are like the effect of opium—one of those joys which condense life and abbreviate it, which excite and yet stupefy, which intoxicate and kill. With this in her heart she lived ten of her old days in one, but also she drew for those ten days upon her future.

After one of her interviews with Leighton, after an hour of throbbing, of trembling, of vivid but confused emotions, her face would be as pale as death, and her weakness such that she could hardly speak. The hands which, while they clung to his, had been soft and moist, became dry and hot as with fever, and then cold as ice. At night she could scarcely sleep: for hours her brain throbbed with the thought of him, and of what stood between him and her. In the morning she was heavy with headache, dizzy, faint, hysterical; yet the moment she saw him again she was all life, all freshness.

From the point of confession there was no more resistance. She would be his wife; she would be married whenever he wished; she seemed mad to reward him for his love; she wanted somehow to sacrifice herself for his sake. Yet, although she hesitated no longer, she sometimes gazed at him with eyes full of anxiety, and uttered words which presaged evil.

"If any trouble springs from this, you must pardon me," she more than once whispered. "I cannot help it. I have never, never, never been loved before; and oh, I have been so hungry, so famished for it, I had begun to despair of it. Yes, when I first met you, I had quite despaired of there being any love in the world for me. I could not help listening to you: I could not help taking all your words and looks into my craving heart; and now I am yours—forgive me!"

Stranger as she was in Northport, everybody trusted the frank sweetness in her face, and sought no other cause for admiring her and wishing her happiness. The whole village came to the church to witness her marriage and to doat upon a bridal beauty which lay far more in expression than in form or feature. A few words of description—inadequate notes to represent the precious gold of reality—must be given to one who could change the stare of curiosity to a beaming glance of sympathy.

Small, slender, fragile; neither blonde nor brunette; a clear skin, with a hectic flush; light chestnut hair, glossy and curling; eyes of violet blue, large, humid and lustrous, which at the first glance seemed black because of the darkness, length and closeness of the lashes, and capable of expressing an earnestness and sweetness which no writer or artist might hope to depict; a manner which in solitude might be languid, but which the slightest touch of interest kindled into animation; in fine, white teeth that sparkled with gayety, and glances that flashed happiness.

She was married without bridal costume, and there was no wedding journey. Leighton was poor, and must attend to his business; and his wife wanted nothing from him which he could not spare—nothing but his love. Impossible to paint her pathetic gratitude for this affection; the spiritual—it was not passionate—fondness which she bore him; the softness of her eyes as she gazed for minutes together into his; the sudden, tremulous outreachings of her hands toward him, as she just touches him with her finger and draws back, then leans forward and lies in his arms, uttering a little cry of happiness. Here was a heart that must long have hungered for affection—a heart unspeakably thankful and joyous at obtaining it.

"I have been smiling all day," she sometimes said to him. "People have asked me why I looked so gay, and what I had heard that was funny. It is just because I am entirely happy, and because the feeling is still a surprise. Shall I ever get over it? Am I silly? No!"

Her gladness of heart seemed to make her angelic. She rejoiced in every joy around her, and grieved for every sorrow. She visited the poor of her husband's patients, watched with them when there was need, made little collections for their relief, chatted away their forebodings, half cured them with her smile. There was something catching, comforting, uplifting in the spectacle of that overbrimming content.

The well were as susceptible to its influence as the sick. Once, half a dozen men and twice as many boys were seen engaged in recovering her veil out of a pond into which the wind had blown it; and when it was handed to her by a shy youth on the end of a twenty-foot pole, all felt repaid for their labors by the childlike burst of laughter with which she received it. Now and then, however, shadows fell across this sunshine. In those dark moments she frequently reverted to the unhappy couple of whom she had told Leighton when he first spoke to her of marriage. She was possessed to describe the man—his dull, filmy, unsympathetic black eyes, his methodical life and hard rationality, his want of sentiment and tenderness.

"Why do you talk of that person so much?" Leighton implored. "You seem to be charging me with his cruelty. I am not like him."

The tears filled her eyes as she started toward him, saying, "No, you are not like him. Even if you should become like him, I couldn't reproach you. I should merely die."

"But you know him so well?" he added, inquiringly. "You seem to fear him. Has he any power over you?"

For a moment she was so sombre that he half feared lest her mind was unstrung on this one subject.

"No," she at last said. "His power is gone—nearly gone. Oh, if I could only forget!"

After another pause, during which she seemed to be nerving herself to a confession, she threw herself into her husband's arms and whispered, "He is my—uncle."

He was puzzled by the contrast between the violence of her emotion and the unimportance of this avowal; but as he at least saw that the subject was painful to her, and as he was all confidence and gentleness, he put no more inquiries.

"Forget it all," he murmured, caressing her; and with a deep sigh, the sigh of tired childhood, she answered, "Yes."

The long summer days, laden with happiness for these two, sailed onward to their sunset havens. After a time, as August drew near its perfumed death, Alice began to speak of a journey which she should soon be obliged to make to New York. She must go, she said to Leighton—it was a matter of property, of business: she would tell him all about it some day. But she would return soon; that is, she would return as soon as possible: she would let him know how soon by letter.

When he proposed to accompany her she would not hear of it. To merely go on with her, she represented, would be a useless expense, and to stay as long as she might need to stay would injure his practice. In these days her gayety seemed forced, and more than once he found her weeping; yet so innocent was he, so simple in his views of life, so candid in soul, that he suspected no hidden evil: he attributed her agitation entirely to grief at the prospect of separation.

His own annoyance in view of the journey centred in the fact that his wife would be absent from him, and that he could not incessantly surround her with his care. Whether she would be happy, whether she would be treated with consideration, whether she would be safe from accidents and alarms, whether her delicate health would not suffer, were the questions which troubled him. He had the masculine instinct of protection: he was as virile as he was gentle and affectionate.

The parting was more painful to him than he had expected, because to her it was such an undisguised and terrible agony.

"You will not forget me?" she pleaded. "You will never, never hate me? You will always love me? You are the only person who has ever made the world pleasant to me; and you have made it so pleasant! so different from what it was! a new earth to me! a star! I will come back as soon as this business will let me. Some day I will come back, never to go away. Oh, will not that be delightful?"

Her extreme distress, her terror lest she might not return, her forebodings lest he should some day cease to love her, impressed him for a moment—only for a truant moment—with doubts as to a mystery. As he left the railway station, full of gratitude for the last glance of her loving eyes, he asked himself once or twice, "What is it?"

What was it?

We will follow her. She is ominously sad during the lonely journey: she is almost stern by the time she arrives in New York. In place of the summer's sweetness and gayety, there is a wintry and almost icy expression in her face, as if she were about to encounter trials to which she had been long accustomed, and which she had learned to bear with hardness if not with resentment.

No one meets her at the railway station, no one at the door of the sombre house where her carriage stops—no one until she has passed up stairs into a darkling parlor.

There she is received by the man whom she has so often described to Deighton—a man of thin, erect form, a high and narrow forehead, regular and imperturbable features, fixed and filmy black eyes, a mechanical carriage, an icy demeanor.

At sight of her he slightly bowed—then he advanced slowly to her and took her hand: he seemed to be hesitating whether he should give her any further welcome.

"You need not kiss me," she said, her eyes fixed on the floor. "You do not wish to do it."

He sighed, as if he too were unhappy, or at least weary; but he drew his hand away and resumed his walk up and down the room.

"So you chose to pass your summer in a village?" he presently said, in the tone of a man who has ceased to rule, but not ceased to criticise. "I hope you liked it."

"I told you in my letters that I liked it," she replied in an expressionless monotone.

"And I told you in my letters that I did not like it. It would have been more decent in you to stay in Portland, among the people whom I had requested to take care of you. However, you are accustomed to have your own way. I can only observe that when a woman will have her own way, she ought to pay her own way."

A flush, perhaps of shame, perhaps of irritation, crossed her hitherto pale face, but she made no response to the scoff, and continued to look at the floor.

After a few seconds, during which neither of them broke the silence, she seemed to understand that the reproof was over, and she quietly quitted the room.

The man pushed the door to violently with his foot, and said in an accent of angry scorn, "That is what is now called a wife."

Well, we have reached the mystery: we have found that it was a crime.

In the working of social laws there occur countless cases of individual hardship. The institution of marriage is as beneficent as the element of fire; yet, like that, it sometimes tortures when it should only have comforted.

The sufferer, if a woman, usually bears her smart tamely—with more or less domestic fretting and private weeping indeed, but without violent effort to escape from her bed of embers. Divorce is public, ugly and brutal: her sensibility revolts from it. Moreover, mere unhappiness, mere disappointment of the affections, does not establish a claim for legal separation. Finally, there is woman's difficulty of self-maintenance—the fact that her labor will not in general give her both comfort and position.

What then? Unloved, unable to love, yet with an intense desire for affection, and an immense capacity for granting it, her heart is tempted to wander beyond the circle of her duty. A flattering shape approaches her dungeon-walls; a voice calls to her to come forth and be glad, if only for a moment; there seems to be a chance of winning the adoration which has been her whole life's desire; there is an opportunity of using the emotions which are burning within her. Shall she burst open the gate on which is written LEGALITY?

Evidently the temptation is mighty. Laden with a forsaken, wounded and perhaps angry heart, she is so easily led into the belief that her exceptional suffering gives her a right to exceptional action! She feels herself justified in setting aside law, when law, falsifying its purpose, violating its solemn pledge, brings her misery instead of happiness. She will not, or cannot, reflect that special hardships must occur under all law; that it is the duty of the individual to bear such chance griefs without insurrection against the public conscience; that entire freedom of private judgment would dissolve society.

Too often—though far less often than man does the like—she makes of her sorrow an armor of excuse, and enters into a contest for unwarrantable chances of felicity. Only, in general, she is so far conscious of guilt, or at least so far fearful of punishment, as to carry on her struggle in the darkness. Few, however maddened by suffering, openly defy the serried phalanx of the world. Still fewer venture the additional risk of defying it under the forms of a legality which they have ventured to violate.

Why is it that so few women, even of a low and reckless class, have been bigamists? It is because the feminine soul has a profound respect, a little less than religious veneration, for the institution of marriage; because it instinctively recoils from trampling upon the form which consecrates love; because in very truth it regards the nuptial bond as a sacrament. I believe that the average woman would turn away from bigamy with a deeper shudder than from any other stain of conjugal infidelity.

But there are exceptions to all modes of feeling and of reasoning.

Here is Alice Duvernois: she is a woman of good position, of intellectual quickness, of unusual sensitiveness of spirit; yet she has thought out this woeful question differently from the great majority of her sex. To her, thirsty for sympathy and love, bound to a man who gives her neither, grown feverish and delirious with the torment of an empty heart, it has seemed that the sanctity of a second marriage will somehow cover the violation of a first.

This aberration we can only explain on the ground that she was one of those natures—mature in some respects, but strangely childlike in others—whom most of us love to stigmatize as unpractical, and who in fact never become quite accustomed to this world and its rules.

On the very evening of her arrival home she put to her husband a question of infantile and almost incredible simplicity. It was one of the many observations which made him tell her from time to time that she was a fool.

"What do they do," she asked, "to women who marry two husbands?"

"They put them in jail," was his cool reply.

"I think it is brutal," she broke out indignantly, as if the iron gates were already closing upon her, and she were contesting the justice of the punishment.

"You are a pretty simpleton, to set up your opinion against that of all civilized society!" was the response of incarnate Reason.

From that moment she trembled at her danger, and quivered under the remorse which terror brings. At times she thought of flying, of abandoning the husband who did not love her for the one who did; but she was afraid of being pursued, afraid of discovery. The knowledge that society had already passed judgment upon her made her see herself in the new light of a criminal, friendless, hunted and doomed. The penalty of her illegal grasp after happiness was already tracking her like a bloodhound.

Yet when she further learned that her second marriage was not binding because of the first, her heart rose in mutiny. Faithful to the only love that there had been for her in the world, she repeated to herself, a hundred times a day, "It is binding—it is!"

She was in dark insurrection against her kind; at times she was on the point of bursting out into open defiance. She stared at Duvernois, crazy to tell him, "I am wedded to another."

He noticed the wild expression, the longing, wide-open eyes, the parted and eager lips, the trembling chin. At last he said, with a brutality which had become customary with him, "What are you putting on those airs for? I suppose you are imagining yourself the heroine of a romance."

With a glare of pain and scorn she walked away from him in silence.

It is shocking indeed to be fastened speechless upon a rack, and to be charged by uncomprehending souls with counterfeiting emotion. She was so constituted that she could not help laying up this speech of her husband's against him as one of many stolid misdoings which justified both contempt and aversion. In fact, his inability or unwillingness to comprehend her had always been, in her searching and sensitive eyes, his chief crime. To be understood, to be accepted at her full worth, was one of the most urgent demands of her nature.

The life of this young woman, not only within but without, was strange indeed. She fulfilled that problem of Hawthorne's—an individual bearing one character, living one life in one place, and a totally different one in another place—upon one spot of earth angelic, and upon another vile.

Stranger still, her harsher qualities appeared where her manner of life was lawful, and her finer ones where it was condemnable. At Northport she had been like sunlight to her intimates and like a ministering seraph to the poor. In New York she avoided society: she had no tenderness for misery.

The explanation seems to be that love was her only motive of feeling and action. Not a creature of reason, not a creature of conscience—she was only a creature of emotion, an exaggerated woman.

Unfortunately, her husband, methodical in life, judicial in mind, contemptuous of sentiment, was an exaggerated man. Here was a beating heart united to a skeleton. The result of this unfortunate combination had been a wreck of happiness and defiance of law.

Duvernois had not a friend intelligent enough to say to him, "You must love your wife; if you cannot love her, you must with merciful deception make her believe that you do. You must show her when you return from business that you have thought of her; you must buy a bouquet, a toy, a trifle, to carry home to her. If you do these things, you will be rewarded; if not, you will be punished."

But had there been such a friend, Duvernois would not have comprehended him. Ho would have replied, or at least he would have thought, "My wife is a fool. She is not worth the money that I now spend upon her, much less the reflection and time that you call upon me to spend."

Two such as Alice and Duvernois could not live together in peace. Notwithstanding her old dread of him, and notwithstanding the new alarm with which she was filled by the discovery that she was a felon, she could not dissemble her feelings when she looked him in the face. Sometimes she was silently contemptuous—sometimes (when her nerves were shaken) openly hostile. Rational, impassive, vigorous as he was, she made him unhappy.

The letters of Leighton were at once a joy and a sorrow. She awaited them impatiently; she went every day to the delivery post-office whither she had directed them to be sent; she took them from the hands of the indifferent clerk with a suffocating beating of the heart. Alone, she devoured them, kissed them passionately a hundred times, sat down in loving haste to answer them. But then came the necessity of excusing her long absence, of inventing some lie for the man she worshiped, of deterring him from coming to see her.

During that woeful winter of terror, of aversion, of vain longing, her health failed rapidly. A relentless cough pursued her, the beautiful flame in her cheek burned freely, and a burst of blood from the lungs warned her that her future was not to be counted by years.

She cared little: her sole desire was to last until summer. She merely asked to end her hopeless life in loving arms—to end it before those arms should recoil from her in horror.

No discovery. Her husband was too indifferent toward her to watch her closely, or even to suspect her. As early in June as might be she obtained permission to go to the seaside, and with an eagerness which would have found the hurricane slow she flew to Northport.

Leighton received her with a joy which at first blinded him to her enfeebled health.

"Oh, how could you stay so long away from me?" were his first words. "Oh, my love, my darling wife! thank you for coming back to me."

But after a few moments, when the first flush and, sparkle of excitement had died out of her cheeks and eyes, he asked eagerly, "What is the matter with you? Have you been sick?"

"I am all well again, now that I see you," she answered, putting out her arms to him with that little start of love and joy which had so often charmed him.

It absolutely seemed that in the presence of the object of her affection this erring woman became innocent. Her smile was as simple and pure as that of childhood: her violet eyes reminded one of a heaven without a cloud. It must have been that, away from punishment and from terror, she did not feel herself to be guilty.

But the day of reckoning was approaching. She had scarcely begun to regain an appearance of health under the stimulus of country air and renewed happiness, when a disquieting letter arrived from Duvernois. In a tone which was more than usually authoritative, he directed her to meet him at Portland, to go to Nahant and Newport. Did he suspect something?

She would have given years of life to be able to show the letter to Leighton and ask his counsel. But here her punishment began to double upon her: the being whom she most loved was precisely the one to whom she must not expose this trouble—the one from whom she was most anxious to conceal it.

In secret, and with unconfided tears, she wrote a reply, alleging (what was true) that her feeble health demanded quiet, and praying that she might be spared the proposed journey. For three days she feverishly expected an answer, knowing the while that she ought to go to Portland to meet Duvernois, should he chance to come, yet unable to tear herself away from Leighton, even for twenty-four hours.

In the afternoon of the third day she made one of her frequent visits of charity. At the house of a poor and bed-ridden widow she met, as she had hoped to meet, her husband. When they left the place he took her into his gig and carried her home.

It was a delicious day of mid June: the sun was setting in clouds of crimson and gold; the earth was in its freshest summer glory. In the beauty of the scene, and in the companionship of the heart which was all hers, she forgot, or seemed to forget, her troubles. One hand rested on Leighton's arm; her face was lifted steadily to his, like a flower to the light; her violet eyes were dewy and sparkling with happiness. There were little clutches of her fingers on his wrist whenever he turned to look at her. There were spasms of joy in her slender and somewhat wasted frame as she leaned from time to time against his shoulder.

Arrived at the house, she was loth to have him leave her for even the time required to take his horse to the stable.

"Come soon," she said—"come as quick as you can. I shall be at the window. Look up when you reach the gate. Look at the window all the way from the gate to the door."

In an instant, not even taking off her bonnet, she was sitting by the window waiting for him to appear.

A man approached, walking behind the hedge of lilacs which bordered the yard, and halted at the gate with an air of hesitation. She turned ghastly white: retribution was upon her. It was Duvernois.

With that swift instinct of escape which sensitive and timorous creatures possess, she glided out of the room, through the upper hall, down a back stairway, into the garden behind the house, and so on to an orchard already obscure in the twilight. Here she paused in her breathless flight, and burst into one of her frequent coughs, which she vainly attempted to smother.

"I was already dying," she groaned. "Ah, why could he not have given me time to finish?"

From the orchard she could faintly see the road, and she now discovered Leighton returning briskly toward the house. Her first thought was, "He will look up at the window, and he will not see me!" Her next was, "They will meet, and all will be known!"

Under the sting of this last reflection she again ran onward until her breath failed. She had no idea where she should go: her only purpose was to fly from immediate exposure and scorn—to fly both from the man she detested and the man she loved. Her speed was quickened to the extent of her strength by the consideration that she was already missed, and would soon be pursued.

"Oh, don't let them come!—don't let them find me!" she prayed to some invisible power, she could not have said what.

Mainly intent as she was upon mere present escape from reproachful eyes, she at times thought of lurking in the woods or in some neighboring village until Duvernois should disappear and leave her free to return to Leighton. But always the reflection came up, "Now he knows that I have deceived him; now he will despise me and hate me, and refuse to see me; now I can never go back."

In such stresses of extreme panic and anguish an adult is simply a child, with the same overweight of emotions and the same imperfections of reason. During the moments when she was certain that Leighton would not forgive her, Alice made wild clutches at the hope that Duvernois might. There were glimpses of the earlier days of her married life; cheering phantoms of the days when she believed that she loved and that she was beloved—phantoms which swore by altars and bridal veils to secure her pardon.

She imagined Duvernois overtaking her with the words, "Alice, I forgive your madness: do you also forgive the coldness which drove you to it?"

She imagined herself springing to him, reaching out her hands for reconciliation, putting up her mouth for a kiss, and sobbing, "Ah, why were you not always so?"

Then of a sudden she scorned this fancy, trampled it under her weary, aching feet, and abhorred herself for being faithless to Leighton.

At last she reached a sandy, lonely coast-road, a mile from the village, with a leaden, pulseless, corpselike sea on the left, and on the right a long stretch of black, funereal marshes. Seating herself on a ruinous little bridge of unpainted and wormeaten timbers, she looked down into a narrow, sluggish rivulet, of the color of ink, which oozed noiselessly from the morass into the ocean. Her strength was gone: for the present farther flight was impossible, unless she fled from earth—fled into the unknown.

This thought had indeed followed her from the house: at first it had been vague, almost unnoticed, like the whisper of some one far behind; then it had become clearer, as if the persuading fiend went faster than she through the darkness, and were overtaking her. Now it was urgent, and would not be hushed, and demanded consideration.

"If you should die," it muttered, "then you will escape: moreover, those who now abhor you and scorn you, will pity you; and pity for the dead is almost respect, almost love."

"Oh, how can a ruined woman defend herself but by dying?" She wept as she gazed with a shudder into the black rivulet.

Then she thought that the water seemed foul; that her body would become tangled in slimy reeds and floating things; that when they found her she would be horrible to look upon. But even in this there was penance, a meriting of forgiveness, a claim for pity.

Slowly, inch by inch, like one who proposes a step which cannot be retraced, she crept under the railing of the bridge, seated herself on the edge of the shaky planking and continued to gaze into the inky waters.

A quarter of an hour later, when the clergyman of Northport passed by that spot, returning from a visit to a dying saint of his flock, no one was there.

We must revert to the two husbands. Duvernois had long wondered what could keep his wife in a sequestered hamlet, and immediately on her refusal to join him in a summer tour he had resolved to look into her manner of life.

At the village hotel he had learned that a lady named Duvernois had arrived in the place during the previous summer, and that she had been publicly married to a Doctor Leighton. He did not divulge his name—he did not so much as divulge his emotions: he listened to this story calmly, his eyes fixed on vacancy.

At the door of the boarding-house he asked for Mrs. Duvernois, and then corrected himself, saying, "I mean Mrs. Leighton."

He must have had singular emotions at the moment, yet the servant-girl noticed nothing singular in his demeanor.

Mrs. Leighton could not be found. None of the family had seen her enter or go out: it was not known that she had been in the house for an hour.

"But there comes Doctor Leighton," remarked the girl as the visitor turned to leave.

Even in this frightful conjuncture the characteristic coolness of Duvernois did not forsake him: after a moment's hesitation and a quick glance at his rival, he said, "I do not know him: I will call again."

On the graveled walk which led from the yard gate to the doorstep the two men met and passed without a word—the face of the one as inexpressive of the strangeness and horror of the encounter as the mind of the other was unconscious of them.

Leighton immediately missed Alice. In a quarter of an hour he became anxious: in an hour he was in furious search of her.

Somewhat later, when Duvernois came once more to the house, accompanied by a fashionably-dressed youth, who, as it subsequently appeared, was his younger brother, he found the family and the neighborhood in wild alarm over the disappearance of Mrs. Leighton. The two at once returned to the hotel, procured saddle-horses and joined in the general chase.

It was ten o'clock at night, and the moon was shining with a vaporous, spectral light, when the maddest of chances brought the two husbands together over a body which the tide, with its multitudinous cold fingers, had gently laid upon the beach.

Leighton leaped from his horse, lifted the corpse with a loud cry, and covered the white wet face with kisses.

Duvernois leaned forward in his saddle, and gazed at both without a word or a movement.

"Oh, what could have led her to this?" groaned the physician, already too sure that life had departed.

"Insanity," was the monotoned response of the statue on horseback.

The funeral took place two days later: the coffin-plate bore the inscription, "Alice Leighton, aged 23." Duvernois read it, and said not a word.

"If you don't claim her as your wife," whispered the brother, "you may find it difficult to marry again."

"Do you think I shall want to marry again?" responded the widower with an icy stare.

He was aware that he had lost a shame and a torment, and not aware that she might have been an honor and a joy, if only he had been able to love.

J. W. DE FOREST.



"How Mother Did It."



The year 1839—that is, the year in which I was born—is of no manner of importance to myself or anybody else. The year 1859—that is, the year in which I began to live (Charlie and I got married that year)—is of considerable importance to myself and to somebody else. The two decades forming the interim between those years constitute my Dark Age, in which I teethed and measled and whooping-coughed, and went to school, and wore my hair in two long pig-tails, and loved molasses candy, and regarded a school-room as purgatory, a ball-room as heaven—when I sang and danced and grew as the birds and grasshoppers and flowers sing and dance and grow, because they having nothing else to do.