'I have thought of a new way of putting it. What I really aim at is an absolute realism in the sphere of the ignobly decent. The field, as I understand it, is a new one; I don't know any writer who has treated ordinary vulgar life with fidelity and seriousness. Zola writes deliberate tragedies; his vilest figures become heroic from the place they fill in a strongly imagined drama. I want to deal with the essentially unheroic, with the day-to-day life of that vast majority of people who are at the mercy of paltry circumstance. Dickens understood the possibility of such work, but his tendency to melodrama on the one hand, and his humour on the other, prevented him from thinking of it. An instance, now. As I came along by Regent's Park half an hour ago a man and a girl were walking close in front of me, love-making; I passed them slowly and heard a good deal of their talk—it was part of the situation that they should pay no heed to a stranger's proximity. Now, such a love-scene as that has absolutely never been written down; it was entirely decent, yet vulgar to the nth power. Dickens would have made it ludicrous—a gross injustice. Other men who deal with low-class life would perhaps have preferred idealising it—an absurdity. For my own part, I am going to reproduce it verbatim, without one single impertinent suggestion of any point of view save that of honest reporting. The result will be something unutterably tedious. Precisely. That is the stamp of the ignobly decent life. If it were anything but tedious it would be untrue. I speak, of course, of its effect upon the ordinary reader.'

'I couldn't do it,' said Reardon.

'Certainly you couldn't. You—well, you are a psychological realist in the sphere of culture. You are impatient of vulgar circumstances.'

'In a great measure because my life has been martyred by them.'

'And for that very same reason I delight in them,' cried Biffen. 'You are repelled by what has injured you; I am attracted by it. This divergence is very interesting; but for that, we should have resembled each other so closely. You know that by temper we are rabid idealists, both of us.'

'I suppose so.'

'But let me go on. I want, among other things, to insist upon the fateful power of trivial incidents. No one has yet dared to do this seriously. It has often been done in farce, and that's why farcical writing so often makes one melancholy. You know my stock instances of the kind of thing I mean. There was poor Allen, who lost the most valuable opportunity of his life because he hadn't a clean shirt to put on; and Williamson, who would probably have married that rich girl but for the grain of dust that got into his eye, and made him unable to say or do anything at the critical moment.'

Reardon burst into a roar of laughter.

'There you are!' cried Biffen, with friendly annoyance. 'You take the conventional view. If you wrote of these things you would represent them as laughable.'

'They are laughable,' asserted the other, 'however serious to the persons concerned. The mere fact of grave issues in life depending on such paltry things is monstrously ludicrous. Life is a huge farce, and the advantage of possessing a sense of humour is that it enables one to defy fate with mocking laughter.'

'That's all very well, but it isn't an original view. I am not lacking in sense of humour, but I prefer to treat these aspects of life from an impartial standpoint. The man who laughs takes the side of a cruel omnipotence, if one can imagine such a thing.

I want to take no side at all; simply to say, Look, this is the kind of thing that happens.'

'I admire your honesty, Biffen,' said Reardon, sighing. 'You will never sell work of this kind, yet you have the courage to go on with it because you believe in it.'

'I don't know; I may perhaps sell it some day.'

'In the meantime,' said Reardon, laying down his pipe, 'suppose we eat a morsel of something. I'm rather hungry.'

In the early days of his marriage Reardon was wont to offer the friends who looked in on Sunday evening a substantial supper; by degrees the meal had grown simpler, until now, in the depth of his poverty, he made no pretence of hospitable entertainment. It was only because he knew that Biffen as often as not had nothing whatever to eat that he did not hesitate to offer him a slice of bread and butter and a cup of tea. They went into the back room, and over the Spartan fare continued to discuss aspects of fiction.

'I shall never,' said Biffen, 'write anything like a dramatic scene. Such things do happen in life, but so very rarely that they are nothing to my purpose. Even when they happen, by-the-bye, it is in a shape that would be useless to the ordinary novelist; he would have to cut away this circumstance, and add that. Why? I should like to know. Such conventionalism results from stage necessities. Fiction hasn't yet outgrown the influence of the stage on which it originated. Whatever a man writes FOR EFFECT is wrong and bad.'

'Only in your view. There may surely exist such a thing as the ART of fiction.'

'It is worked out. We must have a rest from it. You, now—the best things you have done are altogether in conflict with novelistic conventionalities. It was because that blackguard review of "On Neutral Ground" clumsily hinted this that I first thought of you with interest. No, no; let us copy life. When the man and woman are to meet for a great scene of passion, let it all be frustrated by one or other of them having a bad cold in the head, and so on. Let the pretty girl get a disfiguring pimple on her nose just before the ball at which she is going to shine. Show the numberless repulsive features of common decent life. Seriously, coldly; not a hint of facetiousness, or the thing becomes different.'

About eight o'clock Reardon heard his wife's knock at the door. On opening he saw not only Amy and the servant, the latter holding Willie in her arms, but with them Jasper Milvain.

'I have been at Mrs Yule's,' Jasper explained as he came in. 'Have you anyone here?'

'Biffen.'

'Ah, then we'll discuss realism.'

'That's over for the evening. Greek metres also.'

'Thank Heaven!'

The three men seated themselves with joking and laughter, and the smoke of their pipes gathered thickly in the little room. It was half an hour before Amy joined them. Tobacco was no disturbance to her, and she enjoyed the kind of talk that was held on these occasions; but it annoyed her that she could no longer play the hostess at a merry supper-table.

'Why ever are you sitting in your overcoat, Mr Biffen?' were her first words when she entered.

'Please excuse me, Mrs Reardon. It happens to be more convenient this evening.'

She was puzzled, but a glance from her husband warned her not to pursue the subject.

Biffen always behaved to Amy with a sincerity of respect which had made him a favourite with her. To him, poor fellow, Reardon seemed supremely blessed. That a struggling man of letters should have been able to marry, and such a wife, was miraculous in Biffen's eyes. A woman's love was to him the unattainable ideal; already thirty-five years old, he had no prospect of ever being rich enough to assure himself a daily dinner; marriage was wildly out of the question. Sitting here, he found it very difficult not to gaze at Amy with uncivil persistency. Seldom in his life had he conversed with educated women, and the sound of this clear voice was always more delightful to him than any music.

Amy took a place near to him, and talked in her most charming way of such things as she knew interested him. Biffen's deferential attitude as he listened and replied was in strong contrast with the careless ease which marked Jasper Milvain. The realist would never smoke in Amy's presence, but Jasper puffed jovial clouds even whilst she was conversing with him.

'Whelpdale came to see me last night,' remarked Milvain, presently. 'His novel is refused on all hands. He talks of earning a living as a commission agent for some sewing-machine people.'

'I can't understand how his book should be positively refused,' said Reardon. 'The last wasn't altogether a failure.'

'Very nearly. And this one consists of nothing but a series of conversations between two people. It is really a dialogue, not a novel at all. He read me some twenty pages, and I no longer wondered that he couldn't sell it.'

'Oh, but it has considerable merit,' put in Biffen. 'The talk is remarkably true.'

'But what's the good of talk that leads to nothing?' protested Jasper.

'It's a bit of real life.'

'Yes, but it has no market value. You may write what you like, so long as people are willing to read you. Whelpdale's a clever fellow, but he can't hit a practical line.'

'Like some other people I have heard of;' said Reardon, laughing.

'But the odd thing is, that he always strikes one as practical-minded. Don't you feel that, Mrs Reardon?'

He and Amy talked for a few minutes, and Reardon, seemingly lost in meditation, now and then observed them from the corner of his eye.

At eleven o'clock husband and wife were alone again.

'You don't mean to say,' exclaimed Amy, 'that Biffen has sold his coat?'

'Or pawned it.'

'But why not the overcoat?'

'Partly, I should think, because it's the warmer of the two; partly, perhaps, because the other would fetch more.'

'That poor man will die of starvation, some day, Edwin.'

'I think it not impossible.'

'I hope you gave him something to eat?'

'Oh yes. But I could see he didn't like to take as much as he wanted. I don't think of him with so much pity as I used that's a result of suffering oneself.'

Amy set her lips and sighed.



CHAPTER XI. RESPITE

The last volume was written in fourteen days. In this achievement Reardon rose almost to heroic pitch, for he had much to contend with beyond the mere labour of composition. Scarcely had he begun when a sharp attack of lumbago fell upon him; for two or three days it was torture to support himself at the desk, and he moved about like a cripple. Upon this ensued headaches, sore-throat, general enfeeblement. And before the end of the fortnight it was necessary to think of raising another small sum of money; he took his watch to the pawnbroker's (you can imagine that it would not stand as security for much), and sold a few more books. All this notwithstanding, here was the novel at length finished. When he had written 'The End' he lay back, closed his eyes, and let time pass in blankness for a quarter of an hour.

It remained to determine the title. But his brain refused another effort; after a few minutes' feeble search he simply took the name of the chief female character, Margaret Home. That must do for the book. Already, with the penning of the last word, all its scenes, personages, dialogues had slipped away into oblivion; he knew and cared nothing more about them.

'Amy, you will have to correct the proofs for me. Never as long as I live will I look upon a page of this accursed novel. It has all but killed me.'

'The point is,' replied Amy, 'that here we have it complete. Pack it up and take it to the publishers' to-morrow morning.'

'I will.'

'And—you will ask them to advance you a few pounds?'

'I must.'

But that undertaking was almost as hard to face as a rewriting of the last volume would have been. Reardon had such superfluity of sensitiveness that, for his own part, he would far rather have gone hungry than ask for money not legally his due. To-day there was no choice. In the ordinary course of business it would be certainly a month before he heard the publishers' terms, and perhaps the Christmas season might cause yet more delay. Without borrowing, he could not provide for the expenses of more than another week or two.

His parcel under his arm, he entered the ground-floor office, and desired to see that member of the firm with whom he had previously had personal relations. This gentleman was not in town; he would be away for a few days. Reardon left the manuscript, and came out into the street again.

He crossed, and looked up at the publishers' windows from the opposite pavement. 'Do they suspect in what wretched circumstances I am? Would it surprise them to know all that depends upon that budget of paltry scribbling? I suppose not; it must be a daily experience with them. Well, I must write a begging letter.'

It was raining and windy. He went slowly homewards, and was on the point of entering the public door of the flats when his uneasiness became so great that he turned and walked past. If he went in, he must at once write his appeal for money, and he felt that he could not. The degradation seemed too great.

Was there no way of getting over the next few weeks? Rent, of course, would be due at Christmas, but that payment might be postponed; it was only a question of buying food and fuel. Amy had offered to ask her mother for a few pounds; it would be cowardly to put this task upon her now that he had promised to meet the difficulty himself. What man in all London could and would lend him money? He reviewed the list of his acquaintances, but there was only one to whom he could appeal with the slightest hope—that was Carter.

Half an hour later he entered that same hospital door through which, some years ago, he had passed as a half-starved applicant for work. The matron met him.

'Is Mr Carter here?'

'No, sir. But we expect him any minute. Will you wait?'

He entered the familiar office, and sat down. At the table where he had been wont to work, a young clerk was writing. If only all the events of the last few years could be undone, and he, with no soul dependent upon him, be once more earning his pound a week in this room! What a happy man he was in those days!

Nearly half an hour passed. It is the common experience of beggars to have to wait. Then Carter came in with quick step; he wore a heavy ulster of the latest fashion, new gloves, a resplendent silk hat; his cheeks were rosy from the east wind.

'Ha, Reardon! How do? how do? Delighted to see you!'

'Are you very busy?'

'Well, no, not particularly. A few cheques to sign, and we're just getting out our Christmas appeals. You remember?'

He laughed gaily. There was a remarkable freedom from snobbishness in this young man; the fact of Reardon's intellectual superiority had long ago counteracted Carter's social prejudices.

'I should like to have a word with you.'

'Right you are!'

They went into a small inner room. Reardon's pulse beat at fever-rate; his tongue was cleaving to his palate.

'What is it, old man?' asked the secretary, seating himself and flinging one of his legs over the other. 'You look rather seedy, do you know. Why the deuce don't you and your wife look us up now and then?'

'I've had a hard pull to finish my novel.'

'Finished, is it? I'm glad to hear that. When'll it be out? I'll send scores of people to Mudie's after it.

'Thanks; but I don't think much of it, to tell you the truth.'

'Oh, we know what that means.'

Reardon was talking like an automaton. It seemed to him that he turned screws and pressed levers for the utterance of his next words.

'I may as well say at once what I have come for. Could you lend me ten pounds for a month—in fact, until I get the money for my book?'

The secretary's countenance fell, though not to that expression of utter coldness which would have come naturally under the circumstances to a great many vivacious men. He seemed genuinely embarrassed.

'By Jove! I—confound it! To tell you the truth, I haven't ten pounds to lend. Upon my word, I haven't, Reardon! These infernal housekeeping expenses! I don't mind telling you, old man, that Edith and I have been pushing the pace rather.' He laughed, and thrust his hands down into his trousers-pockets. 'We pay such a darned rent, you know—hundred and twenty-five. We've only just been saying we should have to draw it mild for the rest of the winter. But I'm infernally sorry; upon my word I am.'

'And I am sorry to have annoyed you by the unseasonable request.'

'Devilish seasonable, Reardon, I assure you!' cried the secretary, and roared at his joke. It put him into a better temper than ever, and he said at length: 'I suppose a fiver wouldn't be much use?—For a month, you say?—I might manage a fiver, I think.'

'It would be very useful. But on no account if——'

'No, no; I could manage a fiver, for a month. Shall I give you a cheque?'

'I'm ashamed——'

'Not a bit of it! I'll go and write the cheque.'

Reardon's face was burning. Of the conversation that followed when Carter again presented himself he never recalled a word. The bit of paper was crushed together in his hand. Out in the street again, he all but threw it away, dreaming for the moment that it was a 'bus ticket or a patent medicine bill.

He reached home much after the dinner-hour. Amy was surprised at his long absence.

'Got anything?' she asked.

'Yes.'

It was half his intention to deceive her, to say that the publishers had advanced him five pounds. But that would be his first word of untruth to Amy, and why should he be guilty of it? He told her all that had happened. The result of this frankness was something that he had not anticipated; Amy exhibited profound vexation.

'Oh, you SHOULDN'T have done that!' she exclaimed. 'Why didn't you come home and tell me? I would have gone to mother at once.'

'But does it matter?'

'Of course it does,' she replied sharply. 'Mr Carter will tell his wife, and how pleasant that is?'

'I never thought of that. And perhaps it wouldn't have seemed to me so annoying as it does to you.'

'Very likely not.'

She turned abruptly away, and stood at a distance in gloomy muteness.

'Well,' she said at length, 'there's no helping it now. Come and have your dinner.'

'You have taken away my appetite.'

'Nonsense! I suppose you're dying of hunger.'

They had a very uncomfortable meal, exchanging few words. On Amy's face was a look more resembling bad temper than anything Reardon had ever seen there. After dinner he went and sat alone in the study. Amy did not come near him. He grew stubbornly angry; remembering the pain he had gone through, he felt that Amy's behaviour to him was cruel. She must come and speak when she would.

At six o'clock she showed her face in the doorway and asked if he would come to tea.

'Thank you,' he replied, 'I had rather stay here.'

'As you please.'

And he sat alone until about nine. It was only then he recollected that he must send a note to the publishers, calling their attention to the parcel he had left. He wrote it, and closed with a request that they would let him hear as soon as they conveniently could. As he was putting on his hat and coat to go out and post the letter Amy opened the dining-room door.

'You're going out?'

'Yes.'

'Shall you be long?'

'I think not.'

He was away only a few minutes. On returning he went first of all into the study, but the thought of Amy alone in the other room would not let him rest. He looked in and saw that she was sitting without a fire.

'You can't stay here in the cold, Amy.'

'I'm afraid I must get used to it,' she replied, affecting to be closely engaged upon some sewing.

That strength of character which it had always delighted him to read in her features was become an ominous hardness. He felt his heart sink as he looked at her.

'Is poverty going to have the usual result in our case?' he asked, drawing nearer.

'I never pretended that I could be indifferent to it.'

'Still, don't you care to try and resist it?'

She gave no answer. As usual in conversation with an aggrieved woman it was necessary to go back from the general to the particular.

'I'm afraid,' he said, 'that the Carters already knew pretty well how things were going with us.'

'That's a very different thing. But when it comes to asking them for money—'

'I'm very sorry. I would rather have done anything if I had known how it would annoy you.'

'If we have to wait a month, five pounds will be very little use to us.'

She detailed all manner of expenses that had to be met—outlay there was no possibility of avoiding so long as their life was maintained on its present basis.

'However, you needn't trouble any more about it. I'll see to it. Now you are free from your book try to rest.'

'Come and sit by the fire. There's small chance of rest for me if we are thinking unkindly of each other.'

A doleful Christmas. Week after week went by and Reardon knew that Amy must have exhausted the money he had given her. But she made no more demands upon him, and necessaries were paid for in the usual way. He suffered from a sense of humiliation; sometimes he found it difficult to look in his wife's face.

When the publishers' letter came it contained an offer of seventy-five pounds for the copyright of 'Margaret Home,' twenty-five more to be paid if the sale in three-volume form should reach a certain number of copies.

Here was failure put into unmistakable figures. Reardon said to himself that it was all over with his profession of authorship. The book could not possibly succeed even to the point of completing his hundred pounds; it would meet with universal contempt, and indeed deserved nothing better.

'Shall you accept this?' asked Amy, after dreary silence.

'No one else would offer terms as good.'

'Will they pay you at once?'

'I must ask them to.'

Well, it was seventy-five pounds in hand. The cheque came as soon as it was requested, and Reardon's face brightened for the moment. Blessed money! root of all good, until the world invent some saner economy.

'How much do you owe your mother?' he inquired, without looking at Amy.

'Six pounds,' she answered coldly.

'And five to Carter; and rent, twelve pounds ten. We shall have a matter of fifty pounds to go on with.'



CHAPTER XII. WORK WITHOUT HOPE

The prudent course was so obvious that he marvelled at Amy's failing to suggest it. For people in their circumstances to be paying a rent of fifty pounds when a home could be found for half the money was recklessness; there would be no difficulty in letting the flat for this last year of their lease, and the cost of removal would be trifling. The mental relief of such a change might enable him to front with courage a problem in any case very difficult, and, as things were, desperate. Three months ago, in a moment of profoundest misery, he had proposed this step; courage failed him to speak of it again, Amy's look and voice were too vivid in his memory. Was she not capable of such a sacrifice for his sake? Did she prefer to let him bear all the responsibility of whatever might result from a futile struggle to keep up appearances?

Between him and her there was no longer perfect confidence. Her silence meant reproach, and—whatever might have been the case before—there was no doubt that she now discussed him with her mother, possibly with other people. It was not likely that she concealed his own opinion of the book he had just finished; all their acquaintances would be prepared to greet its publication with private scoffing or with mournful shaking of the head. His feeling towards Amy entered upon a new phase. The stability of his love was a source of pain; condemning himself, he felt at the same time that he was wronged. A coldness which was far from representing the truth began to affect his manner and speech, and Amy did not seem to notice it, at all events she made no kind of protest. They no longer talked of the old subjects, but of those mean concerns of material life which formerly they had agreed to dismiss as quickly as possible. Their relations to each other—not long ago an inexhaustible topic—would not bear spoken comment; both were too conscious of the danger-signal when they looked that way.

In the time of waiting for the publishers' offer, and now again when he was asking himself how he should use the respite granted him, Reardon spent his days at the British Museum. He could not read to much purpose, but it was better to sit here among strangers than seem to be idling under Amy's glance. Sick of imaginative writing, he turned to the studies which had always been most congenial, and tried to shape out a paper or two like those he had formerly disposed of to editors. Among his unused material lay a mass of notes he had made in a reading of Diogenes Laertius, and it seemed to him now that he might make something salable out of these anecdotes of the philosophers. In a happier mood he could have written delightfully on such a subject—not learnedly, but in the strain of a modern man whose humour and sensibility find free play among the classic ghosts; even now he was able to recover something of the light touch which had given value to his published essays.

Meanwhile the first number of The Current had appeared, and Jasper Milvain had made a palpable hit. Amy spoke very often of the article called 'Typical Readers,' and her interest in its author was freely manifested. Whenever a mention of Jasper came under her notice she read it Out to her husband. Reardon smiled and appeared glad, but he did not care to discuss Milvain with the same frankness as formerly.

One evening at the end of January he told Amy what he had been writing at the Museum, and asked her if she would care to hear it read.

'I began to wonder what you were doing,' she replied.

'Then why didn't you ask me?'

'I was rather afraid to.'

'Why afraid?'

'It would have seemed like reminding you that—you know what I mean.'

'That a month or two more will see us at the same crisis again. Still, I had rather you had shown an interest in my doings.'

After a pause Amy asked:

'Do you think you can get a paper of this kind accepted?'

'It isn't impossible. I think it's rather well done. Let me read you a page—'

'Where will you send it?' she interrupted.

'To The Wayside.'

'Why not try The Current? Ask Milvain to introduce you to Mr Fadge. They pay much better, you know.'

'But this isn't so well suited for Fadge. And I much prefer to be independent, as long as it's possible.'

'That's one of your faults, Edwin,' remarked his wife, mildly. 'It's only the strongest men that can make their way independently. You ought to use every means that offers.'

'Seeing that I am so weak?'

'I didn't think it would offend you. I only meant—-'

'No, no; you are quite right. Certainly, I am one of the men who need all the help they can get. But I assure you, this thing won't do for The Current.'

'What a pity you will go hack to those musty old times! Now think of that article of Milvain's. If only you could do something of that kind! What do people care about Diogenes and his tub and his lantern?'

'My dear girl, Diogenes Laertius had neither tub nor lantern, that I know of. You are making a mistake; but it doesn't matter.'

'No, I don't think it does.' The caustic note was not very pleasant on Amy's lips. 'Whoever he was, the mass of readers will be frightened by his name.'

'Well, we have to recognise that the mass of readers will never care for anything I do.'

'You will never convince me that you couldn't write in a popular way if you tried. I'm sure you are quite as clever as Milvain—'

Reardon made an impatient gesture.

'Do leave Milvain aside for a little! He and I are as unlike as two men could be. What's the use of constantly comparing us?'

Amy looked at him. He had never spoken to her so brusquely.

'How can you say that I am constantly comparing you?'

'If not in spoken words, then in your thoughts.'

'That's not a very nice thing to say, Edwin.'

'You make it so unmistakable, Amy. What I mean is, that you are always regretting the difference between him and me. You lament that I can't write in that attractive way. Well, I lament it myself—for your sake. I wish I had Milvain's peculiar talent, so that I could get reputation and money. But I haven't, and there's an end of it. It irritates a man to be perpetually told of his disadvantages.'

'I will never mention Milvain's name again,' said Amy coldly.

'Now that's ridiculous, and you know it.'

'I feel the same about your irritation. I can't see that I have given any cause for it.'

'Then we'll talk no more of the matter.'

Reardon threw his manuscript aside and opened a book. Amy never asked him to resume his intention of reading what he had written.

However, the paper was accepted. It came out in The Wayside for March, and Reardon received seven pounds ten for it. By that time he had written another thing of the same gossipy kind, suggested by Pliny's Letters. The pleasant occupation did him good, but there was no possibility of pursuing this course. 'Margaret Home' would be published in April; he might get the five-and-twenty pounds contingent upon a certain sale, yet that could in no case be paid until the middle of the year, and long before then he would be penniless. His respite drew to an end.

But now he took counsel of no one; as far as it was possible he lived in solitude, never seeing those of his acquaintances who were outside the literary world, and seldom even his colleagues. Milvain was so busy that he had only been able to look in twice or thrice since Christmas, and Reardon nowadays never went to Jasper's lodgings.

He had the conviction that all was over with the happiness of his married life, though how the events which were to express this ruin would shape themselves he could not foresee. Amy was revealing that aspect of her character to which he had been blind, though a practical man would have perceived it from the first; so far from helping him to support poverty, she perhaps would even refuse to share it with him. He knew that she was slowly drawing apart; already there was a divorce between their minds, and he tortured himself in uncertainty as to how far he retained her affections. A word of tenderness, a caress, no longer met with response from her; her softest mood was that of mere comradeship. All the warmth of her nature was expended upon the child; Reardon learnt how easy it is for a mother to forget that both parents have a share in her offspring.

He was beginning to dislike the child. But for Willie's existence Amy would still love him with undivided heart; not, perhaps, so passionately as once, but still with lover's love. And Amy understood—or, at all events, remarked—this change in him. She was aware that he seldom asked a question about Willie, and that he listened with indifference when she spoke of the little fellow's progress. In part offended, she was also in part pleased.

But for the child, mere poverty, he said to himself, should never have sundered them. In the strength of his passion he could have overcome all her disappointments; and, indeed, but for that new care, he would most likely never have fallen to this extremity of helplessness. It is natural in a weak and sensitive man to dream of possibilities disturbed by the force of circumstance. For one hour which he gave to conflict with his present difficulties, Reardon spent many in contemplation of the happiness that might have been.

Even yet, it needed but a little money to redeem all. Amy had no extravagant aspirations; a home of simple refinement and freedom from anxiety would restore her to her nobler self. How could he find fault with her? She knew nothing of such sordid life as he had gone through, and to lack money for necessities seemed to her degrading beyond endurance. Why, even the ordinary artisan's wife does not suffer such privations as hers at the end of the past year. For lack of that little money his life must be ruined. Of late he had often thought about the rich uncle, John Yule, who might perhaps leave something to Amy; but the hope was so uncertain. And supposing such a thing were to happen; would it be perfectly easy to live upon his wife's bounty—perhaps exhausting a small capital, so that, some years hence, their position would be no better than before? Not long ago, he could have taken anything from Amy's hand; would it be so simple since the change that had come between them?

Having written his second magazine-article (it was rejected by two editors, and he had no choice but to hold it over until sufficient time had elapsed to allow of his again trying The Wayside), he saw that he must perforce plan another novel. But this time he was resolute not to undertake three volumes. The advertisements informed him that numbers of authors were abandoning that procrustean system; hopeless as he was, he might as well try his chance with a book which could be written in a few weeks. And why not a glaringly artificial story with a sensational title? It could not be worse than what he had last written.

So, without a word to Amy, he put aside his purely intellectual work and began once more the search for a 'plot.' This was towards the end of February. The proofs of 'Margaret Home' were coming in day by day; Amy had offered to correct them, but after all he preferred to keep his shame to himself as long as possible, and with a hurried reading he dismissed sheet after sheet. His imagination did not work the more happily for this repugnant task; still, he hit at length upon a conception which seemed absurd enough for the purpose before him. Whether he could persevere with it even to the extent of one volume was very doubtful. But it should not be said of him that he abandoned his wife and child to penury without one effort of the kind that Milvain and Amy herself had recommended.

Writing a page or two of manuscript daily, and with several holocausts to retard him, he had done nearly a quarter of the story when there came a note from Jasper telling of Mrs Milvain's death. He handed it across the breakfast-table to Amy, and watched her as she read it.

'I suppose it doesn't alter his position,' Amy remarked, without much interest.

'I suppose not appreciably. He told me once his mother had a sufficient income; but whatever she leaves will go to his sisters, I should think. He has never said much to me.'

Nearly three weeks passed before they heard anything more from Jasper himself; then he wrote, again from the country, saying that he purposed bringing his sisters to live in London. Another week, and one evening he appeared at the door.

A want of heartiness in Reardon's reception of him might have been explained as gravity natural under the circumstances. But Jasper had before this become conscious that he was not welcomed here quite so cheerily as in the old days. He remarked it distinctly on that evening when he accompanied Amy home from Mrs Yule's; since then he had allowed his pressing occupations to be an excuse for the paucity of his visits. It seemed to him perfectly intelligible that Reardon, sinking into literary insignificance, should grow cool to a man entering upon a successful career; the vein of cynicism in Jasper enabled him to pardon a weakness of this kind, which in some measure flattered him. But he both liked and respected Reardon, and at present he was in the mood to give expression to his warmer feelings.

'Your book is announced, I see,' he said with an accent of pleasure, as soon as he had seated himself.

'I didn't know it.'

'Yes. "New novel by the author of 'On Neutral Ground.'" Down for the sixteenth of April. And I have a proposal to make about it. Will you let me ask Fadge to have it noticed in "Books of the Month," in the May Current?'

'I strongly advise you to let it take its chance. The book isn't worth special notice, and whoever undertook to review it for Fadge would either have to lie, or stultify the magazine.'

Jasper turned to Amy.

'Now what is to be done with a man like this? What is one to say to him, Mrs Reardon?'

'Edwin dislikes the book,' Amy replied, carelessly.

'That has nothing to do with the matter. We know quite well that in anything he writes there'll be something for a well-disposed reviewer to make a good deal of. If Fadge will let me, I should do the thing myself.'

Neither Reardon nor his wife spoke.

'Of course,' went on Milvain, looking at the former, 'if you had rather I left it alone—'

'I had much rather. Please don't say anything about it.'

There was an awkward silence. Amy broke it by saying:

'Are your sisters in town, Mr Milvain?'

'Yes. We came up two days ago. I found lodgings for them not far from Mornington Road. Poor girls! they don't quite know where they are, yet. Of course they will keep very quiet for a time, then I must try to get friends for them. Well, they have one already—your cousin, Miss Yule. She has already been to see them.'

'I'm very glad of that.'

Amy took an opportunity of studying his face. There was again a silence as if of constraint. Reardon, glancing at his wife, said with hesitation:

'When they care to see other visitors, I'm sure Amy would be very glad—'

'Certainly!' his wife added.

'Thank you very much. Of course I knew I could depend on Mrs Reardon to show them kindness in that way. But let me speak frankly of something. My sisters have made quite a friend of Miss Yule, since she was down there last year. Wouldn't that'—he turned to Amy—'cause you a little awkwardness?'

Amy had a difficulty in replying. She kept her eyes on the ground.

'You have had no quarrel with your cousin,' remarked Reardon.

'None whatever. It's only my mother and my uncle.'

'I can't imagine Miss Yule having a quarrel with anyone,' said Jasper. Then he added quickly: 'Well, things must shape themselves naturally. We shall see. For the present they will be fully occupied. Of course it's best that they should be. I shall see them every day, and Miss Yule will come pretty often, I dare say.'

Reardon caught Amy's eye, but at once looked away again.

'My word!' exclaimed Milvain, after a moment's meditation. 'It's well this didn't happen a year ago. The girls have no income; only a little cash to go on with. We shall have our work set. It's a precious lucky thing that I have just got a sort of footing.'

Reardon muttered an assent.

'And what are you doing now?' Jasper inquired suddenly.

'Writing a one-volume story.'

'I'm glad to hear that. Any special plan for its publication?'

'No.'

'Then why not offer it to Jedwood? He's publishing a series of one-volume novels. You know of Jedwood, don't you? He was Culpepper's manager; started business about half a year ago, and it looks as if he would do well. He married that woman—what's her name?—Who wrote "Mr Henderson's Wives"?'

'Never heard of it.'

'Nonsense!—Miss Wilkes, of course. Well, she married this fellow Jedwood, and there was a great row about something or other between him and her publishers. Mrs Boston Wright told me all about it. An astonishing woman that; a cyclopaedia of the day's small talk. I'm quite a favourite with her; she's promised to help the girls all she can. Well, but I was talking about Jedwood. Why not offer him this book of yours? He's eager to get hold of the new writers. Advertises hugely; he has the whole back page of The Study about every other week. I suppose Miss Wilkes's profits are paying for it. He has just given Markland two hundred pounds for a paltry little tale that would scarcely swell out to a volume. Markland told me himself. You know that I've scraped an acquaintance with him? Oh! I suppose I haven't seen you since then. He's a dwarfish fellow with only one eye. Mrs Boston Wright cries him up at every opportunity.'

'Who IS Mrs Boston Wright?' asked Reardon, laughing impatiently.

'Edits The English Girl, you know. She's had an extraordinary life. Was born in Mauritius—no, Ceylon—I forget; some such place. Married a sailor at fifteen. Was shipwrecked somewhere, and only restored to life after terrific efforts;—her story leaves it all rather vague. Then she turns up as a newspaper correspondent at the Cape. Gave up that, and took to some kind of farming, I forget where. Married again (first husband lost in aforementioned shipwreck), this time a Baptist minister, and began to devote herself to soup-kitchens in Liverpool. Husband burned to death, somewhere. She's next discovered in the thick of literary society in London. A wonderful woman, I assure you. Must be nearly fifty, but she looks twenty-five.'

He paused, then added impulsively:

'Let me take you to one of her evenings—nine on Thursday. Do persuade him, Mrs Reardon?'

Reardon shook his head.

'No, no. I should be horribly out of my element.'

'I can't see why. You would meet all sorts of well-known people; those you ought to have met long ago. Better still, let me ask her to send an invitation for both of you. I'm sure you'd like her, Mrs Reardon. There's a good deal of humbug about her, it's true, but some solid qualities as well. No one has a word to say against her. And it's a splendid advertisement to have her for a friend. She'll talk about your books and articles till all is blue.'

Amy gave a questioning look at her husband. But Reardon moved in an uncomfortable way.

'We'll see about it,' he said. 'Some day, perhaps.'

'Let me know whenever you feel disposed. But about Jedwood: I happen to know a man who reads for him.'

'Heavens!' cried Reardon. 'Who don't you know?'

'The simplest thing in the world. At present it's a large part of my business to make acquaintances. Why, look you; a man who has to live by miscellaneous writing couldn't get on without a vast variety of acquaintances. One's own brain would soon run dry; a clever fellow knows how to use the brains of other people.'

Amy listened with an unconscious smile which expressed keen interest.

'Oh,' pursued Jasper, 'when did you see Whelpdale last?'

'Haven't seen him for a long time.'

'You don't know what he's doing? The fellow has set up as a "literary adviser." He has an advertisement in The Study every week. "To Young Authors and Literary Aspirants"—something of the kind. "Advice given on choice of subjects, MSS. read, corrected, and recommended to publishers. Moderate terms." A fact! And what's more, he made six guineas in the first fortnight; so he says, at all events. Now that's one of the finest jokes I ever heard. A man who can't get anyone to publish his own books makes a living by telling other people how to write!'

'But it's a confounded swindle!'

'Oh, I don't know. He's capable of correcting the grammar of "literary aspirants," and as for recommending to publishers—well, anyone can recommend, I suppose.'

Reardon's indignation yielded to laughter.

'It's not impossible that he may thrive by this kind of thing.'

'Not at all,' assented Jasper.

Shortly after this he looked at his watch.

'I must be off, my friends. I have something to write before I can go to my truckle-bed, and it'll take me three hours at least.

Good-bye, old man. Let me know when your story's finished, and we'll talk about it. And think about Mrs Boston Wright; oh, and about that review in The Current. I wish you'd let me do it. Talk it over with your guide, philosopher, and friend.'

He indicated Amy, who laughed in a forced way.

When he was gone, the two sat without speaking for several minutes.

'Do you care to make friends with those girls?' asked Reardon at length.

'I suppose in decency I must call upon them?'

'I suppose so.'

'You may find them very agreeable.'

'Oh yes.'

They conversed with their own thoughts for a while. Then Reardon burst out laughing.

'Well, there's the successful man, you see. Some day he'll live in a mansion, and dictate literary opinions to the universe.'

'How has he offended you?'

'Offended me? Not at all. I am glad of his cheerful prospects.'

'Why should you refuse to go among those people? It might be good for you in several ways.'

'If the chance had come when I was publishing my best work, I dare say I shouldn't have refused. But I certainly shall not present myself as the author of "Margaret Home," and the rubbish I'm now writing.'

'Then you must cease to write rubbish.'

'Yes. I must cease to write altogether.'

'And do what?'

'I wish to Heaven I knew!'



CHAPTER XIII. A WARNING

In the spring list of Mr Jedwood's publications, announcement was made of a new work by Alfred Yule. It was called 'English Prose in the Nineteenth Century,' and consisted of a number of essays (several of which had already seen the light in periodicals) strung into continuity. The final chapter dealt with contemporary writers, more especially those who served to illustrate the author's theme—that journalism is the destruction of prose style: on certain popular writers of the day there was an outpouring of gall which was not likely to be received as though it were sweet ointment. The book met with rather severe treatment in critical columns; it could scarcely be ignored (the safest mode of attack when one's author has no expectant public), and only the most skilful could write of it in a hostile spirit without betraying that some of its strokes had told. An evening newspaper which piqued itself on independence indulged in laughing appreciation of the polemical chapter, and the next day printed a scornful letter from a thinly-disguised correspondent who assailed both book and reviewer. For the moment people talked more of Alfred Yule than they had done since his memorable conflict with Clement Fadge.

The publisher had hoped for this. Mr Jedwood was an energetic and sanguine man, who had entered upon his business with a determination to rival in a year or so the houses which had slowly risen into commanding stability. He had no great capital, but the stroke of fortune which had wedded him to a popular novelist enabled him to count on steady profit from one source, and boundless faith in his own judgment urged him to an initial outlay which made the prudent shake their heads. He talked much of 'the new era,' foresaw revolutions in publishing and book-selling, planned every week a score of untried ventures which should appeal to the democratic generation just maturing; in the meantime, was ready to publish anything which seemed likely to get talked about.

The May number of The Current, in its article headed 'Books of the Month,' devoted about half a page to 'English Prose in the Nineteenth Century.' This notice was a consummate example of the flippant style of attack. Flippancy, the most hopeless form of intellectual vice, was a characterising note of Mr Fadge's periodical; his monthly comments on publications were already looked for with eagerness by that growing class of readers who care for nothing but what can be made matter of ridicule. The hostility of other reviewers was awkward and ineffectual compared with this venomous banter, which entertained by showing that in the book under notice there was neither entertainment nor any other kind of interest. To assail an author without increasing the number of his readers is the perfection of journalistic skill, and The Current, had it stood alone, would fully have achieved this end. As it was, silence might have been better tactics. But Mr Fadge knew that his enemy would smart under the poisoned pin-points, and that was something gained.

On the day that The Current appeared, its treatment of Alfred Yule was discussed in Mr Jedwood's private office. Mr Quarmby, who had intimate relations with the publisher, happened to look in just as a young man (one of Mr Jedwood's 'readers') was expressing a doubt whether Fadge himself was the author of the review.

'But there's Fadge's thumb-mark all down the page,' cried Mr Quarmby.

'He inspired the thing, of course; but I rather think it was written by that fellow Milvain.'

'Think so?' asked the publisher.

'Well, I know with certainty that the notice of Markland's novel is his writing, and I have reasons for suspecting that he did Yule's book as well.'

'Smart youngster, that,' remarked Mr Jedwood. 'Who is he, by-the-bye?'

'Somebody's illegitimate son, I believe,' replied the source of trustworthy information, with a laugh. 'Denham says he met him in New York a year or two ago, under another name.

'Excuse me,' interposed Mr Quarmby, 'there's some mistake in all that.'

He went on to state what he knew, from Yule himself, concerning Milvain's history. Though in this instance a corrector, Mr Quarmby took an opportunity, a few hours later, of informing Mr Hinks that the attack on Yule in The Current was almost certainly written by young Milvain, with the result that when the rumour reached Yule's ears it was delivered as an undoubted and well-known fact.

It was a month prior to this that Milvain made his call upon Marian Yule, on the Sunday when her father was absent. When told of the visit, Yule assumed a manner of indifference, but his daughter understood that he was annoyed. With regard to the sisters who would shortly be living in London, he merely said that Marian must behave as discretion directed her. If she wished to invite the Miss Milvains to St Paul's Crescent, he only begged that the times and seasons of the household might not be disturbed.

As her habit was, Marian took refuge in silence. Nothing could have been more welcome to her than the proximity of Maud and Dora, but she foresaw that her own home would not be freely open to them; perhaps it might be necessary to behave with simple frankness, and let her friends know the embarrassments of the situation. But that could not be done in the first instance; the unkindness would seem too great. A day after the arrival of the girls, she received a note from Dora, and almost at once replied to it by calling at her friends' lodgings. A week after that, Maud and Dora came to St Paul's Crescent; it was Sunday, and Mr Yule purposely kept away from home. They had only been once to the house since then, again without meeting Mr Yule. Marian, however, visited them at their lodgings frequently; now and then she met Jasper there. The latter never spoke of her father, and there was no question of inviting him to repeat his call.

In the end, Marian was obliged to speak on the subject with her mother. Mrs Yule offered an occasion by asking when the Miss Milvains were coming again.

'I don't think I shall ever ask them again,' Marian replied.

Her mother understood, and looked troubled.

'I must tell them how it is, that's all,' the girl went on. 'They are sensible; they won't be offended with me.'

'But your father has never had anything to say against them,' urged Mrs Yule. 'Not a word to me, Marian. I'd tell you the truth if he had.'

'It's too disagreeable, all the same. I can't invite them here with pleasure. Father has grown prejudiced against them all, and he won't change. No, I shall just tell them.'

'It's very hard for you,' sighed her mother. 'If I thought I could do any good by speaking—but I can't, my dear.'

'I know it, mother. Let us go on as we did before.'

The day after this, when Yule came home about the hour of dinner, he called Marian's name from within the study. Marian had not left the house to-day; her work had been set, in the shape of a long task of copying from disorderly manuscript. She left the sitting-room in obedience to her father's summons.

'Here's something that will afford you amusement,' he said, holding to her the new number of The Current, and indicating the notice of his book.

She read a few lines, then threw the thing on to the table.

'That kind of writing sickens me,' she exclaimed, with anger in her eyes. 'Only base and heartless people can write in that way. You surely won't let it trouble you?'

'Oh, not for a moment,' her father answered, with exaggerated show of calm. 'But I am surprised that you don't see the literary merit of the work. I thought it would distinctly appeal to you.'

There was a strangeness in his voice, as well as in the words, which caused her to look at him inquiringly. She knew him well enough to understand that such a notice would irritate him profoundly; but why should he go out of his way to show it her, and with this peculiar acerbity of manner?

'Why do you say that, father?'

'It doesn't occur to you who may probably have written it?'

She could not miss his meaning; astonishment held her mute for a moment, then she said:

'Surely Mr Fadge wrote it himself?'

'I am told not. I am informed on very good authority that one of his young gentlemen has the credit of it.'

'You refer, of course, to Mr Milvain,' she replied quietly. 'But I think that can't be true.'

He looked keenly at her. He had expected a more decided protest.

'I see no reason for disbelieving it.'

'I see every reason, until I have your evidence.'

This was not at all Marian's natural tone in argument with him. She was wont to be submissive.

'I was told,' he continued, hardening face and voice, 'by someone who had it from Jedwood.'

Yule was conscious of untruth in this statement, but his mood would not allow him to speak ingenuously, and he wished to note the effect upon Marian of what he said. There were two beliefs in him: on the one hand, he recognised Fadge in every line of the writing; on the other, he had a perverse satisfaction in convincing himself that it was Milvain who had caught so successfully the master's manner. He was not the kind of man who can resist an opportunity of justifying, to himself and others, a course into which he has been led by mingled feelings, all more or less unjustifiable.

'How should Jedwood know?' asked Marian.

Yule shrugged his shoulders.

'As if these things didn't get about among editors and publishers!'

'In this case, there's a mistake.'

'And why, pray?' His voice trembled with choler. 'Why need there be a mistake?'

'Because Mr Milvain is quite incapable of reviewing your book in such a spirit.'

'There is your mistake, my girl. Milvain will do anything that's asked of him, provided he's well enough paid.'

Marian reflected. When she raised her eyes again they were perfectly calm.

'What has led you to think that?'

'Don't I know the type of man? Noscitur ex sociis—have you Latin enough for that?'

'You'll find that you are misinformed,' Marian replied, and therewith went from the room.

She could not trust herself to converse longer. A resentment such as her father had never yet excited in her—such, indeed, as she had seldom, if ever, conceived—threatened to force utterance for itself in words which would change the current of her whole life. She saw her father in his worst aspect, and her heart was shaken by an unnatural revolt from him. Let his assurance of what he reported be ever so firm, what right had he to make this use of it? His behaviour was spiteful. Suppose he entertained suspicions which seemed to make it his duty to warn her against Milvain, this was not the way to go about it. A father actuated by simple motives of affection would never speak and look thus.

It was the hateful spirit of literary rancour that ruled him; the spirit that made people eager to believe all evil, that blinded and maddened. Never had she felt so strongly the unworthiness of the existence to which she was condemned. That contemptible review, and now her father's ignoble passion—such things were enough to make all literature appear a morbid excrescence upon human life.

Forgetful of the time, she sat in her bedroom until a knock at the door, and her mother's voice, admonished her that dinner was waiting. An impulse all but caused her to say that she would rather not go down for the meal, that she wished to be left alone. But this would be weak peevishness. She just looked at the glass to see that her face bore no unwonted signs, and descended to take her place as usual.

Throughout the dinner there passed no word of conversation. Yule was at his blackest; he gobbled a few mouthfuls, then occupied himself with the evening paper. On rising, he said to Marian:

'Have you copied the whole of that?'

The tone would have been uncivil if addressed to an impertinent servant.

'Not much more than half,' was the cold reply.

'Can you finish it to-night?'

'I'm afraid not. I am going out.'

'Then I must do it myself'

And he went to the study.

Mrs Yule was in an anguish of nervousness.

'What is it, dear?' she asked of Marian, in a pleading whisper. 'Oh, don't quarrel with your father! Don't!'

'I can't be a slave, mother, and I can't be treated unjustly.'

'What is it? Let me go and speak to him.'

'It's no use. We CAN'T live in terror.'

For Mrs Yule this was unimaginable disaster. She had never dreamt that Marian, the still, gentle Marian, could be driven to revolt. And it had come with the suddenness of a thunderclap. She wished to ask what had taken place between father and daughter in the brief interview before dinner; but Marian gave her no chance, quitting the room upon those last trembling words.

The girl had resolved to visit her friends, the sisters, and tell them that in future they must never come to see her at home. But it was no easy thing for her to stifle her conscience, and leave her father to toil over that copying which had need of being finished. Not her will, but her exasperated feeling, had replied to him that she would not do the work; already it astonished her that she had really spoken such words. And as the throbbing of her pulses subsided, she saw more clearly into the motives of this wretched tumult which possessed her. Her mind was harassed with a fear lest in defending Milvain she had spoken foolishly. Had he not himself said to her that he might be guilty of base things, just to make his way? Perhaps it was the intolerable pain of imagining that he had already made good his words, which robbed her of self-control and made her meet her father's rudeness with defiance.

Impossible to carry out her purpose; she could not deliberately leave the house and spend some hours away with the thought of such wrath and misery left behind her. Gradually she was returning to her natural self; fear and penitence were chill at her heart.

She went down to the study, tapped, and entered.

'Father, I said something that I did not really mean. Of course I shall go on with the copying and finish it as soon as possible.'

'You will do nothing of the kind, my girl.' He was in his usual place, already working at Marian's task; he spoke in a low, thick voice. 'Spend your evening as you choose, I have no need of you.'

'I behaved very ill-temperedly. Forgive me, father.'

'Have the goodness to go away. You hear me?'

His eyes were inflamed, and his discoloured teeth showed themselves savagely. Marian durst not, really durst not approach him. She hesitated, but once more a sense of hateful injustice moved within her, and she went away as quietly as she had entered.

She said to herself that now it was her perfect right to go whither she would. But the freedom was only in theory; her submissive and timid nature kept her at home—and upstairs in her own room; for, if she went to sit with her mother, of necessity she must talk about what had happened, and that she felt unable to do. Some friend to whom she could unbosom all her sufferings would now have been very precious to her, but Maud and Dora were her only intimates, and to them she might not make the full confession which gives solace.

Mrs Yule did not venture to intrude upon her daughter's privacy. That Marian neither went out nor showed herself in the house proved her troubled state, but the mother had no confidence in her power to comfort. At the usual time she presented herself in the study with her husband's coffee; the face which was for an instant turned to her did not invite conversation, but distress obliged her to speak.

'Why are you cross with Marian, Alfred?'

'You had better ask what she means by her extraordinary behaviour.'

A word of harsh rebuff was the most she had expected. Thus encouraged, she timidly put another question.

'How has she behaved?'

'I suppose you have ears?'

'But wasn't there something before that? You spoke so angry to her.'

'Spoke so angry, did I? She is out, I suppose?'

'No, she hasn't gone out.'

'That'll do. Don't disturb me any longer.'

She did not venture to linger.

The breakfast next morning seemed likely to pass without any interchange of words. But when Yule was pushing back his chair, Marian—who looked pale and ill—addressed a question to him about the work she would ordinarily have pursued to-day at the Reading-room. He answered in a matter-of-fact tone, and for a few minutes they talked on the subject much as at any other time. Half an hour after, Marian set forth for the Museum in the usual way. Her father stayed at home.

It was the end of the episode for the present. Marian felt that the best thing would be to ignore what had happened, as her father evidently purposed doing. She had asked his forgiveness, and it was harsh in him to have repelled her; but by now she was able once more to take into consideration all his trials and toils, his embittered temper and the new wound he had received. That he should resume his wonted manner was sufficient evidence of regret on his part. Gladly she would have unsaid her resentful words; she had been guilty of a childish outburst of temper, and perhaps had prepared worse sufferings for the future.

And yet, perhaps it was as well that her father should be warned. She was not all submission, he might try her beyond endurance; there might come a day when perforce she must stand face to face with him, and make it known she had her own claims upon life. It was as well he should hold that possibility in view.

This evening no work was expected of her. Not long after dinner she prepared for going out; to her mother she mentioned she should be back about ten o'clock.

'Give my kind regards to them, dear—if you like to,' said Mrs Yule just above her breath.

'Certainly I will.'



CHAPTER XIV. ECRUITS

Marian walked to the nearest point of Camden Road, and there waited for an omnibus, which conveyed her to within easy reach of the street where Maud and Dora Milvain had their lodgings. This was at the north-east of Regent's Park, and no great distance from Mornington Road, where Jasper still dwelt.

On learning that the young ladies were at home and alone, she ascended to the second floor and knocked.

'That's right!' exclaimed Dora's pleasant voice, as the door opened and the visitor showed herself And then came the friendly greeting which warmed Marian's heart, the greeting which until lately no house in London could afford her.

The girls looked oddly out of place in this second-floor sitting-room, with its vulgar furniture and paltry ornaments. Maud especially so, for her fine figure was well displayed by the dress of mourning, and her pale, handsome face had as little congruence as possible with a background of humble circumstances.

Dora impressed one as a simpler nature, but she too had distinctly the note of refinement which was out of harmony with these surroundings. They occupied only two rooms, the sleeping-chamber being double-bedded; they purchased food for themselves and prepared their own meals, excepting dinner. During the first week a good many tears were shed by both of them; it was not easy to transfer themselves from the comfortable country home to this bare corner of lodgers' London. Maud, as appeared at the first glance, was less disposed than her sister to make the best of things; her countenance wore an expression rather of discontent than of sorrow, and she did not talk with the same readiness as Dora.

On the round table lay a number of books; when disturbed, the sisters had been engaged in studious reading.

'I'm not sure that I do right in coming again so soon,' said Marian as she took off her things. 'Your time is precious.'

'So are you,' replied Dora, laughing. 'It's only under protest that we work in the evening when we have been hard at it all day.'

'We have news for you, too,' said Maud, who sat languidly on an uneasy chair.

'Good, I hope?'

'Someone called to see us yesterday. I dare say you can guess who it was.'

'Amy, perhaps?'

'Yes.'

'And how did you like her?'

The sisters seemed to have a difficulty in answering. Dora was the first to speak.

'We thought she was sadly out of spirits. Indeed she told us that she hasn't been very well lately. But I think we shall like her if we come to know her better.'

'It was rather awkward, Marian,' the elder sister explained. 'We felt obliged to say something about Mr Reardon's books, but we haven't read any of them yet, you know, so I just said that I hoped soon to read his new novel. "I suppose you have seen reviews of it?" she asked at once. Of course I ought to have had the courage to say no, but I admitted that I had seen one or two—Jasper showed us them. She looked very much annoyed, and after that we didn't find much to talk about.'

'The reviews are very disagreeable,' said Marian with a troubled face. 'I have read the book since I saw you the other day, and I am afraid it isn't good, but I have seen many worse novels more kindly reviewed.'

'Jasper says it's because Mr Reardon has no friends among the journalists.'

'Still,' replied Marian, 'I'm afraid they couldn't have given the book much praise, if they wrote honestly. Did Amy ask you to go and see her?'

'Yes, but she said it was uncertain how long they would be living at their present address. And really, we can't feel sure whether we should be welcome or not just now.'

Marian listened with bent head. She too had to make known to her friends that they were not welcome in her own home; but she knew not how to utter words which would sound so unkind.

'Your brother,' she said after a pause, 'will soon find suitable friends for you.'

'Before long,' replied Dora, with a look of amusement, 'he's going to take us to call on Mrs Boston Wright. I hardly thought he was serious at first, but he says he really means it.'

Marian grew more and more silent. At home she had felt that it would not be difficult to explain her troubles to these sympathetic girls, but now the time had come for speaking, she was oppressed by shame and anxiety. True, there was no absolute necessity for making the confession this evening, and if she chose to resist her father's prejudice, things might even go on in a seemingly natural way. But the loneliness of her life had developed in her a sensitiveness which could not endure situations such as the present; difficulties which are of small account to people who take their part in active social life, harassed her to the destruction of all peace. Dora was not long in noticing the dejected mood which had come upon her friend.

'What's troubling you, Marian?'

'Something I can hardly bear to speak of. Perhaps it will be the end of your friendship for me, and I should find it very hard to go back to my old solitude.'

The girls gazed at her, in doubt at first whether she spoke seriously.

'What can you mean?' Dora exclaimed. 'What crime have you been committing?'

Maud, who leaned with her elbows on the table, searched Marian's face curiously, but said nothing.

'Has Mr Milvain shown you the new number of The Current?' Marian went on to ask.

They replied with a negative, and Maud added:

'He has nothing in it this month, except a review.'

'A review?' repeated Marian in a low voice.

'Yes; of somebody's novel.'

'Markland's,' supplied Dora.

Marian drew a breath, but remained for a moment with her eyes cast down.

'Do go on, dear,' urged Dora. 'Whatever are you going to tell us?'

'There's a notice of father's book,' continued the other, 'a very ill-natured one; it's written by the editor, Mr Fadge. Father and he have been very unfriendly for a long time. Perhaps Mr Milvain has told you something about it?'

Dora replied that he had.

'I don't know how it is in other professions,' Marian resumed, 'but I hope there is less envy, hatred and malice than in this of ours. The name of literature is often made hateful to me by the things I hear and read. My father has never been very fortunate, and many things have happened to make him bitter against the men who succeed; he has often quarrelled with people who were at first his friends, but never so seriously with anyone as with Mr Fadge. His feeling of enmity goes so far that it includes even those who are in any way associated with Mr Fadge. I am sorry to say'—she looked with painful anxiety from one to the other of her hearers—'this has turned him against your brother, and—'

Her voice was checked by agitation.

'We were afraid of this,' said Dora, in a tone of sympathy.

'Jasper feared it might be the case,' added Maud, more coldly, though with friendliness.

'Why I speak of it at all,' Marian hastened to say, 'is because I am so afraid it should make a difference between yourselves and me.'

'Oh! don't think that!' Dora exclaimed.

'I am so ashamed,' Marian went on in an uncertain tone, 'but I think it will be better if I don't ask you to come and see me. It sounds ridiculous; it is ridiculous and shameful. I couldn't complain if you refused to have anything more to do with me.'

'Don't let it trouble you,' urged Maud, with perhaps a trifle more of magnanimity in her voice than was needful. We quite understand. Indeed, it shan't make any difference to us.'

But Marian had averted her face, and could not meet these assurances with any show of pleasure. Now that the step was taken she felt that her behaviour had been very weak. Unreasonable harshness such as her father's ought to have been met more steadily; she had no right to make it an excuse for such incivility to her friends. Yet only in some such way as this could she make known to Jasper Milvain how her father regarded him, which she felt it necessary to do. Now his sisters would tell him, and henceforth there would be a clear understanding on both sides. That state of things was painful to her, but it was better than ambiguous relations.

'Jasper is very sorry about it,' said Dora, glancing rapidly at Marian.

'But his connection with Mr Fadge came about in such a natural way,' added the eldest sister. 'And it was impossible for him to refuse opportunities.'

'Impossible; I know,' Marian replied earnestly. 'Don't think that I wish to justify my father. But I can understand him, and it must be very difficult for you to do so. You can't know, as I do, how intensely he has suffered in these wretched, ignoble quarrels. If only you will let me come here still, in the same way, and still be as friendly to me. My home has never been a place to which I could have invited friends with any comfort, even if I had had any to invite. There were always reasons—but I can't speak of them.'

'My dear Marian,' appealed Dora, 'don't distress yourself so! Do believe that nothing whatever has happened to change our feeling to you. Has there, Maud?'

'Nothing whatever. We are not unreasonable girls, Marian.'

'I am more grateful to you than I can say.'

It had seemed as if Marian must give way to the emotions which all but choked her voice; she overcame them, however, and presently was able to talk in pretty much her usual way, though when she smiled it was but faintly. Maud tried to lead her thoughts in another direction by speaking of work in which she and Dora were engaged. Already the sisters were doing a new piece of compilation for Messrs Jolly and Monk; it was more exacting than their initial task for the book market, and would take a much longer time.

A couple of hours went by, and Marian had just spoken of taking her leave, when a man's step was heard rapidly ascending the nearest flight of stairs.

'Here's Jasper,' remarked Dora, and in a moment there sounded a short, sharp summons at the door.

Jasper it was; he came in with radiant face, his eyes blinking before the lamplight.

'Well, girls! Ha! how do you do, Miss Yule? I had just the vaguest sort of expectation that you might be here. It seemed a likely night; I don't know why. I say, Dora, we really must get two or three decent easy-chairs for your room. I've seen some outside a second-hand furniture shop in Hampstead Road, about six shillings apiece. There's no sitting on chairs such as these.'

That on which he tried to dispose himself, when he had flung aside his trappings, creaked and shivered ominously.

'You hear? I shall come plump on to the floor, if I don't mind. My word, what a day I have had! I've just been trying what I really could do in one day if I worked my hardest. Now just listen; it deserves to be chronicled for the encouragement of aspiring youth. I got up at 7.30, and whilst I breakfasted I read through a volume I had to review. By 10.30 the review was written—three-quarters of a column of the Evening Budget.'

'Who is the unfortunate author?' interrupted Maud, caustically.

'Not unfortunate at all. I had to crack him up; otherwise I couldn't have done the job so quickly. It's the easiest thing in the world to write laudation; only an inexperienced grumbler would declare it was easier to find fault. The book was Billington's "Vagaries"; pompous idiocy, of course, but he lives in a big house and gives dinners. Well, from 10.30 to 11, I smoked a cigar and reflected, feeling that the day wasn't badly begun. At eleven I was ready to write my Saturday causerie for the Will o' the Wisp; it took me till close upon one o'clock, which was rather too long. I can't afford more than an hour and a half for that job. At one, I rushed out to a dirty little eating-house in Hampstead Road. Was back again by a quarter to two, having in the meantime sketched a paper for The West End. Pipe in mouth, I sat down to leisurely artistic work; by five, half the paper was done; the other half remains for to-morrow. From five to half-past I read four newspapers and two magazines, and from half-past to a quarter to six I jotted down several ideas that had come to me whilst reading. At six I was again in the dirty eating-house, satisfying a ferocious hunger. Home once more at 6.45, and for two hours wrote steadily at a long affair I have in hand for The Current. Then I came here, thinking hard all the way. What say you to this? Have I earned a night's repose?'

'And what's the value of it all?' asked Maud.

'Probably from ten to twelve guineas, if I calculated.'

'I meant, what was the literary value of it?' said his sister, with a smile.

'Equal to that of the contents of a mouldy nut.'

'Pretty much what I thought.'

'Oh, but it answers the purpose,' urged Dora, 'and it does no one any harm.'

'Honest journey-work!' cried Jasper. 'There are few men in London capable of such a feat. Many a fellow could write more in quantity, but they couldn't command my market. It's rubbish, but rubbish of a very special kind, of fine quality.'

Marian had not yet spoken, save a word or two in reply to Jasper's greeting; now and then she just glanced at him, but for the most part her eyes were cast down. Now Jasper addressed her.

'A year ago, Miss Yule, I shouldn't have believed myself capable of such activity. In fact I wasn't capable of it then.'

'You think such work won't be too great a strain upon you?' she asked.

'Oh, this isn't a specimen day, you know. To-morrow I shall very likely do nothing but finish my West End article, in an easy two or three hours. There's no knowing; I might perhaps keep up the high pressure if I tried. But then I couldn't dispose of all the work. Little by little—or perhaps rather quicker than that—I shall extend my scope. For instance, I should like to do two or three leaders a week for one of the big dailies. I can't attain unto that just yet.'

'Not political leaders?'

'By no means. That's not my line. The kind of thing in which one makes a column out of what would fill six lines of respectable prose. You call a cigar a "convoluted weed," and so on, you know; that passes for facetiousness. I've never really tried my hand at that style yet; I shouldn't wonder if I managed it brilliantly. Some day I'll write a few exercises; just take two lines of some good prose writer, and expand them into twenty, in half-a-dozen different ways. Excellent mental gymnastics!'

Marian listened to his flow of talk for a few minutes longer, then took the opportunity of a brief silence to rise and put on her hat. Jasper observed her, but without rising; he looked at his sisters in a hesitating way. At length he stood up, and declared that he too must be off. This coincidence had happened once before when he met Marian here in the evening.

'At all events, you won't do any more work to-night,' said Dora.

'No; I shall read a page of something or other over a glass of whisky, and seek the sleep of a man who has done his duty.'

'Why the whisky?' asked Maud.

'Do you grudge me such poor solace?'

'I don't see the need of it.'

'Nonsense, Maud!' exclaimed her sister. 'He needs a little stimulant when he works so hard.'

Each of the girls gave Marian's hand a significant pressure as she took leave of them, and begged her to come again as soon as she had a free evening. There was gratitude in her eyes.

The evening was clear, and not very cold.

'It's rather late for you to go home,' said Jasper, as they left the house. 'May I walk part of the way with you?'

Marian replied with a low 'Thank you.'

'I think you get on pretty well with the girls, don't you?'

'I hope they are as glad of my friendship as I am of theirs.'

'Pity to see them in a place like that, isn't it? They ought to have a good house, with plenty of servants. It's bad enough for a civilised man to have to rough it, but I hate to see women living in a sordid way. Don't you think they could both play their part in a drawing-room, with a little experience?'

'Surely there's no doubt of it.'

'Maud would look really superb if she were handsomely dressed. She hasn't a common face, by any means. And Dora is pretty, I think. Well, they shall go and see some people before long. The difficulty is, one doesn't like it to be known that they live in such a crib; but I daren't advise them to go in for expense. One can't be sure that it would repay them, though—Now, in my own case, if I could get hold of a few thousand pounds I should know how to use it with the certainty of return; it would save me, probably, a clear ten years of life; I mean, I should go at a jump to what I shall be ten years hence without the help of money. But they have such a miserable little bit of capital, and everything is still so uncertain. One daren't speculate under the circumstances.'

Marian made no reply.

'You think I talk of nothing but money?' Jasper said suddenly, looking down into her face.

'I know too well what it means to be without money.'

'Yes, but—you do just a little despise me?'

'Indeed, I don't, Mr Milvain.'

'If that is sincere, I'm very glad. I take it in a friendly sense. I am rather despicable, you know; it's part of my business to be so. But a friend needn't regard that. There is the man apart from his necessities.'

The silence was then unbroken till they came to the lower end of Park Street, the junction of roads which lead to Hampstead, to Highgate, and to Holloway.

'Shall you take an omnibus?' Jasper asked.

She hesitated.

'Or will you give me the pleasure of walking on with you? You are tired, perhaps?'

'Not the least.'

For the rest of her answer she moved forward, and they crossed into the obscurity of Camden Road.

'Shall I be doing wrong, Mr Milvain,' Marian began in a very low voice, 'if I ask you about the authorship of something in this month's Current?'

'I'm afraid I know what you refer to. There's no reason why I shouldn't answer a question of the kind.'

'It was Mr Fadge himself who reviewed my father's book?'

'It was—confound him! I don't know another man who could have done the thing so vilely well.'

'I suppose he was only replying to my father's attack upon him and his friends.'

'Your father's attack is honest and straightforward and justifiable and well put. I read that chapter of his book with huge satisfaction. But has anyone suggested that another than Fadge was capable of that masterpiece?'

'Yes. I am told that Mr Jedwood, the publisher, has somehow made a mistake.'

'Jedwood? And what mistake?'

'Father heard that you were the writer.'

'I?' Jasper stopped short. They were in the rays of a street-lamp, and could see each other's faces. 'And he believes that?'

'I'm afraid so.'

'And you believe—believed it?'

'Not for a moment.'

'I shall write a note to Mr Yule.'

Marian was silent a while, then said:

'Wouldn't it be better if you found a way of letting Mr Jedwood know the truth?'

'Perhaps you are right.'

Jasper was very grateful for the suggestion. In that moment he had reflected how rash it would be to write to Alfred Yule on such a subject, with whatever prudence in expressing himself. Such a letter, coming under the notice of the great Fadge, might do its writer serious harm.

'Yes, you are right,' he repeated. 'I'll stop that rumour at its source. I can't guess how it started; for aught I know, some enemy hath done this, though I don't quite discern the motive. Thank you very much for telling me, and still more for refusing to believe that I could treat Mr Yule in that way, even as a matter of business. When I said that I was despicable, I didn't mean that I could sink quite to such a point as that. If only because it was your father—'

He checked himself and they walked on for several yards without speaking.

'In that case,' Jasper resumed at length, 'your father doesn't think of me in a very friendly way?'

'He scarcely could—'

'No, no. And I quite understand that the mere fact of my working for Fadge would prejudice him against me. But that's no reason, I hope, why you and I shouldn't be friends?'

'I hope not.'

'I don't know that my friendship is worth much,' Jasper continued, talking into the upper air, a habit of his when he discussed his own character. 'I shall go on as I have begun, and fight for some of the good things of life. But your friendship is valuable. If I am sure of it, I shall be at all events within sight of the better ideals.'

Marian walked on with her eyes upon the ground. To her surprise she discovered presently that they had all but reached St Paul's Crescent.

'Thank you for having come so far,' she said, pausing.

'Ah, you are nearly home. Why, it seems only a few minutes since we left the girls. Now I'll run back to the whisky of which Maud disapproves.'

'May it do you good!' said Marian with a laugh.

A speech of this kind seemed unusual upon her lips. Jasper smiled as he held her hand and regarded her.

'Then you can speak in a joking way?'

'Do I seem so very dull?'

'Dull, by no means. But sage and sober and reticent—and exactly what I like in my friend, because it contrasts with my own habits. All the better that merriment lies below it. Goodnight, Miss Yule.'

He strode off and in a minute or two turned his head to look at the slight figure passing into darkness.

Marian's hand trembled as she tried to insert her latch-key. When she had closed the door very quietly behind her she went to the sitting-room; Mrs Yule was just laying aside the sewing on which she had occupied herself throughout the lonely evening.

'I'm rather late,' said the girl, in a voice of subdued joyousness.

'Yes; I was getting a little uneasy, dear.'

'Oh, there's no danger.'

'You have been enjoying yourself, I can see.'

'I have had a pleasant evening.'

In the retrospect it seemed the pleasantest she had yet spent with her friends, though she had set out in such a different mood. Her mind was relieved of two anxieties; she felt sure that the girls had not taken ill what she told them, and there was no longer the least doubt concerning the authorship of that review in The Current.

She could confess to herself now that the assurance from Jasper's lips was not superfluous. He might have weighed profit against other considerations, and have written in that way of her father; she had not felt that absolute confidence which defies every argument from human frailty. And now she asked herself if faith of that unassailable kind is ever possible; is it not only the poet's dream, the far ideal?

Marian often went thus far in her speculation. Her candour was allied with clear insight into the possibilities of falsehood; she was not readily the victim of illusion; thinking much, and speaking little, she had not come to her twenty-third year without perceiving what a distance lay between a girl's dream of life as it might be and life as it is. Had she invariably disclosed her thoughts, she would have earned the repute of a very sceptical and slightly cynical person.