At times, however, Count Muffat was still singularly revolted. He who had tolerated Satin for months, who had at last shut his eyes to the unknown herd of men that scampered so quickly through Nana's bedroom, became terribly enraged at being deceived by one of his own set or even by an acquaintance. When she confessed her relations with Foucarmont he suffered so acutely, he thought the treachery of the young man so base, that he wished to insult him and fight a duel. As he did not know where to find seconds for such an affair, he went to Labordette. The latter, astonished, could not help laughing.

"A duel about Nana? But, my dear sir, all Paris would be laughing at you. Men do not fight for Nana; it would be ridiculous."

The count grew very pale and made a violent gesture.

"Then I shall slap his face in the open street."

For an hour Labordette had to argue with him. A blow would make the affair odious; that evening everyone would know the real reason of the meeting; it would be in all the papers. And Labordette always finished with the same expression:

"It is impossible; it would be ridiculous."

Each time Muffat heard these words they seemed sharp and keen as a stab. He could not even fight for the woman he loved; people would have burst out laughing. Never before had he felt more bitterly the misery of his love, the contrast between his heavy heart and the absurdity of this life of pleasure in which it was now lost. This was his last rebellion; he allowed Labordette to convince him, and he was present afterward at the procession of his friends, who lived there as if at home.

Nana in a few months finished them up greedily, one after the other. The growing needs entailed by her luxurious way of life only added fuel to her desires, and she finished a man up at one mouthful. First she had Foucarmont, who did not last a fortnight. He was thinking of leaving the navy, having saved about thirty thousand francs in his ten years of service, which he wished to invest in the United States. His instincts, which were prudential, even miserly, were conquered; he gave her everything, even his signature to notes of hand, which pledged his future. When Nana had done with him he was penniless. But then she proved very kind; she advised him to return to his ship. What was the good of getting angry? Since he had no money their relations were no longer possible. He ought to understand that and to be reasonable. A ruined man fell from her hands like a ripe fruit, to rot on the ground by himself.

Then Nana took up with Steiner without disgust but without love. She called him a dirty Jew; she seemed to be paying back an old grudge, of which she had no distinct recollection. He was fat; he was stupid, and she got him down and took two bites at a time in order the quicker to do for this Prussian. As for him, he had thrown Simonne over. His Bosphorous scheme was getting shaky, and Nana hastened the downfall by wild expenses. For a month he struggled on, doing miracles of finance. He filled Europe with posters, advertisements and prospectuses of a colossal scheme and obtained money from the most distant climes. All these savings, the pounds of speculators and the pence of the poor, were swallowed up in the Avenue de Villiers. Again he was partner in an ironworks in Alsace, where in a small provincial town workmen, blackened with coal dust and soaked with sweat, day and night strained their sinews and heard their bones crack to satisfy Nana's pleasures. Like a huge fire she devoured all the fruits of stock-exchange swindling and the profits of labor. This time she did for Steiner; she brought him to the ground, sucked him dry to the core, left him so cleaned out that he was unable to invent a new roguery. When his bank failed he stammered and trembled at the idea of prosecution. His bankruptcy had just been published, and the simple mention of money flurried him and threw him into a childish embarrassment. And this was he who had played with millions. One evening at Nana's he began to cry and asked her for a loan of a hundred francs wherewith to pay his maidservant. And Nana, much affected and amused at the end of this terrible old man who had squeezed Paris for twenty years, brought it to him and said:

"I say, I'm giving it you because it seems so funny! But listen to me, my boy, you are too old for me to keep. You must find something else to do."

Then Nana started on La Faloise at once. He had for some time been longing for the honor of being ruined by her in order to put the finishing stroke on his smartness. He needed a woman to launch him properly; it was the one thing still lacking. In two months all Paris would be talking of him, and he would see his name in the papers. Six weeks were enough. His inheritance was in landed estate, houses, fields, woods and farms. He had to sell all, one after the other, as quickly as he could. At every mouthful Nana swallowed an acre. The foliage trembling in the sunshine, the wide fields of ripe grain, the vineyards so golden in September, the tall grass in which the cows stood knee-deep, all passed through her hands as if engulfed by an abyss. Even fishing rights, a stone quarry and three mills disappeared. Nana passed over them like an invading army or one of those swarms of locusts whose flight scours a whole province. The ground was burned up where her little foot had rested. Farm by farm, field by field, she ate up the man's patrimony very prettily and quite inattentively, just as she would have eaten a box of sweet-meats flung into her lap between mealtimes. There was no harm in it all; they were only sweets! But at last one evening there only remained a single little wood. She swallowed it up disdainfully, as it was hardly worth the trouble opening one's mouth for. La Faloise laughed idiotically and sucked the top of his stick. His debts were crushing him; he was not worth a hundred francs a year, and he saw that he would be compelled to go back into the country and live with his maniacal uncle. But that did not matter; he had achieved smartness; the Figaro had printed his name twice. And with his meager neck sticking up between the turndown points of his collar and his figure squeezed into all too short a coat, he would swagger about, uttering his parrotlike exclamations and affecting a solemn listlessness suggestive of an emotionless marionette. He so annoyed Nana that she ended by beating him.

Meanwhile Fauchery had returned, his cousin having brought him. Poor Fauchery had now set up housekeeping. After having thrown over the countess he had fallen into Rose's hands, and she treated him as a lawful wife would have done. Mignon was simply Madame's major-domo. Installed as master of the house, the journalist lied to Rose and took all sorts of precautions when he deceived her. He was as scrupulous as a good husband, for he really wanted to settle down at last. Nana's triumph consisted in possessing and in ruining a newspaper that he had started with a friend's capital. She did not proclaim her triumph; on the contrary, she delighted in treating him as a man who had to be circumspect, and when she spoke of Rose it was as "poor Rose." The newspaper kept her in flowers for two months. She took all the provincial subscriptions; in fact, she took everything, from the column of news and gossip down to the dramatic notes. Then the editorial staff having been turned topsy-turvy and the management completely disorganized, she satisfied a fanciful caprice and had a winter garden constructed in a corner of her house: that carried off all the type. But then it was no joke after all! When in his delight at the whole business Mignon came to see if he could not saddle Fauchery on her altogether, she asked him if he took her for a fool. A penniless fellow living by his articles and his plays—not if she knew it! That sort of foolishness might be all very well for a clever woman like her poor, dear Rose! She grew distrustful: she feared some treachery on Mignon's part, for he was quite capable of preaching to his wife, and so she gave Fauchery his CONGE as he now only paid her in fame.

But she always recollected him kindly. They had both enjoyed themselves so much at the expense of that fool of a La Faloise! They would never have thought of seeing each other again if the delight of fooling such a perfect idiot had not egged them on! It seemed an awfully good joke to kiss each other under his very nose. They cut a regular dash with his coin; they would send him off full speed to the other end of Paris in order to be alone and then when he came back, they would crack jokes and make allusions he could not understand. One day, urged by the journalist, she bet that she would smack his face, and that she did the very same evening and went on to harder blows, for she thought it a good joke and was glad of the opportunity of showing how cowardly men were. She called him her "slapjack" and would tell him to come and have his smack! The smacks made her hands red, for as yet she was not up to the trick. La Faloise laughed in his idiotic, languid way, though his eyes were full of tears. He was delighted at such familiarity; he thought it simply stunning.

One night when he had received sundry cuffs and was greatly excited:

"Now, d'you know," he said, "you ought to marry me. We should be as jolly as grigs together, eh?"

This was no empty suggestion. Seized with a desire to astonish Paris, he had been slyly projecting this marriage. "Nana's husband! Wouldn't that sound smart, eh?" Rather a stunning apotheosis that! But Nana gave him a fine snubbing.

"Me marry you! Lovely! If such an idea had been tormenting me I should have found a husband a long time ago! And he'd have been a man worth twenty of you, my pippin! I've had a heap of proposals. Why, look here, just reckon 'em up with me: Philippe, Georges, Foucarmont, Steiner—that makes four, without counting the others you don't know. It's a chorus they all sing. I can't be nice, but they forthwith begin yelling, 'Will you marry me? Will you marry me?'"

She lashed herself up and then burst out in fine indignation:

"Oh dear, no! I don't want to! D'you think I'm built that way? Just look at me a bit! Why, I shouldn't be Nana any longer if I fastened a man on behind! And, besides, it's too foul!"

And she spat and hiccuped with disgust, as though she had seen all the dirt in the world spread out beneath her.

One evening La Faloise vanished, and a week later it became known that he was in the country with an uncle whose mania was botany. He was pasting his specimens for him and stood a chance of marrying a very plain, pious cousin. Nana shed no tears for him. She simply said to the count:

"Eh, little rough, another rival less! You're chortling today. But he was becoming serious! He wanted to marry me."

He waxed pale, and she flung her arms round his neck and hung there, laughing, while she emphasized every little cruel speech with a caress.

"You can't marry Nana! Isn't that what's fetching you, eh? When they're all bothering me with their marriages you're raging in your corner. It isn't possible; you must wait till your wife kicks the bucket. Oh, if she were only to do that, how you'd come rushing round! How you'd fling yourself on the ground and make your offer with all the grand accompaniments—sighs and tears and vows! Wouldn't it be nice, darling, eh?"

Her voice had become soft, and she was chaffing him in a ferociously wheedling manner. He was deeply moved and began blushing as he paid her back her kisses. Then she cried:

"By God, to think I should have guessed! He's thought about it; he's waiting for his wife to go off the hooks! Well, well, that's the finishing touch! Why, he's even a bigger rascal than the others!"

Muffat had resigned himself to "the others." Nowadays he was trusting to the last relics of his personal dignity in order to remain "Monsieur" among the servants and intimates of the house, the man, in fact, who because he gave most was the official lover. And his passion grew fiercer. He kept his position because he paid for it, buying even smiles at a high price. He was even robbed and he never got his money's worth, but a disease seemed to be gnawing his vitals from which he could not prevent himself suffering. Whenever he entered Nana's bedroom he was simply content to open the windows for a second or two in order to get rid of the odors the others left behind them, the essential smells of fair-haired men and dark, the smoke of cigars, of which the pungency choked him. This bedroom was becoming a veritable thoroughfare, so continually were boots wiped on its threshold. Yet never a man among them was stopped by the bloodstain barring the door. Zoe was still preoccupied by this stain; it was a simple mania with her, for she was a clean girl, and it horrified her to see it always there. Despite everything her eyes would wander in its direction, and she now never entered Madame's room without remarking:

"It's strange that don't go. All the same, plenty of folk come in this way."

Nana kept receiving the best news from Georges, who was by that time already convalescent in his mother's keeping at Les Fondettes, and she used always to make the same reply.

"Oh, hang it, time's all that's wanted. It's apt to grow paler as feet cross it."

As a matter of fact, each of the gentlemen, whether Foucarmont, Steiner, La Faloise or Fauchery, had borne away some of it on their bootsoles. And Muffat, whom the bloodstain preoccupied as much as it did Zoe, kept studying it in his own despite, as though in its gradual rosy disappearance he would read the number of men that passed. He secretly dreaded it and always stepped over it out of a vivid fear of crushing some live thing, some naked limb lying on the floor.

But in the bedroom within he would grow dizzy and intoxicated and would forget everything—the mob of men which constantly crossed it, the sign of mourning which barred its door. Outside, in the open air of the street, he would weep occasionally out of sheer shame and disgust and would vow never to enter the room again. And the moment the portiere had closed behind him he was under the old influence once more and felt his whole being melting in the damp warm air of the place, felt his flesh penetrated by a perfume, felt himself overborne by a voluptuous yearning for self-annihilation. Pious and habituated to ecstatic experiences in sumptuous chapels, he there re-encountered precisely the same mystical sensations as when he knelt under some painted window and gave way to the intoxication of organ music and incense. Woman swayed him as jealously and despotically as the God of wrath, terrifying him, granting him moments of delight, which were like spasms in their keenness, in return for hours filled with frightful, tormenting visions of hell and eternal tortures. In Nana's presence, as in church, the same stammering accents were his, the same prayers and the same fits of despair—nay, the same paroxysms of humility peculiar to an accursed creature who is crushed down in the mire from whence he has sprung. His fleshly desires, his spiritual needs, were confounded together and seemed to spring from the obscure depths of his being and to bear but one blossom on the tree of his existence. He abandoned himself to the power of love and of faith, those twin levers which move the world. And despite all the struggles of his reason this bedroom of Nana's always filled him with madness, and he would sink shuddering under the almighty dominion of sex, just as he would swoon before the vast unknown of heaven.

Then when she felt how humble he was Nana grew tyrannously triumphant. The rage for debasing things was inborn in her. It did not suffice her to destroy them; she must soil them too. Her delicate hands left abominable traces and themselves decomposed whatever they had broken. And he in his imbecile condition lent himself to this sort of sport, for he was possessed by vaguely remembered stories of saints who were devoured by vermin and in turn devoured their own excrements. When once she had him fast in her room and the doors were shut, she treated herself to a man's infamy. At first they joked together, and she would deal him light blows and impose quaint tasks on him, making him lisp like a child and repeat tags of sentences.

"Say as I do: 'tonfound it! Ickle man damn vell don't tare about it!"

He would prove so docile as to reproduce her very accent.

"'Tonfound it! Ickle man damn vell don't tare about it!"

Or again she would play bear, walking on all fours on her rugs when she had only her chemise on and turning round with a growl as though she wanted to eat him. She would even nibble his calves for the fun of the thing. Then, getting up again:

"It's your turn now; try it a bit. I bet you don't play bear like me."

It was still charming enough. As bear she amused him with her white skin and her fell of ruddy hair. He used to laugh and go down on all fours, too, and growl and bite her calves, while she ran from him with an affectation of terror.

"Are we beasts, eh?" she would end by saying. "You've no notion how ugly you are, my pet! Just think if they were to see you like that at the Tuileries!"

But ere long these little games were spoiled. It was not cruelty in her case, for she was still a good-natured girl; it was as though a passing wind of madness were blowing ever more strongly in the shut-up bedroom. A storm of lust disordered their brains, plunged them into the delirious imaginations of the flesh. The old pious terrors of their sleepless nights were now transforming themselves into a thirst for bestiality, a furious longing to walk on all fours, to growl and to bite. One day when he was playing bear she pushed him so roughly that he fell against a piece of furniture, and when she saw the lump on his forehead she burst into involuntary laughter. After that her experiments on La Faloise having whetted her appetite, she treated him like an animal, threshing him and chasing him to an accompaniment of kicks.

"Gee up! Gee up! You're a horse. Hoi! Gee up! Won't you hurry up, you dirty screw?"

At other times he was a dog. She would throw her scented handkerchief to the far end of the room, and he had to run and pick it up with his teeth, dragging himself along on hands and knees.

"Fetch it, Caesar! Look here, I'll give you what for if you don't look sharp! Well done, Caesar! Good dog! Nice old fellow! Now behave pretty!"

And he loved his abasement and delighted in being a brute beast. He longed to sink still further and would cry:

"Hit harder. On, on! I'm wild! Hit away!"

She was seized with a whim and insisted on his coming to her one night clad in his magnificent chamberlain's costume. Then how she did laugh and make fun of him when she had him there in all his glory, with the sword and the cocked hat and the white breeches and the full-bottomed coat of red cloth laced with gold and the symbolic key hanging on its left-hand skirt. This key made her especially merry and urged her to a wildly fanciful and extremely filthy discussion of it. Laughing without cease and carried away by her irreverence for pomp and by the joy of debasing him in the official dignity of his costume, she shook him, pinched him, shouted, "Oh, get along with ye, Chamberlain!" and ended by an accompaniment of swinging kicks behind. Oh, those kicks! How heartily she rained them on the Tuileries and the majesty of the imperial court, throning on high above an abject and trembling people. That's what she thought of society! That was her revenge! It was an affair of unconscious hereditary spite; it had come to her in her blood. Then when once the chamberlain was undressed and his coat lay spread on the ground she shrieked, "Jump!" And he jumped. She shrieked, "Spit!" And he spat. With a shriek she bade him walk on the gold, on the eagles, on the decorations, and he walked on them. Hi tiddly hi ti! Nothing was left; everything was going to pieces. She smashed a chamberlain just as she smashed a flask or a comfit box, and she made filth of him, reduced him to a heap of mud at a street corner.

Meanwhile the goldsmiths had failed to keep their promise, and the bed was not delivered till one day about the middle of January. Muffat was just then in Normandy, whither he had gone to sell a last stray shred of property, but Nana demanded four thousand francs forthwith. He was not due in Paris till the day after tomorrow, but when his business was once finished he hastened his return and without even paying a flying visit in the Rue Miromesnil came direct to the Avenue de Villiers. Ten o'clock was striking. As he had a key of a little door opening on the Rue Cardinet, he went up unhindered. In the drawing room upstairs Zoe, who was polishing the bronzes, stood dumfounded at sight of him, and not knowing how to stop him, she began with much circumlocution, informing him that M. Venot, looking utterly beside himself, had been searching for him since yesterday and that he had already come twice to beg her to send Monsieur to his house if Monsieur arrived at Madame's before going home. Muffat listened to her without in the least understanding the meaning of her recital; then he noticed her agitation and was seized by a sudden fit of jealousy of which he no longer believed himself capable. He threw himself against the bedroom door, for he heard the sound of laughter within. The door gave; its two flaps flew asunder, while Zoe withdrew, shrugging her shoulders. So much the worse for Madame! As Madame was bidding good-by to her wits, she might arrange matters for herself.

And on the threshold Muffat uttered a cry at the sight that was presented to his view.

"My God! My God!"

The renovated bedroom was resplendent in all its royal luxury. Silver buttons gleamed like bright stars on the tea-rose velvet of the hangings. These last were of that pink flesh tint which the skies assume on fine evenings, when Venus lights her fires on the horizon against the clear background of fading daylight. The golden cords and tassels hanging in corners and the gold lace-work surrounding the panels were like little flames of ruddy strands of loosened hair, and they half covered the wide nakedness of the room while they emphasized its pale, voluptuous tone. Then over against him there was the gold and silver bed, which shone in all the fresh splendor of its chiseled workmanship, a throne this of sufficient extent for Nana to display the outstretched glory of her naked limbs, an altar of Byzantine sumptuousness, worthy of the almighty puissance of Nana's sex, which at this very hour lay nudely displayed there in the religious immodesty befitting an idol of all men's worship. And close by, beneath the snowy reflections of her bosom and amid the triumph of the goddess, lay wallowing a shameful, decrepit thing, a comic and lamentable ruin, the Marquis de Chouard in his nightshirt.

The count had clasped his hands together and, shaken by a paroxysmal shuddering, he kept crying:

"My God! My God!"

It was for the Marquis de Chouard, then, that the golden roses flourished on the side panels, those bunches of golden roses blooming among the golden leaves; it was for him that the Cupids leaned forth with amorous, roguish laughter from their tumbling ring on the silver trelliswork. And it was for him that the faun at his feet discovered the nymph sleeping, tired with dalliance, the figure of Night copied down to the exaggerated thighs—which caused her to be recognizable of all—from Nana's renowned nudity. Cast there like the rag of something human which has been spoiled and dissolved by sixty years of debauchery, he suggested the charnelhouse amid the glory of the woman's dazzling contours. Seeing the door open, he had risen up, smitten with sudden terror as became an infirm old man. This last night of passion had rendered him imbecile; he was entering on his second childhood; and, his speech failing him, he remained in an attitude of flight, half-paralyzed, stammering, shivering, his nightshirt half up his skeleton shape, and one leg outside the clothes, a livid leg, covered with gray hair. Despite her vexation Nana could not keep from laughing.

"Do lie down! Stuff yourself into the bed," she said, pulling him back and burying him under the coverlet, as though he were some filthy thing she could not show anyone.

Then she sprang up to shut the door again. She was decidedly never lucky with her little rough. He was always coming when least wanted. And why had he gone to fetch money in Normandy? The old man had brought her the four thousand francs, and she had let him have his will of her. She pushed back the two flaps of the door and shouted:

"So much the worse for you! It's your fault. Is that the way to come into a room? I've had enough of this sort of thing. Ta ta!"

Muffat remained standing before the closed door, thunderstruck by what he had just seen. His shuddering fit increased. It mounted from his feet to his heart and brain. Then like a tree shaken by a mighty wind, he swayed to and fro and dropped on his knees, all his muscles giving way under him. And with hands despairingly outstretched he stammered:

"This is more than I can bear, my God! More than I can bear!"

He had accepted every situation but he could do so no longer. He had come to the end of his strength and was plunged in the dark void where man and his reason are together overthrown. In an extravagant access of faith he raised his hands ever higher and higher, searching for heaven, calling on God.

"Oh no, I do not desire it! Oh, come to me, my God! Succor me; nay, let me die sooner! Oh no, not that man, my God! It is over; take me, carry me away, that I may not see, that I may not feel any longer! Oh, I belong to you, my God! Our Father which art in heaven—"

And burning with faith, he continued his supplication, and an ardent prayer escaped from his lips. But someone touched him on the shoulder. He lifted his eyes; it was M. Venot. He was surprised to find him praying before that closed door. Then as though God Himself had responded to his appeal, the count flung his arms round the little old gentleman's neck. At last he could weep, and he burst out sobbing and repeated:

"My brother, my brother."

All his suffering humanity found comfort in that cry. He drenched M. Venot's face with tears; he kissed him, uttering fragmentary ejaculations.

"Oh, my brother, how I am suffering! You only are left me, my brother. Take me away forever—oh, for mercy's sake, take me away!"

Then M. Venot pressed him to his bosom and called him "brother" also. But he had a fresh blow in store for him. Since yesterday he had been searching for him in order to inform him that the Countess Sabine, in a supreme fit of moral aberration, had but now taken flight with the manager of one of the departments in a large, fancy emporium. It was a fearful scandal, and all Paris was already talking about it. Seeing him under the influence of such religious exaltation, Venot felt the opportunity to be favorable and at once told him of the meanly tragic shipwreck of his house. The count was not touched thereby. His wife had gone? That meant nothing to him; they would see what would happen later on. And again he was seized with anguish, and gazing with a look of terror at the door, the walls, the ceiling, he continued pouring forth his single supplication:

"Take me away! I cannot bear it any longer! Take me away!"

M. Venot took him away as though he had been a child. From that day forth Muffat belonged to him entirely; he again became strictly attentive to the duties of religion; his life was utterly blasted. He had resigned his position as chamberlain out of respect for the outraged modesty of the Tuileries, and soon Estelle, his daughter, brought an action against him for the recovery of a sum of sixty thousand francs, a legacy left her by an aunt to which she ought to have succeeded at the time of her marriage. Ruined and living narrowly on the remains of his great fortune, he let himself be gradually devoured by the countess, who ate up the husks Nana had rejected. Sabine was indeed ruined by the example of promiscuity set her by her husband's intercourse with the wanton. She was prone to every excess and proved the ultimate ruin and destruction of his very hearth. After sundry adventures she had returned home, and he had taken her back in a spirit of Christian resignation and forgiveness. She haunted him as his living disgrace, but he grew more and more indifferent and at last ceased suffering from these distresses. Heaven took him out of his wife's hands in order to restore him to the arms of God, and so the voluptuous pleasures he had enjoyed with Nana were prolonged in religious ecstasies, accompanied by the old stammering utterances, the old prayers and despairs, the old fits of humility which befit an accursed creature who is crushed beneath the mire whence he sprang. In the recesses of churches, his knees chilled by the pavement, he would once more experience the delights of the past, and his muscles would twitch, and his brain would whirl deliciously, and the satisfaction of the obscure necessities of his existence would be the same as of old.

On the evening of the final rupture Mignon presented himself at the house in the Avenue de Villiers. He was growing accustomed to Fauchery and was beginning at last to find the presence of his wife's husband infinitely advantageous to him. He would leave all the little household cares to the journalist and would trust him in the active superintendence of all their affairs. Nay, he devoted the money gained by his dramatic successes to the daily expenditure of the family, and as, on his part, Fauchery behaved sensibly, avoiding ridiculous jealousy and proving not less pliant than Mignon himself whenever Rose found her opportunity, the mutual understanding between the two men constantly improved. In fact, they were happy in a partnership which was so fertile in all kinds of amenities, and they settled down side by side and adopted a family arrangement which no longer proved a stumbling block. The whole thing was conducted according to rule; it suited admirably, and each man vied with the other in his efforts for the common happiness. That very evening Mignon had come by Fauchery's advice to see if he could not steal Nana's lady's maid from her, the journalist having formed a high opinion of the woman's extraordinary intelligence. Rose was in despair; for a month past she had been falling into the hands of inexperienced girls who were causing her continual embarrassment. When Zoe received him at the door he forthwith pushed her into the dining room. But at his opening sentence she smiled. The thing was impossible, she said, for she was leaving Madame and establishing herself on her own account. And she added with an expression of discreet vanity that she was daily receiving offers, that the ladies were fighting for her and that Mme Blanche would give a pile of gold to have her back.

Zoe was taking the Tricon's establishment. It was an old project and had been long brooded over. It was her ambition to make her fortune thereby, and she was investing all her savings in it. She was full of great ideas and meditated increasing the business and hiring a house and combining all the delights within its walls. It was with this in view that she had tried to entice Satin, a little pig at that moment dying in hospital, so terribly had she done for herself.

Mignon still insisted with his offer and spoke of the risks run in the commercial life, but Zoe, without entering into explanations about the exact nature of her establishment, smiled a pinched smile, as though she had just put a sweetmeat in her mouth, and was content to remark:

"Oh, luxuries always pay. You see, I've been with others quite long enough, and now I want others to be with me."

And a fierce look set her lip curling. At last she would be "Madame," and for the sake of earning a few louis all those women whose slops she had emptied during the last fifteen years would prostrate themselves before her.

Mignon wished to be announced, and Zoe left him for a moment after remarking that Madame had passed a miserable day. He had only been at the house once before, and he did not know it at all. The dining room with its Gobelin tapestry, its sideboard and its plate filled him with astonishment. He opened the doors familiarly and visited the drawing room and the winter garden, returning thence into the hall. This overwhelming luxury, this gilded furniture, these silks and velvets, gradually filled him with such a feeling of admiration that it set his heart beating. When Zoe came down to fetch him she offered to show him the other rooms, the dressing room, that is to say, and the bedroom. In the latter Mignon's feelings overcame him; he was carried away by them; they filled him with tender enthusiasm.

That damned Nana was simply stupefying him, and yet he thought he knew a thing or two. Amid the downfall of the house and the servants' wild, wasteful race to destruction, massed-up riches still filled every gaping hole and overtopped every ruined wall. And Mignon, as he viewed this lordly monument of wealth, began recalling to mind the various great works he had seen. Near Marseilles they had shown him an aqueduct, the stone arches of which bestrode an abyss, a Cyclopean work which cost millions of money and ten years of intense labor. At Cherbourg he had seen the new harbor with its enormous works, where hundreds of men sweated in the sun while cranes filled the sea with huge squares of rock and built up a wall where a workman now and again remained crushed into bloody pulp. But all that now struck him as insignificant. Nana excited him far more. Viewing the fruit of her labors, he once more experienced the feelings of respect that had overcome him one festal evening in a sugar refiner's chateau. This chateau had been erected for the refiner, and its palatial proportions and royal splendor had been paid for by a single material—sugar. It was with something quite different, with a little laughable folly, a little delicate nudity—it was with this shameful trifle, which is so powerful as to move the universe, that she alone, without workmen, without the inventions of engineers, had shaken Paris to its foundations and had built up a fortune on the bodies of dead men.

"Oh, by God, what an implement!"

Mignon let the words escape him in his ecstasy, for he felt a return of personal gratitude.

Nana had gradually lapsed into a most mournful condition. To begin with, the meeting of the marquis and the count had given her a severe fit of feverish nervousness, which verged at times on laughter. Then the thought of this old man going away half dead in a cab and of her poor rough, whom she would never set eyes on again now that she had driven him so wild, brought on what looked like the beginnings of melancholia. After that she grew vexed to hear about Satin's illness. The girl had disappeared about a fortnight ago and was now ready to die at Lariboisiere, to such a damnable state had Mme Robert reduced her. When she ordered the horses to be put to in order that she might have a last sight of this vile little wretch Zoe had just quietly given her a week's notice. The announcement drove her to desperation at once! It seemed to her she was losing a member of her own family. Great heavens! What was to become of her when left alone? And she besought Zoe to stay, and the latter, much flattered by Madame's despair, ended by kissing her to show that she was not going away in anger. No, she had positively to go: the heart could have no voice in matters of business.

But that day was one of annoyances. Nana was thoroughly disgusted and gave up the idea of going out. She was dragging herself wearily about the little drawing room when Labordette came up to tell her of a splendid chance of buying magnificent lace and in the course of his remarks casually let slip the information that Georges was dead. The announcement froze her.

"Zizi dead!" she cried.

And involuntarily her eyes sought the pink stain on the carpet, but it had vanished at last; passing footsteps had worn it away. Meanwhile Labordette entered into particulars. It was not exactly known how he died. Some spoke of a wound reopening, others of suicide. The lad had plunged, they said, into a tank at Les Fondettes. Nana kept repeating:

"Dead! Dead!"

She had been choking with grief since morning, and now she burst out sobbing and thus sought relief. Hers was an infinite sorrow: it overwhelmed her with its depth and immensity. Labordette wanted to comfort her as touching Georges, but she silenced him with a gesture and blurted out:

"It isn't only he; it's everything, everything. I'm very wretched. Oh yes, I know! They'll again be saying I'm a hussy. To think of the mother mourning down there and of the poor man who was groaning in front of my door this morning and of all the other people that are now ruined after running through all they had with me! That's it; punish Nana; punish the beastly thing! Oh, I've got a broad back! I can hear them as if I were actually there! 'That dirty wench who lies with everybody and cleans out some and drives others to death and causes a whole heap of people pain!'"

She was obliged to pause, for tears choked her utterance, and in her anguish she flung herself athwart a divan and buried her face in a cushion. The miseries she felt to be around her, miseries of which she was the cause, overwhelmed her with a warm, continuous stream of self-pitying tears, and her voice failed as she uttered a little girl's broken plaint:

"Oh, I'm wretched! Oh, I'm wretched! I can't go on like this: it's choking me. It's too hard to be misunderstood and to see them all siding against you because they're stronger. However, when you've got nothing to reproach yourself with and your conscious is clear, why, then I say, 'I won't have it! I won't have it!'"

In her anger she began rebeling against circumstances, and getting up, she dried her eyes, and walked about in much agitation.

"I won't have it! They can say what they like, but it's not my fault! Am I a bad lot, eh? I give away all I've got; I wouldn't crush a fly! It's they who are bad! Yes, it's they! I never wanted to be horrid to them. And they came dangling after me, and today they're kicking the bucket and begging and going to ruin on purpose."

Then she paused in front of Labordette and tapped his shoulders.

"Look here," she said, "you were there all along; now speak the truth: did I urge them on? Weren't there always a dozen of 'em squabbling who could invent the dirtiest trick? They used to disgust me, they did! I did all I knew not to copy them: I was afraid to. Look here, I'll give you a single instance: they all wanted to marry me! A pretty notion, eh? Yes, dear boy, I could have been countess or baroness a dozen times over and more, if I'd consented. Well now, I refused because I was reasonable. Oh yes, I saved 'em some crimes and other foul acts! They'd have stolen, murdered, killed father and mother. I had only to say one word, and I didn't say it. You see what I've got for it today. There's Daguenet, for instance; I married that chap off! I made a position for the beggarly fellow after keeping him gratis for weeks! And I met him yesterday, and he looks the other way! Oh, get along, you swine! I'm less dirty than you!"

She had begun pacing about again, and now she brought her fist violently down on a round table.

"By God it isn't fair! Society's all wrong. They come down on the women when it's the men who want you to do things. Yes, I can tell you this now: when I used to go with them—see? I didn't enjoy it; no, I didn't enjoy it one bit. It bored me, on my honor. Well then, I ask you whether I've got anything to do with it! Yes, they bored me to death! If it hadn't been for them and what they made of me, dear boy, I should be in a convent saying my prayers to the good God, for I've always had my share of religion. Dash it, after all, if they have dropped their money and their lives over it, what do I care? It's their fault. I've had nothing to do with it!"

"Certainly not," said Labordette with conviction.

Zoe ushered in Mignon, and Nana received him smilingly. She had cried a good deal, but it was all over now. Still glowing with enthusiasm, he complimented her on her installation, but she let him see that she had had enough of her mansion and that now she had other projects and would sell everything up one of these days. Then as he excused himself for calling on the ground that he had come about a benefit performance in aid of old Bose, who was tied to his armchair by paralysis, she expressed extreme pity and took two boxes. Meanwhile Zoe announced that the carriage was waiting for Madame, and she asked for her hat and as she tied the strings told them about poor, dear Satin's mishap, adding:

"I'm going to the hospital. Nobody ever loved me as she did. Oh, they're quite right when they accuse the men of heartlessness! Who knows? Perhaps I shan't see her alive. Never mind, I shall ask to see her: I want to give her a kiss."

Labordette and Mignon smiled, and as Nana was no longer melancholy she smiled too. Those two fellows didn't count; they could enter into her feelings. And they both stood and admired her in silent abstraction while she finished buttoning her gloves. She alone kept her feet amid the heaped-up riches of her mansion, while a whole generation of men lay stricken down before her. Like those antique monsters whose redoubtable domains were covered with skeletons, she rested her feet on human skulls. She was ringed round with catastrophes. There was the furious immolation of Vandeuvres; the melancholy state of Foucarmont, who was lost in the China seas; the smashup of Steiner, who now had to live like an honest man; the satisfied idiocy of La Faloise, and the tragic shipwreck of the Muffats. Finally there was the white corpse of Georges, over which Philippe was now watching, for he had come out of prison but yesterday. She had finished her labor of ruin and death. The fly that had flown up from the ordure of the slums, bringing with it the leaven of social rottenness, had poisoned all these men by merely alighting on them. It was well done—it was just. She had avenged the beggars and the wastrels from whose caste she issued. And while, metaphorically speaking, her sex rose in a halo of glory and beamed over prostrate victims like a mounting sun shining brightly over a field of carnage, the actual woman remained as unconscious as a splendid animal, and in her ignorance of her mission was the good-natured courtesan to the last. She was still big; she was still plump; her health was excellent, her spirits capital. But this went for nothing now, for her house struck her as ridiculous. It was too small; it was full of furniture which got in her way. It was a wretched business, and the long and the short of the matter was she would have to make a fresh start. In fact, she was meditating something much better, and so she went off to kiss Satin for the last time. She was in all her finery and looked clean and solid and as brand new as if she had never seen service before.



CHAPTER XIV

Nana suddenly disappeared. It was a fresh plunge, an escapade, a flight into barbarous regions. Before her departure she had treated herself to a new sensation: she had held a sale and had made a clean sweep of everything—house, furniture, jewelry, nay, even dresses and linen. Prices were cited—the five days' sale produced more than six hundred thousand francs. For the last time Paris had seen her in a fairy piece. It was called Melusine, and it played at the Theatre de la Gaite, which the penniless Bordenave had taken out of sheer audacity. Here she again found herself in company with Prulliere and Fontan. Her part was simply spectacular, but it was the great attraction of the piece, consisting, as it did, of three POSES PLASTIQUES, each of which represented the same dumb and puissant fairy. Then one fine morning amid his grand success, when Bordenave, who was mad after advertisement, kept firing the Parisian imagination with colossal posters, it became known that she must have started for Cairo the previous day. She had simply had a few words with her manager. Something had been said which did not please her; the whole thing was the caprice of a woman who is too rich to let herself be annoyed. Besides, she had indulged an old infatuation, for she had long meditated visiting the Turks.

Months passed—she began to be forgotten. When her name was mentioned among the ladies and gentlemen, the strangest stories were told, and everybody gave the most contradictory and at the same time prodigious information. She had made a conquest of the viceroy; she was reigning, in the recesses of a palace, over two hundred slaves whose heads she now and then cut off for the sake of a little amusement. No, not at all! She had ruined herself with a great big nigger! A filthy passion this, which had left her wallowing without a chemise to her back in the crapulous debauchery of Cairo. A fortnight later much astonishment was produced when someone swore to having met her in Russia. A legend began to be formed: she was the mistress of a prince, and her diamonds were mentioned. All the women were soon acquainted with them from the current descriptions, but nobody could cite the precise source of all this information. There were finger rings, earrings, bracelets, a REVIERE of phenomenal width, a queenly diadem surmounted by a central brilliant the size of one's thumb. In the retirement of those faraway countries she began to gleam forth as mysteriously as a gem-laden idol. People now mentioned her without laughing, for they were full of meditative respect for this fortune acquired among the barbarians.

One evening in July toward eight o'clock, Lucy, while getting out of her carriage in the Rue du Faubourg Saint-Honore, noticed Caroline Hequet, who had come out on foot to order something at a neighboring tradesman's. Lucy called her and at once burst out with:

"Have you dined? Are you disengaged? Oh, then come with me, my dear. Nana's back."

The other got in at once, and Lucy continued:

"And you know, my dear, she may be dead while we're gossiping."

"Dead! What an idea!" cried Caroline in stupefaction. "And where is she? And what's it of?"

"At the Grand Hotel, of smallpox. Oh, it's a long story!"

Lucy had bidden her coachman drive fast, and while the horses trotted rapidly along the Rue Royale and the boulevards, she told what had happened to Nana in jerky, breathless sentences.

"You can't imagine it. Nana plumps down out of Russia. I don't know why—some dispute with her prince. She leaves her traps at the station; she lands at her aunt's—you remember the old thing. Well, and then she finds her baby dying of smallpox. The baby dies next day, and she has a row with the aunt about some money she ought to have sent, of which the other one has never seen a sou. Seems the child died of that: in fact, it was neglected and badly cared for. Very well; Nana slopes, goes to a hotel, then meets Mignon just as she was thinking of her traps. She has all sorts of queer feelings, shivers, wants to be sick, and Mignon takes her back to her place and promises to look after her affairs. Isn't it odd, eh? Doesn't it all happen pat? But this is the best part of the story: Rose finds out about Nana's illness and gets indignant at the idea of her being alone in furnished apartments. So she rushes off, crying, to look after her. You remember how they used to detest one another—like regular furies! Well then, my dear, Rose has had Nana transported to the Grand Hotel, so that she should, at any rate, die in a smart place, and now she's already passed three nights there and is free to die of it after. It's Labordette who told me all about it. Accordingly I wanted to see for myself—"

"Yes, yes," interrupted Caroline in great excitement "We'll go up to her."

They had arrived at their destination. On the boulevard the coachman had had to rein in his horses amid a block of carriages and people on foot. During the day the Corps Legislatif had voted for war, and now a crowd was streaming down all the streets, flowing along all the pavements, invading the middle of the roadway. Beyond the Madeleine the sun had set behind a blood-red cloud, which cast a reflection as of a great fire and set the lofty windows flaming. Twilight was falling, and the hour was oppressively melancholy, for now the avenues were darkening away into the distance but were not as yet dotted over by the bright sparks of the gas lamps. And among the marching crowds distant voices swelled and grew ever louder, and eyes gleamed from pale faces, while a great spreading wind of anguish and stupor set every head whirling.

"Here's Mignon," said Lucy. "He'll give us news."

Mignon was standing under the vast porch of the Grand Hotel. He looked nervous and was gazing at the crowd. After Lucy's first few questions he grew impatient and cried out:

"How should I know? These last two days I haven't been able to tear Rose away from up there. It's getting stupid, when all's said, for her to be risking her life like that! She'll be charming if she gets over it, with holes in her face! It'll suit us to a tee!"

The idea that Rose might lose her beauty was exasperating him. He was giving up Nana in the most downright fashion, and he could not in the least understand these stupid feminine devotions. But Fauchery was crossing the boulevard, and he, too, came up anxiously and asked for news. The two men egged each other on. They addressed one another familiarly in these days.

"Always the same business, my sonny," declared Mignon. "You ought to go upstairs; you would force her to follow you."

"Come now, you're kind, you are!" said the journalist. "Why don't you go upstairs yourself?"

Then as Lucy began asking for Nana's number, they besought her to make Rose come down; otherwise they would end by getting angry.

Nevertheless, Lucy and Caroline did not go up at once. They had caught sight of Fontan strolling about with his hands in his pockets and greatly amused by the quaint expressions of the mob. When he became aware that Nana was lying ill upstairs he affected sentiment and remarked:

"The poor girl! I'll go and shake her by the hand. What's the matter with her, eh?"

"Smallpox," replied Mignon.

The actor had already taken a step or two in the direction of the court, but he came back and simply murmured with a shiver:

"Oh, damn it!"

The smallpox was no joke. Fontan had been near having it when he was five years old, while Mignon gave them an account of one of his nieces who had died of it. As to Fauchery, he could speak of it from personal experience, for he still bore marks of it in the shape of three little lumps at the base of his nose, which he showed them. And when Mignon again egged him on to the ascent, on the pretext that you never had it twice, he violently combated this theory and with infinite abuse of the doctors instanced various cases. But Lucy and Caroline interrupted them, for the growing multitude filled them with astonishment.

"Just look! Just look what a lot of people!" The night was deepening, and in the distance the gas lamps were being lit one by one. Meanwhile interested spectators became visible at windows, while under the trees the human flood grew every minute more dense, till it ran in one enormous stream from the Madeleine to the Bastille. Carriages rolled slowly along. A roaring sound went up from this compact and as yet inarticulate mass. Each member of it had come out, impelled by the desire to form a crowd, and was now trampling along, steeping himself in the pervading fever. But a great movement caused the mob to flow asunder. Among the jostling, scattering groups a band of men in workmen's caps and white blouses had come in sight, uttering a rhythmical cry which suggested the beat of hammers upon an anvil.

"To Ber-lin! To Ber-lin! To Ber-lin!" And the crowd stared in gloomy distrust yet felt themselves already possessed and inspired by heroic imaginings, as though a military band were passing.

"Oh yes, go and get your throats cut!" muttered Mignon, overcome by an access of philosophy.

But Fontan thought it very fine, indeed, and spoke of enlisting. When the enemy was on the frontier all citizens ought to rise up in defense of the fatherland! And with that he assumed an attitude suggestive of Bonaparte at Austerlitz.

"Look here, are you coming up with us?" Lucy asked him.

"Oh dear, no! To catch something horrid?" he said.

On a bench in front of the Grand Hotel a man sat hiding his face in a handkerchief. On arriving Fauchery had indicated him to Mignon with a wink of the eye. Well, he was still there; yes, he was always there. And the journalist detained the two women also in order to point him out to them. When the man lifted his head they recognized him; an exclamation escaped them. It was the Count Muffat, and he was giving an upward glance at one of the windows.

"You know, he's been waiting there since this morning," Mignon informed them. "I saw him at six o'clock, and he hasn't moved since. Directly Labordette spoke about it he came there with his handkerchief up to his face. Every half-hour he comes dragging himself to where we're standing to ask if the person upstairs is doing better, and then he goes back and sits down. Hang it, that room isn't healthy! It's all very well being fond of people, but one doesn't want to kick the bucket."

The count sat with uplifted eyes and did not seem conscious of what was going on around him. Doubtless he was ignorant of the declaration of war, and he neither felt nor saw the crowd.

"Look, here he comes!" said Fauchery. "Now you'll see."

The count had, in fact, quitted his bench and was entering the lofty porch. But the porter, who was getting to know his face at last, did not give him time to put his question. He said sharply:

"She's dead, monsieur, this very minute."

Nana dead! It was a blow to them all. Without a word Muffat had gone back to the bench, his face still buried in his handkerchief. The others burst into exclamations, but they were cut short, for a fresh band passed by, howling, "A BERLIN! A BERLIN! A BERLIN!" Nana dead! Hang it, and such a fine girl too! Mignon sighed and looked relieved, for at last Rose would come down. A chill fell on the company. Fontan, meditating a tragic role, had assumed a look of woe and was drawing down the corners of his mouth and rolling his eyes askance, while Fauchery chewed his cigar nervously, for despite his cheap journalistic chaff he was really touched. Nevertheless, the two women continued to give vent to their feelings of surprise. The last time Lucy had seen her was at the Gaite; Blanche, too, had seen her in Melusine. Oh, how stunning it was, my dear, when she appeared in the depths of the crystal grot! The gentlemen remembered the occasion perfectly. Fontan had played the Prince Cocorico. And their memories once stirred up, they launched into interminable particulars. How ripping she looked with that rich coloring of hers in the crystal grot! Didn't she, now? She didn't say a word: the authors had even deprived her of a line or two, because it was superfluous. No, never a word! It was grander that way, and she drove her public wild by simply showing herself. You wouldn't find another body like hers! Such shoulders as she had, and such legs and such a figure! Strange that she should be dead! You know, above her tights she had nothing on but a golden girdle which hardly concealed her behind and in front. All round her the grotto, which was entirely of glass, shone like day. Cascades of diamonds were flowing down; strings of brilliant pearls glistened among the stalactites in the vault overhead, and amid the transparent atmosphere and flowing fountain water, which was crossed by a wide ray of electric light, she gleamed like the sun with that flamelike skin and hair of hers. Paris would always picture her thus—would see her shining high up among crystal glass like the good God Himself. No, it was too stupid to let herself die under such conditions! She must be looking pretty by this time in that room up there!

"And what a lot of pleasures bloody well wasted!" said Mignon in melancholy tones, as became a man who did not like to see good and useful things lost.

He sounded Lucy and Caroline in order to find out if they were going up after all. Of course they were going up; their curiosity had increased. Just then Blanche arrived, out of breath and much exasperated at the way the crowds were blocking the pavement, and when she heard the news there was a fresh outburst of exclamations, and with a great rustling of skirts the ladies moved toward the staircase. Mignon followed them, crying out:

"Tell Rose that I'm waiting for her. She'll come at once, eh?"

"They do not exactly know whether the contagion is to be feared at the beginning or near the end," Fontan was explaining to Fauchery. "A medical I know was assuring me that the hours immediately following death are particularly dangerous. There are miasmatic exhalations then. Ah, but I do regret this sudden ending; I should have been so glad to shake hands with her for the last time.

"What good would it do you now?" said the journalist.

"Yes, what good?" the two others repeated.

The crowd was still on the increase. In the bright light thrown from shop-windows and beneath the wavering glare of the gas two living streams were distinguishable as they flowed along the pavement, innumerable hats apparently drifting on their surface. At that hour the popular fever was gaining ground rapidly, and people were flinging themselves in the wake of the bands of men in blouses. A constant forward movement seemed to sweep the roadway, and the cry kept recurring; obstinately, abruptly, there rang from thousands of throats:

"A BERLIN! A BERLIN! A BERLIN!"

The room on the fourth floor upstairs cost twelve francs a day, since Rose had wanted something decent and yet not luxurious, for sumptuousness is not necessary when one is suffering. Hung with Louis XIII cretonne, which was adorned with a pattern of large flowers, the room was furnished with the mahogany commonly found in hotels. On the floor there was a red carpet variegated with black foliage. Heavy silence reigned save for an occasional whispering sound caused by voices in the corridor.

"I assure you we're lost. The waiter told us to turn to the right. What a barrack of a house!"

"Wait a bit; we must have a look. Room number 401; room number 401!"

"Oh, it's this way: 405, 403. We ought to be there. Ah, at last, 401! This way! Hush now, hush!"

The voices were silent. Then there was a slight coughing and a moment or so of mental preparation. Then the door opened slowly, and Lucy entered, followed by Caroline and Blanche. But they stopped directly; there were already five women in the room; Gaga was lying back in the solitary armchair, which was a red velvet Voltaire. In front of the fireplace Simonne and Clarisse were now standing talking to Lea de Horn, who was seated, while by the bed, to the left of the door, Rose Mignon, perched on the edge of a chest, sat gazing fixedly at the body where it lay hidden in the shadow of the curtains. All the others had their hats and gloves on and looked as if they were paying a call: she alone sat there with bare hands and untidy hair and cheeks rendered pale by three nights of watching. She felt stupid in the face of this sudden death, and her eyes were swollen with weeping. A shaded lamp standing on the corner of the chest of drawers threw a bright flood of light over Gaga.

"What a sad misfortune, is it not?" whispered Lucy as she shook hands with Rose. "We wanted to bid her good-by."

And she turned round and tried to catch sight of her, but the lamp was too far off, and she did not dare bring it nearer. On the bed lay stretched a gray mass, but only the ruddy chignon was distinguishable and a pale blotch which might be the face. Lucy added:

"I never saw her since that time at the Gaite, when she was at the end of the grotto."

At this Rose awoke from her stupor and smiled as she said:

"Ah, she's changed; she's changed."

Then she once more lapsed into contemplation and neither moved nor spoke. Perhaps they would be able to look at her presently! And with that the three women joined the others in front of the fireplace. Simonne and Clarisse were discussing the dead woman's diamonds in low tones. Well, did they really exist—those diamonds? Nobody had seen them; it must be a bit of humbug. But Lea de Horn knew someone who knew all about them. Oh, they were monster stones! Besides, they weren't all; she had brought back lots of other precious property from Russia—embroidered stuffs, for instance, valuable knickknacks, a gold dinner service, nay, even furniture. "Yes, my dear, fifty-two boxes, enormous cases some of them, three truckloads of them!" They were all lying at the station. "Wasn't it hard lines, eh?—to die without even having time to unpack one's traps?" Then she had a lot of tin, besides—something like a million! Lucy asked who was going to inherit it all. Oh, distant relations—the aunt, without doubt! It would be a pretty surprise for that old body. She knew nothing about it yet, for the sick woman had obstinately refused to let them warn her, for she still owed her a grudge over her little boy's death. Thereupon they were all moved to pity about the little boy, and they remembered seeing him at the races. Oh, it was a wretchedly sickly baby; it looked so old and so sad. In fact, it was one of those poor brats who never asked to be born!

"He's happier under the ground," said Blanche.

"Bah, and so's she!" added Caroline. "Life isn't so funny!"

In that gloomy room melancholy ideas began to take possession of their imaginations. They felt frightened. It was silly to stand talking so long, but a longing to see her kept them rooted to the spot. It was very hot—the lamp glass threw a round, moonlike patch of light upon the ceiling, but the rest of the room was drowned in steamy darkness. Under the bed a deep plate full of phenol exhaled an insipid smell. And every few moments tiny gusts of wind swelled the window curtains. The window opened on the boulevard, whence rose a dull roaring sound.

"Did she suffer much?" asked Lucy, who was absorbed in contemplation of the clock, the design of which represented the three Graces as nude young women, smiling like opera dancers.

Gaga seemed to wake up.

"My word, yes! I was present when she died. I promise you it was not at all pleasant to see. Why, she was taken with a shuddering fit—"

But she was unable to proceed with her explanation, for a cry arose outside:

"A BERLIN! A BERLIN! A BERLIN!"

And Lucy, who felt suffocated, flung wide the window and leaned upon the sill. It was pleasant there; the air came fresh from the starry sky. Opposite her the windows were all aglow with light, and the gas sent dancing reflections over the gilt lettering of the shop signs.

Beneath these, again, a most amusing scene presented itself. The streams of people were discernible rolling torrentwise along the sidewalks and in the roadway, where there was a confused procession of carriages. Everywhere there were vast moving shadows in which lanterns and lampposts gleamed like sparks. But the band which now came roaring by carried torches, and a red glow streamed down from the direction of the Madeleine, crossed the mob like a trail of fire and spread out over the heads in the distance like a vivid reflection of a burning house. Lucy called Blanche and Caroline, forgetting where she was and shouting:

"Do come! You get a capital view from this window!"

They all three leaned out, greatly interested. The trees got in their way, and occasionally the torches disappeared under the foliage. They tried to catch a glimpse of the men of their own party below, but a protruding balcony hid the door, and they could only make out Count Muffat, who looked like a dark parcel thrown down on the bench where he sat. He was still burying his face in his handkerchief. A carriage had stopped in front, and yet another woman hurried up, in whom Lucy recognized Maria Blond. She was not alone; a stout man got down after her.

"It's that thief of a Steiner," said Caroline. "How is it they haven't sent him back to Cologne yet? I want to see how he looks when he comes in."

They turned round, but when after the lapse of ten minutes Maria Blond appeared, she was alone. She had twice mistaken the staircase. And when Lucy, in some astonishment, questioned her:

"What, he?" she said. "My dear, don't you go fancying that he'll come upstairs! It's a great wonder he's escorted me as far as the door. There are nearly a dozen of them smoking cigars."

As a matter of fact, all the gentlemen were meeting downstairs. They had come strolling thither in order to have a look at the boulevards, and they hailed one another and commented loudly on that poor girl's death. Then they began discussing politics and strategy. Bordenave, Daguenet, Labordette, Prulliere and others, besides, had swollen the group, and now they were all listening to Fontan, who was explaining his plan for taking Berlin within a week.

Meanwhile Maria Blond was touched as she stood by the bedside and murmured, as the others had done before her:

"Poor pet! The last time I saw her was in the grotto at the Gaite."

"Ah, she's changed; she's changed!" Rose Mignon repeated with a smile of gloomiest dejection.

Two more women arrived. These were Tatan Nene and Louise Violaine. They had been wandering about the Grand Hotel for twenty minutes past, bandied from waiter to waiter, and had ascended and descended more than thirty flights of stairs amid a perfect stampede of travelers who were hurrying to leave Paris amid the panic caused by the war and the excitement on the boulevards. Accordingly they just dropped down on chairs when they came in, for they were too tired to think about the dead. At that moment a loud noise came from the room next door, where people were pushing trunks about and striking against furniture to an accompaniment of strident, outlandish syllables. It was a young Austrian couple, and Gaga told how during her agony the neighbors had played a game of catch as catch can and how, as only an unused door divided the two rooms, they had heard them laughing and kissing when one or the other was caught.

"Come, it's time we were off," said Clarisse. "We shan't bring her to life again. Are you coming, Simonne?"

They all looked at the bed out of the corners of their eyes, but they did not budge an inch. Nevertheless, they began getting ready and gave their skirts various little pats. Lucy was again leaning out of window. She was alone now, and a sorrowful feeling began little by little to overpower her, as though an intense wave of melancholy had mounted up from the howling mob. Torches still kept passing, shaking out clouds of sparks, and far away in the distance the various bands stretched into the shadows, surging unquietly to and fro like flocks being driven to the slaughterhouse at night. A dizzy feeling emanated from these confused masses as the human flood rolled them along—a dizzy feeling, a sense of terror and all the pity of the massacres to come. The people were going wild; their voices broke; they were drunk with a fever of excitement which sent them rushing toward the unknown "out there" beyond the dark wall of the horizon.

"A BERLIN! A BERLIN! A BERLIN!"

Lucy turned round. She leaned her back against the window, and her face was very pale.

"Good God! What's to become of us?"

The ladies shook their heads. They were serious and very anxious about the turn events were taking.

"For my part," said Caroline Hequet in her decisive way, "I start for London the day after tomorrow. Mamma's already over there getting a house ready for me. I'm certainly not going to let myself be massacred in Paris."

Her mother, as became a prudent woman, had invested all her daughters' money in foreign lands. One never knows how a war may end! But Maria Blond grew vexed at this. She was a patriot and spoke of following the army.

"There's a coward for you! Yes, if they wanted me I should put on man's clothes just to have a good shot at those pigs of Prussians! And if we all die after? What of that? Our wretched skins aren't so valuable!"

Blanche de Sivry was exasperated.

"Please don't speak ill of the Prussians! They are just like other men, and they're not always running after the women, like your Frenchmen. They've just expelled the little Prussian who was with me. He was an awfully rich fellow and so gentle: he couldn't have hurt a soul. It's disgraceful; I'm ruined by it. And, you know, you mustn't say a word or I go and find him out in Germany!"

After that, while the two were at loggerheads, Gaga began murmuring in dolorous tones:

"It's all over with me; my luck's always bad. It's only a week ago that I finished paying for my little house at Juvisy. Ah, God knows what trouble it cost me! I had to go to Lili for help! And now here's the war declared, and the Prussians'll come and they'll burn everything. How am I to begin again at my time of life, I should like to know?"

"Bah!" said Clarisse. "I don't care a damn about it. I shall always find what I want."

"Certainly you will," added Simonne. "It'll be a joke. Perhaps, after all, it'll be good biz."

And her smile hinted what she thought. Tatan Nene and Louise Violaine were of her opinion. The former told them that she had enjoyed the most roaring jolly good times with soldiers. Oh, they were good fellows and would have done any mortal thing for the girls. But as the ladies had raised their voices unduly Rose Mignon, still sitting on the chest by the bed, silenced them with a softly whispered "Hush!" They stood quite still at this and glanced obliquely toward the dead woman, as though this request for silence had emanated from the very shadows of the curtains. In the heavy, peaceful stillness which ensued, a void, deathly stillness which made them conscious of the stiff dead body lying stretched close by them, the cries of the mob burst forth:

"A BERLIN! A BERLIN! A BERLIN!"

But soon they forgot. Lea de Horn, who had a political salon where former ministers of Louis Philippe were wont to indulge in delicate epigrams, shrugged her shoulders and continued the conversation in a low tone:

"What a mistake this war is! What a bloodthirsty piece of stupidity!"

At this Lucy forthwith took up the cudgels for the empire. She had been the mistress of a prince of the imperial house, and its defense became a point of family honor with her.

"Do leave them alone, my dear. We couldn't let ourselves be further insulted! Why, this war concerns the honor of France. Oh, you know I don't say that because of the prince. He WAS just mean! Just imagine, at night when he was going to bed he hid his gold in his boots, and when we played at bezique he used beans, because one day I pounced down on the stakes for fun. But that doesn't prevent my being fair. The emperor was right."

Lea shook her head with an air of superiority, as became a woman who was repeating the opinions of important personages. Then raising her voice:

"This is the end of all things. They're out of their minds at the Tuileries. France ought to have driven them out yesterday. Don't you see?"

They all violently interrupted her. What was up with her? Was she mad about the emperor? Were people not happy? Was business doing badly? Paris would never enjoy itself so thoroughly again.

Gaga was beside herself; she woke up and was very indignant.

"Be quiet! It's idiotic! You don't know what you're saying. I—I've seen Louis Philippe's reign: it was full of beggars and misers, my dear. And then came '48! Oh, it was a pretty disgusting business was their republic! After February I was simply dying of starvation—yes, I, Gaga. Oh, if only you'd been through it all you would go down on your knees before the emperor, for he's been a father to us; yes, a father to us."

She had to be soothed but continued with pious fervor:

"O my God, do Thy best to give the emperor the victory. Preserve the empire to us!"

They all repeated this aspiration, and Blanche confessed that she burned candles for the emperor. Caroline had been smitten by him and for two whole months had walked where he was likely to pass but had failed to attract his attention. And with that the others burst forth into furious denunciations of the Republicans and talked of exterminating them on the frontiers so that Napoleon III, after having beaten the enemy, might reign peacefully amid universal enjoyment.

"That dirty Bismarck—there's another cad for you!" Maria Blond remarked.

"To think that I should have known him!" cried Simonne. "If only I could have foreseen, I'm the one that would have put some poison in his glass."

But Blanche, on whose heart the expulsion of her Prussian still weighed, ventured to defend Bismarck. Perhaps he wasn't such a bad sort. To every man his trade!

"You know," she added, "he adores women."

"What the hell has that got to do with us?" said Clarisse. "We don't want to cuddle him, eh?"

"There's always too many men of that sort!" declared Louise Violaine gravely. "It's better to do without 'em than to mix oneself up with such monsters!"

And the discussion continued, and they stripped Bismarck, and, in her Bonapartist zeal, each of them gave him a sounding kick, while Tatan Nene kept saying:

"Bismarck! Why, they've simply driven me crazy with the chap! Oh, I hate him! I didn't know that there Bismarck! One can't know everybody."

"Never mind," said Lea de Horn by way of conclusion, "that Bismarck will give us a jolly good threshing."

But she could not continue. The ladies were all down on her at once. Eh, what? A threshing? It was Bismarck they were going to escort home with blows from the butt ends of their muskets. What was this bad Frenchwoman going to say next?

"Hush," whispered Rose, for so much noise hurt her.

The cold influence of the corpse once more overcame them, and they all paused together. They were embarrassed; the dead woman was before them again; a dull thread of coming ill possessed them. On the boulevard the cry was passing, hoarse and wild:

"A BERLIN! A BERLIN! A BERLIN!"

Presently, when they were making up their minds to go, a voice was heard calling from the passage:

"Rose! Rose!"

Gaga opened the door in astonishment and disappeared for a moment. When she returned:

"My dear," she said, "it's Fauchery. He's out there at the end of the corridor. He won't come any further, and he's beside himself because you still stay near that body."

Mignon had at last succeeded in urging the journalist upstairs. Lucy, who was still at the window, leaned out and caught sight of the gentlemen out on the pavement. They were looking up, making energetic signals to her. Mignon was shaking his fists in exasperation, and Steiner, Fontan, Bordenave and the rest were stretching out their arms with looks of anxious reproach, while Daguenet simply stood smoking a cigar with his hands behind his back, so as not to compromise himself.

"It's true, dear," said Lucy, leaving the window open; "I promised to make you come down. They're all calling us now."

Rose slowly and painfully left the chest.

"I'm coming down; I'm coming down," she whispered. "It's very certain she no longer needs me. They're going to send in a Sister of Mercy."

And she turned round, searching for her hat and shawl. Mechanically she filled a basin of water on the toilet table and while washing her hands and face continued:

"I don't know! It's been a great blow to me. We used scarcely to be nice to one another. Ah well! You see I'm quite silly over it now. Oh! I've got all sorts of strange ideas—I want to die myself—I feel the end of the world's coming. Yes, I need air."

The corpse was beginning to poison the atmosphere of the room. And after long heedlessness there ensued a panic.

"Let's be off; let's be off, my little pets!" Gaga kept saying. "It isn't wholesome here."

They went briskly out, casting a last glance at the bed as they passed it. But while Lucy, Blanche and Caroline still remained behind, Rose gave a final look round, for she wanted to leave the room in order. She drew a curtain across the window, and then it occurred to her that the lamp was not the proper thing and that a taper should take its place. So she lit one of the copper candelabra on the chimney piece and placed it on the night table beside the corpse. A brilliant light suddenly illumined the dead woman's face. The women were horror-struck. They shuddered and escaped.

"Ah, she's changed; she's changed!" murmured Rose Mignon, who was the last to remain.

She went away; she shut the door. Nana was left alone with upturned face in the light cast by the candle. She was fruit of the charnel house, a heap of matter and blood, a shovelful of corrupted flesh thrown down on the pillow. The pustules had invaded the whole of the face, so that each touched its neighbor. Fading and sunken, they had assumed the grayish hue of mud; and on that formless pulp, where the features had ceased to be traceable, they already resembled some decaying damp from the grave. One eye, the left eye, had completely foundered among bubbling purulence, and the other, which remained half open, looked like a deep, black, ruinous hole. The nose was still suppurating. Quite a reddish crush was peeling from one of the cheeks and invading the mouth, which it distorted into a horrible grin. And over this loathsome and grotesque mask of death the hair, the beautiful hair, still blazed like sunlight and flowed downward in rippling gold. Venus was rotting. It seemed as though the poison she had assimilated in the gutters and on the carrion tolerated by the roadside, the leaven with which she had poisoned a whole people, had but now remounted to her face and turned it to corruption.

The room was empty. A great despairing breath came up from the boulevard and swelled the curtain.

"A BERLIN! A BERLIN! A BERLIN!"



THE MILLER'S DAUGHTER



CHAPTER I

THE BETROTHAL

Pere Merlier's mill, one beautiful summer evening, was arranged for a grand fete. In the courtyard were three tables, placed end to end, which awaited the guests. Everyone knew that Francoise, Merlier's daughter, was that night to be betrothed to Dominique, a young man who was accused of idleness but whom the fair sex for three leagues around gazed at with sparkling eyes, such a fine appearance had he.

Pere Merlier's mill was pleasing to look upon. It stood exactly in the center of Rocreuse, where the highway made an elbow. The village had but one street, with two rows of huts, a row on each side of the road; but at the elbow meadows spread out, and huge trees which lined the banks of the Morelle covered the extremity of the valley with lordly shade. There was not, in all Lorraine, a corner of nature more adorable. To the right and to the left thick woods, centenarian forests, towered up from gentle slopes, filling the horizon with a sea of verdure, while toward the south the plain stretched away, of marvelous fertility, displaying as far as the eye could reach patches of ground divided by green hedges. But what constituted the special charm of Rocreuse was the coolness of that cut of verdure in the most sultry days of July and August. The Morelle descended from the forests of Gagny and seemed to have gathered the cold from the foliage beneath which it flowed for leagues; it brought with it the murmuring sounds, the icy and concentrated shade of the woods. And it was not the sole source of coolness: all sorts of flowing streams gurgled through the forest; at each step springs bubbled up; one felt, on following the narrow pathways, that there must exist subterranean lakes which pierced through beneath the moss and availed themselves of the smallest crevices at the feet of trees or between the rocks to burst forth in crystalline fountains. The whispering voices of these brooks were so numerous and so loud that they drowned the song of the bullfinches. It was like some enchanted park with cascades falling from every portion.

Below the meadows were damp. Gigantic chestnut trees cast dark shadows. On the borders of the meadows long hedges of poplars exhibited in lines their rustling branches. Two avenues of enormous plane trees stretched across the fields toward the ancient Chateau de Gagny, then a mass of ruins. In this constantly watered district the grass grew to an extraordinary height. It resembled a garden between two wooded hills, a natural garden, of which the meadows were the lawns, the giant trees marking the colossal flower beds. When the sun's rays at noon poured straight downward the shadows assumed a bluish tint; scorched grass slept in the heat, while an icy shiver passed beneath the foliage.

And there it was that Pere Merlier's mill enlivened with its ticktack a corner of wild verdure. The structure, built of plaster and planks, seemed as old as the world. It dipped partially in the Morelle, which rounded at that point into a transparent basin. A sluice had been made, and the water fell from a height of several meters upon the mill wheel, which cracked as it turned, with the asthmatic cough of a faithful servant grown old in the house. When Pere Merlier was advised to change it he shook his head, saying that a new wheel would be lazier and would not so well understand the work, and he mended the old one with whatever he could put his hands on: cask staves, rusty iron, zinc and lead. The wheel appeared gayer than ever for it, with its profile grown odd, all plumed with grass and moss. When the water beat upon it with its silvery flood it was covered with pearls; its strange carcass wore a sparkling attire of necklaces of mother-of-pearl.