"You have been very kind to me, Henry—you've been the only man I've ever known that always, everywhere, thought of me first. I told you I didn't deserve it, I wasn't worthy of it——"

His hands slipped silently over her hands. He gathered her close into his arms, and his tears fell on her upturned face.



CHAPTER XXX

HOPE FORLORN

There were hours in that night that each had reason long to remember; a night that seemed to bring them, in spite of their devotion, to the end of their dream. They parted late, each trying to soften the blow as it fell on the other, each professing a courage which, in the face of the revelation, neither could clearly feel.

In the morning Jeffries brought down to de Spain, who had spent a sleepless night at the office, a letter from Nan.

De Spain opened it with acute misgivings. Hardly able to believe his eyes, he slowly read:

DEAREST:

A wild hope has come to me. Perhaps we don't know the truth of this terrible story as it really is. Suppose we should be condemning poor Uncle Duke without having the real facts? Sassoon was a wretch, Henry, if ever one lived—a curse to every one. What purpose he could serve by repeating this story, which he must have kept very secret till now, I don't know; but there was some reason. I must know the whole truth—I feel that I, alone, can get hold of it, and that you would approve what I am doing if you were here with me in this little room, where I am writing at daybreak, to show you my heart.

Long before you get this I shall be speeding toward the Gap. I am going to Uncle Duke to get from him the exact truth. Uncle Duke is breaking—has broken—and now that the very worst has come, and we must face it, he will tell me what I ask. Whether I can get him to repeat this to you, to come to you, to throw himself on your pity, my dearest one, I don't know. But it is for this I am going to try, and for this I beg of your love—the love of which I have been so proud!—that you will let me stay with him until I at least learn everything and can bring the whole story to you. If I can bring him, I will.

And I shall be safe with him—perfectly safe. Gale has been driven away. Pardaloe, I know I can trust, and he will be under the roof with me. Please, do not try to come to me. It might ruin everything. Only forgive me, and I shall be back with what I hope for, or what I fear, very, very soon. Not till then can I bear to look into your eyes. You have a better right than anyone in the world to know the whole truth, cost what it may. Be patient for only a little while with

NAN.

It was Jeffries who said, afterward, he hoped never again to be the bearer of a letter such as that. Never until he had read and grasped the contents of Nan's note had Jeffries seen the bundle of resource and nerve and sinew, that men called Henry de Spain, go to pieces. For once, trouble overbore him.

When he was able to speak he told Jeffries everything. "It is my fault," he said hopelessly. "I was so crippled, so stunned, she must have thought—I see it now—that I was making ready to ride out by daybreak and shoot Duke down on sight. It's the price a man must pay, Jeffries, for the ability to defend himself against this bunch of hold-up men and assassins. Because they can't get me, I'm a 'gunman'——"

"No, you're not a 'gunman.'"

"A gunman and nothing else. That's what everybody, friends and enemies, reckon me—a gunman. You put me here to clean out this Calabasas gang, not because of my good looks, but because I've been, so far, a fraction of a second quicker on a trigger than these double-damned crooks.

"I don't get any fun out of standing for ten minutes at a time with a sixty-pound safety-valve dragging on my heart, watching a man's eye to see whether he is going to pull a gun on me and knock me down with a slug before I can pull one and knock him down. I don't care for that kind of thing, Jeff. Hell's delight! I'd rather have a little ranch with a little patch of alfalfa—enough alfalfa to feed a little bunch of cattle, a hundred miles from every living soul. What I would like to do is to own a piece of land under a ten-cent ditch, and watch the wheat sprout out of the desert."

Jeffries, from behind his pipe, regarded de Spain's random talk calmly.

"I do feel hard over my father's death," he went on moodily. "Who wouldn't? If God meant me to forget it, why did he put this mark on my face, Jeff? I did talk pretty strong to Nan about it on Music Mountain. She accused me then of being a gunman. It made me hot to be set down for a gunman by her. I guess I did give it back to her too strong. That's the trouble—my bark is worse than my bite—I'm always putting things too strong. I didn't know when I was talking to her then that Sandusky and Logan were dead. Of course, she thought I was a butcher. But how could I help it?

"I did feel, for a long time, I'd like to kill with my own hands the man that murdered my father, Jeff. My mother must have realized that her babe, if a man-child, was doomed to a life of bloodshed. I've been trying to think most of the night what she'd want me to do now. I don't know what I can do, or can't do, when I set eyes on that old scoundrel. He's got to tell the truth—that's all I say now. If he lies, after what he made my mother suffer, he ought to die like a dog—no matter who he is.

"I don't want to break Nan's heart. What can I do? Hanging him here in Sleepy Cat, if I could do it, wouldn't help her feelings a whole lot. If I could see the fellow—" de Spain's hands, spread before him on the table, drew up tight, "if I could get my fingers on his throat, for a minute, and talk to him, tell him what I think of him—I might know what I would want to do—Nan might be there to see and judge between us. I'd be almost willing to leave things to her to settle herself. I only want what's right. But," the oath that recorded his closing threat was collected and pitiless, "if any harm comes to that girl now from this wild trip back among those wolves—God pity the men that put it over. I'll wipe out the whole accursed clan, if I have to swing for it right here in Sleepy Cat!"

John Lefever, Jeffries, Scott in turn took him in hand to hold him during three days, to restrain the fury of his resentment, and keep him from riding to the Gap in a temper that each of them knew would mean only a tragedy worse than what had gone before. Mountain-men who happened in and out of Sleepy Cat during those three days remember how it seemed for that time as if the attention of every man and woman in the whole country was fixed on the new situation that balked de Spain. They knew only that Nan had gone back to her people, not why she had gone back; but the air was eager with surmise and rumor as to what had happened, and in this complete overturning of all de Spain's hopes, what would happen before the story ended.

Even three days of tactful representation and patient admonition from cool-headed counsellors did not accomplish all they hoped for in de Spain's attitude. His rage subsided, but only to be followed by a settled gloom that they knew might burst into uncontrollable anger at any moment.

A report reached McAlpin that Gale Morgan was making ready to return to Music Mountain with the remnant of Sandusky's gang, to make a demand on Duke for certain property and partnership adjustments. This rumor he telephoned to Jeffries. Before talking with de Spain, Jeffries went over the information with Lefever. The two agreed it was right, in the circumstances, that de Spain should be nearer than Sleepy Cat to Nan. Moreover, the period of waiting she had enjoined on him was almost complete.

Without giving de Spain the story fully, the two men talking before him let the discussion drift toward a proposal on his part to go down to Calabasas, where he could more easily keep track of any movement to or from the Gap, and this they approved. De Spain, already chafing under a hardly endured restraint, lost no time in starting for Calabasas, directing Lefever to follow next day.

It added nothing to his peace of mind in the morning to learn definitely from McAlpin that Gale Morgan, within twenty-four hours, had really disappeared from Calabasas. No word of any kind had come from Music Mountain for days. No one at Calabasas was aware even that Nan had gone into the Gap again. Bob Scott was at Thief River. De Spain telephoned to him to come up on the early stage, and turned his attention toward getting information from Music Mountain without violating Nan's injunction not to frustrate her most delicate effort with her uncle.

As a possible scout to look into her present situation and report on it, McAlpin could point only to Bull Page. Bull was a ready instrument, but his present value as an assistant had become a matter of doubt, since practically every man in the Gap had threatened within the week to blow his head off—though Bull himself felt no scruples against making an attempt to reach Music Mountain and get back again. It was proposed by the canny McAlpin to send him in with a team and light wagon, ostensibly to bring out his trunk, which, if it had not been fed to the horses, was still in Duke's barn. As soon as a rig could be got up Page started out.

It was late November. A far, clear air drew the snow-capped ranges sharply down to the eye of the desert—as if the speckless sky, lighted by the radiant sun, were but a monster glass rigged to trick the credulous retina. De Spain, in the saddle in front of the barn, his broad hat brim set on the impassive level of the Western horseman, his lips seeming to compress his thoughts, his lines over his forearm, and his hands half-slipped into the pockets of his snug leather coat, watched Page with his light wagon and horses drive away.

Idling around the neighborhood of the barns in the saddle, de Spain saw him gradually recede into the long desert perspective, the perspective which almost alone enabled the watcher to realize as he curtained his eyes behind their long, steady lashes from the blazing sun, that it was a good bit of a way to the foot of the great outpost of the Superstition Range.

De Spain's restlessness prevented his remaining quietly anywhere for long. As the morning advanced he cantered out on the Music Mountain trail, thinking of and wishing for a sight of Nan. The deadly shock of Pardaloe's story had been dulled by days and nights of pain. His deep-rooted love and his loneliness had quieted his impulse for vengeance and overborne him with a profound sadness. He realized how different his feelings were now from what they had been when she knelt before him in the darkened room and, not daring to plead for mercy for her uncle, had asked him only for the pity for herself that he had seemed so slow to give. Something reproached him now for his coldness at the moment that he should have thought of her suffering before his own.

The crystal brightness of the day brought no elation to his thoughts. His attention fixed on nothing that did not revert to Nan and his hunger to see her again. If he regarded the majestic mountain before him, it was only to recall the day she had fed him at its foot, long before she loved him—he thought of that truth now—when he lay dying on it. If the black reaches of the lava beds came within view, it was only to remind him that, among those desolate rocks, this simple, blue-eyed girl, frail in his eyes as a cobweb despite her graceful strength, had intrusted all her life and happiness to him, given her fresh lips to his, endured without complaint the headstrong ardor of his caresses and, by the pretty mockery of her averted eyes, provoked his love to new adventure.

Memory seemed that morning as keen as the fickle air—so sharply did it bring back to him the overwhelming pictures of their happiness together. And out of his acute loneliness rose vague questionings and misgivings. He said to himself in bitter self-reproach that she would not have gone if he had been to her all he ought to have been in the crisis of that night. If harm should befall her now! How the thought clutched and dragged at his heart. Forebodings tortured him, and in the penumbra of his thoughts seemed to leave something he could not shake off—a vague, haunting fear, as if of some impending tragedy that should wreck their future.

It was while riding in this way that his eyes, reading mechanically the wagon trail he was aimlessly following—for no reason other than that it brought him, though forbidden, a little closer to her—arrested his attention. He checked his horse. Something, the trail told him, had happened. Page had stopped his horses. Page had met two men on horseback coming from the Gap. After a parley—for the horses had tramped around long enough for one—the wagon had turned completely from the trail and struck out across the desert, north; the two horsemen, or one with a led horse, had started back for the Gap.

All of this de Spain gathered without moving his horse outside a circle of thirty feet. What did it mean? Page might have fallen in with cronies from the Gap, abandoned his job, and started for Sleepy Cat, but this was unlikely. He might have encountered enemies, been pointedly advised to keep away from the Gap, and pretended to start for Sleepy Cat, to avoid trouble with them. Deeming the second the more probable conclusion, de Spain, absorbed in his speculations, continued toward the Gap to see whether he could not pick up the trail of Page's rig farther on.

Within a mile a further surprise awaited him. The two horsemen, who had headed for the Gap after stopping Page, had left the trail, turned to the south, down a small draw, which would screen them from sight, and set out across the desert.

No trail and no habitation lay in the direction they had taken—and it seemed clearer to de Spain that the second horse was a led horse. There was a story in the incident, but his interest lay in following Page's movements, and he spurred swiftly forward to see whether his messenger had resumed the Gap trail and gone on with his mission. He followed this quest almost to the mountains, without recovering any trace of Page's rig. He halted. It was certain now that Page had not gone into the Gap.

Perplexed and annoyed, de Spain, from the high ground on which he sat his horse, cast his eyes far out over the desert. The brilliant sunshine flooded it as far as the eye could reach. He scanned the vast space without detecting a sign of life anywhere, though none better than he knew that any abundance of it might be there. But his gaze caught something of interest on the farthest northern horizon, and on this his scrutiny rested a long time. A soft brown curtain rose just above the earth line against the blue sky. Toward the east it died away and toward the west it was cut off by the Superstition peaks.

De Spain, without giving the weather signs much thought, recognized their import, but his mind was filled with his own anxieties and he rode smartly back toward Calabasas, because he was not at ease over the puzzles in the trail. When he reached the depression where the horsemen had, without any apparent reason, turned south, he halted. Should he follow them or turn north to follow Page's wanderings? If Page had been scared away from the Gap, for a time, he probably had no information that de Spain wanted, and de Spain knew his cunning and persistence well enough to be confident he would be back on the Gap road, and within the cover of the mountains, before a storm should overtake him. On the north the brown curtain had risen fast and already enveloped the farthest peaks of the range. Letting his horse stretch its neck, he hesitated a moment longer trying to decide whether to follow the men to the south or the wagon to the north. A woman might have done better. But no good angel was there to guide his decision, and in another moment he was riding rapidly to the south with the even, brown, misty cloud behind him rolling higher into the northern sky.



CHAPTER XXXI

DE SPAIN RIDES ALONE

He had ridden the trail but a short time when it led him in a wide angle backward and around toward Calabasas, and he found, presently, that the men he was riding after were apparently heading for the stage barns. In the north the rising curtain had darkened. Toward Sleepy Cat the landscape was already obliterated. In the south the sun shone, but the air had grown suddenly cold, and in the sharp drop de Spain realized what was coming. His first thought was of the southern stages, which must be warned, and as he galloped up to the big barn, with this thought in mind he saw, standing in the doorway, Bull Page.

De Spain regarded him with astonishment. "How did you get here?" was his sharp question.

Page grinned. "Got what I was after, and c'm' back sooner'n I expected. Half-way over to the Gap, I met Duke and the young gal on horseback, headed for Calabasas. They pulled up. I pulled up. Old Duke looked kind o' ga'nted, and it seemed like Nan was in a considerable hurry to get to Sleepy Cat with him, and he couldn't stand the saddle. Anyway, they was heading for Calabasas to get a rig from McAlpin. I knowed McAlpin would never give old Duke a rig, not if he was a-dyin' in the saddle."

"They've got your rig!" cried de Spain.

"The gal asked me if I'd mind accommodatin' 'em," explained Bull deprecatingly, "to save time."

"They headed north!" exclaimed de Spain. The light from the fast-changing sky fell copper-colored across his horse and figure. McAlpin, followed by a hostler, appeared at the barn door.

Bull nodded to de Spain. "Said they wanted to get there quick. She fig'erd on savin' a few miles by strikin' the hill trail in. So I takes their horses and lets on I was headin' in for the Gap. When they got out of sight, I turned 'round——"

Even as he spoke, the swift-rolling curtain of mist overhead blotted the sun out of the sky.

De Spain sprang from his saddle with a ringing order to McAlpin. "Get up a fresh saddle-horse!"

"A horse!" cried the startled barn boss, whirling on the hostler. "The strongest legs in the stable, and don't lose a second! Lady Jane; up with her!" he yelled, bellowing his orders into the echoing barn with his hands to his mouth. "Up with her for Mr. de Spain in a second! Marmon! Becker! Lanzon! What in hell are you all doing?" he roared, rushing back with a fusillade of oaths. "Look alive, everybody!"

"Coming!" yelled one voice after another from the depths of the distant stalls.

De Spain ran into the office. Page caught his horse, stripped the rifle from its holster, and hurriedly began uncinching. Hostlers running through the barn called shrilly back and forth, and de Spain springing up the stairs to his room provided what he wanted for his hurried flight. When he dashed down with coats on his arm the hoofs of Lady Jane were clattering down the long gangway. A stable-boy slid from her back on one side as Bull Page threw the saddle across her from the other; hostlers caught at the cinches, while others hurriedly rubbed the legs of the quivering mare. De Spain, his hand on McAlpin's shoulder, was giving his parting injunctions, and the barn boss, head cocked down, and eyes cast furtively on the scattering snowflakes outside, was listening with an attention that recorded indelibly every uttered syllable.

Once only, he interrupted: "Henry, you're ridin' out into this thing alone—don't do it."

"I can't help it," snapped de Spain impatiently,

"It's a man killer."

"I can't help it."

"Bob Scott, if he w's here, 'ud never let you do it. I'll ride wi' ye myself, Henry. I worked for your father——"

"You're too old a man, Jim——"

"Henry——"

"Don't talk to me! Do as I tell you!" thundered de Spain.

McAlpin bowed his head.

"Ready!" yelled Page, buckling the rifle holster in place. Still talking, and with McAlpin glued to his elbow, de Spain vaulted into the saddle, caught the lines from Bull's hands, and steadied the Lady as she sidestepped nervously—McAlpin following close and dodging the dancing hoofs as he looked earnestly up to catch the last word. De Spain touched the horse with the lines. She leaped through the doorway and he raised a backward hand to those behind. Running outside the door, they yelled a chorus of cries after the swift-moving horseman and, clustered in an excited group, watched the Lady with a dozen great strides round the Calabasas trail and disappear with her rider into the whirling snow.

She fell at once into an easy reaching step, and de Spain, busy with his reflections, hardly gave thought to what she was doing, and little more to what was going on about him.

No moving figure reflects the impassive more than a horseman of the mountains, on a long ride. Though never so swift-borne, the man, looking neither to the right nor to the left, moving evenly and statue-like against the sky, a part of the wiry beast under him, presents the very picture of indifference to the world around him. The great swift wind spreading over the desert emptied on it snow-laden puffs that whirled and wrapped a cloud of flakes about horse and rider in the symbol of a shroud. De Spain gave no heed to these skirmishing eddies, but he knew what was behind them, and for the wind, he only wished it might keep the snow in the air till he caught sight of Nan.

The even reach of the horse brought him to the point where Nan had changed to the stage wagon. Without a break in her long stride, Lady Jane took the hint of her swerving rider, put her nose into the wind, and headed north. De Spain, alive to the difficulties of his venture, set his hat lower and bent forward to follow the wagon along the sand. With the first of the white flurries passed, he found himself in a snowless pocket, as it were, of the advancing storm. He hoped for nothing from the prospect ahead; but every moment of respite from the blinding whirl was a gain, and with his eyes close on the trail that had carried Nan into danger, he urged the Lady on.

When the snow again closed down about him he calculated from the roughness of the country that he should be within a mile of the road that Nan was trying to reach, from the Gap to Sleepy Cat. But the broken ground straight ahead would prevent her from driving directly to it. He knew she must hold to the right, and her curving track, now becoming difficult to trail, confirmed his conclusion.

A fresh drive of the wind buffeted him as he turned directly north. Only at intervals could he see any trace of the wagon wheels. The driving snow compelled him more than once to dismount and search for the trail. Each time he lost it the effort to regain it was more prolonged. At times he was compelled to ride the desert in wide circles to find the tracks, and this cost time when minutes might mean life. But as long as he could he clung to the struggle to track her exactly. He saw almost where the storm had struck the two wayfarers. Neither, he knew, was insensible to its dangers. What amazed him was that a man like Duke Morgan should be out in it. He found a spot where they had halted and, with a start that checked the beating of his heart, his eyes fell on her footprint not yet obliterated, beside the wagon track.

The sight of it was an electric shock. Throwing himself from his horse, he knelt over it in the storm, oblivious for an instant of everything but that this tracery meant her presence, where he now bent, hardly half an hour before. He swung, after a moment's keen scrutiny, into his saddle, with fresh resolve. Pressed by the rising fury of the wind, the wayfarers had become from this point, de Spain saw too plainly, hardly more than fugitives. Good ground to the left, where their hope of safety lay, had been overlooked. Their tracks wandered on the open desert like those who, losing courage, lose their course in the confusion and fear of the impending peril.

And with this increasing uncertainty in their direction vanished de Spain's last hopes of tracking them. The wind swept the desert now as a hurricane sweeps the open sea, snatching the fallen snow from the face of the earth as the sea-gale, flattening the face of the waters, rips the foam from the frantic waves to drive it in wild, scudding fragments across them.

De Spain, urging his horse forward, unbuckled his rifle holster, threw away the scabbard, and holding the weapon up in one hand, fired shot after shot at measured intervals to attract the attention of the two he sought. He exhausted his rifle ammunition without eliciting any answer. The wind drove with a roar against which even a rifle report could hardly carry, and the snow swept down the Sinks in a mad blast. Flakes torn by the fury of the gale were stiffened by the bitter wind into powdered ice that stung horse and rider. Casting away the useless carbine, and pressing his horse to the limit of her strength and endurance, the unyielding pursuer rode in great coiling circles into the storm, to cut in, if possible, ahead of its victims, firing shot upon shot from his revolver, and putting his ear intently against the wind for the faint hope of an answer.

Suddenly the Lady stumbled and, as he cruelly reined her, slid helpless and scrambling along the face of a flat rock. De Spain, leaping from her back, steadied her trembling and looked underfoot. The mare had struck the rock of the upper lava bed. Drawing his revolver, he fired signal shots from where he stood. It could not be far, he knew, from the junction of the two great desert trails—the Calabasas road and the Gap road. He felt sure Nan could not have got much north of this, for he had ridden in desperation to get abreast of or beyond her, and if she were south, where, he asked, in the name of God, could she be?

He climbed again into the saddle—the cold was gripping his limbs—and, watching the rocky landmarks narrowly, tried to circle the dead waste of the half-buried flow. With chilled, awkward fingers he filled the revolver again and rode on, discharging it every minute, and listening—hoping against hope for an answer. It was when he had almost completed, as well as he could compute, the wide circuit he had set out on, that a faint shot answered his continuing signals.

With the sound of that shot and those that followed it his courage all came back. But he had yet to trace through the confusion of the wind and the blinding snow the direction of the answering reports.

Hither and thither he rode, this way and that, testing out the location of the slowly repeated shots, and signalling at intervals in return. Slowly and doggedly he kept on, shooting, listening, wheeling, and advancing until, as he raised his revolver to fire it again, a cry close at hand came out of the storm. It was a woman's voice borne on the wind. Riding swiftly to the left, a horse's outline revealed itself at moments in the driving snow ahead.

De Spain cried out, and from behind the furious curtain heard his name, loudly called. He pushed his stumbling horse on. The dim outline of a second horse, the background of a wagon, a storm-beaten man—all this passed his eyes unheeded. They were bent on a girlish figure running toward him as he slid stiffly from the saddle. The next instant Nan was in his arms.



CHAPTER XXXII

THE TRUTH

With the desperation of a joy born of despair she laid her burning cheek hysterically against his cheek. She rained kisses on his ice-crusted brows and snow-beaten eyes. Her arms held him rigidly. He could not move nor speak till she would let him. Transformed, this mountain girl who gave herself so shyly, forgot everything. Her words crowded on his ears. She repeated his name in an ecstasy of welcome, drew down his lips, laughed, rejoiced, knew no shamefacedness and no restraint—she was one freed from the stroke of a descending knife. A moment before she had faced death alone; it was still death she faced—she realized this—but it was death, at least, together, and her joy and tears rose from her heart in one stream.

De Spain comforted her, quieted her, cut away one of the coats from his horse, slipped it over her shoulders, incased her in the heavy fur, and turned his eyes to Duke.

The old man's set, square face surrendered nothing of implacability to the dangers confronting him. De Spain looked for none of that. He had known the Morgan record too long, and faced the Morgan men too often, to fancy they would flinch at the drum-beat of death.

The two men, in the deadly, driving snow, eyed each other. Out of the old man's deep-set eyes burned the resistance of a hundred storms faced before. But he was caught now like a wolf in a trap, and he knew he had little to hope for, little to fear. As de Spain regarded him, something like pity may have mixed with his hatred. The old outlaw was thinly clad. His open throat was beaten with snow and, standing beside the wagon, he held the team reins in a bare hand. De Spain cut the other coat from his saddle and held it out. Duke pretended not to see and, when not longer equal to keeping up the pretense, shook his head.

"Take it," said de Spain curtly.

"No."

"Take it, I say. You and I will settle our affairs when we get Nan out of this," he insisted.

"De Spain!" Duke's voice, as was its wont, cracked like a pistol, "I can say all I've got to say to you right here."

"No."

"Yes," cried the old man.

"Listen, Henry," pleaded Nan, seeking shelter from the furious blast within his arm, "just for a moment, listen!"

"Not now, I tell you!" cried de Spain.

"He was coming, Henry, all the way—and he is sick—just to say it to you. Let him say it here, now."

"Go on!" cried de Spain roughly. "Say it."

"I'm not afraid of you, de Spain!" shouted the old man, his neck bared to the flying ice. "Don't think it! You're a better man than I am, better than I ever was—don't think I don't know that. But I'm not afraid of e'er a man I faced, de Spain; they'll tell you that when I'm dead. All the trouble that ever come 'tween you and me come by an accident—come before you was born, and come through Dave Sassoon, and he's held it over me ever since you come up into this country. I was a young fellow. Sassoon worked for my father. The cattle and sheep war was on, north of Medicine Bend. The Peace River sheepmen raided our place—your father was with them. He never did us no harm, but my brother, Bay Morgan, was shot in that raid by a man name of Jennings. My brother was fifteen years old, de Spain. I started out to get the man that shot him. Sassoon trailed him to the Bar M, the old de Spain ranch, working for your father."

The words fell fast and in a fury. They came as if they had been choked back till they strangled. "Sassoon took me over there. Toward night we got in sight of the ranch-house. We saw a man down at the corral. 'That's Jennings,' Sassoon says. I never laid eyes on him before—I never laid eyes on your father before. Both of us fired. Next day we heard your father was killed, and Jennings had left the country. Sassoon or I, one of us, killed your father, de Spain. If it was I, I did it never knowing who he was, never meaning to touch him. I was after the man that killed my brother. Sassoon didn't care a damn which it was, never did, then nor never. But he held it over me to make trouble sometime 'twixt you and me. I was a young fellow. I thought I was revenging my brother. And if your father was killed by a patched bullet, his blood is not on me, de Spain, and never was. Sassoon always shot a patched bullet. I never shot one in my life. And I'd never told you this of my own self. Nan said it was the whole truth from me to you, or her life. She's as much mine as she is yours. I nursed her. I took care of her when there weren't no other living soul to do it. She got me and herself out into this, this morning. I'd never been caught like this if I'd had my way. I told her 'fore we'd been out an hour we'd never see the end of it. She said she'd rather die in it than you'd think she quit you. I told her I'd go on with her and do as she said—that's why we're here, and that's the whole truth, so help me God!

"I ain't afraid of you, de Spain. I'll give you whatever you think's coming to you with a rifle or a gun any time, anywhere—you're a better man than I am or ever was, I know that—and that ought to satisfy you. Or, I'll stand my trial, if you say so, and tell the truth."

The ice-laden wind, as de Spain stood still, swept past the little group with a sinister roar, insensible alike to its emotions and its deadly peril. Within the shelter of his arm he felt the yielding form of the indomitable girl who, by the power of love, had wrung from the outlaw his reluctant story—the story of the murder that had stained with its red strands the relations of each of their lives to both the others. He felt against his heart the faint trembling of her frail body. So, when a boy, he had held in his hand a fluttering bird and felt the whirring beat of its frightened heart against his strong, cruel fingers.

A sudden aversion to more bloodshed, a sickening of vengeance, swept over him as her heart mutely beat for mercy against his heart. She had done more than any man could do. Now her. In the breathless embrace that drew her closer she read her answer from him. She looked up into his eyes and waited. "There's more than what's between you and me, Duke, facing us now," said de Spain sternly, when he turned. "We've got to get Nan out of this—even if we don't get out ourselves. Where do you figure we are?" he cried.

"I figure we're two miles north of the lava beds, de Spain," shouted Morgan.

De Spain shook his head in dissent. "Then where are we?" demanded the older man rudely.

"I ought not to say, against you. But if I've got to guess, I say two miles east. Either way, we must try for Sleepy Cat. Is your team all right?"

"Team is all right. We tore a wheel near off getting out of the lava. The wagon's done for."

De Spain threw the fur coat at him. "Put it on," he said. "We'll look at the wheel."

They tried together to wrench it into shape, but worked without avail. In the end they lashed it, put Nan on the Lady, and walked behind while the team pushed into the pitiless wind. Morgan wanted to cut the wagon away and take to the horses, but de Spain said, not till they found a trail or the stage road.

So much snow had fallen that in spite of the blizzard, driving with an unrelenting fury, the drifts were deepening, packing, and making all effort increasingly difficult. It was well-nigh impossible to head the horses into the storm, and de Spain looked with ever more anxious eyes at Nan. After half an hour's superhuman struggle to regain a trail that should restore their bearings, they halted, and de Spain, riding up to the wagon, spoke to Morgan, who was driving: "How long is this going to last?"

"All day and all night." Nan leaned closely over to hear the curt question and answer. Neither man spoke again for a moment.

"We'll have to have help," said de Spain after a pause.

"Help?" echoed Morgan scornfully. "Where's help coming from?"

De Spain's answer was not hurried. "One of us must go after it." Nan looked at him intently.

Duke set his hard jaw against the hurtling stream of ice that showered on the forlorn party. "I'll go for it," he snapped.

"No," returned de Spain. "Better for me to go."

"Go together," said Nan.

De Spain shook his head. Duke Morgan, too, said that only one should go; the other must stay. De Spain, while the storm rattled and shook at the two men, told why he should go himself. "It's not claiming you are not entitled to say who should go, Duke," he said evenly. "Nor that our men, anywhere you reach, wouldn't give you the same attention they would me. And it isn't saying that you're not the better man for the job—you've travelled the Sinks longer than I have. But between you and me, Duke, it's twenty-eight years against fifty. I ought to hold out a while the longer, that's all. Let's work farther to the east."

Quartering against the mad hurricane, they drove and rode on until the team could hardly be urged to further effort against the infuriated elements—de Spain riding at intervals as far to the right and the left as he dared in vain quest of a landmark. When he halted beside the wagon for the last time he was a mass of snow and ice; horse and rider were frozen to each other. He got down to the ground with a visible effort, and in the singing wind told Duke his plan and purpose.

He had chosen on the open desert a hollow falling somewhat abruptly from the north, and beneath its shoulder, while Morgan loosened the horses, he scooped and kicked away a mass of snow. The wagon had been drawn just above the point of refuge, and the two men, with the aid of the wind, dumped it over sidewise, making of the body a windbreak over the hollow, a sort of roof, around which the snow, driven by the gale, would heap itself in hard waves. Within this shelter the men stowed Nan. The horses were driven down behind it, and from one of them de Spain took the collar, the tugs, and the whiffletree. He stuck a hitching-strap in his pocket, and while Morgan steadied the Lady's head, de Spain buckled the collar on her, doubled the tugs around the whiffletree, and fastened the roll at her side in front of the saddle.

Nan came out and stood beside him as he worked. When he had finished she put her hand on his sleeve. He held her close, Duke listening, to tell her what he meant to try to do. Each knew it well might be the last moment together. "One thing and another have kept us from marriage vows, Nan," said de Spain, beckoning at length to Morgan to step closer that he might clearly hear. "Nothing must keep us longer. Will you marry me?"

She looked up into his eyes. "I've promised you I would. I will promise every time you ask me. I never could have but one answer to that, Henry—it must always be yes!"

"Then take me, Henry," he said slowly, "here and now for your wedded husband. Will you do this, Nan?"



Still looking into his eyes, she answered without surprise or fear: "Henry, I do take you."

"And I, Henry, take you, Nan, here and now for my wedded wife, for better for worse, for richer for poorer, from this day forward, until death us do part."

They sealed their pact with a silent embrace. De Spain turned to Duke. "You are the witness of this marriage, Duke. You will see, if an accident happens, that anything, everything I have—some personal property—my father's old ranch north of Medicine Bend—some little money in bank at Sleepy Cat—goes to my wife, Nan Morgan de Spain. Will you see to it?"

"I will. And if it comes to me—you, de Spain, will see to it that what stock I have in the Gap goes to my niece, Nan, your wife."

She looked from one to the other of the two men. "All that I have," she said in turn, "the lands in the Gap, everywhere around Music Mountain, go to you two equally together, or whichever survives. And if you both live, and I do not, remember my last message—bury the past in my grave."

Duke Morgan tested the cinches of the saddle on the Lady once more, unloosed the tugs once more from the horse's shoulder, examined each buckle of the collar and every inch of the two strips of leather, the reinforced fastenings on the whiffletree, rolled all up again, strapped it, and stood by the head till de Spain swung up into the saddle. He bent down once to whisper a last word of cheer to his wife and, without looking back, headed the Lady into the storm.



CHAPTER XXXIII

GAMBLING WITH DEATH

Beyond giving his horse a safe headway from the shelter, de Spain made little effort to guide her. He had chosen the Lady, not because she was fresher, for she was not, but because he believed she possessed of the three horses the clearest instinct to bring her through the fight for the lives that were at stake. He did not deceive himself with the idea he could do anything to help the beast find a way to succor; that instinct rested wholly in the Lady's head, not in his. He only knew that if she could not get back to help, he could not. His own part in the effort was quite outside any aid to the Lady—it was no more than to reach alive whatever aid she could find, that he might direct it to where Nan and her companion would endure a few hours longer the fury of the storm.

His own struggle for life, he realized, was with the wind—the roaring wind that hurled its broadsides of frozen snow in monstrous waves across the maddened sky, challenging every living thing. It drove icy knives into his face and ears, paralyzed in its swift grasp his muscles and sinews, fought the stout flow of blood through his veins, and searched his very heart to still it.

Encouraging the Lady with kind words, and caressing her in her groping efforts as she turned head and tail from the blinding sheets of snow and ice, de Spain let her drift, hoping she might bring them through, what he confessed in his heart to be, the narrowest of chances.

He bent low in his saddle under the unending blasts. He buffeted his legs and arms to fight off the fatal cold. He slipped more than once from his seat, and with a hand on the pommel tramped beside the horse to revive his failing circulation; there would come a time, he realized, when he could no longer climb up again, but he staved that issue off to the last possible moment of endurance, because the Lady made better time when he was on her back. When the struggle to remount had been repeated until nature could no longer by any staggering effort be made to respond to his will, until his legs were no longer a part of his benumbed being—until below his hips he had no body answerable to his commands, but only two insensible masses of lead that anchored him to the ground—he still forced the frozen feet to carry him, in a feeble, monstrous gait beside the Lady, while he dragged with his hands on the saddle for her patient aid.

One by one every thought, as if congealed in their brain cells, deserted his mind—save the thought that he must not freeze to death. More than once he had hoped the insensate fury of the blizzard might abate. The Lady had long since ceased to try to face it—like a stripped vessel before a hurricane, she was drifting under it. De Spain realized that his helpless legs would not carry him farther. His hands, freezing to the pommel, no longer supported him. They finally slipped from it and he fell prostrate in the snow beside his horse. When he would cry out to her his frozen lips could mumble no words. It was the fight no longer of a man against nature, but only of an indomitable soul against a cruel, hateful death. He struggled to his feet only to fall again more heavily. He pulled himself up this time by the stirrup-strap, got his hands and arms up to the pommel, and clung to it for a few paces more. But he fell at last, and could no longer rise from the ground. The storm swept unceasingly on.

The Lady, checked by the lines wrapped on his arm, stopped. De Spain lay a moment, then backed her up a step, pulled her head down by the bridle, clasped his wooden arms around her neck, spoke to her and, lifting her head, the mare dragged him to his feet. Clumsily and helplessly he loosened the tugs and the whiffletree, beat his hands together with idiotic effort, hooked the middle point of the whiffletree into the elbow of his left arm, brought the forearm and hand up flat against his shoulder, and with the hitching-strap lashed his forearm and upper arm tightly together around the whiffletree.

He drew the tugs stiffly over the Lady's back, unloosed the cinches of the saddle, pushed it off the horse and, sinking into the snow behind her, struck with his free arm at her feet. Relieved of the saddle, the Lady once more started, dragging slowly behind her through the snow a still breathing human being. Less than an hour before it had been a man. It was hardly more now, as the Lady plodded on, than an insensate log. But not even death could part it again from the horse to which de Spain, alive, had fastened it.

The fearful pain from the tortured arm, torn at times almost from its socket, the gradual snapping of straining ligaments, the constant rupture of capillaries and veins sustained his consciousness for a while. Then the torturing pain abated, the rough dragging shattered the bruised body less. It was as if the Lady and the storm together were making easier for the slowly dying man his last trail across the desert. He still struggled to keep alive, by sheer will-power, flickering sparks of consciousness, and to do so concentrated every thought on Nan. It was a poignant happiness to summon her picture to his fainting senses; he knew he should hold to life as long as he could think of her. Love, stronger than death, welled in his heart. The bitter cold and the merciless wind were kinder as he called her image from out of the storm. She seemed to speak—to lift him in her arms. Ahead, distant mountains rose, white-peaked. The sun shone. He rode with her through green fields, and a great peace rested on his weary senses.

* * * * *

Lady Jane, pushing on and on, enlightened by that instinct before which the reason of man is weak and pitiful, seeing, as it were, through the impenetrable curtain of the storm where refuge lay, herself a slow-moving crust of frozen snow, dragged to her journey's end—to the tight-shut doors of the Calabasas barn—her unconscious burden, and stood before them patiently waiting until some one should open for her. It was one of the heartbreaks of a tragic day that no one ever knew just when the Lady reached the door or how long she and her unconscious master waited in the storm for admission. A startled exclamation from John Lefever, who had periodically and anxiously left the red-hot stove in the office to walk moodily to the window, brought the men tumbling over one another as he ran from his companions to throw open the outer door and pull the drooping horse into the barn.

It was the Indian, Scott, who, reading first of all the men everything in the dread story, sprang forward with a stifled exclamation, as the horse dragged in the snow-covered log, whipped a knife from his pocket, cut the incumbered arm and white hand free from the whiffletree and, carrying the stiffened body into the office, began with insane haste to cut away the clothing.

Lefever, perceiving it was de Spain thus drawn to their feet, shouted, while he tore from the blade of Scott's knife the frozen garments, the orders for the snow, the heated water, the warm blankets, the alcohol and brandy, and, stripped to his waist, chafed the marble feet. The Indian, better than a staff of doctors, used the cunning of a sorcerer to revive the spark of inanimate life not yet extinguished by the storm. A fearful interval of suspense followed the silence into which the work settled, a silence broken only by the footsteps of men running to and from the couch over which Scott, Lefever, and McAlpin, half-naked, worked in mad concert.

De Spain opened his eyes to wander from one to the other of the faces. He half rose up, struggling in a frenzy with the hands that restrained him. While his companions pleaded to quiet him, he fought them until, restored to its seat of reason, his mind reasserted itself and, lying exhausted, he told them in his exquisite torture of whom he had left, and what must be done to find and bring them in.

While the relief wagons, equipped with straining teams and flanked by veteran horsemen, were dashing out of the barn, he lapsed into unconsciousness. But he had been able to hold Scott's hand long enough to tell him he must find Nan and bring her in, or never come back.

It was Scott who found her. In their gropings through the blizzard the three had wandered nearer Calabasas than any one of them dreamed. And on the open desert, far south and east of the upper lava beds, it was Scott's horse that put a foot through the bottom of the overturned wagon box. The suspected mound of snow, with the buried horses scrambling to their feet, rose upright at the crash. Duke crouched, half-conscious, under the rude shelter. Lying where he had placed her, snugly between the horses, Scott found Nan. He spoke to her when she opened her staring eyes, picked her up in his arms, called to his companions for the covered wagon, and began to restore her, without a moment of delay, to life. He even promised if she would drink the hateful draft he put to her lips and let him cut away her shoes and leggings and the big coat frozen on her, that in less than an hour she should see Henry de Spain alive and well.



CHAPTER XXXIV

AT SLEEPY CAT

Nothing in nature, not even the storm itself, is so cruel as the beauty of the after calm. In the radiance of the sunshine next day de Spain, delirious and muttering, was taken to the hospital at Sleepy Cat. In an adjoining room lay Nan, moaning reproaches at those who were torturing her reluctantly back to life. Day and night the doctors worked over the three. The town, the division, the stagemen, and the mountain-men watched the outcome of the struggle. From as far as Medicine Bend railroad surgeons came to aid in the fight.

De Spain cost the most acute anxiety. The crux of the battle, after the three lives were held safe, centred on the effort to save de Spain's arm—the one he had chosen to lose, if he must lose one, when he strapped it to the whiffletree. The day the surgeons agreed that if his life were to be saved the arm must come off at the shoulder a gloom fell on the community.

In a lifetime of years there can come to the greater part of us but a few days, a few hours, sometimes no more than a single moment, to show of what stuff we are really made. Such a crisis came that day to Nan. Already she had been wheeled more than once into de Spain's room, to sit where she could help to woo him back to life. The chief surgeon, in the morning, told Nan of the decision. In her hospital bed she rose bolt upright. "No!" she declared solemnly. "You shan't take his arm off!"

The surgeon met her rebellion tactfully. But he told Nan, at last, that de Spain must lose either his arm or his life. "No," she repeated without hesitation and without blanching, "you shan't take off his arm. He shan't lose his life."

The blood surged into her cheeks—better blood and redder than the doctors had been able to bring there—such blood as de Spain alone could call into them. Nan, with her nurse's help, dressed, joined de Spain, and talked long and earnestly. The doctors, too, laid the situation before him. When they asked him for his decision, he nodded toward Nan. "She will tell you, gentlemen, what we'll do."

And Nan did tell them what the two who had most at stake in the decision would do. Any man could have done as much as that. But Nan did more. She set herself out to save the arm and patient both, and, lest the doctors should change their tactics and move together on the arm surreptitiously, Nan stayed night and day with de Spain, until he was able to make such active use of either arm as to convince her that he, and not the surgeons, would soon need the most watching.

Afterward when Nan, in some doubt, asked the chaplain whether she was married or single, he obligingly offered to ratify and confirm the desert ceremony.

This affair was the occasion for an extraordinary round-up at Sleepy Cat. Two long-hostile elements—the stage and railroad men and the Calabasas-Morgan Gap contingent of mountain-men, for once at least, fraternized. Warrants were pigeonholed, suspicion suspended, side-arms neglected in their scabbards. The fighting men of both camps, in the presence of a ceremony that united de Spain and Nan Morgan, could not but feel a generous elation. Each party considered that it was contributing to the festivity in the bride and the groom the very best each could boast, and no false note disturbed the harmony of the notable day.

Gale Morgan, having given up the fight, had left the country. Satterlee Morgan danced till all the platforms in town gave way. John Lefever attended the groom, and Duke Morgan sternly, but without compunction, gave the bride. From Medicine Bend, Farrell Kennedy brought a notable company of de Spain's early associates for the event. It included Whispering Smith, whose visit to Sleepy Cat on this occasion was the first in years; George McCloud, who had come all the way from Omaha to join his early comrades in arms; Wickwire, who had lost none of his taciturn bluntness—and so many train-despatchers that the service on the division was crippled for the entire day.

A great company of self-appointed retainers gathered together from over all the country, rode behind the gayly decorated bridal-coach in procession from the church to Jeffries's house, where the feasts had been prepared. During the reception a modest man, dragged from an obscure corner among the guests, was made to take his place next Lefever on the receiving-line. It was Bob Scott, and he looked most uncomfortable until he found a chance to slip unobserved back to the side of the room where the distinguished Medicine Bend contingent, together with McAlpin, Pardaloe, Elpaso, and Bull Page, slightly unsteady, but extremely serious for the grave occasion, appeared vastly uncomfortable together.

* * * * *

The railroad has not yet been built across the Sinks to Thief River. But only those who lived in Sleepy Cat in its really wild stage days are entitled to call themselves early settlers, or to tell stories more or less authentic about what then happened. The greater number of the Old Guard of that day, as cankering peace gradually reasserted itself along the Sinks, turned from the stage coach to the railroad coach; some of them may yet be met on the trains in the mountain country. Wherever you happen to find such a one, he will tell you of the days when Superintendent de Spain of the Western Division wore a gun in the mountains and used it, when necessary, on his wife's relations.

Whether it was this stern sense of discipline or not that endeared him to the men, these old-timers are, to a man, very loyal to the young couple who united in their marriage the two hostile mountain elements. One in especial, a white-haired old man, described by the fanciful as a retired outlaw, living yet on Nan's ranch in the Gap, always spends his time in town at the de Spain home, where he takes great interest in an active little boy, Morgan de Spain, who waits for his Uncle Duke's coming, and digs into his pockets for rattles captured along the trail from recent huge rattlesnakes. When his uncle happens to kill a big one—one with twelve or thirteen rings and a button—Morgan uses it to scare his younger sister, Nan. And Duke, secretly rejoicing at his bravado, but scolding sharply, helps him adjust the old ammunition-belt dragged from the attic, and cuts fresh gashes in it to make it fit the childish waist. His mother doesn't like to see her son in warlike equipment, ambushing little Nan in the way Bob Scott says the Indians used to do. She threatens periodically to burn the belt up and throw the old rifles out of the house. But when she sees her uncle and her husband watching the boy and laughing at the parade together, she relents. It is only children, after all, that keep the world young.



NOVELS OF FRONTIER LIFE BY

WILLIAM MacLEOD RAINE

HANDSOMELY BOUND IN CLOTH. ILLUSTRATED.

May be had wherever books are sold. Ask for Grosset and Dunlap's list

MAVERICKS.

A tale of the western frontier, where the "rustler," whose depredations are so keenly resented by the early settlers of the range, abounds. One of the sweetest love stories ever told.

A TEXAS RANGER.

How a member of the most dauntless border police force carried law into the mesquit, saved the life of an innocent man after a series of thrilling adventures, followed a fugitive to Wyoming, and then passed through deadly peril to ultimate happiness.

WYOMING.

In this vivid story of the outdoor West the author has captured the breezy charm of "cattleland," and brings out the turbid life of the frontier with all its engaging dash and vigor.

RIDGWAY OF MONTANA.

The scene is laid in the mining centers of Montana, where politics and mining industries are the religion of the country. The political contest, the love scene, and the fine character drawing give this story great strength and charm.

BUCKY O'CONNOR.

Every chapter teems with wholesome, stirring adventures, replete with the dashing spirit of the border, told with dramatic dash and absorbing fascination of style and plot.

CROOKED TRAILS AND STRAIGHT.

A story of Arizona; of swift-riding men and daring outlaws; of a bitter feud between cattle-men and sheep-herders. The heroine is a most unusual woman and her love story reaches a culmination that is fittingly characteristic of the great free West.

BRAND BLOTTERS.

A story of the Cattle Range. This story brings out the turbid life of the frontier, with all its engaging dash and vigor, with a charming love interest running through its 320 pages.

Grosset & Dunlap, Publishers, New York



ZANE GREY'S NOVELS

May be had wherever books are sold. Ask for Grosset & Dunlap's list

THE LIGHT OF WESTERN STARS

Colored frontispiece by W. Herbert Dunton.

Most of the action of this story takes place near the turbulent Mexican border of the present day. A New York society girl buys a ranch which becomes the center of frontier warfare. Her loyal cowboys defend her property from bandits, and her superintendent rescues her when she is captured by them. A surprising climax brings the story to a delightful close.

DESERT GOLD

Illustrated by Douglas Duer.

Another fascinating story of the Mexican border. Two men, lost in the desert, discover gold when, overcome by weakness, they can go no farther. The rest of the story describes the recent uprising along the border, and ends with the finding of the gold which the two prospectors had willed to the girl who is the story's heroine.

RIDERS OF THE PURPLE SAGE

Illustrated by Douglas Duer.

A picturesque romance of Utah of some forty years ago when Mormon authority ruled. In the persecution of Jane Withersteen, a rich ranch owner, we are permitted to see the methods employed by the invisible hand of the Mormon Church to break her will.

THE LAST OF THE PLAINSMEN

Illustrated with photograph reproductions.

This is the record of a trip which the author took with Buffalo Jones, known as the preserver of the American bison, across the Arizona desert and of a hunt in "that wonderful country of yellow crags, deep canons and giant pines." It is a fascinating story.

THE HERITAGE OF THE DESERT

Jacket in color. Frontispiece.

This big human drama is played in the Painted Desert. A lovely girl, who has been reared among Mormons, learns to love a young New Englander. The Mormon religion, however, demands that the girl shall become the second wife of one of the Mormons—

Well, that's the problem of this sensational, big selling story.

BETTY ZANE

Illustrated by Louis F. Grant.

This story tells of the bravery and heroism of Betty, the beautiful young sister of old Colonel Zane, one of the bravest pioneers. Life along the frontier, attacks by Indians, Betty's heroic defense of the beleaguered garrison at Wheeling, the burning of the Fort, and Betty's final race for life, make up this never-to-be-forgotten story.

Grosset & Dunlap, Publishers, New York



JACK LONDON'S NOVELS

May be had wherever books are sold. Ask for Grosset & Dunlap's list

JOHN BARLEYCORN. Illustrated by H. T. Dunn.

This remarkable book is a record of the author's own amazing experiences. This big, brawny world rover, who has been acquainted with alcohol from boyhood, comes out boldly against John Barleycorn. It is a string of exciting adventures, yet it forcefully conveys an unforgetable idea and makes a typical Jack London book.

THE VALLEY OF THE MOON. Frontispiece by George Harper.

The story opens in the city slums where Billy Roberts, teamster and ex-prize fighter, and Saxon Brown, laundry worker, meet and love and marry. They tramp from one end of California to the other, and in the Valley of the Moon find the farm paradise that is to be their salvation.

BURNING DAYLIGHT. Four illustrations.

The story of an adventurer who went to Alaska and laid the foundations of his fortune before the gold hunters arrived. Bringing his fortunes to the States he is cheated out of it by a crowd of money kings, and recovers it only at the muzzle of his gun. He then starts out as a merciless exploiter on his own account. Finally he takes to drinking and becomes a picture of degeneration. About this time he falls in love with his stenographer and wins her heart but not her hand and then—but read the story!

A SON OF THE SUN. Illustrated by A. O. Fischer and C. W. Ashley.

David Grief was once a light-haired, blue-eyed youth who came from England to the South Seas in search of adventure. Tanned like a native and as lithe as a tiger, he became a real son of the sun. The life appealed to him and he remained and became very wealthy.

THE CALL OF THE WILD. Illustrations by Philip R. Goodwin and Charles Livingston Bull. Decorations by Charles E. Hooper.

A book of dog adventures as exciting as any man's exploits could be. Here is excitement to stir the blood and here is picturesque color to transport the reader to primitive scenes.

THE SEA WOLF. Illustrated by W. J. Aylward.

Told by a man whom Fate suddenly swings from his fastidious life into the power of the brutal captain of a sealing schooner. A novel of adventure warmed by a beautiful love episode that every reader will hail with delight.

WHITE FANG. Illustrated by Charles Livingston Bull.

"White Fang" is part dog, part wolf and all brute, living in the frozen north; he gradually comes under the spell of man's companionship, and surrenders all at the last in a fight with a bull dog. Thereafter he is man's loving slave.

Grosset & Dunlap, Publishers, New York



THE NOVELS OF WINSTON CHURCHILL

THE INSIDE OF THE CUP. Illustrated by Howard Giles.

The Reverend John Hodder is called to a fashionable church in a middle-western city. He knows little of modern problems and in his theology is as orthodox as the rich men who control his church could desire. But the facts of modern life are thrust upon him; an awakening follows and in the end he works out a solution.

A FAR COUNTRY. Illustrated by Herman Pfeifer.

This novel is concerned with big problems of the day. As The Inside of the Cup gets down to the essentials in its discussion of religion, so A Far Country deals in a story that is intense and dramatic, with other vital issues confronting the twentieth century.

A MODERN CHRONICLE. Illustrated by J. H. Gardner Soper.

This, Mr. Churchill's first great presentation of the Eternal Feminine, is throughout a profound study of a fascinating young American woman. It is frankly a modern love story.

MR. CREWE'S CAREER. Illus. by A. I. Keller and Kinneys.

A new England state is under the political domination of a railway and Mr. Crewe, a millionaire, seizes a moment when the cause of the people is being espoused by an ardent young attorney, to further his own interest in a political way. The daughter of the railway president plays no small part in the situation.

THE CROSSING. Illustrated by S. Adamson and L. Baylis.

Describing the battle of Fort Moultrie, the blazing of the Kentucky wilderness, the expedition of Clark and his handful of followers in Illinois, the beginning of civilization along the Ohio and Mississippi, and the treasonable schemes against Washington.

CONISTON. Illustrated by Florence Scovel Shinn.

A deft blending of love and politics. A New Englander is the hero, a crude man who rose to political prominence by his own powers, and then surrendered all for the love of a woman.

THE CELEBRITY. An episode.

An inimitable bit of comedy describing an interchange of personalities between a celebrated author and a bicycle salesman. It is the purest, keenest fun—and is American to the core.

THE CRISIS. Illustrated with scenes from the Photo-Play.

A book that presents the great crisis in our national life with splendid power and with a sympathy, a sincerity, and a patriotism that are inspiring.

RICHARD CARVEL. Illustrated by Malcolm Frazer.

An historical novel which gives a real and vivid picture of Colonial times, and is good, clean, spirited reading in all its phases and interesting throughout.

Grosset & Dunlap, Publishers, New York



STORIES OF RARE CHARM BY GENE STRATTON-PORTER

May be had wherever books are sold. Ask for Grosset and Dunlap's list

LADDIE.

Illustrated by Herman Pfeifer.

This is a bright, cheery tale with the scenes laid in Indiana. The story is told by Little Sister, the youngest member of a large family, but it is concerned not so much with childish doings as with the love affairs of older members of the family. Chief among them is that of Laddie, the older brother whom Little Sister adores, and the Princess, an English girl who has come to live in the neighborhood and about whose family there hangs a mystery. There is a wedding midway in the book and a double wedding at the close.

THE HARVESTER. Illustrated by W. L. Jacobs.

"The Harvester," David Langston, is a man of the woods and fields, who draws his living from the prodigal hand of Mother Nature herself. If the book had nothing in it but the splendid figure of this man it would be notable. But when the Girl comes to his "Medicine Woods," and the Harvester's whole being realizes that this is the highest point of life which has come to him—there begins a romance of the rarest idyllic quality.

FRECKLES. Decorations by E. Stetson Crawford.

Freckles is a nameless waif when the tale opens, but the way in which he takes hold of life; the nature friendships he forms in the great Limberlost Swamp; the manner in which everyone who meets him succumbs to the charm of his engaging personality; and his love-story with "The Angel" are full of real sentiment.

A GIRL OF THE LIMBERLOST.

Illustrated by Wladyslaw T. Brenda.

The story of a girl of the Michigan woods; a buoyant, lovable type of the self-reliant American. Her philosophy is one of love and kindness towards all things; her hope is never dimmed. And by the sheer beauty of her soul, and the purity of her vision, she wins from barren and unpromising surroundings those rewards of high courage.

AT THE FOOT OF THE RAINBOW.

Illustrations in colors by Oliver Kemp.

The scene of this charming love story is laid in Central Indiana. The story is one of devoted friendship, and tender self-sacrificing love. The novel is brimful of the most beautiful word painting of nature, and its pathos and tender sentiment will endear it to all.

Grosset & Dunlap, Publishers, New York



JOHN FOX, JR'S. STORIES OF THE KENTUCKY MOUNTAINS

May be had wherever books are sold. Ask for Grosset and Dunlap's list

THE TRAIL OF THE LONESOME PINE.

Illustrated by F. C. Yohn.

The "lonesome pine" from which the story takes its name was a tall tree that stood in solitary splendor on a mountain top. The fame of the pine lured a young engineer through Kentucky to catch the trail, and when he finally climbed to its shelter he found not only the pine but the foot-prints of a girl. And the girl proved to be lovely, piquant, and the trail of these girlish foot-prints led the young engineer a madder chase than "the trail of the lonesome pine."

THE LITTLE SHEPHERD OF KINGDOM COME

Illustrated by F. C. Yohn.

This is a story of Kentucky, in a settlement known as "Kingdom Come." It is a life rude, semi-barbarous; but natural and honest, from which often springs the flower of civilization.

"Chad," the "little shepherd" did not know who he was nor whence he came—he had just wandered from door to door since early childhood, seeking shelter with kindly mountaineers who gladly fathered and mothered this waif about whom there was such a mystery—a charming waif, by the way, who could play the banjo better that anyone else in the mountains.

A KNIGHT OF THE CUMBERLAND.

Illustrated by F. C. Yohn.

The scenes are laid along the waters of the Cumberland, the lair of moonshiner and feudsman. The knight is a moonshiner's son, and the heroine a beautiful girl perversely christened "The Blight." Two impetuous young Southerners' fall under the spell of "The Blight's" charms and she learns what a large part jealousy and pistols have in the love making of the mountaineers.

Included in this volume is "Hell fer-Sartain" and other stories, some of Mr. Fox's most entertaining Cumberland valley narratives.

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MYRTLE REED'S NOVELS

May be had wherever books are sold. Ask for Grosset & Dunlap's list

LAVENDER AND OLD LACE.

A charming story of a quaint corner of New England where bygone romance finds a modern parallel. The story centers round the coming of love to the young people on the staff of a newspaper—and it is one of the prettiest, sweetest and quaintest of old fashioned love stories, * * * a rare book, exquisite in spirit and conception, full of delicate fancy, of tenderness, of delightful humor and spontaneity.

A SPINNER IN THE SUN.

Miss Myrtle Reed may always be depended upon to write a story in which poetry, charm, tenderness and humor are combined into a clever and entertaining book. Her characters are delightful and she always displays a quaint humor of expression and a quiet feeling of pathos which give a touch of active realism to all her writings. In "A Spinner in the Sun" she tells an old-fashioned love story, of a veiled lady who lives in solitude and whose features her neighbors have never seen. There is a mystery at the heart of the book that throws over it the glamour of romance.

THE MASTER'S VIOLIN.

A love story in a musical atmosphere. A picturesque, old German virtuoso is the reverent possessor of a genuine "Cremona." He consents to take for his pupil a handsome youth who proves to have an aptitude for technique, but not the soul of an artist. The youth has led the happy, careless life of a modern, well-to-do young American and he cannot, with his meagre past, express the love, the passion and the tragedies of life and all its happy phases as can the master who has lived life in all its fulness. But a girl comes into his life—a beautiful bit of human driftwood that his aunt had taken into her heart and home, and through his passionate love for her, he learns the lessons that life has to give—and his soul awakes.

Founded on a fact that all artists realize.

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CHARMING BOOKS FOR GIRLS

May be had wherever books are sold. Ask for Grosset & Dunlap's list

WHEN PATTY WENT TO COLLEGE, By Jean Webster.

Illustrated by C. D. Williams.

One of the best stories of life in a girl's college that has ever been written. It is bright, whimsical and entertaining, lifelike, laughable and thoroughly human.

JUST PATTY, By Jean Webster.

Illustrated by C. M. Relyea.

Patty is full of the joy of living, fun-loving, given to ingenious mischief for its own sake, with a disregard for pretty convention which is an unfailing source of joy to her fellows.

THE POOR LITTLE RICH GIRL, By Eleanor Gates.

With four full page illustrations.

This story relates the experience of one of those unfortunate children whose early days are passed in the companionship of a governess, seldom seeing either parent, and famishing for natural love and tenderness. A charming play as dramatized by the author.

REBECCA OF SUNNYBROOK FARM, By Kate Douglas Wiggin.

One of the most beautiful studies of childhood—Rebecca's artistic, unusual and quaintly charming qualities stand out midst a circle of austere New Englanders. The stage version is making a phenomenal dramatic record.

NEW CHRONICLES OF REBECCA, By Kate Douglas Wiggin.

Illustrated by F. C. Yohn.

Additional episodes in the girlhood of this delightful heroine that carry Rebecca through various stages to her eighteenth birthday.

REBECCA MARY, By Annie Hamilton Donnell.

Illustrated by Elizabeth Shippen Green.

This author possesses the rare gift of portraying all the grotesque little joys and sorrows and scruples of this very small girl with a pathos that is peculiarly genuine and appealing.

EMMY LOU: Her Book and Heart, By George Madden Martin.

Illustrated by Charles Louis Hinton.

Emmy Lou is irresistibly lovable, because she is so absolutely real. She is just a bewitchingly innocent, hugable little maid. The book is wonderfully human.

Ask for complete free list of G. & D. Popular Copyrighted Fiction

Grosset & Dunlap, 526 West 26th St., New York

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