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Wagner (Forman's tr.).
Eastre, the Goddess of Spring
The Saxon goddess Eastre, or Ostara, goddess of spring, whose name has survived in the English word Easter, is also identical with Frigga, for she too is considered goddess of the earth, or rather of Nature's resurrection after the long death of winter. This gracious goddess was so dearly loved by the old Teutons, that even after Christianity had been introduced they retained so pleasant a recollection of her, that they refused to have her degraded to the rank of a demon, like many of their other divinities, and transferred her name to their great Christian feast. It had long been customary to celebrate this day by the exchange of presents of coloured eggs, for the egg is the type of the beginning of life; so the early Christians continued to observe this rule, declaring, however, that the egg is also symbolical of the Resurrection. In various parts of Germany, stone altars can still be seen, which are known as Easter-stones, because they were dedicated to the fair goddess Ostara. They were crowned with flowers by the young people, who danced gaily around them by the light of great bonfires,—a species of popular games practised until the middle of the present century, in spite of the priests' denunciations and of the repeatedly published edicts against them.
Bertha, the White Lady
In other parts of Germany, Frigga, Holda, or Ostara is known by the name of Brechta, Bertha, or the White Lady. She is best known under this title in Thuringia, where she was supposed to dwell in a hollow mountain, keeping watch over the Heimchen, souls of unborn children, and of those who died unbaptized. Here Bertha watched over agriculture, caring for the plants, which her infant troop watered carefully, for each babe was supposed to carry a little jar for that express purpose. While the goddess was duly respected and her retreat unmolested, she remained where she was; but tradition relates that she once left the country with her infant train dragging her plough, and settled elsewhere to continue her kind ministrations. Bertha is the legendary ancestress of several noble families, and she is supposed to be the same as the industrious queen of the same name, the mythical mother of Charlemagne, whose era has become proverbial, for in speaking of the Golden Age in France and Germany it is customary to say, "in the days when Bertha spun."
As this Bertha is supposed to have developed a very large and flat foot, from continually pressing the treadle of her wheel, she is often represented in mediaeval art as a woman with a splay foot, and hence known as la reine pedauque.
As ancestress of the imperial house of Germany, the White Lady is supposed to appear in the palace before a death or misfortune in the family, and this superstition is still so rife in Germany, that the newspapers in 1884 contained the official report of a sentinel, who declared that he had seen her flit past him in one of the palace corridors.
As Bertha was renowned for her spinning, she naturally was regarded as the special patroness of that branch of female industry, and was said to flit through the streets of every village, at nightfall, during the twelve nights between Christmas and January 6, peering into every window to inspect the spinning of the household.
The maidens whose work had been carefully performed were rewarded by a present of one of her own golden threads or a distaff full of extra fine flax; but wherever a careless spinner was found, her wheel was broken, her flax soiled, and if she had failed to honour the goddess by eating plenty of the cakes baked at that period of the year, she was cruelly punished.
In Mecklenburg, this same goddess is known as Frau Gode, or Wode, the female form of Wuotan or Odin, and her appearance is always considered the harbinger of great prosperity. She is also supposed to be a great huntress, and to lead the Wild Hunt, mounted upon a white horse, her attendants being changed into hounds and all manner of wild beasts.
In Holland she was called Vrou-elde, and from her the Milky Way is known by the Dutch as Vrou-elden-straat; while in parts of Northern Germany she was called Nerthus (Mother Earth). Her sacred car was kept on an island, presumably Ruegen, where the priests guarded it carefully until she appeared to take a yearly journey throughout her realm to bless the land. The goddess, her face completely hidden by a thick veil, then sat in this car, which was drawn by two cows, and she was respectfully escorted by her priests. When she passed, the people did homage by ceasing all warfare, and laying aside their weapons. They donned festive attire, and began no quarrel until the goddess had again retired to her sanctuary. Then both car and goddess were bathed in a secret lake (the Schwartze See, in Ruegen), which swallowed up the slaves who had assisted at the bathing, and once more the priests resumed their watch over the sanctuary and grove of Nerthus or Hlodyn, to await her next appearance.
In Scandinavia, this goddess was also known as Huldra, and boasted of a train of attendant wood-nymphs, who sometimes sought the society of mortals, to enjoy a dance upon the village green. They could always be detected, however, by the tip of a cow's tail which trailed from beneath their long snow-white garments. These Huldra folk were the special protectors of the cattle on the mountain-sides, and were said to surprise the lonely traveller, at times, by the marvellous beauty of the melodies they sang to beguile the hours at their tasks.
CHAPTER IV: THOR
The Thunderer
According to some mythologists, Thor, or Donar, is the son of Joerd (Erda) and of Odin, but others state that his mother was Frigga, queen of the gods. This child was very remarkable for his great size and strength, and very soon after his birth amazed the assembled gods by playfully lifting and throwing about ten great bales of bear skins. Although generally good-tempered, Thor would occasionally fly into a terrible rage, and as he was very dangerous at these times, his mother, unable to control him, sent him away from home and entrusted him to the care of Vingnir (the winged), and of Hlora (heat). These foster-parents, who are also considered as the personification of sheet-lightning, soon managed to control their troublesome charge, and brought him up so wisely, that the gods entertained a very grateful recollection of their kind offices. Thor himself, recognising all he owed them, assumed the names of Vingthor and Hlorridi, by which he is also known.
"Cry on, Vingi-Thor, With the dancing of the ring-mail and the smitten shields of war."
Sigurd the Volsung (William Morris).
Having attained his full growth and the age of reason, Thor was admitted to Asgard among the other gods, where he occupied one of the twelve seats in the great judgment hall. He was also given the realm of Thrud-vang or Thrud-heim, where he built a wonderful palace called Bilskirnir (lightning), the most spacious in all Asgard. It contained five hundred and forty halls for the accommodation of the thralls, who after death were welcomed to his home, where they received equal treatment with their masters in Valhalla, for Thor was the patron god of the peasants and lower classes.
"Five hundred halls And forty more, Methinketh, hath Bowed Bilskirnir. Of houses roofed There's none I know My son's surpassing."
Saemund's Edda (Percy's tr.).
As he was god of thunder, Thor alone was never allowed to pass over the wonderful bridge Bifroest, lest he should set it aflame by the heat of his presence; and when he wished to join his fellow gods by the Urdar fountain, under the shade of the sacred tree Yggdrasil, he was forced to make his way thither on foot, wading through the rivers Kormt and Ormt, and the two streams Kerlaug, to the trysting place.
Thor, who was honoured as the highest god in Norway, came second in the trilogy of all the other countries, and was called "old Thor," because he is supposed by some mythologists to have belonged to an older dynasty of gods, and not on account of his actual age, for he was represented and described as a man in his prime, tall and well formed, with muscular limbs and bristling red hair and beard, from which, in moments of anger, the sparks flew in showers.
"First, Thor with the bent brow, In red beard muttering low, Darting fierce lightnings from eyeballs that glow, Comes, while each chariot wheel Echoes in thunder peal, As his dread hammer shock Makes Earth and Heaven rock, Clouds rifting above, while Earth quakes below."
Valhalla (J. C. Jones).
The Northern races further adorned him with a crown, on each point of which was either a glittering star, or a steadily burning flame, so that his head was ever surrounded by a kind of halo of fire, his own element.
Thor's Hammer
Thor was the proud possessor of a magic hammer called Mioelnir (the crusher) which he hurled at his enemies, the frost-giants, with destructive power, and which possessed the wonderful property of always returning to his hand, however far away he might hurl it.
"I am the Thunderer! Here in my Northland, My fastness and fortress, Reign I forever!
"Here amid icebergs Rule I the nations; This is my hammer, Mioelnir the mighty; Giants and sorcerers Cannot withstand it!"
Saga of King Olaf (Longfellow).
As this huge hammer, the emblem of the thunderbolts, was generally red-hot, the god had an iron gauntlet called Iarn-greiper, which enabled him to grasp it firmly. He could hurl Mioelnir a great distance, and his strength, which was always remarkable, was doubled when he wore his magic belt called Megin-gioerd.
"This is my girdle: Whenever I brace it, Strength is redoubled!"
Saga of King Olaf (Longfellow).
Thor's hammer was considered so very sacred by the ancient Northern people, that they were wont to make the sign of the hammer, as the Christians later taught them to make the sign of the cross, to ward off all evil influences, and to secure blessings. The same sign was also made over the newly born infant when water was poured over its head and a name given. The hammer was used to drive in boundary stakes, which it was considered sacrilegious to remove, to hallow the threshold of a new house, to solemnise a marriage, and, lastly, it played a part in the consecration of the funeral pyre upon which the bodies of heroes, together with their weapons and steeds, and, in some cases, with their wives and dependents, were burned.
In Sweden, Thor, like Odin, was supposed to wear a broad-brimmed hat, and hence the storm-clouds in that country are known as Thor's hat, a name also given to one of the principal mountains in Norway. The rumble and roar of the thunder were said to be the roll of his chariot, for he alone among the gods never rode on horseback, but walked, or drove in a brazen chariot drawn by two goats, Tanngniostr (tooth-cracker), and Tanngrisnr (tooth-gnasher), from whose teeth and hoofs the sparks constantly flew.
"Thou camest near the next, O warrior Thor! Shouldering thy hammer, in thy chariot drawn, Swaying the long-hair'd goats with silver'd rein."
Balder Dead (Matthew Arnold).
When the god thus drove from place to place, he was called Aku-thor, or Thor the charioteer, and in Southern Germany the people, fancying a brazen chariot alone inadequate to furnish all the noise they heard, declared it was loaded with copper kettles, which rattled and clashed, and therefore often called him, with disrespectful familiarity, the kettle-vendor.
Thor's Family
Thor was twice married; first to the giantess Iarnsaxa (iron stone), who bore him two sons, Magni (strength) and Modi (courage), both destined to survive their father and the twilight of the gods, and rule over the new world which was to rise like a phoenix from the ashes of the first. His second wife was Sif, the golden-haired, who also bore him two children, Lorride, and a daughter named Thrud, a young giantess renowned for her size and strength. True to the well-known affinity of contrast, Thrud was wooed by the dwarf Alvis, whom she rather favoured; and one evening, when this suitor, who, being a dwarf, could not face the light of day, presented himself in Asgard to sue for her hand, the assembled gods did not refuse their consent. They had scarcely signified their approbation, however, when Thor, who had been absent, suddenly appeared, and casting a glance of contempt upon the puny lover, declared he would have to prove that his knowledge atoned for his small stature, before he could win his bride.
To test Alvis's mental powers, Thor then questioned him in the language of the gods, Vanas, elves, and dwarfs, artfully prolonging his examination until sunrise, when the first beam of light, falling upon the unhappy dwarf, petrified him. There he stood, an enduring example of the gods' power, to serve as a warning to all other dwarfs who might dare to test it.
"Ne'er in human bosom Have I found so many Words of the old time. Thee with subtlest cunning Have I yet befooled. Above ground standeth thou, dwarf By day art overtaken, Bright sunshine fills the hall."
Saemund's Edda (Howitt's version).
Sif, the Golden-haired
Sif, Thor's wife, was very vain of a magnificent head of long golden hair which covered her from head to foot like a brilliant veil; and as she too was a symbol of the earth, her hair was said to represent the long grass, or the golden grain covering the Northern harvest fields. Thor was very proud of his wife's beautiful hair; imagine his dismay, therefore, upon waking one morning, to find her shorn, and as bald and denuded of ornament as the earth when the grain has been garnered, and nothing but the stubble remains! In his anger, Thor sprang to his feet, vowing he would punish the perpetrator of this outrage, whom he immediately and rightly conjectured to be Loki, the arch-plotter, ever on the look-out for some evil deed to perform. Seizing his hammer, Thor went in search of Loki, who attempted to evade the irate god by changing his form. But it was all to no purpose; Thor soon overtook him, and without more ado caught him by the throat, and almost strangled him ere he yielded to his imploring signs and relaxed his powerful grip. When he could draw his breath, Loki begged forgiveness, but all his entreaties were vain, until he promised to procure for Sif a new head of hair, as beautiful as the first, and as luxuriant in growth.
"And thence for Sif new tresses I'll bring Of gold, ere the daylight's gone, So that she shall liken a field in spring, With its yellow-flowered garment on."
The Dwarfs, Oehlenschlaeger (Pigott's tr.).
Then Thor consented to let the traitor go; so Loki rapidly crept down into the bowels of the earth, where Svart-alfa-heim was situated, to beg the dwarf Dvalin to fashion not only the precious hair, but a present for Odin and Frey, whose anger he wished to disarm.
His request was favourably received and the dwarf fashioned the spear Gungnir, which never failed in its aim, and the ship Skidbladnir, which, always wafted by favourable winds, could sail through the air as well as on the water, and which had this further magic property, that although it could contain the gods and all their steeds, it could be folded up into the very smallest compass and thrust in one's pocket. Lastly, he spun the finest golden thread, from which he fashioned the hair required for Sif, declaring that as soon as it touched her head it would grow fast there and become as her own.
"Though they now seem dead, let them touch but her head, Each hair shall the life-moisture fill; Nor shall malice nor spell henceforward prevail Sif's tresses to work aught of ill."
The Dwarfs, Oehlenschlaeger (Pigott's tr.).
Loki was so pleased with these proofs of the dwarfs' skill that he declared the son of Ivald to be the most clever of smiths—words which were overheard by Brock, another dwarf, who exclaimed that he was sure his brother Sindri could produce three objects which would surpass those which Loki held, not only in intrinsic value, but also in magical properties. Loki immediately challenged the dwarf to show his skill, wagering his head against Brock's on the result of the undertaking.
Sindri, apprised of the wager, accepted Brock's offer to blow the bellows, warning him, however, that he must work persistently and not for a moment relax his efforts if he wished him to succeed; then he threw some gold in the fire, and went out to bespeak the favour of the hidden powers. During his absence Brock diligently plied the bellows, while Loki, hoping to make him pause, changed himself into a gadfly and cruelly stung his hand. In spite of the pain, the dwarf kept on blowing, and when Sindri returned, he drew out of the fire an enormous wild boar, called Gullin-bursti, because of its golden bristles, which had the power of radiating light as it flitted across the sky, for it could travel through the air with marvellous velocity.
"And now, strange to tell, from the roaring fire Came the golden-haired Gullinboerst, To serve as a charger the sun-god Frey, Sure, of all wild boars this the first."
The Dwarfs, Oehlenschlaeger (Pigott's tr.).
This first piece of work successfully completed, Sindri flung some more gold on the fire and bade his brother resume blowing, while he again went out to secure magic assistance. This time Loki, still disguised as a gadfly, stung the dwarf on his cheek; but in spite of the pain Brock worked on, and when Sindri returned, he triumphantly drew out of the flames the magic ring Draupnir, the emblem of fertility, from which eight similar rings dropped every ninth night.
"They worked it and turned it with wondrous skill, Till they gave it the virtue rare, That each thrice third night from its rim there fell Eight rings, as their parent fair."
The Dwarfs, Oehlenschlaeger (Pigott's tr.).
Now a lump of iron was cast in the flames, and with renewed caution not to forfeit their success by inattention, Sindri passed out, leaving Brock to ply the bellows as before. Loki was now in desperation and he prepared for a final effort. This time, still in the guise of the gadfly, he stung the dwarf above the eye until the blood began to flow in such a stream, that it prevented his seeing what he was doing. Hastily raising his hand for a second, Brock dashed aside the stream of blood; but short as was the interruption it had worked irreparable harm, and when Sindri drew his work out of the fire he uttered an exclamation of disappointment for the hammer he had fashioned was short in the handle.
"Then the dwarf raised his hand to his brow for the smart, Ere the iron well out was beat, And they found that the haft by an inch was too short, But to alter it then 'twas too late."
The Dwarfs, Oehlenschlaeger (Pigott's tr.).
Notwithstanding this mishap, Brock was sure of winning the wager and he did not hesitate to present himself before the gods in Asgard, where he gave Odin the ring Draupnir, Frey the boar Gullin-bursti, and Thor the hammer Mioelnir, whose power none could resist.
Loki in turn gave the spear Gungnir to Odin, the ship Skidbladnir to Frey, and the golden hair to Thor; but although the latter immediately grew upon Sif's head and was unanimously declared more beautiful than her own locks had ever been, the gods decreed that Brock had won the wager, on the ground that the hammer Mioelnir, in Thor's hands, would prove invaluable against the frost giants on the last day.
"And at their head came Thor, Shouldering his hammer, which the giants know."
Balder Dead (Matthew Arnold).
In order to save his head, Loki fled precipitately, but was overtaken by Thor, who brought him back and handed him over to Brock, telling him, however, that although Loki's head was rightfully his, he must not touch his neck. Hindered from obtaining full vengeance, the dwarf determined to punish Loki by sewing his lips together, and as his sword would not pierce them, he borrowed his brother's awl for the purpose. However, Loki, after enduring the gods' gibes in silence for a little while, managed to cut the string and soon after was as loquacious as ever.
In spite of his redoubtable hammer, Thor was not held in dread as the injurious god of the storm, who destroyed peaceful homesteads and ruined the harvest by sudden hail-storms and cloud-bursts. The Northmen fancied he hurled it only against ice giants and rocky walls, reducing the latter to powder to fertilise the earth and make it yield plentiful fruit to the tillers of the soil.
In Germany, where the eastern storms are always cold and blighting, while the western bring warm rains and mild weather, Thor was supposed to journey always from west to east, to wage war against the evil spirits which would fain have enveloped the country in impenetrable veils of mist and have bound it in icy fetters.
Thor's Journey to Joetun-heim
As the giants from Joetun-heim were continually sending out cold blasts of wind to nip the tender buds and hinder the growth of the flowers, Thor once made up his mind to go and force them to behave better. Accompanied by Loki he set out in his chariot, and after riding for a whole day the gods came at nightfall to the confines of the giant-world, where, seeing a peasant's hut, they resolved to stay for rest and refreshment.
Their host was hospitable but very poor, and Thor, seeing that he would scarcely be able to supply the necessary food to satisfy his by no means small appetite, slew both his goats, which he cooked and made ready to eat, inviting his host and family to partake freely of the food thus provided, but cautioning them to throw all the bones, without breaking them, into the skins of the goats which he had spread out on the floor.
The peasant and his family ate heartily, but his son Thialfi, encouraged by mischievous Loki, ventured to break one of the bones and suck out the marrow, thinking his disobedience would not be detected. On the morrow, however, Thor, ready to depart, struck the goat skins with his hammer Mioelnir, and immediately the goats sprang up as lively as before, except that one seemed somewhat lame. Perceiving that his commands had been disregarded, Thor would have slain the whole family in his wrath. The culprit acknowledged his fault, however, and the peasant offered to compensate for the loss by giving the irate god not only his son Thialfi, but also his daughter Roskva, to serve him for ever.
Charging the man to take good care of the goats, which he left there until he should return, and bidding the young peasants accompany him, Thor now set out on foot with Loki, and after walking all day found himself at nightfall in a bleak and barren country, which was enveloped in an almost impenetrable grey mist. After seeking for some time, Thor saw through the fog the uncertain outline of what looked like a strangely-shaped house. Its open portal was so wide and high that it seemed to take up all one side of the house. Entering and finding neither fire nor light, Thor and his companions flung themselves wearily down on the floor to sleep, but were soon disturbed by a peculiar noise, and a prolonged trembling of the ground beneath them. Fearing lest the main roof should fall during this earthquake, Thor and his companions took refuge in a wing of the building, where they soon fell sound asleep. At dawn, the god and his companions passed out, but they had not gone very far ere they saw the recumbent form of a sleeping giant, and perceived that the peculiar sounds which had disturbed their rest were produced by his snores. At that moment the giant awoke, arose, stretched himself, looked about him for his missing property, and a second later picked up the object which Thor and his companions had mistaken in the darkness for a house. They then perceived with amazement that this was nothing more than a huge mitten, and that the wing in which they had all slept was the separate place for the giant's great thumb! Learning that Thor and his companions were on their way to Utgard, as the giants' realm was also called, Skrymir, the giant, proposed to be their guide; and after walking with them all day, he brought them at nightfall to a spot where he proposed to rest. Ere he composed himself for sleep, however, he offered them the provisions in his wallet. But, in spite of strenuous efforts, neither Thor nor his companions could unfasten the knots which Skrymir had tied.
"Skrymir's thongs Seemed to thee hard, When at the food thou couldst not get, When, in full health, of hunger dying."
Saemund's Edda (Thorpe's tr.).
Utgard-loki
Angry because of his snoring, which kept them awake, Thor thrice dealt him fearful blows with his hammer. These strokes, instead of annihilating the monster, merely evoked sleepy comments to the effect that a leaf, a bit of bark, or a twig from a bird's nest overhead had fallen upon his face. Early on the morrow, Skrymir left Thor and his companions, pointing out the shortest road to Utgard-loki's castle, which was built of great ice blocks, with huge glittering icicles as pillars. The gods, slipping between the bars of the great gate, presented themselves boldly before the king of the giants, Utgard-loki, who, recognising them, immediately pretended to be greatly surprised at their small size, and expressed a wish to see for himself what they could do, as he had often heard their prowess vaunted.
Loki, who had fasted longer than he wished, immediately declared he was ready to eat for a wager with any one. So the king ordered a great wooden trough full of meat to be brought into the hall, and placing Loki at one end and his cook Logi at the other, he bade them see which would win. Although Loki did wonders, and soon reached the middle of the trough, he found that, whereas he had picked the bones clean, his opponent had devoured both them and the trough.
Smiling contemptuously, Utgard-loki said that it was evident they could not do much in the eating line, and this so nettled Thor that he declared if Loki could not eat like the voracious cook, he felt confident he could drain the biggest vessel in the house, such was his unquenchable thirst. Immediately a horn was brought in, and, Utgard-loki declaring that good drinkers emptied it at one draught, moderately thirsty persons at two, and small drinkers at three, Thor applied his lips to the rim. But, although he drank so deep that he thought he would burst, the liquid still came almost up to the rim when he raised his head. A second and third attempt to empty this horn proved equally unsuccessful. Thialfi then offered to run a race, but a young fellow named Hugi, who was matched against him, soon outstripped him, although Thialfi ran remarkably fast.
Thor proposed next to show his strength by lifting weights, and was challenged to pick up the giant's cat. Seizing an opportunity to tighten his belt Megin-gioerd, which greatly enhanced his strength, he tugged and strained but was able only to raise one of its paws from the floor.
"Strong is great Thor, no doubt, when Megingarder He braces tightly o'er his rock-firm loins."
Viking Tales of the North (R. B. Anderson).
A last attempt on his part to wrestle with Utgard-loki's old nurse Elli, the only opponent deemed worthy of such a puny fellow, ended just as disastrously, and the gods, acknowledging they were beaten, were hospitably entertained. On the morrow they were escorted to the confines of Utgard, where the giant politely informed them that he hoped they would never call upon him again, as he had been forced to employ magic against them. He then went on to explain that he was the giant Skrymir, and that had he not taken the precaution to interpose a mountain between his head and Thor's blows, while he seemingly lay asleep, he would have been slain, as deep clefts in the mountain side, to which he pointed, testified to the god's strength. Next he informed them that Loki's opponent was Logi (wild fire); that Thialfi had run a race with Hugi (thought), than which no swifter runner exists; that Thor's drinking horn was connected with the ocean, where his deep draughts had produced a perceptible ebb; that the cat was in reality the terrible Midgard snake encircling the world, which Thor had nearly pulled out of the sea; and that Elli, his nurse, was old age, whom none can resist. Having finished these explanations and cautioned them never to return or he would defend himself by similar delusions, Utgard-loki vanished, and although Thor angrily brandished his hammer, and would have destroyed his castle, such a mist enveloped it that it could not be seen, and the thunder god was obliged to return to Thrud-vang without having administered his purposed salutary lesson to the race of giants.
"The strong-armed Thor Full oft against Jotunheim did wend, But spite his belt celestial, spite his gauntlets, Utgard-Loki still his throne retains; Evil, itself a force, to force yields never."
Viking Tales of the North (R. B. Anderson).
Thor and Hrungnir
Odin himself was once dashing through the air on his eight-footed steed Sleipnir, when he attracted the attention of the giant Hrungnir, who proposed a race, declaring that Gullfaxi, his steed, could rival Sleipnir in speed. In the heat of the race, Hrungnir did not notice the direction in which they were going, until, in the vain hope of overtaking Odin, he urged his steed to the very gates of Valhalla. Discovering then where he was, the giant grew pale with fear, for he knew he had jeopardised his life by venturing into the stronghold of the gods, his hereditary foes.
The AEsir, however, were too honourable to take even an enemy at a disadvantage, and, instead of doing him harm, they asked him into their banqueting-halls, where he proceeded to indulge in liberal potations of the heavenly mead set before him. He soon grew so excited that he began to boast of his power, declaring he would come some day and take possession of Asgard, which he would destroy, together with the gods, save only Freya and Sif, upon whom he gazed with an admiring leer.
The gods, knowing he was not responsible, let him talk unmolested; but Thor, coming home just then from one of his journeys, and hearing his threat to carry away the beloved Sif, flew into a terrible rage. He furiously brandished his hammer, with intent to annihilate the boaster. This the gods would not permit, however, and they quickly threw themselves between the irate Thunderer and their guest, imploring Thor to respect the sacred rights of hospitality, and not to desecrate their peace-stead by shedding blood.
Thor was at last induced to bridle his wrath, but he demanded that Hrungnir should appoint a time and place for a holmgang, as a Northern duel was generally called. Thus challenged, Hrungnir promised to meet Thor at Griottunagard, the confines of his realm, three days later, and departed somewhat sobered by the fright he had experienced. When his fellow giants heard how rash he had been, they chided him sorely; but they took counsel together in order to make the best of a bad situation. Hrungnir told them that he was to have the privilege of being accompanied by a squire, whom Thialfi would engage in fight, wherefore they proceeded to construct a creature of clay, nine miles long, and proportionately wide, whom they called Mokerkialfi (mist wader). As they could find no human heart big enough to put in this monster's breast, they secured that of a mare, which, however, kept fluttering and quivering with apprehension. The day of the duel arrived. Hrungnir and his squire were on the ground awaiting the arrival of their respective opponents. The giant had not only a flint heart and skull, but also a shield and club of the same substance, and therefore deemed himself well-nigh invincible. Thialfi came before his master and soon after there was a terrible rumbling and shaking which made the giant apprehensive that his enemy would come up through the ground and attack him from underneath. He therefore followed a hint from Thialfi and stood upon his shield.
A moment later, however, he saw his mistake, for, while Thialfi attacked Mokerkialfi with a spade, Thor came with a rush upon the scene and flung his hammer full at his opponent's head. Hrungnir, to ward off the blow, interposed his stone club, which was shivered into pieces that flew all over the earth, supplying all the flint stones thereafter to be found, and one fragment sank deep into Thor's forehead. As the god dropped fainting to the ground, his hammer crashed against the head of Hrungnir, who fell dead beside him, in such a position that one of his ponderous legs was thrown over the recumbent god.
"Thou now remindest me How I with Hrungnir fought, That stout-hearted Jotun, Whose head was all of stone; Yet I made him fall And sink before me."
Saemund's Edda (Thorpe's tr.).
Thialfi, who, in the meanwhile, had disposed of the great clay giant with its cowardly mare's heart, now rushed to his master's assistance, but his efforts were unavailing, nor could the other gods, whom he quickly summoned, raise the pinioning leg. While they were standing there, helplessly wondering what they should do next, Thor's little son Magni came up. According to varying accounts, he was then only three days or three years old, but he quickly seized the giant's foot, and, unaided, set his father free, declaring that had he only been summoned sooner he would easily have disposed of both giant and squire. This exhibition of strength made the gods marvel greatly, and helped them to recognise the truth of the various predictions, which one and all declared that their descendants would be mightier than they, would survive them, and would rule in their turn over the new heaven and earth.
To reward his son for his timely aid, Thor gave him the steed Gullfaxi (golden-maned), to which he had fallen heir by right of conquest, and Magni ever after rode this marvellous horse, which almost equalled the renowned Sleipnir in speed and endurance.
Groa, the Sorceress
After vainly trying to remove the stone splinter from his forehead, Thor sadly returned home to Thrud-vang, where Sif's loving efforts were equally unsuccessful. She therefore resolved to send for Groa (green-making), a sorceress, noted for her skill in medicine and for the efficacy of her spells and incantations. Groa immediately signified her readiness to render every service in her power to the god who had so often benefited her, and solemnly began to recite powerful runes, under whose influence Thor felt the stone grow looser and looser. His delight at the prospect of a speedy deliverance made Thor wish to reward the enchantress forthwith, and knowing that nothing could give greater pleasure to a mother than the prospect of seeing a long-lost child, he proceeded to tell her that he had recently crossed the Elivagar, or ice streams, to rescue her little son Orvandil (germ) from the frost giants' cruel power, and had succeeded in carrying him off in a basket. But, as the little rogue would persist in sticking one of his bare toes through a hole in the basket, it had been frost-bitten, and Thor, accidentally breaking it off, had flung it up into the sky, to shine as a star, known in the North as "Orvandil's Toe."
Delighted with these tidings, the prophetess paused in her incantations to express her joy, but, having forgotten just where she left off, she was unable to continue her spell, and the flint stone remained embedded in Thor's forehead, whence it could never be dislodged.
Of course, as Thor's hammer always did him such good service, it was the most prized of all his possessions, and his dismay was very great when he awoke one morning and found it gone. His cry of anger and disappointment soon brought Loki to his side, and to him Thor confided the secret of his loss, declaring that were the giants to hear of it, they would soon attempt to storm Asgard and destroy the gods.
"Wroth waxed Thor, when his sleep was flown, And he found his trusty hammer gone; He smote his brow, his beard he shook, The son of earth 'gan round him look; And this the first word that he spoke: 'Now listen what I tell thee, Loke; Which neither on earth below is known, Nor in heaven above: my hammer's gone."
Thrym's Quida (Herbert's tr.).
Thor and Thrym
Loki declared he would try to discover the thief and recover the hammer, if Freya would lend him her falcon plumes, and he immediately hastened off to Folkvang to borrow them. His errand was successful and in the form of a bird he then winged his flight across the river Ifing, and over the barren stretches of Joetun-heim, where he suspected that the thief would be found. There he saw Thrym, prince of the frost giants and god of the destructive thunder-storm, sitting alone on a hill-side. Artfully questioning him, he soon learned that Thrym had stolen the hammer and had buried it deep underground. Moreover, he found that there was little hope of its being restored unless Freya were brought to him arrayed as a bride.
"I have the Thunderer's hammer bound Fathoms eight beneath the ground; With it shall no one homeward tread Till he bring me Freya to share my bed."
Thrym's Quida (Herbert's tr.).
Indignant at the giant's presumption, Loki returned to Thrud-vang, but Thor declared it would be well to visit Freya and try to prevail upon her to sacrifice herself for the general good. But when the AEsir told the goddess of beauty what they wished her to do, she flew into such a passion that even her necklace burst. She told them that she would never leave her beloved husband for any god, much less to marry a detested giant and dwell in Joetun-heim, where all was dreary in the extreme, and where she would soon die of longing for the green fields and flowery meadows, in which she loved to roam. Seeing that further persuasions would be useless, Loki and Thor returned home and there deliberated upon another plan for recovering the hammer. By Heimdall's advice, which, however, was only accepted with extreme reluctance, Thor borrowed and put on Freya's clothes together with her necklace, and enveloped himself in a thick veil. Loki, having attired himself as handmaiden, then mounted with him in the goat-drawn chariot, and the strangely attired pair set out for Joetun-heim, where they intended to play the respective parts of the goddess of beauty and her attendant.
"Home were driven Then the goats, And hitched to the car; Hasten they must— The mountains crashed, The earth stood in flames: Odin's son Rode to Joetun-heim."
Norse Mythology (R. B. Anderson).
Thrym welcomed his guests at the palace door, overjoyed at the thought that he was about to secure undisputed possession of the goddess of beauty, for whom he had long sighed in vain. He quickly led them to the banqueting-hall, where Thor, the bride elect, distinguished himself by eating an ox, eight huge salmon, and all the cakes and sweets provided for the women, washing down these miscellaneous viands with the contents of two barrels of mead.
The giant bridegroom watched these gastronomic feats with amazement, whereupon Loki, in order to reassure him, confidentially whispered that the bride was so deeply in love with him that she had not been able to taste a morsel of food for more than eight days. Thrym then sought to kiss the bride, but drew back appalled at the fire of her glance, which Loki explained as a burning glance of love. The giant's sister, claiming the usual gifts, was not even noticed; wherefore Loki again whispered to the wondering Thrym that love makes people absent-minded. Intoxicated with passion and mead, which he, too, had drunk in liberal quantities, the bridegroom now bade his servants produce the sacred hammer to consecrate the marriage, and as soon as it was brought he himself laid it in the pretended Freya's lap. The next moment a powerful hand closed over the short handle, and soon the giant, his sister, and all the invited guests, were slain by the terrible Thor.
"'Bear in the hammer to plight the maid; Upon her lap the bruiser lay, And firmly plight our hands and fay.' The Thunderer's soul smiled in his breast; When the hammer hard on his lap was placed, Thrym first, the king of the Thursi, he slew, And slaughtered all the giant crew."
Thrym's Quida (Herbert's tr.).
Leaving a smoking heap of ruins behind them, the gods then drove rapidly back to Asgard, where the borrowed garments were given back to Freya, much to the relief of Thor, and the AEsir rejoiced at the recovery of the precious hammer. When next Odin gazed upon that part of Joetun-heim from his throne Hlidskialf, he saw the ruins covered with tender green shoots, for Thor, having conquered his enemy, had taken possession of his land, which henceforth would no longer remain barren and desolate, but would bring forth fruit in abundance.
Thor and Geirrod
Loki once borrowed Freya's falcon-garb and flew off in search of adventures to another part of Joetun-heim, where he perched on top of the gables of Geirrod's house. He soon attracted the attention of this giant, who bade one of his servants catch the bird. Amused at the fellow's clumsy attempts to secure him, Loki flitted about from place to place, only moving just as the giant was about to lay hands upon him, when, miscalculating his distance, he suddenly found himself a captive.
Attracted by the bird's bright eyes, Geirrod looked closely at it and concluded that it was a god in disguise, and finding that he could not force him to speak, he locked him in a cage, where he kept him for three whole months without food or drink. Conquered at last by hunger and thirst, Loki revealed his identity, and obtained his release by promising that he would induce Thor to visit Geirrod without his hammer, belt, or magic gauntlet. Loki then flew back to Asgard, and told Thor that he had been royally entertained, and that his host had expressed a strong desire to see the powerful thunder-god, of whom he had heard such wonderful tales. Flattered by this artful speech, Thor was induced to consent to a friendly journey to Joetun-heim, and the two gods set out, leaving the three marvellous weapons at home. They had not gone far, however, ere they came to the house of the giantess Grid, one of Odin's many wives. Seeing Thor unarmed, she warned him to beware of treachery and lent him her own girdle, staff, and glove. Some time after leaving her, Thor and Loki came to the river Veimer, which the Thunderer, accustomed to wading, prepared to ford, bidding Loki and Thialfi cling fast to his belt.
In the middle of the stream, however, a sudden cloud-burst and freshet overtook them; the waters began to rise and roar, and although Thor leaned heavily upon his staff, he was almost swept away by the force of the raging current.
"Wax not, Veimer, Since to wade I desire To the realm of the giants! Know, if thou waxest, Then waxes my asa-might As high as the heavens."
Norse Mythology (R. B. Anderson).
Thor now became aware of the presence, up stream, of Geirrod's daughter Gialp, and rightly suspecting that she was the cause of the storm, he picked up a huge boulder and flung it at her, muttering that the best place to dam a river was at its source. The missile had the desired effect, for the giantess fled, the waters abated, and Thor, exhausted but safe, pulled himself up on the opposite bank by a little shrub, the mountain-ash or sorb. This has since been known as "Thor's salvation," and occult powers have been attributed to it. After resting awhile Thor and his companions resumed their journey; but upon arriving at Geirrod's house the god was so exhausted that he sank wearily upon the only chair in sight. To his surprise, however, he felt it rising beneath him, and fearful lest he should be crushed against the rafters, he pushed the borrowed staff against the ceiling and forced the chair downward with all his might. Then followed a terrible cracking, sudden cries, and moans of pain; and when Thor came to investigate, it appeared that the giant's daughters, Gialp and Greip, had slipped under his chair with intent treacherously to slay him, and they had reaped a righteous retribution and both lay crushed to death.
"Once I employed My asa-might In the realm of giants, When Gialp and Greip, Geirrod's daughters, Wanted to lift me to heaven."
Norse Mythology (R. B. Anderson).
Geirrod now appeared and challenged Thor to a test of strength and skill, but without waiting for a preconcerted signal, he flung a red-hot wedge at him. Thor, quick of eye and a practised catcher, caught the missile with the giantess's iron glove, and hurled it back at his opponent. Such was the force of the god, that the missile passed, not only through the pillar behind which the giant had taken refuge, but through him and the wall of the house, and buried itself deep in the earth without.
Thor then strode up to the giant's corpse, which at the blow from his weapon had been petrified into stone, and set it up in a conspicuous place, as a monument of his strength and of the victory he had won over his redoubtable foes, the mountain giants.
The Worship of Thor
Thor's name has been given to many of the places he was wont to frequent, such as the principal harbour of the Faroe Islands, and to families which claim to be descended from him. It is still extant in such names as Thunderhill in Surrey, and in the family names of Thorburn and Thorwaldsen, but is most conspicuous in the name of one of the days of the week, Thor's day or Thursday.
"Over the whole earth Still is it Thor's day!"
Saga of King Olaf (Longfellow).
Thor was considered a pre-eminently benevolent deity, and it was for that reason that he was so widely worshipped and that temples to his worship arose at Moeri, Hlader, Godey, Gothland, Upsala, and other places, where the people never failed to invoke him for a favourable year at Yule-tide, his principal festival. It was customary on this occasion to burn a great log of oak, his sacred tree, as an emblem of the warmth and light of summer, which would drive away the darkness and cold of winter.
Brides invariably wore red, Thor's favourite colour, which was considered emblematical of love, and for the same reason betrothal rings in the North were almost always set with a red stone.
Thor's temples and statues, like Odin's, were fashioned of wood, and the greater number of them were destroyed during the reign of King Olaf the Saint. According to ancient chronicles, this monarch forcibly converted his subjects. He was specially incensed against the inhabitants of a certain province, because they worshipped a rude image of Thor, which they decked with golden ornaments, and before which they set food every evening, declaring the god ate it, as no trace of it was left in the morning.
The people, being called upon in 1030 to renounce this idol in favour of the true God, promised to consent if the morrow were cloudy; but when after a whole night spent by Olaf in ardent prayer, there followed a cloudy day, the obstinate people declared they were not yet convinced of his God's power, and would only believe if the sun shone on the next day.
Once more Olaf spent the night in prayer, but at dawn, to his great chagrin, the sky was overcast. Nevertheless, he assembled the people near Thor's statue, and after secretly bidding his principal attendant to smash the idol with his battle-axe if the people turned their eyes away but for a moment, he began to address them. Suddenly, while all were listening to him, Olaf pointed to the horizon, where the sun was slowly breaking its way through the clouds, and exclaimed, "Behold our God!" The people one and all turned to see what he meant, and the attendant seized this opportunity for attacking the idol, which yielded easily to his blows, and a host of mice and other vermin scattered hastily from its hollow interior. Seeing now that the food placed before their god had been devoured by noxious animals only, the people ceased to revere Thor, and definitely accepted the faith which King Olaf had so long and vainly pressed upon them.
CHAPTER V: TYR
The God of War
Tyr Tiu, or Ziu was the son of Odin, and, according to different mythologists, his mother was Frigga, queen of the gods, or a beautiful giantess whose name is unknown, but who was a personification of the raging sea. He is the god of martial honour, and one of the twelve principal deities of Asgard. Although he appears to have had no special dwelling there, he was always welcome to Vingolf or Valhalla, and occupied one of the twelve thrones in the great council hall of Glads-heim.
"The hall Glads-heim, which is built of gold; Where are in circle, ranged twelve golden chairs, And in the midst one higher, Odin's Throne."
Balder Dead (Matthew Arnold).
As the God of courage and of war, Tyr was frequently invoked by the various nations of the North, who cried to him, as well as to Odin, to obtain victory. That he ranked next to Odin and Thor is proved by his name, Tiu, having been given to one of the days of the week, Tiu's day, which in modern English has become Tuesday. Under the name of Ziu, Tyr was the principal divinity of the Suabians, who originally called their capital, the modern Augsburg, Ziusburg. This people, venerating the god as they did, were wont to worship him under the emblem of a sword, his distinctive attribute, and in his honour held great sword dances, where various figures were performed. Sometimes the participants forming two long lines, crossed their swords, point upward, and challenged the boldest among their number to take a flying leap over them. At other times the warriors joined their sword points closely together in the shape of a rose or wheel, and when this figure was complete invited their chief to stand on the navel thus formed of flat, shining steel blades, and then they bore him upon it through the camp in triumph. The sword point was further considered so sacred that it became customary to register oaths upon it.
"... Come hither, gentlemen, And lay your hands again upon my sword; Never to speak of this that you have heard, Swear by my sword."
Hamlet (Shakespeare).
A distinctive feature of the worship of this god among the Franks and some other Northern nations was that the priests called Druids or Godi offered up human sacrifices upon his altars, generally cutting the bloody- or spread-eagle upon their victims, that is to say, making a deep incision on either side of the back-bone, turning the ribs thus loosened inside out, and tearing out the viscera through the opening thus made. Of course only prisoners of war were treated thus, and it was considered a point of honour with north European races to endure this torture without a moan. These sacrifices were made upon rude stone altars called dolmens, which can still be seen in Northern Europe. As Tyr was considered the patron god of the sword, it was deemed indispensable to engrave the sign or rune representing him upon the blade of every sword—an observance which the Edda enjoined upon all those who were desirous of obtaining victory.
"Sig-runes thou must know, If victory (sigr) thou wilt have, And on thy sword's hilt rist them; Some on the chapes, Some on the guard, And twice name the name of Tyr."
Lay of Sigdrifa (Thorpe's tr.).
Tyr was identical with the Saxon god Saxnot (from sax, a sword), and with Er, Heru, or Cheru, the chief divinity of the Cheruski, who also considered him god of the sun, and deemed his shining sword blade an emblem of its rays.
"This very sword a ray of light Snatched from the Sun!"
Valhalla (J. C. Jones).
Tyr's Sword
According to an ancient legend, Cheru's sword, which had been fashioned by the same dwarfs, sons of Ivald, who had also made Odin's spear, was held very sacred by his people, to whose care he had entrusted it, declaring that those who possessed it were sure to have the victory over their foes. But although carefully guarded in the temple, where it was hung so that it reflected the first beams of the morning sun, it suddenly and mysteriously disappeared one night. A Vala, druidess, or prophetess, consulted by the priests, revealed that the Norns had decreed that whoever wielded it would conquer the world and come to his death by it; but in spite of all entreaties she refused to tell who had taken it or where it might be found. Some time after this occurrence a tall and dignified stranger came to Cologne, where Vitellius, the Roman prefect, was feasting, and called him away from his beloved dainties. In the presence of the Roman soldiery he gave him the sword, telling him it would bring him glory and renown, and finally hailed him as emperor. The cry was taken up by the assembled legions, and Vitellius, without making any personal effort to secure the honour, found himself elected Emperor of Rome.
The new ruler, however, was so absorbed in indulging his taste for food and drink that he paid but little heed to the divine weapon. One day while leisurely making his way towards Rome he carelessly left it hanging in the antechamber to his pavilion. A German soldier seized this opportunity to substitute in its stead his own rusty blade, and the besotted emperor did not notice the exchange. When he arrived at Rome, he learned that the Eastern legions had named Vespasian emperor, and that he was even then on his way home to claim the throne.
Searching for the sacred weapon to defend his rights, Vitellius now discovered the theft, and, overcome by superstitious fears, did not even attempt to fight. He crawled away into a dark corner of his palace, whence he was ignominiously dragged by the enraged populace to the foot of the Capitoline Hill. There the prophecy was duly fulfilled, for the German soldier, who had joined the opposite faction, coming along at that moment, cut off Vitellius' head with the sacred sword.
The German soldier now changed from one legion to another, and travelled over many lands; but wherever he and his sword were found, victory was assured. After winning great honour and distinction, this man, having grown old, retired from active service to the banks of the Danube, where he secretly buried his treasured weapon, building his hut over its resting-place to guard it as long as he might live. When he lay on his deathbed he was implored to reveal where he had hidden it, but he persistently refused to do so, saying that it would be found by the man who was destined to conquer the world, but that he would not be able to escape the curse. Years passed by. Wave after wave the tide of barbarian invasion swept over that part of the country, and last of all came the terrible Huns under the leadership of Attila, the "Scourge of God." As he passed along the river, he saw a peasant mournfully examining his cow's foot, which had been wounded by some sharp instrument hidden in the long grass, and when search was made the point of a buried sword was found sticking out of the soil.
Attila, seeing the beautiful workmanship and the fine state of preservation of this weapon, immediately exclaimed that it was Cheru's sword, and brandishing it above his head he announced that he would conquer the world. Battle after battle was fought by the Huns, who, according to the Saga, were everywhere victorious, until Attila, weary of warfare, settled down in Hungary, taking to wife the beautiful Burgundian princess Ildico, whose father he had slain. This princess, resenting the murder of her kin and wishing to avenge it, took advantage of the king's state of intoxication upon his wedding night to secure possession of the divine sword, with which she slew him in his bed, once more fulfilling the prophecy uttered so many years before.
The magic sword again disappeared for a long time, to be unearthed once more, for the last time, by the Duke of Alva, Charles V.'s general, who shortly after won the victory of Muehlberg (1547). The Franks were wont to celebrate yearly martial games in honour of the sword; but it is said that when the heathen gods were renounced in favour of Christianity, the priests transferred many of their attributes to the saints, and that this sword became the property of the Archangel St. Michael, who has wielded it ever since.
Tyr, whose name was synonymous with bravery and wisdom, was also considered by the ancient Northern people to have the white-armed Valkyrs, Odin's attendants, at his command, and they thought that he it was who designated the warriors whom they should transfer to Valhalla to aid the gods on the last day.
"The god Tyr sent Gondul and Skogul To choose a king Of the race of Ingve, To dwell with Odin In roomy Valhal."
Norse Mythology (R. B. Anderson).
The Story of Fenris
Tyr was generally spoken of and represented as one-armed, just as Odin was called one-eyed. Various explanations are offered by different authorities; some claim that it was because he could give the victory only to one side; others, because a sword has but one blade. However this may be, the ancients preferred to account for the fact in the following way:
Loki married secretly at Joetun-heim the hideous giantess Angur-boda (anguish boding), who bore him three monstrous children—the wolf Fenris, Hel, the parti-coloured goddess of death, and Ioermungandr, a terrible serpent. He kept the existence of these monsters secret as long as he could; but they speedily grew so large that they could no longer remain confined in the cave where they had come to light. Odin, from his throne Hlidskialf, soon became aware of their existence, and also of the disquieting rapidity with which they increased in size. Fearful lest the monsters, when they had gained further strength, should invade Asgard and destroy the gods, Allfather determined to get rid of them, and striding off to Joetun-heim, he flung Hel into the depths of Nifl-heim, telling her she could reign over the nine dismal worlds of the dead. He then cast Ioermungandr into the sea, where he attained such immense proportions that at last he encircled the earth and could bite his own tail.
"Into mid-ocean's dark depths hurled, Grown with each day to giant size, The serpent soon inclosed the world, With tail in mouth, in circle-wise; Held harmless still By Odin's will."
Valhalla (J. C. Jones).
None too well pleased that the serpent should attain such fearful dimensions in his new element, Odin resolved to lead Fenris to Asgard, where he hoped, by kindly treatment, to make him gentle and tractable. But the gods one and all shrank in dismay when they saw the wolf, and none dared approach to give him food except Tyr, whom nothing daunted. Seeing that Fenris daily increased in size, strength, voracity, and fierceness, the gods assembled in council to deliberate how they might best dispose of him. They unanimously decided that as it would desecrate their peace-steads to slay him, they would bind him fast so that he could work them no harm.
With that purpose in view, they obtained a strong chain named Laeding, and then playfully proposed to Fenris to bind this about him as a test of his vaunted strength. Confident in his ability to release himself, Fenris patiently allowed them to bind him fast, and when all stood aside, with a mighty effort he stretched himself and easily burst the chain asunder.
Concealing their chagrin, the gods were loud in praise of his strength, but they next produced a much stronger fetter, Droma, which, after some persuasion, the wolf allowed them to fasten around him as before. Again a short, sharp struggle sufficed to burst this bond, and it is proverbial in the North to use the figurative expressions, "to get loose out of Laeding," and "to dash out of Droma," whenever great difficulties have to be surmounted.
"Twice did the AEsir strive to bind, Twice did they fetters powerless find; Iron or brass of no avail, Naught, save through magic, could prevail."
Valhalla (J. C. Jones).
The gods, perceiving now that ordinary bonds, however strong, would never prevail against the Fenris wolf's great strength, bade Skirnir, Frey's servant, go down to Svart-alfa-heim and bid the dwarfs fashion a bond which nothing could sever.
By magic arts the dark elves manufactured a slender silken rope from such impalpable materials as the sound of a cat's footsteps, a woman's beard, the roots of a mountain, the longings of the bear, the voice of fishes, and the spittle of birds, and when it was finished they gave it to Skirnir, assuring him that no strength would avail to break it, and that the more it was strained the stronger it would become.
"Gleipnir, at last, By Dark Elves cast, In Svart-alf-heim, with strong spells wrought, To Odin was by Skirnir brought: As soft as silk, as light as air, Yet still of magic power most rare."
Valhalla (J. C. Jones).
Armed with this bond, called Gleipnir, the gods went with Fenris to the Island of Lyngvi, in the middle of Lake Amsvartnir, and again proposed to test his strength. But although Fenris had grown still stronger, he mistrusted the bond which looked so slight. He therefore refused to allow himself to be bound, unless one of the AEsir would consent to put his hand in his mouth, and leave it there, as a pledge of good faith, and that no magic arts were to be used against him.
The gods heard the decision with dismay, and all drew back except Tyr, who, seeing that the others would not venture to comply with this condition, boldly stepped forward and thrust his hand between the monster's jaws. The gods now fastened Gleipnir securely around Fenris's neck and paws, and when they saw that his utmost efforts to free himself were fruitless, they shouted and laughed with glee. Tyr, however, could not share their joy, for the wolf, finding himself captive, bit off the god's hand at the wrist, which since then has been known as the wolf's joint.
Loki.
"Be silent, Tyr! Thou couldst never settle A strife 'twixt two; Of thy right hand also I must mention make, Which Fenris from thee took.
Tyr.
I of a hand am wanting, But thou of honest fame; Sad is the lack of either. Nor is the wolf at ease: He in bonds must abide Until the gods' destruction."
Saemund's Edda (Thorpe's tr.).
Deprived of his right hand, Tyr was now forced to use the maimed arm for his shield, and to wield his sword with his left hand; but such was his dexterity that he slew his enemies as before.
The gods, in spite of the wolf's struggles, drew the end of the fetter Gelgia through the rock Gioll, and fastened it to the boulder Thviti, which was sunk deep in the ground. Opening wide his fearful jaws, Fenris uttered such terrible howls that the gods, to silence him, thrust a sword into his mouth, the hilt resting upon his lower jaw and the point against his palate. The blood then began to pour out in such streams that it formed a great river, called Von. The wolf was destined to remain thus chained fast until the last day, when he would burst his bonds and would be free to avenge his wrongs.
"The wolf Fenrir, Freed from the chain, Shall range the earth."
Death-song of Hakon (W. Taylor's tr.).
While some mythologists see in this myth an emblem of crime restrained and made innocuous by the power of the law, others see the underground fire, which kept within bounds can injure no one, but which unfettered fills the world with destruction and woe. Just as Odin's second eye is said to rest in Mimir's well, so Tyr's second hand (sword) is found in Fenris's jaws. He has no more use for two weapons than the sky for two suns.
The worship of Tyr is commemorated in sundry places (such as Tuebingen, in Germany), which bear more or less modified forms of his name. The name has also been given to the aconite, a plant known in Northern countries as "Tyr's helm."
CHAPTER VI: BRAGI
The Origin of Poetry
At the time of the dispute between the AEsir and Vanas, when peace had been agreed upon, a vase was brought into the assembly into which both parties solemnly spat. From this saliva the gods created Kvasir, a being renowned for his wisdom and goodness, who went about the world answering all questions asked him, thus teaching and benefiting mankind. The dwarfs, hearing about Kvasir's great wisdom, coveted it, and finding him asleep one day, two of their number, Fialar and Galar, treacherously slew him, and drained every drop of his blood into three vessels—the kettle Od-hroerir (inspiration) and the bowls Son (expiation) and Boden (offering). After duly mixing this blood with honey, they manufactured from it a sort of beverage so inspiring that any one who tasted it immediately became a poet, and could sing with a charm which was certain to win all hearts.
Now, although the dwarfs had brewed this marvellous mead for their own consumption, they did not even taste it, but hid it away in a secret place, while they went in search of further adventures. They had not gone very far ere they found the giant Gilling also sound asleep, lying on a steep bank, and they maliciously rolled him into the water, where he perished. Then hastening to his dwelling, some climbed on the roof, carrying a huge millstone, while the others, entering, told the giantess that her husband was dead. This news caused the poor creature great grief, and she rushed out of the house to view Gilling's remains. As she passed through the door, the wicked dwarfs rolled the millstone down upon her head, and killed her. According to another account, the dwarfs invited the giant to go fishing with them, and succeeded in slaying him by sending him out in a leaky vessel, which sank beneath his weight.
The double crime thus committed did not long remain unpunished, for Gilling's brother, Suttung, quickly went in search of the dwarfs, determined to avenge him. Seizing them in his mighty grasp, the giant conveyed them to a shoal far out at sea, where they would surely have perished at the next high tide had they not succeeded in redeeming their lives by promising to deliver to the giant their recently brewed mead. As soon as Suttung set them ashore, they therefore gave him the precious compound, which he entrusted to his daughter Gunlod, bidding her guard it night and day, and allow neither gods nor mortals to have so much as a taste. The better to fulfil this command, Gunlod carried the three vessels into the hollow mountain, where she kept watch over them with the most scrupulous care, nor did she suspect that Odin had discovered their place of concealment, thanks to the sharp eyes of his ever-vigilant ravens Hugin and Munin.
The Quest of the Draught
As Odin had mastered the runic lore and had tasted the waters of Mimir's fountain, he was already the wisest of gods; but learning of the power of the draught of inspiration manufactured out of Kvasir's blood, he became very anxious to obtain possession of the magic fluid. With this purpose in view he therefore donned his broad-brimmed hat, wrapped himself in his cloud-hued cloak, and journeyed off to Joetun-heim. On his way to the giant's dwelling he passed by a field where nine ugly thralls were busy making hay. Odin paused for a moment, watching them at their work, and noticing that their scythes seemed very dull indeed, he proposed to whet them, an offer which the thralls eagerly accepted.
Drawing a whetstone from his bosom, Odin proceeded to sharpen the nine scythes, skilfully giving them such a keen edge that the thralls, delighted, begged that they might have the stone. With good-humoured acquiescence, Odin tossed the whetstone over the wall; but as the nine thralls simultaneously sprang forward to catch it, they wounded one another with their keen scythes. In anger at their respective carelessness, they now began to fight, and did not pause until they were all either mortally wounded or dead.
Quite undismayed by this tragedy, Odin continued on his way, and shortly after came to the house of the giant Baugi, a brother of Suttung, who received him very hospitably. In the course of conversation, Baugi informed him that he was greatly embarrassed, as it was harvest time and all his workmen had just been found dead in the hayfield.
Odin, who on this occasion had given his name as Bolwerk (evil doer), promptly offered his services to the giant, promising to accomplish as much work as the nine thralls, and to labour diligently all the summer in exchange for one single draught of Suttung's magic mead when the busy season was ended. This bargain was immediately concluded, and Baugi's new servant, Bolwerk, worked incessantly all the summer long, more than fulfilling his contract, and safely garnering all the grain before the autumn rains began to fall. When the first days of winter came, Bolwerk presented himself before his master, claiming his reward. But Baugi hesitated and demurred, saying he dared not openly ask his brother Suttung for the draught of inspiration, but would try to obtain it by guile. Together, Bolwerk and Baugi then proceeded to the mountain where Gunlod dwelt, and as they could find no other mode of entering the secret cave, Odin produced his trusty auger, called Rati, and bade the giant bore with all his might to make a hole through which he might crawl into the interior.
Baugi silently obeyed, and after a few moments' work withdrew the tool, saying that he had pierced through the mountain, and that Odin would have no difficulty in slipping through. But the god, mistrusting this statement, merely blew into the hole, and when the dust and chips came flying into his face, he sternly bade Baugi resume his boring and not attempt to deceive him again. The giant did as he was told, and when he withdrew his tool again, Odin ascertained that the hole was really finished. Changing himself into a snake, he wriggled through with such remarkable rapidity that he managed to elude the sharp auger, which Baugi treacherously thrust into the hole after him, intending to kill him.
"Rati's mouth I caused To make a space, And to gnaw the rock; Over and under me Were the Joetun's ways: Thus I my head did peril."
Havamal (Thorpe's tr.).
The Rape of the Draught
Having reached the interior of the mountain, Odin reassumed his usual godlike form and starry mantle, and then presented himself in the stalactite-hung cave before the beautiful Gunlod. He intended to win her love as a means of inducing her to grant him a sip from each of the vessels confided to her care.
Won by his passionate wooing, Gunlod consented to become his wife, and after he had spent three whole days with her in this retreat, she brought out the vessels from their secret hiding-place, and told him he might take a sip from each.
"And a draught obtained Of the precious mead, Drawn from Od-hroerir."
Odin's Rune-Song (Thorpe's tr.).
Odin made good use of this permission and drank so deeply that he completely drained all three vessels. Then, having obtained all that he wanted, he emerged from the cave and, donning his eagle plumes, rose high into the blue, and, after hovering for a moment over the mountain top, winged his flight towards Asgard.
He was still far from the gods' realm when he became aware of a pursuer, and, indeed, Suttung, having also assumed the form of an eagle, was coming rapidly after him with intent to compel him to surrender the stolen mead. Odin therefore flew faster and faster, straining every nerve to reach Asgard before the foe should overtake him, and as he drew near the gods anxiously watched the race.
Seeing that Odin would only with difficulty be able to escape, the AEsir hastily gathered all the combustible materials they could find, and as he flew over the ramparts of their dwelling, they set fire to the mass of fuel, so that the flames, rising high, singed the wings of Suttung, as he followed the god, and he fell into the very midst of the fire, where he was burned to death.
As for Odin, he flew to where the gods had prepared vessels for the stolen mead, and disgorged the draught of inspiration in such breathless haste that a few drops fell and were scattered over the earth. There they became the portion of rhymesters and poetasters, the gods reserving the main draught for their own consumption, and only occasionally vouchsafing a taste to some favoured mortal, who, immediately after, would win world-wide renown by his inspired songs.
"Of a well-assumed form I made good use: Few things fail the wise; For Od-hroerir Is now come up To men's earthly dwellings."
Havamal (Thorpe's tr.).
As men and gods owed the priceless gift to Odin, they were ever ready to express to him their gratitude, and they not only called it by his name, but they worshipped him as patron of eloquence, poetry, and song, and of all scalds.
The God of Music
Although Odin had thus won the gift of poetry, he seldom made use of it himself. It was reserved for his son Bragi, the child of Gunlod, to become the god of poetry and music, and to charm the world with his songs.
"White-bearded bard, ag'd Bragi, his gold harp Sweeps—and yet softer Stealeth the day."
Viking Tales of the North (R. B. Anderson).
As soon as Bragi was born in the stalactite-hung cave where Odin had won Gunlod's affections, the dwarfs presented him with a magical golden harp, and, setting him on one of their own vessels, they sent him out into the wide world. As the boat gently passed out of subterranean darkness, and floated over the threshold of Nain, the realm of the dwarf of death, Bragi, the fair and immaculate young god, who until then had shown no signs of life, suddenly sat up, and, seizing the golden harp beside him, he began to sing the wondrous song of life, which rose at times to heaven, and then sank down to the dread realm of Hel, goddess of death.
"Yggdrasil's ash is Of all trees most excellent, And of all ships, Skidbladnir; Of the AEsir, Odin, And of horses, Sleipnir; Bifroest of bridges, And of scalds, Bragi."
Lay of Grimnir (Thorpe's tr.).
While he played the vessel was wafted gently over sunlit waters, and soon touched the shore. Bragi then proceeded on foot, threading his way through the bare and silent forest, playing as he walked. At the sound of his tender music the trees began to bud and bloom, and the grass underfoot was gemmed with countless flowers.
Here he met Idun, daughter of Ivald, the fair goddess of immortal youth, whom the dwarfs allowed to visit the earth from time to time, when, at her approach, nature invariably assumed its loveliest and gentlest aspect.
It was only to be expected that two such beings should feel attracted to each other, and Bragi soon won this fair goddess for his wife. Together they hastened to Asgard, where both were warmly welcomed and where Odin, after tracing runes on Bragi's tongue, decreed that he should be the heavenly minstrel and composer of songs in honour of the gods and of the heroes whom he received in Valhalla.
Worship of Bragi
As Bragi was god of poetry, eloquence, and song, the Northern races also called poetry by his name, and scalds of either sex were frequently designated as Braga-men or Braga-women. Bragi was greatly honoured by all the Northern races, and hence his health was always drunk on solemn or festive occasions, but especially at funeral feasts and at Yuletide celebrations.
When it was time to drink this toast, which was served in cups shaped like a ship, and was called the Bragaful, the sacred sign of the hammer was first made over it. Then the new ruler or head of the family solemnly pledged himself to some great deed of valour, which he was bound to execute within the year, unless he wished to be considered destitute of honour. Following his example, all the guests were then wont to make similar vows and declare what they would do; and as some of them, owing to previous potations, talked rather too freely of their intentions on these occasions, this custom seems to connect the god's name with the vulgar but very expressive English verb "to brag."
In art, Bragi is generally represented as an elderly man, with long white hair and beard, and holding the golden harp from which his fingers could draw such magic strains.
CHAPTER VII: IDUN
The Apples of Youth
Idun, the personification of spring or immortal youth, who, according to some mythologists, had no birth and was never to taste death, was warmly welcomed by the gods when she made her appearance in Asgard with Bragi. To further win their affections she promised them a daily taste of the marvellous apples which she bore in her casket, and which had the power of conferring immortal youth and loveliness upon all who partook of them.
"The golden apples Out of her garden Have yielded you a dower of youth, Ate you them every day."
Wagner (Forman's tr.).
Thanks to this magic fruit, the Scandinavian gods, who, because they sprang from a mixed race, were not all immortal, warded off the approach of old age and disease, and remained vigorous, beautiful, and young through countless ages. These apples were therefore considered very precious indeed, and Idun carefully treasured them in her magic casket. No matter how many she drew out, the same number always remained for distribution at the feast of the gods, to whom alone she vouchsafed a taste, although dwarfs and giants were eager to obtain possession of the fruit.
"Bright Iduna, Maid immortal! Standing at Valhalla's portal, In her casket has rich store Of rare apples gilded o'er; Those rare apples, not of Earth, Ageing AEsir give fresh birth."
Valhalla (J. C. Jones).
The Story of Thiassi
One day, Odin, Hoenir, and Loki started out upon one of their usual excursions to earth, and, after wandering for a long while, they found themselves in a deserted region, where they could discover no hospitable dwelling. Weary and very hungry, the gods, perceiving a herd of oxen, slew one of the beasts, and, kindling a fire, they sat down beside it to rest while waiting for their meat to cook.
To their surprise, however, in spite of the roaring flames the carcass remained quite raw. Realising that some magic must be at work, they looked about them to discover what could hinder their cookery, when they perceived an eagle perched upon a tree above them. Seeing that he was an object of suspicion to the wayfarers, the bird addressed them and admitted that he it was who had prevented the fire from doing its accustomed work, but he offered to remove the spell if they would give him as much food as he could eat. The gods agreed to do this, whereupon the eagle, swooping downward, fanned the flames with his huge wings, and soon the meat was cooked. The eagle then made ready to carry off three quarters of the ox as his share, but this was too much for Loki, who seized a great stake lying near at hand, and began to belabour the voracious bird, forgetting that it was skilled in magic arts. To his great dismay one end of the stake stuck fast to the eagle's back, the other to his hands, and he found himself dragged over stones and through briers, sometimes through the air, his arms almost torn out of their sockets. In vain he cried for mercy and implored the eagle to let him go; the bird flew on, until he promised any ransom his captor might ask in exchange for his release.
The seeming eagle, who was the storm giant Thiassi, at last agreed to release Loki upon one condition. He made him promise upon the most solemn of oaths that he would lure Idun out of Asgard, so that Thiassi might obtain possession of her and of her magic fruit.
Released at last, Loki returned to Odin and Hoenir, to whom, however, he was very careful not to confide the condition upon which he had obtained his freedom; and when they had returned to Asgard he began to plan how he might entice Idun outside of the gods' abode. A few days later, Bragi being absent on one of his minstrel journeys, Loki sought Idun in the groves of Brunnaker, where she had taken up her abode, and by artfully describing some apples which grew at a short distance, and which he mendaciously declared were exactly like hers, he lured her away from Asgard with a crystal dish full of fruit, which she intended to compare with that which he extolled. No sooner had Idun left Asgard, however, than the deceiver Loki forsook her, and ere she could return to the shelter of the heavenly abode the storm giant Thiassi swept down from the north on his eagle wings, and catching her up in his cruel talons, he bore her swiftly away to his barren and desolate home of Thrym-heim.
"Thrymheim the sixth is named, Where Thiassi dwelt, That all-powerful Joetun."
Lay of Grimnir (Thorpe's tr.).
Isolated from her beloved companions, Idun pined, grew pale and sad, but persistently refused to give Thiassi the smallest bite of her magic fruit, which, as he well knew, would make him beautiful and renew his strength and youth.
"All woes that fall On Odin's hall Can be traced to Loki base. From out Valhalla's portal 'Twas he who pure Iduna lured,— Whose casket fair Held apples rare That render gods immortal,— And in Thiassi's tower immured."
Valhalla (J. C. Jones).
Time passed. The gods, thinking that Idun had accompanied her husband and would soon return, at first paid no heed to her departure, but little by little the beneficent effect of the last feast of apples passed away. They began to feel the approach of old age, and saw their youth and beauty disappear; so, becoming alarmed, they began to search for the missing goddess.
Close investigation revealed the fact that she had last been seen in Loki's company, and when Odin sternly called him to account, he was forced to admit that he had betrayed her into the storm-giant's power.
"By his mocking, scornful mien, Soon in Valhal it was seen 'Twas the traitor Loki's art Which had led Idun apart To gloomy tower And Jotun power."
Valhalla (J. C. Jones).
The Return of Idun
The attitude of the gods now became very menacing, and it was clear to Loki that if he did not devise means to restore the goddess, and that soon, his life would be in considerable danger.
He assured the indignant gods, therefore, that he would leave no stone unturned in his efforts to secure the release of Idun, and, borrowing Freya's falcon plumage, he flew off to Thrym-heim, where he found Idun alone, sadly mourning her exile from Asgard and her beloved Bragi. Changing the fair goddess into a nut according to some accounts, or according to others, into a swallow, Loki grasped her tightly between his claws, and then rapidly retraced his way to Asgard, hoping that he would reach the shelter of its high walls ere Thiassi returned from a fishing excursion in the Northern seas to which he had gone.
Meantime the gods had assembled on the ramparts of the heavenly city, and they were watching for the return of Loki with far more anxiety than they had felt for Odin when he went in search of Od-hroerir. Remembering the success of their ruse on that occasion, they had gathered great piles of fuel, which they were ready to set on fire at any moment.
Suddenly they saw Loki coming, but descried in his wake a great eagle. This was the giant Thiassi who had suddenly returned to Thrym-heim and found that his captive had been carried off by a falcon, in whom he readily recognised one of the gods. Hastily donning his eagle plumes he had given immediate chase and was rapidly overtaking his prey. Loki redoubled his efforts as he neared the walls of Asgard, and ere Thiassi overtook him he reached the goal and sank exhausted in the midst of the gods. Not a moment was lost in setting fire to the accumulated fuel, and as the pursuing Thiassi passed over the walls in his turn, the flames and smoke brought him to the ground crippled and half stunned, an easy prey to the gods, who fell ruthlessly upon him and slew him.
The AEsir were overjoyed at the recovery of Idun, and they hastened to partake of the precious apples which she had brought safely back. Feeling the return of their wonted strength and good looks with every mouthful they ate, they good-naturedly declared that it was no wonder if even the giants longed to taste the apples of perpetual youth. They vowed therefore that they would place Thiassi's eyes as a constellation in the heavens, in order to soften any feeling of anger which his kinsmen might experience upon learning that he had been slain.
"Up I cast the eyes Of Allvaldi's son Into the heaven's serene: They are signs the greatest Of my deeds."
Lay of Harbard (Thorpe's tr.).
The Goddess of Spring
The physical explanation of this myth is obvious. Idun, the emblem of vegetation, is forcibly carried away in autumn, when Bragi is absent and the singing of the birds has ceased. The cold wintry wind, Thiassi, detains her in the frozen, barren north, where she cannot thrive, until Loki, the south wind, brings back the seed or the swallow, which are both precursors of the returning spring. The youth, beauty, and strength conferred by Idun are symbolical of Nature's resurrection in spring after winter's sleep, when colour and vigour return to the earth, which had grown wrinkled and grey.
Idun Falls to the Nether World
As the disappearance of Idun (vegetation) was a yearly occurrence, we might expect to find other myths dealing with the striking phenomenon, and there is another favourite of the old scalds which, unfortunately, has come down to us only in a fragmentary and very incomplete form. According to this account, Idun was once sitting upon the branches of the sacred ash Yggdrasil when, growing suddenly faint, she loosed her hold and dropped to the ground beneath, and down to the lowest depths of Nifl-heim. There she lay, pale and motionless, gazing with fixed and horror-struck eyes upon the gruesome sights of Hel's realm, trembling violently the while, like one overcome by penetrating cold.
"In the dales dwells The prescient Dis, From Yggdrasil's Ash sunk down, Of alfen race, Idun by name, The youngest of Ivaldi's Elder children. She ill brooked Her descent Under the hoar tree's Trunk confined. She would not happy be With Norvi's daughter, Accustomed to a pleasanter Abode at home."
Odin's Ravens' Song (Thorpe's tr.).
Seeing that she did not return, Odin bade Bragi, Heimdall, and another of the gods go in search of her, giving them a white wolfskin to envelop her in, so that she should not suffer from the cold, and bidding them make every effort to rouse her from the stupor which his prescience told him had taken possession of her.
"A wolf's skin they gave her, In which herself she clad."
Odin's Ravens' Song (Thorpe's tr.).
Idun passively allowed the gods to wrap her in the warm wolfskin, but she persistently refused to speak or move, and from her strange manner her husband sadly suspected that she had had a vision of great ills. The tears ran continuously down her pallid cheeks, and Bragi, overcome by her unhappiness, at length bade the other gods return to Asgard without him, vowing that he would remain beside his wife until she was ready to leave Hel's dismal realm. The sight of her woe oppressed him so sorely that he had no heart for his usual merry songs, and the strings of his harp were mute while he remained in the underworld.
"That voice-like zephyr o'er flow'r meads creeping, Like Bragi's music his harp strings sweeping."
Viking Tales of the North (R. B. Anderson).
In this myth Idun's fall from Yggdrasil is symbolical of the autumnal falling of the leaves, which lie limp and helpless on the cold bare ground until they are hidden from sight under the snow, represented by the wolfskin, which Odin, the sky, sends down to keep them warm; and the cessation of the birds' songs is further typified by Bragi's silent harp.
CHAPTER VIII: NIOeRD
A Hostage with the Gods
We have already seen how the AEsir and Vanas exchanged hostages after the terrible war they had waged against each other, and that while Hoenir, Odin's brother, went to live in Vana-heim, Nioerd, with his two children, Frey and Freya, definitely took up his abode in Asgard.
"In Vana-heim Wise powers him created, And to the gods a hostage gave."
Lay of Vafthrudnir (Thorpe's tr.).
As ruler of the winds, and of the sea near the shore, Nioerd was given the palace of Noatun, near the seashore, where, we are told, he stilled the terrible tempests stirred up by AEgir, god of the deep sea.
"Nioerd, the god of storms, whom fishers know; Not born in Heaven—he was in Van-heim rear'd, With men, but lives a hostage with the gods; He knows each frith, and every rocky creek Fringed with dark pines, and sands where sea-fowl scream."
Balder Dead (Matthew Arnold).
He also extended his special protection over commerce and fishing, which two occupations could be pursued with advantage only during the short summer months, of which he was in a measure considered the personification.
The God of Summer
Nioerd is represented in art as a very handsome god, in the prime of life, clad in a short green tunic, with a crown of shells and seaweed upon his head, or a brown-brimmed hat adorned with eagle or heron plumes. As personification of the summer, he was invoked to still the raging storms which desolated the coasts during the winter months. He was also implored to hasten the vernal warmth and thereby extinguish the winter fires.
As agriculture was practised only during the summer months, and principally along the fiords or sea inlets, Nioerd was also invoked for favourable harvests, for he was said to delight in prospering those who placed their trust in him.
Nioerd's first wife, according to some authorities, was his sister Nerthus, Mother Earth, who in Germany was identified with Frigga, as we have seen, but in Scandinavia was considered a separate divinity. Nioerd was, however, obliged to part with her when summoned to Asgard, where he occupied one of the twelve seats in the great council hall, and was present at all the assemblies of the gods, withdrawing to Noatun only when his services were not required by the AEsir.
"Noatun is the eleventh; There Nioerd has Himself a dwelling made, Prince of men; Guiltless of sin, He rules o'er the high-built fane."
Lay of Grimnir (Thorpe's tr.).
In his home by the seashore, Nioerd delighted in watching the gulls fly to and fro, and in observing the graceful movements of the swans, his favourite birds, which were held sacred to him. He spent many an hour, too, gazing at the gambols of the gentle seals, which came to bask in the sunshine at his feet.
Skadi, Goddess of Winter
Shortly after Idun's return from Thrym-heim, and Thiassi's death within the bounds of Asgard, the assembled gods were greatly surprised and dismayed to see Skadi, the giant's daughter, appear one day in their midst, to demand satisfaction for her father's death. Although the daughter of an ugly old Hrim-thurs, Skadi, the goddess of winter, was very beautiful indeed, in her silvery armour, with her glittering spear, sharp-pointed arrows, short white hunting dress, white fur leggings, and broad snowshoes; and the gods could not but recognise the justice of her claim, wherefore they offered the usual fine in atonement. Skadi, however, was so angry that she at first refused this compromise, and sternly demanded a life for a life, until Loki, wishing to appease her wrath, and thinking that if he could only make her cold lips relax in a smile the rest would be easy, began to play all manner of pranks. Fastening a goat to himself by an invisible cord, he went through a series of antics, which were reproduced by the goat; and the sight was so grotesque that all the gods fairly shouted with merriment, and even Skadi was forced to smile.
Taking advantage of this softened mood, the gods pointed to the firmament where her father's eyes glowed like radiant stars in the northern hemisphere. They told her they had placed them there to show him all honour, and finally added that she might select as husband any of the gods present at the assembly, providing she were content to judge of their attractions by their naked feet.
Blindfolded, so that she could see only the feet of the gods standing in a circle around her, Skadi looked about her and her gaze fell upon a pair of beautifully formed feet. She felt sure they must belong to Balder, the god of light, whose bright face had charmed her, and she designated their owner as her choice.
When the bandage was removed, however, she discovered to her chagrin that she had chosen Nioerd, to whom her troth was plighted; but notwithstanding her disappointment, she spent a happy honeymoon in Asgard, where all seemed to delight in doing her honour. After this, Nioerd took his bride home to Noatun, where the monotonous sound of the waves, the shrieking of the gulls, and the cries of the seals so disturbed Skadi's slumbers that she finally declared it was quite impossible for her to remain there any longer, and she implored her husband to take her back to her native Thrym-heim.
"Sleep could I not On my sea-strand couch, For screams of the sea fowl. There wakes me, When from the wave he comes, Every morning the mew."
Norse Mythology (R. B. Anderson).
Nioerd, anxious to please his new wife, consented to take her to Thrym-heim and to dwell there with her nine nights out of every twelve, providing she would spend the remaining three with him at Noatun; but when he reached the mountain region, the soughing of the wind in the pines, the thunder of the avalanches, the cracking of the ice, the roar of the waterfalls, and the howling of the wolves appeared to him as unbearable as the sound of the sea had seemed to his wife, and he could not but rejoice each time when his period of exile was ended, and he found himself again at Noatun.
"Am weary of the mountains; Not long was I there, Only nine nights; The howl of the wolves Methought sounded ill To the song of the swans."
Norse Mythology (R. B. Anderson).
The Parting of Nioerd and Skadi
For some time, Nioerd and Skadi, who are the personifications of summer and winter, alternated thus, the wife spending the three short summer months by the sea, and he reluctantly remaining with her in Thrym-heim during the nine long winter months. But, concluding at last that their tastes would never agree, they decided to part for ever, and returned to their respective homes, where each could follow the occupations which custom had endeared to them. |
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