"I have established thy command over all the gods. Thou shalt rule over them. Be mighty, thou my chosen husband, and let thy name be exalted over all the spirits of heaven and spirits of earth."

Unto Kingu did Tiamat deliver the tablets of fate; she laid them in his bosom, and said, "Thy commands cannot be changed; thy words shall remain firm."

Thus was Kingu exalted; he was vested with the divine power of Anu to decree the fate of the gods, saying, "Let thy mouth open to thwart the fire god; be mighty in battle nor brook resistance."

Then had Ea knowledge of Tiamat's doings, how she had gathered her forces together, and how she had prepared to work evil against the high gods with purpose to avenge Apsu. The wise god was stricken with grief, and he moaned for many days. Thereafter he went and stood before his father, Anshar, and spake, saying, "Our mother, Tiamat, hath turned against us in her wrath. She hath gathered the gods about her, and those thou didst create are with her also."

When Anshar heard all that Ea revealed regarding the preparations made by Tiamat, he smote his loins and clenched his teeth, and was ill at ease. In sorrow and anger he spoke and said, "Thou didst go forth aforetime to battle; thou didst bind Mummu and smite Apsu. Now Kingu is exalted, and there is none who can oppose Tiamat."[156]

Anshar called his son, Anu, before him, and spoke, saying: "O mighty one without fear, whose attack is irresistible, go now before Tiamat and speak so that her anger may subside and her heart be made merciful. But if she will not hearken unto thee, speak thou for me, so that she may be reconciled."

Anu was obedient to the commands of Anshar. He departed, and descended by the path of Tiamat until he beheld her fuming and snarling, but he feared to approach her, and turned back.

Then Ea was sent forth, but he was stricken with terror and turned back also.[157]

Anshar then called upon Merodach, son of Ea, and addressed him, saying, "My son, who softeneth my heart, thou shalt go forth to battle and none shall stand against thee."

The heart of Merodach was made glad at these words. He stood before Anshar, who kissed him, because that he banished fear. Merodach spake, saying: "O lord of the gods, withdraw not thy words; let me go forth to do as is thy desire. What man hath challenged thee to battle?"

Anshar made answer and said: "No man hath challenged me. It is Tiamat, the woman, who hath resolved to wage war against us. But fear not and make merry, for thou shalt bruise the head of Tiamat. O wise god, thou shalt overcome her with thy pure incantation. Tarry not but hasten forth; she cannot wound thee; thou shalt come back again." The words of Anshar delighted the heart of Merodach, who spake, saying: "O lord of the gods, O fate of the high gods, if I, the avenger, am to subdue Tiamat and save all, then proclaim my greatness among the gods. Let all the high gods gather together joyfully in Upshukinaku (the Council Hall), so that my words like thine may remain unchanged, and what I do may never be altered. Instead of thee I will decree the fates of the gods."

Then Anshar called unto his counsellor, Gaga, and addressing him, said: "O thou who dost share my desires, thou who dost understand the purpose of my heart, go unto Lachmu and Lachamu and summon all the high gods to come before me to eat bread and drink wine. Repeat to them all I tell you of Tiamat's preparations for war, of my commands to Anu and Ea, who turned back, fearing the dragon, of my choice of Merodach to be our avenger, and his desire to be equipped with my power to decree fate, so that he may be made strong to combat against our enemy."

As Anshar commanded so did Gaga do. He went unto Lachmu and Lachamu and prostrated himself humbly before them. Then he rose and delivered the message of Anshar, their son, adding: "Hasten and speedily decide for Merodach your fate. Permit him to depart to meet your powerful foe."

When Lachmu and Lachamu heard all that Gaga revealed unto them they uttered lamentations, while the Igigi (heavenly spirits) sorrowed bitterly, and said: "What change hath happened that Tiamat hath become hostile to her own offspring? We cannot understand her deeds."

All the high gods then arose and went unto Anshar, They filled his council chamber and kissed one another. Then they sat down to eat bread and drink sesame wine. And when they were made drunk and were merry and at their ease, they decreed the fate for Merodach.

In the chamber of Anshar they honoured the Avenger. He was exalted as a prince over them all, and they said: "Among the high gods thou art the highest; thy command is the command of Anu. Henceforth thou wilt have power to raise up and to cast down. None of the gods will dispute thy authority. O Merodach, our avenger, we give thee sovereignty over the entire Universe. Thy weapon will ever be irresistible. Smite down the gods who have raised revolt, but spare the lives of those who repose their trust in thee."

Then the gods laid down a garment before Merodach, saying: "Open thy mouth and speak words of command, so that the garment may be destroyed; speak again and it will be brought back."

Merodach spake with his mouth and the garment vanished; he spake again and the garment was reproduced.

All the gods rejoiced, and they prostrated themselves and cried out, "Merodach is King!"

Thereafter they gave him the sceptre and the throne and the insignia of royalty, and also an irresistible weapon[158] with which to overcome his enemies, saying: "Now, O Merodach, hasten and slay Tiamat. Let the winds carry her blood to hidden places."

So was the fate of Merodach decreed by the gods; so was a path of prosperity and peace prepared for him. He made ready for battle; he strung his bow and hung his quiver; he slung a dart over his shoulder, and he grasped a club in his right hand; before him he set lightning, and with flaming fire he filled his body. Anu gave unto him a great net with which to snare his enemies and prevent their escape. Then Merodach created seven winds—the wind of evil, the uncontrollable wind, the sandstorm, and the whirlwind, the fourfold wind, the sevenfold wind, and the wind that has no equal—and they went after him. Next he seized his mighty weapon, the thunderstone, and leapt into his storm chariot, to which were yoked four rushing and destructive steeds of rapid flight, with foam-flecked mouths and teeth full of venom, trained for battle, to overthrow enemies and trample them underfoot. A light burned on the head of Merodach, and he was clad in a robe of terror. He drove forth, and the gods, his fathers, followed after him: the high gods clustered around and followed him, hastening to battle.

Merodach drove on, and at length he drew nigh to the secret lair of Tiamat, and he beheld her muttering with Kingu, her consort. For a moment he faltered, and when the gods who followed him beheld this, their eyes were troubled.

Tiamat snarled nor turned her head. She uttered curses, and said: "O Merodach, I fear not thy advance as chief of the gods. My allies are assembled here, and are more powerful than thou art."

Merodach uplifted his arm, grasping the dreaded thunderstone, and spake unto Tiamat, the rebellious one, saying: "Thou hast exalted thyself, and with wrathful heart hath prepared for war against the high gods and their fathers, whom thou dost hate in thy heart of evil. Unto Kingu thou hast given the power of Anu to decree fate, because thou art hostile to what is good and loveth what is sinful. Gather thy forces together, and arm thyself and come forth to battle."

When Tiamat heard these mighty words she raved and cried aloud like one who is possessed; all her limbs shook, and she muttered a spell. The gods seized their weapons.

Tiamat and Merodach advanced to combat against one another. They made ready for battle. The lord of the high gods spread out the net which Anu had given him. He snared the dragon and she could not escape. Tiamat opened her mouth which was seven miles wide, and Merodach called upon the evil wind to smite her; he caused the wind to keep her mouth agape so that she could not close it. All the tempests and the hurricanes entered in, filling her body, and her heart grew weak; she gasped, overpowered. Then the lord of the high gods seized his dart and cast it through the lower part of her body; it tore her inward parts and severed her heart. So was Tiamat slain.

Merodach overturned the body of the dead dragon and stood upon it. All the evil gods who had followed her were stricken with terror and broke into flight. But they were unable to escape. Merodach caught them in his great net, and they stumbled and fell uttering cries of distress, and the whole world resounded with their wailing and lamentations. The lord of the high gods broke the weapons of the evil gods and put them in bondage. Then he fell upon the monsters which Tiamat had created; he subdued them, divested them of their powers, and trampled them under his feet. Kingu he seized with the others. From this god great Merodach took the tablets of fate, and impressing upon them his own seal, placed them in his bosom.

So were the enemies of the high gods overthrown by the Avenger. Ansar's commands were fulfilled and the desires of Ea fully accomplished.

Merodach strengthened the bonds which he had laid upon the evil gods and then returned to Tiamat. He leapt upon the dragon's body; he clove her skull with his great club; he opened the channels of her blood which streamed forth, and caused the north to carry her blood to hidden places. The high gods, his fathers, clustered around; they raised shouts of triumph and made merry. Then they brought gifts and offerings to the great Avenger.

Merodach rested a while, gazing upon the dead body of the dragon. He divided the flesh of Ku-pu[159], and devised a cunning plan.

Then the lord of the high gods split the body of the dragon like that of a mashde fish into two halves. With one half he enveloped the firmament; he fixed it there and set a watchman to prevent the waters falling down[160]. With the other half he made the earth[161]. Then he made the abode of Ea in the deep, and the abode of Anu in high heaven. The abode of Enlil was in the air.

Merodach set all the great gods in their several stations. He also created their images, the stars of the Zodiac, and fixed them all. He measured the year and divided it into months; for twelve months he made three stars each. After he had given starry images of the gods separate control of each day of the year, he founded the station of Nibiru (Jupiter), his own star, to determine the limits of all stars, so that none might err or go astray. He placed beside his own the stations of Enlil and Ea, and on each side he opened mighty gates, fixing bolts on the left and on the right. He set the zenith in the centre.

Merodach decreed that the moon god should rule the night and measure the days, and each month he was given a crown. Its various phases the great lord determined, and he commanded that on the evening of its fullest brilliancy it should stand opposite the sun.[162]

He placed his bow in heaven (as a constellation) and his net also.

We have now reached the sixth tablet, which begins with a reference to words spoken to Merodach by the gods. Apparently Ea had conceived in his heart that mankind should be created. The lord of the gods read his thoughts and said: "I will shed my blood and fashion bone... I will create man to dwell on the earth so that the gods may be worshipped and shrines erected for them. I will change the pathways of the gods...."

The rest of the text is fragmentary, and many lines are missing. Berosus states, however, that Belus (Bel Merodach) severed his head from his shoulders. His blood flowed forth, and the gods mixed it with earth and formed the first man and various animals.

In another version of the creation of man, it is related that Merodach "laid a reed upon the face of the waters; he formed dust, and poured it out beside the reed.... That he might cause the gods to dwell in the habitation of their heart's desire, he formed mankind." The goddess Aruru, a deity of Sippar, and one of the forms of "the lady of the gods ", is associated with Merodach as the creatrix of the seed of mankind. "The beasts of the field and living creatures in the field he formed." He also created the Tigris and Euphrates rivers, grass, reeds, herbs and trees, lands, marshes and swamps, cows, goats, &c.[163]

In the seventh tablet Merodach is praised by the gods—the Igigi (spirits of heaven). As he has absorbed all their attributes, he is addressed by his fifty-one names; henceforth each deity is a form of Merodach. Bel Enlil, for instance, is Merodach of lordship and domination; Sin, the moon god, is Merodach as ruler of night; Shamash is Merodach as god of law and holiness; Nergal is Merodach of war; and so on. The tendency to monotheism appears to have been most marked among the priestly theorists of Babylon.

Merodach is hailed to begin with as Asari, the introducer of agriculture and horticulture, the creator of grain and plants. He also directs the decrees of Anu, Bel, and Ea; but having rescued the gods from destruction at the hands of Kingu and Tiamat, he was greater than his "fathers", the elder gods. He set the Universe in order, and created all things anew. He is therefore Tutu, "the creator", a merciful and beneficent god. The following are renderings of lines 25 to 32:

Tutu: Aga-azaga (the glorious crown) may he make the crowns glorious— The lord of the glorious incantation bringing the dead to life; He who had mercy on the gods who had been overpowered; Made heavy the yoke which he had laid on the gods who were his enemies, (And) to redeem (?) them created mankind. "The merciful one", "he with whom is salvation", May his word be established, and not forgotten, In the mouth of the black-headed ones whom his hands have made.

Pinches' Translation[164]

Tutu as Aga-azag may mankind fourthly magnify! "The Lord of the Pure Incantation", "the Quickener of the Dead ", "Who had mercy upon the captive gods", "Who removed the yoke from upon the gods his enemies". "For their forgiveness did he create mankind", "The Merciful One, with whom it is to bestow life!" May his deeds endure, may they never be forgotten In the mouth of mankind whom his hands have made.

King's Translation.[165]

Apparently the Babylonian doctrine set forth that mankind was created not only to worship the gods, but also to bring about the redemption of the fallen gods who followed Tiamat.

Those rebel angels (ili gods) He prohibited return; He stopped their service; He removed them unto the gods (ili) who were His enemies. In their room he created mankind.[166]

Tiamat, the chaos dragon, is the Great Mother. She has a dual character. As the origin of good she is the creatrix of the gods. Her beneficent form survived as the Sumerian goddess Bau, who was obviously identical with the Phoenician Baau, mother of the first man. Another name of Bau was Ma, and Nintu, "a form of the goddess Ma", was half a woman and half a serpent, and was depicted with "a babe suckling her breast" (Chapter IV). The Egyptian goddesses Neheb-kau and Uazit were serpents, and the goddesses Isis and Nepthys had also serpent forms. The serpent was a symbol of fertility, and as a mother was a protector. Vishnu, the Preserver of the Hindu Trinity, sleeps on the world-serpent's body. Serpent charms are protective and fertility charms.

As the origin of evil Tiamat personified the deep and tempests. In this character she was the enemy of order and good, and strove to destroy the world.

I have seen The ambitious ocean swell and rage and foam To be exalted with the threatening clouds.[167]

Tiamat was the dragon of the sea, and therefore the serpent or leviathan. The word "dragon" is derived from the Greek "drakon", the serpent known as "the seeing one" or "looking one", whose glance was the lightning. The Anglo-Saxon "fire drake" ("draca", Latin "draco") is identical with the "flying dragon".

In various countries the serpent or worm is a destroyer which swallows the dead. "The worm shall eat them like wool", exclaimed Isaiah in symbolic language.[168] It lies in the ocean which surrounds the world in Egyptian, Babylonian, Greek, Teutonic, Indian, and other mythologies. The Irish call it "moruach", and give it a mermaid form like the Babylonian Nintu. In a Scottish Gaelic poem Tiamat figures as "The Yellow Muilearteach", who is slain by Finn-mac-Coul, assisted by his warrior band.

There was seen coming on the top of the waves The crooked, clamouring, shivering brave ... Her face was blue black of the lustre of coal, And her bone-tufted tooth was like rusted bone.[169]

The serpent figures in folk tales. When Alexander the Great, according to Ethiopic legend, was lowered in a glass cage to the depths of the ocean, he saw a great monster going past, and sat for two days "watching for its tail and hinder parts to appear".[170] An Argyllshire Highlander had a similar experience. He went to fish one morning on a rock. "He was not long there when he saw the head of an eel pass. He continued fishing for an hour and the eel was still passing. He went home, worked in the field all day, and having returned to the same rock in the evening, the eel was still passing, and about dusk he saw her tail disappearing."[171] Tiamat's sea-brood is referred to in the Anglo-Saxon epic Beowulf as "nickers". The hero "slew by night sea monsters on the waves" (line 422).

The well dragon—the French "draco"—also recalls the Babylonian water monsters. There was a "dragon well" near Jerusalem.[172] From China to Ireland rivers are dragons, or goddesses who flee from the well dragons. The demon of the Rhone is called the "drac". Floods are also referred to as dragons, and the Hydra, or water serpent, slain by Hercules, belongs to this category. Water was the source of evil as well as good. To the Sumerians, the ocean especially was the abode of monsters. They looked upon it as did Shakespeare's Ferdinand, when, leaping into the sea, he cried: "Hell is empty and all the devils are here".[173]

There can be little doubt but that in this Babylonian story of Creation we have a glorified variation of the widespread Dragon myth. Unfortunately, however, no trace can be obtained of the pre-existing Sumerian oral version which the theorizing priests infused with such sublime symbolism. No doubt it enjoyed as great popularity as the immemorial legend of Perseus and Andromeda, which the sages of Greece attempted to rationalize, and parts of which the poets made use of and developed as these appealed to their imaginations.

The lost Sumerian story may be summarized as follows: There existed in the savage wilds, or the ocean, a family of monsters antagonistic to a group of warriors represented in the Creation legend by the gods. Ea, the heroic king, sets forth to combat with the enemies of man, and slays the monster father, Apsu, and his son, Mummu. But the most powerful demon remains to be dealt with. This is the mother Tiamat, who burns to avenge the deaths of her kindred. To wage war against her the hero makes elaborate preparations, and equips himself with special weapons. The queen of monsters cannot be overcome by ordinary means, for she has great cunning, and is less vulnerable than were her husband and son. Although Ea may work spells against her, she is able to thwart him by working counter spells. Only a hand-to-hand combat can decide the fray. Being strongly protected by her scaly hide, she must be wounded either on the under part of her body or through her mouth by a weapon which will pierce her liver, the seat of life. It will be noted in this connection that Merodach achieved success by causing the winds which followed him to distend the monster's jaws, so that he might be able to inflict the fatal blow and prevent her at the same time from uttering spells to weaken him.

This type of story, in which the mother monster is greater and more powerful than her husband or son, is exceedingly common in Scottish folklore. In the legend which relates the adventures of "Finn in the Kingdom of Big Men", the hero goes forth at night to protect his allies against the attacks of devastating sea monsters. Standing on the beach, "he saw the sea advancing in fiery kilns and as a darting serpent.... A huge monster came up, and looking down below where he (Finn) was, exclaimed, 'What little speck do I see here?'" Finn, aided by his fairy dog, slew the water monster. On Finn, aided by his fairy dog, slew the water monster. On the following night a bigger monster, "the father", came ashore, and he also was slain. But the most powerful enemy had yet to be dealt with. "The next night a Big Hag came ashore, and the tooth in the front of her mouth would make a distaff. 'You killed my husband and son,' she said." Finn acknowledged that he did, and they began to fight. After a prolonged struggle, in which Finn was almost overcome, the Hag fell and her head was cut off.[174]

The story of "Finlay the Changeling" has similar features. The hero slew first a giant and then the giant's father. Thereafter the Hag came against him and exclaimed, "Although with cunning and deceitfulness you killed my husband last night and my son on the night before last, I shall certainly kill you to-night." A fierce wrestling match ensued on the bare rock. The Hag was ultimately thrown down. She then offered various treasures to ransom her life, including "a gold sword in my cave", regarding which she says, "never was it drawn to man or to beast whom it did not overcome".[175] In other Scottish stories of like character the hero climbs a tree, and says something to induce the hag to open her mouth, so that he may plunge his weapon down her throat.

The Grendel story in Beowulf,[176] the Anglo-Saxon epic, is of like character. A male water monster preys nightly upon the warriors who sleep in the great hall of King Hrothgar. Beowulf comes over the sea, as did Finn to the "Kingdom of Big Men", to sky Grendel. He wrestles with this man-eater and mortally wounds him. Great rejoicings ensue, but they have to be brought to an abrupt conclusion, because the mother of Grendel has meanwhile resolved "to go a sorry journey and avenge the death of her son".

The narrative sets forth that she enters the Hall in the darkness of night. "Quickly she grasped one of the nobles tight, and then she went towards the fen", towards her submarine cave. Beowulf follows in due course, and, fully armoured, dives through the waters and ultimately enters the monster's lair. In the combat the "water wife" proves to be a more terrible opponent than was her son. Indeed, Beowulf was unable to slay her until he possessed himself of a gigantic sword, "adorned with treasure", which was hanging in the cave. With this magic weapon he slays the mother monster, whose poisonous blood afterwards melts the "damasked blade". Like Finn, he subsequently returns with the head of one of the monsters.

An interesting point about this story is that it does not appear in any form in the North German cycle of Romance. Indeed, the poet who included in his epic the fiery dragon story, which links the hero Beowulf with Sigurd and Siegfried, appears to be doubtful about the mother monster's greatness, as if dealing with unfamiliar material, for he says: "The terror (caused by Grendel's mother) was less by just so much as woman's strength, woman's war terror, is (measured) by fighting men".[177] Yet, in the narrative which follows the Amazon is proved to be the stronger monster of the two. Traces of the mother monster survive in English folklore, especially in the traditions about the mythical "Long Meg of Westminster", referred to by Ben Jonson in his masque of the "Fortunate Isles":

Westminster Meg, With her long leg, As long as a crane; And feet like a plane, With a pair of heels As broad as two wheels.

Meg has various graves. One is supposed to be marked by a huge stone in the south side of the cloisters of Westminster Abbey; it probably marks the trench in which some plague victims—regarded, perhaps, as victims of Meg—were interred. Meg was also reputed to have been petrified, like certain Greek and Irish giants and giantesses. At Little Salkeld, near Penrith, a stone circle is referred to as "Long Meg and her Daughters". Like "Long Tom", the famous giant, "Mons Meg" gave her name to big guns in early times, all hags and giants having been famous in floating folk tales as throwers of granite boulders, balls of hard clay, quoits, and other gigantic missiles.

The stories about Grendel's mother and Long Meg are similar to those still repeated in the Scottish Highlands. These contrast sharply with characteristic Germanic legends, in which the giant is greater than the giantess, and the dragon is a male, like Fafner, who is slain by Sigurd, and Regin whom Siegfried overcomes. It is probable, therefore, that the British stories of female monsters who were more powerful than their husbands and sons, are of Neolithic and Iberian origin—immemorial relics of the intellectual life of the western branch of the Mediterranean race.

In Egypt the dragon survives in the highly developed mythology of the sun cult of Heliopolis, and, as sun worship is believed to have been imported, and the sun deity is a male, it is not surprising to find that the night demon, Apep, was a personification of Set. This god, who is identical with Sutekh, a Syrian and Asia Minor deity, was apparently worshipped by a tribe which was overcome in the course of early tribal struggles in pre-dynastic times. Being an old and discredited god, he became by a familiar process the demon of the conquerors. In the eighteenth dynasty, however, his ancient glory was revived, for the Sutekh of Rameses II figures as the "dragon slayer".[178] It is in accordance with Mediterranean modes of thought, however, to find that in Egypt there is a great celestial battle heroine. This is the goddess Hathor-Sekhet, the "Eye of Ra".[179] Similarly in India, the post-Vedic goddess Kali is a destroyer, while as Durga she is a guardian of heroes.[180] Kali, Durga, and Hathor-Sekhet link with the classical goddesses of war, and also with the Babylonian Ishtar, who, as has been shown, retained the outstanding characteristics of Tiamat, the fierce old "Great Mother" of primitive Sumerian folk religion.

It is possible that in the Babylonian dragon myth the original hero was Ea. As much may be inferred from the symbolic references in the Bible to Jah's victory over the monster of the deep: "Art thou not it that hath cut Rahab and wounded the dragon?"[181] "Thou brakest the heads of the dragons in the waters; thou brakest the heads of leviathan in pieces, and gavest him to be meat to the people inhabiting the wilderness";[182] "He divideth the sea with his power, and by his understanding he smiteth through the proud (Rahab). By his spirit he hath garnished the heavens: his hand hath formed (or pierced) the crooked serpent";[183] "Thou hast broken Rahab in pieces as one that is slain: thou hast scattered thine enemies with thy strong arm";[184] "In that day the Lord with his sore and great and strong sword shall punish leviathan the piercing (or stiff) serpent, even leviathan that crooked serpent; and he shall slay the dragon that is in the sea".[185]

In the Babylonian Creation legend Ea is supplanted as dragon slayer by his son Merodach. Similarly Ninip took the place of his father, Enlil, as the champion of the gods. "In other words," writes Dr. Langdon, "later theology evolved the notion of the son of the earth god, who acquires the attributes of the father, and becomes the god of war. It is he who stood forth against the rebellious monsters of darkness, who would wrest the dominion of the world from the gods who held their conclave on the mountain. The gods offer him the Tablets of Fate; the right to utter decrees is given unto him." This development is "of extreme importance for studying the growth of the idea of father and son, as creative and active principles of the world".[186] In Indian mythology Indra similarly takes the place of his bolt-throwing father Dyaus, the sky god, who so closely resembles Zeus. Andrew Lang has shown that this myth is of widespread character.[187] Were the Babylonian theorists guided by the folk-lore clue?

Now Merodach, as the son of Ea whom he consulted and received spells from, was a brother of "Tammuz of the Abyss". It seems that in the great god of Babylon we should recognize one of the many forms of the primeval corn spirit and patriarch—the shepherd youth who was beloved by Ishtar. As the deity of the spring sun, Tammuz slew the winter demons of rain and tempest, so that he was an appropriate spouse for the goddess of harvest and war. Merodach may have been a development of Tammuz in his character as a demon slayer. When he was raised to the position of Bel, "the Lord" by the Babylonian conquerors, Merodach supplanted the older Bel—Enlil of Nippur. Now Enlil, who had absorbed all the attributes of rival deities, and become a world god, was the

Lord of the harvest lands ... lord of the grain fields,

being "lord of the anunnaki", or "earth spirits". As agriculturists in early times went to war so as to secure prisoners who could be sacrificed to feed the corn spirit, Enlil was a god of war and was adored as such:

The haughty, the hostile land thou dost humiliate ... With thee who ventureth to make war?

He was also "the bull of goring horns ... Enlil the bull", the god of fertility as well as of battle.[188]

Asari, one of Merodach's names, links him with Osiris, the Egyptian Tammuz, who was supplanted by his son Horus. As the dragon slayer, he recalls, among others, Perseus, the Grecian hero, of whom it was prophesied that he would slay his grandfather. Perseus, like Tammuz and Osiris, was enclosed in a chest which was cast into the sea, to be rescued, however, by a fisherman on the island of Seriphos. This hero afterwards slew Medusa, one of the three terrible sisters, the Gorgons—a demon group which links with Tiamat. In time, Perseus returned home, and while an athletic contest was in progress, he killed his grandfather with a quoit. There is no evidence, however, to show that the displacement of Enlil by Merodach had any legendary sanction of like character. The god of Babylon absorbed all other deities, apparently for political purposes, and in accordance with the tendency of the thought of the times, when raised to supreme rank in the national pantheon; and he was depicted fighting the winged dragon, flapping his own storm wings, and carrying the thunder weapon associated with Ramman.

Merodach's spouse Zer-panitu^m was significantly called "the lady of the Abyss", a title which connects her with Damkina, the mother, and Belit-sheri, the sister of Tammuz. Damkina was also a sky goddess like Ishtar.

Zer-panitu^m was no pale reflection of her Celestial husband, but a goddess of sharply defined character with independent powers. Apparently she was identical with Aruru, creatrix of the seed of mankind, who was associated with Merodach when the first man and the first woman were brought into being. Originally she was one of the mothers in the primitive spirit group, and so identical with Ishtar and the other prominent goddesses.

As all goddesses became forms of Ishtar, so did all gods become forms of Merodach. Sin was "Merodach as illuminator of night", Nergal was "Merodach of war", Addu (Ramman) was "Merodach of rain", and so on. A colophon which contains a text in which these identifications are detailed, appears to be "a copy", says Professor Pinches, "of an old inscription", which, he thinks, "may go back as far as 2000 B.C. This is the period at which the name Yau^m-ilu, 'Jah is god', is found, together with references to ilu as the name for the one great god, and is also, roughly, the date of Abraham, who, it may be noted, was a Babylonian of Ur of the Chaldees."[189]

In one of the hymns Merodach is addressed as follows:—

Who shall escape from before thy power? Thy will is an eternal mystery! Thou makest it plain in heaven And in the earth, Command the sea And the sea obeyeth thee. Command the tempest And the tempest becometh a calm. Command the winding course Of the Euphrates, And the will of Merodach Shall arrest the floods. Lord, thou art holy! Who is like unto thee? Merodach thou art honoured Among the gods that bear a name.

The monotheistic tendency, which was a marked feature of Merodach worship, had previously become pronounced in the worship of Bel Enlil of Nippur. Although it did not affect the religion of the masses, it serves to show that among the ancient scholars and thinkers of Babylonia religious thought had, at an early period, risen far above the crude polytheism of those who bargained with their deities and propitiated them with offerings and extravagant flattery, or exercised over them a magical influence by the performance of seasonal ceremonies, like the backsliders in Jerusalem, censured so severely by Jeremiah, who baked cakes to reward the Queen of Heaven for an abundant harvest, and wept with her for the slain Tammuz when he departed to Hades.

Perhaps it was due to the monotheistic tendency, if not to the fusion of father-worshipping and mother-worshipping peoples, that bi-sexual deities were conceived of. Nannar, the moon god, was sometimes addressed as father and mother in one, and Ishtar as a god as well as a goddess. In Egypt Isis is referred to in a temple chant as "the woman who was made a male by her father Osiris", and the Nile god Hapi was depicted as a man with female breasts.



CHAPTER VIII.

DEIFIED HEROES: ETANA AND GILGAMESH

God and Heroes and the "Seven Sleepers"—Quests of Etana, Gilgamesh, Hercules, &c.—The Plant of Birth—Eagle carries Etana to Heaven—Indian Parallel—Flights of Nimrod, Alexander the Great, and a Gaelic Hero—Eagle as a God—Indian Eagle identified with Gods of Creation, Fire, Fertility, and Death—Eagle carries Roman Emperor's Soul to Heaven—Fire and Agricultural Ceremonies—Nimrod of the Koran and John Barleycorn—Gilgamesh and the Eagle—Sargon-Tammuz Garden Myth—Ea-bani compared to Pan, Bast, and Nebuchadnezzar—Exploits of Gilgamesh and Ea-bani—Ishtar's Vengeance—Gilgamesh journeys to Otherworld—Song of Sea Maiden and "Lay of the Harper"—Babylonian Noah and the Plant of Life—Teutonic Parallels—Alexander the Great as Gilgamesh—Water of Life in the Koran—The Indian Gilgamesh and Hercules—The Mountain Tunnel in various Mythologies—Widespread Cultural Influences.

One of the oldest forms of folk stories relates to the wanderings of a hero in distant regions. He may set forth in search of a fair lady who has been taken captive, or to obtain a magic herb or stone to relieve a sufferer, to cure diseases, and to prolong life. Invariably he is a slayer of dragons and other monsters. A friendly spirit, or a group of spirits, may assist the hero, who acts according to the advice given him by a "wise woman", a magician, or a god. The spirits are usually wild beasts or birds—the "fates" of immemorial folk belief—and they may either carry the hero on their backs, instruct him from time to time, or come to his aid when called upon.

When a great national hero appealed by reason of his achievements to the imagination of a people, all the floating legends of antiquity were attached to his memory, and he became identified with gods and giants and knight-errants "old in story". In Scotland, for instance, the boulder-throwing giant of Eildon hills bears the name of Wallace, the Edinburgh giant of Arthur's Seat is called after an ancient Celtic king,[190] and Thomas the Rhymer takes the place, in an Inverness fairy mound called Tom-na-hurich, of Finn (Fingal) as chief of the "Seven Sleepers". Similarly Napoleon sleeps in France and Skobeleff in Russia, as do also other heroes elsewhere. In Germany the myths of Thunor (Thor) were mingled with hazy traditions of Theodoric the Goth (Dietrich), while in Greece, Egypt, and Arabia, Alexander the Great absorbed a mass of legendary matter of great antiquity, and displaced in the memories of the people the heroes of other Ages, as those heroes had previously displaced the humanized spirits of fertility and growth who alternately battled fiercely against the demons of spring, made love, gorged and drank deep and went to sleep—the sleep of winter. Certain folk tales, and the folk beliefs on which they were based, seem to have been of hoary antiquity before the close of the Late Stone Age.

There are two great heroes of Babylonian fame who link with Perseus and Hercules, Sigurd and Siegfried, Dietrich and Finn-mac-Coul. These are Etana and Gilgamesh, two legendary kings who resemble Tammuz the Patriarch referred to by Berosus, a form of Tammuz the Sleeper of the Sumerian psalms. One journeys to the Nether World to obtain the Plant of Birth and the other to obtain the Plant of Life. The floating legends with which they were associated were utilized and developed by the priests, when engaged in the process of systematizing and symbolizing religious beliefs, with purpose to unfold the secrets of creation and the Otherworld. Etana secures the assistance or a giant eagle who is an enemy of serpents like the Indian Garuda, half giant, half eagle. As Vishnu, the Indian god, rides on the back of Garuda, so does Etana ride on the back of the Babylonian Eagle. In one fragmentary legend which was preserved in the tablet-library of Ashur-banipal, the Assyrian monarch, Etana obtained the assistance of the Eagle to go in quest of the Plant of Birth. His wife was about to become a mother, and was accordingly in need of magical aid. A similar belief caused birth girdles of straw or serpent skins, and eagle stones found in eagles' nests, to be used in ancient Britain and elsewhere throughout Europe apparently from the earliest times.[191]

On this or another occasion Etana desired to ascend to highest heaven. He asked the Eagle to assist him, and the bird assented, saying: "Be glad, my friend. Let me bear thee to the highest heaven. Lay thy breast on mine and thine arms on my wings, and let my body be as thy body." Etana did as the great bird requested him, and together they ascended towards the firmament. After a flight which extended over two hours, the Eagle asked Etana to gaze downwards. He did so, and beheld the ocean surrounding the earth, and the earth seemed like a mountainous island. The Eagle resumed its flight, and when another two hours had elapsed, it again asked Etana to look downwards. Then the hero saw that the sea resembled a girdle which clasped the land. Two hours later Etana found that he had been raised to a height from which the sea appeared to be no larger than a pond. By this time he had reached the heaven of Anu, Bel, and Ea, and found there rest and shelter.

Here the text becomes fragmentary. Further on it is gathered from the narrative that Etana is being carried still higher by the Eagle towards the heaven of Ishtar, "Queen of Heaven", the supreme mother goddess. Three times, at intervals of two hours, the Eagle asks Etana to look downwards towards the shrinking earth. Then some disaster happens, for further onwards the broken tablet narrates that the Eagle is falling. Down and down eagle and man fall together until they strike the earth, and the Eagle's body is shattered.

The Indian Garuda eagle[192] never met with such a fate, but on one occasion Vishnu overpowered it with his right arm, which was heavier than the whole universe, and caused many feathers to fall off. In the story of Rama's wanderings, however, as told in the Ramayana and the Mahabharata, there are interesting references in this connection to Garuda's two "sons". One was mortally wounded by Ravana, the demon king of Ceylon. The other bird related to Rama, who found it disabled: "Once upon a time we two (brothers), with the desire of outstripping each other, flew towards the sun. My wings were burnt, but those of my brother were not.... I fell down on the top of this great mountain, where I still am."[193]

Another version of the Etana story survives among the Arabian Moslems. In the "Al Fatihat" chapter of the Koran it is related that a Babylonian king held a dispute with Abraham "concerning his Lord". Commentators identify the monarch with Nimrod, who afterwards caused the Hebrew patriarch to be cast into a fire from which he had miraculous deliverance. Nimrod then built a tower so as to ascend to heaven "to see Abraham's god", and make war against Him, but the tower was overthrown. He, however, persisted in his design. The narrative states that he was "carried to heaven in a chest borne by four monstrous birds; but after wandering for some time through the air, he fell down on a mountain with such a force that he made it shake". A reference in the Koran to "contrivances ... which make mountains tremble" is believed to allude to Nimrod's vain attempt.[194]

Alexander the Great was also reputed to have ascended on the back of an eagle. Among the myths attached to his memory in the Ethiopic "history" is one which explains how "he knew and comprehended the length and breadth of the earth", and how he obtained knowledge regarding the seas and mountains he would have to cross. "He made himself small and flew through the air on an eagle, and he arrived in the heights of the heavens and he explored them." Another Alexandrian version of the Etana myth resembles the Arabic legend of Nimrod. "In the Country of Darkness" Alexander fed and tamed great birds which were larger than eagles. Then he ordered four of his soldiers to mount them. The men were carried to the "Country of the Living", and when they returned they told Alexander "all that had happened and all that they had seen".[195]

In a Gaelic story a hero is carried off by a Cromhineach, "a vast bird like an eagle". He tells that it "sprang to the clouds with me, and I was a while that I did not know which was heaven or earth for me". The hero died, but, curiously enough, remained conscious of what was happening. Apparently exhausted, the eagle flew to an island in the midst of the ocean. It laid the hero on the sunny side. The hero proceeds: "Sleep came upon herself (the eagle) and she slept. The sun was enlivening me pretty well though I was dead." Afterwards the eagle bathed in a healing well, and as it splashed in the water, drops fell on the hero and he came to life. "I grew stronger and more active", he adds, "than I had ever been before."[196]

The eagle figures in various mythologies, and appears to have been at one time worshipped as the god or goddess of fertility, and storm and lightning, as the bringer of children, and the deity who carried souls to Hades. It was also the symbol of royalty, because the earthly ruler represented the controlling deity. Nin-Girsu, the god of Lagash, who was identified with Tammuz, was depicted as a lion-headed eagle. Zeus, the Greek sky and air god, was attended by an eagle, and may, at one time, have been simply an eagle. In Egypt the place of the eagle is taken by Nekhebit, the vulture goddess whom the Greeks identified with "Eileithyia, the goddess of birth; she was usually represented as a vulture hovering over the king".[197]

The double-headed eagle of the Hittites, which figures in the royal arms of Germany and Russia, appears to have symbolized the deity of whom the king was an incarnation or son. In Indian mythology Garuda, the eagle giant, which destroyed serpents like the Babylonian Etana eagle, issued from its egg like a flame of fire; its eyes flashed the lightning and its voice was the thunder. This bird is identified in a hymn with Agni, god of fire, who has the attributes of Tammuz and Mithra, with Brahma, the creator, with Indra, god of thunder and fertility, and with Yama, god of the dead, who carries off souls to Hades. It is also called "the steed-necked incarnation of Vishnu", the "Preserver" of the Hindu trinity who rode on its back. The hymn referred to lauds Garuda as "the bird of life, the presiding spirit of the animate and inanimate universe ... destroyer of all, creator of all". It burns all "as the sun in his anger burneth all creatures".[198]

Birds were not only fates, from whose movements in flight omens were drawn, but also spirits of fertility. When the childless Indian sage Mandapala of the Mahabharata was refused admittance to heaven until a son was born to him, he "pondered deeply" and "came to know that of all creatures birds alone were blest with fecundity"; so he became a bird.

It is of interest, therefore, to find the Etana eagle figuring as a symbol of royalty at Rome. The deified Roman Emperor's waxen image was burned on a pyre after his death, and an eagle was let loose from the great pile to carry his soul to heaven.[199] This custom was probably a relic of seasonal fire worship, which may have been introduced into Northern and Western Syria and Asia Minor by the mysterious Mitanni rulers, if it was not an archaic Babylonian custom[200] associated with fire-and-water magical ceremonies, represented in the British Isles by May-Day and Midsummer fire-and-water festivals. Sandan, the mythical founder of Tarsus, was honoured each year at that city by burning a great bonfire, and he was identified with Hercules. Probably he was a form of Moloch and Melkarth.[201] Doves were burned to Adonis. The burning of straw figures, representing gods of fertility, on May-Day bonfires may have been a fertility rite, and perhaps explains the use of straw birth-girdles.

According to the commentators of the Koran, Nimrod, the Babylonian king, who cast victims in his annual bonfires at Cuthah, died on the eighth day of the Tammuz month, which, according to the Syrian calendar, fell on 13th July.[202] It is related that gnats entered Nimrod's brain, causing the membrane to grow larger. He suffered great pain, and to relieve it had his head beaten with a mallet. Although he lived for several hundred years, like other agricultural patriarchs, including the Tammuz of Berosus, it is possible that he was ultimately sacrificed and burned. The beating of Nimrod recalls the beating of the corn spirit of the agricultural legend utilized by Burns in his ballad of "John Barleycorn", which gives a jocular account of widespread ancient customs that are not yet quite extinct even in Scotland:[203]

They laid him down upon his back And cudgelled him full sore; They hung him up before a storm And turned him o'er and o'er.

They filled up a darksome pit With water to the brim, They heaved in John Barleycorn— There let him sink or swim.

They wasted o'er a scorching flame The marrow of his bones, But the miller used him worst of all, For he crushed him between two stones.

Hercules, after performing many mythical exploits, had himself burned alive on the pyre which he built upon Mount Oeta, and was borne to Olympus amidst peals of thunder.

Gilgamesh, the Babylonian Hercules, who links with Etana, Nimrod, and Sandan, is associated with the eagle, which in India, as has been shown, was identified with the gods of fertility, fire, and death. According to a legend related by Aelian,[204] "the guards of the citadel of Babylon threw down to the ground a child who had been conceived and brought forth in secret, and who afterwards became known as Gilgamos". This appears to be another version of the Sargon-Tammuz myth, and may also refer to the sacrifice of children to Melkarth and Moloch, who were burned or slain "in the valleys under the clefts of the rocks"[205] to ensure fertility and feed the corn god. Gilgamesh, however, did not perish. "A keen-eyed eagle saw the child falling, and before it touched the ground the bird flew under it and received it on its back, and carried it away to a garden and laid it down gently." Here we have, it would appear, Tammuz among the flowers, and Sargon, the gardener, in the "Garden of Adonis". Mimic Adonis gardens were cultivated by women. Corn, &c., was forced in pots and baskets, and thrown, with an image of the god, into streams. "Ignorant people", writes Professor Frazer, "suppose that by mimicking the effect which they desire to produce they actually help to produce it: thus by sprinkling water they make rain, by lighting a fire they make sunshine, and so on."[206] Evidently Gilgamesh was a heroic form of the god Tammuz, the slayer of the demons of winter and storm, who passed one part of the year in the world and another in Hades (Chapter VI).

Like Hercules, Gilgamesh figured chiefly in legendary narrative as a mighty hero. He was apparently of great antiquity, so that it is impossible to identify him with any forerunner of Sargon of Akkad, or Alexander the Great. His exploits were depicted on cylinder seals of the Sumerian period, and he is shown wrestling with a lion as Hercules wrestled with the monstrous lion in the valley of Nemea. The story of his adventures was narrated on twelve clay tablets, which were preserved in the library of Ashur-banipal, the Assyrian emperor. In the first tablet, which is badly mutilated, Gilgamesh is referred to as the man who beheld the world, and had great wisdom because he peered into the mysteries. He travelled to distant places, and was informed regarding the flood and the primitive race which the gods destroyed; he also obtained the plant of life, which his enemy, the earth-lion, in the form of a serpent or well demon, afterwards carried away.

Gilgamesh was associated with Erech, where he reigned as "the lord". There Ishtar had a great temple, but her worldly wealth had decreased. The fortifications of the city were crumbling, and for three years the Elamites besieged it. The gods had turned to flies and the winged bulls had become like mice. Men wailed like wild beasts and maidens moaned like doves. Ultimately the people prayed to the goddess Aruru to create a liberator. Bel, Shamash, and Ishtar also came to their aid.

Aruru heard the cries of her worshippers. She dipped her hands in water and then formed a warrior with clay. He was named Ea-bani, which signifies "Ea is my creator". It is possible, therefore, that an ancient myth of Eridu forms the basis of the narrative.

Ea-bani is depicted on the cylinder seals as a hairy man-monster resembling the god Pan. He ate grass with the gazelles and drank water with wild beasts, and he is compared to the corn god, which suggests that he was an early form of Tammuz, and of character somewhat resembling the Egyptian Bast, the half-bestial god of fertility. A hunter was sent out from Erech to search for the man-monster, and found him beside a stream in a savage place drinking with his associates, the wild animals. The description of Ea-bani recalls that of Nebuchadnezzar when he was stricken with madness. "He was driven from men, and did eat grass as oxen, and his body was wet with the dew of heaven, till his hairs were grown like eagles' feathers, and his nails like birds' claws."[207]

The hunter had no desire to combat with Ea-bani, so he had him lured from the wilds by a beautiful woman. Love broke the spell which kept Ea-bani in his savage state, and the wild beasts fled from him. Then the temptress pleaded with him to go with her to Erech, where Anu and Ishtar had their temples, and the mighty Gilgamesh lived in his palace. Ea-bani, deserted by his bestial companions, felt lonely and desired human friendship. So he consented to accompany his bride. Having heard of Gilgamesh from the hunter, he proposed to test his strength in single combat, but Shamash, god of the sun, warned Ea-bani that he was the protector of Gilgamesh, who had been endowed with great knowledge by Bel and Anu and Ea. Gilgamesh was also counselled in a vision of night to receive Ea-bani as an ally.

Ea-bani was not attracted by city life and desired to return to the wilds, but Shamash prevailed upon him to remain as the friend of Gilgamesh, promising that he would be greatly honoured and exalted to high rank.

The two heroes became close friends, and when the narrative becomes clear again, they are found to be setting forth to wage war against Chumbaba,[208] the King of Elam. Their journey was long and perilous. In time they entered a thick forest, and wondered greatly at the numerous and lofty cedars. They saw the great road which the king had caused to be made, the high mountain, and the temple of the god. Beautiful were the trees about the mountain, and there were many shady retreats that were fragrant and alluring.

At this point the narrative breaks off, for the tablet is mutilated. When it is resumed a reference is made to "the head of Chumbaba", who has apparently been slain by the heroes. Erech was thus freed from the oppression of its fierce enemy.

Gilgamesh and Ea-bani appear to have become prosperous and happy. But in the hour of triumph a shadow falls. Gilgamesh is robed in royal splendour and wears his dazzling crown. He is admired by all men, but suddenly it becomes known that the goddess Ishtar has been stricken with love for him. She "loved him with that love which was his doom". Those who are loved by celestials or demons become, in folk tales, melancholy wanderers and "night wailers". The "wretched wight" in Keats' "La Belle Dame Sans Merci" is a typical example.

O what can ail thee, knight-at-arms, Alone and palely loitering? The sedge is withered from the lake And no birds sing.

* * * * *

I met a lady in the meads, Full beautiful—a faery's child; Her hair was long, her foot was light, And her eyes were wild.

* * * * *

She found me roots of relish sweet, And honey wild and manna dew; And sure in language strange she said, "I love thee true".

Having kissed her lover to sleep, the fairy woman vanished. The "knight" then saw in a dream the ghosts of knights and warriors, her previous victims, who warned him of his fate.

I saw their starved lips in the gloam, With horrid warning gaped wide; And I awoke and found me here On the cold hill's side.

The goddess Ishtar appeared as "La Belle Dame Sans Merci" before Gilgamesh and addressed him tenderly, saying: "Come, O Gilgamesh, and be my consort. Gift thy strength unto me. Be thou my husband and I will be thy bride. Thou shalt have a chariot of gold and lapis lazuli with golden wheels and gem-adorned. Thy steeds shall be fair and white and powerful. Into my dwelling thou shalt come amidst the fragrant cedars. Every king and every prince will bow down before thee, O Gilgamesh, to kiss thy feet, and all people will become subject unto thee."

Gilgamesh feared the fate which would attend him as the lover of Ishtar, and made answer saying: "To what husband hast thou ever remained faithful? Each year Tammuz, the lover of thy youth, is caused by thee to weep. Thou didst love the Allala bird and then broke his wings, and he moans in the woods crying, 'O my wings!' Thou didst love the lion and then snared him. Thou didst love the horse, and then laid harness on him and made him gallop half a hundred miles so that he suffered great distress, and thou didst oppress his mother Silili. Thou didst love a shepherd who sacrificed kids unto thee, and then thou didst smite him so that he became a jackal (or leopard); his own herd boy drove him away and his dogs rent him in pieces. Thou didst love Ishullanu, the gardener of Anu, who made offerings unto thee, and then smote him so that he was unable to move. Alas! if thou wouldst love me, my fate would be like unto the fates of those on whom thou hast laid affliction."

Ishtar's heart was filled with wrath when she heard the words which Gilgamesh had spoken, and she prevailed upon her father Anu to create a fierce bull which she sent against the lord of Erech.

This monster, however, was slain by Gilgamesh[209] and Ea-bani, but their triumph was shortlived. Ishtar cursed Gilgamesh. Ea-bani then defied her and threatened to deal with her as he had dealt with the bull, with the result that he was cursed by the goddess also.

Gilgamesh dedicated the horns of the bull to Shamash and returned with his friend to Erech, where they were received with great rejoicings. A festival was held, and afterwards the heroes lay down to sleep. Then Ea-bani dreamt a dream of ill omen. He met his death soon afterwards, apparently in a battle, and Gilgamesh lamented over him. From the surviving fragments of the narrative it would appear that Gilgamesh resolved to undertake a journey, for he had been stricken by disease. He wept and cried out, "Oh! let me not die like Ea-bani, for death is fearful. I will seek the aid of mine ancestor, Pir-napishtim"—the Babylonian Noah, who was believed to be dwelling on an island which corresponds to the Greek "Island of the Blessed". The Babylonian island lay in the ocean of the Nether World.

It seems that Gilgamesh not only hoped to obtain the Water of Life and the Plant of Life to cure his own disease, but also to restore to life his dead friend, Ea-bani, whom he loved.

Gilgamesh set out on his journey and in time reached a mountain chasm. Gazing on the rugged heights, he beheld fierce lions and his heart trembled. Then he cried upon the moon god, who took pity upon him, and under divine protection the hero pressed onward. He crossed the rocky range and then found himself confronted by the tremendous mountain of Mashi—"Sunset hill", which divided the land of the living from the western land of the dead. The mountain peak rose to heaven, and its foundations were in Aralu, the Underworld.[210] A dark tunnel pierced it and could be entered through a door, but the door was shut and on either side were two monsters of horrible aspect—the gigantic "scorpion man" and his wife, whose heads reached to the clouds. When Gilgamesh beheld them he swooned with terror. But they did him no harm, perceiving that he was a son of a god and had a body like a god.

When Gilgamesh revived, he realized that the monsters regarded him with eyes of sympathy. Addressing the scorpion giant, he told that he desired to visit his ancestor, Pir-napishtim, who sat in the council of the gods and had divine attributes. The giant warned him of the dangers which he would encounter, saying that the mountain passage was twelve miles long and beamless and black. Gilgamesh, however, resolved to encounter any peril, for he was no longer afraid, and he was allowed to go forward. So he entered through the monster-guarded mountain door and plunged into thick unbroken darkness. For twice twelve hours he groped blindly onward, until he saw a ray of light. Quickening his steps, he then escaped from the dreadful tunnel and once more rejoiced in the rays of the sun. He found himself in an enchanted garden, and in the midst of it he saw a divine and beautiful tree towards which he hastened. On its gleaming branches hung clusters of precious stones and its leaves were of lapis lazuli. His eyes were dazzled, but he did not linger there. Passing many other wonderful trees, he came to a shoreland, and he knew that he was drawing nigh to the Sea of Death. The country which he entered was ruled over by the sea lady whose name was Sabitu. When she saw the pilgrim drawing nigh, she entered her palace and shut the door.

Gilgamesh called out requesting that he should be allowed to enter, and mingled his entreaties with threats to break open the door. In the end Sabitu appeared and spoke, saying:

Gilgamesh, whither hurriest thou? The life that thou seekest thou wilt not find. When the gods created man They fixed death for mankind. Life they took in their own hand. Thou, O Gilgamesh, let thy belly be filled! Day and night be merry, Daily celebrate a feast, Day and night dance and make merry! Clean be thy clothes, Thy head be washed, bathe in water! Look joyfully on the child that grasps thy hand, Be happy with the wife in thine arms![211]

This is the philosophy of the Egyptian "Lay of the Harper". The following quotations are from two separate versions:—

How rests this just prince! The goodly destiny befalls, The bodies pass away Since the time of the god, And generations come into their places.

* * * * *

(Make) it pleasant for thee to follow thy desire While thou livest. Put myrrh upon thy head, And garments on thee of fine linen.... Celebrate the glad day, Be not weary therein.... Thy sister (wife) who dwells in thy heart. She sits at thy side. Put song and music before thee, Behind thee all evil things, And remember thou (only) joy.[212]

Jastrow contrasts the Babylonian poem with the following quotation from Ecclesiastes:—

Go thy way, eat thy bread with joy, and drink thy wine with a merry heart.... Let thy garments be always white; and let thy head lack no ointment. Live joyfully with the wife whom thou lovest all the days of the life of thy vanity, which he [God] hath given thee under the sun, all the days of thy vanity: for that is thy portion in this life, and in thy labour which thou takest under the sun.[213]

"The pious Hebrew mind", Jastrow adds, "found the corrective to this view of life in the conception of a stern but just God, acting according to self-imposed standards of right and wrong, whose rule extends beyond the grave." The final words of the Preacher are, "Fear God and keep his commandments".[214]

Gilgamesh did not accept the counsel of the fatalistic sea lady. He asked her how he could reach Pir-napishtim, his ancestor, saying he was prepared to cross the Sea of Death: if he could not cross it he would die of grief.

Sabitu answered him, saying: "O Gilgamesh, no mortal is ferried over this great sea. Who can pass over it save Shamash alone? The way is full of peril. O Gilgamesh, how canst thou battle against the billows of death?"

At length, however, the sea lady revealed to the pilgrim that he might obtain the aid of the sailor, Arad Ea, who served his ancestor Pir-napishtim.

Gilgamesh soon found where Arad Ea dwelt, and after a time prevailed upon him to act as ferryman. Arad Ea required a helm for his boat, and Gilgamesh hastened to fashion one from a tree. When it was fixed on, the boat was launched and the voyage began. Terrible experiences were passed through as they crossed the Sea of Death, but at length they drew nigh to the "Island of the Blessed" on which dwelt Pir-napishtim and his wife. Wearied by his exertions and wasted by disease, Gilgamesh sat resting in the boat. He did not go ashore.

Pir-napishtim had perceived the vessel crossing the Sea of Death and marvelled greatly.

The story is unfortunately interrupted again, but it appears that Gilgamesh poured into the ears of his ancestor the tale of his sufferings, adding that he feared death and desired to escape his fate.

Pir-napishtim made answer, reminding the pilgrim that all men must die. Men built houses, sealed contracts, disputed one with another, and sowed seeds in the earth, but as long as they did so and the rivers rose in flood, so long would their fate endure. Nor could any man tell when his hour would come. The god of destiny measured out the span of life: he fixed the day of death, but never revealed his secrets.

Gilgamesh then asked Pir-napishtim how it chanced that he was still alive. "Thou hast suffered no change," he said, "thou art even as I am. Harden not thy heart against me, but reveal how thou hast obtained divine life in the company of the gods."

Pir-napishtim thereupon related to his descendant the story of the deluge, which is dealt with fully in the next chapter. The gods had resolved to destroy the world, and Ea in a dream revealed unto Pir-napishtim how he could escape. He built a ship which was tossed about on the waters, and when the world had been destroyed, Bel discovered him and transported him to that island in the midst of the Sea of Death.

Gilgamesh sat in the boat listening to the words of his ancestor. When the narrative was ended, Pir-napishtim spoke sympathetically and said: "Who among the gods will restore thee to health, O Gilgamesh? Thou hast knowledge of my life, and thou shalt be given the life thou dost strive after. Take heed, therefore, to what I say unto thee. For six days and seven nights thou shalt not lie down, but remain sitting like one in the midst of grief."[215]

Gilgamesh sat in the ship, and sleep enveloped him like to a black storm cloud.

Pir-napishtim spoke to his wife and said: "Behold the hero who desireth to have life. Sleep envelops him like to a black storm cloud."

To that lone man his wife made answer: "Lay thine hand upon him so that he may have perfect health and be enabled to return to his own land. Give him power to pass through the mighty door by which he entered."

Then Pir-napishtim addressed his wife, saying: "His sufferings make me sad. Prepare thou for him the magic food, and place it near his head."

On the day when Gilgamesh lay down, the food was prepared by seven magic processes, and the woman administered it while yet he slept. Then Pir-napishtim touched him, and he awoke full of life.

Gilgamesh spake unto Pir-napishtim and said: "I was suddenly overcome by sleep.... But thou didst awaken me by touching me, even thou.... Lo! I am bewitched. What hast thou done unto thy servant?"

Then Pir-napishtim told Gilgamesh that he had been given to eat of the magic food. Afterwards he caused Arad Ea to carry Gilgamesh to a fountain of healing, where his disease-stricken body was cleansed. The blemished skin fell from him, and he was made whole.

Thereafter Gilgamesh prepared to return to his own land. Ere he bade farewell, however, Pir-napishtim revealed unto him the secret of a magic plant which had power to renew life and give youth and strength unto those who were old.

Arad Ea conducted the hero to the island where the plant grew, and when Gilgamesh found it he rejoiced, and said that he would carry it to Erech, his own city, where he would partake of it and restore his youth.

So Gilgamesh and Arad Ea went on their way together, nor paused until they came to a well of pure water. The hero stooped down to draw water.[216] But while he was thus engaged that demon, the Earth Lion, crept forth as a serpent, and, seizing the magic plant of life, carried it away. Stricken with terror, Gilgamesh uttered a curse. Then he sat down and wept bitterly, and the tears streamed over his face. To Arad Ea he spake, saying: "Why has my health been restored to me? Why should I rejoice because that I live? The benefit which I should have derived for myself has now fallen to the Earth Lion."

The two travellers then resumed their journey, performing religious acts from time to time; chanting dirges and holding feasts for the dead, and at length Gilgamesh returned to Erech. He found that the city walls were crumbling, and he spake regarding the ceremonies which had been performed while yet he was in a far-distant country.

During the days which followed Gilgamesh sorrowed for his lost friend Ea-bani, whose spirit was in the Underworld, the captive of the spirits of death. "Thou canst not draw thy bow now," he cried, "nor raise the battle shout. Thou canst not kiss the woman thou hast loved; thou canst not kiss the child thou hast loved, nor canst thou smite those whom thou hast hated."

In vain Gilgamesh appealed to his mother goddess to restore Ea-bani to him. Then he turned to the gods, and Ea heard him. Thereafter Nergal, god of death, caused the grave to yawn, and the spirit of Ea-bani arose like a wind gust.

Gilgamesh, still dreading death, spoke to the ghost of his friend, saying: "Tell me, my friend, O tell me regarding the land in which thou dost dwell."

Ea-bani made answer sorrowfully: "Alas! I cannot tell thee, my friend. If I were to tell thee all, thou wouldst sit down and weep."

Said Gilgamesh: "Let me sit down and weep, but tell me regarding the land of spirits."

The text is mutilated here, but it can be gathered that Ea-bani described the land where ill-doers were punished, where the young were like the old, where the worm devoured, and dust covered all. But the state of the warrior who had been given burial was better than that of the man who had not been buried, and had no one to lament or care for him. "He who hath been slain in battle," the ghost said, "reposeth on a couch drinking pure water—one slain in battle as thou hast seen and I have seen. His head is supported by his parents: beside him sits his wife. His spirit doth not haunt the earth. But the spirit of that man whose corpse has been left unburied and uncared for, rests not, but prowls through the streets eating scraps of food, the leavings of the feast, and drinking the dregs of vessels."

So ends the story of Gilgamesh in the form which survives to us.

The journey of Gilgamesh to the Island of the Blessed recalls the journeys made by Odin, Hermod, Svipdag, Hotherus and others to the Germanic Hela. When Hermod went to search for Balder, as the Prose Edda relates, he rode through thick darkness for nine days and nine nights ere he crossed the mountains. As Gilgamesh met Sabitu, Hermod met Modgudur, "the maiden who kept the bridge" over the river Gjoll. Svipdag, according to a Norse poem, was guided like the Babylonian hero by the moon god, Gevar, who instructed him what way he should take to find the irresistible sword. Saxo's Hother, who is instructed by "King Gewar", crosses dismal mountains "beset with extraordinary cold".[217] Thorkill crosses a stormy ocean to the region of perpetual darkness, where the ghosts of the dead are confined in loathsome and dusty caves. At the main entrance "the door posts were begrimed with the soot of ages".[218] In the Elder Edda Svipdag is charmed against the perils he will be confronted by as he fares "o'er seas mightier than men do know", or is overtaken by night "wandering on the misty way ".[219] When Odin "downward rode into Misty Hel" he sang spells at a "witch's grave", and the ghost rose up to answer his questions regarding Balder. "Tell me tidings of Hel", he addressed her, as Gilgamesh addressed the ghost of Ea-bani.

In the mythical histories of Alexander the Great, the hero searches for the Water of Life, and is confronted by a great mountain called Musas (Mashti). A demon stops him and says; "O king, thou art not able to march through this mountain, for in it dwelleth a mighty god who is like unto a monster serpent, and he preventeth everyone who would go unto him." In another part of the narrative Alexander and his army arrive at a place of darkness "where the blackness is not like the darkness of night, but is like unto the mists and clouds which descend at the break of day". A servant uses a shining jewel stone, which Adam had brought from Paradise, to guide him, and found the well. He drank of the "waters of life" and bathed in them, with the result that he was strengthened and felt neither hunger nor thirst. When he came out of the well "all the flesh of his body became bluish-green and his garments likewise bluish-green". Apparently he assumed the colour of supernatural beings. Rama of India was blue, and certain of his monkey allies were green, like the fairies of England and Scotland. This fortunate man kept his secret. His name was Matun, but he was afterwards nicknamed "'El-Khidr', that is to say, 'Green'". What explanation he offered for his sudden change of appearance has not been recorded.[220] It is related that when Matun reached the Well of Life a dried fish which he dipped in the water was restored to life and swam away. In the Koran a similar story is told regarding Moses and Joshua, who travelled "for a long space of time" to a place where two seas met. "They forgot their fish which they had taken with them, and the fish took its way freely to the sea." The Arabian commentators explain that Moses once agreed to the suggestion that he was the wisest of men. In a dream he was directed to visit Al Khedr, who was "more knowing than he", and to take a fish with him in a basket. On the seashore Moses fell asleep, and the fish, which had been roasted, leapt out of the basket into the sea. Another version sets forth that Joshua, "making the ablution at the fountain of life", some of the water happened to be sprinkled on the fish, which immediately leapt up.[221]

The Well of Life is found in Fingalian legends. When Diarmid was mortally wounded by the boar, he called upon Finn to carry water to him from the well:

Give me a draught from thy palms, O Finn, Son of my king for my succour, For my life and my dwelling.

Campbell's West Highland Tales, vol. iii, 80.

The quest of the plant, flower, or fruit of life is referred to in many folk tales. In the Mahabharata, Bhima, the Indian Gilgamesh or Hercules, journeys to north-eastern Celestial regions to find the lake of the god Kuvera (Kubera), on which grow the "most beautiful and unearthly lotuses", which restore health and give strength to the weary. As Gilgamesh meets with Pir-napishtim, who relates the story of the Deluge which destroyed the "elder race", Bhima meets with Hanuman, who informs him regarding the Ages of the Universe and the races which were periodically destroyed by deluges. When Bhima reaches the lotus lake he fights with demons. To heal his wounds and recover strength he plunges into the lake. "As he drank of the waters, like unto nectar, his energy and strength were again fully restored."[222]

Hercules similarly sets out to search for the golden apples which grow in

those Hesperian gardens famed of old, Fortunate fields, and groves and flowery vales.

As Bhima slew Yakshas which guarded the lotuses, Hercules slew Ladon, the guardian of the apples. Other heroes kill treasure-protecting dragons of various kinds.

There is a remarkable resemblance between the Babylonian account of Gilgamesh's journey through the mountain tunnel to the garden and seashore, and the Indian story of the demigod Hanuman passing through the long cavern to the shoreland palace of the female ascetic, when he was engaged searching for Sita, the wife of Rama, who had been carried away by Ravana, the demon king of Ceylon. In the version of the latter narrative which is given in the Mahabharata, Hanuman says: "I bring thee good news, O Rama; for Janaka's daughter hath been seen by me. Having searched the southern region with all its hills, forests, and mines for some time, we became very weary. At length we beheld a great cavern. And having beheld it, we entered that cavern which extended over many yojanas. It was dark and deep, and overgrown with trees and infested by worms. And having gone a great way through it, we came upon sunshine and beheld a beautiful palace. It was the abode of the Daitya (sea demon) Maya. And there we beheld a female ascetic named Parbhavati engaged in ascetic austerities. And she gave us food and drink of various kinds. And having refreshed ourselves therewith and regained our strength, we proceeded along the way shown by her. At last we came out of the cavern and beheld the briny sea, and on its shores, the Sahya, the Malaya, and the great Dardura mountains. And ascending the mountains of Malaya, we beheld before us the vast ocean (or, "the abode of Varuna"). And beholding it, we felt sorely grieved in mind.... We despaired of returning with our lives.... We then sat together, resolved to die there of starvation."

Hanuman and his friends, having had, so far, experiences similar to those of Gilgamesh, next discovered the eagle giant which had burned its wings when endeavouring to soar to the sun. This great bird, which resembles the Etana eagle, expressed the opinion that Sita was in Lanka (Ceylon), whither she must have been carried by Ravana. But no one dared to cross the dangerous ocean. Hanuman at length, however, obtained the assistance of Vayu, the wind god, his divine father, and leapt over the sea, slaying monsters as he went. He discovered where the fair lady was concealed by the king of demons.[223]

The dark tunnel is met with in many British stories of daring heroes who set out to explore it, but never return. In the Scottish versions the adventurers are invariably pipers who are accompanied by dogs. The sound of the pipes is heard for a time; then the music ceases suddenly, and shortly afterwards the dog returns without a hair upon its body. It has evidently been in conflict with demons.

The tunnel may run from a castle to the seashore, from a cave on one side of a hill to a cave on the other, or from a seashore cave to a distant island.

It is possible that these widespread tunnel stories had origin among the cave dwellers of the Palaeolithic Age, who believed that deep caverns were the doors of the underground retreats of dragons and giants and other supernatural enemies of mankind.

In Babylonia, as elsewhere, the priests utilized the floating material from which all mythologies were framed, and impressed upon it the stamp of their doctrines. The symbolized stories were afterwards distributed far and wide, as were those attached to the memory of Alexander the Great at a later period. Thus in many countries may be found at the present day different versions of immemorial folk tales, which represent various stages of culture, and direct and indirect contact at different periods with civilizations that have stirred the ocean of human thought, and sent their ideas rippling in widening circles to far-distant shores.



CHAPTER IX.

DELUGE LEGEND, THE ISLAND OF THE BLESSED, AND HADES

Babylonian Story of the Flood—The Two Immortals on the Island of the Blessed—Deluge Legends in the Old and New Worlds—How Babylonian Culture reached India—Theory of Cosmic Periods—Gilgamesh resembles the Indian Yama and Persian Yimeh—Links with Varuna and Mitra—The Great Winter in Persian and Teutonic Mythologies—Babylonian Hades compared with the Egyptian, Greek, Indian, Teutonic, and Celtic Otherworlds—Legend of Nergal and the Queen of Death—Underworld originally the Grave—Why Weapons, &c., were Buried with the Dead—Japanese and Roman Beliefs—Palaeolithic Burial Customs—"Our Graves are our Houses"—Importance of Babylonian Funerary Ceremonies—Doctrine of Eternal Bliss in Egypt and India—Why Suppressed in Babylonia—Heavy Burial Fees—Various Burial Customs.

The story of the Deluge which was related to Gilgamesh by Pir-napishtim runs as follows:—

"Hear me, O Gilgamesh, and I will make revelation regarding the hidden doings of the high gods. As thou knowest, the city of Shurippak is situated upon the bank of the Euphrates. The gods were within it: there they assembled together in council. Anu, the father, was there, and Bel the counsellor and warrior, Ninip the messenger, and Ennugi the governor. Ea, the wise lord, sat also with them. In their hearts the gods agreed together to send a great deluge.

"Thereafter Ea made known the purpose of the divine rulers in the hut of reeds, saying:[224] 'O hut of reeds, hear; O wall, understand ... O man of Shurippak, son of Umbara Tutu, tear down thy house and build a ship; leave all thou dost possess and save thy life, and preserve in the ship the living seed of every kind. The ship that thou wilt build must be of goodly proportions in length and height. It must be floated on the great deep.'

"I heard the command of Ea and understood, and I made answer, saying, 'O wise lord, as thou hast said so will I do, for thy counsel is most excellent. But how shall I give reason for my doings to the young men and the elders?'

"Ea opened his mouth and said unto me, his servant: 'What thou shalt say unto them is this.... It hath been revealed unto me that Bel doth hate me, therefore I cannot remain any longer in his domain, this city of Shurippak, so I must depart unto the domain of Ea and dwell with him.... Unto you will Bel send abundance of rain, so that you may obtain birds and fishes in plenty and have a rich harvest. But Shamash hath appointed a time for Ramman to pour down destruction from the heavens.'"[225]

Ea then gave instructions to Pir-napishtim how to build the ship in which he should find refuge. So far as can be gathered from the fragmentary text, it appears that this vessel was to have a deck house six stories high, with nine apartments in each story. According to another account, Ea drew a plan of the great ship upon the sand.

Pir-napishtim set to work and made a flat-bottomed vessel, which was 120 cubits wide and 120 cubits in height. He smeared it with bitumen inside and pitch outside; and on the seventh day it was ready. Then he carried out Ea's further instructions. Continuing his narrative to Gilgamesh, he said:

"I gathered together all that I possessed, my silver and gold and seeds of every kind, and my goods also. These I placed in the ship. Then I caused to go aboard all my family and house servants, the animals of the field and the beasts of the field and the workers—every one of them I sent up.

"The god Shamash appointed the time, saying: 'I will cause the Night Lord to send much rain and bring destruction. Then enter thou the ship and shut thy door.'

"At the appointed time the Night Lord sent at even-time much rain. I saw the beginning of the deluge and I was afraid to look up. I entered the ship and shut the door. I appointed Buzur-Kurgala, the sailor, to be captain, and put under his command the great vessel and all that it contained.

"At the dawn of day I saw rising athwart the heavens a dark cloud, and in the midst of it Ramman thundered. Nebo and Merodach went in front, speeding like emissaries over hills and plains. The cables of the ship were let loose.

"Then Ninip, the tempest god, came nigh, and the storm broke in fury before him. All the earth spirits leapt up with flaming torches and the whole land was aflare. The thunder god swept over the heavens, blotting out the sunlight and bringing thick darkness. Rain poured down the whole day long, and the earth was covered with water; the rivers were swollen; the land was in confusion; men stumbled about in the darkness, battling with the elements. Brothers were unable to see brothers; no man could recognize his friends.... The spirits above looked down and beheld the rising flood and were afraid: they fled away, and in the heaven of Anu they crouched like to hounds in the protecting enclosures.

"In time Ishtar, the lady of the gods, cried out distressfully, saying: 'The elder race hath perished and turned to clay because that I have consented to evil counsel in the assembly of the gods. Alas! I have allowed my people to be destroyed. I gave being to man, but where is he? Like the offspring of fish he cumbers the deep.'

"The earth spirits were weeping with Ishtar: they sat down cowering with tightened lips and spake not; they mourned in silence.

"Six days and six nights went past, and the tempest raged over the waters which gradually covered the land. But when the seventh day came, the wind fell, the whirling waters grew peaceful, and the sea retreated. The storm was over and the rain of destruction had ceased. I looked forth. I called aloud over the waters. But all mankind had perished and turned to clay. Where fields had been I saw marshes only.

"Then I opened wide the window of the ship, and the sunlight suffused my countenance. I was dazzled and sank down weeping and the tears streamed over my face. Everywhere I looked I saw water.

"At length, land began to appear. The ship drifted towards the country of Nitsir, and then it was held fast by the mountain of Nitsir. Six days went past and the ship remained stedfast. On the seventh day I sent forth a dove, and she flew away and searched this way and that, but found no resting place, so she returned. I then sent forth a swallow, and she returned likewise. Next I sent forth a raven, and she flew away. She saw that the waters were shrinking, and gorged and croaked and waded, but did not come back. Then I brought forth all the animals into the air of heaven.

"An offering I made on the mountain. I poured out a libation. I set up incense vessels seven by seven on heaped-up reeds and used cedar wood with incense. The gods smelt the sweet savour, and they clustered like flies about the sacrificer.

"Thereafter Ishtar (Sirtu) drew nigh. Lifting up the jewels, which the god Anu had fashioned for her according to her desire, she spake, saying: 'Oh! these gods! I vow by the lapis lazuli gems upon my neck that I will never forget! I will remember these days for ever and ever. Let all the gods come hither to the offering, save Bel (Enlil) alone, because that he ignored my counsel, and sent a great deluge which destroyed my people.'

"But Bel Enlil came also, and when he beheld the ship he paused. His heart was filled with wrath against the gods and the spirits of heaven. Angrily he spake and said: 'Hath one escaped? It was decreed that no human being should survive the deluge.'

"Ninip, son of Bel, spoke, saying: 'Who hath done this save Ea alone? He knoweth all things.'

"Ea, god of the deep, opened his mouth and said unto the warrior Bel: 'Thou art the lord of the gods, O warrior. But thou wouldst not hearken to my counsel and caused the deluge to be. Now punish the sinner for his sins and the evil doer for his evil deed, but be merciful and do not destroy all mankind. May there never again be a flood. Let the lion come and men will decrease. May there never again be a flood. Let the leopard come and men will decrease. May there never again be a flood. Let famine come upon the land; let Ura, god of pestilence, come and snatch off mankind.... I did not reveal the secret purpose of the mighty gods, but I caused Atra-chasis (Pir-napishtim) to dream a dream in which he had knowledge of what the gods had decreed.'

"Having pondered a time over these words, Bel entered the ship alone. He grasped my hand and led me forth, even me, and he led forth my wife also, and caused her to kneel down beside me. Then he stood between us and gave his blessing. He spoke, saying: 'In time past Pir-napishtim was a man. Henceforth Pir-napishtim and his wife will be like unto deities, even us. Let them dwell apart beyond the river mouths.'

"Thereafter Bel carried me hither beyond the mouths of rivers."

* * * * *

Flood myths are found in many mythologies both in the Old World and the New.

The violent and deceitful men of the mythical Bronze Age of Greece were destroyed by a flood. It is related that Zeus said on one occasion to Hermes: "I will send a great rain, such as hath not been since the making of the world, and the whole race of men shall perish. I am weary of their iniquity."

For receiving with hospitable warmth these two gods in human guise, Deucalion, an old man, and his wife Pyrrha were spared, however. Zeus instructed his host to build an ark of oak, and store it well with food. When this was done, the couple entered the vessel and shut the door. Then Zeus "broke up all the fountains of the deep, and opened the well springs of heaven, and it rained for forty days and forty nights continually". The Bronze folk perished: not even those who fled to the hilltops could escape. The ark rested on Parnassus, and when the waters ebbed the old couple descended the mountain and took up their abode in a cave.[226]

In Indian mythology the world is destroyed by a flood at the end of each Age of the Universe. There are four ages: the Krita or Perfect Age, the Treta Age, the Dwapara Age, and the Kali or Wicked Age. These correspond closely to the Greek and Celtic ages.[227] There are also references in Sanskrit literature to the destruction of the world because too many human beings lived upon it. "When the increase of population had been so frightful," a sage related, "the Earth, oppressed with the excessive burden, sank down for a hundred Yojanas. Suffering pain in all her limbs, and being deprived of her senses by excessive pressure, the Earth in distress sought the protection of Narayana, the foremost of the gods."[228]

Manu's account of the flood has been already referred to (Chapter II). The god in fish shape informed him: "The time is ripe for purging the world.... Build a strong and massive ark, and furnish it with a long rope...." When the waters rose the horned fish towed the ark over the roaring sea, until it grounded on the highest peak of the Himavat, which is still called Naubandha (the harbour). Manu was accompanied by seven rishis.[229]

In the Celtic (Irish) account of the flood, Cessair, granddaughter of Noah, was refused a chamber for herself in the ark, and fled to the western borders of the world as advised by her idol.[230] Her fleet consisted of three ships, but two foundered before Ireland was reached. The survivors in addition to Cessair were, her father Bith, two other men, Fintan and Ladru, and fifty women. All of these perished on the hills except Fintan, who slept on the crest of a great billow, and lived to see Partholon, the giant, arriving from Greece.

There is a deluge also in Egyptian mythology. When Ra, the sun god, grew old as an earthly king, men began to mutter words against him. He called the gods together and said: "I will not slay them (his subjects) until I have heard what ye say concerning them." Nu, his father, who was the god of primeval waters, advised the wholesale destruction of mankind.

Said Ra: "Behold men flee unto the hills; their heart is full of fear because of that which they said."

The goddess Hathor-Sekhet, the Eye of Ra, then went forth and slew mankind on the hills. Thereafter Ra, desiring to protect the remnant of humanity, caused a great offering to be made to the goddess, consisting of corn beer mixed with herbs and human blood. This drink was poured out during the night. "And the goddess came in the morning; she found the fields inundated, she rejoiced thereat, she drank thereof, her heart was rejoiced, she went about drunken and took no more cognizance of men."[231]

It is obvious that the Egyptian myth refers to the annual inundation of the Nile, the "human blood" in the "beer" being the blood of the slain corn god, or of his earthly representative. It is probable that the flood legends of North and South America similarly reflected local phenomena, although the possibility that they were of Asiatic origin, like the American Mongoloid tribes, cannot be overlooked. Whether or not Mexican civilization, which was flourishing about the time of the battle of Hastings, received any cultural stimulus from Asia is a question regarding which it would be unsafe to dogmatize, owing to the meagre character of the available data.

The Mexican deluge was caused by the "water sun", which suddenly discharged the moisture it had been drawing from the earth in the form of vapour through long ages. All life was destroyed.

A flood legend among the Nahua tribes resembles closely the Babylonian story as told by Pir-napishtim. The god Titlacahuan instructed a man named Nata to make a boat by hollowing out a cypress tree, so as to escape the coming deluge with his wife Nena. This pair escaped destruction. They offered up a fish sacrifice in the boat and enraged the deity who visited them, displaying as much indignation as did Bel when he discovered that Pir-napishtim had survived the great disaster. Nata and Nena had been instructed to take with them one ear of maize only, which suggests that they were harvest spirits.

In Brazil, Monan, the chief god, sent a great fire to burn up the world and its wicked inhabitants. To extinguish the flames a magician caused so much rain to fall that the earth was flooded.

The Californian Indians had a flood legend, and believed that the early race was diminutive; and the Athapascan Indians of the north-west professed to be descendants of a family who escaped the deluge. Indeed, deluge myths were widespread in the "New World".

The American belief that the first beings who were created were unable to live on earth was shared by the Babylonians. According to Berosus the first creation was a failure, because the animals could not bear the light and they all died.[232] Here we meet with the germs of the Doctrine of the World's Ages, which reached its highest development in Indian, Greek, and Celtic (Irish) mythologies.

The Biblical account of the flood is familiar to readers. "It forms", says Professor Pinches, "a good subject for comparison with the Babylonian account, with which it agrees so closely in all the main points, and from which it differs so much in many essential details."[233]

The drift of Babylonian culture was not only directed westward towards the coast of Palestine, and from thence to Greece during the Phoenician period, but also eastward through Elam to the Iranian plateau and India. Reference has already been made to the resemblances between early Vedic and Sumerian mythologies. When the "new songs" of the Aryan invaders of India were being composed, the sky and ocean god, Varuna, who resembles Ea-Oannes, and Mitra, who links with Shamash, were already declining in splendour. Other cultural influences were at work. Certain of the Aryan tribes, for instance, buried their dead in Varuna's "house of clay", while a growing proportion cremated their dead and worshipped Agni, the fire god. At the close of the Vedic period there were fresh invasions into middle India, and the "late comers" introduced new beliefs, including the doctrines of the Transmigration of Souls and of the Ages of the Universe. Goddesses also rose into prominence, and the Vedic gods became minor deities, and subject to Brahma, Vishnu, and Shiva. These "late comers" had undoubtedly been influenced by Babylonian ideas before they entered India. In their Doctrine of the World's Ages or Yugas, for instance, we are forcibly reminded of the Euphratean ideas regarding space and time. Mr. Robert Brown, junr., who is an authority in this connection, shows that the system by which the "Day of Brahma" was calculated in India resembles closely an astronomical system which obtained in Babylonia, where apparently the theory of cosmic periods had origin.[234]

The various alien peoples, however, who came under the spell of Babylonian modes of thought did not remain in a state of intellectual bondage. Thought was stimulated rather than arrested by religious borrowing, and the development of ideas regarding the mysteries of life and death proceeded apace in areas over which the ritualistic and restraining priesthood of Babylonia exercised no sway. As much may be inferred from the contrasting conceptions of the Patriarchs of Vedic and Sumerian mythologies. Pir-napishtim, the Babylonian Noah, and the semi-divine Gilgamesh appear to be represented in Vedic mythology by Yama, god of the dead. Yama was "the first man", and, like Gilgamesh, he set out on a journey over mountains and across water to discover Paradise. He is lauded in the Vedic hymns as the explorer of "the path" or "way" to the "Land of the Pitris" (Fathers), the Paradise to which the Indian uncremated dead walked on foot. Yama never lost his original character. He is a traveller in the Epics as in the Vedas.[235]

Him who along the mighty heights departed, Him who searched and spied the path for many, Son of Vivasvat, gatherer of the people, Yama, the King, with sacrifices worship. Rigveda, x, 14, 1.[236] To Yama, mighty King, be gifts and homage paid, He was the first of men that died, the first to brave Death's rapid rushing stream, the first to point the road To heaven, and welcome others to that bright abode. Sir M. Monier Williams' Translation.[237]

Yama and his sister Yami were the first human pair. They are identical with the Persian Celestial twins, Yima and Yimeh. Yima resembles Mitra (Mithra); Varuna, the twin brother of Mitra, in fact, carries the noose associated with the god of death.[238]

The Indian Yama, who was also called Pitripati, "lord of the fathers", takes Mitra's place in the Paradise of Ancestors beside Varuna, god of the sky and the deep. He sits below a tree, playing on a flute and drinking the Soma drink which gives immortality. When the descendants of Yama reached Paradise they assumed shining forms "refined and from all taint set free".[239]

In Persian mythology "Yima", says Professor Moulton, "reigns over a community which may well have been composed of his own descendants, for he lived yet longer than Adam. To render them immortal, he gives them to eat forbidden food, being deceived by the Daevas (demons). What was this forbidden food? May we connect it with another legend whereby, at the Regeneration, Mithra is to make men immortal by giving them to eat the fat of the Ur-Kuh, the primeval cow from whose slain body, according to the Aryan legends adopted by Mithraism, mankind was first created?"