An obscure god Shony, the Oannes of the Scottish Hebrides, received oblations from those who depended for their agricultural prosperity on his gifts of fertilizing seaweed. He is referred to in Martin's Western Isles, and is not yet forgotten. The Eddic sea god Njord of Noatun was the father of Frey, the harvest god. Dagda, the Irish corn god, had for wife Boann, the goddess of the river Boyne. Osiris and Isis of Egypt were associated with the Nile. The connection between agriculture and the water supply was too obvious to escape the early symbolists, and many other proofs of this than those referred to could be given.

Ea's "faithful spouse" was the goddess Damkina, who was also called Nin-ki, "lady of the earth". "May Ea make thee glad", chanted the priests. "May Damkina, queen of the deep, illumine thee with her countenance; may Merodach (Marduk), the mighty overseer of the Igigi (heavenly spirits), exalt thy head." Merodach was their son: in time he became the Bel, or "Lord", of the Babylonian pantheon.

Like the Indian Varuna, the sea god, Ea-Oannes had control over the spirits and demons of the deep. The "ferryman" who kept watch over the river of death was called Arad-Ea, "servant of Ea". There are also references to sea maidens, the Babylonian mermaids, or Nereids. We have a glimpse of sea giants, which resemble the Indian Danavas and Daityas of ocean, in the chant:

Seven are they, seven are they, In the ocean deep seven are they, Battening in heaven seven are they, Bred in the depths of ocean.... Of these seven the first is the south wind, The second a dragon with mouth agape....[44]

A suggestion of the Vedic Vritra and his horde of monsters.

These seven demons were also "the messengers of Anu", who, although specialized as a sky god in more than one pantheon, appears to have been closely associated with Ea in the earliest Sumerian period. His name, signifying "the high one", is derived from "ana", "heaven"; he was the city god of Erech (Uruk). It is possible that he was developed as an atmospheric god with solar and lunar attributes. The seven demons, who were his messengers, recall the stormy Maruts, the followers of Indra. They are referred to as

Forcing their way with baneful windstorms, Mighty destroyers, the deluge of the storm god, Stalking at the right hand of the storm god.[45]

When we deal with a deity in his most archaic form it is difficult to distinguish him from a demon. Even the beneficent Ea is associated with monsters and furies. "Evil spirits", according to a Babylonian chant, were "the bitter venom of the gods". Those attached to a deity as "attendants" appear to represent the original animistic group from which he evolved. In each district the character of the deity was shaped to accord with local conditions.

At Nippur, which was situated on the vague and shifting boundary line between Sumer and Akkad, the chief god was Enlil, whose name is translated "lord of mist", "lord of might", and "lord of demons" by various authorities. He was a storm god and a war god, and "lord of heaven and earth ", like Ea and Anu. An atmospheric deity, he shares the attributes of the Indian Indra, the thunder and rain god, and Vayu, the wind god; he also resembles the Semitic Adad or Rimman, who links with the Hittite Tarku. All these are deities of tempest and the mountains—Wild Huntsmen in the Raging Host. The name of Enlil's temple at Nippur has been translated as "mountain house", or "like a mountain", and the theory obtained for a time that the god must therefore have been imported by a people from the hills. But as the ideogram for "mountain" and "land" was used in the earliest times, as King shows, with reference to foreign countries,[46] it is more probable that Enlil was exalted as a world god who had dominion over not only Sumer and Akkad, but also the territories occupied by the rivals and enemies of the early Babylonians.

Enlil is known as the "older Bel" (lord), to distinguish him from Bel Merodach of Babylon. He was the chief figure in a triad in which he figured as earth god, with Anu as god of the sky and Ea as god of the deep. This classification suggests that Nippur had either risen in political importance and dominated the cities of Erech and Eridu, or that its priests were influential at the court of a ruler who was the overlord of several city states.

Associated with Bel Enlil was Beltis, later known as "Beltu—the lady". She appears to be identical with the other great goddesses, Ishtar, Nana, Zerpanitu^m, &c., a "Great Mother", or consort of an early god with whom she was equal in power and dignity.

In the later systematized theology of the Babylonians we seem to trace the fragments of a primitive mythology which was vague in outline, for the deities were not sharply defined, and existed in groups. Enneads were formed in Egypt by placing a local god at the head of a group of eight elder deities. The sun god Ra was the chief figure of the earliest pantheon of this character at Heliopolis, while at Hermopolis the leader was the lunar god Thoth. Professor Budge is of opinion that "both the Sumerians and the early Egyptians derived their primeval gods from some common but exceedingly ancient source", for he finds in the Babylonian and Nile valleys that there is a resemblance between two early groups which "seems to be too close to be accidental".[47]

The Egyptian group comprises four pairs of vague gods and goddesses—Nu and his consort Nut, Hehu and his consort Hehut, Kekui and his consort Kekuit, and Kerh and his consort Kerhet. "Man always has fashioned", he says, "and probably always will fashion, his god or gods in his own image, and he has always, having reached a certain stage in development, given to his gods wives and offspring; but the nature of the position taken by the wives of the gods depends upon the nature of the position of women in the households of those who write the legends and the traditions of the gods. The gods of the oldest company in Egypt were, the writer believes, invented by people in whose households women held a high position, and among whom they possessed more power than is usually the case with Oriental peoples."[48]

We cannot say definitely what these various deities represent. Nu was the spirit of the primordial deep, and Nut of the waters above the heavens, the mother of moon and sun and the stars. The others were phases of light and darkness and the forces of nature in activity and repose.

Nu is represented in Babylonian mythology by Apsu-Rishtu, and Nut by Mummu-Tiamat or Tiawath; the next pair is Lachmu and Lachamu, and the third, Anshar and Kishar. The fourth pair is missing, but the names of Anu and Ea (as Nudimmud) are mentioned in the first tablet of the Creation series, and the name of a third is lost. Professor Budge thinks that the Assyrian editors substituted the ancient triad of Anu, Ea, and Enlil for the pair which would correspond to those found in Egypt. Originally the wives of Anu and Ea may have made up the group of eight primitive deities.

There can be little doubt but that Ea, as he survives to us, is of later characterization than the first pair of primitive deities who symbolized the deep. The attributes of this beneficent god reflect the progress, and the social and moral ideals of a people well advanced in civilization. He rewarded mankind for the services they rendered to him; he was their leader and instructor; he achieved for them the victories over the destructive forces of nature. In brief, he was the dragon slayer, a distinction, by the way, which was attached in later times to his son Merodach, the Babylonian god, although Ea was still credited with the victory over the dragon's husband.

When Ea was one of the pre-Babylonian group—the triad of Bel-Enlil, Anu, and Ea—he resembled the Indian Vishnu, the Preserver, while Bel-Enlil resembled Shiva, the Destroyer, and Anu, the father, supreme Brahma, the Creator and Father of All, the difference in exact adjustment being due, perhaps, to Sumerian political conditions.

Ea, as we have seen, symbolized the beneficence of the waters; their destructive force was represented by Tiamat or Tiawath, the dragon, and Apsu, her husband, the arch-enemy of the gods. We shall find these elder demons figuring in the Babylonian Creation myth, which receives treatment in a later chapter.

The ancient Sumerian city of Eridu, which means "on the seashore", was invested with great sanctity from the earliest times, and Ea, the "great magician of the gods", was invoked by workers of spells, the priestly magicians of historic Babylonia. Excavations have shown that Eridu was protected by a retaining wall of sandstone, of which material many of its houses were made. In its temple tower, built of brick, was a marble stairway, and evidences have been forthcoming that in the later Sumerian period the structure was lavishly adorned. It is referred to in the fragments of early literature which have survived as "the splendid house, shady as the forest", that "none may enter". The mythological spell exercised by Eridu in later times suggests that the civilization of Sumeria owed much to the worshippers of Ea. At the sacred city the first man was created: there the souls of the dead passed towards the great Deep. Its proximity to the sea—Ea was Nin-bubu, "god of the sailor"—may have brought it into contact with other peoples and other early civilizations. Like the early Egyptians, the early Sumerians may have been in touch with Punt (Somaliland), which some regard as the cradle of the Mediterranean race. The Egyptians obtained from that sacred land incense-bearing trees which had magical potency. In a fragmentary Babylonian charm there is a reference to a sacred tree or bush at Eridu. Professor Sayce has suggested that it is the Biblical "Tree of Life" in the Garden of Eden. His translations of certain vital words, however, is sharply questioned by Mr. R. Campbell Thompson of the British Museum, who does not accept the theory.[49] It may be that Ea's sacred bush or tree is a survival of tree and water worship.

If Eridu was not the "cradle" of the Sumerian race, it was possibly the cradle of Sumerian civilization. Here, amidst the shifting rivers in early times, the agriculturists may have learned to control and distribute the water supply by utilizing dried-up beds of streams to irrigate the land. Whatever successes they achieved were credited to Ea, their instructor and patron; he was Nadimmud, "god of everything".



CHAPTER III.

RIVAL PANTHEONS AND REPRESENTATIVE DEITIES

Why Different Gods were Supreme at Different Centres—Theories regarding Origin of Life—Vital Principle in Water—Creative Tears of Weeping Deities—Significance of widespread Spitting Customs—Divine Water in Blood and Divine Blood in Water—Liver as the Seat of Life—Inspiration derived by Drinking Mead, Blood, &c.—Life Principle in Breath—Babylonian Ghosts as "Evil Wind Gusts"—Fire Deities—Fire and Water in Magical Ceremonies—Moon Gods of Ur and Harran—Moon Goddess and Babylonian "Jack and Jill"—Antiquity of Sun Worship—Tammuz and Ishtar—Solar Gods of War, Pestilence, and Death—Shamash as the "Great Judge"—His Mitra Name—Aryan Mitra or Mithra and linking Babylonian Deities—Varuna and Shamash Hymns compared—The Female Origin of Life—Goddesses of Maternity—The Babylonian Thor—Deities of Good and Evil.

In dealing with the city cults of Sumer and Akkad, consideration must be given to the problems involved by the rival mythological systems. Pantheons not only varied in detail, but were presided over by different supreme gods. One city's chief deity might be regarded as a secondary deity at another centre. Although Ea, for instance, was given first place at Eridu, and was so pronouncedly Sumerian in character, the moon god Nannar remained supreme at Ur, while the sun god, whose Semitic name was Shamash, presided at Larsa and Sippar. Other deities were similarly exalted in other states.

As has been indicated, a mythological system must have been strongly influenced by city politics. To hold a community in sway, it was necessary to recognize officially the various gods worshipped by different sections, so as to secure the constant allegiance of all classes to their rulers. Alien deities were therefore associated with local and tribal deities, those of the nomads with those of the agriculturists, those of the unlettered folks with those of the learned people. Reference has been made to the introduction of strange deities by conquerors. But these were not always imposed upon a community by violent means. Indications are not awanting that the worshippers of alien gods were sometimes welcomed and encouraged to settle in certain states. When they came as military allies to assist a city folk against a fierce enemy, they were naturally much admired and praised, honoured by the women and the bards, and rewarded by the rulers.

In the epic of Gilgamesh, the Babylonian Hercules, we meet with Ea-bani, a Goliath of the wilds, who is entreated to come to the aid of the besieged city of Erech when it seemed that its deities were unable to help the people against their enemies.

The gods of walled-round Erech To flies had turned and buzzed in the streets; The winged bulls of walled-round Erech Were turned to mice and departed through the holes.

Ea-bani was attracted to Erech by the gift of a fair woman for wife. The poet who lauded him no doubt mirrored public opinion. We can see the slim, shaven Sumerians gazing with wonder and admiration on their rough heroic ally.

All his body was covered with hair, His locks were like a woman's, Thick as corn grew his abundant hair. He was a stranger to the people and in that land. Clad in a garment like Gira, the god, He had eaten grass with the gazelles, He had drunk water with savage beasts. His delight was to be among water dwellers.

Like the giant Alban, the eponymous ancestor of a people who invaded prehistoric Britain, Ea-bani appears to have represented in Babylonian folk legends a certain type of foreign settlers in the land. No doubt the city dwellers, who were impressed by the prowess of the hairy and powerful warriors, were also ready to acknowledge the greatness of their war gods, and to admit them into the pantheon. The fusion of beliefs which followed must have stimulated thought and been productive of speculative ideas. "Nowhere", remarks Professor Jastrow, "does a high form of culture arise without the commingling of diverse ethnic elements."

We must also take into account the influence exercised by leaders of thought like En-we-dur-an-ki, the famous high priest of Sippar, whose piety did much to increase the reputation of the cult of Shamesh, the sun god. The teachings and example of Buddha, for instance, revolutionized Brahmanic religion in India.

A mythology was an attempt to solve the riddle of the Universe, and to adjust the relations of mankind with the various forces represented by the deities. The priests systematized existing folk beliefs and established an official religion. To secure the prosperity of the State, it was considered necessary to render homage unto whom homage was due at various seasons and under various circumstances.

The religious attitude of a particular community, therefore, must have been largely dependent on its needs and experiences. The food supply was a first consideration. At Eridu, as we have seen, it was assured by devotion to Ea and obedience to his commands as an instructor. Elsewhere it might happen, however, that Ea's gifts were restricted or withheld by an obstructing force—the raging storm god, or the parching, pestilence-bringing deity of the sun. It was necessary, therefore, for the people to win the favour of the god or goddess who seemed most powerful, and was accordingly considered to be the greatest in a particular district. A rain god presided over the destinies of one community, and a god of disease and death over another; a third exalted the war god, no doubt because raids were frequent and the city owed its strength and prosperity to its battles and conquests. The reputation won by a particular god throughout Babylonia would depend greatly on the achievements of his worshippers and the progress of the city civilization over which he presided. Bel-Enlil's fame as a war deity was probably due to the political supremacy of his city of Nippur; and there was probably good reason for attributing to the sun god a pronounced administrative and legal character; he may have controlled the destinies of exceedingly well organized communities in which law and order and authority were held in high esteem.

In accounting for the rise of distinctive and rival city deities, we should also consider the influence of divergent conceptions regarding the origin of life in mingled communities. Each foreign element in a community had its own intellectual life and immemorial tribal traditions, which reflected ancient habits of life and perpetuated the doctrines of eponymous ancestors. Among the agricultural classes, the folk religion which entered so intimately into their customs and labours must have remained essentially Babylonish in character. In cities, however, where official religions were formulated, foreign ideas were more apt to be imposed, especially when embraced by influential teachers. It is not surprising, therefore, to find that in Babylonia, as in Egypt, there were differences of opinion regarding the origin of life and the particular natural element which represented the vital principle.

One section of the people, who were represented by the worshippers of Ea, appear to have believed that the essence of life was contained in water. The god of Eridu was the source of the "water of life". He fertilized parched and sunburnt wastes through rivers and irrigating canals, and conferred upon man the sustaining "food of life". When life came to an end—

Food of death will be offered thee... Water of death will be offered thee...

Offerings of water and food were made to the dead so that the ghosts might be nourished and prevented from troubling the living. Even the gods required water and food; they were immortal because they had drunk ambrosia and eaten from the plant of life. When the goddess Ishtar was in the Underworld, the land of the dead, the servant of Ea exclaimed—

"Hail! lady, may the well give me of its waters, so that I may drink."

The goddess of the dead commanded her servant to "sprinkle the lady Ishtar with the water of life and bid her depart". The sacred water might also be found at a confluence of rivers. Ea bade his son, Merodach, to "draw water from the mouth of two streams", and "on this water to put his pure spell".

The worship of rivers and wells which prevailed in many countries was connected with the belief that the principle of life was in moisture. In India, water was vitalized by the intoxicating juice of the Soma plant, which inspired priests to utter prophecies and filled their hearts with religious fervour. Drinking customs had originally a religious significance. It was believed in India that the sap of plants was influenced by the moon, the source of vitalizing moisture and the hiding-place of the mead of the gods. The Teutonic gods also drank this mead, and poets were inspired by it. Similar beliefs obtained among various peoples. Moon and water worship were therefore closely associated; the blood of animals and the sap of plants were vitalized by the water of life and under control of the moon.

The body moisture of gods and demons had vitalizing properties. When the Indian creator, Prajapati, wept at the beginning, "that (the tears) which fell into the water became the air. That which he wiped away, upwards, became the sky."[50] The ancient Egyptians believed that all men were born from the eyes of Horus except negroes, who came from other parts of his body.[51] The creative tears of Ra, the sun god, fell as shining rays upon the earth. When this god grew old saliva dripped from his mouth, and Isis mixed the vitalizing moisture with dust, and thus made the serpent which bit and paralysed the great solar deity.[52]

Other Egyptian deities, including Osiris and Isis, wept creative tears. Those which fell from the eyes of the evil gods produced poisonous plants and various baneful animals. Orion, the Greek giant, sprang from the body moisture of deities. The weeping ceremonies in connection with agricultural rites were no doubt believed to be of magical potency; they encouraged the god to weep creative tears.

Ea, the god of the deep, was also "lord of life" (Enti), "king of the river" (Lugal-ida), and god of creation (Nudimmud). His aid was invoked by means of magical formulae. As the "great magician of the gods" he uttered charms himself, and was the patron of all magicians. One spell runs as follows:

I am the sorcerer priest of Ea... To revive the ... sick man The great lord Ea hath sent me; He hath added his pure spell to mine, He hath added his pure voice to mine, He hath added his pure spittle to mine.

R.C. Thompson's Translation.

Saliva, like tears, had creative and therefore curative qualities; it also expelled and injured demons and brought good luck. Spitting ceremonies are referred to in the religious literature of Ancient Egypt. When the Eye of Ra was blinded by Set, Thoth spat in it to restore vision. The sun god Tum, who was linked with Ra as Ra-Tum, spat on the ground, and his saliva became the gods Shu and Tefnut. In the Underworld the devil serpent Apep was spat upon to curse it, as was also its waxen image which the priests fashioned.[53]

Several African tribes spit to make compacts, declare friendship, and to curse.

Park, the explorer, refers in his Travels to his carriers spitting on a flat stone to ensure a good journey. Arabian holy men and descendants of Mohammed spit to cure diseases. Mohammed spat in the mouth of his grandson Hasen soon after birth. Theocritus, Sophocles, and Plutarch testify to the ancient Grecian customs of spitting to cure and to curse, and also to bless when children were named. Pliny has expressed belief in the efficacy of the fasting spittle for curing disease, and referred to the custom of spitting to avert witchcraft. In England, Scotland, and Ireland spitting customs are not yet obsolete. North of England boys used to talk of "spitting their sauls" (souls). When the Newcastle colliers held their earliest strikes they made compacts by spitting on a stone. There are still "spitting stones" in the north of Scotland. When bargains are made in rural districts, hands are spat upon before they are shaken. The first money taken each day by fishwives and other dealers is spat upon to ensure increased drawings. Brand, who refers to various spitting customs, quotes Scot's Discovery of Witchcraft regarding the saliva cure for king's evil, which is still, by the way, practised in the Hebrides. Like Pliny, Scot recommended ceremonial spitting as a charm against witchcraft.[54] In China spitting to expel demons is a common practice. We still call a hasty person a "spitfire", and a calumniator a "spit-poison".

The life principle in trees, &c., as we have seen, was believed to have been derived from the tears of deities. In India sap was called the "blood of trees", and references to "bleeding trees" are still widespread and common. "Among the ancients", wrote Professor Robertson Smith, "blood is generally conceived as the principle or vehicle of life, and so the account often given of sacred waters is that the blood of the deity flows in them. Thus as Milton writes:

Smooth Adonis from his native rock Ran purple to the sea, supposed with blood Of Thammuz yearly wounded.

Paradise Lost, i, 450.

The ruddy colour which the swollen river derived from the soil at a certain season was ascribed to the blood of the god, who received his death wound in Lebanon at that time of the year, and lay buried beside the sacred source."[55]

In Babylonia the river was regarded as the source of the life blood and the seat of the soul. No doubt this theory was based on the fact that the human liver contains about a sixth of the blood in the body, the largest proportion required by any single organ. Jeremiah makes "Mother Jerusalem" exclaim: "My liver is poured upon the earth for the destruction of the daughter of my people", meaning that her life is spent with grief.

Inspiration was derived by drinking blood as well as by drinking intoxicating liquors—the mead of the gods. Indian magicians who drink the blood of the goat sacrificed to the goddess Kali, are believed to be temporarily possessed by her spirit, and thus enabled to prophesy.[56] Malayan exorcists still expel demons while they suck the blood from a decapitated fowl.[57]

Similar customs were prevalent in Ancient Greece. A woman who drank the blood of a sacrificed lamb or bull uttered prophetic sayings.[58]

But while most Babylonians appear to have believed that the life principle was in blood, some were apparently of opinion that it was in breath—the air of life. A man died when he ceased to breathe; his spirit, therefore, it was argued, was identical with the atmosphere—the moving wind—and was accordingly derived from the atmospheric or wind god. When, in the Gilgamesh epic, the hero invokes the dead Ea-bani, the ghost rises up like a "breath of wind". A Babylonian charm runs:

The gods which seize on men Came forth from the grave; The evil wind gusts Have come forth from the grave, To demand payment of rites and the pouring out of libations They have come forth from the grave; All that is evil in their hosts, like a whirlwind, Hath come forth from the grave.[59]

The Hebrew "nephesh ruach" and "neshamah" (in Arabic "ruh" and "nefs") pass from meaning "breath" to "spirit".[60] In Egypt the god Khnumu was "Kneph" in his character as an atmospheric deity. The ascendancy of storm and wind gods in some Babylonian cities may have been due to the belief that they were the source of the "air of life". It is possible that this conception was popularized by the Semites. Inspiration was perhaps derived from these deities by burning incense, which, if we follow evidence obtained elsewhere, induced a prophetic trance. The gods were also invoked by incense. In the Flood legend the Babylonian Noah burned incense. "The gods smelled a sweet savour and gathered like flies over the sacrificer." In Egypt devotees who inhaled the breath of the Apis bull were enabled to prophesy.

In addition to water and atmospheric deities Babylonia had also its fire gods, Girru, Gish Bar, Gibil, and Nusku. Their origin is obscure. It is doubtful if their worshippers, like those of the Indian Agni, believed that fire, the "vital spark", was the principle of life which was manifested by bodily heat. The Aryan fire worshippers cremated their dead so that the spirits might be transferred by fire to Paradise. This practice, however, did not obtain among the fire worshippers of Persia, nor, as was once believed, in Sumer or Akkad either. Fire was, however, used in Babylonia for magical purposes. It destroyed demons, and put to flight the spirits of disease. Possibly the fire-purification ceremonies resembled those which were practised by the Canaanites, and are referred to in the Bible. Ahaz "made his son to pass through the fire, according to the abominations of the heathen".[61] Ezekiel declared that "when ye offer your gifts, when ye make your sons to pass through the fire, ye pollute yourselves with all your idols".[62] In Leviticus it is laid down: "Thou shalt not let any of thy seed pass through the fire to Moloch".[63] It may be that in Babylonia the fire-cleansing ceremony resembled that which obtained at Beltane (May Day) in Scotland, Germany, and other countries. Human sacrifices might also have been offered up as burnt offerings. Abraham, who came from the Sumerian city of Ur, was prepared to sacrifice Isaac, Sarah's first-born. The fire gods of Babylonia never achieved the ascendancy of the Indian Agni; they appear to have resembled him mainly in so far as he was connected with the sun. Nusku, like Agni, was also the "messenger of the gods". When Merodach or Babylon was exalted as chief god of the pantheon his messages were carried to Ea by Nusku. He may have therefore symbolized the sun rays, for Merodach had solar attributes. It is possible that the belief obtained among even the water worshippers of Eridu that the sun and moon, which rose from the primordial deep, had their origin in the everlasting fire in Ea's domain at the bottom of the sea. In the Indian god Varuna's ocean home an "Asura fire" (demon fire) burned constantly; it was "bound and confined", but could not be extinguished. Fed by water, this fire, it was believed, would burst forth at the last day and consume the universe.[64] A similar belief can be traced in Teutonic mythology. The Babylonian incantation cult appealed to many gods, but "the most important share in the rites", says Jastrow, "are taken by fire and water—suggesting, therefore, that the god of water—more particularly Ea—and the god of fire ... are the chief deities on which the ritual itself hinges". In some temples there was a bit rimki, a "house of washing", and a bit nuri, a "house of light".[65]

It is possible, of course, that fire was regarded as the vital principle by some city cults, which were influenced by imported ideas. If so, the belief never became prevalent. The most enduring influence in Babylonian religion was the early Sumerian; and as Sumerian modes of thought were the outcome of habits of life necessitated by the character of the country, they were bound, sooner or later, to leave a deep impress on the minds of foreign peoples who settled in the Garden of Western Asia. It is not surprising, therefore, to find that imported deities assumed Babylonian characteristics, and were identified or associated with Babylonian gods in the later imperial pantheon.

Moon worship appears to have been as ancient as water worship, with which, as we have seen, it was closely associated. It was widely prevalent throughout Babylonia. The chief seat of the lunar deity, Nannar or Sin, was the ancient city of Ur, from which Abraham migrated to Harran, where the "Baal" (the lord) was also a moon god. Ur was situated in Sumer, in the south, between the west bank of the Euphrates and the low hills bordering the Arabian desert, and not far distant from sea-washed Eridu. No doubt, like that city, it had its origin at an exceedingly remote period. At any rate, the excavations conducted there have afforded proof that it flourished in the prehistoric period.

As in Arabia, Egypt, and throughout ancient Europe and elsewhere, the moon god of Sumeria was regarded as the "friend of man". He controlled nature as a fertilizing agency; he caused grass, trees, and crops to grow; he increased flocks and herds, and gave human offspring. At Ur he was exalted above Ea as "the lord and prince of the gods, supreme in heaven, the Father of all"; he was also called "great Anu", an indication that Anu, the sky god, had at one time a lunar character. The moon god was believed to be the father of the sun god: he was the "great steer with mighty horns and perfect limbs".

His name Sin is believed to be a corruption of "Zu-ena", which signifies "knowledge lord".[66] Like the lunar Osiris of Egypt, he was apparently an instructor of mankind; the moon measured time and controlled the seasons; seeds were sown at a certain phase of the moon, and crops were ripened by the harvest moon. The mountains of Sinai and the desert of Sin are called after this deity.

As Nannar, which Jastrow considers to be a variation of "Narnar", the "light producer", the moon god scattered darkness and reduced the terrors of night. His spirit inhabited the lunar stone, so that moon and stone worship were closely associated; it also entered trees and crops, so that moon worship linked with earth worship, as both linked with water worship.

The consort of Nannar was Nin-Uruwa, "the lady of Ur", who was also called Nin-gala. She links with Ishtar as Nin, as Isis of Egypt linked with other mother deities. The twin children of the moon were Mashu and Mashtu, a brother and sister, like the lunar girl and boy of Teutonic mythology immortalized in nursery rhymes as Jack and Jill.

Sun worship was of great antiquity in Babylonia, but appears to have been seasonal in its earliest phases. No doubt the sky god Anu had his solar as well as his lunar attributes, which he shared with Ea. The spring sun was personified as Tammuz, the youthful shepherd, who was loved by the earth goddess Ishtar and her rival Eresh-ki-gal, goddess of death, the Babylonian Persephone. During the winter Tammuz dwelt in Hades, and at the beginning of spring Ishtar descended to search for him among the shades.[67] But the burning summer sun was symbolized as a destroyer, a slayer of men, and therefore a war god. As Ninip or Nirig, the son of Enlil, who was made in the likeness of Anu, he waged war against the earth spirits, and was furiously hostile towards the deities of alien peoples, as befitted a god of battle. Even his father feared him, and when he was advancing towards Nippur, sent out Nusku, messenger of the gods, to soothe the raging deity with soft words. Ninip was symbolized as a wild bull, was connected with stone worship, like the Indian destroying god Shiva, and was similarly a deity of Fate. He had much in common with Nin-Girsu, a god of Lagash, who was in turn regarded as a form of Tammuz.

Nergal, another solar deity, brought disease and pestilence, and, according to Jensen, all misfortunes due to excessive heat. He was the king of death, husband of Eresh-ki-gal, queen of Hades. As a war god he thirsted for human blood, and was depicted as a mighty lion. He was the chief deity of the city of Cuthah, which, Jastrow suggests, was situated beside a burial place of great repute, like the Egyptian Abydos.

The two great cities of the sun in ancient Babylonia were the Akkadian Sippar and the Sumerian Larsa. In these the sun god, Shamash or Babbar, was the patron deity. He was a god of Destiny, the lord of the living and the dead, and was exalted as the great Judge, the lawgiver, who upheld justice; he was the enemy of wrong, he loved righteousness and hated sin, he inspired his worshippers with rectitude and punished evildoers. The sun god also illumined the world, and his rays penetrated every quarter: he saw all things, and read the thoughts of men; nothing could be concealed from Shamash. One of his names was Mitra, like the god who was linked with Varuna in the Indian Rigveda. These twin deities, Mitra and Varuna, measured out the span of human life. They were the source of all heavenly gifts: they regulated sun and moon, the winds and waters, and the seasons.[68]

These did the gods establish in royal power over themselves, because they were wise and the children of wisdom, and because they excelled in power.—Prof. Arnold's trans. of Rigvedic Hymn.

Mitra and Varuna were protectors of hearth and home, and they chastised sinners. "In a striking passage of the Mahabharata" says Professor Moulton, "one in which Indian thought comes nearest to the conception of conscience, a kingly wrongdoer is reminded that the sun sees secret sin."[69]

In Persian mythology Mitra, as Mithra, is the patron of Truth, and "the Mediator" between heaven and earth[70]. This god was also worshipped by the military aristocracy of Mitanni, which held sway for a period over Assyria. In Roman times the worship of Mithra spread into Europe from Persia. Mithraic sculptures depict the deity as a corn god slaying the harvest bull; on one of the monuments "cornstalks instead of blood are seen issuing from the wound inflicted with the knife[71]". The Assyrian word "metru" signifies rain.[70] As a sky god Mitra may have been associated, like Varuna, with the waters above the firmament. Rain would therefore be gifted by him as a fertilizing deity. In the Babylonian Flood legend it is the sun god Shamash who "appointed the time" when the heavens were to "rain destruction" in the night, and commanded Pir-napishtim, "Enter into the midst of thy ship and shut thy door". The solar deity thus appears as a form of Anu, god of the sky and upper atmosphere, who controls the seasons and the various forces of nature. Other rival chiefs of city pantheons, whether lunar, atmospheric, earth, or water deities, were similarly regarded as the supreme deities who ruled the Universe, and decreed when man should receive benefits or suffer from their acts of vengeance.

It is possible that the close resemblances between Mithra and Mitra of the Aryan-speaking peoples of India and the Iranian plateau, and the sun god of the Babylonians—the Semitic Shamash, the Sumerian Utu—were due to early contact and cultural influence through the medium of Elam. As a solar and corn god, the Persian Mithra links with Tammuz, as a sky and atmospheric deity with Anu, and as a god of truth, righteousness, and law with Shamash. We seem to trace in the sublime Vedic hymns addressed by the Indian Aryans to Mitra and Varuna the impress of Babylonian religious thought:

Whate'er exists within this earth, and all within the sky, Yea, all that is beyond, King Varuna perceives....

Rigveda, iv, 16.[72]

O Varuna, whatever the offence may be That we as men commit against the heavenly folk, When through our want of thought we violate thy laws, Chastise us not, O god, for that iniquity.

Rigveda, vii, 89.[73]

Shamash was similarly exalted in Babylonian hymns:

The progeny of those who deal unjustly will not prosper. What their mouth utters in thy presence Thou wilt destroy, what issues from their mouth thou wilt dissipate. Thou knowest their transgressions, the plan of the wicked thou rejectest. All, whoever they be, are in thy care.... He who takes no bribe, who cares for the oppressed, Is favoured by Shamash,—his life shall be prolonged.[74]

The worshippers of Varuna and Mitra in the Punjab did not cremate their dead like those who exalted the rival fire god Agni. The grave was the "house of clay", as in Babylonia. Mitra, who was identical with Yama, ruled over departed souls in the "Land of the Pitris" (Fathers), which was reached by crossing the mountains and the rushing stream of death.[75] As we have seen, the Babylonian solar god Nergal was also the lord of the dead.

As Ma-banda-anna, "the boat of the sky", Shamash links with the Egyptian sun god Ra, whose barque sailed over the heavens by day and through the underworld of darkness and death during the night. The consort of Shamash was Aa, and his attendants were Kittu and Mesharu, "Truth" and "Righteousness".

Like the Hittites, the Babylonians had also a sun goddess: her name was Nin-sun, which Jastrow renders "the annihilating lady". At Erech she had a shrine in the temple of the sky god Anu.

We can trace in Babylonia, as in Egypt, the early belief that life in the Universe had a female origin. Nin-sun links with Ishtar, whose Sumerian name is Nana. Ishtar appears to be identical with the Egyptian Hathor, who, as Sekhet, slaughtered the enemies of the sun god Ra. She was similarly the goddess of maternity, and is depicted in this character, like Isis and other goddesses of similar character, suckling a babe. Another Babylonian lady of the gods was Ama, Mama, or Mami, "the creatress of the seed of mankind", and was "probably so called as the 'mother' of all things".[76]

A characteristic atmospheric deity was Ramman, the Rimmon of the Bible, the Semitic Addu, Adad, Hadad, or Dadu. He was not a presiding deity in any pantheon, but was identified with Enlil at Nippur. As a hammer god, he was imported by the Semites from the hills. He was a wind and thunder deity, a rain bringer, a corn god, and a god of battle like Thor, Jupiter, Tarku, Indra, and others, who were all sons of the sky.

In this brief review of the representative deities of early Babylonia, it will be seen that most gods link with Anu, Ea, and Enlil, whose attributes they symbolized in various forms. The prominence accorded to an individual deity depended on local conditions, experiences, and influences. Ceremonial practices no doubt varied here and there, but although one section might exalt Ea and another Shamash, the religious faith of the people as a whole did not differ to any marked extent; they served the gods according to their lights, so that life might be prolonged and made prosperous, for the land of death and "no return" was regarded as a place of gloom and misery.

When the Babylonians appear before us in the early stages of the historical period they had reached that stage of development set forth so vividly in the Orations of Isocrates: "Those of the gods who are the source to us of good things have the title of Olympians; those whose department is that of calamities and punishments have harsher titles: to the first class both private persons and states erect altars and temples; the second is not worshipped either with prayers or burnt sacrifices, but in their case we perform ceremonies of riddance".[77]

The Sumerians, like the Ancient Egyptians, developed their deities, who reflected the growth of culture, from vague spirit groups, which, like ghosts, were hostile to mankind. Those spirits who could be propitiated were exalted as benevolent deities; those who could not be bargained with were regarded as evil gods and goddesses. A better understanding of the character of Babylonian deities will therefore be obtained by passing the demons and evil spirits under review.



CHAPTER IV.

DEMONS, FAIRIES, AND GHOSTS

Spirits in Everything and Everywhere—The Bringers of Luck and Misfortune—Germ Theory Anticipated—Early Gods indistinguishable from Demons—Repulsive form of Ea—Spirit Groups as Attendants of Deities—Egyptian, Indian, Greek, and Germanic parallels—Elder Gods as Evil Gods—Animal Demons—The Babylonian "Will-o'-the-Wisp"—"Foreign Devils"—Elves and Fairies—Demon Lovers—"Adam's first wife, Lilith"—Children Charmed against Evil Spirits—The Demon of Nightmare—Ghosts as Enemies of the Living—The Vengeful Dead Mother in Babylonia, India, Europe, and Mexico—Burial Contrast—Calling Back the Dead—Fate of Childless Ghosts—Religious Need for Offspring—Hags and Giants and Composite Monsters—Tempest Fiends—Legend of Adapa and the Storm Demon—Wind Hags of Ancient Britain—Tyrolese Storm Maidens—Zu Bird Legend and Indian Garuda Myth—Legend of the Eagle and the Serpent—The Snake Mother Goddess—Demons and the Moon God—Plague Deities—Classification of Spirits, and Egyptian, Arabian, and Scottish parallels—Traces of Progress from Animism to Monotheism.

The memorable sermon preached by Paul to the Athenians when he stood "in the midst of Mars' hill", could have been addressed with equal appropriateness to the ancient Sumerians and Akkadians. "I perceive", he declared, "that in all things ye are too superstitious.... God that made the world and all things therein, seeing that he is Lord of heaven and earth, dwelleth not in temples made with hands; neither is worshipped with men's hands as though he needed any thing, seeing he giveth to all life, and breath, and all things ... for in him we live, and move, and have our being; as certain also of your own poets have said, For we are also his offspring. Forasmuch then as we are the offspring of God, we ought not to think that the Godhead is like unto gold, or silver, or stone, graven by art and man's device."[78]

Babylonian temples were houses of the gods in the literal sense; the gods were supposed to dwell in them, their spirits having entered into the graven images or blocks of stone. It is probable that like the Ancient Egyptians they believed a god had as many spirits as he had attributes. The gods, as we have said, appear to have evolved from early spirit groups. All the world swarmed with spirits, which inhabited stones and trees, mountains and deserts, rivers and ocean, the air, the sky, the stars, and the sun and moon. The spirits controlled Nature: they brought light and darkness, sunshine and storm, summer and winter; they were manifested in the thunderstorm, the sandstorm, the glare of sunset, and the wraiths of mist rising from the steaming marshes. They controlled also the lives of men and women. The good spirits were the source of luck. The bad spirits caused misfortunes, and were ever seeking to work evil against the Babylonian. Darkness was peopled by demons and ghosts of the dead. The spirits of disease were ever lying in wait to clutch him with cruel invisible hands.

Some modern writers, who are too prone to regard ancient peoples from a twentieth-century point of view, express grave doubts as to whether "intelligent Babylonians" really believed that spirits came down in the rain and entered the soil to rise up before men's eyes as stalks of barley or wheat. There is no reason for supposing that they thought otherwise. The early folks based their theories on the accumulated knowledge of their age. They knew nothing regarding the composition of water or the atmosphere, of the cause of thunder and lightning, or of the chemical changes effected in soils by the action of bacteria. They attributed all natural phenomena to the operations of spirits or gods. In believing that certain demons caused certain diseases, they may be said to have achieved distinct progress, for they anticipated the germ theory. They made discoveries, too, which have been approved and elaborated in later times when they lit sacred fires, bathed in sacred waters, and used oils and herbs to charm away spirits of pestilence. Indeed, many folk cures, which were originally associated with magical ceremonies, are still practised in our own day. They were found to be effective by early observers, although they were unable to explain why and how cures were accomplished, like modern scientific investigators.

In peopling the Universe with spirits, the Babylonians, like other ancient folks, betrayed that tendency to symbolize everything which has ever appealed to the human mind. Our painters and poets and sculptors are greatest when they symbolize their ideals and ideas and impressions, and by so doing make us respond to their moods. Their "beauty and their terror are sublime". But what may seem poetic to us, was invariably a grim reality to the Babylonians. The statue or picture was not merely a work of art but a manifestation of the god or demon. As has been said, they believed that the spirit of the god inhabited the idol; the frown of the brazen image was the frown of the wicked demon. They entertained as much dread of the winged and human-headed bulls guarding the entrance to the royal palace as do some of the Arab workmen who, in our own day, assist excavators to rescue them from sandy mounds in which they have been hidden for long centuries.

When an idol was carried away from a city by an invading army, it was believed that the god himself had been taken prisoner, and was therefore unable any longer to help his people.

In the early stages of Sumerian culture, the gods and goddesses who formed groups were indistinguishable from demons. They were vaguely defined, and had changing shapes. When attempts were made to depict them they were represented in many varying forms. Some were winged bulls or lions with human heads; others had even more remarkable composite forms. The "dragon of Babylon", for instance, which was portrayed on walls of temples, had a serpent's head, a body covered with scales, the fore legs of a lion, hind legs of an eagle, and a long wriggling serpentine tail. Ea had several monster forms. The following description of one of these is repulsive enough:—

The head is the head of a serpent, From his nostrils mucus trickles, His mouth is beslavered with water; The ears are like those of a basilisk, His horns are twisted into three curls, He wears a veil in his head band, The body is a suh-fish full of stars, The base of his feet are claws, The sole of his foot has no heel, His name is Sassu-wunnu, A sea monster, a form of Ea.

R.C. Thompson's Translation.[79]

Even after the gods were given beneficent attributes to reflect the growth of culture, and were humanized, they still retained many of their savage characteristics. Bel Enlil and his fierce son, Nergal, were destroyers of mankind; the storm god desolated the land; the sky god deluged it with rain; the sea raged furiously, ever hungering for human victims; the burning sun struck down its victims; and the floods played havoc with the dykes and houses of human beings. In Egypt the sun god Ra was similarly a "producer of calamity", the composite monster god Sokar was "the lord of fear".[80] Osiris in prehistoric times had been "a dangerous god", and some of the Pharaohs sought protection against him in the charms inscribed in their tombs.[81] The Indian Shiva, "the Destroyer", in the old religious poems has also primitive attributes of like character.

The Sumerian gods never lost their connection with the early spirit groups. These continued to be represented by their attendants, who executed a deity's stern and vengeful decrees. In one of the Babylonian charms the demons are referred to as "the spleen of the gods"—the symbols of their wrathful emotions and vengeful desires. Bel Enlil, the air and earth god, was served by the demons of disease, "the beloved sons of Bel", which issued from the Underworld to attack mankind. Nergal, the sulky and ill-tempered lord of death and destruction, who never lost his demoniac character, swept over the land, followed by the spirits of pestilence, sunstroke, weariness, and destruction. Anu, the sky god, had "spawned" at creation the demons of cold and rain and darkness. Even Ea and his consort, Damkina, were served by groups of devils and giants, which preyed upon mankind in bleak and desolate places when night fell. In the ocean home of Ea were bred the "seven evil spirits" of tempest—the gaping dragon, the leopard which preyed upon children, the great Beast, the terrible serpent, &c.

In Indian mythology Indra was similarly followed by the stormy Maruts, and fierce Rudra by the tempestuous Rudras. In Teutonic mythology Odin is the "Wild Huntsman in the Raging Host". In Greek mythology the ocean furies attend upon fickle Poseidon. Other examples of this kind could be multiplied.

As we have seen (Chapter II) the earliest group of Babylonian deities consisted probably of four pairs of gods and goddesses as in Egypt. The first pair was Apsu-Rishtu and Tiamat, who personified the primordial deep. Now the elder deities in most mythologies—the "grandsires" and "grandmothers" and "fathers" and "mothers"—are ever the most powerful and most vengeful. They appear to represent primitive "layers" of savage thought. The Greek Cronos devours even his own children, and, as the late Andrew Lang has shown, there are many parallels to this myth among primitive peoples in various parts of the world.

Lang regarded the Greek survival as an example of "the conservatism of the religious instinct".[82] The grandmother of the Teutonic deity Tyr was a fierce giantess with nine hundred heads; his father was an enemy of the gods. In Scotland the hag-mother of winter and storm and darkness is the enemy of growth and all life, and she raises storms to stop the grass growing, to slay young animals, and prevent the union of her son with his fair bride. Similarly the Babylonian chaos spirits, Apsu and Tiamat, the father and mother of the gods, resolve to destroy their offspring, because they begin to set the Universe in order. Tiamat, the female dragon, is more powerful than her husband Apsu, who is slain by his son Ea. She summons to her aid the gods of evil, and creates also a brood of monsters—serpents, dragons, vipers, fish men, raging hounds, &c.—so as to bring about universal and enduring confusion and evil. Not until she is destroyed can the beneficent gods establish law and order and make the earth habitable and beautiful.

But although Tiamat was slain, the everlasting battle between the forces of good and evil was ever waged in the Babylonian world. Certain evil spirits were let loose at certain periods, and they strove to accomplish the destruction of mankind and his works. These invisible enemies were either charmed away by performing magical ceremonies, or by invoking the gods to thwart them and bind them.

Other spirits inhabited the bodies of animals and were ever hovering near. The ghosts of the dead and male and female demons were birds, like the birds of Fate which sang to Siegfried. When the owl raised its melancholy voice in the darkness the listener heard the spirit of a departed mother crying for her child. Ghosts and evil spirits wandered through the streets in darkness; they haunted empty houses; they fluttered through the evening air as bats; they hastened, moaning dismally, across barren wastes searching for food or lay in wait for travellers; they came as roaring lions and howling jackals, hungering for human flesh. The "shedu" was a destructive bull which might slay man wantonly or as a protector of temples. Of like character was the "lamassu", depicted as a winged bull with human head, the protector of palaces; the "alu" was a bull-like demon of tempest, and there were also many composite, distorted, or formless monsters which were vaguely termed "seizers" or "overthrowers", the Semitic "labashu" and "ach-chazu", the Sumerian "dimmea" and "dimme-kur". A dialectic form of "gallu" or devil was "mulla". Professor Pinches thinks it not improbable that "mulla" may be connected with the word "mula", meaning "star", and suggests that it referred to a "will-o'-the-wisp".[83] In these islands, according to an old rhyme,

Some call him Robin Good-fellow, Hob-goblin, or mad Crisp, And some againe doe tearme him oft By name of Will the Wisp.

Other names are "Kitty", "Peg", and "Jack with a lantern". "Poor Robin" sang:

I should indeed as soon expect That Peg-a-lantern would direct Me straightway home on misty night As wand'ring stars, quite out of sight.

In Shakespeare's Tempest[84] a sailor exclaims: "Your fairy, which, you say, is a harmless fairy, has done little better than played the Jack with us". Dr. Johnson commented that the reference was to "Jack with a lantern". Milton wrote also of the "wandering fire",

Which oft, they say, some evil spirit attends, Hovering and blazing with delusive light, Misleads th' amaz'd night wand'rer from his way To bogs and mires, and oft through pond or pool; There swallowed up and lost from succour far.[85]

"When we stick in the mire", sang Drayton, "he doth with laughter leave us." These fires were also "fallen stars", "death fires", and "fire drakes":

So have I seen a fire drake glide along Before a dying man, to point his grave, And in it stick and hide.[86]

Pliny referred to the wandering lights as stars.[87] The Sumerian "mulla" was undoubtedly an evil spirit. In some countries the "fire drake" is a bird with gleaming breast: in Babylonia it assumed the form of a bull, and may have had some connection with the bull of lshtar. Like the Indian "Dasyu" and "Dasa",[88] Gallu was applied in the sense of "foreign devil" to human and superhuman adversaries of certain monarchs. Some of the supernatural beings resemble our elves and fairies and the Indian Rakshasas. Occasionally they appear in comely human guise; at other times they are vaguely monstrous. The best known of this class is Lilith, who, according to Hebrew tradition, preserved in the Talmud, was the demon lover of Adam. She has been immortalized by Dante Gabriel Rossetti:

Of Adam's first wife Lilith, it is told (The witch he loved before the gift of Eve) That, ere the snake's, her sweet tongue could deceive, And her enchanted hair was the first gold. And still she sits, young while the earth is old, And, subtly of herself contemplative, Draws men to watch the bright web she can weave, Till heart and body and life are in its hold. The rose and poppy are her flowers; for where Is he not found, O Lilith, whom shed scent And soft shed kisses and soft sleep shall snare? Lo! as that youth's eyes burned at thine, so went Thy spell through him, and left his straight neck bent And round his heart one strangling golden hair.

Lilith is the Babylonian Lilithu, a feminine form of Lilu, the Sumerian Lila. She resembles Surpanakha of the Ramayana, who made love to Rama and Lakshmana, and the sister of the demon Hidimva, who became enamoured of Bhima, one of the heroes of the Mahabharata,[89] and the various fairy lovers of Europe who lured men to eternal imprisonment inside mountains, or vanished for ever when they were completely under their influence, leaving them demented. The elfin Lilu similarly wooed young women, like the Germanic Laurin of the "Wonderful Rose Garden",[90] who carried away the fair lady Kunhild to his underground dwelling amidst the Tyrolese mountains, or left them haunting the place of their meetings, searching for him in vain:

A savage place! as holy and enchanted As ere beneath the waning moon was haunted By woman wailing for her demon lover... His flashing eyes, his floating hair! Weave a circle round him thrice, And close your eyes with holy dread, For he on honey dew hath fed And drunk the milk of Paradise.

Coleridge's Kubla Khan.

Another materializing spirit of this class was Ardat Lili, who appears to have wedded human beings like the swan maidens, the mermaids, and Nereids of the European folk tales, and the goddess Ganga, who for a time was the wife of King Shantanu of the Mahabharata.[91]

The Labartu, to whom we have referred, was a female who haunted mountains and marshes; like the fairies and hags of Europe, she stole or afflicted children, who accordingly had to wear charms round their necks for protection. Seven of these supernatural beings were reputed to be daughters of Anu, the sky god.

The Alu, a storm deity, was also a spirit which caused nightmare. It endeavoured to smother sleepers like the Scandinavian hag Mara, and similarly deprived them of power to move. In Babylonia this evil spirit might also cause sleeplessness or death by hovering near a bed. In shape it might be as horrible and repulsive as the Egyptian ghosts which caused children to die from fright or by sucking out the breath of life.

As most representatives of the spirit world were enemies of the living, so were the ghosts of dead men and women. Death chilled all human affections; it turned love to hate; the deeper the love had been, the deeper became the enmity fostered by the ghost. Certain ghosts might also be regarded as particularly virulent and hostile if they happened to have left the body of one who was ceremonially impure. The most terrible ghost in Babylonia was that of a woman who had died in childbed. She was pitied and dreaded; her grief had demented her; she was doomed to wail in the darkness; her impurity clung to her like poison. No spirit was more prone to work evil against mankind, and her hostility was accompanied by the most tragic sorrow. In Northern India the Hindus, like the ancient Babylonians, regard as a fearsome demon the ghost of a woman who died while pregnant, or on the day of the child's birth.[92] A similar belief prevailed in Mexico. In Europe there are many folk tales of dead mothers who return to avenge themselves on the cruel fathers of neglected children.

A sharp contrast is presented by the Mongolian Buriats, whose outlook on the spirit world is less gloomy than was that of the ancient Babylonians. According to Mr. Jeremiah Curtin, this interesting people are wont to perform a ceremony with purpose to entice the ghost to return to the dead body—a proceeding which is dreaded in the Scottish Highlands.[93] The Buriats address the ghost, saying: "You shall sleep well. Come back to your natural ashes. Take pity on your friends. It is necessary to live a real life. Do not wander along the mountains. Do not be like bad spirits. Return to your peaceful home.... Come back and work for your children. How can you leave the little ones?" If it is a mother, these words have great effect; sometimes the spirit moans and sobs, and the Buriats tell that there have been instances of it returning to the body.[94] In his Arabia Deserta[95] Doughty relates that Arab women and children mock the cries of the owl. One explained to him: "It is a wailful woman seeking her lost child; she has become this forlorn bird". So do immemorial beliefs survive to our own day.

The Babylonian ghosts of unmarried men and women and of those without offspring were also disconsolate night wanderers. Others who suffered similar fates were the ghosts of men who died in battle far from home and were left unburied, the ghosts of travellers who perished in the desert and were not covered over, the ghosts of drowned men which rose from the water, the ghosts of prisoners starved to death or executed, the ghosts of people who died violent deaths before their appointed time. The dead required to be cared for, to have libations poured out, to be fed, so that they might not prowl through the streets or enter houses searching for scraps of food and pure water. The duty of giving offerings to the dead was imposed apparently on near relatives. As in India, it would appear that the eldest son performed the funeral ceremony: a dreadful fate therefore awaited the spirit of the dead Babylonian man or woman without offspring. In Sanskrit literature there is a reference to a priest who was not allowed to enter Paradise, although he had performed rigid penances, because he had no children.[96]

There were hags and giants of mountain and desert, of river and ocean. Demons might possess the pig, the goat, the horse, the lion, or the ibis, the raven, or the hawk. The seven spirits of tempest, fire, and destruction rose from the depths of ocean, and there were hosts of demons which could not be overcome or baffled by man without the assistance of the gods to whom they were hostile. Many were sexless; having no offspring, they were devoid of mercy and compassion. They penetrated everywhere:

The high enclosures, the broad enclosures, like a flood they pass through, From house to house they dash along. No door can shut them out; No bolt can turn them back. Through the door, like a snake, they glide, Through the hinge, like the wind, they storm, Tearing the wife from the embrace of the man, Driving the freedman from his family home.[97]

These furies did not confine their unwelcomed attentions to mankind alone:

They hunt the doves from their cotes, And drive the birds from their nests, And chase the marten from its hole.... Through the gloomy street by night they roam, Smiting sheepfold and cattle pen, Shutting up the land as with door and bolt.

R.C. Thompson's Translation.

The Babylonian poet, like Burns, was filled with pity for the animals which suffered in the storm:

List'ning the doors an' winnocks rattle, I thought me o' the ourie cattle, Or silly sheep, wha bide this brattle O' winter war.... Ilk happing bird, wee, helpless thing! That in the merry months o' spring Delighted me to hear thee sing, What comes o' thee? Whare wilt thou cow'r thy chittering wing, And close thy e'e?

According to Babylonian belief, "the great storms directed from heaven" were caused by demons. Mankind heard them "loudly roaring above, gibbering below".[98] The south wind was raised by Shutu, a plumed storm demon resembling Hraesvelgur of the Icelandic Eddas:

Corpse-swallower sits at the end of heaven, A Joetun in eagle form; From his wings, they say, comes the wind which fares Over all the dwellers of earth.[99]

The northern story of Thor's fishing, when he hooked and wounded the Midgard serpent, is recalled by the Babylonian legend of Adapa, son of the god Ea. This hero was engaged catching fish, when Shutu, the south wind, upset his boat. In his wrath Adapa immediately attacked the storm demon and shattered her pinions. Anu, the sky god, was moved to anger against Ea's son and summoned him to the Celestial Court. Adapa, however, appeared in garments of mourning and was forgiven. Anu offered him the water of life and the bread of life which would have made him immortal, but Ea's son refused to eat or drink, believing, as his father had warned him, that the sky god desired him to partake of the bread of death and to drink of the water of death.

Another terrible atmospheric demon was the south-west wind, which caused destructive storms and floods, and claimed many human victims like the Icelandic "corpse swallower". She was depicted with lidless staring eyes, broad flat nose, mouth gaping horribly, and showing tusk-like teeth, and with high cheek bones, heavy eyebrows, and low bulging forehead.

In Scotland the hag of the south-west wind is similarly a bloodthirsty and fearsome demon. She is most virulent in the springtime. At Cromarty she is quaintly called "Gentle Annie" by the fisher folks, who repeat the saying: "When Gentle Annie is skyawlan (yelling) roond the heel of Ness (a promontory) wi' a white feather on her hat (the foam of big billows) they (the spirits) will be harrying (robbing) the crook"—that is, the pot which hangs from the crook is empty during the spring storms, which prevent fishermen going to sea. In England the wind hag is Black Annis, who dwells in a Leicestershire hill cave. She may be identical with the Irish hag Anu, associated with the "Paps of Anu". According to Gaelic lore, this wind demon of spring is the "Cailleach" (old wife). She gives her name in the Highland calendar to the stormy period of late spring; she raises gale after gale to prevent the coming of summer. Angerboda, the Icelandic hag, is also a storm demon, but represents the east wind. A Tyrolese folk tale tells of three magic maidens who dwelt on Jochgrimm mountain, where they "brewed the winds". Their demon lovers were Ecke, "he who causes fear"; Vasolt, "he who causes dismay"; and the scornful Dietrich in his mythical character of Donar or Thunor (Thor), the thunderer.

Another Sumerian storm demon was the Zu bird, which is represented among the stars by Pegasus and Taurus. A legend relates that this "worker of evil, who raised the head of evil", once aspired to rule the gods, and stole from Bel, "the lord" of deities, the Tablets of Destiny, which gave him his power over the Universe as controller of the fates of all. The Zu bird escaped with the Tablets and found shelter on its mountain top in Arabia. Anu called on Ramman, the thunderer, to attack the Zu bird, but he was afraid; other gods appear to have shrunk from the conflict. How the rebel was overcome is not certain, because the legend survives in fragmentary form. There is a reference, however, to the moon god setting out towards the mountain in Arabia with purpose to outwit the Zu bird and recover the lost Tablets. How he fared it is impossible to ascertain. In another legend—that of Etana—the mother serpent, addressing the sun god, Shamash, says:

Thy net is like unto the broad earth; Thy snare is like unto the distant heaven! Who hath ever escaped from thy net? Even Zu, the worker of evil, who raised the head of evil [did not escape]!

L.W. King's Translation.

In Indian mythology, Garuda, half giant, half eagle, robs the Amrita (ambrosia) of the gods which gives them their power and renders them immortal. It had assumed a golden body, bright as the sun. Indra, the thunderer, flung his bolt in vain; he could not wound Garuda, and only displaced a single feather. Afterwards, however, he stole the moon goblet containing the Amrita, which Garuda had delivered to his enemies, the serpents, to free his mother from bondage. This Indian eagle giant became the vehicle of the god Vishnu, and, according to the Mahabharata, "mocked the wind with his fleetness".

It would appear that the Babylonian Zu bird symbolized the summer sandstorms from the Arabian desert. Thunder is associated with the rainy season, and it may have been assumed, therefore, that the thunder god was powerless against the sandstorm demon, who was chased, however, by the moon, and finally overcome by the triumphant sun when it broke through the darkening sand drift and brightened heaven and earth, "netting" the rebellious demon who desired to establish the rule of evil over gods and mankind.

In the "Legend of Etana" the Eagle, another demon which links with the Indian Garuda, slayer of serpents, devours the brood of the Mother Serpent. For this offence against divine law, Shamash, the sun god, pronounces the Eagle's doom. He instructs the Mother Serpent to slay a wild ox and conceal herself in its entrails. The Eagle comes to feed on the carcass, unheeding the warning of one of his children, who says, "The serpent lies in this wild ox":

He swooped down and stood upon the wild ox, The Eagle ... examined the flesh; He looked about carefully before and behind him; He again examined the flesh; He looked about carefully before and behind him, Then, moving swiftly, he made for the hidden parts. When he entered into the midst, The serpent seized him by his wing.

In vain the Eagle appealed for mercy to the Mother Serpent, who was compelled to execute the decree of Shamash; she tore off the Eagle's pinions, wings, and claws, and threw him into a pit where he perished from hunger and thirst.[100] This myth may refer to the ravages of a winged demon of disease who was thwarted by the sacrifice of an ox. The Mother Serpent appears to be identical with an ancient goddess of maternity resembling the Egyptian Bast, the serpent mother of Bubastis. According to Sumerian belief, Nintu, "a form of the goddess Ma", was half a serpent. On her head there is a horn; she is "girt about the loins"; her left arm holds "a babe suckling her breast":

From her head to her loins The body is that of a naked woman; From the loins to the sole of the foot Scales like those of a snake are visible.

R.C. Thompson's Translation.

The close association of gods and demons is illustrated in an obscure myth which may refer to an eclipse of the moon or a night storm at the beginning of the rainy season. The demons go to war against the high gods, and are assisted by Adad (Ramman) the thunderer, Shamash the sun, and Ishtar. They desire to wreck the heavens, the home of Anu:

They clustered angrily round the crescent of the moon god, And won over to their aid Shamash, the mighty, and Adad, the warrior, And Ishtar, who with Anu, the King, Hath founded a shining dwelling.

The moon god Sin, "the seed of mankind", was darkened by the demons who raged, "rushing loose over the land" like to the wind. Bel called upon his messenger, whom he sent to Ea in the ocean depths, saying: "My son Sin ... hath been grievously bedimmed". Ea lamented, and dispatched his son Merodach to net the demons by magic, using "a two-coloured cord from the hair of a virgin kid and from the wool of a virgin lamb".[101]

As in India, where Shitala, the Bengali goddess of smallpox, for instance, is worshipped when the dreaded disease she controls becomes epidemic, so in Babylonia the people sought to secure immunity from attack by worshipping spirits of disease. A tablet relates that Ura, a plague demon, once resolved to destroy all life, but ultimately consented to spare those who praised his name and exalted him in recognition of his bravery and power. This could be accomplished by reciting a formula. Indian serpent worshippers believe that their devotions "destroy all danger proceeding from snakes".[102]

Like the Ancient Egyptians, the Babylonians also had their kindly spirits who brought luck and the various enjoyments of life. A good "labartu" might attend on a human being like a household fairy of India or Europe: a friendly "shedu" could protect a household against the attacks of fierce demons and human enemies. Even the spirits of Fate who served Anu, god of the sky, and that "Norn" of the Underworld, Eresh-ki-gal, queen of Hades, might sometimes be propitious: if the deities were successfully invoked they could cause the Fates to smite spirits of disease and bringers of ill luck. Damu, a friendly fairy goddess, was well loved, because she inspired pleasant dreams, relieved the sufferings of the afflicted, and restored to good health those patients whom she selected to favour.

In the Egyptian Book of the Dead the kindly spirits are overshadowed by the evil ones, because the various magical spells which were put on record were directed against those supernatural beings who were enemies of mankind. Similarly in Babylonia the fragments of this class of literature which survive deal mainly with wicked and vengeful demons. It appears probable, however, that the highly emotional Sumerians and Akkadians were on occasion quite as cheerful a people as the inhabitants of ancient Egypt. Although they were surrounded by bloodthirsty furies who desired to shorten their days, and their nights were filled with vague lowering phantoms which inspired fear, they no doubt shared, in their charm-protected houses, a comfortable feeling of security after performing magical ceremonies, and were happy enough when they gathered round flickering lights to listen to ancient song and story and gossip about crops and traders, the members of the royal house, and the family affairs of their acquaintances.

The Babylonian spirit world, it will be seen, was of complex character. Its inhabitants were numberless, but often vaguely defined, and one class of demons linked with another. Like the European fairies of folk belief, the Babylonian spirits were extremely hostile and irresistible at certain seasonal periods; and they were fickle and perverse and difficult to please even when inclined to be friendly. They were also similarly manifested from time to time in various forms. Sometimes they were comely and beautiful; at other times they were apparitions of horror. The Jinn of present-day Arabians are of like character; these may be giants, cloudy shapes, comely women, serpents or cats, goats or pigs.

Some of the composite monsters of Babylonia may suggest the vague and exaggerated recollections of terror-stricken people who have had glimpses of unfamiliar wild beasts in the dusk or amidst reedy marshes. But they cannot be wholly accounted for in this way. While animals were often identified with supernatural beings, and foreigners were called "devils", it would be misleading to assert that the spirit world reflects confused folk memories of human and bestial enemies. Even when a demon was given concrete human form it remained essentially non-human: no ordinary weapon could inflict an injury, and it was never controlled by natural laws. The spirits of disease and tempest and darkness were creations of fancy: they symbolized moods; they were the causes which explained effects. A sculptor or storyteller who desired to convey an impression of a spirit of storm or pestilence created monstrous forms to inspire terror. Sudden and unexpected visits of fierce and devastating demons were accounted for by asserting that they had wings like eagles, were nimble-footed as gazelles, cunning and watchful as serpents; that they had claws to clutch, horns to gore, and powerful fore legs like a lion to smite down victims. Withal they drank blood like ravens and devoured corpses like hyaenas. Monsters were all the more repulsive when they were partly human. The human-headed snake or the snake-headed man and the man with the horns of a wild bull and the legs of a goat were horrible in the extreme. Evil spirits might sometimes achieve success by practising deception. They might appear as beautiful girls or handsome men and seize unsuspecting victims in deathly embrace or leave them demented and full of grief, or come as birds and suddenly assume awesome shapes.

Fairies and elves, and other half-human demons, are sometimes regarded as degenerate gods. It will be seen, however, that while certain spirits developed into deities, others remained something between these two classes of supernatural beings: they might attend upon gods and goddesses, or operate independently now against mankind and now against deities even. The "namtaru", for instance, was a spirit of fate, the son of Bel-Enlil and Eresh-ki-gal, queen of Hades. "Apparently", writes Professor Pinches, "he executed the instructions given him concerning the fate of men, and could also have power over certain of the gods."[103] To this middle class belong the evil gods who rebelled against the beneficent deities. According to Hebridean folk belief, the fallen angels are divided into three classes—the fairies, the "nimble men" (aurora borealis), and the "blue men of the Minch". In Beowulf the "brood of Cain" includes "monsters and elves and sea-devils—giants also, who long time fought with God, for which he gave them their reward".[104] Similarly the Babylonian spirit groups are liable to division and subdivision. The various classes may be regarded as relics of the various stages of development from crude animism to sublime monotheism: in the fragmentary legends we trace the floating material from which great mythologies have been framed.



CHAPTER V.

MYTHS OF TAMMUZ AND ISHTAR

Forms of Tammuz—The Weeping Ceremony—Tammuz the Patriarch and the Dying God—Common Origin of Tammuz and other Deities from an Archaic God—The Mediterranean Racial Myth—Animal Forms of Gods of Fertility—Two Legends of the Death of Tammuz—Attis, Adonis, and Diarmid Slain by a Boar—Laments for Tammuz—His Soul in Underworld and the Deep—Myth of the Child God of Ocean—Sargon Myth Version—The Germanic Scyld of the Sheaf—Tammuz Links with Frey, Heimdal, Agni, &c.—Assyrian Legend of "Descent of Ishtar"—Sumerian Version—The Sister Belit-sheri and the Mother Ishtar—The Egyptian Isis and Nepthys—Goddesses as Mothers, Sisters, and Wives—Great Mothers of Babylonia—Immortal Goddesses and Dying Gods—The Various Indras—Celtic Goddess with Seven Periods of Youth—Lovers of Germanic and Classic Goddesses—The Lovers of Ishtar—Racial Significance of Goddess Cult—The Great Fathers and their Worshippers—Process of Racial and Religious Fusion—Ishtar and Tiamat—Mother Worship in Palestine—Women among Goddess Worshippers.

Among the gods of Babylonia none achieved wider and more enduring fame than Tammuz, who was loved by Ishtar, the amorous Queen of Heaven—the beautiful youth who died and was mourned for and came to life again. He does not figure by his popular name in any of the city pantheons, but from the earliest times of which we have knowledge until the passing of Babylonian civilization, he played a prominent part in the religious life of the people.

Tammuz, like Osiris of Egypt, was an agricultural deity, and as the Babylonian harvest was the gift of the rivers, it is probable that one of his several forms was Dumu-zi-abzu, "Tammuz of the Abyss". He was also "the child", "the heroic lord", "the sentinel", "the healer", and the patriarch who reigned over the early Babylonians for a considerable period. "Tammuz of the Abyss" was one of the members of the family of Ea, god of the Deep, whose other sons, in addition to Merodach, were Nira, an obscure deity; Ki-gulla, "world destroyer", Burnunta-sa, "broad ear", and Bara and Baragulla, probably "revealers" or "oracles". In addition there was a daughter, Khi-dimme-azaga, "child of the renowned spirit". She may have been identical with Belit-sheri, who is referred to in the Sumerian hymns as the sister of Tammuz. This family group was probably formed by symbolizing the attributes of Ea and his spouse Damkina. Tammuz, in his character as a patriarch, may have been regarded as a hostage from the gods: the human form of Ea, who instructed mankind, like King Osiris, how to grow corn and cultivate fruit trees. As the youth who perished annually, he was the corn spirit. He is referred to in the Bible by his Babylonian name.

When Ezekiel detailed the various idolatrous practices of the Israelites, which included the worship of the sun and "every form of creeping things and abominable beasts"—a suggestion of the composite monsters of Babylonia—he was brought "to the door of the gate of the Lord's house, which was towards the north; and, behold, there sat women weeping for Tammuz".[105]

The weeping ceremony was connected with agricultural rites. Corn deities were weeping deities, they shed fertilizing tears; and the sowers simulated the sorrow of divine mourners when they cast seed in the soil "to die", so that it might spring up as corn. This ancient custom, like many others, contributed to the poetic imagery of the Bible. "They that sow in tears", David sang, "shall reap in joy. He that goeth forth and weepeth, bearing precious seed, shall doubtless come again with rejoicing, bringing his sheaves with him."[106] In Egypt the priestesses who acted the parts of Isis and Nepthys, mourned for the slain corn god Osiris.

Gods and men before the face of the gods are weeping for thee at the same time, when they behold me!... All thy sister goddesses are at thy side and behind thy couch, Calling upon thee with weeping—yet thou are prostrate upon thy bed!... Live before us, desiring to behold thee.[107]

It was believed to be essential that human beings should share the universal sorrow caused by the death of a god. If they remained unsympathetic, the deities would punish them as enemies. Worshippers of nature gods, therefore, based their ceremonial practices on natural phenomena. "The dread of the worshippers that the neglect of the usual ritual would be followed by disaster, is particularly intelligible", writes Professor Robertson Smith, "if they regarded the necessary operations of agriculture as involving the violent extinction of a particle of divine life."[108] By observing their ritual, the worshippers won the sympathy and co-operation of deities, or exercised a magical control over nature.

The Babylonian myth of Tammuz, the dying god, bears a close resemblance to the Greek myth of Adonis. It also links with the myth of Osiris. According to Professor Sayce, Tammuz is identical with "Daonus or Daos, the shepherd of Pantibibla", referred to by Berosus as the ruler of one of the mythical ages of Babylonia. We have therefore to deal with Tammuz in his twofold character as a patriarch and a god of fertility.

The Adonis version of the myth may be summarized briefly. Ere the god was born, his mother, who was pursued by her angry sire, as the river goddesses of the folk tales are pursued by the well demons, transformed herself into a tree. Adonis sprang from the trunk of this tree, and Aphrodite, having placed the child in a chest, committed him to the care of Persephone, queen of Hades, who resembles the Babylonian Eresh-ki-gal. Persephone desired to retain the young god, and Aphrodite (Ishtar) appealed to Zeus (Anu), who decreed that Adonis should spend part of the year with one goddess and part of the year with the other.

It is suggested that the myth of Adonis was derived in post-Homeric times by the Greeks indirectly from Babylonia through the Western Semites, the Semitic title "Adon", meaning "lord", having been mistaken for a proper name. This theory, however, cannot be accepted without qualifications. It does not explain the existence of either the Phrygian myth of Attis, which was developed differently from the Tammuz myth, or the Celtic story of "Diarmid and the boar", which belongs to the archaeological "Hunting Period". There are traces in Greek mythology of pre-Hellenic myths about dying harvest deities, like Hyakinthos and Erigone, for instance, who appear to have been mourned for. There is every possibility, therefore, that the Tammuz ritual may have been attached to a harvest god of the pre-Hellenic Greeks, who received at the same time the new name of Adonis. Osiris of Egypt resembles Tammuz, but his Mesopotamian origin has not been proved. It would appear probable that Tammuz, Attis, Osiris, and the deities represented by Adonis and Diarmid were all developed from an archaic god of fertility and vegetation, the central figure of a myth which was not only as ancient as the knowledge and practice of agriculture, but had existence even in the "Hunting Period". Traces of the Tammuz-Osiris story in various forms are found all over the area occupied by the Mediterranean or Brown race from Sumeria to the British Isles. Apparently the original myth was connected with tree and water worship and the worship of animals. Adonis sprang from a tree; the body of Osiris was concealed in a tree which grew round the sea-drifted chest in which he was concealed. Diarmid concealed himself in a tree when pursued by Finn. The blood of Tammuz, Osiris, and Adonis reddened the swollen rivers which fertilized the soil. Various animals were associated with the harvest god, who appears to have been manifested from time to time in different forms, for his spirit pervaded all nature. In Egypt the soul of Osiris entered the Apis bull or the ram of Mendes.

Tammuz in the hymns is called "the pre-eminent steer of heaven", and a popular sacrifice was "a white kid of the god Tammuz", which, however, might be substituted by a sucking pig. Osiris had also associations with swine, and the Egyptians, according to Herodotus, sacrificed a pig to him annually. When Set at full moon hunted the boar in the Delta marshes, he probably hunted the boar form of Osiris, whose human body had been recovered from the sacred tree by Isis. As the soul of Bata, the hero of the Egyptian folk tale,[109] migrated from the blossom to the bull, and the bull to the tree, so apparently did the soul of Osiris pass from incarnation to incarnation. Set, the demon slayer of the harvest god, had also a boar form; he was the black pig who devoured the waning moon and blinded the Eye of Ra.