Section 10

Letty regarded him, frowning, and with her chin between her fists....

"But do you really believe," said Letty, "that things can be better than they are?"

"But—Yes!" said Mr. Britling.

"I don't," said Letty. "The world is cruel. It is just cruel. So it will always be."

"It need not be cruel," said Mr. Britling.

"It is just a place of cruel things. It is all set with knives. It is full of diseases and accidents. As for God—either there is no God or he is an idiot. He is a slobbering idiot. He is like some idiot who pulls off the wings of flies."

"No," said Mr. Britling.

"There is no progress. Nothing gets better. How can you believe in God after Hugh? Do you believe in God?"

"Yes," said Mr. Britling after a long pause; "I do believe in God."

"Who lets these things happen!" She raised herself on her arm and thrust her argument at him with her hand. "Who kills my Teddy and your Hugh—and millions."

"No," said Mr. Britling.

"But he must let these things happen. Or why do they happen?"

"No," said Mr. Britling. "It is the theologians who must answer that. They have been extravagant about God. They have had silly absolute ideas—that He is all powerful. That He's omni-everything. But the common sense of men knows better. Every real religious thought denies it. After all, the real God of the Christians is Christ, not God Almighty; a poor mocked and wounded God nailed on a cross of matter.... Some day He will triumph.... But it is not fair to say that He causes all things now. It is not fair to make out a case against him. You have been misled. It is a theologian's folly. God is not absolute; God is finite.... A finite God who struggles in his great and comprehensive way as we struggle in our weak and silly way—who is with us—that is the essence of all real religion.... I agree with you so—Why! if I thought there was an omnipotent God who looked down on battles and deaths and all the waste and horror of this war—able to prevent these things—doing them to amuse Himself—I would spit in his empty face...."

"Any one would...."

"But it's your teachers and catechisms have set you against God.... They want to make out He owns all Nature. And all sorts of silly claims. Like the heralds in the Middle Ages who insisted that Christ was certainly a great gentleman entitled to bear arms. But God is within Nature and necessity. Necessity is a thing beyond God—beyond good and ill, beyond space and time, a mystery everlastingly impenetrable. God is nearer than that. Necessity is the uttermost thing, but God is the innermost thing. Closer He is than breathing and nearer than hands and feet. He is the Other Thing than this world. Greater than Nature or Necessity, for he is a spirit and they are blind, but not controlling them.... Not yet...."

"They always told me He was the maker of Heaven and Earth."

"That's the Jew God the Christians took over. It's a Quack God, a Panacea. It's not my God."

Letty considered these strange ideas.

"I never thought of Him like that," she said at last. "It makes it all seem different."

"Nor did I. But I do now.... I have suddenly found it and seen it plain. I see it so plain that I am amazed that I have not always seen it.... It is, you see, so easy to understand that there is a God, and how complex and wonderful and brotherly He is, when one thinks of those dear boys who by the thousand, by the hundred thousand, have laid down their lives.... Ay, and there were German boys too who did the same.... The cruelties, the injustice, the brute aggression—they saw it differently. They laid down their lives—they laid down their lives.... Those dear lives, those lives of hope and sunshine....

"Don't you see that it must be like that, Letty? Don't you see that it must be like that?"

"No," she said, "I've seen things differently from that."

"But it's so plain to me," said Mr. Britling. "If there was nothing else in all the world but our kindness for each other, or the love that made you weep in this kind October sunshine, or the love I bear Hugh—if there was nothing else at all—if everything else was cruelty and mockery and filthiness and bitterness, it would still be certain that there was a God of love and righteousness. If there were no signs of God in all the world but the godliness we have seen in those two boys of ours; if we had no other light but the love we have between us....

"You don't mind if I talk like this?" said Mr. Britling. "It's all I can think of now—this God, this God who struggles, who was in Hugh and Teddy, clear and plain, and how He must become the ruler of the world...."

"This God who struggles," she repeated. "I have never thought of Him like that."

"Of course He must be like that," said Mr. Britling. "How can God be a Person; how can He be anything that matters to man, unless He is limited and defined and—human like ourselves.... With things outside Him and beyond Him."

Section 11

Letty walked back slowly through the fields of stubble to her cottage.

She had been talking to Mr. Britling for an hour, and her mind was full of the thought of this changed and simplified man, who talked of God as he might have done of a bird he had seen or of a tree he had sheltered under. And all mixed up with this thought of Mr. Britling was this strange idea of God who was also a limited person, who could come as close as Teddy, whispering love in the darkness. She had a ridiculous feeling that God really struggled like Mr. Britling, and that with only some indefinable inferiority of outlook Mr. Britling loved like God. She loved him for his maps and his dreams and the bareness of his talk to her. It was strange how the straining thought of the dead Teddy had passed now out of her mind. She was possessed by a sense of ending and beginning, as though a page had turned over in her life and everything was new. She had never given religion any thought but contemptuous thought for some years, since indeed her growing intelligence had dismissed it as a scheme of inexcusable restraints and empty pretences, a thing of discords where there were no discords except of its making. She had been a happy Atheist. She had played in the sunshine, a natural creature with the completest confidence in the essential goodness of the world in which she found herself. She had refused all thought of painful and disagreeable things. Until the bloody paw of war had wiped out all her assurance. Teddy, the playmate, was over, the love game was ended for ever; the fresh happy acceptance of life as life; and in the place of Teddy was the sorrow of life, the pity of life, and this coming of God out of utter remoteness into a conceivable relation to her own existence.

She had left Mr. Britling to his atlas. He lay prone under the hedge with it spread before him. His occupation would have seemed to her only a little while ago the absurdest imaginable. He was drawing boundaries on his maps very carefully in red ink, with a fountain pen. But now she understood.

She knew that those red ink lines of Mr. Britling's might in the end prove wiser and stronger than the bargains of the diplomats....

In the last hour he had come very near to her. She found herself full of an unwonted affection for him. She had never troubled her head about her relations with any one except Teddy before. Now suddenly she seemed to be opening out to all the world for kindness. This new idea of a friendly God, who had a struggle of his own, who could be thought of as kindred to Mr. Britling, as kindred to Teddy—had gripped her imagination. He was behind the autumnal sunshine; he was in the little bird that had seemed so confident and friendly. Whatever was kind, whatever was tender; there was God. And a thousand old phrases she had read and heard and given little heed to, that had lain like dry bones in her memory, suddenly were clothed in flesh and became alive. This God—if this was God—then indeed it was not nonsense to say that God was love, that he was a friend and companion.... With him it might be possible to face a world in which Teddy and she would never walk side by side again nor plan any more happiness for ever. After all she had been very happy; she had had wonderful happiness. She had had far more happiness, far more love, in her short years or so than most people had in their whole lives. And so in the reaction of her emotions, Letty, who had gone out with her head full of murder and revenge, came back through the sunset thinking of pity, of the thousand kindnesses and tendernesses of Teddy that were, after all, perhaps only an intimation of the limitless kindnesses and tendernesses of God.... What right had she to a white and bitter grief, self-centred and vindictive, while old Britling could still plan an age of mercy in the earth and a red-gold sunlight that was warm as a smile from Teddy lay on all the world....

She must go into the cottage and kiss Cissie, and put away that parcel out of sight until she could find some poor soldier to whom she could send it. She had been pitiless towards Cissie in her grief. She had, in the egotism of her sorrow, treated Cissie as she might have treated a chair or a table, with no thought that Cissie might be weary, might dream of happiness still to come. Cissie had still to play the lover, and her man was already in khaki. There would be no such year as Letty had had in the days before the war darkened the world. Before Cissie's marrying the peace must come, and the peace was still far away. And Direck too would have to take his chances....

Letty came through the little wood and over the stile that brought her into sight of the cottage. The windows of the cottage as she saw it under the bough of the big walnut tree, were afire from the sun. The crimson rambler over the porch that she and Teddy had planted was still bearing roses. The door was open and people were moving in the porch.

Some one was coming out of the cottage, a stranger, in an unfamiliar costume, and behind him was a man in khaki—but that was Mr. Direck! And behind him again was Cissie.

But the stranger!

He came out of the frame of the porch towards the garden gate....

Who—who was this stranger?

It was a man in queer-looking foreign clothes, baggy trousers of some soft-looking blue stuff and a blouse, and he had a white-bandaged left arm. He had a hat stuck at the back of his head, and a beard....

He was entirely a stranger, a foreigner. Was she going insane? Of course he was a stranger!

And then he moved a step, he made a queer sideways pace, a caper, on the path, and instantly he ceased to be strange and foreign. He became amazingly, incredibly, familiar by virtue of that step....

No!

Her breath stopped. All Letty's being seemed to stop. And this stranger who was also incredibly familiar, after he had stared at her motionless form for a moment, waved his hat with a gesture—a gesture that crowned and scaled the effect of familiarity. She gave no sign in reply.

No, that familiarity was just a mad freakishness in things.

This strange man came from Belgium perhaps, to tell something about Teddy....

And then she surprised herself by making a groaning noise, an absurd silly noise, just like the noise when one imitates a cow to a child. She said "Mooo-oo."

And she began to run forward, with legs that seemed misfits, waving her hands about, and as she ran she saw more and more certainly that this wounded man in strange clothing was Teddy. She ran faster and still faster, stumbling and nearly falling. If she did not get to him speedily the world would burst.

To hold him, to hold close to him!...

"Letty! Letty! Just one arm...."

She was clinging to him and he was holding her....

It was all right. She had always known it was all right. (Hold close to him.) Except just for a little while. But that had been foolishness. Hadn't she always known he was alive? And here he was alive! (Hold close to him.) Only it was so good to be sure—after all her torment; to hold him, to hang about him, to feel the solid man, kissing her, weeping too, weeping together with her. "Teddy my love!"

Section 12

Letty was in the cottage struggling to hear and understand things too complicated for her emotion-crowded mind. There was something that Mr. Direck was trying to explain about a delayed telegram that had come soon after she had gone out. There was much indeed that Mr. Direck was trying to explain. What did any explanation really matter when you had Teddy, with nothing but a strange beard and a bandaged arm between him and yourself? She had an absurd persuasion at first that those two strangenesses would also presently be set aside, so that Teddy would become just exactly what Teddy had always been.

Teddy had been shot through the upper arm....

"My hand has gone, dear little Letty. It's my left hand, luckily. I shall have to wear a hook like some old pirate...."

There was something about his being taken prisoner. "That other officer"—that was Mr. Direck's officer—"had been lying there for days." Teddy had been shot through the upper arm, and stunned by a falling beam. When he came to he was disarmed, with a German standing over him....

Then afterwards he had escaped. In quite a little time he had escaped. He had been in a railway station somewhere in Belgium; locked in a waiting-room with three or four French prisoners, and the junction had been bombed by French and British aeroplanes. Their guard and two of the prisoners had been killed. In the confusion the others had got away into the town. There were trucks of hay on fire, and a store of petrol was in danger. "After that one was bound to escape. One would have been shot if one had been found wandering about."

The bomb had driven some splinters of glass and corrugated iron into Teddy's wrist; it seemed a small place at first; it didn't trouble him for weeks. But then some dirt got into it.

In the narrow cobbled street beyond the station he had happened upon a woman who knew no English, but who took him to a priest, and the priest had hidden him.

Letty did not piece together the whole story at first. She did not want the story very much; she wanted to know about this hand and arm.

There would be queer things in the story when it came to be told. There was an old peasant who had made Teddy work in his fields in spite of his smashed and aching arm, and who had pointed to a passing German when Teddy demurred; there were the people called "they" who had at that time organised the escape of stragglers into Holland. There was the night watch, those long nights in succession before the dash for liberty. But Letty's concern was all with the hand. Inside the sling there was something that hurt the imagination, something bandaged, a stump. She could not think of it. She could not get away from the thought of it.

"But why did you lose your hand?"

It was only a little place at first, and then it got painful....

"But I didn't go into a hospital because I was afraid they would intern me, and so I wouldn't be able to come home. And I was dying to come home. I was—homesick. No one was ever so homesick. I've thought of this place and the garden, and how one looked out of the window at the passers-by, a thousand times. I seemed always to be seeing them. Old Dimple with his benevolent smile, and Mrs. Wolker at the end cottage, and how she used to fetch her beer and wink when she caught us looking at her, and little Charlie Slobberface sniffing on his way to the pigs and all the rest of them. And you, Letty. Particularly you. And how we used to lean on the window-sill with our shoulders touching, and your cheek just in front of my eyes.... And nothing aching at all in one....

"How I thought of that and longed for that!...

"And so, you see, I didn't go to the hospital. I kept hoping to get to England first. And I left it too long...."

"Life's come back to me with you!" said Letty. "Until just to-day I've believed you'd come back. And to-day—I doubted.... I thought it was all over—all the real life, love and the dear fun of things, and that there was nothing before me, nothing before me but just holding out—and keeping your memory.... Poor arm. Poor arm. And being kind to people. And pretending you were alive somewhere.... I'll not care about the arm. In a little while.... I'm glad you've gone, but I'm gladder you're back and can never go again.... And I will be your right hand, dear, and your left hand and all your hands. Both my hands for your dear lost left one. You shall have three hands instead of two...."

Section 13

Letty stood by the window as close as she could to Teddy in a world that seemed wholly made up of unexpected things. She could not heed the others, it was only when Teddy spoke to the others, or when they spoke to Teddy, that they existed for her.

For instance, Teddy was presently talking to Mr. Direck.

They had spoken about the Canadians who had come up and relieved the Essex men after the fight in which Teddy had been captured. And then it was manifest that Mr. Direck was talking of his regiment. "I'm not the only American who has gone Canadian—for the duration of the war."

He had got to his explanation at last.

"I've told a lie," he said triumphantly. "I've shifted my birthplace six hundred miles.

"Mind you, I don't admit a thing that Cissie has ever said about America—not one thing. You don't understand the sort of proposition America is up against. America is the New World, where there are no races and nations any more; she is the Melting Pot, from which we will cast the better state. I've believed that always—in spite of a thousand little things I believe it now. I go back on nothing. I'm not fighting as an American either. I'm fighting simply as myself.... I'm not going fighting for England, mind you. Don't you fancy that. I don't know I'm so particularly in love with a lot of English ways as to do that. I don't see how any one can be very much in love with your Empire, with its dead-alive Court, its artful politicians, its lords and ladies and snobs, its way with the Irish and its way with India, and everybody shifting responsibility and telling lies about your common people. I'm not going fighting for England. I'm going fighting for Cissie—and justice and Belgium and all that—but more particularly for Cissie. And anyhow I can't look Pa Britling in the face any more.... And I want to see those trenches—close. I reckon they're a thing it will be interesting to talk about some day.... So I'm going," said Mr. Direck. "But chiefly—it's Cissie. See?"

Cissie had come and stood by the side of him.

She looked from poor broken Teddy to him and back again.

"Up to now," she said, "I've wanted you to go...."

Tears came into her eyes.

"I suppose I must let you go," she said. "Oh! I'd hate you not to go...."

Section 14

"Good God! how old the Master looks!" cried Teddy suddenly.

He was standing at the window, and as Mr. Direck came forward inquiringly he pointed to the figure of Mr. Britling passing along the road towards the Dower House.

"He does look old. I hadn't noticed," said Mr. Direck.

"Why, he's gone grey!" cried Teddy, peering. "He wasn't grey when I left."

They watched the knickerbockered figure of Mr. Britling receding up the hill, atlas and papers in his hands behind his back.

"I must go out to him," said Teddy, disengaging himself from Letty.

"No," she said, arresting him with her hand.

"But he will be glad—"

She stood in her husband's way. She had a vision of Mr. Britling suddenly called out of his dreams of God ruling the united states of the world, to rejoice at Teddy's restoration....

"No," she said; "it will only make him think again of Hugh—and how he died. Don't go out, Teddy. Not now. What does he care for you?... Let him rest from such things.... Leave him to dream over his atlas.... He isn't so desolate—if you knew.... I will tell you, Teddy—when I can....

"But just now—No, he will think of Hugh again.... Let him go.... He has God and his atlas there.... They're more than you think."



CHAPTER THE SECOND

MR. BRITLING WRITES UNTIL SUNRISE

Section 1

It was some weeks later. It was now the middle of November, and Mr. Britling, very warmly wrapped in his thick dressing-gown and his thick llama wool pyjamas, was sitting at his night desk, and working ever and again at an essay, an essay of preposterous ambitions, for the title of it was "The Better Government of the World."

Latterly he had had much sleepless misery. In the day life was tolerable, but in the night—unless he defended himself by working, the losses and cruelties of the war came and grimaced at him, insufferably. Now he would be haunted by long processions of refugees, now he would think of the dead lying stiff and twisted in a thousand dreadful attitudes. Then again he would be overwhelmed with anticipations of the frightful economic and social dissolution that might lie ahead.... At other times he thought of wounds and the deformities of body and spirit produced by injuries. And sometimes he would think of the triumph of evil. Stupid and triumphant persons went about a world that stupidity had desolated, with swaggering gestures, with a smiling consciousness of enhanced importance, with their scornful hatred of all measured and temperate and kindly things turned now to scornful contempt. And mingling with the soil they walked on lay the dead body of Hugh, face downward. At the back of the boy's head, rimmed by blood-stiffened hair—the hair that had once been "as soft as the down of a bird"—was a big red hole. That hole was always pitilessly distinct. They stepped on him—heedlessly. They heeled the scattered stuff of his exquisite brain into the clay....

From all such moods of horror Mr. Britling's circle of lamplight was his sole refuge. His work could conjure up visions, like opium visions, of a world of order and justice. Amidst the gloom of world bankruptcy he stuck to the prospectus of a braver enterprise—reckless of his chances of subscribers....

Section 2

But this night even this circle of lamplight would not hold his mind. Doubt had crept into this last fastness. He pulled the papers towards him, and turned over the portion he had planned.

His purpose in the book he was beginning to write was to reason out the possible methods of government that would give a stabler, saner control to the world. He believed still in democracy, but he was realising more and more that democracy had yet to discover its method. It had to take hold of the consciences of men, it had to equip itself with still unformed organisations. Endless years of patient thinking, of experimenting, of discussion lay before mankind ere this great idea could become reality, and right, the proven right thing, could rule the earth.

Meanwhile the world must still remain a scene of blood-stained melodrama, of deafening noise, contagious follies, vast irrational destructions. One fine life after another went down from study and university and laboratory to be slain and silenced....

Was it conceivable that this mad monster of mankind would ever be caught and held in the thin-spun webs of thought?

Was it, after all, anything but pretension and folly for a man to work out plans for the better government of the world?—was it any better than the ambitious scheming of some fly upon the wheel of the romantic gods?

Man has come, floundering and wounding and suffering, out of the breeding darknesses of Time, that will presently crush and consume him again. Why not flounder with the rest, why not eat, drink, fight, scream, weep and pray, forget Hugh, stop brooding upon Hugh, banish all these priggish dreams of "The Better Government of the World," and turn to the brighter aspects, the funny and adventurous aspects of the war, the Chestertonian jolliness, Punch side of things? Think you because your sons are dead that there will be no more cakes and ale? Let mankind blunder out of the mud and blood as mankind has blundered in....

Let us at any rate keep our precious Sense of Humour....

He pulled his manuscript towards him. For a time he sat decorating the lettering of his title, "The Better Government of the World," with little grinning gnomes' heads and waggish tails....

Section 3

On the top of Mr. Britling's desk, beside the clock, lay a letter, written in clumsy English and with its envelope resealed by a label which testified that it had been "OPENED BY CENSOR."

The friendly go-between in Norway had written to tell Mr. Britling that Herr Heinrich also was dead; he had died a wounded prisoner in Russia some months ago. He had been wounded and captured, after undergoing great hardships, during the great Russian attack upon the passes of the Carpathians in the early spring, and his wound had mortified. He had recovered partially for a time, and then he had been beaten and injured again in some struggle between German and Croatian prisoners, and he had sickened and died. Before he died he had written to his parents, and once again he had asked that the fiddle he had left in Mr. Britling's care should if possible be returned to them. It was manifest that both for him and them now it had become a symbol with many associations.

The substance of this letter invaded the orange circle of the lamp; it would have to be answered, and the potentialities of the answer were running through Mr. Britling's brain to the exclusion of any impersonal composition. He thought of the old parents away there in Pomerania—he believed but he was not quite sure, that Heinrich had been an only son—and of the pleasant spectacled figure that had now become a broken and decaying thing in a prisoner's shallow grave....

Another son had gone—all the world was losing its sons....

He found himself thinking of young Heinrich in the very manner, if with a lesser intensity, in which he thought about his own son, as of hopes senselessly destroyed. His mind took no note of the fact that Heinrich was an enemy, that by the reckoning of a "war of attrition" his death was balance and compensation for the death of Hugh. He went straight to the root fact that they had been gallant and kindly beings, and that the same thing had killed them both....

By no conceivable mental gymnastics could he think of the two as antagonists. Between them there was no imaginable issue. They had both very much the same scientific disposition; with perhaps more dash and inspiration in the quality of Hugh; more docility and method in the case of Karl. Until war had smashed them one against the other....

He recalled his first sight of Heinrich at the junction, and how he had laughed at the sight of his excessive Teutonism. The close-cropped shining fair head surmounted by a yellowish-white corps cap had appeared dodging about among the people upon the platform, and manifestly asking questions. The face had been very pink with the effort of an unaccustomed tongue. The young man had been clad in a suit of white flannel refined by a purple line; his boots were of that greenish yellow leather that only a German student could esteem "chic"; his rucksack was upon his back, and the precious fiddle in its case was carried very carefully in one hand; this same dead fiddle. The other hand held a stick with a carved knob and a pointed end. He had been too German for belief. "Herr Heinrich!" Mr. Britling had said, and straightway the heels had clashed together for a bow, a bow from the waist, a bow that a heedless old lady much burthened with garden produce had greatly disarranged. From first to last amidst our off-hand English ways Herr Heinrich had kept his bow—and always it had been getting disarranged.

That had been his constant effect; a little stiff, a little absurd, and always clean and pink and methodical. The boys had liked him without reserve, Mrs. Britling had liked him; everybody had found him a likeable creature. He never complained of anything except picnics. But he did object to picnics; to the sudden departure of the family to wild surroundings for the consumption of cold, knifeless and forkless meals in the serious middle hours of the day. He protested to Mr. Britling, respectfully but very firmly. It was, he held, implicit in their understanding that he should have a cooked meal in the middle of the day. Otherwise his Magen was perplexed and disordered. In the evening he could not eat with any gravity or profit....

Their disposition towards under-feeding and a certain lack of fine sentiment were the only flaws in the English scheme that Herr Heinrich admitted. He certainly found the English unfeeling. His heart went even less satisfied than his Magen. He was a being of expressive affections; he wanted great friendships, mysterious relationships, love. He tried very bravely to revere and to understand and be occultly understood by Mr. Britling; he sought long walks and deep talks with Hugh and the small boys; he tried to fill his heart with Cissie; he found at last marvels of innocence and sweetness in the Hickson girl. She wore her hair in a pigtail when first he met her, and it made her almost Marguerite. This young man had cried aloud for love, warm and filling, like the Mittagsessen that was implicit in their understanding. And all these Essex people failed to satisfy him; they were silent, they were subtle, they slipped through the fat yet eager fingers of his heart, so that he fell back at last upon himself and his German correspondents and the idealisation of Maud Hickson and the moral education of Billy. Billy. Mr. Britling's memories came back at last to the figure of young Heinrich with the squirrel on his shoulder, that had so often stood in the way of the utter condemnation of Germany. That, seen closely, was the stuff of one brutal Prussian. What quarrel had we with him?...

Other memories of Heinrich flitted across Mr. Britling's reverie. Heinrich at hockey, running with extreme swiftness and little skill, tricked and baffled by Letty, dodged by Hugh, going headlong forward and headlong back, and then with a cry flinging himself flat on the ground exhausted.... Or again Heinrich very grave and very pink, peering through his glasses at his cards at Skat.... Or Heinrich in the boats upon the great pond, or Heinrich swimming, or Heinrich hiding very, very artfully from the boys about the garden on a theory of his own, or Heinrich in strange postures, stalking the deer in Claverings Park. For a time he had had a great ambition to creep quite close to a deer and touch it.... Or Heinrich indexing. He had a passion for listing and indexing books, music, any loose classifiable thing. His favourite amusement was devising schemes for the indentation of dictionary leaves, so that one could turn instantly to the needed word. He had bought and cut the edges of three dictionaries; each in succession improved upon the other; he had had great hopes of patents and wealth arising therefrom.... And his room had been a source of strange sounds; his search for music upon the violin. He had hoped when he came to Matching's Easy to join "some string quartette." But Matching's Easy produced no string quartette. He had to fall back upon the pianola, and try to play duets with that. Only the pianola did all the duet itself, and in the hands of a small Britling was apt to betray a facetious moodiness; sudden alternations between extreme haste and extreme lassitude....

Then there came a memory of Heinrich talking very seriously; his glasses magnifying his round blue eyes, talking of his ideas about life, of his beliefs and disbeliefs, of his ambitions and prospects in life.

He confessed two principal ambitions. They varied perhaps in their absolute dimensions, but they were of equal importance in his mind. The first of these was, so soon as he had taken his doctorate in philology, to give himself to the perfecting of an International Language; it was to combine all the virtues of Esperanto and Ido. "And then," said Herr Heinrich, "I do not think there will be any more wars—ever." The second ambition, which was important first because Herr Heinrich found much delight in working at it, and secondly because he thought it would give him great wealth and opportunity for propagating the perfect speech, was the elaboration of his system of marginal indentations for dictionaries and alphabetical books of reference of all sorts. It was to be so complete that one would just stand over the book to be consulted, run hand and eye over its edges and open the book—"at the very exact spot." He proposed to follow this business up with a quite Germanic thoroughness. "Presently," he said, "I must study the machinery by which the edges of books are cut. It is possible I may have to invent these also." This was the double-barrelled scheme of Herr Heinrich's career. And along it he was to go, and incidentally develop his large vague heart that was at present so manifestly unsatisfied....

Such was the brief story of Herr Heinrich.

That story was over—just as Hugh's story was over. That first volume would never now have a second and a third. It ended in some hasty grave in Russia. The great scheme for marginal indices would never be patented, the duets with the pianola would never be played again.

Imagination glimpsed a little figure toiling manfully through the slush and snow of the Carpathians; saw it staggering under its first experience of shell fire; set it amidst attacks and flights and fatigue and hunger and a rush perhaps in the darkness; guessed at the wounding blow. Then came the pitiful pilgrimage of the prisoners into captivity, captivity in a land desolated, impoverished and embittered. Came wounds wrapped in filthy rags, pain and want of occupation, and a poor little bent and broken Heinrich sitting aloof in a crowded compound nursing a mortifying wound....

He used always to sit in a peculiar attitude with his arms crossed on his crossed legs, looking slantingly through his glasses....

So he must have sat, and presently he lay on some rough bedding and suffered, untended, in infinite discomfort; lay motionless and thought at times, it may be, of Matching's Easy and wondered what Hugh and Teddy were doing. Then he became fevered, and the world grew bright-coloured and fantastic and ugly for him. Until one day an infinite weakness laid hold of him, and his pain grew faint and all his thoughts and memories grew faint—and still fainter....

The violin had been brought into Mr. Britling's study that afternoon, and lay upon the further window-seat. Poor little broken sherd, poor little fragment of a shattered life! It looked in its case like a baby in a coffin.

"I must write a letter to the old father and mother," Mr. Britling thought. "I can't just send the poor little fiddle—without a word. In all this pitiful storm of witless hate—surely there may be one greeting—not hateful.

"From my blackness to yours," said Mr. Britling aloud. He would have to write it in English. But even if they knew no English some one would be found to translate it to them. He would have to write very plainly.

Section 4

He pushed aside the manuscript of "The Better Government of the World," and began to write rather slowly, shaping his letters roundly and distinctly:

Dear Sir,

I am writing this letter to you to tell you I am sending back the few little things I had kept for your son at his request when the war broke out. I am sending them—

Mr. Britling left that blank for the time until he could arrange the method of sending to the Norwegian intermediary.

Especially I am sending his violin, which he had asked me thrice to convey to you. Either it is a gift from you or it symbolised many things for him that he connected with home and you. I will have it packed with particular care, and I will do all in my power to ensure its safe arrival.

I want to tell you that all the stress and passion of this war has not made us here in Matching's Easy forget our friend your son. He was one of us, he had our affection, he had friends here who are still his friends. We found him honourable and companionable, and we share something of your loss. I have got together for you a few snapshots I chance to possess in which you will see him in the sunshine, and which will enable you perhaps to picture a little more definitely than you would otherwise do the life he led here. There is one particularly that I have marked. Our family is lunching out-of-doors, and you will see that next to your son is a youngster, a year or so his junior, who is touching glasses with him. I have put a cross over his head. He is my eldest son, he was very dear to me, and he too has been, killed in this war. They are, you see, smiling very pleasantly at each other.

While writing this Mr. Britling had been struck by the thought of the photographs, and he had taken them out of the little drawer into which he was accustomed to thrust them. He picked out the ones that showed the young German, but there were others, bright with sunshine, that were now charged with acquired significances; there were two showing the children and Teddy and Hugh and Cissie and Letty doing the goose step, and there was one of Mr. Van der Pant, smiling at the front door, in Heinrich's abandoned slippers. There were endless pictures of Teddy also. It is the happy instinct of the Kodak to refuse those days that are overcast, and the photographic record of a life is a chain of all its kindlier aspects. In the drawer above these snapshots there were Hugh's letters and a miscellany of trivial documents touching on his life.

Mr. Britling discontinued writing and turned these papers over and mused. Heinrich's letters and postcards had got in among them, and so had a letter of Teddy's....

The letters reinforced the photographs in their reminder how kind and pleasant a race mankind can be. Until the wild asses of nationalism came kicking and slaying amidst them, until suspicion and jostling greed and malignity poison their minds, until the fools with the high explosives blow that elemental goodness into shrieks of hate and splashes of blood. How kindly men are—up to the very instant of their cruelties! His mind teemed suddenly with little anecdotes and histories of the goodwill of men breaking through the ill-will of war, of the mutual help of sorely wounded Germans and English lying together in the mud and darkness between the trenches, of the fellowship of captors and prisoners, of the Saxons at Christmas fraternising with the English.... Of that he had seen photographs in one of the daily papers....

His mind came back presently from these wanderings to the task before him.

He tried to picture these Heinrich parents. He supposed they were kindly, civilised people. It was manifest the youngster had come to him from a well-ordered and gentle-spirited home. But he imagined them—he could not tell why—as people much older than himself. Perhaps young Heinrich had on some occasion said they were old people—he could not remember. And he had a curious impulse too to write to them in phrases of consolation; as if their loss was more pitiable than his own. He doubted whether they had the consolation of his sanguine temperament, whether they could resort as readily as he could to his faith, whether in Pomerania there was the same consoling possibility of an essay on the Better Government of the World. He did not think this very clearly, but that was what was at the back of his mind. He went on writing.

If you think that these two boys have both perished, not in some noble common cause but one against the other in a struggle of dynasties and boundaries and trade routes and tyrannous ascendancies, then it seems to me that you must feel as I feel that this war is the most tragic and dreadful thing that has ever happened to mankind.

He sat thinking for some minutes after he had written that, and when presently he resumed his writing, a fresh strain of thought was traceable even in his opening sentence.

If you count dead and wounds this is the most dreadful war in history; for you as for me, it has been almost the extremity of personal tragedy.... Black sorrow.... But is it the most dreadful war?

I do not think it is. I can write to you and tell you that I do indeed believe that our two sons have died not altogether in vain. Our pain and anguish may not be wasted—may be necessary. Indeed they may be necessary. Here am I bereaved and wretched—and I hope. Never was the fabric of war so black; that I admit. But never was the black fabric of war so threadbare. At a thousand points the light is shining through.

Mr. Britling's pen stopped.

There was perfect stillness in the study bedroom.

"The tinpot style," said Mr. Britling at last in a voice of extreme bitterness.

He fell into an extraordinary quarrel with his style. He forgot about those Pomeranian parents altogether in his exasperation at his own inexpressiveness, at his incomplete control of these rebel words and phrases that came trailing each its own associations and suggestions to hamper his purpose with it. He read over the offending sentence.

"The point is that it is true," he whispered. "It is exactly what I want to say."...

Exactly?...

His mind stuck on that "exactly."... When one has much to say style is troublesome. It is as if one fussed with one's uniform before a battle.... But that is just what one ought to do before a battle.... One ought to have everything in order....

He took a fresh sheet and made three trial beginnings.

"War is like a black fabric."...

"War is a curtain of black fabric across the pathway."

"War is a curtain of dense black fabric across all the hopes and kindliness of mankind. Yet always it has let through some gleams of light, and now—I am not dreaming—it grows threadbare, and here and there and at a thousand points the light is breaking through. We owe it to all these dear youths—"

His pen stopped again.

"I must work on a rough draft," said Mr. Britling.

Section 5

Three hours later Mr. Britling was working by daylight, though his study lamp was still burning, and his letter to old Heinrich was still no better than a collection of material for a letter. But the material was falling roughly into shape, and Mr. Britling's intentions were finding themselves. It was clear to him now that he was no longer writing as his limited personal self to those two personal selves grieving, in the old, large, high-walled, steep-roofed household amidst pine woods, of which Heinrich had once shown him a picture. He knew them too little for any such personal address. He was writing, he perceived, not as Mr. Britling but as an Englishman—that was all he could be to them—and he was writing to them as Germans; he could apprehend them as nothing more. He was just England bereaved to Germany bereaved....

He was no longer writing to the particular parents of one particular boy, but to all that mass of suffering, regret, bitterness and fatigue that lay behind the veil of the "front." Slowly, steadily, the manhood of Germany was being wiped out. As he sat there in the stillness he could think that at least two million men of the Central Powers were dead, and an equal number maimed and disabled. Compared with that our British losses, immense and universal as they were by the standard of any previous experience, were still slight; our larger armies had still to suffer, and we had lost irrevocably not very much more than a quarter of a million. But the tragedy gathered against us. We knew enough already to know what must be the reality of the German homes to which those dead men would nevermore return....

If England had still the longer account to pay, the French had paid already nearly to the limits of endurance. They must have lost well over a million of their mankind, and still they bled and bled. Russia too in the East had paid far more than man for man in this vast swapping off of lives. In a little while no Censorship would hold the voice of the peoples. There would be no more talk of honour and annexations, hegemonies and trade routes, but only Europe lamenting for her dead....

The Germany to which he wrote would be a nation of widows and children, rather pinched boys and girls, crippled men, old men, deprived men, men who had lost brothers and cousins and friends and ambitions. No triumph now on land or sea could save Germany from becoming that. France too would be that, Russia, and lastly Britain, each in their degree. Before the war there had been no Germany to which an Englishman could appeal; Germany had been a threat, a menace, a terrible trampling of armed men. It was as little possible then to think of talking to Germany as it would have been to have stopped the Kaiser in mid career in his hooting car down the Unter den Linden and demand a quiet talk with him. But the Germany that had watched those rushes with a slightly doubting pride had her eyes now full of tears and blood. She had believed, she had obeyed, and no real victory had come. Still she fought on, bleeding, agonising, wasting her substance and the substance of the whole world, to no conceivable end but exhaustion, so capable she was, so devoted, so proud and utterly foolish. And the mind of Germany, whatever it was before the war, would now be something residual, something left over and sitting beside a reading-lamp as he was sitting beside a reading-lamp, thinking, sorrowing, counting the cost, looking into the dark future....

And to that he wrote, to that dimly apprehended figure outside a circle of the light like his own circle of light—which was the father of Heinrich, which was great Germany, Germany which lived before and which will yet outlive the flapping of the eagles....

Our boys, he wrote, have died, fighting one against the other. They have been fighting upon an issue so obscure that your German press is still busy discussing what it was. For us it was that Belgium was invaded and France in danger of destruction. Nothing else could have brought the English into the field against you. But why you invaded Belgium and France and whether that might have been averted we do not know to this day. And still this war goes on and still more boys die, and these men who do not fight, these men in the newspaper offices and in the ministries plan campaigns and strokes and counter-strokes that belong to no conceivable plan at all. Except that now for them there is something more terrible than war. And that is the day of reckoning with their own people.

What have we been fighting for? What are we fighting for? Do you know? Does any one know? Why am I spending what is left of my substance and you what is left of yours to keep on this war against each other? What have we to gain from hurting one another still further? Why should we be puppets any longer in the hands of crowned fools and witless diplomatists? Even if we were dumb and acquiescent before, does not the blood of our sons now cry out to us that this foolery should cease? We have let these people send our sons to death.

It is you and I who must stop these wars, these massacres of boys.

Massacres of boys! That indeed is the essence of modern war. The killing off of the young. It is the destruction of the human inheritance, it is the spending of all the life and material of the future upon present-day hate and greed. Fools and knaves, politicians, tricksters, and those who trade on the suspicions and thoughtless, generous angers of men, make wars; the indolence and modesty of the mass of men permit them. Are you and I to suffer such things until the whole fabric of our civilisation, that has been so slowly and so laboriously built up, is altogether destroyed?

When I sat down to write to you I had meant only to write to you of your son and mine. But I feel that what can be said in particular of our loss, need not be said; it can be understood without saying. What needs to be said and written about is this, that war must be put an end to and that nobody else but you and me and all of us can do it. We have to do that for the love of our sons and our race and all that is human. War is no longer human; the chemist and the metallurgist have changed all that. My boy was shot through the eye; his brain was blown to pieces by some man who never knew what he had done. Think what that means!... It is plain to me, surely it is plain to you and all the world, that war is now a mere putting of the torch to explosives that flare out to universal ruin. There is nothing for one sane man to write to another about in these days but the salvation of mankind from war.

Now I want you to be patient with me and hear me out. There was a time in the earlier part of this war when it was hard to be patient because there hung over us the dread of losses and disaster. Now we need dread no longer. The dreaded thing has happened. Sitting together as we do in spirit beside the mangled bodies of our dead, surely we can be as patient as the hills.

I want to tell you quite plainly and simply that I think that Germany which is chief and central in this war is most to blame for this war. Writing to you as an Englishman to a German and with war still being waged, there must be no mistake between us upon this point. I am persuaded that in the decade that ended with your overthrow of France in 1871, Germany turned her face towards evil, and that her refusal to treat France generously and to make friends with any other great power in the world, is the essential cause of this war. Germany triumphed—and she trampled on the loser. She inflicted intolerable indignities. She set herself to prepare for further aggressions; long before this killing began she was making war upon land and sea, launching warships, building strategic railways, setting up a vast establishment of war material, threatening, straining all the world to keep pace with her threats.... At last there was no choice before any European nation but submission to the German will, or war. And it was no will to which righteous men could possibly submit. It came as an illiberal and ungracious will. It was the will of Zabern. It is not as if you had set yourselves to be an imperial people and embrace and unify the world. You did not want to unify the world. You wanted to set the foot of an intensely national Germany, a sentimental and illiberal Germany, a Germany that treasured the portraits of your ridiculous Kaiser and his litter of sons, a Germany wearing uniform, reading black letter, and despising every kultur but her own, upon the neck of a divided and humiliated mankind. It was an intolerable prospect. I had rather the whole world died.

Forgive me for writing "you." You are as little responsible for that Germany as I am for—Sir Edward Grey. But this happened over you; you did not do your utmost to prevent it—even as England has happened, and I have let it happen over me....

"It is so dry; so general," whispered Mr. Britling. "And yet—it is this that has killed our sons."

He sat still for a time, and then went on reading a fresh sheet of his manuscript.

When I bring these charges against Germany I have little disposition to claim any righteousness for Britain. There has been small splendour in this war for either Germany or Britain or Russia; we three have chanced to be the biggest of the combatants, but the glory lies with invincible France. It is France and Belgium and Serbia who shine as the heroic lands. They have fought defensively and beyond all expectation, for dear land and freedom. This war for them has been a war of simple, definite issues, to which they have risen with an entire nobility. Englishman and German alike may well envy them that simplicity. I look to you, as an honest man schooled by the fierce lessons of this war, to meet me in my passionate desire to see France, Belgium and Serbia emerge restored from all this blood and struggle, enlarged to the limits of their nationality, vindicated and secure. Russia I will not write about here; let me go on at once to tell you about my own country; remarking only that between England and Russia there are endless parallelisms. We have similar complexities, kindred difficulties. We have for instance an imported dynasty, we have a soul-destroying State Church which cramps and poisons the education of our ruling class, we have a people out of touch with a secretive government, and the same traditional contempt for science. We have our Irelands and Polands. Even our kings bear a curious likeness....

At this point there was a break in the writing, and Mr. Britling made, as it were, a fresh beginning.

Politically the British Empire is a clumsy collection of strange accidents. It is a thing as little to be proud of as the outline of a flint or the shape of a potato. For the mass of English people India and Egypt and all that side of our system mean less than nothing; our trade is something they do not understand, our imperial wealth something they do not share. Britain has been a group of four democracies caught in the net of a vast yet casual imperialism; the common man here is in a state of political perplexity from the cradle to the grave. None the less there is a great people here even as there is a great people in Russia, a people with a soul and character of its own, a people of unconquerable kindliness and with a peculiar genius, which still struggle towards will and expression. We have been beginning that same great experiment that France and America and Switzerland and China are making, the experiment of democracy. It is the newest form of human association, and we are still but half awake to its needs and necessary conditions. For it is idle to pretend that the little city democracies of ancient times were comparable to the great essays in practical republicanism that mankind is making to-day. This age of the democratic republics that dawn is a new age. It has not yet lasted for a century, not for a paltry hundred years.... All new things are weak things; a rat can kill a man-child with ease; the greater the destiny, the weaker the immediate self-protection may be. And to me it seems that your complete and perfect imperialism, ruled by Germans for Germans, is in its scope and outlook a more antiquated and smaller and less noble thing than these sprawling emergent giant democracies of the West that struggle so confusedly against it....

But that we do struggle confusedly, with pitiful leaders and infinite waste and endless delay; that it is to our indisciplines and to the dishonesties and tricks our incompleteness provokes, that the prolongation of this war is to be ascribed, I readily admit. At the outbreak of this war I had hoped to see militarism felled within a year....

Section 6

From this point onward Mr. Britling's notes became more fragmentary. They had a consecutiveness, but they were discontinuous. His thought had leapt across gaps that his pen had had no time to fill. And he had begun to realise that his letter to the old people in Pomerania was becoming impossible. It had broken away into dissertation.

"Yet there must be dissertations," he said. "Unless such men as we are take these things in hand, always we shall be misgoverned, always the sons will die...."

Section 7

I do not think you Germans realise how steadily you were conquering the world before this war began. Had you given half the energy and intelligence you have spent upon this war to the peaceful conquest of men's minds and spirits, I believe that you would have taken the leadership of the world tranquilly—no man disputing. Your science was five years, your social and economic organisation was a quarter of a century in front of ours.... Never has it so lain in the power of a great people to lead and direct mankind towards the world republic and universal peace. It needed but a certain generosity of the imagination....

But your Junkers, your Imperial court, your foolish vicious Princes; what were such dreams to them?... With an envious satisfaction they hurled all the accomplishment of Germany into the fires of war....

Section 8

Your boy, as no doubt you know, dreamt constantly of such a world peace as this that I foreshadow; he was more generous than his country. He could envisage war and hostility only as misunderstanding. He thought that a world that could explain itself clearly would surely be at peace. He was scheming always therefore for the perfection and propagation of Esperanto or Ido, or some such universal link. My youngster too was full of a kindred and yet larger dream, the dream of human science, which knows neither king nor country nor race....

These boys, these hopes, this war has killed....

That fragment ended so. Mr. Britling ceased to read for a time. "But has it killed them?" he whispered....

"If you had lived, my dear, you and your England would have talked with a younger Germany—better than I can ever do...."

He turned the pages back, and read here and there with an accumulating discontent.

Section 9

"Dissertations," said Mr. Britling.

Never had it been so plain to Mr. Britling that he was a weak, silly, ill-informed and hasty-minded writer, and never had he felt so invincible a conviction that the Spirit of God was in him, and that it fell to him to take some part in the establishment of a new order of living upon the earth; it might be the most trivial part by the scale of the task, but for him it was to be now his supreme concern. And it was an almost intolerable grief to him that his services should be, for all his desire, so poor in quality, so weak in conception. Always he seemed to be on the verge of some illuminating and beautiful statement of his cause; always he was finding his writing inadequate, a thin treachery to the impulse of his heart, always he was finding his effort weak and ineffective. In this instance, at the outset he seemed to see with a golden clearness the message of brotherhood, or forgiveness, of a common call. To whom could such a message be better addressed than to those sorrowing parents; from whom could it come with a better effect than from himself? And now he read what he had made of this message. It seemed to his jaded mind a pitifully jaded effort. It had no light, it had no depth. It was like the disquisition of a debating society.

He was distressed by a fancy of an old German couple, spectacled and peering, puzzled by his letter. Perhaps they would be obscurely hurt by his perplexing generalisations. Why, they would ask, should this Englishman preach to them?

He sat back in his chair wearily, with his chin sunk upon his chest. For a time he did not think, and then, he read again the sentence in front of his eyes.

"These boys, these hopes, this war has killed."

The words hung for a time in his mind.

"No!" said Mr. Britling stoutly. "They live!"

And suddenly it was borne in upon his mind that he was not alone. There were thousands and tens of thousands of men and women like himself, desiring with all their hearts to say, as he desired to say, the reconciling word. It was not only his hand that thrust against the obstacles.... Frenchmen and Russians sat in the same stillness, facing the same perplexities; there were Germans seeking a way through to him. Even as he sat and wrote. And for the first time clearly he felt a Presence of which he had thought very many times in the last few weeks, a Presence so close to him that it was behind his eyes and in his brain and hands. It was no trick of his vision; it was a feeling of immediate reality. And it was Hugh, Hugh that he had thought was dead, it was young Heinrich living also, it was himself, it was those others that sought, it was all these and it was more, it was the Master, the Captain of Mankind, it was God, there present with him, and he knew that it was God. It was as if he had been groping all this time in the darkness, thinking himself alone amidst rocks and pitfalls and pitiless things, and suddenly a hand, a firm strong hand, had touched his own. And a voice within him bade him be of good courage. There was no magic trickery in that moment; he was still weak and weary, a discouraged rhetorician, a good intention ill-equipped; but he was no longer lonely and wretched, no longer in the same world with despair. God was beside him and within him and about him.... It was the crucial moment of Mr. Britling's life. It was a thing as light as the passing of a cloud on an April morning; it was a thing as great as the first day of creation. For some moments he still sat back with his chin upon his chest and his hands dropping from the arms of his chair. Then he sat up and drew a deep breath....

This had come almost as a matter of course.

For weeks his mind had been playing about this idea. He had talked to Letty of this Finite God, who is the king of man's adventure in space and time. But hitherto God had been for him a thing of the intelligence, a theory, a report, something told about but not realised.... Mr. Britling's thinking about God hitherto had been like some one who has found an empty house, very beautiful and pleasant, full of the promise of a fine personality. And then as the discoverer makes his lonely, curious explorations, he hears downstairs, dear and friendly, the voice of the Master coming in....

There was no need to despair because he himself was one of the feeble folk. God was with him indeed, and he was with God. The King was coming to his own. Amidst the darknesses and confusions, the nightmare cruelties and the hideous stupidities of the great war, God, the Captain of the World Republic, fought his way to empire. So long as one did one's best and utmost in a cause so mighty, did it matter though the thing one did was little and poor?

"I have thought too much of myself," said Mr. Britling, "and of what I would do by myself. I have forgotten that which was with me...."

Section 10

He turned over the rest of the night's writing presently, and read it now as though it was the work of another man.

These later notes were fragmentary, and written in a sprawling hand.

"Let us make ourselves watchers and guardians of the order of the world....

"If only for love of our dead....

"Let us pledge ourselves to service. Let us set ourselves with all our minds and all our hearts to the perfecting and working out of the methods of democracy and the ending for ever of the kings and emperors and priestcrafts and the bands of adventurers, the traders and owners and forestallers who have betrayed mankind into this morass of hate and blood—in which our sons are lost—in which we flounder still...."

How feeble was this squeak of exhortation! It broke into a scolding note.

"Who have betrayed," read Mr. Britling, and judged the phrase.

"Who have fallen with us," he amended....

"One gets so angry and bitter—because one feels alone, I suppose. Because one feels that for them one's reason is no reason. One is enraged by the sense of their silent and regardless contradiction, and one forgets the Power of which one is a part...."

The sheet that bore the sentence he criticised was otherwise blank except that written across it obliquely in a very careful hand were the words "Hugh," and "Hugh Philip Britling."...

On the next sheet he had written: "Let us set up the peace of the World Republic amidst these ruins. Let it be our religion, our calling."

There he had stopped.

The last sheet of Mr. Britling's manuscript may be more conveniently given in fac-simile than described.

[Handwritten:

Hugh Hugh My dear Hugh

Lawyers Princes Dealers in Contention

Honesty

'Blood Blood ...

[Transcriber's Note: illegible] an End to them

]

Section 11

He sighed.

He looked at the scattered papers, and thought of the letter they were to have made.

His fatigue spoke first.

"Perhaps after all I'd better just send the fiddle...."

He rested his cheeks between his hands, and remained so for a long time. His eyes stared unseeingly. His thoughts wandered and spread and faded. At length he recalled his mind to that last idea. "Just send the fiddle—without a word."

"No. I must write to them plainly.

"About God as I have found Him.

"As He has found me...."

He forgot the Pomeranians for a time. He murmured to himself. He turned over the conviction that had suddenly become clear and absolute in his mind.

"Religion is the first thing and the last thing, and until a man has found God and been found by God, he begins at no beginning, he works to no end. He may have his friendships, his partial loyalties, his scraps of honour. But all these things fall into place and life falls into place only with God. Only with God. God, who fights through men against Blind Force and Night and Non-Existence; who is the end, who is the meaning. He is the only King.... Of course I must write about Him. I must tell all my world of Him. And before the coming of the true King, the inevitable King, the King who is present whenever just men foregather, this blood-stained rubbish of the ancient world, these puny kings and tawdry emperors, these wily politicians and artful lawyers, these men who claim and grab and trick and compel, these war makers and oppressors, will presently shrivel and pass—like paper thrust into a flame...."

Then after a time he said:

"Our sons who have shown us God...."

Section 12

He rubbed his open hands over his eyes and forehead.

The night of effort had tired his brain, and he was no longer thinking actively. He had a little interval of blankness, sitting at his desk with his hands pressed over his eyes....

He got up presently, and stood quite motionless at the window, looking out.

His lamp was still burning, but for some time he had not been writing by the light of his lamp. Insensibly the day had come and abolished his need for that individual circle of yellow light. Colour had returned to the world, clean pearly colour, clear and definite like the glance of a child or the voice of a girl, and a golden wisp of cloud hung in the sky over the tower of the church. There was a mist upon the pond, a soft grey mist not a yard high. A covey of partridges ran and halted and ran again in the dewy grass outside his garden railings. The partridges were very numerous this year because there had been so little shooting. Beyond in the meadow a hare sat up as still as a stone. A horse neighed.... Wave after wave of warmth and light came sweeping before the sunrise across the world of Matching's Easy. It was as if there was nothing but morning and sunrise in the world.

From away towards the church came the sound of some early worker whetting a scythe.



THE END