In the selection of cocoons, hold them to the ear, and with a quick motion reverse them end for end. If there is a dull, solid thump, the moth is alive, and will emerge all right. If this thump is lacking, and there is a rattle like a small seed shaking in a dry pod, it means that the caterpillar has gone into the cocoon with one of the tiny parasites that infest these worms, clinging to it, and the pupa has been eaten by the parasite.

In fall and late summer are the best times to find cocoons, as birds tear open many of them in winter; and when weatherbeaten they fade, and do not show the exquisite shadings of silk of those newly spun. When fresh, the colours range from almost white through lightest tans and browns to a genuine red, and there is a silvery effect that is lovely on some of the large, baggy ones, hidden under bridges. Out of doors the moths emerge in middle May or June, but they are earlier in the heat of a house. They are the largest of any species, and exquisitely coloured, the shades being strongest on the upper side of the wings. They differ greatly in size, most males having an average wing sweep of five inches, and a female that emerged in my conservatory from a cocoon that I wintered with particular care had a spread of seven inches, the widest of which I have heard; six and three quarters is a large female. The moth, on appearing, seems all head and abdomen, the wings hanging limp and wet from the shoulders. It at once creeps around until a place where it can hang with the wings down is found, and soon there begins a sort of pumping motion of the body. I imagine this is to start circulation, to exercise parts, and force blood into the wings. They begin to expand, to dry, to take on colour with amazing rapidity, and as soon as they are full size and crisp, the moth commences raising and lowering them slowly, as in flight. If a male, he emerges near ten in the forenoon, and flies at dusk in search of a mate.

As the females are very heavy with eggs, they usually remain where they are. After mating they begin almost at once to deposit their eggs, and do not take flight until they have finished. The eggs are round, having a flat top that becomes slightly depressed as they dry. They are of pearl colour, with a touch of brown, changing to greyish as the tiny caterpillars develop. Their outline can be traced through the shell on which they make their first meal when they emerge. Female Cecropas average about three hundred and fifty eggs each, that they sometimes place singly, and again string in rows, or in captivity pile in heaps. In freedom they deposit the eggs mostly on leaves, sometimes the under, sometimes the upper, sides or dot them on bark, boards or walls. The percentage of loss of eggs and the young is large, for they are nowhere numerous enough to become a pest, as they certainly would if three hundred caterpillars survived to each female moth. The young feed on apple, willow, maple, box-elder, or wild cherry leaves; and grow through a series of feeding periods and moults, during which they rest for a few days, cast the skin and intestinal lining and then feed for another period.

After the females have finished depositing their eggs, they cling to branches, vines or walls a few days, fly aimlessly at night and then pass out without ever having taken food.

Cecropia has several 'Cousins,' Promethea, Angulifera, Gloveri, and Cynthia, that vary slightly in marking and more in colour. All are smaller than Cecropia. The male of Promethea is the darkest moth of the Limberlost. The male of Angulifera is a brownish grey, the female reddish, with warm tan colours on her wing borders. She is very beautiful. The markings on the wings of both are not half-moon shaped, as Cecropia and Gloveri, but are oblong, and largest at the point next the apex of the wing.

Gloveri could not be told from Cecropiain half-tone reproduction by any save a scientist, so similar are the markings, but in colour they are vastly different, and more beautiful. The only living Gloveri I ever secured was almost done with life, and she was so badly battered I could not think of making a picture of her. The wings are a lovely red wine colour, with warm tan borders, and the crescents are white, with a line of tan and then of black. The abdomen is white striped with wine and black.

Cynthia has pale olive green shadings on both male and female. These are imported moths brought here about 1861 in the hope that they would prove valuable in silk culture. They occur mostly where the ailanthus grows.

My heart goes out to Cecropia because it is such a noble, birdlike, big fellow, and since it has decided to be rare with me no longer, all that is necessary is to pick it up, either in caterpillar, cocoon, or moth, at any season of the year, in almost any location. The Cecropia moth resembles the robin among birds; not alone because he is grey with red markings, but also he haunts the same localities. The robin is the bird of the eaves, the back door, the yard and orchard. Cecropia is the moth. My doorstep is not the only one they grace; my friends have found them in like places. Cecropia cocoons are attached to fences, chicken-coops, barns, houses, and all through the orchards of old country places, so that their emergence at bloom time adds to May and June one more beauty, and frequently I speak of them as the Robin Moth.

In connexion with Cecropia there came to me the most delightful experience of my life. One perfect night during the middle of May, all the world white with tree bloom, touched to radiance with brilliant moonlight; intoxicating with countless blending perfumes, I placed a female Cecropia on the screen of my sleeping-room door and retired. The lot on which the Cabin stands is sloping, so that, although the front foundations are low, my door is at least five feet above the ground, and opens on a circular porch, from which steps lead down between two apple trees, at that time sheeted in bloom. Past midnight I was awakened by soft touches on the screen, faint pullings at the wire. I went to the door and found the porch, orchard, and night-sky alive with Cecropias holding high carnival. I had not supposed there were so many in all this world. From every direction they came floating like birds down the moonbeams. I carefully removed the female from the door to a window close beside, and stepped on the porch. No doubt I was permeated with the odour of the moth. As I advanced to the top step, that lay even with the middle branches of the apple trees, the exquisite big creatures came swarming around me. I could feel them on my hair, my shoulders, and see them settling on my gown and outstretched hands.

Far as I could penetrate the night-sky more were coming. They settled on the bloom-laden branches, on the porch pillars, on me indiscriminately. I stepped inside the door with one on each hand and five clinging to my gown. This experience, I am sure, suggested Mrs. Comstock's moth hunting in the Limberlost. Then I went back to the veranda and revelled with the moths until dawn drove them to shelter. One magnificent specimen, birdlike above all the others, I followed across the orchard and yard to a grape arbour, where I picked him from the under side of a leaf after he had settled for the coming day. Repeatedly I counted close to a hundred, and then they would so confuse me by flight I could not be sure I was not numbering the same one twice. With eight males, some of them fine large moths, one superb, from which to choose, my female mated with an insistent, frowsy little scrub lacking two feet and having torn and ragged wings. I needed no surer proof that she had very dim vision.



CHAPTER IV The Yellow Emperor: Eacles Imperialis

Several years ago, Mr. A. Eisen, a German, of Coldwater, Michigan, who devotes his leisure to collecting moths, gave me as pinned specimens a pair of Eacles Imperialis, and their full life history. Any intimate friend of mine can testify that yellow is my favourite colour, with shades of lavender running into purple, second choice. When I found a yellow moth, liberally decorated with lavender, the combination was irresistible. Mr. Eisen said the mounted specimens were faded; but the living moths were beautiful beyond description. Naturally I coveted life.

I was very particular to secure the history of the caterpillars and their favourite foods. I learned from Mr. Eisen that they were all of the same shape and habit, but some of them might be green, with cream-coloured heads and feet, and black face lines, the body covered sparsely with long hairs; or they might be brown, with markings of darker brown and black with white hairs; but they would be at least three inches long when full grown, and would have a queer habit of rearing and drawing leaves to their mouths when feeding. I was told I would find them in August, on leaves of spruce, pine, cherry, birch, alder, sycamore, elm, or maple; that they pupated in the ground; and the moths were common, especially around lights in city parks, and at street crossings.

Coming from a drive one rare June evening, I found Mr. William Pettis, a shooter of oil wells, whom I frequently met while at my work, sitting on the veranda in an animated business discussion with the Deacon.

"I brought you a pair of big moths that I found this morning on some bushes beside the road," said Mr. Pettis. "I went to give Mr. Porter a peep to see if he thought you'd want them, and they both got away. He was quicker than I, and caught the larger one, but mine sailed over the top of that tree." He indicated an elm not far away.

"Did you know them?" I asked the Deacon.

"No," he answered. "You have none of the kind. They are big as birds and a beautiful yellow.'

"Yellow!" No doubt I was unduly emphatic. "Yellow! Didn't you know better than to open a box with moths in it outdoors at night?"

"It was my fault," interposed Mr. Pettis. "He told me not to open the box, but I had shown them a dozen times to-day and they never moved. I didn't think about night being their time to fly. I am very sorry."

So was I. Sorry enough to have cried, but I tried my best to conceal it. Anyway, it might be Io, and I had that. On going inside to examine the moth, I found a large female Eacles Imperialis, with not a scale of down misplaced. Even by gas light I could see that the yellow of the living moth was a warm canary colour, and the lavender of the mounted specimen closer heliotrope on the living, for there were pinkish tints that had faded from the pinned moth.

She was heavy with eggs, and made no attempt to fly, so I closed the box and left her until the lights were out, and then removed the lid. Every opening was tightly screened, and as she had mated, I did not think she would fly. I hoped in the freedom of the Cabin she would not break her wings, and ruin herself for a study.

There was much comfort in the thought that I could secure her likeness; her eggs would be fertile, and I could raise a brood the coming season, in which would be both male and female. When life was over I could add her to my specimen case, for these are of the moths that do not eat, and live only a few days after depositing their eggs. So I went out and explained to Mr. Pettis what efforts I had made to secure this yellow moth, comforted him for allowing the male to escape by telling him I could raise all I wanted from the eggs of the female, showed him my entire collection, and sent him from the Cabin such a friend to my work, that it was he who brought me an oil-coated lark a few days later.

On rising early the next morning, I found my moth had deposited some eggs on the dining-room floor, before the conservatory doors, more on the heavy tapestry that covered them, and she was clinging to a velvet curtain at a library window, liberally dotting it with eggs, almost as yellow as her body. I turned a tumbler over those on the floor, pinned folds in the curtains, and as soon as the light was good, set up a camera and focused on a suitable location.

She climbed on my finger when it was held before her, and was carried, with no effort to fly, to the place I had selected, though Molly-Cotton walked close with a spread net, ready for the slightest impulse toward movement. But female moths seldom fly until they have finished egg depositing, and this one was transferred with no trouble to the spot on which I had focused. On the back wall of the Cabin, among some wild roses, she was placed on a log, and immediately raised her wings, and started for the shade of the vines. The picture made of her as she walked is beautiful. After I had secured several studies she was returned to the library curtain, where she resumed egg placing. These were not counted, but there, were at least three hundred at a rough guess.

I had thought her lovely in gas light, but day brought forth marvels and wonders. When a child, I used to gather cowslips in a bed of lush swale, beside a little creek at the foot of a big hill on our farm. At the summit was an old orchard, and in a brush-heap a brown thrush nested. From a red winter pearmain the singer poured out his own heart in song, and then reproduced the love ecstasy of every other bird of the orchard. That moth's wings were so exactly the warm though delicate yellow of the flowers I loved, that as I looked at it I could feel my bare feet sinking in the damp ooze, smell the fragrance of the buttercups, and hear again the ripple of the water and the mating exultation of the brown thrush.

In the name—Eacles Imperialis—there is no meaning or appropriateness to "Eacles"; "Imperialis"—of course, translates imperial—which seems most fitting, for the moth is close the size of Cecropia, and of truly royal beauty. We called it the Yellow Emperor. Her Imperial Golden Majesty had a wing sweep of six and a quarter inches. From the shoulders spreading in an irregular patch over front and back wings, most on the front, were markings of heliotrope, quite dark in colour: Near the costa of the front wings were two almost circular dots of slightly paler heliotrope, the one nearest the edge about half the size of the other. On the back wings, halfway from each edge, and half an inch from the marking at the base, was one round spot of the same colour. Beginning at the apex of the front pair, and running to half an inch from the lower edge, was a band of escalloped heliotrope. On the back pair this band began half an inch from the edge and ran straight across, so that at the outer curve of the wing it was an inch higher. The front wing surface and the space above this marking on the back were liberally sprinkled with little oblong touches of heliotrope; but from the curved line to the bases of the back pair, the colouring was pure canary yellow.

The top of the head was covered with long, silken hairs of heliotrope, then a band of yellow; the upper abdomen was strongly shaded with heliotrope almost to the extreme tip. The lower sides of the wings were yellow at the base, the spots showing through, but not the bands, and only the faintest touches of the mottling. The thorax and abdomen were yellow, and the legs heliotrope. The antennae were heliotrope, fine, threadlike, and closely pressed to the head. The eyes were smaller than those of Cecropia, and very close together.

Compared with Cecropia these moths were very easy to paint. Their markings were elaborate, but they could be followed accurately, and the ground work of colour was warm cowslip yellow. The only difficulty was to make the almost threadlike antennae show, and to blend the faint touches of heliotrope on the upper wings with the yellow.

The eggs on the floor and curtains were guarded with care. They were dotted around promiscuously, and at first were clear and of amber colour, but as the little caterpillars grew in them, they showed a red line three fourths of the way around the rim, and became slightly depressed in the middle. The young emerged in thirteen days. They were nearly half an inch long, and were yellow with black lines. They began the task of eating until they reached the pupa state, by turning on their shells and devouring all of them to the glue by which they were fastened.

They were given their choice of oak, alder, sumac, elm, cherry, and hickory. The majority of them seemed to prefer the hickory. They moulted on the fifth day for the first time, and changed to a brown colour. Every five or six days they repeated the process, growing larger and of stronger colour with each moult, and developing a covering of long white hairs. Part of these moulted four times, others five.

At past six weeks of age they were exactly as Mr. Eisen had described them to me. Those I kept in confinement pupated on a bed of baked gravel, in a tin bucket. It is imperative to bake any earth or sand used for them to kill pests invisible to the eye, that might bore into the pupa cases and destroy the moths.

I watched the transformation with intense interest. After the caterpillars had finished eating they travelled in search of a place to burrow for a day or two. Then they gave up, and lay quietly on the sand. The colour darkened hourly, the feet and claspers seemed to draw inside, and one morning on going to look there were some greenish brown pupae. They shone as if freshly varnished, as indeed they were, for the substance provided to facilitate the emergence of the pupae from the caterpillar skins dries in a coating, that helps to harden the cases and protect them. These pupae had burst the skins at the thorax, and escaped by working the abdomen until they lay an inch or so from the skins.

What a "cast off garment" those skins were! Only the frailest outside covering, complete in all parts, and rapidly turning to a dirty brown. The pupae were laid away in a large box having a glass lid. It was filled with baked sand, covered with sphagnum moss, slightly dampened occasionally, and placed where it was cool, but never at actual freezing point. The following spring after the delight of seeing them emerge, they were released, for I secured a male to complete my collection a few days later, and only grew the caterpillars to prove it possible.

There was a carnival in the village, and, for three nights the streets were illuminated brightly from end to end, to the height of Ferris wheels and diving towers. The lights must have shone against the sky for miles around, for they drew from the Limberlost, from the Canoper, from Rainbow Bottom, and the Valley of the Wood Robin, their winged creatures of night.

I know Emperors appear in these places in my locality, for the caterpillars feed on leaves found there, and enter the ground to pupate; so of course the moth of June begins its life in the same location. Mr. Pettis found the mated pair he brought to me, on a bush at the edge of a swamp. They also emerge in cities under any tree on which their caterpillars feed. Once late in May, in the corner of a lichen-covered, old snake fence beside the Wabash on the Shimp farm, I made a series of studies of the home life of a pair of ground sparrows. They had chosen for a location a slight depression covered with a rank growth of meadow grass. Overhead wild plum and thorn in full bloom lay white-sheeted against the blue sky; red bud spread its purple haze, and at a curve, the breast of the river gleamed white as ever woman's; while underfoot the grass was obscured with masses of wild flowers.

An unusually fine cluster of white violets attracted me as I worked around the birds, so on packing at the close of the day I lifted the plant to carry home for my wild flower bed. Below a few inches of rotting leaves and black mould I found a lively pupa of the Yellow Emperor.

So these moths emerge and deposit their eggs in the swamps, forests, beside the river and wherever the trees on which they feed grow. When the serious business of life is over, attracted by strong lights, they go with other pleasure seeking company, and grace society by their royal presence.

I could have had half a dozen fine Imperialis moths during the three nights of the carnival, and fluttering above buildings many more could be seen that did not descend to our reach. Raymond had such a busy time capturing moths he missed most of the joys of the carnival, but I truly think he liked the chase better. One he brought me, a female, was so especially large that I took her to the Cabin to be measured, and found her to be six and three quarter inches, and of the lightest yellow of any specimen I have seen. Her wings were quite ragged. I imagined she had finished laying her eggs, and was nearing the end of life, hence she was not so brilliant as a newly emerged specimen. The moth proved this theory correct by soon going out naturally.

Choice could be made in all that plethora, and a male and female of most perfect colouring and markings were selected, for my studies of a pair. One male was mounted and a very large female on account of her size. That completed my Imperialis records from eggs to caterpillars, pupae and moths.

The necessity for a book on this subject; made simple to the understanding, and attractive to the eye of the masses, never was so deeply impressed upon me as in an experience with Imperialis. Molly-Cotton was attending a house-party, and her host had chartered a pavilion at a city park for a summer night dance. At the close of one of the numbers; over the heads of the laughing crowd, there swept toward the light a large yellow moth.

With one dexterous sweep the host caught it, and while the dancers crowded around him with exclamations of wonder and delight, he presented it to Molly-Cotton and asked, "Do you know what it is?"

She laughingly answered, "Yes. But you don't!"

" Guilty!" he responded. "Name it."

For one fleeting instant Molly-Cotton measured the company. There was no one present who was not the graduate of a commissioned high school. There were girls who were students at The Castle, Smith, Vassar, and Bryn Mawr. The host was a Cornell junior, and there were men from Harvard and Yale.

"It is an Eacles Imperialis Io Polyphemus Cecropia Regalis," she said. Then in breathless suspense she waited.

"Shades of Homer!" cried the host. "Where did you learn it?"

"They are flying all through the Cabin at home," she replied. "There was a tumbler turned over their eggs on the dining-room floor, and you dared not sit on the right side of the library window seat because of them when I left."

"What do you want with their eggs?" asked a girl.

"Want to hatch their caterpillars, and raise them until they transform into these moths," answered poor Molly-Cotton, who had been taught to fear so few living things that at the age of four she had carried a garter snake into the house for a playmate.

"Caterpillars!" The chorus arose to a shriek. "Don't they sting you? Don't they bite you?"

"No, they don't!" replied Molly-Cotton. "They don't bite anything except leaves; they are fine big fellows; their colouring is exquisite; and they evolve these beautiful moths. I invite all of you to visit us, and see for yourselves how intensely interesting they are."

There was a murmur of polite thanks from the girls, but one man measured Molly-Cotton from the top curl of her head to the tip of her slippers, and answered, " I accept the invitation. When may I come?" He came, and left as great a moth enthusiast as any of us. This incident will be recognized as furnishing the basis on which to build the ballroom scene in "A Girl of the Limberlost*", in which Philip and Edith quarrel over the capture of a yellow Emperor. But what of these students from the great representative colleges of the United States, to whom a jumbled string made from the names, of half a dozen moths answered for one of the commonest of all?

<<*April 1994 [limbr10x.xxx] 125 A Girl of the Limberlost, by Gene Stratton-Porter>>

CHAPTER V The Lady Bird: Deilephila Lineata

In that same country garden where my first Cecropia was found, Deilephila Lineata was one of my earliest recollections. This moth flew among the flowers of especial sweetness all day long, just as did the hummingbirds; and I was taught that it was a bird also—the Lady Bird. The little tan and grey thing hovering in air before the flowers was almost as large as the humming-birds, sipping honey as they did, swift in flight as they; and both my parents thought it a bird.

They did not know the humming-birds were feasting on small insects attracted by the sweets, quite as often as on honey, for they never had examined closely. They had been taught, as I was, that this other constant visitor to the flowers was a bird. When a child, a humming-bird nested in a honeysuckle climbing over my mother's bedroom window. My father lifted me, with his handkerchief bound across my nose, on the supposition that the bird was so delicate it would desert its nest and eggs if they were breathed upon, to see the tiny cup of lichens, with a brown finish so fine it resembled the lining of a chestnut burr, and two tiny eggs. I well remember he told me that I now had seen the nest and eggs of the smallest feathered creature except the Lady Bird, and he never had found its cradle himself.

Every summer I discovered nests by the dozen, and for several years a systematic search was made for the home of a Lady Bird. One of the unfailing methods of finding locations was to climb a large Bartlett pear tree that stood beside the garden fence, and from an overhanging bough watch where birds flew with bugs and worms they collected. Lady Birds were spied upon, but when they left our garden they arose high in air, and went straight from sight toward every direction. So locating their nests as those of other birds were found, seemed impossible.

Then I tried going close the sweetest flowers, those oftenest visited, the petunias, yellow day lilies, and trumpet creepers, and sitting so immovably I was not noticeable while I made a study of the Lady Birds. My first discovery was that they had no tail. One poised near enough to make sure of that, and I hurried to my father with the startling news. He said it was nothing remarkable; birds frequently lost their tails. He explained how a bird in close quarters has power to relax its muscles, and let its tail go in order to save its body, when under the paw of a cat, or caught in a trap.

That was satisfactory, but I thought it must have been a spry cat to get even a paw on the Lady Bird, for frequently humming-birds could be seen perching, but never one of these. I watched the tail question sharply, and soon learned the cats had been after every Lady Bird that visited our garden, or any of our neighbours, for not one of them had a tail. When this information was carried my father, he became serious, but finally he said perhaps the tail was very short; those of humming-birds or wrens were, and apparently some water birds had no tail, or at least a very short one.

That seemed plausible, but still I watched this small and most interesting bird of all; this bird that no one ever had seen taking a bath, or perching, and whose nest never had been found by a person so familiar with all outdoors as my father. Then came a second discovery: it could curl its beak in a little coil when leaving a flower. A few days later I saw distinctly that it had four wings but I could discover no feet. I became a rank doubter, and when these convincing proofs were carried to my father, he also grew dubious.

"I always have thought and been taught that it was a bird," he said, "but you see so clearly and report so accurately, you almost convince me it is some large insect possibly of the moth family."

When I carried this opinion to my mother and told her, no doubt pompously, that 'very possibly' I had discovered that the Lady Bird was not a bird at all, she hailed it as high treason, and said, "Of course it is a bird!" That forced me to action. The desperate course of capturing one was resolved upon. If only I could, surely its feet, legs, and wings would tell if it were a bird. By the hour I slipped among those bloom-bordered walks between the beds of flaming sweet-williams, buttercups, phlox, tiger and day lilies, Job's tears, hollyhocks, petunias, poppies, mignonette, and every dear old-fashioned flower that grows, and followed around the flower-edged beds of lettuce, radishes, and small vegetables, relentlessly trailing Lady Birds.

Pass after pass I made at them, but they always dived and escaped me. At last, when I almost had given up the chase, one went nearly from sight in a trumpet creeper. With a sweep the flower was closed behind it, and I ran into the house crying that at last I had caught a Lady Bird. Holding carefully, the trumpet was cut open with a pin, and although the moth must have been slightly pinched, and lacking in down when released, I clung to it until my mother and every doubting member of my family was convinced that this was no bird at all, for it lacked beak, tail, and feathers, while it had six legs and four wings. Father was delighted that I had learned something new, all by myself; but I really think it slightly provoked my mother when thereafter I always refused to call it a bird. This certainly was reprehensible. She should have known all the time that it was a moth.

The other day a club woman of Chicago who never in her life has considered money, who always has had unlimited opportunities for culture both in America and Europe, who speaks half a dozen languages, and has the care of but one child, came in her auto mobile to investigate the Limberlost. Almost her first demand was to see pictures. One bird study I handed her was of a brooding king rail, over a foot tall, with a three-foot wing sweep, and a long curved bill. She cried, "Oh! see the dear little hummingbird!"

If a woman of unlimited opportunity, in this day of the world, does not know a rail from a humming-bird, what could you expect of my little mother, who spoke only two languages, reared twelve lusty children, and never saw an ocean.

So by degrees the Lady Bird of the garden resolved itself into Deilephila Lineata. Deile—evening; phila—lover; lineata—lined; the Lined Evening Lover. Why 'evening' is difficult to understand, for all my life this moth occurs more frequently with me in the fore and early afternoon than in the evening. So I agree with those entomologists who call it the 'white-lined morning-sphinx.' It is lovely in modest garb, delicately lined, but exceedingly rich in colour. It has the long slender wings of the Sphingid moths, and in grace and tirelessness of flight resembles Celeus, the swallow of the moth family.

Its head is very small, and its thorax large. The eyes are big, and appear bigger because set in so tiny a head. Under its tongue, which is a full inch long, is a small white spot that divides, spreads across each eye, and runs over the back until even with the bases of the front wings. The top of the head and shoulders are olive brown, decorated with one long white line dividing it in the middle, and a shorter on each side. The abdomen is a pale brown, has a straight line running down the middle of the back, made up of small broken squares of very dark brown, touched with a tiny mark of white. Down each side of this small line extends a larger one, wider at the top and tapering, and this is composed of squares of blackish brown alternating with white, the brown being twice the size of the white. The sides of the abdomen are flushed with beautiful rosy pink, and beneath it is tan colour.

The wings are works of art. The front are a rich olive brown, marked the long way in the middle by a wide band of buff, shading to lighter buff at the base. They are edged from the costa to where they meet the back wings, with a line of almost equal width of darker buff, the lower edge touched with white. Beginning at the base, and running an equal distance apart from the costa to this line, are fine markings of white, even and clear as if laid on with a ruler.

The surprise comes in the back wings, that show almost entirely when the moth is poised before a flower. These have a small triangle of the rich dark brown, and a band of the same at the lower edge, with a finish of olive, and a fine line of white as a marginal decoration. Crossing each back wing is a broad band of lovely pink of deeper shade than the colour on the sides. This pink, combined with the olive, dark browns, and white lining, makes the colour scheme of peculiar richness.

Its antennae are long, clubbed, and touched with white at the tips. The legs and body are tan colour. The undersides of the wings are the same as the upper, but the markings of brown and buffish pink show through in lighter colour, while the white lining resembles rows of tan ridges beneath. Its body is covered with silky hairs, longest on the shoulders, and at the base of the wings.

The eggs of the moth are laid on apple, plum, or woodbine leaves, or on grape, currant, gooseberry, chickweed or dock. During May and June around old log cabins in the country, with gardens that contain many of these vines and bushes, and orchards of bloom where the others can be foundthe Lined Evening Lover deposits her eggs.

The caterpillars emerge in about six days. The tiny ovoid eggs are a greenish yellow. The youngsters are pale green, and have small horns. After a month spent in eating, and skin casting, the full-grown caterpillar is over two inches long, and as a rule a light green. There are on each segment black patches, that have a touch of orange, and on that a hint of yellow. The horn increases with the growth of the caterpillar, can be moved at will, and seems as if it were a vicious 'stinger.' But there is no sting, or any other method of self-defence, unless the habit of raising the head and throwing it from side to side could be so considered. With many people, this movement, combined with the sharp horn, is enough, but as is true of most caterpillars, they are perfectly harmless. Some moth historians record a mustard yellow caterpillar of this family, and I remember having seen some that answer the description; but all I ever have known to be Lineata were green.

The pupae are nearly two inches long and are tan coloured. They usually are found in the ground in freedom, or deep under old logs among a mass of leaves spun together. In captivity the caterpillars seem to thrive best on a diet of purslane, and they pupate perfectly on dry sand in boxes.

These moths have more complete internal development than those of night, for they feed and live throughout the summer. I photographed a free one feasting on the sweets of petunias in a flower bed at the Cabin, on the seventh of October.



CHAPTER VI Moths of the Moon: Actias Luna

One morning there was a tap at my door, and when I opened it I found a tall, slender woman having big, soft brown eyes, and a winning smile. In one hand she held a shoe-box, having many rough perforations. I always have been glad that my eyes softened at the touch of pleading on her face, and a smile sprang in answer to hers before I saw what she carried. For confession must be made that a perforated box is a passport to my good graces any day.

The most wonderful things come from those that are brought to my front door. Sometimes they contain a belated hummingbird, chilled with the first heavy frost of autumn, or a wounded weasel caught in a trap set for it near a chicken coop, or a family of baby birds whose parents some vandal has killed. Again they carry a sick or wounded bird that I am expected to doctor; and butterflies, moths, insects, and caterpillars of every description.

"I guess I won't stop," said the woman in answer to my invitation to enter the Cabin. "I found this creature on my front porch early this morning, and I sort of wanted to know what it was, for one thing, and I thought you might like to have it, for another."

"Then of course you will come in, and we will see what it is," I answered, leading the way into the library.

There I lifted the lid slightly to take a peep, and then with a cry of joy, opened it wide. That particular shoe-box had brought me an Actias Luna, newly emerged, and as yet unable to fly. I held down my finger, it climbed on, and was lifted to the light.

"Ain't it the prettiest thing?" asked the woman, with stars sparkling in her dark eyes. "Did you ever see whiter white?"

Together we studied that moth. Clinging to my finger, the living creature was of such delicate beauty as to impoverish my stock of adjectives at the beginning. Its big, pursy body was covered with long, furry scales of the purest white imaginable. The wings were of an exquisite light green colour; the front pair having a heavy costa of light purple that reached across the back of the head: the back pair ended in long artistic 'trailers,' faintly edged with light yellow. The front wing had an oval transparent mark close the costa, attached to it with a purple line, and the back had circles of the same. These decorations were bordered with lines of white, black, and red. At the bases of the wings were long, snowy silken hairs; the legs were purple, and the antennae resembled small, tan-coloured ferns. That is the best I can do at description. A living moth must be seen to form a realizing sense of its shape and delicacy of colour. Luna is our only large moth having trailers, and these are much longer in proportion to size and of more graceful curves than our trailed butterflies.

The moth's wings were fully expanded, and it was beginning to exercise, so a camera was set up hastily, and several pictures of it secured. The woman helped me through the entire process, and in talking with her, I learned that she was Mrs. McCollum, from a village a mile and a half north of ours; that when she reached home she would have walked three miles to make the trip; and all her neighbours had advised her not to come, but she "had a feeling that she would like to."

"Are you sorry?" I asked.

"Am I sorry!" she cried. "Why I never had a better time in my life, and I can teach the children what you have told me. I'll bring you everything I can get my fingers on that you can use, and send for you when I find bird nests.'

Mrs. McCollum has kept that promise faithfully. Again and again she trudged those three miles, bringing me small specimens of many species or to let me know that she had found a nest.

A big oak tree in Mrs. McCollum's yard explained the presence of a Luna there, as the caterpillars of this specie greatly prefer these leaves. Because the oak is of such slow growth it is seldom planted around residences for ornamental purposes; but is to be found most frequently in the forest. For this reason Luna as a rule is a moth of the deep wood, and so is seldom seen close a residence, making people believe it quite rare. As a matter of fact, it is as numerous where the trees its caterpillars frequent are to be found, as any other moth in its natural location. Because it is of the forest, the brightest light there is to attract it is the glare of the moon as it is reflected on the face of a murky pool, or on the breast of the stream rippling its way through impassable thickets. There must be a self-satisfied smile on the face of the man in the moon, in whose honour these delicate creatures are named, when on fragile wing they hover above his mirrored reflection; for of all the beauties of a June night in the forest, these moths are most truly his.

In August of the same year, while driving on a corduroy road in Michigan, I espied a Luna moth on the trunk of a walnut tree close the road. The cold damp location must account for this late emergence; for subsequent events proved that others of the family were as slow in appearing. A storm of protest arose, when I stopped the carriage and started to enter the swamp. The remaining occupants put in their time telling blood-curdling experiences with 'massaugers,' that infested those marshes; and while I bent grasses and cattails to make the best footing as I worked my way toward the moth, I could hear a mixed chorus "brought up thirteen in the dredge at the cement factory the other day," "killed nine in a hayfield below the cemetery," "saw a buster crossing the road before me, and my horse almost plunged into the swamp," "died of a bite from one that struck him while fixing a loose board in his front walk."

I am dreadfully afraid of snakes, and when it seemed I could not force myself to take another step, and I was clinging to a button bush while the water arose above my low shoes, the moth lowered its wings flat against the bark. From the size of the abdomen I could see that it was a female heavily weighted with eggs. Possibly she had mated the previous night, and if I could secure her, Luna life history would be mine.

So I set my teeth and advanced. My shoes were spoiled, and my skirts bedraggled, but I captured the moth and saw no indication of snakes. Soon after she was placed in a big pasteboard box and began dotting eggs in straight lines over the interior. They were white but changed colour as the caterpillars approached time to hatch. The little yellow-green creatures, nearly a quarter of an inch long, with a black line across the head, emerged in about sixteen days, and fed with most satisfaction on oak, but they would take hickory, walnut or willow leaves also. When the weather is cold the young develop slower, and I have had the egg period stretched to three weeks at times. Every few days the young caterpillars cast their skins and emerged in brighter colour and larger in size. It is usually supposed they mature in four moults, and many of them do, but some cast a fifth skin before transforming. When between seven and eight weeks of age, they were three inches long, and of strong blue-green colour. Most of them had tubercles of yellow, tipped with blue, and some had red.

They spun a leaf-cover cocoon, much the size and shape of that of Polyphemus, but whiter, very thin, with no inner case, and against some solid surface whenever possible. Fearing I might not handle them rightly, and lose some when ready to spin, I put half on our walnut tree so they could weave their cocoons according to characteristics.

They are fine, large, gaudy caterpillars. The handsomest one I ever saw I found among some gifts offered by Molly-Cotton for the celebration of my birthday. It had finished feeding, soon pupated in a sand pail and the following spring a big female emerged that attracted several males and they posed on a walnut trunk for beautiful studies.

Once under the oak trees of a summer resort, Miss Katherine Howell, of Philadelphia, intercepted a Luna caterpillar in the preliminary race before pupation and brought it to me. We offered young oak leaves, but they were refused, so it went before the camera. Behind the hotel I found an empty hominy can in which it soon began spinning, but it seemed to be difficult to fasten the threads to the tin, so a piece of board was cut and firmly wedged inside. The caterpillar clung to this and in the darkness of the can spun the largest and handsomest Luna winter quarters of all my experience.

Luna hunters can secure material from which to learn this exquisite creature of night, by searching for the moths on the trunks of oak, walnut, hickory, birch or willow, during the month of June. The moths emerge on the ground, and climb these trees to unfold and harden their wings. The females usually remain where they are, and the males are attracted to them. If undisturbed they do not fly until after mating and egg depositing are accomplished. The males take wing as soon as dusk of the first night arrives, after their wings are matured. They usually find the females by ten o'clock or midnight, and remain with them until morning. I have found mated pairs as late as ten o'clock in the forenoon.

The moths do not eat, and after the affairs of life are accomplished, they remain in the densest shade they can find for a few days, and fly at night, ending their life period in from three days to a week. Few of these gaudily painted ones have the chance to die naturally, for both birds and squirrels prey upon them, tearing away the delicate wings, and feasting on the big pulpy bodies.

White eggs on the upper side of leaves of the trees mentioned are a sign of Luna caterpillars in deep woods, and full-grown larvae can be found on these trees in August. By breaking off a twig on which they are feeding, carrying them carefully, placing them in a box where they cannot be preyed upon by flies and parasites, and keeping a liberal supply of fresh damp leaves, they will finish the feeding days, and weave their cocoons.

Or the cocoons frequently can be found already spun among the leaves, by nutting parties later in the fall. There is small question if Luna pupae be alive, for on touching the cocoons they squirm and twist so vigorously that they can be heard plainly. There is so little difference in the size of male and female Lunas, that I am not sure of telling them apart in the cocoon, as I am certain I can Cecropia.

Cocoon gathering in the fall is one of the most delightful occupations imaginable. When flowers are gone; when birds have migrated; when brilliant foliage piles knee deep underfoot; during those last few days of summer, zest can be added to a ramble by a search for cocoons. Carrying them home with extreme care not to jar or dent them, they are placed in the conservatory among the flowers. They hang from cacti spines and over thorns on the big century plant and lemon tree. When sprinkling, the hose is turned on them, as they would take the rain outside. Usually they are placed in the coolest spots, where ventilation is good.

There is no harm whatever in taking them if the work is carefully and judiciously done. With you they are safe. Outside they have precarious chance for existence, for they are constantly sought by hungry squirrels and field mice, while the sharp eyes and sharper beaks of jays, and crows, are for ever searching for them. The only danger is in keeping them too warm, and so causing their emergence before they can be placed out safely at night, after you have made yourself acquainted with Luna history.

If they are kept cool enough that they do not emerge until May or June, then you have one of the most exquisite treats nature has in store for you, in watching the damp spot spread on the top of the cocoon where an acid is ejected that cuts and softens the tough fibre, and allows the moth to come pushing through in the full glory of its gorgeous birth. Nowhere in nature can you find such delicate and daintily shaded markings or colours so brilliant and fresh as on the wings of these creatures of night.

After you have learned the markings and colours, and secured pictures if you desire, and they begin to exhibit a restlessness, as soon as it is dusk, release them. They are as well prepared for all life has for them as if they had emerged in the woods. The chances are that they are surer of life at your hands than they would have been if left afield, provided you keep them cool enough that they do not emerge too soon. If you want to photograph them, do it when the wings are fully developed, but before they have flown. They need not be handled; their wings are unbroken; their down covering in place to the last scale; their colours never so brilliant; their markings the plainest they ever will be; their big pursy bodies full of life; and they will climb with perfect confidence on any stick, twig, or limb held before them. Reproductions of them are even more beautiful than those of birds. By all means photograph them out of doors on a twig or leaf that their caterpillars will eat. Moths strengthen and dry very quickly outside in the warm crisp air of May or June, so it is necessary to have some one beside you with a spread net covering them, in case they want to fly before you are ready to make an exposure. In painting this moth the colours always should be copied from a living specimen as soon as it is dry. No other moth of my acquaintance fades so rapidly.

Repeatedly I am asked which I think the most beautiful of these big night moths. I do not know. All of them are indescribably attractive. Whether a pale green moth with purple markings is lovelier than a light yellow moth with heliotrope decorations; or a tan and brown one with pink lines, is a difficult thing to determine. When their descriptions are mastered, and the colour combinations understood, I fancy each person will find the one bearing most of his favourite colour the loveliest. It may be that on account of its artistically cut and coloured trailers, Luna has a touch of grace above any.



CHAPTER VII King of the Hollyhocks: Protoparce Celeus

Protoparce Celeus was the companion of Deilephila Lineata in the country garden where I first studied Nature. Why I was taught that Lineata was a bird, and Celeus a moth, it is difficult to understand, for they appear very similar when poising before flowers. They visit the same blooms, and vary but little in size. The distinction that must have made the difference was that while Lineata kept company with the hummingbirds and fed all day, Celeus came forth at dusk, and flew in the evening and at night. But that did not conclusively prove it a moth, for nighthawks and whip-poor-wills did the same; yet unquestionably they were birds.

Anyway, I always knew Celeus was a moth, and that every big, green caterpillar killed on the tomato vines meant one less of its kind among the flowers. I never saw one of these moths close a tomato or potato vine, a jimson weed or ground cherry, but all my life I have seen their eggs on these plants, first of a pale green closely resembling the under side of the leaves, and if they had been laid some time, a yellow colour. The eggs are not dotted along in lines, or closely placed, but are deposited singly, or by twos, at least very sparsely.

The little caterpillars emerge in about a week, and then comes the process of eating until they grow into the large, green tomato or tobacco worms that all of us have seen. When hatched the caterpillars are green, and have grey caudal horns similar to Lineata. After eating for four or five days, they cast their skins. This process is repeated three or four times, when the full-grown caterpillars are over four inches long, exactly the colour of a green tomato, with pale blue and yellow markings of beautiful shades, the horns blue-black; and appearing sharp enough to inflict a severe wound.

Like all sphinx caterpillars Celeus is perfectly harmless; but this horn, in connexion with the habit the creatures have of clinging to the vines with the back feet, raising the head and striking from side to side, makes people very sure they can bite or sting, or inflict some serious hurt. So very vigorous are they in self-defence when disturbed, that robins and cuckoos are the only birds I ever have seen brave enough to pick them until the caterpillars loosen their hold and drop to the ground, where they are eaten with evident relish.

One cuckoo of my experience that nested in an old orchard, adjoining a potato patch, frequently went there caterpillar-hunting, and played havoc with one wherever found. The shy, deep wood habits of the cuckoo prevent it from coming close houses and into gardens, but robins will take these big caterpillars from tomato vines. However, they go about it rather gingerly, and the work of reducing one to non-resistance does not seem to be at all coveted. Most people exhibit symptoms of convulsions at sight of one. Yet it is a matter of education. I have seen women kiss and fondle cats and dogs, one snap from which would result in disfiguration or horrible death, and seem not to be able to get enough of them. But they were quite equal to a genuine faint if contact were suggested with a perfectly harmless caterpillar, a creature lacking all means of defence, save this demonstration of throwing the head.

When full-fed the caterpillars enter the earth to pupate, and on the fifteenth of October, 1906, only the day before I began this chapter, the Deacon, in digging worms for a fishing trip to the river, found a pupa case a yard from the tomato vines, and six inches below the surface. He came to my desk, carrying on a spade a ball of damp earth larger than a quart bowl. With all care we broke this as nearly in halves as possible and found in the centre a firm, oval hole, the size and shape of a hen's egg, and in the opening a fine fresh pupa case.

It was a beautiful red-brown in colour, long and slenderer than a number of others in my box of sand, and had a long tongue case turned under and fastened to the pupa between the wing shields. The sides of the abdomen were pitted; the shape of the head, and the eyes showed through the case, the wing shields were plainly indicated, and the abdominal shield was in round sections so that the pupa could twist from side to sid when touched, proving that the developing moth inside was very much alive and in fine condition.

There were no traces of the cast skin. The caterpillar had been so strong and had pushed so hard against the surrounding earth that the direction from which it had entered was lost. The soil was packed and crowded firmly for such a distance that this large ball was forced together. Trembling with eagerness I hurriedly set up a camera. This phase of moth life often has been described, but I never before heard of any one having been able to reproduce it, so my luck was glorious. A careful study of this ball of earth, the opening in which the case lies, and the pupa, with its blunt head and elaborate tongue shield, will convince any one that when ready to emerge these moths must bore the six inches to the surface with the point of the abdomen, and there burst the case, cling to the first twig and develop and harden the wings. The abdominal point is sharp, surprisingly strong, and the rings of the segments enable it to turn in all directions, while the earth is mellow and moist with spring rains. To force a way head first would be impossible on account of the delicate tongue shield, and for the moth to emerge underground and dig to the surface without displacing a feather of down, either before or after wing expansion, is unthinkable. Yet I always had been in doubt as to precisely how the exit of a pupa case moth took place, until I actually saw the earth move and the sharp abdominal point appear while working in my garden.

Living pupae can be had in the fall, by turning a few shovels of soil close vegetables in any country garden. In the mellow mould, among cabbages and tomato vines, around old log cabins close the Limberlost swamp, they are numerous, and the emerging moths haunt the sweet old-fashioned flowers.

The moth named Celeus, after a king of Eleusis, certainly has kingly qualities to justify the appellation. The colouring is all grey, black, brown, white and yellow, and the combinations are most artistic. It is a relative of Lineata. It flies and feeds by day, has nearly the same length of life, and is much the same in shape.

The head is small and sharp, eyes very much larger than Lineata, and tongue nearly four inches in length. The antennae are not clubbed, but long and hairlike. It has the broad shoulders, the long wings, and the same shape of abdomen. The wings, front and back, are so mottled, lined, and touched with grey, black, brown and white, as to be almost past definite description. The back wings have the black and white markings more clearly defined. The head meets the thorax with a black band. The back is covered with long, grey down, and joins the abdomen, with a band of black about a quarter of an inch wide, and then a white one of equal width. The abdomen is the gaudiest part of the moth. In general it is a soft grey. It is crossed by five narrow white lines the length of the abdomen, and a narrow black one down the middle. Along each side runs a band of white. On this are placed four large yellow spots each circled by a band of black that joins the black band of the spot next to it. The legs and under side of the abdomen and wings are a light grey-tan, with the wing markings showing faintly, and the abdomen below is decorated with two small black dots.

My first Celeus, a very large and beautiful one, was brought to me by Mr. Wallace Hardison, who has been an interested helper with this book. The moth had a wing sweep of fully five and a half inches, and its markings were unusually bright and strong. No other Celeus quite so big and beautiful ever has come to my notice. From four and a half to five inches is the average size.

There was something the matter with this moth. Not a scale of down seemed to be missing, but it was torpid and would not fly. Possibly it had been stung by some parasite before taking flight at all, for it was very fresh. I just had returned from a trip north, and there were some large pieces of birch bark lying on the table on which the moth had been placed. It climbed on one of these, and clung there, so I set up the bark, and made a time exposure. It felt so badly it did not even close them when I took a brush and spread its wings full width. Soon after it became motionless. I had begun photographing moths recently; it was one of my very first, and no thought of using it for natural history purposes occurred at the time. I merely made what I considered a beautiful likeness, and this was so appreciated whenever shown, that I went further and painted it in water colours.

Since moth pictures have accumulated, and moth history has engrossed me with its intense interest, I have been very careful in making studies to give each one its proper environment when placing it before my camera. Of all the flowers in our garden, Celeus prefers the hollyhocks. At least it comes to them oftenest and remains at them longest. But it moves continually and flies so late that a picture of it has been a task. After years of fruitless effort, I made one passable snapshot early in July, while the light was sufficiently strong that a printable picture could be had by intensifying the plate, and one good time exposure as a Celeus, with half-folded wings, clambered over a hollyhock, possibly hunting a spot on which to deposit an egg or two. The hollyhock painting of this chapter is from this study. The flowers were easy but it required a second trial to do justice to the complicated markings of the moth.

This evening lover and strong flyer, with its swallow-like sweep of wing, comes into the colour schemes of nature with the otter, that at rare times thrusts a sleek grey head from the river, with the grey-brown cotton-tails that bound across the stubble, and the coots that herald dawn in the marshes. Exactly the shades, and almost the markings ofits wings can be found on very old rail fences. This lint shows lighter colour, and even grey when used in the house building of wasps and orioles, but I know places in the country where I could carve an almost perfectly shaded Celeus wing from a weather- beaten old snake fence rail.

Celeus visits many flowers, almost all of the trumpet-shaped ones, in fact, but if I were an artist I scarcely would think it right to paint a hollyhock without putting King Celeus somewhere in the picture, poised on his throne of air before a perfect bloom as he feasts on pollen and honey. The holly-hock is a kingly flower, with its regally lifted heads of bright bloom, and that the king of moths should show his preference for it seems eminently fitting, so we of the Cabin named him King of the Hollyhocks.



CHAPTER VIII Hera of the Corn: Hyperchira Io

At the same time he gave me the Eacles Imperialis moths, Mr. Eisen presented me with a pair of Hyperchiria Io. They were nicely mounted on the black velvet lining of a large case in my room, but I did not care for them in the least. A picture I would use could not be made from dead, dried specimens, and history learned from books is not worth knowing, in comparison with going afield and threshing it out for yourself in your own way. Because the Io was yellow, I wanted it— more than several specimens I had not found as yet, for yellow, be it on the face of a flower, on the breast of a bird, or in the gold of sunshine, always warms the depths of my heart.

One night in June, sitting with a party of friends in the library, a shadow seemed to sweep across a large window in front. I glanced up, and arose with a cry that must have made those present doubt my sanity. A perfect and beautiful Io was walking leisurely across the glass.

"A moth!" I cried. "I have none like it! Deacon, get the net!"

I caught a hat from the couch, and ran to the veranda. The Deacon followed with the net.

"I was afraid to wait," I explained. "Please bring a piece of pasteboard, the size of this brim.'

I held the hat while the Deacon brought the board. Then with trembling care we slipped it under, and carefully carried the moth into the conservatory. First we turned on the light, and made sure that every ventilator was closed; then we released the Io for the night. In the morning we found a female clinging to a shelf, dotting it with little top-shaped eggs. I was delighted, for I thought this meant the complete history of a beautiful moth. So exquisite was the living, breathing creature, she put to shame the form and colouring of the mounted specimens. No wonder I had not cared for them!

Her fore-wings were a strong purplish brown in general effect, but on close examination one found the purplish tinge a commingling of every delicate tint of lavender and heliotrope imaginable. They were crossed by escalloped bands of greyish white, and flecked with touches of the same, seeming as if they had been placed with a brush. The back wings were a strong yellow. Each had, for its size, an immense black eye-spot, with a blue pupil covering three-fourths of it, crossed by a perfect comma of white, the heads toward the front wings and the curves bending outward. Each eye-spot was in a yellow field, strongly circled with a sharp black line; then a quarter of an inch band of yellow; next a heliotrope circle of equal width; yellow again twice as wide; then a faint heliotrope line; and last a very narrow edging of white. Both wings joined the body under a covering of long, silky, purple-brown hairs.

She was very busy with egg depositing, and climbed to the twig held before her without offering to fly. The camera was carried to the open, set up and focused on a favourable spot, while Molly-Cotton walked beside me holding a net over the moth in case she took flight in outer air. The twig was placed where she would be in the deepest shade possible while I worked rapidly with the camera.

By this time experience had taught me that these creatures of moonlight and darkness dislike the open glare of day, and if placed in sunlight will take flight in search of shade more quickly than they will move if touched. So until my Io settled where I wanted her with the wings open, she was kept in the shadow. Only when I grasped the bulb and stood ready to snap, was the covering lifted, and for the smallest fraction of a second the full light fell on her; then darkness again.

In three days it began to be apparent there was something wrong with the eggs. In four it was evident, and by five I was not expecting the little caterpillars to emerge, and they did not. The moth had not mated and the eggs were not fertile. Then I saw my mistake. Instead of shutting the female in the conservatory at night, I should have tied a soft cotton string firmly around her body, and fastened it to some of the vines on the veranda. Beyond all doubt, before morning, a male of her kind would have been attracted to her.

One learns almost as much by his mistakes as he profits by his successes in this world. Writing of this piece of stupidity, at a time in my work with moths when a little thought would have taught me better, reminds me of an experience I had with a caterpillar, the first one I ever carried home and tried to feed. I had an order to fill for some swamp pictures, and was working almost waist deep in a pool in the Limberlost, when on a wild grape-vine swinging close to my face, I noticed a big caterpillar placidly eating his way around a grape leaf. The caterpillar was over four inches long, had no horn, and was of a clear red wine colour, that was beautiful in the sunlight. I never before had seen a moth caterpillar that was red and I decided it must be rare. As there was a wild grapevine growing over the east side of the Cabin, and another on the windmill, food of the right kind would be plentiful, so I instantly decided to take the caterpillar home. It was of the specimens that I consider have almost 'thrust themselves upon me.'

When the pictures were finished and my camera carried from the swamp, I returned with the clippers and cut off vine and caterpillar, to carry with me. On arrival I placed it in a large box with sand on the bottom, and every few hours took out the wilted leaves, put in fresh ones, and sprinkled them to insure crispness, and to give a touch of moisture to the atmosphere in the box, that would make it seem more like the swamp.

My specimen was readily identified as Philampelus Pandorus, of which I had no moth, so I took extra care of it in the hope of a new picture in the spring. It had a little flat head that could be drawn inside the body like a turtle, and on the sides were oblique touches of salmon. Something that appeared to be a place for a horn could be seen, and a yellow tubercle was surrounded by a black line. It ate for three days, and then began racing so frantically around the box, I thought confinement must be harmful, so I gave it the freedom of the Cabin, warning all my family to 'look well to their footsteps.' It stopped travelling after a day or two at a screen covering the music-room window, and there I found it one morning lying still, a shrivelled, shrunken thing; only half the former length, so it was carefully picked up, and thrown away!

Of course the caterpillar was in the process of changing into the pupa, and if I had known enough to lay it on the sand in my box, and wait a few days, without doubt a fine pupa would have emerged from that shrunken skin, from which, in the spring, I could have secured an exquisite moth, with shades of olive green, flushed with pink. The thought of it makes me want to hide my head. It was six years before I found a living moth, or saw another caterpillar of that species.

A few days later, while watching with a camera focused on the nest of a blackbird in Mrs. Corson's woods east of town, Raymond, who was assisting me, crept to my side and asked if it would do any harm for him to go specimen hunting. The long waits with set cameras were extremely tedious to the restless spirits of the boy, and the birds were quite tame, the light was under a cloud, and the woods were so deep that after he had gone a few rods he was from sight, and under cover; besides it was great hunting ground, so I gladly told him to go.

The place was almost 'virgin,' much of it impassable and fully half of it was under water that lay in deep, murky pools throughout summer. In the heat of late June everything was steaming; insect life of all kinds was swarming; not far away I could hear sounds of trouble between the crow and hawk tribes; and overhead a pair of black vultures, whose young lay in a big stump in the interior, were searching for signs of food. If ever there was a likely place for specimens it was here; Raymond was an expert at locating them, and fearless to foolhardiness. He had been gone only a short time when I heard a cry, and I knew it must mean something, in his opinion, of more importance than blackbirds.

I answered "Coming," and hastily winding the long hose, I started in the direction Raymond had taken, calling occasionally to make sure I was going the right way. When I found him, the boy was standing beside a stout weed, hat in hand, intently watching something. As I leaned forward I saw that it was a Hyperchiria Io that just had emerged from the cocoon, and as yet was resting with wings untried. It differed so widely from my moth of a few days before, I knew it must be a male.

This was only three-fourths as large as mine, but infinitely surpassed it in beauty. Its front wings were orange-yellow, flushed with red-purple at the base, and had a small irregular brown spot near the costa. Contrary to all precedent, the under side of these wings were the most beautiful, and bore the decorations that, in all previous experience with moths, had been on the upper surface, faintly showing on the under. For instance, this irregular brown marking on the upper side proved to be a good-sized black spot with with white dot in the middle on the under; and there was a curved line of red-purple from the apex of the wing sloping to the lower edge, nearly half an inch from the margin. The space from this line to the base of the wing was covered with red-purple down. The back wings were similar to the female's, only of stronger colour, and more distinct markings; the eye-spot and lining appeared as if they had been tinted with strong fresh paint, while the edges of the wings lying beside the abdomen had the long, silken hairs of a pure, beautiful red their entire length:

A few rods away men were ploughing in the adjoining corn field, and I remembered that the caterpillar of this moth liked to feed on corn blades, and last summer undoubtedly lived in that very field. When I studied Io history in my moth books, I learned these caterpillars ate willow, wild cherry, hickory, plum, oak, sassafras, ash, and poplar. The caterpillar was green, more like the spiny butterfly caterpillars than any moth one I know. It had brown and white bands, brown patches, and was covered with tufts of stiff upstanding spines that pierced like sharp needles. This was not because the caterpillar tried to hurt you, but because the spines were on it, and so arranged that if pressed against, an acid secretion sprang from their base. This spread over the flesh the spines touched, stinging for an hour like smartweed, or nettles.

When I identified this caterpillar in my books, it came to me that I had known and experienced its touch. But it did not forcibly impress me until that instant that I knew it best of all, and that it was my childhood enemy of the corn. Its habit was to feed on the young blades, and cling to them with all its might. If I was playing Indian among the rows, or hunting an ear with especially long, fine 'silk' for a make-believe doll, or helping the cook select ears of Jersey Sweet to boil for dinner, and accidentally brushed one of these caterpillars with cheek or hand, I felt its burning sting long afterward. So I disliked those caterpillars.

For I always had played among the corn. Untold miles I have ridden the plough horses across the spring fields, where mellow mould rolled black from the shining shares, and the perfumed air made me feel so near flying that all I seemed to need was a high start to be able to sail with the sentinel blackbird, that perched on the big oak, and with one sharp 'T'check!' warned his feeding flock, surely and truly, whether a passing man carried a gun or a hoe. Then came the planting, when bare feet loved the cool earth, and trotted over other untold miles, while little fingers carefully counted out seven grains from the store carried in my apron skirt, as I chanted:

"One for the blackbird, one for the crow; One for the cutworm and four to grow."

Then father covered them to the right depth, and stamped each hill with the flat of the hoe, while we talked of golden corn bread, and slices of mush, fried to a crisp brown that cook would make in the fall. We had to plant enough more to feed all the horses, cattle, pigs, turkeys, geese, and chickens, during the long winter, even if the sun grew uncomfortably warm, and the dinner bell was slow about ringing.

Then there were the Indian days in the field, when a fallen eagle feather stuck in a braid, and some pokeberry juice on the face, transformed me into the Indian Big Foot, and I fled down green aisles of the corn before the wrath of the mighty Adam Poe. At times Big Foot grew tired fleeing, and said so in remarkably distinct English, and then to keep the game going, my sister Ada, who played Adam Poe, had to turn and do the fleeing or be tomahawked with a stick.

When the milk was in the ears, they were delicious steamed over salted water, or better yet roasted before coals at the front of qthe cooking stove, and eaten with butter and salt, if you have missed the flavour of it in that form, really you never have known corn!

Next came the cutting days. These were after all the caterpillars had climbed down, and travelled across the fence to spin their cocoons among the leaves of the woods; as if some instinct warned them that they would be ploughed up too early to emerge, if they remained in the field. The boys bent four hills, lashed the tassels together for a foundation, and then with one sweep of their knives, they cut a hill at a time, and stacked it in large shocks, that lined the field like rows of sentinels, guarding the gold of pumpkin and squash lying all around. While the shocks were drying, the squirrels, crows, and quail took possession, and fattened their sides against snow time.

Then the gathering days of October—they were the best days of all! Like a bloom-outlined vegetable bed, the goldenrod and ironwort, in gaudy border, filled the fence corners of the big fields. A misty haze hung in the air, because the Indians were burning the prairies to round up game for winter. The cawing of the crows, the chatter of blackbirds, and the piping bob-whites, sounded so close and so natural out there, while the crowing cocks of the barnyard seemed miles away and slightly unreal. Grown up and important, I sat on a board laid across the wagon bed, and guided the team of matched greys between the rows of shocks, and around the 'pie-timber' as my brother Leander called the pumpkins while father and the boys opened the shocks and husked the ears. How the squirrels scampered to the woods and to the business of storing away the hickory nuts that we could hear rattling down every frosty morning! We hurried with the corn; because as soon as the last shock was in, we might take the horses, wagon, and our dinner, and go all day to the woods, where we gathered our winter store of nuts. Leander would take a gun along, and shoot one of those saucy squirrels for the little sick mother.

Last came the November night, when the cold had shut us in. Then selected ears that had been dried in the garret were brought down, white for 'rivel' and to roll things in to fry, and yellow for corn bread and mush. A tub full of each was shelled, and sacked to carry to the mill the following day. I sat on the floor while father and the boys worked, listening to their talk, as I built corncob castles so high they toppled from their many stories. Sometimes father made cornstock fiddles that would play a real tune. Oh! the pity of it that every little child cannot grow, live, learn and love among the corn. For the caterpillars never stopped the fun, even the years when they were most numerous.

The eggs laid by my female never hatched, so I do not know this caterpillar in its early stages from experience, but I had enough experience with it in my early stages, that I do not care if I never raise one. No doubt it attains maturity by the same series of moults as the others, and its life history is quite similar. The full-fed caterpillars spin among the leaves on the ground, and with their spines in mind, I would much prefer finding a cocoon, and producing a moth from that stage of its evolution.

The following season I had the good fortune to secure a male and female Io at the same time and by persistence induced them to pose for me on an apple branch. There was no trouble in securing the male as I desired him, with wings folded showing the spots, lining and flushing of colour. But the female was a perverse little body and though I tried patiently and repeatedly she would not lower her wings full width. She climbed around with them three-fourths spread, producing the most beautiful effect of life, but failing to display her striking markings. This is the one disadvantage in photographing moths from life. You secure lifelike effects but sometimes you are forced to sacrifice their wonderful decorations.

CHAPTER IX The Sweetheart and the Bride: Catocala Amatyix— Catocala Neogama

There are no moths so common with us as these, for throughout their season, at any time one is wanted, it is sure to be found either on the sweetbrier clambering over the back wall, among the morning- glories on one side, the wistaria and wild grape on the other, or in the shade of the wild clematis in front. On very sunny days, they leave the shelter of the vines, and rest on the logs of the Cabin close the roof of the verandas. Clinging there they appear like large grey flies, for they are of peculiar shape, and the front wings completely cover the back when in repose. A third or a half of the back wings show as they are lifted to balance the the moths when walking over vines and uncertain footing. They are quite conspicuous on our Cabin, because it is built of the red cedar of Wisconsin; were it of the timber used by our grandfathers, these moths with folded wings would be almost indistinguishable from their surroundings.

Few moths can boast greater beauty. The largest specimen of the 'Sweetheart' that homes with us would measure three and one half inches if it would spread its wings full width as do the moths of other species. No moth is more difficult to describe, because of the delicate blending of so many intangible shades. The front wings are a pale, brownish grey, with irregular markings of tan, and dark splotches outlined with fine deep brown lines. The edges are fluted and escalloped, each raised place being touched with a small spot of tan, and above it a narrow escalloped line of brown. The back wings are bright red, crossed by a circular band of brownish black, three-fourths of an inch from the base, a secondary wider band of the same, and edged with pale yellow.

There is no greater surprise in store for a student of moths than to locate a first Catocala Amatrix, and see the softly blended grey front wings suddenly lift, and the vivid red of the back ones flash out. The under sides of the front wings are a warm creamy tan, crossed by wide bands of dark brown and grey-brown, ending in a delicate grey mist at the edges. The back wings are the same tan shade, with red next the abdomen, and crossed by brown bands of deeper shade than the fore-wings. The shoulders are covered with long silky hair like the front wings. This is so delicate that it becomes detached at the slightest touch of vine or leaf. The abdomen is slightly lighter in colour on top, and a creamy tan beneath. The legs are grey, and the feet to the first joint tan, crossed by faint lines of brown.

The head is small, with big prominent eyes that see better by day than most night moths; for Catocala takes precipitate flight at the merest shadow. The antennae are long, delicate and threadlike, and must be broken very easily in the flight of the moth. It is nothing unusual to see them with one antenna shorter than the other, half, or entirely gone; and a perfect specimen with both antennae, and all the haif on its shoulders, is rare. They have a long tongue that uncoils like Lineata, and Celeus, so they are feeders, but not of day, for they never take flight until evening, except when disturbed. The male is smaller than the female, his fore-wings deeply flushed with darker colour and the back brighter red with more black in the bands.

Neogama, another member of this family, is a degree smaller than Amatrix, but of the same shape. The fore-wings are covered with broken lines of different colours, the groundwork grey, with gold flushings, the lines and dots of the border very like the Sweetheart's. The back wings are pure gold, almost reddish, with dark brownish black bands, and yellow borders. The top of the abdomen is a grey-gold colour. Underneath, the markings are nearly the same as Amatrix, but a gold flush suffuses the moth.

There are numbers of these Catocala moths running the colour scheme of-yellow, from pale chrome to umber. Many shade from light pink through the reds to a dark blood colour. Then there is a smaller number having brown back wings and with others they are white.

The only way I know to photograph them is to focus on some favourable spot, mark the place your plate covers in length and width, and then do your best to coax your subjects in range. If they can be persuaded to walk, they will open their wings to a greater or less degree. A reproduction would do them no sort of justice unless the markings of the back wings show. It is on account of the gorgeous colourings of these that scientists call the species 'afterwings.'

One would suppose that with so many specimens of this beautiful species living with us and swarming the swamp close by, I would be prepared to give their complete life history; but I know less concerning them than any other moths common with us, and all the scientific works I can buy afford little help. Professional lepidopterists dismiss them with few words. One would-be authority disposes of the species with half a dozen lines. You can find at least a hundred Catocala reproduced from museum specimens and their habitat given, in the Holland "Moth Book", but I fail to learn what I most desire to know: what these moths feed on; how late they live; how their eggs appear; where they are deposited; which is their caterpillar; what does it eat; and where and how does it pupate.

Packard, in his "Guide to the Study of Insects", offers in substance this much help upon the subject: "The genus is beautiful, the species numerous, of large size, often three-inch expansion, and in repose form a flat roof. The larva is elongate, slender, flattened beneath and spotted with black, attenuated at each end, with fleshy filaments on the sides above the legs, while the head is flattened and rather forked above. It feeds on trees and rests attached to the trunks. The pupa is covered with a bluish efflorescence, enclosed in a slight cocoon of silk, spun amongst leaves or bark."

This will tend to bear out my contention that scientific works are not the help they should be to the Nature Lover. Heaven save me from starting to locate Catocala moths, eggs, caterpillars or pupae on the strength of this information. I might find moths by accident; nothing on the subject of eggs; neither colour of body, characteristics nor food, to help identify caterpillars; for the statement, 'it feeds on trees,' cannot be considered exactly illuminating when we remember the world full of trees on which caterpillars are feeding; and should one search for cocoon encased pupae among the leaves and bark of tree-tops or earth?

The most reliable information I have had, concerning these moths of which I know least, comes from Professor Rowley. He is the only lepidopterist of four to whom I applied, who could tell me any of the things I am interested in knowing. He writes in substance: "The Bride and Sweetheart are common northern species, as are most of the other members of the group. The Amatrix, with its red wings, is called the Sweetheart because amor means love, and red is love's own colour. The caterpillar feeds on willow. The Catocala of the yellow "after-wings" is commonly called the Bride, because Neogama, its scientific name, means recently wedded. Its caterpillar feeds on walnut leaves.

"If you will examine the under side of the body of a Catocala moth you will find near the junction of the thorax and abdomen on either side, large open organs reminding one of the ears of a grasshopper, which are on the sides of the first abdominal segment. Examine the bodies of Sphinges and other moths for these same openings. They appear to be ears. Catocala moths feed on juices, and live most of the summer season. Numbers of them have been found sipping sap at a tree freshly cut and you know we take them at night with bait.

"New Orleans sugar and cider or sugar and stale beer are the usual baits. This 'concoction'is put on the bodies of trees with a brush, between eight and ten o'clock at night. During good Catocala years, great numbers of these moths may be taken as they feed at the sweet syrup. So it is proved that their food is sap, honeydew, and other sugary liquids. Mr. George Dodge assures me that he has taken Catocala abbreviatella at milk-weed blooms about eight o'clock of early July evenings. Other species also feed on flowers."

You will observe that in his remarks about the "open organs on the side of the abdominal segment," Professor Rowley may have settled the 'ear' question. I am going to keep sharp watch for these organs, hereafter. I am led to wonder if one could close them in some way and detect any difference in the moth's sense of hearing after having done so.

All of us are enthusiasts about these moths with their modest fore-wings and the gaudy brilliance of the wonderful 'after-wings,' that are so bright as to give common name to the species. We are studying them constantly and hope soon to learn all we care to know of any moths, for our experience with them is quite limited when compared with other visitors from the swamp. But think of the poetry of adding to the long list of birds, animals and insects that temporarily reside with us, a Sweetheart and a Bride!



CHAPTER X The Giant Gamin: Telea Polyphemus

Time cannot be used to tell of making the acquaintance of this moth until how well worth knowing it is has been explained. That it is a big birdlike fellow, with a six inch sweep of wing, is indicated by the fact that it is named in honour of the giant Polyphemus. Telea means 'the end,' and as scientists fail to explain the appropriateness of this, I am at liberty to indulge a theory of my own. Nature made this handsome moth last, and as it was the end, surpassed herself as a finishing touch on creatures that are, no doubt, her frailest and most exquisite creation.

Polyphemus is rich in shadings of many subdued colours, that so blend and contrast as to give it no superior in the family of short-lived lovers of moonlight. Its front wings are a complicated study of many colours, for some of which it would be difficult to find a name. Really, it is the one moth that must be seen and studied in minutest detail to gain an idea of its beauty. The nearest I can come to the general groundwork of the wing is a rich brown-yellow. The costa is grey, this colour spreading in a widening line from the base of the wing to more than a quarter of an inch at the tip, and closely peppered with black. At the base, the wing is covered with silky yellow-brown hairs. As if to outline the extent of these, comes a line of pinkish white, and then one of rich golden brown, shading into the prevailing colour.

Close the middle of the length of the wing, and half an inch from the costa, is a transparent spot like isinglass, so clear that fine print can be read through it. This spot is outlined with a canary yellow band, and that with a narrow, but sharp circle of black. Then comes a cloudlike rift of golden brown, drifting from the costa across the wing, but, growing fainter until it merges with the general colour near the abdomen. Then half an inch of the yellow-brown colour is peppered with black, similar to the costa; this grows darker until it terminates in a quarter of an inch wide band of almost grey-black crossing the wing. Next this comes a narrower band of pinkish white. The edge begins with a quarter of an inch band of clear yellow-brown, and widens as the wing curves until it is half an inch at the point. It is the lightest colour of rotten apple. The only thing I ever have seen in nature exactly similar was the palest shade of 'mother' found in barrels of vinegar. A very light liver colour comes close it. On the extreme tip is a velvety oval, half black and half pale pink.

The back wings are the merest trifle stronger in this yellow-brown colour, and with the exception of the brown rift are the same in marking, only that all colour, similar to the brown, is a shade deeper.

The 'piece de resistance' of the back wing, is the eyespot. The transparent oval is a little smaller. The canary band is wider, and of stronger colour. The black band around the lower half is yet wider, and of long velvety hairs. It extends in an oval above the transparent spot fully half an inch, then shades through peacock blue, and grey to the hairlike black line enclosing the spot.

The under sides of the wings are pure tan, clouded and lined with shades of rich brown. The transparent spots are outlined with canary, and show a faint line drawn across the middle the long way.

The face is a tiny brown patch with small eyes, for the size of the moth, and large brown antennae, shaped like those of Cecropia. The grey band of the costa crosses the top of the head. The shoulders are covered with pinkish, yellow-brown hair. The top and sides of the abdomen are a lighter shade of the same.

The under side of the abdomen is darker brown, and the legs brown with very dark brown feet. These descriptions do the harmonizing colours of the moth no sort of justice, but are the best I can offer. In some lights it is a rich YELLOW-BROWN, and again a pink flush pervades body and wings.

My first experience with a living Polyphemis (I know Telea is shorter, but it is not suitable, while a giant among moths it is, so that name is best) occurred several years ago. A man brought me a living Polyphemus battered to rags and fringes, antennae broken and three feet missing. He had found a woman trying ot beat the clinging creature loose from a door screen, with a towel, before the wings were hardened for flight, and he rescued the remains. There was nothing to say; some people are not happy unless they are killing helpless, harmless creatures; and there was nothing to do.

The moth was useless for a study, while its broken antennae set it crazy, and it shook and trembled continually, going out without depositing any eggs. One thing I did get was complete identification, and another, to attribute the experience to Mrs. Comstock in "A Girl of the Limberlost"*, when I wished to make her do something particularly disagreeable. In learning a moth I study its eggs, caterpillars, and cocoons, so that fall Raymond and I began searching for Polyphemus. I found our first cocoon hanging by a few threads of silk, from a willow twig overhanging a stream in the limberlost.

<<*April 1994 [limbr10x.xxx] 125 A Girl of the Limberlost, by Gene Stratton-Porter>>

A queer little cocoon it was. The body was tan colour, and thickly covered with a white sprinkling like lime. A small thorn tree close the cabin yielded Raymond two more; but these were darker in colour, and each was spun inside three thorn leaves so firmly that it appeared triangular in shape. The winds had blown the cocoons agianst the limbs and worn away the projecting edges of the leaves, but the midribs and veins showed plainly. In all we had half a dozen of htese cocoons gathered from different parts of the swamp, and we found them dangling from a twig of willow or hawthorn, by a small piece of spinning. During the winter these occupied the place of state in the conservatory, and were watched every day. They were kept in the coolest spot, but where the sun reached them at times. Always in watering the flowers, the hose was turned on them, because they would have been in the rain if they had been left out of doors, and conditions should be kept as natural as possible.

Close time for emergence I became very uneasy, because the conservatory was warm; so I moved them to my sleeping room, the coolest in the cabin, where a fireplace, two big windows and an outside door, always open, provide natural atmospheric conditions, and where I would be sure to see them every day. I hung the twigs over a twine stretched from my dresser to the window-sill. One day in May, when the trees were in full bloom, I was working on a tulip bed under an apple tree in the garden, when Molly-Cotton said to me, "How did you get that cocoon in your room wet?"

"I did not water any of the cocoons," I answered. "I have done no sprinkling today. If they are wet, it has come from the inside."

Molly-Cotton dropped her trowel. "One of them was damp on the top before lunch," she cried. "I just now thought of it. The moths are coming!" She started on a run and I followed, but stopped to wash my hands, so she reached them first, and her shout told the news.

"Hurry!" she cried. "Hurry! One is out, and another is just struggling through!" Quickly as I could I stood beside her. One Polyphemus female, a giant indeed, was clinging to a twig with her feet, and from her shoulders depended her wings, wet, and wrinkled as they had been cramped in the pupa case. Even then she had expanded in body until it seemed impossible that she had emerged from the opening of the vacant cocoon. The second one had its front feet and head out, and was struggling frantically to free its shoulders. A fresh wet spot on the top of another cocoon, where the moth had ejected the acid with which it is provided to soften the spinning, was heaving with the pushing head of the third. Molly-Cotton was in sympathy with the imprisoned moths.

"Why don't you get something sharp, and split the cocoons so they can get out?" she demanded. "Just look at them struggle! They will kill themselves!"

Then I explained to her that if we wanted big, perfect moths we must not touch them. That the evolution of species was complete to the minutest detail. The providence that supplied the acid, required that the moths make the fight necessary to emerge alone, in order to strengthen them so they would be able to walk and cling with their feet, while the wings drooped and dried properly. That if I cut a case, and took out a moth with no effort on its part, it would be too weak to walk, or bear its weight, and so would fall to the floor. Then because of not being in the right position, the wings would harden half spread, or have broken membranes and never develop fully. So instead of doing a kindness I really would work ruination.