"Be calm, Elliston," whispered George Herkimer, laying his hand upon the shoulder of the snake-possessed. "I have crossed the ocean to meet you. Listen! Let us be private. I bring a message from Rosina—from your wife!"

"It gnaws me! It gnaws me!" muttered Roderick.

With this exclamation, the most frequent in his mouth, the unfortunate man clutched both hands upon his breast as if an intolerable sting or torture impelled him to rend it open and let out the living mischief, even should it be intertwined with his own life. He then freed himself from Herkimer's grasp by a subtle motion, and, gliding through the gate, took refuge in his antiquated family residence. The sculptor did not pursue him. He saw that no available intercourse could be expected at such a moment, and was desirous, before another meeting, to inquire closely into the nature of Roderick's disease and the circumstances that had reduced him to so lamentable a condition. He succeeded in obtaining the necessary information from an eminent medical gentleman.

Shortly after Elliston's separation from his wife—now nearly four years ago—his associates had observed a singular gloom spreading over his daily life, like those chill, gray mists that sometimes steal away the sunshine from a summer's morning. The symptoms caused them endless perplexity. They knew not whether ill health were robbing his spirits of elasticity, or whether a canker of the mind was gradually eating, as such cankers do, from his moral system into the physical frame, which is but the shadow of the former. They looked for the root of this trouble in his shattered schemes of domestic bliss,—wilfully shattered by himself,—but could not be satisfied of its existence there. Some thought that their once brilliant friend was in an incipient stage of insanity, of which his passionate impulses had perhaps been the forerunners; others prognosticated a general blight and gradual decline. From Roderick's own lips they could learn nothing. More than once, it is true, he had been heard to say, clutching his hands convulsively upon his breast,—"It gnaws me! It gnaws me!"—but, by different auditors, a great diversity of explanation was assigned to this ominous expression. What could it be that gnawed the breast of Roderick Elliston? Was it sorrow? Was it merely the tooth of physical disease? Or, in his reckless course, often verging upon profligacy, if not plunging into its depths, had he been guilty of some deed which made his bosom a prey to the deadlier fangs of remorse? There was plausible ground for each of these conjectures; but it must not be concealed that more than one elderly gentleman, the victim of good cheer and slothful habits, magisterially pronounced the secret of the whole matter to be Dyspepsia!

Meanwhile, Roderick seemed aware how generally he had become the subject of curiosity and conjecture, and, with a morbid repugnance to such notice, or to any notice whatsoever, estranged himself from all companionship. Not merely the eye of man was a horror to him; not merely the light of a friend's countenance; but even the blessed sunshine, likewise, which in its universal beneficence typifies the radiance of the Creator's face, expressing his love for all the creatures of his hand. The dusky twilight was now too transparent for Roderick Elliston; the blackest midnight was his chosen hour to steal abroad; and if ever he were seen, it was when the watchman's lantern gleamed upon his figure, gliding along the street, with his hands clutched upon his bosom, still muttering, "It gnaws me! It gnaws me!" What could it be that gnawed him?

After a time, it became known that Elliston was in the habit of resorting to all the noted quacks that infested the city, or whom money would tempt to journey thither from a distance. By one of these persons, in the exultation of a supposed cure, it was proclaimed far and wide, by dint of handbills and little pamphlets on dingy paper, that a distinguished gentleman, Roderick Elliston, Esq., had been relieved of a SNAKE in his stomach! So here was the monstrous secret, ejected from its lurking place into public view, in all its horrible deformity. The mystery was out; but not so the bosom serpent. He, if it were anything but a delusion, still lay coiled in his living den. The empiric's cure had been a sham, the effect, it was supposed, of some stupefying drug which more nearly caused the death of the patient than of the odious reptile that possessed him. When Roderick Elliston regained entire sensibility, it was to find his misfortune the town talk—the more than nine days' wonder and horror—while, at his bosom, he felt the sickening motion of a thing alive, and the gnawing of that restless fang which seemed to gratify at once a physical appetite and a fiendish spite.

He summoned the old black servant, who had been bred up in his father's house, and was a middle-aged man while Roderick lay in his cradle.

"Scipio!" he began; and then paused, with his arms folded over his heart. "What do people say of me, Scipio."

"Sir! my poor master! that you had a serpent in your bosom," answered the servant with hesitation.

"And what else?" asked Roderick, with a ghastly look at the man.

"Nothing else, dear master," replied Scipio, "only that the doctor gave you a powder, and that the snake leaped out upon the floor."

"No, no!" muttered Roderick to himself, as he shook his head, and pressed his hands with a more convulsive force upon his breast, "I feel him still. It gnaws me! It gnaws me!"

From this time the miserable sufferer ceased to shun the world, but rather solicited and forced himself upon the notice of acquaintances and strangers. It was partly the result of desperation on finding that the cavern of his own bosom had not proved deep and dark enough to hide the secret, even while it was so secure a fortress for the loathsome fiend that had crept into it. But still more, this craving for notoriety was a symptom of the intense morbidness which now pervaded his nature. All persons chronically diseased are egotists, whether the disease be of the mind or body; whether it be sin, sorrow, or merely the more tolerable calamity of some endless pain, or mischief among the cords of mortal life. Such individuals are made acutely conscious of a self, by the torture in which it dwells. Self, therefore, grows to be so prominent an object with them that they cannot but present it to the face of every casual passer-by. There is a pleasure—perhaps the greatest of which the sufferer is susceptible—in displaying the wasted or ulcerated limb, or the cancer in the breast; and the fouler the crime, with so much the more difficulty does the perpetrator prevent it from thrusting up its snake-like head to frighten the world; for it is that cancer, or that crime, which constitutes their respective individuality. Roderick Elliston, who, a little while before, had held himself so scornfully above the common lot of men, now paid full allegiance to this humiliating law. The snake in his bosom seemed the symbol of a monstrous egotism to which everything was referred, and which he pampered, night and day, with a continual and exclusive sacrifice of devil worship.

He soon exhibited what most people considered indubitable tokens of insanity. In some of his moods, strange to say, he prided and gloried himself on being marked out from the ordinary experience of mankind, by the possession of a double nature, and a life within a life. He appeared to imagine that the snake was a divinity,—not celestial, it is true, but darkly infernal,—and that he thence derived an eminence and a sanctity, horrid, indeed, yet more desirable than whatever ambition aims at. Thus he drew his misery around him like a regal mantle, and looked down triumphantly upon those whose vitals nourished no deadly monster. Oftener, however, his human nature asserted its empire over him in the shape of a yearning for fellowship. It grew to be his custom to spend the whole day in wandering about the streets, aimlessly, unless it might be called an aim to establish a species of brotherhood between himself and the world. With cankered ingenuity, he sought out his own disease in every breast. Whether insane or not, he showed so keen a perception of frailty, error, and vice, that many persons gave him credit for being possessed not merely with a serpent, but with an actual fiend, who imparted this evil faculty of recognizing whatever was ugliest in man's heart.

For instance, he met an individual, who, for thirty years, had cherished a hatred against his own brother. Roderick, amidst the throng of the street, laid his hand on this man's chest, and looking full into his forbidding face, "How is the snake to-day?" he inquired, with a mock expression of sympathy.

"The snake!" exclaimed the brother hater—"what do you mean?"

"The snake! The snake! Does it gnaw you?" persisted Roderick. "Did you take counsel with him this morning when you should have been saying your prayers? Did he sting, when you thought of your brother's health, wealth, and good repute? Did he caper for joy, when you remembered the profligacy of his only son? And whether he stung, or whether he frolicked, did you feel his poison throughout your body and soul, converting everything to sourness and bitterness? That is the way of such serpents. I have learned the whole nature of them from my own!"

"Where is the police?" roared the object of Roderick's persecution, at the same time giving an instinctive clutch to his breast. "Why is this lunatic allowed to go at large?"

"Ha, ha!" chuckled Roderick, releasing his grasp of the man.— "His bosom serpent has stung him then!"

Often it pleased the unfortunate young man to vex people with a lighter satire, yet still characterized by somewhat of snake-like virulence. One day he encountered an ambitious statesman, and gravely inquired after the welfare of his boa constrictor; for of that species, Roderick affirmed, this gentleman's serpent must needs be, since its appetite was enormous enough to devour the whole country and constitution. At another time, he stopped a close-fisted old fellow, of great wealth, but who skulked about the city in the guise of a scarecrow, with a patched blue surtout, brown hat, and mouldy boots, scraping pence together, and picking up rusty nails. Pretending to look earnestly at this respectable person's stomach, Roderick assured him that his snake was a copper-head and had been generated by the immense quantities of that base metal with which he daily defiled his fingers. Again, he assaulted a man of rubicund visage, and told him that few bosom serpents had more of the devil in them than those that breed in the vats of a distillery. The next whom Roderick honored with his attention was a distinguished clergyman, who happened just then to be engaged in a theological controversy, where human wrath was more perceptible than divine inspiration.

"You have swallowed a snake in a cup of sacramental wine," quoth he.

"Profane wretch!" exclaimed the divine; but, nevertheless, his hand stole to his breast.

He met a person of sickly sensibility, who, on some early disappointment, had retired from the world, and thereafter held no intercourse with his fellow-men, but brooded sullenly or passionately over the irrevocable past. This man's very heart, if Roderick might be believed, had been changed into a serpent, which would finally torment both him and itself to death. Observing a married couple, whose domestic troubles were matter of notoriety, he condoled with both on having mutually taken a house adder to their bosoms. To an envious author, who depreciated works which he could never equal, he said that his snake was the slimiest and filthiest of all the reptile tribe, but was fortunately without a sting. A man of impure life, and a brazen face, asking Roderick if there were any serpent in his breast, he told him that there was, and of the same species that once tortured Don Rodrigo, the Goth. He took a fair young girl by the hand, and gazing sadly into her eyes, warned her that she cherished a serpent of the deadliest kind within her gentle breast; and the world found the truth of those ominous words, when, a few months afterwards, the poor girl died of love and shame. Two ladies, rivals in fashionable life who tormented one another with a thousand little stings of womanish spite, were given to understand that each of their hearts was a nest of diminutive snakes, which did quite as much mischief as one great one.

But nothing seemed to please Roderick better than to lay hold of a person infected with jealousy, which he represented as an enormous green reptile, with an ice-cold length of body, and the sharpest sting of any snake save one.

"And what one is that?" asked a by-stander, overhearing him.

It was a dark-browed man who put the question; he had an evasive eye, which in the course of a dozen years had looked no mortal directly in the face. There was an ambiguity about this person's character,—a stain upon his reputation,—yet none could tell precisely of what nature, although the city gossips, male and female, whispered the most atrocious surmises. Until a recent period he had followed the sea, and was, in fact, the very shipmaster whom George Herkimer had encountered, under such singular circumstances, in the Grecian Archipelago.

"What bosom serpent has the sharpest sting?" repeated this man; but he put the question as if by a reluctant necessity, and grew pale while he was uttering it.

"Why need you ask?" replied Roderick, with a look of dark intelligence. "Look into your own breast. Hark! my serpent bestirs himself! He acknowledges the presence of a master fiend!"

And then, as the by-standers afterwards affirmed, a hissing sound was heard, apparently in Roderick Elliston's breast. It was said, too, that an answering hiss came from the vitals of the shipmaster, as if a snake were actually lurking there and had been aroused by the call of its brother reptile. If there were in fact any such sound, it might have been caused by a malicious exercise of ventriloquism on the part of Roderick.

Thus making his own actual serpent—if a serpent there actually was in his bosom—the type of each man's fatal error, or hoarded sin, or unquiet conscience, and striking his sting so unremorsefully into the sorest spot, we may well imagine that Roderick became the pest of the city. Nobody could elude him—none could withstand him. He grappled with the ugliest truth that he could lay his hand on, and compelled his adversary to do the same. Strange spectacle in human life where it is the instinctive effort of one and all to hide those sad realities, and leave them undisturbed beneath a heap of superficial topics which constitute the materials of intercourse between man and man! It was not to be tolerated that Roderick Elliston should break through the tacit compact by which the world has done its best to secure repose without relinquishing evil. The victims of his malicious remarks, it is true, had brothers enough to keep them in countenance; for, by Roderick's theory, every mortal bosom harbored either a brood of small serpents or one overgrown monster that had devoured all the rest. Still the city could not bear this new apostle. It was demanded by nearly all, and particularly by the most respectable inhabitants, that Roderick should no longer be permitted to violate the received rules of decorum by obtruding his own bosom serpent to the public gaze, and dragging those of decent people from their lurking places.

Accordingly, his relatives interfered and placed him in a private asylum for the insane. When the news was noised abroad, it was observed that many persons walked the streets with freer countenances and covered their breasts less carefully with their hands.

His confinement, however, although it contributed not a little to the peace of the town, operated unfavorably upon Roderick himself. In solitude his melancholy grew more black and sullen. He spent whole days—indeed, it was his sole occupation—in communing with the serpent. A conversation was sustained, in which, as it seemed, the hidden monster bore a part, though unintelligibly to the listeners, and inaudible except in a hiss. Singular as it may appear, the sufferer had now contracted a sort of affection for his tormentor, mingled, however, with the intensest loathing and horror. Nor were such discordant emotions incompatible. Each, on the contrary, imparted strength and poignancy to its opposite. Horrible love—horrible antipathy—embracing one another in his bosom, and both concentrating themselves upon a being that had crept into his vitals or been engendered there, and which was nourished with his food, and lived upon his life, and was as intimate with him as his own heart, and yet was the foulest of all created things! But not the less was it the true type of a morbid nature.

Sometimes, in his moments of rage and bitter hatred against the snake and himself, Roderick determined to be the death of him, even at the expense of his own life. Once he attempted it by starvation; but, while the wretched man was on the point of famishing, the monster seemed to feed upon his heart, and to thrive and wax gamesome, as if it were his sweetest and most congenial diet. Then he privily took a dose of active poison, imagining that it would not fail to kill either himself or the devil that possessed him, or both together. Another mistake; for if Roderick had not yet been destroyed by his own poisoned heart nor the snake by gnawing it, they had little to fear from arsenic or corrosive sublimate. Indeed, the venomous pest appeared to operate as an antidote against all other poisons. The physicians tried to suffocate the fiend with tobacco smoke. He breathed it as freely as if it were his native atmosphere. Again, they drugged their patient with opium and drenched him with intoxicating liquors, hoping that the snake might thus be reduced to stupor and perhaps be ejected from the stomach. They succeeded in rendering Roderick insensible; but, placing their hands upon his breast, they were inexpressibly horror stricken to feel the monster wriggling, twining, and darting to and fro within his narrow limits, evidently enlivened by the opium or alcohol, and incited to unusual feats of activity. Thenceforth they gave up all attempts at cure or palliation. The doomed sufferer submitted to his fate, resumed his former loathsome affection for the bosom fiend, and spent whole miserable days before a looking-glass, with his mouth wide open, watching, in hope and horror, to catch a glimpse of the snake's head far down within his throat. It is supposed that he succeeded; for the attendants once heard a frenzied shout, and, rushing into the room, found Roderick lifeless upon the floor.

He was kept but little longer under restraint. After minute investigation, the medical directors of the asylum decided that his mental disease did not amount to insanity, nor would warrant his confinement, especially as its influence upon his spirits was unfavorable, and might produce the evil which it was meant to remedy. His eccentricities were doubtless great; he had habitually violated many of the customs and prejudices of society; but the world was not, without surer ground, entitled to treat him as a madman. On this decision of such competent authority Roderick was released, and had returned to his native city the very day before his encounter with George Herkimer.

As soon as possible after learning these particulars the sculptor, together with a sad and tremulous companion, sought Elliston at his own house. It was a large, sombre edifice of wood, with pilasters and a balcony, and was divided from one of the principal streets by a terrace of three elevations, which was ascended by successive flights of stone steps. Some immense old elms almost concealed the front of the mansion. This spacious and once magnificent family residence was built by a grandee of the race early in the past century, at which epoch, land being of small comparative value, the garden and other grounds had formed quite an extensive domain. Although a portion of the ancestral heritage had been alienated, there was still a shadowy enclosure in the rear of the mansion where a student, or a dreamer, or a man of stricken heart might lie all day upon the grass, amid the solitude of murmuring boughs, and forget that a city had grown up around him.

Into this retirement the sculptor and his companion were ushered by Scipio, the old black servant, whose wrinkled visage grew almost sunny with intelligence and joy as he paid his humble greetings to one of the two visitors.

"Remain in the arbor," whispered the sculptor to the figure that leaned upon his arm. "You will know whether, and when, to make your appearance."

"God will teach me," was the reply. "May He support me too!"

Roderick was reclining on the margin of a fountain which gushed into the fleckered sunshine with the same clear sparkle and the same voice of airy quietude as when trees of primeval growth flung their shadows cross its bosom. How strange is the life of a fountain!—born at every moment, yet of an age coeval with the rocks, and far surpassing the venerable antiquity of a forest.

"You are come! I have expected you," said Elliston, when he became aware of the sculptor's presence.

His manner was very different from that of the preceding day—quiet, courteous, and, as Herkimer thought, watchful both over his guest and himself. This unnatural restraint was almost the only trait that betokened anything amiss. He had just thrown a book upon the grass, where it lay half opened, thus disclosing itself to be a natural history of the serpent tribe, illustrated by lifelike plates. Near it lay that bulky volume, the Ductor Dubitantium of Jeremy Taylor, full of cases of conscience, and in which most men, possessed of a conscience, may find something applicable to their purpose.

"You see," observed Elliston, pointing to the book of serpents, while a smile gleamed upon his lips, "I am making an effort to become better acquainted with my bosom friend; but I find nothing satisfactory in this volume. If I mistake not, he will prove to be sui generis, and akin to no other reptile in creation."

"Whence came this strange calamity?" inquired the sculptor.

"My sable friend Scipio has a story," replied Roderick, "of a snake that had lurked in this fountain—pure and innocent as it looks—ever since it was known to the first settlers. This insinuating personage once crept into the vitals of my great grandfather and dwelt there many years, tormenting the old gentleman beyond mortal endurance. In short it is a family peculiarity. But, to tell you the truth, I have no faith in this idea of the snake's being an heirloom. He is my own snake, and no man's else."

"But what was his origin?" demanded Herkimer.

"Oh, there is poisonous stuff in any man's heart sufficient to generate a brood of serpents," said Elliston with a hollow laugh. "You should have heard my homilies to the good town's-people. Positively, I deem myself fortunate in having bred but a single serpent. You, however, have none in your bosom, and therefore cannot sympathize with the rest of the world. It gnaws me! It gnaws me!"

With this exclamation Roderick lost his self-control and threw himself upon the grass, testifying his agony by intricate writhings, in which Herkimer could not but fancy a resemblance to the motions of a snake. Then, likewise, was heard that frightful hiss, which often ran through the sufferer's speech, and crept between the words and syllables without interrupting their succession.

"This is awful indeed!" exclaimed the sculptor—"an awful infliction, whether it be actual or imaginary. Tell me, Roderick Elliston, is there any remedy for this loathsome evil?"

"Yes, but an impossible one," muttered Roderick, as he lay wallowing with his face in the grass. "Could I for one moment forget myself, the serpent might not abide within me. It is my diseased self-contemplation that has engendered and nourished him."

"Then forget yourself, my husband," said a gentle voice above him; "forget yourself in the idea of another!"

Rosina had emerged from the arbor, and was bending over him with the shadow of his anguish reflected in her countenance, yet so mingled with hope and unselfish love that all anguish seemed but an earthly shadow and a dream. She touched Roderick with her hand. A tremor shivered through his frame. At that moment, if report be trustworthy, the sculptor beheld a waving motion through the grass, and heard a tinkling sound, as if something had plunged into the fountain. Be the truth as it might, it is certain that Roderick Elliston sat up like a man renewed, restored to his right mind, and rescued from the fiend which had so miserably overcome him in the battle-field of his own breast.

"Rosina!" cried he, in broken and passionate tones, but with nothing of the wild wail that had haunted his voice so long, "forgive! forgive!"

Her happy tears bedewed his face.

"The punishment has been severe," observed the sculptor. "Even Justice might now forgive; how much more a woman's tenderness! Roderick Elliston, whether the serpent was a physical reptile, or whether the morbidness of your nature suggested that symbol to your fancy, the moral of the story is not the less true and strong. A tremendous Egotism, manifesting itself in your case in the form of jealousy, is as fearful a fiend as ever stole into the human heart. Can a breast, where it has dwelt so long, be purified?"

"Oh yes," said Rosina with a heavenly smile. "The serpent was but a dark fantasy, and what it typified was as shadowy as itself. The past, dismal as it seems, shall fling no gloom upon the future. To give it its due importance we must think of it but as an anecdote in our Eternity."



DROWNE'S WOODEN IMAGE

One sunshiny morning, in the good old times of the town of Boston, a young carver in wood, well known by the name of Drowne, stood contemplating a large oaken log, which it was his purpose to convert into the figure-head of a vessel. And while he discussed within his own mind what sort of shape or similitude it were well to bestow upon this excellent piece of timber, there came into Drowne's workshop a certain Captain Hunnewell, owner and commander of the good brig called the Cynosure, which had just returned from her first voyage to Fayal.

"Ah! that will do, Drowne, that will do!" cried the jolly captain, tapping the log with his rattan. "I bespeak this very piece of oak for the figure-head of the Cynosure. She has shown herself the sweetest craft that ever floated, and I mean to decorate her prow with the handsomest image that the skill of man can cut out of timber. And, Drowne, you are the fellow to execute it."

"You give me more credit than I deserve, Captain Hunnewell," said the carver, modestly, yet as one conscious of eminence in his art. "But, for the sake of the good brig, I stand ready to do my best. And which of these designs do you prefer? Here,"—pointing to a staring, half-length figure, in a white wig and scarlet coat,—"here is an excellent model, the likeness of our gracious king. Here is the valiant Admiral Vernon. Or, if you prefer a female figure, what say you to Britannia with the trident?"

"All very fine, Drowne; all very fine," answered the mariner. "But as nothing like the brig ever swam the ocean, so I am determined she shall have such a figure-head as old Neptune never saw in his life. And what is more, as there is a secret in the matter, you must pledge your credit not to betray it."

"Certainly," said Drowne, marvelling, however, what possible mystery there could be in reference to an affair so open, of necessity, to the inspection of all the world as the figure-head of a vessel. "You may depend, captain, on my being as secret as the nature of the case will permit."

Captain Hunnewell then took Drowne by the button, and communicated his wishes in so low a tone that it would be unmannerly to repeat what was evidently intended for the carver's private ear. We shall, therefore, take the opportunity to give the reader a few desirable particulars about Drowne himself.

He was the first American who is known to have attempted—in a very humble line, it is true—that art in which we can now reckon so many names already distinguished, or rising to distinction. From his earliest boyhood he had exhibited a knack—for it would be too proud a word to call it genius—a knack, therefore, for the imitation of the human figure in whatever material came most readily to hand. The snows of a New England winter had often supplied him with a species of marble as dazzingly white, at least, as the Parian or the Carrara, and if less durable, yet sufficiently so to correspond with any claims to permanent existence possessed by the boy's frozen statues. Yet they won admiration from maturer judges than his school-fellows, and were indeed, remarkably clever, though destitute of the native warmth that might have made the snow melt beneath his hand. As he advanced in life, the young man adopted pine and oak as eligible materials for the display of his skill, which now began to bring him a return of solid silver as well as the empty praise that had been an apt reward enough for his productions of evanescent snow. He became noted for carving ornamental pump heads, and wooden urns for gate posts, and decorations, more grotesque than fanciful, for mantelpieces. No apothecary would have deemed himself in the way of obtaining custom without setting up a gilded mortar, if not a head of Galen or Hippocrates, from the skilful hand of Drowne.

But the great scope of his business lay in the manufacture of figure-heads for vessels. Whether it were the monarch himself, or some famous British admiral or general, or the governor of the province, or perchance the favorite daughter of the ship-owner, there the image stood above the prow, decked out in gorgeous colors, magnificently gilded, and staring the whole world out of countenance, as if from an innate consciousness of its own superiority. These specimens of native sculpture had crossed the sea in all directions, and been not ignobly noticed among the crowded shipping of the Thames and wherever else the hardy mariners of New England had pushed their adventures. It must be confessed that a family likeness pervaded these respectable progeny of Drowne's skill; that the benign countenance of the king resembled those of his subjects, and that Miss Peggy Hobart, the merchant's daughter, bore a remarkable similitude to Britannia, Victory, and other ladies of the allegoric sisterhood; and, finally, that they all had a kind of wooden aspect which proved an intimate relationship with the unshaped blocks of timber in the carver's workshop. But at least there was no inconsiderable skill of hand, nor a deficiency of any attribute to render them really works of art, except that deep quality, be it of soul or intellect, which bestows life upon the lifeless and warmth upon the cold, and which, had it been present, would have made Drowne's wooden image instinct with spirit.

The captain of the Cynosure had now finished his instructions.

"And Drowne," said he, impressively, "you must lay aside all other business and set about this forthwith. And as to the price, only do the job in first-rate style, and you shall settle that point yourself."

"Very well, captain," answered the carver, who looked grave and somewhat perplexed, yet had a sort of smile upon his visage; "depend upon it, I'll do my utmost to satisfy you."

From that moment the men of taste about Long Wharf and the Town Dock who were wont to show their love for the arts by frequent visits to Drowne's workshop, and admiration of his wooden images, began to be sensible of a mystery in the carver's conduct. Often he was absent in the daytime. Sometimes, as might be judged by gleams of light from the shop windows, he was at work until a late hour of the evening; although neither knock nor voice, on such occasions, could gain admittance for a visitor, or elicit any word of response. Nothing remarkable, however, was observed in the shop at those late hours when it was thrown open. A fine piece of timber, indeed, which Drowne was known to have reserved for some work of especial dignity, was seen to be gradually assuming shape. What shape it was destined ultimately to take was a problem to his friends and a point on which the carver himself preserved a rigid silence. But day after day, though Drowne was seldom noticed in the act of working upon it, this rude form began to be developed until it became evident to all observers that a female figure was growing into mimic life. At each new visit they beheld a larger pile of wooden chips and a nearer approximation to something beautiful. It seemed as if the hamadryad of the oak had sheltered herself from the unimaginative world within the heart of her native tree, and that it was only necessary to remove the strange shapelessness that had incrusted her, and reveal the grace and loveliness of a divinity. Imperfect as the design, the attitude, the costume, and especially the face of the image still remained, there was already an effect that drew the eye from the wooden cleverness of Drowne's earlier productions and fixed it upon the tantalizing mystery of this new project.

Copley, the celebrated painter, then a young man and a resident of Boston, came one day to visit Drowne; for he had recognized so much of moderate ability in the carver as to induce him, in the dearth of professional sympathy, to cultivate his acquaintance. On entering the shop, the artist glanced at the inflexible image of king, commander, dame, and allegory, that stood around, on the best of which might have been bestowed the questionable praise that it looked as if a living man had here been changed to wood, and that not only the physical, but the intellectual and spiritual part, partook of the stolid transformation. But in not a single instance did it seem as if the wood were imbibing the ethereal essence of humanity. What a wide distinction is here! and how far the slightest portion of the latter merit have outvalued the utmost degree of the former!

"My friend Drowne;" said Copley, smiling to himself, but alluding to the mechanical and wooden cleverness that so invariably distinguished the images, "you are really a remarkable person! I have seldom met with a man in your line of business that could do so much; for one other touch might make this figure of General Wolfe, for instance, a breathing and intelligent human creature."

"You would have me think that you are praising me highly, Mr. Copley," answered Drowne, turning his back upon Wolfe's image in apparent disgust. "But there has come a light into my mind. I know what you know as well, that the one touch which you speak of as deficient is the only one that would be truly valuable, and that without it these works of mine are no better than worthless abortions. There is the same difference between them and the works of an inspired artist as between a sign-post daub and one of your best pictures."

"This is strange," cried Copley, looking him in the face, which now, as the painter fancied, had a singular depth of intelligence, though hitherto it had not given him greatly the advantage over his own family of wooden images. "What has come over you? How is it that, possessing the idea which you have now uttered, you should produce only such works as these?"

The carver smiled, but made no reply. Copley turned again to the images, conceiving that the sense of deficiency which Drowne had just expressed, and which is so rare in a merely mechanical character, must surely imply a genius, the tokens of which had heretofore been overlooked. But no; there was not a trace of it. He was about to withdraw when his eyes chanced to fall upon a half-developed figure which lay in a corner of the workshop, surrounded by scattered chips of oak. It arrested him at once.

"What is here? Who has done this?" he broke out, after contemplating it in speechless astonishment for an instant. "Here is the divine, the lifegiving touch. What inspired hand is beckoning this wood to arise and live? Whose work is this?"

"No man's work," replied Drowne. "The figure lies within that block of oak, and it is my business to find it."

"Drowne," said the true artist, grasping the carver fervently by the hand, "you are a man of genius!"

As Copley departed, happening to glance backward from the threshold, he beheld Drowne bending over the half-created shape, and stretching forth his arms as if he would have embraced and drawn it to his heart; while, had such a miracle been possible, his countenance expressed passion enough to communicate warmth and sensibility to the lifeless oak.

"Strange enough!" said the artist to himself. "Who would have looked for a modern Pygmalion in the person of a Yankee mechanic!"

As yet, the image was but vague in its outward presentment; so that, as in the cloud shapes around the western sun, the observer rather felt, or was led to imagine, than really saw what was intended by it. Day by day, however, the work assumed greater precision, and settled its irregular and misty outline into distincter grace and beauty. The general design was now obvious to the common eye. It was a female figure, in what appeared to be a foreign dress; the gown being laced over the bosom, and opening in front so as to disclose a skirt or petticoat, the folds and inequalities of which were admirably represented in the oaken substance. She wore a hat of singular gracefulness, and abundantly laden with flowers, such as never grew in the rude soil of New England, but which, with all their fanciful luxuriance, had a natural truth that it seemed impossible for the most fertile imagination to have attained without copying from real prototypes. There were several little appendages to this dress, such as a fan, a pair of earrings, a chain about the neck, a watch in the bosom, and a ring upon the finger, all of which would have been deemed beneath the dignity of sculpture. They were put on, however, with as much taste as a lovely woman might have shown in her attire, and could therefore have shocked none but a judgment spoiled by artistic rules.

The face was still imperfect; but gradually, by a magic touch, intelligence and sensibility brightened through the features, with all the effect of light gleaming forth from within the solid oak. The face became alive. It was a beautiful, though not precisely regular and somewhat haughty aspect, but with a certain piquancy about the eyes and mouth, which, of all expressions, would have seemed the most impossible to throw over a wooden countenance. And now, so far as carving went, this wonderful production was complete.

"Drowne," said Copley, who had hardly missed a single day in his visits to the carver's workshop, "if this work were in marble it would make you famous at once; nay, I would almost affirm that it would make an era in the art. It is as ideal as an antique statue, and yet as real as any lovely woman whom one meets at a fireside or in the street. But I trust you do not mean to desecrate this exquisite creature with paint, like those staring kings and admirals yonder?"

"Not paint her!" exclaimed Captain Hunnewell, who stood by; "not paint the figure-head of the Cynosure! And what sort of a figure should I cut in a foreign port with such an unpainted oaken stick as this over my prow! She must, and she shall, be painted to the life, from the topmost flower in her hat down to the silver spangles on her slippers."

"Mr. Copley," said Drowne, quietly, "I know nothing of marble statuary, and nothing of the sculptor's rules of art; but of this wooden image, this work of my hands, this creature of my heart,"—and here his voice faltered and choked in a very singular manner,—"of this—of her—I may say that I know something. A well-spring of inward wisdom gushed within me as I wrought upon the oak with my whole strength, and soul, and faith. Let others do what they may with marble, and adopt what rules they choose. If I can produce my desired effect by painted wood, those rules are not for me, and I have a right to disregard them."

"The very spirit of genius," muttered Copley to himself. "How otherwise should this carver feel himself entitled to transcend all rules, and make me ashamed of quoting them?"

He looked earnestly at Drowne, and again saw that expression of human love which, in a spiritual sense, as the artist could not help imagining, was the secret of the life that had been breathed into this block of wood.

The carver, still in the same secrecy that marked all his operations upon this mysterious image, proceeded to paint the habiliments in their proper colors, and the countenance with Nature's red and white. When all was finished he threw open his workshop, and admitted the towns people to behold what he had done. Most persons, at their first entrance, felt impelled to remove their hats, and pay such reverence as was due to the richly-dressed and beautiful young lady who seemed to stand in a corner of the room, with oaken chips and shavings scattered at her feet. Then came a sensation of fear; as if, not being actually human, yet so like humanity, she must therefore be something preternatural. There was, in truth, an indefinable air and expression that might reasonably induce the query, Who and from what sphere this daughter of the oak should be? The strange, rich flowers of Eden on her head; the complexion, so much deeper and more brilliant than those of our native beauties; the foreign, as it seemed, and fantastic garb, yet not too fantastic to be worn decorously in the street; the delicately-wrought embroidery of the skirt; the broad gold chain about her neck; the curious ring upon her finger; the fan, so exquisitely sculptured in open work, and painted to resemble pearl and ebony;—where could Drowne, in his sober walk of life, have beheld the vision here so matchlessly embodied! And then her face! In the dark eyes, and around the voluptuous mouth, there played a look made up of pride, coquetry, and a gleam of mirthfulness, which impressed Copley with the idea that the image was secretly enjoying the perplexing admiration of himself and other beholders.

"And will you," said he to the carver, "permit this masterpiece to become the figure-head of a vessel? Give the honest captain yonder figure of Britannia—it will answer his purpose far better—and send this fairy queen to England, where, for aught I know, it may bring you a thousand pounds."

"I have not wrought it for money," said Drowne.

"What sort of a fellow is this!" thought Copley. "A Yankee, and throw away the chance of making his fortune! He has gone mad; and thence has come this gleam of genius."

There was still further proof of Drowne's lunacy, if credit were due to the rumor that he had been seen kneeling at the feet of the oaken lady, and gazing with a lover's passionate ardor into the face that his own hands had created. The bigots of the day hinted that it would be no matter of surprise if an evil spirit were allowed to enter this beautiful form, and seduce the carver to destruction.

The fame of the image spread far and wide. The inhabitants visited it so universally, that after a few days of exhibition there was hardly an old man or a child who had not become minutely familiar with its aspect. Even had the story of Drowne's wooden image ended here, its celebrity might have been prolonged for many years by the reminiscences of those who looked upon it in their childhood, and saw nothing else so beautiful in after life. But the town was now astounded by an event, the narrative of which has formed itself into one of the most singular legends that are yet to be met with in the traditionary chimney corners of the New England metropolis, where old men and women sit dreaming of the past, and wag their heads at the dreamers of the present and the future.

One fine morning, just before the departure of the Cynosure on her second voyage to Fayal, the commander of that gallant vessel was seen to issue from his residence in Hanover Street. He was stylishly dressed in a blue broadcloth coat, with gold lace at the seams and button-holes, an embroidered scarlet waistcoat, a triangular hat, with a loop and broad binding of gold, and wore a silver-hilted hanger at his side. But the good captain might have been arrayed in the robes of a prince or the rags of a beggar, without in either case attracting notice, while obscured by such a companion as now leaned on his arm. The people in the street started, rubbed their eyes, and either leaped aside from their path, or stood as if transfixed to wood or marble in astonishment.

"Do you see it?—do you see it?" cried one, with tremulous eagerness. "It is the very same!"

"The same?" answered another, who had arrived in town only the night before. "Who do you mean? I see only a sea-captain in his shoregoing clothes, and a young lady in a foreign habit, with a bunch of beautiful flowers in her hat. On my word, she is as fair and bright a damsel as my eyes have looked on this many a day!"

"Yes; the same!—the very same!" repeated the other. "Drowne's wooden image has come to life!"

Here was a miracle indeed! Yet, illuminated by the sunshine, or darkened by the alternate shade of the houses, and with its garments fluttering lightly in the morning breeze, there passed the image along the street. It was exactly and minutely the shape, the garb, and the face which the towns-people had so recently thronged to see and admire. Not a rich flower upon her head, not a single leaf, but had had its prototype in Drowne's wooden workmanship, although now their fragile grace had become flexible, and was shaken by every footstep that the wearer made. The broad gold chain upon the neck was identical with the one represented on the image, and glistened with the motion imparted by the rise and fall of the bosom which it decorated. A real diamond sparkled on her finger. In her right hand she bore a pearl and ebony fan, which she flourished with a fantastic and bewitching coquetry, that was likewise expressed in all her movements as well as in the style of her beauty and the attire that so well harmonized with it. The face with its brilliant depth of complexion had the same piquancy of mirthful mischief that was fixed upon the countenance of the image, but which was here varied and continually shifting, yet always essentially the same, like the sunny gleam upon a bubbling fountain. On the whole, there was something so airy and yet so real in the figure, and withal so perfectly did it represent Drowne's image, that people knew not whether to suppose the magic wood etherealized into a spirit or warmed and softened into an actual woman.

"One thing is certain," muttered a Puritan of the old stamp, "Drowne has sold himself to the devil; and doubtless this gay Captain Hunnewell is a party to the bargain."

"And I," said a young man who overheard him, "would almost consent to be the third victim, for the liberty of saluting those lovely lips."

"And so would I," said Copley, the painter, "for the privilege of taking her picture."

The image, or the apparition, whichever it might be, still escorted by the bold captain, proceeded from Hanover Street through some of the cross lanes that make this portion of the town so intricate, to Ann Street, thence into Dock Square, and so downward to Drowne's shop, which stood just on the water's edge. The crowd still followed, gathering volume as it rolled along. Never had a modern miracle occurred in such broad daylight, nor in the presence of such a multitude of witnesses. The airy image, as if conscious that she was the object of the murmurs and disturbance that swelled behind her, appeared slightly vexed and flustered, yet still in a manner consistent with the light vivacity and sportive mischief that were written in her countenance. She was observed to flutter her fan with such vehement rapidity that the elaborate delicacy of its workmanship gave way, and it remained broken in her hand.

Arriving at Drowne's door, while the captain threw it open, the marvellous apparition paused an instant on the threshold, assuming the very attitude of the image, and casting over the crowd that glance of sunny coquetry which all remembered on the face of the oaken lady. She and her cavalier then disappeared.

"Ah!" murmured the crowd, drawing a deep breath, as with one vast pair of lungs.

"The world looks darker now that she has vanished," said some of the young men.

But the aged, whose recollections dated as far back as witch times, shook their heads, and hinted that our forefathers would have thought it a pious deed to burn the daughter of the oak with fire.

"If she be other than a bubble of the elements," exclaimed Copley, "I must look upon her face again."

He accordingly entered the shop; and there, in her usual corner, stood the image, gazing at him, as it might seem, with the very same expression of mirthful mischief that had been the farewell look of the apparition when, but a moment before, she turned her face towards the crowd. The carver stood beside his creation mending the beautiful fan, which by some accident was broken in her hand. But there was no longer any motion in the lifelike image, nor any real woman in the workshop, nor even the witchcraft of a sunny shadow, that might have deluded people's eyes as it flitted along the street. Captain Hunnewell, too, had vanished. His hoarse sea-breezy tones, however, were audible on the other side of a door that opened upon the water.

"Sit down in the stern sheets, my lady," said the gallant captain. "Come, bear a hand, you lubbers, and set us on board in the turning of a minute-glass."

And then was heard the stroke of oars.

"Drowne," said Copley with a smile of intelligence, "you have been a truly fortunate man. What painter or statuary ever had such a subject! No wonder that she inspired a genius into you, and first created the artist who afterwards created her image."

Drowne looked at him with a visage that bore the traces of tears, but from which the light of imagination and sensibility, so recently illuminating it, had departed. He was again the mechanical carver that he had been known to be all his lifetime.

"I hardly understand what you mean, Mr. Copley," said he, putting his hand to his brow. "This image! Can it have been my work? Well, I have wrought it in a kind of dream; and now that I am broad awake I must set about finishing yonder figure of Admiral Vernon."

And forthwith he employed himself on the stolid countenance of one of his wooden progeny, and completed it in his own mechanical style, from which he was never known afterwards to deviate. He followed his business industriously for many years, acquired a competence, and in the latter part of his life attained to a dignified station in the church, being remembered in records and traditions as Deacon Drowne, the carver. One of his productions, an Indian chief, gilded all over, stood during the better part of a century on the cupola of the Province House, bedazzling the eyes of those who looked upward, like an angel of the sun. Another work of the good deacon's hand—a reduced likeness of his friend Captain Hunnewell, holding a telescope and quadrant—may be seen to this day, at the corner of Broad and State streets, serving in the useful capacity of sign to the shop of a nautical instrument maker. We know not how to account for the inferiority of this quaint old figure, as compared with the recorded excellence of the Oaken Lady, unless on the supposition that in every human spirit there is imagination, sensibility, creative power, genius, which, according to circumstances, may either be developed in this world, or shrouded in a mask of dulness until another state of being. To our friend Drowne there came a brief season of excitement, kindled by love. It rendered him a genius for that one occasion, but, quenched in disappointment, left him again the mechanical carver in wood, without the power even of appreciating the work that his own hands had wrought. Yet who can doubt that the very highest state to which a human spirit can attain, in its loftiest aspirations, is its truest and most natural state, and that Drowne was more consistent with himself when he wrought the admirable figure of the mysterious lady, than when he perpetrated a whole progeny of blockheads?

There was a rumor in Boston, about this period, that a young Portuguese lady of rank, on some occasion of political or domestic disquietude, had fled from her home in Fayal and put herself under the protection of Captain Hunnewell, on board of whose vessel, and at whose residence, she was sheltered until a change of affairs. This fair stranger must have been the original of Drowne's Wooden Image.



ROGER MALVIN'S BURIAL

One of the few incidents of Indian warfare naturally susceptible of the moonlight of romance was that expedition undertaken for the defence of the frontiers in the year 1725, which resulted in the well-remembered "Lovell's Fight." Imagination, by casting certain circumstances judicially into the shade, may see much to admire in the heroism of a little band who gave battle to twice their number in the heart of the enemy's country. The open bravery displayed by both parties was in accordance with civilized ideas of valor; and chivalry itself might not blush to record the deeds of one or two individuals. The battle, though so fatal to those who fought, was not unfortunate in its consequences to the country; for it broke the strength of a tribe and conduced to the peace which subsisted during several ensuing years. History and tradition are unusually minute in their memorials of their affair; and the captain of a scouting party of frontier men has acquired as actual a military renown as many a victorious leader of thousands. Some of the incidents contained in the following pages will be recognized, notwithstanding the substitution of fictitious names, by such as have heard, from old men's lips, the fate of the few combatants who were in a condition to retreat after "Lovell's Fight."

. . . . . . . . .

The early sunbeams hovered cheerfully upon the tree-tops, beneath which two weary and wounded men had stretched their limbs the night before. Their bed of withered oak leaves was strewn upon the small level space, at the foot of a rock, situated near the summit of one of the gentle swells by which the face of the country is there diversified. The mass of granite, rearing its smooth, flat surface fifteen or twenty feet above their heads, was not unlike a gigantic gravestone, upon which the veins seemed to form an inscription in forgotten characters. On a tract of several acres around this rock, oaks and other hard-wood trees had supplied the place of the pines, which were the usual growth of the land; and a young and vigorous sapling stood close beside the travellers.

The severe wound of the elder man had probably deprived him of sleep; for, so soon as the first ray of sunshine rested on the top of the highest tree, he reared himself painfully from his recumbent posture and sat erect. The deep lines of his countenance and the scattered gray of his hair marked him as past the middle age; but his muscular frame would, but for the effect of his wound, have been as capable of sustaining fatigue as in the early vigor of life. Languor and exhaustion now sat upon his haggard features; and the despairing glance which he sent forward through the depths of the forest proved his own conviction that his pilgrimage was at an end. He next turned his eyes to the companion who reclined by his side. The youth—for he had scarcely attained the years of manhood—lay, with his head upon his arm, in the embrace of an unquiet sleep, which a thrill of pain from his wounds seemed each moment on the point of breaking. His right hand grasped a musket; and, to judge from the violent action of his features, his slumbers were bringing back a vision of the conflict of which he was one of the few survivors. A shout deep and loud in his dreaming fancy—found its way in an imperfect murmur to his lips; and, starting even at the slight sound of his own voice, he suddenly awoke. The first act of reviving recollection was to make anxious inquiries respecting the condition of his wounded fellow-traveller. The latter shook his head.

"Reuben, my boy," said he, "this rock beneath which we sit will serve for an old hunter's gravestone. There is many and many a long mile of howling wilderness before us yet; nor would it avail me anything if the smoke of my own chimney were but on the other side of that swell of land. The Indian bullet was deadlier than I thought."

"You are weary with our three days' travel," replied the youth, "and a little longer rest will recruit you. Sit you here while I search the woods for the herbs and roots that must be our sustenance; and, having eaten, you shall lean on me, and we will turn our faces homeward. I doubt not that, with my help, you can attain to some one of the frontier garrisons."

"There is not two days' life in me, Reuben," said the other, calmly, "and I will no longer burden you with my useless body, when you can scarcely support your own. Your wounds are deep and your strength is failing fast; yet, if you hasten onward alone, you may be preserved. For me there is no hope, and I will await death here."

"If it must be so, I will remain and watch by you," said Reuben, resolutely.

"No, my son, no," rejoined his companion. "Let the wish of a dying man have weight with you; give me one grasp of your hand, and get you hence. Think you that my last moments will be eased by the thought that I leave you to die a more lingering death? I have loved you like a father, Reuben; and at a time like this I should have something of a father's authority. I charge you to be gone that I may die in peace."

"And because you have been a father to me, should I therefore leave you to perish and to lie unburied in the wilderness?" exclaimed the youth. "No; if your end be in truth approaching, I will watch by you and receive your parting words. I will dig a grave here by the rock, in which, if my weakness overcome me, we will rest together; or, if Heaven gives me strength, I will seek my way home."

"In the cities and wherever men dwell," replied the other, "they bury their dead in the earth; they hide them from the sight of the living; but here, where no step may pass perhaps for a hundred years, wherefore should I not rest beneath the open sky, covered only by the oak leaves when the autumn winds shall strew them? And for a monument, here is this gray rock, on which my dying hand shall carve the name of Roger Malvin, and the traveller in days to come will know that here sleeps a hunter and a warrior. Tarry not, then, for a folly like this, but hasten away, if not for your own sake, for hers who will else be desolate."

Malvin spoke the last few words in a faltering voice, and their effect upon his companion was strongly visible. They reminded him that there were other and less questionable duties than that of sharing the fate of a man whom his death could not benefit. Nor can it be affirmed that no selfish feeling strove to enter Reuben's heart, though the consciousness made him more earnestly resist his companion's entreaties.

"How terrible to wait the slow approach of death in this solitude!" exclaimed he. "A brave man does not shrink in the battle; and, when friends stand round the bed, even women may die composedly; but here—"

"I shall not shrink even here, Reuben Bourne," interrupted Malvin. "I am a man of no weak heart, and, if I were, there is a surer support than that of earthly friends. You are young, and life is dear to you. Your last moments will need comfort far more than mine; and when you have laid me in the earth, and are alone, and night is settling on the forest, you will feel all the bitterness of the death that may now be escaped. But I will urge no selfish motive to your generous nature. Leave me for my sake, that, having said a prayer for your safety, I may have space to settle my account undisturbed by worldly sorrows."

"And your daughter,—how shall I dare to meet her eye?" exclaimed Reuben. "She will ask the fate of her father, whose life I vowed to defend with my own. Must I tell her that he travelled three days' march with me from the field of battle and that then I left him to perish in the wilderness? Were it not better to lie down and die by your side than to return safe and say this to Dorcas?"

"Tell my daughter," said Roger Malvin, "that, though yourself sore wounded, and weak, and weary, you led my tottering footsteps many a mile, and left me only at my earnest entreaty, because I would not have your blood upon my soul. Tell her that through pain and danger you were faithful, and that, if your lifeblood could have saved me, it would have flowed to its last drop; and tell her that you will be something dearer than a father, and that my blessing is with you both, and that my dying eyes can see a long and pleasant path in which you will journey together."

As Malvin spoke he almost raised himself from the ground, and the energy of his concluding words seemed to fill the wild and lonely forest with a vision of happiness; but, when he sank exhausted upon his bed of oak leaves, the light which had kindled in Reuben's eye was quenched. He felt as if it were both sin and folly to think of happiness at such a moment. His companion watched his changing countenance, and sought with generous art to wile him to his own good.

"Perhaps I deceive myself in regard to the time I have to live," he resumed. "It may be that, with speedy assistance, I might recover of my wound. The foremost fugitives must, ere this, have carried tidings of our fatal battle to the frontiers, and parties will be out to succor those in like condition with ourselves. Should you meet one of these and guide them hither, who can tell but that I may sit by my own fireside again?"

A mournful smile strayed across the features of the dying man as he insinuated that unfounded hope,—which, however, was not without its effect on Reuben. No merely selfish motive, nor even the desolate condition of Dorcas, could have induced him to desert his companion at such a moment—but his wishes seized on the thought that Malvin's life might be preserved, and his sanguine nature heightened almost to certainty the remote possibility of procuring human aid.

"Surely there is reason, weighty reason, to hope that friends are not far distant," he said, half aloud. "There fled one coward, unwounded, in the beginning of the fight, and most probably he made good speed. Every true man on the frontier would shoulder his musket at the news; and, though no party may range so far into the woods as this, I shall perhaps encounter them in one day's march. Counsel me faithfully," he added, turning to Malvin, in distrust of his own motives. "Were your situation mine, would you desert me while life remained?"

"It is now twenty years," replied Roger Malvin,—sighing, however, as he secretly acknowledged the wide dissimilarity between the two cases,-"it is now twenty years since I escaped with one dear friend from Indian captivity near Montreal. We journeyed many days through the woods, till at length overcome with hunger and weariness, my friend lay down and besought me to leave him; for he knew that, if I remained, we both must perish; and, with but little hope of obtaining succor, I heaped a pillow of dry leaves beneath his head and hastened on."

"And did you return in time to save him?" asked Reuben, hanging on Malvin's words as if they were to be prophetic of his own success.

"I did," answered the other. "I came upon the camp of a hunting party before sunset of the same day. I guided them to the spot where my comrade was expecting death; and he is now a hale and hearty man upon his own farm, far within the frontiers, while I lie wounded here in the depths of the wilderness."

This example, powerful in affecting Reuben's decision, was aided, unconsciously to himself, by the hidden strength of many another motive. Roger Malvin perceived that the victory was nearly won.

"Now, go, my son, and Heaven prosper you!" he said. "Turn not back with your friends when you meet them, lest your wounds and weariness overcome you; but send hitherward two or three, that may be spared, to search for me; and believe me, Reuben, my heart will be lighter with every step you take towards home." Yet there was, perhaps, a change both in his countenance and voice as he spoke thus; for, after all, it was a ghastly fate to be left expiring in the wilderness.

Reuben Bourne, but half convinced that he was acting rightly, at length raised himself from the ground and prepared himself for his departure. And first, though contrary to Malvin's wishes, he collected a stock of roots and herbs, which had been their only food during the last two days. This useless supply he placed within reach of the dying man, for whom, also, he swept together a bed of dry oak leaves. Then climbing to the summit of the rock, which on one side was rough and broken, he bent the oak sapling downward, and bound his handkerchief to the topmost branch. This precaution was not unnecessary to direct any who might come in search of Malvin; for every part of the rock, except its broad, smooth front, was concealed at a little distance by the dense undergrowth of the forest. The handkerchief had been the bandage of a wound upon Reuben's arm; and, as he bound it to the tree, he vowed by the blood that stained it that he would return, either to save his companion's life or to lay his body in the grave. He then descended, and stood, with downcast eyes, to receive Roger Malvin's parting words.

The experience of the latter suggested much and minute advice respecting the youth's journey through the trackless forest. Upon this subject he spoke with calm earnestness, as if he were sending Reuben to the battle or the chase while he himself remained secure at home, and not as if the human countenance that was about to leave him were the last he would ever behold. But his firmness was shaken before he concluded.

"Carry my blessing to Dorcas, and say that my last prayer shall be for her and you. Bid her to have no hard thoughts because you left me here,"—Reuben's heart smote him,—"for that your life would not have weighed with you if its sacrifice could have done me good. She will marry you after she has mourned a little while for her father; and Heaven grant you long and happy days, and may your children's children stand round your death bed! And, Reuben," added he, as the weakness of mortality made its way at last, "return, when your wounds are healed and your weariness refreshed,—return to this wild rock, and lay my bones in the grave, and say a prayer over them."

An almost superstitious regard, arising perhaps from the customs of the Indians, whose war was with the dead as well as the living, was paid by the frontier inhabitants to the rites of sepulture; and there are many instances of the sacrifice of life in the attempt to bury those who had fallen by the "sword of the wilderness." Reuben, therefore, felt the full importance of the promise which he most solemnly made to return and perform Roger Malvin's obsequies. It was remarkable that the latter, speaking his whole heart in his parting words, no longer endeavored to persuade the youth that even the speediest succor might avail to the preservation of his life. Reuben was internally convinced that he should see Malvin's living face no more. His generous nature would fain have delayed him, at whatever risk, till the dying scene were past; but the desire of existence and the hope of happiness had strengthened in his heart, and he was unable to resist them.

"It is enough," said Roger Malvin, having listened to Reuben's promise. "Go, and God speed you!"

The youth pressed his hand in silence, turned, and was departing. His slow and faltering steps, however, had borne him but a little way before Malvin's voice recalled him.

"Reuben, Reuben," said he, faintly; and Reuben returned and knelt down by the dying man.

"Raise me, and let me lean against the rock," was his last request. "My face will be turned towards home, and I shall see you a moment longer as you pass among the trees."

Reuben, having made the desired alteration in his companion's posture, again began his solitary pilgrimage. He walked more hastily at first than was consistent with his strength; for a sort of guilty feeling, which sometimes torments men in their most justifiable acts, caused him to seek concealment from Malvin's eyes; but after he had trodden far upon the rustling forest leaves he crept back, impelled by a wild and painful curiosity, and, sheltered by the earthy roots of an uptorn tree, gazed earnestly at the desolate man. The morning sun was unclouded, and the trees and shrubs imbibed the sweet air of the month of May; yet there seemed a gloom on Nature's face, as if she sympathized with mortal pain and sorrow Roger Malvin's hands were uplifted in a fervent prayer, some of the words of which stole through the stillness of the woods and entered Reuben's heart, torturing it with an unutterable pang. They were the broken accents of a petition for his own happiness and that of Dorcas; and, as the youth listened, conscience, or something in its similitude, pleaded strongly with him to return and lie down again by the rock. He felt how hard was the doom of the kind and generous being whom he had deserted in his extremity. Death would come like the slow approach of a corpse, stealing gradually towards him through the forest, and showing its ghastly and motionless features from behind a nearer and yet a nearer tree. But such must have been Reuben's own fate had he tarried another sunset; and who shall impute blame to him if he shrink from so useless a sacrifice? As he gave a parting look, a breeze waved the little banner upon the sapling oak and reminded Reuben of his vow.

. . . . . . . . . . .

Many circumstances combined to retard the wounded traveller in his way to the frontiers. On the second day the clouds, gathering densely over the sky, precluded the possibility of regulating his course by the position of the sun; and he knew not but that every effort of his almost exhausted strength was removing him farther from the home he sought. His scanty sustenance was supplied by the berries and other spontaneous products of the forest. Herds of deer, it is true, sometimes bounded past him, and partridges frequently whirred up before his footsteps; but his ammunition had been expended in the fight, and he had no means of slaying them. His wounds, irritated by the constant exertion in which lay the only hope of life, wore away his strength and at intervals confused his reason. But, even in the wanderings of intellect, Reuben's young heart clung strongly to existence; and it was only through absolute incapacity of motion that he at last sank down beneath a tree, compelled there to await death.

In this situation he was discovered by a party who, upon the first intelligence of the fight, had been despatched to the relief of the survivors. They conveyed him to the nearest settlement, which chanced to be that of his own residence.

Dorcas, in the simplicity of the olden time, watched by the bedside of her wounded lover, and administered all those comforts that are in the sole gift of woman's heart and hand. During several days Reuben's recollection strayed drowsily among the perils and hardships through which he had passed, and he was incapable of returning definite answers to the inquiries with which many were eager to harass him. No authentic particulars of the battle had yet been circulated; nor could mothers, wives, and children tell whether their loved ones were detained by captivity or by the stronger chain of death. Dorcas nourished her apprehensions in silence till one afternoon when Reuben awoke from an unquiet sleep, and seemed to recognize her more perfectly than at any previous time. She saw that his intellect had become composed, and she could no longer restrain her filial anxiety.

"My father, Reuben?" she began; but the change in her lover's countenance made her pause.

The youth shrank as if with a bitter pain, and the blood gushed vividly into his wan and hollow cheeks. His first impulse was to cover his face; but, apparently with a desperate effort, he half raised himself and spoke vehemently, defending himself against an imaginary accusation.

"Your father was sore wounded in the battle, Dorcas; and he bade me not burden myself with him, but only to lead him to the lakeside, that he might quench his thirst and die. But I would not desert the old man in his extremity, and, though bleeding myself, I supported him; I gave him half my strength, and led him away with me. For three days we journeyed on together, and your father was sustained beyond my hopes, but, awaking at sunrise on the fourth day, I found him faint and exhausted; he was unable to proceed; his life had ebbed away fast; and—"

"He died!" exclaimed Dorcas, faintly.

Reuben felt it impossible to acknowledge that his selfish love of life had hurried him away before her father's fate was decided. He spoke not; he only bowed his head; and, between shame and exhaustion, sank back and hid his face in the pillow. Dorcas wept when her fears were thus confirmed; but the shock, as it had been long anticipated, was on that account the less violent.

"You dug a grave for my poor father in the wilderness, Reuben?" was the question by which her filial piety manifested itself.

"My hands were weak; but I did what I could," replied the youth in a smothered tone. "There stands a noble tombstone above his head; and I would to Heaven I slept as soundly as he!"

Dorcas, perceiving the wildness of his latter words, inquired no further at the time; but her heart found ease in the thought that Roger Malvin had not lacked such funeral rites as it was possible to bestow. The tale of Reuben's courage and fidelity lost nothing when she communicated it to her friends; and the poor youth, tottering from his sick chamber to breathe the sunny air, experienced from every tongue the miserable and humiliating torture of unmerited praise. All acknowledged that he might worthily demand the hand of the fair maiden to whose father he had been "faithful unto death;" and, as my tale is not of love, it shall suffice to say that in the space of a few months Reuben became the husband of Dorcas Malvin. During the marriage ceremony the bride was covered with blushes, but the bridegroom's face was pale.

There was now in the breast of Reuben Bourne an incommunicable thought—something which he was to conceal most heedfully from her whom he most loved and trusted. He regretted, deeply and bitterly, the moral cowardice that had restrained his words when he was about to disclose the truth to Dorcas; but pride, the fear of losing her affection, the dread of universal scorn, forbade him to rectify this falsehood. He felt that for leaving Roger Malvin he deserved no censure. His presence, the gratuitous sacrifice of his own life, would have added only another and a needless agony to the last moments of the dying man; but concealment had imparted to a justifiable act much of the secret effect of guilt; and Reuben, while reason told him that he had done right, experienced in no small degree the mental horrors which punish the perpetrator of undiscovered crime. By a certain association of ideas, he at times almost imagined himself a murderer. For years, also, a thought would occasionally recur, which, though he perceived all its folly and extravagance, he had not power to banish from his mind. It was a haunting and torturing fancy that his father-in-law was yet sitting at the foot of the rock, on the withered forest leaves, alive, and awaiting his pledged assistance. These mental deceptions, however, came and went, nor did he ever mistake them for realities: but in the calmest and clearest moods of his mind he was conscious that he had a deep vow unredeemed, and that an unburied corpse was calling to him out of the wilderness. Yet such was the consequence of his prevarication that he could not obey the call. It was now too late to require the assistance of Roger Malvin's friends in performing his long-deferred sepulture; and superstitious fears, of which none were more susceptible than the people of the outward settlements, forbade Reuben to go alone. Neither did he know where in the pathless and illimitable forest to seek that smooth and lettered rock at the base of which the body lay: his remembrance of every portion of his travel thence was indistinct, and the latter part had left no impression upon his mind. There was, however, a continual impulse, a voice audible only to himself, commanding him to go forth and redeem his vow; and he had a strange impression that, were he to make the trial, he would be led straight to Malvin's bones. But year after year that summons, unheard but felt, was disobeyed. His one secret thought became like a chain binding down his spirit and like a serpent gnawing into his heart; and he was transformed into a sad and downcast yet irritable man.

In the course of a few years after their marriage changes began to be visible in the external prosperity of Reuben and Dorcas. The only riches of the former had been his stout heart and strong arm; but the latter, her father's sole heiress, had made her husband master of a farm, under older cultivation, larger, and better stocked than most of the frontier establishments. Reuben Bourne, however, was a neglectful husbandman; and, while the lands of the other settlers became annually more fruitful, his deteriorated in the same proportion. The discouragements to agriculture were greatly lessened by the cessation of Indian war, during which men held the plough in one hand and the musket in the other, and were fortunate if the products of their dangerous labor were not destroyed, either in the field or in the barn, by the savage enemy. But Reuben did not profit by the altered condition of the country; nor can it be denied that his intervals of industrious attention to his affairs were but scantily rewarded with success. The irritability by which he had recently become distinguished was another cause of his declining prosperity, as it occasioned frequent quarrels in his unavoidable intercourse with the neighboring settlers. The results of these were innumerable lawsuits; for the people of New England, in the earliest stages and wildest circumstances of the country, adopted, whenever attainable, the legal mode of deciding their differences. To be brief, the world did not go well with Reuben Bourne; and, though not till many years after his marriage, he was finally a ruined man, with but one remaining expedient against the evil fate that had pursued him. He was to throw sunlight into some deep recess of the forest, and seek subsistence from the virgin bosom of the wilderness.

The only child of Reuben and Dorcas was a son, now arrived at the age of fifteen years, beautiful in youth, and giving promise of a glorious manhood. He was peculiarly qualified for, and already began to excel in, the wild accomplishments of frontier life. His foot was fleet, his aim true, his apprehension quick, his heart glad and high; and all who anticipated the return of Indian war spoke of Cyrus Bourne as a future leader in the land. The boy was loved by his father with a deep and silent strength, as if whatever was good and happy in his own nature had been transferred to his child, carrying his affections with it. Even Dorcas, though loving and beloved, was far less dear to him; for Reuben's secret thoughts and insulated emotions had gradually made him a selfish man, and he could no longer love deeply except where he saw or imagined some reflection or likeness of his own mind. In Cyrus he recognized what he had himself been in other days; and at intervals he seemed to partake of the boy's spirit, and to be revived with a fresh and happy life. Reuben was accompanied by his son in the expedition, for the purpose of selecting a tract of land and felling and burning the timber, which necessarily preceded the removal of the household gods. Two months of autumn were thus occupied, after which Reuben Bourne and his young hunter returned to spend their last winter in the settlements.

. . . . . . . . . . .

It was early in the month of May that the little family snapped asunder whatever tendrils of affections had clung to inanimate objects, and bade farewell to the few who, in the blight of fortune, called themselves their friends. The sadness of the parting moment had, to each of the pilgrims, its peculiar alleviations. Reuben, a moody man, and misanthropic because unhappy, strode onward with his usual stern brow and downcast eye, feeling few regrets and disdaining to acknowledge any. Dorcas, while she wept abundantly over the broken ties by which her simple and affectionate nature had bound itself to everything, felt that the inhabitants of her inmost heart moved on with her, and that all else would be supplied wherever she might go. And the boy dashed one tear-drop from his eye, and thought of the adventurous pleasures of the untrodden forest.

Oh, who, in the enthusiasm of a daydream, has not wished that he were a wanderer in a world of summer wilderness, with one fair and gentle being hanging lightly on his arm? In youth his free and exulting step would know no barrier but the rolling ocean or the snow-topped mountains; calmer manhood would choose a home where Nature had strewn a double wealth in the vale of some transparent stream; and when hoary age, after long, long years of that pure life, stole on and found him there, it would find him the father of a race, the patriarch of a people, the founder of a mighty nation yet to be. When death, like the sweet sleep which we welcome after a day of happiness, came over him, his far descendants would mourn over the venerated dust. Enveloped by tradition in mysterious attributes, the men of future generations would call him godlike; and remote posterity would see him standing, dimly glorious, far up the valley of a hundred centuries.

The tangled and gloomy forest through which the personages of my tale were wandering differed widely from the dreamer's land of fantasy; yet there was something in their way of life that Nature asserted as her own, and the gnawing cares which went with them from the world were all that now obstructed their happiness. One stout and shaggy steed, the bearer of all their wealth, did not shrink from the added weight of Dorcas; although her hardy breeding sustained her, during the latter part of each day's journey, by her husband's side. Reuben and his son, their muskets on their shoulders and their axes slung behind them, kept an unwearied pace, each watching with a hunter's eye for the game that supplied their food. When hunger bade, they halted and prepared their meal on the bank of some unpolluted forest brook, which, as they knelt down with thirsty lips to drink, murmured a sweet unwillingness, like a maiden at love's first kiss. They slept beneath a hut of branches, and awoke at peep of light refreshed for the toils of another day. Dorcas and the boy went on joyously, and even Reuben's spirit shone at intervals with an outward gladness; but inwardly there was a cold cold sorrow, which he compared to the snowdrifts lying deep in the glens and hollows of the rivulets while the leaves were brightly green above.

Cyrus Bourne was sufficiently skilled in the travel of the woods to observe that his father did not adhere to the course they had pursued in their expedition of the preceding autumn. They were now keeping farther to the north, striking out more directly from the settlements, and into a region of which savage beasts and savage men were as yet the sole possessors. The boy sometimes hinted his opinions upon the subject, and Reuben listened attentively, and once or twice altered the direction of their march in accordance with his son's counsel; but, having so done, he seemed ill at ease. His quick and wandering glances were sent forward apparently in search of enemies lurking behind the tree trunks, and, seeing nothing there, he would cast his eyes backwards as if in fear of some pursuer. Cyrus, perceiving that his father gradually resumed the old direction, forbore to interfere; nor, though something began to weigh upon his heart, did his adventurous nature permit him to regret the increased length and the mystery of their way.

On the afternoon of the fifth day they halted, and made their simple encampment nearly an hour before sunset. The face of the country, for the last few miles, had been diversified by swells of land resembling huge waves of a petrified sea; and in one of the corresponding hollows, a wild and romantic spot, had the family reared their hut and kindled their fire. There is something chilling, and yet heart-warming, in the thought of these three, united by strong bands of love and insulated from all that breathe beside. The dark and gloomy pines looked down upon them, and, as the wind swept through their tops, a pitying sound was heard in the forest; or did those old trees groan in fear that men were come to lay the axe to their roots at last? Reuben and his son, while Dorcas made ready their meal, proposed to wander out in search of game, of which that day's march had afforded no supply. The boy, promising not to quit the vicinity of the encampment, bounded off with a step as light and elastic as that of the deer he hoped to slay; while his father, feeling a transient happiness as he gazed after him, was about to pursue an opposite direction. Dorcas in the meanwhile, had seated herself near their fire of fallen branches upon the mossgrown and mouldering trunk of a tree uprooted years before. Her employment, diversified by an occasional glance at the pot, now beginning to simmer over the blaze, was the perusal of the current year's Massachusetts Almanac, which, with the exception of an old black-letter Bible, comprised all the literary wealth of the family. None pay a greater regard to arbitrary divisions of time than those who are excluded from society; and Dorcas mentioned, as if the information were of importance, that it was now the twelfth of May. Her husband started.

"The twelfth of May! I should remember it well," muttered he, while many thoughts occasioned a momentary confusion in his mind. "Where am I? Whither am I wandering? Where did I leave him?"

Dorcas, too well accustomed to her husband's wayward moods to note any peculiarity of demeanor, now laid aside the almanac and addressed him in that mournful tone which the tender hearted appropriate to griefs long cold and dead.

"It was near this time of the month, eighteen years ago, that my poor father left this world for a better. He had a kind arm to hold his head and a kind voice to cheer him, Reuben, in his last moments; and the thought of the faithful care you took of him has comforted me many a time since. Oh, death would have been awful to a solitary man in a wild place like this!"

"Pray Heaven, Dorcas," said Reuben, in a broken voice,—"pray Heaven that neither of us three dies solitary and lies unburied in this howling wilderness!" And he hastened away, leaving her to watch the fire beneath the gloomy pines.

Reuben Bourne's rapid pace gradually slackened as the pang, unintentionally inflicted by the words of Dorcas, became less acute. Many strange reflections, however, thronged upon him; and, straying onward rather like a sleep walker than a hunter, it was attributable to no care of his own that his devious course kept him in the vicinity of the encampment. His steps were imperceptibly led almost in a circle; nor did he observe that he was on the verge of a tract of land heavily timbered, but not with pine-trees. The place of the latter was here supplied by oaks and other of the harder woods; and around their roots clustered a dense and bushy under-growth, leaving, however, barren spaces between the trees, thick strewn with withered leaves. Whenever the rustling of the branches or the creaking of the trunks made a sound, as if the forest were waking from slumber, Reuben instinctively raised the musket that rested on his arm, and cast a quick, sharp glance on every side; but, convinced by a partial observation that no animal was near, he would again give himself up to his thoughts. He was musing on the strange influence that had led him away from his premeditated course, and so far into the depths of the wilderness. Unable to penetrate to the secret place of his soul where his motives lay hidden, he believed that a supernatural voice had called him onward, and that a supernatural power had obstructed his retreat. He trusted that it was Heaven's intent to afford him an opportunity of expiating his sin; he hoped that he might find the bones so long unburied; and that, having laid the earth over them, peace would throw its sunlight into the sepulchre of his heart. From these thoughts he was aroused by a rustling in the forest at some distance from the spot to which he had wandered. Perceiving the motion of some object behind a thick veil of undergrowth, he fired, with the instinct of a hunter and the aim of a practised marksman. A low moan, which told his success, and by which even animals cars express their dying agony, was unheeded by Reuben Bourne. What were the recollections now breaking upon him?

The thicket into which Reuben had fired was near the summit of a swell of land, and was clustered around the base of a rock, which, in the shape and smoothness of one of its surfaces, was not unlike a gigantic gravestone. As if reflected in a mirror, its likeness was in Reuben's memory. He even recognized the veins which seemed to form an inscription in forgotten characters: everything remained the same, except that a thick covert of bushes shrouded the lowerpart of the rock, and would have hidden Roger Malvin had he still been sitting there. Yet in the next moment Reuben's eye was caught by another change that time had effected since he last stood where he was now standing again behind the earthy roots of the uptorn tree. The sapling to which he had bound the bloodstained symbol of his vow had increased and strengthened into an oak, far indeed from its maturity, but with no mean spread of shadowy branches. There was one singularity observable in this tree which made Reuben tremble. The middle and lower branches were in luxuriant life, and an excess of vegetation had fringed the trunk almost to the ground; but a blight had apparently stricken the upper part of the oak, and the very topmost bough was withered, sapless, and utterly dead. Reuben remembered how the little banner had fluttered on that topmost bough, when it was green and lovely, eighteen years before. Whose guilt had blasted it?

. . . . . . . . . . .

Dorcas, after the departure of the two hunters, continued her preparations for their evening repast. Her sylvan table was the moss-covered trunk of a large fallen tree, on the broadest part of which she had spread a snow-white cloth and arranged what were left of the bright pewter vessels that had been her pride in the settlements. It had a strange aspect that one little spot of homely comfort in the desolate heart of Nature. The sunshine yet lingered upon the higher branches of the trees that grew on rising ground; but the shadows of evening had deepened into the hollow where the encampment was made, and the firelight began to redden as it gleamed up the tall trunks of the pines or hovered on the dense and obscure mass of foliage that circled round the spot. The heart of Dorcas was not sad; for she felt that it was better to journey in the wilderness with two whom she loved than to be a lonely woman in a crowd that cared not for her. As she busied herself in arranging seats of mouldering wood, covered with leaves, for Reuben and her son, her voice danced through the gloomy forest in the measure of a song that she had learned in youth. The rude melody, the production of a bard who won no name, was descriptive of a winter evening in a frontier cottage, when, secured from savage inroad by the high-piled snow-drifts, the family rejoiced by their own fireside. The whole song possessed the nameless charm peculiar to unborrowed thought, but four continually-recurring lines shone out from the rest like the blaze of the hearth whose joys they celebrated. Into them, working magic with a few simple words, the poet had instilled the very essence of domestic love and household happiness, and they were poetry and picture joined in one. As Dorcas sang, the walls of her forsaken home seemed to encircle her; she no longer saw the gloomy pines, nor heard the wind which still, as she began each verse, sent a heavy breath through the branches, and died away in a hollow moan from the burden of the song. She was aroused by the report of a gun in the vicinity of the encampment; and either the sudden sound, or her loneliness by the glowing fire, caused her to tremble violently. The next moment she laughed in the pride of a mother's heart.

"My beautiful young hunter! My boy has slain a deer!" she exclaimed, recollecting that in the direction whence the shot proceeded Cyrus had gone to the chase.

She waited a reasonable time to hear her son's light step bounding over the rustling leaves to tell of his success. But he did not immediately appear; and she sent her cheerful voice among the trees in search of him.