The "Bertha Millner's" crew, in a long line, Moran at one end, Wilbur at the other, and Charlie in the centre, came on toward the beach-combers, step by step. There was little outcry. Each contestant singled out his enemy, and made slowly for him with eyes fixed and weapon ready, regardless of the movements of his mates.

"See any rifles among them, Charlie?" shouted Moran, suddenly breaking the silence.

"No, I tink no hab got," answered Charlie.

Wilbur took another step forward and cocked his revolver. One of the beach-combers shouted out something in angry vernacular, and Charlie instantly responded. All this time the line had been slowly advancing upon the enemy, and Wilbur began to wonder how long that heartbreaking suspense was to continue. This was not at all what he had imagined. Already he was within twenty feet of his man, could see the evil glint of his slant, small eye, and the shine of his yellow body, naked to the belt. Still foot by foot the forward movement continued. The Chinese on either side had begun exchanging insults; the still, hot air of the tropic dawn was vibrant with the Cantonese monosyllables tossed back and forth like tennis-balls over the low sand rampart. The thing was degenerating into a farce—the "Bertha's" Chinamen would not fight.

Back there, under the shelter of the schooner, it was all very well to talk, and they had been very brave when they had all flung themselves upon Hoang. Here, face to face with the enemy, the sun striking off heliograph flashes from their knives and spades, it was a vastly different matter. The thing, to Wilbur's mind, should have been done suddenly if it was to be done at all. The best course now was to return to camp and try some other plan. Charlie shouted a direction to him in pigeon English that he did not understand, but he answered all right, and moved forward another step so as to be in line with the coolie at his left.

The liquor that he had drunk before starting began suddenly to affect him, yet he knew that his head was yet clear. He could not bring himself to run away before them all, but he would have given much to have discovered a good reason for postponing the fight—if fight there was to be.

He remembered the cocked revolver in his hand, and, suddenly raising it, fired point-blank at his man, not fifteen feet away. The hammer snapped on the nipple, but the cartridge did not explode. Wilbur turned to the Chinaman next him in line, exclaiming excitedly:

"Here, say, have you got a knife—something I can fight with? This gun's no good."

There was a shout from Moran:

"Look out, here they come!"

Two of the beach-combers suddenly sprang over the sand breastworks and ran toward Charlie, their knives held low in front of them, ready to rip.

"Shoot! shoot! shoot!" shouted Moran rapidly.

Wilbur's revolver was a self-cocker. He raised it again, drawing hard on the trigger as he did so. It roared and leaped in his hand, and a whiff of burned powder came to his nostrils. Then Wilbur was astonished to hear himself shout at the top of his voice:

"Come on now, get into them—get into them now, everybody!"

The "Bertha's" Chinamen were all running forward, three of them well in advance of the others. In the rear Charlie was at grapples with a beach-comber who fought with a knife in each hand, and Wilbur had a sudden glimpse of another sitting on the sand with his hand to his mouth, the blood spurting between his fingers.

Wilbur suddenly realized that he held a knife, and that he was directly abreast the sand rampart. How he got the knife he could not tell, though he afterward distinctly remembered throwing away his revolver, loaded as it was. He had leaped the breastworks, he knew that, and between him and the vast bright blur of the ocean he saw one of the beach-combers backing away and watching him intently, his hatchet in his hand. Wilbur had only time to think that he himself would no doubt be killed within the next few moments, when this latter halted abruptly, took a step forward, and, instead of striking downward, as Wilbur had anticipated, dropped upon his knee and struck with all his might at the calf of Wilbur's leg. It was only the thickness of his boots that saved Wilbur from being hamstrung where he stood. As it was, he felt the blade bite almost to the bone, and heard the blood squelch in the sole of his boot, as he staggered for the moment, almost tripping over the man in front of him.

The Chinaman sprang to his feet again, but Wilbur was at him in an instant, feeling instinctively that his chance was to close with his man, and so bring his own superior weight and strength to bear. Again and again he tried to run in and grip the slim yellow body, but the other dodged and backed away, as hard to hold as any fish. All around and back of him now Wilbur heard the hideous sound of stamping and struggling, and the noise of hoarse, quick shouts and the rebound of bodies falling and rolling upon the hard, smooth beach. The thing had not been a farce, after all. This was fighting at last, and there within arm's length were men grappling and gripping and hitting one another, each honestly striving to kill his fellow—Chinamen all, fighting in barbarous Oriental fashion with nails and teeth when the knife or hatchet failed. What did he, clubman and college man, in that hideous trouble that wrought itself out there on that heat-stricken tropic beach under that morning's sun?

Suddenly there was a flash of red flame, and a billow of thick, yellow smoke filled all the air. The cabin was afire. The hatchet-man with whom Wilbur was fighting had been backing in this direction. He was close in when the fire began to leap from the one window; now he could go no further. He turned to run sidewise between his enemy and the burning cabin. Wilbur thrust his foot sharply forward; the beach-comber tripped, staggered, and before he had reached the ground Wilbur had driven home the knife.

Then suddenly, at the sight of his smitten enemy rolling on the ground at his feet, the primitive man, the half-brute of the stone age, leaped to life in Wilbur's breast—he felt his muscles thrilling with a strength they had not known before. His nerves, stretched tense as harp-strings, were vibrating to a new tune. His blood spun through his veins till his ears roared with the rush of it. Never had he conceived of such savage exultation as that which mastered him at that instant. The knowledge that he could kill filled him with a sense of power that was veritably royal. He felt physically larger. It was the joy of battle, the horrid exhilaration of killing, the animal of the race, the human brute suddenly aroused and dominating every instinct and tradition of centuries of civilization. The fight still was going forward.

Wilbur could hear the sounds of it, though from where he stood all sight was shut off by the smoke of the burning house. As he turned about, knife in hand, debating what next he should do, a figure burst down upon him, shadowy and distorted through the haze.

It was Moran, but Moran as Wilbur had never seen her before. Her eyes were blazing under her thick frown like fire under a bush. Her arms were bared to the elbow, her heavy ropes of hair flying and coiling from her in all directions, while with a voice hoarse from shouting she sang, or rather chanted, in her long-forgotten Norse tongue, fragments of old sagas, words, and sentences, meaningless even to herself. The fury of battle had exalted her to a sort of frenzy. She was beside herself with excitement. Once more she had lapsed back to the Vikings and sea-rovers of the tenth century—she was Brunhilde again, a shield-maiden, a Valkyrie, a Berserker and the daughter of Berserkers, and like them she fought in a veritable frenzy, seeing nothing, hearing nothing, every sense exalted, every force doubled, insensible to pain, deaf to all reason.

Her dirk uplifted, she rushed upon Wilbur, never once pausing in her chant. Wilbur shouted a warning to her as she came on, puzzled beyond words, startled back to a consciousness of himself again by this insensate attack.

"Moran! Moran!" he called. "What is it—you're wrong! It-s I. It's Wilbur—your mate, can't you see?"

Moran could not see—blind to friend or foe, as she was deaf to reason, she struck at him with all the strength of her arm. But there was no skill in her fighting now. Wilbur dropped his own knife and gripped her right wrist. She closed with him upon the instant, clutching at his throat with her one free hand; and as he felt her strength—doubled and tripled in the fury of her madness—Wilbur knew that, however easily he had overcome his enemy of a moment before, he was now fighting for his very life.

At first, Wilbur merely struggled to keep her from him—to prevent her using her dirk. He tried not to hurt her. But what with the spirits he had drunk before the attack, what with the excitement of the attack itself and the sudden unleashing of the brute in him an instant before, the whole affair grew dim and hazy in his mind. He ceased to see things in their proportion. His new-found strength gloried in matching itself with another strength that was its equal. He fought with Moran—not as he would fight with either woman or man, or with anything human, for the matter of that. He fought with her as against some impersonal force that it was incumbent upon him to conquer—that it was imperative he should conquer if he wished to live. When she struck, he struck blow for blow, force for force, his strength against hers, glorying in that strange contest, though he never once forgot that this last enemy was the girl he loved. It was not Moran whom he fought; it was her force, her determination, her will, her splendid independence, that he set himself to conquer.

Already she had dropped or flung away the dirk, and their battle had become an issue of sheer physical strength between them. It was a question now as to who should master the other. Twice she had fought Wilbur to his knees, the heel of her hand upon his face, his head thrust back between his shoulders, and twice he had wrenched away, rising to his feet again, panting, bleeding even, but with his teeth set and all his resolution at the sticking-point. Once he saw his chance, and planted his knuckles squarely between her eyes where her frown was knotted hard, hoping to stun her and end the fight once and for all. But the blow did not seem to affect her in the least. By this time he saw that her Berserker rage had worked itself clear as fermenting wine clears itself, and that she knew now with whom she was fighting; and he seemed now to understand the incomprehensible, and to sympathize with her joy in measuring her strength against his; and yet he knew that the combat was deadly serious, and that more than life was at stake. Moran despised a weakling.

For an instant, as they fell apart, she stood off, breathing hard and rolling up her sleeve; then, as she started forward again, Wilbur met her half-way, caught her round the neck and under the arm, gripping her left wrist with his right hand behind her; then, exerting every ounce of strength he yet retained, he thrust her down and from him, until at length, using his hip as a pivot, he swung her off her feet, threw her fairly on her back, and held her so, one knee upon her chest, his hands closed vise-like on her wrists.

Then suddenly Moran gave up, relaxing in his grasp all in a second, and, to his great surprise, suddenly smiled.

"Ho! mate," she exclaimed; "that was a tough one; but I'm beaten—you're stronger than I thought for."

Wilbur released her and rose to his feet.

"Here," she continued, "give me your hand. I'm as weak as a kitten." As Wilbur helped her to her feet, she put her hand to her forehead, where his knuckles had left their mark, and frowned at him, but not ill-naturedly.

"Next time you do that," she said, "use a rock or a belaying-pin, or something that won't hurt—not your fist, mate." She looked at him admiringly. "What a two-fisted, brawny dray-horse it is! I told you I was stronger than most men, didn't I? But I'm the weaker of us two, and that's a fact. You've beaten, mate—I admit it; you've conquered me, and," she continued, smiling again and shaking him by the shoulder—"and, mate, do you know, I love you for it."



XI. A CHANGE IN LEADERS

"Well," exclaimed Wilbur at length, the excitement of the fight returning upon him. "We have plenty to do yet. Come on, Moran."

It was no longer Moran who took the initiative—who was the leader. The brief fight upon the shore had changed all that. It was Wilbur who was now the master, it was Wilbur who was aggressive. He had known what it meant to kill. He was no longer afraid of anything, no longer hesitating. He had felt a sudden quadrupling of all his strength, moral and physical.

All that was strong and virile and brutal in him seemed to harden and stiffen in the moment after he had seen the beach-comber collapse limply on the sand under the last strong knife-blow; and a sense of triumph, of boundless self-confidence, leaped within him, so that he shouted aloud in a very excess of exhilaration; and snatching up a heavy cutting-in spade, that had been dropped in the fight near the burning cabin, tossed it high into the air, catching it again as it descended, like any exultant savage.

"Come on!" he cried to Moran; "where are the beach-combers gone? I'm going to get one more before the show is over."

The two passed out of the zone of smoke, and reached the other side of the burning cabin just in time to see the last of the struggle. The whole affair had not taken more than a quarter of an hour. In the end the beach-combers had been beaten. Four had fled into the waste of sand and sage that lay back of the shore, and had not been pursued. A fifth had been almost hamstrung by one of the "Bertha's" coolies, and had given himself up. A sixth, squealing and shrieking like a tiger-cat, had been made prisoner; and Wilbur himself had accounted for the seventh.

As Wilbur and Moran came around the cabin they saw the "Bertha Millner's" Chinamen in a group, not far from the water's edge, reassembled after the fight—panting and bloody, some of them bare to the belt, their weapons still in their hands. Here and there was a bandaged arm or head; but their number was complete—or no, was it complete?

"Ought to be one more," said Wilbur, anxiously hastening for-ward.

As the two came up the coolies parted, and Wilbur saw one of them, his head propped upon a rolled-up blouse, lying ominously still on the trampled sand.

"It's Charlie!" exclaimed Moran.

"Where's he hurt?" cried Wilbur to the group of coolies. "Jim!—where's Jim? Where's he hurt, Jim?"

Jim, the only member of the crew besides Charlie who could understand or speak English, answered:

"Kai-gingh him fin' pistol, you' pistol; Charlie him fight plenty; bime-by, when he no see, one-piecee Kai-gingh he come up behin', shoot um Charlie in side—savvy?"

"Did he kill him? Is he dead?"

"No, I tinkum die plenty soon; him no savvy nuttin' now, him all-same sleep. Plenty soon bime-by him sleep for good, I tink."

There was little blood to be seen when Wilbur gently unwrapped the torn sleeve of a blouse that had been used as a bandage. Just under the armpit was the mark of the bullet—a small puncture already closed, half hidden under a clot or two of blood. The coolie lay quite unconscious, his eyes wide open, drawing a faint, quick breath at irregular intervals.

"What do you think, mate?" asked Moran in a low voice.

"I think he's got it through the lungs," answered Wilbur, frowning in distress and perplexity. "Poor old Charlie!"

Moran went down on a knee, and put a finger on the slim, corded wrist, yellow as old ivory.

"Charlie," she called—"Charlie, here, don't you know me? Wake up, old chap! It's Moran. You're not hurt so very bad, are you?"

Charlie's eyes closed and opened a couple of times.

"No can tell," he answered feebly; "hurt plenty big"; then he began to cough.

Wilbur drew a sigh of relief. "He's all right!" he exclaimed.

"Yes, I think he's all right," assented Moran.

"First thing to do now is to get him aboard the schooner," said Wilbur. "We'll take him right across in the beach-combers' dory here. By Jove!" he exclaimed on a sudden. "The ambergris—I'd forgotten all about it." His heart sank. In the hideous confusion of that morning's work, all thought of the loot had been forgotten. Had the battle been for nothing, after all? The moment the beach-combers had been made aware of the meditated attack, it would have been an easy matter for them to have hidden the ambergris—destroyed it even.

In two strides Wilbur had reached the beach-combers' dory and was groping in the forward cuddy. Then he uttered a great shout of satisfaction. The "stuff" was there, all of it, though the mass had been cut into quarters, three parts of it stowed in tea-flails, the fourth still reeved up in the hammock netting.

"We've got it!" he cried to Moran, who had followed him. "We've got it, Moran! Over $100,000. We're rich—rich as boodlers, you and I. Oh, it was worth fighting for, after all, wasn't it? Now we'll get out of here—now we'll cut for home."

"It's only Charlie I'm thinking about," answered Moran, hesitating. "If it wasn't for that we'd be all right. I don't know whether we did right, after all, in jumping the camp here. I wouldn't like to feel that I'd got Charlie into our quarrel only to have him killed."

Wilbur stared at this new Moran in no little amazement. Where was the reckless, untamed girl of the previous night, who had sworn at him and denounced his niggling misgivings as to right and wrong?

"Hoh!" he retorted impatiently, "Charlie's right enough. And, besides, I didn't force him to anything. I—we, that is—took the same chances. If I hadn't done for my man there behind the cabin, he would have done for me. At all events, we carried our point. We got the loot. They took it from us, and we were strong enough to get it back."

Moran merely nodded, as though satisfied with his decision, and added:

"Well, what next, mate?"

"We'll get back to the 'Bertha' now and put to sea as soon as we can catch the tide. I'll send Jim and two of the other men across in the dory with Charlie. The rest of us will go around by the shore. We've got to have a chin-chin with Hoang, if he don't get loose aboard there and fire the boat before we can get back. I don't propose taking these beach-combers back to 'Frisco with us."

"What will we do with the two prisoners?" she asked.

"Let them go; we've got their arms."

The positions of the two were reversed. It was Wilbur who assumed control and direction of what went forward, Moran taking his advice and relying upon his judgment.

In accordance with Wilbur's orders, Charlie was carried aboard the dory; which, with two Chinamen at the oars, and the ambergris stowed again into the cuddy, at once set off for the schooner. Wilbur himself cut the ropes on the two prisoners, and bade them shift for themselves. The rest of the party returned to the "Bertha Millner" around the wide sweep of the beach.

It was only by high noon, under the flogging of a merciless sun, that the entire crew of the little schooner once more reassembled under the shadow of her stranded hulk. They were quite worn out; and as soon as Charlie was lifted aboard, and the ambergris—or, as they spoke of it now, the "loot"—was safely stowed in the cabin, Wilbur allowed the Chinamen three or four hours' rest. They had had neither breakfast nor dinner; but their exhaustion was greater than their hunger, and in a few moments the entire half-dozen were stretched out asleep on the forward deck in the shadow of the foresail raised for the purpose of sheltering them. However, Wilbur and Moran sought out Hoang, whom they found as they had left him—bound upon the floor of the cabin.

"Now we have a talk—savvy?" Wilbur told him as he loosed the ropes about his wrists and ankles. "We got our loot back from you, old man, and we got one of your men into the bargain. You woke up the wrong crowd, Hoang, when you went up against this outfit. You're in a bad way, my friend. Your junk is wrecked; all your oil and blubber from the whale is lost; four of your men have run away, one is killed, another one we caught and let go, another one has been hamstrung; and you yourself are our prisoner, with your teeth filed down to your gums. Now," continued Wilbur, with the profoundest gravity, "I hope this will be a lesson to you. Don't try and get too much the next time. Just be content with what is yours by right, or what you are strong enough to keep, and don't try to fight with white people. Other coolies, I don't say. But when you try to get the better of white people you are out of your class."

The little beach-comber (he was scarcely above five feet) rubbed his chafed wrists, and fixed Wilbur with his tiny, twinkling eyes.

"What you do now?"

"We go home. I'm going to maroon you and your people here on this beach. You deserve that I should let you eat your fists by way of table-board; but I'm no such dirt as you. When our men left the schooner they brought off with them a good share of our provisions. I'll leave them here for you—and there's plenty of turtle and abalone to be had for the catching. Some of the American men-of-war, I believe, come down to this bay for target-practice twice a year, and if we speak any on the way up we'll ask them to call here for castaways. That's what I'll do for you, and that's all! If you don't like it, you can set out to march up the coast till you hit a town; but I wouldn't advise you to try it. Now what have you got to say?"

Hoang was silent. His queue had become unbound for half its length, and he plaited it anew, winking his eyes thoughtfully.

"Well, what do you say?" said Moran.

"I lose face," answered Hoang at length, calmly.

"You lose face? What do you mean?"

"I lose face," he insisted; then added: "I heap 'shamed. You fightee my China boy, you catchee me. My boy no mo' hab me fo' boss—savvy? I go back, him no likee me. Mebbe all same killee me. I lose face—no mo' boss."

"What a herd of wild cattle!" muttered Wilbur.

"There's something in what he says, don't you think, mate?" observed Moran, bringing a braid over each shoulder and stroking it according to her habit.

"We'll ask Jim about it," decided Wilbur.

But Jim at once confirmed Hoang's statement. "Oh, Kai-gingh killum no-good boss, fo' sure," he declared.

"Don't you think, mate," said Moran, "we'd better take him up to 'Frisco with us? We've had enough fighting and killing."

So it was arranged that the defeated beach-comber, the whipped buccaneer, who had "lost face" and no longer dared look his men in the eye, should be taken aboard.

By four o'clock next morning Wilbur had the hands at work digging the sand from around the "Bertha Millner's" bow. The line by which she was to be warped off was run out to the ledge of the rock; fresh water was taken on; provisions for the marooned beach-combers were cached upon the beach; the dory was taken aboard, gaskets were cast off, and hatches battened down.

At high tide, all hands straining upon the warp, the schooner was floated off, and under touch of the lightest airs drew almost imperceptibly away from the land. They were quite an hour crawling out to the heads of the bay. But here the breeze was freshening. Moran took the wheel; the flying-jib and staysail were set; the wake began to whiten under the schooner's stern, the forefoot sang; the Pacific opened out more and more; and by 12:30 o'clock Moran put the wheel over, and, as the schooner's bow swung to the northward, cried to Wilbur:

"Mate, look your last of Magdalena Bay!"

Standing at her side, Wilbur turned and swept the curve of the coast with a single glance. The vast, heat-scourged hoop of yellow sand, the still, smooth shield of indigo water, with its beds of kelp, had become insensibly dear to him. It was all familiar, friendly, and hospitable. Hardly an acre of that sweep of beach that did not hold the impress of his foot. There was the point near by the creek where he and Moran first landed to fill the water-casks and to gather abalones; the creek itself, where he had snared quail; the sand spit with its whitened whale's skull, where he and Moran had beached the schooner; and there, last of all, that spot of black over which still hung a haze of brown-gray smoke, the charred ruins of the old Portuguese whaling-cabin, where they had outfought the beach-combers.

For a moment Wilbur and Moran looked back without speaking. They stood on the quarter-deck; in the shadow of the main-sail, shut off from the sight of the schooner's crew, and for the instant quite alone.

"Well, Moran, it's good-by to the old places, isn't it?" said Wilbur at length.

"Yes," she said, her deep voice pitched even deeper than usual. "Mate, great things have happened there."

"It doesn't look like a place for a Tong row with Chinese pirates, though, does it?" he said; but even as he spoke the words, he guessed that that was not what he meant.

"Oh, what did that amount to?" she said, with an impatient movement of her head. "It was there that I first knew myself; and knew that, after all, you were a man and I was a woman; and that there was just us—you and I—in the world; and that you loved me and I loved you, and that nothing else was worth thinking of."

Wilbur shut his hand down over hers as it gripped a spoke of the wheel.

"Moran, I knew that long since," he said. "Such a month as this has been! Why, I feel as though I had only begun to live since I began to love you."

"And you do, mate?" she answered—"you do love me, and always will? Oh, you don't know," she went on, interrupting his answer, "you haven't a guess, how the last two days have changed me. Something has happened here"—and she put both her hands over her breast. "I'm all different here, mate. It's all you inside here—all you! And it hurts, and I'm proud that it does hurt. Oh!" she cried, of a sudden, "I don't know how to love yet, and I do it very badly, and I can't tell you how I feel, because I can't even tell it to myself. But you must be good to me now." The deep voice trembled a little. "Good to me, mate, and true to me, mate, because I've only you, and all of me is yours. Mate, be good to me, and always be kind to me. I'm not Moran any more. I'm not proud and strong and independent, and I don't want to be lonely. I want you—I want you always with me. I'm just a woman now, dear—just a woman that loves you with a heart she's just found."

Wilbur could find no words to answer. There was something so pathetic and at the same time so noble in Moran's complete surrender of herself, and her dependence upon him, her unquestioned trust in him and his goodness, that he was suddenly smitten with awe at the sacredness of the obligation thus imposed on him. She was his now, to have and to hold, to keep, to protect, and to defend—she who was once so glorious of her strength, of her savage isolation, her inviolate, pristine maidenhood. All words seemed futile and inadequate to him.

She came close to him, and put her hands upon his shoulders, and, looking him squarely in the eye, said:

"You do love me, mate, and you always will?"

"Always, Moran," said Wilbur, simply. He took her in his arms, and she laid her cheek against his for a moment, then took his head between her hands and kissed him.

Two days passed. The "Bertha Millner" held steadily to her northward course, Moran keeping her well in toward the land. Wilbur maintained a lookout from the crow's-nest in the hope of sighting some white cruiser or battleship on her way south for target-practice. In the cache of provisions he had left for the beach-combers he had inserted a message, written by Hoang, to the effect that they might expect to be taken off by a United States man-of-war within the month.

Hoang did not readily recover his "loss of face." The "Bertha's" Chinamen would have nothing to do with this member of a hostile Tong; and the humiliated beach-comber kept almost entirely to himself, sitting on the forecastle-head all day long, smoking his sui-yen-hu and brooding silently to himself.

Moran had taken the lump of ambergris from out Kitchell's old hammock, and had slung the hammock itself in the schooner's waist, and Charlie was made as comfortable as possible therein. They could do but little for him, however; and he was taken from time to time with spells of coughing that racked him with a dreadful agony. At length one noon, just after Moran had taken the sun and had calculated that the "Bertha" was some eight miles to the southwest of San Diego, she was surprised to hear Wilbur calling her sharply. She ran to him, and found him standing in the waist by Charlie's hammock.

The Chinaman was dying, and knew it. He was talking in a faint and feeble voice to Wilbur as she came up, and was trying to explain to him that he was sorry he had deserted the schooner during the scare in the bay.

"Planty muchee solly," he said; "China boy, him heap flaid of Feng-shui. When Feng-shui no likee, we then must go chop-chop. Plenty much solly I leave-um schooner that night; solly plenty—savvy?"

"Of course we savvy, Charlie," said Moran. "You weren't afraid when it came to fighting."

"I die pletty soon," said Charlie calmly. "You say you gib me fifteen hundled dollah?"

"Yes, yes; that was our promise. What do you want done with it, Charlie?"

"I want plenty fine funeral in Chinatown in San Francisco. Oh, heap fine! You buy um first-chop coffin—savvy? Silver heap much—costum big money. You gib my money to Hop Sing Association, topside Ming Yen temple. You savvy Hop Sing?—one Six Companies."

"Yes, yes."

"Tellum Hop Sing I want funeral—four-piecee horse. You no flogettee horse?" he added apprehensively.

"No, I'll not forget the horses Charlie. You shall have four."

"Want six-piecee band musicians—China music—heap plenty gong. You no flogettee? Two piecee priest, all dressum white—savvy? You mus' buyum coffin yo'self. Velly fine coffin, heap much silver, an' four-piecee horse. You catchum fireclacker—one, five, seven hundled fireclacker, makeum big noise; an' loast pig, an' plenty lice an' China blandy. Heap fine funeral, costum fifteen hundled dollah. I be bury all same Mandarin—all same Little Pete. You plomise, sure?"

"I promise you, Charlie. You shall have a funeral finer than little Pete's."

Charlie nodded his head contentedly, drawing a breath of satisfaction.

"Bimeby Hop Sing sendum body back China." He closed his eyes and lay for a long time, worn out with the effort of speaking, as if asleep. Suddenly he opened his eyes wide. "You no flogettee horse?"

"Four horses, Charlie. I'll remember."

He drooped once more, only to rouse again at the end of a few minutes with:

"First-chop coffin, plenty much silver"; and again, a little later and very feebly: "Six-piecee—band music—China music—four-piecee gong—four."

"I promise you, Charlie," said Wilbur.

"Now," answered Charlie—"now I die."

And the low-caste Cantonese coolie, with all the dignity and calmness of a Cicero, composed himself for death.

An hour later Wilbur and Moran knew that he was dead. Yet, though they had never left the hammock, they could not have told at just what moment he died.

Later, on that same afternoon, Wilbur, from the crow's-nest, saw the lighthouse on Point Loma and the huge rambling bulk of the Coronado Hotel spreading out and along the beach.

It was the outpost of civilization. They were getting back to the world again. Within an hour's ride of the hotel were San Diego, railroads, newspapers, and policemen. Just off the hotel, however, Wilbur could discern the gleaming white hull of a United States man-of-war. With the glass he could make her out to be one of the monitors—the "Monterey" in all probability.

After advising with Moran, it was decided to put in to land. The report as to the castaways could be made to the "Monterey," and Charlie's body forwarded to his Tong in San Francisco.

In two hours' time the schooner was well up, and Wilbur stood by Moran's side at the wheel, watching and studying the familiar aspect of Coronado Beach.

"It's a great winter resort," he told her. "I was down here with a party two years ago. Nothing has changed. You see that big sort of round wing, Moran, all full of windows? That's the dining-room. And there's the bathhouse and the bowling-alley. See the people on the beach, and the girls in white duck skirts; and look up there by the veranda—let me take the glass—yes, there's a tally-ho coach. Isn't it queer to get back to this sort of thing after Magdalena Bay and the beach-combers?"

Moran spun the wheel without reply, and gave an order to Jim to ease off the foresheet.



XII. NEW CONDITIONS

The winter season at the Hotel del Coronado had been unusually gay that year, and the young lady who wrote the society news in diary form for one of the San Francisco weekly papers had held forth at much length upon the hotel's "unbroken succession of festivities." She had also noted that "prominent among the newest arrivals" had been Mr. Nat Ridgeway, of San Francisco, who had brought down from the city, aboard his elegant and sumptuously fitted yacht "Petrel," a jolly party, composed largely of the season's debutantes. To be mentioned in the latter category was Miss Josie Herrick, whose lavender coming-out tea at the beginning of the season was still a subject of comment among the gossips—and all the rest of it.

The "Petrel" had been in the harbor but a few days, and on this evening a dance was given at the hotel in honor of her arrival. It was to be a cotillon, and Nat Ridgeway was going to lead with Josie Herrick. There had been a coaching party to Tia Juana that day, and Miss Herrick had returned to the hotel only in time to dress. By 9:30 she emerged from the process—which had involved her mother, her younger sister, her maid, and one of the hotel chambermaids—a dainty, firm-corseted little body, all tulle, white satin, and high-piled hair. She carried Marechal Niel roses, ordered by wire from Monterey; and about an hour later, when Ridgeway gave the nod to the waiting musicians, and swung her off to the beat of a two-step, there was not a more graceful little figure upon the floor of the incomparable round ballroom of the Coronado Hotel.

The cotillon was a great success. The ensigns and younger officers of the monitor—at that time anchored off the hotel—attended in uniform; and enough of the members of what was known in San Francisco as the "dancing set" were present to give the affair the necessary entrain. Even Jerry Haight, who belonged more distinctly to the "country-club set," and who had spent the early part of that winter shooting elk in Oregon, was among the ranks of the "rovers," who grouped themselves about the draughty doorways, and endeavored to appear unconscious each time Ridgeway gave the signal for a "break."

The figures had gone round the hall once. The "first set" was out again, and as Ridgeway guided Miss Herrick by the "rovers" she looked over the array of shirt-fronts, searching for Jerry Haight.

"Do you see Mr. Haight?" she asked of Ridgeway. "I wanted to favor him this break. I owe him two already, and he'll never forgive me if I overlook him now."

Jerry Haight had gone to the hotel office for a few moments' rest and a cigarette, and was nowhere in sight. But when the set broke, and Miss Herrick, despairing of Jerry, had started out to favor one of the younger ensigns, she suddenly jostled against him, pushing his way eagerly across the floor in the direction of the musicians' platform.

"Oh!" she cried, "Mr. Haight, you've missed your chance—I've been looking for you."

But Jerry did not hear—he seemed very excited. He crossed the floor, almost running, and went up on the platform where the musicians were meandering softly through the mazes of "La Paloma," and brought them to an abrupt silence.

"Here, I say, Haight!" exclaimed Ridgeway, who was near by, "you can't break up my figure like that."

"Gi' me a call there on the bugle," said Haight rapidly to the cornetist. "Anything to make 'em keep quiet a moment."

The cornetist sounded a couple of notes, and the cotillon paused in the very act of the break. The shuffling of feet grew still, and the conversation ceased. A diamond brooch had been found, no doubt, or some supper announcement was to be made. But Jerry Haight, with a great sweep of his arm, the forgotten cigarette between his fingers, shouted out breathlessly:

"Ross Wilbur is out in the office of the hotel!"

There was an instant's silence, and then a great shout. Wilbur found! Ross Wilbur come back from the dead! Ross Wilbur, hunted for and bootlessly traced from Buenos Ayres in the south to the Aleutian Islands in the north. Ross Wilbur, the puzzle of every detective bureau on the coast; the subject of a thousand theories; whose name had figured in the scareheads of every newspaper west of the Mississippi. Ross Wilbur, seen at a fashionable tea and his club of an afternoon, then suddenly blotted out from the world of men; swallowed up and engulfed by the unknown, with not so much as a button left behind. Ross Wilbur the suicide; Ross Wilbur, the murdered; Ross Wilbur, victim of a band of kidnappers, the hero of some dreadful story that was never to be told, the mystery, the legend—behold he was there! Back from the unknown, dropped from the clouds, spewed up again from the bowels of the earth—a veritable god from the machine who in a single instant was to disentangle all the unexplained complications of those past winter months.

"Here he comes!" shouted Jerry, his eyes caught by a group of men in full dress and gold lace who came tramping down the hall to the ballroom, bearing a nondescript figure on their shoulders. "Here he comes—the boys are bringing him in here! Oh!" he cried, turning to the musicians, "can't you play something?—any-thing! Hit it up for all you're worth! Ridgeway—Nat, look here! Ross was Yale, y' know—Yale '95; ain't we enough Yale men here to give him the yell?"

Out of all time and tune, but with a vigor that made up for both, the musicians banged into a patriotic air. Jerry, standing on a chair that itself was standing on the platform, led half a dozen frantic men in the long thunder of the "Brek-kek-kek-kek, co-ex, co-ex."

Around the edges of the hall excited girls, and chaperons themselves no less agitated, were standing up on chairs and benches, splitting their gloves and breaking their fans in their enthusiasm; while every male dancer on the floor—ensigns in their gold-faced uniforms and "rovers" in starched and immaculate shirt-bosoms—cheered and cheered and struggled with one another to shake hands with a man whom two of their number old Yale grads, with memories of athletic triumphs yet in their minds—carried into that ball-room, borne high upon their shoulders.

And the hero of the occasion, the centre of all this enthusiasm—thus carried as if in triumph into this assembly in evening dress, in white tulle and whiter kid, odorous of delicate sachets and scarce-perceptible perfumes—was a figure unhandsome and unkempt beyond description. His hair was long, and hanging over his eyes. A thick, uncared-for beard concealed the mouth and chin. He was dressed in a Chinaman's blouse and jeans—the latter thrust into slashed and tattered boots. The tan and weatherbeatings of nearly half a year of the tropics were spread over his face; a partly healed scar disfigured one temple and cheek-bone; the hands, to the very finger-nails, were gray with grime; the jeans and blouse and boots were fouled with grease, with oil, with pitch, and all manner of the dirt of an uncared-for ship. And as the dancers of the cotillon pressed about, and a hundred kid-gloved hands stretched toward his own palms, there fell from Wilbur's belt upon the waxed floor of the ballroom the knife he had so grimly used in the fight upon the beach, the ugly stains still blackening on the haft.

There was no more cotillon that night. They put him down at last; and in half a dozen sentences Wilbur told them of how he had been shanghaied—told them of Magdalena Bay, his fortune in the ambergris, and the fight with the beach-combers.

"You people are going down there for target-practice, aren't you?" he said, turning to one of the "Monterey's" officers in the crowd about him. "Yes? Well, you'll find the coolies there, on the beach, waiting for you. All but one," he added, grimly.

"We marooned six of them, but the seventh didn't need to be marooned. They tried to plunder us of our boat, but, by ——-, we made it interesting for 'em!"

"I say, steady, old man!" exclaimed Nat Ridgeway, glancing nervously toward the girls in the surrounding group. "This isn't Magdalena Bay, you know."

And for the first time Wilbur felt a genuine pang of disappointment and regret as he realized that it was not.

Half an hour later, Ridgeway drew him aside. "I say, Ross, let's get out of here. You can't stand here talking all night. Jerry and you and I will go up to my rooms, and we can talk there in peace. I'll order up three quarts of fizz, and—"

"Oh, rot your fizz!" declared Wilbur. "If you love me, give me Christian tobacco."

As they were going out of the ballroom, Wilbur caught sight of Josie Herrick, and, breaking away from the others, ran over to her.

"Oh!" she cried, breathless. "To think and to think of your coming back after all! No, I don't realize it—I can't. It will take me until morning to find out that you've really come back. I just know now that I'm happier than I ever was in my life before. Oh!" she cried, "do I need to tell you how glad I am? It's just too splendid for words. Do you know, I was thought to be the last person you had ever spoken to while alive, and the reporters and all—oh, but we must have such a talk when all is quiet again! And our dance—we've never had our dance. I've got your card yet. Remember the one you wrote for me at the tea—a facsimile of it was published in all the papers. You are going to be a hero when you get back to San Francisco. Oh, Ross! Ross!" she cried, the tears starting to her eyes, "you've really come back, and you are just as glad as I am, aren't you—glad that you've come back—come back to me?"

Later on, in Ridgeway's room, Wilbur told his story again more in detail to Ridgeway and Jerry. All but one portion of it. He could not make up his mind to speak to them—these society fellows, clubmen and city bred—of Moran. How he was going to order his life henceforward—his life, that he felt to be void of interest without her—he did not know. That was a question for later consideration.

"We'll give another cotillon!" exclaimed Ridgeway, "up in the city—give it for you, Ross, and you'll lead. It'll be the event of the season!"

Wilbur uttered an exclamation of contempt. "I've done with that sort of foolery," he answered.

"Nonsense; why, think, we'll have it in your honor. Every smart girl in town will come, and you'll be the lion of—"

"You don't seem to understand!" cried Wilbur impatiently. "Do you think there's any fun in that for me now? Why, man, I've fought—fought with a naked dirk, fought with a coolie who snapped at me like an ape—and you talk to me of dancing and functions and german favors! It wouldn't do some of you people a bit of harm if you were shanghaied yourselves. That sort of life, if it don't do anything else, knocks a big bit of seriousness into you. You fellows make me sick," he went on vehemently. "As though there wasn't anything else to do but lead cotillons and get up new figures!"

"Well, what do you propose to do?" asked Nat Ridgeway. "Where are you going now—back to Magdalena Bay?"

"No."

"Where, then?"

Wilbur smote the table with his fist.

"Cuba!" he cried. "I've got a crack little schooner out in the bay here, and I've got a hundred thousand dollars' worth of loot aboard of her. I've tried beach-combing for a while, and now I'll try filibustering. It may be a crazy idea, but it's better than dancing. I'd rather lead an expedition than a german, and you can chew on that, Nathaniel Ridgeway."

Jerry looked at him as he stood there before them in the filthy, reeking blouse and jeans, the ragged boots, and the mane of hair and tangled beard, and remembered the Wilbur he used to know—the Wilbur of the carefully creased trousers, the satin scarfs and fancy waistcoats.

"You're a different sort than when you went away, Ross," said Jerry.

"Right you are," answered Wilbur.

"But I will venture a prophecy," continued Jerry, looking keenly at him.

"Ross, you are a born-and-bred city man. It's in the blood of you and the bones of you. I'll give you three years for this new notion of yours to wear itself out. You think just now you're going to spend the rest of your life as an amateur buccaneer. In three years, at the outside, you'll be using your 'loot,' as you call it, or the interest of it, to pay your taxes and your tailor, your pew rent and your club dues, and you'll be what the biographers call 'a respectable member of the community.'"

"Did you ever kill a man, Jerry?" asked Wilbur. "No? Well, you kill one some day—kill him in a fair give-and-take fight—and see how it makes you feel, and what influence it has on you, and then come back and talk to me."

It was long after midnight. Wilbur rose.

"We'll ring for a boy," said Ridgeway, "and get you a room. I can fix you out with clothes enough in the morning."

Wilbur stared in some surprise, and then said:

"Why, I've got the schooner to look after. I can't leave those coolies alone all night."

"You don't mean to say you're going on board at this time in the morning?"

"Of course!"

"Why—but—but you'll catch your death of cold."

Wilbur stared at Ridgeway, then nodded helplessly, and, scratching his head, said, half aloud:

"No, what's the use; I can't make 'em understand. Good-night I'll see you in the morning."

"We'll all come out and visit you on your yacht," Ridgeway called after him; but Wilbur did not hear.

In answer to Wilbur's whistle, Jim came in with the dory and took him off to the schooner. Moran met him as he came over the side.

"I took the watch myself to-night and let the boy turn in," she said. "How is it ashore, mate?"

"We've come back to the world of little things, Moran," said Wilbur. "But we'll pull out of here in the morning and get back to the places where things are real."

"And that's a good hearing, mate."

"Let's get up here on the quarterdeck," added Wilbur. "I've something to propose to you."

Moran laid an arm across his shoulder, and the two walked aft. For half an hour Wilbur talked to her earnestly about his new idea of filibustering; and as he told her of the war he warmed to the subject, his face glowing, his eyes sparkling. Suddenly, however, he broke off.

"But no!" he exclaimed. "You don't understand, Moran. How can you—you're foreign-born. It's no affair of yours!"

"Mate! mate!" cried Moran, her hands upon his shoulders. "It's you who don't understand—don't understand me. Don't you know—can't you see? Your people are mine now. I'm happy only in your happiness. You were right—the best happiness is the happiness one shares. And your sorrows belong to me, just as I belong to you, dear. Your enemies are mine, and your quarrels are my quarrels." She drew his head quickly toward her and kissed him.

In the morning the two had made up their minds to a certain vague course of action. To get away—anywhere—was their one aim. Moran was by nature a creature unfit for civilization, and the love of adventure and the desire for action had suddenly leaped to life in Wilbur's blood and was not to be resisted. They would get up to San Francisco, dispose of their "loot," outfit the "Bertha Millner" as a filibuster, and put to sea again. They had discussed the advisability of rounding the Horn in so small a ship as the "Bertha Millner," but Moran had settled that at once.

"I've got to know her pretty well," she told Wilbur. "She's sound as a nut. Only let's get away from this place."

But toward ten o'clock on the morning after their arrival off Coronado, and just as they were preparing to get under way, Hoang touched Wilbur's elbow.

"Seeum lil one-piece smoke-boat; him come chop-chop."

In fact, a little steam-launch was rapidly approaching the schooner. In another instant she was alongside. Jerry, Nat Ridgeway, Josie Herrick, and an elderly woman, whom Wilbur barely knew as Miss Herrick's married sister, were aboard.

"We've come off to see your yacht!" cried Miss Herrick to Wilbur as the launch bumped along the schooner's counter. "Can we come aboard?" She looked very pretty in her crisp pink shirt-waist her white duck skirt, and white kid shoes, her sailor hat tilted at a barely perceptible angle. The men were in white flannels and smart yachting suits. "Can we come aboard?" she repeated.

Wilbur gasped and stared. "Good Lord!" he muttered. "Oh, come along," he added, desperately.

The party came over the side.

"Oh, my!" said Miss Herrick blankly, stopping short.

The decks, masts, and rails of the schooner were shiny with a black coating of dirt and grease; the sails were gray with grime; a strangling odor of oil and tar, of cooking and of opium, of Chinese punk and drying fish, pervaded all the air. In the waist, Hoang and Jim, bare to the belt, their queues looped around their necks to be out of the way, were stowing the dory and exchanging high-pitched monosyllables. Miss Herrick's sister had not come aboard. The three visitors—Jerry, Ridgeway, and Josie—stood nervously huddled together, their elbows close in, as if to avoid contact with the prevailing filth, their immaculate white outing-clothes detaching themselves violently against the squalor and sordid grime of the schooner's background.

"Oh, my!" repeated Miss Herrick in dismay, half closing her eyes. "To think of what you must have been through! I thought you had some kind of a yacht. I had no idea it would be like this." And as she spoke, Moran came suddenly upon the group from behind the foresail, and paused in abrupt surprise, her thumbs in her belt.

She still wore men's clothes and was booted to the knee. The heavy blue woolen shirt was open at the throat, the sleeves rolled half-way up her large white arms. In her belt she carried her haftless Scandinavian dirk. She was hatless as ever, and her heavy, fragrant cables of rye-hued hair fell over her shoulders and breast to far below her belt.

Miss Herrick started sharply, and Moran turned an inquiring glance upon Wilbur. Wilbur took his resolution in both hands.

"Miss Herrick," he said, "this is Moran—Moran Sternersen."

Moran took a step forward, holding out her hand. Josie, all bewildered, put her tight-gloved fingers into the calloused palm, looking up nervously into Moran's face.

"I'm sure," she said feebly, almost breathlessly, "I—I'm sure I'm very pleased to meet Miss Sternersen."

It was long before the picture left Wilbur's imagination. Josie Herrick, petite, gowned in white, crisp from her maid's grooming; and Moran, sea-rover and daughter of a hundred Vikings, towering above her, booted and belted, gravely clasping Josie's hand in her own huge fist.



XIII. MORAN STERNERSEN

San Francisco once more! For two days the "Bertha Millner" had been beating up the coast, fighting her way against northerly winds, butting into head seas.

The warmth, the stillness, the placid, drowsing quiet of Magdalena Bay, steaming under the golden eye of a tropic heaven, the white, baked beach, the bay-heads, striated with the mirage in the morning, the coruscating sunset, the enchanted mystery of the purple night, with its sheen of stars and riding moon, were now replaced by the hale and vigorous snorting of the Trades, the roll of breakers to landward, and the unremitting gallop of the unnumbered multitudes of gray-green seas, careering silently past the schooner, their crests occasionally hissing into brusque eruptions of white froth, or smiting broad on under her counter, showering her decks with a sprout of icy spray. It was cold; at times thick fogs cloaked all the world of water. To the east a procession of bleak hills defiled slowly southward; lighthouses were passed; streamers of smoke on the western horizon marked the passage of steamships; and once they met and passed close by a huge Cape Horner, a great deep-sea tramp, all sails set and drawing, rolling slowly and leisurely in seas that made the schooner dance.

At last the Farallones looked over the ocean's edge to the north; then came the whistling-buoy, the Seal Rocks, the Heads, Point Reyes, the Golden Gate flanked with the old red Presidio, Lime Point with its watching cannon; and by noon of a gray and boisterous day, under a lusty wind and a slant of rain, just five months after her departure, the "Bertha Millner" let go her anchor in San Francisco Bay some few hundred yards off the Lifeboat Station.

In this berth the schooner was still three or four miles from the city and the water-front. But Moran detested any nearer approach to civilization, and Wilbur himself was willing to avoid, at least for one day, the publicity which he believed the "Bertha's" reappearance was sure to attract. He remembered, too, that the little boat carried with her a fortune of $100,000, and decided that until it could be safely landed and stored it was not desirable that its existence should be known along "the Front."

For days, weeks even, Wilbur had looked eagerly forward to this return to his home. He had seen himself again in his former haunts, in his club, and in the houses along Pacific avenue where he was received; but no sooner had the anchor-chain ceased rattling in the "Bertha's" hawse-pipe than a strange revulsion came upon him. The new man that seemed to have so suddenly sprung to life within him, the Wilbur who was the mate of the "Bertha Millner," the Wilbur who belonged to Moran, believed that he could see nothing to be desired in city life. For him was the unsteady deck of a schooner, and the great winds and the tremendous wheel of the ocean's rim, and the horizon that ever fled before his following prow; so he told himself, so he believed. What attractions could the city offer him? What amusements? what excitements? He had been flung off the smoothly spinning circumference of well-ordered life out into the void.

He had known romance, and the spell of the great, simple, and primitive emotions; he had sat down to eat with buccaneers; he had seen the fierce, quick leap of unleashed passions, and had felt death swoop close at his nape and pass like a swift spurt of cold air. City life, his old life, had no charm for him now. Wilbur honestly believed that he was changed to his heart's core. He thought that, like Moran, he was henceforth to be a sailor of the sea, a rover, and he saw the rest of his existence passed with her, aboard their faithful little schooner. They would have the whole round world as their playground; they held the earth and the great seas in fief; there was no one to let or to hinder. They two belonged to each other. Once outside the Heads again, and they swept the land of cities and of little things behind them, and they two were left alone once more; alone in the great world of romance.

About an hour after her arrival off the station, while Hoang and the hands were furling the jib and foresail and getting the dory over the side, Moran remarked to Wilbur:

"It's good we came in when we did, mate; the glass is going down fast, and the wind's breezing up from the west; we're going to have a blow; the tide will be going out in a little while, and we never could have come in against wind and tide."

"Moran," said Wilbur, "I'm going ashore—into the station here; there's a telephone line there; see the wires? I can't so much as turn my hand over before I have some shore-going clothes. What do you suppose they would do to me if I appeared on Kearney Street in this outfit? I'll ring up Langley & Michaels—they are the wholesale chemists in town—and have their agent come out here and talk business to us about our ambergris. We've got to pay the men their prize-money; then as soon as we get our own money in hand we can talk about overhauling and outfitting the 'Bertha.'"

Moran refused to accompany him ashore and into the Lifeboat Station. Roofed houses were an object of suspicion to her. Already she had begun to be uneasy at the distant sight of the city of San Francisco, Nob, Telegraph, Russian, and Rincon hills, all swarming with buildings and grooved with streets; even the land-locked harbor fretted her. Wilbur could see she felt imprisoned, confined. When he had pointed out the Palace Hotel to her—a vast gray cube in the distance, overtopping the surrounding roofs—she had sworn under her breath.

"And people can live there, good heavens! Why not rabbit-burrows, and be done with it? Mate, how soon can we be out to sea again? I hate this place."

Wilbur found the captain of the Lifeboat Station in the act of sitting down to a dinner of boiled beef and cabbage. He was a strongly built well-looking man, with the air more of a soldier than a sailor. He had already been studying the schooner through his front window and had recognized her, and at once asked Wilbur news of Captain Kitchell. Wilbur told him as much of his story as was necessary, but from the captain's talk he gathered that the news of his return had long since been wired from Coronado, and that it would be impossible to avoid a nine days' notoriety. The captain of the station (his name was Hodgson) made Wilbur royally welcome, insisted upon his dining with him, and himself called up Langley & Michaels as soon as the meal was over.

It was he who offered the only plausible solution of the mystery of the lifting and shaking of the schooner and the wrecking of the junk. Though Wilbur was not satisfied with Hodgson's explanation, it was the only one he ever heard.

When he had spoken of the matter, Hodgson had nodded his head. "Sulphur-bottoms," he said.

"Sulphur-bottoms?"

"Yes; they're a kind of right-whale; they get barnacles and a kind of marine lice on their backs, and come up and scratch them selves against a ship's keel, just like a hog under a fence."

When Wilbur's business was done, and he was making ready to return to the schooner, Hodgson remarked suddenly: "Hear you've got a strapping fine girl aboard with you. Where did you fall in with her?" and he winked and grinned.

Wilbur started as though struck, and took himself hurriedly away; but the man's words had touched off in his brain a veritable mine of conjecture. Moran in Magdalena Bay was consistent, congruous, and fitted into her environment. But how—how was Wilbur to explain her to San Francisco, and how could his behavior seem else than ridiculous to the men of his club and to the women whose dinner invitations he was wont to receive? They could not understand the change that had been wrought in him; they did not know Moran, the savage, half-tamed Valkyrie so suddenly become a woman. Hurry as he would, the schooner could not be put to sea again within a fortnight. Even though he elected to live aboard in the meanwhile, the very business of her preparation would call him to the city again and again. Moran could not be kept a secret. As it was, all the world knew of her by now. On the other hand he could easily understand her position; to her it seemed simplicity itself that they two who loved each other should sail away and pass their lives together upon the sea, as she and her father had done before.

Like most men, Wilbur had to walk when he was thinking hard. He sent the dory back to the schooner with word to Moran that he would take a walk around the beach and return in an hour or two. He set off along the shore in the direction of Fort Mason, the old red-brick fort at the entrance to the Golden Gate. At this point in the Presidio Government reservation the land is solitary. Wilbur followed the line of the beach to the old fort; and there, on the very threshold of the Western world, at the very outpost of civilization, sat down in the lee of the crumbling fortification, and scene by scene reviewed the extraordinary events of the past six months.

In front of him ran the narrow channel of the Golden Gate; to his right was the bay and the city; at his left the open Pacific.

He saw himself the day of his advent aboard the "Bertha" in his top hat and frock coat; saw himself later "braking down" at the windlass, the "Petrel" within hailing distance.

Then the pictures began to thicken fast: the derelict bark "Lady Letty" rolling to her scuppers, abandoned and lonely; the "boy" in the wheel-box; Kitchell wrenching open the desk in the captain's stateroom; Captain Sternersen buried at sea, his false teeth upside down; the black fury of the squall, and Moran at the wheel; Moran lying at full length on the deck, getting the altitude of a star; Magdalena Bay; the shark-fishing; the mysterious lifting and shuddering of the schooner; the beach-combers' junk, with its staring red eyes; Hoang, naked to the waist, gleaming with sweat and whale-oil; the ambergris; the race to beach the sinking schooner; the never-to-be-forgotten night when he and Moran had camped together on the beach; Hoang taken prisoner, and the hideous filing of his teeth; the beach-combers, silent and watchful behind their sand breastworks; the Chinaman he had killed twitching and hic-coughing at his feet; Moran turned Berserker, bursting down upon him through a haze of smoke; Charlie dying in the hammock aboard the schooner, ordering his funeral with its "four-piecee horse"; Coronado; the incongruous scene in the ballroom; and, last of all, Josie Herrick in white duck and kid shoes, giving her hand to Moran in her boots and belt, hatless as ever, her sleeves rolled up to above the elbows, her white, strong arm extended, her ruddy face, and pale, milk-blue eyes gravely observant, her heavy braids, yellow as ripening rye, hanging over her shoulder and breast.

A sudden explosion of cold wind, striking down blanket-wise and bewildering from out the west, made Wilbur look up quickly. The gray sky seemed scudding along close overhead. The bay, the narrow channel of the Golden Gate, the outside ocean, were all whitening with crests of waves. At his feet the huge green ground-swells thundered to the attack of the fort's granite foundations. Through the Gate, the bay seemed rushing out to the Pacific. A bewildered gull shot by, tacking and slanting against the gusts that would drive it out to sea. Evidently the storm was not far off. Wilbur rose to his feet, and saw the "Bertha Millner," close in, unbridled and free as a runaway horse, headed directly for the open sea, and rushing on with all the impetus of wind and tide!



XIV. THE OCEAN IS CALLING FOR YOU

A little while after Wilbur had set off for the station, while Moran was making the last entries in the log-book, seated at the table in the cabin, Jim appeared at the door.

"Well," she said, looking up.

"China boy him want go asho' plenty big, seeum flen up Chinatown in um city."

"Shore leave, is it?" said Moran. "You deserted once before without even saying good-by; and my hand in the fire, you'll come back this time dotty with opium. Get away with you. We'll have men aboard here in a few days."

"Can go?" inquired Jim suavely.

"I said so. Report our arrival to your Six Companies."

Hoang rowed Jim and the coolies ashore, and then returned to the schooner with the dory and streamed her astern. As he passed the cabin door on his way forward, Moran hailed him.

"I thought you went ashore?" she cried.

"Heap flaid," he answered. "Him other boy go up Chinatown; him tell Sam Yup; I tink Sam Yup alla same killee me. I no leaveum ship two, thlee day; bimeby I go Olegon. I stay topside ship. You wantum cook. I cook plenty fine; standum watch for you."

Indeed, ever since leaving Coronado the ex-beach-comber had made himself very useful about the schooner; had been, in fact, obsequiousness itself, and seemed to be particularly desirous of gaining the good-will of the "Bertha's" officers. He understood pigeon English better than Jim, and spoke it even better than Charlie had done. He acted the part of interpreter between Wilbur and the hands; even turned to in the galley upon occasion; and of his own accord offered to give the vessel a coat of paint above the water-line. Moran turned back to her log, and Hoang went forward. Standing on the forward deck, he looked after the "Bertha's" coolies until they disappeared behind a row of pine-trees on the Presidio Reservation, going cityward. Wilbur was nowhere in sight. For a longtime Hoang studied the Lifeboat Station narrowly, while he made a great show of coiling a length of rope. The station was just out of hailing distance. Nobody seemed stirring. The whole shore and back land thereabout was deserted; the edge of the city was four miles distant. Hoang returned to the forecastle-hatch and went below, groping under his bunk in his ditty-box.

"Well, what is it?" exclaimed Moran a moment later, as the beach-comber entered the cabin, and shut the door behind him.

Hoang did not answer; but she did not need to repeat the question. In an instant Moran knew very well what he had come for.

"God!" she exclaimed under her breath, springing to her feet. "Why didn't we think of this!"

Hoang slipped his knife from the sleeve of his blouse. For an instant the old imperiousness, the old savage pride and anger, leaped again in Moran's breast—then died away forever. She was no longer the same Moran of that first fight on board the schooner, when the beach-combers had plundered her of her "loot." Only a few weeks ago, and she would have fought with Hoang without hesitation and without mercy; would have wrenched a leg from the table and brained him where he stood. But she had learned since to know what it meant to be dependent; to rely for protection upon some one who was stronger than she; to know her weakness; to know that she was at last a woman, and to be proud of it.

She did not fight; she had no thought of fighting. Instinctively she cried aloud, "Mate—mate!—Oh, mate, where are you? Help me!" and Hoang's knife nailed the words within her throat.

The "loot" was in a brass-bound chest under one of the cabin's bunks, stowed in two gunny-bags. Hoang drew them out, knotted the two together, and, slinging them over his shoulder, regained the deck.

He looked carefully at the angry sky and swelling seas, noting the direction of the wind and set of the tide; then went forward and cast the anchor-chains from the windlass in such a manner that the schooner must inevitably wrench free with the first heavy strain. The dory was still tugging at the line astern. Hoang dropped the sacks in the boat, swung himself over the side, and rowed calmly toward the station's wharf. If any notion of putting to sea with the schooner had entered the obscure, perverted cunning of his mind, he had almost instantly rejected it. Chinatown was his aim; once there and under the protection of his Tong, Hoang knew that he was safe. He knew the hiding-places that the See Yup Association provided for its members—hiding places whose very existence was unknown to the police of the White Devil.

No one interrupted—no one even noticed—his passage to the station. At best, it was nothing more than a coolie carrying a couple of gunny-sacks across his shoulder. Two hours later, Hoang was lost in San Francisco's Chinatown.

*****

At the sight of the schooner sweeping out to sea, Wilbur was for an instant smitten rigid. What had happened? Where was Moran? Why was there nobody on board? A swift, sharp sense of some unnamed calamity leaped suddenly at his throat. Then he was aware of a crattering of hoofs along the road that led to the fort. Hodgson threw himself from one of the horses that were used in handling the surf-boat, and ran to him hatless and panting.

"My God!" he shouted. "Look, your schooner, do you see her? She broke away after I'd started to tell you—to tell you—to tell you—your girl there on board—It was horrible!"

"Is she all right?" cried Wilbur, at top voice, for the clamor of the gale was increasing every second.

"All right! No; they've killed her—somebody—the coolies, I think—knifed her! I went out to ask you people to come into the station to have supper with me—"

"Killed her—killed her! Who? I don't believe you—"

"Wait—to have supper with me, and I found her there on the cabin floor. She was still breathing. I carried her up on deck—there was nobody else aboard. I carried her up and laid her on the deck—and she died there. Just now I came after you to tell you, and—"

"Good God Almighty, man! who killed her? Where is she? Oh—but of course it isn't true! How did you know? Moran killed! Moran killed!"

"And the schooner broke away after I started!"

"Moran killed! But—but—she's not dead yet; we'll have to see—"

"She died on the deck; I brought her up and laid her on—"

"How do you know she's dead? Where is she? Come on, we'll go right back to her—to the station!"

"She's on board—out there!"

"Where—where is she? My God, man, tell me where she is!"

"Out there aboard the schooner. I brought her up on deck—I left her on the schooner—on the deck—she was stabbed in the throat—and then came after you to tell you. Then the schooner broke away while I was coming; she's drifting out to sea now!"

"Where is she? Where is she?"

"Who—the girl—the schooner—which one? The girl is on the schooner—and the schooner—that's her, right there—she's drifting out to sea!"

Wilbur put both hands to his temples, closing his eyes.

"I'll go back!" exclaimed Hodgson. "We'll have the surf-boat out and get after her; we'll bring the body back!"

"No, no!" cried Wilbur, "it's better—this way. Leave her, let her go—she's going out to sea again!"

"But the schooner won't live two hours outside in this weather; she'll go down!"

"It's better—that way—let her go. I want it so!"

"I can't stay!" cried the other again. "If the patrol should sig-storm coming up, and I've got to be at my station."

Wilbur did not answer; he was watching the schooner.

"I can't stay!" cried the other again. "If the patrol should signal—I can't stop here, I must be on duty. Come back, you can't do anything!"

"No!"

"I have got to go!" Hodgson ran back, swung himself on the horse, and rode away at a furious gallop, inclining his head against the gusts.

And the schooner in a world of flying spray, white scud, and driving spoondrift, her cordage humming, her forefoot churning, the flag at her peak straining stiff in the gale, came up into the narrow passage of the Golden Gate, riding high upon the outgoing tide. On she came, swinging from crest to crest of the waves that kept her company and that ran to meet the ocean, shouting and calling out beyond there under the low, scudding clouds.

Wilbur had climbed to the top of the old fort. Erect upon its granite ledge he stood, and watched and waited.

Not once did the "Bertha Millner" falter in her race. Like an unbitted horse, all restraint shaken off, she ran free toward the ocean as to her pasture-land. She came nearer, nearer, rising and rolling with the seas, her bowsprit held due west, pointing like a finger out to sea, to the west—out to the world of romance. And then at last, as the little vessel drew opposite the old fort and passed not one hundred yards away, Wilbur, watching from the rampart, saw Moran lying upon the deck with outstretched arms and calm, upturned face; lying upon the deck of that lonely fleeing schooner as upon a bed of honor, still and calm, her great braids smooth upon her breast, her arms wide; alone with the sea; alone in death as she had been in life. She passed out of his life as she had come into it—alone, upon a derelict ship, abandoned to the sea. She went out with the tide, out with the storms; out, out, out to the great gray Pacific that knew her and loved her, and that shouted and called for her, and thundered in the joy of her as she came to meet him like a bride to meet a bridegroom.

"Good-by, Moran!" shouted Wilbur as she passed. "Good-by, good-by, Moran! You were not for me—not for me! The ocean is calling for you, dear; don't you hear him? Don't you hear him? Good-by, good-by, good-by!"

The schooner swept by, shot like an arrow through the swirling currents of the Golden Gate, and dipped and bowed and courtesied to the Pacific that reached toward her his myriad curling fingers. They infolded her, held her close, and drew her swiftly, swiftly out to the great heaving bosom, tumultuous and beating in its mighty joy, its savage exultation of possession.

Wilbur stood watching. The little schooner lessened in the distance—became a shadow in mist and flying spray—a shadow moving upon the face of the great waste of water. Fainter and fainter she grew, vanished, reappeared, was heaved up again—a mere speck upon the western sky—a speck that dwindled and dwindled, then slowly melted away into the gray of the horizon.

THE END