It was thus that Madame de Tecle had dwelt year after year on the project of this alliance with unalterable fervor, and had blended the two pure affections that shared her heart in this union of her daughter with Camors, and in thus securing the happiness of both. Ever since she had conceived this desire—which could only have had its birth in a soul as pure as it was tender—the education of her child had become the sweet romance of her life. She dreamed of it always, and of nothing else.

Without knowing or even suspecting the evil traits lurking in the character of Camors, she still understood that, like the great majority of the young men of his day, the young Count was not overburdened with principle. But she held that one of the privileges of woman, in our social system, was the elevation of their husbands by connection with a pure soul, by family affections, and by the sweet religion of the heart. Seeking, therefore, by making her daughter an amiable and lovable woman, to prepare her for the high mission for which she was destined, she omitted nothing which could improve her. What success rewarded her care the sequel of this narrative will show. It will suffice, for the present, to inform the reader that Mademoiselle de Tecle was a young girl of pleasing countenance, whose short neck was placed on shoulders a little too high. She was not beautiful, but extremely pretty, well educated, and much more vivacious than her mother.

Mademoiselle Marie was so quick-witted that her mother often suspected she knew the secret which concerned herself. Sometimes she talked too much of M. de Camors; sometimes she talked too little, and assumed a mysterious air when others spoke of him.

Madame de Tecle was a little disturbed by these eccentricities. The conduct of M. de Camors, and his more than reserved bearing, annoyed her occasionally; but when we love any one we are likely to interpret favorably all that he does, or all that he omits to do. Madame de Tecle readily attributed the equivocal conduct of the Count to the inspiration of a chivalric loyalty. As she believed she knew him thoroughly, she thought he wished to avoid committing himself, or awakening public observation, before he had made up his mind.

He acted thus to avoid disturbing the repose of both mother and daughter. Perhaps also the large fortune which seemed destined for Mademoiselle de Tecle might add to his scruples by rousing his pride.

His not marrying was in itself a good augury, and his little fiancee was reaching a marriageable age. She therefore did not despair that some day M. de Camors would throw himself at her feet, and say, "Give her to met!"

If God did not intend that this delicious page should ever be written in the book of her destiny, and she was forced to marry her daughter to another, the poor woman consoled herself with the thought that all the cares she lavished upon her would not be lost, and that her dear child would thus be rendered better and happier.

The long months which intervened between the annual apparition of Camors at Reuilly, filled up by Madame de Tecle with a single idea and by the sweet monotony of a regular life, passed more rapidly than the Count could have imagined. His own life, so active and so occupied, placed ages and abysses between each of his periodical voyages. But Madame de Tecle, after five years, was always only a day removed from the cherished and fatal night on which her dream had begun. Since that period there had been no break in her thoughts, no void in her heart, no wrinkle on her forehead. Her dream continued young, like herself. But in spite of the peaceful and rapid succession of her days, it was not without anxiety that she saw the approach of the season which always heralded the return of Camors.

As her daughter matured, she preoccupied herself with the impression she would make on the mind of the Count, and felt more sensibly the solemnity of the matter.

Mademoiselle Marie, as we have already stated, was a cunning little puss, and had not failed to perceive that her tender mother chose habitually the season of the convocation of the Councils-General to try a new style of hair-dressing for her. The same year on which we have resumed our recital there passed, on one occasion, a little scene which rather annoyed Madame de Tecle. She was trying a new coiffure on Mademoiselle Marie, whose hair was very pretty and very black; some stray and rebellious portions had frustrated her mother's efforts.

There was one lock in particular, which in spite of all combing and brushing would break away from the rest, and fall in careless curls. Madame de Tecle finally, by the aid of some ribbons, fastened down the rebellious curl:

"Now I think it will do," she said sighing, and stepping back to admire the effect of her work.

"Don't believe it," said Marie, who was laughing and mocking. "I do not think so. I see exactly what will happen: the bell rings—I run out—my net gives way—Monsieur de Camors walks in—my mother is annoyed—tableau!"

"I should like to know what Monsieur de Camors has to do with it?" said Madame de Tecle.

Her daughter threw her arms around her neck—"Nothing!" she said.

Another time Madame de Tecle detected her speaking of M. de Camors in a tone of bitter irony. He was "the great man"—"the mysterious personage"—"the star of the neighborhood"—"the phoenix of guests in their woods"—or simply "the Prince!"

Such symptoms were of so serious a nature as not to escape Madame de Tecle.

In presence of "the Prince," it is true, the young girl lost her gayety; but this was another cross. Her mother found her cold, awkward, and silent—brief, and slightly caustic in her replies. She feared M. de Camors would misjudge her from such appearances.

But Camors formed no judgment, good or bad; Mademoiselle de Tecle was for him only an insignificant little girl, whom he never thought of for a moment in the year.

There was, however, at this time in society a person who did interest him very much, and the more because against his will. This was the Marquise de Campvallon, nee de Luc d'Estrelles.

The General, after making the tour of Europe with his young wife, had taken possession of his hotel in the Rue Vanneau, where he lived in great splendor. They resided at Paris during the winter and spring, but in July returned to their chateau at Campvallon, where they entertained in great state until the autumn. The General invited Madame de Tecle and her daughter, every year, to pass some weeks at Campvallon, rightly judging that he could not give his young wife better companions. Madame de Tecle accepted these invitations cheerfully, because it gave her an opportunity of seeing the elite of the Parisian world, from whom the whims of her uncle had always isolated her. For her own part, she did not much enjoy it; but her daughter, by moving in the midst of such fashion and elegance could thus efface some provincialisms of toilet or of language; perfect her taste in the delicate and fleeting changes of the prevailing modes, and acquire some additional graces. The young Marquise, who reigned and scintillated like a bright star in these high regions of social life, lent herself to the designs of her neighbor. She seemed to take a kind of maternal interest in Mademoiselle de Tecle, and frequently added her advice to her example. She assisted at her toilet and gave the final touches with her own dainty hands; and the young girl, in return, loved, admired, and confided in her.

Camors also enjoyed the hospitalities of the General once every season, but was not his guest as often as he wished. He seldom remained at Campvallon longer than a week. Since the return of the Marquise to France he had resumed the relations of a kinsman and friend with her husband and herself; but, while trying to adopt the most natural manner, he treated them both with a certain reserve, which astonished the General. It will not surprise the reader, who recollects the secret and powerful reasons which justified this circumspection.

For Camors, in renouncing the greater part of the restraints which control and bind men in their relations with one another, had religiously intended to preserve one—the sentiment of honor. Many times, in the course of this life, he had felt himself embarrassed to limit and fix with certainty the boundaries of the only moral law he wished to respect.

It is easy to know exactly what is in the Bible; it is not easy to know exactly what the code of honor commands.



CHAPTER XII. CIRCE

But there exists, nevertheless, in this code one article, as to which M. de Camors could not deceive himself, and it was that which forbade his attempting to assail the honor of the General under penalty of being in his own eyes, as a gentleman, a felon and foresworn. He had accepted from this old man confidence, affection, services, benefits—everything which could bind one man inviolably to another man—if there be beneath the heavens anything called honor. He felt this profoundly.

His conduct toward Madame de Campvallon had been irreproachable; and all the more so, because the only woman he was interdicted from loving was the only woman in Paris, or in the universe, who naturally pleased him most. He entertained for her, at once, the interest which attaches to forbidden fruit, to the attraction of strange beauty, and to the mystery of an impenetrable sphinx. She was, at this time, more goddess-like than ever. The immense fortune of her husband, and the adulation which it brought her, had placed her on a golden car. On this she seated herself with a gracious and native majesty, as if in her proper place.

The luxury of her toilet, of her jewels, of her house and of her equipages, was of regal magnificence. She blended the taste of an artist with that of a patrician. Her person appeared really to be made divine by the rays of this splendor. Large, blonde, graceful, the eyes blue and unfathomable, the forehead grave, the mouth pure and proud it was impossible to see her enter a salon with her light, gliding step, or to see her reclining in her carriage, her hands folded serenely, without dreaming of the young immortals whose love brought death.

She had even those traits of physiognomy, stern and wild, which the antique sculptors doubtless had surprised in supernatural visitations, and which they have stamped on the eyes and the lips of their marble gods. Her arms and shoulders, perfect in form, seemed models, in the midst of the rosy and virgin snow which covered the neighboring mountains. She was truly superb and bewitching. The Parisian world respected as much as it admired her, for she played her difficult part of young bride to an old man so perfectly as to avoid scandal. Without any pretence of extraordinary devotion, she knew how to join to her worldly pomps the exercise of charity, and all the other practices of an elegant piety. Madame de la Roche-Jugan, who watched her closely, as one watching a prey, testified, herself, in her favor; and judged her more and more worthy of her son. And Camors, who observed her, in spite of himself, with an eager curiosity, was finally induced to believe, as did his aunt and all the world, that she conscientiously performed her difficult duties, and that she found in the eclat of her life and the gratification of her pride a sufficient compensation for the sacrifice of her youth, her heart, and her beauty; but certain souvenirs of the past, joined to certain peculiarities, which he fancied he remarked in the Marquise, induced him to distrust.

There were times, when recalling all that he had once witnessed—the abysses and the flame at the bottom of that heart—he was tempted to suspect the existence of many storms under all this calm exterior, and perhaps some wickedness. It is true she never was with him precisely as she was before the world. The character of their relations was marked by a peculiar tone. It was precisely that tone of covert irony adopted by two persons who desired neither to remember nor to forget. This tone, softened in the language of Camors by his worldly tact and his respect, was much more pointed, and had much more of bitterness on the side of the young woman.

He even fancied, at times, that he discovered a shade of coquetry under this treatment; and this provocation, vague as it was, coming from this beautiful, cold, and inscrutable creature, seemed to him a game fearfully mysterious, that at once attracted and disturbed him.

This was the state of things when the Count came, according to custom, to pass the first days of September at the chateau of Campvallon, and met there Madame de Tecle and her daughter. The visit was a painful one, this year, for Madame de Tecle. Her confidence deserted her, and serious concern took its place. She had, it is true, fixed in her mind, as the last point of her hopes, the moment when her daughter should have reached twenty years of age; and Marie was only eighteen.

But she already had had several offers, and several times public rumor had already declared her to be betrothed.

Now, Camors could not have been ignorant of the rumors circulating in the neighborhood, and yet he did not speak. His countenance did not change. He was coldly affectionate to Madame de Tecle, but toward Marie, in spite of her beautiful blue eyes, like her mother's, and her curly hair, he preserved a frozen indifference. For Camors had other anxieties, of which Madame de Tecle knew nothing. The manner of Madame Campvallon toward him had assumed a more marked character of aggressive raillery. A defensive attitude is never agreeable to a man, and Camors felt it more disagreeable than most men—being so little accustomed to it.

He resolved promptly to shorten his visit at Campvallon.

On the eve of his departure, about five o'clock in the afternoon, he was standing at his window, looking beyond the trees at the great black clouds sailing over the valley, when he heard the sound of a voice that had power to move him deeply—"Monsieur de Camors!" He saw the Marquise standing under his window.

"Will you walk with me?" she added.

He bowed and descended immediately. At the moment he reached her:

"It is suffocating," she said. "I wish to walk round the park and will take you with me."

He muttered a few polite phrases, and they began walking, side by side, through the alleys of the park.

She moved at a rapid pace, with her majestic motion, her body swaying, her head erect. One would have looked for a page behind her, but she had none, and her long blue robe—she rarely wore short skirts—trailed on the sand and over the dry leaves with the soft rustle of silk.

"I have disturbed you, probably?" she said, after a moment's pause. "What were you dreaming of up there?"

"Nothing—only watching the coming storm."

"Are you becoming poetical, cousin?"

"There is no necessity for becoming, for I already am infinitely so!"

"I do not think so. Shall you leave to-morrow?"

"I shall."

"Why so soon?"

"I have business elsewhere."

"Very well. But Vau—Vautrot—is he not there?"

Vautrot was the secretary of M. de Camors.

"Vautrot can not do everything," he replied.

"By the way, I do not like your Vautrot."

"Nor I. But he was recommended to me by my old friend, Madame d'Oilly, as a freethinker, and at the same time by my aunt, Madame de la Roche-Jugan, as a religious man!"

"How amusing!"

"Nevertheless," said Camors, "he is intelligent and witty, and writes a fine hand."

"And you?"

"How? What of me?"

"Do you also write a good hand?"

"I will show you, whenever you wish!"

"Ah! and will you write to me?"

It is difficult to imagine the tone of supreme indifference and haughty persiflage with which the Marquise sustained this dialogue, without once slackening her pace, or glancing at her companion, or changing the proud and erect pose of her head.

"I will write you either prose or verse, as you wish," said Camors.

"Ah! you know how to compose verses?"

"When I am inspired!"

"And when are you inspired?"

"Usually in the morning."

"And we are now in the evening. That is not complimentary to me."

"But you, Madame, had no desire to inspire me, I think."

"Why not, then? I should be happy and proud to do so. Do you know what I should like to put there?" and she stopped suddenly before a rustic bridge, which spanned a murmuring rivulet.

"I do not know!"

"You can not even guess? I should like to put an artificial rock there."

"Why not a natural one? In your place I should put a natural one!"

"That is an idea," said the Marquise, and walking on she crossed the bridge.

"But it really thunders. I like to hear thunder in the country. Do you?"

"I prefer to hear it thunder at Paris."

"Why?"

"Because then I should not hear it."

"You have no imagination."

"I have; but I smother it."

"Possibly. I have suspected you of hiding your merits, and particularly from me."

"Why should I conceal my merits from you?"

"'Why should I conceal my merits' is good!" said the Marquise, ironically. "Why? Out of charity, Monsieur, not to dazzle me, and in regard for my repose! You are really too good, I assure you. Here comes the rain."

Large drops of rain began to fall on the dry leaves, and on the yellow sand of the alley. The day was dying, and the sudden shower bent the boughs of the trees.

"We must return," said the young woman; "this begins to get serious."

She took, in haste, the path which led to the chateau; but after a few steps a bright flash broke over her head, the noise of the thunder resounded, and a deluge of rain fell upon the fields.

There was fortunately, near by, a shelter in which the Marquise and her companion could take refuge. It was a ruin, preserved as an ornament to the park, which had formerly been the chapel of the ancient chateau. It was almost as large as the village chapel—the broken walls half concealed under a thick mantle of ivy. Its branches had pushed through the roof and mingled with the boughs of the old trees which surrounded and shaded it. The timbers had disappeared. The extremity of the choir, and the spot formerly occupied by the altar, were alone covered by the remains of the roof. Wheelbarrows, rakes, spades, and other garden tools were piled there.

The Marquise had to take refuge in the midst of this rubbish, in the narrow space, and her companion followed her.

The storm, in the mean time, increased in violence. The rain fell in torrents through the old walls, inundating the soil in the ancient nave. The lightning flashed incessantly. Every now and then fragments of earth and stone detached themselves from the roof, and fell into the choir.

"I find this magnificent!" said Madame de Campvallon.

"I also," said Camors, raising his eyes to the crumbling roof which half protected them; "but I do not know whether we are safe here!"

"If you fear, you would better go!" said the Marquise.

"I fear for you."

"You are too good, I assure you."

She took off her cap and brushed it with her glove, to remove the drops of rain which had fallen upon it. After a slight pause, she suddenly raised her uncovered head and cast on Camors one of those searching looks which prepares a man for an important question.

"Cousin!" she said, "if you were sure that one of these flashes of lightning would kill you in a quarter of an hour, what would you do?"

"Why, cousin, naturally I should take a last farewell of you."

"How?"

He regarded her steadily, in his turn. "Do you know," he said, "there are moments when I am tempted to think you a devil?"

"Truly! Well, there are times when I am tempted to think so myself—for example, at this moment. Do you know what I should wish? I wish I could control the lightning, and in two seconds you would cease to exist."

"For what reason?"

"Because I recollect there was a man to whom I offered myself, and who refused me, and that this man still lives. And this displeases me a little—a great deal—passionately."

"Are you serious, Madame?" replied Camors.

She laughed.

"I hope you did not think so. I am not so wicked. It was a joke—and in bad taste, I admit. But seriously now, cousin, what is your opinion of me? What kind of woman has time made me?"

"I swear to you I am entirely ignorant."

"Admitting I had become, as you did me the honor to suppose, a diabolical person, do you think you had nothing to do with it? Tell me! Do you not believe that there is in the life of a woman a decisive hour, when the evil seed which is cast upon her soul may produce a terrible harvest? Do you not believe this? Answer me! And should I not be excusable if I entertained toward you the sentiment of an exterminating angel; and have I not some merit in being what I am—a good woman, who loves you well—with a little rancor, but not much—and who wishes you all sorts of prosperity in this world and the next? Do not answer me: it might embarrass you, and it would be useless."

She left her shelter, and turned her face toward the lowering sky to see whether the storm was over.

"It has stopped raining," she said, "let us go."

She then perceived that the lower part of the nave had been transformed into a lake of mud and water. She stopped at its brink, and uttered a little cry:

"What shall I do?" she said, looking at her light shoes. Then, turning toward Camors, she added, laughing:

"Monsieur, will you get me a boat?"

Camors, himself, recoiled from stepping into the greasy mud and stagnant water which filled the whole space of the nave.

"If you will wait a little," he said, "I shall find you some boots or sabots, no matter what."

"It will be much easier," she said abruptly, "for you to carry me to the door;" and without waiting for the young man's reply, she tucked up her skirts carefully, and when she had finished, she said, "Carry me!"

He looked at her with astonishment, and thought for a moment she was jesting; but soon saw she was perfectly serious.

"Of what are you afraid?" she asked.

"I am not at all afraid," he answered.

"Is it that you are not strong enough?"

"Mon Dieu! I should think I was."

He took her in his arms, as in a cradle, while she held up her skirts with both hands. He then descended the steps and moved toward the door with his strange burden. He was obliged to be very careful not to slip on the wet earth, and this absorbed him during the first few steps; but when he found his footing more sure, he felt a natural curiosity to observe the countenance of the Marquise.

The uncovered head of the young woman rested a little on the arm with which he held her. Her lips were slightly parted with a half-wicked smile that showed her fine white teeth; the same expression of ungovernable malice burned in her dark eyes, which she riveted for some seconds on those of Camors with persistent penetration—then suddenly veiled them under the fringe of her dark lashes. This glance sent a thrill like lightning to his very marrow.

"Do you wish to drive me mad?" he murmured.

"Who knows?" she replied.

The same moment she disengaged herself from his arms, and placing her foot on the ground again, left the ruin.

They reached the chateau without exchanging a word. Just before entering the house the young Marquise turned toward Camors and said to him:

"Be sure that at heart I am very good, really."

Notwithstanding this assertion, Camors was yet more determined to leave the next morning, as he had previously decided. He carried away the most painful impression of the scene of that evening.

She had wounded his pride, inflamed his hopeless passion, and disquieted his honor.

"What is this woman, and what does she want of me? Is it love or vengeance that inspires her with this fiendish coquetry?" he asked himself. Whatever it was, Camors was not such a novice in similar adventures as not to perceive clearly the yawning abyss under the broken ice. He resolved sincerely to close it again between them, and forever. The best way to succeed in this, avowedly, was to cease all intercourse with the Marquise. But how could such conduct be explained to the General, without awakening his suspicion and lowering his wife in his esteem? That plan was impossible. He armed himself with all his courage, and resigned himself to endure with resolute soul all the trials which the love, real or pretended, of the Marquise reserved for him.

He had at this time a singular idea. He was a member of several of the most aristocratic clubs. He organized a chosen group of men from the elite of his companions, and formed with them a secret association, of which the object was to fix and maintain among its members the principles and points of honor in their strictest form. This society, which had only been vaguely spoken of in public under the name of "Societe des Raffines," and also as "The Templars" which latter was its true name—had nothing in common with "The Devourers," illustrated by Balzac. It had nothing in it of a romantic or dramatic character. Those who composed this club did not, in any way, defy ordinary morals, nor set themselves above the laws of their country. They did not bind themselves by any vows of mutual aid in extremity. They bound themselves simply by their word of honor to observe, in their reciprocal relations, the rules of purest honor.

These rules were specified in their code. The text it is difficult to give; but it was based entirely on the point of honor, and regulated the affairs of the club, such as the card-table, the turf, duelling, and gallantry. For example, any member was disqualified from belonging to this association who either insulted or interfered with the wife or relative of one of his colleagues. The only penalty was exclusion: but the consequences of this exclusion were grave; for all the members ceased thereafter to associate with, recognize, or even bow to the offender. The Templars found in this secret society many advantages. It was a great security in their intercourse with one another, and in the different circumstances of daily life, where they met continually either at the opera, in salons, or on the turf.

Camors was an exception among his companions and rivals in Parisian life by the systematic decision of his doctrine. It was not so much an embodiment of absolute scepticism and practical materialism; but the want of a moral law is so natural to man, and obedience to higher laws so sweet to him, that the chosen adepts to whom the project of Camors was submitted accepted it with enthusiasm. They were happy in being able to substitute a sort of positive and formal religion for restraints so limited as their own confused and floating notions of honor. For Camors himself, as is easily understood, it was a new barrier which he wished to erect between himself and the passion which fascinated him. He attached himself to this with redoubled force, as the only moral bond yet left him. He completed his work by making the General accept the title of President of the Association. The General, to whom Honor was a sort of mysterious but real goddess, was delighted to preside over the worship of his idol. He felt flattered by his young friend's selection, and esteemed him the more.

It was the middle of winter. The Marquise Campvallon had resumed for some time her usual course of life, which was at the same time strict but elegant. Punctual at church every morning, at the Bois and at charity bazaars during the day, at the opera or the theatres in the evening, she had received M. de Camors without the shadow of apparent emotion. She even treated him more simply and more naturally than ever, with no recurrence to the past, no allusion to the scene in the park during the storm; as if she had, on that day, disclosed everything that had lain hidden in her heart. This conduct so much resembled indifference, that Camors should have been delighted; but he was not—on the contrary he was annoyed by it. A cruel but powerful interest, already too dear to his blase soul, was disappearing thus from his life. He was inclined to believe that Madame de Campvallon possessed a much less complicated character than he had fancied; and that little by little absorbed in daily trifles, she had become in reality what she pretended to be—a good woman, inoffensive, and contented with her lot.

He was one evening in his orchestra-stall at the opera. They were singing The Huguenots. The Marquise occupied her box between the columns. The numerous acquaintances Camors met in the passages during the first entr'acte prevented his going as soon as usual to pay his respects to his cousin. At last, after the fourth act, he went to visit her in her box, where he found her alone, the General having descended to the parterre for a few moments. He was astonished, on entering, to find traces of tears on the young woman's cheeks. Her eyes were even moist. She seemed displeased at being surprised in the very act of sentimentality.

"Music always excites my nerves," she said.

"Indeed!" said Camors. "You, who always reproach me with hiding my merits, why do you hide yours? If you are still capable of weeping, so much the better."

"No! I claim no merit for that. Oh, heavens! If you only knew! It is quite the contrary."

"What a mystery you are!"

"Are you very curious to fathom this mystery? Only that? Very well—be happy! It is time to put an end to this."

She drew her chair from the front of the box out of public view, and, turning toward Camors, continued: "You wish to know what I am, what I feel, and what I think; or rather, you wish to know simply whether I dream of love? Very well, I dream only of that! Have I lovers, or have I not? I have none, and never shall have, but that will not be because of my virtue. I believe in nothing, except my own self-esteem and my contempt of others. The little intrigues, the petty passions, which I see in the world, make me indignant to the bottom of my soul. It seems to me that women who give themselves for so little must be base creatures. As for myself, I remember having said to you one day—it is a million years since then!—that my person is sacred to me; and to commit a sacrilege I should wish, like the vestals of Rome, a love as great as my crime, and as terrible as death. I wept just now during that magnificent fourth act. It was not because I listened to the most marvellous music ever heard on this earth; it was because I admire and envy passionately the superb and profound love of that time. And it is ever thus—when I read the history of the glorious sixteenth century, I am in ecstacies. How well those people knew how to love and how to die! One night of love—then death. That is delightful. Now, cousin, you must leave me. We are observed. They will believe we love each other, and as we have not that pleasure, it is useless to incur the penalties. Since I am still in the midst of the court of Charles Tenth, I pity you, with your black coat and round hat. Good-night."

"I thank you very much," replied Camors, taking the hand she extended to him coldly, and left the box. He met M. de Campvallon in the passage.

"Parbleu! my dear friend," said the General, seizing him by the arm. "I must communicate to you an idea which has been in my brain all the evening."

"What idea, General?"

"Well, there are here this evening a number of charming young girls. This set me to thinking of you, and I even said to my wife that we must marry you to one of these young women!"

"Oh, General!"

"Well, why not?"

"That is a very serious thing—if one makes a mistake in his choice—that is everything."

"Bah! it is not so difficult a thing. Take a wife like mine, who has a great deal of religion, not much imagination, and no fancies. That is the whole secret. I tell you this in confidence, my dear fellow!"

"Well, General, I will think of it."

"Do think of it," said the General, in a serious tone; and went to join his young wife, whom he understood so well.

As to her, she thoroughly understood herself, and analyzed her own character with surprising truth.

Madame de Campvallon was just as little what her manner indicated as was M. de Camors on his side. Both were altogether exceptional in French society. Equally endowed by nature with energetic souls and enlightened minds, both carried innate depravity to a high degree. The artificial atmosphere of high Parisian civilization destroys in women the sentiment and the taste for duty, and leaves them, nothing but the sentiment and the taste for pleasure. They lose in the midst of this enchanted and false life, like theatrical fairyland, the true idea of life in general, and Christian life in particular. And we can confidently affirm that all those who do not make for themselves, apart from the crowd, a kind of Thebaid—and there are such—are pagans. They are pagans, because the pleasures of the senses and of the mind alone interest them, and they have not once, during the year, an impression of the moral law, unless the sentiment, which some of them detest, recalls it to them. They are pagans, like the beautiful, worldly Catholics of the fifteenth century—loving luxury, rich stuffs, precious furniture, literature, art, themselves, and love. They were charming pagans, like Marie Stuart, and capable, like her, of remaining true Catholics even under the axe.

We are speaking, let it be understood, of the best of the elite—of those that read, and of those that dream. As to the rest, those who participate in the Parisian life on its lighter side, in its childish whirl, and the trifling follies it entails, who make rendezvous, waste their time, who dress and are busy day and night doing nothing, who dance frantically in the rays of the Parisian sun, without thought, without passion, without virtue, and even without vice—we must own it is impossible to imagine anything more contemptible.

The Marquise de Campvallon was then—as she truly said to the man she resembled—a great pagan; and, as she also said to herself in one of her serious moments when a woman's destiny is decided by the influence of those they love, Camors had sown in her heart a seed which had marvellously fructified.

Camors dreamed little of reproaching himself for it, but struck with all the harmony that surrounded the Marquise, he regretted more bitterly than ever the fatality which separated them.

He felt, however, more sure of himself, since he had bound himself by the strictest obligations of honor. He abandoned himself from this moment with less scruple to the emotions, and to the danger against which he believed himself invincibly protected. He did not fear to seek often the society of his beautiful cousin, and even contracted the habit of repairing to her house two or three times a week, after leaving the Chamber of Deputies. Whenever he found her alone, their conversation invariably assumed a tone of irony and of raillery, in which both excelled. He had not forgotten her reckless confidences at the opera, and recalled it to her, asking her whether she had yet discovered that hero of love for whom she was looking, who should be, according to her ideas, a villain like Bothwell, or a musician like Rizzio.

"There are," she replied, "villains who are also musicians; but that is imagination. Sing me, then, something apropos."

It was near the close of winter. The Marquise gave a ball. Her fetes were justly renowned for their magnificence and good taste. She did the honors with the grace of a queen. This evening she wore a very simple costume, as was becoming in the courteous hostess. It was a gown of dark velvet, with a train; her arms were bare, without jewels; a necklace of large pearls lay on her rose-tinted bosom, and the heraldic coronet sparkled on her fair hair.

Camors caught her eye as he entered, as if she were watching for him. He had seen her the previous evening, and they had had a more lively skirmish than usual. He was struck by her brilliancy—her beauty heightened, without doubt, by the secret ardor of the quarrel, as if illuminated by an interior flame, with all the clear, soft splendor of a transparent alabaster vase.

When he advanced to join her and salute her, yielding, against his will, to an involuntary movement of passionate admiration, he said:

"You are truly beautiful this evening. Enough so to make one commit a crime."

She looked fixedly in his eyes, and replied:

"I should like to see that," and then left him, with superb nonchalance.

The General approached, and tapping the Count on the shoulder, said:

"Camors! you do not dance, as usual. Let us play a game of piquet."

"Willingly, General;" and traversing two or three salons they reached the private boudoir of the Marquise. It was a small oval room, very lofty, hung with thick red silk tapestry, covered with black and white flowers. As the doors were removed, two heavy curtains isolated the room completely from the neighboring gallery. It was there that the General usually played cards and slept during his fetes. A small card-table was placed before a divan. Except this addition, the boudoir preserved its every-day aspect. Woman's work, half finished, books, journals, and reviews were strewn upon the furniture. They played two or three games, which the General won, as Camors was very abstracted.

"I reproach myself, young man," said the former, "in having kept you so long away from the ladies. I give you back your liberty—I shall cast my eye on the journals."

"There is nothing new in them, I think," said Camors, rising. He took up a newspaper himself, and placing his back against the mantelpiece, warmed his feet, one after the other. The General threw himself on the divan, ran his eye over the 'Moniteur de l'Armee', approving of some military promotions, and criticising others; and, little by little, he fell into a doze, his head resting on his chest.

But Camors was not reading. He listened vaguely to the music of the orchestra, and fell into a reverie. Through these harmonies, through the murmurs and warm perfume of the ball, he followed, in thought, all the evolutions of her who was mistress and queen of all. He saw her proud and supple step—he heard her grave and musical voice—he felt her breath.

This young man had exhausted everything. Love and pleasure had no longer for him secrets or temptations; but his imagination, cold and blase, had arisen all inflamed before this beautiful, living, palpitating statue. She was really for him more than a woman—more than a mortal. The antique fables of amorous goddesses and drunken Bacchantes—the superhuman voluptuousness unknown in terrestrial pleasures—were in reach of his hand, separated from him only by the shadow of this sleeping old man. But a shadow was ever between them—it was honor.

His eyes, as if lost in thought, were fixed straight before him on the curtain opposite the chimney. Suddenly this curtain was noiselessly raised, and the young Marquise appeared, her brow surmounted by her coronet. She threw a rapid glance over the boudoir, and after a moment's pause, let the curtain fall gently, and advanced directly toward Camors, who stood dazzled and immovable. She took both his hands, without speaking, looked at his steadily—throwing a rapid glance at her husband, who still slept—and, standing on tiptoe, offered her lips to the young man.

Bewildered, and forgetting all else, he bent, and imprinted a kiss on her lips.

At that very moment, the General made a sudden movement and woke up; but the same instant the Marquise was standing before him, her hands resting on the card-table; and smiling upon him, she said, "Good-morning, my General!"

The General murmured a few words of apology, but she laughingly pushed him back on his divan.

"Continue your nap," she said; "I have come in search of my cousin, for the last cotillon." The General obeyed.

She passed out by the gallery. The young man; pale as a spectre, followed her.

Passing under the curtain, she turned toward him with a wild light burning in her eyes. Then, before she was lost in the throng, she whispered, in a low, thrilling voice:

"There is the crime!"



CHAPTER XIII. THE FIRST ACT OF THE TRAGEDY

Camors did not attempt to rejoin the Marquise, and it seemed to him that she also avoided him. A quarter of an hour later, he left the Hotel Campvallon.

He returned immediately home. A lamp was burning in his chamber. When he saw himself in the mirror, his own face terrified him. This exciting scene had shaken his nerves.

He could no longer control himself. His pupil had become his master. The fact itself did not surprise him. Woman is more exalted than man in morality. There is no virtue, no devotion, no heroism in which she does not surpass him; but once impelled to the verge of the abyss, she falls faster and lower than man. This is attributable to two causes: she has more passion, and she has no honor. For honor is a reality and must not be underrated. It is a noble, delicate, and salutary quality. It elevates manly attributes; in fact, it constitutes the modesty of man. It is sometimes a force, and always a grace. But to think that honor is all-sufficient; that in the face of great interests, great passions, great trials in life, it is a support and an infallible defence; that it can enforce the precepts which come from God—in fact that it can replace God—this is a terrible mistake. It exposes one in a fatal moment to the loss of one's self-esteem, and to fall suddenly and forever into that dismal ocean of bitterness where Camors at that instant was struggling in despair, like a drowning man in the darkness of midnight.

He abandoned himself, on this evil night, to a final conflict full of agony; and he was beaten.

The next evening at six o'clock he was at the house of the Marquise. He found her in her boudoir, surrounded by all her regal luxury. She was half buried in a fauteuil in the chimney-corner, looking a little pale and fatigued. She received him with her usual coldness and self-possession.

"Good-day," she said. "How are you?"

"Not very well," replied Camors.

"What is the matter?"

"I fancy that you know."

She opened her large eyes wide with surprise, but did not reply.

"I entreat you, Madame," continued Camors, smiling—"no more music, the curtain is raised, and the drama has begun."

"Ah! we shall see."

"Do you love me?" he continued; "or were you simply acting, to try me, last night? Can you, or will you, tell me?"

"I certainly could, but I do not wish to do so."

"I had thought you more frank."

"I have my hours."

"Well, then," said Camors, "if your hours of frankness have passed, mine have begun."

"That would be compensation," she replied.

"And I will prove it to you," continued Camors.

"I shall make a fete of it," said the Marquise, throwing herself back on the sofa, as if to make herself comfortable in order to enjoy an agreeable conversation.

"I love you, Madame; and as you wish to be loved. I love you devotedly and unto death—enough to kill myself, or you!"

"That is well," said the Marquise, softly.

"But," he continued in a hoarse and constrained tone, "in loving you, in telling you of it, in trying to make you share my love, I violate basely the obligations of honor of which you know, and others of which you know not. It is a crime, as you have said. I do not try to extenuate my offence. I see it, I judge it, and I accept it. I break the last moral tie that is left me; I leave the ranks of men of honor, and I leave also the ranks of humanity. I have nothing human left except my love, nothing sacred but you; but my crime elevates itself by its magnitude. Well, I interpret it thus: I imagine two beings, equally free and strong, loving and valuing each other beyond all else, having no affection, no loyalty, no devotion, no honor, except toward each other—but possessing all for each other in a supreme degree.

"I give and consecrate absolutely to you, my person, all that I can be, or may become, on condition of an equal return, still preserving the same social conventionalities, without which we should both be miserable.

"Secretly united, and secretly isolated; though in the midst of the human herd, governing and despising it; uniting our gifts, our faculties, and our powers, our two Parisian royalties—yours, which can not be greater, and mine, which shall become greater if you love me and living thus, one for the other, until death. You have dreamed, you told me, of strange and almost sacrilegious love. Here it is; only before accepting it, reflect well, for I assure you it is a serious thing. My love for you is boundless. I love you enough to disdain and trample under foot that which the meanest human being still respects. I love you enough to find in you alone, in your single esteem, and in your sole tenderness, in the pride and madness of being yours, oblivion and consolation for friendship outraged, faith betrayed, and honor lost. But, Madame, this is a sentiment which you will do well not to trifle with. You should thoroughly understand this. If you desire my love, if you consent to this alliance, opposed to all human laws, but grand and singular also, deign to tell me so, and I shall fall at your feet. If you do not wish it, if it terrifies you, if you are not prepared for the double obligation it involves, tell me so, and fear not a word of reproach. Whatever it might cost me—I would ruin my life, I would leave you forever, and that which passed yesterday should be eternally forgotten."

He ceased, and remained with his eyes fixed on the young woman with a burning anxiety. As he went on speaking her air became more grave; she listened to him, her head a little inclined toward him in an attitude of overpowering interest, throwing upon him at intervals a glance full of gloomy fire. A slight but rapid palpitation of the bosom, a scarcely perceptible quivering of the nostrils, alone betrayed the storm raging within her.

"This," she said, after a moment's silence, "becomes really interesting; but you do not intend to leave this evening, I suppose?"

"No," said Camors.

"Very well," she replied, inclining her head in sign of dismissal, without offering her hand; "we shall see each other again."

"But when?"

"At an early day."

He thought she required time for reflection, a little terrified doubtless by the monster she had evoked; he saluted her gravely and departed.

The next day, and on the two succeeding days, he vainly presented himself at her door.

The Marquise was either dining out or dressing.

It was for Camors a whole century of torment. One thought which often disquieted him revisited him with double poignancy. The Marquise did not love him. She only wished to revenge herself for the past, and after disgracing him would laugh at him. She had made him sign the contract, and then had escaped him. In the midst of these tortures of his pride, his passion, instead of weakening, increased.

The fourth day after their interview he did not go to her house. He hoped to meet her in the evening at the Viscountess d'Oilly's, where he usually saw her every Friday. This lady had been formerly the most tender friend of the Count's father. It was to her the Count had thought proper to confide the education of his son.

Camors had preserved for her a kind of affection. She was an amiable woman, whom he liked and laughed at.

No longer young, she had been compelled to renounce gallantry, which had been the chief occupation of her youth, and never having had much taste for devotion, she conceived the idea of having a salon. She received there some distinguished men, savants and artists, who piqued themselves on being free-thinkers.

The Viscountess, in order to fit herself for her new position, resolved to enlighten herself. She attended public lectures and conferences, which began to be fashionable. She spoke easily about spontaneous generation. She manifested a lively surprise when Camors, who delighted in tormenting her, deigned to inform her that men were descended from monkeys.

"Now, my friend," she said to him, "I can not really admit that. How can you think your grandfather was a monkey, you who are so handsome?"

She reasoned on everything with the same force.

Although she boasted of being a sceptic, sometimes in the morning she went out, concealed by a thick veil, and entered St. Sulpice, where she confessed and put herself on good terms with God, in case He should exist. She was rich and well connected, and in spite of the irregularities of her youth, the best people visited her house.

Madame de Campvallon permitted herself to be introduced by M. de Camors. Madame de la Roche-Jugan followed her there, because she followed her everywhere, and took her son Sigismund. On this evening the reunion was small. M. de Camors had only been there a few moments, when he had the satisfaction of seeing the General and the Marquise enter. She tranquilly expressed to him her regret at not having been at home the preceding day; but it was impossible to hope for a more decided explanation in a circle so small, and under the vigilant eye of Madame de la Roche-Jugan. Camors interrogated vainly the face of his young cousin. It was as beautiful and cold as usual. His anxiety increased; he would have given his life at that moment to hear her say one word of love.

The Viscountess liked the play of wit, as she had little herself. They played at her house such little games as were then fashionable. Those little games are not always innocent, as we shall see.

They had distributed pencils, pens, and packages of paper—some of the players sitting around large tables, and some in separate chairs—and scratched mysteriously, in turn, questions and answers. During this time the General played whist with Madame de la Roche-Jugan. Madame Campvallon did not usually take part in these games, as they fatigued her. Camors was therefore astonished to see her accept the pencil and paper offered her.

This singularity awakened his attention and put him on his guard. He himself joined in the game, contrary to his custom, and even charged himself with collecting in the basket the small notes as they were written.

An hour passed without any special incident. The treasures of wit were dispensed. The most delicate and unexpected questions—such as, "What is love?" "Do you think that friendship can exist between the sexes?" "Is it sweeter to love or to beloved?"—succeeded each other with corresponding replies. All at once the Marquise gave a slight scream, and they saw a drop of blood trickle down her forehead. She laughed, and showed her little silver pencil-case, which had a pen at one end, with which she had scratched her forehead in her abstraction.

The attention of Camors was redoubled from this moment—the more so from a rapid and significant glance from the Marquise, which seemed to warn him of an approaching event. She was sitting a little in shadow in one corner, in order to meditate more at ease on questions and answers. An instant later Camors was passing around the room collecting notes. She deposited one in the basket, slipping another into his hand with the cat-like dexterity of her sex. In the midst of these papers, which each person amused himself with reading, Camors found no difficulty in retaining without remark the clandestine note of the Marquise. It was written in red ink, a little pale, but very legible, and contained these words:

"I belong, soul, body, honor, riches, to my best-beloved cousin, Louis de Camors, from this moment and forever.

"Written and signed with the pure blood of my veins, March 5, 185-.

"CHARLOTTE DE LUC. D'ESTRELLES."

All the blood of Camors surged to his brain—a cloud came over his eyes—he rested his hand on the marble table, then suddenly his face was covered with a mortal paleness. These symptoms did not arise from remorse or fear; his passion overshadowed all. He felt a boundless joy. He saw the world at his feet.

It was by this act of frankness and of extraordinary audacity, seasoned by the bloody mysticism so familiar to the sixteenth century, which she adored, that the Marquise de Campvallon surrendered herself to her lover and sealed their fatal union.



CHAPTER XIV. AN ANONYMOUS LETTER

Nearly six weeks had passed after this last episode. It was five o'clock in the afternoon and the Marquise awaited Camors, who was to come after the session of the Corps Legislatif. There was a sudden knock at one of the doors of her room, which communicated with her husband's apartment. It was the General. She remarked with surprise, and even with fear, that his countenance was agitated.

"What is the matter with you, my dear?" she said. "Are you ill?"

"No," replied the General, "not at all."

He placed himself before her, and looked at her some moments before speaking, his eyes rolling wildly.

"Charlotte!" he said at last, with a painful smile, "I must own to you my folly. I am almost mad since morning—I have received such a singular letter. Would you like to see it?"

"If you wish," she replied.

He took a letter from his pocket, and gave it to her. The writing was evidently carefully disguised, and it was not signed.

"An anonymous letter?" said the Marquise, whose eyebrows were slightly raised, with an expression of disdain; then she read the letter, which was as follows:

"A true friend, General, feels indignant at seeing your confidence and your loyalty abused. You are deceived by those whom you love most.

"A man who is covered with your favors and a woman who owes everything to you are united by a secret intimacy which outrages you. They are impatient for the hour when they can divide your spoils.

"He who regards it as a pious duty to warn you does not desire to calumniate any one. He is sure that your honor is respected by her to whom you have confided it, and that she is still worthy of your confidence and esteem. She wrongs you in allowing herself to count upon the future, which your best friend dates from your death. He seeks your widow and your estate.

"The poor woman submits against her will to the fascinations of a man too celebrated for his successful affairs of the heart. But this man, your friend—almost your son—how can he excuse his conduct? Every honest person must be shocked by such behavior, and particularly he whom a chance conversation informed of the fact, and who obeys his conscience in giving you this information."

The Marquise, after reading it, returned the letter coldly to the General.

"Sign it Eleanore-Jeanne de la Roche-Jugan!" she said.

"Do you think so?" asked the General.

"It is as clear as day," replied the Marquise. "These expressions betray her—'a pious duty to warn you—'celebrated for his successful affairs of the heart'—'every honest person.' She can disguise her writing, but not her style. But what is still more conclusive is that which she attributes to Monsieur de Camors—for I suppose it alludes to him—and to his private prospects and calculations. This can not have failed to strike you, as it has me, I suppose?"

"If I thought this vile letter was her work," cried the General, "I never would see her again during my life."

"Why not? It is better to laugh at it!"

The General began one of his solemn promenades across the room. The Marquise looked uneasily at the clock. Her husband, intercepting one of these glances, suddenly stopped.

"Do you expect Camors to-day?" he inquired.

"Yes; I think he will call after the session."

"I think he will," responded the General, with a convulsive smile. "And do you know, my dear," he added, "the absurd idea which has haunted me since I received this infamous letter?—for I believe that infamy is contagious."

"You have conceived the idea of observing our interview?" said the Marquise, in a tone of indolent raillery.

"Yes," said the General, "there—behind that curtain—as in a theatre; but, thank God! I have been able to resist this base intention. If ever I allow myself to play so mean a part, I should wish at least to do it with your knowledge and consent."

"And do you ask me to consent to it?" asked the Marquise.

"My poor Charlotte!" said the General, in a sad and almost supplicating tone, "I am an old fool—an overgrown child—but I feel that this miserable letter will poison my life. I shall have no more an hour of peace and confidence. What can you expect? I was so cruelly deceived before. I am an honorable man, but I have been taught that all men are not like myself. There are some things which to me seem as impossible as walking on my head, yet I see others doing these things every day. What can I say to you? After reading this perfidious letter, I could not help recollecting that your intimacy with Camors has greatly increased of late!"

"Without doubt," said the Marquise, "I am very fond of him!"

"I remembered also your tete-a-tete with him, the other night, in the boudoir, during the ball. When I awoke you had both an air of mystery. What mysteries could there be between you two?"

"Ah, what indeed!" said the Marquise, smiling.

"And will you not tell me?"

"You shall know it at the proper time."

"Finally, I swear to you that I suspect neither of you—I neither suspect you of wronging me—of disgracing me—nor of soiling my name... God help me!

"But if you two should love each other, even while respecting my honor: if you love each other and confess it—if you two, even at my side, in my heart—if you, my two children, should be calculating with impatient eyes the progress of my old age—planning your projects for the future, and smiling at my approaching death—postponing your happiness only for my tomb you may think yourselves guiltless, but no, I tell you it would be shameful!"

Under the empire of the passion which controlled him, the voice of the General became louder. His common features assumed an air of sombre dignity and imposing grandeur. A slight shade of paleness passed over the lovely face of the young woman and a slight frown contracted her forehead.

By an effort, which in a better cause would have been sublime, she quickly mastered her weakness, and, coldly pointing out to her husband the draped door by which he had entered, said:

"Very well, conceal yourself there!"

"You will never forgive me?"

"You know little of women, my friend, if you do not know that jealousy is one of the crimes they not only pardon but love."

"My God, I am not jealous!"

"Call it yourself what you will, but station yourself there!"

"And you are sincere in wishing me to do so?"

"I pray you to do so! Retire in the interval, leave the door open, and when you hear Monsieur de Camors enter the court of the hotel, return."

"No!" said the General, after a moment's hesitation; "since I have gone so far"—and he sighed deeply "I do not wish to leave myself the least pretext for distrust. If I leave you before he comes, I am capable of fancying—"

"That I might secretly warn him? Nothing more natural. Remain here, then. Only take a book; for our conversation, under such circumstances, can not be lively."

He sat down.

"But," he said, "what mystery can there be between you two?"

"You shall hear!" she said, with her sphinx-like smile.

The General mechanically took up a book. She stirred the fire, and reflected. As she liked terror, danger, and dramatic incidents to blend with her intrigues, she should have been content; for at that moment shame, ruin, and death were at her door. But, to tell the truth, it was too much for her; and when she looked, in the midst of the silence which surrounded her, at the true character and scope of the perils which surrounded her, she thought her brain would fail and her heart break.

She was not mistaken as to the origin of the letter. This shameful work had indeed been planned by Madame de la Roche-Jugan. To do her justice, she had not suspected the force of the blow she was dealing. She still believed in the virtue of the Marquise; but during the perpetual surveillance she had never relaxed, she could not fail to see the changed nature of the intercourse between Camors and the Marquise. It must not be forgotten that she dreamed of securing for her son Sigismund the succession to her old friend; and she foresaw a dangerous rivalry—the germ of which she sought to destroy. To awaken the distrust of the General toward Camors, so as to cause his doors to be closed against him, was all she meditated. But her anonymous letter, like most villainies of this kind, was a more fatal and murderous weapon than its base author imagined.

The young Marquise, then, mused while stirring the fire, casting, from time to time, a furtive glance at the clock.

M. de Camors would soon arrive—how could she warn him? In the present state of their relations it was not impossible that the very first words of. Camors might immediately divulge their secret: and once betrayed, there was not only for her personal dishonor, a scandalous fall, poverty, a convent—but for her husband or her lover—perhaps for both—death!

When the bell in the lower court sounded, announcing the Count's approach, these thoughts crowded into the brain of the Marquise like a legion of phantoms. But she rallied her courage by a desperate effort and strained all her faculties to the execution of the plan she had hastily conceived, which was her last hope. And one word, one gesture, one mistake, or one carelessness of her lover, might overthrow it in a second. A moment later the door was opened by a servant, announcing M. de Camors. Without speaking, she signed to her husband to gain his hiding-place. The General, who had risen at the sound of the bell, seemed still to hesitate, but shrugging his shoulders, as if in disdain of himself, retired behind the curtain which faced the door.

M. de Camors entered the room carelessly, and advanced toward the fireplace where sat the Marquise; his smiling lips half opened to speak, when he was struck by the peculiar expression on the face of the Marquise, and the words were frozen on his lips. This look, fixed upon him from his entrance, had a strange, weird intensity, which, without expressing anything, made him fear everything. But he was accustomed to trying situations, and as wary and prudent as he was intrepid. He ceased to smile and did not speak, but waited.

She gave him her hand without ceasing to look at him with the same alarming intensity.

"Either she is mad," he said to himself, "or there is some great peril!"

With the rapid perception of her genius and of her love, she felt he understood her; and not leaving him time to speak and compromise her, instantly said:

"It is very kind of you to keep your promise."

"Not at all," said Camors, seating himself.

"Yes! For you know you come here to be tormented." There was a pause.

"Have you at last become a convert to my fixed idea?" she added after a second.

"What fixed idea? It seems to me you have a great many!"

"Yes! But I speak of a good one—my best one, at least—of your marriage!"

"What! again, cousin?" said Camors, who, now assured of his danger and its nature, marched with a firmer foot over the burning soil.

"Yes, again, cousin; and I will tell you another thing—I have found the person."

"Ah! Then I shall run away!"

She met his smile with an imperious glance.

"Then you still adhere to that plan?" said Camors, laughing.

"Most firmly! I need not repeat to you my reasons—having preached about it all winter—in fact so much so as to disturb the General, who suspects some mystery between us."

"The General? Indeed!"

"Oh, nothing serious, you must understand. Well, let us resume the subject. Miss Campbell will not do—she is too blonde—an odd objection for me to make by the way; not Mademoiselle de Silas—too thin; not Mademoiselle Rolet, in spite of her millions; not Mademoiselle d'Esgrigny—too much like the Bacquieres and Van-Cuyps. All this is a little discouraging, you will admit; but finally everything clears up. I tell you I have discovered the right one—a marvel!"

"Her name?" said Camors.

"Marie de Tecle!"

There was silence.

"Well, you say nothing," resumed the Marquise, "because you can have nothing to say! Because she unites everything—personal beauty, family, fortune, everything—almost like a dream. Then, too, your properties join. You see how I have thought of everything, my friend! I can not imagine how we never came to think of this before!"

M. de Camors did not reply, and the Marquise began to be surprised at his silence.

"Oh!" she exclaimed; "you may look a long time—there can not be a single objection—you are caught this time. Come, my friend, say yes, I implore you!" And while her lips said "I implore you," in a tone of gracious entreaty, her look said, with terrible emphasis, "You must!"

"Will you allow me to reflect upon it, Madame?" he said at last.

"No, my friend!"

"But really," said Camors, who was very pale, "it seems to me you dispose of the hand of Mademoiselle de Tecle very readily. Mademoiselle de Tecle is rich and courted on all sides—also, her great-uncle has ideas of the province, and her mother, ideas of religion, which might well—"

"I charge myself with all that," interrupted the Marquise.

"What a mania you have for marrying people!"

"Women who do not make love, cousin, always have a mania for matchmaking."

"But seriously, you will give me a few days for reflection?"

"To reflect about what? Have you not always told me you intended marrying and have been only waiting the chance? Well, you never can find a better one than this; and if you let it slip, you will repent the rest of your life."

"But give me time to consult my family!"

"Your family—what a joke! It seems to me you have reached full age; and then—what family? Your aunt, Madame de la Roche-Jugan?"

"Doubtless! I do not wish to offend her:"

"Ah, my dear cousin, don't be uneasy; suppress this uneasiness; I assure you she will be delighted!"

"Why should she?"

"I have my reasons for thinking so;" and the young woman in uttering these words was seized with a fit of sardonic laughter which came near convulsion, so shaken were her nerves by the terrible tension.

Camors, to whom little by little the light fell stronger on the more obscure points of the terrible enigma proposed to him, saw the necessity of shortening a scene which had overtasked her faculties to an almost insupportable degree. He rose:

"I am compelled to leave you," he said; "for I am not dining at home. But I will come to-morrow, if you will permit me."

"Certainly. You authorize me to speak to the General?"

"Well, yes, for I really can see no reasonable objection."

"Very good. I adore you!" said the Marquise. She gave him her hand, which he kissed and immediately departed.

It would have required a much keener vision than that of M. de Campvallon to detect any break, or any discordance, in the audacious comedy which had just been played before him by these two great artists.

The mute play of their eyes alone could have betrayed them; and that he could not see.

As to their tranquil, easy, natural dialogue there was not in it a word which he could seize upon, and which did not remove all his disquietude, and confound all his suspicions. From this moment, and ever afterward, every shadow was effaced from his mind; for the ability to imagine such a plot as that in which his wife in her despair had sought refuge, or to comprehend such depth of perversity, was not in the General's pure and simple spirit.

When he reappeared before his wife, on leaving his concealment, he was constrained and awkward. With a gesture of confusion and humility he took her hand, and smiled upon her with all the goodness and tenderness of his soul beaming from his face.

At this moment the Marquise, by a new reaction of her nervous system, broke into weeping and sobbing; and this completed the General's despair.

Out of respect to this worthy man, we shall pass over a scene the interest of which otherwise is not sufficient to warrant the unpleasant effect it would produce on all honest people. We shall equally pass over without record the conversation which took place the next day between the Marquise and M. de Camors.

Camors had experienced, as we have observed, a sentiment of repulsion at hearing the name of Mademoiselle de Tecle appear in the midst of this intrigue. It amounted almost to horror, and he could not control the manifestation of it. How could he conquer this supreme revolt of his conscience to the point of submitting to the expedient which would make his intrigue safe? By what detestable sophistries he dared persuade himself that he owed everything to his accomplice—even this, we shall not attempt to explain. To explain would be to extenuate, and that we wish not to do. We shall only say that he resigned himself to this marriage. On the path which he had entered a man can check himself as little as he can check a flash of lightning.

As to the Marquise, one must have formed no conception of this depraved though haughty spirit, if astonished at her persistence, in cold blood, and after reflection, in the perfidious plot which the imminence of her danger had suggested to her. She saw that the suspicions of the General might be reawakened another day in a more dangerous manner, if this marriage proved only a farce. She loved Camors passionately; and she loved scarcely less the dramatic mystery of their liaison. She had also felt a frantic terror at the thought of losing the great fortune which she regarded as her own; for the disinterestedness of her early youth had long vanished, and the idea of sinking miserably in the Parisian world, where she had long reigned by her luxury as well as her beauty, was insupportable to her.

Love, mystery, fortune-she wished to preserve them all at any price; and the more she reflected, the more the marriage of Camors appeared to her the surest safeguard.

It was true, it would give her a sort of rival. But she had too high an opinion of herself to fear anything; and she preferred Mademoiselle de Tecle to any other, because she knew her, and regarded her as an inferior in everything.

About fifteen days after, the General called on Madame de Tecle one morning, and demanded for M. de Camors her daughter's hand. It would be painful to dwell on the joy which Madame de Tecle felt; and her only surprise was that Camors had not come in person to press his suit. But Camors had not the heart to do so. He had been at Reuilly since that morning, and called on Madame de Tecle, where he learned his overture was accepted. Once having resolved on this monstrous action, he was determined to carry it through in the most correct manner, and we know he was master of all social arts.

In the evening Madame de Tecle and her daughter, left alone, walked together a long time on their dear terrace, by the soft light of the stars—the daughter blessing her mother, and the mother thanking God—both mingling their hearts, their dreams, their kisses, and their tears—happier, poor women, than is permitted long to human beings. The marriage took place the ensuing month.



BOOK 3.



CHAPTER XV. THE COUNTESS DE CAMORS

After passing the few weeks of the honeymoon at Reuilly, the Comte and Comtesse de Camors returned to Paris and established themselves at their hotel in the Rue de l'Imperatrice. From this moment, and during the months that followed, the young wife kept up an active correspondence with her mother; and we here transcribe some of the letters, which will make us more intimately acquainted with the character of the young woman.

Madame de Camors to Madame de Tecle. "October.

"Am I happy? No, my dearest mother! No—not happy! I have only wings and soar to heaven like a bird! I feel the sunshine in my head, in my eyes, in my heart.

"It blinds me, it enchants me, it causes me to shed delicious tears! Happy? No, my tender mother; that is not possible, when I think that I am his wife! The wife—understand me—of him who has reigned in my poor thoughts since I was able to think—of him whom I should have chosen out of the whole universe! When I remember that I am his wife, that we are united forever, how I love life! how I love you! how I love God!

"The Bois and the lake are within a few steps of us, as you know. We ride thither nearly every morning, my husband and I!—I repeat, I and my husband! We go there, my husband and I—I and my husband!

"I know not how it is, but it is always delicious weather to me, even when it rains—as it does furiously to-day; for we have just come in, driven home by the storm.

"During our ride to-day, I took occasion to question him quietly as to some points of our history which puzzled me. First, why had he married me?

"'Because you pleased me apparently, Miss Mary.' He likes to give me this name, which recalls to him I know not what episode of my untamed youth—untamed still to him.

"'If I pleased you, why did I see you so seldom?'

"'Because I did not wish to court you until I had decided on marrying.'

"'How could I have pleased you, not being at all beautiful?'

"'You are not beautiful, it is true,' replies this cruel young man, 'but you are very pretty; and above all you are grace itself, like your mother.'

"All these obscure points being cleared up to the complete satisfaction of Miss Mary, Miss Mary took to fast galloping; not because it was raining, but because she became suddenly—we do not know the reason why—as red as a poppy.

"Oh, beloved mother! how sweet it is to be loved by him we adore, and to be loved precisely as we wish—as we have dreamed—according to the exact programme of our young, romantic hearts!

"Did you ever believe I had ideas on such a delicate subject? Yes, dear mother, I had them. Thus, it seemed to me there were many different styles of loving—some vulgar, some pretentious, some foolish, and others, again, excessively comic. None of these seemed suited to the Prince, our neighbor. I ever felt he should love, like the Prince he is, with grace and dignity; with serious tenderness, a little stern perhaps; with amiability, but almost with condescension—as a lover, but as a master, too—in fine, like my husband!

"Dear angel, who art my mother! be happy in my happiness, which was your sole work. I kiss your hands—I kiss your wings!

"I thank you! I bless you! I adore you!

"If you were near me, it would be too much happiness! I should die, I think. Nevertheless, come to us very soon. Your chamber awaits you. It is as blue as the heavens in which I float. I have already told you this, but I repeat it.

"Good-by, mother of the happiest woman in the world!

"MISS MARY,

"Comtesse de Camors."

...............................

"November.

"MY MOTHER:

"You made me weep—I who await you every morning. I will say nothing to you, however; I will not beg you. If the health of my grandfather seems to you so feeble as to demand your presence, I know no prayer would take you away from your duty. Nor would I make the prayer, my angel mother!

"But exaggerate nothing, I pray you, and think your little Marie can not pass by the blue chamber without feeling a swelling of the heart. Apart from this grief which you cause her, she continues to be as happy as even you could wish.

"Her charming Prince is ever charming and ever her Prince! He takes her to see the monuments, the museums, the theatres, like the poor little provincial that she is. Is it not touching on the part of so great a personage?

"He is amused at my ecstasies—for I have ecstasies. Do not breathe it to my Uncle Des Rameures, but Paris is superb! The days here count double our own for thought and life.

"My husband took me to Versailles yesterday. I suspect that this, in the eyes of the people here, is rather a ridiculous episode; for I notice the Count did not boast of it. Versailles corresponds entirely with the impressions you had given me of it; for there is not the slightest change since you visited it with my grandfather.

"It is grand, solemn, and cold. There is, though, a new and very curious museum in the upper story of the palace, consisting chiefly of original portraits of the famous men of history. Nothing pleases me more than to see these heroes of my memory passing before me in grand procession—from Charles the Bold to George Washington. Those faces my imagination has so often tried to evoke, that it seems to me we are in the Elysian Fields, and hold converse with the dead:

"You must know, my mother, I was familiar with many things that surprised M. de Camors very much. He was greatly struck by my knowledge of science and my genius. I did no more, as you may imagine, than respond to his questions; but it seemed to astonish him that I could respond at all.

"Why should he ask me these things? If he did not know how to distinguish the different Princesses of Conti, the answer is simple.

"But I knew, because my mother taught me. That is simple enough too.

"We dined afterward, at my suggestion, at a restaurant. Oh, my mother! this was the happiest moment of my life! To dine at a restaurant with my husband was the most delightful of all dissipations!

"I have said he seemed astonished at my learning. I ought to add in general, he seemed astonished whenever I opened my lips. Did he imagine me a mute? I speak little, I acknowledge, however, for he inspires me with a ceaseless fear: I am afraid of displeasing him, of appearing silly before him, or pretentious, or pedantic. The day when I shall be at ease with him, and when I can show him my good sense and gratitude—if that day ever comes—I shall be relieved of a great weight on my mind, for truly I sometimes fear he looks on me as a child.

"The other day I stopped before a toy-shop on the Boulevard. What a blunder! And as he saw my eye fixed on a magnificent squadron of dolls—

"'Do you wish one, Miss Mary?' he said.

"Was not this horrible, my mother—from him who knows everything except the Princesses of Conti? He explained everything to me; but briefly in a word, as if to a person he despaired of ever making understand him. And I understand so well all the time, my poor little mother!

"But so much the better, say I; for if he loves me while thinking me silly, what will it be later!

"With fond love, your

"MARIE."

.............................

"December.

"All Paris has returned once more, my dear mother, and for fifteen days I have been occupied with visits. The men here do not usually visit; but my husband is obliged to present me for the first time to the persons I ought to know. He accompanies me there, which is much more agreeable to me than to him, I believe.

"He is more serious than usual. Is not this the only form in which amiable men show their bad humor? The people we visit look on me with a certain interest. The woman whom this great lord has honored with his choice is evidently an object of great curiosity. This flatters and intimidates me; I blush and feel constrained; I appear awkward. When they find me awkward and insignificant, they stare. They believe he married me for my fortune: then I wish to cry. We reenter the carriage, he smiles upon me, and I am in heaven! Such are our visits.

"You must know, my mother, that to me Madame Campvallon is divine. She often takes me to her box at the Italiens, as mine will not be vacant until January. Yesterday she gave a little fete for me in her beautiful salon: the General opened the ball with me.

"Oh! my mother, what a wonderfully clever man the General is! And I admire him because he admires you!

"The Marquise presented to me all the best dancers. They were young gentlemen, with their necks so uncovered it almost gave me a chill. I never before had seen men bare-necked and the fashion is not becoming. It was very evident, however, that they considered themselves indispensable and charming. Their deportment was insolent and self-sufficient; their eyes were disdainful and all-conquering.

"Their mouths ever open to breathe freer, their coat-tails flapping like wings, they take one by the waist—as one takes his own property. Informing you by a look that they are about to do you the honor of removing you, they whirl you away; then, panting for breath, inform you by another look that they will do themselves the pleasure of stopping—and they stop. Then they rest a moment, panting, laughing, showing their teeth; another look—and they repeat the same performance. They are wonderful!

"Louis waltzed with me and seemed satisfied. I saw him for the first time waltz with the Marquise. Oh, my mother, it was the dance of the stars!

"One thing which struck me this evening, as always, was the manifest idolatry with which the women regard my husband. This, my tender mother, terrifies me. Why—I ask myself—why did he choose me? How can I please him? How can I succeed?

"Behold the result of all my meditations! A folly perhaps, but of which the effect is to reassure me:

"Portrait of the Comtesse de Camors, drawn by herself.

"The Comtesse de Camors, formerly Marie de Tecle, is a personage who, having reached her twentieth year, looks older. She is not beautiful, as her husband is the first person to confess. He says she is pretty; but she doubts even this. Let us see. She has very long limbs, a fault which she shares with Diana, the Huntress, and which probably gives to the gait of the Countess a lightness it might not otherwise possess. Her body is naturally short, and on horseback appears to best advantage. She is plump without being gross.

"Her features are irregular; the mouth being too large and the lips too thick, with—alas! the shade of a moustache; white teeth, a little too small; a commonplace nose, a slightly pug; and her mother's eyes—her best feature. She has the eyebrows of her Uncle Des Rameures, which gives an air of severity to the face and neutralizes the good-natured expression-a reflex from the softness of her heart.

"She has the dark complexion of her mother, which is more becoming to her mother than to her. Add to all this, blue-black hair in great silky masses. On the whole, one knows not what to pronounce her.

"There, my mother, is my portrait! Intended to reassure me, it has hardly done so; for it seems to me to be that of an ugly little woman!

"I wish to be the most lively of women; I wish to be one of the most distinguished. I wish to be one of the most captivating! But, oh, my mother! if I please him I am still more enchanted! On the whole, thank God! he finds me perhaps much better than I am: for men have not the same taste in these matters that we have.

"But what I really can not comprehend, is why he has so little admiration for the Marquise de Campvallon. His manner is very cold to her. Were I a man, I should be wildly in love with that superb woman! Good-night, most beloved of mothers!"

..........................

"January.

"You complain of me, my cherished one! The tone of my letters wounds you! You can not comprehend how this matter of my personal appearance haunts me. I scrutinize it; I compare it with that of others. There is something of levity in that which hurts you? You ask how can I think a man attaches himself to these things, while the merits of mind and soul go for nothing?

"But, my dearest mother, how will these merits of mind and of soul —supposing your daughter to possess them—serve her, unless she possesses the courage or has the opportunity to display them? And when I summon up the courage, it seems to me the occasion never comes.

"For I must confess to you that this delicious Paris is not perfect; and I discover, little by little, the spots upon the sun.

"Paris is the most charming place! The only pity is that it has inhabitants! Not but that they are agreeable, for they are only too much so; only they are also very careless, and appear to my view to live and die without reflecting much on what they are doing. It is not their fault; they have no time.

"Without leaving Paris, they are incessant travellers, eternally distracted by motion and novelty. Other travellers, when they have visited some distant corner—forgetting for a while their families, their duties, and their homes—return and settle down again. But these Parisians never do. Their life is an endless voyage; they have no home. That which elsewhere is the great aim of life is secondary here. One has here, as elsewhere, an establishment—a house, a private chamber. One must have. Here one is wife or mother, husband or father, just as elsewhere; but, my poor mother, they are these things just as little as possible. The whole interest centres not in the homes; but in the streets, the museums, the salons, the theatres, and the clubs. It radiates to the immense outside life, which in all its forms night and day agitates Paris, attracts, excites, and enervates you; steals your time, your mind, your soul—and devours them all!

"Paris is the most delicious of places to visit—the worst of places to live in.

"Understand well, my mother, that in seeking by what qualifies I can best attract my husband—who is the best of men, doubtless, but of Parisian men nevertheless—I have continually reflected on merits which may be seen at once, which do not require time to be appreciated.

"Finally, I do not deny that all this is miserable cynicism, unworthy of you and of myself; for you know I am not at heart a bad little woman. Certainly, if I could keep Monsieur de Camors for a year or two at an old chateau in the midst of a solitary wood, I should like it much. I could then see him more frequently, I could then become familiar with his august person, and could develop my little talents under his charmed eyes. But then this might weary him and would be too easy. Life and happiness, I know, are not so easily managed. All is difficulty, peril, and conflict.

"What joy, then, to conquer! And I swear to you, my mother, that I will conquer! I will force him to know me as you know me; to love me, not as he now does, but as you do, for many good reasons of which he does not yet dream.

"Not that he believes me absolutely a fool; I think he has abandoned that idea for at least two days past.

"How he came thus to think, my next letter shall explain.

"Your own

"MARIE."



CHAPTER XVI. THE REPTILE STRIVES TO CLIMB

"March.

"You will remember, my mother, that the Count has as secretary a man named Vautrot. The name is a bad one; but the man himself is a good enough creature, except that I somewhat dislike his catlike style of looking at one.

"Well, Monsieur de Vautrot lives in the house with us. He comes early in the morning, breakfasts at some neighboring cafe, passes the day in the Count's study, and often remains to dine with us, if he has work to finish in the evening.

"He is an educated man, and knows a little of everything; and he has undertaken many occupations before he accepted the subordinate though lucrative post he now occupies with my husband. He loves literature; but not that of his time and of his country, perhaps because he himself has failed in this. He prefers foreign writers and poets, whom he quotes with some taste, though with too much declamation.

"Most probably his early education was defective; for on all occasions, when speaking with us, he says, 'Yes, Monsieur le Comte!' or 'Certainly, Madame la Comtesse!' as if he were a servant. Yet withal, he has a peculiar pride, or perhaps I should say insufferable vanity. But his great fault, in my eyes, is the scoffing tone he adopts, when the subject is religion or morals.

"Two days ago, while we were dining, Vautrot allowed himself to indulge in a rather violent tirade of this description. It was certainly contrary to all good taste.

"'My dear Vautrot,' my husband said quietly to him, 'to me these pleasantries of yours are indifferent; but pray remember, that while you are a strong-minded man, my wife is a weak-minded woman; and strength, you know, should respect weakness.'