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Calderwell was on his feet at once.
"I'll get a taxi. Don't worry—we'll get there. Poor old soul—of course he wants to see you! Get on your things. I'll have it here in no time," he finished, hurrying to the telephone.
"Oh, Hugh, I'm so glad I've got you here," sobbed Billy, stumbling blindly toward the stairway. "I'll be ready in two minutes."
And she was; but neither then, nor a little later when she and Calderwell drove hurriedly away from the house, did Billy once remember that Miss Marguerite Winthrop was coming to call that afternoon to see Mrs. Bertram Henshaw and a roomful of Billy pictures.
Pete was still alive when Calderwell left Billy at the door of the modest little home where Eliza's mother lived.
"Yes, you're in time, ma'am," sobbed Eliza; "and, oh, I'm so glad you've come. He's been askin' and askin' for ye."
From Eliza Billy learned then that Mr. William was there, but not Mr. Bertram. They had not been able to reach Mr. Bertram, or Mr. Cyril.
Billy never forgot the look of reverent adoration that came into Pete's eyes as she entered the room where he lay.
"Miss Billy—my Miss Billy! You were so good-to come," he whispered faintly.
Billy choked back a sob.
"Of course I'd come, Pete," she said gently, taking one of the thin, worn hands into both her soft ones.
It was more than a few minutes that Pete lived. Four o'clock came, and five, and he was still with them. Often he opened his eyes and smiled. Sometimes he spoke a low word to William or Billy, or to one of the weeping women at the foot of the bed. That the presence of his beloved master and mistress meant much to him was plain to be seen.
"I'm so sorry," he faltered once, "about that pretty dress—I spoiled, Miss Billy. But you know—my hands—"
"I know, I know," soothed Billy; "but don't worry. It wasn't spoiled, Pete. It's all fixed now."
"Oh, I'm so glad," sighed the sick man. After another long interval of silence he turned to William.
"Them socks—the medium thin ones—you'd oughter be puttin' 'em on soon, sir, now. They're in the right-hand corner of the bottom drawer—you know."
"Yes, Pete; I'll attend to it," William managed to stammer, after he had cleared his throat.
Eliza's turn came next.
"Remember about the coffee," Pete said to her, "—the way Mr. William likes it. And always eggs, you know, for—for—" His voice trailed into an indistinct murmur, and his eyelids drooped wearily.
One by one the minutes passed. The doctor came and went: there was nothing he could do. At half-past five the thin old face became again alight with consciousness. There was a good-by message for Bertram, and one for Cyril. Aunt Hannah was remembered, and even little Tommy Dunn. Then, gradually, a gray shadow crept over the wasted features. The words came more brokenly. The mind, plainly, was wandering, for old Pete was young again, and around him were the lads he loved, William, Cyril, and Bertram. And then, very quietly, soon after the clock struck six, Pete fell into the beginning of his long sleep.
CHAPTER XIV. WHEN BERTRAM CAME HOME
It was a little after half-past three o'clock that afternoon when Bertram Henshaw hurried up Beacon Street toward his home. He had been delayed, and he feared that Miss Winthrop would already have reached the house. Mindful of what Billy had said that morning, he knew how his wife would fret if he were not there when the guest arrived. The sight of what he surmised to be Miss Winthrop's limousine before his door hastened his steps still more. But as he reached the house, he was surprised to find Miss Winthrop herself turning away from the door.
"Why, Miss Winthrop," he cried, "you're not going now! You can't have been here any—yet!"
"Well, no, I—I haven't," retorted the lady, with heightened color and a somewhat peculiar emphasis. "My ring wasn't answered."
"Wasn't answered!" Bertram reddened angrily. "Why, what can that mean? Where's the maid? Where's my wife? Mrs. Henshaw must be here! She was expecting you."
Bertram, in his annoyed amazement, spoke loudly, vehemently. Hence he was quite plainly heard by the group of small boys and girls who had been improving the mild weather for a frolic on the sidewalk, and who had been attracted to his door a moment before by the shining magnet of the Winthrop limousine with its resplendently liveried chauffeur. As Bertram spoke, one of the small girls, Bessie Bailey, stepped forward and piped up a shrill reply.
"She ain't, Mr. Henshaw! She ain't here. I saw her go away just a little while ago."
Bertram turned sharply.
"You saw her go away! What do you mean?"
Small Bessie swelled with importance. Bessie was thirteen, in spite of her diminutive height. Bessie's mother was dead, and Bessie's caretakers were gossiping nurses and servants, who frequently left in her way books that were much too old for Bessie to read—but she read them.
"I mean she ain't here—your wife, Mr. Henshaw. She went away. I saw her. I guess likely she's eloped, sir."
"Eloped!"
Bessie swelled still more importantly. To her experienced eyes the situation contained all the necessary elements for the customary flight of the heroine in her story-books, as here, now, was the irate, deserted husband.
"Sure! And 'twas just before you came—quite a while before. A big shiny black automobile like this drove up—only it wasn't quite such a nice one—an' Mrs. Henshaw an' a man came out of your house an' got in, an' drove right away quick! They just ran to get into it, too—didn't they?" She appealed to her young mates grouped about her.
A chorus of shrill exclamations brought Mr. Bertram Henshaw suddenly to his senses. By a desperate effort he hid his angry annoyance as he turned to the manifestly embarrassed young woman who was already descending the steps.
"My dear Miss Winthrop," he apologized contritely, "I'm sure you'll forgive this seeming great rudeness on the part of my wife. Notwithstanding the lurid tales of our young friends here, I suspect nothing more serious has happened than that my wife has been hastily summoned to Aunt Hannah, perhaps. Or, of course, she may not have understood that you were coming to-day at half-past three—though I thought she did. But I'm so sorry—when you were so kind as to come—" Miss Winthrop interrupted with a quick gesture.
"Say no more, I beg of you," she entreated. "Mrs. Henshaw is quite excusable, I'm sure. Please don't give it another thought," she finished, as with a hurried direction to the man who was holding open the door of her car, she stepped inside and bowed her good-byes.
Bertram, with stern self-control, forced himself to walk nonchalantly up his steps, leisurely take out his key, and open his door, under the interested eyes of Bessie Bailey and her friends; but once beyond their hateful stare, his demeanor underwent a complete change. Throwing aside his hat and coat, he strode to the telephone.
"Oh, is that you, Aunt Hannah?" he called crisply, a moment later. "Well, if Billy's there will you tell her I want to speak to her, please?"
"Billy?" answered Aunt Hannah's slow, gentle tones. "Why, my dear boy, Billy isn't here!"
"She isn't? Well, when did she leave? She's been there, hasn't she?"
"Why, I don't think so, but I'll see, if you like. Mrs. Greggory and I have just this minute come in from an automobile ride. We would have stayed longer, but it began to get chilly, and I forgot to take one of the shawls that I'd laid out."
"Yes; well, if you will see, please, if Billy has been there, and when she left," said Bertram, with grim self-control.
"All right. I'll see," murmured Aunt Hannah. In a few moments her voice again sounded across the wires. "Why, no, Bertram, Rosa says she hasn't been here since yesterday. Isn't she there somewhere about the house? Didn't you know where she was going?"
"Well, no, I didn't—else I shouldn't have been asking you," snapped the irate Bertram and hung up the receiver with most rude haste, thereby cutting off an astounded "Oh, my grief and conscience!" in the middle of it.
The next ten minutes Bertram spent in going through the whole house, from garret to basement. Needless to say, he found nothing to enlighten him, or to soothe his temper. Four o'clock came, then half-past, and five. At five Bertram began to look for Eliza, but in vain. At half-past five he watched for William; but William, too, did not come.
Bertram was pacing the floor now, nervously. He was a little frightened, but more mortified and angry. That Billy should have allowed Miss Winthrop to call by appointment only to find no hostess, no message, no maid, even, to answer her ring—it was inexcusable! Impulsiveness, unconventionality, and girlish irresponsibility were all very delightful, of course—at times; but not now, certainly. Billy was not a girl any longer. She was a married woman. Something was due to him, her husband! A pretty picture he must have made on those steps, trying to apologize for a truant wife, and to laugh off that absurd Bessie Bailey's preposterous assertion at the same time! What would Miss Winthrop think? What could she think? Bertram fairly ground his teeth with chagrin, at the situation in which he found himself.
Nor were matters helped any by the fact that Bertram was hungry. Bertram's luncheon had been meager and unsatisfying. That the kitchen down-stairs still remained in silent, spotless order instead of being astir with the sounds and smells of a good dinner (as it should have been) did not improve his temper. Where Billy was he could not imagine. He thought, once or twice, of calling up some of her friends; but something held him back from that—though he did try to get Marie, knowing very well that she was probably over to the new house and would not answer. He was not surprised, therefore, when he received no reply to his ring.
That there was the slightest truth in Bessie Bailey's absurd "elopement" idea, Bertram did not, of course, for an instant believe. The only thing that rankled about that was the fact that she had suggested such a thing, and that Miss Winthrop and those silly children had heard her. He recognized half of Bessie's friends as neighborhood youngsters, and he knew very well that there would be many a quiet laugh at his expense around various Beacon Street dinner-tables that night. At the thought of those dinner-tables, he scowled again. He had no dinner-table—at least, he had no dinner on it!
Who the man might be Bertram thought he could easily guess. It was either Arkwright or Calderwell, of course; and probably that tiresome Alice Greggory was mixed up in it somehow. He did wish Billy—
Six o'clock came, then half-past. Bertram was indeed frightened now, but he was more angry, and still more hungry. He had, in fact, reached that state of blind unreasonableness said to be peculiar to hungry males from time immemorial.
At ten minutes of seven a key clicked in the lock of the outer door, and William and Billy entered the hall.
It was almost dark. Bertram could not see their faces. He had not lighted the hall at all.
"Well," he began sharply, "is this the way you receive your callers, Billy? I came home and found Miss Winthrop just leaving—no one here to receive her! Where've you been? Where's Eliza? Where's my dinner? Of course I don't mean to scold, Billy, but there is a limit to even my patience—and it's reached now. I can't help suggesting that if you would tend to your husband and your home a little more, and go gallivanting off with Calderwell and Arkwright and Alice Greggory a little less, that—Where is Eliza, anyway?" he finished irritably, switching on the lights with a snap.
There was a moment of dead silence. At Bertram's first words Billy and William had stopped short. Neither had moved since. Now William turned and began to speak, but Billy interrupted. She met her husband's gaze steadily.
"I will be down at once to get your dinner," she said quietly. "Eliza will not come to-night. Pete is dead."
Bertram started forward with a quick cry.
"Dead! Oh, Billy! Then you were—there! Billy!"
But his wife did not apparently hear him. She passed him without turning her head, and went on up the stairs, leaving him to meet the sorrowful, accusing eyes of William.
CHAPTER XV. AFTER THE STORM
The young husband's apologies were profuse and abject. Bertram was heartily ashamed of himself, and was man enough to acknowledge it. Almost on his knees he begged Billy to forgive him; and in a frenzy of self-denunciation he followed her down into the kitchen that night, piteously beseeching her to speak to him, to just look at him, even, so that he might know he was not utterly despised—though he did, indeed, deserve to be more than despised, he moaned.
At first Billy did not speak, or even vouchsafe a glance in his direction. Very quietly she went about her preparations for a simple meal, paying apparently no more attention to Bertram than as if he were not there. But that her ears were only seemingly, and not really deaf, was shown very clearly a little later, when, at a particularly abject wail on the part of the babbling shadow at her heels, Billy choked into a little gasp, half laughter, half sob. It was all over then. Bertram had her in his arms in a twinkling, while to the floor clattered and rolled a knife and a half-peeled baked potato.
Naturally, after that, there could be no more dignified silences on the part of the injured wife. There were, instead, half-smiles, tears, sobs, a tremulous telling of Pete's going and his messages, followed by a tearful listening to Bertram's story of the torture he had endured at the hands of Miss Winthrop, Bessie Bailey, and an empty, dinnerless house. And thus, in one corner of the kitchen, some time later, a hungry, desperate William found them, the half-peeled, cold baked potato still at their feet.
Torn between his craving for food and his desire not to interfere with any possible peace-making, William was obviously hesitating what to do, when Billy glanced up and saw him. She saw, too, at the same time, the empty, blazing gas-stove burner, and the pile of half-prepared potatoes, to warm which the burner had long since been lighted. With a little cry she broke away from her husband's arms.
"Mercy! and here's poor Uncle William, bless his heart, with not a thing to eat yet!"
They all got dinner then, together, with many a sigh and quick-coming tear as everywhere they met some sad reminder of the gentle old hands that would never again minister to their comfort.
It was a silent meal, and little, after all, was eaten, though brave attempts at cheerfulness and naturalness were made by all three. Bertram, especially, talked, and tried to make sure that the shadow on Billy's face was at least not the one his own conduct had brought there.
"For you do—you surely do forgive me, don't you?" he begged, as he followed her into the kitchen after the sorry meal was over.
"Why, yes, dear, yes," sighed Billy, trying to smile.
"And you'll forget?"
There was no answer.
"Billy! And you'll forget?" Bertram's voice was insistent, reproachful.
Billy changed color and bit her lip. She looked plainly distressed.
"Billy!" cried the man, still more reproachfully.
"But, Bertram, I can't forget—quite yet," faltered Billy.
Bertram frowned. For a minute he looked as if he were about to take up the matter seriously and argue it with her; but the next moment he smiled and tossed his head with jaunty playfulness—Bertram, to tell the truth, had now had quite enough of what he privately termed "scenes" and "heroics"; and, manlike, he was very ardently longing for the old easy-going friendliness, with all unpleasantness banished to oblivion.
"Oh, but you'll have to forget," he claimed, with cheery insistence, "for you've promised to forgive me—and one can't forgive without forgetting. So, there!" he finished, with a smilingly determined "now-everything-is-just-as-it-was-before" air.
Billy made no response. She turned hurriedly and began to busy herself with the dishes at the sink. In her heart she was wondering: could she ever forget what Bertram had said? Would anything ever blot out those awful words: "If you would tend to your husband and your home a little more, and go gallivanting off with Calderwell and Arkwright and Alice Greggory a little less—"? It seemed now that always, for evermore, they would ring in her ears; always, for evermore, they would burn deeper and deeper into her soul. And not once, in all Bertram's apologies, had he referred to them—those words he had uttered. He had not said he did not mean them. He had not said he was sorry he spoke them. He had ignored them; and he expected that now she, too, would ignore them. As if she could!" If you would tend to your husband and your home a little more, and go gallivanting off with Calderwell and Arkwright and Alice Greggory a little less—" Oh, if only she could, indeed,—forget!
When Billy went up-stairs that night she ran across her "Talk to Young Wives" in her desk. With a half-stifled cry she thrust it far back out of sight.
"I hate you, I hate you—with all your old talk about 'brushing up against outside interests'!" she whispered fiercely. "Well, I've 'brushed'—and now see what I've got for it!"
Later, however, after Bertram was asleep, Billy crept out of bed and got the book. Under the carefully shaded lamp in the adjoining room she turned the pages softly till she came to the sentence: "Perhaps it would be hard to find a more utterly unreasonable, irritable, irresponsible creature than a hungry man." With a long sigh she began to read; and not until some minutes later did she close the book, turn off the light, and steal back to bed.
During the next three days, until after the funeral at the shabby little South Boston house, Eliza spent only about half of each day at the Strata. This, much to her distress, left many of the household tasks for her young mistress to perform. Billy, however, attacked each new duty with a feverish eagerness that seemed to make the performance of it very like some glad penance done for past misdeeds. And when—on the day after they had laid the old servant in his last resting place—a despairing message came from Eliza to the effect that now her mother was very ill, and would need her care, Billy promptly told Eliza to stay as long as was necessary; that they could get along all right without her.
"But, Billy, what are we going to do?" Bertram demanded, when he heard the news. "We must have somebody!"
"I'm going to do it."
"Nonsense! As if you could!" scoffed Bertram.
Billy lifted her chin.
"Couldn't I, indeed," she retorted. "Do you realize, young man, how much I've done the last three days? How about those muffins you had this morning for breakfast, and that cake last night? And didn't you yourself say that you never ate a better pudding than that date puff yesterday noon?"
Bertram laughed and shrugged his shoulders.
"My dear love, I'm not questioning your ability to do it," he soothed quickly. "Still," he added, with a whimsical smile, "I must remind you that Eliza has been here half the time, and that muffins and date puffs, however delicious, aren't all there is to running a big house like this. Besides, just be sensible, Billy," he went on more seriously, as he noted the rebellious gleam coming into his young wife's eyes; "you'd know you couldn't do it, if you'd just stop to think. There's the Carletons coming to dinner Monday, and my studio Tea to-morrow, to say nothing of the Symphony and the opera, and the concerts you'd lose because you were too dead tired to go to them. You know how it was with that concert yesterday afternoon which Alice Greggory wanted you to go to with her."
"I didn't—want—to go," choked Billy, under her breath.
"And there's your music. You haven't done a thing with that for days, yet only last week you told me the publishers were hurrying you for that last song to complete the group."
"I haven't felt like—writing," stammered Billy, still half under her breath.
"Of course you haven't," triumphed Bertram. "You've been too dead tired. And that's just what I say. Billy, you can't do it all yourself!"
"But I want to. I want to—to tend to things," faltered Billy, with a half-fearful glance into her husband's face.
Billy was hearing very loudly now that accusing "If you'd tend to your husband and your home a little more—" Bertram, however, was not hearing it, evidently. Indeed, he seemed never to have heard it—much less to have spoken it.
"'Tend to things,'" he laughed lightly. "Well, you'll have enough to do to tend to the maid, I fancy. Anyhow, we're going to have one. I'll just step into one of those—what do you call 'em?—intelligence offices on my way down and send one up," he finished, as he gave his wife a good-by kiss.
An hour later Billy, struggling with the broom and the drawing-room carpet, was called to the telephone. It was her husband's voice that came to her.
"Billy, for heaven's sake, take pity on me. Won't you put on your duds and come and engage your maid yourself?"
"Why, Bertram, what's the matter?"
"Matter? Holy smoke! Well, I've been to three of those intelligence offices—though why they call them that I can't imagine. If ever there was a place utterly devoid of intelligence-but never mind! I've interviewed four fat ladies, two thin ones, and one medium with a wart. I've cheerfully divulged all our family secrets, promised every other half-hour out, and taken oath that our household numbers three adult members, and no more; but I simply can't remember how many handkerchiefs we have in the wash each week. Billy, will you come? Maybe you can do something with them. I'm sure you can!"
"Why, of course I'll come," chirped Billy. "Where shall I meet you?"
Bertram gave the street and number.
"Good! I'll be there," promised Billy, as she hung up the receiver.
Quite forgetting the broom in the middle of the drawing-room floor, Billy tripped up-stairs to change her dress. On her lips was a gay little song. In her heart was joy.
"I rather guess now I'm tending to my husband and my home!" she was crowing to herself.
Just as Billy was about to leave the house the telephone bell jangled again.
It was Alice Greggory.
"Billy, dear," she called, "can't you come out? Mr. Arkwright and Mr. Calderwell are here, and they've brought some new music. We want you. Will you come?"
"I can't, dear. Bertram wants me. He's sent for me. I've got some housewifely duties to perform to-day," returned Billy, in a voice so curiously triumphant that Alice, at her end of the wires, frowned in puzzled wonder as she turned away from the telephone.
CHAPTER XVI. INTO TRAINING FOR MARY ELLEN
Bertram told a friend afterwards that he never knew the meaning of the word "chaos" until he had seen the Strata during the weeks immediately following the laying away of his old servant.
"Every stratum was aquiver with apprehension," he declared; "and there was never any telling when the next grand upheaval would rock the whole structure to its foundations."
Nor was Bertram so far from being right. It was, indeed, a chaos, as none knew better than did Bertram's wife.
Poor Billy! Sorry indeed were these days for Billy; and, as if to make her cup of woe full to overflowing, there were Sister Kate's epistolary "I told you so," and Aunt Hannah's ever recurring lament: "If only, Billy, you were a practical housekeeper yourself, they wouldn't impose on you so!"
Aunt Hannah, to be sure, offered Rosa, and Kate, by letter, offered advice—plenty of it. But Billy, stung beyond all endurance, and fairly radiating hurt pride and dogged determination, disdained all assistance, and, with head held high, declared she was getting along very well, very well indeed!
And this was the way she "got along."
First came Nora. Nora was a blue-eyed, black-haired Irish girl, the sixth that the despairing Billy had interviewed on that fateful morning when Bertram had summoned her to his aid. Nora stayed two days. During her reign the entire Strata echoed to banged doors, dropped china, and slammed furniture. At her departure the Henshaws' possessions were less by four cups, two saucers, one plate, one salad bowl, two cut glass tumblers, and a teapot—the latter William's choicest bit of Lowestoft.
Olga came next. Olga was a Treasure. She was low-voiced, gentle-eyed, and a good cook. She stayed a week. By that time the growing frequency of the disappearance of sundry small articles of value and convenience led to Billy's making a reluctant search of Olga's room—and to Olga's departure; for the room was, indeed, a treasure house, the Treasure having gathered unto itself other treasures.
Following Olga came a period of what Bertram called "one night stands," so frequently were the dramatis personae below stairs changed. Gretchen drank. Christine knew only four words of English: salt, good-by, no, and yes; and Billy found need occasionally of using other words. Mary was impertinent and lazy. Jennie could not even boil a potato properly, much less cook a dinner. Sarah (colored) was willing and pleasant, but insufferably untidy. Bridget was neatness itself, but she had no conception of the value of time. Her meals were always from thirty to sixty minutes late, and half-cooked at that. Vera sang—when she wasn't whistling—and as she was generally off the key, and always off the tune, her almost frantic mistress dismissed her before twenty-four hours had passed. Then came Mary Ellen.
Mary Ellen began well. She was neat, capable, and obliging; but it did not take her long to discover just how much—and how little—her mistress really knew of practical housekeeping. Matters and things were very different then. Mary Ellen became argumentative, impertinent, and domineering. She openly shirked her work, when it pleased her so to do, and demanded perquisites and privileges so insolently that even William asked Billy one day whether Mary Ellen or Billy herself were the mistress of the Strata: and Bertram, with mock humility, inquired how soon Mary Ellen would be wanting the house. Billy, in weary despair, submitted to this bullying for almost a week; then, in a sudden accession of outraged dignity that left Mary Ellen gasping with surprise, she told the girl to go.
And thus the days passed. The maids came and the maids went, and, to Billy, each one seemed a little worse than the one before. Nowhere was there comfort, rest, or peacefulness. The nights were a torture of apprehension, and the days an even greater torture of fulfilment. Noise, confusion, meals poorly cooked and worse served, dust, disorder, and uncertainty. And this was home, Billy told herself bitterly. No wonder that Bertram telephoned more and more frequently that he had met a friend, and was dining in town. No wonder that William pushed back his plate almost every meal with his food scarcely touched, and then wandered about the house with that hungry, homesick, homeless look that nearly broke her heart. No wonder, indeed!
And so it had come. It was true. Aunt Hannah and Kate and the "Talk to Young Wives" were right. She had not been fit to marry Bertram. She had not been fit to marry anybody. Her honeymoon was not only waning, but going into a total eclipse. Had not Bertram already declared that if she would tend to her husband and her home a little more—
Billy clenched her small hands and set her round chin squarely.
Very well, she would show them. She would tend to her husband and her home. She fancied she could learn to run that house, and run it well! And forthwith she descended to the kitchen and told the then reigning tormentor that her wages would be paid until the end of the week, but that her services would be immediately dispensed with.
Billy was well aware now that housekeeping was a matter of more than muffins and date puffs. She could gauge, in a measure, the magnitude of the task to which she had set herself. But she did not falter; and very systematically she set about making her plans.
With a good stout woman to come in twice a week for the heavier work, she believed she could manage by herself very well until Eliza could come back. At least she could serve more palatable meals than the most of those that had appeared lately; and at least she could try to make a home that would not drive Bertram to club dinners, and Uncle William to hungry wanderings from room to room. Meanwhile, all the time, she could be learning, and in due course she would reach that shining goal of Housekeeping Efficiency, short of which—according to Aunt Hannah and the "Talk to Young Wives"—no woman need hope for a waneless honeymoon.
So chaotic and erratic had been the household service, and so quietly did Billy slip into her new role, that it was not until the second meal after the maid's departure that the master of the house discovered what had happened. Then, as his wife rose to get some forgotten article, he questioned, with uplifted eyebrows:
"Too good to wait upon us, is my lady now, eh?"
"My lady is waiting on you," smiled Billy.
"Yes, I see this lady is," retorted Bertram, grimly; "but I mean our real lady in the kitchen. Great Scott, Billy, how long are you going to stand this?"
Billy tossed her head airily, though she shook in her shoes. Billy had been dreading this moment.
"I'm not standing it. She's gone," responded Billy, cheerfully, resuming her seat. "Uncle William, sha'n't I give you some more pudding?"
"Gone, so soon?" groaned Bertram, as William passed his plate, with a smiling nod. "Oh, well," went on Bertram, resignedly, "she stayed longer than the last one. When is the next one coming?"
"She's already here."
Bertram frowned.
"Here? But—you served the dessert, and—" At something in Billy's face, a quick suspicion came into his own. "Billy, you don't mean that you—you—"
"Yes," she nodded brightly, "that's just what I mean. I'm the next one."
"Nonsense!" exploded Bertram, wrathfully. "Oh, come, Billy, we've been all over this before. You know I can't have it."
"Yes, you can. You've got to have it," retorted Billy, still with that disarming, airy cheerfulness. "Besides, 'twon't be half so bad as you think. Wasn't that a good pudding to-night? Didn't you both come back for more? Well, I made it."
"Puddings!" ejaculated Bertram, with an impatient gesture. "Billy, as I've said before, it takes something besides puddings to run this house."
"Yes, I know it does," dimpled Billy, "and I've got Mrs. Durgin for that part. She's coming twice a week, and more, if I need her. Why, dearie, you don't know anything about how comfortable you're going to be! I'll leave it to Uncle William if—"
But Uncle William had gone. Silently he had slipped from his chair and disappeared. Uncle William, it might be mentioned in passing, had never quite forgotten Aunt Hannah's fateful call with its dire revelations concerning a certain unwanted, superfluous, third-party husband's brother. Remembering this, there were times when he thought absence was both safest and best. This was one of the times.
"But, Billy, dear," still argued Bertram, irritably, "how can you? You don't know how. You've had no experience."
Billy threw back her shoulders. An ominous light came to her eyes. She was no longer airily playful.
"That's exactly it, Bertram. I don't know how—but I'm going to learn. I haven't had experience—but I'm going to get it. I can't make a worse mess of it than we've had ever since Eliza went, anyway!"
"But if you'd get a maid—a good maid," persisted Bertram, feebly.
"I had one—Mary Ellen. She was a good maid—until she found out how little her mistress knew; then—well, you know what it was then. Do you think I'd let that thing happen to me again? No, sir! I'm going into training for—my next Mary Ellen!" And with a very majestic air Billy rose from the table and began to clear away the dishes.
CHAPTER XVII. THE EFFICIENCY STAR—AND BILLY
Billy was not a young woman that did things by halves. Long ago, in the days of her childhood, her Aunt Ella had once said of her: "If only Billy didn't go into things all over, so; but whether it's measles or mud pies, I always know that she'll be the measliest or the muddiest of any child in town!" It could not be expected, therefore, that Billy would begin to play her new role now with any lack of enthusiasm. But even had she needed any incentive, there was still ever ringing in her ears Bertram's accusing: "If you'd tend to your husband and your home a little more—" Billy still declared very emphatically that she had forgiven Bertram; but she knew, in her heart, that she had not forgotten.
Certainly, as the days passed, it could not be said that Billy was not tending to her husband and her home. From morning till night, now, she tended to nothing else. She seldom touched her piano—save to dust it—and she never touched her half-finished song-manuscript, long since banished to the oblivion of the music cabinet. She made no calls except occasional flying visits to the Annex, or to the pretty new home where Marie and Cyril were now delightfully settled. The opera and the Symphony were over for the season, but even had they not been, Billy could not have attended them. She had no time. Surely she was not doing any "gallivanting" now, she told herself sometimes, a little aggrievedly.
There was, indeed, no time. From morning until night Billy was busy, flying from one task to another. Her ambition to have everything just right was equalled only by her dogged determination to "just show them" that she could do this thing. At first, of course, hampered as she was by ignorance and inexperience, each task consumed about twice as much time as was necessary. Yet afterwards, when accustomedness had brought its reward of speed, there was still for Billy no time; for increased knowledge had only opened the way to other paths, untrodden and alluring. Study of cookbooks had led to the study of food values. Billy discovered suddenly that potatoes, beef, onions, oranges, and puddings were something besides vegetables, meat, fruit, and dessert. They possessed attributes known as proteids, fats, and carbohydrates. Faint memories of long forgotten school days hinted that these terms had been heard before; but never, Billy was sure, had she fully realized what they meant.
It was at this juncture that Billy ran across a book entitled "Correct Eating for Efficiency." She bought it at once, and carried it home in triumph. It proved to be a marvelous book. Billy had not read two chapters before she began to wonder how the family had managed to live thus far with any sort of success, in the face of their dense ignorance and her own criminal carelessness concerning their daily bill of fare.
At dinner that night Billy told Bertram and William of her discovery, and, with growing excitement, dilated on the wonderful good that it was to bring to them.
"Why, you don't know, you can't imagine what a treasure it is!" she exclaimed. "It gives a complete table for the exact balancing of food."
"For what?" demanded Bertram, glancing up.
"The exact balancing of food; and this book says that's the biggest problem that modern scientists have to solve."
"Humph!" shrugged Bertram. "Well, you just balance my food to my hunger, and I'll agree not to complain."
"Oh, but, Bertram, it's serious, really," urged Billy, looking genuinely distressed. "Why, it says that what you eat goes to make up what you are. It makes your vital energies. Your brain power and your body power come from what you eat. Don't you see? If you're going to paint a picture you need something different from what you would if you were going to—to saw wood; and what this book tells is—is what I ought to give you to make you do each one, I should think, from what I've read so far. Now don't you see how important it is? What if I should give you the saw-wood kind of a breakfast when you were just going up-stairs to paint all day? And what if I should give Uncle William a—a soldier's breakfast when all he is going to do is to go down on State Street and sit still all day?"
"But—but, my dear," began Uncle William, looking slightly worried, "there's my eggs that I always have, you know."
"For heaven's sake, Billy, what have you got hold of now?" demanded Bertram, with just a touch of irritation.
Billy laughed merrily.
"Well, I suppose I didn't sound very logical," she admitted. "But the book—you just wait. It's in the kitchen. I'm going to get it." And with laughing eagerness she ran from the room.
In a moment she had returned, book in hand.
"Now listen. This is the real thing—not my garbled inaccuracies. 'The food which we eat serves three purposes: it builds the body substance, bone, muscle, etc., it produces heat in the body, and it generates vital energy. Nitrogen in different chemical combinations contributes largely to the manufacture of body substances; the fats produce heat; and the starches and sugars go to make the vital energy. The nitrogenous food elements we call proteins; the fats and oils, fats; and the starches and sugars (because of the predominance of carbon), we call carbohydrates. Now in selecting the diet for the day you should take care to choose those foods which give the proteins, fats, and carbohydrates in just the right proportion.'"
"Oh, Billy!" groaned Bertram.
"But it's so, Bertram," maintained Billy, anxiously. "And it's every bit here. I don't have to guess at it at all. They even give the quantities of calories of energy required for different sized men. I'm going to measure you both to-morrow; and you must be weighed, too," she continued, ignoring the sniffs of remonstrance from her two listeners. "Then I'll know just how many calories to give each of you. They say a man of average size and weight, and sedentary occupation, should have at least 2,000 calories—and some authorities say 3,000—in this proportion: proteins, 300 calories, fats, 350 calories, carbohydrates, 1,350 calories. But you both are taller than five feet five inches, and I should think you weighed more than 145 pounds; so I can't tell just yet how many calories you will need."
"How many we will need, indeed!" ejaculated Bertram.
"But, my dear, you know I have to have my eggs," began Uncle William again, in a worried voice.
"Of course you do, dear; and you shall have them," soothed Billy, brightly. "It's only that I'll have to be careful and balance up the other things for the day accordingly. Don't you see? Now listen. We'll see what eggs are." She turned the leaves rapidly. "Here's the food table. It's lovely. It tells everything. I never saw anything so wonderful. A—b—c—d—e—here we are. 'Eggs, scrambled or boiled, fats and proteins, one egg, 100.' If it's poached it's only 50; but you like yours boiled, so we'll have to reckon on the 100. And you always have two, so that means 200 calories in fats and proteins. Now, don't you see? If you can't have but 300 proteins and 350 fats all day, and you've already eaten 200 in your two eggs, that'll leave just—er—450 for all the rest of the day,—of fats and proteins, you understand. And you've no idea how fast that'll count up. Why, just one serving of butter is 100 of fats, and eight almonds is another, while a serving of lentils is 100 of proteins. So you see how it'll go."
"Yes, I see," murmured Uncle William, casting a mournful glance about the generously laden table, much as if he were bidding farewell to a departing friend. "But if I should want more to eat—" He stopped helplessly, and Bertram's aggrieved voice filled the pause.
"Look here, Billy, if you think I'm going to be measured for an egg and weighed for an almond, you're much mistaken; because I'm not. I want to eat what I like, and as much as I like, whether it's six calories or six thousand!"
Billy chuckled, but she raised her hands in pretended shocked protest.
"Six thousand! Mercy! Bertram, I don't know what would happen if you ate that quantity; but I'm sure you couldn't paint. You'd just have to saw wood and dig ditches to use up all that vital energy."
"Humph!" scoffed Bertram.
"Besides, this is for efficiency," went on Billy, with an earnest air. "This man owns up that some may think a 2,000 calory ration is altogether too small, and he advises such to begin with 3,000 or even 3,500—graded, of course, according to a man's size, weight, and occupation. But he says one famous man does splendid work on only 1,800 calories, and another on even 1,600. But that is just a matter of chewing. Why, Bertram, you have no idea what perfectly wonderful things chewing does."
"Yes, I've heard of that," grunted Bertram; "ten chews to a cherry, and sixty to a spoonful of soup. There's an old metronome up-stairs that Cyril left. You might bring it down and set it going on the table—so many ticks to a mouthful, I suppose. I reckon, with an incentive like that to eat, just about two calories would do me. Eh, William?"
"Bertram! Now you're only making fun," chided Billy; "and when it's really serious, too. Now listen," she admonished, picking up the book again. "'If a man consumes a large amount of meat, and very few vegetables, his diet will be too rich in protein, and too lacking in carbohydrates. On the other hand, if he consumes great quantities of pastry, bread, butter, and tea, his meals will furnish too much energy, and not enough building material.' There, Bertram, don't you see?"
"Oh, yes, I see," teased Bertram. "William, better eat what you can to-night. I foresee it's the last meal of just food we'll get for some time. Hereafter we'll have proteins, fats, and carbohydrates made into calory croquettes, and—"
"Bertram!" scolded Billy.
But Bertram would not be silenced.
"Here, just let me take that book," he insisted, dragging the volume from Billy's reluctant fingers. "Now, William, listen. Here's your breakfast to-morrow morning: strawberries, 100 calories; whole-wheat bread, 75 calories; butter, 100 calories (no second helping, mind you, or you'd ruin the balance and something would topple); boiled eggs, 200 calories; cocoa, 100 calories—which all comes to 570 calories. Sounds like an English bill of fare with a new kind of foreign money, but 'tisn't, really, you know. Now for luncheon you can have tomato soup, 50 calories; potato salad—that's cheap, only 30 calories, and—" But Billy pulled the book away then, and in righteous indignation carried it to the kitchen.
"You don't deserve anything to eat," she declared with dignity, as she returned to the dining-room.
"No?" queried Bertram, his eyebrows uplifted. "Well, as near as I can make out we aren't going to get—much."
But Billy did not deign to answer this.
In spite of Bertram's tormenting gibes, Billy did, for some days, arrange her meals in accordance with the wonderful table of food given in "Correct Eating for Efficiency." To be sure, Bertram, whatever he found before him during those days, anxiously asked whether he were eating fats, proteins, or carbohydrates; and he worried openly as to the possibility of his meal's producing one calory too much or too little, thus endangering his "balance."
Billy alternately laughed and scolded, to the unvarying good nature of her husband. As it happened, however, even this was not for long, for Billy ran across a magazine article on food adulteration; and this so filled her with terror lest, in the food served, she were killing her family by slow poison, that she forgot all about the proteins, fats, and carbohydrates. Her talk these days was of formaldehyde, benzoate of soda, and salicylic acid.
Very soon, too, Billy discovered an exclusive Back Bay school for instruction in household economics and domestic hygiene. Billy investigated it at once, and was immediately aflame with enthusiasm. She told Bertram that it taught everything, everything she wanted to know; and forthwith she enrolled herself as one of its most devoted pupils, in spite of her husband's protests that she knew enough, more than enough, already. This school attendance, to her consternation, Billy discovered took added time; but in some way she contrived to find it to take.
And so the days passed. Eliza's mother, though better, was still too ill for her daughter to leave her. Billy, as the warm weather approached, began to look pale and thin. Billy, to tell the truth, was working altogether too hard; but she would not admit it, even to herself. At first the novelty of the work, and her determination to conquer at all costs, had given a fictitious strength to her endurance. Now that the novelty had become accustomedness, and the conquering a surety, Billy discovered that she had a back that could ache, and limbs that, at times, could almost refuse to move from weariness. There was still, however, one spur that never failed to urge her to fresh endeavor, and to make her, at least temporarily, forget both ache and weariness; and that was the comforting thought that now, certainly, even Bertram himself must admit that she was tending to her home and her husband.
As to Bertram—Bertram, it is true, had at first uttered frequent and vehement protests against his wife's absorption of both mind and body in "that plaguy housework," as he termed it. But as the days passed, and blessed order superseded chaos, peace followed discord, and delicious, well-served meals took the place of the horrors that had been called meals in the past, he gradually accepted the change with tranquil satisfaction, and forgot to question how it was brought about; though he did still, sometimes, rebel because Billy was always too tired, or too busy, to go out with him. Of late, however, he had not done even this so frequently, for a new "Face of a Girl" had possessed his soul; and all his thoughts and most of his time had gone to putting on canvas the vision of loveliness that his mind's eye saw.
By June fifteenth the picture was finished. Bertram awoke then to his surroundings. He found summer was upon him with no plans made for its enjoyment. He found William had started West for a two weeks' business trip. But what he did not find one day—at least at first—was his wife, when he came home unexpectedly at four o'clock. And Bertram especially wanted to find his wife that day, for he had met three people whose words had disquieted him not a little. First, Aunt Hannah. She had said:
"Bertram, where is Billy? She hasn't been out to the Annex for a week; and the last time she was there she looked sick. I was real worried about her."
Cyril had been next.
"Where's Billy?" he had asked abruptly. "Marie says she hasn't seen her for two weeks. Marie's afraid she's sick. She says Billy didn't look well a bit, when she did see her."
Calderwell had capped the climax. He had said:
"Great Scott, Henshaw, where have you been keeping yourself? And where's your wife? Not one of us has caught more than a glimpse of her for weeks. She hasn't sung with us, nor played for us, nor let us take her anywhere for a month of Sundays. Even Miss Greggory says she hasn't seen much of her, and that Billy always says she's too busy to go anywhere. But Miss Greggory says she looks pale and thin, and that she thinks she's worrying too much over running the house. I hope she isn't sick!"
"Why, no, Billy isn't sick. Billy's all right," Bertram had answered. He had spoken lightly, nonchalantly, with an elaborate air of carelessness; but after he had left Calderwell, he had turned his steps abruptly and a little hastily toward home.
And he had not found Billy—at least, not at once. He had gone first down into the kitchen and dining-room. He remembered then, uneasily, that he had always looked for Billy in the kitchen and dining-room, of late. To-day, however, she was not there.
On the kitchen table Bertram did see a book wide open, and, mechanically, he picked it up. It was a much-thumbed cookbook, and it was open where two once-blank pages bore his wife's handwriting. On the first page, under the printed heading "Things to Remember," he read these sentences:
"That rice swells till every dish in the house is full, and that spinach shrinks till you can't find it.
"That beets boil dry if you look out the window.
"That biscuits which look as if they'd been mixed up with a rusty stove poker haven't really been so, but have only got too much undissolved soda in them."
There were other sentences, but Bertram's eyes chanced to fall on the opposite page where the "Things to Remember" had been changed to "Things to Forget"; and here Billy had written just four words: "Burns," "cuts," and "yesterday's failures."
Bertram dropped the book then with a spasmodic clearing of his throat, and hurriedly resumed his search. When he did find his wife, at last, he gave a cry of dismay—she was on her own bed, huddled in a little heap, and shaking with sobs.
"Billy! Why, Billy!" he gasped, striding to the bedside.
Billy sat up at once, and hastily wiped her eyes.
"Oh, is it you, B-Bertram? I didn't hear you come in. You—you s-said you weren't coming till six o'clock!" she choked.
"Billy, what is the meaning of this?"
"N-nothing. I—I guess I'm just tired."
"What have you been doing?" Bertram spoke sternly, almost sharply. He was wondering why he had not noticed before the little hollows in his wife's cheeks. "Billy, what have you been doing?"
"Why, n-nothing extra, only some sweeping, and cleaning out the refrigerator."
"Sweeping! Cleaning! You! I thought Mrs. Durgin did that."
"She does. I mean she did. But she couldn't come. She broke her leg—fell off the stepladder where she was three days ago. So I had to do it. And to-day, someway, everything went wrong. I burned me, and I cut me, and I used two sodas with not any cream of tartar, and I should think I didn't know anything, not anything!" And down went Billy's head into the pillows again in another burst of sobs.
With gentle yet uncompromising determination, Bertram gathered his wife into his arms and carried her to the big chair. There, for a few minutes, he soothed and petted her as if she were a tired child—which, indeed, she was.
"Billy, this thing has got to stop," he said then. There was a very inexorable ring of decision in his voice.
"What thing?"
"This housework business."
Billy sat up with a jerk.
"But, Bertram, it isn't fair. You can't—you mustn't—just because of to-day! I can do it. I have done it. I've done it days and days, and it's gone beautifully—even if they did say I couldn't!"
"Couldn't what?"
"Be an e-efficient housekeeper."
"Who said you couldn't?"
"Aunt Hannah and K-Kate."
Bertram said a savage word under his breath.
"Holy smoke, Billy! I didn't marry you for a cook or a scrub-lady. If you had to do it, that would be another matter, of course; and if we did have to do it, we wouldn't have a big house like this for you to do it in. But I didn't marry for a cook, and I knew I wasn't getting one when I married you."
Billy bridled into instant wrath.
"Well, I like that, Bertram Henshaw! Can't I cook? Haven't I proved that I can cook?"
Bertram laughed, and kissed the indignant lips till they quivered into an unwilling smile.
"Bless your spunky little heart, of course you have! But that doesn't mean that I want you to do it. You see, it so happens that you can do other things, too; and I'd rather you did those. Billy, you haven't played to me for a week, nor sung to me for a month. You're too tired every night to talk, or read together, or go anywhere with me. I married for companionship—not cooking and sweeping!"
Billy shook her head stubbornly. Her mouth settled into determined lines.
"That's all very well to say. You aren't hungry now, Bertram. But it's different when you are, and they said 'twould be."
"Humph! 'They' are Aunt Hannah and Kate, I suppose."
"Yes—and the 'Talk to Young Wives.'"
"The w-what?"
Billy choked a little. She had forgotten that Bertram did not know about the "Talk to Young Wives." She wished that she had not mentioned the book, but now that she had, she would make the best of it. She drew herself up with dignity.
"It's a book; a very nice book. It says lots of things—that have come true."
"Where is that book? Let me see it, please."
With visible reluctance Billy got down from her perch on Bertram's knee, went to her desk and brought back the book.
Bertram regarded it frowningly, so frowningly that Billy hastened to its defense.
"And it's true—what it says in there, and what Aunt Hannah and Kate said. It is different when they're hungry! You said yourself if I'd tend to my husband and my home a little more, and—"
Bertram looked up with unfeigned amazement.
"I said what?" he demanded.
In a voice shaken with emotion, Billy repeated the fateful words.
"I never—when did I say that?"
"The night Uncle William and I came home from—Pete's."
For a moment Bertram stared dumbly; then a shamed red swept to his forehead.
"Billy, did I say that? I ought to be shot if I did. But, Billy, you said you'd forgiven me!"
"I did, dear—truly I did; but, don't you see?—it was true. I hadn't tended to things. So I've been doing it since."
A sudden comprehension illuminated Bertram's face.
"Heavens, Billy! And is that why you haven't been anywhere, or done anything? Is that why Calderwell said to-day that you hadn't been with them anywhere, and that—Great Scott, Billy! Did you think I was such a selfish brute as that?"
"Oh, but when I was going with them I was following the book—I thought," quavered Billy; and hurriedly she turned the leaves to a carefully marked passage. "It's there—about the outside interests. See? I was trying to brush up against them, so that I wouldn't interfere with your Art. Then, when you accused me of gallivanting off with—" But Bertram swept her back into his arms, and not for some minutes could Billy make a coherent speech again.
Then Bertram spoke.
"See here, Billy," he exploded, a little shakily, "if I could get you off somewhere on a desert island, where there weren't any Aunt Hannahs or Kates, or Talks to Young Wives, I think there'd be a chance to make you happy; but—"
"Oh, but there was truth in it," interrupted Billy, sitting erect again. "I didn't know how to run a house, and it was perfectly awful while we were having all those dreadful maids, one after the other; and no woman should be a wife who doesn't know—"
"All right, all right, dear," interrupted Bertram, in his turn. "We'll concede that point, if you like. But you do know now. You've got the efficient housewife racket down pat even to the last calory your husband should be fed; and I'll warrant there isn't a Mary Ellen in Christendom who can find a spot of ignorance on you as big as a pinhead! So we'll call that settled. What you need now is a good rest; and you're going to have it, too. I'm going to have six Mary Ellens here to-morrow morning. Six! Do you hear? And all you've got to do is to get your gladdest rags together for a trip to Europe with me next month. Because we're going. I shall get the tickets to-morrow, after I send the six Mary Ellens packing up here. Now come, put on your bonnet. We're going down town to dinner."
CHAPTER XVIII. BILLY TRIES HER HAND AT "MANAGING"
Bertram did not engage six Mary Ellens the next morning, nor even one, as it happened; for that evening, Eliza—who had not been unaware of conditions at the Strata—telephoned to say that her mother was so much better now she believed she could be spared to come to the Strata for several hours each day, if Mrs. Henshaw would like to have her begin in that way.
Billy agreed promptly, and declared herself as more than willing to put up with such an arrangement. Bertram, it is true, when he heard of the plan, rebelled, and asserted that what Billy needed was a rest, an entire rest from care and labor. In fact, what he wanted her to do, he said, was to gallivant—to gallivant all day long.
"Nonsense!" Billy had laughed, coloring to the tips of her ears. "Besides, as for the work, Bertram, with just you and me here, and with all my vast experience now, and Eliza here for several hours every day, it'll be nothing but play for this little time before we go away. You'll see!"
"All right, I'll see, then," Bertram had nodded meaningly. "But just make sure that it is play for you!"
"I will," laughed Billy; and there the matter had ended.
Eliza began work the next day, and Billy did indeed soon find herself "playing" under Bertram's watchful insistence. She resumed her music, and brought out of exile the unfinished song. With Bertram she took drives and walks; and every two or three days she went to see Aunt Hannah and Marie. She was pleasantly busy, too, with plans for her coming trip; and it was not long before even the remorseful Bertram had to admit that Billy was looking and appearing quite like her old self.
At the Annex Billy found Calderwell and Arkwright, one day. They greeted her as if she had just returned from a far country.
"Well, if you aren't the stranger lady," began Calderwell, looking frankly pleased to see her. "We'd thought of advertising in the daily press somewhat after this fashion: 'Lost, strayed, or stolen, one Billy; comrade, good friend, and kind cheerer-up of lonely hearts. Any information thankfully received by her bereft, sorrowing friends.'"
Billy joined in the laugh that greeted this sally, but Arkwright noticed that she tried to change the subject from her own affairs to a discussion of the new song on Alice Greggory's piano. Calderwell, however, was not to be silenced.
"The last I heard of this elusive Billy," he resumed, with teasing cheerfulness, "she was running down a certain lost calory that had slipped away from her husband's breakfast, and—"
Billy wheeled sharply.
"Where did you get hold of that?" she demanded.
"Oh, I didn't," returned the man, defensively. "I never got hold of it at all. I never even saw the calory—though, for that matter, I don't think I should know one if I did see it! What we feared was, that, in hunting the lost calory, you had lost yourself, and—" But Billy would hear no more. With her disdainful nose in the air she walked to the piano.
"Come, Mr. Arkwright," she said with dignity. "Let's try this song."
Arkwright rose at once and accompanied her to the piano.
They had sung the song through twice when Billy became uneasily aware that, on the other side of the room, Calderwell and Alice Greggory were softly chuckling over something they had found in a magazine. Billy frowned, and twitched the corners of a pile of music, with restless fingers.
"I wonder if Alice hasn't got some quartets here somewhere," she murmured, her disapproving eyes still bent on the absorbed couple across the room.
Arkwright was silent. Billy, throwing a hurried glance into his face, thought she detected a somber shadow in his eyes. She thought, too, she knew why it was there. So possessed had Billy been, during the early winter, of the idea that her special mission in life was to inaugurate and foster a love affair between disappointed Mr. Arkwright and lonely Alice Greggory, that now she forgot, for a moment, that Arkwright himself was quite unaware of her efforts. She thought only that the present shadow on his face must be caused by the same thing that brought worry to her own heart—the manifest devotion of Calderwell to Alice Greggory just now across the room. Instinctively, therefore, as to a coworker in a common cause, she turned a disturbed face to the man at her side.
"It is, indeed, high time that I looked after something besides lost calories," she said significantly. Then, at the evident uncomprehension in Arkwright's face, she added: "Has it been going on like this—very long?"
Arkwright still, apparently, did not understand.
"Has—what been going on?" he questioned.
"That—over there," answered Billy, impatiently, scarcely knowing whether to be more irritated at the threatened miscarriage of her cherished plans, or at Arkwright's (to her) wilfully blind insistence on her making her meaning more plain. "Has it been going on long—such utter devotion?"
As she asked the question Billy turned and looked squarely into Arkwright's face. She saw, therefore, the great change that came to it, as her meaning became clear to him. Her first feeling was one of shocked realization that Arkwright had, indeed, been really blind. Her second—she turned away her eyes hurriedly from what she thought she saw in the man's countenance.
With an assumedly gay little cry she sprang to her feet.
"Come, come, what are you two children chuckling over?" she demanded, crossing the room abruptly. "Didn't you hear me say I wanted you to come and sing a quartet?"
Billy blamed herself very much for what she called her stupidity in so baldly summoning Arkwright's attention to Calderwell's devotion to Alice Greggory. She declared that she ought to have known better, and she asked herself if this were the way she was "furthering matters" between Alice Greggory and Arkwright.
Billy was really seriously disturbed. She had never quite forgiven herself for being so blind to Arkwright's feeling for herself during those days when he had not known of her engagement to Bertram. She had never forgotten, either, the painful scene when he had hopefully told of his love, only to be met with her own shocked repudiation. For long weeks after that, his face had haunted her. She had wished, oh, so ardently, that she could do something in some way to bring him happiness. When, therefore, it had come to her knowledge afterward that he was frequently with his old friend, Alice Greggory, she had been so glad. It was very easy then to fan hope into conviction that here, in this old friend, he had found sweet balm for his wounded heart; and she determined at once to do all that she could do to help. So very glowing, indeed, was her eagerness in the matter, that it looked suspiciously as if she thought, could she but bring this thing about, that old scores against herself would be erased.
Billy told herself, virtuously, however, that not only for Arkwright did she desire this marriage to take place, but for Alice Greggory. In the very nature of things Alice would one day be left alone. She was poor, and not very strong. She sorely needed the shielding love and care of a good husband. What more natural than that her old-time friend and almost-sweetheart, M. J. Arkwright, should be that good husband?
That really it was more Arkwright and less Alice that was being considered, however, was proved when the devotion of Calderwell began to be first suspected, then known for a fact. Billy's distress at this turn of affairs indicated very plainly that it was not just a husband, but a certain one particular husband that she desired for Alice Greggory. All the more disturbed was she, therefore, when to-day, seeing her three friends together again for the first time for some weeks, she discovered increased evidence that her worst fears were to be realized. It was to be Alice and Calderwell, not Alice and Arkwright. Arkwright was again to be disappointed in his dearest hopes.
Telling herself indignantly that it could not be, it should not be, Billy determined to remain after the men had gone, and speak to Alice. Just what she would say she did not know. Even what she could say, she was not sure. But certainly there must be something, some little thing that she could say, which would open Alice's eyes to what she was doing, and what she ought to do.
It was in this frame of mind, therefore, that Billy, after Arkwright and Calderwell had gone, spoke to Alice. She began warily, with assumed nonchalance.
"I believe Mr. Arkwright sings better every time I hear him."
There was no answer. Alice was sorting music at the piano.
"Don't you think so?" Billy raised her voice a little.
Alice turned almost with a start.
"What's that? Oh, yes. Well, I don't know; maybe I do."
"You would—if you didn't hear him any oftener than I do," laughed Billy. "But then, of course you do hear him oftener."
"I? Oh, no, indeed. Not so very much oftener." Alice had turned back to her music. There was a slight embarrassment in her manner. "I wonder—where—that new song—is," she murmured.
Billy, who knew very well where the song lay, was not to be diverted.
"Nonsense! As if Mr. Arkwright wasn't always telling how Alice liked this song, and didn't like that one, and thought the other the best yet! I don't believe he sings a thing that he doesn't first sing to you. For that matter, I fancy he asks your opinion of everything, anyway."
"Why, Billy, he doesn't!" exclaimed Alice, a deep red flaming into her cheeks. "You know he doesn't."
Billy laughed gleefully. She had not been slow to note the color in her friend's face, or to ascribe to it the one meaning she wished to ascribe to it. So sure, indeed, was she now that her fears had been groundless, that she flung caution to the winds.
"Ho! My dear Alice, you can't expect us all to be blind," she teased. "Besides, we all think it's such a lovely arrangement that we're just glad to see it. He's such a fine fellow, and we like him so much! We couldn't ask for a better husband for you than Mr. Arkwright, and—" From sheer amazement at the sudden white horror in Alice Greggory's face, Billy stopped short. "Why, Alice!" she faltered then.
With a visible effort Alice forced her trembling lips to speak.
"My husband—Mr. Arkwright! Why, Billy, you couldn't have seen—you haven't seen—there's nothing you could see! He isn't—he wasn't—he can't be! We—we're nothing but friends, Billy, just good friends!"
Billy, though dismayed, was still not quite convinced.
"Friends! Nonsense! When—"
But Alice interrupted feverishly. Alice, in an agony of fear lest the true state of affairs should be suspected, was hiding behind a bulwark of pride.
"Now, Billy, please! Say no more. You're quite wrong, entirely. You'll never, never hear of my marrying Mr. Arkwright. As I said before, we're friends—the best of friends; that is all. We couldn't be anything else, possibly!"
Billy, plainly discomfited, fell back; but she threw a sharp glance into her friend's flushed countenance.
"You mean—because of—Hugh Calderwell?" she demanded. Then, for the second time that afternoon throwing discretion to the winds, she went on plaintively: "You won't listen, of course. Girls in love never do. Hugh is all right, and I like him; but there's more real solid worth in Mr. Arkwright's little finger than there is in Hugh's whole self. And—" But a merry peal of laughter from Alice Greggory interrupted.
"And, pray, do you think I'm in love with Hugh Calderwell?" she demanded. There was a curious note of something very like relief in her voice.
"Well, I didn't know," began Billy, uncertainly.
"Then I'll tell you now," smiled Alice. "I'm not. Furthermore, perhaps it's just as well that you should know right now that I don't intend to marry—ever."
"Oh, Alice!"
"No." There was determination, and there was still that curious note of relief in the girl's voice. It was as if, somewhere, a great danger had been avoided. "I have my music. That is enough. I'm not intending to marry."
"Oh, but Alice, while I will own up I'm glad it isn't Hugh Calderwell, there is Mr. Arkwright, and I did hope—" But Alice shook her head and turned resolutely away. At that moment, too, Aunt Hannah came in from the street, so Billy could say no more.
Aunt Hannah dropped herself a little wearily into a chair.
"I've just come from Marie's," she said.
"How is she?" asked Billy.
Aunt Hannah smiled, and raised her eyebrows.
"Well, just now she's quite exercised over another rattle—from her cousin out West, this time. There were four little silver bells on it, and she hasn't got any janitor's wife now to give it to."
Billy laughed softly, but Aunt Hannah had more to say.
"You know she isn't going to allow any toys but Teddy bears and woolly lambs, of which, I believe, she has already bought quite an assortment. She says they don't rattle or squeak. I declare, when I see the woolen pads and rubber hushers that that child has put everywhere all over the house, I don't know whether to laugh or cry. And she's so worried! It seems Cyril must needs take just this time to start composing a new opera or symphony, or something; and never before has she allowed him to be interrupted by anything on such an occasion. But what he'll do when the baby comes she says she doesn't know, for she says she can't—she just can't keep it from bothering him some, she's afraid. As if any opera or symphony that ever lived was of more consequence than a man's own child!" finished Aunt Hannah, with an indignant sniff, as she reached for her shawl.
CHAPTER XIX. A TOUGH NUT TO CRACK FOR CYRIL
It was early in the forenoon of the first day of July that Eliza told her mistress that Mrs. Stetson was asking for her at the telephone. Eliza's face was not a little troubled.
"I'm afraid, maybe, it isn't good news," she stammered, as her mistress hurriedly arose. "She's at Mr. Cyril Henshaw's—Mrs. Stetson is—and she seemed so terribly upset about something that there was no making real sense out of what she said. But she asked for you, and said to have you come quick."
Billy, her own face paling, was already at the telephone.
"Yes, Aunt Hannah. What is it?"
"Oh, my grief and conscience, Billy, if you can, come up here, please. You must come! Can't you come?"
"Why, yes, of course. But—but—Marie! The—the baby!"
A faint groan came across the wires.
"Oh, my grief and conscience, Billy! It isn't the baby. It's babies! It's twins—boys. Cyril has them now—the nurse hasn't got here yet."
"Twins! Cyril has them!" broke in Billy, hysterically.
"Yes, and they're crying something terrible. We've sent for a second nurse to come, too, of course, but she hasn't got here yet, either. And those babies—if you could hear them! That's what we want you for, to—"
But Billy was almost laughing now.
"All right, I'll come out—and hear them," she called a bit wildly, as she hung up the receiver.
Some little time later, a palpably nervous maid admitted Billy to the home of Mr. and Mrs. Cyril Henshaw. Even as the door was opened, Billy heard faintly, but unmistakably, the moaning wails of two infants.
"Mrs. Stetson says if you will please to help Mr. Henshaw with the babies," stammered the maid, after the preliminary questions and answers. "I've been in when I could, and they're all right, only they're crying. They're in his den. We had to put them as far away as possible—their crying worried Mrs. Henshaw so."
"Yes, I see," murmured Billy. "I'll go to them at once. No, don't trouble to come. I know the way. Just tell Mrs. Stetson I'm here, please," she finished, as she tossed her hat and gloves on to the hall table, and turned to go upstairs.
Billy's feet made no sound on the soft rugs. The crying, however, grew louder and louder as she approached the den. Softly she turned the knob and pushed open the door. She stopped short, then, at what she saw.
Cyril had not heard her, nor seen her. His back was partly toward the door. His coat was off, and his hair stood fiercely on end as if a nervous hand had ruffled it. His usually pale face was very red, and his forehead showed great drops of perspiration. He was on his feet, hovering over the couch, at each end of which lay a rumpled roll of linen, lace, and flannel, from which emerged a prodigiously puckered little face, two uncertainly waving rose-leaf fists, and a wail of protesting rage that was not uncertain in the least.
In one hand Cyril held a Teddy bear, in the other his watch, dangling from its fob chain. Both of these he shook feebly, one after the other, above the tiny faces.
"Oh, come, come, pretty baby, good baby, hush, hush," he begged agitatedly.
In the doorway Billy clapped her hands to her lips and stifled a laugh. Billy knew, of course, that what she should do was to go forward at once, and help this poor, distracted man; but Billy, just then, was not doing what she knew she ought to do.
With a muttered ejaculation (which Billy, to her sorrow, could not catch) Cyril laid down the watch and flung the Teddy bear aside. Then, in very evident despair, he gingerly picked up one of the rumpled rolls of flannel, lace, and linen, and held it straight out before him. After a moment's indecision he began awkwardly to jounce it, teeter it, rock it back and forth, and to pat it jerkily.
"Oh, come, come, pretty baby, good baby, hush, hush," he begged again, frantically.
Perhaps it was the change of position; perhaps it was the novelty of the motion, perhaps it was only utter weariness, or lack of breath. Whatever the cause, the wailing sobs from the bundle in his arms dwindled suddenly to a gentle whisper, then ceased altogether.
With a ray of hope illuminating his drawn countenance, Cyril carefully laid the baby down and picked up the other. Almost confidently now he began the jouncing and teetering and rocking as before.
"There, there! Oh, come, come, pretty baby, good baby, hush, hush," he chanted again.
This time he was not so successful. Perhaps he had lost his skill. Perhaps it was merely the world-old difference in babies. At all events, this infant did not care for jerks and jounces, and showed it plainly by emitting loud and yet louder wails of rage—wails in which his brother on the couch speedily joined.
"Oh, come, come, pretty baby, good baby, hush, hush—confound it, HUSH, I say!" exploded the frightened, weary, baffled, distracted man, picking up the other baby, and trying to hold both his sons at once.
Billy hurried forward then, tearfully, remorsefully, her face all sympathy, her arms all tenderness.
"Here, Cyril, let me help you," she cried.
Cyril turned abruptly.
"Thank God, some one's come," he groaned, holding out both the babies, with an exuberance of generosity. "Billy, you've saved my life!"
Billy laughed tremulously.
"Yes, I've come, Cyril, and I'll help every bit I can; but I don't know a thing—not a single thing about them myself. Dear me, aren't they cunning? But, Cyril, do they always cry so?"
The father-of-an-hour drew himself stiffly erect.
"Cry? What do you mean? Why shouldn't they cry?" he demanded indignantly. "I want you to understand that Doctor Brown said those were A number I fine boys! Anyhow, I guess there's no doubt they've got lungs all right," he added, with a grim smile, as he pulled out his handkerchief and drew it across his perspiring brow.
Billy did not have an opportunity to show Cyril how much or how little she knew about babies, for in another minute the maid had appeared with the extra nurse; and that young woman, with trained celerity and easy confidence, assumed instant command, and speedily had peace and order restored.
Cyril, freed from responsibility, cast longing eyes, for a moment, upon his work; but the next minute, with a despairing glance about him, he turned and fled precipitately.
Billy, following the direction of his eyes, suppressed a smile. On the top of Cyril's manuscript music on the table lay a hot-water bottle. Draped over the back of his favorite chair was a pink-bordered baby blanket. On the piano-stool rested a beribboned and beruffled baby's toilet basket. From behind the sofa pillow leered ridiculously the Teddy bear, just as it had left Cyril's desperate hand.
No wonder, indeed, that Billy smiled. Billy was thinking of what Marie had said not a week before:
"I shall keep the baby, of course, in the nursery. I've been in homes where they've had baby things strewn from one end of the house to the other; but it won't be that way here. In the first place, I don't believe in it; but, even if I did, I'd have to be careful on account of Cyril. Imagine Cyril's trying to write his music with a baby in the room! No! I shall keep the baby in the nursery, if possible; but wherever it is, it won't be anywhere near Cyril's den, anyway."
Billy suppressed many a smile during the days that immediately followed the coming of the twins. Some of the smiles, however, refused to be suppressed. They became, indeed, shamelessly audible chuckles.
Billy was to sail the tenth, and, naturally, during those early July days, her time was pretty much occupied with her preparations for departure; but nothing could keep her from frequent, though short, visits to the home of her brother-in-law.
The twins were proving themselves to be fine, healthy boys. Two trained maids, and two trained nurses ruled the household with a rod of iron. As to Cyril—Billy declared that Cyril was learning something every day of his life now.
"Oh, yes, he's learning things," she said to Aunt Hannah, one morning; "lots of things. For instance: he has his breakfast now, not when he wants it, but when the maid wants to give it to him—which is precisely at eight o'clock every morning. So he's learning punctuality. And for the first time in his life he has discovered the astounding fact that there are several things more important in the world than is the special piece of music he happens to be composing—chiefly the twins' bath, the twins' nap, the twins' airing, and the twins' colic."
Aunt Hannah laughed, though she frowned, too.
"But, surely, Billy, with two nurses and the maids, Cyril doesn't have to—to—" She came to a helpless pause.
"Oh, no," laughed Billy; "Cyril doesn't have to really attend to any of those things—though I have seen each of the nurses, at different times, unhesitatingly thrust a twin into his arms and bid him hold the child till she comes back. But it's this way. You see, Marie must be kept quiet, and the nursery is very near her room. It worries her terribly when either of the children cries. Besides, the little rascals have apparently fixed up some sort of labor-union compact with each other, so that if one cries for something or nothing, the other promptly joins in and helps. So the nurses have got into the habit of picking up the first disturber of the peace, and hurrying him to quarters remote; and Cyril's den being the most remote of all, they usually fetch up there."
"You mean—they take those babies into Cyril's den—now?" Even Aunt Hannah was plainly aghast.
"Yes," twinkled Billy. "I fancy their Hygienic Immaculacies approved of Cyril's bare floors, undraped windows, and generally knick-knackless condition. Anyhow, they've made his den a sort of—of annex to the nursery."
"But—but Cyril! What does he say?" stammered the dumfounded Aunt Hannah. "Think of Cyril's standing a thing like that! Doesn't he do anything—or say anything?"
Billy smiled, and lifted her brows quizzically.
"My dear Aunt Hannah, did you ever know many people to have the courage to 'say things' to one of those becapped, beaproned, bespotless creatures of loftily superb superiority known as trained nurses? Besides, you wouldn't recognize Cyril now. Nobody would. He's as meek as Moses, and has been ever since his two young sons were laid in his reluctant, trembling arms. He breaks into a cold sweat at nothing, and moves about his own home as if he were a stranger and an interloper, endured merely on sufferance in this abode of strange women and strange babies."
"Nonsense!" scoffed Aunt Hannah.
"But it's so," maintained Billy, merrily. "Now, for instance. You know Cyril always has been in the habit of venting his moods on the piano (just as I do, only more so) by playing exactly as he feels. Well, as near as I can gather, he was at his usual trick the next day after the twins arrived; and you can imagine about what sort of music it would be, after what he had been through the preceding forty-eight hours.
"Of course I don't know exactly what happened, but Julia—Marie's second maid, you know—tells the story. She's been with them long enough to know something of the way the whole household always turns on the pivot of the master's whims; so she fully appreciated the situation. She says she heard him begin to play, and that she never heard such queer, creepy, shivery music in her life; but that he hadn't been playing five minutes before one of the nurses came into the living-room where Julia was dusting, and told her to tell whoever was playing to stop that dreadful noise, as they wanted to take the twins in there for their nap.
"'But I didn't do it, ma'am,' Julia says. 'I wa'n't lookin' for losin' my place, an' I let the young woman do the job herself. An' she done it, pert as you please. An' jest as I was seekin' a hidin'-place for the explosion, if Mr. Henshaw didn't come out lookin' a little wild, but as meek as a lamb; an' when he sees me he asked wouldn't I please get him a cup of coffee, good an' strong. An' I got it.'
"So you see," finished Billy, "Cyril is learning things—lots of things."
"Oh, my grief and conscience! I should say he was," half-shivered Aunt Hannah. "Cyril looking meek as a lamb, indeed!"
Billy laughed merrily.
"Well, it must be a new experience—for Cyril. For a man whose daily existence for years has been rubber-heeled and woolen-padded, and whose family from boyhood has stood at attention and saluted if he so much as looked at them, it must be quite a change, as things are now. However, it'll be different, of course, when Marie is on her feet again."
"Does she know at all how things are going?"
"Not very much, as yet, though I believe she has begun to worry some. She confided to me one day that she was glad, of course, that she had two darling babies, instead of one; but that she was afraid it might be hard, just at first, to teach them both at once to be quiet; for she was afraid that while she was teaching one, the other would be sure to cry, or do something noisy."
"Do something noisy, indeed!" ejaculated Aunt Hannah.
"As for the real state of affairs, Marie doesn't dream that Cyril's sacred den is given over to Teddy bears and baby blankets. All is, I hope she'll be measurably strong before she does find it out," laughed Billy, as she rose to go.
CHAPTER XX. ARKWRIGHT'S EYES ARE OPENED
William came back from his business trip the eighth of July, and on the ninth Billy and Bertram went to New York. Eliza's mother was so well now that Eliza had taken up her old quarters in the Strata, and the household affairs were once more running like clockwork. Later in the season William would go away for a month's fishing trip, and the house would be closed.
Mr. and Mrs. Bertram Henshaw were not expected to return until the first of October; but with Eliza to look after the comfort of William, the mistress of the house did no worrying. Ever since Pete's going, Eliza had said that she preferred to be the only maid, with a charwoman to come in for the heavier work; and to this arrangement her mistress had willingly consented, for the present.
Marie and the babies were doing finely, and Aunt Hannah's health, and affairs at the Annex, were all that could be desired. As Billy, indeed, saw it, there was only one flaw to mar her perfect content on this holiday trip with Bertram, and that was her disappointment over the very evident disaster that had come to her cherished matrimonial plans for Arkwright and Alice Greggory. She could not forget Arkwright's face that day at the Annex, when she had so foolishly called his attention to Calderwell's devotion; and she could not forget, either, Alice Greggory's very obvious perturbation a little later, and her suspiciously emphatic assertion that she had no intention of marrying any one, certainly not Arkwright. As Billy thought of all this now, she could not but admit that it did look dark for Arkwright—poor Arkwright, whom she, more than any one else in the world, perhaps, had a special reason for wishing to see happily married.
There was, then, this one cloud on Billy's horizon as the big boat that was to bear her across the water steamed down the harbor that beautiful July day.
As it chanced, naturally, perhaps, not only was Billy thinking of Arkwright that morning, but Arkwright was thinking of Billy.
Arkwright had thought frequently of Billy during the last few days, particularly since that afternoon meeting at the Annex when the four had renewed their old good times together. Up to that day Arkwright had been trying not to think of Billy. He had been "fighting his tiger skin." Sternly he had been forcing himself to meet her, to see her, to talk with her, to sing with her, or to pass her by—all with the indifference properly expected to be shown in association with Mrs. Bertram Henshaw, another man's wife. He had known, of course, that deep down in his heart he loved her, always had loved her, and always would love her. Hopelessly and drearily he accepted this as a fact even while with all his might fighting that tiger skin. So sure was he, indeed, of this, so implicitly had he accepted it as an unalterable certainty, that in time even his efforts to fight it became almost mechanical and unconscious in their stern round of forced indifference.
Then came that day at the Annex—and the discovery: the discovery which he had made when Billy called his attention to Calderwell and Alice Greggory across the room in the corner; the discovery which had come with so blinding a force, and which even now he was tempted to question as to its reality; the discovery that not Billy Neilson, nor Mrs. Bertram Henshaw, nor even the tender ghost of a lost love held the center of his heart—but Alice Greggory.
The first intimation of all this had come with his curious feeling of unreasoning hatred and blind indignation toward Calderwell as, through Billy's eyes, he had seen the two together. Then had come the overwhelming longing to pick up Alice Greggory and run off with her—somewhere, anywhere, so that Calderwell could not follow.
At once, however, he had pulled himself up short with the mental cry of "Absurd!" What was it to him if Calderwell did care for Alice Greggory? Surely he himself was not in love with the girl. He was in love with Billy; that is—
It was all confusion then, in his mind, and he was glad indeed when he could leave the house. He wanted to be alone. He wanted to think. He must, in some way, thrash out this astounding thing that had come to him.
Arkwright did not visit the Annex again for some days. Until he was more nearly sure of himself and of his feelings, he did not wish to see Alice Greggory. It was then that he began to think of Billy, deliberately, purposefully, for it must be, of course, that he had made a mistake, he told himself. It must be that he did, really, still care for Billy—though of course he ought not to.
Arkwright made another discovery then. He learned that, however deliberately he started in to think of Billy, he ended every time in thinking of Alice. He thought of how good she had been to him, and of how faithful she had been in helping him to fight his love for Billy. Just here he decided, for a moment, that probably, after all, his feeling of anger against Calderwell was merely the fear of losing this helpful comradeship that he so needed. Even with himself, however, Arkwright could not keep up this farce long, and very soon he admitted miserably that it was not the comradeship of Alice Greggory that he wanted or needed, but the love.
He knew it now. No longer was there any use in beating about the bush. He did love Alice Greggory; but so curiously and unbelievably stupid had he been that he had not found it out until now. And now it was too late. Had not even Billy called his attention to the fact of Calderwell's devotion? Besides, had not he himself, at the very first, told Calderwell that he might have a clear field?
Fool that he had been to let another thus lightly step in and win from under his very nose what might have been his if he had but known his own mind before it was too late!
But was it, after all, quite too late? He and Alice were old friends. Away back in their young days in their native town they had been, indeed, almost sweethearts, in a boy-and-girl fashion. It would not have taken much in those days, he believed, to have made the relationship more interesting. But changes had come. Alice had left town, and for years they had drifted apart. Then had come Billy, and Billy had found Alice, thus bringing about the odd circumstance of their renewing of acquaintanceship. Perhaps, at that time, if he had not already thought he cared for Billy, there would have been something more than acquaintanceship.
But he had thought he cared for Billy all these years; and now, at this late day, to wake up and find that he cared for Alice! A pretty mess he had made of things! Was he so inconstant then, so fickle? Did he not know his own mind five minutes at a time? What would Alice Greggory think, even if he found the courage to tell her? What could she think? What could anybody think?
Arkwright fairly ground his teeth in impotent wrath—and he did not know whether he were the most angry that he did not love Billy, or that he had loved Billy, or that he loved somebody else now.
It was while he was in this unenviable frame of mind that he went to see Alice. Not that he had planned definitely to speak to her of his discovery, nor yet that he had planned not to. He had, indeed, planned nothing. For a man usually so decided as to purpose and energetic as to action, he was in a most unhappy state of uncertainty and changeableness. One thing only was unmistakably clear to him, and that was that he must see Alice.
For months, now, he had taken to Alice all his hopes and griefs, perplexities and problems; and never had he failed to find comfort in the shape of sympathetic understanding and wise counsel. To Alice, therefore, now he turned as a matter of course, telling himself vaguely that, perhaps, after he had seen Alice, he would feel better.
Just how intimately this particular problem of his concerned Alice herself, he did not stop to realize. He did not, indeed, think of it at all from Alice's standpoint—until he came face to face with the girl in the living-room at the Annex. Then, suddenly, he did. His manner became at once, consequently, full of embarrassment and quite devoid of its usual frank friendliness.
As it happened, this was perhaps the most unfortunate thing that could have occurred, so far as it concerned the attitude of Alice Greggory, for thereby innumerable tiny sparks of suspicion that had been tormenting the girl for days were instantly fanned into consuming flames of conviction.
Alice had not been slow to note Arkwright's prolonged absence from the Annex. Coming as it did so soon after her most disconcerting talk with Billy in regard to her own relations with him, it had filled her with frightened questionings.
If Billy had seen things to make her think of linking their names together, perhaps Arkwright himself had heard some such idea put forth somewhere, and that was why he was staying away—to show the world that there was no foundation for such rumors. Perhaps he was even doing it to show her that—
Even in her thoughts Alice could scarcely bring herself to finish the sentence. That Arkwright should ever suspect for a moment that she cared for him was intolerable. Painfully conscious as she was that she did care for him, it was easy to fear that others must be conscious of it, too. Had she not already proof that Billy suspected it? Why, then, might not it be quite possible, even probable, that Arkwright suspected it, also; and, because he did suspect it, had decided that it would be just as well, perhaps, if he did not call so often.
In spite of Alice's angry insistence to herself that, after all, this could not be the case—that the man knew she understood he still loved Billy—she could not help fearing, in the face of Arkwright's unusual absence, that it might yet be true. When, therefore, he finally did appear, only to become at once obviously embarrassed in her presence, her fears instantly became convictions. It was true, then. The man did believe she cared for him, and he had been trying to teach her—to save her.
To teach her! To save her, indeed! Very well, he should see! And forthwith, from that moment, Alice Greggory's chief reason for living became to prove to Mr. M. J. Arkwright that he needed not to teach her, to save her, nor yet to sympathize with her.
"How do you do?" she greeted him, with a particularly bright smile. "I'm sure I hope you are well, such a beautiful day as this."
"Oh, yes, I'm well, I suppose. Still, I have felt better in my life," smiled Arkwright, with some constraint.
"Oh, I'm sorry," murmured the girl, striving so hard to speak with impersonal unconcern that she did not notice the inaptness of her reply.
"Eh? Sorry I've felt better, are you?" retorted Arkwright, with nervous humor. Then, because he was embarrassed, he said the one thing he had meant not to say: "Don't you think I'm quite a stranger? It's been some time since I've been here."
Alice, smarting under the sting of what she judged to be the only possible cause for his embarrassment, leaped to this new opportunity to show her lack of interest.
"Oh, has it?" she murmured carelessly. "Well, I don't know but it has, now that I come to think of it."
Arkwright frowned gloomily. A week ago he would have tossed back a laughingly aggrieved remark as to her unflattering indifference to his presence. Now he was in no mood for such joking. It was too serious a matter with him.
"You've been busy, no doubt, with—other matters," he presumed forlornly, thinking of Calderwell.
"Yes, I have been busy," assented the girl. "One is always happier, I think, to be busy. Not that I meant that I needed the work to be happy," she added hastily, in a panic lest he think she had a consuming sorrow to kill.
"No, of course not," he murmured abstractedly, rising to his feet and crossing the room to the piano. Then, with an elaborate air of trying to appear very natural, he asked jovially: "Anything new to play to me?"
Alice arose at once.
"Yes. I have a little nocturne that I was playing to Mr. Calderwell last night."
"Oh, to Calderwell!" Arkwright had stiffened perceptibly.
"Yes. He didn't like it. I'll play it to you and see what you say," she smiled, seating herself at the piano.
"Well, if he had liked it, it's safe to say I shouldn't," shrugged Arkwright.
"Nonsense!" laughed the girl, beginning to appear more like her natural self. "I should think you were Mr. Cyril Henshaw! Mr. Calderwell is partial to ragtime, I'll admit. But there are some good things he likes."
"There are, indeed, some good things he likes," returned Arkwright, with grim emphasis, his somber eyes fixed on what he believed to be the one especial object of Calderwell's affections at the moment.
Alice, unaware both of the melancholy gaze bent upon herself and of the cause thereof, laughed again merrily.
"Poor Mr. Calderwell," she cried, as she let her fingers slide into soft, introductory chords. "He isn't to blame for not liking what he calls our lost spirits that wail. It's just the way he's made."
Arkwright vouchsafed no reply. With an abrupt gesture he turned and began to pace the room moodily. At the piano Alice slipped from the chords into the nocturne. She played it straight through, then, with a charm and skill that brought Arkwright's feet to a pause before it was half finished.
"By George, that's great!" he breathed, when the last tone had quivered into silence.
"Yes, isn't it—beautiful?" she murmured.
The room was very quiet, and in semi-darkness. The last rays of a late June sunset had been filling the room with golden light, but it was gone now. Even at the piano by the window, Alice had barely been able to see clearly enough to read the notes of her nocturne.
To Arkwright the air still trembled with the exquisite melody that had but just left her fingers. A quick fire came to his eyes. He forgot everything but that it was Alice there in the half-light by the window—Alice, whom he loved. With a low cry he took a swift step toward her. |
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