Again she called, "Daddie!" Her voice had an accent of appeal. It was as if she knew she was foolish but yet felt obliged to insist upon being reassured. "Oh, Daddie!"

Of a sudden a cry of relief, a feminine announcement that the stars still hung, burst from her. For, according to some mystic process, the smoldering coals of the fire went aflame with sudden, fierce brilliance, splashing parts of the walls, the floor, the crude furniture, with a hue of blood-red. And in the light of this dramatic outburst of light, the girl saw her father seated at a table with his back turned toward her.

She entered the room, then, with an aggrieved air, her logic evidently concluding that somebody was to blame for her nervous fright. "Oh, yer on'y sulkin' 'bout yer supper. I thought mebbe ye'd gone somewheres."

Her father made no reply. She went over to a shelf in the corner, and, taking a little lamp, she lit it and put it where it would give her light as she took off her hat and jacket in front of the tiny mirror. Presently she began to bustle among the cooking utensils that were crowded into the sink, and as she worked she rattled talk at her father, apparently disdaining his mood.

"I'd 'a' come home earlier t'night, Dad, on'y that fly foreman, he kep' me in th' shop 'til half-past six. What a fool! He came t' me, yeh know, an' he ses, 'Nell, I wanta give yeh some brotherly advice.' Oh, I know him an' his brotherly advice. 'I wanta give yeh some brotherly advice. Yer too purty, Nell,' he ses, 't' be workin' in this shop an' paradin' through the streets alone, without somebody t' give yeh good brotherly advice, an' I wanta warn yeh, Nell. I'm a bad man, but I ain't as bad as some, an' I wanta warn yeh.' 'Oh, g'long 'bout yer business,' I ses. I know 'im. He's like all of 'em, on'y he's a little slyer. I know 'im. 'You g'long 'bout yer business,' I ses. Well, he ses after a while that he guessed some evenin' he'd come up an' see me. 'Oh, yeh will,' I ses, 'yeh will? Well, you jest let my ol' man ketch yeh comin' foolin' 'round our place. Yeh'll wish yeh went t' some other girl t' give brotherly advice.' 'What th' 'ell do I care fer yer father?' he ses. 'What's he t' me?' 'If he throws yeh downstairs, yeh'll care for 'im,' I ses. 'Well,' he ses, 'I'll come when 'e ain't in, b' Gawd, I'll come when 'e ain't in.' 'Oh, he's allus in when it means takin' care 'o me,' I ses. 'Don't yeh fergit it, either. When it comes t' takin' care o' his dorter, he's right on deck every single possible time.'"

After a time, she turned and addressed cheery words to the old man. "Hurry up th' fire, Daddie! We'll have supper pretty soon."

But still her father was silent, and his form in its sullen posture was motionless.

At this, the girl seemed to see the need of the inauguration of a feminine war against a man out of temper. She approached him breathing soft, coaxing syllables.

"Daddie! Oh, Daddie! O—o—oh, Daddie!"

It was apparent from a subtle quality of valor in her tones that this manner of onslaught upon his moods had usually been successful, but to- night it had no quick effect. The words, coming from her lips, were like the refrain of an old ballad, but the man remained stolid.

"Daddie! My Daddie! Oh, Daddie, are yeh mad at me, really—truly mad at me!"

She touched him lightly upon the arm. Should he have turned then he would have seen the fresh, laughing face, with dew-sparkling eyes, close to his own.

"Oh, Daddie! My Daddie! Pretty Daddie!"

She stole her arm about his neck, and then slowly bended her face toward his. It was the action of a queen who knows that she reigns notwithstanding irritations, trials, tempests.

But suddenly, from this position, she leaped backward with the mad energy of a frightened colt. Her face was in this instant turned to a grey, featureless thing of horror. A yell, wild and hoarse as a brute- cry, burst from her. "Daddie!" She flung herself to a place near the door, where she remained, crouching, her eyes staring at the motionless figure, spattered by the quivering flashes from the fire. Her arms extended, and her frantic fingers at once besought and repelled. There was in them an expression of eagerness to caress and an expression of the most intense loathing. And the girl's hair that had been a splendor, was in these moments changed to a disordered mass that hung and swayed in witchlike fashion.

Again, a terrible cry burst from her. It was more than the shriek of agony—it was directed, personal, addressed to him in the chair, the first word of a tragic conversation with the dead.

It seemed that when she had put her arm about its neck, she had jostled the corpse in such a way that now she and it were face to face. The attitude expressed an intention of arising from the table. The eyes, fixed upon hers, were filled with an unspeakable hatred.

* * * * *

The cries of the girl aroused thunders in the tenement. There was a loud slamming of doors, and presently there was a roar of feet upon the boards of the stairway. Voices rang out sharply.

"What is it?"

"What's th' matter?"

"He's killin' her!"

"Slug 'im with anythin' yeh kin lay hold of, Jack!"

But over all this came the shrill, shrewish tones of a woman. "Ah, th' damned ol' fool, he's drivin' 'er inteh th' street—that's what he's doin'. He's drivin' 'er inteh th' street."



A DARK-BROWN DOG

A child was standing on a street-corner. He leaned with one shoulder against a high board fence and swayed the other to and fro, the while kicking carelessly at the gravel.

Sunshine beat upon the cobbles, and a lazy summer wind raised yellow dust which trailed in clouds down the avenue. Clattering trucks moved with indistinctness through it. The child stood dreamily gazing.

After a time, a little dark-brown dog came trotting with an intent air down the sidewalk. A short rope was dragging from his neck. Occasionally he trod upon the end of it and stumbled.

He stopped opposite the child, and the two regarded each other. The dog hesitated for a moment, but presently he made some little advances with his tail. The child put out his hand and called him. In an apologetic manner the dog came close, and the two had an interchange of friendly pattings and waggles. The dog became more enthusiastic with each moment of the interview, until with his gleeful caperings he threatened to overturn the child. Whereupon the child lifted his hand and struck the dog a blow upon the head.

This thing seemed to overpower and astonish the little dark-brown dog, and wounded him to the heart. He sank down in despair at the child's feet. When the blow was repeated, together with an admonition in childish sentences, he turned over upon his back, and held his paws in a peculiar manner. At the same time with his ears and his eyes he offered a small prayer to the child.

He looked so comical on his back, and holding his paws peculiarly, that the child was greatly amused and gave him little taps repeatedly, to keep him so. But the little dark-brown dog took this chastisement in the most serious way and no doubt considered that he had committed some grave crime, for he wriggled contritely and showed his repentance in every way that was in his power. He pleaded with the child and petitioned him, and offered more prayers.

At last the child grew weary of this amusement and turned toward home. The dog was praying at the time. He lay on his back and turned his eyes upon the retreating form.

Presently he struggled to his feet and started after the child. The latter wandered in a perfunctory way toward his home, stopping at times to investigate various matters. During one of these pauses he discovered the little dark-brown dog who was following him with the air of a footpad.

The child beat his pursuer with a small stick he had found. The dog lay down and prayed until the child had finished, and resumed his journey. Then he scrambled erect and took up the pursuit again.

On the way to his home the child turned many times and beat the dog, proclaiming with childish gestures that he held him in contempt as an unimportant dog, with no value save for a moment. For being this quality of animal the dog apologized and eloquently expressed regret, but he continued stealthily to follow the child. His manner grew so very guilty that he slunk like an assassin.

When the child reached his doorstep, the dog was industriously ambling a few yards in the rear. He became so agitated with shame when he again confronted the child that he forgot the dragging rope. He tripped upon it and fell forward.

The child sat down on the step and the two had another interview. During it the dog greatly exerted himself to please the child. He performed a few gambols with such abandon that the child suddenly saw him to be a valuable thing. He made a swift, avaricious charge and seized the rope.

He dragged his captive into a hall and up many long stairways in a dark tenement. The dog made willing efforts, but he could not hobble very skilfully up the stairs because he was very small and soft, and at last the pace of the engrossed child grew so energetic that the dog became panic-stricken. In his mind he was being dragged toward a grim unknown. His eyes grew wild with the terror of it. He began to wiggle his head frantically and to brace his legs.

The child redoubled his exertions. They had a battle on the stairs. The child was victorious because he was completely absorbed in his purpose, and because the dog was very small. He dragged his acquirement to the door of his home, and finally with triumph across the threshold.

No one was in. The child sat down on the floor and made overtures to the dog. These the dog instantly accepted. He beamed with affection upon his new friend. In a short time they were firm and abiding comrades.

When the child's family appeared, they made a great row. The dog was examined and commented upon and called names. Scorn was leveled at him from all eyes, so that he became much embarrassed and drooped like a scorched plant. But the child went sturdily to the center of the floor, and, at the top of his voice, championed the dog. It happened that he was roaring protestations, with his arms clasped about the dog's neck, when the father of the family came in from work.

The parent demanded to know what the blazes they were making the kid howl for. It was explained in many words that the infernal kid wanted to introduce a disreputable dog into the family.

A family council was held. On this depended the dog's fate, but he in no way heeded, being busily engaged in chewing the end of the child's dress.

The affair was quickly ended. The father of the family, it appears, was in a particularly savage temper that evening, and when he perceived that it would amaze and anger everybody if such a dog were allowed to remain, he decided that it should be so. The child, crying softly, took his friend off to a retired part of the room to hobnob with him, while the father quelled a fierce rebellion of his wife. So it came to pass that the dog was a member of the household.

He and the child were associated together at all times save when the child slept. The child became a guardian and a friend. If the large folk kicked the dog and threw things at him, the child made loud and violent objections. Once when the child had run, protesting loudly, with tears raining down his face and his arms outstretched, to protect his friend, he had been struck in the head with a very large saucepan from the hand of his father, enraged at some seeming lack of courtesy in the dog. Ever after, the family were careful how they threw things at the dog. Moreover, the latter grew very skilful in avoiding missiles and feet. In a small room containing a stove, a table, a bureau and some chairs, he would display strategic ability of a high order, dodging, feinting and scuttling about among the furniture. He could force three or four people armed with brooms, sticks and handfuls of coal, to use all their ingenuity to get in a blow. And even when they did, it was seldom that they could do him a serious injury or leave any imprint.

But when the child was present these scenes did not occur. It came to be recognized that if the dog was molested, the child would burst into sobs, and as the child, when started, was very riotous and practically unquenchable, the dog had therein a safeguard.

However, the child could not always be near. At night, when he was asleep, his dark-brown friend would raise from some black corner a wild, wailful cry, a song of infinite loneliness and despair, that would go shuddering and sobbing among the buildings of the block and cause people to swear. At these times the singer would often be chased all over the kitchen and hit with a great variety of articles.

Sometimes, too, the child himself used to beat the dog, although it is not known that he ever had what truly could be called a just cause. The dog always accepted these thrashings with an air of admitted guilt. He was too much of a dog to try to look to be a martyr or to plot revenge. He received the blows with deep humility, and furthermore he forgave his friend the moment the child had finished, and was ready to caress the child's hand with his little red tongue.

When misfortune came upon the child, and his troubles overwhelmed him, he would often crawl under the table and lay his small distressed head on the dog's back. The dog was ever sympathetic. It is not to be supposed that at such times he took occasion to refer to the unjust beatings his friend, when provoked, had administered to him.

He did not achieve any notable degree of intimacy with the other members of the family. He had no confidence in them, and the fear that he would express at their casual approach often exasperated them exceedingly. They used to gain a certain satisfaction in underfeeding him, but finally his friend the child grew to watch the matter with some care, and when he forgot it, the dog was often successful in secret for himself.

So the dog prospered. He developed a large bark, which came wondrously from such a small rug of a dog. He ceased to howl persistently at night. Sometimes, indeed, in his sleep, he would utter little yells, as from pain, but that occurred, no doubt, when in his dreams he encountered huge flaming dogs who threatened him direfully.

His devotion to the child grew until it was a sublime thing. He wagged at his approach; he sank down in despair at his departure. He could detect the sound of the child's step among all the noises of the neighborhood. It was like a calling voice to him.

The scene of their companionship was a kingdom governed by this terrible potentate, the child; but neither criticism nor rebellion ever lived for an instant in the heart of the one subject. Down in the mystic, hidden fields of his little dog-soul bloomed flowers of love and fidelity and perfect faith.

The child was in the habit of going on many expeditions to observe strange things in the vicinity. On these occasions his friend usually jogged aimfully along behind. Perhaps, though, he went ahead. This necessitated his turning around every quarter-minute to make sure the child was coming. He was filled with a large idea of the importance of these journeys. He would carry himself with such an air! He was proud to be the retainer of so great a monarch.

One day, however, the father of the family got quite exceptionally drunk. He came home and held carnival with the cooking utensils, the furniture and his wife. He was in the midst of this recreation when the child, followed by the dark-brown dog, entered the room. They were returning from their voyages.

The child's practised eye instantly noted his father's state. He dived under the table, where experience had taught him was a rather safe place. The dog, lacking skill in such matters, was, of course, unaware of the true condition of affairs. He looked with interested eyes at his friend's sudden dive. He interpreted it to mean: Joyous gambol. He started to patter across the floor to join him. He was the picture of a little dark-brown dog en route to a friend.

The head of the family saw him at this moment. He gave a huge howl of joy, and knocked the dog down with a heavy coffee-pot. The dog, yelling in supreme astonishment and fear, writhed to his feet and ran for cover. The man kicked out with a ponderous foot. It caused the dog to swerve as if caught in a tide. A second blow of the coffee-pot laid him upon the floor.

Here the child, uttering loud cries, came valiantly forth like a knight. The father of the family paid no attention to these calls of the child, but advanced with glee upon the dog. Upon being knocked down twice in swift succession, the latter apparently gave up all hope of escape. He rolled over on his back and held his paws in a peculiar manner. At the same time with his eyes and his ears he offered up a small prayer.

But the father was in a mood for having fun, and it occurred to him that it would be a fine thing to throw the dog out of the window. So he reached down and, grabbing the animal by a leg, lifted him, squirming, up. He swung him two or three times hilariously about his head, and then flung him with great accuracy through the window.

The soaring dog created a surprise in the block. A woman watering plants in an opposite window gave an involuntary shout and dropped a flower- pot. A man in another window leaned perilously out to watch the flight of the dog. A woman who had been hanging out clothes in a yard began to caper wildly. Her mouth was filled with clothes-pins, but her arms gave vent to a sort of exclamation. In appearance she was like a gagged prisoner. Children ran whooping.

The dark-brown body crashed in a heap on the roof of a shed five stories below. From thence it rolled to the pavement of an alleyway.

The child in the room far above burst into a long, dirge-like cry, and toddled hastily out of the room. It took him a long time to reach the alley, because his size compelled him to go downstairs backward, one step at a time, and holding with both hands to the step above.

When they came for him later, they found him seated by the body of his dark-brown friend.



THE PACE OF YOUTH

I

Stimson stood in a corner and glowered. He was a fierce man and had indomitable whiskers, albeit he was very small.

"That young tarrier," he whispered to himself. "He wants to quit makin' eyes at Lizzie. This is too much of a good thing. First thing you know, he'll get fired."

His brow creased in a frown, he strode over to the huge open doors and looked at a sign. "Stimson's Mammoth Merry-Go-Round," it read, and the glory of it was great. Stimson stood and contemplated the sign. It was an enormous affair; the letters were as large as men. The glow of it, the grandeur of it was very apparent to Stimson. At the end of his contemplation, he shook his head thoughtfully, determinedly. "No, no," he muttered. "This is too much of a good thing. First thing you know, he'll get fired."

A soft booming sound of surf, mingled with the cries of bathers, came from the beach. There was a vista of sand and sky and sea that drew to a mystic point far away in the northward. In the mighty angle, a girl in a red dress was crawling slowly like some kind of a spider on the fabric of nature. A few flags hung lazily above where the bathhouses were marshalled in compact squares. Upon the edge of the sea stood a ship with its shadowy sails painted dimly upon the sky, and high overhead in the still, sun-shot air a great hawk swung and drifted slowly.

Within the Merry-Go-Round there was a whirling circle of ornamental lions, giraffes, camels, ponies, goats, glittering with varnish and metal that caught swift reflections from windows high above them. With stiff wooden legs, they swept on in a never-ending race, while a great orchestrion clamored in wild speed. The summer sunlight sprinkled its gold upon the garnet canopies carried by the tireless racers and upon all the devices of decoration that made Stimson's machine magnificent and famous. A host of laughing children bestrode the animals, bending forward like charging cavalrymen, and shaking reins and whooping in glee. At intervals they leaned out perilously to clutch at iron rings that were tendered to them by a long wooden arm. At the intense moment before the swift grab for the rings one could see their little nervous bodies quiver with eagerness; the laughter rang shrill and excited. Down in the long rows of benches, crowds of people sat watching the game, while occasionally a father might arise and go near to shout encouragement, cautionary commands, or applause at his flying offspring. Frequently mothers called out: "Be careful, Georgie!" The orchestrion bellowed and thundered on its platform, filling the ears with its long monotonous song. Over in a corner, a man in a white apron and behind a counter roared above the tumult: "Popcorn! Popcorn!"

A young man stood upon a small, raised platform, erected in a manner of a pulpit, and just without the line of the circling figures. It was his duty to manipulate the wooden arm and affix the rings. When all were gone into the hands of the triumphant children, he held forth a basket, into which they returned all save the coveted brass one, which meant another ride free and made the holder very illustrious. The young man stood all day upon his narrow platform, affixing rings or holding forth the basket. He was a sort of general squire in these lists of childhood. He was very busy.

And yet Stimson, the astute, had noticed that the young man frequently found time to twist about on his platform and smile at a girl who shyly sold tickets behind a silvered netting. This, indeed, was the great reason of Stimson's glowering. The young man upon the raised platform had no manner of license to smile at the girl behind the silvered netting. It was a most gigantic insolence. Stimson was amazed at it. "By Jiminy," he said to himself again, "that fellow is smiling at my daughter." Even in this tone of great wrath it could be discerned that Stimson was filled with wonder that any youth should dare smile at the daughter in the presence of the august father.

Often the dark-eyed girl peered between the shining wires, and, upon being detected by the young man, she usually turned her head quickly to prove to him that she was not interested. At other times, however, her eyes seemed filled with a tender fear lest he should fall from that exceedingly dangerous platform. As for the young man, it was plain that these glances filled him with valor, and he stood carelessly upon his perch, as if he deemed it of no consequence that he might fall from it. In all the complexities of his daily life and duties he found opportunity to gaze ardently at the vision behind the netting.

This silent courtship was conducted over the heads of the crowd who thronged about the bright machine. The swift eloquent glances of the young man went noiselessly and unseen with their message. There had finally become established between the two in this manner a subtle understanding and companionship. They communicated accurately all that they felt. The boy told his love, his reverence, his hope in the changes of the future. The girl told him that she loved him, and she did not love him, that she did not know if she loved him. Sometimes a little sign, saying "cashier" in gold letters, and hanging upon the silvered netting, got directly in range and interfered with the tender message.

The love affair had not continued without anger, unhappiness, despair. The girl had once smiled brightly upon a youth who came to buy some tickets for his little sister, and the young man upon the platform, observing this smile, had been filled with gloomy rage. He stood like a dark statue of vengeance upon his pedestal and thrust out the basket to the children with a gesture that was full of scorn for their hollow happiness, for their insecure and temporary joy. For five hours he did not once look at the girl when she was looking at him. He was going to crush her with his indifference; he was going to demonstrate that he had never been serious. However, when he narrowly observed her in secret he discovered that she seemed more blythe than was usual with her. When he found that his apparent indifference had not crushed her he suffered greatly. She did not love him, he concluded. If she had loved him she would have been crushed. For two days he lived a miserable existence upon his high perch. He consoled himself by thinking of how unhappy he was, and by swift, furtive glances at the loved face. At any rate he was in her presence, and he could get a good view from his perch when there was no interference by the little sign: "Cashier."

But suddenly, swiftly, these clouds vanished, and under the imperial blue sky of the restored confidence they dwelt in peace, a peace that was satisfaction, a peace that, like a babe, put its trust in the treachery of the future. This confidence endured until the next day, when she, for an unknown cause, suddenly refused to look at him. Mechanically he continued his task, his brain dazed, a tortured victim of doubt, fear, suspicion. With his eyes he supplicated her to telegraph an explanation. She replied with a stony glance that froze his blood. There was a great difference in their respective reasons for becoming angry. His were always foolish, but apparent, plain as the moon. Hers were subtle, feminine, as incomprehensible as the stars, as mysterious as the shadows at night.

They fell and soared and soared and fell in this manner until they knew that to live without each other would be a wandering in deserts. They had grown so intent upon the uncertainties, the variations, the guessings of their affair that the world had become but a huge immaterial background. In time of peace their smiles were soft and prayerful, caresses confided to the air. In time of war, their youthful hearts, capable of profound agony, were wrung by the intricate emotions of doubt. They were the victims of the dread angel of affectionate speculation that forces the brain endlessly on roads that lead nowhere.

At night, the problem of whether she loved him confronted the young man like a spectre, looming as high as a hill and telling him not to delude himself. Upon the following day, this battle of the night displayed itself in the renewed fervor of his glances and in their increased number. Whenever he thought he could detect that she too was suffering, he felt a thrill of joy.

But there came a time when the young man looked back upon these contortions with contempt. He believed then that he had imagined his pain. This came about when the redoubtable Stimson marched forward to participate.

"This has got to stop," Stimson had said to himself, as he stood and watched them. They had grown careless of the light world that clattered about them; they were become so engrossed in their personal drama that the language of their eyes was almost as obvious as gestures. And Stimson, through his keenness, his wonderful, infallible penetration, suddenly came into possession of these obvious facts. "Well, of all the nerves," he said, regarding with a new interest the young man upon the perch.

He was a resolute man. He never hesitated to grapple with a crisis. He decided to overturn everything at once, for, although small, he was very fierce and impetuous. He resolved to crush this dreaming.

He strode over to the silvered netting. "Say, you want to quit your everlasting grinning at that idiot," he said, grimly.

The girl cast down her eyes and made a little heap of quarters into a stack. She was unable to withstand the terrible scrutiny of her small and fierce father.

Stimson turned from his daughter and went to a spot beneath the platform. He fixed his eyes upon the young man and said—

"I've been speakin' to Lizzie. You better attend strictly to your own business or there'll be a new man here next week." It was as if he had blazed away with a shotgun. The young man reeled upon his perch. At last he in a measure regained his composure and managed to stammer: "A—all right, sir." He knew that denials would be futile with the terrible Stimson. He agitatedly began to rattle the rings in the basket, and pretend that he was obliged to count them or inspect them in some way. He, too, was unable to face the great Stimson.

For a moment, Stimson stood in fine satisfaction and gloated over the effect of his threat.

"I've fixed them," he said complacently, and went out to smoke a cigar and revel in himself. Through his mind went the proud reflection that people who came in contact with his granite will usually ended in quick and abject submission.

II

One evening, a week after Stimson had indulged in the proud reflection that people who came in contact with his granite will usually ended in quick and abject submission, a young feminine friend of the girl behind the silvered netting came to her there and asked her to walk on the beach after "Stimson's Mammoth Merry-Go-Round" was closed for the night. The girl assented with a nod.

The young man upon the perch holding the rings saw this nod and judged its meaning. Into his mind came an idea of defeating the watchfulness of the redoubtable Stimson. When the Merry-Go-Round was closed and the two girls started for the beach, he wandered off aimlessly in another direction, but he kept them in view, and as soon as he was assured that he had escaped the vigilance of Stimson, he followed them.

The electric lights on the beach made a broad band of tremoring light, extending parallel to the sea, and upon the wide walk there slowly paraded a great crowd, intermingling, intertwining, sometimes colliding. In the darkness stretched the vast purple expanse of the ocean, and the deep indigo sky above was peopled with yellow stars. Occasionally out upon the water a whirling mass of froth suddenly flashed into view, like a great ghostly robe appearing, and then vanished, leaving the sea in its darkness, whence came those bass tones of the water's unknown emotion. A wind, cool, reminiscent of the wave wastes, made the women hold their wraps about their throats, and caused the men to grip the rims of their straw hats. It carried the noise of the band in the pavilion in gusts. Sometimes people unable to hear the music glanced up at the pavilion and were reassured upon beholding the distant leader still gesticulating and bobbing, and the other members of the band with their lips glued to their instruments. High in the sky soared an unassuming moon, faintly silver.

For a time the young man was afraid to approach the two girls; he followed them at a distance and called himself a coward. At last, however, he saw them stop on the outer edge of the crowd and stand silently listening to the voices of the sea. When he came to where they stood, he was trembling in his agitation. They had not seen him.

"Lizzie," he began. "I——"

The girl wheeled instantly and put her hand to her throat.

"Oh, Frank, how you frightened me," she said—inevitably.

"Well, you know, I—I——" he stuttered.

But the other girl was one of those beings who are born to attend at tragedies. She had for love a reverence, an admiration that was greater the more that she contemplated the fact that she knew nothing of it. This couple, with their emotions, awed her and made her humbly wish that she might be destined to be of some service to them. She was very homely.

When the young man faltered before them, she, in her sympathy, actually over-estimated the crisis, and felt that he might fall dying at their feet. Shyly, but with courage, she marched to the rescue.

"Won't you come and walk on the beach with us?" she said.

The young man gave her a glance of deep gratitude which was not without the patronage which a man in his condition naturally feels for one who pities it. The three walked on.

Finally, the being who was born to attend at this tragedy said that she wished to sit down and gaze at the sea, alone.

They politely urged her to walk on with them, but she was obstinate. She wished to gaze at the sea, alone. The young man swore to himself that he would be her friend until he died.

And so the two young lovers went on without her. They turned once to look at her.

"Jennie's awful nice," said the girl.

"You bet she is," replied the young man, ardently.

They were silent for a little time.

At last the girl said—

"You were angry at me yesterday."

"No, I wasn't."

"Yes, you were, too. You wouldn't look at me once all day."

"No, I wasn't angry. I was only putting on."

Though she had, of course, known it, this confession seemed to make her very indignant. She flashed a resentful glance at him.

"Oh, you were, indeed?" she said with a great air.

For a few minutes she was so haughty with him that he loved her to madness. And directly this poem, which stuck at his lips, came forth lamely in fragments.

When they walked back toward the other girl and saw the patience of her attitude, their hearts swelled in a patronizing and secondary tenderness for her.

They were very happy. If they had been miserable they would have charged this fairy scene of the night with a criminal heartlessness; but as they were joyous, they vaguely wondered how the purple sea, the yellow stars, the changing crowds under the electric lights could be so phlegmatic and stolid.

They walked home by the lakeside way, and out upon the water those gay paper lanterns, flashing, fleeting, and careering, sang to them, sang a chorus of red and violet, and green and gold; a song of mystic bands of the future.

One day, when business paused during a dull sultry afternoon, Stimson went up town. Upon his return, he found that the popcorn man, from his stand over in a corner, was keeping an eye upon the cashier's cage, and that nobody at all was attending to the wooden arm and the iron rings. He strode forward like a sergeant of grenadiers.

"Where in thunder is Lizzie?" he demanded, a cloud of rage in his eyes.

The popcorn man, although associated long with Stimson, had never got over being dazed.

"They've—they've—gone round to th'—th'—house," he said with difficulty, as if he had just been stunned.

"Whose house?" snapped Stimson.

"Your—your house, I s'pose," said the popcorn man.

Stimson marched round to his home. Kingly denunciations surged, already formulated, to the tip of his tongue, and he bided the moment when his anger could fall upon the heads of that pair of children. He found his wife convulsive and in tears.

"Where's Lizzie?"

And then she burst forth—"Oh—John—John—they've run away, I know they have. They drove by here not three minutes ago. They must have done it on purpose to bid me good-bye, for Lizzie waved her hand sadlike; and then, before I could get out to ask where they were going or what, Frank whipped up the horse."

Stimson gave vent to a dreadful roar.

"Get my revolver—get a hack—get my revolver, do you hear—what the devil—" His voice became incoherent.

He had always ordered his wife about as if she were a battalion of infantry, and despite her misery, the training of years forced her to spring mechanically to obey; but suddenly she turned to him with a shrill appeal.

"Oh, John—not—the—revolver."

"Confound it, let go of me!" he roared again, and shook her from him.

He ran hatless upon the street. There were a multitude of hacks at the summer resort, but it was ages to him before he could find one. Then he charged it like a bull.

"Uptown!" he yelled, as he tumbled into the rear seat.

The hackman thought of severed arteries. His galloping horse distanced a large number of citizens who had been running to find what caused such contortions by the little hatless man.

It chanced as the bouncing hack went along near the lake, Stimson gazed across the calm grey expanse and recognized a color in a bonnet and a pose of a head. A buggy was traveling along a highway that led to Sorington. Stimson bellowed—"There—there—there they are—in that buggy."

The hackman became inspired with the full knowledge of the situation. He struck a delirious blow with the whip. His mouth expanded in a grin of excitement and joy. It came to pass that this old vehicle, with its drowsy horse and its dusty-eyed and tranquil driver, seemed suddenly to awaken, to become animated and fleet. The horse ceased to ruminate on his state, his air of reflection vanished. He became intent upon his aged legs and spread them in quaint and ridiculous devices for speed. The driver, his eyes shining, sat critically in his seat. He watched each motion of this rattling machine down before him. He resembled an engineer. He used the whip with judgment and deliberation as the engineer would have used coal or oil. The horse clacked swiftly upon the macadam, the wheels hummed, the body of the vehicle wheezed and groaned.

Stimson, in the rear seat, was erect in that impassive attitude that comes sometimes to the furious man when he is obliged to leave the battle to others. Frequently, however, the tempest in his breast came to his face and he howled—

"Go it—go it—you're gaining; pound 'im! Thump the life out of 'im; hit 'im hard, you fool!" His hand grasped the rod that supported the carriage top, and it was clenched so that the nails were faintly blue.

Ahead, that other carriage had been flying with speed, as from realization of the menace in the rear. It bowled away rapidly, drawn by the eager spirit of a young and modern horse. Stimson could see the buggy-top bobbing, bobbing. That little pane, like an eye, was a derision to him. Once he leaned forward and bawled angry sentences. He began to feel impotent; his whole expedition was a tottering of an old man upon a trail of birds. A sense of age made him choke again with wrath. That other vehicle, that was youth, with youth's pace; it was swift-flying with the hope of dreams. He began to comprehend those two children ahead of him, and he knew a sudden and strange awe, because he understood the power of their young blood, the power to fly strongly into the future and feel and hope again, even at that time when his bones must be laid in the earth. The dust rose easily from the hot road and stifled the nostrils of Stimson.

The highway vanished far away in a point with a suggestion of intolerable length. The other vehicle was becoming so small that Stimson could no longer see the derisive eye.

At last the hackman drew rein to his horse and turned to look at Stimson.

"No use, I guess," he said.

Stimson made a gesture of acquiescence, rage, despair. As the hackman turned his dripping horse about, Stimson sank back with the astonishment and grief of a man who has been defied by the universe. He had been in a great perspiration, and now his bald head felt cool and uncomfortable. He put up his hand with a sudden recollection that he had forgotten his hat.

At last he made a gesture. It meant that at any rate he was not responsible.



A TENT IN AGONY

A SULLIVAN COUNTY TALE

Four men once came to a wet place in the roadless forest to fish. They pitched their tent fair upon the brow of a pine-clothed ridge of riven rocks whence a bowlder could be made to crash through the brush and whirl past the trees to the lake below. On fragrant hemlock boughs they slept the sleep of unsuccessful fishermen, for upon the lake alternately the sun made them lazy and the rain made them wet. Finally they ate the last bit of bacon and smoked and burned the last fearful and wonderful hoecake.

Immediately a little man volunteered to stay and hold the camp while the remaining three should go the Sullivan county miles to a farmhouse for supplies. They gazed at him dismally. "There's only one of you—the devil make a twin," they said in parting malediction, and disappeared down the hill in the known direction of a distant cabin. When it came night and the hemlocks began to sob they had not returned. The little man sat close to his companion, the campfire, and encouraged it with logs. He puffed fiercely at a heavy built brier, and regarded a thousand shadows which were about to assault him. Suddenly he heard the approach of the unknown, crackling the twigs and rustling the dead leaves. The little man arose slowly to his feet, his clothes refused to fit his back, his pipe dropped from his mouth, his knees smote each other. "Hah!" he bellowed hoarsely in menace. A growl replied and a bear paced into the light of the fire. The little man supported himself upon a sapling and regarded his visitor.

The bear was evidently a veteran and a fighter, for the black of his coat had become tawny with age. There was confidence in his gait and arrogance in his small, twinkling eye. He rolled back his lips and disclosed his white teeth. The fire magnified the red of his mouth. The little man had never before confronted the terrible and he could not wrest it from his breast. "Hah!" he roared. The bear interpreted this as the challenge of a gladiator. He approached warily. As he came near, the boots of fear were suddenly upon the little man's feet. He cried out and then darted around the campfire. "Ho!" said the bear to himself, "this thing won't fight—it runs. Well, suppose I catch it." So upon his features there fixed the animal look of going—somewhere. He started intensely around the campfire. The little man shrieked and ran furiously. Twice around they went.

The hand of heaven sometimes falls heavily upon the righteous. The bear gained.

In desperation the little man flew into the tent. The bear stopped and sniffed at the entrance. He scented the scent of many men. Finally he ventured in.

The little man crouched in a distant corner. The bear advanced, creeping, his blood burning, his hair erect, his jowls dripping. The little man yelled and rustled clumsily under the flap at the end of the tent. The bear snarled awfully and made a jump and a grab at his disappearing game. The little man, now without the tent, felt a tremendous paw grab his coat tails. He squirmed and wriggled out of his coat like a schoolboy in the hands of an avenger. The bear bowled triumphantly and jerked the coat into the tent and took two bites, a punch and a hug before he, discovered his man was not in it. Then he grew not very angry, for a bear on a spree is not a black-haired pirate. He is merely a hoodlum. He lay down on his back, took the coat on his four paws and began to play uproariously with it. The most appalling, blood-curdling whoops and yells came to where the little man was crying in a treetop and froze his blood. He moaned a little speech meant for a prayer and clung convulsively to the bending branches. He gazed with tearful wistfulness at where his comrade, the campfire, was giving dying flickers and crackles. Finally, there was a roar from the tent which eclipsed all roars; a snarl which it seemed would shake the stolid silence of the mountain and cause it to shrug its granite shoulders. The little man quaked and shrivelled to a grip and a pair of eyes. In the glow of the embers he saw the white tent quiver and fall with a crash. The bear's merry play had disturbed the center pole and brought a chaos of canvas upon his head.

Now the little man became the witness of a mighty scene. The tent began to flounder. It took flopping strides in the direction of the lake. Marvellous sounds came from within—rips and tears, and great groans and pants. The little man went into giggling hysterics.

The entangled monster failed to extricate himself before he had walloped the tent frenziedly to the edge of the mountain. So it came to pass that three men, clambering up the hill with bundles and baskets, saw their tent approaching. It seemed to them like a white-robed phantom pursued by hornets. Its moans riffled the hemlock twigs.

The three men dropped their bundles and scurried to one side, their eyes gleaming with fear. The canvas avalanche swept past them. They leaned, faint and dumb, against trees and listened, their blood stagnant. Below them it struck the base of a great pine tree, where it writhed and struggled. The three watched its convolutions a moment and then started terrifically for the top of the hill. As they disappeared, the bear cut loose with a mighty effort. He cast one dishevelled and agonized look at the white thing, and then started wildly for the inner recesses of the forest.

The three fear-stricken individuals ran to the rebuilt fire. The little man reposed by it calmly smoking. They sprang at him and overwhelmed him with interrogations. He contemplated darkness and took a long, pompous puff. "There's only one of me—and the devil made a twin," he said.



FOUR MEN IN A CAVE

LIKEWISE FOUR QUEENS, AND A SULLIVAN COUNTY HERMIT

The moon rested for a moment on the top of a tall pine on a hill.

The little man was standing in front of the campfire making orations to his companions.

"We can tell a great tale when we get back to the city if we investigate this thing," said he, in conclusion.

They were won.

The little man was determined to explore a cave, because its black mouth had gaped at him. The four men took a lighted pine-knot and clambered over boulders down a hill. In a thicket on the mountainside lay a little tilted hole. At its side they halted.

"Well?" said the little man.

They fought for last place and the little man was overwhelmed. He tried to struggle from under by crying that if the fat, pudgy man came after, he would be corked. But he finally administered a cursing over his shoulder and crawled into the hole. His companions gingerly followed.

A passage, the floor of damp clay and pebbles, the walls slimy, green- mossed, and dripping, sloped downward. In the cave atmosphere the torches became studies in red blaze and black smoke.

"Ho!" cried the little man, stifled and bedraggled, "let's go back." His companions were not brave. They were last. The next one to the little man pushed him on, so the little man said sulphurous words and cautiously continued his crawl.

Things that hung seemed to be on the wet, uneven ceiling, ready to drop upon the men's bare necks. Under their hands the clammy floor seemed alive and writhing. When the little man endeavored to stand erect the ceiling forced him down. Knobs and points came out and punched him. His clothes were wet and mud-covered, and his eyes, nearly blinded by smoke, tried to pierce the darkness always before his torch.

"Oh, I say, you fellows, let's go back," cried he. At that moment he caught the gleam of trembling light in the blurred shadows before him.

"Ho!" he said, "here's another way out."

The passage turned abruptly. The little man put one hand around the corner, but it touched nothing. He investigated and discovered that the little corridor took a sudden dip down a hill. At the bottom shone a yellow light.

The little man wriggled painfully about, and descended feet in advance. The others followed his plan. All picked their way with anxious care. The traitorous rocks rolled from beneath the little man's feet and roared thunderously below him, lesser stone loosened by the men above him, hit him on the back. He gained seemingly firm foothold, and, turning halfway about, swore redly at his companions for dolts and careless fools. The pudgy man sat, puffing and perspiring, high in the rear of the procession. The fumes and smoke from four pine-knots were in his blood. Cinders and sparks lay thick in his eyes and hair. The pause of the little man angered him.

"Go on, you fool!" he shouted. "Poor, painted man, you are afraid."

"Ho!" said the little man. "Come down here and go on yourself, imbecile!"

The pudgy man vibrated with passion. He leaned downward. "Idiot—"

He was interrupted by one of his feet which flew out and crashed into the man in front of and below. It is not well to quarrel upon a slippery incline, when the unknown is below. The fat man, having lost the support of one pillar-like foot, lurched forward. His body smote the next man, who hurtled into the next man. Then they all fell upon the cursing little man.

They slid in a body down over the slippery, slimy floor of the passage. The stone avenue must have wibble-wobbled with the rush of this ball of tangled men and strangled cries. The torches went out with the combined assault upon the little man. The adventurers whirled to the unknown in darkness. The little man felt that he was pitching to death, but even in his convolutions he bit and scratched at his companions, for he was satisfied that it was their fault. The swirling mass went some twenty feet, and lit upon a level, dry place in a strong, yellow light of candles. It dissolved and became eyes.

The four men lay in a heap upon the floor of a grey chamber. A small fire smoldered in the corner, the smoke disappearing in a crack. In another corner was a bed of faded hemlock boughs and two blankets. Cooking utensils and clothes lay about, with boxes and a barrel.

Of these things the four men took small cognisance. The pudgy man did not curse the little man, nor did the little man swear, in the abstract. Eight widened eyes were fixed upon the center of the room of rocks.

A great, gray stone, cut squarely, like an altar, sat in the middle of the floor. Over it burned three candles, in swaying tin cups hung from the ceiling. Before it, with what seemed to be a small volume clasped in his yellow fingers, stood a man. He was an infinitely sallow person in the brown-checked shirt of the ploughs and cows. The rest of his apparel was boots. A long grey beard dangled from his chin. He fixed glinting, fiery eyes upon the heap of men, and remained motionless. Fascinated, their tongues cleaving, their blood cold, they arose to their feet. The gleaming glance of the recluse swept slowly over the group until it found the face of the little man. There it stayed and burned.

The little man shrivelled and crumpled as the dried leaf under the glass.

Finally, the recluse slowly, deeply spoke. It was a true voice from a cave, cold, solemn, and damp.

"It's your ante," he said.

"What?" said the little man.

The hermit tilted his beard and laughed a laugh that was either the chatter of a banshee in a storm or the rattle of pebbles in a tin box. His visitors' flesh seemed ready to drop from their bones.

They huddled together and cast fearful eyes over their shoulders. They whispered.

"A vampire!" said one.

"A ghoul!" said another.

"A Druid before the sacrifice," murmured another.

"The shade of an Aztec witch doctor," said the little man.

As they looked, the inscrutable face underwent a change. It became a livid background for his eyes, which blazed at the little man like impassioned carbuncles. His voice arose to a howl of ferocity. "It's your ante!" With a panther-like motion he drew a long, thin knife and advanced, stooping. Two cadaverous hounds came from nowhere, and, scowling and growling, made desperate feints at the little man's legs. His quaking companions pushed him forward.

Tremblingly he put his hand to his pocket.

"How much?" he said, with a shivering look at the knife that glittered.

The carbuncles faded.

"Three dollars," said the hermit, in sepulchral tones which rang against the walls and among the passages, awakening long-dead spirits with voices. The shaking little man took a roll of bills from a pocket and placed "three ones" upon the altar-like stone. The recluse looked at the little volume with reverence in his eyes. It was a pack of playing cards.

Under the three swinging candles, upon the altar-like stone, the grey beard and the agonized little man played at poker. The three other men crouched in a corner, and stared with eyes that gleamed with terror. Before them sat the cadaverous hounds licking their red lips. The candles burned low, and began to flicker. The fire in the corner expired.

Finally, the game came to a point where the little man laid down his hand and quavered: "I can't call you this time, sir. I'm dead broke."

"What?" shrieked the recluse. "Not call me! Villain Dastard! Cur! I have four queens, miscreant." His voice grew so mighty that it could not fit his throat. He choked wrestling with his lungs for a moment. Then the power of his body was concentrated in a word: "Go!"

He pointed a quivering, yellow finger at a wide crack in the rock. The little man threw himself at it with a howl. His erstwhile frozen companions felt their blood throb again. With great bounds they plunged after the little man. A minute of scrambling, falling, and pushing brought them to open air. They climbed the distance to their camp in furious springs.

The sky in the east was a lurid yellow. In the west the footprints of departing night lay on the pine trees. In front of their replenished camp fire sat John Willerkins, the guide.

"Hello!" he shouted at their approach. "Be you fellers ready to go deer huntin'?"

Without replying, they stopped and debated among themselves in whispers.

Finally, the pudgy man came forward.

"John," he inquired, "do you know anything peculiar about this cave below here?"

"Yes," said Willerkins at once; "Tom Gardner."

"What?" said the pudgy man.

"Tom Gardner."

"How's that?"

"Well, you see," said Willerkins slowly, as he took dignified pulls at his pipe, "Tom Gardner was once a fambly man, who lived in these here parts on a nice leetle farm. He uster go away to the city orften, and one time he got a-gamblin' in one of them there dens. He went ter the dickens right quick then. At last he kum home one time and tol' his folks he had up and sold the farm and all he had in the worl'. His leetle wife she died then. Tom he went crazy, and soon after—"

The narrative was interrupted by the little man, who became possessed of devils.

"I wouldn't give a cuss if he had left me 'nough money to get home on the doggoned, grey-haired red pirate," he shrilled, in a seething sentence. The pudgy man gazed at the little man calmly and sneeringly.

"Oh, well," he said, "we can tell a great tale when we get back to the city after having investigated this thing."

"Go to the devil," replied the little man.



THE MESMERIC MOUNTAIN

A TALE OF SULLIVAN COUNTY

On the brow of a pine-plumed hillock there sat a little man with his back against a tree. A venerable pipe hung from his mouth, and smoke- wreaths curled slowly skyward, he was muttering to himself with his eyes fixed on an irregular black opening in the green wall of forest at the foot of the hill. Two vague wagon ruts led into the shadows. The little man took his pipe in his hands and addressed the listening pines.

"I wonder what the devil it leads to," said he.

A grey, fat rabbit came lazily from a thicket and sat in the opening. Softly stroking his stomach with his paw, he looked at the little man in a thoughtful manner. The little man threw a stone, and the rabbit blinked and ran through an opening. Green, shadowy portals seemed to close behind him.

The little man started. "He's gone down that roadway," he said, with ecstatic mystery to the pines. He sat a long time and contemplated the door to the forest. Finally, he arose, and awakening his limbs, started away. But he stopped and looked back.

"I can't imagine what it leads to," muttered he. He trudged over the brown mats of pine needles, to where, in a fringe of laurel, a tent was pitched, and merry flames caroused about some logs. A pudgy man was fuming over a collection of tin dishes. He came forward and waved a plate furiously in the little man's face.

"I've washed the dishes for three days. What do you think I am—"

He ended a red oration with a roar: "Damned if I do it any more."

The little man gazed dim-eyed away. "I've been wonderin' what it leads to."

"What?"

"That road out yonder. I've been wonderin' what it leads to. Maybe, some discovery or something," said the little man.

The pudgy man laughed. "You're an idiot. It leads to ol' Jim Boyd's over on the Lumberland Pike."

"Ho!" said the little man, "I don't believe that."

The pudgy man swore. "Fool, what does it lead to, then?"

"I don't know just what, but I'm sure it leads to something great or something. It looks like it."

While the pudgy man was cursing, two more men came from obscurity with fish dangling from birch twigs. The pudgy man made an obviously herculean struggle and a meal was prepared. As he was drinking his cup of coffee, he suddenly spilled it and swore. The little man was wandering off.

"He's gone to look at that hole," cried the pudgy man.

The little man went to the edge of the pine-plumed hillock, and, sitting down, began to make smoke and regard the door to the forest. There was stillness for an hour. Compact clouds hung unstirred in the sky. The pines stood motionless, and pondering.

Suddenly the little man slapped his knees and bit his tongue. He stood up and determinedly filled his pipe, rolling his eye over the bowl to the doorway. Keeping his eyes fixed he slid dangerously to the foot of the hillock and walked down the wagon ruts. A moment later he passed from the noise of the sunshine to the gloom of the woods.

The green portals closed, shutting out live things. The little man trudged on alone.

Tall tangled grass grew in the roadway, and the trees bended obstructing branches. The little man followed on over pine-clothed ridges and down through water-soaked swales. His shoes were cut by rocks of the mountains, and he sank ankle-deep in mud and moss of swamps. A curve just ahead lured him miles.

Finally, as he wended the side of a ridge, the road disappeared from beneath his feet. He battled with hordes of ignorant bushes on his way to knolls and solitary trees which invited him. Once he came to a tall, bearded pine. He climbed it, and perceived in the distance a peak. He uttered an ejaculation and fell out.

He scrambled to his feet, and said: "That's Jones's Mountain, I guess. It's about six miles from our camp as the crow flies."

He changed his course away from the mountain, and attacked the bushes again. He climbed over great logs, golden-brown in decay, and was opposed by thickets of dark-green laurel. A brook slid through the ooze of a swamp, cedars and hemlocks hung their spray to the edges of pools.

The little man began to stagger in his walk. After a time he stopped and mopped his brow.

"My legs are about to shrivel up and drop off," he said.... "Still if I keep on in this direction, I am safe to strike the Lumberland Pike before sundown."

He dived at a clump of tag-alders, and emerging, confronted Jones's Mountain.

The wanderer sat down in a clear space and fixed his eyes on the summit. His mouth opened widely, and his body swayed at times. The little man and the peak stared in silence.

A lazy lake lay asleep near the foot of the mountain. In its bed of water-grass some frogs leered at the sky and crooned. The sun sank in red silence, and the shadows of the pines grew formidable. The expectant hush of evening, as if some thing were going to sing a hymn, fell upon the peak and the little man.

A leaping pickerel off on the water created a silver circle that was lost in black shadows. The little man shook himself and started to his feet, crying: "For the love of Mike, there's eyes in this mountain! I feel 'em! Eyes!"

He fell on his face.

When he looked again, he immediately sprang erect and ran.

"It's comin'!"

The mountain was approaching.

The little man scurried, sobbing through the thick growth. He felt his brain turning to water. He vanquished brambles with mighty bounds.

But after a time he came again to the foot of the mountain.

"God!" he howled, "it's been follerin' me." He grovelled.

Casting his eyes upward made circles swirl in his blood.

"I'm shackled I guess," he moaned. As he felt the heel of the mountain about to crush his head, he sprang again to his feet. He grasped a handful of small stones and hurled them.

"Damn you," he shrieked loudly. The pebbles rang against the face of the mountain.

The little man then made an attack. He climbed with hands and feet wildly. Brambles forced him back and stones slid from beneath his feet. The peak swayed and tottered, and was ever about to smite with a granite arm. The summit was a blaze of red wrath.

But the little man at last reached the top. Immediately he swaggered with valor to the edge of the cliff. His hands were scornfully in his pockets.

He gazed at the western horizon, edged sharply against a yellow sky. "Ho!" he said. "There's Boyd's house and the Lumberland Pike."

The mountain under his feet was motionless.



THE SNAKE

Where the path wended across the ridge, the bushes of huckleberry and sweet fern swarmed at it in two curling waves until it was a mere winding line traced through a tangle. There was no interference by clouds, and as the rays of the sun fell full upon the ridge, they called into voice innumerable insects which chanted the heat of the summer day in steady, throbbing, unending chorus.

A man and a dog came from the laurel thickets of the valley where the white brook brawled with the rocks. They followed the deep line of the path across the ridges. The dog—a large lemon and white setter—walked, tranquilly meditative, at his master's heels.

Suddenly from some unknown and yet near place in advance there came a dry, shrill whistling rattle that smote motion instantly from the limbs of the man and the dog. Like the fingers of a sudden death, this sound seemed to touch the man at the nape of the neck, at the top of the spine, and change him, as swift as thought, to a statue of listening horror, surprise, rage. The dog, too—the same icy hand was laid upon him, and he stood crouched and quivering, his jaw dropping, the froth of terror upon his lips, the light of hatred in his eyes.

Slowly the man moved his hands toward the bushes, but his glance did not turn from the place made sinister by the warning rattle. His fingers, unguided, sought for a stick of weight and strength. Presently they closed about one that seemed adequate, and holding this weapon poised before him the man moved slowly forward, glaring. The dog with his nervous nostrils fairly fluttering moved warily, one foot at a time, after his master.

But when the man came upon the snake, his body underwent a shock as if from a revelation, as if after all he had been ambushed. With a blanched face, he sprang forward and his breath came in strained gasps, his chest heaving as if he were in the performance of an extraordinary muscular trial. His arm with the stick made a spasmodic, defensive gesture.

The snake had apparently been crossing the path in some mystic travel when to his sense there came the knowledge of the coming of his foes. The dull vibration perhaps informed him, and he flung his body to face the danger. He had no knowledge of paths; he had no wit to tell him to slink noiselessly into the bushes. He knew that his implacable enemies were approaching; no doubt they were seeking him, hunting him. And so he cried his cry, an incredibly swift jangle of tiny bells, as burdened with pathos as the hammering upon quaint cymbals by the Chinese at war— for, indeed, it was usually his death-music.

"Beware! Beware! Beware!"

The man and the snake confronted each other. In the man's eyes were hatred and fear. In the snake's eyes were hatred and fear. These enemies maneuvered, each preparing to kill. It was to be a battle without mercy. Neither knew of mercy for such a situation. In the man was all the wild strength of the terror of his ancestors, of his race, of his kind. A deadly repulsion had been handed from man to man through long dim centuries. This was another detail of a war that had begun evidently when first there were men and snakes. Individuals who do not participate in this strife incur the investigations of scientists. Once there was a man and a snake who were friends, and at the end, the man lay dead with the marks of the snake's caress just over his East Indian heart. In the formation of devices, hideous and horrible, Nature reached her supreme point in the making of the snake, so that priests who really paint hell well fill it with snakes instead of fire. The curving forms, these scintillant coloring create at once, upon sight, more relentless animosities than do shake barbaric tribes. To be born a snake is to be thrust into a place a-swarm with formidable foes. To gain an appreciation of it, view hell as pictured by priests who are really skilful.

As for this snake in the pathway, there was a double curve some inches back of its head, which, merely by the potency of its lines, made the man feel with tenfold eloquence the touch of the death-fingers at the nape of his neck. The reptile's head was waving slowly from side to side and its hot eyes flashed like little murder-lights. Always in the air was the dry, shrill whistling of the rattles.

"Beware! Beware! Beware!"

The man made a preliminary feint with his stick. Instantly the snake's heavy head and neck were bended back on the double curve and instantly the snake's body shot forward in a low, strait, hard spring. The man jumped with a convulsive chatter and swung his stick. The blind, sweeping blow fell upon the snake's head and hurled him so that steel- colored plates were for a moment uppermost. But he rallied swiftly, agilely, and again the head and neck bended back to the double curve, and the steaming, wide-open mouth made its desperate effort to reach its enemy. This attack, it could be seen, was despairing, but it was nevertheless impetuous, gallant, ferocious, of the same quality as the charge of the lone chief when the walls of white faces close upon him in the mountains. The stick swung unerringly again, and the snake, mutilated, torn, whirled himself into the last coil.

And now the man went sheer raving mad from the emotions of his forefathers and from his own. He came to close quarters. He gripped the stick with his two hands and made it speed like a flail. The snake, tumbling in the anguish of final despair, fought, bit, flung itself upon this stick which was taking his life.

At the end, the man clutched his stick and stood watching in silence. The dog came slowly and with infinite caution stretched his nose forward, sniffing. The hair upon his neck and back moved and ruffled as if a sharp wind was blowing, the last muscular quivers of the snake were causing the rattles to still sound their treble cry, the shrill, ringing war chant and hymn of the grave of the thing that faces foes at once countless, implacable, and superior.

"Well, Rover," said the man, turning to the dog with a grin of victory, "we'll carry Mr. Snake home to show the girls."

His hands still trembled from the strain of the encounter, but he pried with his stick under the body of the snake and hoisted the limp thing upon it. He resumed his march along the path, and the dog walked tranquilly meditative, at his master's heels.



LONDON IMPRESSIONS

CHAPTER I

London at first consisted of a porter with the most charming manners in the world, and a cabman with a supreme intelligence, both observing my profound ignorance without contempt or humor of any kind observable in their manners. It was in a great resounding vault of a place where there were many people who had come home, and I was displeased because they knew the detail of the business, whereas I was confronting the inscrutable. This made them appear very stony-hearted to the sufferings of one of whose existence, to be sure, they were entirely unaware, and I remember taking great pleasure in disliking them heartily for it. I was in an agony of mind over my baggage, or my luggage, or my—perhaps it is well to shy around this terrible international question; but I remember that when I was a lad I was told that there was a whole nation that said luggage instead of baggage, and my boyish mind was filled at the time with incredulity and scorn. In the present case it was a thing that I understood to involve the most hideous confessions of imbecility on my part, because I had evidently to go out to some obscure point and espy it and claim it, and take trouble for it; and I would rather have had my pockets filled with bread and cheese, and had no baggage at all.

Mind you, this was not at all a homage that I was paying to London. I was paying homage to a new game. A man properly lazy does not like new experiences until they become old ones. Moreover, I have been taught that a man, any man, who has a thousand times more points of information on a certain thing than I have will bully me because of it, and pour his advantages upon my bowed head until I am drenched with his superiority. It was in my education to concede some license of the kind in this case, but the holy father of a porter and the saintly cabman occupied the middle distance imperturbably, and did not come down from their hills to clout me with knowledge. From this fact I experienced a criminal elation. I lost view of the idea that if I had been brow-beaten by porters and cabmen from one end of the United States to the other end I should warmly like it, because in numbers they are superior to me, and collectively they can have a great deal of fun out of a matter that would merely afford me the glee of the latent butcher.

This London, composed of a porter and a cabman, stood to me subtly as a benefactor. I had scanned the drama, and found that I did not believe that the mood of the men emanated unduly from the feature that there was probably more shillings to the square inch of me than there were shillings to the square inch of them. Nor yet was it any manner of palpable warm-heartedness or other natural virtue. But it was a perfect artificial virtue; it was drill, plain, simple drill. And now was I glad of their drilling, and vividly approved of it, because I saw that it was good for me. Whether it was good or bad for the porter and the cabman I could not know; but that point, mark you, came within the pale of my respectable rumination.

I am sure that it would have been more correct for me to have alighted upon St. Paul's and described no emotion until I was overcome by the Thames Embankment and the Houses of Parliament. But as a matter of fact I did not see them for some days, and at this time they did not concern me at all. I was born in London at a railroad station, and my new vision encompassed a porter and a cabman. They deeply absorbed me in new phenomena, and I did not then care to see the Thames Embankment nor the Houses of Parliament. I considered the porter and the cabman to be more important.

CHAPTER II

The cab finally rolled out of the gas-lit vault into a vast expanse of gloom. This changed to the shadowy lines of a street that was like a passage in a monstrous cave. The lamps winking here and there resembled the little gleams at the caps of the miners. They were not very competent illuminations at best, merely being little pale flares of gas that at their most heroic periods could only display one fact concerning this tunnel—the fact of general direction. But at any rate I should have liked to have observed the dejection of a search-light if it had been called upon to attempt to bore through this atmosphere. In it each man sat in his own little cylinder of vision, so to speak. It was not so small as a sentry-box nor so large as a circus tent, but the walls were opaque, and what was passing beyond the dimensions of his cylinder no man knew.

It was evident that the paving was very greasy, but all the cabs that passed through my cylinder were going at a round trot, while the wheels, shod in rubber, whirred merely like bicycles. The hoofs of the animals themselves did not make that wild clatter which I knew so well. New York in fact, roars always like ten thousand devils. We have ingenuous and simple ways of making a din in New York that cause the stranger to conclude that each citizen is obliged by statute to provide himself with a pair of cymbals and a drum. If anything by chance can be turned into a noise it is promptly turned. We are engaged in the development of a human creature with very large, sturdy, and doubly, fortified ears.

It was not too late at night, but this London moved with the decorum and caution of an undertaker. There was a silence, and yet there was no silence. There was a low drone, perhaps a humming contributed inevitably by closely-gathered thousands, and yet on second thoughts it was to me silence. I had perched my ears for the note of London, the sound made simply by the existence of five million people in one place. I had imagined something deep, vastly deep, a bass from a mythical organ, but found as far as I was concerned, only a silence.

New York in numbers is a mighty city, and all day and all night it cries its loud, fierce, aspiring cry, a noise of men beating upon barrels, a noise of men beating upon tin, a terrific racket that assails the abject skies. No one of us seemed to question this row as a certain consequence of three or four million people living together and scuffling for coin, with more agility, perhaps, but otherwise in the usual way. However, after this easy silence of London, which in numbers is a mightier city, I began to feel that there was a seduction in this idea of necessity. Our noise in New York was not a consequence of our rapidity at all. It was a consequence of our bad pavements.

Any brigade of artillery in Europe that would love to assemble its batteries, and then go on a gallop over the land, thundering and thundering, would give up the idea of thunder at once if it could hear Tim Mulligan drive a beer wagon along one of the side streets of cobbled New York.

CHAPTER III

Finally a great thing came to pass. The cab horse, proceeding at a sharp trot, found himself suddenly at the top of an incline, where through the rain the pavement shone like an expanse of ice. It looked to me as if there was going to be a tumble. In an accident of such a kind a hansom becomes really a cannon in which a man finds that he has paid shillings for the privilege of serving as a projectile. I was making a rapid calculation of the arc that I would describe in my flight, when the horse met his crisis with a masterly device that I could not have imagined. He tranquilly braced his four feet like a bundle of stakes, and then, with a gentle gaiety of demeanor, he slid swiftly and gracefully to the bottom of the hill as if he had been a toboggan. When the incline ended he caught his gait again with great dexterity, and went pattering off through another tunnel.

I at once looked upon myself as being singularly blessed by this sight. This horse had evidently originated this system of skating as a diversion, or, more probably, as a precaution against the slippery pavement; and he was, of course the inventor and sole proprietor—two terms that are not always in conjunction. It surely was not to be supposed that there could be two skaters like him in the world. He deserved to be known and publicly praised for this accomplishment. It was worthy of many records and exhibitions. But when the cab arrived at a place where some dipping streets met, and the flaming front of a music-hall temporarily widened my cylinder, behold there were many cabs, and as the moment of necessity came the horses were all skaters. They were gliding in all directions. It might have been a rink. A great omnibus was hailed by a hand under an umbrella on the side walk, and the dignified horses bidden to halt from their trot did not waste time in wild and unseemly spasms. They, too, braced their legs and slid gravely to the end of their momentum.

It was not the feat, but it was the word which had at this time the power to conjure memories of skating parties on moonlit lakes, with laughter ringing over the ice, and a great red bonfire on the shore among the hemlocks.

CHAPTER IV

A Terrible thing in nature is the fall of a horse in his harness. It is a tragedy. Despite their skill in skating there was that about the pavement on the rainy evening which filled me with expectations of horses going headlong. Finally it happened just in front. There was a shout and a tangle in the darkness, and presently a prostrate cab horse came within my cylinder. The accident having been a complete success and altogether concluded, a voice from the side walk said, "Look out, now! Be more careful, can't you?"

I remember a constituent of a Congressman at Washington who had tried in vain to bore this Congressman with a wild project of some kind. The Congressman eluded him with skill, and his rage and despair ultimately culminated in the supreme grievance that he could not even get near enough to the Congressman to tell him to go to Hades.

This cabman should have felt the same desire to strangle this man who spoke from the sidewalk. He was plainly impotent; he was deprived of the power of looking out. There was nothing now for which to look out. The man on the sidewalk had dragged a corpse from a pond and said to it,

"Be more careful, can't you, or you'll drown?" My cabman pulled up and addressed a few words of reproach to the other. Three or four figures loomed into my cylinder, and as they appeared spoke to the author or the victim of the calamity in varied terms of displeasure. Each of these reproaches was couched in terms that defined the situation as impending. No blind man could have conceived that the precipitate phrase of the incident was absolutely closed.

"Look out now, cawn't you?" And there was nothing in his mind which approached these sentiments near enough to tell them to go to Hades.

However, it needed only an ear to know presently that these expressions were formulae. It was merely the obligatory dance which the Indians had to perform before they went to war. These men had come to help, but as a regular and traditional preliminary they had first to display to this cabman their idea of his ignominy.

The different thing in the affair was the silence of the victim. He retorted never a word. This, too, to me seemed to be an obedience to a recognized form. He was the visible criminal, if there was a criminal, and there was born of it a privilege for them.

They unfastened the proper straps and hauled back the cab. They fetched a mat from some obscure place of succor, and pushed it carefully under the prostrate thing. From this panting, quivering mass they suddenly and emphatically reconstructed a horse. As each man turned to go his way he delivered some superior caution to the cabman while the latter buckled his harness.

CHAPTER V

There was to be noticed in this band of rescuers a young man in evening clothes and top-hat. Now, in America a young man in evening clothes and a top-hat may be a terrible object. He is not likely to do violence, but he is likely to do impassivity and indifference to the point where they become worse than violence. There are certain of the more idle phases of civilization to which America has not yet awakened—and it is a matter of no moment if she remains unaware. This matter of hats is one of them. I recall a legend recited to me by an esteemed friend, ex-Sheriff of Tin Can, Nevada. Jim Cortright, one of the best gun-fighters in town, went on a journey to Chicago, and while there he procured a top-hat. He was quite sure how Tin Can would accept this innovation, but he relied on the celerity with which he could get a six-shooter in action. One Sunday Jim examined his guns with his usual care, placed the top-hat on the back of his head, and sauntered coolly out into the streets of Tin Can.

Now, while Jim was in Chicago some progressive citizen had decided that Tin Can needed a bowling alley. The carpenters went to work the next morning, and an order for the balls and pins was telegraphed to Denver. In three days the whole population was concentrated at the new alley betting their outfits and their lives.

It has since been accounted very unfortunate that Jim Cortright had not learned of bowling alleys at his mother's knee or even later in the mines. This portion of his mind was singularly belated. He might have been an Apache for all he knew of bowling alleys.

In his careless stroll through the town, his hands not far from his belt and his eyes going sideways in order to see who would shoot first at the hat, he came upon this long, low shanty where Tin Can was betting itself hoarse over a game between a team from the ranks of Excelsior Hose Company No. 1 and a team composed from the habitues of the "Red Light" saloon.

Jim, in blank ignorance of bowling phenomena, wandered casually through a little door into what must always be termed the wrong end of a bowling alley. Of course, he saw that the supreme moment had come. They were not only shooting at the hat and at him, but the low-down cusses were using the most extraordinary and hellish ammunition. Still, perfectly undaunted, however, Jim retorted with his two Colts, and killed three of the best bowlers in Tin Can.

The ex-Sheriff vouched for this story. He himself had gone headlong through the door at the firing of the first shot with that simple courtesy which leads Western men to donate the fighters plenty of room. He said that afterwards the hat was the cause of a number of other fights, and that finally a delegation of prominent citizens was obliged to wait upon Cortright and ask him if he wouldn't take that thing away somewhere and bury it. Jim pointed out to them that it was his hat, and that he would regard it as a cowardly concession if he submitted to their dictation in the matter of his headgear. He added that he purposed to continue to wear his top-hat on every occasion when he happened to feel that the wearing of a top-hat was a joy and a solace to him.

The delegation sadly retired, and announced to the town that Jim Cortright had openly defied them, and had declared his purpose of forcing his top-hat on the pained attention of Tin Can whenever he chose. Jim Cortright's plug hat became a phrase with considerable meaning to it.

However, the whole affair ended in a great passionate outburst of popular revolution. Spike Foster was a friend of Cortright, and one day, when the latter was indisposed, Spike came to him and borrowed the hat. He had been drinking heavily at the "Red Light," and was in a supremely reckless mood. With the terrible gear hanging jauntily over his eye and his two guns drawn, he walked straight out into the middle of the square in front of the Palace Hotel, and drew the attention of all Tin Can by a blood-curdling imitation of the yowl of a mountain lion.

This was when the long suffering populace arose as one man. The top-hat had been flaunted once too often. When Spike Foster's friends came to carry him away they found nearly a hundred and fifty men shooting busily at a mark—and the mark was the hat.

My informant told me that he believed he owed his popularity in Tin Can, and subsequently his election to the distinguished office of Sheriff, to the active and prominent part he had taken in the proceedings.

The enmity to the top-hat expressed by the convincing anecdote exists in the American West at present, I think, in the perfection of its strength; but disapproval is not now displayed by volleys from the citizens, save in the most aggravating cases. It is at present usually a matter of mere jibe and general contempt. The East, however, despite a great deal of kicking and gouging, is having the top-hat stuffed slowly and carefully down its throat, and there now exist many young men who consider that they could not successfully conduct their lives without this furniture.

To speak generally, I should say that the headgear then supplies them with a kind of ferocity of indifference. There is fire, sword, and pestilence in the way they heed only themselves. Philosophy should always know that indifference is a militant thing. It batters down the walls of cities, and murders the women and children amid flames and the purloining of altar vessels. When it goes away it leaves smoking ruins, where lie citizens bayoneted through the throat. It is not a children's pastime like mere highway robbery.

Consequently in America we may be much afraid of these young men. We dive down alleys so that we may not kowtow. It is a fearsome thing.

Taught thus a deep fear of the top-hat in its effect upon youth, I was not prepared for the move of this particular young man when the cab- horse fell. In fact, I grovelled in my corner that I might not see the cruel stateliness of his passing. But in the meantime he had crossed the street, and contributed the strength of his back and some advice, as well as the formal address, to the cabman on the importance of looking out immediately.

I felt that I was making a notable collection. I had a new kind of porter, a cylinder of vision, horses that could skate, and now I added a young man in a top-hat who would tacitly admit that the beings around him were alive. He was not walking a churchyard filled with inferior headstones. He was walking the world, where there were people, many people.

But later I took him out of the collection. I thought he had rebelled against the manner of a class, but I soon discovered that the top-hat was not the property of a class. It was the property of rogues, clerks, theatrical agents, damned seducers, poor men, nobles, and others. In fact, it was the universal rigging. It was the only hat; all other forms might as well be named ham, or chops, or oysters. I retracted my admiration of the young man because he may have been merely a rogue.

CHAPTER VI

There was a window whereat an enterprising man by dodging two placards and a calendar was entitled to view a young woman. She was dejectedly writing in a large book. She was ultimately induced to open the window a trifle. "What nyme, please?" she said wearily. I was surprised to hear this language from her. I had expected to be addressed on a submarine topic. I have seen shell fishes sadly writing in large books at the bottom of a gloomy acquarium who could not ask me what was my "nyme."

At the end of the hall there was a grim portal marked "lift." I pressed an electric button and heard an answering tinkle in the heavens. There was an upholstered settle near at hand, and I discovered the reason. A deer-stalking peace drooped upon everything, and in it a man could invoke the passing of a lazy pageant of twenty years of his life. The dignity of a coffin being lowered into a grave surrounded the ultimate appearance of the lift. The expert we in America call the elevator-boy stepped from the car, took three paces forward, faced to attention and saluted. This elevator boy could not have been less than sixty years of age; a great white beard streamed towards his belt. I saw that the lift had been longer on its voyage than I had suspected.

Later in our upward progress a natural event would have been an establishment of social relations. Two enemies imprisoned together during the still hours of a balloon journey would, I believe, suffer a mental amalgamation. The overhang of a common fate, a great principal fact, can make an equality and a truce between any pair. Yet, when I disembarked, a final survey of the grey beard made me recall that I had failed even to ask the boy whether he had not taken probably three trips on this lift.

My windows overlooked simply a great sea of night, in which were swimming little gas fishes.

CHAPTER VII

I have of late been led to reflect wistfully that many of the illustrators are very clever. In an impatience, which was donated by a certain economy of apparel, I went to a window to look upon day-lit London. There were the 'buses parading the streets with the miens of elephants There were the police looking precisely as I had been informed by the prints. There were the sandwich-men. There was almost everything.

But the artists had not told me the sound of London. Now, in New York the artists are able to portray sound because in New York a dray is not a dray at all; it is a great potent noise hauled by two or more horses. When a magazine containing an illustration of a New York street is sent to me, I always know it beforehand. I can hear it coming through the mails. As I have said previously, this which I must call sound of London was to me only a silence.

Later, in front of the hotel a cabman that I hailed said to me—"Are you gowing far, sir? I've got a byby here, and want to giv'er a bit of a blough." This impressed me as being probably a quotation from an early Egyptian poet, but I learned soon enough that the word "byby" was the name of some kind or condition of horse. The cabman's next remark was addressed to a boy who took a perilous dive between the byby's nose and a cab in front. "That's roight. Put your head in there and get it jammed—a whackin good place for it, I should think." Although the tone was low and circumspect, I have never heard a better off-handed declamation. Every word was cut clear of disreputable alliances with its neighbors. The whole thing was clean as a row of pewter mugs. The influence of indignation upon the voice caused me to reflect that we might devise a mechanical means of inflaming some in that constellation of mummers which is the heritage of the Anglo-Saxon race.

Then I saw the drilling of vehicles by two policemen. There were four torrents converging at a point, and when four torrents converge at one point engineering experts buy tickets for another place.

But here, again, it was drill, plain, simple drill. I must not falter in saying that I think the management of the traffic—as the phrase goes— to be distinctly illuminating and wonderful. The police were not ruffled and exasperated. They were as peaceful as two cows in a pasture.

I can remember once remarking that mankind, with all its boasted modern progress, had not yet been able to invent a turnstile that will commute in fractions. I have now learned that 756 rights-of-way cannot operate simultaneously at one point. Right-of-way, like fighting women, requires space. Even two rights-of-way can make a scene which is only suited to the tastes of an ancient public.

This truth was very evidently recognized. There was only one right-of- way at a time. The police did not look behind them to see if their orders were to be obeyed; they knew they were to be obeyed. These four torrents were drilling like four battalions. The two blue-cloth men maneuvered them in solemn, abiding peace, the silence of London.

I thought at first that it was the intellect of the individual, but I looked at one constable closely and his face was as afire with intelligence as a flannel pin-cushion. It was not the police, and it was not the crowd. It was the police and the crowd. Again, it was drill.

CHAPTER VIII

I have never been in the habit of reading signs. I don't like to read signs. I have never met a man that liked to read signs. I once invented a creature who could play the piano with a hammer, and I mentioned him to a professor in Harvard University whose peculiarity was Sanscrit. He had the same interest in my invention that I have in a certain kind of mustard. And yet this mustard has become a part of me. Or, I have become a part of this mustard. Further, I know more of an ink, a brand of hams, a kind of cigarette, and a novelist than any man living. I went by train to see a friend in the country, and after passing through a patent mucilage, some more hams, a South African Investment Company, a Parisian millinery firm, and a comic journal, I alighted at a new and original kind of corset. On my return journey the road almost continuously ran through soap.

I have accumulated superior information concerning these things, because I am at their mercy. If I want to know where I am I must find the definitive sign. This accounts for my glib use of the word mucilage, as well as the titles of other staples.

I suppose even the Briton in mixing his life must sometimes consult the labels on 'buses and streets and stations, even as the chemist consults the labels on his bottles and boxes. A brave man would possibly affirm that this was suggested by the existence of the labels.

The reason that I did not learn more about hams and mucilage in New York seems to me to be partly due to the fact that the British advertiser is allowed to exercise an unbridled strategy in his attack with his new corset or whatever upon the defensive public. He knows that the vulnerable point is the informatory sign which the citizen must, of course, use for his guidance, and then, with horse, foot, guns, corsets, hams, mucilage, investment companies, and all, he hurls himself at the point.

Meanwhile I have discovered a way to make the Sanscrit scholar heed my creature who plays the piano with a hammer.



THE SCOTCH EXPRESS

The entrance to Euston Station is of itself sufficiently imposing. It is a high portico of brown stone, old and grim, in form a casual imitation, no doubt, of the front of the temple of Nike Apteros, with a recollection of the Egyptians proclaimed at the flanks. The frieze, where of old would prance an exuberant processional of gods, is, in this case, bare of decoration, but upon the epistyle is written in simple, stern letters the word "EUSTON." The legend reared high by the gloomy Pelagic columns stares down a wide avenue, In short, this entrance to a railway station does not in any way resemble the entrance to a railway station. It is more the front of some venerable bank. But it has another dignity, which is not born of form. To a great degree, it is to the English and to those who are in England the gate to Scotland.

The little hansoms are continually speeding through the gate, dashing between the legs of the solemn temple; the four-wheelers, their tops crowded with luggage, roll in and out constantly, and the footways beat under the trampling of the people. Of course, there are the suburbs and a hundred towns along the line, and Liverpool, the beginning of an important sea-path to America, and the great manufacturing cities of the North; but if one stands at this gate in August particularly, one must note the number of men with gun-cases, the number of women who surely have Tam-o'-Shanters and plaids concealed within their luggage, ready for the moors. There is, during the latter part of that month, a wholesale flight from London to Scotland which recalls the July throngs leaving New York for the shore or the mountains.

The hansoms, after passing through this impressive portal of the station, bowl smoothly across a courtyard which is in the center of the terminal hotel, an institution dear to most railways in Europe. The traveler lands amid a swarm of porters, and then proceeds cheerfully to take the customary trouble for his luggage. America provides a contrivance in a thousand situations where Europe provides a man or perhaps a number of men, and the work of our brass check is here done by porters, directed by the traveler himself. The men lack the memory of the check; the check never forgets its identity. Moreover, the European railways generously furnish the porters at the expense of the traveler. Nevertheless, if these men have not the invincible business precision of the check, and if they have to be tipped, it can be asserted for those who care that in Europe one-half of the populace waits on the other half most diligently and well.